docker_partition_jlg/Docker/mariadb/wordpress.sql

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-- Host: localhost    Database: wordpress
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-- Server version	10.11.2-MariaDB-1:10.11.2+maria~ubu2204

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Your account has been approved and is now active.<br /><br />To login please visit the following url:<br /><br />{login_url}<br /><br />Your account e-mail: {email}<br />Your account username: {username}<br />Set your account password: {password_reset_link}<br /><br />If you have any problems, please contact us at {admin_email}<br /><br />Thanks,<br />{site_name}\";s:17:\"rejected_email_on\";b:0;s:18:\"rejected_email_sub\";s:30:\"Your account has been rejected\";s:14:\"rejected_email\";s:288:\"Hi {display_name},<br /><br />Thank you for applying for membership to {site_name}! We have reviewed your information and unfortunately we are unable to accept you as a member at this moment.<br /><br />Please feel free to apply again at a future date.<br /><br />Thanks,<br />{site_name}\";s:17:\"inactive_email_on\";b:1;s:18:\"inactive_email_sub\";s:33:\"Your account has been deactivated\";s:14:\"inactive_email\";s:250:\"Hi {display_name},<br /><br />This is an automated email to let you know your {site_name} account has been deactivated.<br /><br />If you would like your account to be reactivated please contact us at {admin_email}<br /><br />Thanks,<br />{site_name}\";s:17:\"deletion_email_on\";b:1;s:18:\"deletion_email_sub\";s:29:\"Your account has been deleted\";s:14:\"deletion_email\";s:355:\"Hi {display_name},<br /><br />This is an automated email to let you know your {site_name} account has been deleted. All of your personal information has been permanently deleted and you will no longer be able to login to {site_name}.<br /><br />If your account has been deleted by accident please contact us at {admin_email} <br />Thanks,<br />{site_name}\";s:16:\"resetpw_email_on\";b:1;s:17:\"resetpw_email_sub\";s:19:\"Reset your password\";s:13:\"resetpw_email\";s:303:\"Hi {display_name},<br /><br />We received a request to reset the password for your account. If you made this request, click the link below to change your password:<br /><br />{password_reset_link}<br /><br />If you didn\'t make this request, you can ignore this email <br /><br />Thanks,<br />{site_name}\";s:18:\"changedpw_email_on\";b:1;s:19:\"changedpw_email_sub\";s:42:\"Your {site_name} password has been changed\";s:15:\"changedpw_email\";s:307:\"Hi {display_name},<br /><br />You recently changed the password associated with your {site_name} account.<br /><br />If you did not make this change and believe your {site_name} account has been compromised, please contact us at the following email address: {admin_email}<br /><br />Thanks,<br />{site_name}\";s:23:\"changedaccount_email_on\";b:1;s:24:\"changedaccount_email_sub\";s:39:\"Your account at {site_name} was updated\";s:20:\"changedaccount_email\";s:278:\"Hi {display_name},<br /><br />You recently updated your {site_name} account.<br /><br />If you did not make this change and believe your {site_name} account has been compromised, please contact us at the following email address: {admin_email}<br /><br />Thanks,<br />{site_name}\";s:24:\"notification_new_user_on\";b:1;s:25:\"notification_new_user_sub\";s:30:\"[{site_name}] New user account\";s:21:\"notification_new_user\";s:211:\"{display_name} has just created an account on {site_name}. 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Also, save the date for a live product demo tentatively scheduled for Thursday, July 20, 2023 at 16:00 UTC (link TBD). This will be a great opportunity to join the WordPress community to celebrate the accomplishments of 6.3 and this final chapter of <a href=\"https://make.wordpress.org/core/2023/02/04/phase-2-finale/\">Phase 2</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Beta 3 highlights</h2>\n\n\n\n<p>Thanks to the many WordPress beta testers, this release contains approximately 34 (Site Editor) and 40+ (Trac) updates since the <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">Beta 2 release</a>. Nice work, team!</p>\n\n\n\n<p>Testers should note that the &#8220;Patterns Library&#8221; is <a href=\"https://github.com/WordPress/gutenberg/pull/52102\">now simply called <em>Patterns</em></a> in the UI. 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Review the many <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">new features in WordPress 6.3</a> and focus your testing efforts on those areas in particular.</p>\n\n\n\n<ul>\n<li>Encountered an issue? Please report it to the <a href=\"https://wordpress.org/support/forum/alphabeta/\">Alpha/Beta area</a> in the support forums. If you are comfortable writing a reproducible bug report, you can <a href=\"https://core.trac.wordpress.org/newticket\">file one on WordPress Trac</a>. You can also check your issue against a list of <a href=\"https://core.trac.wordpress.org/tickets/major\">known bugs</a>.</li>\n\n\n\n<li>New to testing? This <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">detailed guide</a> is a great place to start if you&#8217;ve never tested a beta release.</li>\n\n\n\n<li>Want to know more about testing releases in general? Follow along with the <a href=\"https://make.wordpress.org/test/\">testing initiatives in Make Core</a> and join the <a href=\"https://wordpress.slack.com/messages/core-test/\">#core-test channel</a> on the <a href=\"https://wordpress.slack.com/\">Making WordPress Slack</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Vulnerability bounty doubles during the Beta/RC phases</h2>\n\n\n\n<p>Between the Beta 1 release and the final release candidate (RC), the <a href=\"https://make.wordpress.org/security/2023/06/28/doubling-the-bounties-for-wordpress-6-3-beta/\">monetary reward for reporting new, unreleased security vulnerabilities is double</a>. Please follow responsible disclosure practices as detailed in the project’s security practices and policies outlined on the <a href=\"https://hackerone.com/wordpress\">HackerOne page</a> and in the <a href=\"https://wordpress.org/about/security/\">security white paper</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Get WordPress 6.3 Beta 3</h2>\n\n\n\n<p>You can test WordPress 6.3 Beta 3 in three ways:</p>\n\n\n\n<ul>\n<li><strong>Option 1:</strong> Install and activate the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\">WordPress Beta Tester</a> plugin (select the “Bleeding edge” channel and “Beta/RC Only” stream).</li>\n\n\n\n<li><strong>Option 2: </strong>Direct download the <a href=\"https://wordpress.org/wordpress-6.3-beta3.zip\">Beta 3 version (zip)</a>.</li>\n\n\n\n<li><strong>Option 3:</strong> Use the following WP-CLI command:<br><code>wp core update --version=6.3-beta3</code></li>\n</ul>\n\n\n\n<p>The current target for the final release is <strong>August 8, 2023</strong>, which is about five weeks away. Your help testing this version ensures everything in this release is the best.</p>\n\n\n\n<h2 class=\"wp-block-heading\">A Beta 3 Haiku for You</h2>\n\n\n\n<p>Beta three, a peek<br>Summer here and winter there<br>A fourth in one week</p>\n\n\n\n<p><em>Thank you to the contributors who collaborated on this post: </em><a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a>, <a href=\"https://profiles.wordpress.org/meher/\"><em>@Meher</em></a>, <a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a><em>, </em><a href=\"https://profiles.wordpress.org/eidolonnight/\"><em>@eidolonnight</em></a><em>, </em><a href=\"https://profiles.wordpress.org/davidbaumwald/\"><em>@davidbaumwald</em></a>, <a href=\"https://profiles.wordpress.org/priethor/\">@priethor</a>, and <a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a> for the Haiku.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15340\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"WP Briefing: Episode 59: A Polyglot’s WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2023/07/episode-59-a-polyglots-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=15281\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:227:\"Join WordPress Executive Director Josepha Haden Chomphosy in the 59th episode of the WordPress Briefing. Today she invites guest speaker Alex Kirk to discuss Polyglots’ work to continue to help bring translation to WordPress.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:60:\"https://wordpress.org/news/files/2023/06/WP-Briefing-059.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brett McSherry\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:30284:\"\n<p>Join WordPress Executive Director Josepha Haden Chomphosy in the 59th episode of the WordPress Briefing. Today she invites guest speaker Alex Kirk to discuss Polyglots&#8217; work to continue to help bring translation to WordPress.   </p>\n\n\n\n<p><em><strong>Have a question you’d like answered? You can submit them to&nbsp;<a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Host: <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a><br>Guests: <a href=\"https://profiles.wordpress.org/akirk/\">Alex Kirk</a><br>Editor: <a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br>Logo: <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br>Production: <a href=\"https://profiles.wordpress.org/bjmcsherry/\">Brett McSherry</a> and <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a><br>Song: Fearless First by Kevin MacLeod</p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/\">Polyglots team</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/about/roadmap/\">Gutenberg Project roadmap</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/plugins/glotpress/\">GlotPress plugin</a></li>\n\n\n\n<li><a href=\"https://translate.wordpress.org/\">Translating WordPress</a> &#8211; Contribute to WordPress core, themes, and plugins by translating them into your language.</li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/playground/\">WordPress Playground</a> &#8211; WordPress that runs entirely in your browser.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/08/translate-live-updates-to-the-translation-playground/\">Translate Live: Updates to the Translation Playground</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/\">Polyglots Roles and Capabilities</a> &#8211; Including the <a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/#general-translation-editor\">GTE</a> and <a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/#project-translation-editor\">PTE</a> roles.</li>\n\n\n\n<li><a href=\"https://href.li/?https://2023.wpcampus.org/\">WPCampus 2023</a> &#8211; A hybrid event, July 12th through the 14th, at Tulane University in New Orleans, Louisiana. Topics focus on the growth of higher education, accessibility, WordPress, and anyone who works in higher education.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/06/23/launch-your-wordpress-contributor-journey-through-the-mentorship-program-pilot/\">Launch your WordPress Contributor Journey through the Mentorship Program Pilot</a> &#8211; A cohort-based onboarding experience with guided courses and live workshops for those interested in contributing to the project but unsure where to begin.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/20/make-team-dashboards/\">Make Team Dashboards</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-15281\"></span>\n\n\n\n<p><em>( Intro music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:10]&nbsp;</strong></p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress open source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks. I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p><em>( Intro music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:39]&nbsp;</strong></p>\n\n\n\n<p>I have with me Alex Kirk, who is a longtime WordPress contributor and who has been instrumental in recent innovations in the Polyglots&#8217; work. Phase four of the Gutenberg project is native multilingual support, and so I see this work that is being done as instrumental, not only for our global community but in support of what&#8217;s to come in that specific roadmap.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:59]&nbsp;</strong></p>\n\n\n\n<p>So without further ado, Alex Kirk, welcome to the WordPress Briefing.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:03]</strong></p>\n\n\n\n<p>Hello, how are you doing?&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:01:05]</strong></p>\n\n\n\n<p>I&#8217;m good. I&#8217;m good. Can you, let&#8217;s, because I bet that not a lot of people know who you are, can you first start by just telling me a bit about your work with WordPress, and then let us know what GlotPress is, for those of us who don&#8217;t know yet?&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:19]</strong></p>\n\n\n\n<p>All right. So, Automattic sponsors me to work in the WordPress project on the Meta team and on the Polyglots team. So I spent time on improving or helping improve the software that powers the translation on WordPress.org. But I also work on the meta team on things like Matrix and evaluating if it would be a good fit for WordPress to switch to Matrix for their chat system.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:01:46]</strong></p>\n\n\n\n<p>So a lot of really big projects that you work on, all of that kind of stuff that has no easy solutions anymore, is where you are right now. Huh?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:56]</strong></p>\n\n\n\n<p>Yeah, there&#8217;s no clear path, but it&#8217;s our mission to find it. So that&#8217;s part of what makes things interesting.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:02:05]</strong></p>\n\n\n\n<p>Cool. So for folks who don&#8217;t know too much about the Polyglots team or generally translating WordPress, the software, can you let us know a bit about what GlotPress is?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:02:16]</strong></p>\n\n\n\n<p>Right. So the translation system that powers WordPress.org is called GlotPress. It used to be a standalone software that was developed a couple of years ago, and it was transformed into a WordPress plugin at some point, and now powers the translation that happens on WordPress.org. So we translate WordPress core there from English to other languages, plugins, themes, block patterns, and it all happens through this software called GlotPress. There are a couple GlotPress installations around the world, but I think the WordPress.org one is one of the bigger ones.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:02:55]</strong></p>\n\n\n\n<p>Probably, WordPress.org is pretty, pretty massive. Also, I think it&#8217;s great that you said that GlotPress was created a couple of years ago, like that, that indicates to me that you&#8217;re working on a really different timescale than a lot of folks are in WordPress.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:03:10]</strong></p>\n\n\n\n<p>So Alex, tell me a little bit about what it takes to ship translated WordPress software. So, I mean, for people who don&#8217;t need translated WordPress, like obviously we don&#8217;t have a good idea of what it takes to make sure that WordPress is available in so many languages. So what goes into the work of making sure that that happens?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:03:32]</strong></p>\n\n\n\n<p>All right, so typically the WordPress software and plugins and themes are primarily created in English. And for it to be available in other languages, it needs to be translated. And for that to be able to happen, the programmers need to make the software translatable. Basically, they&#8217;re providing each English string for the translation software to be available to be transformed, so to speak, into another language and to what it&#8217;s being transformed to. This is what the translators do. So they go into the GlotPress software and see the list of texts that need to be translated and translate it to their language that they speak. Typically there is a process around this.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:03:32]</strong></p>\n\n\n\n<p>So, we&#8217;ve got people who have lots of experience in translation. And specifically in translating WordPress or WordPress plugins. And they&#8217;re kind of the, the people who help ensure good quality of translation. So anybody who&#8217;s working the WordPress project, so basically who has a WordPress.org account, can come in and address the translation. And that translation enters the system, so to speak, in a waiting state. And then somebody who we promoted to be a Translation Editor will come along and take a look at your translation and will approve it or will give you suggestions how to do the translation in a better way, or come up with maybe even a better translation.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:03]</strong></p>\n\n\n\n<p>You know, when you have like a small thing that&#8217;s just not right, like a missing full stop or something like that. They might just add it for you. And well, as soon as the plugin or software is translated to a certain level of translations those translations will be shipped out to the WordPress installs.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:20]</strong></p>\n\n\n\n<p>So, for example, for a plugin, you would reach 90% of translated strings. Those translations will then be basically packed up into zip file, a language pack and delivered to each WordPress so that you can have the translations available there.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:05:35]</strong></p>\n\n\n\n<p>And is 90% the threshold for plugins only, or is that also the threshold for like themes and the CMS itself?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:34]</strong></p>\n\n\n\n<p>Well. We strive for 100%, I would say.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:05:47]</strong></p>\n\n\n\n<p>Good. <em>( laughs )</em></p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:48]</strong></p>\n\n\n\n<p>And, 90% more of a motivational point. To be actually honest, I&#8217;m not sure if the threshold is 90% for every project or even if it&#8217;s actually 90%. It&#8217;s different between different GlotPress installations and it&#8217;s basically something that is made as a setting that can be changed. There&#8217;s, it&#8217;s an arbitrary number. Typically you&#8217;d actually want to make sure that the most important strings are translated first. So the ones like, if you look at the whole picture, software usually consists of many parts, many of whom are not encountered by people on a regular basis. For example, error messages that could be like obscure error messages, and you could argue that those might be not as important. Or even sometimes you could even say like, do they need to be translated? Because if you encounter an error message and you search the internet, wouldn&#8217;t you probably want everybody to search for the English one to find the solution? But that set-aside, it&#8217;s important to have like the headline of the plugin or like the most important strings translated, and typically translating those most important strings will take you to a pretty high percentage so that we can then say it&#8217;s good enough to be shipped.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:07:02]</strong></p>\n\n\n\n<p>Gotcha. I see, I see. Okay. Well, we talked a bit earlier about GlotPress&#8217;s timeline. It has been around for a bit, I know. But with that kind of in mind, have there been any notable changes to GlotPress recently?&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:07:19]</strong></p>\n\n\n\n<p>Yeah, so I think for GlotPress there&#8217;s been a bit of an up and down over time in terms of engagement and progress on the software. But in, in the recent year, I think we&#8217;ve added a couple of things that have been very helpful for translators. So one of them was adding the commenting functionality, so yeah.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:07:35]</strong></p>\n\n\n\n<p>Super helpful. Shocked it wasn&#8217;t there before. Sorry, translators. Sorry, all of our polyglots.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:07:40]</strong></p>\n\n\n\n<p>Well, it can be like there was when GlotPress was created there, there is like the, a big part of GlotPress are these states, like the waiting state when you enter translation, and then there&#8217;s approved state, which basically a translation we say it&#8217;s set to current, and there&#8217;s all sorts of process around it. So if the software is updated or translation might get fuzzy. But also like, if somebody submits a translation that doesn&#8217;t fully conform to what&#8217;s the translation editors, or like what the standards of the translation community have been set to, then you would have to need to reject it.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:08:16]</strong></p>\n\n\n\n<p>And that has been something that we felt wasn&#8217;t a very good and enticing way of telling people like, we appreciate your work. It wasn&#8217;t just quite right, but it&#8217;s more of a rejection. So this is how we came up with this like, let&#8217;s give people the option to say what was wrong and give them a chance to try again without making them feel rejected.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:08:38]</strong></p>\n\n\n\n<p>Yeah. Sort of a &#8220;No, but&#8230;&#8221; as opposed to a, just refusal to receive it.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:08:45]</strong></p>\n\n\n\n<p>And other things that we&#8217;ve worked on is, like, with the recent search of AI, like getting help from AI on translation and also on reviews. So, there&#8217;s some interesting things that you can do with AI in that regard; that one important aspect of translations, it&#8217;s also that we&#8217;ve got glossaries for each language where people, basically the translation community, identifies certain words they want to translate them the same way every time.&nbsp;And with the AI, you can basically add to the prompt, like, please translate those words to those translations when you give me a translation for that. And as it can change over time, you can always adapt this to the prompt, and that has been proven quite helpful.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:09:25]</strong></p>\n\n\n\n<p>That is great. That&#8217;s one of those things I know that AI has been like a really popular thing to talk about. And AI, specifically for translations, I think has caused some concern that maybe we&#8217;ll just like translate it all and hope that computers get it right when we know pretty certainly that computers don&#8217;t always get the translations right. But that&#8217;s not what you&#8217;re talking about, right? What you&#8217;re suggesting is that AI would suggest what could be translated and what it could be translated to, and then human beings have to confirm that that&#8217;s correct, right?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:09:59]</strong></p>\n\n\n\n<p>That&#8217;s exactly it. So basically, we give suggestions to the translators, and then they can modify a translation before they press save. It&#8217;s more of a, like supporting them in getting the translations, like looking up words more quickly and all of that.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:10:16]</strong></p>\n\n\n\n<p>That&#8217;s wonderful. So is that the major sort of next step that is coming for GlotPress, or are there other things that we should keep an eye out for in that software?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:10:27]</strong></p>\n\n\n\n<p>So one direction that we&#8217;ve been taking GlotPress is basically making use of the fact that GlotPress is WordPress plugin now. And you know, typically, you would just use a GlotPress install. So on WordPress.Org, there&#8217;s like GlotPress installed, there&#8217;s translation projects created, something that we call &#8220;translation sets&#8221;. So for languages, you want to translate it to, it&#8217;s all pre-configured, and if you would install GlotPress to plugin on your own WordPress, it would be empty and not very useful. So what we&#8217;ve added is a way for you to basically be able to translate the plugins and themes that you&#8217;ve got installed in your WordPress into the language that you&#8217;re interested in.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:07]</strong></p>\n\n\n\n<p>So you might have a non-English website that you want to use certain plugins with, and they might not be fully translated at this point, so obviously, you could go to WordPress.org and help translate them, and that&#8217;s the way to, that&#8217;s preferred. But you could also now go install GlotPress on your own website and translate there. And then you have the translations there right when you enter them. And you can then contribute those translations back to WordPress.org.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:11:35]</strong></p>\n\n\n\n<p>So that&#8217;s with local GlotPress?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:37]</strong></p>\n\n\n\n<p>That&#8217;s something that we call local GlotPress. And you know, since we then have all these translations in the local database, it means we can do even more with those translations. So typically, language packs would be delivered to WordPress, but with local GlotPress, you&#8217;ve got like all the GlotPress software there.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:56]</strong></p>\n\n\n\n<p>So we can do things like inline translation. So, on your own WordPress and wp-admin, for example, we can highlight all the strings that can be translated, and those strings just have to right-click them and enter your translation, and that way, you can basically go about and translate the whole ui, seeing your progress, as you&#8217;re making, basically turning the screen from red to green.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:12:20]</strong></p>\n\n\n\n<p>Yeah. Yeah. So that&#8217;s something now that you can do in your local WordPress installation.&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:12:26]</strong></p>\n\n\n\n<p>Basically, it&#8217;s completely independent of WordPress.org. We would ask you to contribute the translations back when you have them, but being independent also allows you to translate like premium plugins, which could not be hosted on WordPress.org or doing something like that we call like hyper-local translation. So, for example, I speak Austrian German natively, but even inside Austria, we&#8217;ve got different dialects or like special words that we use. And if I wanted to create a website that&#8217;s targeted at the Viennese market, for example, I might want to use those specific terms. And this is something I would have to argue for those translations to be accepted on WordPress.org because it&#8217;s a, it&#8217;s like a very targeted market. But if I have a local GlotPress, I can do those translations there.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:13:11]</strong></p>\n\n\n\n<p>That seems awfully beneficial, especially as dialects. I&#8217;ve been having these conversations. I have, in my extended family, many children, and they are all learning languages and one of them has been having kind of thoughts about, like, dialects and how dialects are almost another language. And if so, like how do you know what everybody&#8217;s saying when you&#8217;re speaking all the same thing, but it&#8217;s kind of a little bit it sounds a little bit different.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:13:37]</strong></p>\n\n\n\n<p>That&#8217;s certainly a thing in the US, the distinct dialects across our country. And so I imagine that that&#8217;s gonna be a really beneficial sort of implementation for countries that have a lot of different regional variations and certainly smaller countries that have technically the same language as somebody else, but a lot of regional differences, regional specific things.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:14:01]</strong></p>\n\n\n\n<p>Is that the same or different as the live translations, Translate Live, that we talked about at the WordCamp Europe a couple weeks back?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:14:12]</strong></p>\n\n\n\n<p>Right. So, Translate Live is kind of the next step after local GlotPress. It&#8217;s like this happy marriage between the WordPress Playground and local GlotPress. So the WordPress Playground is also something that has come up a lot. It&#8217;s basically a way for you to run WordPress inside a browser window, so in JavaScript. And at first, it seems like mildly interesting, I would say. But when you combine it with other things like local GlotPress, it can lead to really interesting opportunities. So with inline translation, for example, on WordPress.org, you would typically find for every plugin, the UI would look the same. You would have a table of strings, and all that makes you realize you&#8217;re translating this certain plugin is that in the header of the page, it says this name of the plugin, but other than that, it can look really all the same.&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:15:07]</strong></p>\n\n\n\n<p>And now, with WordPress Playground, you can put up a WordPress and run this plugin inside that Playground. And now, if you add local GlotPress to the picture, you can also do the inline translation of that plugin inside the WordPress Playground. So you&#8217;ve got inline translation. We add the glossary so they do make sure that you translate things the same way that they&#8217;re expected, and you don&#8217;t have to install the plugin.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:15:33]</strong></p>\n\n\n\n<p>And still, you can see what the translations will look like. You can see the strings next to each other, and what I think is most important, you will start with the strings that you see first, which are the most important ones. When you&#8217;re in the table view, those strings might be somewhere buried in the middle, and yeah, it&#8217;s really hard to see progress if you start with kind of obscure error messages, for example, versus just starting with the things that you see first.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:16:02]</strong></p>\n\n\n\n<p>Yeah. So, moving translations away from table-based translations where you kind of have to know what you&#8217;re looking for. So the Translate Live, along with local GlotPress, along with WP Playground, is going to make it so that it&#8217;s easier to see visually what needs to be translated, where, what&#8217;s most valuable to translate for your mid users and your end users, basically.</p>\n\n\n\n<p>Yeah?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:16:30]</strong></p>\n\n\n\n<p>That, and also like for plug-in authors, it can be really good to see, you know, you can switch the languages in the Playground to another language, and you can quickly see like what&#8217;s the state of the translation in this language or in that language. And even things like, you know, Arabic as an RTL language rights to left language. The sidebar will change to the right, and you can also just switch language and see like, what&#8217;s my plugin like in this environment. I mean, this is not technically something that&#8217;s related to local GlotPress, but in this translation live ui, it&#8217;s very easy to change languages and see your plugin in another language.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:17:06]</strong></p>\n\n\n\n<p>I mean, it&#8217;s not specifically related to, to Translations Live, but also, I think that if we&#8217;re saying that WordPress not necessarily is going to lead the way with translations and native multilingual support in our CMS because, of course, it&#8217;s still a little bit far out on our roadmap. We certainly have an opportunity to have the best implementation of that.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:17:27]</strong></p>\n\n\n\n<p>And even if like that specific use case that you&#8217;re talking about isn&#8217;t related directly to what it is that you are working on for Polyglots and inside GlotPress and all of that, I do see that having more streamlined, more easy to see and access opportunities to like test the way that our software looks across varying environments, especially those that change it substantially from what we typically work in day-to-day for any individual developer or any individual WordPress site implementer.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:18:00</strong>]</p>\n\n\n\n<p>Like, I think that that is a big step forward for all of us and certainly for anyone who is having to use WordPress as not a native English speaker. And so you say it&#8217;s not related, but it still is a big, a big benefit for WordPress overall, I think, to have this kind of work happening so that we can have those benefits to the folks who are using our software.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:18:22]</strong></p>\n\n\n\n<p>So there were a couple of different things that you mentioned over the course of our conversation. We&#8217;re gonna put some links to the show notes for all of those. But one thing that you mentioned that just kind of went by, and we never really had an opportunity to talk about it. You talked about the, I think it was GTEs, Global Translation Editors, the folks that are like approved as final approvers of translations. If there is someone who&#8217;s listening to this podcast who wants to become a GTE someday, where would they go to do that?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:18:54]</strong></p>\n\n\n\n<p>So the path to GTE is a PTE.&nbsp;<em>( laughs )</em></p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:18:59]</strong></p>\n\n\n\n<p>So, we&#8217;ve got different levels of translation editors. Basically, you start, you could say you start off as a translator, and this is how you can kind of show that you can do good translations or that you&#8217;re very firm in your language. And this might make you be noticed in the community.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:19:16]</strong></p>\n\n\n\n<p>So we&#8217;re always looking for people who like to help with translations. And you might be then promoted to be a Project Translation Editor. Basically, it means that for a single language in a project, you&#8217;ll be able to approve translations. So, you&#8217;ll be the one who says, like, this translation is a good one and this conforms to the to the rules that we have stated as a translation community.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:19:42]</strong></p>\n\n\n\n<p>And further down the path then is the GTE, where you basically are allowed to approve translations across any project on translate.WordPress.org in your language. And that&#8217;s, usually you&#8217;ll be in, in that position with other GTEs.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:04]</strong></p>\n\n\n\n<p>So there is, like, in each community, there is like, we&#8217;re people based. We talk about what might be a good translation. We talk to each other, try to find rules that maybe prevent common mistranslations, or set the standards for how we want the software to be translated. And this is something where you get a voice as a translator, but as a GTE, you get into a position where you can actually make the changes or find consensus on how the software should be translated in your language.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:35]</strong></p>\n\n\n\n<p>And if folks are not familiar where the Polyglots team works and meets, where would they find you all?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:41]</strong></p>\n\n\n\n<p>At make.WordPress.org/polyglots.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:45]</strong></p>\n\n\n\n<p>Perfect. Alex, this has been such a fascinating conversation. Thank you so much for joining me today.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:50]</strong></p>\n\n\n\n<p>Thank you very much.&nbsp;</p>\n\n\n\n<p><em>( Intermission music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:59]</strong></p>\n\n\n\n<p>So that brings us now to our small list of big things. First, WP Campus 2023 is taking place July 12th through the 14th. That&#8217;s a nonprofit three-day conference with topics that focus on the growth of higher education, accessibility, WordPress, and anyone who works in higher education.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:17]</strong></p>\n\n\n\n<p>It&#8217;s a hybrid event. There is an in-person component on the beautiful campus of Tulane University in New Orleans, Louisiana. I&#8217;ll add information about that in our show notes for anyone who would like to join in person or online.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:32]</strong></p>\n\n\n\n<p>The second thing is that the mentorship program pilot that I have been talking about a little bit over the last few months has been formally launched.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:39]</strong></p>\n\n\n\n<p>If you are interested in contributing more to the project but not sure where to begin, take a look at this comprehensive onboarding experience. It&#8217;s cohort-based. It has some personalized one-to-one mentorship. There are guided courses, live workshops, all of that. So read more about it in our show notes and sign up for one-on-one team mentorship.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:59]</strong></p>\n\n\n\n<p>And then, finally, Matt mentioned at WordCamp Europe an idea that he had been thinking of for some time a Make team dashboard that would sort of help define team metrics and help identify for individual contributors what should indicate team health and where they can find the most impactful projects to work on.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:20]</strong></p>\n\n\n\n<p>A post has since been published on make.WordPress.org/meta calling for additional feedback on that idea, so that we have an understanding of what this could be, how the dashboard can kind of come to be. And so stop by and add your thoughts there in the comments.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:38]</strong></p>\n\n\n\n<p>And that, my friends, is your small list of big things.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:42]</strong></p>\n\n\n\n<p>Thanks for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy, and I&#8217;ll see you again in a couple of weeks.</p>\n\n\n\n<p><em>( Outro music )</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15281\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:72:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"People of WordPress: Allison Dye\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/news/2023/06/people-of-wordpress-allison-dye/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 21:23:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:6:{i:0;a:5:{s:4:\"data\";s:9:\"Community\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Features\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:7:\"General\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:10:\"Interviews\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:9:\"HeroPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:19:\"People of WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15287\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:121:\"The People of WordPress goes to the US to feature Allison Dye, who uses the software in her work and disability-advocacy.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Abha Thakor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:14661:\"\n<p><strong>A way to escape chronic pain and give a sense of independence, is what using WordPress means for Italian-American Allison Dye. Now as a project manager and social media content manager living in North Carolina, USA, she uses the software in her work and  in disability-advocacy.</strong></p>\n\n\n\n<p><strong>The&nbsp;<em>People of WordPress</em>&nbsp;series shares inspiring stories of how people’s lives can change for the better through WordPress and its global community of contributors.</strong></p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"537\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?resize=1024%2C537&#038;ssl=1\" alt=\"Allison Dye\" class=\"wp-image-15292\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?resize=1024%2C537&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?resize=300%2C157&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?resize=768%2C403&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?w=1196&amp;ssl=1 1196w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>Allison was first introduced to WordPress when she was 13 years old. Her parents gave her own WordPress website to use, play, test, and try whatever she wanted with it. Her health issues had started when she was eight years old, and being able to express who she was and learn new skills provided an escape she needed. </p>\n\n\n\n<h2 class=\"wp-block-heading\">My first encounter with WordPress</h2>\n\n\n\n<p>Allison said: &#8220;While the technical aspects of my new WordPress website intrigued me, I was more interested in the space it made for me to write. All throughout my childhood I had struggled with chronic pain, fatigue, and other unexplained symptoms. Having a private world I could call my own, I was able to write my story.&#8221;</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;There is something truly amazing about having a place to tell your story.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<p>Her family faced many doctors, nurse, specialists and hospital visits, but could not get an answer to the difficulties faced by Allison. She said: &#8220;I felt like my life and world were out of control. But logging onto my little website and typing away on the computer keys gave me a sense of control. I couldn’t always do things that other kids had the energy to do. But I could get lost in writing for hours. I couldn’t control my life story, but I could write about it.&#8221;</p>\n\n\n\n<p>She felt it was like writing letters to her future self and would act as a reminder of how strong she had become. Even now when Allison writes on her website, she feels it is writing letters to her past self, expressing reassurance and pride. The practice of writing online continues to help her reflect on how she coped and made it through the difficulties.</p>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress in the real world</h2>\n\n\n\n<p>Allison hoped her early experiences with hospitals and being unwell was just part of being a child, and that in adulthood she would be healthy. She longed for this time.</p>\n\n\n\n<p>Growing up did not bring her this dream of a healthier life and an end to chronic pain. In fact, her condition worsened as she went through her teens and at 18 she finally received a diagnosis of Multiple Sclerosis.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-2.jpg?resize=768%2C1024&#038;ssl=1\" alt=\"Allison stood in front of trees\" class=\"wp-image-15290\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-2.jpg?resize=768%2C1024&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/06/allison-2.jpg?resize=225%2C300&amp;ssl=1 225w, https://i0.wp.com/wordpress.org/news/files/2023/06/allison-2.jpg?w=900&amp;ssl=1 900w\" sizes=\"(max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Allison enjoying time with nature and trees</figcaption></figure>\n\n\n\n<p>This changed what had been conventional job choices, as she was not able to handle a 9 to 5 work schedule. She could not drive herself to work on some days and relied on her mother to help with transport. She knew that she would have to find another way to work and she was determined to find it.</p>\n\n\n\n<p>She began writing music and book reviews online, and then moved onto writing blog posts. As they were published she started to receive payment and a sense of power over her life. She said: &#8220;WordPress felt familiar, typing on the computer keys felt comfortable, and sharing my words with the world felt surreal.&#8221;</p>\n\n\n\n<p>Allison&#8217;s sense of ownership of the software became part of her strength. &#8220;I think I believed WordPress was mine somehow. I was learning that WordPress is something that belongs to everyone in some way. And I loved it.&#8221;</p>\n\n\n\n<h2 class=\"wp-block-heading\">Finding work with WordPress</h2>\n\n\n\n<p>The confidence using the platform gave Allison led her to find more about what it could do and meet other people who used it. She said: &#8220;The thing I love about WordPress is that it’s not just for developers or bloggers or SEO experts. I began to meet more people in the community and was delighted to find people like me, who didn’t know the technical stuff, but were a part of WordPress.&#8221;</p>\n\n\n\n<p>This global community orbiting around the software gave her an opportunity to meet social media managers, designers, and people from many different areas. She found that &#8216;there was a place for everyone&#8217;. The guiding strength and fascination Allison found and still finds today is in that community. Allison said: &#8220;The community felt as important as the rest of everything that makes WordPress what it is. It felt like it was about people and relationships as well as codes and databases.&#8221;</p>\n\n\n\n<p>In 2020, she was hired by a WordPress company. She said: &#8220;I like being a part of a WordPress company, and I love that I contribute to a team that helps people with their websites. I understand the importance of having a space that’s yours. Whether it’s a business or personal site, having a website gives you the power of telling your own story.&#8221;</p>\n\n\n\n<p>WordPress gave Allison a freedom and an independence. She did not have to work a 9 to 5 job, rely on others to drive her on bad days with her MS, nor worry about days when she wanted to stay in her sweatshirts rather than go into an office to work. She said: &#8220;I have a 100% remote job which I can do despite the plot twists in my story, thanks to WordPress and the people in it.&#8221;</p>\n\n\n\n<p>WordPress took Allison into the world of project management for a small agency, and this experience was to help guide her path, skills and confidence into the future. She went on to work in content management in WordPress, building pages for awareness campaigns for non profit organizations and small businesses as a contractor. She helps people update their websites, add and edit content, perform basic updates and help them to learn how to use their sites. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;I tell all my clients to use WordPress because there is really no other solution that can scale as easily for growing organizations and small businesses. I love how WordPress allows them to tell their stories, share their passion, and have a place to call their own on the internet.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<p>As a fluent English and Italian speaker, Allison is able to support clients in different countries from where she lives. &#8220;I love that with WordPress I&#8217;m able to support clients remotely. This is thanks to all of the many WordPress contributors, developers, project managers, content writers, and many, many volunteers that work tirelessly to enable people around the world to use WordPress.&#8221;</p>\n\n\n\n<p>Allison also became a certified as an English As A Second Language (ESL) teacher. &#8220;My affinity for words and languages allows me to teach passionately and creatively. I’m Italian-American and am fluent in English and Italian. Teaching English allows me to share my passion for communication with others.&#8221;</p>\n\n\n\n<h2 class=\"wp-block-heading\">Welcomed into the WordPress community</h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"562\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?resize=1024%2C562&#038;ssl=1\" alt=\"Allie interviewed for a podcast on her use of WordPress\" class=\"wp-image-15293\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?resize=1024%2C562&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?resize=300%2C165&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?resize=768%2C422&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Allie interviewed for a podcast on her use of WordPress</figcaption></figure>\n\n\n\n<p>Allison attributes mentors and supporters in the WordPress community for helping her appreciate she really is part of it. Allison recalled: &#8220;It felt unreal. I wasn’t a dev, I don’t know how to code, and yet I got to be a part of it all? I felt like I was a fake. But Kimberly continues to remind me that I’m real, I get to be here, I get to stay, I have a place.&#8221;</p>\n\n\n\n<p>She was later encouraged to contribute by a WordPress community member to the Big Orange Heart, which aims to support and promote positive well-being and mental health within remote working communities. She said she felt &#8216;honored typing my words, pieces of my story, and sharing them with a community of people&#8217;.</p>\n\n\n\n<p>She also joined the <a href=\"https://us.wordcamp.org/2021/\">WordCamp US 2021</a> online organizing team. </p>\n\n\n\n<p>Allison enjoys the fact that in the WordPress community, &#8216;everyone here is constantly working to be better and do better&#8217;.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Facing the future with strength from her friends and colleagues in WordPress</h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"675\" height=\"900\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-1.jpg?resize=675%2C900&#038;ssl=1\" alt=\"\" class=\"wp-image-15289\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-1.jpg?w=675&amp;ssl=1 675w, https://i0.wp.com/wordpress.org/news/files/2023/06/allison-1.jpg?resize=225%2C300&amp;ssl=1 225w\" sizes=\"(max-width: 675px) 100vw, 675px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>Allison was later diagnosed with two additional neurological conditions: Functional Neurological Disorder and Migraine. She said: &#8220;If it were not for WordPress I would really be unable to work. But WordPress and its community continue to be a part of my life and I am grateful to everyone who&#8217;s helped me along my way. I don&#8217;t know where I would even be without it.&#8221;</p>\n\n\n\n<p>She strives to raise awareness of dynamic disabilities and invisible illnesses like her own through podcasts and social media. She feels that her WordPress friends have helped her both in her professional life and in her wish to be an advocate for others with disabilities too.<br><br>Allison hopes reading of her experience will help others who are worried about not progressing in a WordPress career due to health concerns.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;I hope that it will remind anyone reading this that WordPress is a space for everyone. Healthy or not, developer or not, blogger or not — WordPress belongs to you too.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Share the stories</h2>\n\n\n\n<p>Help share these stories of open source contributors and continue to grow the community.&nbsp;Meet more WordPressers in the <a href=\"https://wordpress.org/news/category/newsletter/interviews/\">People of WordPress series</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Contributors</h2>\n\n\n\n<p>Thanks to Allie Dye (<a href=\'https://profiles.wordpress.org/allisondye/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>allisondye</a>)&nbsp;for sharing about her adventures in WordPress.</p>\n\n\n\n<p>Props to Abha Thakor (<a href=\'https://profiles.wordpress.org/webcommsat/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>webcommsat</a>) and the late Surendra Thakor (<a href=\'https://profiles.wordpress.org/sthakor/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>sthakor</a>) for interviews and writing the feature, Meher Bala (<a href=\'https://profiles.wordpress.org/meher/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>meher</a>) for work on images, and to Meher, Maja Loncan (@mloncar) and Chloe Bringmann (<a href=\'https://profiles.wordpress.org/cbringmann/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>cbringmann</a>) for reviews.</p>\n\n\n\n<p>The&nbsp;<em>People of WordPress</em>&nbsp;series thanks Josepha Haden (<a href=\'https://profiles.wordpress.org/chanthaboune/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>chanthaboune</a>) and Topher DeRosia (<a href=\'https://profiles.wordpress.org/topher1kenobe/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>topher1kenobe</a>) for their support.</p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:29% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"135\" src=\"https://i0.wp.com/wordpress.org/news/files/2020/03/heropress_logo_180.png?resize=180%2C135&#038;ssl=1\" alt=\"HeroPress logo\" class=\"wp-image-8409 size-full\" data-recalc-dims=\"1\" /></figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><em>This People of WordPress feature is inspired by an essay originally published on </em><a href=\"https://heropress.com/\"><em>HeroPress.com</em></a><em>, a community initiative created by Topher DeRosia. It highlights people in the WordPress community who have overcome barriers and whose stories might otherwise go unheard. </em>#HeroPress </p>\n</div></div>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15287\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:70:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"WordPress 6.3 Beta 2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 28 Jun 2023 23:30:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:5:{i:0;a:5:{s:4:\"data\";s:11:\"Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:3:\"6.3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:11:\"development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:8:\"releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15193\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:297:\"WordPress 6.3 Beta 2 is ready for download and testing.\nThis version of the WordPress software is under development. Please do not install, run, or test this version of WordPress on production or mission-critical websites. Instead, it is recommended that you test Beta 2 on a test server and site.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:81:\"https://wordpress.org/news/files/2023/06/Prototype-of-the-Wayfinder-in-action.mp4\";s:6:\"length\";s:7:\"1269106\";s:4:\"type\";s:9:\"video/mp4\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Dan Soschin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15920:\"\n<p>WordPress 6.3 Beta 2 is ready for download and testing. This is the first release of the 6.3 cycle, as there was no Beta 1 due to technical issues with packaging the release. Rather than further delaying a beta release, the release squad has decided to package and ship Beta 2.</p>\n\n\n\n<p><strong>This version of the WordPress software is under development.</strong> <strong>Please do not install, run, or test this version of WordPress on production or mission-critical websites.</strong> Instead, the release squad recommends you evaluate Beta 2 on a test server and site.</p>\n\n\n\n<p>WordPress 6.3 demonstrates incredible progress toward achieving the goals outlined in the <a href=\"https://wordpress.org/about/roadmap/\">WordPress roadmap</a> and is the <a href=\"https://make.wordpress.org/core/2023/02/04/phase-2-finale/\">final major release of Phase 2</a>. Phase 2 has focused mainly on the Site Editor, enabling site creators to build websites, design compelling layouts, and manage content without toggling between multiple configuration areas or editing code.</p>\n\n\n\n<p>Learn more about Gutenberg updates debuting since WordPress 6.2 by reviewing prior editions of <em>What’s New in Gutenberg</em> posts for <a href=\"https://make.wordpress.org/core/2023/02/24/whats-new-in-gutenberg-15-2-22-february/\">15.2</a>, <a href=\"https://make.wordpress.org/core/2023/03/13/whats-new-in-gutenberg-15-3-13-march/\">15.3</a>, <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/\">15.4</a>, <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/\">15.5</a>, <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/\">15.6</a>, <a href=\"https://make.wordpress.org/core/2023/05/04/whats-new-in-gutenberg-15-7-03-may/\">15.7</a>, <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">15.8</a>, <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/\">15.9</a>, <a href=\"https://make.wordpress.org/core/2023/06/14/whats-new-in-gutenberg-16-0-14-june/\">16.0</a>, and <a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">16.1</a>.</p>\n\n\n\n<p>WordPress is the result of contributions by users, developers, and extenders across the globe. As this community seeks new features, the platform will continue to evolve, including the site editing features and beyond. Get an overview of the <a href=\"https://make.wordpress.org/core/6-3/\">6.3 release cycle</a>, and check the <a href=\"https://make.wordpress.org/core/\">Make WordPress Core blog</a> for <a href=\"https://make.wordpress.org/core/tag/6-3/\">6.3-related posts</a> in the coming weeks for further details.</p>\n\n\n\n<h2 class=\"wp-block-heading\">A first look at 6.3</h2>\n\n\n\n<p>This latest WordPress release includes many updates spanning all platform areas, emphasizing the editing experience and polishing usability.&nbsp;This release contains more than 500 new features and enhancements and 400+ bug fixes.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Performance</h3>\n\n\n\n<p>Following the incredible <a href=\"https://make.wordpress.org/core/2023/04/05/wordpress-6-2-performance-improvements-for-all-themes/\">performance improvements introduced in 6.2</a>, the release includes more than 170 performance-related updates, including adding <a href=\"https://core.trac.wordpress.org/ticket/12009\">defer and async support to the WP Scripts API</a> and <a href=\"https://core.trac.wordpress.org/ticket/58235\">fetchpriority support for images</a>. Optimizations were made to <a href=\"https://github.com/WordPress/wordpress-develop/pull/4097\">block template resolution</a>, <a href=\"https://core.trac.wordpress.org/ticket/58211\">image lazy-loading</a>, and the <a href=\"https://core.trac.wordpress.org/ticket/58472\">emoji loader</a>, all of which benefit LCP performance. Support for PHP versions <a href=\"https://core.trac.wordpress.org/query?status=accepted&amp;status=assigned&amp;status=new&amp;status=reopened&amp;status=reviewing&amp;keywords=~php8+-php81+-php82&amp;milestone=6.3&amp;order=priority\">8.0</a>, <a href=\"https://core.trac.wordpress.org/query?status=accepted&amp;status=assigned&amp;status=new&amp;status=reopened&amp;status=reviewing&amp;keywords=~php81&amp;milestone=6.3&amp;order=priority\">8.1</a>, and <a href=\"https://core.trac.wordpress.org/query?status=accepted&amp;status=assigned&amp;status=new&amp;status=reopened&amp;status=reviewing&amp;keywords=~php82&amp;milestone=6.3&amp;order=priority\">8.2</a> has been improved.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\">Site Editor</h3>\n\n\n\n<p>The Site Editor expands to include navigating and editing <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/#add-the-pages-menu-to-the-site-editor-50463\">pages</a>, <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#style-variations-in-browse-mode\">styles</a>, <a href=\"https://github.com/WordPress/gutenberg/issues/50418#top\">templates</a>, and <a href=\"https://github.com/WordPress/gutenberg/issues/44461\">content</a>. The unified site editing experience will include a <a href=\"https://github.com/WordPress/gutenberg/issues/49175\">distraction-free mode</a>, enhanced <a href=\"https://make.wordpress.org/core/2023/02/24/whats-new-in-gutenberg-15-2-22-february/#enhancements-to-navigation-in-the-site-editor\">navigation</a>, and an <a href=\"https://github.com/WordPress/gutenberg/issues/35503\">improved loading experience</a>. Additionally, you can use the Site Editor to <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/#add-theme-previews-for-block-themes-50030\">preview a block theme</a> and adjust your site before activating the new theme. This release includes <a href=\"https://github.com/WordPress/gutenberg/pull/50089\">style revisions</a> so you can toggle between and preview different saved styles. Rounding out the changes, 6.3 ushers in a new <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/#command-tool\">Command Palette</a>, enabling users to context switch and perform actions quickly across different sections of the site editing experience.</p>\n\n\n\n<figure class=\"wp-block-video alignleft\"><video controls src=\"https://wordpress.org/news/files/2023/06/Prototype-of-the-Wayfinder-in-action.mp4\"></video><figcaption class=\"wp-element-caption\">Prototype of the Command Palette in action</figcaption></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Blocks</h3>\n\n\n\n<p>New blocks for <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#details-block-experimental\">details</a> and <a href=\"https://github.com/WordPress/gutenberg/pull/51201\">footnotes</a> debut in this release, along with updates for better handling of <a href=\"https://github.com/WordPress/gutenberg/issues/51138\">image aspect ratios</a> and improved fallback states. <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#spacer-block-gets-spacing-presets\">Spacer blocks</a> now include presets, and the cover block gets updates for managing <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/#color-and-layout-support-for-cover-block\">text colors and layout support</a>.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Spacing-Presets.png?ssl=1\" alt=\"\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">The new height control for the Spacer block</figcaption></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Patterns and Design</h3>\n\n\n\n<p>Reusable blocks have been renamed to <a href=\"https://github.com/WordPress/gutenberg/pull/51144\"><em>synced patterns</em></a>. This change reflects the unification of reusable blocks and traditional block patterns (unsynced patterns) within the Editor. A <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/#patterns-as-template-starters\">new option</a> allows you to assign patterns to templates, adding the ability to have starter patterns to speed up the creation process. Site creators can now easily create, save, and manage custom synced and unsynced patterns, as well as browse a <a href=\"https://make.wordpress.org/meta/2023/06/09/new-curation-filter-in-pattern-directory/\">directory of curated patterns</a>. Additionally, the <a href=\"https://make.wordpress.org/core/2023/03/13/whats-new-in-gutenberg-15-3-13-march/#leveling-up-duotone\">duotone filter</a> and <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/#style-captions-via-the-styles-interface\">captions</a> can now be edited in the Styles interface.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Styling-Captions.png?ssl=1\" alt=\"\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Style your captions in the new Styles interface</figcaption></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Usability<strong> </strong></h3>\n\n\n\n<p>Some key usability highlights include <a href=\"https://github.com/WordPress/gutenberg/issues/40450\">toolbar updates</a>, <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/#updated-template-descriptions\">updated template descriptions</a>, enhanced <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/#enhancements-site-editor\">list view drag-and-drop</a>, improved <a href=\"https://github.com/WordPress/gutenberg/issues/49264#top\">padding and margin controls</a>, and a new area for <a href=\"https://github.com/WordPress/gutenberg/issues/50397#top\">managing patterns</a> (including reusable blocks, now called <em>synced patterns</em>.) <a href=\"https://github.com/WordPress/gutenberg/issues/50891\">Link control</a> receives some updates, rounding out high-level usability enhancements in 6.3.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Add-and-modify-descriptions-for-templates.png?ssl=1\" alt=\"\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Add and modify descriptions for templates</figcaption></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Accessibility</h3>\n\n\n\n<p>WordPress remains steadfast in making the site-building experience accessible to everyone. 6.3 incorporates over 50 accessibility improvements across the platform. Improved labeling, optimized tab and arrow-key navigation, revised heading hierarchy, and <a href=\"https://core.trac.wordpress.org/ticket/50523\">new controls in the admin image editor</a> allow those using screen readers, keyboard navigation, and other assistive technology to navigate more easily. The <a href=\"https://core.trac.wordpress.org/ticket/32510\">login form</a>, <a href=\"https://core.trac.wordpress.org/ticket/40470\">installation steps</a>, and list tables (for <a href=\"https://core.trac.wordpress.org/ticket/32170\">sorting</a> and <a href=\"https://core.trac.wordpress.org/ticket/21516\">selection</a>) have all been updated. Additional accessibility tickets are viewable in <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.3&amp;col=id&amp;col=summary&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">the WordPress Trac</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Other notes</h3>\n\n\n\n<p>This release includes <a href=\"https://core.trac.wordpress.org/ticket/51857\">auto-rollback</a> for failed manual updates of themes and plugins.</p>\n\n\n\n<p><em>Please note that the features in this list may change before the final release.</em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Testing makes WordPress stronger!</h2>\n\n\n\n<p>Testing for issues is a critical part of developing any software, and it’s a meaningful way for anyone to contribute—whether you have experience or not.&nbsp;</p>\n\n\n\n<p>While testing the upgrade process is essential, testing new features is too. Review the many new features listed above and focus your testing efforts on those areas in particular.</p>\n\n\n\n<p>If you encounter an issue, please report it to the <a href=\"https://wordpress.org/support/forum/alphabeta/\">Alpha/Beta area</a> in the support forums. If you are comfortable writing a reproducible bug report, you can <a href=\"https://core.trac.wordpress.org/newticket\">file one on WordPress Trac</a>. You can also check your issue against a list of <a href=\"https://core.trac.wordpress.org/tickets/major\">known bugs</a>.</p>\n\n\n\n<p>New to testing? This <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">detailed guide</a> is a great place to start if you&#8217;ve never tested a beta release.</p>\n\n\n\n<p>Want to know more about testing releases in general? Follow along with the <a href=\"https://make.wordpress.org/test/\">testing initiatives in Make Core</a> and join the <a href=\"https://wordpress.slack.com/messages/core-test/\">#core-test channel</a> on the <a href=\"https://wordpress.slack.com/\">Making WordPress Slack</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Vulnerability bounty doubles during Beta 2</h3>\n\n\n\n<p>Between the Beta 2 release and the final release candidate (RC) for each new WordPress version, the <a href=\"https://make.wordpress.org/security/2023/06/28/doubling-the-bounties-for-wordpress-6-3-beta/\">monetary reward for reporting new, unreleased security vulnerabilities is doubled</a>. Please follow responsible disclosure practices as detailed in the project’s security practices and policies outlined on the <a href=\"https://hackerone.com/wordpress\">HackerOne page</a> and in the <a href=\"https://wordpress.org/about/security/\">security white paper</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Get WordPress 6.3 Beta 2</h3>\n\n\n\n<p>You can test WordPress 6.3 Beta 2 in three ways:</p>\n\n\n\n<p><strong>Option 1:</strong> Install and activate the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\">WordPress Beta Tester</a> plugin (select the “Bleeding edge” channel and “Beta/RC Only” stream).</p>\n\n\n\n<p><strong>Option 2: </strong>Direct download the <a href=\"https://wordpress.org/wordpress-6.3-beta2.zip\">Beta 2 version (zip)</a>.</p>\n\n\n\n<p><strong>Option 3:</strong> Use the following WP-CLI command:</p>\n\n\n\n<p><code>wp core update --version=6.3-beta2</code></p>\n\n\n\n<p>The current target for the final release is <strong>August 8, 2023</strong>, which is about six weeks away. Your help testing this version ensures everything in this release is the best.</p>\n\n\n\n<h3 class=\"wp-block-heading\">The first haiku for 6.3</h3>\n\n\n\n<p>A chapter closes<br>Excitement yet much newness<br>Phase 2 finale</p>\n\n\n\n<p><em>Thank you to the following contributors for collaborating on this post:</em> <a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a>, <a href=\"https://profiles.wordpress.org/meher/\"><em>@Meher</em></a>, <a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a>, <a href=\"https://profiles.wordpress.org/cbringmann/\"><em>@CBringmann</em></a>, <a href=\"https://profiles.wordpress.org/audrasjb/\"><em>@AudrasJB</em></a>, <a href=\"https://profiles.wordpress.org/annezazu/\"><em>@annezazu</em></a>, <a href=\"https://profiles.wordpress.org/ndiego/\"><em>@ndiego</em></a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\"><em>@davidbaumwald</em></a>, <a href=\"https://profiles.wordpress.org/desrosj/\"><em>@desrosj</em></a>, <a href=\"https://profiles.wordpress.org/priethor/\"><em>@priethor</em></a>, <a href=\"https://profiles.wordpress.org/flixos90/\"><em>@flixos90</em></a>,<a href=\"https://profiles.wordpress.org/wildworks\"> @wildworks</a>, <em>and </em><a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a><em> for authoring the haiku</em>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15193\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"WP Briefing: Episode 58: A New Wave for WordPress Events\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"https://wordpress.org/news/2023/06/episode-58-a-new-wave-for-wordpress-events/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 19 Jun 2023 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=15179\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:145:\"Hear special guest host Chloé Bringmann and special guest Angela Jin in the WordPress Briefing as they discuss the next generation of WordCamps.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:59:\"https://wordpress.org/news/files/2023/06/WPBriefing-058.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brett McSherry\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15637:\"\n<p>Join WordPress guest host, Chief of Staff and Head of Operations, Chloé Bringmann, and special guest Head of Programs and Contributor Experience, Angela Jin, in the 58th episode of the WordPress Briefing as they discuss the next generation of WordCamps.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<div class=\"wp-block-group is-content-justification-left is-layout-constrained wp-container-1 wp-block-group-is-layout-constrained\">\n<ul>\n<li>Guest Host:&nbsp;<a target=\"_blank\" href=\"https://profiles.wordpress.org/cbringmann/\" rel=\"noreferrer noopener\">Chloé Bringmann</a></li>\n\n\n\n<li>Guest:&nbsp;<a target=\"_blank\" href=\"https://profiles.wordpress.org/angelasjin/\" rel=\"noreferrer noopener\">Angela Jin</a></li>\n\n\n\n<li>Editor:&nbsp;<a target=\"_blank\" href=\"https://profiles.wordpress.org/dustinhartzler/\" rel=\"noreferrer noopener\">Dustin Hartzler</a></li>\n\n\n\n<li>Logo:&nbsp;<a target=\"_blank\" href=\"https://profiles.wordpress.org/javiarce/\" rel=\"noreferrer noopener\">Javier Arce</a></li>\n\n\n\n<li>Production:&nbsp;<a target=\"_blank\" href=\"https://profiles.wordpress.org/bjmcsherry/\" rel=\"noreferrer noopener\">Brett McSherry</a></li>\n\n\n\n<li>Song: Fearless First by Kevin MacLeod</li>\n</ul>\n</div>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/06/twenty-years-of-wordpress-at-wceu/\">WordCamp Europe 2023 Keynote</a></li>\n\n\n\n<li>Establishment of a formal WordPress&nbsp;<a rel=\"noreferrer noopener\" href=\"https://make.wordpress.org/project/2023/05/30/proposal-establishment-of-a-formal-wordpress-sustainability-team/\" target=\"_blank\">Sustainability Team</a></li>\n\n\n\n<li>WordPress 6.4&nbsp;<a rel=\"noreferrer noopener\" href=\"https://make.wordpress.org/core/2023/06/05/wordpress-6-4-development-cycle/\" target=\"_blank\">Development Cycle Announced</a></li>\n\n\n\n<li>WCUS &#8211; Still looking <a href=\"https://us.wordcamp.org/2023/call-for-volunteers/\">for volunteers</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/\">The Next Generation of WordCamps</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/24/idea-generation-next-gen-wordcamps/\">Idea generation: Next Gen WordCamps!</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/06/06/discussion-next-generation-event-tooling/\">Discussion: Next Generation Event Tooling</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/06/twenty-years-of-wordpress-at-wceu/\">Twenty Years of WordPress at WCEU</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/handbook/\">Contributor Handbook</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-15179\"></span>\n\n\n\n<p>(Intro music)</p>\n\n\n\n<p>[Chloé Bringmann 00:00:10]&nbsp;</p>\n\n\n\n<p>Hello, everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress open source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks. I&#8217;m your guest host Chloé Bringmann. And here we go.</p>\n\n\n\n<p>(Intro music)</p>\n\n\n\n<p>[Chloé Bringmann 00:00:40]&nbsp;</p>\n\n\n\n<p>So I have the privilege of guest hosting this episode of the WordPress Briefing. And today I have with me a very special guest. The Head of Programs and Contributor Experience, Angela Jin. Welcome. Before we dive into all the questions, can you tell me and our listeners a little bit about your role in the WordPress community?</p>\n\n\n\n<p>[Angela Jin 00:01:01]&nbsp;</p>\n\n\n\n<p>Yeah, happy to, and thank you so much for having me. I&#8217;m very excited to be here. I am the Head of Programs and Contributor Experience, and I provide oversight and guidance for our WordPress programs, such as our events programs, training, and Five for the Future, with an eye toward ensuring their sustainability and growth. I&#8217;m very fortunate to work with our contributors across many teams around the world. In addition to troubleshooting and helping folks figure out how to move forward, I also spend a good amount of time exploring with others what could be in our programs.</p>\n\n\n\n<p>[Chloé Bringmann 00:01:41]&nbsp;</p>\n\n\n\n<p>We just got back from WordCamp Europe in Athens, Greece. It was such an energizing event for me, but I&#8217;m curious about what your impressions were of the past week.</p>\n\n\n\n<p>[Angela Jin 00:01:52]&nbsp;</p>\n\n\n\n<p>Yeah, it was fantastic. I&#8217;m always really inspired by what a group of like-minded people can achieve together. There&#8217;s a lot of passion for this particular WordCamp, and it made for a really wonderful WordPress experience. Full of lots of great connections and memories; I have a million follow-ups and probably even more thoughts to reflect on. So it&#8217;s great. There were a lot of new WordPressers there. So it was lovely to meet them. And I&#8217;m really excited to see how many exciting new projects and ideas that we have in the space.</p>\n\n\n\n<p>[Chloé Bringmann 00:02:27]&nbsp;</p>\n\n\n\n<p>Same, you said it perfectly. Josepha also mentioned in the flagship’s keynote, the proposal for the next generation of WordCamps. I&#8217;m curious about what the main ideas and goals, as discussed thus far, are of that proposal.</p>\n\n\n\n<p>[Angela Jin 00:02:42]&nbsp;</p>\n\n\n\n<p>For sure. So WordCamps have been fundamental for the WordPress community for a very long time. And while they have continued to grow larger and reach more places around the world, it&#8217;s also undeniable that the way that people meet has changed since 2006.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:03:01]&nbsp;</p>\n\n\n\n<p>And so, just as WordPress itself iterates we&#8217;re looking at iterating on WordCamps so that they move from fundamental to indispensable for the WordPressers of today and tomorrow. So event attendees today are looking to learn essential skills, make connections that lead to neat opportunities, and more.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:03:23]&nbsp;</p>\n\n\n\n<p>So to that end, we put forth an updated purpose for our events, which is that WordPress events spark innovation and adoption by way of accessible training and networking for users, builders, designers, and extenders. We celebrate community by accelerating 21st-century skills, professional opportunities, and partnerships for WordPressers of today and tomorrow.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:03:47]</p>\n\n\n\n<p>So the goal here is to create events that are more clearly defined &#8211; who these are for what you will gain from attending. We are looking to see events that take a deeper dive into content, or topics and provide more advanced content. And let&#8217;s try out some different formats and see how that shapes our event experience. And so it is a big shift. And change is always hard.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:04:13]</p>\n\n\n\n<p>However, the feedback that I&#8217;ve gotten so far, and certainly at WordCamp Europe, is that this is a very welcome evolution. And the Community team has already received over 60 proposals. So I&#8217;m very excited about that. In fact, a WordPress Community Day in Rome has already been announced and is focused on providing meet-up organizing and community management skills. So that&#8217;s pretty cool.</p>\n\n\n\n<p>&nbsp;[Chloé Bringmann 00:04:37]&nbsp;</p>\n\n\n\n<p>Wow, that&#8217;s incredible. I love that we&#8217;ve gotten 60 suggestions already and that we already have an event in place. That&#8217;s fantastic. In that blog post, too, it&#8217;s mentioned that WordCamps should prioritize inclusivity and diversity. How can organizers ensure these values are upheld in the next generation of WordCamps and beyond events? Into our day-to-day project involvement?</p>\n\n\n\n<p>[Angela Jin 00:05:04]</p>\n\n\n\n<p>Excellent question. So while WordCamps themselves are changing, some of our core values, like prioritizing inclusivity and diversity, are non-negotiable. For the whole project, we have a diversity, equity, and inclusion statement, and a Code of Conduct that lays out how we expect our community to engage with each other in this space.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:05:27]</p>\n\n\n\n<p>And on top of that, our programs do focus on providing resources and training like how to create a diverse speaker roster. And we have diverse speaker training workshops on how to organize a diverse and inclusive WordPress event. And we also have a great list of third-party resources as well. And so, with so many events, we create a lot of opportunities to grow as a visible contributor, whether it is a speaker, a volunteer, or an organizer.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:05:56]</p>\n\n\n\n<p>And so with the next generation of events, we could more intentionally create these spaces for groups that historically have been underrepresented. Even long before my post went live, the BlackPress meetup group, for example, wanted to create an event that connected with historically black colleges and universities. And an event like that that really invites a specific group to learn all about WordPress would be a really great experience and a wonderful way to celebrate that community and a great connection to the broader community so that we can intentionally get to the diversity that we want to see.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:06:38]</p>\n\n\n\n<p>And I also want to add that the people who are underrepresented in our community are more likely to need financial sponsorship. And so even though we do keep our ticket prices low so that our events are more easily accessible, the cost of travel continues to increase, not to mention the time and energy required to participate in these events. So an excellent way that companies can help is to sponsor somebody&#8217;s time and somebody&#8217;s contributions, which we&#8217;re always trying to encourage through the Five for the Future program.</p>\n\n\n\n<p>[Chloé Bringmann 00:07:11]&nbsp;</p>\n\n\n\n<p>Beautiful. So, with that in mind, how do you foresee the next generation of WordCamps impacting the WordPress community, that larger ecosystem? So, what changes do you hope to see regarding community engagement, learning opportunities, and best practices?</p>\n\n\n\n<p>[Angela Jin 00:07:31]</p>\n\n\n\n<p>I foresee us evolving our tried and true event format into a dynamic wealth of community-led opportunities. I know that online events were pretty exhausting during the worst of the pandemic, but there is a ton of unexplored opportunities there. And community research is also showing that online is a great way to create more inclusive and diverse events.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:07:58]</p>\n\n\n\n<p>The Training team, with their learn WordPress online workshops, have really led the way with our online events. And there are so many more people that we can reach there.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:08:08]</p>\n\n\n\n<p>And so in addition to providing more advanced content, I also hope to see content around broader tech and business trends that influence WordPress, and conversely, how WordPress can shape those trends as well. And with all of that, I really hope that we can bring in more community members that otherwise wouldn&#8217;t be interested in what we currently offer, especially a younger generation that will help us drive the next generation of WordPress, the open source project.</p>\n\n\n\n<p>[Chloé Bringmann 00:08:39]</p>\n\n\n\n<p>Very excited to hear all of this, and I bet our listeners are too. I&#8217;m curious how they and community members can provide feedback or get involved with this next generation of WordCamps.</p>\n\n\n\n<p>[Angela Jin 00:08:50]</p>\n\n\n\n<p>I&#8217;m going to encourage everyone, please come chat with the Community team and comment on the current posts. We really welcome your feedback to help us get our events to this next iteration of what they will become. There are two posts, in particular, one is to suggest ideas of event formats and topics that you would like to see. And the second is if you are an organizer, we&#8217;re inviting you to hear some recommendations for improved tooling that would be helpful for your event site. And we&#8217;ll include links to those posts in the show notes.</p>\n\n\n\n<p>[Chloé Bringmann 00:09:26]</p>\n\n\n\n<p>One final question for you, Angela. Any thoughts as we prepare for WordCamp US and the Community Summit, which will be in National Harbor, Maryland, in August?</p>\n\n\n\n<p>[Angela Jin 00:09:37]</p>\n\n\n\n<p>For the Community Summit in particular, if you want to attend and you haven&#8217;t already applied, please please do make sure to apply as soon as possible. And encourage somebody else who you think should attend to apply as well.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:09:53]</p>\n\n\n\n<p>And if financial constraints are a blocker, we are aiming to help with the cost of hotel and or flight. And so one way to help support the diversity and inclusion of this event, and really to the whole project, is to also contribute to the Community Summit travel fund. You can find information about all of that on the Community Summit site.&nbsp;</p>\n\n\n\n<p>[Angela Jin 00:10:15]</p>\n\n\n\n<p>And next, if you have a topic in mind that you think needs to be discussed at the Community Summit, please please also share that information with us as well. And last but not least, I am, I am so excited. I&#8217;m not going to spoil anything. But I have been working with the WordCamp US organizing team and looking at some of what they have planned and some of the content. It&#8217;s going to be a truly incredible event, so don&#8217;t miss out.</p>\n\n\n\n<p>[Chloé Bringmann 00:010:41]</p>\n\n\n\n<p>Oh, wonderful. Thank you so much for joining me, Angela. And I can&#8217;t wait to see you and the WordPress community in August in person.</p>\n\n\n\n<p>[Chloé Bringmann 00:010:58]</p>\n\n\n\n<p>Which brings us now to our small list of big things. First up is the proposal and establishment of a new WordPress contributor team, the Sustainability team. Coming into WordCamp Europe, a proposal was put forward to create a team that would embed sustainable practices and processes in the ecosystem to ensure the Project&#8217;s longevity, both socially, economically, and as well environmentally. At WordCamp Europe, this proposal was confirmed, and the Sustainability team is now officially the 22nd contributor team that WordPressers can support with their contributions. Head on over to their making WordPress Slack channel, #sustainability, and join the conversation.&nbsp;</p>\n\n\n\n<p>[Chloé Bringmann 00:011:39]</p>\n\n\n\n<p>Second, I would like to call your attention to the 6.4 development cycle post that was published on June 5th. 6.4 will be the third major release of 2023 and supports our diversity, equity, and inclusion efforts by being led by those contributors that identify as underrepresented gender. This release will also be the first to kick off phase three of the Gutenberg roadmap, which is collaborative editing and workflows. I&#8217;ve included a link to the post in our show notes and encourage anyone who is interested in being part of this momentous release to join us in making this both impactful and meaningful.&nbsp;</p>\n\n\n\n<p>[Chloé Bringmann 00:012:16]</p>\n\n\n\n<p>Finally, WordCamp US, as discussed, will be upon us before we know it starting on August 24th at National Harbor, Maryland. While tickets may be sold out, volunteers are still very much needed to make the flagship event run smoothly. So stop by us.wordcamp.org, raise your hand, and join us in August for engagement, inspiration, and learning. And that, my friends, is your small list of big things. I&#8217;m your guest host Chloé Bringmann and thank you for tuning in today for the WordPress Briefing.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15179\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:66:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Twenty Years of WordPress at WCEU\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/news/2023/06/twenty-years-of-wordpress-at-wceu/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 10 Jun 2023 22:21:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:6:\"Events\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:7:\"General\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:8:\"WordCamp\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:4:\"WCEU\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15167\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:373:\"Inspiring the global community The atmosphere was electric at WordCamp Europe (WCEU) 2023 in Athens, Greece, as WordPress celebrated its 20th anniversary and the opportunity to gather in person for inspiration and engagement. More than 2,500 individuals from 94 countries came together in person or through the live stream to participate in a remarkable three-day [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Jonathan Pantani\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:6426:\"\n<h2 class=\"wp-block-heading\">Inspiring the global community</h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"600\" height=\"338\" src=\"https://www.youtube.com/embed/7Nmz3IjtPh0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"></iframe>\n</div></figure>\n\n\n\n<p>The atmosphere was electric at WordCamp Europe (WCEU) 2023 in Athens, Greece, as WordPress celebrated its <a href=\"https://wp20.wordpress.net/\">20th anniversary</a> and the opportunity to gather in person for inspiration and engagement. More than 2,500 individuals from 94 countries came together in person or through the live stream to participate in a remarkable three-day event (plus Contributor Day) filled with talks, networking, and learning opportunities. The event concluded on June 10 with a captivating keynote address by WordPress co-founder <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a>, Executive Director <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a>, and Gutenberg Product Architect <a href=\"https://profiles.wordpress.org/matveb/\">Matías Ventura</a>, who highlighted the advancements and upcoming milestones of the WordPress Project.</p>\n\n\n\n<p>One significant update shared during the keynote was the successful reactivation of WordCamps. This time last year, we organized eight in-person WordCamps, and by the end of 2022, the number had risen to 23. Thanks to the enthusiasm and involvement of the WordPress community, we are already on track to organize 25 WordCamps in the first half of this year alone.&nbsp;</p>\n\n\n\n<p>Josepha also emphasized the importance of the upcoming Community Summit on August 22-23. This in-person gathering brings contributors together across the WordPress open source project, fostering cross-project discussions vital for future growth and sustainability. For more information, visit the official <a href=\"https://communitysummit.wordcamp.org/2023/\">Community Summit website</a>.</p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=585%2C365&#038;ssl=1\" alt=\"Total contributors: 7788 (737 new)\nContributors pledged to 5ftF: 780 (95 new)\n152 companies total with confirmed contributors (30 new)\" class=\"wp-image-15171\" width=\"585\" height=\"365\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=1024%2C640&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=300%2C188&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=768%2C480&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=1536%2C960&amp;ssl=1 1536w, https://i0.wp.com/wordpress.org/news/files/2023/06/Five-for-the-Future-WCEU-1.png?resize=2048%2C1280&amp;ssl=1 2048w\" sizes=\"(max-width: 585px) 100vw, 585px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>Discussing the <a href=\"https://wordpress.org/five-for-the-future/\">Five for the Future</a> (5ftF) program, Josepha highlighted the impressive growth in active contributors and company pledges over the past year. She also underscored the expansion of the WordPress ecosystem, citing examples like <a href=\"https://openverse.org/\">Openverse</a>, which now provides access to nearly 800 million images and audio files, all easily accessible in the Site Editor.&nbsp;</p>\n\n\n\n<p>Another exciting addition to the WordPress repertoire is <a href=\"https://playground.wordpress.net/\">WP Playground</a>. This new feature allows users to build WordPress applications instantly in the browser without needing a PHP server. This tool provides a swift and seamless experience, reducing the installation time from five minutes to a near-instantaneous 500 milliseconds. The application of WP Playground may seem like magic, but its practical application promises tangible and revolutionary benefits for WordPress users.</p>\n\n\n\n<p>Matías Ventura then took the stage to share updates on Gutenberg. Through a visually stunning video built entirely with blocks, he showcased the six-year development journey and the transition from words to blocks to a final design. The upcoming WordPress version 6.3 will mark the completion of the first two phases of Gutenberg, consolidating all these features into a cohesive and user-friendly experience. He also highlighted the introduction of features such as the Wayfinder tool, Style Book, and the ability to save patterns, further empowering users to own their web presence and voice.</p>\n\n\n\n<p>Following the keynote presentation, the WordPress leadership engaged in a<a href=\"https://www.youtube.com/watch?v=VzKiKRodHQ0\"> lively Q&amp;A session </a>with the audience, further illustrating the continuous evolution within the WordPress Project. This session highlighted how the WordPress community innovates, iterates, and continually improves to create a better platform for today and tomorrow.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"600\" height=\"338\" src=\"https://www.youtube.com/embed/VzKiKRodHQ0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"></iframe>\n</div></figure>\n\n\n\n<p>Join the global community and be part of the WordPress journey toward a brighter future!</p>\n\n\n\n<p><em>Special thanks to <a href=\'https://profiles.wordpress.org/cbringmann/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>cbringmann</a> and <a href=\'https://profiles.wordpress.org/eidolonnight/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>eidolonnight</a> for review and collaboration</em>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15167\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"The Month in WordPress – May 2023\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/news/2023/06/the-month-in-wordpress-may-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 06 Jun 2023 10:15:56 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:18:\"Month in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:18:\"month in wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15100\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:350:\"May has been a month of celebrating WordPress and the open source community that makes it possible. In honor of the project’s 20th anniversary, WordPress Executive Director Josepha Haden Chomphosy reflected on this journey and the opportunity to build a better future for those who come after: The more our community invests in itself and [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Reyes Martínez\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:16972:\"\n<p>May has been a month of celebrating WordPress and the open source community that makes it possible. In honor of the project’s 20th anniversary, WordPress Executive Director <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a> reflected on <a href=\"https://wordpress.org/news/2023/05/celebrating-20-years-of-wordpress/\">this journey</a> and the opportunity to build a better future for those who come after:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>The more our community invests in itself and supports one another, the stronger WordPress and the open source software movement become.</p>\n<cite>Josepha Haden Chomphosy in <a href=\"https://wordpress.org/news/2023/05/celebrating-20-years-of-wordpress/\">Celebrating 20 Years of WordPress</a>.</cite></blockquote>\n\n\n\n<p>Read on for highlights of this milestone and the latest updates in the WordPress space.</p>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress at 20</h2>\n\n\n\n<p><strong>May 27, 2023, marked the 20th anniversary of WordPress’ first release</strong>. Since its inception by <a href=\"https://ma.tt/2023/05/wp20-audrey-scholars/\">Matt Mullenweg</a> and <a href=\"https://twitter.com/mikelittlezed1/status/1662013891856027649\">Mike Little</a> in 2003, the project has transformed the digital publishing landscape and enabled millions of people to craft their stories.</p>\n\n\n\n<p>WordPress enthusiasts from all over the world gathered at more than <strong>130 events</strong> to celebrate this important milestone. WP20’s commemorative book, <a href=\"https://wordpress.org/book/\"><strong>Building Blocks: The Evolution of WordPress</strong></a>, was published in tandem and documents some of the most significant moments and changes of the last decade of the project.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=1024%2C576&#038;ssl=1\" alt=\"3D wallpaper of a number 20 formed by words in commemoration of the 20th anniversary of WordPress.\" class=\"wp-image-15106\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=1536%2C864&amp;ssl=1 1536w, https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?resize=2048%2C1152&amp;ssl=1 2048w, https://i0.wp.com/wordpress.org/news/files/2023/06/wp20-celebrate-desktop-1.png?w=3000&amp;ssl=1 3000w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\"><a href=\"https://wp20.wordpress.net/download-3d-wp20-themed-media/\">Download the new WP20 wallpapers made in 3D</a>.<br></figcaption></figure>\n\n\n\n<p>The anniversary date may have passed, but the <a href=\"https://wp20.wordpress.net/news/\">festivities and fun aren&#8217;t over</a>. You can still <a href=\"https://wp20.wordpress.net/\">join a meetup</a>, sign the #WP20 From Blogs to Blocks campaign <a href=\"https://make.wordpress.org/marketing/2023/05/27/day-20-wp20-from-blogs-to-blocks/\">birthday card</a>, or participate in #WP20 social celebrations.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Join Josepha Haden Chomphosy in <a href=\"https://wordpress.org/news/2023/05/episode-55-happy-anniversary-wordpress/\">Episode 55 of WP Briefing</a> as she looks back at the 20 years of WordPress and how the community made WordPress what it is today.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress 6.3 is expected on August 8</h2>\n\n\n\n<p>Work on WordPress 6.3 officially kicked off with the <a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\">announcement of its development cycle and release squad</a>. <strong>Set for release on August 8, 2023</strong>, this version will be the second major update of WordPress in 2023 and will mark the end of Phase 2 of the project’s <a href=\"https://wordpress.org/about/roadmap/\">development roadmap</a>.</p>\n\n\n\n<p>WordPress 6.3 aims to bring a cohesive site editing experience by introducing expanded functionality, richer interfaces, and a dedicated focus on refinement.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">Check out the 6.3 roadmap post</a> for a tentative preview of anticipated features.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress 6.2.2 security release</h2>\n\n\n\n<p><strong><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\">WordPress 6.2.2</a> became available for download on May 20, 2023</strong>. This release was a quick response to resolve a regression introduced in <a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\">6.2.1</a>, specifically with shortcode support in block templates, and to further patch a vulnerability already addressed in the previous version.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/02/01/core-editor-improvement-strengthening-style-options/\"></a><a href=\"https://make.wordpress.org/core/2023/04/25/the-benefits-of-prioritizing-and-measuring-performance-in-wordpress-6-2/\"></a><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\">Update your site if you haven’t yet</a>.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">New in the Gutenberg plugin</h2>\n\n\n\n<p>Three new versions of Gutenberg have shipped in the last month:</p>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/04/whats-new-in-gutenberg-15-7-03-may/\"><strong>Gutenberg 15.7</strong></a>, released on May 3, 2023, brings a new direct option to upload and replace a site&#8217;s logo from the block settings sidebar. Other enhancements include easier access to duotone filter controls via the style settings sidebar and an update to fluid typography to refine responsiveness.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\"><strong>Gutenberg 15.8</strong></a> shipped on May 17, 2023, and includes a new &#8220;Pages&#8221; item in the Site Editor sidebar to edit pages without leaving the interface. Moreover, this version brings the ability to navigate through revisions in the global styles interface and to preview block themes inside the Site Editor.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/\"><strong>Gutenberg 15.9</strong></a> is ready for download as of May 31, 2023. The latest Gutenberg release comes with a new command tool and several enhancements to the Site Editor experience, including a more intuitive drag-and-drop function for moving blocks.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/02/01/core-editor-improvement-strengthening-style-options/\"></a>The latest <a href=\"https://make.wordpress.org/core/2023/05/22/core-editor-improvement-smoother-site-editing/\">Core Editor Improvement post</a> highlights features such as revisions and the ability to preview block themes, and how they enable a smoother site editing experience.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Team updates: Next-generation WordCamps, proposal for a Sustainability Team, and more</h2>\n\n\n\n<ul>\n<li>The Community Team proposed <a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/\">broadening the purpose of WordPress events</a> to &#8220;spark innovation and adoption by way of accessible training and networking.&#8221; This opens the door to organizing a more diverse range of formats focused on specific topics and audiences.</li>\n\n\n\n<li>WordPress contributors suggested <a href=\"https://make.wordpress.org/project/2023/05/30/proposal-establishment-of-a-formal-wordpress-sustainability-team/\">creating an official Sustainability Team</a>.</li>\n\n\n\n<li>The Polyglots Team rebranded the WP Translation Playground tool as Translate Live and <a href=\"https://make.wordpress.org/polyglots/2023/05/08/translate-live-updates-to-the-translation-playground/\">announced improvements</a> that make translating plugins and themes easier.</li>\n\n\n\n<li>The new<strong> </strong><a href=\"https://make.wordpress.org/project/2023/05/17/wordpress-contributor-mentorship-program-pilot-program-proposal/\">WordPress Contributor Mentorship Program pilot</a> aims to provide cohort-based and 1:1 mentorship to prepare new and aspiring contributors for success.</li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/2022-annual-survey-results-next-steps/\">Results of the 2022 WordPress Annual Survey</a> were announced last month.</li>\n\n\n\n<li>The Training Team published a new course on <a href=\"https://learn.wordpress.org/course/creating-a-4-page-business-website/\">Creating a 4-page business website</a>. See <a href=\"https://make.wordpress.org/updates/2023/06/02/whats-new-on-learn-wordpress-in-may-2023/\">What’s new on Learn WordPress in May 2023</a> for the latest learning resources.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/themes/2023/05/04/stacks-the-first-community-theme/\">Meet Stacks</a>—the first community theme born from the <a href=\"https://make.wordpress.org/themes/2023/03/03/hallway-hangout-community-themes-initiative/\">Community Themes initiative</a>. This theme is designed for creating slide decks that can be used for a presentation.</li>\n\n\n\n<li>This Core proposal explores ways to <a href=\"https://make.wordpress.org/core/2023/05/16/proposal-retiring-older-default-themes/\">reduce the maintenance of older default WordPress themes</a> and retire them.</li>\n\n\n\n<li>The May 2023 issues of <a href=\"https://developer.wordpress.org/news/2023/05/whats-new-for-developers-may-2023/\">What’s New for Developers?</a>, the <a href=\"https://make.wordpress.org/polyglots/2023/05/10/polyglots-monthly-newsletter-may-2023/\">Polyglots monthly newsletter</a>, and the&nbsp;<a href=\"https://make.wordpress.org/community/2023/05/18/meetup-organizer-newsletter-may-2023/\">Meetup Organizer newsletter</a>&nbsp;are available for reading.</li>\n\n\n\n<li>Find out how WordPress and its global community of contributors made a difference in Stefano Cassone&#8217;s life in the <a href=\"https://wordpress.org/news/2023/05/people-of-wordpress-stefano-cassone/\">latest edition of People of WordPress</a>.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>What is WordPress Playground, and why it matters? <a href=\"https://wordpress.org/news/2023/05/episode-56-what-to-know-about-wordpress-playground/\">WP Briefing Episode 56</a> discusses the benefits and potential of this tool with special guests Rich Tabor and Adam Zielinski.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Feedback &amp; testing requests</h2>\n\n\n\n<ul>\n<li>Core Team members seek <a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">feedback on the new command tool</a> introduced in the Gutenberg plugin and its API.</li>\n\n\n\n<li>The latest <a href=\"https://make.wordpress.org/test/2023/05/18/fse-program-testing-call-23-rapid-revamp/\">call of the Full Site Editing (FSE) Outreach Program</a> invites you to test some features being worked on to upgrade and polish the experience of using the Site Editor. Share your thoughts by June 8, 2023.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/31/mobile-team-update-may-31st-2/\">Version 22.5</a> of the WordPress mobile app for iOS and Android is ready for testing.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Which next generation of WordPress events would you like to see? <a href=\"https://make.wordpress.org/community/2023/05/24/idea-generation-next-gen-wordcamps/\">Share your ideas</a> and <a href=\"https://make.wordpress.org/community/2023/06/01/next-gen-wordcamp-talking-points-share-your-ideas-for-a-new-event-format-and-make-it-happen/\">start exploring</a> new event formats this year.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress events updates</h2>\n\n\n\n<ul>\n<li><a href=\"https://europe.wordcamp.org/2023/\">Get ready for WordCamp Europe 2023</a> from June 8-10 in Athens, Greece! The event will start with <a href=\"https://europe.wordcamp.org/2023/contributor-day/\">Contributor Day</a> on June 8, followed by two days of presentations and workshops. Attendees can join a <a href=\"https://europe.wordcamp.org/2023/welness-track-activities/\">wellness track</a> and a <a href=\"https://europe.wordcamp.org/2023/wp-connect/\">dedicated space</a> to connect, among many other initiatives.</li>\n\n\n\n<li>The WordCamp US organizing team is <a href=\"https://us.wordcamp.org/2023/wordcamp-us-2023-call-for-volunteers-open/\">calling for volunteers</a>.</li>\n\n\n\n<li>For another year, the <a href=\"https://wordpressfoundation.org/news/2023/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">WordPress Foundation&#8217;s Kim Parsell Memorial Scholarship</a> will award funding for a woman-identifying contributor to attend WordCamp US 2023. Applications are open through June 12, 2023.</li>\n\n\n\n<li><a href=\"https://sylhet.wordcamp.org/2023/\">WordCamp Sylhet 2023</a>, the second ever WordCamp in Bangladesh, was successfully held on May 19-20 with its first <a href=\"https://make.wordpress.org/design/2023/05/23/wordcamp-sylhet-2023-contributor-day-recap/\">Contributor Day</a>.</li>\n\n\n\n<li>Join #WPDiversity with a free online workshop on <a href=\"https://www.eventbrite.com/e/how-to-own-your-expertise-start-speaking-at-wordpress-events-apac-tickets-648295107117\">How to Own Your Expertise &amp; Start Speaking at WordPress Events APAC</a>. The event will take place on July 2, 2023.</li>\n\n\n\n<li>Don’t miss these other upcoming WordCamps:\n<ul>\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1ea-1f1f8.png\" alt=\"🇪🇸\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://cartagena.wordcamp.org/2023/\">WordCamp Cartagena</a>, Spain on June 10-11, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1fa-1f1f8.png\" alt=\"🇺🇸\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://montclair.wordcamp.org/2023/\">WordCamp Montclair</a>, NJ, USA on June 24, 2023</li>\n</ul>\n</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Join WordPress project leadership on June 10 at WordCamp Europe 2023 to hear about the latest developments and what’s next for WordPress. <a href=\"https://europe.wordcamp.org/2023/schedule/\">Check out the schedule for details</a>.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-light-grey-color has-alpha-channel-opacity has-light-grey-background-color has-background\" />\n\n\n\n<p><strong><em><strong><em><strong><em>Have a story we should include in the next issue of The Month in WordPress? <strong><em>Fill out </em></strong><a href=\"https://make.wordpress.org/community/month-in-wordpress-submissions/\"><strong><em>this quick form</em></strong></a><strong><em> to let us know.</em></strong></em></strong></em></strong></em></strong></p>\n\n\n\n<p><em><em>The following folks contributed to this Month in WordPress: <a href=\'https://profiles.wordpress.org/rmartinezduque/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>rmartinezduque</a>, <a href=\'https://profiles.wordpress.org/nahidsharifkomol/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>nahidsharifkomol</a>, <a href=\'https://profiles.wordpress.org/chaion07/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>chaion07</a>, <a href=\'https://profiles.wordpress.org/devinmaeztri/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>devinmaeztri</a>, <a href=\'https://profiles.wordpress.org/bsanevans/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>bsanevans</a></em></em>, <em><em><a href=\'https://profiles.wordpress.org/ninianepress/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>ninianepress</a>.</em></em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15100\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"WP Briefing: Episode 57: The Power of WordPress Mentorship\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wordpress.org/news/2023/06/episode-57-the-power-of-wordpress-mentorship/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 05 Jun 2023 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=15089\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:215:\"Join WordPress Executive Director Josepha Haden Chomphosy in the 57th episode of the WordPress Briefing as she discusses the Contributor Mentorship Program to help increase the success of new contributors over time.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:60:\"https://wordpress.org/news/files/2023/06/WP-Briefing-057.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brett McSherry\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:7743:\"\n<p>Join WordPress Executive Director Josepha Haden Chomphosy in the 57th episode of the WordPress Briefing as she discusses the Contributor Mentorship Program to help increase the success of new contributors over time.</p>\n\n\n\n<p><em><strong>Have a question you’d like answered? You can submit them to&nbsp;<a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Editor:&nbsp;<a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br>Logo:&nbsp;<a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br>Production:&nbsp;<a href=\"https://profiles.wordpress.org/bjmcsherry/\">Brett McSherry</a><br>Song: Fearless First by Kevin MacLeod</p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://europe.wordcamp.org/2023/\">WordCamp Europe 2023</a>, Athens, Greece. This event includes a <a href=\"https://europe.wordcamp.org/2023/session/matt-mullenweg/\">special Keynote from Matt Mullenweg, Josepha Haden Chomposy, and Matías Ventura</a>. </li>\n\n\n\n<li>&nbsp;<a rel=\"noreferrer noopener\" href=\"https://make.wordpress.org/project/2023/05/17/wordpress-contributor-mentorship-program-pilot-program-proposal/\" target=\"_blank\">WordPress Contributor Mentorship Program: Pilot Program Proposal</a>&nbsp;</li>\n\n\n\n<li>Make WordPress Community: <a rel=\"noreferrer noopener\" href=\"https://make.wordpress.org/community/2023/05/24/idea-generation-next-gen-wordcamps/\" target=\"_blank\">Idea generation: Next Gen WordCamps!</a></li>\n\n\n\n<li>WordPress &#8216;Milestones&#8217; volume two book <a rel=\"noreferrer noopener\" href=\"https://wordpress.org/book/\" target=\"_blank\">Building Blocks: The Evolution of WordPress</a> is available in <a rel=\"noreferrer noopener\" href=\"https://github.com/WordPress/wp20-book/tree/trunk/Formats\" target=\"_blank\">several formats for download on GitHub</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n<a class=\"wp-block-read-more\" href=\"https://wordpress.org/news/2023/06/episode-57-the-power-of-wordpress-mentorship/\" target=\"_self\">Read more<span class=\"screen-reader-text\">: Episode 57: The Power of WordPress Mentorship</span></a>\n\n\n<p>[Josepha Haden Chomphosy 00:00:00]&nbsp;</p>\n\n\n\n<p>(Intro music)</p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress open source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks.&nbsp;</p>\n\n\n\n<p>I&#8217;m your host, Joseph Hayden Chomphosy. Here we go!</p>\n\n\n\n<p>(Intro music)</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:40]&nbsp;</p>\n\n\n\n<p>Over the course of this year, there has been a lot of research and examination of the contributor funnel in the WordPress community. That research confirms some assumptions about what most contributor stories have in common: the hurdles, the general paths taken, and the way that problem-solving was done. Then in February of this year, Hari Shanker published a proposal for a mentorship program for WordPress.&nbsp;</p>\n\n\n\n<p>And now we&#8217;ve got a pilot program that&#8217;s been defined and is waiting for your feedback. If you&#8217;ve not read the post about the contributor mentorship program, for one do it. But if you would rather hear a synopsis from me, don&#8217;t worry, I&#8217;m about to give you a 10-cent tour.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:22]&nbsp;</p>\n\n\n\n<p>First up, who is doing this? This pilot program has been outlined by a community working group. We often have working groups in WordPress, and they almost always have specific projects around events or programs, or code updates. Since this working group is focused on a project-wide program, there is project-wide representation in it. All the names are at the bottom of the post, which you can find in our show notes. But it&#8217;s got folks who contribute with code or contribute with time or contribute with design folks who are self-sponsored or corporately sponsored, just a nice mix of people. The program as a whole, though, is being stewarded by Hari Shankar, a longtime supporter of and contributor to WordPress. </p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:06]&nbsp;</p>\n\n\n\n<p>So next, what is this for? There are a few goals for the program. But the overarching goal is to increase the success of new contributors over time. We can all agree that if we were to have 1000s of new contributors every day, but they couldn&#8217;t find their way to impactful contributions or meaningful connections quickly, then we would have done them a disservice. And they probably won&#8217;t continue to be part of the community without a bit more effort.&nbsp;</p>\n\n\n\n<p>The when and the where are essentially “right now and right here,” so that brings us finally to Why. Why are we doing this mentorship program? Apart from to help people who want to contribute have an easier path to success – which frankly is enough of a reason anyway – the why is wrapped up in our overall philosophies in the project. If we believe that good ideas can come from anywhere and that contributions of any size matter. And that open source is an idea that can change our generation and that we are democratizing publishing, then bringing new people brings new ideas, and beginner contributions can grow over time. We can maintain this idea, this concept of open source, into the next generation and to future generations. And always keep our sights on the open web. To learn more about this and other project-wide initiatives, swing by make.wordpress.org/project or check the links in today&#8217;s show notes on wordpress.org/news/podcast.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:53]&nbsp;</p>\n\n\n\n<p>Which brings us now to our small list of big things.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:56]&nbsp;</p>\n\n\n\n<p>First on the list is WordCamp Europe. That&#8217;s coming up at the end of the week on June 8 through 10th in Athens, Greece. There will be a major update from Matt and friends, so even if you aren&#8217;t there in person, keep an eye out for those recordings. But for those who are there and you&#8217;re curious about the mentorship program or anything else to do with WordPress and contributing to the project, you can come find me or Angela Jin, Hari will also be there, Chloé will be there, Héctor will be there, lots of people, and we want to hear your thoughts and answer your questions.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:04:27]&nbsp;</p>\n\n\n\n<p>Second is a call for brainpower! A call for your brainstorms! On the subject of the next generation, we&#8217;ve got a discussion going on about the next generation of WordCamps. We&#8217;ve been discussing what new types and varieties might be available, and that might make sense for people as we get back to in-person events. So if you&#8217;ve got a kind of WordCamp that you&#8217;ve been desperately wanting to try, now&#8217;s the time to let folks know about it. </p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:04:54]</p>\n\n\n\n<p>And the final thing is the second volume of The WordPress history book called Building Blocks: The Evolution of WordPress is now available for download in several formats as well as on GitHub. Stop buy, give it a read, and relive some of the highlights of the past ten years of the WordPress project.&nbsp;</p>\n\n\n\n<p>&nbsp;[Josepha Haden Chomphosy 00:05:12]</p>\n\n\n\n<p>And that, my friends, is your smallest of big things. Thanks for tuning in today for the WordPress Briefing. I&#8217;m your host Josepha Haden Chomposy, and I&#8217;ll see you again in a couple of weeks.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"15089\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:69:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"People of WordPress: Stefano Cassone\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://wordpress.org/news/2023/05/people-of-wordpress-stefano-cassone/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 31 May 2023 20:48:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:5:{i:0;a:5:{s:4:\"data\";s:9:\"Community\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Features\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:10:\"Interviews\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:9:\"HeroPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:19:\"People of WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15030\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:125:\"The People of WordPress feature series goes to Italy to interview web designer, photographer and translator Stefano Cassone. \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Abha Thakor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15999:\"\n<p><strong>With <a href=\"https://europe.wordcamp.org/2023/\">WordCamp Europe 2023</a> in June, we feature Stefano Cassone, a web designer, photographer and volunteer translator, who believes his life has been transformed through WordPress and its community.</strong></p>\n\n\n\n<p><strong>The&nbsp;<em>People of WordPress</em>&nbsp;series shares inspiring stories of how people’s lives can change for the better through WordPress and its global community of contributors.</strong></p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"535\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-featured-img.jpg?resize=1024%2C535&#038;ssl=1\" alt=\"Stefano with a laptop covered in WordPress event stickers\" class=\"wp-image-15027\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-featured-img.jpg?resize=1024%2C535&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-featured-img.jpg?resize=300%2C157&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-featured-img.jpg?resize=768%2C401&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-featured-img.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Stefano with a laptop covered in WordPress event stickers</figcaption></figure>\n\n\n\n<p>Stefano has always been fascinated by the internet. His initial learning in the 1990s was through joining friends at a local pub where they could explore how websites were structured and learn to use chat software.</p>\n\n\n\n<p>This led to Stefano creating websites for fun in 1998, and his first paid job was for the shop where he bought comics. He turned to content management systems (CMS) to speed up the creation process for sites, but found he needed more documentation to really understand their capabilities. Then he read a magazine article about WordPress, a CMS which was being used to make incredible blog sites, and was supported by an international community and documentation. Over time, Stefano started using that documentation to work on websites in Italian.</p>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress provides a life-changing turning point&nbsp;</h2>\n\n\n\n<p>Stefano describes himself as an introvert. He found that WordPress helped him to work from home, to develop his skills and the quality of what he could produce, as well as build his self-confidence.&nbsp;</p>\n\n\n\n<p>A catalyst for the turning point in his life and career was the discovery of an area for events on the WordPress dashboard. On this page, he found a forthcoming local meetup in Rome.&nbsp;</p>\n\n\n\n<p>In November 2017, Stefano took the step to go along to this event, led by a curiosity of what he might discover and intrigued by how a software could be supported by a vast community. The topic at the event was on <a href=\"https://make.wordpress.org/cli/\">WP-CLI</a>, a command line interface for WordPress. He recalled that he felt outside his comfort zone as he did not regard himself as a developer and at that point, had only used the software for simple jobs. He wondered whether using the software as his only CMS was going to be a long term option and if these meetups were suitable for him.</p>\n\n\n\n<p>At the meetup, people were talking about a forthcoming event, called WordCamp Rome. Through his research, he saw that there was a lot of enthusiasm for this event. This intrigued him and he wondered if it would show him that he could have a career using the software after all.</p>\n\n\n\n<p>Unfamiliar with WordCamps, Stefano found it difficult at first to know what he could go to and how to get involved, but he persevered and attended the event.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;The WordCamp was a great discovery: talks at all levels from basic to those for developers, advanced and very advanced. I was immediately struck by the enthusiasm of the volunteers. It was an environment where I felt very comfortable, so much so, that I asked myself how I could participate in some WordCamps.&#8221;</p>\n<cite>Stefano Cassone</cite></blockquote>\n\n\n\n<p>From this event, Stefano was encouraged by those he met to consider applying as a volunteer for a future WordCamp.</p>\n\n\n\n<p>There was also much talk at the event about ‘Slack’. It was new to Stefano, but with help from those attending, he signed up for the messaging tool Slack, used by the WordPress community. He was still unsure how he could contribute, and if he would be welcome.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Joining thousands of volunteer translators of WordPress</h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-wc-italia-2022.jpg?resize=800%2C600&#038;ssl=1\" alt=\"Italian General Translation Editors at WordPress Italia 2022\" class=\"wp-image-15028\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-wc-italia-2022.jpg?w=800&amp;ssl=1 800w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-wc-italia-2022.jpg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-wc-italia-2022.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Italian General Translation Editors at WordPress Italia 2022</figcaption></figure>\n\n\n\n<p>Stefano took the plunge and was excited to find there was a team called Polyglots. In this team, people from across the world<a href=\"https://make.wordpress.org/polyglots/\"> translate the WordPress software into many different languages</a>. He started with translating a theme he was using in his work. Little by little he became more interested in plugins and attended meetings with other translators. He offered his skills to translate into Italian themes and plugins in general and as his experience grew, he took on the volunteer role of a General Translation Editor. He also took care of the translation into Italian of the WordPress Core. More recently he has joined the group of translators for the <a href=\"https://make.wordpress.org/docs/handbook/helphub/\">HelpHub</a>, which is part of the <a href=\"https://make.wordpress.org/docs/\">WordPress documentation</a> system.</p>\n\n\n\n<p>He said: “Participating in the WordPress Slack has helped me enormously: I’ve met a lot of people who I now call friends. Moreover, by translating, I learned a lot about how themes and plugins work.</p>\n\n\n\n<p>“It&#8217;s a great way to contribute to WordPress, especially for someone like me who is not a developer. Translating also allows me to fully understand how WordPress works.&#8221; </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;I always say that translating themes, plugins, and the Core software is the best way to learn WordPress, better than any course or book.”</p>\n<cite>Stefano Cassone</cite></blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">Sharing skills to support Open Source WordPress</h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"667\" height=\"500\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-WC-2019.jpg?resize=667%2C500&#038;ssl=1\" alt=\"Stefano volunteering as a photographer at a WordCamp in 2019 with other contributors.\" class=\"wp-image-15026\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-WC-2019.jpg?w=667&amp;ssl=1 667w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-WC-2019.jpg?resize=300%2C225&amp;ssl=1 300w\" sizes=\"(max-width: 667px) 100vw, 667px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Stefano volunteering as a photographer at a WordCamp in 2019 with other contributors.</figcaption></figure>\n\n\n\n<p>Stefano’s growing commitment to the open source WordPress project was further boosted through his volunteering. He was a volunteer at WordCamp Rome 2018 and participated there in his first Contributor Day where he had the opportunity to translate the software with others.&nbsp;</p>\n\n\n\n<p>He was also able to bring his own hobbies and skills to help the project grow and reach others. One example was his passion for photography, and he volunteered as a photographer for many other events in Italy organized by the WordPress community. He said: “This commitment to the community also allows me to have fun: being a photographer means having the opportunity to walk around the halls and capture moments of the life of a WordCamp.” The more WordCamps he attended, the more he wanted to be part of and keep contributing to the wider WordPress community.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Contribution to WordPress is inspiring</h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-the-support-table-contributor-day.jpg?resize=1024%2C683&#038;ssl=1\" alt=\"Stefano at the Support Table at a WordPress Contributor Day\" class=\"wp-image-15025\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-the-support-table-contributor-day.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-the-support-table-contributor-day.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-the-support-table-contributor-day.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-the-support-table-contributor-day.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Stefano at the Support Table at a WordPress Contributor Day</figcaption></figure>\n\n\n\n<p>When Stefano was asked to become an organizer for the WordPress meetup in Rome in October 2019, he knew he wanted to be part of reaching and supporting more people in his area. He faced challenges with finding venues, but a greater issue was to come: the Covid-19 pandemic.&nbsp;</p>\n\n\n\n<p>Spurred on by the <a href=\"https://it.wordpress.org/\">Italian WordPress community</a> as a whole, he was determined that the meetup was still needed. The regular event was transformed into an online meeting. He was able to gain help from people he had met as a volunteer to share their expertise with meetup attendees.&nbsp;</p>\n\n\n\n<p>The community in Italy also worked together to put on WordCamp Italia online. It brought together the organizers of previous meetups and WordCamps, and new contributors too. Stefano volunteered in both online editions of this camp, including being part of the social and communication team. He found it to not only be a fun experience but also one that helped him grow professionally and learn from so many others.</p>\n\n\n\n<p>He went onto help restart the <a href=\"https://www.meetup.com/romawordpress/\">Rome WordPress meetup</a> in-person meetings in May 2022, was an organizer for the third WordCamp Italy, and has been volunteering for camps in 2023.</p>\n\n\n\n<h3 class=\"wp-block-heading\">What will WordPress bring you?</h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"533\" height=\"800\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-a-wc.jpg?resize=533%2C800&#038;ssl=1\" alt=\"Stefano inspired by his journey at WordCamps asks what will WordPress bring you?\" class=\"wp-image-15024\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-a-wc.jpg?w=533&amp;ssl=1 533w, https://i0.wp.com/wordpress.org/news/files/2023/05/stefano-at-a-wc.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"(max-width: 533px) 100vw, 533px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Stefano inspired by his journey at WordCamps asks what will WordPress bring you?</figcaption></figure>\n\n\n\n<p>“Persona and professional growth and friendship” are some of the things they have brought Stefano. Contributing boosted his confidence and willingness to try new opportunities in his work.&nbsp;</p>\n\n\n\n<p>He said: “The best thing I got out of joining the WordPress community was the chance to collaborate with some people on a working basis and, I have to say, that was incredible. Being with many of them you have an incredible opportunity to grow in knowledge, you just have to be ready to learn. With WordPress you never stop learning.”</p>\n\n\n\n<p>His top recommendation is: “Join your local meetup or think about organizing one, it will introduce you to an amazing world. Don’t be afraid to meet people at WordCamps and Contributor Days, because you will learn more there than in dozens of courses. Talk to people at those events and don’t worry. The WordPress community is inclusive so you’ll always feel welcome, and you will see enthusiasm like you’ve never seen at other IT events. 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There were no tickets or sponsorship packages sold, therefore there are no tickets or sponsorships to be refunded.&nbsp;</p>\n\n\n\n<p>To ensure the success of future WordCamps, we encourage the Dhaka community to participate in collaboration and contribute to creating a more diverse, inclusive and open community. Any members of the community, regardless their gender, company affiliations, and background, can apply and collaborate as co-organizers.<br /></p>\n\n\n\n<p>Here are the basics of our <a href=\"https://make.wordpress.org/community/handbook/meetup-organizer/meetup-program-basics/\">Meetup Program </a>and the <a href=\"https://central.wordcamp.org/meetup-organizer-application/\">application</a> to become a Meetup organizer.<br /></p>\n\n\n\n<p>The Community Team believes that the Dhaka WordPress Community can build a stronger community with opportunities for everyone interested in WordPress.&nbsp;</p>\n\n\n\n<p>If you have any questions, you can reach out to us by sending an email to <a href=\"mailto:support@wordcamp.org\">support@wordcamp.org</a>.</p>\n\n\n\n<p>Thank you,</p>\n\n\n\n<p>WordPress Community Team</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 10 Jul 2023 07:36:05 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Devin Maeztri\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"WPTavern: WordPress to Host 6.3 Live Product Demo on Thursday, July 20\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146673\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wptavern.com/wordpress-to-host-6-3-live-product-demo-on-thursday-july-20\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1639:\"<p>WordPress 6.3 is scheduled to be released one month from today on August 8, 2023. The <a href=\"https://wordpress.org/news/2023/07/6-3-live-product-demo/\">live product demo</a> date and time has now been set for Thursday, July 20, at at <a href=\"http://time.unitarium.com/utc/1600\">16:00 UTC</a>. Participants can join live via this <a href=\"https://us02web.zoom.us/j/88141234315?pwd=TE1Odk5Wd0hiVlNYWHB5Q2xCYkhSZz09\">Zoom</a> link.  </p>\n\n\n\n<p>Automattic-sponsored Gutenberg contributors <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/annezazu/\" target=\"_blank\">Anne McCarthy</a> and <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/richtabor/\" target=\"_blank\">Rich Tabor</a> will be hosting the event, moderated by <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/njwrigley/\" target=\"_blank\">Nathan Wrigley</a>. They will highlight upcoming changes and take questions from participants during a Q&amp;A session at the end.</p>\n\n\n\n<p>WordPress 6.3 is set to introduce an exciting array of new features &#8211; the Command Palette, content editing and distraction-free mode in the Site Editor, pattern creation, and much more. There have also been significant <a href=\"https://wptavern.com/wordpress-6-3-beta-3-released-introduces-ui-changes-to-pattern-management\">changes to pattern management UI</a> as late as Beta 3. The live product demo is a good opportunity to get up to speed with a guided tour of everything new that will be landing in 6.3.</p>\n\n\n\n<p>The event will be recorded and those who cannot attend live can catch it later when it is published on WordPress.tv. </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 08 Jul 2023 17:41:17 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:140:\"Gutenberg Times: Phase 3: Collaboration – Kick-off, add commands to the palette, server-side filter for theme.json –Weekend Edition #260\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://gutenbergtimes.com/?p=24655\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:140:\"https://gutenbergtimes.com/phase-3-collaboration-kick-off-add-commands-to-the-palette-server-side-filter-for-theme-json-weekend-edition-260/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:20047:\"<p>Howdy, </p>\n\n\n\n<p>Wow. This weekend edition holds a lot of date/times of upcoming online events for all WordPress users, developers, designers, site builders, and content creators. </p>\n\n\n\n<p>The most important might be the the <strong><a href=\"https://wordpress.org/news/2023/07/6-3-live-product-demo/\">WordPress 6.3 Product Demo</a> </strong>on July 20th, (16:00 UTC) roughly 14 days before the final release,  filled to the brink with new and enhanced features.  Watching the Product Demo gets you up to speed quickly. Yes, there will be a recording, too. </p>\n\n\n\n<p>Don&#8217;t forget to consult the <a href=\"https://learn.wordpress.org/online-workshops/\"><strong>workshop schedule of the training team</strong></a> on the Learn WordPress site.</p>\n\n\n\n<p>Have a wonderful weekend! Mine will be dominated by unpacking boxes and eating delicious food and chatting with long-distance friends. </p>\n\n\n\n<p>Be well.  </p>\n\n\n\n<p>Yours, 💕<br /><em>Birgit</em></p>\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p><strong>Table of Contents</strong></p>\n\n\n\n<div class=\"wp-block-sortabrilliant-guidepost\"><ul><li><a href=\"https://gutenbergtimes.com/feed/#0-word-press-release-information\">Developing Gutenberg and WordPress</a><ul><li><a href=\"https://gutenbergtimes.com/feed/#1-word-press-6-3\">WordPress 6.3 </a></li><li><a href=\"https://gutenbergtimes.com/feed/#2-g\">Gutenberg Phase 3: Collaboration starts</a></li></ul></li><li><a href=\"https://gutenbergtimes.com/feed/#0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</a></li><li><a href=\"https://gutenbergtimes.com/feed/#2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</a></li><li><a href=\"https://gutenbergtimes.com/feed/#3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </a></li></ul></div>\n</div></div>\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p><a href=\"https://us02web.zoom.us/webinar/register/7516879458017/WN_lqwBBSkSR1Wcdf8BUr5udQ\"><strong>Next Live Q &amp; A: Design Systems and Theme.json  on July 21, 2023</strong></a></p>\n\n\n\n<p>David Bowman and and Alec Geatches from WordPress VIP will show off how they keep design systems developed in Figma and themes in WordPress in synch and their workflows streamlined. Joni Halabi, senior developer from Georgetown University will join me as co-host. </p>\n\n\n\n<a href=\"https://us02web.zoom.us/webinar/register/7516879458017/WN_lqwBBSkSR1Wcdf8BUr5udQ\"><img /></a>\n</div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-word-press-release-information\">Developing Gutenberg and WordPress</h2>\n\n\n\n<p><strong>Joen Asmussen </strong>published for the WordPress design team the <a href=\"https://make.wordpress.org/design/2023/07/03/design-share-jun-19-jun-30/\"><strong>Design Share: Jun 19–Jun&nbsp;30</strong></a>, recounting all the great UI and UX work the design team contributed during the past two weeks. </p>\n\n\n\n<ul>\n<li>Legend Style pictograms for the Site Editor.</li>\n\n\n\n<li>Navigation Focus Mode</li>\n\n\n\n<li>Reusable Blocks, Library, “Patterns”, and </li>\n\n\n\n<li>a small fix to the layout shift when editing </li>\n</ul>\n\n\n\n<a href=\"https://make.wordpress.org/design/2023/07/03/design-share-jun-19-jun-30/\"><img /></a>\n\n\n\n<p>Reminder: <strong>Anne McCarthy</strong> and <strong>Emily Clark</strong> will co-host a <a href=\"https://make.wordpress.org/core/2023/06/29/hallway-hangout-performance-improvements-for-wordpress-6-3/\"><strong>Hallway Hangout to discussion WordPress 6.3 performance improvements</strong></a> on July 27, 2023, at 15:00 UTC to discuss WordPress 6.3 performance improvements led by performance reps Emily Clark and Felix Arntz and also look ahead to WordPress 6.4.</p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"1-word-press-6-3\">WordPress 6.3 </h3>\n\n\n\n<p><strong>Anne McCarthy</strong> and <strong>Rich Tabor</strong> will present at the <a href=\"https://wordpress.org/news/2023/07/6-3-live-product-demo/\"><strong>WordPress 6.3 Live Product Demo </strong></a>on July 20th, 2023 at 16:00 UTC (12 pm EDT / 18:00 CEST). &#8220;Join the WordPress community for a first look at 6.3 in action during a live product demonstration.&#8221; Attendees will learn about recent improvements to the Site Editor, Patterns, Command Palette, and Navigation. There will be a Q&amp;A session, and you may submit questions in advance via the #walkthrough channel on WordPress Make <a href=\"https://wordpress.slack.com/archives/C039R2P1ZC1\">Slack</a>.&nbsp;</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Sarah Gooding</strong> reports on <a href=\"https://wptavern.com/wordpress-6-3-beta-3-released-introduces-ui-changes-to-pattern-management\"><strong>WordPress 6.3 Beta 3 Released, Introduces UI Changes to Pattern Management</strong>. </a>&#8220;A last-minute PR has&nbsp;renamed Library to Patterns&nbsp;in the Site Editor and was cherry-picked to get it included in Beta 3.&#8221; she wrote, and then continues with the reasons. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Only tangentially related to the Block editor, I still want you to have this overall change on your radar: In his post on the Make Blog, <strong>John Blackburn</strong> informed the WordPress community that the project is  <strong><a href=\"https://make.wordpress.org/core/2023/07/05/dropping-support-for-php-5/\">Dropping support for PHP 5</a> </strong>. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>“The minimum supported version was last adjusted in WordPress 5.2 in 2019, and since then, usage of PHP 5.6 has dropped to 3.9% of monitored WordPress installations as of July 2023,” </p>\n<cite>John Blackbourn, WordPress core developer</cite></blockquote>\n\n\n\n<p>Sarah Gooding also has the skinny for you in <a href=\"https://wptavern.com/wordpress-6-3-to-drop-support-for-php-5\"><strong>WordPress 6.3 to Drop Support for PHP 5</strong></a></p>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p class=\"is-style-no-vertical-margin\"><strong>🎙️ </strong> New episode:  <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/\">Gutenberg Changelog #85 – Gutenberg 16.1, WordPress 6.3</a> with special guest, Tammie Lister and host Birgit Pauli-Haack</p>\n</div></div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"2-g\">Gutenberg Phase 3: Collaboration starts</h3>\n\n\n\n<p>Following his March 2023 <a href=\"https://make.wordpress.org/core/2023/03/24/phase-3-collaboration/\">Gutenberg Phase 3</a> post, Matias Ventura, architect on the Gutenberg project, published a series of posts to go deeper on all the aspects of the next phase and outline the requirements. </p>\n\n\n\n<ul>\n<li>In <a href=\"https://make.wordpress.org/core/2023/07/03/real-time-collaboration/\"><strong>Real-time Collaboration</strong></a>, he outlines plans for concurrent collaboration and shared edits. </li>\n\n\n\n<li>In <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\"><strong>Workflows</strong></a>, Ventura discusses the requirements for the full publishing workflow and the async collaboration needs for a content team. </li>\n\n\n\n<li>In <a href=\"https://make.wordpress.org/core/2023/07/05/revisions/\"><strong>Revisions</strong>, </a>Ventura covers the full overhaul of the current system, by making it aware of Blocks and edits on all data layers at the same time. </li>\n\n\n\n<li>In <a href=\"https://make.wordpress.org/core/2023/07/07/media-library/\"><strong>Media Library</strong></a>, he aims at expanding media management capabilities, unifying the interface with the block editor and improving overall media workflows. </li>\n</ul>\n\n\n\n<p>There might be more posts coming and, of course, I&#8217;ll keep you in the loop. </p>\n\n\n\n<a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\"><img /></a>Screenshot shared on the post about <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\">Workflows</a>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Sarah Gooding</strong> summarized it all in <a href=\"https://wptavern.com/wordpress-unveils-plans-for-real-time-collaboration-with-major-improvements-to-revisions-and-the-media-library\"><strong>WordPress Unveils Plans for Real-Time Collaboration with Major Improvements to Revisions and the Media Library</strong></a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his post, <a href=\"https://speckyboy.com/what-collaborative-features-will-bring-to-wordpress/\"><strong>What Collaborative Features Will Bring to WordPress</strong></a>, <strong>Eric Karkovack </strong>explored a few scenarios that demonstrate how new collaborative features can streamline working together in a team responsible for publishing content on a larger site. </p>\n\n\n\n\n<p><strong> <a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Keeping up with Gutenberg &#8211; Index 2022&#8221;</a> </strong><br />A chronological list of the WordPress Make Blog posts from various teams involved in Gutenberg development: Design, Theme Review Team, Core Editor, Core JS, Core CSS, Test, and Meta team from Jan. 2021 on. Updated by yours truly.  <a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/keeping-up-with-gutenberg-index-2020/\"><em>The index 2020 is here</em></a></p>\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</h2>\n\n\n\n<p><strong>Nick Diego</strong> announced a new season of his &#8220;Builder Basics&#8221; series. The next event is scheduled for <strong>July 17th  7pm UTC</strong> ( 3 pm EDT) <a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/294550599/\"><strong>Goodbye Reusable Blocks—Hello Synced Patterns (and more)</strong></a>. He&#8217;ll review the updates coming in WordPress 6.3 for reusable blocks and explore the improved editing flows for patterns and template parts. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In another event, <strong>Bud Kraus</strong> will<strong><a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/294340444/\"> demystify the Navigation Block</a></strong> for you on July 11 at 19:00 UTC / 3 pm EDT. You will learn how to set your site&#8217;s navigation using only blocks and not the classic menu system. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><a href=\"https://twitter https://twitter.com/Bijayyadavnp\"><strong>Bijay Yadav</strong></a>, long-time contributor to the open-source WordPress project, published his first theme in the Theme directory. <a href=\"https://wordpress.org/themes/geum/\"><strong>Geum</strong></a> is block themes allowing the user to take full advantage of the new site editor to customize their site.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Jamie Marsland</strong> posted a tutorial on <strong><a href=\"https://www.pootlepress.com/2023/07/the-best-wordpress-block-themes/\">How to Choose the perfect WordPress Block Theme</a>.</strong> He started out summarizing the advantages of a block theme over a classic theme, and listed all the considerations to take into account when comparing block themes from the repository or other theme directories. He also mentioned his favorites: <a href=\"https://woocommerce.com/products/basti/\">Basti by Ana Segota</a>, Ollie<a href=\"https://olliewp.com/\"> WP by Mike McAlister</a> and <a href=\"https://wpspectra.com/\">Spectra One by the Astra team.</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Anne McCarthy</strong> published the Summary of feedback from the latest <a href=\"https://make.wordpress.org/test/2023/07/04/fse-program-momery-makeover-summary/\"><strong>FSE Program Momery Makeover Summary</strong></a>. &#8220;Since this call for testing took place during the early stages of an iterative process, several aspects of the feedback provided have already been swiftly addressed, thanks to ongoing development for WordPress 6.3. The relatively limited amount of bugs received and feedback aligning with feature development reflects a level of solidness in the direction of recent improvements.&#8221; she wrote. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>On WPTavern, <strong>Sarah Gooding</strong> reviewed the latest block theme for blogging &#8211; <strong><a href=\"https://wordpress.org/themes/hey/\">Hey</a></strong>, built by Automattic in here article <a href=\"https://wptavern.com/hey-an-elegantly-simple-wordpress-block-theme-for-blogging\"><strong>Hey: An Elegantly Simple WordPress Block Theme for Blogging</strong></a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</h2>\n\n\n\n<p>In his article for the Torque Magazine, <strong><a href=\"https://torquemag.io/2023/06/modify-wordpress-block-themes/\">How to Modify WordPress Block Themes (JSON Beginner’s Guide)</a></strong>, <strong>Nick Schäferhoff</strong> explored ways on how you can customize a block theme&#8217;s theme.json file for those of us, who are used to tinker around via functions.php and style.css. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Jonathan Bossenger</strong> published his series for live streams on <a href=\"https://www.youtube.com/@jon_bossenger\"><strong>Developing Sendig a Block theme</strong></a> on YouTube. The goal is to create a theme following the designs by Emily Rapport. <em>(See <a href=\"https://gutenbergtimes.com/gutenberg-15-7-woocommerce-blocks-10-1-and-299-block-themes-weekend-edition-253/#2-word-press-6-0-1-and-6-1-scheduled\">Weekend Edition 253 for details</a>)</em>.</p>\n\n\n\n<a href=\"https://www.youtube.com/@jon_bossenger\"><img /></a>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>You can take <strong>Wes Theron</strong>&#8216;s tutorial on <a href=\"https://learn.wordpress.org/tutorial/designing-with-row-and-stack-blocks/\"><strong>Designing with row and stack blocks</strong></a> on <em>Learn WordPress. </em>&#8220;Using the Group block is one of the cornerstones of mastering the block editor. When you select a Group block, you have the variations of the Group block, the standard group, rows, and stacks. In this video tutorial, you learn how you can use rows and stacks to achieve various designs.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </h2>\n\n\n\n<p><strong><a href=\"https://twitter.com/RonaldHuereca\">Ronald Huereca</a></strong> published a tutorial on <a href=\"https://dlxplugins.com/tutorials/adding-commands-to-the-wordpress-command-palette/\"><strong>Adding Commands to the WordPress Command Palette</strong></a> can be accomplished, ahead of the official WordPress 6.3 Dev Notes. He explained what the Command Palette is, what it can be used for, and step-by-step how you can add your custom commands to it via a plugin. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>A new post on the <em>WordPress Developer Blog</em> covers <a href=\"https://developer.wordpress.org/news/2023/07/how-to-modify-theme-json-data-using-server-side-filters/\"><strong>how to modify theme.json data using server-side filters.</strong></a> Discover, with <strong>Nick Diego</strong> as your guide,  the possibilities of theme.json server-side filters. Learn how to modify color palettes dynamically or restrict block controls based on user permissions.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>The recording of this week&#8217;s Live Q &amp; A is now available on YouTube: <a href=\"https://www.youtube.com/watch?v=-5IrkgryD6s\"><strong>Leveraging Gutenberg&#8217;s architecture to take plugin development to new levels</strong></a>. Learn how Gutenberg components and scripts can be used outside the block editor to revamp a plugin’s code base in this Case Study of GiveWP 3.0 with J<strong>ason Adams</strong>, Director of Development, <strong>Jon Waldstein</strong>, Lead Developer of GiveWP and co-host <strong>Lena Morita</strong>, JavaScript Developer on the Components team. The list of resources is available in the description of the video. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Ryan Welcher</strong> announced the topics for the next Twitch streams: </p>\n\n\n\n<ul>\n<li>Jul 13, 2023 –&nbsp;<a href=\"https://href.li/?https://www.meetup.com/learn-wordpress-online-workshops/events/294583083/\">Reviewing all existing SlotFills</a></li>\n\n\n\n<li>Jul 20, 2023 –&nbsp;<a href=\"https://href.li/?https://www.meetup.com/learn-wordpress-online-workshops/events/294583132/\">Reviewing Gutenberg Features 16.2</a></li>\n\n\n\n<li>Jul 27, 2023 –&nbsp;<a href=\"https://href.li/?https://www.meetup.com/learn-wordpress-online-workshops/events/294583179/\">Using custom SlotFill to extend a codebase</a></li>\n</ul>\n\n\n\n<p>Recordings of previous streams can be viewed on his <a href=\"https://www.youtube.com/ryanwelchercodes\">YouTube Channel.</a></p>\n\n\n\n\n<p><strong><a href=\"https://gutenbergtimes.com/need-a-zip-from-master/\">Need a plugin .zip from Gutenberg&#8217;s master branch?</a></strong><br />Gutenberg Times provides daily build for testing and review. <br />Have you been using it? Hit reply and let me know.</p>\n\n\n\n<p><img alt=\"GitHub all releases\" src=\"https://img.shields.io/github/downloads/bph/gutenberg/total?style=for-the-badge\" /></p>\n\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Questions? Suggestions? Ideas? Don&#8217;t hesitate to send <a href=\"mailto:pauli@gutenbergtimes.com\">them via email</a> or send me a message on WordPress Slack or Twitter @bph</em>. </p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">For questions to be answered on the <a href=\"http://gutenbergtimes.com/podcast\">Gutenberg Changelog</a>, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n\n<p>Featured Image: Victoria Pickering &#8220;Old Type&#8221;,  <a href=\"https://openverse.org/image/2b65ee7c-b784-4c06-9c2c-041b25863bad\">found on Openverse.org</a></p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\n\n\n\n<p class=\"has-text-align-left\"><strong>Don&#8217;t want to miss the next Weekend Edition? </strong></p>\n\n\n\n<form class=\"wp-block-newsletterglue-form ngl-form ngl-portrait\" action=\"https://gutenbergtimes.com/feed/\" method=\"post\"><div class=\"ngl-form-container\"><div class=\"ngl-form-field\"><label class=\"ngl-form-label\" for=\"ngl_email\"><br />Type in your Email address to subscribe.</label><div class=\"ngl-form-input\"><input type=\"email\" class=\"ngl-form-input-text\" name=\"ngl_email\" id=\"ngl_email\" /></div></div><button type=\"submit\" class=\"ngl-form-button\">Subscribe</button><p class=\"ngl-form-text\">We hate spam, too and won&#8217;t give your email address to anyone except Mailchimp to send out our Weekend Edition</p></div><div class=\"ngl-message-overlay\"><div class=\"ngl-message-svg-wrap\"></div><div class=\"ngl-message-overlay-text\">Thanks for subscribing.</div></div><input type=\"hidden\" name=\"ngl_list_id\" id=\"ngl_list_id\" value=\"26f81bd8ae\" /><input type=\"hidden\" name=\"ngl_double_optin\" id=\"ngl_double_optin\" value=\"yes\" /></form>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 08 Jul 2023 09:45:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Birgit Pauli-Haack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:120:\"WPTavern: WordPress Unveils Plans for Real-Time Collaboration with Major Improvements to Revisions and the Media Library\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146631\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"https://wptavern.com/wordpress-unveils-plans-for-real-time-collaboration-with-major-improvements-to-revisions-and-the-media-library\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6352:\"<p>In a series of four posts, Gutenberg lead architect Matías Ventura has outlined the project&#8217;s phase 3 plans for <a href=\"https://make.wordpress.org/core/2023/07/03/real-time-collaboration/\">Real-Time Collaboration</a>, <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\">Workflows</a>, <a href=\"https://make.wordpress.org/core/2023/07/05/revisions/\">Revisions</a>, and the <a href=\"https://make.wordpress.org/core/2023/07/07/media-library/\">Media Library</a>. WordPress 6.3 is set to be the final major release of Phase 2, which focused on Customization. </p>\n\n\n\n<p>Phase 3 will shift focus from the editors and move into other parts of the admin in an effort to bring seamless collaboration to WordPress.</p>\n\n\n\n<p>&#8220;The primary aim of real-time collaboration is to build functionality into the&nbsp;block&nbsp;editors so that concurrent collaboration, shared edits, and online presence of peers are possible,&#8221; Ventura said. &#8220;Supporting these workflows is not just about concurrency, though, but also about lifting restrictions that have been present in WordPress for a long time, such as locking a post when two people try to edit at the same time.&#8221;</p>\n\n\n\n<p>The technical challenges here are in making this available to all WordPress users, even those on the most economical hosting environments. Ventura shared a quick preview of what that might look like, along with the scope of the tasks that would be part of this effort.</p>\n\n\n\n<img />\n\n\n\n<p>In the <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\">Workflows</a> document, Ventura details collaborative features that will be part of this phase, including allowing users to add comments, suggest edits, and tag other users for peer review. These enhancements would apply to both content creation and design changes on block themes. </p>\n\n\n\n<p>There are some interesting projects listed within the scope of this section, including a publishing checklist, sharing draft links with permission controls, and exploring hook points for&nbsp;version control&nbsp;systems to take over internal revision systems if desired.</p>\n\n\n\n<img />image credit: <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\">Workflows</a> &#8211; Matías Ventura\n\n\n\n<p>Users can expect that <a href=\"https://make.wordpress.org/core/2023/07/05/revisions/\">Revisions</a> will also be getting some major improvements as part of the Collaboration phase of the project.</p>\n\n\n\n<p>&#8220;As part of improving the overall experience, we should also go beyond document level history and explore how the interface could let users browse through single block changes and offer the ability to restore them individually rather than requiring full post restores,&#8221; Ventura said. &#8220;For global styles, we should evolve the revisions panel to allow comparing two revisions side by side. For synced patterns, we could allow browsing edit history with side by side and overlay comparison tools.&#8221;</p>\n\n\n\n<p>Long-awaited improvements to WordPress&#8217; <a href=\"https://make.wordpress.org/core/2023/07/07/media-library/\">Media Library</a> are also considered part of this phase.</p>\n\n\n\n<p>&#8220;The main goals are to expand the media management capabilities, unify the block edit and single media interfaces, and improve upon the major media flows,&#8221; Ventura said. He highlighted a few major areas that may get some enhancements, such as categorization and tagging, better handling of attached media, and design improvements to the library view.</p>\n\n\n\n<p>Other Media Library projects may include a revamp of the image editing interface, which remains somewhat unintuitive at this time. Ventura proposes these tools, such as cropping and thumbnail browsing, be updated to align more with the current block editor tools.</p>\n\n\n\n<p>Contributors may also be exploring contribution to the commons from WordPress, along with improvements to attribution.</p>\n\n\n\n<p>&#8220;As we look into expanding the presence and touch points of <a href=\"https://openverse.org/\">Openverse</a>, it’d be interesting to see how contributions to the commons could work directly from a user’s WordPress install,&#8221; Ventura said. &#8220;Another area to look at is improving handling and presentation of other media types (audio, video, files) and their connection with blocks and the block APIs. We should resurface work on a native Playlist block, ideally powered by the <a href=\"https://make.wordpress.org/core/2023/03/30/proposal-the-interactivity-api-a-better-developer-experience-in-building-interactive-blocks/\">Interactivity API</a>.&#8221;</p>\n\n\n\n<p>Reactions to the outlined vision and scope for the Collaboration phase have so far been positive, as users and contributors are eager to see a strong focus come to some of the other parts of WordPress that have not had much attention for years. The newer real-time collaboration features that will take WordPress beyond the days of locking posts while another person is editing, have the potential to speed up content creation and editing for groups working on the same website.</p>\n\n\n\n<p>&#8220;Very much looking forward to this phase. I think it will really enable larger teams to work on posts much easier,&#8221; WordPress developer Rich Holman <a href=\"https://make.wordpress.org/core/2023/07/03/real-time-collaboration/#comment-45051\">commented</a>. &#8220;I’ve mentioned this before but the ability to continue working on a published draft without the front-end updating seems important especially with more editors working on something, especially if doing more experimental edits.&#8221;</p>\n\n\n\n<p>For more details on the features being considered for this phase, check out the <a href=\"https://make.wordpress.org/core/2023/03/24/phase-3-collaboration/\">Phase 3 overview post</a>, along with Ventura&#8217;s more recent write-ups on how contributors will improve and expand WordPress&#8217; collaboration architecture with updates to <a href=\"https://make.wordpress.org/core/2023/07/03/real-time-collaboration/\">Real-Time Collaboration</a>, <a href=\"https://make.wordpress.org/core/2023/07/04/workflows/\">Workflows</a>, <a href=\"https://make.wordpress.org/core/2023/07/05/revisions/\">Revisions</a>, and the <a href=\"https://make.wordpress.org/core/2023/07/07/media-library/\">Media Library</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2023 19:40:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"WordCamp Central: WordCamp Rochester is Back!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://central.wordcamp.org/?p=3166570\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://central.wordcamp.org/news/2023/07/wordcamp-rochester-is-back/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1772:\"<a href=\"https://central.wordcamp.org/files/2023/07/cropped-14120055196ucu6-scaled-1-1.jpg\"><img /></a>\n\n\n\n<p>On Saturday, September 30, 2023, Rochester will again (for the sixth time) host the region’s WordCamp for bloggers and web designers of all skill levels.</p>\n\n\n\n<p>Registration opens at 8:00am. Sessions begin at 9 a.m. and continue to 5 p.m. This year’s WordCamp will be held at the Rochester School of the Arts, 45 Prince Street, Rochester, NY 146017. Tickets are required in advance.&nbsp;</p>\n\n\n\n<p>The $25 ticket cost covers WordCamp Rochester swag, morning coffee, lunch, and the evenings’s after-party food. Participants are strongly encouraged to bring their laptop or tablet computers. Ticket purchase and program details are available at <a href=\"http://www.rochester.wordcamp.org/2023\">www.rochester.wordcamp.org/2023</a>. The capacity for this event is about 120 people, so getting tickets early is advised.</p>\n\n\n\n<p>WordCamps are held worldwide, locally run and purposely provided at a low cost for accessibility to all. WordCamp Rochester is dedicated to WordPress, blogging and web facility. WordCamps are sponsored by WordPress, the open-source, free platform for individuals, groups and businesses to build their own blogs and websites. WordPress.org began in 2003. Its administrators call it the “largest self-hosted blogging tool in the world, used on millions of sites and seen by tens of millions of people every day.”</p>\n\n\n\n<p>Similar to previous years, Rochester’s 2023 WordCamp will divide its workshops along two tracks, with sessions for every ability and level of use.</p>\n\n\n\n<p>Speakers will include WordPress users from Rochester, Buffalo, and beyond, with experience ranging from user/blogger to advanced developer.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2023 18:36:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Michelle Frechette\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"WordPress.org blog: 6.3 Live Product Demo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15354\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://wordpress.org/news/2023/07/6-3-live-product-demo/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2911:\"<img width=\"1024\" height=\"576\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/07/Live-Product-Demo.png?resize=1024%2C576&ssl=1\" alt=\"WordPress 6.3 Live Product Demo Cover Art\" class=\"wp-image-15355\" />\n\n\n\n<p><strong>Want to learn more about WordPress 6.3, planned for release on August 8, 2023? Join the WordPress community for a first look at 6.3 in action during a live product demonstration.</strong></p>\n\n\n\n<p>6.3 release squad members, <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/annezazu/\" target=\"_blank\">Anne McCarthy</a> and <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/richtabor/\" target=\"_blank\">Rich Tabor</a>, will team up with moderator, <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/njwrigley/\" target=\"_blank\">Nathan Wrigley</a>, to guide attendees through the anticipated highlights of the upcoming release. This event will follow a similar format to the <a href=\"https://make.wordpress.org/core/2023/02/21/6-2-live-product-demo/\">live demo for 6.2</a>.</p>\n\n\n\n<p>Attendees will see recent improvements to the Site Editor, Patterns, Command Palette, and more. Following the demo, there will be a Q&amp;A session, and you may submit questions in advance via <a href=\"https://wordpress.slack.com/archives/C039R2P1ZC1\">Slack</a>. </p>\n\n\n\n<h2 class=\"wp-block-heading\">Date, Time, and Location</h2>\n\n\n\n<p>Thursday, July 20, 2023 at <a href=\"http://time.unitarium.com/utc/1600\">16:00 UTC</a><br /><a href=\"https://us02web.zoom.us/j/88141234315?pwd=TE1Odk5Wd0hiVlNYWHB5Q2xCYkhSZz09\">Zoom Link</a> | Save this link and use it on July 20 to join the event.</p>\n\n\n\n<p>The event will be recorded, archived for on-demand viewing on <a href=\"https://wordpress.tv/\">WordPress.tv</a>, and shared in a recap post shortly afterward.</p>\n\n\n\n<h2 class=\"wp-block-heading\">About WordPress 6.3</h2>\n\n\n\n<p>To learn more about WordPress 6.3, please visit the following resources:</p>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2 Announcement</a></li>\n\n\n\n<li>Overview of the <a href=\"https://make.wordpress.org/core/6-3/\">6.3 release cycle</a></li>\n\n\n\n<li>A <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">detailed guide</a> for testing 6.3</li>\n</ul>\n\n\n\n<p>Props to our panelists and moderator, and to <a href=\"https://profiles.wordpress.org/jpantani/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>jpantani</a>, <a href=\"https://profiles.wordpress.org/meher/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>meher</a>, <a href=\"https://profiles.wordpress.org/eidolonnight/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>eidolonnight</a>, and <a href=\"https://profiles.wordpress.org/dansoschin/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>dansoschin</a> for helping prepare this announcement and supporting event logistics.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2023 13:27:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Dan Soschin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"WordCamp Central: WordCamp San José 2023: Looking For Speakers And Sponsors!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://central.wordcamp.org/?p=3166438\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"https://central.wordcamp.org/news/2023/07/wordcamp-san-jose-2023-looking-for-speakers-and-sponsors/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2078:\"<div class=\"wp-block-image\">\n<img src=\"https://i0.wp.com/sanjose.wordcamp.org/2023/files/2023/06/Wapuu.png?resize=266%2C300&ssl=1\" alt=\"\" /></div>\n\n\n<p>WordCamp San José 2023 will take place on November 4-5, 2023 at Fidélitas University. That means we are currently looking for speakers who want to take the stage and share their knowledge, and sponsors who can help make this event unforgettable.</p>\n\n\n\n<p>Costa Rica is known as a country that stands out for its natural beauty, commitment to environmental sustainability, and quality of life, so we are looking for a great and diverse group of speakers to reflect our local community. Both new and experienced WordCamp speakers are welcome. If you would like to propose multiple topics, please submit the form multiple times, once for each topic.</p>\n\n\n\n<p><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f50a.png\" alt=\"🔊\" class=\"wp-smiley\" /> <strong>Our deadline for submitting proposals is midnight EST on August 26, 2023. </strong></p>\n\n\n\n<p><strong>Apply at </strong><a rel=\"noreferrer noopener\" href=\"https://sanjose.wordcamp.org/2023/llamado-a-ponentes/\" target=\"_blank\">https://sanjose.wordcamp.org/2023/llamado-a-ponentes/</a><br /><strong>WordCamp San Jose is also looking for sponsors who can help with expenses. We are the largest WordCamp in Latin America. Be part of the fun and help us by bringing a great experience in terms of food, networking opportunities, and some fun contests!</strong></p>\n\n\n\n<p><strong><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" /> Call for Sponsors: <a rel=\"noreferrer noopener\" href=\"https://sanjose.wordcamp.org/2023/call-for-sponsors/\" target=\"_blank\">https://sanjose.wordcamp.org/2023/call-for-sponsors/</a></strong></p>\n\n\n\n<p><strong><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f39f.png\" alt=\"🎟\" class=\"wp-smiley\" /> Buy your ticket here: <a rel=\"noreferrer noopener\" href=\"https://sanjose.wordcamp.org/2023/tickets/\" target=\"_blank\">https://sanjose.wordcamp.org/2023/tickets/</a></strong></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2023 07:17:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"roblesloaiza\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"Do The Woo Community: Navigating the WooCommerce and WordPress Community\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75463\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://dothewoo.io/navigating-the-woocommerce-and-wordpress-community/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:425:\"<p>If you have just started a business, or moving an existing one into this unique open source community, there is a lot to learn.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/navigating-the-woocommerce-and-wordpress-community/\">Navigating the WooCommerce and WordPress Community</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2023 07:07:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"WPTavern: Hey: An Elegantly Simple WordPress Block Theme for Blogging\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144855\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"https://wptavern.com/hey-an-elegantly-simple-wordpress-block-theme-for-blogging\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2261:\"<p><a href=\"https://wordpress.org/themes/hey/\">Hey</a> is a block theme designed by Automattic for users <a href=\"https://wordpress.com/theme/hey\">on WordPress.com</a> and also released for free in the WordPress.org Themes Directory. It&#8217;s the kind of simple theme that enables you to quickly get started writing online, without having to configure a bunch of design elements. The homepage features a profile image (Site Logo), site title, and recent posts with dates.</p>\n\n\n\n<img />\n\n\n\n<p>Single posts display with the feature image at the top of the post, although this template can easily be edited if this is an undesirable feature. Previous and Next post navigation appears under the post. Users can add menu items to display at the top, but clicking the site logo brings the visitor back home in the absence of a navigation menu.</p>\n\n\n\n<img />\n\n\n\n<p>The Hey theme comes in two different styles &#8211; the default and a serif variation. Colors can be adjusted to create a more vibrant palette for the site design.</p>\n\n\n\n<img />\n\n\n\n<p>One major drawback to this theme, which may not be immediately evident by looking at the demo, is that if users want to display more than the three most recent posts, they will need to add the pagination block inside the query loop block. It will also need to be styled to match the theme better. The query loop can be edited to show more posts on the homepage.</p>\n\n\n\n<p>Although Hey is a simple personal blog theme, it also comes packaged with templates for WooCommerce compatibility. This is likely for the benefit of WordPress.com users who may want to quickly fire up a store. Self-hosted users who want to sell products with WooCommerce will be able to easily display things like the mini-cart, customer account block, product archive, product search results, and more.</p>\n\n\n\n<p>Overall, Hey is an elegantly simple block theme with a clean design and plentiful white space. It&#8217;s suitable for the person who wants an almost blank slate to get started, or just a theme that enables writing without any distraction for the reader. Check out the <a href=\"https://wordpress.com/theme/hey\">live demo</a> on WordPress.com and <a href=\"https://wordpress.com/theme/hey\">download Hey from WordPress.org</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 06 Jul 2023 21:02:08 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"Do The Woo Community: Building a WooCommerce Point of Sales with Mathias Nielsen\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75444\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"https://dothewoo.io/building-a-woocommerce-point-of-sales-with-mathias-nielsen/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:434:\"<p>In this Woo DevChat we talk with Mathias from Oliver POS about his journey in building a point of sales for WooCommerce.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/building-a-woocommerce-point-of-sales-with-mathias-nielsen/\">Building a WooCommerce Point of Sales with Mathias Nielsen</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 06 Jul 2023 09:08:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"WPTavern: WordPress 6.3 to Drop Support for PHP 5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146565\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wptavern.com/wordpress-6-3-to-drop-support-for-php-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3537:\"<p>WordPress is officially <a href=\"https://make.wordpress.org/core/2023/07/05/dropping-support-for-php-5/\">dropping support for PHP 5</a> in the upcoming 6.3 release, which is expected on August 8. WordPress&#8217; <a href=\"https://wordpress.org/about/requirements/\">minimum supported version</a> has sat at PHP 5.6.20 since 2019, but will be updated to 7.0.0 in the next release. The recommended PHP version will stay the same at 7.4+.</p>\n\n\n\n<p>&#8220;The minimum supported version was last adjusted in WordPress 5.2 in 2019, and since then usage of PHP 5.6 has dropped to 3.9% of monitored WordPress installations <a rel=\"noreferrer noopener\" href=\"https://wordpress.org/about/stats/\" target=\"_blank\">as of July 2023</a>,&#8221; WordPress core developer John Blackbourn said.</p>\n\n\n\n<p>&#8220;There’s no concrete usage percentage that a PHP version must fall below before support in WordPress is dropped, but historically the project maintainers have used 5% as the baseline. Now that usage of PHP 5.6 is well below that at 3.9% and dropping by around 0.1% every few weeks, plans to increase the minimum supported PHP version can move forward.&#8221;</p>\n\n\n\n<p>Blackbourn also emphasized that WordPress&#8217; support for PHP 8.0, 8.1, and 8.2 is &#8220;very good&#8221; and contributors may soon act on <a href=\"https://make.wordpress.org/core/2023/06/20/proposal-criteria-for-removing-beta-support-from-each-php-8-version/\">a proposal for the criteria that would enable them to remove the &#8220;beta&#8221; support label</a> on new PHP versions. Nearly 26% of WordPress users are already running sites on PHP 8.0+. </p>\n\n\n\n<img />\n\n\n\n<p>Prior to this minimum required version boost, some hosts had even taken matters into their own hands in urging users to get on newer versions of PHP. Dreamhost <a href=\"https://twitter.com/idavinder/status/1673948104591122432\">charges additional fees</a> for sites that require <a href=\"https://help.dreamhost.com/hc/en-us/articles/360004672631-PHP-extended-support\">extended support</a> for PHP 7.4 and older. <a href=\"https://www.ionos.com/help/hosting/troubleshooting-for-php/php-extended-support/\">IONOS</a> and <a href=\"https://www.strato-hosting.co.uk/faq/hosting/what-is-strato-php-extended-support/\">Strato</a> have similar policies. </p>\n\n\n\n<p>The decision to bump the minimum supported version is happening after a lengthy seven-month long <a href=\"https://core.trac.wordpress.org/ticket/57345\">discussion</a>, which surprisingly <a href=\"https://core.trac.wordpress.org/ticket/57345#comment:93\">drew a little resistance</a>. Although sites that remain on PHP 5.6 cannot upgrade beyond WordPress 6.2, they will still receive security updates, as the project currently <a href=\"https://make.wordpress.org/security/2022/09/07/dropping-security-updates-for-wordpress-versions-3-7-through-4-0/\">backports them to versions 4.1+</a>. The bump to 7.0.0 for the minimum supported version will have many benefits for the WordPress ecosystem of themes and plugins, will significantly reduce memory usage for upgraded websites, and provide better security and improvements to core tooling.</p>\n\n\n\n<p>&#8220;There are no plans to bump the minimum supported PHP version on a schedule,&#8221; Blackbourn said. &#8220;The core team will continue to monitor usage of PHP versions and work with the hosting team to encourage users and hosting companies to upgrade their versions of PHP as swiftly as possible. The 5% usage baseline will continue to be used for the foreseeable future.&#8221;</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Jul 2023 21:30:40 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:84:\"WPTavern: WordPress 6.3 Beta 3 Released, Introduces UI Changes to Pattern Management\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146527\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://wptavern.com/wordpress-6-3-beta-3-released-introduces-ui-changes-to-pattern-management\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3172:\"<p>WordPress contributors are onto another round of testing, as <a href=\"https://wordpress.org/news/2023/07/wordpress-6-3-beta-3/\">6.3 Beta 3 was released</a> this week. RC 1 is expected on July 18, and a live product demo is anticipated to be broadcast on Thursday, July 20, 2023 at 16:00 UTC. These demos have become a more regular part of the release process and allow viewers to familiarize themselves with important new features and updates coming in the release.</p>\n\n\n\n<p>Beta 3 includes approximately 34 updates to the Site Editor since the previous beta release, and more than 40 updates coming from Trac.</p>\n\n\n\n<p>A last-minute PR has <a href=\"https://github.com/WordPress/gutenberg/pull/52102\">renamed Library to Patterns</a> in the Site Editor and was cherry-picked to get it included in Beta 3. Automattic-sponsored Gutenberg contributor Aaron Robertshaw cited three reasons for the renaming:</p>\n\n\n\n<ul>\n<li>Discovery: this is an opportunity to make patterns front and center as we are introducing the ability to save custom patterns. They should be front and center in the &#8220;Design&#8221; tab.</li>\n\n\n\n<li>Clarity: library can be obscure and overlaps with other terminology (like Media Library). We didn&#8217;t get to add font library management in this round, but it would have made things more confusing (would a user expect to see their font library under &#8220;Styles&#8221; or an item called &#8220;Library&#8221;?). Calling it patterns removes that ambiguity.</li>\n\n\n\n<li>Presence: patterns is a unique name that has been established in the WP branding parlance for a bit and deserves more clear placement.</li>\n</ul>\n\n\n\n<p>This video from the PR gives a quick overview of the changes testers should see in the Patterns UI as of Beta 3:</p>\n\n\n\nGutenberg PR: Patterns: Rename Library to Patterns <a href=\"https://github.com/WordPress/gutenberg/pull/52102\">#52102</a>\n\n\n\n<p>Beta 3 <a href=\"https://github.com/WordPress/gutenberg/pull/51990\">introduces a new lock icon</a> to designate theme patterns as unable to be edited or modified. It also adds a <a href=\"https://github.com/WordPress/gutenberg/pull/51954\">sync status details section</a> within the pattern sidebar navigation screen. </p>\n\n\n\n<img />image credit: <a href=\"https://github.com/WordPress/gutenberg/pull/51990\">Gutenberg PR #51990</a>\n\n\n\n<p>There are a significant number of new things being introduced after Beta 1, which seems usual. Major features like the pattern creation and the Patterns section made their debut in <a href=\"https://wptavern.com/gutenberg-16-1-introduces-pattern-creation-and-library-adds-distraction-free-mode-to-site-editor\">Gutenberg 16.1</a> but had very little testing before being rolled into the upcoming WordPress 6.3 release. This is likely why UI changes are being introduced after Beta 1 has already shipped. </p>\n\n\n\n<p>Check out the <a href=\"https://wordpress.org/news/2023/07/wordpress-6-3-beta-3/\">Beta 3 release post</a> for more information on how to test. A Beta 4 is anticipated the week of July 11, followed by RC 1 on July 18. The general release is <a href=\"https://make.wordpress.org/core/6-3/\">scheduled</a> for August 8, 2023.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Jul 2023 16:21:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"WPTavern: #82 – Louise Towler on How and Why You Can Make WordPress Sites Sustainable\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=146471\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:101:\"https://wptavern.com/podcast/82-louise-towler-on-how-and-why-you-can-make-wordpress-sites-sustainable\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:50144:\"Transcript<div>\n<p>[00:00:00] <strong>Nathan Wrigley:</strong> Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley. Jukebox is a podcastwhich is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes, and in this case, how and why you need to be thinking sustainably when building websites.</p>\n\n\n\n<p>If you&#8217;d like to subscribe to the podcast, you can do that by searching for WP Tavern in your podcast player of choice. Or by going to WPTavern.com forward slash feed forward slash podcast. And you can copy that URL into most podcast players.</p>\n\n\n\n<p>If you have a topic that you&#8217;d like us to feature on the podcast, I&#8217;m keen to hear from you, and hopefully get you, or your idea featured on the show. Head to WPTavern.com forward slash contact forward slash jukebox, and use the form there.</p>\n\n\n\n<p>So on the podcast today, we have Louise Towler. She joined me at the recent WordCamp Europe in Athens to talk about websites and making them more sustainable.</p>\n\n\n\n<p>Louise is the founder of Indigo Tree, a UK based agency with deep expertise in WordPress websites. She gave a presentation at WordCamp Europe entitled, Digital sustainability: The benefits for business and the environment, in which she emphasized the impact websites can have on our planet. Her aim was to deliver practical tips for users and developers to help them make informed decisions. This presentation is the focus of today&#8217;s podcast, and we cover quite a lot of ground.</p>\n\n\n\n<p>Louise highlights the significant role which electricity plays in powering data centers and transmitting data to end devices. Even if data centers use renewable energy, there is still a need to address overall electricity consumption. She points out that the internet is the fourth largest polluter globally, surpassing the airline industry.</p>\n\n\n\n<p>We discussed how the continuous and widespread use of the internet has made it difficult to reduce its own impact, while still emphasizing the importance of the steps that we can take to make the internet more energy efficient.</p>\n\n\n\n<p>She suggests ways that we can all make a difference right away. Educating clients about the consequences of certain design choices, such as using large videos or auto-play features that require substantial data to load. Optimizing videos, images, and other website elements, which makes it possible to reduce data consumption and improve performance.</p>\n\n\n\n<p>The conversation then explores other suggestions, such as using modern image formats, using images as placeholders for videos, self hosted fonts, and considering the carbon footprint of email communications.</p>\n\n\n\n<p>Louise acknowledges the challenges of discussing environmental concerns with clients, whilst also explaining that we have to come up with ways to make clients understand that these decisions are beneficial to them as well. After all, an optimized website is one that is looked upon favorably by search engines. Whilst clients ultimately are the decision makers, informing them about the consequences of their choices can help them be more informed.</p>\n\n\n\n<p>Moving onto WordPress, we talk about the responsibility theme authors play. It&#8217;s a crucial role, helping users make sustainable choices. Her agency builds custom themes for clients which allows them to have full control over design decisions.</p>\n\n\n\n<p>We get into the subject of how legislation is certainly coming, and so getting in early and understanding the implications of such legislation will help your endeavors in the future.</p>\n\n\n\n<p>Towards the end of the podcast, we chat about some of the tools which you can use to assess the impact that your websites have, including a tool which Louise and her team have been working on for the last few years.</p>\n\n\n\n<p>If you&#8217;re interested in how your sites can become more sustainable, this podcast is for you.</p>\n\n\n\n<p>If you want to find out more, you can find all of the links in the show notes by heading to WPTavern.com forward slash podcast, where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you Louise Towler.</p>\n\n\n\n<p>I am joined on the podcast today by Louise Towler. Hi Louise.</p>\n\n\n\n<p>[00:04:54] <strong>Louise Towler:</strong> Thank you for inviting me. Hello.</p>\n\n\n\n<p>[00:04:56] <strong>Nathan Wrigley:</strong> We&#8217;re going to talk today about, well possibly the most important topic ever, which is the environment and your website compared to the environment. Prior to that Louise, will you just tell us a little bit about you, so that we have some context. Who are you? What&#8217;s your relationship with WordPress and so on?</p>\n\n\n\n<p>[00:05:13] <strong>Louise Towler:</strong> Okay. I am the founder of Indigo Tree. We&#8217;re a small but beautiful WordPress agency based about 30 minutes on the train north of London in the UK. There&#8217;s 15 of us in total at the moment. We have an engineering team, a project management team, and a support team, and we build WordPress websites.</p>\n\n\n\n<p>I started building websites, well my first webpage that I built was built Christmas Day, the year 2000, because my husband was daft enough to buy me a book on html. So he cooked the turkey and I built myself a little webpage. I started freelancing about 20 years ago, and then one of my freelancing clients said to me, we&#8217;ve heard there&#8217;s this thing called WordPress. Would you mind building our website in WordPress? And I was like, okay, I&#8217;ll give it a go. And went off and Googled and found out how to do it, and the rest is history.</p>\n\n\n\n<p>[00:06:09] <strong>Nathan Wrigley:</strong> Nice. You did a talk today entitled The Benefits for Business and the Environment. Just give us a bit of a background about your thoughts on the environment. What I mean by that, is this something that you are concerned about in your normal life? Does the environment figure heavily in your daily life?</p>\n\n\n\n<p>[00:06:27] <strong>Louise Towler:</strong> It does. It&#8217;s really difficult to tread lightly on the planet. It&#8217;s very hard to do things in a sustainable way, but I think I&#8217;m very conscious of it. So I buy a few clothes, but I wear them a lot rather than throw them away, and the fast fashion thing. I use recycled paper. I try to do things in a good way. Turn off lights. Think about my travel. But it is genuinely hard. But then I have children and they&#8217;re going to live a lot longer than me, and global warming is going to affect them a lot more than it&#8217;s going to affect me. But 2050 is not that far away. And we are in trouble, as we can see by the mad world weather that&#8217;s happening at the moment.</p>\n\n\n\n<p>[00:07:16] <strong>Nathan Wrigley:</strong> You work in the website building industry, as do I. Which feels in my daily interaction with my computer, it feels like the cleanest thing ever. I have a shiny laptop. I have a shiny phone. None of them put smoke out of the back when I switched them on. You know, if I worked in the automotive industry, it would be obvious what my footprint was. But I switch on my computer, there&#8217;s no connection between that and the environment. And yet it&#8217;s pretty bad.</p>\n\n\n\n<p>[00:07:49] <strong>Louise Towler:</strong> Yeah.</p>\n\n\n\n<p>[00:07:50] <strong>Nathan Wrigley:</strong> We browse the internet. We&#8217;re probably asking Google and all the other rivals, trivial things all the time. So make the connection for us. What is the environmental impact? What are the things which are happening between me switching on my computer and browsing WordPress websites? What are the things that are going on? What&#8217;s the technology, the bits and pieces that we need to be thinking about?</p>\n\n\n\n<p>[00:08:13] <strong>Louise Towler:</strong> Well, if the internet was a country, it would be the fourth largest polluter. Compared to airlines, you know, that are 1.6%, it&#8217;s massive. It is just massive. And it&#8217;s fundamentally about electricity. Because it&#8217;s electricity that powers the data centers, whether or not they&#8217;re running on renewable energy, the fact is they still need electricity.</p>\n\n\n\n<p>You&#8217;ve got the transmission, the wires between the data centers and the end devices, and then you&#8217;ve got the power to power your device. If you&#8217;re on a phone, you are recharging it. If you&#8217;re on a laptop, you are plugging it in, and that&#8217;s all using electricity. And not all of that electricity is renewable and the electricity that comes through the wires, you don&#8217;t have any control about what proportion of that is renewable.</p>\n\n\n\n<p>On a hot, windy day in the UK, a vast proportion of that electricity is from renewable energy, from solar and wind turbines. But on a dark, gloomy day with no wind, a massive proportion of that is fossil fuel powered electricity.</p>\n\n\n\n<p>[00:09:27] <strong>Nathan Wrigley:</strong> It feels like we&#8217;re completely addicted to the internet. I use the car that I have, a bit. But I use the internet more or less continually. You know, I&#8217;ve got my phone, it&#8217;s constantly charged up. The merest thought in my head can easily lead me to whip out the phone, do some banal scrolling of Facebook or whatever it may be. And that feels like that&#8217;s crept up on us. We&#8217;re all using it all the time. You said what was it, 4%?</p>\n\n\n\n<p>[00:09:57] <strong>Louise Towler:</strong> It&#8217;s the fourth largest polluter.</p>\n\n\n\n<p>[00:09:59] <strong>Nathan Wrigley:</strong> Fourth largest polluter. Can you compare that to another industry? You mentioned airlines. Does the internet as a whole, so every website, all the online services that we can use and so on, does that pollute more than the airline industry? Because the airline industry is the poster child of pollution, isn&#8217;t it?</p>\n\n\n\n<p>[00:10:15] <strong>Louise Towler:</strong> I believe it does. I mean, the problem is finding out, and even measuring it is really hard. So all the estimates are that it is just massive, and it&#8217;s getting worse. With AI, the stat that I&#8217;ve read is that to do a search in ChatGPT takes four times as much energy as to do a search in Google. And to build that AI model takes a massive amount of processing power to suck in all the data and build out that model that then does predict the next word that&#8217;s going to come out in the chat box.</p>\n\n\n\n<p>And so it&#8217;s not getting better. When you are talking about carbon footprints and getting to net zero, you&#8217;ve not just got to change the energy mix so that you&#8217;re running off renewable energy. You need to actually reduce demand. In the UK there&#8217;s a carbon reduction in task force. Their target is by 2030, they will have reduced demand by 15% for electricity in comparison to 2021. You have to reduce the demand as well.</p>\n\n\n\n<p>[00:11:25] <strong>Nathan Wrigley:</strong> Right.</p>\n\n\n\n<p>[00:11:26] <strong>Louise Towler:</strong> And the connection to IT and websites is that if you transmit less data, you are, there&#8217;s not a direct correlation always, but you are essentially using less electricity to transmit that data.</p>\n\n\n\n<p>[00:11:37] <strong>Nathan Wrigley:</strong> So the easiest way to mitigate your use of the internet is just to stop using it. But that&#8217;s completely unrealistic now?</p>\n\n\n\n<p>[00:11:44] <strong>Louise Towler:</strong> Well, a company with zero carbon footprint is probably a company that&#8217;s not in business. You can&#8217;t not use the internet. What you have to do, we have to try and make sure the internet uses less electricity to do what it does.</p>\n\n\n\n<p>[00:11:59] <strong>Nathan Wrigley:</strong> Okay, so given that we&#8217;re not going to be switching our computers off, we&#8217;re not going back to the internet stone age, if you like. We&#8217;ve got to figure out ways to reduce the amount of carbon that we put out. So we&#8217;ve got to become responsible citizens because we&#8217;re using the internet. But also, we&#8217;re in a slightly unique position, you, I, and the people listening to this podcast, because we&#8217;re sitting behind the websites that are causing the pollution. And that&#8217;s, I guess, where the rest of this conversation is going to go. What are the things that we can do to make our websites for our clients, for ourselves, pollute a little bit less?</p>\n\n\n\n<p>[00:12:38] <strong>Louise Towler:</strong> Think about the data and educate your client. So in the first instance, if your client wants that amazing stock video on the banner of their homepage, that auto plays in the background and looks absolutely fab. But actually the amount of data that you are then having to load on the homepage to deliver that video is massive. Well explain to them the consequences of that decision.</p>\n\n\n\n<p>It&#8217;ll probably mean the homepage is a little bit slower, which won&#8217;t be as good for Core Web Vitals and for search. So whether or not they care about the planet, they should be caring about the performance of their website. And the fact is it will use more data and that&#8217;s not good for people or the planet.</p>\n\n\n\n<p>If I&#8217;m on a fixed price data plan, because I&#8217;m on a low income and my children&#8217;s school has a massive video on the homepage of their school website with lots of happy kids running around the playground. And every time I visit that website, I&#8217;m using up my scarce resources of data, auto playing that video, that&#8217;s not very respectful to me when I&#8217;m trying to go about my daily life.</p>\n\n\n\n<p>So there&#8217;s lots of levels you can talk to your clients about why it&#8217;s good to do things. So it&#8217;s things like optimizing videos, optimizing images. If you&#8217;re familiar with Core Web Vitals and trying to speed up websites, these are nothing new. But you know, design your website with two fonts rather than five.</p>\n\n\n\n<p>Think about when you embed videos on the page. The block editor, it&#8217;s really easy to embed a video from YouTube or Vimeo, but use a plugin and put a facade in front of it so that when you actually load the page it loads an image. If it&#8217;s below the fold, you can lazy load the image. If people don&#8217;t scroll down, the image doesn&#8217;t load, and it&#8217;s only when they click on that image that the video plays and actually downloads that extra data.</p>\n\n\n\n<p>So you are being really respectful to your visitors as well as to the planet by consciously thinking about these things. And it doesn&#8217;t cost anymore if you plan it in from the beginning. Talking to your clients and planning it, most clients are really happy to have that conversation because in the end, performance and speed should increase conversions and profit.</p>\n\n\n\n<p>[00:14:56] <strong>Nathan Wrigley:</strong> Actually, that&#8217;s a really good point. You mentioned, just as we were beginning, that you run an agency.</p>\n\n\n\n<p>[00:15:00] <strong>Louise Towler:</strong> Yeah.</p>\n\n\n\n<p>[00:15:01] <strong>Nathan Wrigley:</strong> Do you have this conversation with your clients?</p>\n\n\n\n<p>[00:15:03] <strong>Louise Towler:</strong> I talk about performance and speed.</p>\n\n\n\n<p>[00:15:08] <strong>Nathan Wrigley:</strong> Yeah, so how does that go down?</p>\n\n\n\n<p>[00:15:09] <strong>Louise Towler:</strong> Fine.</p>\n\n\n\n<p>[00:15:10] <strong>Nathan Wrigley:</strong> Have you ever had somebody push back and say, no, we need the video? Or is it generally a conversation of look, okay you could have the video, but here&#8217;s the reason why I think for the planet, you shouldn&#8217;t have the video. How does that conversation normally go?</p>\n\n\n\n<p>[00:15:19] <strong>Louise Towler:</strong> We advise them. It&#8217;s like with banners, with sliders, we advise them. I emailed something to a client last week saying, here&#8217;s the Google stats. About 8% will see banner number two. Do you really think banner number three, as one of your key important messages being viewed by 4% of your home paved visitors, you&#8217;re better off putting that content on the page. It is the client&#8217;s choice in the end, but I will educate them so they&#8217;re conscious of the choice that they&#8217;re making. Rather than not aware and then complain that nobody clicks through from banner number three. And I&#8217;m like, well, we did tell you.</p>\n\n\n\n<p>But there&#8217;s some things I don&#8217;t give clients a choice on, like accessibility. They don&#8217;t get a choice about having an accessible website because you don&#8217;t want to give people a choice where you don&#8217;t want them to make a poor decision.</p>\n\n\n\n<p>[00:16:04] <strong>Nathan Wrigley:</strong> And in terms of your agency, do you advertise your environmental credentials?</p>\n\n\n\n<p>[00:16:09] <strong>Louise Towler:</strong> We don&#8217;t really talk about it at the moment, but we will be dipping our toe in the water and talking more and more about it over the next few months, because we&#8217;ve been doing some interesting stuff in the background.</p>\n\n\n\n<p>[00:16:20] <strong>Nathan Wrigley:</strong> You mentioned that an autoplay video, that seems like the most extreme example. You know, you go to a website, suddenly you&#8217;ve downloaded without your realizing it, I don&#8217;t know, 10 megabytes of data that you really didn&#8217;t need. Just run through the components of a typical webpage. So what have we got? We&#8217;ve got text, we&#8217;ve got images, we&#8217;ve got video, we&#8217;ve got, audio like this.</p>\n\n\n\n<p>What are quick wins? What&#8217;s the order, if you like, that you should go through when in your head you&#8217;re trying to make a page more environmentally friendly?</p>\n\n\n\n<p>[00:16:49] <strong>Louise Towler:</strong> I would start with images because a website typically has more images than videos. And if you&#8217;re doing something with images like you are, I don&#8217;t know, using a CDN, or you&#8217;ve installed the performance plugin and you are delivering things as WebP, then one plugin and one solution might work across all images on your website.</p>\n\n\n\n<p>So I would definitely think about images in terms of making sure you deliver the right sized image for the device as well. So make sure that in your theme, you&#8217;ve got that function which saves it all out at the various different break points.</p>\n\n\n\n<p>[00:17:22] <strong>Nathan Wrigley:</strong> If you&#8217;re on a, mobile website, the image that&#8217;s loaded should be the same size as the device that you&#8217;re looking at. Not a great big image that&#8217;s been squished down, okay.</p>\n\n\n\n<p>[00:17:30] <strong>Louise Towler:</strong> Exactly. And that can be a bit tricky because sometimes on mobile sites for example, we&#8217;ll have a nice banner image, but we&#8217;ll make it cropped and square. Whereas on a desktop site you might have it that letter box shape. And actually it won&#8217;t really work on a mobile. It&#8217;s too sort of narrow and thin.</p>\n\n\n\n<p>So you sometimes need to be a bit careful about, especially with the block editor, do you need to have different versions of images unless the cropping is right in the middle. Doesn&#8217;t work very well with the block editor to just auto crop. It&#8217;s about thinking about it. So I definitely start with images.</p>\n\n\n\n<p>Little things like making sure you are using SVGs where it&#8217;s appropriate. If you&#8217;ve got an animated gif, turn it into a video. I then look at the videos. Just make sure you&#8217;ve got facades or posters on videos and try and persuade your client not to have that large banner video.</p>\n\n\n\n<p>I would then look at fonts and make sure all your fonts are self-hosted. Which is a good thing anyway because certainly from a GDPR perspective, if you are using Google fonts in Europe, then there&#8217;s been some case law around, it&#8217;s leaking data to Google about who&#8217;s using those fonts and you don&#8217;t want to be doing that.</p>\n\n\n\n<p>But that again will speed it up because you can cache the fonts and things like that. And subset the fonts. So I think you can do things where if you are only, if you&#8217;ve got a font set that&#8217;s in multiple languages, but actually your website&#8217;s just in English, only use the bit of the font that you need for the language that you are working in.</p>\n\n\n\n<p>And then I would definitely think about things, other things on the website, like email. If you&#8217;ve got a transactional site and you are sending out lots of confirmation of shipping emails. Do you need a really big logo in the email? Can it be a tiny logo or even just text on a colored background and make those emails have a lower carbon footprint as well.</p>\n\n\n\n<p>[00:19:18] <strong>Nathan Wrigley:</strong> How does WordPress out of the box do with helping you get to some of these targets?</p>\n\n\n\n<p>[00:19:26] <strong>Louise Towler:</strong> It&#8217;s not helpful.</p>\n\n\n\n<p>[00:19:28] <strong>Nathan Wrigley:</strong> So I was going to say, I imagine that most people listening to this podcast have an understanding of everything that you just said, but the typical user of WordPress is not somebody that&#8217;s listening this podcast. Used by millions of people who probably see the media library throwing the biggest image they&#8217;ve got, and that&#8217;s it.</p>\n\n\n\n<p>[00:19:43] <strong>Louise Towler:</strong> I think you&#8217;ve got to be a responsible theme author. As an agency, we build our own custom themes for each client. So we&#8217;re not constrained in any way at the design stage. But if you&#8217;re choosing either a free theme or a paid for theme, you can be quite wise about it. So if you are you&#8217;re building a brochure site for a client, you don&#8217;t need to choose a theme with every possible e-commerce, form plugin, event plugin, all that extra code. If you&#8217;re not using font awesome icons, then don&#8217;t let the theme pull in the complete font awesome icon set.</p>\n\n\n\n<p>Just download a little SVG. So try and think about the theme that you choose. It can be a bit of a pain to actually turn off on some of those very flexible all singing, all dancing dancing themes, the options when you just want something really simple.</p>\n\n\n\n<p>There are some plugins that can help. So for example, we often use a plugin called Perf Matters, which is really good for performance. And one of the things I particularly like about that plugin is, so if we are working with a client where they might have an inquiry form or a landing page with an inquiry form on it. You install a plugin, we use Gravity Forms. Really brilliant plugin. Love it. But of course you get that plugin code in the head of every page, just in case the form&#8217;s required. Well turn it off.</p>\n\n\n\n<p>You can use Perf Matters and go in, and go I only want the Gravity Form code to be embedded on these three pages, on the site that have forms on. Doesn&#8217;t need to be downloaded for any other pages.</p>\n\n\n\n<p>The same with something like Google Maps, the API for Google Maps. Often you&#8217;ll put it in so that you can have a nice map on your contact page. Well actually, number one, could you replace that map with an image, and then just link out to Google Maps? How many people are actually going to be scrolling in and out on the page?</p>\n\n\n\n<p>Think about it from the user&#8217;s perspective, but then actually just have that Google Maps API code in the contact page. Don&#8217;t have it anywhere else on your website. It&#8217;s just not needed. But you see it a lot where all the plugins inject all their stuff into the head on every single page just in case. So go through and turn things off.</p>\n\n\n\n<p>[00:22:02] <strong>Nathan Wrigley:</strong> You mentioned earlier that obviously this is something you&#8217;re trying to embed in your company. You also mentioned that you don&#8217;t have the conversation about accessibility. It&#8217;s just the way it is.</p>\n\n\n\n<p>[00:22:10] <strong>Louise Towler:</strong> Well, we talk about it. The only time we really push back is where clients have got brand colors, which aren&#8217;t AA accessible, and then we discuss with them whether we can change them.</p>\n\n\n\n<p>[00:22:21] <strong>Nathan Wrigley:</strong> But are you going to in the future be having more conversations like this?</p>\n\n\n\n<p>[00:22:26] <strong>Louise Towler:</strong> Yes.</p>\n\n\n\n<p>[00:22:27] <strong>Nathan Wrigley:</strong>And if so, how forceful are you going to be with your clients if they push back? Say, no, no, no, no. There&#8217;s a delicate line here, isn&#8217;t there? You want to do the best for your client and the best for your client may be a bitter pill for them to swallow.</p>\n\n\n\n<p>[00:22:39] <strong>Louise Towler:</strong> There may be a really good a brand reason, depending on the client, as to why they have to use a particular font. But I would be going to the client and saying, I&#8217;m going to tell you why it&#8217;s not a good idea. In the end, it is your choice. It is your website. You own the site once you&#8217;ve paid me for us to build it. So it is yours to do what you want with. But do it consciously, knowing the consequences of the decision that you are making.</p>\n\n\n\n<p>So I will always tell them, in the end it is their choice. But with things like brand and fonts and that, well you know, the consequences of pulling in an Adobe font is 6 to 800 milliseconds of a page load. That can be the difference between a first and second spot on google.</p>\n\n\n\n<p>So sometimes you can argue it really strongly from a commercial reason, and they will listen and go, right, let&#8217;s go back to our brand designer and get them to find some web fonts or some Google fonts that we can use. And elsewhere, yes, you&#8217;ll use that fancy type kit or whatever font, but let&#8217;s use something for the web that actually will work and not impact on the performance of the site. Because if they&#8217;re a commercial client, they&#8217;re going to care about the performance. We need to make them look good to their boss.</p>\n\n\n\n<p>[00:23:59] <strong>Nathan Wrigley:</strong> Given exactly what you just said, is there some accreditation that websites can expose to the world to say, we made an effort here? I&#8217;m trying to think of an example, but there are badges that you can get in all manner of industries to say, okay, we went through this training. We made the effort here, and so we have a badge to prove that we made an effort.</p>\n\n\n\n<p>Is there something that people can do on the internet to say, look, our website is consuming 50%, 30%, whatever, less energy than it might have done. We made an effort. Here&#8217;s our badge to prove it.</p>\n\n\n\n<p>[00:24:32] <strong>Louise Towler:</strong> I&#8217;m not aware of a badge, but there are lots of people doing lots of things out there. So there might be. I think it&#8217;s really hard because what might be a good score for a e-commerce site, might be of a poor score for a different type of site. And I think that in the end, yes, you can measure against other people, but actually you have to have that intrinsic motivation for just wanting to do it. It&#8217;s not about collecting badges.</p>\n\n\n\n<p>Does it matter if your site is AA accessible and you have a badge on your site? Or does it matter that you basically have enabled 40% of the population with disabilities or temporary impairments to actually access your goods and services, and you&#8217;ll increase your profits as a result?</p>\n\n\n\n<p>[00:25:15] <strong>Nathan Wrigley:</strong> So that was the website piece. You know, can you expose this credential to visitors? What about you as an agency? Can you expose your credentials to your clients? Is there anything there?</p>\n\n\n\n<p>[00:25:26] <strong>Louise Towler:</strong> Well, we&#8217;re working, and it is a very much a work in progress, towards something called B Corp, which is an accreditation thing that you can get for being, if you like, a good citizen to the planet. It covers environmental. It also covers governance, and more things to help with inclusivity and diversity. And we are rewriting our staff handbook, and we&#8217;re measuring our carbon footprint as part of that, as an agency. But we&#8217;re also doing other things as well. Making sure that we do things in a way that&#8217;s consciously responsible, and there&#8217;s got to be a business for good. We want to be a good citizen for the planet. And I think that&#8217;s quite a high standard. And there&#8217;s, I think about a thousand companies in the UK who have that. And we are not there yet, but it&#8217;s something that I think we can aspire to be.</p>\n\n\n\n<p>[00:26:12] <strong>Nathan Wrigley:</strong> Do you have any sense that this message that you are preaching here is beginning to catch on? You are definitely in the vanguard. Most people are not talking about this. If we go downstairs, we&#8217;re not really picking up on that message yet. But do you sense some kind of change? Are you communicating with people on a more regular basis about this? Clearly you are interested in it, but are you talking into the void or are people beginning to listen?</p>\n\n\n\n<p>[00:26:37] <strong>Louise Towler:</strong> There&#8217;s a lot of people in communities where the communities are talking about this a lot. I think what&#8217;s really nice is I was given the opportunity to speak at a conference, and this conference, to the entire WebPress community had a session about digital sustainability. I personally think that every conference that anyone puts on should have at least one speaker, or channel, or workshop, or something talking about sustainability in the industry, or sector that the conference is in. Because it is looming.</p>\n\n\n\n<p>The legislation is coming. The governments are legislating now, and at the moment in the UK it&#8217;s only very, very large businesses who have to do reporting. But if you are a large business wanting a government contract with a value of more than 5 million pounds, which you know, even small consultants and agencies can go for big contracts. You have to have your scope one, scope two, and some scope three emissions and a carbon reduction plan will be coming.</p>\n\n\n\n<p>By 2028 The National Health Service in the UK will require every product or service that is supplied to it to have a carbon footprint. So you need to be starting now because for some things that&#8217;s going to be really hard to do and it&#8217;s going to take a while to do.</p>\n\n\n\n<p>So start now with the little things, the quick wins. Start measuring where you are, because your carbon reduction plan has to say how you&#8217;re going to reduce. And then you have to show that you are making those reductions. So start measuring now, so that all the things you start doing now can be part of that reduction that you make and you can report on.</p>\n\n\n\n<p>[00:28:18] <strong>Nathan Wrigley:</strong> So you are describing things in the UK. In the UK in the future, you are literally going to be unable to get certain types of website client work if you cannot prove that you&#8217;ve done the due diligence.</p>\n\n\n\n<p>[00:28:31] <strong>Louise Towler:</strong> Yeah.</p>\n\n\n\n<p>[00:28:31] <strong>Nathan Wrigley:</strong> Okay, that&#8217;s really interesting. But still a way off. We&#8217;re still five years out from that portcullis closing?</p>\n\n\n\n<p>[00:28:37] <strong>Louise Towler:</strong> Yeah. But if you are a large business, very large business, you already have to do mandatory reporting. The government is slowly going to bring that down. It wouldn&#8217;t surprise me in the slightest if by 2030, as well as putting in my annual tax return, on my submission of my company accounts to Companies House, I have to do a carbon accounting report. Every small business.</p>\n\n\n\n<p>The EU, 23 million organizations there are in the EU at the moment, by 2028, all of them are going to be expected to put in some sort of carbon report on what they&#8217;re doing. The legislation is coming.</p>\n\n\n\n<p>But even quicker than that, procurement is starting to change. So I think it was the back end of 2021, Tesco sent out a letter to all of their suppliers saying, we want you to do these four things. You need to have a carbon reduction plan. You need to move to green energy. Otherwise you can&#8217;t be part of a supplier to Tesco. Doesn&#8217;t matter whether or not you are a large business or a small business, they sent it out as part of their procurement. So the government legislation is coming, but larger businesses are doing it quicker because they&#8217;re using procurement as a tool to do that.</p>\n\n\n\n<p>And then on top of that, for some organizations now it&#8217;s affecting their access to finance. So if I&#8217;m a pension fund or I want to invest in a large enterprise or a business, why would I invest in you, if you are not sustainable in 5, 10, 15 years time? They are now beginning to ask for those carbon reduction plans, sustainability report. What are you doing for your ESG as a condition of investment?</p>\n\n\n\n<p>[00:30:22] <strong>Nathan Wrigley:</strong> So the window of opportunity for ignoring this is fast closing?</p>\n\n\n\n<p>[00:30:25] <strong>Louise Towler:</strong> And why not get ahead of it? Why not be that agency that can help your clients with these challenges?</p>\n\n\n\n<p>[00:30:32] <strong>Nathan Wrigley:</strong> Although you described that there&#8217;s no badge necessarily for this. It really does feel that for the right client this is a conversation which will win you work. If you can prove that you are going to do this work now, like you said, who&#8217;s going to say no to a more green website? Would you like your website to be much more environmentally friendly than it could have been? Well, no, actually we&#8217;d like it to pollute more, please. That&#8217;s just not a conversation you&#8217;re going to get into.</p>\n\n\n\n<p>[00:30:56] <strong>Louise Towler:</strong> Exactly. Exactly.</p>\n\n\n\n<p>[00:30:58] <strong>Nathan Wrigley:</strong> That&#8217;s interesting. So the only piece that I can see in this conference where anything is mentioned about the environment is hosting. And even that, it&#8217;s probably I don&#8217;t know, one in fifty, one in a hundred who have that badge. Talk to us about that side. So obviously we build websites, we&#8217;ve got a computer, we know that it&#8217;s stored somewhere, but tell us about hosting, and what people are doing.</p>\n\n\n\n<p>[00:31:22] <strong>Louise Towler:</strong> Actually some of the hosting companies here are very green, but you have to consider the political climate. So if you are a hosting company based in Texas, in the US. And you are being told that you have to support big oil because that&#8217;s what runs Texas. You don&#8217;t talk about the fact that you are running your hosting data centers on green energy. So it&#8217;s not that they&#8217;re not. It&#8217;s just that they&#8217;re not, it&#8217;s not necessarily part of their marketing message at this point, because the political climate isn&#8217;t necessarily conducive to that.</p>\n\n\n\n<p>[00:31:55] <strong>Nathan Wrigley:</strong> So you are saying that the hosting industry broadly are doing a fairly good job of this?</p>\n\n\n\n<p>[00:32:00] <strong>Louise Towler:</strong> Well, some of them are, yeah. I know for a fact a lot of the Google Cloud hosting is green and a lot of the big, they&#8217;re using Google data centers.</p>\n\n\n\n<p>[00:32:09] <strong>Nathan Wrigley:</strong> That feels like one of the most grounded things that you can do. If you&#8217;re having a website, you can actually go out and look for green hosting.</p>\n\n\n\n<p>[00:32:16] <strong>Louise Towler:</strong> And the Green Software Foundation has a little URL. It&#8217;s a little tool. You can literally go and put in your domain name and it will tell you whether it&#8217;s running on a green hosting.</p>\n\n\n\n<p>[00:32:25] <strong>Nathan Wrigley:</strong> What is the Green Software Foundation?</p>\n\n\n\n<p>[00:32:27] <strong>Louise Towler:</strong> It&#8217;s a sort of organization that is talking about green software, green web, green all sorts of things. They&#8217;re doing some really interesting stuff. They work a lot with very large organizations. I think to be a member you have, like have to pay up 10,000 pounds or something. It&#8217;s like out of my league to be a member, but it doesn&#8217;t mean I can&#8217;t see what they&#8217;re doing and listen to what they&#8217;re doing.</p>\n\n\n\n<p>They&#8217;ve also got a really interesting free course that you can do on sustainable software development. And it gives you all the background and all the things you should be considering when you&#8217;re building software and websites basically, and the things that you can do to make them run better in a greener way.</p>\n\n\n\n<p>[00:33:09] <strong>Nathan Wrigley:</strong> If I wanted to make my website more SEOable, I&#8217;ve got a whole suite of tools available to me. And many of them will give me some sort of data saying, okay, this page is, you&#8217;ve done a good job here. Like a traffic light or something you, you know what I&#8217;m saying? </p>\n\n\n\n<p>[00:33:25] <strong>Louise Towler:</strong> Yep.</p>\n\n\n\n<p>[00:33:26] <strong>Nathan Wrigley:</strong> Are there tools similar to that, that we can use in WordPress?</p>\n\n\n\n<p>Maybe it&#8217;s some kind of extension to a browser where we can see what our browsing is doing on the internet. In other words, is there a plugin, something which will show us a dashboard saying, okay this page, based upon the hosting that you&#8217;ve told us you&#8217;re using is consuming or creating this much carbon debt.</p>\n\n\n\n<p>[00:33:51] <strong>Louise Towler:</strong> There&#8217;s individual tools at the moment that I am aware of. You can put in a URL and it will say, oh yes, your page is this many grams of CO2. Actually what we&#8217;ve done is something. We&#8217;ve been doing a thing. I did that thing of having a side project to the agency, and we&#8217;ve been building something for the past couple of years, and we&#8217;re about to launch a piece of software. It&#8217;s an extension to WordPress, which will actually, in the dashboard, show you a daily carbon footprint of your website based on daily visits and page views.</p>\n\n\n\n<p>[00:34:24] <strong>Nathan Wrigley:</strong> How is that working then? So presumably the daily page bit is fairly straightforward. This website has been consumed 25,000 times, we can make the connection there. But presumably it must be figuring out, okay, that page had a video on it. This one had nothing but text, and it&#8217;s based upon upon some hosting.</p>\n\n\n\n<p>[00:34:40] <strong>Louise Towler:</strong> So we&#8217;re basically measuring the page, a measure of the data or page weight for each page. And then we&#8217;re looking at the visitors to the pages as well.</p>\n\n\n\n<p>[00:34:50] <strong>Nathan Wrigley:</strong> And are you giving like a score out at the end?</p>\n\n\n\n<p>[00:34:52] <strong>Louise Towler:</strong> We&#8217;re not giving a score at the moment, but eventually when the software&#8217;s launched and there&#8217;s lots of people using it, we will be able to say, oh, actually, in comparison to other people using our software, you are in the top quarter, or bottom quartile or you are in the middle. So we can give some feedback. But more importantly, if you look at it and you use things like traffic, then you can start to see where you should be optimizing.</p>\n\n\n\n<p>[00:35:17] <strong>Nathan Wrigley:</strong> Okay. And is this tool going to give you helpful advice on how to optimize it?</p>\n\n\n\n<p>[00:35:22] <strong>Louise Towler:</strong> Yes, we&#8217;re building out a knowledge base as well.</p>\n\n\n\n<p>[00:35:23] <strong>Nathan Wrigley:</strong> I was going to say, it&#8217;s all very well saying this page is doing really badly, but, you know, tough luck.</p>\n\n\n\n<p>[00:35:27] <strong>Louise Towler:</strong> Yeah.</p>\n\n\n\n<p>[00:35:28] <strong>Nathan Wrigley:</strong> So, where will it point me? What are the sort of metrics that you&#8217;re going to be helping me with?</p>\n\n\n\n<p>[00:35:31] <strong>Louise Towler:</strong> We&#8217;ll be helping with all the basics. It&#8217;s actually about empowering the content editors. Because as website theme builders and as website developers and designers, we can build the most amazing AA accessible website that&#8217;s really lightweight and fast.</p>\n\n\n\n<p>And then a year later we could audit it and find, oh, content editors added, you know, 30 images and they didn&#8217;t realize they had to add alt text to each one. And they can have loaded that really large video and not realized that it needed a poster attribute to make sure that the page didn&#8217;t take a long time to load.</p>\n\n\n\n<p>So what we are trying to do is give that feedback to editors in the browser when they&#8217;re editing the site, in the backend of the admin. Because that continuous measurement, if they see a little spike, or they see that suddenly something&#8217;s changed, they can go in and fix it. Rather than end up just doing an annual check, or checking every so often and ending up with a list of defects to fix, basically.</p>\n\n\n\n<p>So the whole point is, it&#8217;s about designing out people making those unconscious mistakes in the first place. And making sure the website continues to be at the standard it should be at and potentially improves over time.</p>\n\n\n\n<p>[00:36:44] <strong>Nathan Wrigley:</strong> So slightly off piste a little bit. That&#8217;s lovely. I mean I would hope to be able to see that kind of data and it would be really useful to me as a website builder. What about by just general browsing the internet? Do you know if there&#8217;s any tool which can tell me, right at the end of today Nathan, you&#8217;ve been a poor citizen. Some kind of, I don&#8217;t know, a browser extension or something which tells me.</p>\n\n\n\n<p>[00:37:05] <strong>Louise Towler:</strong> I don&#8217;t know that. Nobody&#8217;s ever asked me that question, so I will have to take that away Nathan and I will have to come back to you, because I genuinely don&#8217;t know the answer to that.</p>\n\n\n\n<p>[00:37:13] <strong>Nathan Wrigley:</strong> I think that would be quite a useful thing to know. At the end of the year, Nathan, your internet use is the equivalent of a 20,000 mile flight or something that would be.</p>\n\n\n\n<p>[00:37:22] <strong>Louise Towler:</strong> You must be online a lot.</p>\n\n\n\n<p>[00:37:23] <strong>Nathan Wrigley:</strong> I really am. Yeah. Okay, when are you hoping to get this tool out?</p>\n\n\n\n<p>[00:37:28] <strong>Louise Towler:</strong> We are doing a soft launch, early adopter, by invitation to Indigo Tree clients mid-July.</p>\n\n\n\n<p>[00:37:33] <strong>Nathan Wrigley:</strong> Okay. So really soon.</p>\n\n\n\n<p>[00:37:35] <strong>Louise Towler:</strong> Yeah. And then from then on we&#8217;ll be building out new features and basically getting it to the point where we can launch it to people as a SaaS product.</p>\n\n\n\n<p>[00:37:45] <strong>Nathan Wrigley:</strong> So going to go beyond WordPress at some point?</p>\n\n\n\n<p>[00:37:47] <strong>Louise Towler:</strong> Couldn&#8217;t possibly say, but yes.</p>\n\n\n\n<p>[00:37:49] <strong>Nathan Wrigley:</strong> Maybe. Maybe, yeah.</p>\n\n\n\n<p>[00:37:50] <strong>Louise Towler:</strong> Well, it depends on the roadmap and it depends what interest we get. And for me it&#8217;s not just about the commercial side of, we to build something that&#8217;s obviously profitable and successful. It&#8217;s actually where can we make the biggest impact? How can we, with what we are doing, make sure that we get the biggest carbon reduction overall.</p>\n\n\n\n<p>And the great thing about when you&#8217;re measuring stuff is we can actually report on global stats that are sort of, you know, a thousand clients and cumulatively this month they have reduced their carbon footprint by this amount. You know, so it is going to be an interesting journey to see how we get on and where the biggest impact can be whilst being commercial as well.</p>\n\n\n\n<p>[00:38:26] <strong>Nathan Wrigley:</strong> Yeah. It really does sound interesting. Okay, so we&#8217;re going to have to wrap it up. We&#8217;re probably at the edge of the amount of time that we&#8217;ve got.</p>\n\n\n\n<p>Where would we go if we are curious about the things that you&#8217;ve talked about? So maybe that&#8217;s a link to your, the product that you&#8217;ve just mentioned. Maybe it&#8217;s just a more general set of resources. What are the two or three top places that you would send people?</p>\n\n\n\n<p>[00:38:45] <strong>Louise Towler:</strong> I&#8217;d definitely have a look at the Green Software Foundation. I would also go to, there&#8217;s a Slack channel in the WordPress. I think they&#8217;re just about to create a team in Core for sustainability. So I&#8217;d be going and talking to them.</p>\n\n\n\n<p>And then I would be keeping an eye on people like Wholegrain Digital. Tom and Vineeta talk about things a lot. Tom&#8217;s got a really great newsletter that you can subscribe to. So there&#8217;s lots of people talking about it, but I think it&#8217;s about figuring out where it fits with your particular clients. And some of our clients are very values based and will immediately go for this. Some people just need that more commercial argument as well.</p>\n\n\n\n<p>[00:39:26] <strong>Nathan Wrigley:</strong> Well, Louise, thank you for telling us all about your efforts regarding sustainability and the environment. It is a genuinely fascinating subject, and my prediction is that this conversation is only going to get louder and louder.</p>\n\n\n\n<p>[00:39:39] <strong>Louise Towler:</strong> I hope so.</p>\n\n\n\n<p>[00:39:39] <strong>Nathan Wrigley:</strong> As the years go on. Yeah, thank you for talking to me.</p>\n\n\n\n<p>[00:39:41] <strong>Louise Towler:</strong> You&#8217;re welcome. Thank you.</p>\n</div>\n\n\n\n<p>On the podcast today we have <a href=\"https://www.linkedin.com/in/louisetowler/\">Louise Towler</a>. She joined me at the recent WordCamp Europe in Athens to talk about websites and making them more sustainable.</p>\n\n\n\n<p>Louise is the founder of <a href=\"https://indigotree.co.uk/\">Indigo Tree</a>, a UK based agency with deep expertise in WordPress websites.</p>\n\n\n\n<p>She gave a presentation at WordCamp Europe entitled, Digital sustainability: The benefits for business and the environment in which she emphasised the impact websites can have on our planet. Her aim was to deliver practical tips for users and developers to help them make informed decisions.</p>\n\n\n\n<p>This presentation is the focus of today&#8217;s podcast, and we cover quite a lot of ground.</p>\n\n\n\n<p>Louise highlights the significant role which electricity plays in powering data centres and transmitting data to end devices. Even if data centres use renewable energy, there is still a need to address overall electricity consumption. She points out that the internet is the fourth largest polluter globally, surpassing the airline industry.</p>\n\n\n\n<p>We discuss how the continuous and widespread use of the internet has made it difficult to reduce its own impact, whilst still emphasising the importance of the steps we can take to make the internet more energy-efficient.&nbsp;</p>\n\n\n\n<p>She suggests ways that we can all make a difference right away; educating clients about the consequences of certain design choices, such as using large videos or autoplay features that require substantial data to load. Optimising videos, images, and other website elements, which makes it possible to reduce data consumption <em>and</em> improve performance.</p>\n\n\n\n<p>The conversation then explores other suggestions such as using modern image formats, using images as placeholders for videos, self-hosted fonts, and considering the carbon footprint of email communications.</p>\n\n\n\n<p>Louise acknowledges the challenges of discussing environmental concerns with clients whilst also explaining that we have to come up with ways to make clients understand that these decisions are beneficial to them as well. After all, an optimised website is one that is looked upon favourably by search engines. Whilst clients ultimately are the decision makers, informing them about the consequences of their choices can help them be more informed.</p>\n\n\n\n<p>Moving onto WordPress, we talk about the responsibility theme authors play. It’s a crucial role, helping users make sustainable choices. Her agency builds custom themes for clients, which allows them to have full control over design decisions.</p>\n\n\n\n<p>We get into the subject of how legislation is certainly coming, and so getting in early and understanding the implications of such legislation will help your own endeavours in the future.</p>\n\n\n\n<p>Towards the end of the podcast we chat about some of the tools which you can use to assess the impact that your websites have, including a tool which Louise and her team have been working on for the last few years.</p>\n\n\n\n<p>If you’re interested in how your sites can become more sustainable, this podcast is for you.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful links.</h2>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/digital-sustainability-the-benefits-for-business-and-the-environment/\">Louise WordCamp Europe presentation &#8211; Digital sustainability: The benefits for business and the environment</a></p>\n\n\n\n<p><a href=\"https://indigotree.co.uk/\">Indigo Tree website</a></p>\n\n\n\n<p><a href=\"https://perfmatters.io/\">Perf Matters plugin</a></p>\n\n\n\n<p><a href=\"https://www.gravityforms.com/\">Gravity Forms website</a></p>\n\n\n\n<p><a href=\"https://greensoftware.foundation/\">Green Software Foundation website</a></p>\n\n\n\n<p><a href=\"https://wordpress.slack.com/archives/C03JNV77Y57\">Sustainability Slack Channel</a></p>\n\n\n\n<p><a href=\"https://www.wholegraindigital.com/\">Wholegrain Digital website</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Jul 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"Do The Woo Community: What the Client Thinks They Know\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75453\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://dothewoo.io/what-the-client-thinks-they-know/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:385:\"<p>Clients consider they have learned a lot through GPT or by Googling it. They assume they know what will work best for them.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/what-the-client-thinks-they-know/\">What the Client Thinks They Know</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Jul 2023 09:32:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"Do The Woo Community: Productizing Your Agency Services with Shadi Manna and Jimmy Rosén\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75426\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"https://dothewoo.io/productizing-your-agency-services-with-shadi-manna-and-jimmy-rosen/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:438:\"<p>Listen in on our Woo AgencyChat where Shadi and Jimmy talk about the journey of productizing your services.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/productizing-your-agency-services-with-shadi-manna-and-jimmy-rosen/\">Productizing Your Agency Services with Shadi Manna and Jimmy Rosén</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 04 Jul 2023 06:58:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"WPTavern: WordCamp Dhaka 2023 Cancelled Due to Concerns of Corporate Influence on Community Decision-Making\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146490\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:118:\"https://wptavern.com/wordcamp-dhaka-2023-cancelled-due-to-concerns-of-corporate-influence-on-community-decision-making\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6529:\"<p>WordCamp Dhaka (Bangladesh) 2023 has been <a href=\"https://dhaka.wordcamp.org/2023/\">cancelled</a> by The WordPress Community Team due to concerns of corporate influence on the community decision-making process. The camp was scheduled for August 5, and organizers had already secured a venue and progressed on moving the camp forward. </p>\n\n\n\n<p>The Community Team <a href=\"https://dhaka.wordcamp.org/2023/\">published a statement</a> on the event&#8217;s website, which cited the interference of corporate interests: </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>The WordPress Community Team’s primary goal is to support and nurture the WordPress community by enabling organizers to create amazing events that celebrate WordPress, its community, and&nbsp;<a href=\"https://make.wordpress.org/community/handbook/wordcamp-organizer/become-an-organizer/representing-wordpress/\">globally shared values</a>. The Community team cannot support the event if a WordCamp is not aligned with these values.</p>\n\n\n\n<p><a href=\"https://make.wordpress.org/community/handbook/meetup-organizer/meetup-program-basics/#the-five-good-faith-rules\">WordPress events benefit the WordPress community as a whole, not specific businesses or individuals</a>. The Community Team expects that WordCamps decisions should be guided by the community’s collective wisdom and not influenced by any one company’s interests. When companies attempt to exert influence on the planning process, the Community Team must step in to mediate. In this instance, we have decided to cancel WordCamp Dhaka 2023.</p>\n</blockquote>\n\n\n\n<p>The Community Team urged the Dhaka community to focus on collaborative organization, companies uplifting the community, and greater diversity in participation.</p>\n\n\n\n<p>In an equally vague <a href=\"https://make.wordpress.org/community/2023/07/03/incident-report-recent-cancelation-of-a-wordcamp/\">incident report</a> on WordPress.org, which doesn&#8217;t even identify the WordCamp that was cancelled, Community Team contributor Sam Suresh called it &#8220;an unfortunate but necessary decision.&#8221; He summarized the team&#8217;s reasons for the decision:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>The decision to cancel the event was not a result of inadequate planning or insufficient effort on the part of the organizing team. Instead, there were observable actions from local community members to influence decisions that would benefit specific individuals or companies. When this influence did not immediately lead to their desired results, the individuals aimed to undermine the organizing process and event success. While the Community Team took steps to mediate, the inappropriate behavior and actions we saw necessitated the cancelation. This is a rare and extreme decision and underscores the severity of the situation.</p>\n</blockquote>\n\n\n\n<p>Suresh said the issues applied to the local meetup group as well, and that all co-organizers and event organizers were removed from their roles and required to repeat their orientation to gain access again. A community deputy and a mentor were also removed from their roles in the project and the companies involved in the infractions were banned from sponsoring WordPress events for a year.</p>\n\n\n\n<p>&#8220;In times of challenges like these, it is important to remember that anyone can organize WordPress events regardless of who they work for and that WordPress community events are for the benefit of everyone, not any one business or individual,&#8221; Suresh said. &#8220;As a community, <a href=\"https://make.wordpress.org/handbook/community-code-of-conduct/#our-expectations\">we will not tolerate harassment or influencing unacceptable behaviors</a>.&#8221;</p>\n\n\n\n<p>Shortly after publishing, several community members commented with objections to the level of secrecy around the issues at hand and the people and companies involved. The Community Team&#8217;s nebulous posts on the matter seem to have further scandalized the situation, instead of offering clarity and transparency.</p>\n\n\n\n<p>&#8220;This post definitely abides by the ongoing policy of not letting the community know who is being censured by the Community Services team, even in cases of egregious action,&#8221; WordPress marketing and meta contributor Sé Reed commented.</p>\n\n\n\n<p>&#8220;I’ve seen multiple cases of people filing harassment reports and various Code of Conduct violations, and that person/people have had various consequences, including being removed from organizing teams. However, those people then cite various reasons for leaving the team, often outright lying. But because of the secrecy around these cases, no one says otherwise and those people can and often do continue to operate in the community without any repercussions beyond secretly losing their &#8216;official&#8217; role(s).&#8221;</p>\n\n\n\n<p>Reed highlighted the damaging effects of the secrecy surrounding these incidents, most notably that explaining the situation often falls to those who filed the report, as the Community Team abdicates any further responsibility after validating the report.</p>\n\n\n\n<p>&#8220;This action is damaging to the community as a whole, as we do not have a full picture of who we are working with and we continue to unknowingly support and empower people who have not honored their community commitments,&#8221; Reed said.</p>\n\n\n\n<p>Not all participants in the discussion were in favor of The Community Team identifying the individuals involved, but in this situation they demand to know the companies that were banned from sponsoring WordPress events.</p>\n\n\n\n<p>&#8220;I’m on the fence about knowing peoples’ names here, but I think people definitely need to know the <strong>companies</strong> involved; actively trying to sabotage a WordPress WordCamp is a serious breach of trust for the community,&#8221; WebDevStudios Director of Engineering Mitch Cantor said. &#8220;Especially when they may turn around and then make money from that said community they tried to sabotage.&#8221;</p>\n\n\n\n<p>Dealing with these types of sensitive situations is not an enviable task, but the community, for whom these decisions are designed to serve, is calling for a greater level of transparency regarding those who act in ways that are not aligned with WordPress&#8217; globally shared values.</p>\n\n\n\n<p>&#8220;One way or the other, protecting folks who have violated the Community Code of Conduct is a policy that very clearly needs to be revisited,&#8221; Reed said.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 19:11:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"WordPress.org blog: WordPress 6.3 Beta 3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15340\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2023/07/wordpress-6-3-beta-3/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5894:\"<p>WordPress 6.3 Beta 3 is ready for download and testing!</p>\n\n\n\n<p><strong>This version of the WordPress software is under development.</strong> <strong>Please do not install, run, or test this version on production or mission-critical websites.</strong> Instead, it is recommended you evaluate Beta 3 on a test server and site. </p>\n\n\n\n<p>Get an overview of the <a href=\"https://make.wordpress.org/core/6-3/\">6.3 release cycle</a>, and check the <a href=\"https://make.wordpress.org/core/\">Make WordPress Core blog</a> for <a href=\"https://make.wordpress.org/core/tag/6-3/\">6.3-related posts</a> in the coming weeks for further details. Also, save the date for a live product demo tentatively scheduled for Thursday, July 20, 2023 at 16:00 UTC (link TBD). This will be a great opportunity to join the WordPress community to celebrate the accomplishments of 6.3 and this final chapter of <a href=\"https://make.wordpress.org/core/2023/02/04/phase-2-finale/\">Phase 2</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Beta 3 highlights</h2>\n\n\n\n<p>Thanks to the many WordPress beta testers, this release contains approximately 34 (Site Editor) and 40+ (Trac) updates since the <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">Beta 2 release</a>. Nice work, team!</p>\n\n\n\n<p>Testers should note that the &#8220;Patterns Library&#8221; is <a href=\"https://github.com/WordPress/gutenberg/pull/52102\">now simply called <em>Patterns</em></a> in the UI. Additionally, pattern details now include a <a href=\"https://github.com/WordPress/gutenberg/pull/51954\">sync status</a> and a <a href=\"https://github.com/WordPress/gutenberg/pull/51990\">lock icon</a> is added for theme patterns.</p>\n\n\n\n<p>Browse the technical details for issues addressed since Beta 2 using these queries:</p>\n\n\n\n<ul>\n<li><a href=\"https://github.com/WordPress/gutenberg/commits/wp/6.3\">GitHub commits for 6.3</a></li>\n\n\n\n<li>Closed <a href=\"https://core.trac.wordpress.org/query?status=accepted&status=closed&changetime=06%2F28%2F2023..07%2F03%2F2023&milestone=6.3&col=id&col=milestone&col=owner&col=type&col=priority&order=id\">Trac tickets</a> since June 28</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Test the new features in WordPress 6.3</h2>\n\n\n\n<p>Testing for issues is a critical part of developing any software, and it’s a meaningful way for anyone to contribute—whether you have experience or not.&nbsp;</p>\n\n\n\n<p>While testing the upgrade process is essential, trying out new features is too. Review the many <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">new features in WordPress 6.3</a> and focus your testing efforts on those areas in particular.</p>\n\n\n\n<ul>\n<li>Encountered an issue? Please report it to the <a href=\"https://wordpress.org/support/forum/alphabeta/\">Alpha/Beta area</a> in the support forums. If you are comfortable writing a reproducible bug report, you can <a href=\"https://core.trac.wordpress.org/newticket\">file one on WordPress Trac</a>. You can also check your issue against a list of <a href=\"https://core.trac.wordpress.org/tickets/major\">known bugs</a>.</li>\n\n\n\n<li>New to testing? This <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">detailed guide</a> is a great place to start if you&#8217;ve never tested a beta release.</li>\n\n\n\n<li>Want to know more about testing releases in general? Follow along with the <a href=\"https://make.wordpress.org/test/\">testing initiatives in Make Core</a> and join the <a href=\"https://wordpress.slack.com/messages/core-test/\">#core-test channel</a> on the <a href=\"https://wordpress.slack.com/\">Making WordPress Slack</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Vulnerability bounty doubles during the Beta/RC phases</h2>\n\n\n\n<p>Between the Beta 1 release and the final release candidate (RC), the <a href=\"https://make.wordpress.org/security/2023/06/28/doubling-the-bounties-for-wordpress-6-3-beta/\">monetary reward for reporting new, unreleased security vulnerabilities is double</a>. Please follow responsible disclosure practices as detailed in the project’s security practices and policies outlined on the <a href=\"https://hackerone.com/wordpress\">HackerOne page</a> and in the <a href=\"https://wordpress.org/about/security/\">security white paper</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Get WordPress 6.3 Beta 3</h2>\n\n\n\n<p>You can test WordPress 6.3 Beta 3 in three ways:</p>\n\n\n\n<ul>\n<li><strong>Option 1:</strong> Install and activate the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\">WordPress Beta Tester</a> plugin (select the “Bleeding edge” channel and “Beta/RC Only” stream).</li>\n\n\n\n<li><strong>Option 2: </strong>Direct download the <a href=\"https://wordpress.org/wordpress-6.3-beta3.zip\">Beta 3 version (zip)</a>.</li>\n\n\n\n<li><strong>Option 3:</strong> Use the following WP-CLI command:<br /><code>wp core update --version=6.3-beta3</code></li>\n</ul>\n\n\n\n<p>The current target for the final release is <strong>August 8, 2023</strong>, which is about five weeks away. Your help testing this version ensures everything in this release is the best.</p>\n\n\n\n<h2 class=\"wp-block-heading\">A Beta 3 Haiku for You</h2>\n\n\n\n<p>Beta three, a peek<br />Summer here and winter there<br />A fourth in one week</p>\n\n\n\n<p><em>Thank you to the contributors who collaborated on this post: </em><a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a>, <a href=\"https://profiles.wordpress.org/meher/\"><em>@Meher</em></a>, <a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a><em>, </em><a href=\"https://profiles.wordpress.org/eidolonnight/\"><em>@eidolonnight</em></a><em>, </em><a href=\"https://profiles.wordpress.org/davidbaumwald/\"><em>@davidbaumwald</em></a>, <a href=\"https://profiles.wordpress.org/priethor/\">@priethor</a>, and <a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a> for the Haiku.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 17:10:55 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Dan Soschin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: Ultimate Member 2.6.7 Patches Privilege Escalation Vulnerability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146476\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"https://wptavern.com/ultimate-member-2-6-7-patches-privilege-escalation-vulnerability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3293:\"<p>Authors of the Ultimate Member plugin have <a href=\"https://docs.ultimatemember.com/article/1866-security-incident-update-and-recommended-actions\">released version 2.6.7</a> with a patch for a privilege escalation vulnerability. Last week <a href=\"https://wptavern.com/hackers-actively-exploiting-unpatched-privilege-escalation-vulnerability-in-ultimate-member-plugin\">WPScan reported that Ultimate Member had still not fully patched the vulnerability</a> after multiple inadequate attempts. There was evidence that it was being actively exploited in the wild.</p>\n\n\n\n<p>Working through the complexities of this security issue, WPScan researcher Marc Montpas opened a <a href=\"https://core.trac.wordpress.org/ticket/58679#ticket\">ticket</a> on WordPress trac, identifying an issue with the meta key field in the usermeta table using accent insensitive collations:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Looking at the latest string of vulnerability issues that came up related to the Ultimate Member plugin I discovered that the usermeta table has an accent insensitive collation for the <code>meta_key</code> field. This results in queries for <code>wp_cãpăbilitiës</code> to return the actual <code>wp_capabilities</code> row! See <code>update_metadata()</code> function in wp-includes/meta.php</p>\n\n\n\n<p>Imagine the attack surface this brings. In fact, don&#8217;t imagine, just look at the recent attacks in the wild.</p>\n</blockquote>\n\n\n\n<p>This particular issue made it more difficult to fully patch the vulnerability in question. Ultimate Member released version 2.6.7 on July 1, 2023, which whitelists for metakeys the plugin stores while sending forms. The plugin&#8217;s security advisory details a few other changes that may affect third-party developers:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>2.6.7 also separates form settings data and submitted data and operates them in 2 different variables. </p>\n\n\n\n<p>[It] includes some significant changes to how forms submissions are handled. This may cause 3rd-party modifications to stop working. For Third-party developers, please update your customizations to support the new changes in the latest version</p>\n</blockquote>\n\n\n\n<p>Ultimate Member recommends users review and delete any unknown administrator accounts, reset all user passwords including the admin, enable SSL and backups, and send any advisories to site members and/or customers about the incident. The plugin&#8217;s developers are working on releasing a feature inside the plugin that will enable the website admin to reset passwords for all users, but it is still being finalized:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>The reason for this is a site using our plugin may have been hacked or injected with malware that sniffs login inputs, because this vulnerability issue is prone to these attacks, we recommend to reset passwords after updating with a security patch. This is to ensure the best protection for your website user’s passwords.</p>\n</blockquote>\n\n\n\n<p>All Ultimate Member users should update to the latest available version, 2.6.7, which has the patch for the vulnerability. The plugin&#8217;s developers are awaiting more feedback from WPScan and are evaluating all their extensions to ensure they are secure. </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 16:22:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"WordPress.org blog: WP Briefing: Episode 59: A Polyglot’s WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=15281\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2023/07/episode-59-a-polyglots-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:30292:\"<p>Join WordPress Executive Director Josepha Haden Chomphosy in the 59th episode of the WordPress Briefing. Today she invites guest speaker Alex Kirk to discuss Polyglots&#8217; work to continue to help bring translation to WordPress.   </p>\n\n\n\n<p><em><strong>Have a question you’d like answered? You can submit them to&nbsp;<a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Host: <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a><br />Guests: <a href=\"https://profiles.wordpress.org/akirk/\">Alex Kirk</a><br />Editor: <a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br />Logo: <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br />Production: <a href=\"https://profiles.wordpress.org/bjmcsherry/\">Brett McSherry</a> and <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a><br />Song: Fearless First by Kevin MacLeod</p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/\">Polyglots team</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/about/roadmap/\">Gutenberg Project roadmap</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/plugins/glotpress/\">GlotPress plugin</a></li>\n\n\n\n<li><a href=\"https://translate.wordpress.org/\">Translating WordPress</a> &#8211; Contribute to WordPress core, themes, and plugins by translating them into your language.</li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/playground/\">WordPress Playground</a> &#8211; WordPress that runs entirely in your browser.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/08/translate-live-updates-to-the-translation-playground/\">Translate Live: Updates to the Translation Playground</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/\">Polyglots Roles and Capabilities</a> &#8211; Including the <a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/#general-translation-editor\">GTE</a> and <a href=\"https://make.wordpress.org/polyglots/handbook/about/roles-and-capabilities/#project-translation-editor\">PTE</a> roles.</li>\n\n\n\n<li><a href=\"https://href.li/?https://2023.wpcampus.org/\">WPCampus 2023</a> &#8211; A hybrid event, July 12th through the 14th, at Tulane University in New Orleans, Louisiana. Topics focus on the growth of higher education, accessibility, WordPress, and anyone who works in higher education.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/06/23/launch-your-wordpress-contributor-journey-through-the-mentorship-program-pilot/\">Launch your WordPress Contributor Journey through the Mentorship Program Pilot</a> &#8211; A cohort-based onboarding experience with guided courses and live workshops for those interested in contributing to the project but unsure where to begin.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/20/make-team-dashboards/\">Make Team Dashboards</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-15281\"></span>\n\n\n\n<p><em>( Intro music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:10]&nbsp;</strong></p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress open source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks. I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p><em>( Intro music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:39]&nbsp;</strong></p>\n\n\n\n<p>I have with me Alex Kirk, who is a longtime WordPress contributor and who has been instrumental in recent innovations in the Polyglots&#8217; work. Phase four of the Gutenberg project is native multilingual support, and so I see this work that is being done as instrumental, not only for our global community but in support of what&#8217;s to come in that specific roadmap.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:00:59]&nbsp;</strong></p>\n\n\n\n<p>So without further ado, Alex Kirk, welcome to the WordPress Briefing.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:03]</strong></p>\n\n\n\n<p>Hello, how are you doing?&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:01:05]</strong></p>\n\n\n\n<p>I&#8217;m good. I&#8217;m good. Can you, let&#8217;s, because I bet that not a lot of people know who you are, can you first start by just telling me a bit about your work with WordPress, and then let us know what GlotPress is, for those of us who don&#8217;t know yet?&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:19]</strong></p>\n\n\n\n<p>All right. So, Automattic sponsors me to work in the WordPress project on the Meta team and on the Polyglots team. So I spent time on improving or helping improve the software that powers the translation on WordPress.org. But I also work on the meta team on things like Matrix and evaluating if it would be a good fit for WordPress to switch to Matrix for their chat system.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:01:46]</strong></p>\n\n\n\n<p>So a lot of really big projects that you work on, all of that kind of stuff that has no easy solutions anymore, is where you are right now. Huh?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:01:56]</strong></p>\n\n\n\n<p>Yeah, there&#8217;s no clear path, but it&#8217;s our mission to find it. So that&#8217;s part of what makes things interesting.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:02:05]</strong></p>\n\n\n\n<p>Cool. So for folks who don&#8217;t know too much about the Polyglots team or generally translating WordPress, the software, can you let us know a bit about what GlotPress is?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:02:16]</strong></p>\n\n\n\n<p>Right. So the translation system that powers WordPress.org is called GlotPress. It used to be a standalone software that was developed a couple of years ago, and it was transformed into a WordPress plugin at some point, and now powers the translation that happens on WordPress.org. So we translate WordPress core there from English to other languages, plugins, themes, block patterns, and it all happens through this software called GlotPress. There are a couple GlotPress installations around the world, but I think the WordPress.org one is one of the bigger ones.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:02:55]</strong></p>\n\n\n\n<p>Probably, WordPress.org is pretty, pretty massive. Also, I think it&#8217;s great that you said that GlotPress was created a couple of years ago, like that, that indicates to me that you&#8217;re working on a really different timescale than a lot of folks are in WordPress.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:03:10]</strong></p>\n\n\n\n<p>So Alex, tell me a little bit about what it takes to ship translated WordPress software. So, I mean, for people who don&#8217;t need translated WordPress, like obviously we don&#8217;t have a good idea of what it takes to make sure that WordPress is available in so many languages. So what goes into the work of making sure that that happens?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:03:32]</strong></p>\n\n\n\n<p>All right, so typically the WordPress software and plugins and themes are primarily created in English. And for it to be available in other languages, it needs to be translated. And for that to be able to happen, the programmers need to make the software translatable. Basically, they&#8217;re providing each English string for the translation software to be available to be transformed, so to speak, into another language and to what it&#8217;s being transformed to. This is what the translators do. So they go into the GlotPress software and see the list of texts that need to be translated and translate it to their language that they speak. Typically there is a process around this.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:03:32]</strong></p>\n\n\n\n<p>So, we&#8217;ve got people who have lots of experience in translation. And specifically in translating WordPress or WordPress plugins. And they&#8217;re kind of the, the people who help ensure good quality of translation. So anybody who&#8217;s working the WordPress project, so basically who has a WordPress.org account, can come in and address the translation. And that translation enters the system, so to speak, in a waiting state. And then somebody who we promoted to be a Translation Editor will come along and take a look at your translation and will approve it or will give you suggestions how to do the translation in a better way, or come up with maybe even a better translation.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:03]</strong></p>\n\n\n\n<p>You know, when you have like a small thing that&#8217;s just not right, like a missing full stop or something like that. They might just add it for you. And well, as soon as the plugin or software is translated to a certain level of translations those translations will be shipped out to the WordPress installs.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:20]</strong></p>\n\n\n\n<p>So, for example, for a plugin, you would reach 90% of translated strings. Those translations will then be basically packed up into zip file, a language pack and delivered to each WordPress so that you can have the translations available there.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:05:35]</strong></p>\n\n\n\n<p>And is 90% the threshold for plugins only, or is that also the threshold for like themes and the CMS itself?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:34]</strong></p>\n\n\n\n<p>Well. We strive for 100%, I would say.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:05:47]</strong></p>\n\n\n\n<p>Good. <em>( laughs )</em></p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:05:48]</strong></p>\n\n\n\n<p>And, 90% more of a motivational point. To be actually honest, I&#8217;m not sure if the threshold is 90% for every project or even if it&#8217;s actually 90%. It&#8217;s different between different GlotPress installations and it&#8217;s basically something that is made as a setting that can be changed. There&#8217;s, it&#8217;s an arbitrary number. Typically you&#8217;d actually want to make sure that the most important strings are translated first. So the ones like, if you look at the whole picture, software usually consists of many parts, many of whom are not encountered by people on a regular basis. For example, error messages that could be like obscure error messages, and you could argue that those might be not as important. Or even sometimes you could even say like, do they need to be translated? Because if you encounter an error message and you search the internet, wouldn&#8217;t you probably want everybody to search for the English one to find the solution? But that set-aside, it&#8217;s important to have like the headline of the plugin or like the most important strings translated, and typically translating those most important strings will take you to a pretty high percentage so that we can then say it&#8217;s good enough to be shipped.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:07:02]</strong></p>\n\n\n\n<p>Gotcha. I see, I see. Okay. Well, we talked a bit earlier about GlotPress&#8217;s timeline. It has been around for a bit, I know. But with that kind of in mind, have there been any notable changes to GlotPress recently?&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:07:19]</strong></p>\n\n\n\n<p>Yeah, so I think for GlotPress there&#8217;s been a bit of an up and down over time in terms of engagement and progress on the software. But in, in the recent year, I think we&#8217;ve added a couple of things that have been very helpful for translators. So one of them was adding the commenting functionality, so yeah.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:07:35]</strong></p>\n\n\n\n<p>Super helpful. Shocked it wasn&#8217;t there before. Sorry, translators. Sorry, all of our polyglots.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:07:40]</strong></p>\n\n\n\n<p>Well, it can be like there was when GlotPress was created there, there is like the, a big part of GlotPress are these states, like the waiting state when you enter translation, and then there&#8217;s approved state, which basically a translation we say it&#8217;s set to current, and there&#8217;s all sorts of process around it. So if the software is updated or translation might get fuzzy. But also like, if somebody submits a translation that doesn&#8217;t fully conform to what&#8217;s the translation editors, or like what the standards of the translation community have been set to, then you would have to need to reject it.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:08:16]</strong></p>\n\n\n\n<p>And that has been something that we felt wasn&#8217;t a very good and enticing way of telling people like, we appreciate your work. It wasn&#8217;t just quite right, but it&#8217;s more of a rejection. So this is how we came up with this like, let&#8217;s give people the option to say what was wrong and give them a chance to try again without making them feel rejected.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:08:38]</strong></p>\n\n\n\n<p>Yeah. Sort of a &#8220;No, but&#8230;&#8221; as opposed to a, just refusal to receive it.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:08:45]</strong></p>\n\n\n\n<p>And other things that we&#8217;ve worked on is, like, with the recent search of AI, like getting help from AI on translation and also on reviews. So, there&#8217;s some interesting things that you can do with AI in that regard; that one important aspect of translations, it&#8217;s also that we&#8217;ve got glossaries for each language where people, basically the translation community, identifies certain words they want to translate them the same way every time.&nbsp;And with the AI, you can basically add to the prompt, like, please translate those words to those translations when you give me a translation for that. And as it can change over time, you can always adapt this to the prompt, and that has been proven quite helpful.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:09:25]</strong></p>\n\n\n\n<p>That is great. That&#8217;s one of those things I know that AI has been like a really popular thing to talk about. And AI, specifically for translations, I think has caused some concern that maybe we&#8217;ll just like translate it all and hope that computers get it right when we know pretty certainly that computers don&#8217;t always get the translations right. But that&#8217;s not what you&#8217;re talking about, right? What you&#8217;re suggesting is that AI would suggest what could be translated and what it could be translated to, and then human beings have to confirm that that&#8217;s correct, right?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:09:59]</strong></p>\n\n\n\n<p>That&#8217;s exactly it. So basically, we give suggestions to the translators, and then they can modify a translation before they press save. It&#8217;s more of a, like supporting them in getting the translations, like looking up words more quickly and all of that.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:10:16]</strong></p>\n\n\n\n<p>That&#8217;s wonderful. So is that the major sort of next step that is coming for GlotPress, or are there other things that we should keep an eye out for in that software?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:10:27]</strong></p>\n\n\n\n<p>So one direction that we&#8217;ve been taking GlotPress is basically making use of the fact that GlotPress is WordPress plugin now. And you know, typically, you would just use a GlotPress install. So on WordPress.Org, there&#8217;s like GlotPress installed, there&#8217;s translation projects created, something that we call &#8220;translation sets&#8221;. So for languages, you want to translate it to, it&#8217;s all pre-configured, and if you would install GlotPress to plugin on your own WordPress, it would be empty and not very useful. So what we&#8217;ve added is a way for you to basically be able to translate the plugins and themes that you&#8217;ve got installed in your WordPress into the language that you&#8217;re interested in.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:07]</strong></p>\n\n\n\n<p>So you might have a non-English website that you want to use certain plugins with, and they might not be fully translated at this point, so obviously, you could go to WordPress.org and help translate them, and that&#8217;s the way to, that&#8217;s preferred. But you could also now go install GlotPress on your own website and translate there. And then you have the translations there right when you enter them. And you can then contribute those translations back to WordPress.org.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:11:35]</strong></p>\n\n\n\n<p>So that&#8217;s with local GlotPress?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:37]</strong></p>\n\n\n\n<p>That&#8217;s something that we call local GlotPress. And you know, since we then have all these translations in the local database, it means we can do even more with those translations. So typically, language packs would be delivered to WordPress, but with local GlotPress, you&#8217;ve got like all the GlotPress software there.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:11:56]</strong></p>\n\n\n\n<p>So we can do things like inline translation. So, on your own WordPress and wp-admin, for example, we can highlight all the strings that can be translated, and those strings just have to right-click them and enter your translation, and that way, you can basically go about and translate the whole ui, seeing your progress, as you&#8217;re making, basically turning the screen from red to green.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:12:20]</strong></p>\n\n\n\n<p>Yeah. Yeah. So that&#8217;s something now that you can do in your local WordPress installation.&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:12:26]</strong></p>\n\n\n\n<p>Basically, it&#8217;s completely independent of WordPress.org. We would ask you to contribute the translations back when you have them, but being independent also allows you to translate like premium plugins, which could not be hosted on WordPress.org or doing something like that we call like hyper-local translation. So, for example, I speak Austrian German natively, but even inside Austria, we&#8217;ve got different dialects or like special words that we use. And if I wanted to create a website that&#8217;s targeted at the Viennese market, for example, I might want to use those specific terms. And this is something I would have to argue for those translations to be accepted on WordPress.org because it&#8217;s a, it&#8217;s like a very targeted market. But if I have a local GlotPress, I can do those translations there.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:13:11]</strong></p>\n\n\n\n<p>That seems awfully beneficial, especially as dialects. I&#8217;ve been having these conversations. I have, in my extended family, many children, and they are all learning languages and one of them has been having kind of thoughts about, like, dialects and how dialects are almost another language. And if so, like how do you know what everybody&#8217;s saying when you&#8217;re speaking all the same thing, but it&#8217;s kind of a little bit it sounds a little bit different.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:13:37]</strong></p>\n\n\n\n<p>That&#8217;s certainly a thing in the US, the distinct dialects across our country. And so I imagine that that&#8217;s gonna be a really beneficial sort of implementation for countries that have a lot of different regional variations and certainly smaller countries that have technically the same language as somebody else, but a lot of regional differences, regional specific things.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:14:01]</strong></p>\n\n\n\n<p>Is that the same or different as the live translations, Translate Live, that we talked about at the WordCamp Europe a couple weeks back?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:14:12]</strong></p>\n\n\n\n<p>Right. So, Translate Live is kind of the next step after local GlotPress. It&#8217;s like this happy marriage between the WordPress Playground and local GlotPress. So the WordPress Playground is also something that has come up a lot. It&#8217;s basically a way for you to run WordPress inside a browser window, so in JavaScript. And at first, it seems like mildly interesting, I would say. But when you combine it with other things like local GlotPress, it can lead to really interesting opportunities. So with inline translation, for example, on WordPress.org, you would typically find for every plugin, the UI would look the same. You would have a table of strings, and all that makes you realize you&#8217;re translating this certain plugin is that in the header of the page, it says this name of the plugin, but other than that, it can look really all the same.&nbsp;</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:15:07]</strong></p>\n\n\n\n<p>And now, with WordPress Playground, you can put up a WordPress and run this plugin inside that Playground. And now, if you add local GlotPress to the picture, you can also do the inline translation of that plugin inside the WordPress Playground. So you&#8217;ve got inline translation. We add the glossary so they do make sure that you translate things the same way that they&#8217;re expected, and you don&#8217;t have to install the plugin.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:15:33]</strong></p>\n\n\n\n<p>And still, you can see what the translations will look like. You can see the strings next to each other, and what I think is most important, you will start with the strings that you see first, which are the most important ones. When you&#8217;re in the table view, those strings might be somewhere buried in the middle, and yeah, it&#8217;s really hard to see progress if you start with kind of obscure error messages, for example, versus just starting with the things that you see first.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:16:02]</strong></p>\n\n\n\n<p>Yeah. So, moving translations away from table-based translations where you kind of have to know what you&#8217;re looking for. So the Translate Live, along with local GlotPress, along with WP Playground, is going to make it so that it&#8217;s easier to see visually what needs to be translated, where, what&#8217;s most valuable to translate for your mid users and your end users, basically.</p>\n\n\n\n<p>Yeah?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:16:30]</strong></p>\n\n\n\n<p>That, and also like for plug-in authors, it can be really good to see, you know, you can switch the languages in the Playground to another language, and you can quickly see like what&#8217;s the state of the translation in this language or in that language. And even things like, you know, Arabic as an RTL language rights to left language. The sidebar will change to the right, and you can also just switch language and see like, what&#8217;s my plugin like in this environment. I mean, this is not technically something that&#8217;s related to local GlotPress, but in this translation live ui, it&#8217;s very easy to change languages and see your plugin in another language.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:17:06]</strong></p>\n\n\n\n<p>I mean, it&#8217;s not specifically related to, to Translations Live, but also, I think that if we&#8217;re saying that WordPress not necessarily is going to lead the way with translations and native multilingual support in our CMS because, of course, it&#8217;s still a little bit far out on our roadmap. We certainly have an opportunity to have the best implementation of that.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:17:27]</strong></p>\n\n\n\n<p>And even if like that specific use case that you&#8217;re talking about isn&#8217;t related directly to what it is that you are working on for Polyglots and inside GlotPress and all of that, I do see that having more streamlined, more easy to see and access opportunities to like test the way that our software looks across varying environments, especially those that change it substantially from what we typically work in day-to-day for any individual developer or any individual WordPress site implementer.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:18:00</strong>]</p>\n\n\n\n<p>Like, I think that that is a big step forward for all of us and certainly for anyone who is having to use WordPress as not a native English speaker. And so you say it&#8217;s not related, but it still is a big, a big benefit for WordPress overall, I think, to have this kind of work happening so that we can have those benefits to the folks who are using our software.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:18:22]</strong></p>\n\n\n\n<p>So there were a couple of different things that you mentioned over the course of our conversation. We&#8217;re gonna put some links to the show notes for all of those. But one thing that you mentioned that just kind of went by, and we never really had an opportunity to talk about it. You talked about the, I think it was GTEs, Global Translation Editors, the folks that are like approved as final approvers of translations. If there is someone who&#8217;s listening to this podcast who wants to become a GTE someday, where would they go to do that?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:18:54]</strong></p>\n\n\n\n<p>So the path to GTE is a PTE.&nbsp;<em>( laughs )</em></p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:18:59]</strong></p>\n\n\n\n<p>So, we&#8217;ve got different levels of translation editors. Basically, you start, you could say you start off as a translator, and this is how you can kind of show that you can do good translations or that you&#8217;re very firm in your language. And this might make you be noticed in the community.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:19:16]</strong></p>\n\n\n\n<p>So we&#8217;re always looking for people who like to help with translations. And you might be then promoted to be a Project Translation Editor. Basically, it means that for a single language in a project, you&#8217;ll be able to approve translations. So, you&#8217;ll be the one who says, like, this translation is a good one and this conforms to the to the rules that we have stated as a translation community.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:19:42]</strong></p>\n\n\n\n<p>And further down the path then is the GTE, where you basically are allowed to approve translations across any project on translate.WordPress.org in your language. And that&#8217;s, usually you&#8217;ll be in, in that position with other GTEs.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:04]</strong></p>\n\n\n\n<p>So there is, like, in each community, there is like, we&#8217;re people based. We talk about what might be a good translation. We talk to each other, try to find rules that maybe prevent common mistranslations, or set the standards for how we want the software to be translated. And this is something where you get a voice as a translator, but as a GTE, you get into a position where you can actually make the changes or find consensus on how the software should be translated in your language.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:35]</strong></p>\n\n\n\n<p>And if folks are not familiar where the Polyglots team works and meets, where would they find you all?</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:41]</strong></p>\n\n\n\n<p>At make.WordPress.org/polyglots.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:45]</strong></p>\n\n\n\n<p>Perfect. Alex, this has been such a fascinating conversation. Thank you so much for joining me today.</p>\n\n\n\n<p><strong>[Alex Kirk&nbsp; 00:20:50]</strong></p>\n\n\n\n<p>Thank you very much.&nbsp;</p>\n\n\n\n<p><em>( Intermission music )</em></p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:20:59]</strong></p>\n\n\n\n<p>So that brings us now to our small list of big things. First, WP Campus 2023 is taking place July 12th through the 14th. That&#8217;s a nonprofit three-day conference with topics that focus on the growth of higher education, accessibility, WordPress, and anyone who works in higher education.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:17]</strong></p>\n\n\n\n<p>It&#8217;s a hybrid event. There is an in-person component on the beautiful campus of Tulane University in New Orleans, Louisiana. I&#8217;ll add information about that in our show notes for anyone who would like to join in person or online.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:32]</strong></p>\n\n\n\n<p>The second thing is that the mentorship program pilot that I have been talking about a little bit over the last few months has been formally launched.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:39]</strong></p>\n\n\n\n<p>If you are interested in contributing more to the project but not sure where to begin, take a look at this comprehensive onboarding experience. It&#8217;s cohort-based. It has some personalized one-to-one mentorship. There are guided courses, live workshops, all of that. So read more about it in our show notes and sign up for one-on-one team mentorship.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:21:59]</strong></p>\n\n\n\n<p>And then, finally, Matt mentioned at WordCamp Europe an idea that he had been thinking of for some time a Make team dashboard that would sort of help define team metrics and help identify for individual contributors what should indicate team health and where they can find the most impactful projects to work on.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:20]</strong></p>\n\n\n\n<p>A post has since been published on make.WordPress.org/meta calling for additional feedback on that idea, so that we have an understanding of what this could be, how the dashboard can kind of come to be. And so stop by and add your thoughts there in the comments.&nbsp;</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:38]</strong></p>\n\n\n\n<p>And that, my friends, is your small list of big things.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy&nbsp; 00:22:42]</strong></p>\n\n\n\n<p>Thanks for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy, and I&#8217;ll see you again in a couple of weeks.</p>\n\n\n\n<p><em>( Outro music )</em></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brett McSherry\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Do The Woo Community: Opportunities on Do the Woo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75409\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://dothewoo.io/opportunities-on-do-the-woo/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:360:\"<p>There are many ways to be a guest or host on the podcast. Or maybe you have an idea you would like to pitch.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/opportunities-on-do-the-woo/\">Opportunities on Do the Woo</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2023 08:10:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"Gutenberg Times: Extending Gutenberg and the block editor, testing WordPress 6.3 – Weekend Edition 259\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://gutenbergtimes.com/?p=24561\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:110:\"https://gutenbergtimes.com/extending-gutenberg-and-the-block-editor-testing-wordpress-6-3-weekend-edition-259/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:14380:\"<p>Howdy, </p>\n\n\n\n<p>I am sending this while traveling back from WordCamp Leipzig, where I had great conversations with people from the German WordPress community. I published a few photos on Twitter: <a href=\"https://twitter.com/bph/status/1675157669479366657\">here</a>, <a href=\"https://twitter.com/bph/status/1675123509117288448\">here</a>, <a href=\"https://twitter.com/bph/status/1675106732823965696\">here</a>, and on <a href=\"https://www.linkedin.com/feed/update/urn:li:activity:7080834770032586754/\">LinkedIN</a>. Language switching is as difficult as context switching. </p>\n\n\n\n<p>WordPress 6.3 Beta 1 is released, as well as Gutenberg 16.1.  More below. </p>\n\n\n\n<p>Yours, 💕<br /><em>Birgit</em></p>\n\n\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p><strong>Table of Contents</strong></p>\n\n\n\n<div class=\"wp-block-sortabrilliant-guidepost\"><ul><li><a href=\"https://gutenbergtimes.com/feed/#0-word-press-release-information\">Developing Gutenberg and WordPress</a><ul><li><a href=\"https://gutenbergtimes.com/feed/#1-word-press-6-3\">WordPress 6.3 </a></li><li><a href=\"https://gutenbergtimes.com/feed/#2-gutenberg-16-1\">Gutenberg 16.1 </a></li></ul></li><li><a href=\"https://gutenbergtimes.com/feed/#0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</a></li><li><a href=\"https://gutenbergtimes.com/feed/#4-theme-development-for-full-site-editing-and-blocks\">Theme Development for Full Site Editing and Blocks</a></li><li><a href=\"https://gutenbergtimes.com/feed/#3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </a></li></ul></div>\n</div></div>\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p><strong>If you haven&#8217;t yet, it&#8217;s time to reseaver your seat! for <a href=\"https://us02web.zoom.us/webinar/register/7516851799317/WN_AFgYtmyaRviAY3b2oGP2pg\">next  week&#8217;s Gutenberg Live Q &amp; A on July 6th, 2023, at 17:00 UTC</a> </strong></p>\n\n\n\n<p class=\"has-accent-color has-text-color has-large-font-size\"><strong>Leveraging Gutenberg&#8217;s architecture to take plugin development to new levels.</strong></p>\n\n\n\n<p>Learn how Gutenberg components and scripts can be used outside the block editor to revamp a plugin&#8217;s code base in this Case Study of GiveWP 3.0 with Jason Adams, Director of Development, Jon Waldstein, Lead Developer of GiveWP and co-host Lena Morita, JavaScript Developer on the Components team. </p>\n\n\n\n<a href=\"https://us02web.zoom.us/webinar/register/7516851799317/WN_AFgYtmyaRviAY3b2oGP2pg\"><img /></a>\n</div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-word-press-release-information\">Developing Gutenberg and WordPress</h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"1-word-press-6-3\">WordPress 6.3 </h3>\n\n\n\n<p>On Tuesday, <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2</a> was released, after Beta 1 wasn&#8217;t quite finished the day before. The release team is also preparing a Walk-through for later this month, to introduced many of the new features coming to a WordPress instance near you on August 8, 2023. </p>\n\n\n\n<p>Please, <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">help test WordPress 6.3</a>, and report issue you encounter. </p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"2-gutenberg-16-1\">Gutenberg 16.1 </h3>\n\n\n\n<p>Gutenberg 16.1 was released led by Isabel Brison and Ramon Dodd. In their release post, <a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">What’s new in Gutenberg 16.1? (29 June)</a>, they highlight the following functionality: </p>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/#your-templates-and-patterns-your-library\">Your templates and patterns, your library</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/#create-your-site-without-distraction\">Create your site without distraction</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/#text-blocks-now-with-footnotes\">Text blocks: now with footnotes</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/#achieve-more-with-the-site-editor-sidebar\">Achieve more with the Site editor sidebar</a></li>\n</ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>It was great fun to catch up with Tammie Lister as my guest on the Gutenberg Changelog.  I hope you also have fun listening to us discussing the milelong Changelog for this Gutenberg release. <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/\">The episode and the show notes are already available</a>. The transcript is still in the works.</p>\n\n\n\n<img />To book cases, two developers having fun and a podcast episode \n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p class=\"is-style-no-vertical-margin\"><strong>🎙️ </strong> New episode:  <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/\">Gutenberg Changelog #85 – Gutenberg 16.1, WordPress 6.3</a> with special guest, Tammie Lister and host Birgit Pauli-Haack</p>\n</div></div>\n\n\n\n<p><strong>Sarah Gooding</strong> also reported on the Gutenberg 16.1 in her article: <strong><a href=\"https://wptavern.com/gutenberg-16-1-introduces-pattern-creation-and-library-adds-distraction-free-mode-to-site-editor\">Gutenberg 16.1 Introduces Pattern Creation and Library, Adds Distraction Free&nbsp;Mode to Site Editor</a>, </strong>highlighting additional functionality found in this mamooth release.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his latest video, <a href=\"https://www.youtube.com/watch?v=s1L28GuA-y0\"><strong>Unlocking the Power of Navigation in WORDPRESS 6.3: What YOU Need to Know</strong></a>, <strong>Dave Smith</strong>, JavaScript developer at Automattic and core contributor, walked us through the updates to the Navigation handling in the Site Editor. It helped me wrap my head around all the different aspects of creating mulitple menus, style them and add them to templates and template parts in the site editor. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Anne McCarthy and Emily Clark will co-host a <a href=\"https://make.wordpress.org/core/2023/06/29/hallway-hangout-performance-improvements-for-wordpress-6-3/\"><strong>Hallway Hangout to discussion WordPress 6.3 performance improvement</strong></a> on July 27, 2023 at 15:00 UTC to discuss WordPress 6.3 performance improvements led by performance reps Emily Clark and Felix Arnzt and also look ahead to WordPress 6.4. </p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</h2>\n\n\n\n<p><strong>Mike McAlister</strong> advocates for <a href=\"https://olliewp.com/dont-call-it-gutenberg-anymore/\"><strong>Don’t call it Gutenberg anymore (unless you actually mean to)</strong></a>. &#8220;<strong>it’s time to drop the Gutenberg vocabulary</strong>&nbsp;from our day to day usage, unless we’re&nbsp;<em>actually</em>&nbsp;talking about the Gutenberg project or development plugin.&#8221; he wrote. In the post he gives a quick overview of the history of Gutenberg development and how the block editor made it into the WordPress. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Rich Tabor </strong>published a new Pattern in the directory on WordPress.org: <a href=\"https://wordpress.org/patterns/pattern/two-column-matted-gallery-images/\"><strong>Two Column, Matted Gallery Images</strong></a>. &#8220;I really want to keep pushing whats possible with all this new design tooling in WordPress.&#8221; Tabor <a href=\"https://twitter.com/richard_tabor/status/1674877679084994561\">tweeted.</a> With WordPress 6.3 you will have a way to create patterns for your site via the site editor. It used the same interface that allows you to create reusable blocks, now called &#8220;synched patterns&#8221;. </p>\n\n\n\n<img />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"4-theme-development-for-full-site-editing-and-blocks\">Theme Development for Full Site Editing and Blocks</h2>\n\n\n\n<p>In his, <strong>Benjamín Pérez Sout</strong> at Yotako,vannounces the new plugin release that allows users to <a href=\"https://blog.yotako.io/new-release-figma-adobexd-editon-as-gutenberg-blocks/\"><strong> Edit your Figma &amp; Adobe XD designs as WordPress Gutenberg blocks</strong></a>. The toolset of Yotaku provides some amazing synergies between AI and various design tools to Gutenberg Blocks. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Ryan Welcher continued his series <em>Creating a block theme for developers</em> with <a href=\"https://www.twitch.tv/videos/1846930916\">Part 4</a> and <a href=\"https://www.twitch.tv/videos/1858860550\">Part 5 </a></strong>on Twitch. If you want to catch up on Parts 1 through 3, they are available on <a href=\"https://www.youtube.com/ryanwelchercodes\"><strong>Welcher&#8217;s YouTube Channel</strong></a></p>\n\n\n\n\n<p><strong>&nbsp;<a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Keeping up with Gutenberg &#8211; Index 2022&#8221;</a>&nbsp;</strong><br />A chronological list of the WordPress Make Blog posts from various teams involved in Gutenberg development: Design, Theme Review Team, Core Editor, Core JS, Core CSS, Test and Meta team from Jan. 2021 on. Updated by yours truly.  <a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/keeping-up-with-gutenberg-index-2020/\"><em>The index 2020 is here</em></a></p>\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </h2>\n\n\n\n<p>The recording of this week&#8217;s <a href=\"https://wordpress.tv/2023/06/30/developer-hours-exploring-editor-extensibility/\"><strong>Developer Hours: Exploring Editor Extensibility</strong></a> is now online with <strong>Michael Burridge</strong>, <strong>Nick Diego</strong>, and <strong>Ryan Welcher</strong> giving demos on various ways developer can already extend blocks and the editor experience. They also shared lots of resources and examples. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Igor Benic</strong> explained in his blog post <a href=\"https://www.ibenic.com/how-to-programmatically-add-a-block-in-the-wordpress-block-editor/\"><strong>How to Programmatically add a block in the WordPress Block Editor</strong></a>. &#8220;When working with custom blocks or custom solutions to enhance the WordPress Block Editor, you might need to have a way to add blocks programmatically to the editor.&#8221; he wrote and showed how to use &#8211; <code>wp.blocks.createBlock</code> &#8211;<code> wp.data.dispatch(\'core/block-editor\').insertBlocks</code> to accomplish the task. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Working with Blocks also means getting data via the Rest API. The team of <em>Learn WordPress </em>just published the new course on <a href=\"https://learn.wordpress.org/course/developing-with-the-wordpress-rest-api/\"><strong>Introduction to developing with the WordPress REST API</strong></a>. &#8220;This course presents a developer-oriented introduction to using and developing with the WP REST API. If you want to learn to use the WP REST API to power your next site build, plugin, or theme, or you just want to understand how it works, then this course is for you.&#8221; they wrote. </p>\n\n\n\n\n<p><strong><a href=\"https://gutenbergtimes.com/need-a-zip-from-master/\">Need a plugin .zip from Gutenberg&#8217;s master branch?</a></strong><br />Gutenberg Times provides daily build for testing and review. <br />Have you been using it? Hit reply and let me know.</p>\n\n\n\n<p><img alt=\"GitHub all releases\" src=\"https://img.shields.io/github/downloads/bph/gutenberg/total?style=for-the-badge\" /></p>\n\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Questions? Suggestions? Ideas? Don&#8217;t hesitate to send <a href=\"mailto:pauli@gutenbergtimes.com\">them via email</a> or send me a message on WordPress Slack or Twitter @bph</em>. </p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">For questions to be answered on the <a href=\"http://gutenbergtimes.com/podcast\">Gutenberg Changelog</a>, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n\n<p>Featured Image: Train Station at Leipzig, Germany. Photo by Birgit Pauli-Haack</p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\n\n\n\n<p class=\"has-text-align-left\"><strong>Don&#8217;t want to miss the next Weekend Edition? </strong></p>\n\n\n\n<form class=\"wp-block-newsletterglue-form ngl-form ngl-portrait\" action=\"https://gutenbergtimes.com/feed/\" method=\"post\"><div class=\"ngl-form-container\"><div class=\"ngl-form-field\"><label class=\"ngl-form-label\" for=\"ngl_email\"><br />Type in your Email address to subscribe.</label><div class=\"ngl-form-input\"><input type=\"email\" class=\"ngl-form-input-text\" name=\"ngl_email\" id=\"ngl_email\" /></div></div><button type=\"submit\" class=\"ngl-form-button\">Subscribe</button><p class=\"ngl-form-text\">We hate spam, too and won&#8217;t give your email address to anyone except Mailchimp to send out our Weekend Edition</p></div><div class=\"ngl-message-overlay\"><div class=\"ngl-message-svg-wrap\"></div><div class=\"ngl-message-overlay-text\">Thanks for subscribing.</div></div><input type=\"hidden\" name=\"ngl_list_id\" id=\"ngl_list_id\" value=\"26f81bd8ae\" /><input type=\"hidden\" name=\"ngl_double_optin\" id=\"ngl_double_optin\" value=\"yes\" /></form>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 02 Jul 2023 06:30:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Birgit Pauli-Haack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"Gutenberg Times: Gutenberg Changelog #85 – Gutenberg 16.1, WordPress 6.3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://gutenbergtimes.com/?post_type=podcast&p=24618\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:63883:\"<p>Tammie Lister and Birgit Pauli-Haack discuss Gutenberg 16.1 and WordPress 6.3 and what’s coming to 6.3<br /></p>\n\n\n\n<p>Add a summary/excerpt here</p>\n\n\n\n<p><a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/#shownotes\">Show Notes</a> / <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/#transcript\">Transcript</a></p>\n\n\n\n<ul>\n<li>Music:&nbsp;<a href=\"https://soundcloud.com/xirclebox\">Homer Gaines</a></li>\n\n\n\n<li>Editor:&nbsp;<a href=\"https://www.linkedin.com/in/sandy-reed/\">Sandy Reed</a></li>\n\n\n\n<li>Logo:&nbsp;<a href=\"https://markuraine.com/\">Mark Uraine</a></li>\n\n\n\n<li>Production:&nbsp;<a href=\"https://icodeforapurpose.com\">Birgit Pauli-Haack</a></li>\n</ul>\n\n\n\n<p class=\"has-larger-font-size\" id=\"shownotes\"><strong>Show Notes</strong></p>\n\n\n\n<p><a href=\"https://www.hostinger.com/blog/tammie-lister-podcast\">Podcast With Tammie Lister: How Gutenberg Evolves and the Future of WordPress</a> with Emma Young at Hostinger</p>\n\n\n\n<p><a href=\"https://www.youtube.com/watch?v=X8Op-q_8s6M\">Creating Gutenberg &#8211; Live Q &amp; A w/ leads Tammie Lister, Joen Asmussen and Matias Ventura</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">Upcoming Live Q &amp; As</h2>\n\n\n\n<p>July 6th, 2023 &#8211; 17:00 UTC  <strong><a href=\"https://us02web.zoom.us/webinar/register/9616879430415/WN_AFgYtmyaRviAY3b2oGP2pg\">Leveraging Gutenberg&#8217;s architecture to take plugin development to new levels</a></strong></p>\n\n\n\n<p>July 21, 2023-17:00 UTC <a href=\"https://us02web.zoom.us/webinar/register/7516879458017/WN_lqwBBSkSR1Wcdf8BUr5udQ\"><strong>Live Q &amp; A with designers and developers for WordPress VIP. </strong></a>They created a bridge between Figma Design themes and the theme.json file for classic and block themes</p>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress 6.3</h2>\n\n\n\n<p><a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2</a></p>\n\n\n\n<p><a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">Help Test WordPress 6.3</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">Gutenberg 16.1</h2>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">What’s new in Gutenberg 16.1? (29 June)</a></p>\n\n\n\n<p><a href=\"https://wptavern.com/gutenberg-16-1-introduces-pattern-creation-and-library-adds-distraction-free-mode-to-site-editor\">Gutenberg 16.1 Introduces Pattern Creation and Library, Adds Distraction Free&nbsp;Mode to Site Editor</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">Interactivity API</h2>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/03/30/proposal-the-interactivity-api-a-better-developer-experience-in-building-interactive-blocks/\">Proposal: The Interactivity API – A better developer experience in building interactive blocks</a></p>\n\n\n\n<p>WordPress.TV: <a href=\"https://wordpress.tv/2023/04/18/developer-hours-introduction-to-the-interactivity-api/\">Developer Hours: Introduction to the Interactivity API</a></p>\n\n\n\n<p class=\"has-large-font-size\">Stay in Touch</p>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul>\n<li>Did you like this episode? <a href=\"https://lovethepodcast.com/gutenbergchangelog\"><strong>Please write us a review </strong></a></li>\n\n\n\n<li>Ping us on Twitter or send DMs with questions. <a href=\"https://twitter.com/gutenbergtimes\">@gutenbergtimes </a>and <a href=\"https://twitter.com/bph\">@bph</a>.</li>\n\n\n\n<li><em>If you have questions or suggestions, or news you want us to include, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a>. </em></li>\n\n\n\n<li><em>Please write us a review on iTunes! <a href=\"https://gutenbergtimes.com/itunes/\">(Click here to learn how)</a></em></li>\n</ul>\n</div></div>\n\n\n\n<p class=\"has-large-font-size\" id=\"transcript\"><strong>Transcript</strong></p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: So hello and welcome to our 85th episode of the Gutenberg Changelog podcast. In today&#8217;s episode, we will talk about Gutenberg 6.1, WordPress 6.3 and that&#8217;s pretty much it. We have a full program alone with that. I&#8217;m your host, Birgit Pauli-Haack, curator at the Gutenberg Times and full-time core contributor for WordPress open source project sponsored by Automattic. And I&#8217;m so happy that Tammie Lister joins me today. She&#8217;s one of the Gutenberg design leads of phase one and design lead of WordPress 6.3 release squad and will be the editor tech co-lead on the all underrepresented gender squad for 6.4. In her day job Tammie works at the global agency Inpsyde from Germany as a developer. Good afternoon, Tammie. So happy to see you again. Thank you so much for making the time to be on the show. How are you?</p>\n\n\n\n<p><em>Tammie Lister</em>: I am great. Thank you so much for having me.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Oh, it&#8217;s so wonderful. And for our longtime listeners, you are no stranger. You&#8217;ve been on the Gutenberg Live Q&amp;A few years ago, and you were part of the last year&#8217;s developer hours, and it&#8217;s actually the first time that you&#8217;re on the podcast. How did that happen? For those of you listening for the first time, tell me a little bit about your WordPress work and what you&#8217;re doing now.</p>\n\n\n\n<p><em>Tammie Lister</em>: So my WordPress journey has been a long one and an awesome one. Like a lot of people, I started out by blogging and poking around themes and then I worked for a long time on the problems with themes, went via core through BuddyPress and then for a long time I worked as creating themes and working through that. And that&#8217;s where I started really my contribution journey through the theme review team and a little bit in core. And then Gutenberg, I guess it was my adventure by Gutenberg. The seed of Gutenberg is rooted in a lot of people from the theming background. It&#8217;s one of those not so hidden facts about Gutenberg, that a lot of people who worked on it had that background as well. And I&#8217;ve been really lucky since I worked on that project, to have quite an adventure working in various roles from design.</p>\n\n\n\n<p>And at the moment, I&#8217;m really lucky to be balancing back my developer skills. I&#8217;ve always done both, but at the moment I&#8217;m really focusing on how can I raise back up those skills, and I&#8217;m really lucky to be doing that in an agency role. So I am now getting to work with this amazing thing that we&#8217;ve created in the editor and getting to implement it within the agency at a development level so that I&#8217;m having all sorts of fun now.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, I can imagine that. That&#8217;s awesome. Well, thank you so much and yes, so you will have opinions about the extensibility of Gutenberg, which is one of the top…</p>\n\n\n\n<p><em>Tammie Lister</em>: Only a few.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: That will come or that has been in the background or in the other current of all the new features, where&#8217;s the extensibility or how can we extend this?&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Announcements</strong></h3>\n\n\n\n<p>So before we dive into the recent releases, I want to tell you dear listeners all about the two live Q&amp;As that are coming up in July. So next week, we have on July 6, 2023 at 17:00 UTC and I&#8217;m not going to convert this to any other time right now. Time zones are the bane of my existence at the moment. So we have the topic, leveraging Gutenberg&#8217;s architecture to take plugin development to new levels, and we learn about how Gutenberg components and scripts can be used outside the block editor to revamp a plugins code base.</p>\n\n\n\n<p>So this is a case study of GiveWP 3.0, how that&#8217;s come about and we will have a guest, Jason Adams, who&#8217;s the director of development and Jon Waldstein, who&#8217;s the lead developer on the show. And my co-host will be Lena Morita who is a JavaScript developer on the components team. So she has some really geeky questions for the two and she&#8217;s quite excited about it, and I&#8217;m really looking forward to it because I find it fascinating when developers discover all the ways to use existing components and script to build on top of Gutenberg. And it saves so much development time and it opens up new synergies between the core and the added functionality in a plugin.</p>\n\n\n\n<p>So if you&#8217;re interested to dive in, the next one, two weeks later on July 21st, also at 17:00 UTC, we will hold the next live Q&amp;A with designers and developers of WordPress VIP, and they created a bridge plugin between Figma design themes and the theme JSON file for the classic and block themes. And it&#8217;s a fascinating way to keep faithful to the existing design systems and start spinning up new sites that mirror that design system without a whole lot of friction in between us. My co-host will be Joni Halabe from the web team at Georgetown University, also a very interesting live Q&amp;A. I&#8217;m really happy that we&#8217;re putting it together.</p>\n\n\n\n<p>The last one, you have to just subscribe to the newsletter so you get early access to it, newsletter at the Gutenberg Times and should you listen to this episode, I know a lot of people binge listen to it. If you listen to this episode after July 22nd, check out the Gutenberg Times YouTube channel for the recordings of that. We always record them, we have them transcribed, we have a post on the Gutenberg Times with the resources shared and all that. So even if you miss it, but the live Q&amp;A is really interesting because all of a sudden from the demos that are there, there comes these very quick questions from the audience and I really like having that a live show. So that&#8217;s that.</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>What’s Released &#8211; WordPress 6.3</strong></h3>\n\n\n\n<p>We are coming to the what&#8217;s released section and we come to what happened last night. So today, we are recording it on Thursday, June 28th and this morning in I think 1:30, WordPress 6.3 beta two was released. And were you up at that time?</p>\n\n\n\n<p><em>Tammie Lister</em>: No, I got up as far as about just hitting 11:00 UK time at night and I could see it wasn&#8217;t going to be the 11:00, so I left the amazing people that were doing and I&#8217;d kept going that far, and I bowed out and got some sleep because it was the second night running.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, there was a second shift coming in from Australia.</p>\n\n\n\n<p><em>Tammie Lister</em>: Which is amazing. That&#8217;s part of the global project. We all get to open doors and close doors after each other, leave post-it notes virtually up for each other. There was a lot of that going on for the past two days and I think that&#8217;s the important thing. It&#8217;s been two days we&#8217;ve been working to get this out.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, the make blog has one was the delay for one day and then also the explanation why it&#8217;s now called beta two instead of beta one.</p>\n\n\n\n<p><em>Tammie Lister</em>: Systems are hard.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Systems are hard, releases are hard. I have switched my role for this release from doing for three releases, dev notes wrangling to actually be editor triage, co-lead with four other people. And this has been quite an interesting experience because all of a sudden, I&#8217;m looking behind the scenes and how timely a lot of PRs are to getting into the beta. And then it&#8217;s not only that there&#8217;s in the plugin, but you also need to sync the core data, the PHP code with the Gutenberg code and that is another big adventure for the tech leads. And you get to do this, when is it? In September before beta 6.4.</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah. And I think you never know the unknowns until you know them and then you document, and then you try and that&#8217;s the important part of this amazing journey that is these big projects. You can predict most things but it&#8217;s always going to be the thing that you don&#8217;t predict. Honestly, we are doing incredible. Everyone is doing incredible. We just have to remember humans’ need to sleep sometimes and I think that is the beauty we learn. One of the amazing things we do now, which we didn&#8217;t do before is we have the use of the time zones. We use that. We have multiple leads. I think back even a few years ago, we didn&#8217;t have that for these roles and by having that, we can take advantage of time zones and lives and different people, but just documenting and writing, I think there&#8217;s going to be some like, &#8220;Okay, so that could happen.&#8221; Okay, now we document this, now we learn this and that&#8217;s great.</p>\n\n\n\n<p>There&#8217;s stuff I now want to learn about. My curious brain is like, &#8220;Okay, well this went wrong. Okay, so how do we learn?&#8221; And that&#8217;s great because our documentation gets better. That&#8217;s generally what happens in between releases where people debrief and then take everything that happened in a release and then the next release gets better each time. We rise on the past release each time.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Right, yeah. As you know, this big project, nobody really knows everything. So the collaborative effort is…</p>\n\n\n\n<p><em>Tammie Lister</em>: And if they claim to, I really think they need to go for a little walk in the countryside and think about themselves because nobody does and that&#8217;s amazing. You&#8217;ve just got to be very humble and just go, &#8220;Okay, on we go.&#8221; I just wanted to say shout out to everyone that was working so hard the past 48 hours and then some. You saw some beautiful handovers of patches, people just teleporting in on their phones and doing things and just some amazing open source hearts. You saw a lot of that going on.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And I saw a lot of also the humbleness stuff. I don&#8217;t know, does somebody else is able to help me?</p>\n\n\n\n<p><em>Tammie Lister</em>: I don&#8217;t know, but I might know someone who does in their mental Rolodex going through a list of people, and that&#8217;s amazing to do. It&#8217;s not like I might know, I&#8217;m going to struggle with it for a while and then I&#8217;m not going to come up with a good solution. That does not help anybody.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: No, no, no. At that moment, you need somebody who knows. But it&#8217;s also…</p>\n\n\n\n<p>Tammie Lister: It would help otherwise you make it worse. It&#8217;s like the I will fix this and make it worse. Nobody needs that at 10:00 at night.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. Not on a software that&#8217;s used by millions of people.</p>\n\n\n\n<p><em>Tammie Lister</em>: But a beta is a beta. And I think that&#8217;s the amazing thing we all have to&#8230; Now, let&#8217;s test it now let&#8217;s poke it and do things and nothing is ever going to be bug free. We always want that, but we do our best every time. I am so excited about how big this changelog is.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, we&#8217;re getting to that. But I just wanted to do a shout-out for Brian Alexander who&#8217;s heading the test team. He has put together some amazing instructions on how you can make really impactful contributions to this open source project and we will share the link in the show notes. So when you go to the test <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">make.webpress.org/test</a>, that&#8217;s the first post that will come up is help test WordPress 6.3. There are quite a few features coming in and they all need testing and they all need hitting the real life scenarios. Have plugins that use some of that, themes, just poke it from all the ends and it&#8217;s really necessary. And like every beta, it&#8217;s beta, but the bugs that we find now in the beta two, three and four, we don&#8217;t have to fix later when the release is done. So yes.</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Gutenberg 16.1</strong></h3>\n\n\n\n<p>What also was released was Gutenberg 16.1 and that&#8217;s when 255 PRs merged with this release by 69 contributors and it&#8217;s just amazing what all went in there. It&#8217;s also understandable because if it went for the last minute, nothing really gets done in life, I found. And everybody wanted to get their work merged, so it will be in the next WordPress release and with the beta this week, it&#8217;s the last plugin release for enhancements and new features to come in. After that, it&#8217;s all bug fixing. So that made it for a mile long changelog. And Tammie and I will do our best to pick the stars amongst the 255, the bright shining stars and the highlights for you and talk them through. So do you want to hit us off with the first thing or do you have any other comments to add?</p>\n\n\n\n<p><em>Tammie Lister</em>: Wow, the amount. I guess the first one would be the navigation menu sidebar, the renaming, duplication, and deleting of navigation menus from browse mode sidebar. Navigation menu sidebar, the maturity of that in general, it feels such a long adventure the navigation menu has come on and I think that&#8217;s also maybe this point is why there was so much as well. It&#8217;s not the final-final release, it&#8217;s like Photoshop when you name a final-final 01 file or something, but it&#8217;s a closure and I think having a navigation block, having things changed, all these things, it&#8217;s a closure for a lot of these features. So I think navigation, it feels like quite a closure on some of these things as well.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And it now made real sense. I think it really needed to gruel it and often and throw out concepts and get new ones there. So there&#8217;s navigation and then there is the sidebar menu in the site editor that also has a navigation piece to it.</p>\n\n\n\n<p><em>Tammie Lister</em>: But bringing that functionality means that you then&#8230; There&#8217;s this weird separation, but it allows that to feel more cohesive and native. That&#8217;s the best words I can think of it. I think navigation&#8217;s going to take a little while to get a lot of people using because navigation&#8217;s over here and all these kinds of things. It&#8217;s that maturity of that feature and the dependability of that feature and the work there. I&#8217;ve definitely started feeling that it feels more robust to use with these changes.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s pretty exciting.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And I finally feel the same way. I was always a little hesitant to touch the navigation because I knew it wasn&#8217;t finished. So I didn&#8217;t want…</p>\n\n\n\n<p><em>Tammie Lister</em>: You sneeze near it, it&#8217;ll fall over, bless it. And I say that having worked on it myself, but it&#8217;s just a really hard problem. Turns out navigation&#8230; Linking alone is a hard problem, but navigation is linking plus plus plus. It&#8217;s a really difficult problem. If you just write code, it felt easier. But if soon as you add any interface, it&#8217;s really difficult.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And it&#8217;s also such a prominent piece of a website that you build, that it really needs to…</p>\n\n\n\n<p><em>Tammie Lister</em>: And people are very bonded to a particular way of using navigation in WordPress as well. So we&#8217;ve got to retrain that mindset.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, that definitely is true. And so we have the navigation and the sidebar and the site editor as a navigation menu where you can do certain things and from that menu, from that sidebar, you already can rename, duplicate menus, or delete them. You cannot create them. That&#8217;s what you do when you create, you add a navigation block to a template part to the header or to the footer and then on the right hand sidebar on the white sidebar, that&#8217;s where you assemble your menu or the many menus.</p>\n\n\n\n<p><em>Tammie Lister</em>: I like that consciousness of creating them somewhere else. There there&#8217;s so many opinions on separation and workflows. I feel like&#8230; This is a complete personal opinion, but making navigation too easy, I think that you end up with too many navigation everywhere. That&#8217;s always been one of our problems, that you end up with people drowning in menus. So I think that there&#8217;s a balance that there&#8217;s a maturity of navigation. I think that&#8217;s where the overlap of this.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, definitely. And I like that in the site editor left side navigation, you just touch on the overall website, but you always go into the canvas to actually make changes.</p>\n\n\n\n<p><em>Tammie Lister</em>: The best words I can use is assembly there. I don&#8217;t know if that&#8217;s a good word, but it feels like assembly there, functionality doing here. And then that&#8217;s what it feels like. The different mental models that I&#8217;m moving in between when I&#8217;m doing things and I&#8217;m for that, different areas having very distinct different mental models when I&#8217;m doing it.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And I like that too because I can&#8217;t have two different thoughts in my head at the same time and be productive.</p>\n\n\n\n<p><em>Tammie Lister</em>: Life&#8217;s too short.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. So that&#8217;s why I like the next item, that the footnotes block is now coming to text blocks and that&#8217;s really something that we have all been waiting for a long time. And I know that Ella van Durpe has also tried multiple ways to get this done and I think she has such great ideas that she all pursued them all. And in the GitHub, you can have the history of all the footnotes, but I think this version is really hitting it out of the park. It works well. You put the cursor where you need the footnote, you get it from the menu from the inside menu bar menu dropdown on the block toolbar, and then you say footnote, and then it gets you right into the place where the content of the footnote, you can add that and it does the numbering itself.</p>\n\n\n\n<p>So if you say, &#8220;Oh, I put a footnote in the middle of a paragraph, but also I need another one on top of it,&#8221; it recounts them so automatically. So that&#8217;s a really good feature. And it has color controls, but it also follows whatever your paragraph or your link color is. I just see that when you change the background of a paragraph, you get what you always get with links is if you change the text, you also need to change the link color. But that is something that&#8217;s the nature of the beast and there is no automation for that. But I&#8217;m really happy that this block comes and it will be in 6.3.</p>\n\n\n\n<p><em>Tammie Lister</em>: Footnotes has an adventure for many years. I think footnotes is one of those, to me, it&#8217;s a sign of maturity for an editor. Quite a few see it as extra functionality or features. But it really is something that if you are in a particular field or you are particularly using, that you will not use an editor unless it has the footnotes functionality. It&#8217;s whether you choose to use or not. There&#8217;s no doubt whether you would want, you wouldn&#8217;t even have a plugin. It would be base functionality. So I think I am very glad to see it. Also, it&#8217;s a really strong indicator of things like collaboration. It sets that. It may not feel like it, but it is. It sets those using that canvas in a little bit of a different way as well. So I&#8217;m really pleased to see it.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: And that experimenting outside to then bring in, I think is a real good way forward to start seeing the interface as well.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, definitely. Definitely. And then you could actually move the footnotes block where all the footnotes are to the end of things or put them a little bit further. So it&#8217;s also quite versatile.</p>\n\n\n\n<p><em>Tammie Lister</em>: That&#8217;s really important depending on what article you&#8217;re writing as well. I do not claim to know any different medical whatever articles, but I&#8217;m sure that there are certain rules and regulations around where things go and depending on articles and what order things go. So having that functionality that you can determine yourself is better for everybody.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, absolutely. Absolutely, yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: The next big one.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yep, go ahead.</p>\n\n\n\n<p><em>Tammie Lister</em>: I feel like there&#8217;s a whole episode here on patterns and I guess the big one here is the naming and language to me is&#8230; Again, we talk about maturity, well renaming reusable blocks, rename to my patterns and add option to also add a non-synced pattern. This is big, it&#8217;s a small big thing I guess because it&#8217;s a big thing, but it&#8217;s not a massive feature, is it? But it also is a massive feature. Reusable blocks are quite limited but really quite bonded for some people. So I think that we got to respect that. But patterns to me are what everyone always wanted with reasonable blocks. When everyone describes what they want from a reusable block, it&#8217;s a mature functional pattern that has all the things that patterns are getting like syncing, all these things. And that&#8217;s what patterns are getting now.</p>\n\n\n\n<p>So I don&#8217;t know what you feel, but that to me it&#8217;s just maturity of patterns, you have blocks, patterns, template parts, templates. It makes sense.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Oh yeah, yeah. They&#8217;re pretty much cut from the same cloth and all had different names and also different models. So you had to get here for template parts, you need to go there for a reusable block and you had a pattern here, but they all had different updates kind of thing. So if you update a reusable block, it updates on all instances. A pattern doesn&#8217;t have any updates, so every time you put them into a canvas, they are all disintegrating. They don&#8217;t know about itself anymore. But what I like is that you now can create your own patterns and that is something that a lot of people were missing, that you were dependent on the pattern directory or you were dependent on the theme to provide your patterns or some third-party directory where you can copy paste it over, but you are not able to say, &#8220;Oh, this is a marvelous pattern. Can I store that on my site?&#8221; And now you can.</p>\n\n\n\n<p>And it&#8217;s the same interface or same workflow that you are accustomed to when you create a reusable block and there&#8217;s only one change there&#8230; Well, one attribute, it&#8217;s called sync this over all the instances, yes or no, it&#8217;s a toggle switch. So if you switch it on, you get a reusable block that if you change it, it changes all the instances. And if you switch it not on, it&#8217;s a pattern which does not update. But this is also, and you say, &#8220;Okay, but I want, when I change the style of my pattern, I want it to be replicated over all the instances.&#8221; It&#8217;s coming. This is the first step. This is the first step to unify the wording, unify the interface. And then also, you don&#8217;t have this duplicate mental model anymore. You find them and you can edit them at the same spaces. It&#8217;s called my custom patterns. That&#8217;s how you find them in the pattern list. And then in the block when you highlight them, there is manage your patterns. So it&#8217;s a great step and it&#8217;s one that we have been really all waiting for.</p>\n\n\n\n<p><em>Tammie Lister</em>: And putting my agency hat on, really trying to explain all this language. People, they work in design systems, they work in simple language and been able to sell this easier by simpler language that it behaves more like a design system as they expect. This all is that. You don&#8217;t have to then build a system on top because then the system will be easily done within, you don&#8217;t then have to bring the system. So I am very excited about this. It is the start. It is something that I would&#8217;ve liked a couple of years ago, but we had so much to do. We&#8217;ll get there. And I think that is the thing of there&#8217;s so much changing to do. Patterns are really getting strong. When they first came out, it felt like, &#8220;Oh, you can do patterns.&#8221; But they are so powerful. People get patterns way more than blocks as well. If you explain a block, people are like, &#8220;You don&#8217;t need to make blocks.&#8221; And I think we&#8217;re going to see less blocks people making and more patterns with this because patterns are just more useful then.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: That&#8217;s what I have been seeing as well is also that people say, &#8220;Okay, I don&#8217;t have to create a custom block just because I want a group of blocks in my site.&#8221;</p>\n\n\n\n<p><em>Tammie Lister</em>: As much as I love block variations, I love all these things that you can do because blocks were amazing. I&#8217;d like to see less because then it means that patterns are doing what they&#8217;re meant to do because that&#8217;s what humans see. The interface that we&#8217;re having for pattern browsing and all that, we&#8217;re getting onto the management stuff that&#8217;s also part of this, that is just better as a human. Those human interfaces, once humans are using that, that&#8217;s way better than the tiny little pickers that we have for blocks.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. But I wanted to go back to what you said, while I would love to have it two years ago, but I think sometimes waiting helps you really to see the big picture, the whole picture. So two years ago, we didn&#8217;t have template parts, yeah?</p>\n\n\n\n<p><em>Tammie Lister</em>: Yes.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Or we didn&#8217;t know yet how they&#8217;re going to fit in into the block themes and in pattern, we&#8217;re just at the beginning, but we didn&#8217;t know how to lock them. How to lock certain pieces of it.</p>\n\n\n\n<p><em>Tammie Lister</em>: When I say that, that&#8217;s just eagerness and that&#8217;s also…</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yes, impatience. I see it, I want it.</p>\n\n\n\n<p><em>Tammie Lister</em>: Way too many people in the agency just want it tomorrow because honestly, those are the people who are trying to solve it with design systems who are trying to work around the problem today. Absolutely, these toys are amazing. And that then means these bigger systems can start using. They don&#8217;t have to build on top or around. They can build a lot more natively and the more native you can build, the easier upgrades, the easier components, everything. And it&#8217;s just a better experience for everybody.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Right, right. Or you see the power now and you say, &#8220;Oh, wouldn&#8217;t it be great? And then you have to wait.</p>\n\n\n\n<p><em>Tammie Lister</em>: If no one ever has to go through a load of patterns and I&#8217;ve actually had to do this, go through someone makes a change in patterns, but this was quite a while ago. If you use patterns and then you had to make a change in patterns at scale, that was hard to do before. Not having to do that, that&#8217;s going to be amazing. So getting all the amazing benefits of all these things, but having the amazing benefits of things like reusable blocks, but with these visual benefits that humans have. Yeah, it&#8217;s amazing. We have all the toys.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And there&#8217;s one more toy coming, which is now you can get a preview of block themes in your site. We all remember the customizer where you install a theme on your website and then you use the customizer and you were able to preview your site with the theme. And that hasn&#8217;t happened yet, but now it&#8217;s here for block themes as well. You see where you have all your themes, you see a live preview button and that gets you into a similar interface as the site editor. And then you can navigate your site with the theme that is installed but not activated yet. So you can see how your blocks behave, you see how your posts behave, and in advance you don&#8217;t have this what Helen Hou-Sandí always calls the save and pray feature there.</p>\n\n\n\n<p><em>Tammie Lister</em>: What you see might maybe what you get, but possibly not.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Probably different, yes. And it&#8217;s amazing to see this in block themes. You also see all the style variations and how they would change your website and it&#8217;s really amazing. And it&#8217;s in 16.1 and it will come to 6.3 soon.</p>\n\n\n\n<p><em>Tammie Lister:</em> And moving on to the site editor, the distraction free. We&#8217;ve had distraction free, so it&#8217;s like ta-da. But having that with the site editor, been able to create and just go get away. I remember&#8230; Age, that Dreamweaver full screen mode. And you now got that. The day where you could suddenly do visual in Dreamweaver, we&#8217;ve now got that in WordPress. Wow. It&#8217;s incredible to think that we can do that and you&#8217;ve got that without some of the ickiness. Bless it. Without tables. But we&#8217;ve now got that and that means that you can really focus on what you&#8217;re creating. And sometimes like if you&#8217;re doing some of these three-column query or whatever when you&#8217;re trying to do, you do not need those side panels and everything in the way. So distraction free is really, really nice to be able to do that and create.</p>\n\n\n\n<p>We talked earlier about modes when you&#8217;re doing things that really helps you with that creation mode, there&#8217;s a reason why when you are writing, you have those zen modes and that really works for people. Or you have that get away from my desktop all the apps. I don&#8217;t know what you feel, but I think this is just a small improvement to life.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Absolutely.</p>\n\n\n\n<p><em>Tammie Lister</em>: Quality of life improvement.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Absolutely. And it&#8217;s a good one, when you can do an almost one-to-one preview of your site for that particular page, it opens up so much or it takes away so much worry. It&#8217;s really a better life there.</p>\n\n\n\n<p><em>Tammie Lister</em>: Know what you&#8217;re getting rather than guessing what you&#8217;re getting.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And test this, please test this so much.</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah. And again, that&#8217;s the part of this. A lot of these things, they&#8217;re going in and they&#8217;ve been tested by the people that are creating them and they&#8217;re amazing humans, but they are not the people that are going to be poking it. It&#8217;s now up to people that are listening to this, the people that are going to be testing, who are the people that should be poking it and using it. And I think that is exactly what this is about.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Absolutely, absolutely. And what is now coming back to the site editor is editing templates as well as content. At the beginning of when the site editor was introduced, it was already there, but people got confused. Am I editing a page? Or they were not confused. They didn&#8217;t have that concept of a template part like this is just the template that drives all the pages and they made changes, and then were surprised that the changes were duplicated on all the pages. So it was taken out of the editor, and now it comes back with some guidance for the content creator of, &#8220;Okay, you can edit that now and when you&#8217;re in the template, you get all this whole title kind of thing.&#8221; It names the things that are in there. And when you&#8217;re on a page, it gives you the page title exactly how you put it in and then you can edit it. But when you go into the places where the template is, it tells you this is a template piece, do you want to edit now? And then gets you out of the editing mode into a template editing mode.</p>\n\n\n\n<p>And I think that the guardrails there really help with the mental image as well. This is a template, I don&#8217;t want to screw that up. I just want this on my page. I want that content done. And you can do it in the site editor. Do you have to go back to the WP admin? Once in a while when you create pages, yes, yeah. But sometimes you want to edit things and you want to see it with&#8230; that&#8217;s the good part in this section now when you have the edit the page content as well as the template, is you see the page and it&#8217;s all in its context. How will it show up on the site? There is no, &#8220;Oh, okay. There is something on the sidebar that&#8217;s interfering with my page.&#8221; And it&#8217;s the same thing that we talked about before where as long as you see the full context of your page, all the worry goes away.</p>\n\n\n\n<p><em>Tammie Lister:</em> I love what you said as well about having something in and then taking it away. I think that&#8217;s really, really important because sometimes when something&#8217;s completely new, it doesn&#8217;t work because it&#8217;s new, it&#8217;s not because it&#8217;s a bad idea and this is showing, it just needed to be delivered in a certain way. And I think not everything, but quite a few things that have been added a little bit recently are that. They are re-adding a slightly different variation once we&#8217;ve got things together. So sometimes you&#8217;ve got to find the combination of the puzzle to put these pieces in or the order to put them in. And this is exactly one of those, it needed to come in a certain order.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. And I had some interesting conversations at WordCamp Europe. I had a lot of conversations at WordCamp Europe, but some of them were really interesting because I think if you&#8217;re not a developer, it&#8217;s really hard to understand that you have a vision for what people want to do. But unless you start programming and putting it in, you don&#8217;t know yet how it&#8217;s going, how it&#8217;s going to work. So let&#8217;s put it with the features in and then see what other people think about it and then reiterate on it.</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s part of the freedom of creating in the open and part of what we&#8217;ve learned with this whole project is by creating in a plugin, we get to experiment. I want to use the word play because experiment sometimes feels a little bit harsh, it feels serious, but we get to play and see if this goes here, what did someone feel about it? This goes here. Testing things was really, really hard to do in core and it has been really, really hard. But by having it in this and been able to backtrack quicker, and that has been something that has happened time and time again of, &#8220;Oops, nope, let&#8217;s try this.&#8221; Or, &#8220;Okay, well this idea didn&#8217;t work this time.&#8221; We&#8217;ve still got it in the code base. It&#8217;s just back now. We haven&#8217;t completely lost it.</p>\n\n\n\n<p>In core, ideas go and get lost because it&#8217;s a big space, sadly. So having that flexibility, I think we are doing it a lot more as a project and having that healthier macro experimentation. But it&#8217;s seeing those mature ideas come. I love seeing things that was talked about, like you said footnotes, but things that were said years and years ago and it&#8217;s like, &#8220;Yay, they finally shipped.&#8221;</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. And it&#8217;s not because they couldn&#8217;t ship it earlier. It&#8217;s also you didn&#8217;t know yet how other pieces that needed to fit.</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s like baking a cake. It needs to be the right time and the right ingredients need to be available, and the right people to taste the cake. I don&#8217;t know, that metaphor went really weird, but right?</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Well, only chocolate lovers love chocolate cake, right?</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah. And sometimes you are not delivering chocolate cake, you are delivering a Victorian sponge and to the wrong crowd. I don&#8217;t know.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Those metaphors are really…</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s not working. Backtrack, what&#8217;s the next thing?</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Let&#8217;s try it again. We all have experiences, but it&#8217;s not in WordPress. So creating something really, really new in WordPress with a lot of backwards compatibility promises, it&#8217;s really hard.&nbsp;</p>\n\n\n\n<p><em>Tammie Lister</em>: I always describe it as the difference between moving a little rowing boat to moving an ocean liner. One of them big Disney cruises or these giant things and then moving a little rowing boat. It is really easy, right?</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s not the same.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, yeah. But this editing piece, I think it&#8217;s really so much better now and I think it meets the vision now. So what&#8217;s also in the site editor bar is some template details. You might have already seen that, but now it also respects the settings and there is some language going on as well. Some language changes. You see the home template details, but that only tells you, okay, how many blog posts are on it? So it&#8217;s the blog home and not only just the homepage. So if you switch it to a static page, you will see that in the pages and not in the template pages. But it&#8217;s really good to have those template details in the site editor on the sidebar, it gives you a little bit more context.</p>\n\n\n\n<p><em>Tammie Lister</em>: With components, I guess one of them to call out is the button has a size prop, which is a small little thing, but it&#8217;s maturity of the burn block, how many sites have burned every one of them? And having something like that is really big. It&#8217;s going back to one of my favorite topics of design systems. If we are building off core as a basis, you need to have these foundational things as part of it. So I&#8217;m really excited to see. Anytime I see that or any of the blocks getting different attributes, I am giddy with excitement about all those things. Basically because it means I can then use them.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: You can use them, you can create styles with them. You can have different variations on the buttons and you don&#8217;t have to create a new block for the buttons.</p>\n\n\n\n<p><em>Tammie Lister:</em> Yes.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. Another block that got some nice features, an additional feature in there is the list block. It now has a different numbering type for the ordered list. So you could have alphabetical numbering or numbered numbering or Roman lit numbering and then capitals and then small cases. So now you have quite some options in there. I really like that. It&#8217;s catching up with other documentation or writing tools where you have that. But yeah, it&#8217;s good to have it in there.</p>\n\n\n\n<p><em>Tammie Lister</em>: And image block has as aspect ratio control. For some reason, I wanted to say radio control. That was exciting. I think that&#8217;s a whole different thing.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Multimedia, an image has radio.</p>\n\n\n\n<p><em>Tammie Lister</em>: Which again is maturity, right? You mentioned parity with tools. It is, right? We need to have the best of these tools so that people use them natively. So that&#8217;s really what a lot of this is maturity of these tools, I think.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. And that was particularly important because you want your patterns when you switch out the images, you have them in a certain aspect ratio and when you switch them out and somebody puts in another image, you want it in the same aspect ratio and not blow up the whole pattern.</p>\n\n\n\n<p><em>Tammie Lister</em>: Could ruin a party, that really can.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. I&#8217;m scrolling past it, but there is just stop to say that the interactivity API will not be in 6.3. It has been merged for the Gutenberg plugin, but it will only be available&#8230; they&#8217;re aiming for 6.4, which is not so far away, actually. September is the next beta. So it&#8217;s really going forward. There were some questions in the community about the interactivity API. A lot of people are very excited about it.</p>\n\n\n\n<p><em>Tammie Lister</em>: We&#8217;re going to have some really nice toys for Christmas.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And November 8th is I think the release of 6.4. So let&#8217;s get those toys wrapped up for Christmas.</p>\n\n\n\n<p><em>Tammie Lister</em>: That&#8217;s actually going to be some really interesting testing, I think. Some difference in testing because yes, we&#8217;ve done, but how you test some of that stuff is going to be a little bit different, I think.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. And we need a lot more examples.</p>\n\n\n\n<p><em>Tammie Lister</em>: That&#8217;s where I&#8217;m going. How do you push some of that stuff?</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. And definitely there&#8217;s some documentation. I think they started with the documentation now. There were quite a few insights already in the make blog on core. I think two of them, and I can certainly add them to the show notes. So people who are all interested in that and want to help with the rollout, definitely can get a headstart on it, but not in 6.3.</p>\n\n\n\n<p><em>Tammie Lister</em>: The next one, I&#8217;m going past so much, this is such a long list. It&#8217;s amazing. It is in the design tool section and that&#8217;s a sticky position. That&#8217;s not a phrase. Try re-enabling non-root sticky position. So actually, I think any improvements to things like this is really nice. The fact that we have this shows maturity of design tools. So I think that&#8217;s part of calling this out. Design tools as a whole are a concept that is still relatively new to us, but design tools means again, that people are going to build using it. And so I&#8217;m really excited anytime that any of our refinement happens to any of our design tools.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And I think in 6.2, the sticky position was already introduced for the header and the footer, but it was not for the sidebar because somehow it was really, really hard.</p>\n\n\n\n<p><em>Tammie Lister</em>: Sticky is hard. Sticky is hard to stick.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: You never get it to stick. And it needed to be a root wrapper or root block to make it sticky. You couldn&#8217;t do it in a column block where you have a sidebar and make that sticky.</p>\n\n\n\n<p><em>Tammie Lister</em>: Because CSS.</p>\n\n\n\n<p><em>Birgit Pauli-Haack:</em> Because of CSS, yes. Yeah. So there is another attempt to make this work and needs definitely testing.</p>\n\n\n\n<p><em>Tammie Lister:</em> Yes, I was about to say that if anything needs testing, any time you see something listed in design tools, I would point anyone who is building themes or building anything to please test around those things because these are what really you will be building with. Having native sticky positions is much better than having to call on libraries or add things. And again, it means that people who want to build and create in the editor themselves have that capability to create some incredible, powerful, beautiful designs without having lack of access to them. It all sets us up to what amazing things could be done with the default themes, and that&#8217;s super exciting, what Christmas is going to bring there with all these tools.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: So the next one is actually for media and we need to set this up a bit. So when you copy paste something from Google or from another website and there&#8217;s images in there, when you paste them into your canvas, the image will always go back to the original. So when the original site goes away, especially when you migrate from one domain to the other, the image goes away. And now there was a little button on every image where you could say and if it was allowed from the source site, that you could add that image to your library with a button. But of course when you have 15 images, it&#8217;s a little harder to do that. So now in the pre-publish screen, there is a section that suggests that you upload the external images and gives you a button and you can do it all at once. You also can click on the images and see how they show up in the post or in the page. So I think that&#8217;s a great addition to…</p>\n\n\n\n<p><em>Tammie Lister</em>: Just what people expect. Again, and I do not belittle it by saying that. It&#8217;s more just, it just raises it up. It&#8217;s what people expect, it&#8217;s what people want. So it&#8217;s amazing.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: It really raises the quality of the tools that you use, that it actually helps you also with the little things. Images are important.</p>\n\n\n\n<p><em>Tammie Lister</em>: Quality of life. Really, the release is quality of life and completion, which is a beautiful summer thing.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: And refinement.</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah. So I think we&#8217;re going to talk maybe a little bit later about the command section, but we&#8217;re into commands.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: We&#8217;re good?</p>\n\n\n\n<p><em>Tammie Lister</em>: Going down the list, there&#8217;s two things about the commands and that is add commands to templates, template parts and styles, and to related commands as well. I don&#8217;t know if you want to talk about commands right now or later?</p>\n\n\n\n<p>Birgit Pauli-Haack: We could. So we have a name now for it.</p>\n\n\n\n<p><em>Tammie Lister</em>: We do.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: In the development, it was always called the command center, but now it&#8217;s command palette and it tries to convey that&#8217;s the tool when you hit control K in the site editor, it gives you quick access to various commands, context-sensitive. And so you can say go to library or go to templates or go to template parts or delete template parts. All this you can do, and it&#8217;s also extensible. So you can create commands for your plugins, you can create commands for your themes as well. But the API is very, very new. So there are commands and with this release, there are commands with template, template parts, styles, how to manage the custom patterns, which custom patterns are the former reusable blocks. Sync patterns. So now you can say to your command palette, manage patterns or you also get UI commands for your post editor. So where you can say, add new post or something like that. So it&#8217;s not the center of it because it&#8217;s not a mission control palette or something like that. Or dashboard, it&#8217;s just you have a thought that you wanted…</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s your friendly helper there and there. And I think what these are doing is giving you examples. As you said, this is the start and it&#8217;s new. So by having these there, and this is just to start again, I think it&#8217;s worth of saying these are an example that someone could look at and be like, &#8220;Oh, that&#8217;s how you write one,&#8221; as well. So I am super curious to do that myself and be like, &#8220;Oh, okay, that&#8217;s how you write one. Okay.&#8221; And I am really excited to see what people create with this. Now we have decided the name, I was going to call it Bob, but it didn&#8217;t catch on.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I always call him Fred.</p>\n\n\n\n<p><em>Tammie Lister</em>: I call everyone Bob. No idea. Everyone picks a name that they call things repetitively, I think. And now that it has a name, which is amazing. And I think one of the good things is its translatable. And I think that was key in all of it. Personally, as long as it&#8217;s translatable, as long as we agree to something, we get it in, things can change. But let&#8217;s get it in and iterate. So these are great examples to then copy, rehash, and learn from. So I think 6.4, we&#8217;ll probably see more. And then I imagine there&#8217;s going to be a flowy of plugins, some nice little iterations and people exploring what it means to have these things as well. So it&#8217;s going to be very exciting to see what people create.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, I&#8217;m really happy about that. I would&#8217;ve never thought that my website tool would have these quick commands that I can just call up and then do stuff.</p>\n\n\n\n<p><em>Tammie Lister</em>: So the way that I think of it is a combination of&#8230; Because initially, I was Alfred was where my mind went because it&#8217;s searchy, I think of it now like Alfred. And if this, then that, and those two things combined is where I go because it is that, but it&#8217;s also workflow. So it&#8217;s that but in WordPress for me, and I am very excited about extending that and then where people take it, because people always take it in a way that you would never expect it to go. So I think the next year or so, we&#8217;re going to see some really exciting things come from that.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, I totally agree with that.</p>\n\n\n\n<p><em>Tammie Lister</em>: New toys.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: New toys for everybody when the biggest toy is probably creating those commands and find, &#8220;Yeah, oh I can do this. It&#8217;s not that hard.&#8221;</p>\n\n\n\n<p><em>Tammie Lister</em>: And then even vigilant spaces to be able to create those commands ourselves. That becoming easier and easier I think is something that will happen over time as well.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, I totally get it. I want to get into programming so much and lock myself away for two weeks and do all this.</p>\n\n\n\n<p><em>Tammie Lister</em>: You don&#8217;t have to lock yourself away for it, but that&#8217;s all right.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. So I&#8217;m scrolling and scrolling and scrolling. I don&#8217;t see anything anymore.</p>\n\n\n\n<p><em>Tammie Lister</em>: So much. And I think that&#8217;s the thing. If we are going through the bug fixes and the enhancements and there&#8217;s just so much, I like the repetitive word flaky because when I see the fix flaky, that means that all the things which flaky is a bug report for, it kind of works and it kind of didn&#8217;t. I love that we&#8217;re down to that end of polishing, is my reflection on that. So I think that is really, really exciting that there&#8217;s so much polishing here.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, and I think that was actually the outlook for 6.3, that most of the features get in and then we&#8217;re almost already…</p>\n\n\n\n<p><em>Tammie Lister</em>: This is a giant section of those, which I love.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Are we done? I think we&#8217;re done. Oh yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: There are a lot of documentation fixes. Code quality fixes, code quality in block library, code quality in site editor. No, this is cool. Yes. Tooling. Yeah, the whole testing thing was kind of, whoa.</p>\n\n\n\n<p><em>Tammie Lister:</em> Yeah.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: That&#8217;s what you were talking about.</p>\n\n\n\n<p><em>Tammie Lister</em>: And I think that&#8217;s the thing that&#8217;s there. It&#8217;s probably testing coming in for command as well, but it&#8217;s all maturity of that. As I&#8217;m scrolling down, I&#8217;m seeing improving, improving, improving, improving.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. No, I think we made it. Yay.</p>\n\n\n\n<p><em>Tammie Lister</em>: Yay.</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>WordPress 6.3 Beta</strong></h3>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. So we want to bring it back to the WordPress 6.3 beta and talk a little bit about what this means plus tickets for 6.3.</p>\n\n\n\n<p><em>Tammie Lister</em>: I think one of the big things to think about is yes, there are things in now, but things that are in are going to have to respond to feedback. So whilst you might think, &#8220;Oh, that burden is perfectly placed,&#8221; I am really paraphrasing here, &#8220;That burden might not be perfectly placed.&#8221; So during beaters, you might see that burden moves because that burden needs to be in a better place. And there are a couple of tickets out there at the moment, which one of them particularly has things could be done in a better way. That&#8217;s where I&#8217;m going with this. So we are going to see that. We are going to see, &#8220;Oh dear, this breaks this under this circumstance when we actually tested it under this load or we tested it under this situation.&#8221; Because you can test under all the situations you think, but you don&#8217;t have that until you are real world testing or you&#8217;re testing. And as the betas get towards the higher numbers, we&#8217;re on two now. So we&#8217;re probably going to go at least four I would say, I don&#8217;t know.</p>\n\n\n\n<p><em>Birgit Pauli-Haack:</em> I agree, I agree.</p>\n\n\n\n<p><em>Tammie Lister</em>: I want to be optimistic. But realism kicks in here a little bit. You&#8217;re going to see fixes. So people need to bug report. People need to test or poke it, prod it, and use it. If you find something, see something, report something is the biggest thing because if you see something at release candidate, it&#8217;s a little bit late. It&#8217;s like shouting after the sheep have left the field. But if you say something now, it can be fixed. So if something doesn&#8217;t work with the plugin that is the only reason your client&#8217;s site works, now&#8217;s the reason to say basically.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, definitely. And there will be. So I also wanted to caution some of the more eager WordPress news people or that want to grab screenshots and that kind of thing. There might be changes there.&nbsp;</p>\n\n\n\n<p><em>Tammie Lister</em>: Going back to my button moving.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: For instance, one change is from 6.0 to beta or to 16.2, so plugin releases 6.0 to 6.2, which will probably have some of the things that will get into 6.3 WordPress. But there was one menu item in the site editor on the bottom that was called library. And that has been renamed to patterns because that&#8217;s what&#8217;s in there. It&#8217;s the reusable block that are patterns now, template parts that are patterns now, and your custom patterns that are patterns now. And one was thinking about the library part for a long time because also there will be a fonts library, something like that. But then there were quite a few smart people who said, &#8220;Well, if I&#8217;m looking for fonts, I won&#8217;t go to library. I go to my styles and that&#8217;s a separate place.&#8221;</p>\n\n\n\n<p>So while we were using it, it was rethought what would make it a better idea or better metaphor for that. And pattern is something that&#8217;s WordPress branded and that a lot of people are really responding to. So library was not, it removes cognitive load when you have to think about, &#8220;I need to think of library.&#8221; When you see patterns, that&#8217;s where you want to go. So that&#8217;s just one example. There might be others. So when you do a screenshot for your video, make sure you have the latest beta or the latest…</p>\n\n\n\n<p><em>Tammie Lister</em>: Really, screenshots is release candidate as much as it feels late, it&#8217;s not. There&#8217;s several weeks and that&#8217;s when you&#8217;ll find a lot of documentation takes it as well. I&#8217;ll working on the about page and we&#8217;re going to be doing the graphics around there as much as possible. But honestly, the final-final 01 PSD graphics&#8230; I don&#8217;t have to deal with PSDs, that&#8217;s when you take them because things rightly about translation.</p>\n\n\n\n<p>This language though, I think so many of these language refinements happening, whether you agree with it or not, because language is so subjective and everyone has feelings about Bob or Fred, what things should be called, is a sign of maturity of the product, is that we&#8217;re working our own language system and we&#8217;re saying these things are called this because it makes sense in our ecosystem. So I welcome that we&#8217;re finally clarifying some language and not just confusing everybody because it&#8217;s always been very confusing. We&#8217;re finally settling on some terms and we are then documenting what they are called because one of the problems we&#8217;ve always done is called something and then not written it down. So actually doing that is really helpful.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah. Release candidate is scheduled for the 27th of July, so it&#8217;s another four weeks to go. So caution.</p>\n\n\n\n<p><em>Tammie Lister</em>: So you got to let the dust settle, you got to let stuff go. If everything is amazing and unicorns walk and everything, then nothing will change, but something&#8217;s going to change because humans in software.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah, it&#8217;s going to change. And computers, right? Computers are involved, all bets are off, right?</p>\n\n\n\n<p><em>Tammie Lister</em>: Yeah. And that&#8217;s okay, right?</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Yeah.</p>\n\n\n\n<p><em>Tammie Lister</em>: That&#8217;s totally okay. Just if you&#8217;re going on holiday, maybe have a friend do your screenshot for your blog post.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: All right. So before we all come to an end, just a reminder, the two live Q&amp;As on July 6th and July 21st. Hit the registration button so we can all see you also on the live show and with some great demos. Before we end this show, do you have anything that you want to&#8230; How can people get in touch with you, Tammie?</p>\n\n\n\n<p><em>Tammie Lister</em>: I&#8217;m karma Toast on all the things and I&#8217;m still around core, I&#8217;m around everywhere and I would love to speak to people. I will be at WordCamp U.S. as well if someone else is going. So I&#8217;d love to say hi, but reaching out, I&#8217;m always welcome.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Awesome, awesome. Thank you so much for being on the show. And as always, dear listeners, the show notes will be published on gutenbergtimes.com/podcast. This is episode 85, and if you have questions or suggestions or news you want us to cover, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a>. That&#8217;s <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a>. So thank you so much Tammie. It has been a great pleasure geeking out with you over Gutenberg.</p>\n\n\n\n<p><em>Tammie Lister</em>: It&#8217;s been a pleasure. It&#8217;s always great talking to you. Thank you so much for having me.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Thank you so much, and you all have a good weekend and a good week and I&#8217;ll see you all or hear you all in the next two weeks. Take care, bye-bye.</p>\n\n\n\n<p> </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 01 Jul 2023 20:43:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Gutenberg Changelog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"WPTavern: WordPress Plugin Review Team Adds 6 New Sponsored Volunteers, Opens Applications \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146444\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"https://wptavern.com/wordpress-plugin-review-team-adds-6-new-sponsored-volunteers-opens-applications\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2286:\"<p>A new era has begun for WordPress.org&#8217;s Plugin Review Team. Mika Epstein, who has served for the past decade, is stepping down, but not before<a href=\"https://make.wordpress.org/plugins/2023/06/29/plugin-review-team-update-the-next-phase-begins/\"> launching a new crew of volunteers</a>.</p>\n\n\n\n<p>The team is responsible for approving newly submitted plugins, maintaining the Plugin Reviewer Handbook, as well as investigating any reported security issues and guideline violations.</p>\n\n\n\n<p>Historically, the Plugin Review team has had very little turnover, but a new crop of six sponsored volunteers will be contributing an estimated 50+ hours per week. The new members include <a href=\"https://profiles.wordpress.org/davidperez/\">David Pérez</a>, <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a>, <a href=\"https://profiles.wordpress.org/frantorres/\">Francisco Torres</a>, <a href=\"https://profiles.wordpress.org/lukecarbis/\">Luke Carbis</a>, <a href=\"https://profiles.wordpress.org/martatorre/\">Marta Torre</a>, and <a href=\"https://profiles.wordpress.org/pacomarchante/\">Paco Marchante</a>. Their efforts are already in demand as they work to tackle a large backlog of plugins. </p>\n\n\n\n<p>&#8220;Given the nature of the work the team does, joining this team is a little different than some of the others: each new member will go through a vetting process by current team members before being selected,&#8221; Epstein said. &#8220;Some of the things the team is looking for are: a solid track record as a plugin developer; the ability to communicate clearly, kindly and constructively – both with other developers and users; interest in improving tools and processes; and excellent collaborative and conflict-management skills.&#8221; </p>\n\n\n\n<p>Epstein is encouraging more volunteers to apply, if they have at least five hours per week to devote to the team, as they could still use more help. Prospective team members can <a href=\"https://make.wordpress.org/plugins/handbook/apply/\">submit an application</a>, which will be evaluated by current team members. Applicants will be required to send examples of plugins they have coded to demonstrate their experience, provide references, and detail some of their contributions to the project.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 01 Jul 2023 02:52:15 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"Post Status: WordPress 6.3 Beta 2 • Help Test • WPDiversity • Plugin Team Next Phase • Mentorship\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149753\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"https://poststatus.com/wordpress-6-3-beta-2-help-test-wpdiversity-plugin-team-next-phase-mentorship/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:21961:\"<h2 class=\"wp-block-heading\" id=\"h-this-week-at-wordpress-org-april-3-2023\">This Week at WordPress.org (June 26, 2023)</h2>\n\n\n<div class=\"has-background has-theme-palette-8-background-color wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Release season is upon us as we approach WordPress 6.3&#8217;s August 8th release. Your help is needed testing the latest changes. <br /><br />Do you run or attend WordPress events and notice only one type of person is attending? What can you do to be a good ally to foster, promote, and support diversity and an inclusive space? Sign up now for the July 20th WPDiversity workshop. <br /><br />Stop by the Plugin team to wish Mika a happy retirement as she hands over the work to the 6 new Plugin Review teammembers. <br /><br />Applications to be mentored as a contributor in the inaugural Mentorship Program have now closed. The team is selecting both mentors and mentees at this time and will kick off the first cohort on July 12. <br /> </p></div>\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-kadence-infobox kt-info-box_94d1bd-77\"><div class=\"kt-blocks-info-box-link-wrap kt-blocks-info-box-media-align-left kt-info-halign-left\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-icon-container kt-info-icon-animate-none\"><div class=\"kadence-info-box-icon-inner-container\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_rocket kt-info-svg-icon\"></span></div></div></div></div><div class=\"kt-infobox-textcontent\"><h2 class=\"kt-blocks-info-box-title\">WP6.3b2 • Test • WPDiversity • Mentorship • Plugin Team Next Steps</h2><p class=\"kt-blocks-info-box-text\">β <a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f9d1-1f3fd-200d-1f4bb.png\" alt=\"🧑🏽‍💻\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">Help Test WordPress 6.3</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f9d5-1f3ff.png\" alt=\"🧕🏿\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/community/2023/06/22/attention-wordpress-event-organizers-this-important-workshop-on-july-20-2023-is-for-you/\">Attention WordPress event organizers: This important workshop on July 20, 2023 is for you!</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f50c.png\" alt=\"🔌\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/plugins/2023/06/29/plugin-review-team-update-the-next-phase-begins/\">Plugin Review Team Update: The next phase begins</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f9d1-1f3fb-200d-1f3eb.png\" alt=\"🧑🏻‍🏫\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/project/2023/06/23/launch-your-wordpress-contributor-journey-through-the-mentorship-program-pilot/\">Launch your WordPress Contributor Journey through the Mentorship Program Pilot</a><br /><br /></p></div></div></div>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_b57166-6e\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-news\"><a href=\"https://wordpress.org/news\">News</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/06/people-of-wordpress-allison-dye/\">People of WordPress: Allison Dye</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">Help Test WordPress 6.3</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/06/episode-58-a-new-wave-for-wordpress-events/\">WP Briefing: Episode 58: A New Wave for WordPress Events</a></li>\n</ul>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_8f6276-eb\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-5\">\n<div class=\"wp-block-column is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\">WordPress 6.3</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/30/6-3-release-parties-schedule-and-hosts/\">6.3 Release Parties Schedule and hosts</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\">WordPress 6.3 Beta 2</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/design/2023/05/25/wordpress-6-3-design-kickoff/\">WordPress 6.3 design kickoff</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/25/bug-scrub-schedule-for-6-3/\">Bug Scrub Schedule for WordPress 6.3</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\">WordPress 6.3 Planning Roundup</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">Roadmap to 6.3</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress 6.4</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/05/wordpress-6-4-development-cycle/\">WordPress 6.4 Development Cycle</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/accessibility\">Accessibility</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/accessibility/2023/06/16/accessibility-team-meeting-notes-june-16-2023/\">Accessibility Team Meeting Notes: June 16, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-community\"><a href=\"https://make.wordpress.org/community\">Community</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/community/2023/06/29/recap-of-the-diverse-speaker-training-group-wpdiversity-amer-emea-on-june-28-2023/\">Recap of the Diverse Speaker Training group (#WPDiversity) AMER/EMEA on June 28, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/06/22/attention-wordpress-event-organizers-this-important-workshop-on-july-20-2023-is-for-you/\">Attention WordPress event organizers: This important workshop on July 20, 2023 is for you!</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/06/21/meetup-organizer-newsletter-june-2023/\">Meetup Organizer Newsletter: June 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/06/21/wceu-2023-community-table-recap/\">WCEU 2023 Community Table Recap</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/06/19/next-generation-of-wordpress-events-updates/\">Next Generation of WordPress Events: Updates</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-core\"><a href=\"https://make.wordpress.org/core\">Core</a> </h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/hallway-hangout-performance-improvements-for-wordpress-6-3/\">Hallway Hangout: Performance Improvements for WordPress 6.3</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">What’s new in Gutenberg 16.1? (29 June)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/27/a-week-in-core-june-26-2023/\">A Week in Core – June 26, 2023</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-developer-blog\"><a href=\"https://developer.wordpress.org/news/\">Developer Blog</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/news/2023/06/the-style-book-a-one-stop-shop-for-styling-block-themes/\">The Style Book: a one-stop shop for styling block themes</a></li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/news/2023/06/navigating-the-block-editor-handbook/\">Navigating the Block Editor Handbook</a></li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/news/2023/06/upgrading-the-site-editing-experience-with-custom-template-part-areas/\">Upgrading the site-editing experience with custom template part areas</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-meetings\">Meetings</h3>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/27/dev-chat-summary-june-21-2023/\">Dev Chat Summary: June 21, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/06/26/editor-chat-agenda-june-28th-2023/\">Editor Chat Agenda: June 28th, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Design</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/design/2023/05/25/wordpress-6-3-design-kickoff/\">WordPress 6.3 design kickoff</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/design/2023/06/06/design-share-may-22-jun-2/\">Design Share: May 22–Jun 2</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/docs\">Docs</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/docs/2023/06/23/online-monthly-docs-team-contributor-day-june-27-2023/\">Online monthly Docs Team Contributor Day June 27, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/docs/2023/06/23/summary-for-docs-team-meeting-june-20-2023/\">Summary for Docs Team meeting, June 20, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-hosting\"><a href=\"https://make.wordpress.org/hosting\">Hosting</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/hosting/2023/06/28/hosting-team-meeting-agenda-2023-06-28/\">Hosting Team meeting agenda 2023-06-28</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/hosting/2023/05/15/is-wordpress-compatible-with-php-8/\">Is WordPress compatible with PHP 8?</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/meta\">Meta</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/meta/2023/06/20/make-team-dashboards/\">Make Team Dashboards</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/15/triaging-open-issues-on-trac-for-make-teams/\">Triaging open issues on Trac for Make Teams</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/13/new-filter-controls-discover-commercial-and-community-in-the-theme-and-plugin-directory/\">New Filter Controls: Discover “Commercial” and “Community” in the Theme and Plugin Directory</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/11/linking-to-supporting-orgs/\">Linking to Supporting Orgs</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/meta/2023/06/09/new-curation-filter-in-pattern-directory/\">New curation filter in Pattern Directory</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-mobile\"><a href=\"https://make.wordpress.org/mobile\">Mobile</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/mobile/2023/04/11/contribute-to-the-future-of-the-wordpress-app/\">Contribute to the Future of the WordPress App</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-openverse\"><a href=\"https://make.wordpress.org/openverse\">Openverse</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/openverse/2023/06/30/catalog-performance-testing-results/\">Catalog Performance Testing Results</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/06/27/community-meeting-recap-2023-06-27/\">Community Meeting Recap (2023-06-27)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/06/26/last-week-openverse-2023-06-19-2023-06-26/\">A week in Openverse: 2023-06-19 – 2023-06-26</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-performance\"><a href=\"https://make.wordpress.org/performance/\">Performance</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/06/27/performance-chat-summary-27-june-2023/\">Performance Chat Summary: 27 June 2023</a></li>\n</ul>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"h-plugins\"><a href=\"https://make.wordpress.org/plugins\">Plugins</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/plugins/2023/06/29/plugin-review-team-update-the-next-phase-begins/\">Plugin Review Team Update: The next phase begins</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-polyglots\"><a href=\"https://make.wordpress.org/polyglots\">Polyglots</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/2023/06/28/agenda-weekly-polyglots-chat-june-28-2023-0700-utc/\">Agenda: Weekly Polyglots Chat – June 28, 2023 (07:00 UTC)</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-project\">Project</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/project/2023/06/23/launch-your-wordpress-contributor-journey-through-the-mentorship-program-pilot/\">Launch your WordPress Contributor Journey through the Mentorship Program Pilot</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Support</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/support/2023/06/wp-contributor-mentorship-program-support-team-edition/\">WP Contributor Mentorship Program: Support team edition</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/sustainability\">Sustainability</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/sustainability/2023/06/30/sustainability-chat-summary-june-30-2023/\">Sustainability Chat Summary, June 30, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-test\"><a href=\"https://make.wordpress.org/test\">Test</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">Help Test WordPress 6.3</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/06/07/fse-program-testing-call-24-momery-makeover/\">FSE Program Testing Call #24: Momery Makeover</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-theme\"><a href=\"https://make.wordpress.org/theme\">Theme</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/themes/2023/06/28/themes-team-meeting-notes-june-27-2023/\">Themes Team Meeting Notes – June 27, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-training\"><a href=\"https://make.wordpress.org/training\">Training</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/training/2023/06/24/proposal-lets-actively-promote-the-learn-wordpress-platform-in-learn-wordpress-content/\">Proposal: Let’s actively promote the Learn WordPress platform in Learn WordPress content</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/06/22/training-team-meeting-recap-20th-june-2023/\">Training Team Meeting Recap – 20th June 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/06/20/proposal-new-contributor-guide-program/\">Proposal: New Contributor Guide Program</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/06/19/brainstorm-table-lead-wordcamp-us-2023-contributor-day/\">Brainstorm &amp; Table Lead – WordCamp US 2023 Contributor Day</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-tutorials\"><a href=\"https://learn.wordpress.org/tutorials\">Tutorials</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/tutorial/developing-for-multisite/\">Developing for Multisite</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/how-to-start-using-wordpress-playground/\">How to start using WordPress Playground</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/wpphotos-moderator-training/\">WPPhotos Moderator Training</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/using-the-block-editor-tips-and-shortcuts-for-efficiency/\">Using the block editor: Tips and shortcuts for efficiency</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/using-headings-for-accessibility-and-seo/\">How to use headings for accessibility and&nbsp;SEO</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/advanced-multisite-management/\">Advanced Multisite Management</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/fr-the-difference-between-reusable-blocks-block-patterns-templates-and-template-parts/\">Différences entre blocs réutilisables, compositions de blocs, modèles et éléments de modèle</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-online-workshops\">Online Workshops</h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/?meeting=common-wordpress-apis-dashboard-widgets\">Common WordPress APIs: Dashboard Widgets</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme-8\">WP dev livestream: Sendig block theme</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=introducing-domains-4\">Introducing… Domains!</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=introducing-domains-3\">Introducing… Domains!</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=tips-and-shortcuts-for-using-the-block-editor-streamlining-content-creation-apac\">Tips and shortcuts for using the block editor &amp; streamlining content creation (APAC)</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=tips-and-shortcuts-for-using-the-block-editor-streamlining-content-creation\">Tips and shortcuts for using the block editor &amp; streamlining content creation</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=using-the-row-and-stack-blocks-apac\">Using the row and stack blocks (APAC)</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme-7\">WP dev livestream: Sendig block theme</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=custom-tables-in-wordpress\">Custom tables in WordPress</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=developer-hours-exploring-editor-extensibility\">Developer Hours: Exploring Editor Extensibility</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=hallway-hangout-lets-chat-about-wordpress-6-3-and-block-theming\">Hallway Hangout: Let’s chat about WordPress 6.3 and block theming</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=the-wordpress-developer-quiz\">The WordPress developer Quiz</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=how-can-chat-gpt-help-wordpress-developers-and-designers\">How can Chat GPT help WordPress developers and designers?</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=how-to-set-up-a-free-wordpress-test-website-and-explore-code-2\">How to set up a free WordPress test website (and explore code!)</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-courses\"><a href=\"https://learn.wordpress.org/courses\">Courses</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/course/creating-a-4-page-business-website/\">Creating a 4-page business website</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wptv\">WPTV</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.tv/category/year/2022/\">Latest WordPress TV videos</a></li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-related-news\">Related News:</h2>\n\n\n\n<ul>\n<li><a href=\"https://blog.jquery.com/2023/05/11/jquery-3-7-0-released-staying-in-order/\">jQuery 3.7.0</a></li>\n\n\n\n<li><a href=\"https://nodejs.org/en/blog/release/v20.2.0\">Node v20.2.0 released</a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-04-13-1\"></a><a href=\"https://www.php.net/archive/2023.php#2023-05-11-1\">PHP 8.2.6 Released!</a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-05-11-2\">PHP 8.1.19 Released!</a></li>\n\n\n\n<li><a href=\"https://262.ecma-international.org/13.0/\">TC39</a></li>\n\n\n\n<li><a href=\"https://github.com/composer/composer/releases/tag/2.5.5\">Composer 2.5.5</a></li>\n</ul>\n\n\n\n<p class=\"has-theme-palette-7-background-color has-background\">Thanks for reading our WP dot .org roundup! Each week we are highlighting the news and discussions coming from the good folks making WordPress possible. If you or your company create products or services that use WordPress, you need to be engaged with them and their work. Be sure to share this resource with your product and project managers. <br /><br /><strong>Are you interested in giving back and contributing your time and skills to WordPress.org?</strong> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f64f.png\" alt=\"🙏\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/support/article/contributing-to-wordpress/\">Start Here ›</a><br /><br /><strong>Get our weekly WordPress community news digest</strong> — Post Status&#8217; <a href=\"https://poststatus.com/news/week-in-review/\">Week in Review</a> — covering the WP/Woo news plus significant writing and podcasts. It&#8217;s also available in <a href=\"https://poststatus.com/newsletter\">our newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f48c.png\" alt=\"💌\" class=\"wp-smiley\" /></p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile has-background\"><a href=\"https://poststatus.com/\"><img src=\"https://poststatus.com/wp-content/uploads/2021/09/vertical-post-status-logo-250.png\" alt=\"Post Status\" class=\"wp-image-85823 size-full\" /></a><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left has-normal-font-size\" id=\"h-get-ready-for-remote-work\">You — and <a href=\"https://poststatus.com/#Agency\">your whole team</a> can <a href=\"https://poststatus.com/#choose-membership\">Join Post Status</a> too!</p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><strong>Build your network. Learn with others. Find your next job — or your next hire.</strong> Read the <strong>Post Status</strong> <a href=\"https://poststatus.com/newsletter/\">newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2709.png\" alt=\"✉\" class=\"wp-smiley\" /> Listen to <a href=\"https://poststatus.com/podcasts/\">podcasts</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f399.png\" alt=\"🎙\" class=\"wp-smiley\" /> Follow <a href=\"https://twitter.com/post_status/\">@Post_Status</a> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> and <a href=\"https://www.linkedin.com/company/post-status-llc/\">LinkedIn</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4bc.png\" alt=\"💼\" class=\"wp-smiley\" /></p>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 01 Jul 2023 02:36:21 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Courtney Robertson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"WordPress.org blog: People of WordPress: Allison Dye\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15287\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/news/2023/06/people-of-wordpress-allison-dye/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:12498:\"<p><strong>A way to escape chronic pain and give a sense of independence, is what using WordPress means for Italian-American Allison Dye. Now as a project manager and social media content manager living in North Carolina, USA, she uses the software in her work and  in disability-advocacy.</strong></p>\n\n\n\n<p><strong>The&nbsp;<em>People of WordPress</em>&nbsp;series shares inspiring stories of how people’s lives can change for the better through WordPress and its global community of contributors.</strong></p>\n\n\n\n<img width=\"1024\" height=\"537\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/fi-allison-dye.jpg?resize=1024%2C537&ssl=1\" alt=\"Allison Dye\" class=\"wp-image-15292\" />\n\n\n\n<p>Allison was first introduced to WordPress when she was 13 years old. Her parents gave her own WordPress website to use, play, test, and try whatever she wanted with it. Her health issues had started when she was eight years old, and being able to express who she was and learn new skills provided an escape she needed. </p>\n\n\n\n<h2 class=\"wp-block-heading\">My first encounter with WordPress</h2>\n\n\n\n<p>Allison said: &#8220;While the technical aspects of my new WordPress website intrigued me, I was more interested in the space it made for me to write. All throughout my childhood I had struggled with chronic pain, fatigue, and other unexplained symptoms. Having a private world I could call my own, I was able to write my story.&#8221;</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;There is something truly amazing about having a place to tell your story.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<p>Her family faced many doctors, nurse, specialists and hospital visits, but could not get an answer to the difficulties faced by Allison. She said: &#8220;I felt like my life and world were out of control. But logging onto my little website and typing away on the computer keys gave me a sense of control. I couldn’t always do things that other kids had the energy to do. But I could get lost in writing for hours. I couldn’t control my life story, but I could write about it.&#8221;</p>\n\n\n\n<p>She felt it was like writing letters to her future self and would act as a reminder of how strong she had become. Even now when Allison writes on her website, she feels it is writing letters to her past self, expressing reassurance and pride. The practice of writing online continues to help her reflect on how she coped and made it through the difficulties.</p>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress in the real world</h2>\n\n\n\n<p>Allison hoped her early experiences with hospitals and being unwell was just part of being a child, and that in adulthood she would be healthy. She longed for this time.</p>\n\n\n\n<p>Growing up did not bring her this dream of a healthier life and an end to chronic pain. In fact, her condition worsened as she went through her teens and at 18 she finally received a diagnosis of Multiple Sclerosis.</p>\n\n\n\n<img width=\"768\" height=\"1024\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-2.jpg?resize=768%2C1024&ssl=1\" alt=\"Allison stood in front of trees\" class=\"wp-image-15290\" />Allison enjoying time with nature and trees\n\n\n\n<p>This changed what had been conventional job choices, as she was not able to handle a 9 to 5 work schedule. She could not drive herself to work on some days and relied on her mother to help with transport. She knew that she would have to find another way to work and she was determined to find it.</p>\n\n\n\n<p>She began writing music and book reviews online, and then moved onto writing blog posts. As they were published she started to receive payment and a sense of power over her life. She said: &#8220;WordPress felt familiar, typing on the computer keys felt comfortable, and sharing my words with the world felt surreal.&#8221;</p>\n\n\n\n<p>Allison&#8217;s sense of ownership of the software became part of her strength. &#8220;I think I believed WordPress was mine somehow. I was learning that WordPress is something that belongs to everyone in some way. And I loved it.&#8221;</p>\n\n\n\n<h2 class=\"wp-block-heading\">Finding work with WordPress</h2>\n\n\n\n<p>The confidence using the platform gave Allison led her to find more about what it could do and meet other people who used it. She said: &#8220;The thing I love about WordPress is that it’s not just for developers or bloggers or SEO experts. I began to meet more people in the community and was delighted to find people like me, who didn’t know the technical stuff, but were a part of WordPress.&#8221;</p>\n\n\n\n<p>This global community orbiting around the software gave her an opportunity to meet social media managers, designers, and people from many different areas. She found that &#8216;there was a place for everyone&#8217;. The guiding strength and fascination Allison found and still finds today is in that community. Allison said: &#8220;The community felt as important as the rest of everything that makes WordPress what it is. It felt like it was about people and relationships as well as codes and databases.&#8221;</p>\n\n\n\n<p>In 2020, she was hired by a WordPress company. She said: &#8220;I like being a part of a WordPress company, and I love that I contribute to a team that helps people with their websites. I understand the importance of having a space that’s yours. Whether it’s a business or personal site, having a website gives you the power of telling your own story.&#8221;</p>\n\n\n\n<p>WordPress gave Allison a freedom and an independence. She did not have to work a 9 to 5 job, rely on others to drive her on bad days with her MS, nor worry about days when she wanted to stay in her sweatshirts rather than go into an office to work. She said: &#8220;I have a 100% remote job which I can do despite the plot twists in my story, thanks to WordPress and the people in it.&#8221;</p>\n\n\n\n<p>WordPress took Allison into the world of project management for a small agency, and this experience was to help guide her path, skills and confidence into the future. She went on to work in content management in WordPress, building pages for awareness campaigns for non profit organizations and small businesses as a contractor. She helps people update their websites, add and edit content, perform basic updates and help them to learn how to use their sites. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;I tell all my clients to use WordPress because there is really no other solution that can scale as easily for growing organizations and small businesses. I love how WordPress allows them to tell their stories, share their passion, and have a place to call their own on the internet.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<p>As a fluent English and Italian speaker, Allison is able to support clients in different countries from where she lives. &#8220;I love that with WordPress I&#8217;m able to support clients remotely. This is thanks to all of the many WordPress contributors, developers, project managers, content writers, and many, many volunteers that work tirelessly to enable people around the world to use WordPress.&#8221;</p>\n\n\n\n<p>Allison also became a certified as an English As A Second Language (ESL) teacher. &#8220;My affinity for words and languages allows me to teach passionately and creatively. I’m Italian-American and am fluent in English and Italian. Teaching English allows me to share my passion for communication with others.&#8221;</p>\n\n\n\n<h2 class=\"wp-block-heading\">Welcomed into the WordPress community</h2>\n\n\n\n<img width=\"1024\" height=\"562\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/WPCoffeeTalk-Allie-Dye.png?resize=1024%2C562&ssl=1\" alt=\"Allie interviewed for a podcast on her use of WordPress\" class=\"wp-image-15293\" />Allie interviewed for a podcast on her use of WordPress\n\n\n\n<p>Allison attributes mentors and supporters in the WordPress community for helping her appreciate she really is part of it. Allison recalled: &#8220;It felt unreal. I wasn’t a dev, I don’t know how to code, and yet I got to be a part of it all? I felt like I was a fake. But Kimberly continues to remind me that I’m real, I get to be here, I get to stay, I have a place.&#8221;</p>\n\n\n\n<p>She was later encouraged to contribute by a WordPress community member to the Big Orange Heart, which aims to support and promote positive well-being and mental health within remote working communities. She said she felt &#8216;honored typing my words, pieces of my story, and sharing them with a community of people&#8217;.</p>\n\n\n\n<p>She also joined the <a href=\"https://us.wordcamp.org/2021/\">WordCamp US 2021</a> online organizing team. </p>\n\n\n\n<p>Allison enjoys the fact that in the WordPress community, &#8216;everyone here is constantly working to be better and do better&#8217;.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Facing the future with strength from her friends and colleagues in WordPress</h2>\n\n\n\n<img width=\"675\" height=\"900\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/allison-1.jpg?resize=675%2C900&ssl=1\" alt=\"\" class=\"wp-image-15289\" />\n\n\n\n<p>Allison was later diagnosed with two additional neurological conditions: Functional Neurological Disorder and Migraine. She said: &#8220;If it were not for WordPress I would really be unable to work. But WordPress and its community continue to be a part of my life and I am grateful to everyone who&#8217;s helped me along my way. I don&#8217;t know where I would even be without it.&#8221;</p>\n\n\n\n<p>She strives to raise awareness of dynamic disabilities and invisible illnesses like her own through podcasts and social media. She feels that her WordPress friends have helped her both in her professional life and in her wish to be an advocate for others with disabilities too.<br /><br />Allison hopes reading of her experience will help others who are worried about not progressing in a WordPress career due to health concerns.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>&#8220;I hope that it will remind anyone reading this that WordPress is a space for everyone. Healthy or not, developer or not, blogger or not — WordPress belongs to you too.&#8221;</p>\n<cite>Allison Dye</cite></blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Share the stories</h2>\n\n\n\n<p>Help share these stories of open source contributors and continue to grow the community.&nbsp;Meet more WordPressers in the <a href=\"https://wordpress.org/news/category/newsletter/interviews/\">People of WordPress series</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Contributors</h2>\n\n\n\n<p>Thanks to Allie Dye (<a href=\"https://profiles.wordpress.org/allisondye/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>allisondye</a>)&nbsp;for sharing about her adventures in WordPress.</p>\n\n\n\n<p>Props to Abha Thakor (<a href=\"https://profiles.wordpress.org/webcommsat/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>webcommsat</a>) and the late Surendra Thakor (<a href=\"https://profiles.wordpress.org/sthakor/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>sthakor</a>) for interviews and writing the feature, Meher Bala (<a href=\"https://profiles.wordpress.org/meher/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>meher</a>) for work on images, and to Meher, Maja Loncan (@mloncar) and Chloe Bringmann (<a href=\"https://profiles.wordpress.org/cbringmann/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>cbringmann</a>) for reviews.</p>\n\n\n\n<p>The&nbsp;<em>People of WordPress</em>&nbsp;series thanks Josepha Haden (<a href=\"https://profiles.wordpress.org/chanthaboune/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>chanthaboune</a>) and Topher DeRosia (<a href=\"https://profiles.wordpress.org/topher1kenobe/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>topher1kenobe</a>) for their support.</p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\"><img width=\"180\" height=\"135\" src=\"https://i0.wp.com/wordpress.org/news/files/2020/03/heropress_logo_180.png?resize=180%2C135&ssl=1\" alt=\"HeroPress logo\" class=\"wp-image-8409 size-full\" /><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><em>This People of WordPress feature is inspired by an essay originally published on </em><a href=\"https://heropress.com/\"><em>HeroPress.com</em></a><em>, a community initiative created by Topher DeRosia. It highlights people in the WordPress community who have overcome barriers and whose stories might otherwise go unheard. </em>#HeroPress </p>\n</div></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 21:23:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Abha Thakor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"WPTavern: WP Feature Notifications Contributors Seek Feedback on Admin Notices with Community Survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146339\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"https://wptavern.com/wp-feature-notifications-contributors-seek-feedback-on-admin-notices-with-community-survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2075:\"<p>The WP Feature Notifications project has <a href=\"https://make.wordpress.org/core/tag/feature-notifications/\">launched a community survey</a> to get feedback on the current system of notices in the WordPress admin. The project aims to create a better way to manage and deliver notifications in the admin, and the survey is intended to further refine this work.</p>\n\n\n\n<p>A few months ago, <a href=\"https://wptavern.com/wp-feature-notifications-project-progresses-towards-mvp-for-standardizing-admin-notifications\">the project released version 0.2.0 of the feature plugin</a> in which contributors implemented a more robust JavaScript-based system for standardizing how notifications appear in the admin. This is a <a href=\"https://github.com/WordPress/wp-feature-notifications/releases/tag/0.2.0\">proof of concept plugin</a> that uses demo data only. They are working towards an MVP for 0.3.0, which will remove the demo content and provide a functional notification system. Contributors have also put together <a href=\"https://www.figma.com/file/sC0QzxbY1Azm6wtc2X6bXV/WP-Notify-design-blueprints-i6-(by-Nick-Heurter)?type=design&node-id=158-105&mode=design\">an updated design</a> based on the idea of <a href=\"https://github.com/WordPress/wp-feature-notifications/issues/253\">working within WordPress&#8217; existing design system</a>.</p>\n\n\n\n<img />\n\n\n\n<p>&#8220;The team has recently made some solid progress on things like database storage and REST API endpoints,&#8221; WordPress core contributor Joe Bailey-Roberts said. &#8220;However this is slightly paused for now so we can revise things if necessary, based on the survey results. We also have an updated design for the admin notices UI that we’ll shortly be showcasing, which came out of the WCEU Contributor Day.&#8221;</p>\n\n\n\n<p>Anyone who uses WordPress is welcome to <a href=\"https://forms.gle/XBh1U53MYLni4hsHA\">take the survey</a> &#8211; it&#8217;s for developers and users alike. It takes just a few minutes and may help shape the direction of the WP Feature Notifications project in the future.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 21:18:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"WordCamp Central: WordCamp Finland: back to Tampere with educational, insightful and thought-provoking talks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://central.wordcamp.org/?p=3166382\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"https://central.wordcamp.org/news/2023/06/wordcamp-finland-back-to-tampere-with-educational-insightful-and-thought-provoking-talks/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3153:\"<p>The first-ever Finnish WordCamp gathered a few hundred fellow WordPress enthusiasts to Tampere back in 2015. This September, on 14.-15., our community will return to the city where everything started.</p>\n\n\n\n<p>Content has been planned with all skill levels, employment types and interests in mind. We do not discriminate, and WordPress users, developers, designers, people working in agencies or as a freelancer and other enthusiasts are all welcome, regardless of the experience level.</p>\n\n\n\n<p>We are more than thrilled about the upcoming lineup of talks and speakers. The best and most exciting part is that many of the topics do come outside of the WordPress world! WordCamp Finland will truly have educational, insightful and thought-provoking talks for everyone.&nbsp;</p>\n\n\n\n<p>Here’s a sneak peak of some of the topics:</p>\n\n\n\n<ul>\n<li>Analytics in GDPR era</li>\n\n\n\n<li>Climate change and WordPress, things to consider</li>\n\n\n\n<li>Optimizing e-commerce</li>\n\n\n\n<li>Work fatigue, how to prevent it and cope from it</li>\n\n\n\n<li>Open source and WordPress communities, how do those benefit you?</li>\n\n\n\n<li>Web Platform API’s and Gutenberg, modern Javascript development with WordPress</li>\n\n\n\n<li>Terminal and WP-CLI</li>\n\n\n\n<li>Designing more accessible websites and accessibility testing</li>\n\n\n\n<li>Achieving better and more inclusive web design, content and UX</li>\n\n\n\n<li>Security and hacked websites</li>\n\n\n\n<li>…and much more!</li>\n</ul>\n\n\n\n<p><a href=\"https://finland.wordcamp.org/2023/\">WordCamp Finland 2023</a> sessions will take place in Tampere on Friday 15. September. Most of the sessions will be held in English, although there are a handful of sessions held in Finnish as well.</p>\n\n\n\n<p>The day before, on Thursday 14. September, a contributing evening will take place starting at 16:00. The contributing evening will feature workshops where you can contribute and learn about various WordPress-related topics in a hands-on setting. No coding skills required!</p>\n\n\n\n<p>During the whole event, there will also be ample time for networking and meeting other WordPress enthusiasts. Getting to meet and learn from other WordPress users face-to-face is one of the main reasons people attend WordCamps. In addition to learning from each other, attendees often make new friends and find employees/employers from the WordCamp crowd.&nbsp;</p>\n\n\n\n<p><a href=\"https://finland.wordcamp.org/2023/tickets/\">Secure your tickets</a> now and ensure you’ll get to experience all of the insightful talks and activities with a welcoming community!</p>\n\n\n\n<p>The full list of speakers, session descriptions and schedule will be published in early August, so make sure to follow us on <a href=\"https://twitter.com/wordcampfinland\">Twitter</a>, <a href=\"https://www.facebook.com/WordCampFinland\">Facebook</a> and <a href=\"https://www.linkedin.com/company/wordcamp-finland\">Linkedin</a> to get the latest updates. Naturally the WordPress Finland Slack has <a href=\"https://fi.wordpress.org/chat/\">#events-wcfi</a> channel and discussion is ongoing on <a href=\"https://m.facebook.com/groups/597228300478293/\">WPWoofi</a> Facebook group.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 13:51:20 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Timi Wahalahti\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:30;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"WPTavern: Gutenberg 16.1 Introduces Pattern Creation and Library, Adds Distraction Free Mode to Site Editor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146374\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:117:\"https://wptavern.com/gutenberg-16-1-introduces-pattern-creation-and-library-adds-distraction-free-mode-to-site-editor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3391:\"<p><a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">Gutenberg 16.1</a> was released this week, debuting of the Pattern Library, which coincides with <a href=\"https://wptavern.com/reusable-blocks-renamed-to-patterns-with-synced-and-non-synced-options\">reusable blocks getting renamed to synced patterns</a>. Users can now create and manage their own patterns that will also show up in the block inserter. Custom patterns are saved to the new Library alongside custom template parts.</p>\n\n\n\n<img />\n\n\n\n<p>This release also adds a new Distraction Free mode to the Site Editor, which removes all controls and menus, functioning in a similar way to the mode added to the content editor in October 2022. The mode can be accessed under the more menu of the Site Editor.</p>\n\n\n\n<p>Automattic-sponsored engineer Andrei Draganescu <a href=\"https://github.com/WordPress/gutenberg/pull/51173\">submitted the PR</a> for the feature and cited three reasons why the Site Editor could benefit from a Distraction Free mode:</p>\n\n\n\n<ul>\n<li>Because distraction free work is a good environment to cultivate</li>\n\n\n\n<li>Because the command center makes full chrome UI useless for power users</li>\n\n\n\n<li>Because it enables a really 1:1 preview &#8211; while maintaining everything editable</li>\n</ul>\n\n\n\n<p>Draganescu published a video of the Distraction Free mode working in concert with the new Command Palette:</p>\n\n\n\n\n\n\n\n<p>Another new feature in this release is automated footnotes.<a id=\"d213a119-9478-49c0-b53c-1ceba4b8b5a0-link\" href=\"https://wptavern.com/feed#d213a119-9478-49c0-b53c-1ceba4b8b5a0\" class=\"fn\">*</a> Users can add them by highlighting the text and selecting Footnote from the formatting menu. This will automatically insert the note and create a Footnote block at the bottom of the content. (This block can be moved.)</p>\n\n\n<ol class=\"wp-block-footnotes\"><li id=\"d213a119-9478-49c0-b53c-1ceba4b8b5a0\">This is an example of a footnote. <a href=\"https://wptavern.com/feed#d213a119-9478-49c0-b53c-1ceba4b8b5a0-link\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/21a9.png\" alt=\"↩\" class=\"wp-smiley\" />︎</a></li></ol>\n\n\n<p>Footnotes can be added inside paragraph, heading, and list blocks, and are saved as post meta. The Footnote block doesn&#8217;t seem to be accessible in the block inserter. It is automatically created and inserted with the first footnote. </p>\n\n\n\n<img />\n\n\n\n<p>A few other notable features in this release include the following:</p>\n\n\n\n<p></p>\n\n\n\n<ul>\n<li>Live block theme previewing in the Site Editor moved out of experimental stage, available for block themes under <em>Appearance > Themes</em></li>\n\n\n\n<li>Site Editor sidebar now displays template and settings configuration details for the home and index templates</li>\n\n\n\n<li>Aspect ratio controls added to Image block</li>\n</ul>\n\n\n\n<p>Gutenberg 16.1 is included in the upcoming WordPress 6.3 release, but if you want to take advantage of these features before August, you will need to be using the plugin or <a href=\"https://wptavern.com/wordpress-6-3-beta-2-released-ready-for-testing\">test 6.3 Beta 2</a>. Check out the <a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">release post</a> for the full changelog that includes all the latest enhancements, bug fixes, and performance and accessibility improvements.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 03:04:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:31;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"WPTavern: Hackers Actively Exploiting Unpatched Privilege Escalation Vulnerability in Ultimate Member Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146380\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:119:\"https://wptavern.com/hackers-actively-exploiting-unpatched-privilege-escalation-vulnerability-in-ultimate-member-plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2446:\"<p>WPScan is reporting a hacking campaign <a href=\"https://blog.wpscan.com/hacking-campaign-actively-exploiting-ultimate-member-plugin/\">actively exploiting an unpatched vulnerability in the Ultimate Member plugin</a>, which allows unauthenticated attackers to create new user accounts with administrative privileges and take over the site. The vulnerability has been assigned a CVSSv3.1 (Common Vulnerability Scoring System) score of 9.8 (Critical).</p>\n\n\n\n<p>Automattic&#8217;s <a href=\"https://wp.cloud/\">WP.cloud</a> and <a href=\"https://pressable.com/\">Pressable.com</a> hosting platforms picked up on a trend in compromised sites where each had rogue new administrators popping up. After further investigation they found a discussion on the WordPress.org support forums about a potential <a href=\"http://wordpress.org/support/topic/possible-priv-esc-vulnerability/\">Privilege Escalation vulnerability</a> in the plugin, as well as indications that it was already being <a href=\"https://wordpress.org/support/topic/register-role-ignored-and-user-became-an-admin/\">actively exploited</a>.</p>\n\n\n\n<p><a href=\"https://wordpress.org/plugins/ultimate-member/\">Ultimate Member</a>, which is active on more than 200,000 WordPress sites, patched the plugin, but WPScan reports that it wasn&#8217;t sufficient.</p>\n\n\n\n<p>&#8220;In response to the vulnerability report, the creators of the plugin promptly released a new version, 2.6.4, intending to fix the problem,&#8221; WPScan security researcher Marc Montpas said. &#8220;However, upon investigating this update, we found numerous methods to circumvent the proposed patch, implying the issue is still fully exploitable.</p>\n\n\n\n<p>&#8220;Adding to the urgency of the situation, a look at our monitoring systems also confirmed attacks using this vulnerability were indeed happening in the wild.&#8221;</p>\n\n\n\n<p>WPScan has identified more than a dozen IP addresses from which exploits are originating, common usernames for malicious accounts, and other indicators of compromise, such as malicious plugins, themes, and code. Check the <a href=\"https://blog.wpscan.com/hacking-campaign-actively-exploiting-ultimate-member-plugin/\">security advisory</a> if you believe you have been compromised.</p>\n\n\n\n<p>Version 2.6.6 is the latest release from the Ultimate Member plugin but it is still believed to be vulnerable. WPScan recommends users disable the plugin until it has been adequately patched.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Jun 2023 01:35:52 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:32;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"WordPress Foundation: 2023 Kim Parsell Memorial Scholarship Recipient: Yumi Nishioka (mimi)\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"https://wordpressfoundation.org/?p=569710\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"https://wordpressfoundation.org/news/2023/2023-kim-parsell-memorial-scholarship-recipient-mimi/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1692:\"<p><a href=\"https://us.wordcamp.org/2023/announcing-the-2023-kim-parsell-memorial-scholarship-winner-yumi-nishioka/\">This year’s Kim Parsell Memorial Scholarship recipient</a> is <a href=\"https://profiles.wordpress.org/mimitips/\">Yumi Nishioka (mimi)</a>. mimi is a passionate WordPress contributor who embodies the values that Kim would have appreciated.</p>\n\n\n\n<p>mimi is a Web/UI Designer and Developer based in Tokyo, and has been a WordPress contributor since 2018. She was lead organizer of WordCamp Tokyo 2019. That year she also began hosting a personal study group on the Gutenberg Project, which meets twice a month. Then in 2021, she started co-organizing monthly&nbsp;small study sessions&nbsp;about Design and WordPress.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><em>While there have been numerous contributions I’m proud of, one that stands out is my commitment to the core code. 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The venue also offers ample common areas for networking.</p>\n\n\n\n<p>More details on the event and calls for speakers and sponsors should be coming soon. Those who are hopeful to attend can subscribe to updates on <a href=\"https://asia.wordcamp.org/2024/\">the event&#8217;s website</a> or follow <a href=\"https://twitter.com/WordCampAsia\">@WordCampAsia</a> on Twitter.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 29 Jun 2023 00:31:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:36;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"WordPress.org blog: WordPress 6.3 Beta 2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=15193\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2023/06/wordpress-6-3-beta-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:15161:\"<p>WordPress 6.3 Beta 2 is ready for download and testing. 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Get an overview of the <a href=\"https://make.wordpress.org/core/6-3/\">6.3 release cycle</a>, and check the <a href=\"https://make.wordpress.org/core/\">Make WordPress Core blog</a> for <a href=\"https://make.wordpress.org/core/tag/6-3/\">6.3-related posts</a> in the coming weeks for further details.</p>\n\n\n\n<h2 class=\"wp-block-heading\">A first look at 6.3</h2>\n\n\n\n<p>This latest WordPress release includes many updates spanning all platform areas, emphasizing the editing experience and polishing usability.&nbsp;This release contains more than 500 new features and enhancements and 400+ bug fixes.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Performance</h3>\n\n\n\n<p>Following the incredible <a href=\"https://make.wordpress.org/core/2023/04/05/wordpress-6-2-performance-improvements-for-all-themes/\">performance improvements introduced in 6.2</a>, the release includes more than 170 performance-related updates, including adding <a href=\"https://core.trac.wordpress.org/ticket/12009\">defer and async support to the WP Scripts API</a> and <a href=\"https://core.trac.wordpress.org/ticket/58235\">fetchpriority support for images</a>. Optimizations were made to <a href=\"https://github.com/WordPress/wordpress-develop/pull/4097\">block template resolution</a>, <a href=\"https://core.trac.wordpress.org/ticket/58211\">image lazy-loading</a>, and the <a href=\"https://core.trac.wordpress.org/ticket/58472\">emoji loader</a>, all of which benefit LCP performance. Support for PHP versions <a href=\"https://core.trac.wordpress.org/query?status=accepted&status=assigned&status=new&status=reopened&status=reviewing&keywords=~php8+-php81+-php82&milestone=6.3&order=priority\">8.0</a>, <a href=\"https://core.trac.wordpress.org/query?status=accepted&status=assigned&status=new&status=reopened&status=reviewing&keywords=~php81&milestone=6.3&order=priority\">8.1</a>, and <a href=\"https://core.trac.wordpress.org/query?status=accepted&status=assigned&status=new&status=reopened&status=reviewing&keywords=~php82&milestone=6.3&order=priority\">8.2</a> has been improved.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\">Site Editor</h3>\n\n\n\n<p>The Site Editor expands to include navigating and editing <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/#add-the-pages-menu-to-the-site-editor-50463\">pages</a>, <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#style-variations-in-browse-mode\">styles</a>, <a href=\"https://github.com/WordPress/gutenberg/issues/50418#top\">templates</a>, and <a href=\"https://github.com/WordPress/gutenberg/issues/44461\">content</a>. The unified site editing experience will include a <a href=\"https://github.com/WordPress/gutenberg/issues/49175\">distraction-free mode</a>, enhanced <a href=\"https://make.wordpress.org/core/2023/02/24/whats-new-in-gutenberg-15-2-22-february/#enhancements-to-navigation-in-the-site-editor\">navigation</a>, and an <a href=\"https://github.com/WordPress/gutenberg/issues/35503\">improved loading experience</a>. Additionally, you can use the Site Editor to <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/#add-theme-previews-for-block-themes-50030\">preview a block theme</a> and adjust your site before activating the new theme. This release includes <a href=\"https://github.com/WordPress/gutenberg/pull/50089\">style revisions</a> so you can toggle between and preview different saved styles. Rounding out the changes, 6.3 ushers in a new <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/#command-tool\">Command Palette</a>, enabling users to context switch and perform actions quickly across different sections of the site editing experience.</p>\n\n\n\nPrototype of the Command Palette in action\n\n\n\n<h3 class=\"wp-block-heading\">Blocks</h3>\n\n\n\n<p>New blocks for <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#details-block-experimental\">details</a> and <a href=\"https://github.com/WordPress/gutenberg/pull/51201\">footnotes</a> debut in this release, along with updates for better handling of <a href=\"https://github.com/WordPress/gutenberg/issues/51138\">image aspect ratios</a> and improved fallback states. <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/#spacer-block-gets-spacing-presets\">Spacer blocks</a> now include presets, and the cover block gets updates for managing <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/#color-and-layout-support-for-cover-block\">text colors and layout support</a>.</p>\n\n\n\n<img src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Spacing-Presets.png?ssl=1\" alt=\"\" />The new height control for the Spacer block\n\n\n\n<h3 class=\"wp-block-heading\">Patterns and Design</h3>\n\n\n\n<p>Reusable blocks have been renamed to <a href=\"https://github.com/WordPress/gutenberg/pull/51144\"><em>synced patterns</em></a>. This change reflects the unification of reusable blocks and traditional block patterns (unsynced patterns) within the Editor. A <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/#patterns-as-template-starters\">new option</a> allows you to assign patterns to templates, adding the ability to have starter patterns to speed up the creation process. Site creators can now easily create, save, and manage custom synced and unsynced patterns, as well as browse a <a href=\"https://make.wordpress.org/meta/2023/06/09/new-curation-filter-in-pattern-directory/\">directory of curated patterns</a>. Additionally, the <a href=\"https://make.wordpress.org/core/2023/03/13/whats-new-in-gutenberg-15-3-13-march/#leveling-up-duotone\">duotone filter</a> and <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/#style-captions-via-the-styles-interface\">captions</a> can now be edited in the Styles interface.</p>\n\n\n\n<img src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Styling-Captions.png?ssl=1\" alt=\"\" />Style your captions in the new Styles interface\n\n\n\n<h3 class=\"wp-block-heading\">Usability<strong> </strong></h3>\n\n\n\n<p>Some key usability highlights include <a href=\"https://github.com/WordPress/gutenberg/issues/40450\">toolbar updates</a>, <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/#updated-template-descriptions\">updated template descriptions</a>, enhanced <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/#enhancements-site-editor\">list view drag-and-drop</a>, improved <a href=\"https://github.com/WordPress/gutenberg/issues/49264#top\">padding and margin controls</a>, and a new area for <a href=\"https://github.com/WordPress/gutenberg/issues/50397#top\">managing patterns</a> (including reusable blocks, now called <em>synced patterns</em>.) <a href=\"https://github.com/WordPress/gutenberg/issues/50891\">Link control</a> receives some updates, rounding out high-level usability enhancements in 6.3.</p>\n\n\n\n<img src=\"https://i0.wp.com/wordpress.org/news/files/2023/06/Add-and-modify-descriptions-for-templates.png?ssl=1\" alt=\"\" />Add and modify descriptions for templates\n\n\n\n<h3 class=\"wp-block-heading\">Accessibility</h3>\n\n\n\n<p>WordPress remains steadfast in making the site-building experience accessible to everyone. 6.3 incorporates over 50 accessibility improvements across the platform. Improved labeling, optimized tab and arrow-key navigation, revised heading hierarchy, and <a href=\"https://core.trac.wordpress.org/ticket/50523\">new controls in the admin image editor</a> allow those using screen readers, keyboard navigation, and other assistive technology to navigate more easily. The <a href=\"https://core.trac.wordpress.org/ticket/32510\">login form</a>, <a href=\"https://core.trac.wordpress.org/ticket/40470\">installation steps</a>, and list tables (for <a href=\"https://core.trac.wordpress.org/ticket/32170\">sorting</a> and <a href=\"https://core.trac.wordpress.org/ticket/21516\">selection</a>) have all been updated. Additional accessibility tickets are viewable in <a href=\"https://core.trac.wordpress.org/query?status=closed&focuses=~accessibility&milestone=6.3&col=id&col=summary&col=status&col=milestone&col=owner&col=type&col=priority&order=priority\">the WordPress Trac</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Other notes</h3>\n\n\n\n<p>This release includes <a href=\"https://core.trac.wordpress.org/ticket/51857\">auto-rollback</a> for failed manual updates of themes and plugins.</p>\n\n\n\n<p><em>Please note that the features in this list may change before the final release.</em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Testing makes WordPress stronger!</h2>\n\n\n\n<p>Testing for issues is a critical part of developing any software, and it’s a meaningful way for anyone to contribute—whether you have experience or not.&nbsp;</p>\n\n\n\n<p>While testing the upgrade process is essential, testing new features is too. Review the many new features listed above and focus your testing efforts on those areas in particular.</p>\n\n\n\n<p>If you encounter an issue, please report it to the <a href=\"https://wordpress.org/support/forum/alphabeta/\">Alpha/Beta area</a> in the support forums. If you are comfortable writing a reproducible bug report, you can <a href=\"https://core.trac.wordpress.org/newticket\">file one on WordPress Trac</a>. You can also check your issue against a list of <a href=\"https://core.trac.wordpress.org/tickets/major\">known bugs</a>.</p>\n\n\n\n<p>New to testing? This <a href=\"https://make.wordpress.org/test/2023/06/27/help-test-wordpress-6-3/\">detailed guide</a> is a great place to start if you&#8217;ve never tested a beta release.</p>\n\n\n\n<p>Want to know more about testing releases in general? Follow along with the <a href=\"https://make.wordpress.org/test/\">testing initiatives in Make Core</a> and join the <a href=\"https://wordpress.slack.com/messages/core-test/\">#core-test channel</a> on the <a href=\"https://wordpress.slack.com/\">Making WordPress Slack</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Vulnerability bounty doubles during Beta 2</h3>\n\n\n\n<p>Between the Beta 2 release and the final release candidate (RC) for each new WordPress version, the <a href=\"https://make.wordpress.org/security/2023/06/28/doubling-the-bounties-for-wordpress-6-3-beta/\">monetary reward for reporting new, unreleased security vulnerabilities is doubled</a>. Please follow responsible disclosure practices as detailed in the project’s security practices and policies outlined on the <a href=\"https://hackerone.com/wordpress\">HackerOne page</a> and in the <a href=\"https://wordpress.org/about/security/\">security white paper</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Get WordPress 6.3 Beta 2</h3>\n\n\n\n<p>You can test WordPress 6.3 Beta 2 in three ways:</p>\n\n\n\n<p><strong>Option 1:</strong> Install and activate the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\">WordPress Beta Tester</a> plugin (select the “Bleeding edge” channel and “Beta/RC Only” stream).</p>\n\n\n\n<p><strong>Option 2: </strong>Direct download the <a href=\"https://wordpress.org/wordpress-6.3-beta2.zip\">Beta 2 version (zip)</a>.</p>\n\n\n\n<p><strong>Option 3:</strong> Use the following WP-CLI command:</p>\n\n\n\n<p><code>wp core update --version=6.3-beta2</code></p>\n\n\n\n<p>The current target for the final release is <strong>August 8, 2023</strong>, which is about six weeks away. Your help testing this version ensures everything in this release is the best.</p>\n\n\n\n<h3 class=\"wp-block-heading\">The first haiku for 6.3</h3>\n\n\n\n<p>A chapter closes<br />Excitement yet much newness<br />Phase 2 finale</p>\n\n\n\n<p><em>Thank you to the following contributors for collaborating on this post:</em> <a href=\"https://profiles.wordpress.org/dansoschin/\"><em>@DanSoschin</em></a>, <a href=\"https://profiles.wordpress.org/meher/\"><em>@Meher</em></a>, <a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a>, <a href=\"https://profiles.wordpress.org/cbringmann/\"><em>@CBringmann</em></a>, <a href=\"https://profiles.wordpress.org/audrasjb/\"><em>@AudrasJB</em></a>, <a href=\"https://profiles.wordpress.org/annezazu/\"><em>@annezazu</em></a>, <a href=\"https://profiles.wordpress.org/ndiego/\"><em>@ndiego</em></a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\"><em>@davidbaumwald</em></a>, <a href=\"https://profiles.wordpress.org/desrosj/\"><em>@desrosj</em></a>, <a href=\"https://profiles.wordpress.org/priethor/\"><em>@priethor</em></a>, <a href=\"https://profiles.wordpress.org/flixos90/\"><em>@flixos90</em></a>,<a href=\"https://profiles.wordpress.org/wildworks\"> @wildworks</a>, <em>and </em><a href=\"https://profiles.wordpress.org/jpantani/\"><em>@JPantani</em></a><em> for authoring the haiku</em>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 28 Jun 2023 23:30:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Dan Soschin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:37;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"WPTavern: #81 – James Dominy on Why AI Is to Be Embraced, Not Feared\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=146283\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://wptavern.com/podcast/81-james-dominy-on-why-ai-is-to-be-embraced-not-feared\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:52362:\"Transcript<div>\n<p>[00:00:00] <strong>Nathan Wrigley:</strong> Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley. Jukebox is a podcast, which is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes, and in this case how AI and WordPress can work together.</p>\n\n\n\n<p>If you&#8217;d like to subscribe to the podcast, you can do that by searching for. WP Tavern in your podcast player of choice. Or by going to WPTavern.com forward slash feed forward slash podcast. And you can copy that URL into most podcast players.</p>\n\n\n\n<p>If you have a topic that you&#8217;d like us to feature on the podcast, I&#8217;m keen to hear from you. And hopefully get you or your idea featured on the show. Head to WPTavern.com forward slash contact forward slash jukebox, and use the form there.</p>\n\n\n\n<p>So on the podcast today, we have James Dominy. James is a computer scientist with a master&#8217;s degree in bioinformatics. He lives in Ireland working at the WP engine Limerick office.</p>\n\n\n\n<p>This is the second podcast recorded at WordCamp Europe, 2023 in Athens. James gave a talk at the event about the influence of AI on the WordPress community and how it&#8217;s going to disrupt so many of the roles which WordPressers currently occupy.</p>\n\n\n\n<p>We talk about the recent rise of ChatGPT, and the fact that it&#8217;s made AI available to almost anyone. In less than 12 months, many of us have gone from never touching AI technologies to using them on a daily basis to speed up some aspect of our work.</p>\n\n\n\n<p>The discussion moves on to the rate at which AI systems might evolve, and whether or not they&#8217;re truly intelligent or just a suite of technologies which masquerade is intelligent. Are they merely good at predicting the next word or phrase in any given sentence? Is there a scenario in which we can expect our machines to stop simply regurgitating texts and images based upon what they&#8217;ve consumed; a future in which they can set their own agendas and learn based upon their own goals?</p>\n\n\n\n<p>This gets into the subject of whether or not AI is in any meaningful way innately intelligent, or just good at making us think that it is, and whether or not the famous Turing test is a worthwhile measure of the abilities of an AI.</p>\n\n\n\n<p>James&#8217; his background in biochemistry comes in handy as we turn our attention to whether or not there&#8217;s something unique about the brains that we all possess. Or if intelligence is merely a matter of the amount of compute power that an AI can consume. It&#8217;s more or less certain that given time machines will be more capable than they are now. So when if ever does the intelligence Rubicon get crossed?</p>\n\n\n\n<p>The current AI systems can be broadly classified as Large Language Models or LLMs for short, and James explains what these are and how they work. How can they create a sentence word by word if they don&#8217;t have an understanding of where each sentence is going to end up?</p>\n\n\n\n<p>James explains that LLMs are a little more complex than just handling one word at a time, always moving backwards and forwards within their predictions to ensure that they&#8217;re creating content which makes sense, even if it&#8217;s not always factually accurate.</p>\n\n\n\n<p>We then move on from the conceptual understanding of AI to more concrete ways it can be implemented. What ways can WordPress users implement AI right now? And what innovations might we reasonably expect to be available in the future? Will we be able to get AI to make intelligent decisions about our websites SEO or design, and therefore be able to focus our time on other more pressing matters?</p>\n\n\n\n<p>It&#8217;s a fascinating conversation, whether or not you&#8217;ve used AI tools in the past.</p>\n\n\n\n<p>If you&#8217;re interested in finding out more, you can find all the links in the show notes by heading to WPTavern.com forward slash podcast. Where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you James Dominy.</p>\n\n\n\n<p>I am joined on the podcast today by James Dominy. How are you doing James?</p>\n\n\n\n<p>[00:04:51] <strong>James Dominy:</strong> I&#8217;m well, thanks. Hi Nathan. How are you doing?</p>\n\n\n\n<p>[00:04:53] <strong>Nathan Wrigley:</strong> Yeah, good, thanks. We&#8217;re at WordCamp Europe. We&#8217;re upstairs somewhere. I&#8217;m not entirely sure where we are in all honesty. The principle idea of today&#8217;s conversation with James is he&#8217;s done a presentation at WordCamp Europe all about AI. Now, I literally can&#8217;t think of a topic which is getting more interest at the moment. It seems the general press is talking about AI all the time.</p>\n\n\n\n<p>[00:05:17] <strong>James Dominy:</strong> Yeah.</p>\n\n\n\n<p>[00:05:17] <strong>Nathan Wrigley:</strong> It&#8217;s consuming absolutely everything. So it&#8217;s the perfect time to have this conversation. What was your talk about today? What did you actually talk about in front of those people?</p>\n\n\n\n<p>[00:05:24] <strong>James Dominy:</strong> Right. So my talk was about the influence of AI on the WordPress community. The WordPress community involving, in my mind, roughly three groups. You&#8217;ve got your freelancer, single content generator, blogger. You have someone who does the same job but in a business as in an agency or a marketing or a brand context. And then on the other side, you&#8217;ve got software developers who are developing plugins or working on the actual WordPress Core.</p>\n\n\n\n<p>And AI is going to be changing the way all of those people work. Mostly I focused on the first and the third groups. I don&#8217;t know enough about the business aspects to really talk about the agency and the marketing side of things.</p>\n\n\n\n<p>I personally, I&#8217;m a software developer, so I suppose I really skewed towards that in the end. But, my wife has been a WordPresser for 15, 20 years, which is how I ended up doing this. And a lot of the things that she&#8217;s been using ChatGPT quite actively recently.</p>\n\n\n\n<p>And she&#8217;s been chatting to me after work going, you know, I was trying to use ChatGPT to do X Y Z. And I thought, well, you know, that&#8217;s interesting. I know some bit about machine learning and the way these things work. I&#8217;ve read some stuff on the internals and I have opinions.</p>\n\n\n\n<p>[00:06:33] <strong>Nathan Wrigley:</strong> Perfect.</p>\n\n\n\n<p>[00:06:34] <strong>James Dominy:</strong> So that&#8217;s how I got here.</p>\n\n\n\n<p>[00:06:35] <strong>Nathan Wrigley:</strong> Yeah. Well, that&#8217;s perfect. Thank you. It seems like at the moment the word ChatGPT could be easily interchanged with AI . Everybody is using that as the pseudonym for AI and it&#8217;s not really, is it? It really is a much bigger subject. But that is, it feels at the moment, the most useful implementation in the WordPress space. You know, you lock it into the block editor in some way shape and you create some content in that way.</p>\n\n\n\n<p>[00:07:00] <strong>James Dominy:</strong> And I mean, I am absolutely guilty of that. I think the number of times I&#8217;ve said ChatGPT, I mean AI generative systems, or something during my workshop this morning is well beyond count.</p>\n\n\n\n<p>it is likely to fall victim of a trademark thing at some point. Like Google desperately tries to claim that Google is a trademark and shouldn&#8217;t be used as a generic term for search. I expect the same thing will happen with ChatGPT at some point.</p>\n\n\n\n<p>[00:07:25] <strong>Nathan Wrigley:</strong> This is going to sound a little bit, well, maybe snarky is the wrong word, but I hope you don&#8217;t take it this way, but it feels to me that the pace of change in AI is so remarkably rapid. I mean, like nothing I can think of. So, is there a way that we can even know what AI could look like in a year&#8217;s time, two years&#8217; time, five years&#8217; time? So in other words, if we speculate on what it could be to WordPress, is that a serious enterprise? Is it serious endeavor? Or are we just hoping that we get the right guess? Because I don&#8217;t know what it&#8217;s going to be like.</p>\n\n\n\n<p>[00:07:59] <strong>James Dominy:</strong> I think if we rephrase the question a bit, we might get a better answer. So AIs are human design systems. And there is a thing called the alignment problem where there is an element of design to AIs, and we give it a direction, but it doesn&#8217;t always go the direction we want and I think that is the unanswerable part of this question.</p>\n\n\n\n<p>Yes, there are going to be emergent surprises from the capabilities of AIs. But for the most part, AIs are developed with a specific goal in mind. Large language models were developed, okay I&#8217;m taking a wild educated guess here perhaps, but they were developed with the idea of producing text that sounded like a human. And I mean, we&#8217;ve had the Turing test for nearly a hundred years, more than a hundred years? 21, yeah, more than a hundred years now.</p>\n\n\n\n<p>So I mean, that&#8217;s been a goal for a hundred years. Everyone says that AI has advanced rapidly and it has, but the core mathematical principles that are involved, those haven&#8217;t advanced. I don&#8217;t want to take away from the people who&#8217;ve done the work here. There has been work that&#8217;s been put into it, but I think what&#8217;s really given us the quantum leap here is the amount of computational power that we can throw at the problem.</p>\n\n\n\n<p>And as long as that is increasing exponentially, I think we can expect that the models themselves will get exponentially better at roughly the same rate as the amount of hardware we throw at it.</p>\n\n\n\n<p>[00:09:28] <strong>Nathan Wrigley:</strong> So we can stare into the future and imagine that it&#8217;s going to get exponentially, logarithmically it&#8217;s going to, it&#8217;s just going to get better and better and better. But we can&#8217;t predict the ways that it might output that betterness. Who knows what kind of interface there&#8217;ll be, or.</p>\n\n\n\n<p>[00:09:41] <strong>James Dominy:</strong> Yeah. I think better&#8217;s a very evasive term perhaps, on my part. I think there are specific ways that it is going to get better. For example, we are going to see less confused AIs, because they are able to process more tokens. They have deeper models. Deeper statistical trees for outputs. They&#8217;re able to take more context in and apply it to whatever comes out. So in that sense we&#8217;re going to see a better output from an AI. Is it going to ever be able to innovate? Ooh, that&#8217;s a deep philosophical question, and I mean we can get into that, but I don&#8217;t know that we have time.</p>\n\n\n\n<p>[00:10:20] <strong>Nathan Wrigley:</strong> I think I would like to get into that.</p>\n\n\n\n<p>[00:10:22] <strong>James Dominy:</strong> Okay.</p>\n\n\n\n<p>[00:10:22] <strong>Nathan Wrigley:</strong> Because when we begin talking about AI, I think the word which sticks is intelligence. The artificial bit gets quickly forgotten and we imagine that there is some kind of intelligence behind this, because we ask it a fairly straightforward, or even indeed quite complicated question.</p>\n\n\n\n<p>And we get something which appears to pass the Turing test. Just for those people who are listening, the Turing test is a fairly blunt measure of whether you are talking to something which is a human or not human, masquerading as a human. And if something is deemed to have passed the Turing test, it&#8217;s indistinguishable from a human.</p>\n\n\n\n<p>And so, I have an intuition that really what we&#8217;re getting back, it&#8217;s not intelligent in any meaningful sense of the word. It&#8217;s kind of like a regurgitation machine. It&#8217;s sucking in information and then it&#8217;s just giving us a best approximation of what it thinks we want to hear. But it&#8217;s not truly intelligent. If you asked it something utterly tangential, that it had no capacity, it had no data storage on, it would be unable to cope with that, right?</p>\n\n\n\n<p>[00:11:22] <strong>James Dominy:</strong> I think yes. If you can clearly delineate the idea of, we have no data on this, which is very difficult considering the amounts of information that, you know, give something access to Wikipedia and that AI generative system might well be able to produce an opinion on practically anything these days.</p>\n\n\n\n<p>But if it hasn&#8217;t read the latest paper on advanced quantum mechanic theory, it&#8217;s not going to know it. That text isn&#8217;t going to be there. Could it reproduce that paper? That&#8217;s a subtely different question, because then it comes down to, well, when a human produces that paper, what are they really doing?</p>\n\n\n\n<p>They&#8217;re synthesizing their knowledge from a bunch of different things that they&#8217;ve learned, and they&#8217;re producing text in a language, in a grammar, that they have learned in a very similar way, that statistically speaking this sentence follows this grammatical form. Because I have learned that as a child through hearing it several thousand times from the people around me and my parents. What&#8217;s different?</p>\n\n\n\n<p>A more practical example here, I was having this discussion earlier today, and someone said yes, but they&#8217;re not truly intelligent. But if you consider it, even now, we can ask Chat GPT something, and I&#8217;m going to be abstract cause I don&#8217;t have a concrete example here, I&#8217;m sorry. But we can say to ChatGPT, I want you to produce a poem in the style of Shakespeare, a sonnet or something. But I want you to use a plot from Goethe.</p>\n\n\n\n<p>Okay, fine. Now it can do that. It can give you a response. I&#8217;m not sure that it&#8217;ll be a good response. I haven&#8217;t tried that particular one. But in that context, if you are asking a human to do that, and we automatically make the assumption of other human beings that they understand. And, sorry, I&#8217;m making air quotes here. That they understand, in quotes, who Goethe is. That that is a person and a character. That Goethe has a particular style and a proclivity for a certain pattern in his plots.</p>\n\n\n\n<p>And that those are all, to use a computer science term, symbolic representations. Abstract concepts. So is ChatGPT actually understanding those abstract concepts? Does it understand that Goethe is a person? Educated guests here, probably not. But it does understand that Goethe refers to a certain, can draw a line in all the stuff that it has learned and know this is Goethe.</p>\n\n\n\n<p>It has a concept of what it thinks Goethe is. Then from there it can say, and he has done work on the following things, and these are plots. And so it kind of understands. There&#8217;s another line there about what a plot is, which is a very abstract concept.</p>\n\n\n\n<p>Does that mean it&#8217;s intelligent? Does that mean it understands? I don&#8217;t know. That&#8217;s my answer because I did biochemistry at university, and there&#8217;s also the question there, and it&#8217;s exactly the same question. It&#8217;s at what point do the biological machines, the biochemical machines, your actual proteins and things that are obviously on their own, unintelligent, and yet when they act in concerts, they produce a cell, and a living being.</p>\n\n\n\n<p>Where does that boundary exist? Is it gray? Is it a hard line? And the same for me is true of the intelligence question here. Intelligence is a, it&#8217;s an aglomeration of lots of small, well-defined things that when they start interacting, become more than the sum of their parts. Does it come down to the Turing test? I mean, the fact that people on support, little support popups on the web, have to ask, are you a human every now and then. It immediately says, we have AIs that have passed the Turing test long ago.</p>\n\n\n\n<p>But here in this case, like the extended Turing test is the thing actually intelligent? I don&#8217;t know. I genuinely don&#8217;t know the answer there. In some sense, yes, because it&#8217;s doing almost the same thing as we are, just in a different, with different delineations and different abstractions, but the process is probably the same.</p>\n\n\n\n<p>[00:15:33] <strong>Nathan Wrigley:</strong> Given that you&#8217;ve got a background in, forgive me, did you say biochemistry?</p>\n\n\n\n<p>[00:15:37] <strong>James Dominy:</strong> Yeah, biochemistry and computer science, bioinfomatics.</p>\n\n\n\n<p>[00:15:39] <strong>Nathan Wrigley:</strong> Yeah, do you have an intuition as to whether the substrate of the brain has some unique capacity that can lock intelligence into it? In other words, is there a point at which a computer cannot leap the hurdle? There&#8217;s something special about the brain, the way the brain is created? This piece of wetwear in our head.</p>\n\n\n\n<p>[00:16:00] <strong>James Dominy:</strong> Unpopular opinion, I think it comes down to brute force count. We&#8217;ve got trillions of cells. Large language models, I don&#8217;t know what the numbers are for GPT4, but we&#8217;re not at trillions yet. Maybe when we get there, I don&#8217;t know where the tipping point is, you know. Maybe when we get to tens of billions, or whatever number it happens to be, is the point where this thing actually becomes intelligent.</p>\n\n\n\n<p>And we would be unable to distinguish them from a human, other than the fact that we&#8217;re looking at a screen that, that we know it&#8217;s running on the chip in front of us. But if it&#8217;s over the internet and it&#8217;s on a machine running, or whether we&#8217;re talking to a person in the support center. Or we are at the McDonald&#8217;s kiosk of 2050 and being asked whether we want fries with that. If we can&#8217;t see the person who&#8217;s asking the question, if we&#8217;re at the drive-through, we can&#8217;t see the person. Do we care?</p>\n\n\n\n<p>[00:16:54] <strong>Nathan Wrigley:</strong> Interesting. You mentioned a couple of times large language models, often abbreviated just to LLM. My understanding at least, forgive me I&#8217;m, I really genuinely am no expert about this. This is the underpinning of how it works. I&#8217;m going to explain it in crude terms, and then I&#8217;m hoping you&#8217;ll step in and pad it out and make it more accurate.</p>\n\n\n\n<p>[00:17:12] <strong>James Dominy:</strong> I should caveat anything that I say here with I also am not an expert on these, but I will do what I can.</p>\n\n\n\n<p>[00:17:17] <strong>Nathan Wrigley:</strong> So a large language model, my understanding is that things like ChatGPT are built on top of this, and essentially it is vacuuming up the internet. Text, images, whatever data you can throw at it. And it&#8217;s consuming that, storing that. And then at the point where you ask it something, so write a sonnet in the style of Goethe, written by Shakespeare. It&#8217;s then making a best approximation, and it&#8217;s going through a process of, okay, what should the first word be? Right, we&#8217;ve decided on that. Now, let&#8217;s figure out the second word, and the third word and the fourth word. Until finally it ends in a full stop and it&#8217;s done.</p>\n\n\n\n<p>And that&#8217;s the process it&#8217;s going through. Which seems highly unintelligent. But then again, that&#8217;s what I&#8217;m doing now. I&#8217;m probably selecting in some way what the next word is and what the next word is. But yeah, explain to us how these large language models work.</p>\n\n\n\n<p>[00:18:03] <strong>James Dominy:</strong> I think that&#8217;s a pretty fair summation. I think the important bit that needs to be filled in there is that what we perceive and use as customers of AI systems in general is a layer of several different models. There is a lot of pre-processing that goes into our prompts and post-processing in terms of what comes out.</p>\n\n\n\n<p>But fundamentally the large language model is, yes, it&#8217;s strings of text generally. There are different systems that the AI images, image systems, are a different form of maths. Most of them, at least the ones that I know of, are mostly based on something called Stable Diffusion.</p>\n\n\n\n<p>We can chat about that separately, but large language models tend to be trained on a large pile of text where they develop statistical inferences for the likelihood of some sequence of words following some other sequence of words. So as you say, like, if I know that a pile of words were written by Goethe, then I can sub select that aspect of my trained data.</p>\n\n\n\n<p>And I&#8217;m personifying an AI here already. The AI can circumscribe, isolate a portion of its training set, and say, okay I will use this subset of my training, and use the statistical values for what words follow what other words that Goethe wrote. And then you will get something in the style of Goethe out.</p>\n\n\n\n<p>[00:19:29] <strong>Nathan Wrigley:</strong> It&#8217;s kind of astonishing that that works at all. That one word follows another in something which comes out as a sentence because, I don&#8217;t know if you&#8217;ve ever tried that experiment on your phone where you begin the predictive text. On my phone there&#8217;s there&#8217;s usually three words above the little typewriter, and it tries to say what the next word is based upon the previous word.</p>\n\n\n\n<p>[00:19:49] <strong>James Dominy:</strong> It&#8217;s not called auto corrupt for nothing.</p>\n\n\n\n<p>[00:19:50] <strong>Nathan Wrigley:</strong> Yeah, so you just click them at the end of that process, you have fantastic gibberish. It&#8217;s usually quite entertaining, and yet this system is able to, in some way just hijack that whole process and make it so that by the end the whole thing makes sense in isolation.</p>\n\n\n\n<p>It is Goethe. It looks like Shakespeare, sounds like Shakespeare, could easily be Shakespeare. How is it predicting into the future such that by the end, the whole thing makes sense? Is there more processing going on than, okay, just the next word. Is it reading backwards?</p>\n\n\n\n<p>[00:20:22] <strong>James Dominy:</strong> Yes absolutely. Again, not an expert on LLMs, but there is this thing called a Markov Model. Which is a much more linear chain. It&#8217;s used often for bioinformatics, for genome and predicting the most likely next amino acid or nucleic acid in a genomic or a proteomic sequence.</p>\n\n\n\n<p>And so Markov Models are very simple. They have a depth and that is how much history they remember of what they&#8217;ve seen. So you point a Markov Model at the beginning of the sequence of letters of nucleic, the ACGT&#8217;s. And then you want to say, okay, I&#8217;ve managed to sequence this off my organism. I&#8217;ve got a hundred bases and I want to know what the most likely one after that is, because that&#8217;s where it got cut off.</p>\n\n\n\n<p>You give it a hundred, maybe you have a buffer of 10. So it remembers the last ten. It sort of slides this window of visibility over the whole sequence and mathematically starts working out, you know, what comes after an A? Okay, 30% of the time it&#8217;s a C. 50% of the time it&#8217;s a G. And by the end of it, it can with reasonable accuracy to some value of how much information you&#8217;ve given it, predict okay, in this particular portion of 10 that I&#8217;ve seen, the next one should be T.</p>\n\n\n\n<p>And they get better as you give them more and more information. As you give them a bigger and bigger window. As you let them consume more and more memory whilst they&#8217;re doing their job, their accuracy increases.</p>\n\n\n\n<p>I imagine the same is true of large language models, because they do. They don&#8217;t just predict the next word, they operate on phrases, on whole sentences. At some point, maybe they already do, but I imagine they operate on whole paragraphs. And again, it depends on what you&#8217;re trying to produce. Like if you&#8217;re trying to produce a legal contract that&#8217;s got a fairly prescribed grammar and form to it. And you know, then like statistically you&#8217;re going to produce the same paragraph over and over again because you want the same effect out of contracts you do all the time.</p>\n\n\n\n<p>[00:22:22] <strong>Nathan Wrigley:</strong> You described this slider. That really got to the nub of it. I genuinely didn&#8217;t realize that it wasn&#8217;t doing any more than just predicting the next word. And because that&#8217;s the way I thought about it, I thought it was literally astonishing that it could throw together a sentence based upon just the next word, if it didn&#8217;t know what two words previously it had written.</p>\n\n\n\n<p>It&#8217;s back to my predictive text, which produces pure gobbledygook. But it still, occasionally, it goes down a blind alley, doesn&#8217;t it? Because although that is, presumably 99 times out of a hundred that will lead to a cogent sentence, which is readable. Occasionally it does this thing, which I think has got the name hallucinate, where it just gets slightly derailed and goes off in a different direction. And so produces something which is, I don&#8217;t know, inaccurate, just nonsense.</p>\n\n\n\n<p>[00:23:06] <strong>James Dominy:</strong> Yes. Well known for being confidently wrong for sure. I&#8217;ve experienced something similar, and I find that it is especially the case where you switch contexts. Like when you are asking it to do more than one thing at a time, and you make a change to the first thing that you expect to carry over into the context of the second task, and it just doesn&#8217;t. It gets confused.</p>\n\n\n\n<p>And then the two things, this is especially true in coding, where you ask it to produce one piece of code and a function here, and another piece of code and a function on the other side. And you expect them, those two functions to interoperate correctly. Which means that you have to get the convention, the interface between those two things, the same on both sides.</p>\n\n\n\n<p>But if you say, actually, I want this to be called Bob, that doesn&#8217;t necessarily translate. Again, I suppose this is my intuition. There are a lot of ways that that failure can happen. The most obvious one is that you&#8217;re doing too much and it&#8217;s run out of tokens.</p>\n\n\n\n<p>Tokens are sort of an abstraction. Sorry I used that word a lot. Computer scientist. Tokens are, they&#8217;re not strictly speaking individual words, but they are a rough approximation of a unit of knowledge, context. I don&#8217;t know what the right word here. They chose token, right? So, if you use the API for ChatGPT, one of the things that you pass is how many tokens is the call allowed to use?</p>\n\n\n\n<p>Because you are charged by tokens. And if you say only 30 tokens, you get worse answers than if you give it an allowance of a hundred tokens. Meaning that you might have given it a problem that exceeds the window that I was describing earlier. That sort of backtrack of context that it&#8217;s allowed to use.</p>\n\n\n\n<p>Or you give it to two contexts and together they just go over and then it&#8217;s confused because it doesn&#8217;t know which, again, I say this as a semi-educated guess. We as humans don&#8217;t have a good definition of what context means in this conversation. How do we expect a computer system to?</p>\n\n\n\n<p>[00:25:05] <strong>Nathan Wrigley:</strong> Just as you&#8217;ve been talking, in my head, I&#8217;ve come up with this analogy of what I now think AI represents to me, and it represents essentially a very, very clever baby. There&#8217;s this child crawling around on the ground, I really do mean an infant who you fully forgive for knocking everything over and, tipping things over, damaging things and what have you. And yet this child can speak. So on the one hand, it can talk to you, but it&#8217;s just making utterly horrific mistakes because it&#8217;s a baby and you forgive it for that. So I don&#8217;t know how that sits, but that&#8217;s what&#8217;s it landed in my head.</p>\n\n\n\n<p>[00:25:40] <strong>James Dominy:</strong> I wouldn&#8217;t say that AI is in its infancy anymore, but it&#8217;s probably in its toddler year, and maybe we need to watch out when it turns two.</p>\n\n\n\n<p>[00:25:47] <strong>Nathan Wrigley:</strong> So we&#8217;ve, done the sort of high level what is AI and all of that. That&#8217;s fascinating. But given that this is a WordPress event and it&#8217;s a WordPress podcast, let&#8217;s bind some of this stuff to the product itself. So WordPress largely is a content creation platform. You open it up, you make a post, you make a page, and typically into that goes text, sometimes images, sometimes video, possibly some other file formats. But let&#8217;s stick with the model of text and images. Why do we want, or how could we put AI into WordPress? What are the things that might be desirable in a WordPress site that AI could assist us with?</p>\n\n\n\n<p>[00:26:21] <strong>James Dominy:</strong> I am totally going to be stealing some ideas from the AI content creation things that have happened this morning. I mean, there&#8217;s the obvious answer. I need to generate a thousand words for my editor by 4:00 PM today. Hey, ChatGPT, can you generate a thousand words on topic, blah?</p>\n\n\n\n<p>I think there are a lot of other places. I&#8217;d be super surprised if this hasn&#8217;t actually happened already. But, hey ChatGPT, write me an article that gets me to the top five Google ranking.</p>\n\n\n\n<p>The other obvious place for me as a software developer is using it to develop code. Humans are inventive. We&#8217;re going to see a lot of uses for AI that we never thought of. That&#8217;s not a bad thing at all. The more ways that we can use AI, I think the better.</p>\n\n\n\n<p>Yes, there are questions about the dangers, and I&#8217;m sure that&#8217;s a question coming up later on, so I won&#8217;t dive into them now, but in the WordPress community, there&#8217;s content creation, but there&#8217;s also content moderation, where AI can probably help a lot. Analyze this piece of text to me and tell me is it spam? Does it contain harmful or hateful content?</p>\n\n\n\n<p>Again, it&#8217;s a case of you get what you give. There&#8217;s that story about Microsoft, I think it was Microsoft, and the chatbot that turned into a horrible Nazi racist within about two hours, having been trained on Twitter data. We need to be careful about that, certainly. I&#8217;m struggling to think of things beyond the obvious.</p>\n\n\n\n<p>[00:27:47] <strong>Nathan Wrigley:</strong> Well, I think probably it is going to be the obvious, isn&#8217;t it? Largely, people are popping in text and so having something which will allow you within the interface, whether you are in a page builder or whether you&#8217;re using the Gutenberg editor, the ability to interrupt that flow and say, okay, I&#8217;ve written enough now, ChatGPT, take over. Give me the next 300 words please. Or just read what I&#8217;ve written and can you just finish this? I&#8217;m almost there.</p>\n\n\n\n<p>[00:28:11] <strong>James Dominy:</strong> Yeah, we are doing it already, even if it&#8217;s a sort of fairly primitive flow now where we write some stuff in our block editor, copy it up, pop it in ChatGPT or Bard or whatever, and say, hey, this is too formal. Or this is not formal enough. And it&#8217;s really great at that. Make this sound more businessy. And it understands the word businessy. The tool integration, it&#8217;s obvious in a lot of ways, but I think there are going to be a lot of non-obvious integrations. Like, oh wow, I wish I thought of that, and, you know, made my millions off that product. I mean, Jetpack is doing it already, you know. I am able to actively engage with ChatGPT whilst I&#8217;m editing my blog post. Fantastic.</p>\n\n\n\n<p>Another thing that I&#8217;ve just thought of is oh, I run a WooCommerce site and I want to use, not necessarily ChatGPT, but some other AI system to analyze product sales and use that to promote, to change the listing on my product site, so that I can sell more product. That&#8217;s going to happen.</p>\n\n\n\n<p>[00:29:09] <strong>Nathan Wrigley:</strong> Yeah, given that it&#8217;s incredibly good at consuming data.</p>\n\n\n\n<p>[00:29:13] <strong>James Dominy:</strong> Yeah, or even generating it on the fly. Generate 300 different descriptions of this product and randomize them. Put them out there and see which one sells best. We are doing that manually already. It&#8217;s AB testing at a larger scale.</p>\n\n\n\n<p>[00:29:28] <strong>Nathan Wrigley:</strong> Yeah. You can imagine a situation where the AI runs the split test, but it&#8217;s divided over 300 variations. And it decides for itself which is the winner.</p>\n\n\n\n<p>[00:29:39] <strong>James Dominy:</strong> On a day-to-day basis.</p>\n\n\n\n<p>[00:29:40] <strong>Nathan Wrigley:</strong> On an hourly basis. Implements the winner and then begins the whole process over and over again. I also wonder if in WordPress there is going to be AI to help lay out things. So at the moment we have the block editor. It enables you to create fairly complex layouts. We also have page builders, which allow us to do the same thing. So it alludes to what I was speaking about a moment ago.</p>\n\n\n\n<p>Talking, so literally talking, as well as typing in. I would like a homepage. I would like that homepage to show off my plumbing business, and here&#8217;s my telephone number. I&#8217;d like to have a picture of me, or somebody doing some plumbing, some additional content down there. You get the picture?</p>\n\n\n\n<p>[00:30:17] <strong>James Dominy:</strong> Yeah, absolutely.</p>\n\n\n\n<p>[00:30:18] <strong>Nathan Wrigley:</strong> A few little prompts, and rather than spitting out text or an image, whole layouts come out. And we can pick from 300 different layouts. I&#8217;ll go for that one, but now make the buttons red. The AI takes over the design process in a way.</p>\n\n\n\n<p>[00:30:32] <strong>James Dominy:</strong> Yeah. I&#8217;m going to confess here that I&#8217;m absolutely stealing this opinion from the AI panel earlier. I think the danger for WordPress specifically there, is that that level of automation for us with human engagement and, you know, developing something through conversation with an AI, might actually skip WordPress entirely. Why must the AI choose WordPress to do this?</p>\n\n\n\n<p>Maybe if we as a WordPress community invest in making WordPress AI integrated, then yeah, absolutely. Then hopefully we&#8217;re first to market with that in a way. And then it will generate stuff in WordPress. But there&#8217;s no, there&#8217;s no reason for it to maybe choose a Wix page as a better solution for you as a plumber, who doesn&#8217;t update things very often. You just want a static, you know.</p>\n\n\n\n<p>Chances are it&#8217;ll just say, here is some HTML it does the job for you, it&#8217;s pretty. I made some images for you as well. And, all you need to do is run the sequence of commands to, SSH it up to provider of your choice. Or I have selected this provider because I know how much they all charge and this is the cheapest. Or you&#8217;ve asked for the fastest, whatever.</p>\n\n\n\n<p>[00:31:41] <strong>Nathan Wrigley:</strong> Oh, interesting, okay. So it&#8217;s not just bound inside the WordPress interface. Literally, put this in the cheapest place as of today. And then if it changes in the next 24 hours, just move it over there and change the DNS for me and.</p>\n\n\n\n<p>[00:31:53] <strong>James Dominy:</strong> One day. For sure. Yeah.</p>\n\n\n\n<p>[00:31:54] <strong>Nathan Wrigley:</strong> Okay. So that very nicely ties into the harms.</p>\n\n\n\n<p>[00:31:58] <strong>James Dominy:</strong> There it is.</p>\n\n\n\n<p>[00:31:58] <strong>Nathan Wrigley:</strong> What we&#8217;ve just laid out is potentially quite harmful to a lot of the jobs that people do inside of WordPress. We&#8217;ve just described a workflow in which many of the things that we would charge clients for, which we could potentially get AI to do. Whether that&#8217;s a voice interface or a visual interface or a type, we&#8217;re typing in.</p>\n\n\n\n<p>So that is concerning, if we are giving AI the option to put us out of work. And I know at the moment, this is the hot topic. I&#8217;m pretty sure that there&#8217;s some fairly large organizations who have begun this process already. They&#8217;ve taken some staff who are doing jobs which can be swapped out for AI, and they&#8217;ve shed those staff.</p>\n\n\n\n<p>And whilst we&#8217;re in the beginning phase of that, it seems like we can swallow so much of people getting laid off. The problem, potentially is, if we keep laying people off over and over and over again and we give everything over to the AI, we suddenly are in a position where, well, there&#8217;s no humans in this whole process anymore. Does any of that give you pause for thought?</p>\n\n\n\n<p>[00:32:53] <strong>James Dominy:</strong> Yeah, it certainly does. I think we should temper our expectations of the capabilities of AI. So there&#8217;s a technical term called a terminal goal. The delineation between specific artificial intelligences and machine learning, in that world, and the concept of the general artificial intelligences, which is what everyone thinks of when they think of the I in artificial intelligence, is an AI that is capable of forming its own terminal goals.</p>\n\n\n\n<p>Its own, don&#8217;t get me wrong, like we have AIs that are capable of forming what are called intermediate nodes. If you tell an AI of a particular type to go and do a particular thing, then it is capable of forming intermediate steps. In order to do the thing you&#8217;ve told me, I need to first do this, which requires me to do that. And, you know, it forms a chain of goals, but none of those goals are emergent from the AI. They are towards a goal we have given the AI externally.</p>\n\n\n\n<p>That ability to form a goal internally is the concept of a terminal goal. And we don&#8217;t have, large language models don&#8217;t have terminal goals. Large language models, stable diffusion, all of the different algorithms that are hot topics today, are all couched within the idea of solving a problem given to them as an input.</p>\n\n\n\n<p>Which means there&#8217;s always going to need to be a human. At least with what we&#8217;ve got now. No matter how good these models get, how much brain power we give them. And this maybe is going against what I said earlier of like, I think it&#8217;s probably a quantity thing.</p>\n\n\n\n<p>Maybe there&#8217;s a tipping point. Maybe there&#8217;s a tipping point where the intermediate goal that it forms is indistinguishable from a terminal goal in a human brain. But for the moment, I think there always needs to be a human there to give the AI the task to solve. Open AI isn&#8217;t just running servers randomly just doing stuff. It spends its computational time answering users prompts and questions.</p>\n\n\n\n<p>[00:34:48] <strong>Nathan Wrigley:</strong> So if we pursue artificial intelligence research, and the end goal is to create an AGI, then presumably at some point we&#8217;ve got something which is indistinguishable from a human because it can set its own goals.</p>\n\n\n\n<p>[00:35:02] <strong>James Dominy:</strong> The cyberpunk dystopia, right?</p>\n\n\n\n<p>[00:35:03] <strong>Nathan Wrigley:</strong> But we&#8217;re not there yet. This is a ways off, my understanding at least anyway. But in the more short term, let&#8217;s bind it to the loss of jobs.</p>\n\n\n\n<p>[00:35:11] <strong>James Dominy:</strong> In my workshop this morning, I think the primary point that I wanted to get across is, if you are currently in the WordPress community, employed and or making an income out of WordPress. ChatGPT, Bard, generative AI, large language models are a tool that you should be learning to use. They&#8217;re not going to replace you.</p>\n\n\n\n<p>Maybe that&#8217;s less true on the content generation side, because large language models are particularly good at that. But there&#8217;s a flip side to that because on the software development side, programming languages have very strict grammars, which means the statistical model is particularly good at producing output for programming languages.</p>\n\n\n\n<p>It&#8217;s not good at handling the large amounts of complexity that can exist in large pieces of code. But equally so, I mean, if you ask it to give you a hundred items of things to do in Athens, whilst I&#8217;m totally, totally, working hard at a conference, uh, then you are probably going to get repeats. You might run into the confusion problem, the hallucination issue at some point there, where just a hundred is too much.</p>\n\n\n\n<p>Nobody has ever written an article of a hundred things to do in Athens in a day. I don&#8217;t know, I haven&#8217;t tried that. I&#8217;m guessing that there are going to be limitations. So some jobs are more in threat than others, but I think that if you&#8217;re already in the industry, or in the community and working with it, go with it and, absorb the tools into your day-to-day flow.</p>\n\n\n\n<p>It&#8217;s going to make you better at what you do. Faster at what you do. Hopefully able to make more money. Hopefully able to communicate with more people, translations et cetera. Make your blog multilingual. There are a lot of things that you can use it for that aren&#8217;t immediately coming after your job.</p>\n\n\n\n<p>The problem for me, and this again is the point that I was trying to get across in the workshop, the problem is the next generation. The people who are getting into WordPress today and tomorrow, and in six months time. Who are coming into a world where AI is already in such usage that it&#8217;s solving the simple problems. And the same as true, my editor wants 200 words or whatever on fun things to do in Athens overnight.</p>\n\n\n\n<p>Okay, great. ChatGPT can do that for the editor. Why does he need a junior content writer anymore? But the problem is, I mean, we&#8217;ve already said, sometimes it&#8217;s spectacularly wrong. Does that editor always have the time to actually vet the output? Probably not. And so the job of that junior is going to transform into, they need to be a subeditor. They need to be a content moderator almost, rather than a content generator.</p>\n\n\n\n<p>But that&#8217;s a skill that only comes from having written the content yourself. We learn by making mistakes, and if we are not making those mistakes because AI is generating the stuff, and either not making mistakes or making mistakes that we haven&#8217;t made before ourselves, and thus don&#8217;t recognize his mistakes. So my fear of the job losses aspect of AI is not that it&#8217;s going to wipe out people who are working already. It&#8217;s going to make that barrier to entry for the next generation, it&#8217;s knocking the bottom rung out of the ladder.</p>\n\n\n\n<p>And unless we change the ways that we teach people as they are entering the community, the WordPress community, the industry, and all the industries which AI is going to affect, the basics, and we focus on it. You know, it&#8217;s a catch 22. We have to teach people to do stuff without AI, so they can learn the basics. But at the same time, they also have to learn how to use AI so they can do the basics in the modern world.</p>\n\n\n\n<p>And I mean, we get back to that old debate like, why am I learning trigonometry in school? Because maybe someday it actually helps you do your job. Admittedly, so far, not so much. But I will say this. History, I did history in school. That has surprisingly turned out to be one of the most useful subjects I ever did, just because it taught me how to write. Which I didn&#8217;t learn in English class. Go figure.</p>\n\n\n\n<p>[00:39:17] <strong>Nathan Wrigley:</strong> It sounds like you are quite sanguine for now. If you are in the space and listening to this podcast now, everything is fine right now.</p>\n\n\n\n<p>[00:39:26] <strong>James Dominy:</strong> Yeah.</p>\n\n\n\n<p>[00:39:27] <strong>Nathan Wrigley:</strong> Maybe less sanguine for the future. Given that, do you think that AI more broadly needs to be corralled. There need to be guardrails put in place. There needs to be legislation. I don&#8217;t know how any of that works, but manufacturers of AI being put under the auspices of, well it would have to be governments, I guess. But some kind of system of checks and balances to make sure that it&#8217;s not, I don&#8217;t know, deliberately producing fakes. Or that the fakes are getting, the hallucinations are getting minimized. That it&#8217;s not doing things that aren&#8217;t in humanity&#8217;s best interests.</p>\n\n\n\n<p>[00:39:59] <strong>James Dominy:</strong> Absolutely. Yes. Although I&#8217;m not sure how we could do a good job of it, to be fair. The whole concept of, we want AIs to operate in humanity&#8217;s best interests. Who decides? The alignment problem crops up here where, it&#8217;s well known that we can train an AI to do something we think that it&#8217;s going to do, and it seems to be doing that thing until suddenly it doesn&#8217;t.</p>\n\n\n\n<p>And we just get some weird output. And then when we go digging, we realize actually it was trying to solve an entirely different problem to what we thought we were training it on, that just happened to have a huge amount of overlap with the thing that we did. But when we get to those edge cases, it goes off in what we think is a wildly wrong direction. But it is solving the problem that it was trained to solve. We just didn&#8217;t know we were training it to solve that problem.</p>\n\n\n\n<p>As far as regulation goes. Yes, I think regulation, it&#8217;s coming. I really want to say nobody could be stupid enough to put weapons in the hands of an AI. The human race has proved me wrong several thousand times already in history. Yeesh, I personally think that that&#8217;s an incredibly stupid idea. But then the problem becomes what&#8217;s a weapon?</p>\n\n\n\n<p>Because a weapon these days can be something as subtle as enough ability to control trading, high frequency trading. Accidentally crash a stock market. It&#8217;s already happened. Accidentally, and again, I&#8217;m air quoting the accidentally here, accidentally crash your competitor&#8217;s stock, or another nation&#8217;s stock market. AI is there, is being used as a validly useful tool to participate in the economy, but the economy can be used as a weapon.</p>\n\n\n\n<p>Putting AI in control of the water infrastructure in arid countries. Optimization, it can do those jobs a lot better. It can see almost instantaneously when there&#8217;s a pressure drop. So there&#8217;s a leak in this section of the pipe. Somebody needs to go fix it. And also it can just shut off the water to an entire section of the city because, I don&#8217;t know, it feels like it. Because for some reason it is optimizing for a different goal than we actually think we gave it.</p>\n\n\n\n<p>The trick is we can say, we can input into ChatGPT, I want you to provide water to the entire city in a fair and equitable way. That doesn&#8217;t mean that&#8217;s what it&#8217;s going to do. We just think that that&#8217;s what it&#8217;s going to do. We hope.</p>\n\n\n\n<p>[00:42:26] <strong>Nathan Wrigley:</strong> I think we kind of come back to where we started. If we had a crystal ball, and we could stare five, two years, three years, 10 years into the future. That feels like it would be a really great thing to have at the moment. There&#8217;s obviously going to be benefits. It&#8217;s going to make work certainly more productive. It&#8217;s going to make us be able to produce more things. But as you&#8217;ve just talked over the last 20 minutes or so, there&#8217;s also points of concern and things to be ironed out in the near term.</p>\n\n\n\n<p>[00:42:52] <strong>James Dominy:</strong> Absolutely, yeah.</p>\n\n\n\n<p>[00:42:53] <strong>Nathan Wrigley:</strong> We&#8217;re fast running out of time, so I think we&#8217;ll wrap it up if that&#8217;s all right? A quick one James, if somebody is interested, you&#8217;ve planted the seed of interest about AI and they want to get in touch with you and natter about this some more, where would they do that?</p>\n\n\n\n<p>[00:43:06] <strong>James Dominy:</strong> The best way is probably email. I am not a social person in the social media sense. I don&#8217;t have Twitter. I don&#8217;t do any of that. So I&#8217;m probably terrible for this when I think about it. My email is, J for Juliet, G for golf, my surname D O M for mother, I, N for November, Y for yankee at gmail.com. Please don&#8217;t spam. Please don&#8217;t get AI to spam me.</p>\n\n\n\n<p>[00:43:30] <strong>Nathan Wrigley:</strong> Yeah, yeah. James Dominy, thank you so much for joining us today.</p>\n\n\n\n<p>[00:43:34] <strong>James Dominy:</strong> Thank you for the opportunity. It&#8217;s been great fun, and I&#8217;ve really enjoyed being able to kind of deep dive into a lot of the stuff I just had to gloss over in the workshop. Thank you.</p>\n</div>\n\n\n\n<p>On the podcast today we have <a href=\"https://www.linkedin.com/in/jamesdominy/?originalSubdomain=ie\">James Dominy</a>.</p>\n\n\n\n<p>James is a computer scientist with a masters degree in bioinformatics. He lives in Ireland, working at the WPEngine Limerick office.</p>\n\n\n\n<p>This is the second podcast recorded at WordCamp Europe 2023 in Athens. James gave a talk at the event about the influence of AI on the WordPress community, and how it’s going to disrupt so many of the roles which WordPressers currently occupy.</p>\n\n\n\n<p>We talk about the recent rise of ChatGPT and the fact that it’s made AI available to almost anyone. In less than twelve months many of us have gone from never touching AI technologies to using them on a daily basis to speed up some aspect of our work.</p>\n\n\n\n<p>The discussion moves on to the rate at which AI systems might evolve, and whether or not they’re truly intelligent, or just a suite of technologies which masquerade as intelligent. Are they merely good at predicting the next word or phrase in any given sentence? Is there a scenario in which we can expect our machines to stop simply regurgitating text and images based upon what they’ve consumed; a future in which they can set their own agendas and learn based upon their own goals?</p>\n\n\n\n<p>This gets into the subject of whether or not AI is in any meaningful way innately intelligent, or just good at making us think that it is, and whether or not the famous Turing test is a worthwhile measure of the abilities of an AI.</p>\n\n\n\n<p>James’ background in biochemistry comes in handy as we turn our attention to whether or not there’s something unique about the brains we all possess, or if intelligence is merely a matter of the amount of compute power that an AI can consume. It’s more or less certain that given time, machines will be more capable than they are now, so when, if ever, does the intelligence Rubicon get crossed?</p>\n\n\n\n<p>The current AI systems can be broadly classified as Large Language Models, or LLMs for short, and James explains what these are and how they work. How can they create a sentence word by word if they don’t have an understanding of where each sentence is going to end up? James explains that LLMs are a little more complex than just handling one word at a time, always moving backwards and forwards within their predictions to ensure that they’re creating content which makes sense, even if it’s not always factually accurate.</p>\n\n\n\n<p>We then move on from the conceptual understanding of AI to more concrete ways it can be implemented. What ways can WordPress users implement AI right now, and what innovations might we reasonably expect to be available in the future? Will we be able to get AI to make intelligent decisions about our website’s SEO or design, and therefore be able to focus our time on other, more pressing, matters?</p>\n\n\n\n<p>It’s a fascinating conversation whether or not you’ve used AI tools in the past.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful links.</h2>\n\n\n\n<p><a href=\"https://openai.com/blog/chatgpt\">ChatGPT</a></p>\n\n\n\n<p><a href=\"https://stablediffusionweb.com/\">Stable Diffusion</a></p>\n\n\n\n<p><a href=\"https://en.wikipedia.org/wiki/Markov_model\">Markov Model</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 28 Jun 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:38;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"Akismet: How to Add CAPTCHA and reCAPTCHA to WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"http://akismet.com/?p=70973\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"https://akismet.com/blog/wordpress-captcha/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:25456:\"<p>Implementing a CAPTCHA or reCAPTCHA system is a highly effective way to protect your WordPress website or ecommerce business from spam and bots, which is crucial for ensuring online security.</p>\n\n\n\n<p>All that sounds great, but the effort involved in solving a CAPTCHA often results in reduced conversions. According to <a href=\"https://moz.com/blog/having-a-captcha-is-killing-your-conversion-rate\">Moz</a>, including a CAPTCHA could result in a loss of 3.2% of conversions. Yikes!</p>\n\n\n\n<p>That&#8217;s why today, we&#8217;ll explain the problem with the traditional CAPTCHA setup, offer a stand-out alternative, and provide steps to add CAPTCHA and reCAPTCHA to your WordPress site, if that&#8217;s still the route you feel most comfortable with.</p>\n\n\n\n<p>After following this guide, your website will be safer and more secure for your visitors.</p>\n\n\n\n<p>Let&#8217;s get started!</p>\n\n\n\n<span id=\"more-70973\"></span>\n\n\n\n<h2 class=\"wp-block-heading\">The problem with traditional CAPTCHA solutions</h2>\n\n\n\n<p>While <a href=\"https://support.google.com/a/answer/1217728?hl=en#:~:text=CAPTCHA%20(Completely%20Automated%20Public%20Turing,known%20as%20challenge%2Dresponse%20authentication.\">CAPTCHA</a> systems have been widely adopted for their ability to prevent spam and bot activity, they do come with a number of drawbacks. Make sure you’re aware of these downsides before you use a WordPress CAPTCHA plugin.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\">1. They’re challenging for those with visual impairments</h3>\n\n\n\n<p>Traditional CAPTCHA systems often rely on distorted images of text, making it difficult for users with visual impairments to solve them. This can lead to accessibility issues and discourage visitors from interacting with your site.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image12.png\" alt=\"example of a CAPTCHA asking the user to select squares with red spheres\" class=\"wp-image-70975\" width=\"385\" height=\"463\" />\n\n\n\n<h3 class=\"wp-block-heading\">2. They create a frustrating experience&nbsp;</h3>\n\n\n\n<p>CAPTCHAs can be frustrating and time-consuming to solve, particularly when the distorted text is difficult to read. This annoyance can cause people to leave your site without completing their intended action, such as submitting a form or making a purchase. Sometimes, visitors may even have to solve multiple CAPTCHAs —&nbsp;a real test of endurance.</p>\n\n\n\n<h3 class=\"wp-block-heading\">3. They can generate false positives</h3>\n\n\n\n<p>CAPTCHA systems can sometimes incorrectly identify real human users as bots, preventing them from accessing your site or submitting forms. This can lead to a loss of leads, customers, or subscribers.</p>\n\n\n\n<h3 class=\"wp-block-heading\">4. They’re easily bypassed by sophisticated bots</h3>\n\n\n\n<p>As bots become more advanced, they’re increasingly able to bypass traditional CAPTCHA systems, rendering them less effective at preventing spam and malicious activity on your site.</p>\n\n\n\n<h3 class=\"wp-block-heading\">5. They can create a negative user experience</h3>\n\n\n\n<p>Implementing CAPTCHA systems can negatively impact your site&#8217;s user experience, particularly when the CAPTCHAs are overly complex or difficult to solve. This can lead to lower visitor satisfaction and, ultimately, decreased engagement and conversions.</p>\n\n\n\n<h3 class=\"wp-block-heading\">6. They can lead to lower conversion rates</h3>\n\n\n\n<p>As mentioned above, the frustrating experience of solving CAPTCHAs can lead to users abandoning your site before completing their intended actions. This can result in lower conversion rates for your business.</p>\n\n\n\n<h3 class=\"wp-block-heading\">7. They can cause higher page load times</h3>\n\n\n\n<p>Implementing CAPTCHA systems can also contribute to slower page load times, as they often require additional resources and scripts to load. This can negatively impact your site&#8217;s performance and search engine rankings.</p>\n\n\n\n<p>Given these challenges, it&#8217;s important to find a solution that’s both effective at preventing spam and bots, while also providing a positive user experience. That&#8217;s where Akismet comes in to save the day.</p>\n\n\n\n<h2 class=\"wp-block-heading\">How does Akismet address these issues?</h2>\n\n\n\n<p>Akismet addresses the shortcomings of traditional CAPTCHA systems by employing advanced algorithms and a continuously-updated database of spam signatures. It can effectively identify and block spam and malicious activity without any user input and without annoying barriers for site visitors.&nbsp;</p>\n\n\n\n<p><strong>The result is enhanced accessibility, a superior user experience, and fewer false positives.&nbsp;</strong></p>\n\n\n\n<p>Even the most sophisticated bots can be identified and blocked by Akismet due to its advanced spam detection technology and constantly-updated database. By staying ahead of emerging threats, Akismet ensures your online presence remains secure and your valuable content and data are safeguarded.</p>\n\n\n\n<h2 class=\"wp-block-heading\">The benefits of using Akismet over CAPTCHA</h2>\n\n\n\n<p>Given the challenges associated with traditional CAPTCHA solutions, Akismet presents several benefits that make it a compelling and superior alternative for WordPress site owners.</p>\n\n\n\n<h3 class=\"wp-block-heading\">1. Greater user-friendliness</h3>\n\n\n\n<p>Akismet doesn&#8217;t require users to solve puzzles or enter codes, ensuring a more pleasant and frustration-free browsing experience. It operates seamlessly in the background, allowing visitors to focus on your content and offerings without any distractions or interruptions.</p>\n\n\n\n<h3 class=\"wp-block-heading\">2. Improved accessibility for all users</h3>\n\n\n\n<p>Akismet can be used by people with vision impairments because it doesn’t use visual puzzles to block spam and bots. This approach makes sure that your website is user-friendly and welcoming to a diverse audience, creating a positive online environment for everyone.</p>\n\n\n\n<h3 class=\"wp-block-heading\">3. Greater accuracy in spam detection</h3>\n\n\n\n<p>Akismet uses advanced algorithms and a vast database of spam signatures to minimize false positives. This means that genuine users can access and interact with your site without being mistakenly identified as bots. This accurate spam detection helps build a trustworthy online presence and improve user experiences.</p>\n\n\n\n<h3 class=\"wp-block-heading\">4. Robust effectiveness against malicious activity</h3>\n\n\n\n<p>Akismet is highly effective at identifying and blocking spam and malicious activity, including sophisticated bots that can bypass traditional CAPTCHA systems. Its constantly-updated database and advanced spam detection technology ensure your website remains secure and protected from emerging threats.</p>\n\n\n\n<h3 class=\"wp-block-heading\">5. Optimized performance and load times</h3>\n\n\n\n<p>Akismet runs in the background and won&#8217;t slow down your website by using extra data or running unnecessary scripts. This means your website will stay fast and responsive for your visitors, which can help improve your search engine rankings and create a great browsing experience.</p>\n\n\n\n<p>If this sounds like a solid prospect, you&#8217;ll be delighted to hear that we&#8217;re discussing how to install and set up Akismet on WordPress next.</p>\n\n\n\n<h2 class=\"wp-block-heading\">How to add Akismet to WordPress</h2>\n\n\n\n<p>Incorporating <a href=\"https://akismet.com/\">Akismet</a> into WordPress comment and contact forms is a breeze, and you can accomplish it in just a few steps. However, the procedure might differ slightly depending on the contact form or plugin you&#8217;re using. Let&#8217;s explore how it&#8217;s done!</p>\n\n\n\n<h3 class=\"wp-block-heading\">Step 1: Install the Akismet plugin</h3>\n\n\n\n<p>Akismet can be used for free to get rid of spam <a href=\"https://akismet.com/blog/wordpress-pros-and-cons-of-enabling-comments/\">comments</a> and harmful form submissions on your non-commercial site. Websites run for commercial purposes can choose from several affordable premium options.</p>\n\n\n\n<p>First, install and activate the plugin.</p>\n\n\n\n<p>To do this, log in to your WordPress dashboard, go to the <strong>Plugins</strong> tab, click <strong>Add New</strong>, and search for it. The plugin is usually included in the top &#8220;<strong>Featured</strong>&#8221; list.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image6.png\" alt=\"finding Akismet in the WordPress repository\" class=\"wp-image-70976\" width=\"450\" height=\"197\" />\n\n\n\n<p>To install the plugin, click on<strong> Install Now</strong> and then <strong>Activate</strong>. After activation, go to <strong>Settings</strong> and select <strong>Akismet Anti-Spam</strong>. Under <strong>Settings</strong>, locate the <strong>API key</strong> field.</p>\n\n\n\n<p>You can get the key by going to the Akismet website and creating an account.&nbsp;</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image7.png\" alt=\"Aksimet homepage with the text, \" />\n\n\n\n<p>Once you finish the signup process on the website, log in to your new account then locate <strong>My Account</strong> and choose <strong>Add Subscription</strong>.</p>\n\n\n\n<p>You can select your desired plan next. The <strong>Personal</strong> plan is free for individual website use if your site is considered &#8220;non-commercial.&#8221;</p>\n\n\n\n<p>After registering, you’ll receive an API key in the My Account section. Copy this key and then navigate to the WordPress dashboard&#8217;s <strong>Settings → Akismet Anti-Spam</strong> screen. Next, paste the key into the <strong>API Key</strong> field.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image1.png\" alt=\"Akismet settings in WordPress\" class=\"wp-image-70979\" width=\"450\" height=\"267\" />\n\n\n\n<p>Click on <strong>Save Changes</strong> to finish.</p>\n\n\n\n<p>Akismet will automatically filter comment spam and put it in a queue for review on the dashboard. But if you want it to work on your contact form(s), you&#8217;ll need to complete another step.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Step 2: Add Akismet to your contact form</h3>\n\n\n\n<p>By default, WordPress does not have a contact form feature. Therefore, you’ll need to use plugins to include contact forms on their sites. The method to add these forms will vary based on the plugin being used.</p>\n\n\n\n<p>Some popular contact form plugins, including <a href=\"https://jetpack.com/features/discussion/contact-forms/\">Jetpack</a>, already have Akismet support built-in.&nbsp;</p>\n\n\n\n<p>Other plugins necessitate setting up Akismet add-ons to incorporate spam protection into their forms. <a href=\"https://www.gravityforms.com/\">Gravity Forms</a> is the most popular example of this.</p>\n\n\n\n<p>Still other WordPress plugins like <a href=\"https://wordpress.org/plugins/contact-form-7/\">Contact Form 7</a> require a code snippet to add Akismet support.</p>\n\n\n\n<p>Thankfully, it&#8217;s easy to configure Akismet on your contact forms, no matter which method you choose.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Step 3: Set up the anti-spam settings in Akismet</h3>\n\n\n\n<p>Akismet is very much a set-it-and-forget-it type of tool. Just install, activate, and you&#8217;re basically done. But it also allows you to control how to handle contact form spam a bit more precisely.</p>\n\n\n\n<p>The plugin is configured, by default, to send flagged comments to a holding queue located in the <strong>Comments</strong> section of the WordPress dashboard so that you can review them later. You can also set up Akismet to delete spam entirely.</p>\n\n\n\n<p>If this sounds appealing, just go to<strong> Settings → Akismet Anti-Spam</strong> and locate the <strong>Settings</strong>.&nbsp;</p>\n\n\n\n<p>Scroll down to the section called <strong>Strictness</strong>.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image10.png\" alt=\"Strictness settings for Akismet\" class=\"wp-image-70980\" width=\"450\" height=\"170\" />\n\n\n\n<p>Akismet is good at identifying which messages are spam and which ones are legitimate, which means you can delete the spam messages from your contact form without worry. However, if you want to keep all messages, you can select the option to <strong>Always put spam in the Spam folder for review</strong>.</p>\n\n\n\n<p>Remember that Akismet stores spam comments for 15 days before they&#8217;re deleted. So, if you go for this option, review your queue regularly.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Still want to use CAPTCHA?</h2>\n\n\n\n<p>Although we suggest using Akismet due to its ease-of-use and success in blocking spam and bots, we realize that certain users may still want to learn how to add CAPTCHA to WordPress. This section will provide clear instructions on how to integrate both CAPTCHA and reCAPTCHA into a WordPress contact form.</p>\n\n\n\n<h3 class=\"wp-block-heading\">1. How to add CAPTCHA to a WordPress contact form</h3>\n\n\n\n<p>Although most well-known contact form plugins include CAPTCHA functionality, you can also manually incorporate CAPTCHA into any form element on WordPress that&#8217;s being misused. This not only includes contact forms, but also comment forms, <a href=\"https://akismet.com/blog/how-to-enable-or-disable-user-registration-in-wordpress/\">user registration pages</a>, login pages, and opt-in forms.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 1: Install and activate the Friendly CAPTCHA for WordPress plugin</h4>\n\n\n\n<p>For the purposes of this tutorial, we&#8217;re using the <a href=\"https://wordpress.org/plugins/friendly-captcha/\">Friendly CAPTCHA for WordPress</a> plugins, though there are other options available.&nbsp;</p>\n\n\n\n<p>Go to your WordPress dashboard then to <strong>Plugins → Add New</strong> and search for the plugin by name.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image8-1.png\" alt=\"Friendly Captcha for WordPress plugin\" class=\"wp-image-70982\" width=\"225\" height=\"188\" />\n\n\n\n<p>Once you locate it, click <strong>Install → Activate</strong>.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 2: Add the site key and secret key</h4>\n\n\n\n<p>To input your<strong> </strong>Site key and Secret key, locate<strong> Friendly Captcha</strong> in the dashboard, then click <strong>Settings</strong>.</p>\n\n\n\n<p>Then go to the <a href=\"https://friendlycaptcha.com\">Friendly Captcha</a> website and create an account. Pick a plan, then copy your site key.&nbsp;</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image5.png\" alt=\"creating a Friendly Captcha account\" class=\"wp-image-70983\" width=\"450\" height=\"199\" />\n\n\n\n<p>Go back to your WordPress installation and paste in the<strong> Site key</strong> in the appropriate field. Then go back to your account on the website and generate an API key by typing in a name for it then clicking <strong>Create API Key.</strong>&nbsp;</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image13.png\" alt=\"creating an API key\" class=\"wp-image-70984\" width=\"450\" height=\"195\" />\n\n\n\n<h4 class=\"wp-block-heading\">Step 3: Finish configuring settings</h4>\n\n\n\n<p>For this tutorial, please select the comment form box to enable forms and keep all other settings at their default values to configure the remaining options based on your preferences.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 4: Save and view</h4>\n\n\n\n<p>Once you&#8217;re done making changes, click <strong>Save Changes,</strong> then visit a live blog post to verify the comment form is working as intended.</p>\n\n\n\n<h3 class=\"wp-block-heading\">2. How to add reCAPTCHA to a WordPress contact form</h3>\n\n\n\n<p>Google reCAPTCHA adds an extra layer of protection to your contact forms, using a two-step verification process. This tool can help stop bots and spammers, as they&#8217;ll need to pass the reCAPTCHA test. You can use a WordPress CAPTCHA plugin to get the job done. Here&#8217;s how you can incorporate it into your WordPress contact form:</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 1: Install and activate a WordPress reCAPTCHA plugin</h4>\n\n\n\n<p>First, install and activate the <a href=\"https://wordpress.org/plugins/simple-google-recaptcha/\">Simple Google reCAPTCHA plugin</a>. Just search for it by name under <strong>Plugins → Add New</strong>. Then click <strong>Install → Activate</strong>.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image11.png\" alt=\"the Simple Google reCAPTCHA plugin\" class=\"wp-image-70985\" width=\"450\" height=\"251\" />\n\n\n\n<p>After activation, navigate to<strong> Settings → Google reCAPTCHA</strong> to configure the plugin settings.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 2: Configure the plugin settings</h4>\n\n\n\n<p>The plugin will prompt you to enter Google reCAPTCHA keys. You can obtain these keys for free from the official reCAPTCHA website by clicking the <strong>register your domain</strong> link at the top of the page.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image2.png\" alt=\"warning to register your domain \" class=\"wp-image-70986\" width=\"450\" height=\"65\" />\n\n\n\n<h4 class=\"wp-block-heading\">Step 3: Obtain reCAPTCHA API keys by registering your website</h4>\n\n\n\n<p>The <strong>register your domain</strong> link directs you to the Google reCAPTCHA website, where you can register your site to work with reCAPTCHA.</p>\n\n\n\n<p>Sign in with your Google account, and you&#8217;ll see the <strong>Register a new site</strong> page. Enter the necessary basic information to register your site.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image14.png\" alt=\"registering a site with Google\" class=\"wp-image-70987\" width=\"450\" height=\"190\" />\n\n\n\n<p>In the <strong>Label</strong> field, input your website name or any name of your choice to help you identify your site later.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 4: Add a new site</h4>\n\n\n\n<p>Next, choose the <strong>reCAPTCHA V2</strong> radio button to reveal two new options.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image9-1.png\" alt=\"options for reCAPTCHA type\" class=\"wp-image-70988\" width=\"450\" height=\"129\" />\n\n\n\n<p>To add the reCAPTCHA checkbox to your site, select the first option,<strong> I&#8217;m not a robot </strong>checkbox.</p>\n\n\n\n<p>In the <strong>Domains</strong> text box, add the domain name of your website.</p>\n\n\n\n<p>You can also add multiple domains or subdomains by clicking the plus <strong>+</strong> icon, enabling you to use the same API keys across different websites.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 5: Add domain and email to your reCAPTCHA site</h4>\n\n\n\n<p>Google will automatically add your email address under <strong>Owners</strong>. You can also add another email if desired. Then accept the terms of service.</p>\n\n\n\n<p>Select the <strong>Send alerts to owners</strong> checkbox to allow Google to send emails if they detect any misconfigurations or suspicious activity.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 6: Submit and register your WordPress site</h4>\n\n\n\n<p>After completing the form, click <strong>Submit</strong> to register your site.</p>\n\n\n\n<p>Google reCAPTCHA will display a success message, along with the site key and secret key.</p>\n\n\n\n<p>Use these API Keys in your website&#8217;s plugin settings.</p>\n\n\n\n<p>Navigate to <strong>Settings → Google reCAPTCHA</strong> from your WordPress dashboard.</p>\n\n\n\n<p>On the <strong>Settings</strong> page, paste the site key and secret key.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image4.png\" alt=\"creating Google reCAPTCHA keys\" class=\"wp-image-70989\" width=\"450\" height=\"105\" />\n\n\n\n<p>The plugin will incorporate reCAPTCHA verification into the WordPress comment form, registration form, reset password form, new password form, and login form.</p>\n\n\n\n<p>You can disable reCAPTCHA on the login form by selecting the appropriate checkbox.</p>\n\n\n\n<p>Remember to click <strong>Save Changes</strong> to store the API keys and activate reCAPTCHA.</p>\n\n\n\n<p>You have now successfully added reCAPTCHA to your WordPress comment form. Check the comment section of your blog posts to ensure it&#8217;s working correctly.</p>\n\n\n\n<p>So now you know how to add CAPTCHA or reCAPTCHA to your WordPress contact forms. Although these options can reduce spam and bot activity, we suggest using Akismet instead because it is easy to use, more accessible, and effective against advanced bots.</p>\n\n\n\n<p>Regardless of the solution you choose, however, keeping your WordPress site secure from spam and malicious activity is crucial for maintaining a positive user experience, safeguarding your online presence, and protecting your reputation.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Frequently asked questions about CAPTCHA and reCAPTCHA</h2>\n\n\n\n<p>Still curious about CAPTCHA, reCAPTCHA, and how to safeguard the contact forms on your website? Let&#8217;s take a look at some answers to the most commonly asked questions on the subject.</p>\n\n\n\n<h3 class=\"wp-block-heading\">What is CAPTCHA?</h3>\n\n\n\n<p>CAPTCHA, which stands for “Completely Automated Public Turing test to tell Computers and Humans Apart”, is a security measure used on websites to prevent automated bots from submitting forms, leaving comments, or performing other actions that should only be done by human users. CAPTCHAs typically require users to solve visual puzzles — such as identifying distorted text or selecting specific images — to prove that they’re not bots.</p>\n\n\n\n<h3 class=\"wp-block-heading\">What is reCAPTCHA?</h3>\n\n\n\n<p>reCAPTCHA is a more advanced version of CAPTCHA developed by Google. It improves upon traditional CAPTCHA systems by incorporating machine learning and advanced risk analysis techniques to better differentiate between human users and bots. reCAPTCHA is designed to be more user-friendly, with some versions requiring people only to click a checkbox.</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/06/image3.png\" alt=\"I\'m not a robot checkbox\" class=\"wp-image-70990\" width=\"315\" height=\"86\" />\n\n\n\n<h3 class=\"wp-block-heading\">What is Akismet?</h3>\n\n\n\n<p>Akismet is a powerful anti-spam solution for WordPress websites, developed by Automattic, the company behind WordPress.com. It uses advanced algorithms and a continuously-updated database of spam signatures to identify and block spam comments and form submissions, without requiring user input or creating accessibility barriers. Akismet operates in the background (kind of like an invisible CAPTCHA, in a sense), providing a seamless and user-friendly browsing experience.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Is Akismet better than CAPTCHA and reCAPTCHA?</h3>\n\n\n\n<p>While each solution has its own advantages, Akismet is generally considered more user-friendly and accessible compared to CAPTCHA and reCAPTCHA. It doesn&#8217;t require users to solve puzzles or enter codes, making it easier for those with visual impairments and providing a smoother browsing experience overall. Akismet is also highly effective at blocking spam and bots, even as they evolve and become more sophisticated.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Does Akismet integrate with contact form plugins like Contact Form 7?</h3>\n\n\n\n<p>Yes, Akismet integrates with many popular WordPress contact form plugins, including Contact Form 7. By connecting Akismet to your contact form plugin, you can effectively protect your forms from spam submissions without the need for CAPTCHA or reCAPTCHA.</p>\n\n\n\n<h3 class=\"wp-block-heading\">What are real-world examples of sites using Akismet?</h3>\n\n\n\n<p>Akismet is trusted by over 100 million websites worldwide, including well-known enterprise brands such as <a href=\"https://www.microsoft.com/\">Microsoft</a>, <a href=\"https://akismet.com/blog/convertkit-customerstory/\">ConvertKit</a>, and <a href=\"https://www.bluehost.com/\">Bluehost</a>. Its widespread adoption and use by major companies serve as strong social proof for its effectiveness in preventing spam and ensuring a secure, user-friendly online experience.&nbsp;</p>\n\n\n\n<p>Should you choose Akismet for your contact and registration forms, you&#8217;ll be in good company, joining millions of other websites that have successfully protected their online presence from spam and malicious activity.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Akismet: Non-intrusive spam protection for WordPress&nbsp;</h2>\n\n\n\n<p>To keep your WordPress site free from <a href=\"https://akismet.com/blog/spambots-theyre-not-just-like-us-introducing-akismets-newest-spam-fighting-feature/\">spam and bots</a> while ensuring a good user experience and accessibility, you should use Akismet. It offers an effective way to combat spam that doesn&#8217;t disrupt your site visitors&#8217; browsing experience.</p>\n\n\n\n<p>If you add Akismet to your WordPress site, it will use complex calculations and a big collection of spam markers to keep your site safe from unwanted content. In addition, it integrates smoothly with well-known tools for contact forms, making sure that everyone can use your website securely and without hassle.</p>\n\n\n\n<p>While CAPTCHA and reCAPTCHA may still be preferred by some, Akismet stands out as a user-friendly, effective, and accessible alternative for securing your WordPress contact forms against spam and bots. And by choosing Akismet, you&#8217;re investing in the success of your online presence and ensuring a pleasant experience for your visitors, which is definitely worth prioritizing.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 28 Jun 2023 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Jen Swisher\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:39;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"WPTavern: WordPress 6.3 Will Introduce A Command Palette\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146321\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wptavern.com/wordpress-6-3-will-introduce-a-command-palette\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3341:\"<p>Last week Gutenberg contributors were engaged in a spirited debate regarding <a href=\"https://wptavern.com/wordpress-contributors-discuss-renaming-command-center-tool\">a proposal to rename the new Command Center to Wayfinder</a>. The feature, designed to be an extensible quick search and command execution tool, will land in WordPress 6.3.</p>\n\n\n\n<p>The majority of participants in the <a href=\"https://github.com/WordPress/gutenberg/issues/50925\">discussion</a> were strongly against calling it Wayfinder, as the term doesn&#8217;t translate well, nor does it make the feature&#8217;s benefits easy to understand.  Wayfinder was proposed as a unique name that &#8220;has the potential to evoke a sense of curiosity, exploration, and discovery.&#8221; There were several attempts to wrap up the discussion with notes on alternatives even when it was apparent that the general consensus was unequivocally not in favor of the term Wayfinder.</p>\n\n\n\n<p>Automattic-sponsored Gutenberg contributor Anne McCarthy <a href=\"https://github.com/WordPress/gutenberg/issues/50925#issuecomment-1610044400\">commented</a> on the issue with the decision, which she said was reached after consulting project leadership and reading through the comments:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><em><strong>Let’s move forward with Command Palette.</strong></em></p>\n\n\n\n<p>Reasoning: easier to translate, consistent across other tooling outside of WordPress, matches current functionality, eases discoverability/understanding of value, and leans generic which matches the concerns raised here. </p>\n\n\n\n<p>Ultimately, we can always discuss renaming if the feature reaches a point of evolution outside of this initial name. As raised above, that would be more worth risking a unique name for than something that exists in other products and that ultimately we want people to quickly understand/find value in. Plus if we hold off on that name for the future, it can create a nice marketing push for something truly unique when/if the time comes. If folks have additional specific concerns around this naming, please speak up sooner rather than later.</p>\n</blockquote>\n\n\n\n<p>McCarthy also requested other contributors ensure the re-naming is updated throughout the interface for the upcoming release.</p>\n\n\n\n<p>This was an important decision that needed to be made ahead of WordPress 6.3 Beta 1, which was supposed to be released today but was <a href=\"https://make.wordpress.org/core/2023/06/27/wordpress-6-3-beta-1-postponed/\">delayed</a> to Wednesday, June 28, due to an unrelated issue. The Command Palette will likely be introduced in blog posts, the 6.3 About page, and countless third-party resources so the proposal urgently needed a conclusion.</p>\n\n\n\n<p>It’s also to the team’s credit that they didn’t force a fancy marketing name and instead landed on the side of the majority of contributors who were in favor of using clear language. The API for the Command Palette <a href=\"https://github.com/WordPress/gutenberg/pull/51169\">is now public</a> and ready for developers to create their own custom commands. Using a term that is easy to understand and translate will engender more global community buy-in, as <a href=\"https://wordpress.org/about/stats/\">52% of WordPress users</a> run the software in a language other than English.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 28 Jun 2023 01:46:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:40;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"WPTavern: WordCamp Europe 2024 Calls for Organizers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146294\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wptavern.com/wordcamp-europe-2024-calls-for-organizers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3609:\"<p>WordCamp Europe 2023 in Athens attracted more than 2,500 attendees from 94 countries, made possible by 112 organizers and 250 volunteers. The event is now looking forward to 2024, which will be hosted by the Italian WordPress community in Torino, Italy, June 13-15. This modern city is located at the foot of the Alps in northwestern Italy and has more than 2,000 years of history to explore.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n\n</div>\n\n\n\n<p>WCEU 2024 is <a href=\"https://europe.wordcamp.org/2024/call-for-organisers/\">calling for organizers</a> who will serve on one of a dozen teams that have been operating for the past few years, including attendee services, budget, design, sales and sponsors, communications, and more.</p>\n\n\n\n<p>Those selected to organize will begin planning WCEU in September 2023 and will work with a distributed team on a weekly basis until June 2024. </p>\n\n\n\n<p>During the 2023 event&#8217;s speaker announcements, the WCEU organizing team was <a href=\"https://wptavern.com/wceu-2023-publishes-schedule-reaffirms-commitment-to-diversity\">criticized for the second year in a row regarding its commitment to diversity</a>. The previous year organizers were called out for the <a href=\"https://europe.wordcamp.org/2022/diversity-at-wceu/\">lack of diversity on the organizing team</a> and this year the complaint was a lack of diversity in the speaker selection.</p>\n\n\n\n<p>WCEU 2023 organizers published a <a href=\"https://europe.wordcamp.org/2023/transparent-selection-processes/\">transparent account of the various selection processes</a> used for organizers, speakers, media partners, and others involved in the event. The article states that organizers are shortlisted based on their skills, with an effort &#8220;to keep gender parity high whilst also selecting people from all available European WordPress communities.&#8221; It also states that applicants&#8217; experience and enthusiasm are chief among selection factors but organizers also reach out to encourage underrepresented groups to apply:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>During the selection process we don’t have anything that resembles a “positive discrimination” policy, whereby we choose people based on their race, color, background, gender, sexual identity, or any other attribute; we solely chose people based on their stated experience and enthusiasm to be part of the team&#8230;</p>\n\n\n\n<p>Acknowledging that diversity within the Organizing team is important, we reach out to community groups and members before and during the application process, encouraging people to apply where we have historically seen underrepresentation.</p>\n</blockquote>\n\n\n\n<p>The article concludes with a statement of willingness to modify this selection process if the organization is not able to achieve a diverse lineup:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>WordCamp Europe is an iterative event; each year learns from the last and 2024 will be no different. We cannot take for granted that achieving diversity one year guarantees it the next. As a flagship WordCamp event we may need to positively discriminate to achieve gender parity, or fair representation of communities. </p>\n</blockquote>\n\n\n\n<p>The <a href=\"https://europe.wordcamp.org/2024/call-for-organisers/\">call for 2024 organizers</a> does not identify any changes that have been made to the selection process. Prospective organizers will need to <a href=\"https://europe.wordcamp.org/2024/call-for-organisers/application-form/\">fill out the application form</a> highlighting their skills, experience, and desired role.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 27 Jun 2023 21:40:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:41;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"WPTavern: Reusable Blocks Renamed to Patterns with Synced and Non-Synced Options\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146252\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://wptavern.com/reusable-blocks-renamed-to-patterns-with-synced-and-non-synced-options\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7029:\"<p>There has always been some confusion and overlap between reusable blocks and patterns. The difference was that reusable blocks can be created and edited in the block editor and then reused in other places &#8211; inserted into posts or pages. Block patterns, once inserted, can be edited and are not synced. They give users the ability to apply the same layout to different posts and pages. </p>\n\n\n\n<p>Reusable blocks have now been <a href=\"https://github.com/WordPress/gutenberg/pull/51144\">renamed to patterns</a>, with the option to be synced, which offers the same functionality as the former reusable blocks where all instances can be updated at once. Non-synced patterns are just regular patterns &#8211; those that can be edited independently of other other instances that have been inserted. These updates are coming in Gutenberg 16.1 and will be included in the upcoming WordPress 6.3 release.</p>\n\n\n\n<p>WordPress contributor Aki Hamano posted a diagram to Twitter regarding the renaming, which was confirmed as an accurate representation of the changes.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">I am trying to understand about the new naming of \"Pattern\" in WordPress. I currently understand it as this figure represents, is this correct? <a href=\"https://t.co/WxKFRotB0V\">pic.twitter.com/WxKFRotB0V</a></p>&mdash; Aki Hamano / 浜野 哲明 (@tetsuaki_hamano) <a href=\"https://twitter.com/tetsuaki_hamano/status/1672984350680567809?ref_src=twsrc%5Etfw\">June 25, 2023</a></blockquote>\n</div>\n\n\n\n<p>&#8220;Clients already find the pattern and reusable block concept very difficult to grasp,&#8221; WordPress developer Mark Howells-Mead commented on the pull request for the renaming. &#8220;This change will make things much harder for regular users to comprehend.&#8221; </p>\n\n\n\n<p>Gutenberg contributor Paal Joachim Romdahl commented that it would be helpful to have more time to test this in a few versions of the Gutenberg plugin, as WordPress 6.3 beta 1 is expected this week. Learning materials and documentation will need to be updated with very little notice.</p>\n\n\n\n<p>Gutenberg contributor Daniel Richards encouraged contributors to see the change as part of &#8220;<a href=\"https://github.com/WordPress/gutenberg/issues/41717\">the great unification</a>,&#8221; an effort towards consolidating the many different block types into a single concept and streamlining the content and site editors.</p>\n\n\n\n<p>&#8220;In the future it might also be possible for template parts to be considered &#8216;synced patterns&#8217;, and at that point things become much more streamlined and there are far fewer concepts for users to grasp,&#8221; Gutenberg contributor Daniel Richards said. </p>\n\n\n\n<p>&#8220;So the hope is that this is a first step on the path to making things easier for users, rather than more difficult. But I do realize that for existing users it&#8217;s quite a shift.&#8221;</p>\n\n\n\n<p>As part of this effort, WordPress 6.3 will also introduce pattern creation in the block editor using the same interface that it previously used for reusable blocks. Pattern creation necessitates having a place for users to view and manage their patterns. WordPress 6.3 will also include a first pass at <a href=\"https://github.com/WordPress/gutenberg/pull/51078\">a Pattern Library inside the Site Editor</a>, which will include both patterns and template parts. Gutenberg designers shared <a href=\"https://make.wordpress.org/design/2023/06/19/design-share-jun-5-jun-16/?mc_cid=4941c0b11f&mc_eid=68ffa9a210\">a preview</a> of what this would look like a couple weeks ago:</p>\n\n\n\n<a href=\"https://i0.wp.com/make.wordpress.org/design/files/2023/06/patterns.gif?ssl=1\"><img src=\"https://i0.wp.com/make.wordpress.org/design/files/2023/06/patterns.gif?resize=776%2C540&ssl=1\" alt=\"\" class=\"wp-image-11211\" /></a>image credit: <a href=\"https://make.wordpress.org/design/2023/06/19/design-share-jun-5-jun-16/?mc_cid=4941c0b11f&mc_eid=68ffa9a210\">WordPress Design Share June 5-16</a>\n\n\n\n<h3 class=\"wp-block-heading\">The Potential of Partially Synced Patterns</h3>\n\n\n\n<p>In May, contributors began a discussion about the concept of <a href=\"https://github.com/WordPress/gutenberg/discussions/50456\">partially synced patterns</a>, which Daniel Richards summarized:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Today, when you insert a pattern, the blocks from that pattern are completely decoupled and standalone. There&#8217;s no way to tell that those blocks originated from a pattern, especially since they can be edited to no longer resemble the source pattern.</p>\n\n\n\n<p>Partially synced mode is different. When a pattern that&#8217;s partially synced is inserted, it retains a reference to the source pattern. The blocks within the pattern are locked so that they cannot be removed or reordered and new blocks cannot be inserted (this is called&nbsp;<code>contentOnly</code>&nbsp;locking). Only specific parts of the pattern considered &#8216;content&#8217; can be edited (denoted by adding&nbsp;<code>__experimentalRole: \'content\'</code>&nbsp;to a block&#8217;s definition).</p>\n\n\n\n<p>When the source pattern is updated, all instances of blocks that reference the source pattern are updated too (much like a reusable block), but the&nbsp;<code>content</code>&nbsp;values the user entered are retained. The best way to think of this is that the user can update the design of a pattern, but doesn&#8217;t lose content that exists in templates and posts.</p>\n</blockquote>\n\n\n\n<p>This concept will not make it into the upcoming version of WordPress, as contributors are still discussing one of many complex implementations, but it offers a glimpse of what might be more granular control coming to patterns in the future. Partially synced patterns would bring distinct benefits to many CMS and content design use cases where clients may be editing content. </p>\n\n\n\n<p>&#8220;I am a site developer for an agency, and am actively making sites for clients using Gutenberg every day,&#8221; Eric Michel said. &#8220;Probably our biggest pain point right now is that the editor does not handle types of content that are mostly standardized with small content customizations per post &#8211; things like contact directories, majors at a university, products in a catalog.</p>\n\n\n\n<p>&#8220;For us, the absolute dream scenario is what you are proposing, except with the inclusion of the ability to alter the primary template and have all of the pages that use that template automatically change as well.&#8221; </p>\n\n\n\n<p>The <a href=\"https://github.com/WordPress/gutenberg/discussions/50456\">discussion</a> on making partially synced patterns possible continues in search of an implementation that will ensure users don&#8217;t modify the patterns in ways that destroy the ability to display the retained content. WordPress 6.3 will ship with synced and non-synced pattern options, and partially synced patterns may land further down the road in a future release.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 27 Jun 2023 02:11:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:42;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:128:\"Gutenberg Times: Reusable Blocks are Patterns too, Style Book, Block Handbook Navigator and Command Center—Weekend Edition 258\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://gutenbergtimes.com/?p=24511\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:135:\"https://gutenbergtimes.com/reusable-blocks-are-patterns-too-style-book-block-handbook-navigator-and-command-center-weekend-edition-258/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:15495:\"<p>Howdy, </p>\n\n\n\n<p>It&#8217;s been a more quiet week. Many people have been working hard to get the latest features into the next Gutenberg release, so they can also be merged with WordPress 6.3. If you want to start testing, the <a href=\"https://github.com/WordPress/gutenberg/releases/tag/untagged-c35f7346f2e514d1fedb\">Gutenberg 16.1 RC is available here</a>. The changelog is massive. Next week, Tammie Lister will be going over this with me when we record the next Gutenberg Changelog. </p>\n\n\n\n<p>On Friday, I&#8217;ll hope on a train to Leipzig and give a presentation to the attendees of the <a href=\"https://wptavern.com/wordpress-confirms-8-pilot-events-to-launch-the-next-generation-of-wordcamps-in-2023\">back-to-the-roots, no frills WordCamp</a>. Added thrill for me: it&#8217;s my first time presenting in German about technology. Oy. </p>\n\n\n\n<p>Next week is also WordPress 6.3 Beta 1 release. Get ready for testing and filing bug reports! The best way to learn what will be in 6.3 is by using the beta version and heed the <a href=\"https://make.wordpress.org/test/2023/06/07/fse-program-testing-call-24-momery-makeover/\">Testing Call #24: Momery Makeover</a>. Testing a new version pre-release, is an open-source contribution with the highest impact. If you are keen to learn how to do it, please let me know and I do a short tutorial zoom with you. </p>\n\n\n\n<p>This weekend edition seems rather short, too </p>\n\n\n\n<p>Yours, 💕<br /><em>Birgit</em></p>\n\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p class=\"has-drop-cap\"><strong>Join us </strong>for the <a href=\"https://us02web.zoom.us/webinar/register/7516851799317/WN_AFgYtmyaRviAY3b2oGP2pg\">next Gutenberg Live Q &amp; A July 6th, 2023, at 17:00 UTC</a> </p>\n\n\n\n<p><strong>Leveraging Gutenberg&#8217;s architecture to take plugin development to new levels.</strong></p>\n\n\n\n<p>Learn how Gutenberg components and scripts can be used outside the block editor to revamp a plugin&#8217;s code base in this Case Study of GiveWP 3.0 with Jason Adams, Director of Development, Jon Waldstein, Lead Developer of GiveWP and co-host Lena Morita, JavaScript Developer on the Components team. </p>\n\n\n\n<a href=\"https://us02web.zoom.us/webinar/register/7516851799317/WN_AFgYtmyaRviAY3b2oGP2pg\"><img /></a>\n</div></div>\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p><strong>Table of Contents</strong></p>\n\n\n\n<div class=\"wp-block-sortabrilliant-guidepost\"><ul><li><a href=\"https://gutenbergtimes.com/feed/#0-word-press-release-information\">Developing Gutenberg and WordPress</a></li><li><a href=\"https://gutenbergtimes.com/feed/#0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</a><ul><li><a href=\"https://gutenbergtimes.com/feed/#reusable\">Reusable blocks are now called Patterns</a></li></ul></li><li><a href=\"https://gutenbergtimes.com/feed/#2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</a></li><li><a href=\"https://gutenbergtimes.com/feed/#3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor</a></li></ul></div>\n</div></div>\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-word-press-release-information\">Developing Gutenberg and WordPress</h2>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p class=\"is-style-no-vertical-margin\"><strong>🎙️ </strong> New episode:  <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-85-gutenberg-16-1-wordpress-6-3/\">Gutenberg Changelog #85 – Gutenberg 16.1, WordPress 6.3</a> with special guest, Tammie Lister and host Birgit Pauli-Haack</p>\n</div></div>\n\n\n\n<p>In his latest <a href=\"https://make.wordpress.org/design/2023/06/19/design-share-jun-5-jun-16/\"><strong>Design Share: Jun 5–Jun 16</strong></a>, <strong>Joen Assmussen</strong> shares the work of the WordPress Design team on the </p>\n\n\n\n<ul>\n<li>flow of creating patterns via the Site Editor, </li>\n\n\n\n<li>Top Toolbar refinements, </li>\n\n\n\n<li>ideas on how to customize the Drop Caps, </li>\n\n\n\n<li>more customization tools for the list blocks, </li>\n\n\n\n<li>Home template details panel </li>\n\n\n\n<li>Site editor publishing, and</li>\n\n\n\n<li>Interesting mock-ups for a redesign of the Learn.WordPress pages. </li>\n</ul>\n\n\n\n<img />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</h2>\n\n\n\n<p><strong>Jamie Marsland</strong> shared in his latest video,<a href=\"https://www.youtube.com/watch?v=wmIZ5w7MFng\"><strong> WordPress Block Theme Secret Hacks You Didn&#8217;t Know Existed</strong></a>, five secret features of Block Themes, you might not know about. Marsland also offers a Block Theme course: <em><a href=\"https://www.pootlepress.com/wordpress-full-site-editing-course/\">Mastering Site Editing and WordPress Block Themes</a>, so you can get a head start</em>. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Wes Theron</strong> also shares his secrets, too in the tutorial <a href=\"https://learn.wordpress.org/tutorial/using-the-block-editor-tips-and-shortcuts-for-efficiency/\"><strong>Using the block editor: Tips and shortcuts for efficiency</strong></a> on <em>Learn WordPress</em>. He has eight tips and shortcuts for you to work faster and more efficiently in the block editor. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In this video on WordPress TV, <strong>Kathryn Presner</strong> and <strong>Sarah Snow</strong> showed their students how to <a href=\"https://wordpress.tv/2023/06/22/create-a-four-page-wordpress-website-explore-plugins-contact-forms/\"><strong>Create a four-page WordPress website: Explore Plugins + Contact&nbsp;Forms</strong></a>. Watch this workshop to learn about plugins–how to find them, how to vet them, what can go wrong–in WordPress in 2023.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Another new feature is coming to WordPress 6.3, the Command Center. Be aware that&#8217;s only the working title and contributors discuss renaming it. <strong>Sarah Gooding</strong> reports on the discussion <a href=\"https://wptavern.com/wordpress-contributors-discuss-renaming-command-center-tool\"><strong>WordPress Contributors Discuss Renaming Command Center Tool</strong></a>. </p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"reusable\">Reusable blocks are now called Patterns</h3>\n\n\n\n<p>Creating patterns using the block editor has been one of the most requested features since Patterns have been available and since the release of the Pattern directory on WordPress.org in Summer of 2021.  It&#8217;s now coming to the editor in WordPress 6.3 version. It uses the same workflow as creating reusable blocks. To remind you: create a collection of blocks, group them, and use the 3-dot menu &#8220;Create reusable Block&#8221; except it now says &#8220;Create custom pattern&#8221;. </p>\n\n\n\n<p>Turns out Patterns and Reusable blocks are cut almost from the same cloth. The only difference is that the change to a reusable block synchs over all the instances the block has been used, hence the new name &#8220;synched pattern&#8221;.  There is now a toggle switch to &#8220;Keep all pattern instances in sync&#8221; or not. This is the first iteration: the name change and the creation workflow. </p>\n\n\n\n<p>To re-use the pattern, you find them in different places, though. Synched patterns are listed in the list of Blocks in the Inserter and available via slash &#8220;/&#8221; command. Unsynched patterns are in a new Pattern category = Custom Patterns in the Patterns Tab in the big blue button inserter.</p>\n\n\n\n<p>There are many users, and I might be one of them, who find patterns, should also be at least partially sync-able. That feature is planned to come to the block editor after WordPress 6.3 is released. It will take a few more thoughts on how to separate the various pieces. You might want to synch the design but not the words, or styles but not the images. The headings but not the links. And immediately you see that this can be quite complicated. So, it might take some more time. You can read up on the genesis of this new feature in the PR <a href=\"https://github.com/WordPress/gutenberg/pull/51144\">Reusable blocks: Rename to &#8216;Patterns&#8217; and add option to also add a non-synced Pattern. (51144)</a></p>\n\n\n\n<img />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</h2>\n\n\n\n<p><strong>Ganesh Dahal</strong>, also <a href=\"https://css-tricks.com/author/ganeshdahal/\">writer at CSS-Tricks</a>, published his first article on the WordPress Developer Blog about <a href=\"https://developer.wordpress.org/news/2023/06/the-style-book-a-one-stop-shop-for-styling-block-themes/\"><strong>The Style Book: a one-stop shop for styling block themes</strong></a>. The Style Book is the new one-stop Global Style feature of the Site Editor that allows you to add all global or per-block design elements with a live preview window. This also lets users create a new set of variations that they can modify with a single click.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Wrestling with a huge theme.json might deter people from creating block themes. <strong><a href=\"https://twitter.com/walb0\">Petter Walbø Johnsgård</a> </strong>developed the npm package <a href=\"https://www.npmjs.com/package/@theme-json/create\"><strong>@theme-json/create</strong></a>  that helps you with that.  It allows you to create a logical directory structures to separate out various parts of the theme.json. It makes it easier to maintain and quickly navigate to the necessary area you wish to modify.  This way you can standardize variables and reference them in our theme.json, and makes it them much more maintainable when designers decide to make changes. (<em>Thank you to <a href=\"https://twitter.com/ClorithMJ\">Marius Jensen</a> for the tip</em>).</p>\n\n\n\n\n<p><strong>&nbsp;<a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Keeping up with Gutenberg &#8211; Index 2022&#8221;</a>&nbsp;</strong><br />A chronological list of the WordPress Make Blog posts from various teams involved in Gutenberg development: Design, Theme Review Team, Core Editor, Core JS, Core CSS, Test and Meta team from Jan. 2021 on. Updated by yours truly.  <a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/keeping-up-with-gutenberg-index-2020/\"><em>The index 2020 is here</em></a></p>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his post for the Torque Magazine,  <a href=\"https://torquemag.io/2023/06/wordpress-widget-areas/\"><strong>How to Add Widget Areas to WordPress (Block &amp; Classic Themes)</strong></a>, <strong><a href=\"https://twitter.com/nschaeferhoff\">Nick Schäfferhoff</a> </strong> took a look at different ways to add widgets to your WordPress theme. You learn how to use widgetized areas and create new ones in classic themes, as well as how to make widgets show up in your block themes.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor</h2>\n\n\n\n<p>It might be the post you have been waiting for. In his post on<strong><a href=\"https://developer.wordpress.org/news/2023/06/navigating-the-block-editor-handbook/\"> How to Navigate the Block Editor Handbook</a></strong>, <strong>Michael Burridge</strong> leads the way with Compass and Maps so to speak. &#8220;The Block Editor Handbook is intimidating even for seasoned developers. If you are new to block development, you’re likely to feel completely overwhelmed. This guide will help you find your way around the Block Editor Handbook. It suggests a learning path that will help you become an expert in no time.&#8221; he wrote in the excerpt</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Brian Coords</strong> published a tutorial about <a href=\"https://www.briancoords.com/custom-lists-in-wordpress-with-register-block-style/\"><strong>Custom Lists in WordPress with Register Block Style</strong></a>. He explains how to work with Block styles without a build process. It&#8217;s a great way to learn to customize the blocks without any JavaScript and very little php. </p>\n\n\n\n<p>Earlier this year, Justin Tadlock wrote about <a href=\"https://developer.wordpress.org/news/2023/02/creating-custom-block-styles-in-wordpress-themes/\"><strong>Creating custom block styles in WordPress themes</strong></a>, that could be another great tutorial for you.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n\n<p><strong><a href=\"https://gutenbergtimes.com/need-a-zip-from-master/\">Need a plugin .zip from Gutenberg&#8217;s master branch?</a></strong><br />Gutenberg Times provides daily build for testing and review. <br />Have you been using it? Hit reply and let me know.</p>\n\n\n\n<p><img alt=\"GitHub all releases\" src=\"https://img.shields.io/github/downloads/bph/gutenberg/total?style=for-the-badge\" /></p>\n\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Questions? Suggestions? Ideas? Don&#8217;t hesitate to send <a href=\"mailto:pauli@gutenbergtimes.com\">them via email</a> or send me a message on WordPress Slack or Twitter @bph</em>. </p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">For questions to be answered on the <a href=\"http://gutenbergtimes.com/podcast\">Gutenberg Changelog</a>, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n\n<p>Featured Image: Skyline of Athens, view of the Acropolis from the roof of the Museum for contemporary art by Birgit Pauli-Haack</p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\n\n\n\n<p class=\"has-text-align-left\"><strong>Don&#8217;t want to miss the next Weekend Edition? </strong></p>\n\n\n\n<form class=\"wp-block-newsletterglue-form ngl-form ngl-portrait\" action=\"https://gutenbergtimes.com/feed/\" method=\"post\"><div class=\"ngl-form-container\"><div class=\"ngl-form-field\"><label class=\"ngl-form-label\" for=\"ngl_email\"><br />Type in your Email address to subscribe.</label><div class=\"ngl-form-input\"><input type=\"email\" class=\"ngl-form-input-text\" name=\"ngl_email\" id=\"ngl_email\" /></div></div><button type=\"submit\" class=\"ngl-form-button\">Subscribe</button><p class=\"ngl-form-text\">We hate spam, too and won&#8217;t give your email address to anyone except Mailchimp to send out our Weekend Edition</p></div><div class=\"ngl-message-overlay\"><div class=\"ngl-message-svg-wrap\"></div><div class=\"ngl-message-overlay-text\">Thanks for subscribing.</div></div><input type=\"hidden\" name=\"ngl_list_id\" id=\"ngl_list_id\" value=\"26f81bd8ae\" /><input type=\"hidden\" name=\"ngl_double_optin\" id=\"ngl_double_optin\" value=\"yes\" /></form>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 24 Jun 2023 06:07:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Birgit Pauli-Haack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:43;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"WPTavern: Really Simple SSL Plugin Adds Free Vulnerability Detection\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146129\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"https://wptavern.com/really-simple-ssl-plugin-adds-free-vulnerability-detection\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2999:\"<p><a href=\"https://wordpress.org/plugins/really-simple-ssl/\">Really Simple SSL</a>, a popular plugin used on more than five million sites for installing SSL certificates, handling website migrations, mixed content, redirects, and security headers, has added a new feature in its most recent major update.</p>\n\n\n\n<p>Version 7.0.0 introduces vulnerability detection as part of a partnership with WP Vulnerability, an open source, free API created by <a href=\"https://www.wpsysadmin.com/\">Javier Casares</a> with contributions from other open source, freely available databases. Once enabled, it notifies users if a vulnerability is found and suggests actions.</p>\n\n\n\n<p>&#8220;Really Simple SSL mirrors the free database with its own instance to secure stability and deliverability, but of course provides the origin database with an API to enrich, or improve its current data,&#8221; Really Simple Plugins developer Aert Hulsebos said.</p>\n\n\n\n<p>The new vulnerability detection feature is not enabled by default, so users will need to <a href=\"https://really-simple-ssl.com/instructions/about-vulnerabilities/\">enable it in the settings</a>. A modal will pop up where users can configure their notifications and run the first scan.</p>\n\n\n\n<img />\n\n\n\n<p>When emailed about a vulnerability users can manually respond with an action or set the plugin to automatically force an update (when available) after 24 hours of no response. There are other automated actions the plugin can take based on how users configure the Measures section of the settings.</p>\n\n\n\n<img />\n\n\n\n<p>For the past several years Really Simple SSL has been providing SSL certificate configuration and installation via Let&#8217;s Encrypt as a first pass at securing WordPress sites. To finance this for the free users, the plugin also has a Pro version that handles Security Headers, such as Content Security Policies, which are highly complex for most and not easily configured.</p>\n\n\n\n<p>&#8220;We figured that with our reach we could impact security on the web as a whole, by adding features in order of impact on security,&#8221; Hulsebos said. &#8220;So vulnerabilities, after hardening features specific to WordPress, was next. </p>\n\n\n\n<p>&#8220;The nature of our partnership with Javier and WP Vulnerability is sponsoring the efforts of WP Vulnerability and appointing a security consultant ourselves to this open-source effort to improve, and moderate the open-source database daily. WP Vulnerability does not compensate us, nor does it have a stake in Really Simple SSL. Vulnerability detection is available for everyone and always will be.&#8221;</p>\n\n\n\n<p>Because Really Simple SSL started as a lightweight SSL plugin, Hulsebos said they have taken a modular approach to minimize impact on users who only want or need certain features. Following the launch of the new vulnerability detection feature, the plugin&#8217;s authors plan to add login security with 2FA to better secure authentication on WordPress sites.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 23 Jun 2023 21:34:02 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:44;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: WordPress Pattern Directory Updated to Show Curated Patterns by Default\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146143\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"https://wptavern.com/wordpress-pattern-directory-updated-to-show-curated-patterns-by-default\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3905:\"<p>If you haven&#8217;t visited the <a href=\"https://wordpress.org/patterns/\">WordPress Pattern Directory</a> lately, it may look very different from when it <a href=\"https://wptavern.com/the-wordpress-org-block-pattern-directory-now-live\">launched two years ago</a>. At first there was an emphasis on getting the community to contribute to the resource but the directory has now passed more than 1,500 patterns. </p>\n\n\n\n<p>Contributors are making changes to provide a more curated experience ahead of the inclusion of <a href=\"https://github.com/WordPress/gutenberg/issues/44611\">a new Pattern Directory Explorer</a> that is still in progress. A recent <a href=\"https://make.wordpress.org/meta/2023/06/09/new-curation-filter-in-pattern-directory/\">update</a> to the Pattern Directory alters the homepage and category pages to show curated patterns by default, a change that has been a bit confusing for some when returning to the directory. </p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">Anyone know where all the block patterns have gone on <a href=\"https://t.co/LpzR9lR7uc\">https://t.co/LpzR9lR7uc</a> ? <a href=\"https://t.co/Dt9EK7Ssik\">https://t.co/Dt9EK7Ssik</a> <a href=\"https://twitter.com/hashtag/gutenberg?src=hash&ref_src=twsrc%5Etfw\">#gutenberg</a></p>&mdash; Jamie Pootlepress &#8211; YouTuber and WP Plugin builder (@pootlepress) <a href=\"https://twitter.com/pootlepress/status/1671881903593623556?ref_src=twsrc%5Etfw\">June 22, 2023</a></blockquote>\n</div>\n\n\n\n<p>The curated patterns are those by WordPress.org &#8211; the core bundled patterns. Community-contributed patterns are available as a filter in the dropdown of the directory&#8217;s menu.</p>\n\n\n\n<img />\n\n\n\n<p>There are only 46 core patterns, so some category pages tend to look a little sparse and far less colorful than when community patterns are selected. At the moment, having curated patterns display by default does not offer the best experience for users coming to browse, as Pootlepress founder Jamie Marsland pointed out on Twitter. Automattic-sponsored contributor Rich Tabor responded that there is still more work to be done on providing a better curated experience in the Pattern Directory. </p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">The top ones are the best. Still lots to do though.</p>&mdash; Rich Tabor (@richard_tabor) <a href=\"https://twitter.com/richard_tabor/status/1672196325201575936?ref_src=twsrc%5Etfw\">June 23, 2023</a></blockquote>\n</div>\n\n\n\n<p>&#8220;This change also prepares to support the Pattern Explorer in the editor,&#8221; Automattic-sponsored contributor Kelly Choyce-Dwan said in the announcement. &#8220;It’s still in progress, but it will be possible to search through community-submitted patterns directly from the editor.&#8221;</p>\n\n\n\n<p>Choyce-Dwan referenced an effort that is currently underway to <a href=\"https://github.com/WordPress/gutenberg/issues/44611\">bring a new flyout to the patterns tab of the inserter</a> inside WordPress, making the modal a place where users can more easily explore and access patterns from the directory. </p>\n\n\n\n<p>There are also related discussions on how <a href=\"https://github.com/WordPress/pattern-directory/issues/573\">themes could create pattern bundles</a>, enabling the possibility of users filtering by theme. In this discussion, Automattic-sponsored contributor Anne McCarthy suggested these pattern bundles could be automatically submitted to the directory upon the theme&#8217;s approval, which would make it effortless for theme authors to contribute them.</p>\n\n\n\n<p>Updates to the Pattern Directory&#8217;s filtering are part of the redesign work on WordPress.org and more discussions are happening on <a href=\"https://github.com/WordPress/pattern-directory/issues/\">the Pattern Directory GitHub</a> repository.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 23 Jun 2023 17:44:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:45;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"WPTavern: WordPress.com Makes Monetization Features Available for Free\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146188\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"https://wptavern.com/wordpress-com-makes-monetization-features-available-for-free\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3111:\"<p>WordPress.com has been known to <a href=\"https://wptavern.com/wordpress-com-ends-recent-pricing-experiment-reverts-to-previous-model\">experiment with its pricing</a> from time to time, and the platform announced another major change today. Users on the Free plan are now able to use monetization features without upgrading. </p>\n\n\n\n<p>In the past, WordPress.com users who wanted to earn money on their websites by collecting donations, creating a newsletter, or selling items or subscriptions, had to be on one of the paid plans. These <a href=\"https://wordpress.com/support/monetize-your-site/\">monetization features</a> are now available to all users on all tiers.</p>\n\n\n\n<p>The fee structure varies, based on the user&#8217;s plan.  Transaction fees are the highest for Free users at 10%, but it gives creators the opportunity to see if they can make money without it costing anything upfront. Commerce plan users ($70/month or $45/month billed annually) don&#8217;t pay any transaction fees. Stripe also collects 2.9% + US$0.30 for each payment made to a Stripe account in the US.</p>\n\n\n\n<p></p>\n\n\n\n<table><tbody><tr><td><strong>WordPress.com Plan</strong></td><td><strong>Payment Fees</strong></td></tr><tr><td>WordPress.com Commerce</td><td>0%</td></tr><tr><td>WordPress.com Business</td><td>2%</td></tr><tr><td>WordPress.com Premium</td><td>4%</td></tr><tr><td>WordPress.com Personal</td><td>8%</td></tr><tr><td>WordPress.com Free</td><td>10%</td></tr></tbody></table>\n\n\n\n<p>Self-hosted WordPress users already have many free plugin options to monetize theirs sites but with that comes the requirement of knowing how to maintain and update their own sites. WordPress.com&#8217;s offering is targeted at creators who just want to get started making money online. The company is inching closer to being a one-stop shop for websites, especially as it <a href=\"https://wordpress.com/blog/2023/06/21/how-to-transfer-your-domain-to-wordpresscom/\">makes a play for former Google Domains customers</a> who are looking for somewhere to host domains after theirs were sold to Squarespace.</p>\n\n\n\n<p>It&#8217;s important to note that creating a full-featured online store is still restricted to Business and Commerce plans. Using <a href=\"https://wordpress.com/support/pay-with-paypal/\">Pay with PayPal</a> to accept credit and debit card payments via PayPal is also only available via an upgraded plan.</p>\n\n\n\n<p>WordPress.com&#8217;s <a href=\"https://wordpress.com/pricing/\">pricing</a> page has not yet been updated to reflect monetization features as being free &#8211; i.e. the Personal plan still lists paid subscribers and premium content gating as an upgrade. It&#8217;s possible the team hasn&#8217;t edited that page yet or this may be another pricing experiment. </p>\n\n\n\n<p>Expanding the availability of monetization features is likely to be received as a positive change, since users are not losing any features that were previously free. Instead, they have the opportunity to see if they can monetize and then adjust their plans based on their comfort level with the transaction fees extracted.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 22 Jun 2023 22:58:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:46;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"WPTavern: Gravatar Adds New Payment Features for Profiles\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=146134\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wptavern.com/gravatar-adds-new-payment-features-for-profiles\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3203:\"<p>Up until yesterday, the Gravatar (Globally Recognized Avatar) blog lay dormant for nine years, the <a href=\"https://blog.gravatar.com/2014/07/23/something-funny-happened/\">last post</a> chronicling how the team set out to create a Gravatar app that somehow &#8220;<a href=\"https://wptavern.com/automattics-planned-gravatar-app-morphs-into-a-selfies-app-for-android\">morphed into a Selfies app</a>.&#8221; Communication went silent after that, although the Twitter account posted occasionally.</p>\n\n\n\n<p>The service has pivoted to become &#8220;a personal digital business card&#8221; where users can link to various apps and websites that help to establish their identities online. </p>\n\n\n\n<p>Gravatar announced this week that it has <a href=\"https://blog.gravatar.com/2023/06/21/new-on-gravatar-collect-payments-on-the-go/\">launched new payment features for profiles</a>. Users have the option to add links for PayPal, Venmo, and Patreon. The Gravatar team is looking at adding Cash App and more providers in the future. </p>\n\n\n\n<p>On mobile, profiles appear with new &#8220;Send Money&#8221; and &#8220;Share Profile&#8221; buttons. Each profile has its own unique QR code that can be copied and shared.</p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<img />\n\n\n\n<p>The payment accounts show up as links that visitors can click through. Users can also display links to cryptocurrency wallet addresses, including Bitcoin (BTC), Litecoin (LTC), Dogecoin (DOGE), Ethereum (ETH), XRP, and Cardano (ADA). </p>\n\n\n\n<p>Profiles can be customized with a background image, photo gallery, social links, and links to verified services.</p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<img />\n\n\n\n<p><br />Gravatar is used by Slack, Atlassian (owner of Jira and Trello), GitHub, Stack Overflow, and Disqus, serving millions of requests per day. Another new major user is  OpenAI, which displays users&#8217; Gravatar images when chatting with ChatGPT. The service is also <a href=\"https://wordpress.org/documentation/article/use-gravatars/#:~:text=WordPress%20integrates%20Gravatars%20into%20every,elsewhere%20on%20the%20WordPress%20site.\">integrated with every WordPress install</a>, and an Automattic representative confirmed there are no plans to change this.</p>\n\n\n\n<p>Automattic reported that the company does not receive a cut of any payments passed through Gravatar links, nor does it have financial partnerships with any of the payment providers. The company also has no visibility into the transactions that happen through Gravatar payment links.</p>\n\n\n\n<p>During the past nine years, the small Gravatar team has been improving how profile pages look, adding services that can be verified, working to improve the hashing and security of data, and maintaining the infrastructure required to store and serve so many images and profiles.</p>\n\n\n\n<p>&#8220;We aren’t currently working on a Gravatar app, but it is something we are considering,&#8221; an Automattic representative told the Tavern.</p>\n\n\n\n<p>After the Selfies app was retired, some of the code went into Jetpack and is now part of the app. Jetpack users can manage their Gravatar profile information and avatar photo inside the app. </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 22 Jun 2023 18:58:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"Do The Woo Community: Woo AgencyChat Live with Jimmy Rosén and Shadi Manna\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75343\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://dothewoo.io/woo-agencychat-live-with-jimmy-rosen-and-shadi-manna/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:869:\"<p>Woo AgencyChat Live with Jimmy Rosén and Shadi Manna June 22, 2023 Transcript Shadi: Here we are, the agency chat interview with Bob. Thanks for inviting us. My name is Shadi Manna from Progressus.io and... Jimmy: And I\'m Jimmy Rosen from Angry Creative. Shadi: Where should we get started, Jimmy? Jimmy: I don\'t know. How &#8230;</p>\n<p class=\"read-more\"> <a class=\"\" href=\"https://dothewoo.io/woo-agencychat-live-with-jimmy-rosen-and-shadi-manna/\"> <span class=\"screen-reader-text\">Woo AgencyChat Live with Jimmy Rosén and Shadi Manna</span> Read More &#187;</a></p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/woo-agencychat-live-with-jimmy-rosen-and-shadi-manna/\">Woo AgencyChat Live with Jimmy Rosén and Shadi Manna</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 22 Jun 2023 06:55:43 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"Post Status: Launching a WordPress Product in Public: Session 18\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149660\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://poststatus.com/launching-a-wordpress-product-in-public-session-18/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:62269:\"<div class=\"wp-block-embed__wrapper\">\n\n</div>\n\n\n\n\n\n\n\n<p><a href=\"https://poststatus.com/planet/feed/#h-transcript\">Transcript</a> ↓</p>\n\n\n\n<p><a href=\"https://twitter.com/coreymaass\">Corey Maass</a> and <a href=\"https://twitter.com/corymiller303\">Cory Miller</a> continue the development of their new WordPress plugin, <a href=\"https://crop.express/\">Crop.Express</a>. In this episode, they discuss the importance of finding personal fulfillment, embracing the journey, and enjoying the process of pursuing hobbies and personal projects. They encourage everyone to reevaluate their definition of success and find meaning in the act of creation while also cherishing the connections and collaborations that come along the way.</p>\n\n\n\n<p><strong>Top Takeaways:</strong></p>\n\n\n\n<ul>\n<li><strong>Redefining Success and Goals</strong>: The idea of reevaluating one&#8217;s definition of success. Instead of solely focusing on financial gain or external measures, there is a shift towards valuing the impact and value brought to others through one&#8217;s work or personal projects. Success is viewed as creating something meaningful that brings joy or usefulness to users rather than solely pursuing monetary goals.</li>\n\n\n\n<li><strong>Importance of Collaboration and Connection</strong>: The value of collaboration and building connections with like-minded individuals. The joy derived from hobbies or personal projects can be enhanced by sharing experiences, exchanging ideas, and working together with others. Building lasting friendships and relationships through shared interests can be a source of support and fulfillment.</li>\n\n\n\n<li><strong>Embracing the Process and Finding Fulfillment in the Journey</strong>: The importance of enjoying the process and finding fulfillment in the act of creating or working on something rather than solely focusing on the end result. The journey itself, the learning, the challenges, and the growth that occur along the way can be sources of joy and satisfaction. It&#8217;s about finding meaning and enjoyment in the present moment rather than solely fixating on the outcome.</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-mentioned-in-the-show\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f517.png\" alt=\"🔗\" class=\"wp-smiley\" /> Mentioned in the show:</h3>\n\n\n\n<ul>\n<li><a href=\"https://crop.express/\">Crop.Express</a></li>\n\n\n\n<li><a href=\"https://balsamiq.com/\">Balsamiq</a></li>\n\n\n\n<li><a href=\"https://www.meetup.com/\">Meetup.com</a></li>\n\n\n\n<li><a href=\"https://slack.com/trials?remote_promo=f4d95f0b&d=7013y000002pzGQAAY&nc=7013y000002q165AAA&utm_source=google&utm_medium=paid_search&utm_campaign=ppc_google_amer_en_brand_selfserve_discount&utm_content=slack-pg-ss-all-us-brand_7013y000002pzGQAAY&utm_term=Slack_Exact_._slack_._e_._c_._611662283461&gad=1&gclid=CjwKCAjwv8qkBhAnEiwAkY-ahrvtUlvMruMS8SCCYA3MqgkRfViYepC5CP2yCdrFJkc4X3xdPxz3sxoCzVcQAvD_BwE&gclsrc=aw.ds\">Slack</a></li>\n\n\n\n<li><a href=\"https://wordpress.com/\">WordPress</a></li>\n\n\n\n<li><a href=\"https://twitter.com/\">Twitter</a></li>\n\n\n\n<li><a href=\"https://www.instagram.com/\">Instagram</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-you-can-follow-post-status-and-our-guests-on-twitter\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> You can follow Post Status and our guests on Twitter:</h3>\n\n\n\n<ul class=\"eplus-wrapper\">\n<li><a href=\"http://twitter.com/coreymaass\">Corey Maass</a></li>\n\n\n\n<li><a href=\"https://twitter.com/corymiller303\">Cory Miller</a> (CEO, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n\n\n\n<li><a href=\"https://twitter.com/lemonadecode\">Olivia Bisset</a> (Intern, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n</ul>\n\n\n\n<p class=\"eplus-wrapper has-background\">The <strong>Post Status Draft</strong> podcast is geared toward WordPress professionals, with interviews, news, and deep analysis. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4dd.png\" alt=\"📝\" class=\"wp-smiley\" /><br /><br /><a href=\"https://poststatus.com/category/post-status-podcasts/\" target=\"_blank\" rel=\"noreferrer noopener\">Browse our archives</a>, and don’t forget to subscribe via <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\" target=\"_blank\" rel=\"noreferrer noopener\">iTunes</a>, <a href=\"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS8ySkU5c2M4UA\" target=\"_blank\" rel=\"noreferrer noopener\">Google Podcasts</a>, <a href=\"https://www.youtube.com/c/PostStatus\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\" target=\"_blank\" rel=\"noreferrer noopener\">Stitcher</a>, <a href=\"https://wordpress-post-status-draft-podcast.simplecast.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Simplecast</a>, or <a href=\"https://feeds.simplecast.com/2JE9sc8P\">RSS</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f3a7.png\" alt=\"🎧\" class=\"wp-smiley\" /></p>\n\n\n\n<h2 class=\"wp-block-heading eplus-wrapper\" id=\"h-transcript\">Transcript</h2>\n\n\n\n<h2 class=\"wp-block-heading\">Session 18 Corey &amp; Cory Launch a WordPress Product Live</h2>\n\n\n\n<p><strong>C&amp;C 18</strong></p>\n\n\n\n<p>[00:00:00] <strong>Corey Maass:</strong> And don&#8217;t forget to record this time. Yeah, no.</p>\n\n\n\n<p>[00:00:23] <strong>Cory Miller:</strong> Excellent. All right everybody. Welcome back to Corey and Cordy launching a pro WordPress product live session 18. And we&#8217;ve had, we were just kind of in prep for this real quick, just talking about a little of the things that&#8217;s been going on in our lives. It&#8217;s always fun to talk real life with a great person like Corey.</p>\n\n\n\n<p>So, um, this time we&#8217;re just gonna kind of talk about catching up. We&#8217;ve been out kind of the last two, maybe three weeks I wanna say. Yep. And, um, I have been on, uh, uh, last week I was at CLOUDFEST in Austin for post status. Then we extended and went on a Epic Clark w Griswold type. Um, Road trip. Got to see Carlsbad Caverns.</p>\n\n\n\n<p>Um, and, and they were closed. Yes. No, dead ants on the roof of the minivan. When we did render vans, I had to go Griswold South. Um, but I know you&#8217;ve had things going on too, so, um, that&#8217;s a little snippet for me just trying to kinda get things a little bit better sane for me work-wise. And, um, I think that&#8217;s in preparation for the.</p>\n\n\n\n<p>Real conversation here, but um, you wanna Yeah. Updates on what you&#8217;ve been&nbsp;</p>\n\n\n\n<p>[00:01:36] <strong>Corey Maass:</strong> up to. Yeah. And on my end, so it&#8217;s, I&#8217;ve, so I&#8217;ve got, you know, one, one main client and, uh, I have a monthly. They, they ask me to stay within a window of, of how much I work and what, uh, what I actually like about that is I tend to work a little less the beginning of the month.</p>\n\n\n\n<p>Um, and then, uh, which lets me work on side projects or lets me work on the house or whatever. Uh, Um, and then towards the end of the month, you know, the days get longer to make sure I hit my quota, um, and maximize my budget. But, um, so at the beginning of the month I wound up helping my dad drive from South Carolina up to Maine, um, which is a really fun road trip with dad.</p>\n\n\n\n<p>But, you know, and of course the, the client website goes down when I&#8217;m the farthest from my computer. Uh, you know, sitting at a restaurant in, uh, Fredericksburg, Virginia, if you ever have the opportunity, it&#8217;s a beautiful little place to stop. Um, but anyway, and then you can probably hear from my voice. I think last week I begged off because I was sick as a dog.</p>\n\n\n\n<p>Um, And it&#8217;s funny, it actually, you&#8217;re like, oh, it&#8217;s been I think two, three weeks and I&#8217;m like, it feels like it&#8217;s been months. Cuz I spent at least, uh, a few days last week. Literally just in bed in a NyQuil haze, you know? So it felt like weeks went by and, um, you know, and then you come out of that and you&#8217;ve gotta scramble to make up work and, um, get caught up on life.</p>\n\n\n\n<p>And, um, and then for me time, um, Always means house projects. So we&#8217;ve built another, uh, 11 times eight. So 88 feet of fencing. No. And then we turn a corner, so about 120 feet of fencing, stockade, fencing, cuz we&#8217;re getting a new foster dog. Um, and uh, so setting up a room for him and anyway, yeah, it just gets crazy.</p>\n\n\n\n<p>And, uh, and so I think you and I touched. Space briefly last week and, and said, okay, so, you know, that&#8217;s fine. We missed a week or two. Let&#8217;s, let&#8217;s start, um, moving forward. I was like, all right, you know, I&#8217;m still working on a review of, uh, the product. I&#8217;ll get you a new version for post status. I don&#8217;t think you heard from me until nine minutes ago.</p>\n\n\n\n<p>Uh, that never happened. So, yeah. You know, but it&#8217;s like, and I hate to. It, it&#8217;s easy to fall into like, well, it&#8217;s not out yet, so it, you know, there are no expectations other than our own. Yeah. Which is true. Um, you know, but it&#8217;s also like, I mean, this is, this is part of why we do this, right? Like, yeah. We&#8217;re, we&#8217;re at least part of our, our aspirations is, is freedom, uh, to make our own choices, to manage our own hours, to work on what we wanna work on.</p>\n\n\n\n<p>Um, which also means, I mean, family comes first and health comes first, and Yeah. You know, and, and paying clients come first when you&#8217;re at this stage. So, you know, these are just things we have to juggle and, and keep trying to make progress. I mean, it says everything to me that. You and I at least are like, okay, let&#8217;s keep talking once a week.</p>\n\n\n\n<p>Where are we at? You know? And, and cuz I have other people who I&#8217;ve worked with who many, many other people who, who ghost or who just wanna stop. There&#8217;s, there&#8217;s inherently so much shame in all of it that the moment they miss a day or a deadline or don&#8217;t hit the mark in some fashion, don&#8217;t want to talk about it.</p>\n\n\n\n<p>You know, I have friends who we&#8217;ve been talking about, Collaborating for years talking about like music or art or whatever. And, and now we, we, we&#8217;ve gone months where we&#8217;ll talk every week or every month, you know, how are you, how are the kids, da, da da. And we literally won&#8217;t, we won&#8217;t talk about the subject now because there&#8217;s, you know, because we didn&#8217;t, one of us didn&#8217;t move forward with it.</p>\n\n\n\n<p>There&#8217;s shame associated with it, so, you know. Definitely none of it&#8217;s that important, you know?&nbsp;</p>\n\n\n\n<p>[00:05:56] <strong>Cory Miller:</strong> Yeah, exactly. Like we started with really good intentions and openness. Um, what it occurs to me is just kinda your references back to music and bands and stuff is like, I&#8217;ve not, I, I played an instrument when I was in like middle school, but I&#8217;ve not been in a band, but it&#8217;s occurs to me.</p>\n\n\n\n<p>It&#8217;s like, it seems like that you&#8217;re, mm-hmm. Stru, you know, struggling to kinda get something going. And then there&#8217;s seasons of life that happened. Um, this, this stage of my life and my career, I really see more of the seasonal aspects of life. Yeah. Better than I ever have. And you go. You know, just things you don&#8217;t, you can&#8217;t anticipate, or if you tried to, you&#8217;d have another set of problems.</p>\n\n\n\n<p>And, um, it&#8217;s just like you said, like we&#8217;ve got other priorities, but, uh, it&#8217;s important for us to keep talking. I, I think too, when I think about entrepreneurship, I think there&#8217;s like part real hard work just doing things, trying to do it consistently, getting things out there, getting the next thing, and then there&#8217;s this bigger part.</p>\n\n\n\n<p>Which is, maybe somebody would&#8217;ve called it luck, you know? But it is like magic. You know? You stay around doing something. Maybe bands operate like this, I don&#8217;t know, but like you, you got enough interest, you know something&#8217;s there, you just haven&#8217;t figured it out yet. And then a magical moment, and I say magic cuz it&#8217;s like oftentimes in my career, specifically my professional career as an entrepreneur couldn&#8217;t have planned those things, man.</p>\n\n\n\n<p>They just happened, you know? Um, however, I might have tried to take credit for them. They just happened and it&#8217;s like the reading I&#8217;ve been and work I&#8217;ve been doing too personally is like creativity. You don&#8217;t control creativity. Those really magical moments we&#8217;re talking about, they kind of blossom out.</p>\n\n\n\n<p>And there was somebody I was just like, well, Anna, who runs feeder bars, Lindsay and her have been friends for a decade, you know? Anna tried so many things over the years, so many things, and then Vita Bars was the spark, the magic that made it happen. Mm-hmm. Now, now she&#8217;s full-time with it and she&#8217;s got employees and all that kind of stuff.</p>\n\n\n\n<p>So like all that time it&#8217;s kinda like learning the piano. People go, oh, you&#8217;re at the piano. You&#8217;re doing this beautiful thing at the wedding, or whatever it is. They don&#8217;t think about all those years spent. Right. You know, in the practice of it, and it&#8217;s kinda like that moment too. It&#8217;s like, I&#8217;m dribbing for a second, but do enough things to get to a moment that, that you probably didn&#8217;t plan.</p>\n\n\n\n<p>I think most of us, at least the entrepreneurs I know would say. Yep. That&#8217;s about it. Absolutely. Yeah. However, we like to think we control it and plan it. We don&#8217;t.&nbsp;</p>\n\n\n\n<p>[00:08:59] <strong>Corey Maass:</strong> And there&#8217;s, there&#8217;s time. Sometimes you, you, you ha you just have to let time go by. It&#8217;s like, in music, it&#8217;s one of the hardest things I&#8217;ve, I&#8217;ve had to learn.</p>\n\n\n\n<p>It&#8217;s like for years I made music and put out music, made music, and put out music. And then I actually started writing music that people were like, oh, this is a summertime song. It&#8217;s the end of the summer. We&#8217;re not gonna put it out now. That&#8217;d be dumb. So we&#8217;re gonna sit on it and you, and it&#8217;s like in actual pop music, you can find out that there, there were pop songs, but huge, huge hits.</p>\n\n\n\n<p>And in our minds, you know, you&#8217;re picturing, you know, Taylor Swift yesterday was in the, in the recording studio and then today you&#8217;re hearing the song cuz that&#8217;s cuz music can be live. Um, and in this day and age, sometimes that&#8217;s true and it&#8217;s a truer than it used to be. It used to be that, you know, a band would go into a studio and produce an album and it would take months and yada yada, you know.</p>\n\n\n\n<p>But a lot of the times thing, tunes or tracks or albums are actually held back. To try to be released strategically. It&#8217;s like big movies that sit on shelves for, you know, years potentially, because they&#8217;re like, this is a Christmas day blockbuster, we&#8217;re not gonna release, you know, or a summertime when all the kids are outta school type of movie.</p>\n\n\n\n<p>You know, we&#8217;re not gonna release it on the second day of school on a Tuesday. That&#8217;s dumb, you know? Um, but we don&#8217;t, we don&#8217;t really think about that, but, There&#8217;s sometimes there&#8217;s strategic reasons and sometimes like this where it&#8217;s like, I&#8217;m a lot better about it than I used to be, especially since, um, years ago now.</p>\n\n\n\n<p>So for a while I tried to make music an actual career or second career, um, and it really broke my heart. And so I stepped away from it for a while, and then when I was getting back into it, this is where having an amazing spouse is worth everything. Lindsay and I sat down, my Lindsay spelled with an A, sat down and, and she&#8217;s like, okay, so you, you know, you wanna get back into music.</p>\n\n\n\n<p>Great. Like, how do we, how does it not break your heart again? And one of the things that, that. Came outta that conversation was me being able to articulate like, okay, I&#8217;m not taking it as seriously this time, it&#8217;s a hobby. Mm-hmm. And, and so suddenly a lot of things changed. One, you know, I couldn&#8217;t just go out and, and buy new instruments or, you know, throw money at it the way I used to.</p>\n\n\n\n<p>Sure. But it also meant that like I could work on, like, I have found that I make a lot of. Music in the fall and then tend to not make any music, but it, but a lot of that music that I finish, I can like leak out again, a track a month or I can wait until summertime and put it out or whatever. And so it&#8217;s like I&#8217;ve got these big waves rather than it just being, you know, picturing this straight line of productivity.</p>\n\n\n\n<p>Um, and I think it, that kind of goes for this, this stuff too, like, This stuff. Uh, entrepreneurship side hustles. They&#8217;re, they&#8217;re side hustles. And for a long time I, I was like, I want this to be a day job. Still would love it. I&#8217;d still love my own product to be my primary focus. Then it&#8217;s a job that&#8217;s very different, right from, um, side, side hustles, um, ideas, putting out little apps, little ideas, um, little products.</p>\n\n\n\n<p>I mean, um, so. And so it&#8217;s, it&#8217;s picking things up, putting things down, um, and, and these days being okay with, again, letting some time go by or occasionally changing priorities even for a, a little while. Um, cuz there was a time when. I remember one time in particular that I was like, I was in between paying client gigs and came up with an idea [00:13:00] for an app and was like, okay, I&#8217;ve gotta crank this out and then it&#8217;s also gotta make money.</p>\n\n\n\n<p>And it was like the dumbest little idea. I won&#8217;t even share it, I&#8217;m embarrassed. Um, but it was like, it was an app that nobody wanted, you know? It solved a problem that nobody had. It was just an idea. But I remember like, Going, this is the first time where I, I, it has to make money. And I was like, it&#8217;s never gonna make money.</p>\n\n\n\n<p>Like, and I&#8217;m, so, I&#8217;m putting myself in danger here. That&#8217;s dumb. You know? Um, and that&#8217;s not to say that there aren&#8217;t entrepreneurial journeys. With VC capital or, you know, we&#8217;ve gotta double down and, and make this our full-time gig and all that stuff. But it&#8217;s like, at least for me, I find often that I&#8217;m, if I&#8217;m making decisions from a position of desperation, of, of need.</p>\n\n\n\n<p>That I&#8217;m not gonna make the best decision, you know, cuz my priorities, I can&#8217;t have any, I can&#8217;t have proper perspective on it. So, stepping back for a few weeks, honestly, what I look forward to is going back into my code, realizing that I did everything wrong and cleaning it up and then it&#8217;s a better product.</p>\n\n\n\n<p>And, and you know, are we the worst off for having missed a few weeks? Maybe. Who can say nothing&#8217;s obvious? Um, you know, but again, you know, just trying to keep moving forward with it.&nbsp;</p>\n\n\n\n<p>[00:14:19] <strong>Cory Miller:</strong> I think it&#8217;s like when we&#8217;re thinking about bands and hit music or products and entrepreneurs think about, you know, with or, and Anna and yours.</p>\n\n\n\n<p>My experience in this is like, If there&#8217;s enough of a fire to keep it going. Mm-hmm. You know, just enough. It doesn&#8217;t have to be a bonfire. There&#8217;ll be times of that for sure, but, but then mostly it&#8217;s probably just. Sometimes a little candle, sometimes just a little mini campfire. But if there&#8217;s enough in fuel in there that there&#8217;s something here.</p>\n\n\n\n<p>I think time is on your, like you said, as time goes by, time is on your side because yeah, it&#8217;s only a matter of time where th where things kinda move and shift and the, the market, the world where you&#8217;re like that. Some of the classic stories, the person I&#8217;m thinking of, I think it&#8217;s a product company and how it came out.</p>\n\n\n\n<p>It&#8217;s just a recent example, but the classic ones were in Founders at Work where you almost stumbled into, backed into what became the hit thing. But you couldn&#8217;t have kind of planned that. Right. Um, where you were just keeping on a path enough, knew something was here, didn&#8217;t thought you had a beat on it a couple of times, and then just really it was just.</p>\n\n\n\n<p>The fire was stoked long enough where something did really hit and it became this, it, it became its own thing, I guess. Yeah. Lot of the, and I&#8217;m not, go ahead. A lot of the entrepreneurial stories I hear, they aren&#8217;t like the VC route. We saw a big market and we went after and we got a big money. Uh, that&#8217;s a, that&#8217;s an outlier I think, um, for the, Millions of us, the rest of us, I think it&#8217;s mostly backing into something, staying around long enough to find the opportunity that really fits.</p>\n\n\n\n<p>[00:16:09] <strong>Corey Maass:</strong> Yeah. Chipping away at it, having, having fun with it, working around real life needs, family, money, mortgages, healthcare, you know, that kind of stuff. And it&#8217;s like, and that&#8217;s kind of the difference. Like I, I have friends who I. Are, have always wanted to do something. And I&#8217;m like, so outside of their job and, and so I&#8217;m like, so do something, you know, talking art, music, entrepreneurship, whatever.</p>\n\n\n\n<p>And it&#8217;s like you just, you, you, you have it in you or you don&#8217;t is one aspect and then the timing is right. Where it&#8217;s like you have that drive and you look around and you&#8217;re like, okay, right now I&#8217;ve got a couple hours a day where I&#8217;ve got. Whatever commitment you need, you know, to work at it. And so, um, and I think you and I also, I mean this is, this is the warm and fuzzy moment, but it&#8217;s like you and I also I think, have looked for an opportunity to work together for a long time.</p>\n\n\n\n<p>So it&#8217;s like we will continue to be friends and, you know, hopeful partners in something kind of always, you know. Yep. Um, I do have to say that. We have to keep the fire burning at least long enough to, so that I get to rock the swag at WordCamp us. That&#8217;s true. These are the, these are the real important things.</p>\n\n\n\n<p>[00:17:40] <strong>Cory Miller:</strong> Um, yeah, a absolutely. I know. Um, no, and I think that&#8217;s the other part on, down to this is, you know, at the base I enjoy our conversations. It it, it&#8217;s this hot, crazy hobby we might have of. Seeing what&#8217;s out there, seen, seeing something following the path down it. And, uh, I still believe in the product. Yeah.</p>\n\n\n\n<p>Um, but it&#8217;s funny, it&#8217;s like I believe in the product, but I also believe in the path that might lead to something else. Yeah. Because, I mean, well, we&#8217;re on our second iteration of a product. Like, not even same product, there&#8217;s similarities. Mm-hmm. But like, we went down this path to here and I think it just adds to the ongoing conversation that we&#8217;re having is something&#8217;s gonna happen.</p>\n\n\n\n<p>Yeah. And then there&#8217;s a flat, simple, practical byproduct. All of this is that we&#8217;re having a conversation live and sharing our philosophies, sharing our thoughts, sharing our actions, um, all these things that has another byproduct that could lead us in another direction altogether, which is good. Yeah.</p>\n\n\n\n<p>Yeah. You just say from a professional opportunity standpoint,&nbsp;</p>\n\n\n\n<p>[00:18:53] <strong>Corey Maass:</strong> right, exactly. I mean, it&#8217;s the part, being part of the same network overlapping concentric circles. Um, And, uh, and kinda seeing what comes out of it. Cuz the other, I think the other thing I&#8217;m, I&#8217;m thinking in from the perspective of somebody who&#8217;s listening, who&#8217;s like, right, you, you know, you are both established.</p>\n\n\n\n<p>You have, you know, other income streams or you&#8217;ve got your networks, you&#8217;ve, you know, and, and you&#8217;re also putting a product out there. Like, I still see people on entrepreneurial forums that are like, you know, somebody&#8217;s gonna steal my idea. And, and we have gone the other direction and, and obviously we&#8217;re not the first, but, um, of, you know, just brazenly putting it out there and taking our sweet time.</p>\n\n\n\n<p>Let&#8217;s be honest. Like if we were other people, if we had venture capital, if we, you know, Didn&#8217;t have, you know, responsibilities and mortgages and things like we&#8217;d eat ramen and we&#8217;d have cranked this thing out years, uh, months ago. And, um, and there&#8217;s absolutely the chance that somebody listens and goes, oh, that&#8217;s a great idea.</p>\n\n\n\n<p>And, and comes in and, and, Steals it and releases it before we do. Um, you know, but it&#8217;s still, like you just said, it&#8217;s all part of the journey. We&#8217;re going to put our own twist on it. We&#8217;re going to put our own experience on it and, uh, and continue to iterate on the project, the product too. So when the product does come out, like it&#8217;s very much ours.</p>\n\n\n\n<p>And it might overlap with other people&#8217;s, but frankly it already will. Like, that&#8217;s the nature of. Pretty much any product. There&#8217;s no, there&#8217;s, there&#8217;s really, you know, almost nothing that hasn&#8217;t been invented. Um, and I also, another, uh, thread I saw recently again on, um, I think it was Reddit, one of the entrepreneurial ride along, or, or one of those subreddits, um, That people were concerned about not having an idea.</p>\n\n\n\n<p>And everybody else was like, just you, you don&#8217;t, you know, okay, don&#8217;t, don&#8217;t steal an idea and reproduce it. Like that&#8217;s boring. But you know, if you can build the better mousetrap, if you can build the better to-do list, if you can build the better time tracking app, uh, you know, whatever, do it. Like, that&#8217;s how most.</p>\n\n\n\n<p>Competition starts as, as these pretty subtle little differences. Um, and then you listen to your users, you listen to your own gut, and you end up di I feel like you end up diverging more and more and more. Um, you know, and or you&#8217;ve got, you&#8217;ve got a network that, that you can tap into that existing client or existing products can&#8217;t or whatever.</p>\n\n\n\n<p>So, um, You know, it&#8217;s all, I guess I, these days I view it, I view it as kind of as a game, which is more flippant than it probably sounds, but it&#8217;s like you&#8217;re wheeling and dealing, but there&#8217;s times when you win and there&#8217;s times when you lose. God. I&#8217;m being very metaphorical here, but, um, you know, but it&#8217;s the, the.</p>\n\n\n\n<p>I view it as an ebb and flow, which is, uh, again, I think for me the, the way that I had to phrase it a while ago was like, this is a hobby. And, uh, and so it&#8217;s, it&#8217;s meant to be fun. Um, and that isn&#8217;t to say that everything we do has to be fun cuz, and, and, or that I don&#8217;t take it seriously, but, um, but it gives you, I think, a little more perspective.</p>\n\n\n\n<p>You don&#8217;t have, I don&#8217;t, I don&#8217;t have board members that I have to, or, you know, or stockholders that I have to appease. Um, And I don&#8217;t have, uh, you know, I don&#8217;t have to burn the, the, the candle at both ends, um, to make ends meet if there&#8217;s a bug. And I&#8217;ve got users that are depending on me, that happens with my apps or my plugins once in a while, but it&#8217;s honestly like once in a while.</p>\n\n\n\n<p>That&#8217;s fun. I don&#8217;t wanna do it all the time, but it&#8217;s like, oh, I&#8217;ve gotta do a little hackathon and, and you know, figure this out until 2:00 AM cuz a bunch of people are depending on me. That&#8217;s fun too, you know? So,&nbsp;</p>\n\n\n\n<p>[00:22:45] <strong>Cory Miller:</strong> Yeah. It occurs to me it&#8217;s really a low pressure and stress for us, which is what we both need.</p>\n\n\n\n<p>Right. Um, having a little bit more, I mean, I guess that&#8217;s the definition of a hobby, right? You know, enjoyment without the stress and pressure. Yeah. When it switches from hobby. Oftentimes it counts with stress and pressure. Yeah.&nbsp;</p>\n\n\n\n<p>[00:23:08] <strong>Corey Maass:</strong> Well, and and it&#8217;s interesting cuz like I, I worked at startups, you know, it&#8217;s like I&#8217;ve done, I&#8217;ve done a lot of work in WordPress, um, and there&#8217;s been a lot of overlap.</p>\n\n\n\n<p>But I also, for a long time specifically was working for and with and at startups, um, of different natures. Um, and some of it was WordPress work and some of it was not. But there, there, and I was in New York City for a long, long time, um, so-called Silicon Alley. Um, during the WeWork stuff, I think I&#8217;ve mentioned that before.</p>\n\n\n\n<p>You can actually see me in the WeWork movie and, um, and all that. And I was surrounded by people who were hustling all the hustlers and, and all that stuff. And it&#8217;s like, Most people were chipping away. I mean, almost like, like almost anything. It&#8217;s a, everything&#8217;s a bell curve, right? So most of the people on the bell curve were just chipping away, you know, and they weren&#8217;t burning themselves out, but they weren&#8217;t also only working a day a week or something.</p>\n\n\n\n<p>And you had people who were working very, very hard. And you did have people who were there just for the lifestyle and honestly spent all day just playing ping pong. Um, and were there for the beer kegs, you know? Um, But working at different startups, like I&#8217;ve worked at startups where it was all hustle, hustle, hustle, and we&#8217;ve gotta put in long hours.</p>\n\n\n\n<p>And, um, and I, I found that I got out of those pretty quickly in part because I would, would burn out. Um, and I think it would be different if I had been in charge. Um, but like the one main startup where I was CTO was. Um, I think there&#8217;s a cultural difference here. Um, but it was in Nashville. It wasn&#8217;t in New York.</p>\n\n\n\n<p>So there&#8217;s, um, there two things were different. We were not in the hustle bustle of New York City. Nashville&#8217;s a little more easygoing. Um, but also we were generally all, you know, in our thirties and older, we weren&#8217;t all a type. Hustler entrepreneurs. Um, and then, uh, stereotypically, uh, down south you&#8217;ve got family values are, uh, or at least the family itself is prioritized higher.</p>\n\n\n\n<p>And so we, there, we absolutely put in some long days, but for the most part it was. A priority of the founder and subsequently everybody else on the team that, you know, you wouldn&#8217;t, if it could be done tomorrow, if it was five or six o&#8217;clock, then fine. Do it tomorrow. You know, keep chipping away, make good progress.</p>\n\n\n\n<p>But, um, you know, but you didn&#8217;t, we didn&#8217;t have to burn ourselves out. Uh, we weren&#8217;t gonna really get anywhere by burning ourselves out. And, and we did just fine till we ran outta money, which happens with startups. Um, you know, but it, but it doesn&#8217;t, it doesn&#8217;t always have to be that crazy atmosphere. Yeah.</p>\n\n\n\n<p>I, I&nbsp;</p>\n\n\n\n<p>[00:26:02] <strong>Cory Miller:</strong> can&#8217;t help but think there&#8217;s a shift going on globally too, with work.&nbsp;</p>\n\n\n\n<p>[00:26:07] <strong>Corey Maass:</strong> Um, what, sorry, what, what was it like at, like, ithe or, you know, some of the, the bigger places you&#8217;ve worked?&nbsp;</p>\n\n\n\n<p>[00:26:13] <strong>Cory Miller:</strong> The biggest place I have been be beyond like liquid web would be, um, I was at a seminary and I think there was 150, 200 people employed by the seminary.</p>\n\n\n\n<p>Maybe that it&#8217;s too much. No, I actually, there&#8217;s a hundred, 150, um, that, that was just a very academic setting, so it was money, always money. So, Um, I loved it cause it was a learning stuff, but as far as like in the past, um, you know, I worked at newspapers, so it was always deadline. I think it was more startup, you know?</p>\n\n\n\n<p>Yeah. Very much startup. Except every day we were launching a new product.&nbsp;</p>\n\n\n\n<p>[00:26:58] <strong>Corey Maass:</strong> That&#8217;s, that&#8217;s insane.&nbsp;</p>\n\n\n\n<p>[00:27:00] <strong>Cory Miller:</strong> Which I think is why I probably liked entrepreneurship is just the deadlines and product is, it was so fulfilling to come. At the end of the day. But as far as values and stuff goes, I think I learned more in my leadership from what the not to do what I didn&#8217;t like, the obsession with whatever the goal was at the expense of people and just realistically, like what are we expecting people to do?</p>\n\n\n\n<p>You know, I could, my truck. Get it all, get it up to 150 miles per hour and get into the red line, then it&#8217;s eventually gonna break. And I don&#8217;t think you can do that. We try to do that with people. Um, but I took a lot of those lessons leadership wise. I had, um, probably some things I go, I&#8217;m not gonna do that ever.</p>\n\n\n\n<p>My last job before I started iThemes, um, I worked for a really amazing pastor. The one that kind of refreshed my optimism that. There could be one who at the time, the way I understood the Bible was be just a shepherd. You know? Um, he was really awesome. I really, I, I took his archive as a leader into, into I themes or eventually when we grew on our team.</p>\n\n\n\n<p>But you&#8217;re right, the first, first couple years, um, it was just fun and new. It was creating stuff. With hopes and dreams and thoughts and ideas and, uh, it was messy. Um, it was messy, but we got to do some cool stuff. We did like create an office that eventually grew to about 5,000 square feet and got to, like, my dad actually drove up.</p>\n\n\n\n<p>From about two hours from where he lives from us and came and helped me, helped us demolish some of the walls that were up at this place. Cause we wanted more of that bigger open thing and we went to IKEA and get all the tables. And I think about all that initial time, very romantically, very affectionately, because it was just, we didn&#8217;t all know.</p>\n\n\n\n<p>We didn&#8217;t know what we were doing. I sure as hell didn&#8217;t know what I was doing, but it was fun creating something that. What would our expression look like? And so I would say for the first three years it was just kinda hanging on and having fun with, yeah, doing some real stuff. Um, there was electricity in the air and uh, with a whole set of problems that developed out of that.</p>\n\n\n\n<p>And then I think when we hit about a million in revenue, I couldn&#8217;t manage the team by myself. Um, we were up to at least 10 people by that time and. I think things got more serious and probably professional, um, in the sense of, okay, you know, we, we had health insurance probably I think our first year. As soon as we hired the first couple employees we needed to get health insurance type of thing.</p>\n\n\n\n<p>And uh, but I think that year something was different is like, we&#8217;ve got something here. Yeah. Lining in the bottle. Let&#8217;s figure out how to protect it, grow it. Maintain it. And um, and so we needed some of the structure in there. Um, my value as leader though, was always, like, I did a talk early on. I was like, I wanted to build a tree house.</p>\n\n\n\n<p>I wanted to have a tree house, and I wanted to invite all these cool people to play with me in the tree house. That&#8217;s what it was the first couple years. And, and some really good stuff came out of that. Um, you know, we didn&#8217;t fall out of the tree house and break her arm. Um, mostly, and then it was, it was shifting of like, holy crap, like look at this thing, we gotta figure out that.</p>\n\n\n\n<p>And then, but when it really serious was toward the end when it was like, oh, there was more children of our employees than there were employees, and that was responsibility barrier. And then it&#8217;s like, house gets a little serious, you know? Yeah.&nbsp;</p>\n\n\n\n<p>[00:31:07] <strong>Corey Maass:</strong> That&#8217;s interesting. Um,&nbsp;</p>\n\n\n\n<p>[00:31:11] <strong>Cory Miller:</strong> so yeah, I&#8217;m. I look back at that time very fondly and nostalgically.</p>\n\n\n\n<p>Um, cuz I remember it was toward the end of the year. No, it was after the first of the year. And I got invited to be in, uh, entrepreneurs organization and said, well, you need a million in sales. And I remember going to our accountant like in January and going, okay, where do we hit? And we were like, $70 over a million or something.</p>\n\n\n\n<p>And I thought we did it, but here&#8217;s how weird it was. More treehouse thing is like, That money didn&#8217;t flow directly to me. That was, I wasn&#8217;t swimming in the lap of luxury or anything. It was like that childhood c childish feeling of I get the high score on Gallagher. Oh wow. We did it. We did it. You know, and, uh, [00:32:00] but what&#8217;s, what&#8217;s crazy related to the whole entrepreneur journey is I think that was probably, I.</p>\n\n\n\n<p>Those circumstances and timing and backing into that was just ideal, obviously. But I go, it wasn&#8217;t all luck, right? It was both. It was all luck, all hard work. You know? It was both. Um, cuz I&#8217;ve since then tried to recreate the magic experiment, you know? Yeah. It was cool. My partner came in, I think it was our first year, we had our first office, and I would buy these, sorry, I&#8217;m these plastic tables from Sam&#8217;s Club.</p>\n\n\n\n<p>Mm-hmm. Basically picnic tables, you know. Yeah. And I was like, these are our desks. I held onto that for the longest time until we got our next office. And Matt was like my co he was like, Time to time to probably upgrade from the white desk. And I was like, no, I don&#8217;t want to. I did eventually. Um, but I think that was part of that magic right time, right place, right?</p>\n\n\n\n<p>People were partners, right. WordPress. Um, but it, I that those conditions were really conducive to creativity and magic and pulling. People were pull. Pulled in to that, like Christine was one, um, I think it was our second or third team member, man, changed the change, solidified the entire direction of the company and.</p>\n\n\n\n<p>Um, huge, uh, different people like Dusti Bolton, Matt Danner, and Kristen Rutten, and different people that poured into our orbit. I go, wow, this is cool. So like when you talk about band, I go, that&#8217;s what my band was. Mm-hmm. Because it&#8217;s just like, we just made really good music for a long time. Yep. Uh, but how do I recreate that?</p>\n\n\n\n<p>That&#8217;s been the obsession for the last five years. Uh, until I just go, that was done. That was there. Yeah. That was album. I laid, we laid, excuse me. And it&#8217;s on to new music, right?&nbsp;</p>\n\n\n\n<p>[00:34:03] <strong>Corey Maass:</strong> Yeah. Or yeah, arriving at a different thing, different voices. You can&#8217;t just recreate the same thing. Music&#8217;s always the perfect metaphor in, in entrepreneurship, ownership and programming.</p>\n\n\n\n<p>And I think there&#8217;s a reason why so many of us are into music or are musicians or whatever. Um, but yeah, and I think that&#8217;s, That&#8217;s what a lot of, like, I, I was really into all the entrepreneur stories for a long time and I&#8217;m glad I listened to a bunch of the podcasts and, you know, and whatnot. But you can&#8217;t recreate somebody else&#8217;s story can be inspired&nbsp;</p>\n\n\n\n<p>[00:34:44] <strong>Cory Miller:</strong> by for sure.</p>\n\n\n\n<p>[00:34:46] <strong>Corey Maass:</strong> Oh hundred percent. A hundred percent. And, and, and some of it is good advice or, you know, in certain situations you&#8217;re like, oh, you know, I remember this thing. It&#8217;s like, like reading a playbook, but you still have to know what plays to apply or whatever.&nbsp;</p>\n\n\n\n<p>[00:35:01] <strong>Cory Miller:</strong> I, so when I le met Lindsay and in like 2010, which was that year, we hit a million, um, we started this thing that, um, was called Startup Sofa.</p>\n\n\n\n<p>[00:35:13] <strong>Corey Maass:</strong> I&#8217;m sorry, I&#8217;m laughing because you know, you&#8217;re, She&#8217;s clearly in it for the money. Um, you know, yes. That year, you know, you were walking around being like, uh, my company just turned a million. You know what? Beautiful women want, want, want me now? She, she,&nbsp;</p>\n\n\n\n<p>[00:35:30] <strong>Cory Miller:</strong> she remembers. She goes, no, you know, we were dating when.</p>\n\n\n\n<p>You hit your first six figure month. And I was like, Uhhuh, I realized everything got better with you. It did. Um, that&#8217;s the other way&nbsp;</p>\n\n\n\n<p>[00:35:44] <strong>Corey Maass:</strong> she sees it. The she sees it the other way around. Yeah.&nbsp;</p>\n\n\n\n<p>[00:35:47] <strong>Cory Miller:</strong> And it. And honestly, candidly, it did, everything did get better when you just had some like, like while we&#8217;re doing this together, not apart, right?</p>\n\n\n\n<p>It&#8217;s right. It&#8217;s just better together. I&#8217;ve said that with post status. All the other things, it&#8217;s like, God, as much as I want to think I&#8217;m a solo act, I&#8217;m really not. Well, I&#8217;m much better as a collaborator. Um, oh, so we started, I started this thing called Startup Sofa, um, and tried to share all these things I had learned.</p>\n\n\n\n<p>I was laughing, telling her that, and I said, I was two years into this thing and thought I was, I could share, I do believe there&#8217;s a point where if you&#8217;re like one step, two step ahead of someone, sure it&#8217;s very helpful. It&#8217;s very good stuff. Like this is where I&#8217;ve got, uh, but I started laughing. I go, cuz now I try to share less.</p>\n\n\n\n<p>I really actively try to not give advice as best I can until I go, okay, now it&#8217;s time for advice. I just share experiences cuz I go right. Everybody I hear doing that and you&#8217;re like, how long have you been doing this? All right. Have you been doing it exactly the way they have? Do you know their dna N do you know their company?</p>\n\n\n\n<p>Do you know the mix? Do you know the environment? The answer is no. Very few bands lose their cover singer and have can just plug in another person and know, I think Queen is one of them, but you&#8217;re like, it&#8217;s very hard to, the magic is that band, those people that time to&nbsp;</p>\n\n\n\n<p>[00:37:12] <strong>Corey Maass:</strong> do that. Yeah. Yeah. And I mean, you can&#8217;t, and time is is the other, is the other thing.</p>\n\n\n\n<p>It&#8217;s like you can&#8217;t, you know, I&#8217;m, I&#8217;m stuck in that a little bit with music. It&#8217;s like I am, I am getting better and better at making a genre that basically died 10 years ago. I do it cuz I love it. And again, I&#8217;m, I&#8217;m, there are moments where I&#8217;m like, uh, these other genres are more popular. I would get more airplay if I switch genres again cuz I switched genres.</p>\n\n\n\n<p>Like I rode a lot, the wave of, a lot of genres for a lot of years and I was sincere about it. I wasn&#8217;t, cuz I, I&#8217;ve never made music thinking that it was really going to get popular or what have you. Um, But now I make the music that I love the most and nothing else has come along that I love more. Um, but, so if you&#8217;re the perfect band, but you&#8217;re making seventies rock, uh, you might have a hard time if it sounds too much.</p>\n\n\n\n<p>Just like seventies rock, you know? Okay. That&#8217;s&nbsp;</p>\n\n\n\n<p>[00:38:15] <strong>Cory Miller:</strong> so good because then I go, there&#8217;s this other part to the whole magic is that you want magic to happen. Probably some baseline passion, desire, interest for you. Seventies rock music, right? And I go, well, as time goes by, everything works in cycles. We know it might be dead 10 years ago, but it could be alive 10 years from now.</p>\n\n\n\n<p>And you&#8217;re like, oh, it&#8217;s those people that I admire very much, Corey, that have their interests and desires and passions and don&#8217;t. Stop. Mm-hmm. There&#8217;s some little fire of that in what we&#8217;re talking about while we keep showing up on [00:39:00] Wednesdays. But I really admire it because I go, those are the people that, that something is gonna happen.</p>\n\n\n\n<p>It&#8217;s probably gonna be better than what they imagined. Not what they imagined, but better. And, uh, I go to like seventies music. You said it just so organically. It&#8217;s something I, I like probably not gonna stop and then I go, well, if you stay around for another 20 years, Doing that, something&#8217;s gonna happen of that.</p>\n\n\n\n<p>Right,&nbsp;</p>\n\n\n\n<p>[00:39:25] <strong>Corey Maass:</strong> right. I mean, that&#8217;s been proven over and over again and it doesn&#8217;t happen for everybody. And I&#8217;m, I have, you know, there&#8217;s, there&#8217;s two thi, two things, only two, there are at least two. One, one is persistence, um, doing what you love. And, but again, this is where, and for me it had to be. Calling it a hobby, you have to make your peace with it.</p>\n\n\n\n<p>I think that&#8217;s the bigger, uh, the wider way to describe it is like there are people who are session musicians, you know, there are people who are, um, who will try to ride each wave to make the next, you know, hit song based on what trends are now. Um, there are people who would just grind. Um, Derek Sives talks a lot about this.</p>\n\n\n\n<p>Yeah. Um, love his work. And, um, you know, and, and, uh, and he&#8217;s a good example. And other people, uh, who are like, okay, well I&#8217;m going to, I&#8217;m gonna do other things to, you know, to pay the bills, but, uh, my passion lies over here. And, uh, because it&#8217;s my passion, it will, I will always keep chipping away at it kind of thing.</p>\n\n\n\n<p>Um, but I think, so that&#8217;s, that&#8217;s sort of one line. And then there&#8217;s another line, which is time and perspective and, um, Because you talk about good things will happen to them eventually. Right? And so it&#8217;s like I, for me, part of that I think can be the lowering of expectations, uh, which sounds so old and cynical and beaten down, but it&#8217;s like I get more out of.</p>\n\n\n\n<p>Smaller things musically, like again, I&#8217;m, I&#8217;m, I&#8217;m getting older and older. The likelihood that even if I got a song that blew up, am I gonna tour on that at age 46? I also, I generally make music that that&#8217;s popular in England and so am I going to tour in England at age 46 and I can barely stay awake past 10:00 PM Am I, am I really gonna go DJ gigs at three in the morning?</p>\n\n\n\n<p>No. You know, uh, and so managing, managing expectations and it&#8217;s like I&#8217;ve, but I, and being content with, uh, a little bit of airplay here and there, or the people who, uh, I&#8217;ve now been friends with for. You know, decades coming to me and saying like, this is the best song you&#8217;ve ever written. I&#8217;m like, that&#8217;s enough.</p>\n\n\n\n<p>Like, I don&#8217;t, you know, yes, I would still love, you know, uh, endless BBC airplay or something, but the li the likelihood is less. And so it&#8217;s the, uh, staying consistent for me. Staying consistent, plugging away, doing what I wanna do, but then also being more and more content with, again, smaller wins. Um, cuz it&#8217;s like there&#8217;s, yeah.</p>\n\n\n\n<p>You know, it&#8217;s hard not to like, um, I am reacting to what you just said of like going, there&#8217;s a lot of entrepreneur advice that, that the entrepreneurs that I was following, like for years I wanted to go to, um, Rob Walling and, and Mike, they do startups for the rest of us. Um, and they do a conference, MicroCon.</p>\n\n\n\n<p>Yeah. For years I wanted to go to MicroComp and, and then it, and, and I went to businesses, software, and some of these that were, I. Like only a few of the talks were relevant to the very, very bootstrapping I was doing. Um, and now even MicroComp, I mean, and years ago they split into two tracks. I don&#8217;t know where they are anymore, but the last time I looked, and this is no criticism of them, it&#8217;s just like I never.</p>\n\n\n\n<p>I never was able to go up, up, up with all the other people that were going up, up, up. And so then they were all, you know, you, you were, you mentioned being a couple of rungs ahead of me. They were ladders ahead of me. And so it stopped being, um, pertinent. Um, and I also took my foot off the gas and, and aimed a little smaller.</p>\n\n\n\n<p>And again, qualifying more the more side hustles and, and you know, uh, and stuff like that. And so it&#8217;s like, I struggle, I go back and forth, right? Pride at the end of my life, I, I would love to have owned a gajillion dollar company, or more importantly to me, honestly, would be to have a gajillion user product.</p>\n\n\n\n<p>Um, cuz it&#8217;s just more fun, frankly, and, and presume that money would come out of it and stuff like that. But it&#8217;s like, what are my, what are my actual goals? Like, why at 46 do I code extracurr? I, I, it&#8217;s a hobby. I love it. Okay, but what, what are the goals? You know, are there still goals? Am I still trying to earn millions of dollars?</p>\n\n\n\n<p>Like what is, it&#8217;s like I always, I always talk about, um, I don&#8217;t know, I, I don&#8217;t actually know anybody who makes canoes, but I always talk about, Uh, the, or I love the idea of a person who, cuz I think I, it&#8217;s the most frivolous thing I can think of. Um, and that&#8217;s that, and I don&#8217;t mean that negatively, but as a hobby, like in your garage, taking up most of your a, a car bay.</p>\n\n\n\n<p>So one of your cars probably has to be parked in the, in the driveway so that you can make a canoe. I guarantee you don&#8217;t need a canoe. And, and the world doesn&#8217;t need another canoe. There are canoes that you could go buy, probably get one for free because everybody buys a canoe and then never ends up using it.</p>\n\n\n\n<p>That&#8217;s, at least that was me, my family growing up. Um, but anyway, it&#8217;s like that to me is the epitome of a hobby. It&#8217;s pure love. Absolutely nothing in the world needs or requires or even probably encourages you to build a canoe, but you want to, so you&#8217;re gonna do it. Um, and that&#8217;s, and then I look at, at what I&#8217;m doing and it&#8217;s like, okay, well the, if, you know, the end goal of a canoe is that you can put it in the water and paddle it around, right?</p>\n\n\n\n<p>It&#8217;s like, so the end goal for me, for building a product is users as people, users it. And I&#8217;m like, look, I, I brought value or joy or productivity or, you know, something that it&#8217;s validating. Um, You know, but, but in the grand scheme of things, like there was a time when I was like, you know, the goal is to make a gajillion dollars.</p>\n\n\n\n<p>Um, now it&#8217;s like I&#8217;ve, I&#8217;ve gotten, I&#8217;ve gotten smaller and smaller and smaller. Now it&#8217;s to make a good product that people use. Mm-hmm. And it&#8217;s like, is that because I have failed so many times that my expectations have gone down, down, down, or. Is that still I&#8217;ve, I&#8217;ve, for myself, I have distilled it down to, that&#8217;s the first real spark, and then you kind of grow a, ideally grow a fire from there, right?</p>\n\n\n\n<p>If you&#8217;ve got people using something, then you&#8217;ve got something, presumably, and then that&#8217;s where you, you know, uh, You are, you are the fuel, and I&#8217;m the f I&#8217;m the spark or whatever, you know, that&#8217;s where you and I collaborate because fire takes three things. Um, and so you, you can&#8217;t, you probably can&#8217;t do it yourself or you don&#8217;t want to.</p>\n\n\n\n<p>Um, and, or, you know, the idea of cool people working together to build something bigger and bigger and bigger. And so part of the joy is like, I was texting my, talking about the, the startup in Nashville. I was texting with the ceo. Yes. This weekend, you know, and I haven&#8217;t, and that was at least 10 years ago.</p>\n\n\n\n<p>So it&#8217;s like friendships that last, or fond memories or, or war stories or, you know, I don&#8217;t know. It&#8217;s hard to, I&#8217;m, I&#8217;m totally rambling, but it&#8217;s hard to quantify now, harder to quantify now for me, like. Why on earth I do this, but I do it and it brings me joy and maybe that&#8217;s all I need.&nbsp;</p>\n\n\n\n<p>[00:47:30] <strong>Cory Miller:</strong> Yeah. We&#8217;ve talked a lot about hobbies and historically I&#8217;ve been like, I don&#8217;t have hobbies.</p>\n\n\n\n<p>I have work, I don&#8217;t have a home life. Um, and work was always my hobby. I mean, I would say even before I, I could, I had so much fun. It was like a hobby, I guess. Mm-hmm. Um, and most of the business was fun and I didn&#8217;t. Have time and want to have time for other hobbies. Like it had to be productive. When you said hobby, it&#8217;s like when you&#8217;re talking about the canoe, I go, there&#8217;s a reason the person has makes space in the garage and the significant other probably goes, we don&#8217;t have any garage cause the canoe.</p>\n\n\n\n<p>But I go, that energy, that passion needs to take up space in your life somehow. And I go, so I haven&#8217;t had those. I do have two motorcycle, um, two motorcycles and the girls that don&#8217;t work. Um, but like what takes up space? I guess I was thinking what takes up space and this is it, this is part of this. So like we talked about it and your, your thoughts and hobbies have helped me so much more as go, I still think about it as.</p>\n\n\n\n<p>For some reason, I, it&#8217;s hard for me to do something just for the value of doing it. The joy of doing it. Yeah. Um, I do have joy in doing things that build. I just want the practical something to the end. But I go, you know, this has, this, this time should take, uh, space in my life because I enjoy it. Right for that only value.</p>\n\n\n\n<p>That&#8217;s something that did not exist probably a year ago, five years ago. 10 years ago. In my, in my mind, in my heart, because I was like, well, it&#8217;s just extra. It does take up just like the canoe in the garage takes up space, that other things could be there, but I go. No, enjoy talking to you. Enjoy having these conversations.</p>\n\n\n\n<p>Enjoy tinkering with these products. This is our little mm-hmm. Garage hobby. You know, my version because I don&#8217;t physical things, you know, you build fences and stuff. Um, I, I don&#8217;t really do a lot of that. Don&#8217;t feel like I have always the ability and patience to do it, but I was like, hobby that builds, I, that&#8217;s my version of hobby is something, even when I could say I.</p>\n\n\n\n<p>My reading hobby, my hiking hobby, for me, it still builds. I&#8217;d need that part. It&#8217;s just, it connects somewhere back. Um, like I can say we&#8217;re gonna my daughter and sent her home. Of course summer, we&#8217;ll go to the swimming pool. The value of that is rest and recuperation and enjoying time with them. That checks by something that builds.</p>\n\n\n\n<p>Sure. Thing, but I don&#8217;t know. As you were talking, I was like, no, it&#8217;s this time should take up this space. It has taken up, what, the last six months I think we&#8217;re our 18th session.&nbsp;</p>\n\n\n\n<p>[00:50:40] <strong>Corey Maass:</strong> Yeah. I, yeah. I love, I love that you say it that way, like I think the hard part is, again, settling it in your own mind and then explaining it to other people.</p>\n\n\n\n<p>Yeah. And, and I know that we&#8217;ve struggled a little bit, um, where to my wife, it looks like I&#8217;m working all the time and I&#8217;m like, yeah. And sometimes I am. And sometimes it&#8217;s work, but it&#8217;s not earning me any money. And sometimes it&#8217;s fun and it&#8217;s not earning me any money. And it&#8217;s, you know, and it&#8217;s like there are four, the four quadrants of earns money or doesn&#8217;t, and it&#8217;s fun or it isn&#8217;t, but, um, and it&#8217;s client work or it&#8217;s not.</p>\n\n\n\n<p>And, and I know that like my folks struggle with this too. My dad, my folks are retired, but my dad still writes papers, um, using research that he did during his career as a forester. Um, And it just brings him joy. And my mom&#8217;s like, get off the damn computer, where, you know, go play golf. We&#8217;re retired.</p>\n\n\n\n<p>That&#8217;s not the retirement she wants. It&#8217;s the retirement he wants, you know? Um, and so it&#8217;s the hard, sometimes it&#8217;s hard to explain or show to other people, like, this is okay, this is what I wanna do. It&#8217;s like, as long as you&#8217;re getting enough exercise in vitamin D, you know, uh, but it&#8217;s, you know, cuz it&#8217;s, And it&#8217;s funny cuz people will look at gaming, you know, it&#8217;s like, oh, well you&#8217;re, you&#8217;re 10, 12 hours a day in front of the TV going zap, zap, zap or whatever.</p>\n\n\n\n<p>You know? We&#8217;ll go, okay, that&#8217;s fi that&#8217;s fine. That&#8217;s a hobby. It&#8217;s like, It may or may not be the healthiest me sitting here typing, building something, and I&#8217;m not judging one against the other, obviously, but it&#8217;s the, like, it&#8217;s hard to, it&#8217;s, it, it&#8217;s not as easy to demonstrate that it&#8217;s the same sort of thing of like, no, this is fun.</p>\n\n\n\n<p>You know?&nbsp;</p>\n\n\n\n<p>[00:52:35] <strong>Cory Miller:</strong> Oh yeah. I, you know, self-care is all in the rage and I&#8217;m glad it is, but I go, it&#8217;s such an abstract concept for me. But because I&#8217;m, I try to be pretty practical with things, but I go, you know, that time and space is valuable to me. And you put the other part, is it seen as valued by others? And that&#8217;s another conversation.</p>\n\n\n\n<p>But I go, what I&#8217;m trying to do is like, I don&#8217;t have those things. Maybe I don&#8217;t consciously have those things a take up space that I go, this is me, this is for me. Right. It&#8217;s for others but me and this whole concept of taking, so I says, what the heck does that talk about? It means for me personally, being in a line, not worrying about everybody else, necessarily worrying about me too.</p>\n\n\n\n<p>I&#8217;m okay to be in this space. Um, there&#8217;s a great person on Instagram talking about, or Instagram talking about Enneagram, and I&#8217;m an Enneagram nine, which is peacemaker Art Tap. And the one thing they said, take up space. And I said, I think I&#8217;m starting to get that now from canoe in the garage to standing in line.</p>\n\n\n\n<p>And you know what? I&#8217;m in this part and I&#8217;m gonna take this particular space, you know, for myself. Yeah. And I think that goes back to hobbies is now of course communication with sniff and others and all that stuff. But I go, it&#8217;s one added element I think our conversations have been so enriching for me is just go, it&#8217;s okay.</p>\n\n\n\n<p>This time our async time takes up space and what I increasingly see is limited time. Yeah. And energy. But I go, I wanted to take up space. I wanted to take up that space. And you know, that&#8217;s the amber that I think keeps me coming to this. Uh, and then, you know, you never know. You just never know. Yep. Like we&#8217;re not losing our house families, all this stuff, like you said earlier.</p>\n\n\n\n<p>Yep. 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(492,'_site_transient_browser_6273d3d96a47643c47c537df78e70393','a:10:{s:4:\"name\";s:7:\"Firefox\";s:7:\"version\";s:5:\"116.0\";s:8:\"platform\";s:5:\"Linux\";s:10:\"update_url\";s:32:\"https://www.mozilla.org/firefox/\";s:7:\"img_src\";s:44:\"http://s.w.org/images/browsers/firefox.png?1\";s:11:\"img_src_ssl\";s:45:\"https://s.w.org/images/browsers/firefox.png?1\";s:15:\"current_version\";s:2:\"56\";s:7:\"upgrade\";b:0;s:8:\"insecure\";b:0;s:6:\"mobile\";b:0;}','no'),
(509,'_transient_timeout_revisionary-post-edit-redirect-9370','1693484458','no'),
(510,'_transient_revisionary-post-edit-redirect-9370','1','no'),
(511,'_transient_timeout_revisionary-post-edit-redirect-9372','1693485018','no'),
(512,'_transient_revisionary-post-edit-redirect-9372','1','no'),
(517,'_transient_timeout_revisionary-post-edit-redirect-9373','1693485791','no'),
(518,'_transient_revisionary-post-edit-redirect-9373','1','no'),
(519,'revisionary_sent_mail','a:48:{i:9;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:512:\"valentin.le moign a envoyé des modifications à la « 0’02 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13193&preview=1&page_id=13927&post_type=post&nc=53b00fe9\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13193&all=1&nc=ee4afe98\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13927&nc=c8c7da0c\r\n\";s:4:\"time\";i:1698043146;s:8:\"time_gmt\";i:1698035946;s:11:\"revision_id\";i:13927;s:7:\"post_id\";i:13193;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:10;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:88:\"\"Le demandeur était valentin.le moign.\r\n\r\nVoir en ligne : https://localhost/?p=13193\r\n\";s:4:\"time\";i:1698044181;s:8:\"time_gmt\";i:1698036981;s:11:\"revision_id\";i:13927;s:7:\"post_id\";i:13193;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:26:\"rev_approval_notify_author\";}i:11;a:9:{s:7:\"address\";s:25:\"valentinlemoign@gmail.com\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:118:\"La demande de révision pour Article « 0’02 » a été traitée.\r\n\r\nVoir en ligne : https://localhost/?p=13193\r\n\";s:4:\"time\";i:1698044181;s:8:\"time_gmt\";i:1698036981;s:11:\"revision_id\";i:13927;s:7:\"post_id\";i:13193;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:27:\"rev_approval_notify_revisor\";}i:12;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:511:\"utilisateur.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=13934&post_type=post&nc=9173a2bb\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=3f405cff\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13934&nc=961fb8ec\r\n\";s:4:\"time\";i:1698083277;s:8:\"time_gmt\";i:1698076077;s:11:\"revision_id\";i:13934;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:13;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:511:\"utilisateur.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=13937&post_type=post&nc=2e2c76e0\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=2995de73\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13937&nc=1e1dd58e\r\n\";s:4:\"time\";i:1698090458;s:8:\"time_gmt\";i:1698083258;s:11:\"revision_id\";i:13937;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:14;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:512:\"utilisateur.test a envoyé des modifications à la « 01’04 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13202&preview=1&page_id=13949&post_type=post&nc=2e54b3c6\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13202&all=1&nc=8f6a85cd\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13949&nc=2bdf032e\r\n\";s:4:\"time\";i:1698234573;s:8:\"time_gmt\";i:1698227373;s:11:\"revision_id\";i:13949;s:7:\"post_id\";i:13202;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:15;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:505:\"test.test a envoyé des modifications à la « 02’11 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13215&preview=1&page_id=13952&post_type=post&nc=f4797b67\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13215&all=1&nc=f9e38fa6\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13952&nc=ffed3968\r\n\";s:4:\"time\";i:1698315217;s:8:\"time_gmt\";i:1698308017;s:11:\"revision_id\";i:13952;s:7:\"post_id\";i:13215;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:16;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:80:\"\"Le demandeur était test.test.\r\n\r\nVoir en ligne : https://localhost/?p=13215\r\n\";s:4:\"time\";i:1698315598;s:8:\"time_gmt\";i:1698308398;s:11:\"revision_id\";i:13952;s:7:\"post_id\";i:13215;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:26:\"rev_approval_notify_author\";}i:17;a:9:{s:7:\"address\";s:23:\"emailtest@emailtest.com\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:119:\"La demande de révision pour Article « 02’11 » a été traitée.\r\n\r\nVoir en ligne : https://localhost/?p=13215\r\n\";s:4:\"time\";i:1698315598;s:8:\"time_gmt\";i:1698308398;s:11:\"revision_id\";i:13952;s:7:\"post_id\";i:13215;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:27:\"rev_approval_notify_revisor\";}i:18;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=13956&post_type=post&nc=e7f03b0b\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=1da2301f\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13956&nc=4f92fa5f\r\n\";s:4:\"time\";i:1699366059;s:8:\"time_gmt\";i:1699362459;s:11:\"revision_id\";i:13956;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:19;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=13960&post_type=post&nc=4c7604fe\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=54b42b20\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13960&nc=e35b419f\r\n\";s:4:\"time\";i:1699366815;s:8:\"time_gmt\";i:1699363215;s:11:\"revision_id\";i:13960;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:20;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=13962&post_type=post&nc=e8c63ba4\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=3ff750ab\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13962&nc=706a1050\r\n\";s:4:\"time\";i:1699368524;s:8:\"time_gmt\";i:1699364924;s:11:\"revision_id\";i:13962;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:21;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:423:\"val a mis à jour une révision envoyée de la article « 0’26 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13198&preview=1&page_id=13955&post_type=post&nc=2bdab837\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13198&all=1&nc=b07dfa51\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13955&nc=43d9c7be\r\n\";s:4:\"time\";i:1699519791;s:8:\"time_gmt\";i:1699516191;s:11:\"revision_id\";i:13955;s:7:\"post_id\";i:13198;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:22;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:424:\"val a mis à jour une révision envoyée de la article « 01’04 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13202&preview=1&page_id=13949&post_type=post&nc=99bfb6f5\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13202&all=1&nc=4367b220\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13949&nc=33134302\r\n\";s:4:\"time\";i:1699519791;s:8:\"time_gmt\";i:1699516191;s:11:\"revision_id\";i:13949;s:7:\"post_id\";i:13202;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:23;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:424:\"val a mis à jour une révision envoyée de la article « 02’31 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13216&preview=1&page_id=13954&post_type=post&nc=46f614d4\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13216&all=1&nc=464e8fdc\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13954&nc=f5576811\r\n\";s:4:\"time\";i:1699519792;s:8:\"time_gmt\";i:1699516192;s:11:\"revision_id\";i:13954;s:7:\"post_id\";i:13216;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:24;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:423:\"val a mis à jour une révision envoyée de la article « 0’26 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13198&preview=1&page_id=13955&post_type=post&nc=c96b887c\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13198&all=1&nc=53911153\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13955&nc=a1cbf0d0\r\n\";s:4:\"time\";i:1699519994;s:8:\"time_gmt\";i:1699516394;s:11:\"revision_id\";i:13955;s:7:\"post_id\";i:13198;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:25;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:424:\"val a mis à jour une révision envoyée de la article « 01’04 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13202&preview=1&page_id=13949&post_type=post&nc=774e5efc\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13202&all=1&nc=e39897a1\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13949&nc=b8a64852\r\n\";s:4:\"time\";i:1699519994;s:8:\"time_gmt\";i:1699516394;s:11:\"revision_id\";i:13949;s:7:\"post_id\";i:13202;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:26;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:67:\"[Partition Le Livre d\'Image] Révision envoyée a été mis à jour\";s:7:\"message\";s:424:\"val a mis à jour une révision envoyée de la article « 02’31 ».\r\n\r\nAperçu et approbation : https://localhost/?p=13216&preview=1&page_id=13954&post_type=post&nc=7154f869\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13216&all=1&nc=387cd4f0\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=13954&nc=23f6f497\r\n\";s:4:\"time\";i:1699519995;s:8:\"time_gmt\";i:1699516395;s:11:\"revision_id\";i:13954;s:7:\"post_id\";i:13216;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:27;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14678&post_type=post&nc=6a7dcecc\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=f290c885\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14678&nc=f166d7cd\r\n\";s:4:\"time\";i:1699522284;s:8:\"time_gmt\";i:1699518684;s:11:\"revision_id\";i:14678;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:28;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:505:\"test.test a envoyé des modifications à la « 01’29 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13205&preview=1&page_id=14680&post_type=post&nc=99f999d2\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13205&all=1&nc=1ded4b4b\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14680&nc=2554586c\r\n\";s:4:\"time\";i:1699522768;s:8:\"time_gmt\";i:1699519168;s:11:\"revision_id\";i:14680;s:7:\"post_id\";i:13205;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:29;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:80:\"\"Le demandeur était test.test.\r\n\r\nVoir en ligne : https://localhost/?p=13205\r\n\";s:4:\"time\";i:1699522852;s:8:\"time_gmt\";i:1699519252;s:11:\"revision_id\";i:14680;s:7:\"post_id\";i:13205;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:26:\"rev_approval_notify_author\";}i:30;a:9:{s:7:\"address\";s:23:\"emailtest@emailtest.com\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:119:\"La demande de révision pour Article « 01’29 » a été traitée.\r\n\r\nVoir en ligne : https://localhost/?p=13205\r\n\";s:4:\"time\";i:1699522852;s:8:\"time_gmt\";i:1699519252;s:11:\"revision_id\";i:14680;s:7:\"post_id\";i:13205;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:27:\"rev_approval_notify_revisor\";}i:31;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14685&post_type=post&nc=2a28a20f\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=f47917ad\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14685&nc=6c6ac6d4\r\n\";s:4:\"time\";i:1699523655;s:8:\"time_gmt\";i:1699520055;s:11:\"revision_id\";i:14685;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:32;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14687&post_type=post&nc=637dd5ae\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=76f714c9\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14687&nc=0cea0e9a\r\n\";s:4:\"time\";i:1699523920;s:8:\"time_gmt\";i:1699520320;s:11:\"revision_id\";i:14687;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:33;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:502:\"test.test a envoyé des modifications à la « 0\'13 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13195&preview=1&page_id=14688&post_type=post&nc=445eb754\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13195&all=1&nc=df33aac1\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14688&nc=f98c0737\r\n\";s:4:\"time\";i:1699524029;s:8:\"time_gmt\";i:1699520429;s:11:\"revision_id\";i:14688;s:7:\"post_id\";i:13195;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:34;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:505:\"test.test a envoyé des modifications à la « 01’55 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13210&preview=1&page_id=14689&post_type=post&nc=d5f1914f\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13210&all=1&nc=f02faffa\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14689&nc=fc4b30da\r\n\";s:4:\"time\";i:1699524094;s:8:\"time_gmt\";i:1699520494;s:11:\"revision_id\";i:14689;s:7:\"post_id\";i:13210;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:35;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:505:\"test.test a envoyé des modifications à la « 02’06 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13213&preview=1&page_id=14690&post_type=post&nc=d2db6ed8\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13213&all=1&nc=853cf027\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14690&nc=ddcd7607\r\n\";s:4:\"time\";i:1699524281;s:8:\"time_gmt\";i:1699520681;s:11:\"revision_id\";i:14690;s:7:\"post_id\";i:13213;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:36;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14691&post_type=post&nc=2b42d3b7\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=e9ef6a54\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14691&nc=18a7bf19\r\n\";s:4:\"time\";i:1699524373;s:8:\"time_gmt\";i:1699520773;s:11:\"revision_id\";i:14691;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:37;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14692&post_type=post&nc=3f81cefd\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=b4d28dc1\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14692&nc=54216c45\r\n\";s:4:\"time\";i:1699524423;s:8:\"time_gmt\";i:1699520823;s:11:\"revision_id\";i:14692;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:38;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14693&post_type=post&nc=3483e559\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=f4e1f470\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14693&nc=bae310bd\r\n\";s:4:\"time\";i:1699524465;s:8:\"time_gmt\";i:1699520865;s:11:\"revision_id\";i:14693;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:39;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14694&post_type=post&nc=c74fd4ec\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=0fc34ccb\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14694&nc=cb388cb4\r\n\";s:4:\"time\";i:1699524593;s:8:\"time_gmt\";i:1699520993;s:11:\"revision_id\";i:14694;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:40;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14695&post_type=post&nc=c881e2e0\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=34db3fb6\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14695&nc=266636ca\r\n\";s:4:\"time\";i:1699525731;s:8:\"time_gmt\";i:1699522131;s:11:\"revision_id\";i:14695;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:41;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’10 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13194&preview=1&page_id=14696&post_type=post&nc=c3054f7f\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13194&all=1&nc=4a946432\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14696&nc=e5e1f6a9\r\n\";s:4:\"time\";i:1699525787;s:8:\"time_gmt\";i:1699522187;s:11:\"revision_id\";i:14696;s:7:\"post_id\";i:13194;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:42;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14697&post_type=post&nc=c21d2a20\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=af4db5e1\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14697&nc=6da24992\r\n\";s:4:\"time\";i:1699525852;s:8:\"time_gmt\";i:1699522252;s:11:\"revision_id\";i:14697;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:43;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14698&post_type=post&nc=84625f36\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=1cb4ae5f\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14698&nc=f690cc2c\r\n\";s:4:\"time\";i:1699525887;s:8:\"time_gmt\";i:1699522287;s:11:\"revision_id\";i:14698;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:44;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14699&post_type=post&nc=98192ada\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=ec968155\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14699&nc=44b53aca\r\n\";s:4:\"time\";i:1699525984;s:8:\"time_gmt\";i:1699522384;s:11:\"revision_id\";i:14699;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:45;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14700&post_type=post&nc=0593bac5\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=61831dd8\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14700&nc=9b853a5e\r\n\";s:4:\"time\";i:1699526072;s:8:\"time_gmt\";i:1699522472;s:11:\"revision_id\";i:14700;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:46;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14701&post_type=post&nc=e7bdd41b\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=c35edd25\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14701&nc=8fcc84bd\r\n\";s:4:\"time\";i:1699526139;s:8:\"time_gmt\";i:1699522539;s:11:\"revision_id\";i:14701;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:47;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14702&post_type=post&nc=a976568b\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=290cd7f1\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14702&nc=0b5f2923\r\n\";s:4:\"time\";i:1699526191;s:8:\"time_gmt\";i:1699522591;s:11:\"revision_id\";i:14702;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:48;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’10 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13194&preview=1&page_id=14703&post_type=post&nc=1988deca\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13194&all=1&nc=de1a668f\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14703&nc=6e477660\r\n\";s:4:\"time\";i:1699526251;s:8:\"time_gmt\";i:1699522651;s:11:\"revision_id\";i:14703;s:7:\"post_id\";i:13194;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:49;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14704&post_type=post&nc=7584aa24\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=4bf41140\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14704&nc=16de289f\r\n\";s:4:\"time\";i:1699526329;s:8:\"time_gmt\";i:1699522729;s:11:\"revision_id\";i:14704;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:50;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14705&post_type=post&nc=e0319d49\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=0ed2b348\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14705&nc=f76f2004\r\n\";s:4:\"time\";i:1699526383;s:8:\"time_gmt\";i:1699522783;s:11:\"revision_id\";i:14705;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:51;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14706&post_type=post&nc=181ccbd6\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=4dd029e7\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14706&nc=de447a6f\r\n\";s:4:\"time\";i:1699553963;s:8:\"time_gmt\";i:1699550363;s:11:\"revision_id\";i:14706;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:52;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14707&post_type=post&nc=eb76dde1\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=b52ead6b\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14707&nc=c3e18810\r\n\";s:4:\"time\";i:1699554013;s:8:\"time_gmt\";i:1699550413;s:11:\"revision_id\";i:14707;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:53;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:504:\"test.test a envoyé des modifications à la « 0’02 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13193&preview=1&page_id=14708&post_type=post&nc=8106f4a7\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13193&all=1&nc=67045116\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14708&nc=07d09cdc\r\n\";s:4:\"time\";i:1699554033;s:8:\"time_gmt\";i:1699550433;s:11:\"revision_id\";i:14708;s:7:\"post_id\";i:13193;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:54;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:47:\"[Partition Le Livre d\'Image] Révision envoyée\";s:7:\"message\";s:498:\"val a envoyé des modifications à la « 0’00 » de article. Vous pouvez examiner les modifications en vue d’une éventuelle publication :\r\n\r\nAperçu et approbation : https://localhost/?p=13192&preview=1&page_id=14709&post_type=post&nc=bf743ca2\r\n\r\nFile d’attente des révisions : https://localhost/wp/wp-admin/admin.php?page=revisionary-q&published_post=13192&all=1&nc=415f08f5\r\n\r\nModifier Révision envoyée : https://localhost/wp/wp-admin/post.php?action=edit&post=14709&nc=23c5ce56\r\n\";s:4:\"time\";i:1699555114;s:8:\"time_gmt\";i:1699551514;s:11:\"revision_id\";i:14709;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:16:\"pending-revision\";s:18:\"notification_class\";s:28:\"rev_submission_notify_author\";}i:55;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:74:\"\"Le demandeur était val.\r\n\r\nVoir en ligne : https://localhost/?p=13192\r\n\";s:4:\"time\";i:1699555129;s:8:\"time_gmt\";i:1699551529;s:11:\"revision_id\";i:14709;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:26:\"rev_approval_notify_author\";}i:56;a:9:{s:7:\"address\";s:34:\"valentin_le_moign@figureslibres.io\";s:5:\"title\";s:70:\"[Partition Le Livre d\'Image] Notification d’approbation de révision\";s:7:\"message\";s:118:\"La demande de révision pour Article « 0’00 » a été traitée.\r\n\r\nVoir en ligne : https://localhost/?p=13192\r\n\";s:4:\"time\";i:1699555129;s:8:\"time_gmt\";i:1699551529;s:11:\"revision_id\";i:14709;s:7:\"post_id\";i:13192;s:17:\"notification_type\";s:17:\"revision-approval\";s:18:\"notification_class\";s:27:\"rev_approval_notify_revisor\";}}','no'),
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(521,'_transient_revisionary-post-edit-redirect-9375','1','no'),
(526,'new_admin_email','valentin_le_moign@figureslibres.io','yes'),
(638,'_transient_timeout_revisionary-post-edit-redirect-9967','1695701772','no'),
(639,'_transient_revisionary-post-edit-redirect-9967','1','no'),
(672,'_transient_timeout_revisionary-post-edit-redirect-13906','1695729708','no'),
(673,'_transient_revisionary-post-edit-redirect-13906','1','no'),
(685,'widget_uam_login_widget','a:1:{s:12:\"_multiwidget\";i:1;}','yes'),
(691,'irrp_tables_created','yes','no'),
(693,'analyst_cache','s:6:\"a:0:{}\";','yes'),
(694,'_irb_h_bn_review','a:2:{s:5:\"users\";a:0:{}s:20:\"redirect-redirection\";i:1695745526;}','yes'),
(710,'simple301redirects_version','2.0.8','yes'),
(711,'301_redirects_wildcard','true','yes'),
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« Shirley »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://fr.wordpress.org/2023/11/07/wordpress-6-4-shirley/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"https://fr.wordpress.org/2023/11/07/wordpress-6-4-shirley/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 07 Nov 2023 20:00:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2892\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"Découvrez WordPress 6.4, nommée « Shirley » en l\'honneur de l\'artiste de jazz emblématique Shirley Horn.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:77566:\"\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/11/wp64-shirley.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https://fr.wordpress.org/files/2023/11/wp64-shirley-1024x683.png\" alt=\"\" class=\"wp-image-2924\" srcset=\"https://fr.wordpress.org/files/2023/11/wp64-shirley-1024x683.png 1024w, https://fr.wordpress.org/files/2023/11/wp64-shirley-300x200.png 300w, https://fr.wordpress.org/files/2023/11/wp64-shirley-768x512.png 768w, https://fr.wordpress.org/files/2023/11/wp64-shirley-1536x1024.png 1536w, https://fr.wordpress.org/files/2023/11/wp64-shirley.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Découvrez WordPress 6.4, nommée <strong>« Shirley »</strong> en l&rsquo;honneur de l&rsquo;artiste de jazz emblématique <a href=\"https://fr.wikipedia.org/wiki/Shirley_Horn\">Shirley Horn</a>.</p>\n\n\n\n<p>Sa voix distinctive et sa connexion extraordinaire au piano l&rsquo;ont établie comme l&rsquo;une des 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En parallèle de la belle flexibilité du nouveau thème <bdo lang=\"en\" dir=\"ltr\">Twenty Twenty-Four</bdo>, ces changements aideront les personnes créant du contenu ou développant leurs propres fonctionnalités à gagner du temps pour se concentrer sur la valeur ajoutée de leur cœur de métier.</p>\n<cite>Josepha Haden Chomphosy, Directrice exécutive du projet <bdo lang=\"en\" dir=\"ltr\">open-source</bdo> WordPress.</cite></blockquote>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size has-medium-font-size\"><a class=\"wp-block-button__link has-black-color has-text-color has-background has-link-color wp-element-button\" href=\"https://fr.wordpress.org/download/\" style=\"border-radius:0px;background:linear-gradient(150deg,rgb(207,202,190) 0%,rgb(234,233,231) 100%)\">Télécharger WordPress 6.4</a></div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading\">Les nouveautés de WordPress 6.4</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Découvrez <bdo lang=\"en\" dir=\"ltr\">Twenty Twenty-Four</bdo></h3>\n\n\n\n<p>Découvrez les dernières avancées en matière d’édition de sites avec&nbsp;<a href=\"https://make.wordpress.org/core/2023/08/24/introducing-twenty-twenty-four/\">Twenty Twenty-Four</a>. 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Les améliorations se concentrent sur les performances de chargement des modèles pour les thèmes basés sur des blocs et les thèmes classiques, l’utilisation des stratégies de chargement de script «&nbsp;defer&nbsp;» et «&nbsp;async&nbsp;» dans le cœur, les blocs et les thèmes, et l’optimisation des options chargées automatiquement.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Accessibilité</h3>\n\n\n\n<p>Chaque version s’engage à rendre WordPress accessible à toutes et tous. La version 6.4 apporte des améliorations à l’affichage en liste et la prise en charge de l’attribut <code>aria-label</code> pour le bloc Navigation, parmi d’autres points forts. L’interface d’administration inclut des améliorations dans le placement des boutons, le contexte des éléments de menu permettant d’ajouter du contenu, et les messages affichés aux synthèses vocales sur l’écran de Santé du site.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Autres éléments notables</h3>\n\n\n\n<ul>\n<li>Même si WordPress 6.4 est compatible avec toutes les versions supérieures ou égales à PHP 7.0,  nous&nbsp;<a href=\"https://wordpress.org/news/2023/10/wordpress-6-4s-php-compatibility/\">recommendons d&rsquo;utiliser WordPress 6.4 avec PHP 8.1 ou 8.2 (en anglais)</a>.</li>\n\n\n\n<li>WordPress 6.4&nbsp;<a href=\"https://make.wordpress.org/core/2023/10/16/changes-to-attachment-pages/\">désactivera maintenant les pages de fichiers attachés (communiqué en anglais)</a>&nbsp;pour toutes les nouvelles installations.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">En savoir plus sur WordPress&nbsp;6.4</h2>\n\n\n\n<p><a href=\"https://learn.wordpress.org/\">Learn WordPress</a>&nbsp;est une ressource gratuite pour les personnes qui utilisent WordPress, qu’elles soient débutantes ou expérimentées.&nbsp;Learn&nbsp;contient des vidéos pratiques sur l’utilisation de diverses fonctionnalités de WordPress, des&nbsp;<a href=\"https://learn.wordpress.org/online-workshops/\">évènements interactifs</a>&nbsp;pour explorer des sujets en profondeur, et des plans de cours pour approfondir des domaines spécifiques de WordPress.</p>\n\n\n\n<p>Explorez le&nbsp;<a href=\"https://fr.wordpress.org/2023/10/30/guide-des-changements-techniques-de-wordpress-6-4/\">Guide des changements techniques de WordPress 6.4</a>. Découvrez les changements de cette version avec les notes détaillées des développeurs et développeuses qui vous aident à construire avec WordPress.</p>\n\n\n\n<p><a href=\"https://wordpress.org/support/wordpress-version/version-6-4/\">Lisez les notes de version de WordPress 6.4</a>&nbsp;pour obtenir des informations sur l’installation, les améliorations, les problèmes corrigés, les contributeurs et contributrices de la version, les ressources d’apprentissage et la liste des modifications apportées aux fichiers.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WordPress&nbsp;6.4</h2>\n\n\n\n<p>​​La version 6.4 de WordPress 6.4 a été dirigée par une équipe entièrement composée de personnes appartenant à des genres sous-représentés dans le milieu «&nbsp;tech&nbsp;», ce qui est une façon pour le projet WordPress de souligner l&rsquo;importance de donner une voix à la diversité dans l&rsquo;écosystème <bdo lang=\"en\" dir=\"ltr\">open-source</bdo>.</p>\n\n\n\n<p>Voici l’équipe qui a coordonné le développement et la sortie de cette nouvelle version de WordPress&nbsp;:</p>\n\n\n\n<ul>\n<li><strong>Direction générale&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a></li>\n\n\n\n<li><strong>Coordination&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a>,&nbsp;<a href=\"https://profiles.wordpress.org/metalandcoffee/\">Ebonie Butler</a>,&nbsp;<a href=\"https://profiles.wordpress.org/akshayar/\">Akshaya Rane</a>,&nbsp;<a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>, avec l&rsquo;appui de <a href=\"https://profiles.wordpress.org/thewebprincess/\">Dee Teal</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jaimieolmstead/\">Jaimie Olmstead</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jyolsna/\">Jyolsna J E</a>,&nbsp;<a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a></li>\n\n\n\n<li><strong>Direction technique Cœur&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a>,&nbsp;<a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, avec l&rsquo;appui de&nbsp;<a href=\"https://profiles.wordpress.org/pypwalters/\">Stephanie Walters</a></li>\n\n\n\n<li><strong>Direction technique de l’éditeur de blocs&nbsp;:&nbsp;</strong><a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a>,&nbsp;<a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan Bamber</a>,&nbsp;<a href=\"https://profiles.wordpress.org/karmatosed/\">Tammie Lister</a>, avec l&rsquo;appui de <a href=\"https://profiles.wordpress.org/68kheart/\">Devan Ferguson</a>,&nbsp;<a href=\"https://profiles.wordpress.org/battelfred/\">Frédérique Battel</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jessicagoddard/\">Jessica Goddard</a>,&nbsp;<a href=\"https://profiles.wordpress.org/1happyplace/\">Katie Ayres</a>,&nbsp;<a href=\"https://profiles.wordpress.org/martatorre/\">Marta Torre</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ngreennc/\">Nyasha Green</a>,&nbsp;<a href=\"https://profiles.wordpress.org/poojabhimani/\">Pooja Bhimani</a></li>\n\n\n\n<li><strong>Gestion de projet côté Cœur WP&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/nicolefurlan/\">Nicole Furlan</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a></li>\n\n\n\n<li><strong>Gestion de projet côté Éditeur</strong>&nbsp;:&nbsp;<a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, avec l&rsquo;appui de&nbsp;<a href=\"https://profiles.wordpress.org/emilyatmobtown/\">Emily Leffler Schulman</a></li>\n\n\n\n<li><strong>Direction de la documentation&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a>,&nbsp;<a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a>,&nbsp;<a href=\"https://profiles.wordpress.org/611shabnam/\">Mushrit Shabnam</a>, avec l&rsquo;appui de <a href=\"https://profiles.wordpress.org/itsjustdj/\">D.J. Billings</a>,&nbsp;<a href=\"https://wordpress.org/support/users/codente/\">Jamie VanRaalte</a>,&nbsp;<a href=\"https://profiles.wordpress.org/newyorkerlaura/\">Laura Byrne</a>,&nbsp;<a href=\"https://profiles.wordpress.org/baxbridge/\">Tiffany Bridge</a>,&nbsp;<a href=\"https://profiles.wordpress.org/planningwrite/\">Winstina Hughes</a></li>\n\n\n\n<li><strong>Direction marketing et communications :</strong>&nbsp;<a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a>,&nbsp;<a href=\"https://profiles.wordpress.org/rmartinezduque/\">Reyes Martínez</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sereedmedia/\">Sé Reed</a>, avec l&rsquo;appui de&nbsp;<a href=\"https://profiles.wordpress.org/meaganhanes/\">Meagan Hanes</a>,&nbsp;<a href=\"https://profiles.wordpress.org/michelleames/\">Michelle Frechette</a></li>\n\n\n\n<li><strong>Direction des tests&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a>, avec l&rsquo;appui de&nbsp;<a href=\"https://profiles.wordpress.org/annebovelett/\">Anne Bovelett</a>,&nbsp;<a href=\"https://profiles.wordpress.org/coachbirgit/\">Birgit Olzem</a></li>\n\n\n\n<li><strong>Direction artistique&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/elmastudio/\">Ellen Bauer</a>,&nbsp;<a href=\"https://profiles.wordpress.org/estelaris/\">Estela Rueda</a>, avec l&rsquo;appui de&nbsp;<a href=\"https://profiles.wordpress.org/allisonplus/\">Allison Tarr</a>,&nbsp;<a href=\"https://profiles.wordpress.org/acirujano/\">Ana Cirujano</a>,&nbsp;<a href=\"https://profiles.wordpress.org/cathibosco1/\">Cathi Bosco</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nudge/\">Sonia Gaballa</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ohia/\">Ohia</a></li>\n\n\n\n<li><strong>Direction des performances&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/clarkeemily/\">Emily Clarke</a>, avec l&rsquo;appui de <a href=\"https://profiles.wordpress.org/linsoftware/\">Linnea Huxford</a></li>\n\n\n\n<li><strong>Direction de l&rsquo;équipe formation&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/courtneypk/\">Courtney P.K.</a>,&nbsp;<a href=\"https://profiles.wordpress.org/courane01/\">Courtney Roberston</a></li>\n\n\n\n<li><strong>Direction du design et du développement du nouveau thème natif&nbsp;:</strong> <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a>,&nbsp;<a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Merci aux contributeurs et contributrices</h2>\n\n\n\n<p>WordPress 6.4 n’aurait pas pu sortir sans la contribution passionnée de <strong>plus de 600 personnes provenant d’au moins 56 pays différents</strong>.</p>\n\n\n\n<p>Un remerciement tout spécial pour les 170 personnes qui ont contribué au cœur de WordPress pour la première fois avec WP&nbsp;6.4 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p class=\"has-black-color has-text-color has-background has-link-color wp-elements-23bf3eb260701f65a723efb24326985a\" style=\"background:linear-gradient(150deg,rgb(207,202,190) 0%,rgb(234,233,231) 100%);font-size:11px\"><a href=\"https://profiles.wordpress.org/6adminit/\">6adminit</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aayusha/\">aayusha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/omarabid/\">Abid Omar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/adhun/\">Adhun Anand</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ajmcfadyen/\">admcfajn</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/adrianduffell/\">adrianduffell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aegkr/\">aegkr</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ahardyjpl/\">ahardyjpl</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ahmedgeek/\">Ahmed Hussein</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Kabir Chaion</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ajakaroth/\">ajakaroth</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/akihiroharai/\">Akihiro Harai</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/atachibana/\">Akira Tachibana</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/akshayar/\">Akshaya Rane</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alaminfirdows/\">Al-Amin Firdows</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aljullu/\">Albert Juhé Lluveras</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alexkingorg/\">Alex King</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alexstine/\">Alex Stine</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alexandrebuffet/\">Alexandre Buffet</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alishabajracharya27/\">Alisha Bajracharya</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/allisonplus/\">allisonplus</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/alvitazwar052/\">Alvi Tazwar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/amedv/\">amedv</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/acirujano/\">Ana Cirujano</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/anlino/\">Anders Norén</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/oandregal/\">André</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/andrewhayward/\">Andrew Hayward</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/l1nuxjedi/\">Andrew Hutchings</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/eatingrules/\">Andrew Wilder</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/apeatling/\">Andy Peatling</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wpgurudev/\">Ankit Gade</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ankitmaru/\">Ankit Panchal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/annashopina/\">Anna</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/askdesign/\">Anne Katzeff</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/annebovelett/\">Anne-Mieke Bovelett</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/anphira/\">anphira</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aplauche/\">Anton Plauche</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/atimmer/\">Anton Timmermans</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/anveshika/\">Anveshika Srivastava</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/archon810/\">archon810</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/arena/\">arena</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/armondal/\">Arnab Mondal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/artemiosans/\">Artemio Morales</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/asafm7/\">asafm7</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aslamdoctor/\">Aslam Doctor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/aurooba/\">Aurooba Ahmed</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/austinginder/\">Austin Ginder</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/azharckra/\">azharckra</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/balub/\">Balu B</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bangank36/\">bangank36</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/barbmiller/\">barbmiller</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bartkalisz/\">Bart</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/basiliskan/\">Basilis Kanonidis</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/behoney/\">behoney</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/benharri/\">ben</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bengreeley/\">Ben Greeley</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ubernaut/\">Ben Hansen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/benimub/\">benimub</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bfintal/\">Benjamin Intal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/benjamin_zekavica/\">Benjamin Zekavica</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/benjaminknox/\">benjaminknox</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bernhard%20reiter/\">Bernhard Reiter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bhrugesh12/\">Bhrugesh Bavishi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bijayyadav/\">Bijay Yadav</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/binsaifullah/\">Binsaifullah</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bplv/\">Biplav</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/coachbirgit/\">Birgit Olzem</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bradley2083/\">Block Themes Pro</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bmalsht/\">bmalsht</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gitlost/\">bonger</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bookwyrm/\">bookwyrm</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bor0/\">Boro Sitnikovski</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/crazyjaco/\">Bradley Jacobs</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bvreeman22/\">Brandon Vreeman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/masteradhoc/\">Brian Haas</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/brookemk/\">Brooke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/brookedot/\">Brooke.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/trynet/\">Bud Kraus</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/icaleb/\">Caleb Burks</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/snicco/\">Calvin Alkan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/karl94/\">Carlo Cannas</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos G. P.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cathibosco1/\">Cathi Bosco</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ceer/\">ceer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chasedsiedu/\">chased@si.edu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chipbennett/\">Chip Bennett</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/crunnells/\">Chris Runnells</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chrisdesrochers/\">chrisdesrochers</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/codersantosh/\">codersantosh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/coreyw/\">Corey Worrell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/courtneypk/\">Courtney Patubo Kranzke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/courane01/\">Courtney Robertson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/crstauf/\">crstauf</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/littlebigthing/\">Csaba (LittleBigThings)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/didierjm/\">cybeardjm</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cyberchicken/\">Cyberchicken</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/extendwings/\">Daisuke Takahashi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dajeema/\">Dajeema Rai</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/damonsharp/\">Damon Sharp</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dantovbein/\">Dan Tovbein</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/danieldudzic/\">danieldudzic</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/queerdevperson/\">Danielle Zarcaro</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/danieltj/\">danieltj</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dkotter/\">Darin Kotter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/darkfate/\">darkfate</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nerrad/\">Darren Ethier (nerrad)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/darshitrajyaguru97/\">Darshit Rajyaguru</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/davelo/\">Dave Loodts</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dave03/\">dave03</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/desmith/\">David E. Smith</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dfavor/\">David Favor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dryanpress/\">David Ryan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dawidurbanski/\">Dawid Urbanski</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/daxelrod/\">daxelrod</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/arnedb/\">De Belser Arne</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dsas/\">Dean Sas</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thewebprincess/\">Dee Teal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/deepakvijayan/\">Deepak Vijayan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dingo_d/\">Denis Žoljom</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/derekblank/\">Derek Blank</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/emrikol/\">Derrick Tennant</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/68kheart/\">Devan Ferguson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dhamibirendra/\">dhamibirendra</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dharm1025/\">Dharmesh Patel</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dhrumilk/\">Dhrumil Kumbhani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dhruvishah2203/\">Dhruvi Shah</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dianeco/\">Diane Co</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dimitrism/\">Dimitris Mitsis</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/itsjustdj/\">DJ</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/djcowan/\">dj.cowan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/doughamlin/\">doughamlin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/drewapicture/\">Drew Jaynes</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/elrae/\">Earle Davies</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/metalandcoffee/\">Ebonie Butler</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ediamin/\">Edi Amin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cais/\">Edward Caissie</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van&nbsp;Durpe</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/elmastudio/\">Ellen Bauer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/emailjoey/\">emailjoey</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/codex-m/\">Emerson Maningo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/clarkeemily/\">Emily Clarke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/emilyatmobtown/\">Emily Leffler Schulman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/emirpprime/\">emirpprime</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/enodekciw/\">enodekciw</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/esratpopy/\">Esrat Sultana Popy</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/estelaris/\">Estela Rueda</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gaambo/\">Fabian Todt</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/fabiorubioglio/\">Fabio Rubioglio</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/floydwilde/\">floydwilde</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/foliovision/\">FolioVision</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/battelfred/\">Fredde Battel</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/fzhantw/\">fzhantw</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mintindeed/\">Gabriel Koen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pauthake015/\">Ganesh Dahal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/garyc40/\">Gary Cao</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/soulseekah/\">Gennady Kovshenin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mokagio/\">Gio Lodi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gnanasekaran/\">Gnanasekaran Loganathan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ingeniumed/\">Gopal Krishnan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/90lines/\">GOZER</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gpotter/\">gpotter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/grantmkin/\">Grant M. Kinney</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gregross/\">Greg Ross</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gregfuller/\">gregfuller</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/guss77/\">Guss77</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bordoni/\">Gustavo Bordoni</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gvgvgvijayan/\">gvgvgvijayan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/poran766/\">H.M. Mushfiqur Rahman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hanneslsm/\">hanneslsm</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hztyfoon/\">Hanzala Taifun</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh S</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/harshgajipara/\">Harsh Gajipara</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tejwanihemant/\">Hemant Tejwani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hbhalodia/\">Hit Bhalodia</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hlunter/\">hlunter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/howdy_mcgee/\">Howdy_McGee</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/huzaifaalmesbah/\">Huzaifa Al Mesbah</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/incursadesigns/\">Incursa Designs</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ironprogrammer/\">ironprogrammer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/itecrs/\">itecrs</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ivanzhuck/\">Ivan Zhuck</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jaimieolmstead/\">jaimieolmstead</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jakemgold/\">Jake Goldman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/whyisjake/\">Jake Spurlock</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bonkerz/\">James</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thelovelist/\">James Janco</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/james%20roberts/\">James Roberts</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/james0r/\">james0r</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jamiemchale/\">Jamie McHale</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/perrelet/\">Jamie Perrelet</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/codente/\">Jamie VanRaalte</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jane/\">jane</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jsnajdr/\">Jarda Snajdr</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/yari2u/\">Jari Vuorenmaa</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ipajen/\">Jarko Piironen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pbking/\">Jason Crist</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jastos/\">jastos</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jblz/\">Jeff Bowen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeffeverhart383/\">Jeff Everhart</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeffikus/\">jeffikus</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeflopodev/\">jeflopo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeremyyip/\">Jeremy Yip</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jeryj/\">jeryj</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jesin/\">Jesin A</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jessplease/\">Jessica Duarte</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jessicagoddard/\">Jessica Goddard</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jick/\">Jick</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jipmoors/\">Jip Moors</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jivygraphics/\">jivygraphics</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joehoyle/\">Joe Hoyle</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joen/\">Joen A.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bitmachina/\">John Hooks</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/johnregan3/\">John Regan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/duck_/\">Jon Cave</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jonoaldersonwp/\">Jono Alderson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/varjodesigns/\">Joona</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joostdevalk/\">Joost de Valk</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jordanpak/\">JordanPak</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jordesign/\">jordesign</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dunhakdis/\">Joseph G.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joshcanhelp/\">joshcanhelp</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/joshuatf/\">joshuatf</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jrtashjian/\">JR Tashjian</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/juanfra/\">Juan Aldasoro</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/jyolsna/\">Jyolsna J E</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ashikur698/\">K M Ashikur Rahman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kalmang/\">Kalmang</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kalpeshh/\">Kalpesh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/bosskhj/\">Kamrul Hasan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/karlijnbk/\">Karlijn Bok</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/karmacharya50/\">karmacharya50</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/karolmanijak/\">Karol Manijak</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thekt12/\">Karthik Thayyil</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/1happyplace/\">Katie Ayres</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kawsaralameven/\">kawsaralameven</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kevinfodness/\">Kevin Fodness</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/p51labs/\">Kevin Miller</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/khleomix/\">khleomix</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/khokansardar/\">Khokan Sardar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kimannwall/\">Kim Coleman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kishanjasani/\">Kishan Jasani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kkmuffme/\">kkmuffme</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/olein/\">Koji Kuno</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kovshenin/\">Konstantin Kovshenin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/kopila47/\">Kopila Shrestha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/krokodok/\">krokodok</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ktaron/\">ktaron</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/labunchemjong/\">Labun Chemjong</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lancewillett/\">Lance Willett</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lhe2012/\">LarryWEB</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lastsplash/\">lastsplash (a11n)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/laumindproductscomau/\">lau@mindproducts.com.au</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/launchinteractive/\">launchinteractive</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lada7042/\">Laura Adamonis</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/newyorkerlaura/\">Laura Byrne</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/oncecoupled/\">Lauren</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/luckybhumkar/\">Laxmikant Bhumkar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/leewillis77/\">Lee Willis</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lgladdy/\">Liam Gladdy</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/linsoftware/\">Linnea Huxford</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lloydbudd/\">Lloyd Budd</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gigitux/\">Luigi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/zaguiini/\">Luis Felipe Zaguini</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/luisherranz/\">Luis Herranz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lukecavanagh/\">Luke Cavanagh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lunaluna/\">lunaluna</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/lyndauwp/\">lyndauwp</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pagelab/\">Márcio Duarte</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maciejmackowiak/\">maciejmackowiak</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/madejackson/\">madejackson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mhimon/\">Mahbub Hasan Imon</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maahrokh/\">Mahrokh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mai21/\">Mai</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/travel_girl/\">Maja Benke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maltfield/\">maltfield</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maneshtimilsina/\">Manesh Timilsina</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/manzoorwanijk/\">Manzoor Wani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/marcelle42/\">marcelle42</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pereirinha/\">Marco Pereirinha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/marcoevich/\">Marcoevich</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/margolisj/\">margolisj</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/santosguillamot/\">Mario Santos</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/markoserb/\">Marko Ivanovic</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/martatorre/\">Marta Torre</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/martinkrcho/\">martin.krcho</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/masoudnkh/\">Masoud NKH</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mathsgrinds/\">mathsgrinds</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mmaattiiaass/\">Matias Benedetto</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mattkeys/\">Matt Keys</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mwtsn/\">Matt Watson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mklute101/\">Matthaus Klute</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mattheweppelsheimer/\">Matthew Eppelsheimer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/matthewfarlymn/\">Matthew Farlymn</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mattheu/\">Matthew Haines-Young</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maurodf/\">maurodf</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maxinacube/\">Maxwell Morgan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/maysi/\">maysi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hrshahin/\">Md HR Shahin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/meaganhanes/\">meagan hanes</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/iammehedi1/\">Mehedi Hassan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/melchoyce/\">Mel Choyce-Dwan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mer00x/\">mer00x</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/merel1988/\">merel1988</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/michael-arestad/\">Michael Arestad</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mshowes/\">Michael Showes</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/michalooki/\">Michalooki</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/michelleblanchette/\">Michelle Blanchette</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/michelleames/\">Michelle Frechette</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/michi91/\">Michi91</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/simison/\">Mikael Korpela</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikejolley/\">Mike Jolley (a11n)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mmcalister/\">Mike McAlister</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikeschinkel/\">Mike Schinkel</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikestraw/\">Mike Straw</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikinc860/\">Mikin Chauhan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gonzomir/\">Milen Petrinski – Gonzo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mimitips/\">mimi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mitchellaustin/\">mitchellaustin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mhshujon/\">Monir</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mrinal013/\">Mrinal Haque</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mrwweb/\">mrwweb</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wparslan/\">Muhammad Arslan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/devmuhib/\">Muhibul Haque</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mujuonly/\">mujuonly</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/faguni22/\">Mumtahina Faguni</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/611shabnam/\">Mushrit Shabnam</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/webdev8800/\">Myles Taylor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nandhuraj/\">nandhuraj</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nazgul/\">Nazgul</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nazsabuz/\">Nazmul Sabuz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/neilorangepeel/\">Neil Hainsworth</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rahe/\">Nicolas Juen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nicolefurlan/\">Nicole Furlan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nicomollet/\">nicomollet</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nielslange/\">Niels Lange</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nihar007/\">Nihar Ranjan Das</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rabmalin/\">Nilambar Sharma</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nilovelez/\">Nilo Velez</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/niravsherasiya7707/\">niravsherasiya7707</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/dasnitesh780/\">Nitesh Das</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ngreennc/\">Nyasha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ockham/\">ockham</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ohia/\">Ohia</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/okat/\">okat</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/domainsupport/\">Oliver Campion</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pannelars/\">pannelars</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pavelevap/\">pavelevap</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pentatonicfunk/\">pentatonicfunk</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/gungeekatx/\">Pete Nelson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/petrosparaskevopoulos/\">petrosparaskevopoulos</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/piyushdeshmukh/\">piyushdeshmukh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/plugindevs/\">Plugin Devs</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/poojabhimani/\">Pooja Bhimani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pranavjoshi/\">pranavjoshi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/prashantbhivsane/\">Prashant</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rlmc/\">r-c</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rajinsharwar/\">Rajin Sharwar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rcorrales/\">Ramon Corrales</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rebekowitz/\">Rebekah Markowitz</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tabrisrp/\">Remy Perona</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/renyot/\">ren</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/renathoc/\">Renatho (a11n)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rmartinezduque/\">Reyes Martínez</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rianrietveld/\">Rian Rietveld</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sanchothefat/\">Robert O’Rourke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/robpetrin/\">robpetrin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ryanduff/\">Ryan Duff</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ohryan/\">Ryan Neudorf</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mi5t4n/\">Sagar Tamang</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sajjad67/\">Sajjad Hossain Sagor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sakibmd/\">Sakib Mohammed</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/salcode/\">Sal Ferrarello</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/samba45/\">samba45</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sarahwilliams889/\">sarahwilliams889</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sarathar/\">Sarath AR</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/satishprajapati/\">Satish Prajapati</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/saulirajala/\">saulirajala</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/saxonfletcher/\">saxonfletcher</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sc0ttkclark/\">Scott Kingsley Clark</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wonderboymusic/\">Scott Taylor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hiyascout/\">Scout James</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/scribu/\">scribu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/seedsca/\">Sergio Scabuzzo</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/smrubenstein/\">Seth Rubenstein</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shailu25/\">Shail Mehta</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shawfactor/\">shawfactor</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shooper/\">Shawn Hooper</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shiloey/\">shilo-ey</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shivashankerbhatta/\">Shiva Shanker Bhatta</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shresthaaman/\">shresthaaman</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shubhamsedani/\">Shubham Sedani</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/10upsimon/\">Simon Dowdles</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/siobhan/\">Siobhan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan Bamber</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/smit08/\">Smit Rathod</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sofiashendi/\">sofiashendi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/nudge/\">Sonia Gaballa</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/soean/\">Soren Wrede</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/virtality-marketing-solutions/\">SourceView</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/spenserhale/\">Spenser Hale</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/pypwalters/\">Stephanie Walters</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/stephenerdelyi/\">Steve Erdelyi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/stevejonesdev/\">Steve Jones</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/subodhsun/\">Subodh Sunuwar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/subrataemfluence/\">Subrata Sarkar</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sujichandran14/\">Suji K Chandran</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sumisubedi/\">Sumi Subedi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sunitarai/\">Sunita Rai</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/suprsam/\">suprsam</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/syamraj24/\">syamraj24</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/sereedmedia/\">Sé Reed</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tahmidulkarim/\">Tahmid ul Karim</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tahmina1du/\">Tahmina Jahan</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/takayukister/\">Takayuki Miyoshi</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/karmatosed/\">Tammie Lister</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tanvirul/\">Tanvirul Haque</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tykoted/\">Teddy Patriarca</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tejadev/\">tejadev</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thinkluke/\">thinkluke</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thomasplevy/\">Thomas Patrick Levy</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tibbsa/\">tibbsa</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/baxbridge/\">Tiffany Bridge</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tnolte/\">Tim Nolte</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/timdix/\">timdix</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tmatsuur/\">tmatsuur</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tomybyte/\">Tom</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tomjcafferkey/\">Tom Cafferkey</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/thomashorta/\">Tom H</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tjnowell/\">Tom J Nowell</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tomluckies/\">tomluckies</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/shimotomoki/\">Tomoki Shimomura</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/toro_unit/\">Toro_Unit (Hiroshi Urabe)</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/toscho/\">toscho</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/rilwis/\">Tran Ngoc Tuan Anh</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/trinisha/\">Trinisha</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/trishasalas/\">Trisha Salas</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tristanleboss/\">tristanleboss</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/tv-productions/\">TV productions</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/grapplerulrich/\">Ulrich</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/upadalavipul/\">Upadala Vipul</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/utsav72640/\">Utsav tilava</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/valentindu62/\">valentindu62</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/valmedia2023/\">Valerie Blackburn</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/szepeviktor/\">Viktor Szépe</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/vipuljnext/\">Vipul Ghori</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/vivekawsm/\">vivekawsm</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/vortfu/\">vortfu</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/vrajadas/\">Vraja Das</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/webashrafians/\">webashrafians</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/whsajid/\">WHSajid</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/skorasaurus/\">Will Skora</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wvega/\">Willington Vega</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/planningwrite/\">Winstina</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/winterstreet/\">winterstreet</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wraithkenny/\">WraithKenny</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/wyrfel/\">wyrfel</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/yosephtamang/\">Yoseph Tamang</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/zunaid321/\">Zunaid Amin</a>&nbsp;·&nbsp;<a href=\"https://profiles.wordpress.org/letraceursnork/\">Илья</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Merci aux personnes ayant contribué à traduire WordPress&nbsp;6.4 en français</h3>\n\n\n\n<p>WordPress est un projet international et la version 6.4 est déjà complètement disponible dans plus de 70 langues différentes.</p>\n\n\n\n<p>Nous souhaitons remercier ici les personnes ayant participé à la traduction de WordPress 6.4 en français&nbsp;:</p>\n\n\n\n<p class=\"has-black-color has-text-color has-background has-link-color wp-elements-d500b1c10e58470623e88d20959e16d7\" style=\"background:linear-gradient(150deg,rgb(207,202,190) 0%,rgb(234,233,231) 100%)\"><a href=\"https://profiles.wordpress.org/wolforg\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/fxbenard\">FX</a>, <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/xibe\">Xavier Borderie</a>, <a href=\"https://profiles.wordpress.org/antoinepaufichet\">Antoine Paufichet</a>, <a href=\"https://profiles.wordpress.org/maigret\">Aurélien Denis</a>, <a href=\"https://profiles.wordpress.org/beryldlg\">Béryl de La Grandière</a>, <a href=\"https://profiles.wordpress.org/bonaldi\">Bonaldi</a>, <a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>, <a href=\"https://profiles.wordpress.org/charlie67p\">charlie67p</a>, <a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>, <a href=\"https://profiles.wordpress.org/coralietixeront\">coralietixeront</a>, <a href=\"https://profiles.wordpress.org/dacobah\">dacobah</a>, <a href=\"https://profiles.wordpress.org/milouze\">Emil1</a>, <a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>, <a href=\"https://profiles.wordpress.org/scoco\">Emilien M.</a>, <a href=\"https://profiles.wordpress.org/este1\">este1</a>, <a href=\"https://profiles.wordpress.org/gaeldenysiak\">Gael Denysiak</a>, <a href=\"https://profiles.wordpress.org/guillaumeturpin\">Guillaume TURPIN</a>, <a href=\"https://profiles.wordpress.org/jaz_on\">Jason Rouet</a>, <a href=\"https://profiles.wordpress.org/leprincenoir\">Kantari Samy</a>, <a href=\"https://profiles.wordpress.org/wplmillet\">Laurent MILLET</a>, <a href=\"https://profiles.wordpress.org/webaxones\">Loïc Antignac</a>, <a href=\"https://profiles.wordpress.org/oellin\">Magali</a>, <a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>, <a href=\"https://profiles.wordpress.org/chaton666\">Marie Comet</a>, <a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>, <a href=\"https://profiles.wordpress.org/maxpertici\">Maxime Pertici</a>, <a href=\"https://profiles.wordpress.org/nandow\">nandow</a>, <a href=\"https://profiles.wordpress.org/nelsj5r\">Nels</a>, <a href=\"https://profiles.wordpress.org/nicolasricher\">Nicolas Richer</a>, <a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>, <a href=\"https://profiles.wordpress.org/simonjanin\">Simon Janin</a>, <a href=\"https://profiles.wordpress.org/srossignol\">srossignol</a>, <a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>, <a href=\"https://profiles.wordpress.org/virgar\">Virginie Garnier</a> et <a href=\"https://profiles.wordpress.org/whaze\">whaze</a></p>\n\n\n\n<p>N’hésitez pas à&nbsp;<a href=\"https://fr.wordpress.org/team/handbook/\">rejoindre les équipes de contribution francophones&nbsp;!</a></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"https://fr.wordpress.org/2023/11/07/wordpress-6-4-shirley/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:76:\"\n		\n		\n					\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2023/10/30/guide-des-changements-techniques-de-wordpress-6-4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://fr.wordpress.org/2023/10/30/guide-des-changements-techniques-de-wordpress-6-4/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 30 Oct 2023 22:30:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2873\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:146:\"WordPress 6.4 sort dans une semaine ! Ce guide des changements techniques vous aidera à vous préparer à cette nouvelle version majeure du CMS.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:29422:\"\n<p>Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&nbsp;6.4, dont la sortie est prévue le 7 novembre 2023.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques.png\"><img decoding=\"async\" width=\"1024\" height=\"572\" src=\"https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques-1024x572.png\" alt=\"\" class=\"wp-image-2874\" srcset=\"https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques-1024x572.png 1024w, https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques-300x168.png 300w, https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques-768x429.png 768w, https://fr.wordpress.org/files/2023/10/wp64-banniere-guide-changements-techniques.png 1492w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/06/05/wordpress-6-4-development-cycle/\">L&rsquo;équipe de direction de WordPress 6.4</a>&nbsp;et les contributrices et contributeurs du projet qui ont travaillé sur cette version souhaitent mettre en valeur à travers ce guide les avancées majeures proposées, parmi les <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.4&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">284 tickets</a> traités, dont <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.4&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">113 correspondent à des améliorations et nouvelles fonctionnalités</a>, tandis que <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.4&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">134 tickets sont des corrections de bugs</a>, auxquels s&rsquo;ajoutent <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.4&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">21 tâches diverses</a>.</p>\n\n\n\n<p>Cette version implémente par ailleurs <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.4&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">64 tickets ayant un focus sur les performances</a> et <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.4&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">17 sur l&rsquo;accessibilité</a>, tandis que <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~coding-standards&amp;milestone=6.4&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">33 tickets sont liés à la modernisation du code du CMS</a>.</p>\n\n\n\n<p>Le projet Gutenberg inclut quant à lui plus de <a href=\"https://github.com/WordPress/gutenberg/commits/wp/6.4\">1400 <em>pull requests</em></a>, dont 420 correspondent à des améliorations, 445 à des correctifs de bugs et 42 à des améliorations de l&rsquo;accessibilité.</p>\n\n\n\n<p>Les modifications de WordPress 6.4 se répartissent dans 45 composants <em>Core</em>, et vous trouverez dans ce communiqué les modifications les plus impactantes, composant par composant.</p>\n\n\n\n<p class=\"has-text-align-center has-white-color has-text-color has-background has-link-color wp-elements-6c0d769c72143285f7a28c717fcd52ef\" style=\"background:linear-gradient(135deg,rgb(0,0,0) 0%,rgb(57,57,131) 100%)\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.4&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-white-color has-text-color has-background has-link-color wp-elements-9f583c827bd068f0baf1f547423238d4\" style=\"background:linear-gradient(135deg,rgb(0,0,0) 0%,rgb(57,57,131) 100%)\">À noter : certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si cela vous concerne, veuillez lire consciencieusement les notes de développement listées dans cet article afin de vous assurer que votre code fonctionnera avec WordPress 6.4 lorsque cette version sortira le 7 novembre 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Themes\">Changements sur l’éditeur de blocs</h2>\n\n\n\n<p>WordPress 6.4 implémente 6 versions de l&rsquo;extension Gutenberg&nbsp;: <a href=\"https://make.wordpress.org/core/2023/07/14/whats-new-in-gutenberg-16-2-12-july/\">16.2</a>, <a href=\"https://make.wordpress.org/core/2023/07/26/whats-new-in-gutenberg-16-3-26-july/\">16.3</a>, <a href=\"https://make.wordpress.org/core/2023/08/10/whats-new-in-gutenberg-16-4-9-august/\">16.4</a>, <a href=\"https://make.wordpress.org/core/2023/08/23/whats-new-in-gutenberg-16-5-23-august/\">16.5</a>, <a href=\"https://make.wordpress.org/core/2023/09/06/whats-new-in-gutenberg-16-6-06-september/\">16.6</a>, et <a href=\"https://make.wordpress.org/core/2023/09/28/whats-new-in-gutenberg-16-7-27-september/\">16.7</a>. Vous trouverez une nouvelle API <code>Block Hooks</code> pour filtrer vos blocs, la possibilité de déclarer vos propres catégories de médias, des modifications sur le paquet <code>@wordpress/components</code>, des mises à jour des composants d’interface et de nombreuses autres modifications.</p>\n\n\n\n<p>L&rsquo;API&nbsp;<code>Block&nbsp;Hooks</code>&nbsp;(<a href=\"https://github.com/WordPress/gutenberg/issues/53987\">#53987</a>) est un mécanisme d&rsquo;extensibilité pour les thèmes basés sur des blocs. C&rsquo;est une première étape pour apporter aux thèmes basés sur des blocs le concept bien connu de crochets (en anglais <bdo lang=\"en\" dir=\"ltr\"><em>hooks</em></bdo>) qui permet d&rsquo;étendre les fonctionnalités des thèmes classiques avec des filtres et des actions.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"eCOpGmyU6E\"><a href=\"https://make.wordpress.org/core/2023/10/15/introducing-block-hooks-for-dynamic-blocks/\">Introducing Block Hooks for dynamic blocks</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing Block Hooks for dynamic blocks&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/15/introducing-block-hooks-for-dynamic-blocks/embed/#?secret=3cdpsA5tMk#?secret=eCOpGmyU6E\" data-secret=\"eCOpGmyU6E\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div><figcaption class=\"wp-element-caption\">La note de développement suivante présente quant à elle l&rsquo;API de déclaration de catégories de médias&nbsp;:</figcaption></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zjr1yVUIwu\"><a href=\"https://make.wordpress.org/core/2023/10/16/new-registerinsertermediacategory-api/\">New `registerInserterMediaCategory` API</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New `registerInserterMediaCategory` API&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/16/new-registerinsertermediacategory-api/embed/#?secret=mmOfruLFx0#?secret=zjr1yVUIwu\" data-secret=\"zjr1yVUIwu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Un nombre important de modifications ont été apportées au paquet&nbsp;<code>@wordpress/components</code>&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"V5Lhksisv2\"><a href=\"https://make.wordpress.org/core/2023/10/16/editor-components-updates-in-wordpress-6-4/\">Updates to user-interface components in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Updates to user-interface components in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/16/editor-components-updates-in-wordpress-6-4/embed/#?secret=SLkxbtlqHh#?secret=V5Lhksisv2\" data-secret=\"V5Lhksisv2\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Il y a également beaucoup d&rsquo;autres modifications de l’éditeur, comme une nouvelle prise en charge des images d&rsquo;arrière-plan pour les blocs, la typographie fluide, la possibilité de désactiver globalement ou spécifiquement les options de mise en page des blocs à l&rsquo;aide du fichier <code>theme.json</code>, une API stabilisée pour les <code>Innerblocks</code>, et bien plus encore&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"0u3dYzIgLd\"><a href=\"https://make.wordpress.org/core/2023/10/17/miscellaneous-editor-changes-in-wordpress-6-4/\">Miscellaneous Editor changes in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Editor changes in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/miscellaneous-editor-changes-in-wordpress-6-4/embed/#?secret=4tKgpn2kHx#?secret=0u3dYzIgLd\" data-secret=\"0u3dYzIgLd\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Notifications sur l’administration</h2>\n\n\n\n<p>Deux nouvelles fonctions permettent une abstraction de la génération du balisage HTML afin de simplifier la maintenance, d&rsquo;encourager une plus grande cohérence et de permettre d&rsquo;activer le passage de paramètres et le fitrage des messages sur toutes les notifications employées sur l&rsquo;interface d&rsquo;administration de WordPress.</p>\n\n\n\n<p>Ces fonctions sont destinées au cœur du CMS lui-même mais leur utilisation est aussi recommandée aux personnes qui développent des extensions&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"So9AIeXux7\"><a href=\"https://make.wordpress.org/core/2023/10/16/introducing-admin-notice-functions-in-wordpress-6-4/\">Introducing admin notice functions in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing admin notice functions in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/16/introducing-admin-notice-functions-in-wordpress-6-4/embed/#?secret=ruXvcthj66#?secret=So9AIeXux7\" data-secret=\"So9AIeXux7\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Général</h2>\n\n\n\n<p>Une note de développement sera bientôt publiée afin de détailler une nouvelle fonction <code>wp_trigger_error()</code> qui vient en complément de la fonction préexistante <code>_doing_it_wrong()</code> (voir le ticket #57686).</p>\n\n\n\n<h2 class=\"wp-block-heading\">API HTML</h2>\n\n\n\n<p>WordPress 6.4 poursuit le développement de l’API <code>HTML</code> en introduisant un premier processeur HTML minimaliste comprenant le concept de fil d&rsquo;Ariane, et rend par exemple possible de rechercher des images étant enfants directs de élément <code>div</code> donné.</p>\n\n\n\n<p>6.4 ajoute également plusieurs fonctionnalités liées à CSS et aux classes dans le processeur de balises, ce qui rend possible de rechercher une balise contenant plus d&rsquo;un nom de classe, ou de rechercher une balise ne contenant pas un nom de classe spécifié.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"NQc948MBkD\"><a href=\"https://make.wordpress.org/core/2023/10/21/updates-to-the-html-api-in-6-4/\">Updates to the HTML API in 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Updates to the HTML API in 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/21/updates-to-the-html-api-in-6-4/embed/#?secret=FO06m0gdUe#?secret=NQc948MBkD\" data-secret=\"NQc948MBkD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Médias</h2>\n\n\n\n<p>Les nouvelles installations WordPress n’auront désormais plus de page de fichier attaché par défaut, la fonctionnalité étant maintenant désactivée complètement pour tous les nouveaux sites. Cela bénéficiera au référencement des sites en évitant de faire perdre du temps aux moteurs d&rsquo;indexations qui doivent indexer ces pages par défaut alors que ces pages ne sont souvent pas pertinentes pour les personnes visitant votre site.</p>\n\n\n\n<p>Cette modification introduit une nouvelle option<code> wp_attachment_pages_enabled</code> permettant de contrôler le comportement des pages de fichiers attachés pour les sites existants : </p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"skxKN6zjUR\"><a href=\"https://make.wordpress.org/core/2023/10/16/changes-to-attachment-pages/\">Changes to attachment pages</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Changes to attachment pages&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/16/changes-to-attachment-pages/embed/#?secret=K6ufsaECNL#?secret=skxKN6zjUR\" data-secret=\"skxKN6zjUR\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Améliorations des performances</h2>\n\n\n\n<p>Une grande partie des travaux sur WordPress 6.4 a tourné autour des améliorations de performances et d&rsquo;efficience du CMS, et en particulier sur la gestion du cache objet&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"m1QIxSmdfo\"><a href=\"https://make.wordpress.org/core/2023/10/17/improvements-to-object-caching-in-wordpress-6-4/\">Improvements to Object Caching in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Improvements to Object Caching in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/improvements-to-object-caching-in-wordpress-6-4/embed/#?secret=RR4Uq2FiXC#?secret=m1QIxSmdfo\" data-secret=\"m1QIxSmdfo\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Les nouvelles fonctions <code>get_options()</code>, <code>wp_prime_option_caches()</code>, et <code>wp_set_option_autoload_values()</code>&nbsp;permettent de mettre en place des solutions plus performantes lorsque l&rsquo;on récupère des options stockées en base de données&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"rgra6lLh1g\"><a href=\"https://make.wordpress.org/core/2023/10/17/new-option-functions-in-6-4/\">New option functions in 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New option functions in 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/new-option-functions-in-6-4/embed/#?secret=KNCpZNpc2d#?secret=rgra6lLh1g\" data-secret=\"rgra6lLh1g\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Le chargement des fichiers modèles a également été amélioré&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"mJ2QXU5yip\"><a href=\"https://make.wordpress.org/core/2023/10/17/improvements-to-template-loading-in-wordpress-6-4/\">Improvements to Template Loading in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Improvements to Template Loading in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/improvements-to-template-loading-in-wordpress-6-4/embed/#?secret=Tg8enG23lY#?secret=mJ2QXU5yip\" data-secret=\"mJ2QXU5yip\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Chargement des images</h3>\n\n\n\n<p>Plusieurs améliorations ont été faites sur la fonction <code>wp_get_loading_optimization_attributes()</code>, qui fournit un lieu unique pour gérer l&rsquo;optimisation des attributs de gestion du chargement, tout spécialement concernant les images et les iframes.&nbsp; </p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"rycL52lgbs\"><a href=\"https://make.wordpress.org/core/2023/10/18/image-loading-optimization-enhancements-in-6-4/\">Image loading optimization enhancements in 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Image loading optimization enhancements in 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/18/image-loading-optimization-enhancements-in-6-4/embed/#?secret=q3SjCAvF6i#?secret=rycL52lgbs\" data-secret=\"rycL52lgbs\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Chargement des scripts</h3>\n\n\n\n<p>À partir de WordPress 6.4, des stratégies de chargement des scripts seront employées pour les scripts chargés par le cœur du CMS ou par les thèmes natifs de WordPress sur l&rsquo;interface publique (en anglais <em><bdo lang=\"en\" dir=\"ltr\">front-end</bdo></em>) de vos sites. La plupart du temps, la stratégie de chargement <code>defer</code> est utilisée puisqu&rsquo;elle est la plus cohérente dans son comportement de chargement à partir du moment où l’attribut <code>defer</code> s&rsquo;exécute toujours une fois que le <abbr lang=\"en\" dir=\"ltr\" title=\"Document Object Model\">DOM</abbr> est chargé. Un script utilisant l&rsquo;attribut <code>async</code> pourrait de son côté bloquer le rendu du script s&rsquo;il est déjà mis en cache. Par ailleurs, le chargement à l&rsquo;aide de <code>defer</code> a été déplacé du pied du document en direction de la partie <code>&lt;head&gt;</code> afin que les ressources concernées soient identifiées le plus tôt possible lors du chargement de la page, et que la stratégie de chargement soit appliquée le plus tôt possible.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"3lzb8vkoPF\"><a href=\"https://make.wordpress.org/core/2023/10/17/script-loading-changes-in-wordpress-6-4/\">Script loading changes in WordPress 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Script loading changes in WordPress 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/script-loading-changes-in-wordpress-6-4/embed/#?secret=GqrmbugFi5#?secret=3lzb8vkoPF\" data-secret=\"3lzb8vkoPF\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Chargement des feuilles de styles</h3>\n\n\n\n<p>La note de développement suivante détaille les modifications faites sur le chargement des feuilles de styles. Le focus principal porte sur le remplacement des balises <code>style</code>&nbsp;affichées via l&rsquo;action <code>wp_head</code>&nbsp;avec des appels à la fonction&nbsp;<code>wp_add_inline_style()</code>&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"xdp3DZFyHv\"><a href=\"https://make.wordpress.org/core/2023/10/17/replacing-hard-coded-style-tags-with-wp_add_inline_style/\">Replacing hard-coded style tags with wp_add_inline_style()</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Replacing hard-coded style tags with wp_add_inline_style()&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/17/replacing-hard-coded-style-tags-with-wp_add_inline_style/embed/#?secret=0ls6rnySpJ#?secret=xdp3DZFyHv\" data-secret=\"xdp3DZFyHv\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Autres améliorations concernant les performances</h3>\n\n\n\n<ul>\n<li>Des gains significatifs ont été obtenus en introduisant une gestion du cache objet dans la nouvelle méthode&nbsp;<code>WP_Theme::get_block_patterns()</code>.</li>\n\n\n\n<li>Des vérifications non indispensables ont été retirées sur l&rsquo;API <code>Themes</code>. Ces vérifications portaient sur la correspondance entre le répertoire de la feuille de styles du thème courant et le répertoire des fichiers modèles.</li>\n\n\n\n<li>Une nouvelle méthode <code>WP_Theme::get_block_template_folders()</code> améliore quand à elle les performances de la fonction <code>get_block_theme_folders()</code> et la gestion des erreurs. La vérification des modèles de blocs au sein des thèmes est ainsi plus rapide.</li>\n\n\n\n<li>Taxonomies&nbsp;: une double sanitisation de la fonction <code>get_term</code> a été retirée. Ce changement retire des appels inutiles à <code>sanitize_term</code>, ce qui améliore les performances de la fonction (<a href=\"https://core.trac.wordpress.org/ticket/58329\">ticket #58329</a>).</li>\n\n\n\n<li>Thèmes&nbsp;: les constantes&nbsp;<code>TEMPLATEPATH</code>&nbsp;et&nbsp;<code>STYLESHEETPATH</code>&nbsp;on été dépréciées. Les fonctions&nbsp;<code>get_template_directory()</code>&nbsp;et&nbsp;<code>get_stylesheet_directory()</code>&nbsp;doivent maintenant être utilisées à la place (<a href=\"https://core.trac.wordpress.org/ticket/18298\">ticket #18298</a>).</li>\n</ul>\n\n\n\n<p>Globalement, WordPress 6.4 présente de meilleures performances et les développeur·euses apprécieront la réduction de la charge pesant sur les processus d&rsquo;entrée/sortie.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres changements techniques</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Comptes</h3>\n\n\n\n<p>WordPress 6.4 apporte plusieurs améliorations importantes au balisage HTML de la page <code>wp-login.php</code>&nbsp;pour rendre sa structure plus optimale et pour faciliter la mise en forme de cette page pour les personnes qui souhaitent la personnaliser (<a href=\"https://core.trac.wordpress.org/ticket/30685\">ticket #30685</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">Clarification des liens <bdo lang=\"en\" dir=\"ltr\">« Add New »</bdo> pour une meilleure accessibilité de l’administration</h3>\n\n\n\n<p>À partir de WordPress 6.4, les valeurs par défaut du libellé <code>add_new</code> utilisé dans les types de publications personnalisés ont été modifiées afin d&rsquo;y intégrer le nom du type de publication. Cela apporte une correspondance avec le libellé <code>add_new_item</code> et fournit un meilleur contexte ce qui améliore l&rsquo;accessibilité des boutons et liens présents dans l&rsquo;interface d&rsquo;administration (<a href=\"https://core.trac.wordpress.org/ticket/47125\">ticket #47125</a>).</p>\n\n\n\n<p>Si vous utilisiez auparavant la déclaration suivante&nbsp;: <br><code>\'add_new\' =&gt; _x( \'Add New\', \'Book\', \'my-plugin\' )</code><br><br>alors nous vous encourageons à la remplacer par :<br><code>\'add_new\' =&gt; __( \'Add New Book\', \'my-plugin\' )</code></p>\n\n\n\n<h3 class=\"wp-block-heading\">Modifications des prérequis pour les tests d&rsquo;intégration</h3>\n\n\n\n<p><bdo lang=\"en\" dir=\"ltr\">PHPUnit Polyfills</bdo> version 1.1.0 est requis pour faire tourner des tests d&rsquo;intégration sur WordPress 6.4 (<a href=\"https://core.trac.wordpress.org/ticket/59510\">ticket #59510</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">API HTTP</h3>\n\n\n\n<p>Les classes, méthodes et filtres de <code>WP_Http_Curl</code>&nbsp;et&nbsp;<code>WP_Http_Streams</code>&nbsp;ont été dépréciés car ces classes ne sont plus utilisées dans le cœur de WordPress depuis l&rsquo;implémentation de la bibliothèque <code>Request</code> (<a href=\"https://core.trac.wordpress.org/ticket/58705\">ticket #58705</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">Révisions</h3>\n\n\n\n<p>Les révisions sont maintenant utilisables sur les champs personnalisés des publications (<a href=\"https://core.trac.wordpress.org/ticket/20564\">ticket #20564</a>)&nbsp;: </p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"7LJ1HvQcY9\"><a href=\"https://make.wordpress.org/core/2023/10/24/framework-for-storing-revisions-of-post-meta-in-6-4/\">Framework for storing revisions of Post Meta in 6.4</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Framework for storing revisions of Post Meta in 6.4&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/10/24/framework-for-storing-revisions-of-post-meta-in-6-4/embed/#?secret=YnNkuFb3KA#?secret=7LJ1HvQcY9\" data-secret=\"7LJ1HvQcY9\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p class=\"has-white-color has-text-color has-background has-link-color wp-elements-14da766d1f09ca850985b43024f4cbf9\" style=\"background:linear-gradient(135deg,rgb(0,0,0) 0%,rgb(57,57,131) 100%)\">Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\" rel=\"noreferrer noopener\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec la version de test <a href=\"https://wordpress.org/news/2023/10/wordpress-6-4-release-candidate-2/\">WordPress 6.4&nbsp;Release Candidate&nbsp;2</a>.&nbsp;Nous comptons sur vous pour vérifier que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Ce guide a été traduit et réadapté à partir du <a href=\"https://make.wordpress.org/core/2023/07/18/wordpress-6-3-field-guide/\"><em>Field Guide</em> de WP 6.4</a> par <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2023/10/30/guide-des-changements-techniques-de-wordpress-6-4/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"Questionnaire annuel sur votre utilisation de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"https://fr.wordpress.org/2023/10/10/questionnaire-annuel-sur-votre-utilisation-de-wordpress-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"https://fr.wordpress.org/2023/10/10/questionnaire-annuel-sur-votre-utilisation-de-wordpress-2023/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 10 Oct 2023 13:03:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Questionnaires/sondages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2852\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:392:\"Comme chaque année, l’équipe «&#160;Community&#160;» soumet un petit questionnaire à l&#8217;ensemble de la communauté WordPress. En effet, votre voix compte&#160;! Si vous êtes un utilisateur ou une utilisatrice de WordPress, si vous concevez des sites avec ce CMS, si vous développez des thèmes ou des extensions, si vous contribuez à la traduction, si vous participez [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Jenny Dupuy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:6355:\"\n<p>Comme chaque année, l’équipe «&nbsp;<a href=\"https://make.wordpress.org/community/\" data-type=\"link\" data-id=\"https://make.wordpress.org/community/\">Community</a>&nbsp;» soumet un petit questionnaire à l&rsquo;ensemble de la communauté WordPress.</p>\n\n\n\n<p><strong>En effet, votre voix compte&nbsp;!</strong> Si vous êtes un utilisateur ou une utilisatrice de WordPress, si vous concevez des sites avec ce CMS, si vous développez des thèmes ou des extensions, si vous contribuez à la traduction, si vous participez au développement du cœur de WordPress ou à sa communauté, alors vous êtes concerné·e·s par ce questionnaire.</p>\n\n\n\n<p>Les principales conclusions et tendances qui émergent de ce questionnaire sont communiquées dans la conférence annuelle&nbsp;<em><strong>State of the Word</strong></em>, puis partagées dans les blogs publics du projet et auront une influence sur la direction stratégique du projet dans les années à venir.</p>\n\n\n\n<p>En d‘autres termes, cette enquête aidera celles et ceux qui construisent WordPress à mieux comprendre comment le logiciel est utilisé et par qui. L‘enquête permet également aux responsables du projet open source WordPress d‘en savoir plus sur les expériences des personnes qui contribuent au projet.</p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-3 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://survey.alchemer.com/s3/7439442/2023-WordPress-Annual-Survey\" target=\"_blank\" rel=\"noreferrer noopener\">C’est parti ! Je remplis le questionnaire 2023</a></div>\n</div>\n\n\n\n<p>Le questionnaire est disponible en différentes langues, dont le français, merci aux contributeurs polyglotes pour leurs traductions.</p>\n\n\n\n<p>L’enquête est ouverte pour cinq semaines et les résultats seront publiés début décembre sur le <a rel=\"noreferrer noopener\" href=\"https://wordpress.org/news/\" data-type=\"link\" data-id=\"https://wordpress.org/news/\" target=\"_blank\">blog News</a>.</p>\n\n\n\n<p>Cette année, comme l’année dernière, l’enquête a fait l’objet de quelques améliorations au niveau du déroulement et de l’ensemble des questions. Une nouvelle plateforme est également à l’essai, offrant une interface actualisée, un support multilingue amélioré, des outils d’analyse et de visualisation des résultats élargis, et bien plus encore. La nouvelle plateforme intègre également des contrôles d’accessibilité et de confidentialité, ce qui garantit que l’enquête répond aux divers besoins de la communauté WordPress.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Passez le mot</h2>\n\n\n\n<p>Aidez-nous à faire connaître l’enquête en la partageant avec votre réseau, via Slack, ou sur vos comptes de médias sociaux. Plus il y aura de personnes qui répondront à l’enquête et qui partageront leur expérience avec WordPress, plus le projet en bénéficiera.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Sécurité et vie privée</h2>\n\n\n\n<p>La sécurité et la confidentialité des données sont primordiales pour le projet et la communauté WordPress. Dans cette optique, toutes les données seront anonymisées : aucune adresse e-mail ou adresse IP ne sera associée aux résultats publiés. Pour en savoir plus sur les pratiques de WordPress.org en matière de confidentialité, consultez la <a href=\"https://wordpress.org/about/privacy/\" data-type=\"link\" data-id=\"https://wordpress.org/about/privacy/\">politique de confidentialité (en anglais)</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Merci</h2>\n\n\n\n<p>Nous remercions les contributeurs WordPress suivants pour leur aide dans le projet d’enquête annuelle, y compris la création des questions, la stratégie, l’élaboration de l&rsquo;enquête et la traduction :</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/adamsilverstein/\">adamsilverstein</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">audrasjb</a>, <a href=\"https://profiles.wordpress.org/alvarogois/\">alvarogóis</a>, <a href=\"https://profiles.wordpress.org/atachibana/\">atachibana</a>, <a href=\"https://profiles.wordpress.org/bjmcsherry/\">bjmcsherry</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\">chanthaboune</a>, <a href=\"https://profiles.wordpress.org/dansoschin/\">dansoschi</a>, <a href=\"https://profiles.wordpress.org/eidolonnight/\">eidolonnight</a>, <a href=\"https://profiles.wordpress.org/fierevere/\">fierevere</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">fxbénard</a>, <a href=\"https://profiles.wordpress.org/hassantafreshi/\">hassantafreshi</a>, <a href=\"https://profiles.wordpress.org/juliagasparyan/\">juliagasparyan</a>, <a href=\"https://profiles.wordpress.org/kittmedia/\">kittmedia</a>, <a href=\"https://profiles.wordpress.org/manudavidos/\">manudavidos</a>,<a href=\"https://profiles.wordpress.org/nao/\">nao</a>, <a href=\"https://profiles.wordpress.org/nilovelez/\">nilovelez</a>, <a href=\"https://profiles.wordpress.org/rmartinezduque/\">rmartinezduque</a> et <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner</a>.</p>\n\n\n\n<p>Merci à&nbsp;<a href=\"https://www.hostinger.com/\">Hostinger</a>,&nbsp;<a href=\"https://cloud.jetpack.com/\">Jetpack</a>, and&nbsp;<a href=\"http://wordpress.com/\">WordPress.com</a>, pour avoir contribué à la promotion de l’enquête auprès de leurs clients respectifs.</p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-4 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://survey.alchemer.com/s3/7439442/2023-WordPress-Annual-Survey\" target=\"_blank\" rel=\"noreferrer noopener\">C’est parti ! Je remplis le questionnaire 2023</a></div>\n</div>\n\n\n\n<p>L’enquête sera close le <a href=\"https://www.timeanddate.com/worldclock/fixedtime.html?iso=20231031T1600\"><time datetime=\"2023-10-31T16:00:00-04:00\">mardi 31 octobre 2023 à 17:00 UTC+1</time></a>.</p>\n\n\n\n<p>Merci à <a href=\"https://profiles.wordpress.org/audrasjb\" data-type=\"link\" data-id=\"https://profiles.wordpress.org/audrasjb\">JB Audras</a> et <a href=\"https://profiles.wordpress.org/fxbenard/\" data-type=\"link\" data-id=\"https://profiles.wordpress.org/fxbenard/\">FX Bénard</a> pour leur relecture de cet article.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"https://fr.wordpress.org/2023/10/10/questionnaire-annuel-sur-votre-utilisation-de-wordpress-2023/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"WordPress 6.3 « Lionel »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://fr.wordpress.org/2023/08/08/wordpress-6-3-lionel/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"https://fr.wordpress.org/2023/08/08/wordpress-6-3-lionel/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 08 Aug 2023 22:03:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2817\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:424:\"Nous vous présentons WordPress 6.3 «&#160;Lionel&#160;», nommé après la jazzman américain&#160;Lionel Hampton. Il fut un vibraphoniste, pianiste et percussionniste de jazz prolifique et obtint sa notoriété en jouant avec des grands du jazz comme&#160;Charles Mingus&#160;ou&#160;Quincy Jones, et en tant que leader du Lionel Hampton Orchestra. Ses travaux ont été récompensés par un Grammy, une étoile [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:66474:\"\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image.png\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-1024x683.png\" alt=\"\" class=\"wp-image-2834\" srcset=\"https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-1024x683.png 1024w, https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-300x200.png 300w, https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-768x512.png 768w, https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-1536x1024.png 1536w, https://fr.wordpress.org/files/2023/08/6.3-Release-Edition-Main-Image-2048x1365.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Nous vous présentons WordPress 6.3 «&nbsp;Lionel&nbsp;», nommé après la jazzman américain&nbsp;<a href=\"https://en.wikipedia.org/wiki/Lionel_Hampton\">Lionel Hampton</a>. Il fut un vibraphoniste, pianiste et percussionniste de jazz prolifique et obtint sa notoriété en jouant avec des grands du jazz comme&nbsp;<a href=\"https://en.wikipedia.org/wiki/Charles_Mingus\">Charles Mingus</a>&nbsp;ou&nbsp;<a href=\"https://en.wikipedia.org/wiki/Quincy_Jones\">Quincy Jones</a>, et en tant que <bdo lang=\"en\" dir=\"ltr\">leader</bdo> du <em><bdo lang=\"en\" dir=\"ltr\">Lionel Hampton Orchestra</bdo></em>. Ses travaux ont été récompensés par un <em><bdo lang=\"en\" dir=\"ltr\">Grammy</bdo></em>, une étoile sur le <bdo lang=\"en\" dir=\"ltr\"><em>Hollywood Walk of Fame</em></bdo>, et la <em><bdo lang=\"en\" dir=\"ltr\">National Medal of Arts</bdo></em> américaine.</p>\n\n\n\n<p>Avec WordPress 6.3, vous pourrez créer de beaux sites web plus efficacement que jamais. Que vous souhaitiez créer un site complet sans coder ou que vous cherchiez à personnaliser chaque détail avec votre propre code, WordPress 6.3 a quelque chose à vous offrir.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>«&nbsp;Lionel&nbsp;» marque un chapitre majeur dans l’évolution de WordPress. C’est le point culminant d’années de travail par des centaines de contributeurs et contributrices pour faire évoluer l’expérience d’édition de votre site WordPress vers davantage de cohérence, à l’aide des blocs. Mais notre quête de vouloir démocratiser la publication sur le web n’est pas finie pour autant&nbsp;!</p>\n<cite><strong>Matías Ventura, Directeur de la version 6.3</strong></cite></blockquote>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-medium-font-size\"><a class=\"wp-block-button__link has-vivid-cyan-blue-background-color has-background wp-element-button\" href=\"https://fr.wordpress.org/download/\" style=\"border-radius:0px;padding-top:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20)\">Télécharger WordPress 6.3 «&nbsp;Lionel&nbsp;»</a></div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading\">Bienvenue sur WordPress 6.3</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Tout faire dans l’Éditeur de site</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh3.googleusercontent.com/ECKi32pUTHxKbtb7u2yXNt9VgtbETFiOhEXsmkTg-kwtTWz6Hors0QmayvKH57LONBPvrztSU29SIOYyUeMQJFfbZ3sHeml1bPGVyqHtMtgjCFv8yVkUhkxBYZhf2ZiKNW_GgbcT_SZ9tAkQjyxe1_c\" alt=\"\" /></figure>\n\n\n\n<p>WordPress 6.3 rassemble pour la première fois votre contenu, vos modèles et vos compositions dans l’éditeur de site. Ajoutez des pages, parcourez les variations de styles, créez des compositions synchronisées et bénéficiez d’un contrôle précis sur vos menus de navigation. Vous ne perdrez plus de temps à passer d’une zone de site à l’autre, et vous pourrez vous concentrer sur ce qui compte le plus. De la création à la publication, en un seul endroit.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Prévisualiser les thèmes basés sur des blocs</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh6.googleusercontent.com/tqCEcJeH36DRnaTb-clxC54AoEYEy-GVea8AGiDU8_F5Z98x_DdllvuYVLNacitS3uS4Oy3fEzs3u_ESELe2K5KF2tX_ikroxHe9sanJ5pYVhVnoAnG_mtcrRmUFXTx5ug1Bl2YwwPvnBRZj-fHrym8\" alt=\"\" /></figure>\n\n\n\n<p>Expérimentez les thèmes basés sur des blocs avant de les choisir et prévisualisez l’éditeur de site, avec des options à personnaliser directement avant d’activer un nouveau thème.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Créez et synchronisez vos compositions</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh3.googleusercontent.com/rdzZc0SGnFQ188wmNqBhUMpq3fStbcUlZzSM_DwWdNgM-0fALWPWEzMfjCuOsLqpw6uNcI1i1AAiiDiLnHWSSVO3TtliLD2QNkhGuQ1qpaogZ3RrNHAtSG_85ai4zqZk2fF2ae7AEnliDWxRpf1ocDA\" alt=\"\" /></figure>\n\n\n\n<p>Disposez les blocs avec un nombre infini de variantes et enregistrez-les en tant que compositions pour les utiliser sur l’ensemble de votre site. Vous pouvez même indiquer si vous souhaitez synchroniser vos compositions (précédemment appelés «&nbsp;blocs réutilisables&nbsp;») afin qu’une modification s’applique à toutes les parties de votre site. Vous pouvez également garder la possibilité de personnaliser chaque instance.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Travaillez plus rapidement avec la palette de commandes</h2>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh3.googleusercontent.com/IASpGRTrnrOzs4pvDPgEKqMQwuXNJRBqbDRHXlzLmvcsKvlIv_D2Iax_IzZ0eP15i2Xq8YDo288lB9WJGjbk_aceRQgDZGBMgMOzcPxG3L4xo92aGqlb9nbqdup6Qwt3vISHCz4wjylYAgGJwLdwbpw\" alt=\"\" /></figure>\n\n\n\n<p>Basculez sur un modèle spécifique ou ouvrez les préférences de votre éditeur à l’aide d’un nouvel outil qui vous aide à naviguer rapidement dans les fonctionnalités étendues. Grâce à de simples raccourcis clavier (⌘+k sur Mac ou CTRL+k sur Windows), en cliquant sur l’icône de recherche de la colonne latérale de l’éditeur de site, ou en cliquant sur la barre de titre, vous pouvez vous rendre où vous voulez et faire ce que vous voulez en quelques secondes.</p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Affinez vos designs avec de nouveaux outils</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh3.googleusercontent.com/C44Qs_vplLP0rB_ZUERqipYWXuFzdnvu8nxmz6EpUW3vyXnWbfbfwbvYvzfaQyu24F7nxRjKossThzuXqJNKnUyQBjShITCVwhhKYUhwa14UyL2JwVn7D71zV0yyZVYm7ASyRO1whyHfOT4zgqFpizQ\" alt=\"\" /></figure>\n\n\n\n<p>Les nouveaux réglages de design offrent une plus grande polyvalence pour affiner vos mises en pages, à commencer par la possibilité de personnaliser les styles de vos légendes à partir de l’interface des styles, sans codage. Vous pouvez gérer vos filtres duotone dans les réglages de style et choisir parmi les options fournies par votre thème, mais aussi les désactiver complètement. Le bloc Bannière bénéficie de réglages supplémentaires pour la couleur du texte, les réglages de mise en page et de bordure, ce qui rend ce bloc puissant encore plus pratique.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Suivez vos modifications de design avec les révisions de styles</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh3.googleusercontent.com/1al2dPJV09Plk8suFtnJI81L754Jl6QCq30_UTbGJ9ln0zJ3ig8BEIVU_BX8zRvZst8KUFxr6ny7Ohv3lNEgp4cZruSdrcuZjT8efmIifW1G3-lP4H4J1qWhby9RfCUSBaMmarBqwM3Kp22m-38hesc\" alt=\"\" /></figure>\n\n\n\n<p>Vous pouvez désormais voir à quoi ressemblait votre site à un moment précis. Visualisez ces révisions sur une chronologie et accédez à une option de restauration des styles antérieurs en un seul clic.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Annotez vos publications avec le bloc «&nbsp;Notes de bas de page&nbsp;»</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh4.googleusercontent.com/94NEMrm0MHPM8QtVzM1W61Pz452Jgp_xzDhHR-35QgOlkABny_gzjmTh-Z-ij8cAH8C_rp0ggLp2VB5AAOtCwJrTJ4Q6rUpehnL-tFxnTw75AaMVInZfChWg2VudW6yKUthshxnQLM3xmQmtmDnFexs\" alt=\"\" /></figure>\n\n\n\n<p>Les notes de bas de page ajoutent des annotations pratiques à votre contenu. Vous pouvez désormais ajouter et lier des notes de bas de page à n’importe quel mot d’un paragraphe.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Affichez ou masquez du contenu avec le bloc Détails</h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https://lh5.googleusercontent.com/Ed5esxwS6U5Z3sBWkeV7ZuNau-izTZQqwxzz6F0ww9qx4XnyqKVT8JZTP0eahDDO73psW7gOxz3KghGyBOeuNW5L3LKw0MJAeISUhAtvqNyThT1Or8gybCIJGhHFyh6njVun5_KumEkMoR5cgXBK_-Q\" alt=\"\" /></figure>\n\n\n\n<p>Utilisez ce bloc pour éviter de divulgâcher une surprise, pour créer une section de foire aux questions interactive, ou pour masquer un long paragraphe derrière un titre.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Amélioration des performances</h3>\n\n\n\n<p>WordPress 6.3 contient plus de <a href=\"https://make.wordpress.org/core/2023/08/07/wordpress-6-3-performance-improvements/\">170 mises à jour de performances (en anglais)</a>, comprenant la prise en charge des attributs&nbsp;<code>defer</code>&nbsp;et&nbsp;<code>async</code>&nbsp;pour l’API Scripts et&nbsp;<code>fetchpriority</code>&nbsp;pour les images. Avec les évolutions concernant la résolution des modèles de blocs, le chargement différé des images et le chargement des emojis, ces améliorations peuvent diminuer le temps de chargement de votre site web tel qu’il est perçu par les visiteurs.</p>\n\n\n\n<h3 class=\"wp-block-heading\">L‘accessibilité reste une priorité</h3>\n\n\n\n<p>Avec plus de 50 améliorations de l’accessibilité sur l’ensemble de la plateforme, WordPress 6.3 est plus accessible que jamais. L’amélioration des libellés, l’optimisation de la navigation par onglets et par touches fléchées, la révision de la hiérarchie des titres et les nouveaux contrôles dans l’éditeur d’images de l’administrateur permettent aux personnes qui utilisent des technologies d’assistance d’administrer plus facilement leur site.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Autres améliorations</h3>\n\n\n\n<h4 class=\"wp-block-heading\">Définir les proportions de taille des images</h4>\n\n\n\n<p>Spécifiez vos proportions et assurez l’intégrité de la conception, en particulier lorsque vous utilisez des images dans des compositions.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Construire son site sans distraction</h4>\n\n\n\n<p>La conception sans distraction est désormais disponible dans l’Éditeur de site.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Redécouvrez la barre d’outils supérieure</h4>\n\n\n\n<p>La barre d’outils supérieure remaniée propose des sélecteurs de parents pour les blocs imbriqués, des options pour la sélection de plusieurs blocs, ainsi qu’une nouvelle interface intégrée à la barre de titre avec de nouvelles fonctionnalités à l’esprit.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Améliorations de la vue de la liste</h4>\n\n\n\n<p>Faites un glisser-déposer vers un autre emplacement et supprimez les blocs de votre choix dans la vue en liste mise à jour en temps réel.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Construire des modèles grâce aux compositions</h4>\n\n\n\n<p>Créez des compositions uniques pour accélérer la création de modèles grâce à une nouvelle fenêtre modale permettant d’accéder à la sélection des compositions.</p>\n\n\n\n<h2 class=\"wp-block-heading\">En savoir plus sur WordPress 6.3</h2>\n\n\n\n<p><a href=\"https://learn.wordpress.org/\">Learn WordPress (en anglais)</a>&nbsp;est une ressource gratuite pour les utilisateurs/utilisatrices de WordPress, qu’ils/elles soient débutant·e·s ou expérimenté·e·s. Learn contient des vidéos pratiques sur l’utilisation de diverses fonctionnalités de WordPress, des&nbsp;<a href=\"https://learn.wordpress.org/online-workshops/\">évènements interactifs (en anglais)</a>&nbsp;pour explorer des sujets en profondeur, et des plans de cours pour approfondir des domaines spécifiques de WordPress.</p>\n\n\n\n<p>Consultez notre&nbsp;<a href=\"https://fr.wordpress.org/2023/07/18/guide-des-changements-techniques-de-wordpress-6-3/\">guide des changements techniques introduits par WordPress 6.3</a>. Il contient toutes les notes techniques que vous devez connaître si vous développez sur WordPress.</p>\n\n\n\n<p><a href=\"https://wordpress.org/support/wordpress-version/version-6-3/\">Consultez les notes de version de WordPress 6.3 (en anglais)</a>&nbsp;pour obtenir plus d’informations sur les améliorations proposées et les anomalies corrigées, les informations d’installation, les notes et ressources à destination des développeuses et des développeurs, connaître les personnes ayant contribué à cette version et pour obtenir la liste des fichiers modifiés.</p>\n\n\n\n<h3 class=\"wp-block-heading\">L’équipe de direction de WordPress 6.3</h3>\n\n\n\n<p>Voici l’équipe qui a coordonné le développement et la sortie cette nouvelle version de WordPress&nbsp;:</p>\n\n\n\n<ul>\n<li><strong>Direction générale&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/matveb/\">Matías Ventura</a></li>\n\n\n\n<li><strong>Coordination de la version&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>,&nbsp;<a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a></li>\n\n\n\n<li><strong>Direction technique du cœur WP&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a>,&nbsp;<a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a></li>\n\n\n\n<li><strong>Direction technique de l’éditeur&nbsp;:</strong>&nbsp;&nbsp;<a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon Dodd</a></li>\n\n\n\n<li><strong>Gestion de projet côté Cœur WP&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Kabir Chaion</a>,&nbsp;<a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oglekler/\">Olga Glecker</a></li>\n\n\n\n<li><strong>Gestion de projet côté Éditeur&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>,&nbsp;<a href=\"https://profiles.wordpress.org/firoz2456/\">Firoz Sabaliya</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a></li>\n\n\n\n<li><strong>Direction de la documentation&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a>,&nbsp;<a href=\"https://profiles.wordpress.org/stevenlinx/\">Steven Lin</a>,&nbsp;<a href=\"https://profiles.wordpress.org/leonnugraha/\">Leonardus Nugraha</a>,&nbsp;<a href=\"https://profiles.wordpress.org/611shabnam/\">Mushrit Shabnam</a></li>\n\n\n\n<li><strong>Direction marketing &amp; communication&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a>,&nbsp;<a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a></li>\n\n\n\n<li><strong>Direction des tests&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/ironprogrammer/\">Brian Alexander</a>,&nbsp;<a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chrismalone617/\">Chris Malone</a></li>\n\n\n\n<li><strong>Direction du design&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/karmatosed/\">Tammie Lister</a>,&nbsp;<a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a></li>\n\n\n\n<li><strong>Responsables des performances&nbsp;:</strong>&nbsp;<a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a>,&nbsp;<a href=\"https://profiles.wordpress.org/clarkeemily/\">Emily Clarke</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Merci aux contributeurs et contributrices</h3>\n\n\n\n<p>WordPress 6.3 n’aurait pas pu sortir sans la contribution passionnée de plus de 650 personnes provenant d’au moins 52 pays différents. Un remerciement tout spécial pour les 207 personnes qui ont contribué au cœur de WordPress pour la première fois avec WP 6.3 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p style=\"font-size:11px\"><a href=\"https://profiles.wordpress.org/254volkan/\">254volkan</a> · <a href=\"https://profiles.wordpress.org/mercime/\">@mercime</a> · <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a> · <a href=\"https://profiles.wordpress.org/aeg0125/\">Aaron Graham</a> · <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/abidhasan112/\">Abid Hasan</a> · <a href=\"https://profiles.wordpress.org/abitofmind/\">abitofmind</a> · <a href=\"https://profiles.wordpress.org/abtop/\">ABTOP</a> · <a href=\"https://profiles.wordpress.org/ace100/\">ace100</a> · <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/admwgn/\">Adam Wiltgen</a> · <a href=\"https://profiles.wordpress.org/adeltahri/\">Adel Tahri</a> · <a href=\"https://profiles.wordpress.org/adhun/\">Adhun Anand</a> · <a href=\"https://profiles.wordpress.org/adityaarora010196/\">adityaarora010196</a> · <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a> · <a href=\"https://profiles.wordpress.org/afshanadiya/\">Afshana Diya</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Kabir Chaion</a> · <a href=\"https://profiles.wordpress.org/ajmaurya/\">Ajay Maurya</a> · <a href=\"https://profiles.wordpress.org/ajayver/\">ajayver</a> · <a href=\"https://profiles.wordpress.org/seakashdiu/\">Akash Mia</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alanjacobmathew/\">Alan Jacob Mathew</a> · <a href=\"https://profiles.wordpress.org/albarin/\">albarin</a> · <a href=\"https://profiles.wordpress.org/alberuni-azad/\">Alberuni Azad.</a> · <a href=\"https://profiles.wordpress.org/alecgeatches/\">alecgeatches</a> · <a href=\"https://profiles.wordpress.org/aleksganev/\">Aleks Ganev</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">Alex Stine</a> · <a href=\"https://profiles.wordpress.org/alvastar/\">alvastar</a> · <a href=\"https://profiles.wordpress.org/alvitazwar052/\">Alvi Tazwar</a> · <a href=\"https://profiles.wordpress.org/amin7/\">amin</a> · <a href=\"https://profiles.wordpress.org/amirrezatm/\">amirrezatm</a> · <a href=\"https://profiles.wordpress.org/amitbarai013/\">Amit Barai Alit</a> · <a href=\"https://profiles.wordpress.org/paulamit/\">Amit Paul</a> · <a href=\"https://profiles.wordpress.org/anantajitjg/\">Anantajit JG</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/andreaboe/\">andreaboe</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/apmatthe/\">Andrew Matthews</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey “Rarst” Savchenko</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/apeatling/\">Andy Peatling</a> · <a href=\"https://profiles.wordpress.org/aniketpatel/\">Aniket Patel</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/ankitmaru/\">Ankit Panchal</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/ahortin/\">Anthony Hortin</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/antonyagrios/\">Antony Agrios</a> · <a href=\"https://profiles.wordpress.org/aparnajl/\">Aparna Adhun</a> · <a href=\"https://profiles.wordpress.org/arrasel403/\">AR Rasel</a> · <a href=\"https://profiles.wordpress.org/arafatjamil01/\">Arafat Jamil</a> · <a href=\"https://profiles.wordpress.org/aravindajith/\">Aravind Ajith</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/arnolp/\">arnolp</a> · <a href=\"https://profiles.wordpress.org/artemiosans/\">Artemio Morales</a> · <a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a> · <a href=\"https://profiles.wordpress.org/artz91/\">ArtZ91</a> · <a href=\"https://profiles.wordpress.org/aryamaaru/\">Arun</a> · <a href=\"https://profiles.wordpress.org/mrasharirfan/\">Ashar Irfan</a> · <a href=\"https://profiles.wordpress.org/ashrafulsarkar/\">Ashraful Sarkar Naiem</a> · <a href=\"https://profiles.wordpress.org/nmutua/\">Autumn</a> · <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a> · <a href=\"https://profiles.wordpress.org/azurseisme/\">azurseisme</a> · <a href=\"https://profiles.wordpress.org/barryceelen/\">Barry Ceelen</a> · <a href=\"https://profiles.wordpress.org/bart/\">Bart</a> · <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a> · <a href=\"https://profiles.wordpress.org/bedas/\">Beda</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/benish74/\">benish74</a> · <a href=\"https://profiles.wordpress.org/benjgrolleau/\">Benjamin Grolleau</a> · <a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a> · <a href=\"https://profiles.wordpress.org/kau-boy/\">Bernhard Kau</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a> · <a href=\"https://profiles.wordpress.org/mxbclang/\">Bethany Chobanian Lang</a> · <a href=\"https://profiles.wordpress.org/bgin/\">bgin</a> · <a href=\"https://profiles.wordpress.org/albatross10/\">Bhavik Kalpesh</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a> · <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> · <a href=\"https://profiles.wordpress.org/bjorn2404/\">Bjorn Holine</a> · <a href=\"https://profiles.wordpress.org/bogdanungureanu/\">BogdanUngureanu</a> · <a href=\"https://profiles.wordpress.org/bonjour52/\">bonjour52</a> · <a href=\"https://profiles.wordpress.org/bookwyrm/\">bookwyrm</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a> · <a href=\"https://profiles.wordpress.org/bradyvercher/\">Brady Vercher</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/bgoewert/\">Brennan Goewert</a> · <a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a> · <a href=\"https://profiles.wordpress.org/bronsonquick/\">Bronson Quick</a> · <a href=\"https://profiles.wordpress.org/brookemk/\">Brooke Kaminski</a> · <a href=\"https://profiles.wordpress.org/brookedot/\">Brooke.</a> · <a href=\"https://profiles.wordpress.org/buutqn/\">buutqn</a> · <a href=\"https://profiles.wordpress.org/cameronjonesweb/\">Cameron Jones</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos G. P.</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/mcaskill/\">Chauncey McAskill</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/chiragrathod103/\">Chirag Rathod</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chocofc1/\">chocofc1</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/chrisbaltazar/\">chrisbaltazar</a> · <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a> · <a href=\"https://profiles.wordpress.org/apermo/\">Christoph Daum</a> · <a href=\"https://profiles.wordpress.org/chrystl/\">Chrystl</a> · <a href=\"https://profiles.wordpress.org/ckanderson22/\">ckanderson22</a> · <a href=\"https://profiles.wordpress.org/claytoncollie/\">Clayton Collie</a> · <a href=\"https://profiles.wordpress.org/cnspecialcolor/\">cnspecialcolor</a> · <a href=\"https://profiles.wordpress.org/codesdnc/\">codesdnc</a> · <a href=\"https://profiles.wordpress.org/codingchicken/\">Coding Chicken</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/conner_bw/\">conner_bw</a> · <a href=\"https://profiles.wordpress.org/copons/\">Copons</a> · <a href=\"https://profiles.wordpress.org/corentingautier/\">corentingautier</a> · <a href=\"https://profiles.wordpress.org/coreyw/\">Corey Worrell</a> · <a href=\"https://profiles.wordpress.org/cbirdsong/\">Cory Birdsong</a> · <a href=\"https://profiles.wordpress.org/craigfrancis/\">Craig Francis</a> · <a href=\"https://profiles.wordpress.org/craiglpeters/\">craiglpeters</a> · <a href=\"https://profiles.wordpress.org/geisthanen/\">Creative Andrew</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a> · <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a> · <a href=\"https://profiles.wordpress.org/dalirajab/\">dali-rajab</a> · <a href=\"https://profiles.wordpress.org/dalleyne/\">Damien Alleyne</a> · <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/wirecat/\">Daniel Johnson</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/datagutten/\">datagutten</a> · <a href=\"https://profiles.wordpress.org/davilera/\">David Aguilera</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/justlevine/\">David Levine (AxePress)</a> · <a href=\"https://profiles.wordpress.org/davefx/\">David Marín Carreño</a> · <a href=\"https://profiles.wordpress.org/dperonne/\">David Péronne</a> · <a href=\"https://profiles.wordpress.org/dshanske/\">David Shanske</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a> · <a href=\"https://profiles.wordpress.org/davidvongries/\">David Vongries</a> · <a href=\"https://profiles.wordpress.org/dsas/\">Dean Sas</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/derekblank/\">Derek Blank</a> · <a href=\"https://profiles.wordpress.org/devanshijoshi/\">Devanshi Joshi</a> · <a href=\"https://profiles.wordpress.org/shagors/\">devshagor</a> · <a href=\"https://profiles.wordpress.org/dhrumilk/\">Dhrumil Kumbhani</a> · <a href=\"https://profiles.wordpress.org/dhusakovic/\">dhusakovic</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/doctorlai/\">doctorlai</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donncha/\">Donncha O Caoimh (a11n)</a> · <a href=\"https://profiles.wordpress.org/drzraf/\">drzraf</a> · <a href=\"https://profiles.wordpress.org/d-signed/\">DSIGNED</a> · <a href=\"https://profiles.wordpress.org/dustinrue/\">dustinrue</a> · <a href=\"https://profiles.wordpress.org/chopinbach/\">Edwin Cromley</a> · <a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van Durpe</a> · <a href=\"https://profiles.wordpress.org/emanuelx/\">emanuelx</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/enej/\">Enej Bajgorić</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/ericlewis/\">Eric Andrew Lewis</a> · <a href=\"https://profiles.wordpress.org/edanzer/\">Erick Danzer</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/esratpopy/\">Esrat Sultana Popy</a> · <a href=\"https://profiles.wordpress.org/manuilov/\">Eugene M</a> · <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/fosuahmed/\">Faisal Ahmed</a> · <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a> · <a href=\"https://profiles.wordpress.org/fasuto/\">fasuto</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/felipelavinz/\">Felipe Lavín</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/mista-flo/\">Florian TIAR</a> · <a href=\"https://profiles.wordpress.org/fpodhorsky/\">fpodhorsky</a> · <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco</a> · <a href=\"https://profiles.wordpress.org/bueltge/\">Frank Bueltge</a> · <a href=\"https://profiles.wordpress.org/franz00/\">Fransisca H</a> · <a href=\"https://profiles.wordpress.org/fuadragib/\">Fuad Ragib</a> · <a href=\"https://profiles.wordpress.org/galbaras/\">Gal Baras</a> · <a href=\"https://profiles.wordpress.org/gamecreature/\">gamecreature</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/soulseekah/\">Gennady Kovshenin</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a> · <a href=\"https://profiles.wordpress.org/gisgeo/\">gisgeo</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/ingeniumed/\">Gopal Krishnan</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/grl570810/\">grl570810</a> · <a href=\"https://profiles.wordpress.org/gvgvgvijayan/\">gvgvgvijayan</a> · <a href=\"https://profiles.wordpress.org/hvar/\">H-var</a> · <a href=\"https://profiles.wordpress.org/hakre/\">hakre</a> · <a href=\"https://profiles.wordpress.org/hanshenrik/\">hanshenrik</a> · <a href=\"https://profiles.wordpress.org/hztyfoon/\">Hanzala Taifun</a> · <a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh S</a> · <a href=\"https://profiles.wordpress.org/haritpanchal/\">Harit Panchal</a> · <a href=\"https://profiles.wordpress.org/hasanmisbah/\">Hasan Misbah</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/helgatheviking/\">HelgaTheViking</a> · <a href=\"https://profiles.wordpress.org/ehtmlu/\">Helmut Wandl</a> · <a href=\"https://profiles.wordpress.org/luehrsen/\">Hendrik Luehrsen</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hiren1094/\">hiren sanja</a> · <a href=\"https://profiles.wordpress.org/patelhitesh/\">Hitesh Patel</a> · <a href=\"https://profiles.wordpress.org/hughiemolloy/\">hughie.molloy</a> · <a href=\"https://profiles.wordpress.org/hugodevos/\">hugodevos</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/polevaultweb/\">Iain Poulson</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/iazel/\">Iazel</a> · <a href=\"https://profiles.wordpress.org/ignatggeorgiev/\">Ignat Georgiev</a> · <a href=\"https://profiles.wordpress.org/imanish003/\">imanish003</a> · <a href=\"https://profiles.wordpress.org/innovext/\">Innovext</a> · <a href=\"https://profiles.wordpress.org/inwerpsel/\">inwerpsel</a> · <a href=\"https://profiles.wordpress.org/iqbalrony/\">iqbalrony</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">ironprogrammer</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/itpathsolutions/\">IT Path Solutions</a> · <a href=\"https://profiles.wordpress.org/ivanjeronimo/\">ivanjeronimo</a> · <a href=\"https://profiles.wordpress.org/jhoffmann/\">j.hoffmann</a> · <a href=\"https://profiles.wordpress.org/jackreichert/\">Jack Reichert</a> · <a href=\"https://profiles.wordpress.org/jaedm97/\">Jaed Mosharraf</a> · <a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a> · <a href=\"https://profiles.wordpress.org/outrankjames/\">James</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/james-roberts/\">James Roberts</a> · <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a> · <a href=\"https://profiles.wordpress.org/janusdev/\">janusdev</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">Jarda Snajdr</a> · <a href=\"https://profiles.wordpress.org/ipajen/\">Jarko Piironen</a> · <a href=\"https://profiles.wordpress.org/pbking/\">Jason Crist</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/carazo/\">Javier Carazo</a> · <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a> · <a href=\"https://profiles.wordpress.org/jchambo/\">jchambo</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jeanphilippegreen/\">Jean-Philippe Green</a> · <a href=\"https://profiles.wordpress.org/jeawhanlee/\">jeawhanlee</a> · <a href=\"https://profiles.wordpress.org/jeffmatson/\">Jeff Matson</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a> · <a href=\"https://profiles.wordpress.org/jmdodd/\">Jennifer M. Dodd</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/lobeless14/\">Jeremy Lind</a> · <a href=\"https://profiles.wordpress.org/jeryj/\">jeryj</a> · <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a> · <a href=\"https://profiles.wordpress.org/jhned/\">jhned</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jipmoors/\">Jip Moors</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joelmadigan/\">joelmadigan</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnwatkins0/\">John Watkins</a> · <a href=\"https://profiles.wordpress.org/jokerrs/\">Jokerrs</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a> · <a href=\"https://profiles.wordpress.org/jongycastillo/\">Jong</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/jornp/\">jornp</a> · <a href=\"https://profiles.wordpress.org/dunhakdis/\">Joseph G.</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a> · <a href=\"https://profiles.wordpress.org/joshuatf/\">joshuatf</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jsh4/\">jsh4</a> · <a href=\"https://profiles.wordpress.org/juanfra/\">Juan Aldasoro</a> · <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a> · <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/juliobox/\">Julio Potier</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a> · <a href=\"https://profiles.wordpress.org/welenofsky/\">Justin Welenofsky</a> · <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a> · <a href=\"https://profiles.wordpress.org/kacper3355/\">kacper3355</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/trepmal/\">Kailey (trepmal)</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/kaneva/\">kaneva</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/zoonini/\">Kathryn P.</a> · <a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a> · <a href=\"https://profiles.wordpress.org/kbat82/\">Kevin Batdorf</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a> · <a href=\"https://profiles.wordpress.org/konyoldeath/\">konyoldeath</a> · <a href=\"https://profiles.wordpress.org/kowsar89/\">Kowsar Hossain</a> · <a href=\"https://profiles.wordpress.org/krunal265/\">Krunal Bhimajiyani</a> · <a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a> · <a href=\"https://profiles.wordpress.org/kmadhak/\">Kunal Madhak</a> · <a href=\"https://profiles.wordpress.org/lanacodes/\">Lana Codes</a> · <a href=\"https://profiles.wordpress.org/larsmqller/\">larsmqller</a> · <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/lenasterg/\">Lena Stergatou</a> · <a href=\"https://profiles.wordpress.org/leonidasmilossis/\">Leonidas Milosis</a> · <a href=\"https://profiles.wordpress.org/lifeboat/\">lifeboat</a> · <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a> · <a href=\"https://profiles.wordpress.org/lkraav/\">lkraav</a> · <a href=\"https://profiles.wordpress.org/webaxones/\">Loïc Antignac</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/dreadlox/\">Lox</a> · <a href=\"https://profiles.wordpress.org/lozula/\">lozula</a> · <a href=\"https://profiles.wordpress.org/lucius0101/\">lucius0101</a> · <a href=\"https://profiles.wordpress.org/lucymtc/\">Lucy Tomas</a> · <a href=\"https://profiles.wordpress.org/gigitux/\">Luigi</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/pyrobd/\">Lukman Nakib</a> · <a href=\"https://profiles.wordpress.org/pagelab/\">Márcio Duarte</a> · <a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/mahbubshovan/\">Mahbub Shovan</a> · <a href=\"https://profiles.wordpress.org/mahekkalola/\">Mahek Kalola</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/manojkpatil/\">Manoj Patil</a> · <a href=\"https://profiles.wordpress.org/mdxfr/\">Marc</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/marekdedic/\">Marek Dědič</a> · <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/marineevain/\">Marine EVAIN</a> · <a href=\"https://profiles.wordpress.org/santosguillamot/\">Mario Santos</a> · <a href=\"https://profiles.wordpress.org/marissamakes/\">Marissa Matthews</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/markoserb/\">Marko Ivanovic</a> · <a href=\"https://profiles.wordpress.org/marksabbath/\">marksabbath</a> · <a href=\"https://profiles.wordpress.org/flootr/\">Markus</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a> · <a href=\"https://profiles.wordpress.org/martinkrcho/\">martin.krcho</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/matclayton/\">matclayton</a> · <a href=\"https://profiles.wordpress.org/wetah/\">Mateus Machado Luna</a> · <a href=\"https://profiles.wordpress.org/paapst/\">Mathieu Paapst</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">Matias Benedetto</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mattkeys/\">Matt Keys</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/mattwiebe/\">Matt Wiebe</a> · <a href=\"https://profiles.wordpress.org/matthiasreinholz/\">Matthias Reinholz</a> · <a href=\"https://profiles.wordpress.org/h4l9k/\">Mauricio</a> · <a href=\"https://profiles.wordpress.org/wppunk/\">Max</a> · <a href=\"https://profiles.wordpress.org/cadic/\">Max Lyuchin</a> · <a href=\"https://profiles.wordpress.org/maximej/\">Maxime J.</a> · <a href=\"https://profiles.wordpress.org/jamilbd07/\">MD Jamil Uddin</a> · <a href=\"https://profiles.wordpress.org/kawserz/\">Md Kawser Ahmed Khan Jami</a> · <a href=\"https://profiles.wordpress.org/rakibwordpress/\">Md Rakib Hossain</a> · <a href=\"https://profiles.wordpress.org/abirhasandipu/\">Md. Abir Hasan Dipu</a> · <a href=\"https://profiles.wordpress.org/reduanmasud/\">Md. Reduan Masud</a> · <a href=\"https://profiles.wordpress.org/mdviralsampat/\">mdviralsampat</a> · <a href=\"https://profiles.wordpress.org/mehulkaklotar/\">Mehul Kaklotar</a> · <a href=\"https://profiles.wordpress.org/mensmaximus/\">mensmaximus</a> · <a href=\"https://profiles.wordpress.org/meyegui/\">meyerdev.ch</a> · <a href=\"https://profiles.wordpress.org/mgol/\">mgol</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/michael-kelly/\">Michael Kelly</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/michelmany/\">Michel Many</a> · <a href=\"https://profiles.wordpress.org/miguelaxcar/\">Miguel Axcar</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mmtr86/\">Miguel Torres</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/mikestraw/\">Mike Straw</a> · <a href=\"https://profiles.wordpress.org/dimadin/\">Milan Dinić</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/mitchellaustin/\">mitchellaustin</a> · <a href=\"https://profiles.wordpress.org/presents111/\">miya</a> · <a href=\"https://profiles.wordpress.org/monzuralam/\">Monzur Alam</a> · <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a> · <a href=\"https://profiles.wordpress.org/mrwweb/\">mrwweb</a> · <a href=\"https://profiles.wordpress.org/mtias/\">mtias</a> · <a href=\"https://profiles.wordpress.org/mujuonly/\">mujuonly</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/faguni22/\">Mumtahina Faguni</a> · <a href=\"https://profiles.wordpress.org/tanjimtc71/\">Musarrat Anjum Chowdhury</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/mw108/\">mw108</a> · <a href=\"https://profiles.wordpress.org/naeemhaque/\">Naeem Haque</a> · <a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a> · <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a> · <a href=\"https://profiles.wordpress.org/nathanatmoz/\">Nathan Johnson</a> · <a href=\"https://profiles.wordpress.org/nazmulhasan103/\">Nazmul Hasan</a> · <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a> · <a href=\"https://profiles.wordpress.org/neychok/\">Neycho Kalaydzhiev</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/nicholaswilson/\">nicholaswilson</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/nick_thegeek/\">Nick the Geek</a> · <a href=\"https://profiles.wordpress.org/nickpap/\">nickpap</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/nielslange/\">Niels Lange</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/itsnikhilpatel/\">NikhilPatel</a> · <a href=\"https://profiles.wordpress.org/dhrupo/\">Niluthpal Purkayastha</a> · <a href=\"https://profiles.wordpress.org/dasnitesh780/\">Nitesh Das</a> · <a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a> · <a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a> · <a href=\"https://profiles.wordpress.org/rnitinb/\">Nitin Rathod</a> · <a href=\"https://profiles.wordpress.org/nitman43/\">nitman43</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/nuvopoint/\">nuvoPoint</a> · <a href=\"https://profiles.wordpress.org/oakesjosh/\">oakesjosh</a> · <a href=\"https://profiles.wordpress.org/obayedmamur/\">Obayed Mamur</a> · <a href=\"https://profiles.wordpress.org/ockham/\">ockham</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/oh_hello/\">oh_hello</a> · <a href=\"https://profiles.wordpress.org/hideokamoto/\">Okamoto Hidetaka</a> · <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a> · <a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a> · <a href=\"https://profiles.wordpress.org/alshakero/\">Omar Alshaker</a> · <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a> · <a href=\"https://profiles.wordpress.org/pablohoney/\">PabloHoney</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a> · <a href=\"https://profiles.wordpress.org/paulschreiber/\">Paul Schreiber</a> · <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a> · <a href=\"https://profiles.wordpress.org/pavelevap/\">pavelevap</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/pputzer/\">pepe</a> · <a href=\"https://profiles.wordpress.org/petaryoast/\">Petar Ratković</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/phil-webster/\">Phil Webster</a> · <a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a> · <a href=\"https://profiles.wordpress.org/iapial/\">Pial</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/knowingart_com/\">PJ Brunet</a> · <a href=\"https://profiles.wordpress.org/pkolenbr/\">pkolenbr</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/pouicpouic/\">pouicpouic</a> · <a href=\"https://profiles.wordpress.org/pravinparmar2404/\">Pravin Parmar</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/ptahdunbar/\">Ptah Dunbar</a> · <a href=\"https://profiles.wordpress.org/raduiason/\">raduiason</a> · <a href=\"https://profiles.wordpress.org/initsogar/\">Rafael Agostini</a> · <a href=\"https://profiles.wordpress.org/rafinkhan/\">Rafin</a> · <a href=\"https://profiles.wordpress.org/rajanpanchal2028/\">Rajan Panchal</a> · <a href=\"https://profiles.wordpress.org/rajeshraval786/\">Rajesh Raval</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/ramon-fincken/\">ramon fincken</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/razthee007/\">Razthee Md. Yakini</a> · <a href=\"https://profiles.wordpress.org/renatoagds/\">Renato Augusto Gama dos Santos</a> · <a href=\"https://profiles.wordpress.org/rezakhan995/\">Reza Khan</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/riccardodicurti/\">Riccardo Di Curti</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/rinkychowdhury9/\">Rinky Chowdhury</a> · <a href=\"https://profiles.wordpress.org/ritteshpatel/\">Ritesh Patel</a> · <a href=\"https://profiles.wordpress.org/rjasdfiii/\">rjasdfiii</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a> · <a href=\"https://profiles.wordpress.org/robin-labadie/\">Robin Labadie</a> · <a href=\"https://profiles.wordpress.org/rodage/\">rodage</a> · <a href=\"https://profiles.wordpress.org/rodricus/\">rodricus</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/digical/\">Ross Gile</a> · <a href=\"https://profiles.wordpress.org/roytanck/\">Roy Tanck</a> · <a href=\"https://profiles.wordpress.org/ruchirj/\">Ruchir Goswami</a> · <a href=\"https://profiles.wordpress.org/re_enter_rupok/\">Rupok</a> · <a href=\"https://profiles.wordpress.org/rryyaanndd/\">Ryan</a> · <a href=\"https://profiles.wordpress.org/ryankienstra/\">Ryan Kienstra</a> · <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/looswebstudio/\">Ryo</a> · <a href=\"https://profiles.wordpress.org/sereedmedia/\">Sé Reed</a> · <a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a> · <a href=\"https://profiles.wordpress.org/andy786/\">Sahil B.</a> · <a href=\"https://profiles.wordpress.org/stalukder03/\">Sajib Talukder</a> · <a href=\"https://profiles.wordpress.org/sakibmd/\">Sakib Mohammed</a> · <a href=\"https://profiles.wordpress.org/samful/\">Sam Fullalove</a> · <a href=\"https://profiles.wordpress.org/sam1el/\">sam1el</a> · <a href=\"https://profiles.wordpress.org/samiamnot/\">samiamnot</a> · <a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a> · <a href=\"https://profiles.wordpress.org/samruddhikhandale/\">samruddhikhandale</a> · <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a> · <a href=\"https://profiles.wordpress.org/sanjucta/\">sanjucta</a> · <a href=\"https://profiles.wordpress.org/sanketchodavadiya/\">Sanket Chodavadiya</a> · <a href=\"https://profiles.wordpress.org/sannevndrmeulen/\">Sanne van der Meulen</a> · <a href=\"https://profiles.wordpress.org/sapayth/\">sapayth</a> · <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a> · <a href=\"https://profiles.wordpress.org/sarathar/\">Sarath AR</a> · <a href=\"https://profiles.wordpress.org/saumil1611/\">Saumil Nerpagar</a> · <a href=\"https://profiles.wordpress.org/saxonfletcher/\">saxonfletcher</a> · <a href=\"https://profiles.wordpress.org/ira2910/\">Sazia Faizunnessa Ira</a> · <a href=\"https://profiles.wordpress.org/sc0ttkclark/\">Scott Kingsley Clark</a> · <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a> · <a href=\"https://profiles.wordpress.org/countrymusicchicago/\">Scott Winterroth</a> · <a href=\"https://profiles.wordpress.org/hiyascout/\">Scout James</a> · <a href=\"https://profiles.wordpress.org/seanchayes/\">Sean Hayes</a> · <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a> · <a href=\"https://profiles.wordpress.org/seriouslysenpai/\">seriouslysenpai</a> · <a href=\"https://profiles.wordpress.org/wandering-aramean/\">Seth Miller</a> · <a href=\"https://profiles.wordpress.org/shahidul95/\">Shahidul Islam</a> · <a href=\"https://profiles.wordpress.org/shamayel007/\">Shamayel</a> · <a href=\"https://profiles.wordpress.org/shamimmiashuhagh/\">Shamim Mia</a> · <a href=\"https://profiles.wordpress.org/smeunus/\">Sharif Mohammad Eunus</a> · <a href=\"https://profiles.wordpress.org/shraboni/\">Shraboni</a> · <a href=\"https://profiles.wordpress.org/shubham1gupta/\">shubham1gupta</a> · <a href=\"https://profiles.wordpress.org/silicium23/\">Silicium</a> · <a href=\"https://profiles.wordpress.org/10upsimon/\">Simon Dowdles</a> · <a href=\"https://profiles.wordpress.org/simongomes02/\">Simon Gomes</a> · <a href=\"https://profiles.wordpress.org/slieschke/\">Simon Lieschke</a> · <a href=\"https://profiles.wordpress.org/siobhan/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/calvinalkan/\">snicco.io</a> · <a href=\"https://profiles.wordpress.org/soean/\">Soren Wrede</a> · <a href=\"https://profiles.wordpress.org/sruthi90/\">sruthi90</a> · <a href=\"https://profiles.wordpress.org/steelwagstaff/\">SteelWagstaff</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/stentibbing/\">stentibbing</a> · <a href=\"https://profiles.wordpress.org/pypwalters/\">Stephanie Walters</a> · <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a> · <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a> · <a href=\"https://profiles.wordpress.org/stephym/\">Stephy Miehle</a> · <a href=\"https://profiles.wordpress.org/stephymiehle/\">stephymiehle</a> · <a href=\"https://profiles.wordpress.org/stevenkword/\">Steven Word</a> · <a href=\"https://profiles.wordpress.org/subrataemfluence/\">Subrata Sarkar</a> · <a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/sun/\">sun</a> · <a href=\"https://profiles.wordpress.org/sunyatasattva/\">sunyatasattva (a11n)</a> · <a href=\"https://profiles.wordpress.org/codemonksuvro/\">Suvro</a> · <a href=\"https://profiles.wordpress.org/syamraj24/\">syamraj24</a> · <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a> · <a href=\"https://profiles.wordpress.org/afrin29/\">Syeda Sanjida Afrin</a> · <a href=\"https://profiles.wordpress.org/syhc/\">syhc</a> · <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a> · <a href=\"https://profiles.wordpress.org/syntaxart/\">syntaxart</a> · <a href=\"https://profiles.wordpress.org/szaqal21/\">szaqal21</a> · <a href=\"https://profiles.wordpress.org/tahmidulkarim/\">Tahmid ul Karim</a> · <a href=\"https://profiles.wordpress.org/tahminar27/\">Tahmina Rahman</a> · <a href=\"https://profiles.wordpress.org/inc2734/\">Takashi Kitajima</a> · <a href=\"https://profiles.wordpress.org/tanazmasaba/\">Tanaz Masaba</a> · <a href=\"https://profiles.wordpress.org/devtanbir/\">Tanbir Ahmod</a> · <a href=\"https://profiles.wordpress.org/tanner-m/\">Tanner Moushey</a> · 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href=\"https://profiles.wordpress.org/tmatsuur/\">tmatsuur</a> · <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a> · <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a> · <a href=\"https://profiles.wordpress.org/tjnowell/\">Tom J Nowell</a> · <a href=\"https://profiles.wordpress.org/dziudek/\">Tomasz Dziuda</a> · <a href=\"https://profiles.wordpress.org/skithund/\">Toni Viemerö</a> · <a href=\"https://profiles.wordpress.org/starbuck/\">Tony G</a> · <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a> · <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a> · <a href=\"https://profiles.wordpress.org/toru/\">Toru Miki</a> · <a href=\"https://profiles.wordpress.org/itowhid06/\">Towhidul I Chowdhury</a> · <a href=\"https://profiles.wordpress.org/travisaxton/\">travisaxton</a> · <a href=\"https://profiles.wordpress.org/triumvirate/\">triumvirate</a> · <a href=\"https://profiles.wordpress.org/dinhtungdu/\">Tung Du</a> · <a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a> · <a href=\"https://profiles.wordpress.org/umesh84/\">Umesh Gupta</a> · <a href=\"https://profiles.wordpress.org/upadalavipul/\">Upadala Vipul</a> · <a href=\"https://profiles.wordpress.org/eboxnet/\">Vagelis</a> · <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a> · <a href=\"https://profiles.wordpress.org/szepeviktor/\">Viktor Szépe</a> · <a href=\"https://profiles.wordpress.org/virgar/\">Virginie Garnier</a> · <a href=\"https://profiles.wordpress.org/elifvish/\">Vishal Kumar</a> · <a href=\"https://profiles.wordpress.org/vladytimy/\">Vlad T</a> · <a href=\"https://profiles.wordpress.org/vtad/\">vtad</a> · <a href=\"https://profiles.wordpress.org/vykesmac/\">vykesmac</a> · <a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a> · <a href=\"https://profiles.wordpress.org/webrocker/\">Webrocker</a> · <a href=\"https://profiles.wordpress.org/websitegenii/\">websitegenii</a> · <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a> · <a href=\"https://profiles.wordpress.org/whaze/\">whaze</a> · <a href=\"https://profiles.wordpress.org/winterpsv/\">winterpsv</a> · <a href=\"https://profiles.wordpress.org/wojsmol/\">wojsmol</a> · <a href=\"https://profiles.wordpress.org/wojtekn/\">Wojtek Naruniec</a> · <a href=\"https://profiles.wordpress.org/wojtekszkutnik/\">Wojtek Szkutnik</a> · <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a> · <a href=\"https://profiles.wordpress.org/yuliyan/\">Yuliyan Slavchev</a> · <a href=\"https://profiles.wordpress.org/zebaafiashama/\">Zeba Afia Shama</a> · <a href=\"https://profiles.wordpress.org/zenaulislam/\">Zenaul Islam</a> · <a href=\"https://profiles.wordpress.org/zevilz/\">zevilz</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a> · <a href=\"https://profiles.wordpress.org/chesio/\">Česlav Przywara</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Merci aux personnes ayant contribué à traduire WordPress&nbsp;6.3 en français</h3>\n\n\n\n<p>WordPress est un projet international et la version 6.3 est déjà complètement disponible dans plus de 70 langues différentes.</p>\n\n\n\n<p>Nous souhaitons remercier ici les personnes ayant participé à la traduction de WordPress 6.3 en français&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/antoinepaufichet\">Antoine Paufichet</a>, <a href=\"https://profiles.wordpress.org/beryldlg/\">beryldlg</a>, <a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>, <a href=\"https://profiles.wordpress.org/btpub/\">Bruno Tritsch</a>, <a href=\"https://profiles.wordpress.org/coralietixeront/\">coralietixeront</a>, <a href=\"https://profiles.wordpress.org/dacobah/\">dacobah</a>, <a href=\"https://profiles.wordpress.org/wolforg\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/eddystile/\">Eddy</a>, <a href=\"https://profiles.wordpress.org/emlebrun/\">Emilie LEBRUN</a>, <a href=\"https://profiles.wordpress.org/este1/\">este1</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">FX</a>, <a href=\"https://profiles.wordpress.org/guillaumeturpin/\">Guillaume TURPIN</a>, <a href=\"https://profiles.wordpress.org/jaz_on/\">Jason Rouet</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/leprincenoir/\">Kantari Samy</a>, <a href=\"https://profiles.wordpress.org/oellin/\">Magali</a>, <a href=\"https://profiles.wordpress.org/nuryko/\">Marianna</a>, <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a>, <a href=\"https://profiles.wordpress.org/marineevain/\">Marine EVAIN</a>, <a href=\"https://profiles.wordpress.org/maxpertici/\">Maxime Pertici</a>, <a href=\"https://profiles.wordpress.org/nandow/\">nandow</a>, <a href=\"https://profiles.wordpress.org/pasglop\">pasglop</a>, <a href=\"https://profiles.wordpress.org/petitphp\">petitphp</a>, <a href=\"https://profiles.wordpress.org/larrach/\">Rachel Peter</a>, <a href=\"https://profiles.wordpress.org/ravanh\">Rolf Allard van Hagen</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sebastienserre\">Sébastien SERRE</a>, <a href=\"https://profiles.wordpress.org/simonjanin/\">Simon Janin</a>, <a href=\"https://profiles.wordpress.org/spaceshipone/\">Timothée Brosille</a>, <a href=\"https://profiles.wordpress.org/virgar/\">Virginie Garnier</a>, <a href=\"https://profiles.wordpress.org/whaze/\">whaze</a>, et <a href=\"https://profiles.wordpress.org/wplmillet/\">wplmillet</a>.</p>\n\n\n\n<p>N’hésitez pas à <a href=\"https://fr.wordpress.org/team/handbook/\">rejoindre les équipes de contribution francophones&nbsp;!</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">Et pour la suite&nbsp;?</h2>\n\n\n\n<p>Il y a 20 ans, <a href=\"https://wordpress.org/news/2003/05/wordpress-now-available/\">WordPress sortait sa première version, la version 0.7</a>. Ce qui a commencé par un article de blog de Matt Mullenweg et un commentaire enthousiaste du co-fondateur Mike Little a évolué pour devenir la plateforme de publication web la plus populaire du monde&nbsp;!</p>\n\n\n\n<p>WordPress continue d’évoluer et d’itérer pour devenir toujours plus robuste et pour répondre aux attentes de sa communauté. Cette version clôture la <a href=\"https://make.wordpress.org/core/2023/02/04/phase-2-finale/\">Phase 2 (en anglais)</a>&nbsp;de notre <a href=\"https://wordpress.org/about/roadmap/\">feuille de route (en anglais)</a>. Tous les efforts vont maintenant se tourner vers la&nbsp;<a href=\"https://make.wordpress.org/core/2023/03/24/phase-3-collaboration/\">Phase 3</a>, qui vise a apporter une gestion collaborative au sein de votre CMS favori.</p>\n\n\n\n<p>Pour finir l’année 2023 en beauté, l’équipe de direction de WordPress&nbsp;6.4 sera entièrement composée de femmes et de personnes non-binaires, tout comme l’avait été la version 5.6 en 2020.</p>\n\n\n\n<p class=\"has-text-align-right\" style=\"font-size:14px\">Article rédigé/traduit par <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, avec la relecture de <a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a> et <a href=\"https://profiles.wordpress.org/sebastienserre/\">Sébastien Serre</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://fr.wordpress.org/2023/08/08/wordpress-6-3-lionel/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:76:\"\n		\n		\n					\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2023/07/18/guide-des-changements-techniques-de-wordpress-6-3/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://fr.wordpress.org/2023/07/18/guide-des-changements-techniques-de-wordpress-6-3/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 18 Jul 2023 18:07:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2742\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:417:\"Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&#160;6.3, dont la sortie est prévue le 8 août 2023. Cette version implémente 345 tickets&#160;: 126 tickets correspondent à des améliorations et nouvelles fonctionnalités, tandis que 198 tickets sont des corrections de bugs, auxquels s&#8217;ajoutent 21 tâches diverses. Cette version implémente par ailleurs 68 [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:39646:\"\n<p>Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&nbsp;6.3, dont la sortie est prévue le 8 août 2023.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"458\" src=\"https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3-1024x458.png\" alt=\"WordPress 6.3 : le guide des changements techniques !\" class=\"wp-image-2745\" srcset=\"https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3-1024x458.png 1024w, https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3-300x134.png 300w, https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3-768x343.png 768w, https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3-1536x687.png 1536w, https://fr.wordpress.org/files/2023/07/changements-techniques-wordpress-6-3.png 1986w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Cette version implémente <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.3&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">345</a> tickets&nbsp;: <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.3&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">126 tickets correspondent à des améliorations et nouvelles fonctionnalités</a>, tandis que <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.3&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">198 tickets sont des corrections de bugs</a>, auxquels s&rsquo;ajoutent <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.3&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">21 tâches diverses</a>.</p>\n\n\n\n<p>Cette version implémente par ailleurs <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.3&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">68 tickets ayant un focus sur les performances</a> et <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.3&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">23 sur l&rsquo;accessibilité</a>, tandis que <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~coding-standards&amp;milestone=6.3&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">33 tickets sont liés à la modernisation du code du CMS.</a></p>\n\n\n\n<p>Le projet Gutenberg inclut quant à lui <a href=\"https://github.com/WordPress/gutenberg/commits/wp/6.3\">1737 <em>pull requests</em></a>, dont 307 correspondent à des améliorations, 481 à des correctifs de bugs et 55 à des améliorations d&rsquo;accessibilité.</p>\n\n\n\n<p>Les modifications de WordPress 6.3 se répartissent dans 43 composants <em>Core</em>, et vous trouverez dans ce communiqué les modifications les plus impactantes, composant par composant.</p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#fee7af\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.3&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress&nbsp;6.3 lorsque cette version sortira le 8&nbsp;août 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Themes\">L’éditeur de blocs</h2>\n\n\n\n<p>WordPress 6.3 n&rsquo;implémente pas moins de 10 versions de l&rsquo;extension Gutenberg&nbsp;: <a href=\"https://make.wordpress.org/core/2023/02/24/whats-new-in-gutenberg-15-2-22-february/\">15.2</a>, <a href=\"https://make.wordpress.org/core/2023/03/13/whats-new-in-gutenberg-15-3-13-march/\">15.3</a>, <a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/\">15.4</a>, <a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/\">15.5</a>, <a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/\">15.6</a>, <a href=\"https://make.wordpress.org/core/2023/05/04/whats-new-in-gutenberg-15-7-03-may/\">15.7</a>, <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">15.8</a>, <a href=\"https://make.wordpress.org/core/2023/05/31/whats-new-in-gutenberg-15-9-31-may/\">15.9</a>, <a href=\"https://make.wordpress.org/core/2023/06/14/whats-new-in-gutenberg-16-0-14-june/\">16.0</a> et <a href=\"https://make.wordpress.org/core/2023/06/29/whats-new-in-gutenberg-16-1-29-june/\">16.1</a>. Vous trouverez de nouvelles API, de nouvelles propriétés de blocs, un mode d&rsquo;édition de blocs, des classes de couleurs et de nombreuses autres modifications.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">À noter&nbsp;: les blocs réutilisables ont été renommés en «&nbsp;compositions synchronisées&nbsp;».</p>\n\n\n\n<p>Pour en savoir plus, consultez les notes de développement suivantes&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"L20XnOVu1h\"><a href=\"https://make.wordpress.org/core/2023/07/17/introducing-the-block-selectors-api/\">Introducing the Block Selectors API</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing the Block Selectors API&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/17/introducing-the-block-selectors-api/embed/#?secret=pG9aZ0Miyt#?secret=L20XnOVu1h\" data-secret=\"L20XnOVu1h\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"g3oscpQMGD\"><a href=\"https://make.wordpress.org/core/2023/07/17/introducing-the-wordpress-command-palette-api/\">Introducing the WordPress Command Palette API</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing the WordPress Command Palette API&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/17/introducing-the-wordpress-command-palette-api/embed/#?secret=iU5bxQBp4V#?secret=g3oscpQMGD\" data-secret=\"g3oscpQMGD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"THL7StpItm\"><a href=\"https://make.wordpress.org/core/2023/07/14/layout-updates-in-the-editor-for-wordpress-6-3/\">Layout updates in the editor for WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Layout updates in the editor for WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/layout-updates-in-the-editor-for-wordpress-6-3/embed/#?secret=B4affEPWBs#?secret=THL7StpItm\" data-secret=\"THL7StpItm\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ivk0xhlnAo\"><a href=\"https://make.wordpress.org/core/2023/07/17/social-icons-block-applied-colors-now-dynamically-update-based-on-theme-json-and-global-styles/\">Social Icons block: Applied colors now dynamically update based on theme.json and Global Styles</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Social Icons block: Applied colors now dynamically update based on theme.json and Global Styles&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/17/social-icons-block-applied-colors-now-dynamically-update-based-on-theme-json-and-global-styles/embed/#?secret=OjOXo4fv13#?secret=ivk0xhlnAo\" data-secret=\"ivk0xhlnAo\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"9Yhxa7HGYY\"><a href=\"https://make.wordpress.org/core/2023/07/18/miscellaneous-editor-changes-in-wordpress-6-3/\">Miscellaneous Editor changes in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Editor changes in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/18/miscellaneous-editor-changes-in-wordpress-6-3/embed/#?secret=suRGrJ6Mwq#?secret=9Yhxa7HGYY\" data-secret=\"9Yhxa7HGYY\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Thèmes natifs</h2>\n\n\n\n<p>Les thèmes natifs ont abandonné le support du navigateur Internet Explorer et n&rsquo;incluent donc plus aucun script ou feuille de styles destinée à ce navigateur. Les scripts HTML5 Shiv ne sont d&rsquo;ailleurs plus chargés non plus dans les thèmes <em>Twenty Thirteen</em>, <em>Twenty Fifteen</em> et <em>Twenty Seventeen</em> (ticket <a href=\"https://core.trac.wordpress.org/ticket/56699\">#56699</a>).</p>\n\n\n\n<p>Les personnes qui souhaitent continuer à supporter IE peuvent cependant utiliser un bout de code pour restaurer ces fonctionnalités.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Vlf50ZB1Ge\"><a href=\"https://make.wordpress.org/core/2023/07/18/bundled-themes-dropping-internet-explorer-scripts-and-styles/\">Bundled themes dropping Internet Explorer scripts and styles</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Bundled themes dropping Internet Explorer scripts and styles&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/18/bundled-themes-dropping-internet-explorer-scripts-and-styles/embed/#?secret=bZB0K4OvNF#?secret=Vlf50ZB1Ge\" data-secret=\"Vlf50ZB1Ge\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion du cache</h2>\n\n\n\n<p>L&rsquo;API de gestion du cache a reçu de nombreuses améliorations, notamment l&rsquo;introduction de nouveaux groupes de cache spécifiques aux requêtes afin d&rsquo;offrir un meilleur contrôle aux développeur·euses.</p>\n\n\n\n<p>Vous pouvez maintenant définir le moment d&rsquo;expiration du cache d&rsquo;un groupe, vider le cache de groupes spécifiques, modifier la dernière valeur d&rsquo;un groupe ou encore déclarer certains groupes d&rsquo;objets mis en cache comme n&rsquo;étant pas persistants. Avec ces changements, vous pouvez implémenter votre propre stratégie personnalisée d&rsquo;invalidation du cache.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"7bVhV9c8DD\"><a href=\"https://make.wordpress.org/core/2023/07/17/improvements-to-the-cache-api-in-wordpress-6-3/\">Improvements to the Cache API in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Improvements to the Cache API in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/17/improvements-to-the-cache-api-in-wordpress-6-3/embed/#?secret=XgZni932MZ#?secret=7bVhV9c8DD\" data-secret=\"7bVhV9c8DD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion du système de fichiers</h2>\n\n\n\n<p>Les fichiers masqués (préfixés par <code>.</code>) peuvent maintenant être inclus dans la fonction <code>list_files()</code> avec un nouveau paramètre optionnel <code>$include_hidden</code>. Sa valeur par défaut est <code>false</code> pour cause de rétrocompatibilité (ticket <a href=\"https://core.trac.wordpress.org/ticket/53659\">#53659</a>).</p>\n\n\n\n<h2 class=\"wp-block-heading\">Mode développement</h2>\n\n\n\n<p>Une nouvelle constante <code>WP_DEVELOPMENT_MODE</code> a été introduite afin de déterminer un contexte de développement spécifique. Les valeurs reconnues pour cette constante sont <code>core</code>, <code>plugin</code>, <code>theme</code>, <code>all</code>, ou une chaîne vide, valeur par défaut indiquant que le site n&rsquo;est pas dans un contexte de développement.</p>\n\n\n\n<p>Deux nouvelles fonctions ont été ajoutées pour interagir avec le mode développement&nbsp;:  <code>wp_in_development_mode( $mode )</code> et <code>wp_get_development_mode()</code>.</p>\n\n\n\n<p>Les différents contextes de développement affectent des fonctionnalités de mise en cache spécifiques. Par exemple, le cache est surchargé lorsque le site se situe en mode développement de thème, mais pas si l&rsquo;on est en mode développement <code>core</code> (ticket <a href=\"https://core.trac.wordpress.org/ticket/57487\">#57487</a>).</p>\n\n\n\n<p>La valeur actuelle de la constante <code>WP_DEVELOPMENT_MODE</code> est aussi accessible sur l&rsquo;écran <em>Outils &gt; Santé du site &gt; Informations</em>, dans la section listant les constantes WordPress (<a href=\"https://core.trac.wordpress.org/ticket/58646\">#58646</a>).</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dvM295fJom\"><a href=\"https://make.wordpress.org/core/2023/07/14/configuring-development-mode-in-6-3/\">Configuring development mode in 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Configuring development mode in 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/configuring-development-mode-in-6-3/embed/#?secret=Lh6gKzzH8V#?secret=dvM295fJom\" data-secret=\"dvM295fJom\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Prise en charge de PHP</h2>\n\n\n\n<p>La prise en charge de PHP 5 a été abandonnée dans WordPress 6.3.</p>\n\n\n\n<p>La nouvelle version minimale prise en charge est PHP 7.0.</p>\n\n\n\n<p>La version recommandée de PHP demeure toujours 7.4 ou plus (ticket <a href=\"https://core.trac.wordpress.org/ticket/57345\">#57345</a>).</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"6gfDoEvvm1\"><a href=\"https://make.wordpress.org/core/2023/07/05/dropping-support-for-php-5/\">Dropping support for PHP 5</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Dropping support for PHP 5&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/05/dropping-support-for-php-5/embed/#?secret=aA9rmaRizu#?secret=6gfDoEvvm1\" data-secret=\"6gfDoEvvm1\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Internationalisation</h2>\n\n\n\n<p>Plusieurs améliorations, dont la possibilité de court-circuiter le filtre <code>load_textdomain</code> et de réduire le temps de chargement des traductions en temps réel.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"TW1F45zj57\"><a href=\"https://make.wordpress.org/core/2023/07/14/i18n-improvements-in-6-3/\">I18N Improvements in 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;I18N Improvements in 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/i18n-improvements-in-6-3/embed/#?secret=fL2ntxjWyU#?secret=TW1F45zj57\" data-secret=\"TW1F45zj57\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Médias</h2>\n\n\n\n<p>Le composant Médias a reçu plusieurs améliorations destinées à diminuer le temps de chargement des contenus comprenant des images. WordPress ajoute maintenant automatiquement l&rsquo;attribut <code>fetchpriority</code> avec la valeur <code>high</code> à l&rsquo;image qui est la plus susceptible d’être considérée comme l&rsquo;image « LCP » (<em>Largest Contentful Paint</em>).</p>\n\n\n\n<p>D&rsquo;autres améliorations ont été faites sur la gestion automatique du chargement différé des images afin de mieux détecter les moments où l&rsquo;attribut doit être omis, sur certaines images.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PlLoKkDiiQ\"><a href=\"https://make.wordpress.org/core/2023/07/13/image-performance-enhancements-in-wordpress-6-3/\">Image performance enhancements in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Image performance enhancements in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/13/image-performance-enhancements-in-wordpress-6-3/embed/#?secret=E5FecmehIe#?secret=PlLoKkDiiQ\" data-secret=\"PlLoKkDiiQ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion des métadonnées</h2>\n\n\n\n<p>Les performances de la gestion des métadonnées ont été grandement améliorées en développant la capacité de WordPress a charger de façon conditionnelle certaines métadonnées des termes de taxonomies, des commentaires ou encore des sites d&rsquo;un multisite. Ce chargement conditionnel permet d&rsquo;éviter de demander la récupération de données alors qu&rsquo;elles ne sont pas utilisées dans l&rsquo;écran. Cela réduit les requêtes inutiles en base de données et améliore les performances d&rsquo;ensemble de votre site.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"070KRCIIpE\"><a href=\"https://make.wordpress.org/core/2023/07/13/improvements-to-the-metadata-api-in-wordpress-6-3/\">Improvements to the metadata API in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Improvements to the metadata API in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/13/improvements-to-the-metadata-api-in-wordpress-6-3/embed/#?secret=zLd56waD70#?secret=070KRCIIpE\" data-secret=\"070KRCIIpE\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gestion des publications</h2>\n\n\n\n<p>La fonction <code>get_pages()</code> a été refactorisée afin d&rsquo;utiliser <code>WP_Query</code>. Cette amélioration réduit significativement la complexité de la fonction historique <code>get_pages()</code> en déchargeant la responsabilité des performances et de la gestion du cache sur la classe <code>WP_Query</code> (tickets <a href=\"https://core.trac.wordpress.org/ticket/55806\">#55806</a> et <a href=\"https://core.trac.wordpress.org/ticket/12821\">#12821</a>).</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Fx0YGPZreg\"><a href=\"https://make.wordpress.org/core/2023/07/14/wp_query-used-internally-in-get_pages/\">WP_Query used internally in get_pages()</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;WP_Query used internally in get_pages()&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/wp_query-used-internally-in-get_pages/embed/#?secret=QoK2oOt1Fu#?secret=Fx0YGPZreg\" data-secret=\"Fx0YGPZreg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Chargement des scripts</h2>\n\n\n\n<p>La prise en charge des attributs HTML5 <code>async</code> et <code>defer</code> a été ajoutée, ce qui permet aux développeur·euses de définir une stratégie de chargement de leurs scripts. La stratégie de chargement peut être activée en modifiant le paramètre <code>$in_footer</code> pour lui fournir un tableau contenant une stratégie de chargement pour les fonctions <code>wp_register_script()</code> et <code>wp_enqueue_script()</code>. Si elle est présente, la stratégie de chargement sera ajoutée à la balise <code>script</code> associée.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"xaQ5HItuFL\"><a href=\"https://make.wordpress.org/core/2023/07/14/registering-scripts-with-async-and-defer-attributes-in-wordpress-6-3/\">Registering scripts with `async` and `defer` attributes in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Registering scripts with `async` and `defer` attributes in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/registering-scripts-with-async-and-defer-attributes-in-wordpress-6-3/embed/#?secret=cIT0T6547d#?secret=xaQ5HItuFL\" data-secret=\"xaQ5HItuFL\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gestion des mises à jour des extensions et des thèmes</h2>\n\n\n\n<p>WordPress 6.3 propose une nouvelle fonctionnalité de restauration. Cela permettra à WordPress de restaurer automatiquement la version précédente d&rsquo;un thème ou d&rsquo;une extension si la mise à jour automatique associée a fait planter le site.</p>\n\n\n\n<ul>\n<li>Lorsqu&rsquo;un thème ou une extension est mise à jour, la version précédente est déplacée dans un répertoire de sauvegarde temporaire&nbsp;:\n<ul>\n<li><code>wp-content/upgrade-temp-backup/plugins/[slug]</code> pour les extensions&nbsp;;</li>\n\n\n\n<li><code>wp-content/upgrade-temp-backup/themes/[slug]</code> pour les thèmes.</li>\n</ul>\n</li>\n\n\n\n<li>Si la mise à jour échoue, alors la sauvegarde est restaurée dans son emplacement d&rsquo;origine.</li>\n\n\n\n<li>Si la mise à jour réussit, la sauvegarde temporaire est supprimée.</li>\n</ul>\n\n\n\n<p>Deux nouveaux tests sont également ajoutés à l&rsquo;écran de Santé du site&nbsp;:</p>\n\n\n\n<ul>\n<li>Vérification que le répertoire <code>upgrade-temp-backup</code> est accessible en écriture&nbsp;;</li>\n\n\n\n<li>Vérification qu&rsquo;il y a assez d&rsquo;espace disque disponible pour effectuer les mises à jour sans risque.</li>\n</ul>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">Veuillez noter que cette fonctionnalité de restauration ne peut pas être utilisée pour remettre en place la version précédente d&rsquo;un thème ou d&rsquo;une extension après une mise à jour réussie. Cela ne fonctionne que si le site a rencontré une erreur fatale et que le site est donc considéré comme étant non fonctionnel.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Icw0l4iAb1\"><a href=\"https://make.wordpress.org/core/2023/07/11/new-in-6-3-rollback-for-failed-manual-plugin-and-theme-updates/\">New in 6.3: Rollback for failed manual plugin and theme updates</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New in 6.3: Rollback for failed manual plugin and theme updates&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/11/new-in-6-3-rollback-for-failed-manual-plugin-and-theme-updates/embed/#?secret=zzCgZgz5QF#?secret=Icw0l4iAb1\" data-secret=\"Icw0l4iAb1\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gestion des comptes</h2>\n\n\n\n<p>La classe <code>WP_User_Query</code> était la dernière classe de ce type qui ne permettait pas encore la mise en cache des résultats, c&rsquo;est maintenant chose faite. Chaque appels à la classe <code>WP_User_Query</code> sera maintenant automatiquement mis en cache par défaut, à moins qu&rsquo;un paramètre n&rsquo;indique de ne pas le faire. Il est aussi possible de désactiver la mise en cache globalement en utilisant un filtre.</p>\n\n\n\n<p>Les résultats des requêtes sont placés dans le groupe de cache <code>user-queries</code>. La mise en cache est désactivée pour les requêtes utilisant le paramètre <code>field</code> et pour les requêtes comprenant plus de 3 champs.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"J6E0gf6gkC\"><a href=\"https://make.wordpress.org/core/2023/07/14/improved-caching-for-database-queries-in-wp_user_query/\">Improved Caching for Database Queries in WP_User_Query</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Improved Caching for Database Queries in WP_User_Query&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/14/improved-caching-for-database-queries-in-wp_user_query/embed/#?secret=XtSF1Kcjfm#?secret=J6E0gf6gkC\" data-secret=\"J6E0gf6gkC\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres changements techniques</h2>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PpKZ52n0G9\"><a href=\"https://make.wordpress.org/core/2023/07/18/miscellaneous-developer-changes-in-wordpress-6-3/\">Miscellaneous developer changes in WordPress 6.3</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous developer changes in WordPress 6.3&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/07/18/miscellaneous-developer-changes-in-wordpress-6-3/embed/#?secret=QMr9n5x0bD#?secret=PpKZ52n0G9\" data-secret=\"PpKZ52n0G9\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">API CRON</h3>\n\n\n\n<p>La limite de la mémoire CRON a été agrandie sur la constante <code>WP_MAX_MEMORY_LIMIT</code> (par défaut de 256&nbsp;Mo). Un nouveau filtre <code>cron_memory_limit</code> a été ajouté  pour ajuster cette valeur si nécessaire (ticket <a href=\"https://core.trac.wordpress.org/ticket/56628\">#56628</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">Éditeur</h3>\n\n\n\n<p>Un nouvel attribut <code>source</code> a été ajouté sur les compositions de blocs afin de permettre de les filtrer à partir de cette source (ticket <a href=\"https://core.trac.wordpress.org/ticket/58622\">#58622</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">Contenus embarqués</h3>\n\n\n\n<ul>\n<li>Anghami a été ajouté en tant que fournisseur oEmbed de confiance (ticket <a href=\"https://core.trac.wordpress.org/ticket/49850\">#49850</a>)&nbsp;;</li>\n\n\n\n<li>La prise en charge des profils de créateur·ice TikTok a été ajoutée (ticket <a href=\"https://core.trac.wordpress.org/ticket/55784\">#55784</a>).</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Formatage</h3>\n\n\n\n<ul>\n<li>Ajout des attributs ARIA suivants aux attributs autorisés dans les fonctions KSES&nbsp;: <code>aria-controls</code>, <code>aria-expanded</code>, and <code>aria-current</code> (ticket <a href=\"https://core.trac.wordpress.org/ticket/55370\">#55370</a>)&nbsp;;</li>\n\n\n\n<li>La fonction CSS <code>repeat()</code> a été ajoutée aux éléments autorisés dans les fonctions KSES (ticket <a href=\"https://core.trac.wordpress.org/ticket/58551\">#58551</a>).</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Divers</h3>\n\n\n\n<ul>\n<li>Dans les fonctions KSES, la fonction <code>safecss_filter_attr()</code> a été revue afin d&rsquo;autoriser la propriété <code>filter</code> à recevoir une URL en référence à un élément SVG (ticket <a href=\"https://core.trac.wordpress.org/ticket/57780\">#57780</a>)&nbsp;;</li>\n\n\n\n<li><code>strpos()</code> a été remplacé par différentes fonctions PHP modernes afin de faire évoluer le code du CMS (tickets <a href=\"https://core.trac.wordpress.org/ticket/58012\">#58012</a>, <a href=\"https://core.trac.wordpress.org/ticket/58206\">#58206</a> et <a href=\"https://core.trac.wordpress.org/ticket/58220\">#58220</a>)&nbsp;;</li>\n\n\n\n<li>Dans la classe WP_Comments_List_Table, lorsque la fonction <code>get_comments()</code> est appelée, le paramètre <code>update_comment_post_cache</code> est passé avec la valeur <code>true</code>, afin d&rsquo;améliorer les performances (<a href=\"https://core.trac.wordpress.org/ticket/57802\">#57802</a>)&nbsp;;</li>\n\n\n\n<li>La fonction <code>_wp_array_get()</code> est la fonction la plus appelée sur l&rsquo;interface publique de tous les sites WordPress, puisqu&rsquo;elle est appelée environ 23&nbsp;000 fois sur chaque chargement de page sur un thème basé sur des blocs. WordPress 6.3 ajoute quelques améliorations de performances sur cette fonction (ticket <a href=\"https://core.trac.wordpress.org/ticket/58376\">#58376</a>)&nbsp;;</li>\n\n\n\n<li>Un nouveau crochet d&rsquo;action <code>bulk_edit_posts</code> a été ajouté afin de permettre de déclencher une action après que les données d&rsquo;une édition par lot aient été traitées et avant de renvoyer les résultats. Cela permet notamment aux développeurs et développeuses d&rsquo;ajouter d&rsquo;autres modifications sans avoir besoin de greffer des appels AJAX supplémentaires (ticket <a href=\"https://core.trac.wordpress.org/ticket/28112\">#28112</a>).</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">API REST</h3>\n\n\n\n<ul>\n<li>L&rsquo;API REST <code>Themes</code> permet maintenant de savoir si un thème prend en charge l&rsquo;éditeur de site, grâce à la propriété <code>is_block_theme </code>située dans la réponse API du point de terminaison <code>wp/v2/themes</code> (ticket <a href=\"https://core.trac.wordpress.org/ticket/58123\">#58123</a>) ;</li>\n\n\n\n<li>Un point de terminaison a été ajouté afin d&rsquo;obtenir les révisions des styles globaux, accessible sur <code>/wp/v2/global-styles/revisions</code> (ticket <a href=\"https://core.trac.wordpress.org/ticket/58524\">#58524</a>) ;</li>\n\n\n\n<li><code>WP_REST_Templates_Controller</code> a été modifié afin d&rsquo;inclure un champ <code>modified</code> pour connaître la date de modification des modèles et des éléments de modèles (ticket <a href=\"https://core.trac.wordpress.org/ticket/58540\">#58540</a>).</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Thèmes</h3>\n\n\n\n<p>La nouvelle fonction publique <code>wp_get_remote_theme_patterns()</code> a été ajoutée afin d&rsquo;effectuer des requêtes sur les <code>patterns</code> provenant du <code>theme.json</code> et se substitue aux précédents usages d&rsquo;API privées (<a href=\"https://core.trac.wordpress.org/ticket/58460\">#58460</a>).</p>\n\n\n\n<h3 class=\"wp-block-heading\">Nouveaux crochets d&rsquo;actions</h3>\n\n\n\n<ul>\n<li><code>bulk_edit_posts</code> (<a href=\"https://core.trac.wordpress.org/ticket/28112\">#28112</a>)</li>\n\n\n\n<li><code>wp_update_user</code> (<a href=\"https://core.trac.wordpress.org/ticket/57843\">#57843</a>)</li>\n\n\n\n<li><code>wp_cache_set_last_changed</code> (<a href=\"https://core.trac.wordpress.org/ticket/57905\">#57905</a>)</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Nouveaux filtres</h3>\n\n\n\n<ul>\n<li><code>plugins_list</code> (<a href=\"https://core.trac.wordpress.org/ticket/57278\">#57278</a>)</li>\n\n\n\n<li><code>pre_load_textdomain</code> (<a href=\"https://core.trac.wordpress.org/ticket/58035\">#58035</a>)</li>\n\n\n\n<li><code>wp_get_attachment_image_context</code> (<a href=\"https://core.trac.wordpress.org/ticket/58212\">#58212</a>)</li>\n\n\n\n<li><code>get_pages_query_args</code> (<a href=\"https://core.trac.wordpress.org/ticket/12821\">#12821</a>)</li>\n\n\n\n<li><code>cron_memory_limit</code> (<a href=\"https://core.trac.wordpress.org/ticket/56628\">56628</a>)</li>\n\n\n\n<li><code>nav_menu_item_attributes</code> (<a href=\"https://core.trac.wordpress.org/ticket/57140\">#57140</a>)</li>\n\n\n\n<li><code>nav_menu_link_attributes</code> (<a href=\"https://core.trac.wordpress.org/ticket/57140\">#57140</a>)</li>\n\n\n\n<li><code>nav_menu_submenu_attributes</code> (<a href=\"https://core.trac.wordpress.org/ticket/57140\">#57140</a>)</li>\n\n\n\n<li><code>pre_wp_setup_nav_menu_item</code> (<a href=\"https://core.trac.wordpress.org/ticket/56577\">#56577</a>)</li>\n\n\n\n<li><code>site_editor_no_javascript_message</code> (<a href=\"https://core.trac.wordpress.org/ticket/56228\">#56228</a>)</li>\n\n\n\n<li><code>image_edit_thumbnails_separately</code> (<a href=\"https://core.trac.wordpress.org/ticket/57685\">#57685</a>)</li>\n\n\n\n<li><code>wp_navigation_should_create_fallback</code> (<a href=\"https://core.trac.wordpress.org/ticket/58750\">#58750</a>)</li>\n\n\n\n<li><code>wp_min_priority_img_pixels</code> (<a href=\"https://core.trac.wordpress.org/ticket/58235\">#58235</a>)</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Crochets d&rsquo;actions et filtres modifiés</h3>\n\n\n\n<ul>\n<li><code>rest_allowed_cors_headers</code> (<a href=\"https://core.trac.wordpress.org/ticket/57752\">#57752</a>) et <code>rest_exposed_cors_headers</code> (<a href=\"https://core.trac.wordpress.org/ticket/57752\">#57752</a>)</li>\n\n\n\n<li><code>edit_custom_thumbnail_sizes</code> a été déprécié et remplacé par <code>image_edit_thumbnails_separately</code> (<a href=\"https://core.trac.wordpress.org/ticket/57685\">#57685</a>)</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Fichiers dépréciés</h3>\n\n\n\n<ul>\n<li>Le fichier <code>wp-admin/media.php</code> a été déprécié. Les personnes visitant cette page seront redirigées sur la médiathèque, avec une notification (ticket <a href=\"https://core.trac.wordpress.org/ticket/57612\">#57612</a>).</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Mise à jour de bibliothèques externes</h3>\n\n\n\n<p>Les bibliothèques externes suivantes ont été mises à jour&nbsp;:</p>\n\n\n\n<ul>\n<li><code>PHPMailer</code> vers la version 6.8.0 (<a href=\"https://core.trac.wordpress.org/ticket/57873\">#57873</a>)</li>\n\n\n\n<li><code>Requests library</code> vers la version 2.0.6 (<a href=\"https://core.trac.wordpress.org/ticket/58079\">#58079</a>)</li>\n\n\n\n<li><code>jQuery</code> vers la version 3.7.0 (<a href=\"https://core.trac.wordpress.org/ticket/58083\">#58083</a>)</li>\n\n\n\n<li><code>Sodium Compat</code> vers la version 1.20.0 (<a href=\"https://core.trac.wordpress.org/ticket/58224\">#58224</a>)</li>\n\n\n\n<li><code>jQuery Migrate</code> vers la version 3.4.1 (<a href=\"https://core.trac.wordpress.org/ticket/58451\">#58451</a>)</li>\n\n\n\n<li><code>npm</code> vers la dernière version disponible (<a href=\"https://core.trac.wordpress.org/ticket/58623\">#58623</a>)</li>\n</ul>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a rel=\"noreferrer noopener\" href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec <a href=\"https://wordpress.org/news/2023/07/wordpress-6-3-release-candidate-1/\">WordPress 6.3&nbsp;Release Candidate&nbsp;1</a>.&nbsp;Nous comptons sur vous pour vérifier que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p class=\"has-text-color has-background has-link-color wp-elements-a06990637d92bf8571342f708e11d9bd\" style=\"color:#feffff;background-color:#0f29a9\">Ce guide a été traduit puis adapté à partir du <a href=\"https://make.wordpress.org/core/2023/07/18/wordpress-6-3-field-guide/\"><em>Field Guide</em> de WP 6.3</a> par <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>.<br>Merci à <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a> pour sa relecture attentive.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2023/07/18/guide-des-changements-techniques-de-wordpress-6-3/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"WordPress 6.2 « Dolphy »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://fr.wordpress.org/2023/03/30/wordpress-6-2-dolphy/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"https://fr.wordpress.org/2023/03/30/wordpress-6-2-dolphy/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 30 Mar 2023 08:32:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2659\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:401:\"Surnommée «&#160;Dolphy&#160;» en l&#8217;honneur du jazzman américain Eric Allan Dolphy Jr, WordPress&#160;6.2 est la première version majeure de 2023, et contient plus de 900 améliorations et corrections de bugs. Cette version marque une transition dans la feuille de route générale du projet open-source WordPress, car la focalisation va désormais passer de l’éditeur et de la [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:64876:\"\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/03/dolphy.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https://fr.wordpress.org/files/2023/03/dolphy-1024x683.png\" alt=\"\" class=\"wp-image-2721\" srcset=\"https://fr.wordpress.org/files/2023/03/dolphy-1024x683.png 1024w, https://fr.wordpress.org/files/2023/03/dolphy-300x200.png 300w, https://fr.wordpress.org/files/2023/03/dolphy-768x512.png 768w, https://fr.wordpress.org/files/2023/03/dolphy.png 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Surnommée «&nbsp;Dolphy&nbsp;» en l&rsquo;honneur du jazzman américain Eric Allan Dolphy Jr,  WordPress&nbsp;6.2 est la première version majeure de 2023, et contient plus de 900 améliorations et corrections de bugs. Cette version marque une transition dans la feuille de route générale du projet open-source WordPress, car la focalisation va désormais passer de l’éditeur et de la personnalisation de sites à l&rsquo;exploration des flux de travail et de la collaboration.</p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-site-editor.png);background-position:25% 48%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-site-editor.png\" alt=\"\" class=\"wp-image-2662 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-site-editor.png 872w, https://fr.wordpress.org/files/2023/03/about-site-editor-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-site-editor-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-site-editor-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Explorez et modifiez tout votre site à partir de l’éditeur</h3>\n\n\n\n<p>L’interface de l&rsquo;édition de site a été revue afin de vous donner plus de contrôle sur l’expérience d’édition de votre site. Vous trouverez une prévisualisation complète de vos modèles et éléments de modèles, et pourrez passer à l’éditeur de site depuis n’importe quel écran.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-navigation.png);background-position:25% 47%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-navigation.png\" alt=\"\" class=\"wp-image-2663 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-navigation.png 872w, https://fr.wordpress.org/files/2023/03/about-navigation-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-navigation-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-navigation-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Améliorations du bloc de navigation</h3>\n\n\n\n<p>La nouvelle colonne latérale de réglages facilite la modification de la navigation de votre site. Ajoutez, supprimez et réordonnez vos éléments de menus plus rapidement, peu importe la complexité de vos menus.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-block-inserter.png);background-position:33% 52%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-block-inserter.png\" alt=\"\" class=\"wp-image-2664 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-block-inserter.png 872w, https://fr.wordpress.org/files/2023/03/about-block-inserter-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-block-inserter-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-block-inserter-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Une expérience plus fluide pour l’outil d’insertion de blocs</h3>\n\n\n\n<p>L’onglet «&nbsp;média&nbsp;» permet de glisser et déposer du contenu depuis votre médiathèque rapidement. La vue partagée facilite la navigation parmi les catégories et la prévisualisation des compositions.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png);background-position:24% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png\" alt=\"\" class=\"wp-image-2665 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png 872w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Une meilleure interface pour les réglages des blocs</h3>\n\n\n\n<p>La colonne latérale de réglages de vos blocs est mieux organisée, avec des onglets pour les réglages et pour les styles. Les outils dont vous avez besoin sont identifiables et facile d’accès.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-headers.png);background-position:20% 46%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-headers.png\" alt=\"\" class=\"wp-image-2666 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-headers.png 872w, https://fr.wordpress.org/files/2023/03/about-headers-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-headers-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-headers-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Des en-têtes et des pieds de page prêts à l&#8217;emploi</h3>\n\n\n\n<p>Découvrez une nouvelle collection de compositions d’en-têtes et de pieds de page. Utilisez-les avec n’importe quel thème basé sur des blocs pour en faire un point de départ rapide et de qualité pour les modèles de pages de votre site.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-openverse.png);background-position:27% 48%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-openverse.png\" alt=\"\" class=\"wp-image-2667 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-openverse.png 872w, https://fr.wordpress.org/files/2023/03/about-openverse-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-openverse-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-openverse-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Explorez les médias Openverse directement depuis l’éditeur</h3>\n\n\n\n<p>La bibliothèque d’Openverse répertorie plus de 600 millions d’images et de fichiers audio gratuits sous licence ouverte, et elle est désormais directement intégrée à l’éditeur.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-distraction-free.png);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-distraction-free.png\" alt=\"\" class=\"wp-image-2668 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-distraction-free.png 872w, https://fr.wordpress.org/files/2023/03/about-distraction-free-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-distraction-free-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-distraction-free-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Un nouveau mode sans distraction</h3>\n\n\n\n<p>De temps en temps, il est bon de pouvoir se concentrer sur son travail. Vous pouvez maintenant masquer tous les panneaux et réglages pour vous concentrer sur l’écriture de votre contenu.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-out-of-beta.png);background-position:44% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-out-of-beta.png\" alt=\"\" class=\"wp-image-2670 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-out-of-beta.png 872w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">L’éditeur de site n’est officiellement plus en version bêta&nbsp;!</h3>\n\n\n\n<p>La version 6.2 est une invitation à découvrir le potentiel de la prochaine génération de thèmes WordPress.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Un nouveau guide de styles à votre disposition</h3>\n\n\n\n<p>Utilisez le guide de style pour obtenir une vue d’ensemble de l’apparence de chaque bloc de votre site. Tout vos blocs sont affichés en un seul endroit, accessible en un clin d’œil.</p>\n</div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-style-book.png\" alt=\"\" class=\"wp-image-2671 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-style-book.png 560w, https://fr.wordpress.org/files/2023/03/about-style-book-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-style-book-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Copier / coller les styles en un clin d’œil</h3>\n\n\n\n<p>Travaillez votre design sur un type de bloc, puis copiez et collez ces styles sur d’autres blocs pour obtenir exactement l’aspect que vous souhaitez.</p>\n</div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-copy-paste.png\" alt=\"\" class=\"wp-image-2672 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-copy-paste.png 560w, https://fr.wordpress.org/files/2023/03/about-copy-paste-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-copy-paste-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">CSS personnalisé</h3>\n\n\n\n<p>Améliorez votre site à votre guise en ajoutant votre propre CSS sur votre site ou sur vos blocs, pour un niveau de contrôle encore plus important sur l’apparence de votre site.</p>\n</div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-custom-css.png\" alt=\"\" class=\"wp-image-2673 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-custom-css.png 560w, https://fr.wordpress.org/files/2023/03/about-custom-css-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-custom-css-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Positionnement épinglé</h3>\n\n\n\n<p>Maintenez certains blocs important en haut de page lorsque les internautes la font défiler.</p>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Importation des widgets</h3>\n\n\n\n<p>Options pour importer vos widgets préférés depuis les thèmes classiques vers les thèmes basés sur des blocs.</p>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Polices embarquées depuis les thèmes</h3>\n\n\n\n<p>Les thèmes par défaut proposés par WordPress offrent un meilleur respect des données personnelles en embarquant les polices Google en local.</p>\n\n\n\n<h3 class=\"wp-block-heading\">En savoir plus sur WordPress 6.2</h3>\n\n\n\n<p>Visitez&nbsp;<a href=\"https://learn.wordpress.org/\">learn.wordpress.org</a>&nbsp;pour des tutoriels vidéos, des ateliers en ligne, des cours et des plans de cours pour les personnes organisant des évènements, et pour des contenus présentant les nouvelles fonctionnalités de WordPress.</p>\n\n\n\n<p>Consultez notre&nbsp;<a href=\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/\">guide des changements techniques introduits par WordPress 6.2</a>. Il contient toutes les notes techniques que vous devez connaître si vous développez sur WordPress.</p>\n\n\n\n<p><a href=\"https://wordpress.org/support/wordpress-version/version-6-2/\">Lire les notes de développement de WordPress 6.2 (en anglais)</a>&nbsp;pour obtenir plus d’informations sur les améliorations proposées et les anomalies corrigées, les informations d’installation, les notes et ressources à destination des développeuses et des développeurs, connaître les personnes ayant contribué à cette version et pour obtenir la liste des fichiers modifiés.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WP 6.2</h2>\n\n\n\n<p>Voici l’équipe qui a coordonné le développement et la sortie cette nouvelle version de WordPress&nbsp;:</p>\n\n\n\n<ul>\n<li>Direction générale&nbsp;: <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a></li>\n\n\n\n<li>Coordination de la version&nbsp;: <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>, <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a></li>\n\n\n\n<li>Direction technique du cœur WP&nbsp;: <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a></li>\n\n\n\n<li>Direction technique Gutenberg&nbsp;: <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a></li>\n\n\n\n<li>Gestion de projet côté cœur WP : <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>, <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a></li>\n\n\n\n<li>Gestion de projet côté Gutenberg&nbsp;: <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>, <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a></li>\n\n\n\n<li>Responsable du design&nbsp;: <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a></li>\n\n\n\n<li>Coordination de la documentation&nbsp;: <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseet</a>, <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a>, <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a></li>\n\n\n\n<li>Coordination de la communication&nbsp;: <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a>, <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a>, <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a></li>\n\n\n\n<li>Coordination des tests&nbsp;: <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a>, <a href=\"https://profiles.wordpress.org/adeltahri/\">Adel Tahri</a></li>\n\n\n\n<li>Responsable de l&rsquo;optimisation des performances&nbsp;: <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Merci aux contributeurs et contributrices</h2>\n\n\n\n<p>WordPress 6.2 n&rsquo;aurait pas pu sortir sans la contribution passionnée de plus de 600 personnes provenant d&rsquo;au moins 50 pays différents. Un remerciement tout spécial pour les 178 personnes qui ont contribué au cœur de WordPress pour la première fois avec WP&nbsp;6.2 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> </p>\n\n\n\n<p>Les personnes listées ci-dessous démontrent la vitalité et le dynamisme de notre belle communauté open-source, merci à elles&nbsp;!</p>\n\n\n\n<p style=\"font-size:12px\"><a href=\"https://profiles.wordpress.org/10upsimon/\">10upsimon</a> · <a href=\"https://profiles.wordpress.org/254volkan/\">254volkan</a> · <a href=\"https://profiles.wordpress.org/mercime/\">@mercime</a> · <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a> · <a href=\"https://profiles.wordpress.org/aeg0125/\">Aaron Graham</a> · <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/abidhasan112/\">Abid Hasan</a> · <a href=\"https://profiles.wordpress.org/abitofmind/\">abitofmind</a> · <a href=\"https://profiles.wordpress.org/abtop/\">ABTOP</a> · <a href=\"https://profiles.wordpress.org/ace100/\">ace100</a> · <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/admwgn/\">Adam Wiltgen</a> · <a href=\"https://profiles.wordpress.org/adeltahri/\">Adel Tahri</a> · <a href=\"https://profiles.wordpress.org/adhun/\">Adhun Anand</a> · <a href=\"https://profiles.wordpress.org/adityaarora010196/\">adityaarora010196</a> · <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a> · <a href=\"https://profiles.wordpress.org/afshanadiya/\">Afshana Diya</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> · <a href=\"https://profiles.wordpress.org/ajmaurya/\">Ajay Maurya</a> · <a href=\"https://profiles.wordpress.org/ajayver/\">ajayver</a> · <a href=\"https://profiles.wordpress.org/seakashdiu/\">Akash Mia</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alanjacobmathew/\">Alan Jacob Mathew</a> · <a href=\"https://profiles.wordpress.org/albarin/\">albarin</a> · <a href=\"https://profiles.wordpress.org/alberuni-azad/\">Alberuni Azad.</a> · <a href=\"https://profiles.wordpress.org/alecgeatches/\">alecgeatches</a> · <a href=\"https://profiles.wordpress.org/aleksganev/\">Aleks Ganev</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">Alex Stine</a> · <a href=\"https://profiles.wordpress.org/alvastar/\">alvastar</a> · <a href=\"https://profiles.wordpress.org/alvitazwar052/\">Alvi Tazwar</a> · <a href=\"https://profiles.wordpress.org/amin7/\">amin</a> · <a href=\"https://profiles.wordpress.org/amirrezatm/\">amirrezatm</a> · <a href=\"https://profiles.wordpress.org/amitbarai013/\">Amit Barai Alit</a> · <a href=\"https://profiles.wordpress.org/paulamit/\">Amit Paul</a> · <a href=\"https://profiles.wordpress.org/anantajitjg/\">Anantajit JG</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/andreaboe/\">andreaboe</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/apmatthe/\">Andrew Matthews</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey “Rarst” Savchenko</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/apeatling/\">Andy Peatling</a> · <a href=\"https://profiles.wordpress.org/aniketpatel/\">Aniket Patel</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/ankitmaru/\">Ankit Panchal</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/ahortin/\">Anthony Hortin</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/antonyagrios/\">Antony Agrios</a> · <a href=\"https://profiles.wordpress.org/aparnajl/\">Aparna Adhun</a> · <a href=\"https://profiles.wordpress.org/arrasel403/\">AR Rasel</a> · <a href=\"https://profiles.wordpress.org/arafatjamil01/\">Arafat Jamil</a> · <a href=\"https://profiles.wordpress.org/aravindajith/\">Aravind Ajith</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/arnolp/\">arnolp</a> · <a href=\"https://profiles.wordpress.org/artemiosans/\">Artemio Morales</a> · <a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a> · <a href=\"https://profiles.wordpress.org/artz91/\">ArtZ91</a> · <a href=\"https://profiles.wordpress.org/aryamaaru/\">Arun</a> · <a href=\"https://profiles.wordpress.org/mrasharirfan/\">Ashar Irfan</a> · <a href=\"https://profiles.wordpress.org/ashrafulsarkar/\">Ashraful Sarkar Naiem</a> · <a href=\"https://profiles.wordpress.org/nmutua/\">Autumn</a> · <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a> · <a href=\"https://profiles.wordpress.org/azurseisme/\">azurseisme</a> · <a href=\"https://profiles.wordpress.org/barryceelen/\">Barry Ceelen</a> · <a href=\"https://profiles.wordpress.org/bart/\">Bart</a> · <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a> · <a href=\"https://profiles.wordpress.org/bedas/\">Beda</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/benish74/\">benish74</a> · <a href=\"https://profiles.wordpress.org/benjgrolleau/\">Benjamin Grolleau</a> · <a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a> · <a href=\"https://profiles.wordpress.org/kau-boy/\">Bernhard Kau</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a> · <a href=\"https://profiles.wordpress.org/mxbclang/\">Bethany Chobanian Lang</a> · <a href=\"https://profiles.wordpress.org/bgin/\">bgin</a> · <a href=\"https://profiles.wordpress.org/albatross10/\">Bhavik Kalpesh</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a>&nbsp;· <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> ·&nbsp;<a href=\"https://profiles.wordpress.org/bjorn2404/\">bjorn2404</a> · <a href=\"https://profiles.wordpress.org/bogdanungureanu/\">BogdanUngureanu</a> · <a href=\"https://profiles.wordpress.org/bonjour52/\">bonjour52</a> · <a href=\"https://profiles.wordpress.org/bookwyrm/\">bookwyrm</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a> · <a href=\"https://profiles.wordpress.org/bradyvercher/\">Brady Vercher</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/bgoewert/\">Brennan Goewert</a> · <a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a> · <a href=\"https://profiles.wordpress.org/bronsonquick/\">bronsonquick</a> · <a href=\"https://profiles.wordpress.org/brookemk/\">Brooke Kaminski</a> · <a href=\"https://profiles.wordpress.org/brookedot/\">Brooke.</a> · <a href=\"https://profiles.wordpress.org/buutqn/\">buutqn</a> · <a href=\"https://profiles.wordpress.org/cameronjonesweb/\">Cameron Jones</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos Garcia Prim</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/mcaskill/\">Chauncey McAskill</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/chiragrathod103/\">Chirag Rathod</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chocofc1/\">chocofc1</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/chrisbaltazar/\">chrisbaltazar</a> · <a href=\"https://profiles.wordpress.org/apermo/\">Christoph Daum</a> · <a href=\"https://profiles.wordpress.org/chrystl/\">Chrystl</a> · <a href=\"https://profiles.wordpress.org/ckanderson22/\">ckanderson22</a> · <a href=\"https://profiles.wordpress.org/claytoncollie/\">Clayton Collie</a> · <a href=\"https://profiles.wordpress.org/cnspecialcolor/\">cnspecialcolor</a> · <a href=\"https://profiles.wordpress.org/codesdnc/\">codesdnc</a> · <a href=\"https://profiles.wordpress.org/codingchicken/\">Coding Chicken</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/conner_bw/\">conner_bw</a> · <a href=\"https://profiles.wordpress.org/copons/\">Copons</a> · <a href=\"https://profiles.wordpress.org/corentingautier/\">corentingautier</a> · <a href=\"https://profiles.wordpress.org/coreyw/\">Corey Worrell</a> · <a href=\"https://profiles.wordpress.org/cbirdsong/\">Cory Birdsong</a> · <a href=\"https://profiles.wordpress.org/craigfrancis/\">Craig Francis</a> · <a href=\"https://profiles.wordpress.org/craiglpeters/\">craiglpeters</a> · <a href=\"https://profiles.wordpress.org/geisthanen/\">Creative Andrew</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a> · <a href=\"https://profiles.wordpress.org/dperonne/\">D.PERONNE</a> · <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a> · <a href=\"https://profiles.wordpress.org/dalirajab/\">dali-rajab</a> · <a href=\"https://profiles.wordpress.org/dalleyne/\">Damien Alleyne</a> · <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/wirecat/\">Daniel Johnson</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/datagutten/\">datagutten</a> · <a href=\"https://profiles.wordpress.org/davilera/\">David Aguilera</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/davefx/\">David Marín Carreño</a> · <a href=\"https://profiles.wordpress.org/dshanske/\">David Shanske</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a> · <a href=\"https://profiles.wordpress.org/davidvongries/\">David Vongries</a> · <a href=\"https://profiles.wordpress.org/dsas/\">Dean Sas</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/derekblank/\">derekblank</a> · <a href=\"https://profiles.wordpress.org/devanshijoshi/\">devanshijoshi</a> · <a href=\"https://profiles.wordpress.org/dhusakovic/\">dhusakovic</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/doctorlai/\">doctorlai</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donncha/\">Donncha</a> · <a href=\"https://profiles.wordpress.org/drzraf/\">drzraf</a> · <a href=\"https://profiles.wordpress.org/d-signed/\">DSIGNED</a> · <a href=\"https://profiles.wordpress.org/dustinrue/\">dustinrue</a> · <a href=\"https://profiles.wordpress.org/chopinbach/\">Edwin Cromley</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van&nbsp;Durpe</a> · <a href=\"https://profiles.wordpress.org/emanuelx/\">emanuelx</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/enej/\">Enej Bajgorić</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/ericlewis/\">Eric Andrew Lewis</a> · <a href=\"https://profiles.wordpress.org/edanzer/\">Erick Danzer</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/esratpopy/\">Esrat Sultana Popy</a> · <a href=\"https://profiles.wordpress.org/manuilov/\">Eugene M</a> · <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/fosuahmed/\">Faisal Ahmed</a> · <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a> · <a href=\"https://profiles.wordpress.org/fasuto/\">fasuto</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/felipelavinz/\">Felipe Lavín</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/mista-flo/\">Florian TIAR</a> · <a href=\"https://profiles.wordpress.org/fpodhorsky/\">fpodhorsky</a> · <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco</a> · <a href=\"https://profiles.wordpress.org/bueltge/\">Frank Bueltge</a> · <a href=\"https://profiles.wordpress.org/franz00/\">franzaurus</a> · <a href=\"https://profiles.wordpress.org/fuadragib/\">Fuad Ragib</a> · <a href=\"https://profiles.wordpress.org/galbaras/\">Gal Baras</a> · <a href=\"https://profiles.wordpress.org/gamecreature/\">gamecreature</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/soulseekah/\">Gennady Kovshenin</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a> · <a href=\"https://profiles.wordpress.org/gisgeo/\">gisgeo</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/grl570810/\">grl570810</a> · <a href=\"https://profiles.wordpress.org/gvgvgvijayan/\">gvgvgvijayan</a> · <a href=\"https://profiles.wordpress.org/hvar/\">H-var</a> · <a href=\"https://profiles.wordpress.org/hakre/\">hakre</a> · <a href=\"https://profiles.wordpress.org/hanshenrik/\">hanshenrik</a> · <a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh S</a> · <a href=\"https://profiles.wordpress.org/haritpanchal/\">Harit Panchal</a> · <a href=\"https://profiles.wordpress.org/hasanmisbah/\">Hasan Misbah</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/helgatheviking/\">HelgaTheViking</a> · <a href=\"https://profiles.wordpress.org/ehtmlu/\">Helmut Wandl</a> · <a href=\"https://profiles.wordpress.org/luehrsen/\">Hendrik Luehrsen</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hiren1094/\">hiren sanja</a> · <a href=\"https://profiles.wordpress.org/patelhitesh/\">Hitesh Patel</a> · <a href=\"https://profiles.wordpress.org/hughiemolloy/\">hughie.molloy</a> · <a href=\"https://profiles.wordpress.org/hugodevos/\">hugodevos</a> · <a href=\"https://profiles.wordpress.org/hztyfoon/\">hztyfoon</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/polevaultweb/\">Iain Poulson</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/iazel/\">Iazel</a> · <a href=\"https://profiles.wordpress.org/ignatggeorgiev/\">Ignat Georgiev</a> · <a href=\"https://profiles.wordpress.org/imanish003/\">imanish003</a> · <a href=\"https://profiles.wordpress.org/ingeniumed/\">ingeniumed</a> · <a href=\"https://profiles.wordpress.org/innovext/\">Innovext</a> · <a href=\"https://profiles.wordpress.org/inwerpsel/\">inwerpsel</a> · <a href=\"https://profiles.wordpress.org/iqbalrony/\">iqbalrony</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">ironprogrammer</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/itpathsolutions/\">IT Path Solutions</a> · <a href=\"https://profiles.wordpress.org/ivanjeronimo/\">ivanjeronimo</a> · <a href=\"https://profiles.wordpress.org/jhoffmann/\">j.hoffmann</a> · <a href=\"https://profiles.wordpress.org/jackreichert/\">Jack Reichert</a> · <a href=\"https://profiles.wordpress.org/jaedm97/\">Jaed Mosharraf</a> · <a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a> · <a href=\"https://profiles.wordpress.org/outrankjames/\">James</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/james-roberts/\">James Roberts</a> · <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a> · <a href=\"https://profiles.wordpress.org/janusdev/\">janusdev</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">Jarda Snajdr</a> · <a href=\"https://profiles.wordpress.org/ipajen/\">Jarko Piironen</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/carazo/\">Javier Carazo</a> · <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a> · <a href=\"https://profiles.wordpress.org/jchambo/\">jchambo</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jeanphilippegreen/\">Jean-Philippe Green</a> · <a href=\"https://profiles.wordpress.org/jeawhanlee/\">jeawhanlee</a> · <a href=\"https://profiles.wordpress.org/jeffmatson/\">Jeff Matson</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a> · <a href=\"https://profiles.wordpress.org/jmdodd/\">Jennifer M. Dodd</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/lobeless14/\">Jeremy Lind</a> · <a href=\"https://profiles.wordpress.org/jeryj/\">jeryj</a> · <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a> · <a href=\"https://profiles.wordpress.org/jhned/\">jhned</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jipmoors/\">Jip Moors</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joelmadigan/\">joelmadigan</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnwatkins0/\">John Watkins</a> · <a href=\"https://profiles.wordpress.org/jokerrs/\">Jokerrs</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a> · <a href=\"https://profiles.wordpress.org/jongycastillo/\">Jong</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/jornp/\">jornp</a> · <a href=\"https://profiles.wordpress.org/dunhakdis/\">Joseph G.</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a> · <a href=\"https://profiles.wordpress.org/joshuatf/\">joshuatf</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jsh4/\">jsh4</a> · <a href=\"https://profiles.wordpress.org/juanfra/\">Juan Aldasoro</a> · <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a> · <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/juliobox/\">Julio Potier</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a> · <a href=\"https://profiles.wordpress.org/welenofsky/\">Justin Welenofsky</a> · <a href=\"https://profiles.wordpress.org/justlevine/\">justlevine</a> · <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a> · <a href=\"https://profiles.wordpress.org/kacper3355/\">kacper3355</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/kaneva/\">kaneva</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/zoonini/\">Kathryn P.</a> · <a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a> · <a href=\"https://profiles.wordpress.org/kbat82/\">Kevin Batdorf</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a> · <a href=\"https://profiles.wordpress.org/konyoldeath/\">konyoldeath</a> · <a href=\"https://profiles.wordpress.org/kowsar89/\">Kowsar Hossain</a> · <a href=\"https://profiles.wordpress.org/krunal265/\">Krunal Bhimajiyani</a> · <a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a> · <a href=\"https://profiles.wordpress.org/kmadhak/\">Kunal Madhak</a> · <a href=\"https://profiles.wordpress.org/lanacodes/\">Lana Codes</a> · <a href=\"https://profiles.wordpress.org/larsmqller/\">larsmqller</a> · <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/lenasterg/\">Lena Stergatou</a> · <a href=\"https://profiles.wordpress.org/leonidasmilossis/\">Leo Milo</a> · <a href=\"https://profiles.wordpress.org/lifeboat/\">lifeboat</a> · <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a> · <a href=\"https://profiles.wordpress.org/lkraav/\">lkraav</a> · <a href=\"https://profiles.wordpress.org/webaxones/\">Loïc Antignac</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/dreadlox/\">Lox</a> · <a href=\"https://profiles.wordpress.org/lozula/\">lozula</a> · <a href=\"https://profiles.wordpress.org/lucius0101/\">lucius0101</a> · <a href=\"https://profiles.wordpress.org/lucymtc/\">Lucy Tomas</a> · <a href=\"https://profiles.wordpress.org/gigitux/\">Luigi</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/pyrobd/\">Lukman Nakib</a> · <a href=\"https://profiles.wordpress.org/pagelab/\">Márcio Duarte</a> · <a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/mahbubshovan/\">Mahbub Shovan</a> · <a href=\"https://profiles.wordpress.org/mahekkalola/\">Mahek Kalola</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/manojkpatil/\">Manoj Patil</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/marekdedic/\">Marek Dědič</a> · <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/santosguillamot/\">Mario Santos</a> · <a href=\"https://profiles.wordpress.org/marissamakes/\">Marissa Matthews</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/markoserb/\">Marko Ivanovic</a> · <a href=\"https://profiles.wordpress.org/marksabbath/\">marksabbath</a> · <a href=\"https://profiles.wordpress.org/flootr/\">Markus</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/matclayton/\">matclayton</a> · <a href=\"https://profiles.wordpress.org/wetah/\">Mateus Machado Luna</a> · <a href=\"https://profiles.wordpress.org/paapst/\">Mathieu Paapst</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">matiasbenedetto</a> · <a href=\"https://profiles.wordpress.org/mattkeys/\">Matt Keys</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/matthiasreinholz/\">Matthias Reinholz</a> · <a href=\"https://profiles.wordpress.org/h4l9k/\">Mauricio</a> · <a href=\"https://profiles.wordpress.org/wppunk/\">Max</a> · <a href=\"https://profiles.wordpress.org/cadic/\">Max Lyuchin</a> · <a href=\"https://profiles.wordpress.org/maximej/\">Maxime J.</a> · <a href=\"https://profiles.wordpress.org/jamilbd07/\">MD Jamil Uddin</a> · <a href=\"https://profiles.wordpress.org/kawserz/\">Md Kawser Ahmed Khan Jami</a> · <a href=\"https://profiles.wordpress.org/rakibwordpress/\">Md Rakib Hossain</a> · <a href=\"https://profiles.wordpress.org/abirhasandipu/\">Md. Abir Hasan Dipu</a> · <a href=\"https://profiles.wordpress.org/reduanmasud/\">Md. Reduan Masud</a> · <a href=\"https://profiles.wordpress.org/mdviralsampat/\">mdviralsampat</a> · <a href=\"https://profiles.wordpress.org/mehulkaklotar/\">Mehul Kaklotar</a> · <a href=\"https://profiles.wordpress.org/mensmaximus/\">mensmaximus</a> · <a href=\"https://profiles.wordpress.org/meyegui/\">meyerdev.ch</a> · <a href=\"https://profiles.wordpress.org/mgol/\">mgol</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/michael-kelly/\">Michael Kelly</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/michelmany/\">Michel Many</a> · <a href=\"https://profiles.wordpress.org/miguelaxcar/\">Miguel Axcar</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mmtr86/\">Miguel Torres</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/mikestraw/\">Mike Straw</a> · <a href=\"https://profiles.wordpress.org/dimadin/\">Milan Dinić</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/mitchellaustin/\">mitchellaustin</a> · <a href=\"https://profiles.wordpress.org/presents111/\">miya</a> · <a href=\"https://profiles.wordpress.org/monzuralam/\">Monzur Alam</a> · <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a> · <a href=\"https://profiles.wordpress.org/mrwweb/\">mrwweb</a> · <a href=\"https://profiles.wordpress.org/mtias/\">mtias</a> · <a href=\"https://profiles.wordpress.org/mujuonly/\">mujuonly</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/faguni22/\">Mumtahina Faguni</a> · <a href=\"https://profiles.wordpress.org/tanjimtc71/\">Musarrat Anjum Chowdhury</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/mw108/\">mw108</a> · <a href=\"https://profiles.wordpress.org/naeemhaque/\">Naeem Haque</a> · <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a> · <a href=\"https://profiles.wordpress.org/nathanatmoz/\">Nathan Johnson</a> · <a href=\"https://profiles.wordpress.org/nazmulhasan103/\">Nazmul Hasan</a> · <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a> · <a href=\"https://profiles.wordpress.org/neychok/\">Neycho Kalaydzhiev</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/nicholaswilson/\">nicholaswilson</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/nick_thegeek/\">Nick the Geek</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/nielslange/\">Niels Lange</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/itsnikhilpatel/\">NikhilPatel</a> · <a href=\"https://profiles.wordpress.org/dhrupo/\">Niluthpal Purkayastha</a> · <a href=\"https://profiles.wordpress.org/dasnitesh780/\">Nitesh Das</a> · <a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a> · <a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a> · <a href=\"https://profiles.wordpress.org/rnitinb/\">Nitin Rathod</a> · <a href=\"https://profiles.wordpress.org/nitman43/\">nitman43</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/nuvopoint/\">nuvoPoint</a> · <a href=\"https://profiles.wordpress.org/oakesjosh/\">oakesjosh</a> · <a href=\"https://profiles.wordpress.org/obayedmamur/\">Obayed Mamur</a> · <a href=\"https://profiles.wordpress.org/ockham/\">ockham</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/oh_hello/\">oh_hello</a> · <a href=\"https://profiles.wordpress.org/hideokamoto/\">Okamoto Hidetaka</a> · <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a> · <a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a> · <a href=\"https://profiles.wordpress.org/alshakero/\">Omar Alshaker</a> · <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a> · <a href=\"https://profiles.wordpress.org/pablohoney/\">PabloHoney</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a> · <a href=\"https://profiles.wordpress.org/paulschreiber/\">Paul Schreiber</a> · <a href=\"https://profiles.wordpress.org/pavelevap/\">pavelevap</a> · <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/pputzer/\">pepe</a> · <a href=\"https://profiles.wordpress.org/petaryoast/\">Petar Ratković</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/phil-webster/\">Phil Webster</a> · <a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a> · <a href=\"https://profiles.wordpress.org/iapial/\">Pial</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/knowingart_com/\">PJ Brunet</a> · <a href=\"https://profiles.wordpress.org/pkolenbr/\">pkolenbr</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/pravinparmar2404/\">Pravin Parmar</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/ptahdunbar/\">Ptah Dunbar</a> · <a href=\"https://profiles.wordpress.org/pypwalters/\">pypwalters</a> · <a href=\"https://profiles.wordpress.org/raduiason/\">raduiason</a> · <a href=\"https://profiles.wordpress.org/initsogar/\">Rafael Agostini</a> · <a href=\"https://profiles.wordpress.org/rafinkhan/\">Rafin</a> · <a href=\"https://profiles.wordpress.org/rajanpanchal2028/\">Rajan Panchal</a> · <a href=\"https://profiles.wordpress.org/rajeshraval786/\">Rajesh Raval</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/ramon-fincken/\">ramon fincken</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/razthee007/\">Razthee Md. Yakini</a> · <a href=\"https://profiles.wordpress.org/renatoagds/\">Renato Augusto Gama dos Santos</a> · <a href=\"https://profiles.wordpress.org/rezakhan995/\">Reza Khan</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/riccardodicurti/\">Riccardo Di Curti</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/rinkychowdhury9/\">Rinky Chowdhury</a> · <a href=\"https://profiles.wordpress.org/ritteshpatel/\">Ritesh Patel</a> · <a href=\"https://profiles.wordpress.org/rjasdfiii/\">rjasdfiii</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a> · <a href=\"https://profiles.wordpress.org/robin-labadie/\">Robin Labadie</a> · <a href=\"https://profiles.wordpress.org/rodage/\">rodage</a> · <a href=\"https://profiles.wordpress.org/rodricus/\">rodricus</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/digical/\">Ross Gile</a> · <a href=\"https://profiles.wordpress.org/roytanck/\">Roy Tanck</a> · <a href=\"https://profiles.wordpress.org/ruchirj/\">Ruchir Goswami</a> · <a href=\"https://profiles.wordpress.org/re_enter_rupok/\">Rupok</a> · <a href=\"https://profiles.wordpress.org/rryyaanndd/\">Ryan</a> · <a href=\"https://profiles.wordpress.org/ryankienstra/\">Ryan Kienstra</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/looswebstudio/\">Ryo</a> · <a href=\"https://profiles.wordpress.org/sereedmedia/\">Sé Reed</a> · <a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a> · <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a> · <a href=\"https://profiles.wordpress.org/andy786/\">Sahil B.</a> · <a href=\"https://profiles.wordpress.org/stalukder03/\">Sajib Talukder</a> · <a href=\"https://profiles.wordpress.org/sakibmd/\">Sakib Mohammed</a> · <a href=\"https://profiles.wordpress.org/samful/\">Sam Fullalove</a> · <a href=\"https://profiles.wordpress.org/sam1el/\">sam1el</a> · <a href=\"https://profiles.wordpress.org/samiamnot/\">samiamnot</a> · <a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a> · <a href=\"https://profiles.wordpress.org/samruddhikhandale/\">samruddhikhandale</a> · <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a> · <a href=\"https://profiles.wordpress.org/sanjucta/\">sanjucta</a> · <a href=\"https://profiles.wordpress.org/sanketchodavadiya/\">Sanket Chodavadiya</a> · <a href=\"https://profiles.wordpress.org/sannevndrmeulen/\">Sanne van der Meulen</a> · <a href=\"https://profiles.wordpress.org/sapayth/\">sapayth</a> · <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a> · <a href=\"https://profiles.wordpress.org/sarathar/\">Sarath AR</a> · <a href=\"https://profiles.wordpress.org/saumil1611/\">Saumil Nerpagar</a> · <a href=\"https://profiles.wordpress.org/ira2910/\">Sazia Faizunnessa Ira</a> · <a href=\"https://profiles.wordpress.org/sc0ttkclark/\">Scott Kingsley Clark</a> · <a href=\"https://profiles.wordpress.org/countrymusicchicago/\">Scott Winterroth</a> · <a href=\"https://profiles.wordpress.org/hiyascout/\">Scout James</a> · <a href=\"https://profiles.wordpress.org/seanchayes/\">Sean Hayes</a> · <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a> · <a href=\"https://profiles.wordpress.org/seriouslysenpai/\">seriouslysenpai</a> · <a href=\"https://profiles.wordpress.org/wandering-aramean/\">Seth Miller</a> · <a href=\"https://profiles.wordpress.org/shahidul95/\">Shahidul Islam</a> · <a href=\"https://profiles.wordpress.org/shamayel007/\">Shamayel</a> · <a href=\"https://profiles.wordpress.org/shamimmiashuhagh/\">Shamim Mia</a> · <a href=\"https://profiles.wordpress.org/smeunus/\">Sharif Mohammad Eunus</a> · <a href=\"https://profiles.wordpress.org/shraboni/\">Shraboni</a> · <a href=\"https://profiles.wordpress.org/shubham1gupta/\">shubham1gupta</a> · <a href=\"https://profiles.wordpress.org/silicium23/\">Silicium</a> · <a href=\"https://profiles.wordpress.org/simongomes02/\">Simon Gomes</a> · <a href=\"https://profiles.wordpress.org/slieschke/\">Simon Lieschke</a> · <a href=\"https://profiles.wordpress.org/siobhan/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/calvinalkan/\">snicco.io</a> · <a href=\"https://profiles.wordpress.org/sruthi90/\">sruthi90</a> · <a href=\"https://profiles.wordpress.org/steelwagstaff/\">SteelWagstaff</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/stentibbing/\">stentibbing</a> · <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a> · <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a> · <a href=\"https://profiles.wordpress.org/stephym/\">Stephy Miehle</a> · <a href=\"https://profiles.wordpress.org/stephymiehle/\">stephymiehle</a> · <a href=\"https://profiles.wordpress.org/stevenkword/\">Steven Word</a> · <a href=\"https://profiles.wordpress.org/subrataemfluence/\">Subrata Sarkar</a> · <a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/sun/\">sun</a> · <a href=\"https://profiles.wordpress.org/sunyatasattva/\">sunyatasattva (a11n)</a> · <a href=\"https://profiles.wordpress.org/codemonksuvro/\">Suvro</a> · <a href=\"https://profiles.wordpress.org/syamraj24/\">syamraj24</a> · <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a> · <a href=\"https://profiles.wordpress.org/afrin29/\">Syeda Sanjida Afrin</a> · <a href=\"https://profiles.wordpress.org/syhc/\">syhc</a> · <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a> · <a href=\"https://profiles.wordpress.org/syntaxart/\">syntaxart</a> · <a href=\"https://profiles.wordpress.org/szaqal21/\">szaqal21</a> · <a href=\"https://profiles.wordpress.org/tahmidulkarim/\">Tahmid ul Karim</a> · <a href=\"https://profiles.wordpress.org/tahminar27/\">tahminar27</a> · <a href=\"https://profiles.wordpress.org/inc2734/\">Takashi Kitajima</a> · <a href=\"https://profiles.wordpress.org/tanazmasaba/\">Tanaz Masaba</a> · <a href=\"https://profiles.wordpress.org/devtanbir/\">Tanbir Ahmod</a> · <a href=\"https://profiles.wordpress.org/tanner-m/\">Tanner Moushey</a> · <a href=\"https://profiles.wordpress.org/rahmantasnia/\">Tasnia Rahman Raima</a> · <a href=\"https://profiles.wordpress.org/teebee/\">teebee</a> · <a href=\"https://profiles.wordpress.org/tekapo/\">tekapo</a> · <a href=\"https://profiles.wordpress.org/thedaysse/\">thedaysse</a> · <a href=\"https://profiles.wordpress.org/iamjaydip/\">thejaydip</a> · <a href=\"https://profiles.wordpress.org/theode/\">theode</a> · <a href=\"https://profiles.wordpress.org/griffinjt/\">Thomas Griffin</a> · <a href=\"https://profiles.wordpress.org/thomasplevy/\">Thomas Patrick Levy</a> · <a href=\"https://profiles.wordpress.org/thomask/\">thomask</a> · <a href=\"https://profiles.wordpress.org/timbroddin/\">timbroddin</a> · <a href=\"https://profiles.wordpress.org/sippis/\">Timi Wahalahti</a> · <a href=\"https://profiles.wordpress.org/spaceshipone/\">Timothée Brosille</a> · <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a> · <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a> · <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a> · <a href=\"https://profiles.wordpress.org/tjnowell/\">Tom J Nowell</a> · <a href=\"https://profiles.wordpress.org/dziudek/\">Tomasz Dziuda</a> · <a href=\"https://profiles.wordpress.org/skithund/\">Toni Viemerö</a> · <a href=\"https://profiles.wordpress.org/starbuck/\">Tony G</a> · <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a> · <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a> · <a href=\"https://profiles.wordpress.org/toru/\">Toru Miki</a> · <a href=\"https://profiles.wordpress.org/itowhid06/\">Towhidul I Chowdhury</a> · <a href=\"https://profiles.wordpress.org/travisaxton/\">travisaxton</a> · <a href=\"https://profiles.wordpress.org/triumvirate/\">triumvirate</a> · <a href=\"https://profiles.wordpress.org/dinhtungdu/\">Tung Du</a> · <a href=\"https://profiles.wordpress.org/umesh84/\">Umesh Gupta</a> · <a href=\"https://profiles.wordpress.org/upadalavipul/\">upadalavipul</a> · <a href=\"https://profiles.wordpress.org/eboxnet/\">Vagelis</a> · <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a> · <a href=\"https://profiles.wordpress.org/szepeviktor/\">Viktor Szépe</a> · <a href=\"https://profiles.wordpress.org/virgar/\">Virginie Garnier</a> · <a href=\"https://profiles.wordpress.org/elifvish/\">Vishal Kumar</a> · <a href=\"https://profiles.wordpress.org/vladytimy/\">Vlad T</a> · <a href=\"https://profiles.wordpress.org/vtad/\">vtad</a> · <a href=\"https://profiles.wordpress.org/vykesmac/\">vykesmac</a> · <a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a> · <a href=\"https://profiles.wordpress.org/webrocker/\">Webrocker</a> · <a href=\"https://profiles.wordpress.org/websitegenii/\">websitegenii</a> · <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a> · <a href=\"https://profiles.wordpress.org/whaze/\">whaze</a> · <a href=\"https://profiles.wordpress.org/winterpsv/\">winterpsv</a> · <a href=\"https://profiles.wordpress.org/wojsmol/\">wojsmol</a> · <a href=\"https://profiles.wordpress.org/wojtekn/\">Wojtek Naruniec</a> · <a href=\"https://profiles.wordpress.org/wojtekszkutnik/\">Wojtek Szkutnik</a> · <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a> · <a href=\"https://profiles.wordpress.org/yuliyan/\">Yuliyan Slavchev</a> · <a href=\"https://profiles.wordpress.org/zebaafiashama/\">Zeba Afia Shama</a> · <a href=\"https://profiles.wordpress.org/zenaulislam/\">Zenaul Islam</a> · <a href=\"https://profiles.wordpress.org/zevilz/\">zevilz</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a> · <a href=\"https://profiles.wordpress.org/chesio/\">Česlav Przywara</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Merci aux personnes ayant contribué à traduire WordPress&nbsp;6.2 en français</h3>\n\n\n\n<p>WordPress est un projet international et la version 6.2 est déjà complètement disponible dans plus de 70 langues différentes.</p>\n\n\n\n<p>Nous souhaitons remercier ici les personnes ayant participé à la traduction de WordPress 6.2 en français&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>,&nbsp;<a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>,&nbsp;<a href=\"https://profiles.wordpress.org/fxbenard\">FX Bénard</a>, <a href=\"https://profiles.wordpress.org/eddystile\">Eddy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/gaellebesson\">gaellebesson</a>, <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/webaxones\">Loïc Antignac</a>,&nbsp;<a href=\"https://profiles.wordpress.org/lulucmy\">lulucmy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oellin\">Magali</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>,&nbsp;<a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/maxpertici\">Maxime Pertici</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nandow\">nandow</a>,&nbsp;<a href=\"https://profiles.wordpress.org/petitphp\">petitphp</a>,&nbsp;<a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sebastienserre\">Sébastien SERRE</a>,&nbsp;<a href=\"https://profiles.wordpress.org/stephanepoisson\">Stéphane POISSON</a>,&nbsp;<a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virgar\">Virginie Garnier</a>,&nbsp;<a href=\"https://profiles.wordpress.org/whaze\">whaze</a>,&nbsp;<a href=\"https://profiles.wordpress.org/alexisgrolot\">WordPress Express</a>, et&nbsp;<a href=\"https://profiles.wordpress.org/wplmillet\">wplmillet</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://fr.wordpress.org/2023/03/30/wordpress-6-2-dolphy/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:76:\"\n		\n		\n					\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 10 Mar 2023 12:09:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2612\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:475:\"Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&#160;6.2, dont la sortie est prévue le 28 mars 2023. WordPress 6.2 corrige quelque 300 tickets Trac&#160;:&#160;110 sont des améliorations et nouvelles fonctionnalités,&#160;166 sont des corrections de bogues et&#160;20 sont d’autres tâches courantes. On retrouvera 28 améliorations de performances,&#160;15 améliorations d’accessibilité et&#160;18 améliorations de [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:40678:\"\n<p>Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&nbsp;6.2, dont la sortie est prévue le 28 mars 2023.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"591\" src=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-1024x591.png\" alt=\"\" class=\"wp-image-2614\" srcset=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-1024x591.png 1024w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-300x173.png 300w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-768x443.png 768w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1.png 1486w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>WordPress 6.2 corrige <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">quelque 300 tickets Trac</a>&nbsp;:&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">110 sont des améliorations et nouvelles fonctionnalités</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">166 sont des corrections de bogues</a> et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">20 sont d’autres tâches courantes</a>.</p>\n\n\n\n<p>On retrouvera <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">28 améliorations de performances</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">15 améliorations d’accessibilité</a> et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~coding-standards&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">18 améliorations de code</a> notamment dédiées à la prise en charge des versions les plus récentes de PHP.</p>\n\n\n\n<p>Du côté du projet Gutenberg, <a href=\"https://github.com/WordPress/gutenberg/commits/wp/6.2\">1645 pull requests</a> ont été fusionnées au cœur de WordPress&nbsp;: 292 améliorations, 354&nbsp;corrections de bogues et 30 améliorations concernant l’accessibilité de l’éditeur.</p>\n\n\n\n<p>Les modifications apportées par WP&nbsp;6.2 concernent 44&nbsp;composants du cœur WordPress. Vous trouverez dans cet article des précisions concernant les modifications les plus impactantes.</p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#14825a\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.2&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress&nbsp;6.2 lorsque cette version sortira le 28&nbsp;mars 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Themes\">Les polices Google Font sont maintenant incluses localement dans les thèmes natifs</h2>\n\n\n\n<p>Suite aux incertitudes juridiques liées à l’utilisation des polices <em>Google Fonts</em> directement chargées depuis les serveurs de Google, les thèmes natifs qui embarquaient auparavant directement des polices provenant des serveurs de Google ne le feront plus à partir de WordPress 6.2.</p>\n\n\n\n<p>Cela concerne les thèmes suivants&nbsp;:</p>\n\n\n\n<ul>\n<li><em>Twenty Twelve</em> à partir de sa version 3.9</li>\n\n\n\n<li><em>Twenty Thirteen</em> à partir de sa version 3.8</li>\n\n\n\n<li><em>Twenty Fourteen</em> à partir de sa version 3.6</li>\n\n\n\n<li><em>Twenty Fifteen</em> à partir de sa version 3.4</li>\n\n\n\n<li><em>Twenty Sixteen</em> à partir de sa version 2.9</li>\n\n\n\n<li><em>Twenty Seventeen</em> à partir de sa version 3.2</li>\n</ul>\n\n\n\n<p>Les autres thèmes natifs n&rsquo;utilisent pas directement de polices Google et ne sont donc pas concernés par cette modification.</p>\n\n\n\n<p>À partir de maintenant, chaque thème concerné va servir une nouvelle feuille de styles depuis son propre répertoire, au sein du domaine de votre site. Si le thème embarque plusieurs polices différentes, votre thème les embarquera en les plaçant dans une seule feuille de styles pour de meilleures performances.</p>\n\n\n\n<p>Voici par exemple la déclaration de feuille de styles de Twenty Thirteen&nbsp;:</p>\n\n\n<div class=\"wp-block-syntaxhighlighter-code \"><pre class=\"brush: css; title: ; notranslate\">\n&lt;link\n	rel=&quot;stylesheet&quot;\n	id=&quot;twentythirteen-fonts-css&quot;\n	href=&quot;https://example.com/wp-content/themes/twentythirteen/fonts/source-sans-pro-plus-bitter.css?ver=20230328&quot;\n	media=&quot;all&quot;\n/&gt;\n</pre></div>\n\n\n<p>Comme vous pouvez le voir, les polices sont maintenant directement embarquées depuis les thèmes natifs, afin d’éviter toute dépendance tierce.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\"><strong>Attention&nbsp;: si vous avez déjà modifié ou retiré l’appel <em>Google Fonts</em> via un thème enfant ou via une extension, il est recommandé de vérifier que ce changement n’affecte pas votre site.</strong></p>\n\n\n\n<p>Pour en savoir plus, consultez la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Y9fix8byS8\"><a href=\"https://make.wordpress.org/core/2023/03/06/google-fonts-are-included-locally-in-bundled-themes/\">Google Fonts are included locally in bundled themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Google Fonts are included locally in bundled themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/google-fonts-are-included-locally-in-bundled-themes/embed/#?secret=LQGDbnYuSO#?secret=Y9fix8byS8\" data-secret=\"Y9fix8byS8\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"blockeditor\">L’éditeur de blocs</h2>\n\n\n\n<p>WordPress 6.2 comprend 10 versions du projet Gutenberg –&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/30/whats-new-in-gutenberg-14-2-28-september/\">14.2</a>, <a href=\"https://make.wordpress.org/core/2022/10/13/whats-new-in-gutenberg-14-3-12-october/\">14.3</a>, <a href=\"https://make.wordpress.org/core/2022/10/27/whats-new-in-gutenberg-14-4-26-october/\">14.4</a>, <a href=\"https://make.wordpress.org/core/2022/11/09/whats-new-in-gutenberg-14-5-9-november/\">14.5</a>, <a href=\"https://make.wordpress.org/core/2022/11/23/whats-new-in-gutenberg-14-6-23-november/\">14.6</a>, <a href=\"https://make.wordpress.org/core/2022/12/09/whats-new-in-gutenberg-14-7-7-december/\">14.7</a>, <a href=\"https://make.wordpress.org/core/2022/12/22/whats-new-in-gutenberg-14-8-21-december/\">14.8</a>, <a href=\"https://make.wordpress.org/core/2023/01/04/whats-new-in-gutenberg-14-9-4-january/\">14.9</a>, <a href=\"https://make.wordpress.org/core/2023/01/20/whats-new-in-gutenberg-15-0-18-january/\">15.0</a> et <a href=\"https://make.wordpress.org/core/2023/02/10/whats-new-in-gutenberg-15-1-8-february/\">15.1</a>. 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&#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/shadows-in-global-styles-with-wordpress-6-2/embed/#?secret=jkJeKyBLSo#?secret=qZ291B2NN6\" data-secret=\"qZ291B2NN6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PWtKtg9YUw\"><a href=\"https://make.wordpress.org/core/2023/03/07/sticky-position-block-support/\">Sticky position block support</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Sticky position block support&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/sticky-position-block-support/embed/#?secret=AtzJ8mk5KI#?secret=PWtKtg9YUw\" data-secret=\"PWtKtg9YUw\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"U2DStPkdCp\"><a href=\"https://make.wordpress.org/core/2023/03/06/minimum-height-dimensions-block-support/\">Minimum height dimensions block support</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Minimum height dimensions block support&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/minimum-height-dimensions-block-support/embed/#?secret=uWwtmaDTGe#?secret=U2DStPkdCp\" data-secret=\"U2DStPkdCp\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"BUfnEQcoGS\"><a href=\"https://make.wordpress.org/core/2023/02/28/custom-settings-wordpress-6-2/\">Customize settings for any block in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Customize settings for any block in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/02/28/custom-settings-wordpress-6-2/embed/#?secret=i3GL0VbSTi#?secret=BUfnEQcoGS\" data-secret=\"BUfnEQcoGS\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"pwoOs2XiSD\"><a href=\"https://make.wordpress.org/core/2023/03/07/introduction-of-block-inspector-tabs/\">Introduction of Block Inspector Tabs</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introduction of Block Inspector Tabs&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/introduction-of-block-inspector-tabs/embed/#?secret=Kwhyyzdi8U#?secret=pwoOs2XiSD\" data-secret=\"pwoOs2XiSD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"xxeDIgaDji\"><a href=\"https://make.wordpress.org/core/2022/12/09/update-to-content-only-editing-filter-namespace/\">Update to content only editing filter namespace</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Update to content only editing filter namespace&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/12/09/update-to-content-only-editing-filter-namespace/embed/#?secret=Od8kWWwqTv#?secret=xxeDIgaDji\" data-secret=\"xxeDIgaDji\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"8kFEsRew5m\"><a href=\"https://make.wordpress.org/core/2023/03/06/add-new-prop-to-serversiderender-component/\">Add new prop to ServerSideRender component</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Add new prop to ServerSideRender component&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/add-new-prop-to-serversiderender-component/embed/#?secret=SCVQjiLIpb#?secret=8kFEsRew5m\" data-secret=\"8kFEsRew5m\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"09NBil83hn\"><a href=\"https://make.wordpress.org/core/2023/03/03/editor-components-updates-in-wordpress-6-2/\">Editor Components updates in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Editor Components updates in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/03/editor-components-updates-in-wordpress-6-2/embed/#?secret=oQ4gEUSTac#?secret=09NBil83hn\" data-secret=\"09NBil83hn\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"JCZNnjDtnD\"><a href=\"https://make.wordpress.org/core/2023/03/07/patterns-api-expanded-to-include-template_types-property/\">Patterns API expanded to include template_types property</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Patterns API expanded to include template_types property&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/patterns-api-expanded-to-include-template_types-property/embed/#?secret=FcP78xalny#?secret=JCZNnjDtnD\" data-secret=\"JCZNnjDtnD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"4QJSGLeOEy\"><a href=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-editor-changes-in-wordpress-6-2/\">Miscellaneous Editor changes in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Editor changes in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-editor-changes-in-wordpress-6-2/embed/#?secret=wSzZ6hh85H#?secret=4QJSGLeOEy\" data-secret=\"4QJSGLeOEy\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Internationalisation</h2>\n\n\n\n<p>Dans WordPress 6.2, le composant internationalisation (abrégé «&nbsp;i18n&nbsp;») propose une nouvelle fonction conteneur et propose de faciliter le changement des traductions de l’administration du site pour chaque compte. Voici la note de développement dédiée aux modifications ayant eu lieu sur ce composant&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PmeBBCqf9M\"><a href=\"https://make.wordpress.org/core/2023/03/03/i18n-improvements-in-6-2/\">I18N Improvements in 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;I18N Improvements in 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/03/i18n-improvements-in-6-2/embed/#?secret=oN9FSuxaex#?secret=PmeBBCqf9M\" data-secret=\"PmeBBCqf9M\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion des fichiers système</h2>\n\n\n\n<p>Si vous utilisiez la fonction <code>copy_dir()</code> pour déplacer des répertoires, vous serez probablement heureux de découvrir la nouvelle fonction <code>move_dir()</code>, qui arrive avec WordPress 6.2.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iD9AZGTuz0\"><a href=\"https://make.wordpress.org/core/2023/03/07/introducing-move_dir-in-wordpress-6-2/\">Introducing move_dir() in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing move_dir() in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/introducing-move_dir-in-wordpress-6-2/embed/#?secret=2lu0bdfgVX#?secret=iD9AZGTuz0\" data-secret=\"iD9AZGTuz0\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Notons également l&rsquo;apparition de la fonction <code>wp_opcache_invalidate()</code>&nbsp;qui sert à vider OPcache pour des fichiers PHP individuels après les avoir surchargés. La fonction &nbsp;<code>wp_opcache_invalidate_directory()</code>&nbsp;a été ajoutée dans le cadre du ticket <a href=\"https://core.trac.wordpress.org/ticket/57375\">#57375</a> afin de vider le cache OPcache de façon récursive pour les fichiers PHP après les avoir surchargés. Cette fonction accepte un paramètre unique <code>$dir</code>, pointant vers le répertoire contenant les fichiers PHP pour lesquels OPcache doit être vidé.</p>\n\n\n\n<p>Dans le ticket <a href=\"https://core.trac.wordpress.org/ticket/57375\">#57375</a>, la méthode&nbsp;<code>WP_Filesystem_Direct::move()</code>&nbsp;a reçu la possibilité de gérer des répertoires afin de la rendre cohérente par rapport aux méthodes <code>::move()</code> présentes dans <code>WP_Filesystem_FTPext</code>,&nbsp;<code>WP_Filesystem_ftpsockets</code>&nbsp;et&nbsp;<code>WP_Filesystem_SSH2</code>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Base de données</h2>\n\n\n\n<p>La possibilité de nettoyer les noms de tables et de champs a été ajoutée dans la méthode <code>wpdb::prepare()</code>. Plus d&rsquo;infos dans la note de développement dédiée&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"8Mu29VU4GA\"><a href=\"https://make.wordpress.org/core/2022/10/08/escaping-table-and-field-names-with-wpdbprepare-in-wordpress-6-1/\">Escaping Table and Field names with wpdb::prepare() in WordPress</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Escaping Table and Field names with wpdb::prepare() in WordPress&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/08/escaping-table-and-field-names-with-wpdbprepare-in-wordpress-6-1/embed/#?secret=du2jY7znoa#?secret=8Mu29VU4GA\" data-secret=\"8Mu29VU4GA\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gestion des publications</h2>\n\n\n\n<p>La fonction <code>get_page_by_title()</code> est maintenant dépréciée en faveur de l&rsquo;utilisation de <code>WP_Query</code>.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iFjyMSq3Ii\"><a href=\"https://make.wordpress.org/core/2023/03/06/get_page_by_title-deprecated/\">get_page_by_title() deprecated</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;get_page_by_title() deprecated&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/get_page_by_title-deprecated/embed/#?secret=LWF768ee3z#?secret=iFjyMSq3Ii\" data-secret=\"iFjyMSq3Ii\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"perfs\">Performances</h2>\n\n\n\n<p>WordPress 6.2 apporte plusieurs gains de temps de chargement importants au cœur du CMS. Cela est clairement visualisable dans les tests que nous avons conduits avec des mesures de <a href=\"https://docs.google.com/spreadsheets/d/1LroIJoYz-O9CpfJzaiKYYMWJ7GbE5RZoW1rf1R4FqyA/edit#gid=996638482\">signaux web essentiels (<em>Web Vitals</em> en anglais)</a> et de <a href=\"https://docs.google.com/spreadsheets/d/1LroIJoYz-O9CpfJzaiKYYMWJ7GbE5RZoW1rf1R4FqyA/edit#gid=0\">chargement côté serveur (<em>Server Timing</em> en anglais)</a>.</p>\n\n\n\n<p>Les performances des thèmes basés sur des blocs ont également été améliorées, avec un <a href=\"https://web.dev/ttfb/\">TTFB (en anglais <em>Time to First Byte</em>, ou temps de chargement du premier octet</a>) qui est environ 20&nbsp;% plus rapide, et aussi 14&nbsp;% d&rsquo;amélioration sur le <a href=\"https://web.dev/lcp/\">LCP (<em>Largest Contenful Paint</em>, représentant le temps avant que la page complète soit lisible)</a>. Sur des pages où vous utilisez de grandes bannières d’images, vous devriez même observer une amélioration du critère LCP d&rsquo;environ 19&nbsp;%.</p>\n\n\n\n<p>Autres améliorations de performances&nbsp;:</p>\n\n\n\n<ul>\n<li>Le nouveau filtre <code>pre_wp_load_alloptions</code> permet de court-circuiter le chargement des options auto-chargées de WordPress avec des conditions personnalisées. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56045\">ticket #56045</a> pour plus d&rsquo;informations.</li>\n\n\n\n<li>Les résultats de la fonction <code>get_adjacent_post()</code> sont maintenant mis en cache. Voir le <a href=\"https://core.trac.wordpress.org/ticket/41131\">ticket #41131</a>.</li>\n\n\n\n<li>Les clés de mise en cache de <code>WP_Term_Query</code> sont dorénavant basées sur du SQL sans variables, afin de pouvoir être mises en cache. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57298\">ticket #57298</a>.</li>\n\n\n\n<li><code>WP_Query</code> ne parcourt désormais plus les publications deux fois avant de les retourner. Ça peut paraître une évidence, mais le <a href=\"https://core.trac.wordpress.org/ticket/57373\">ticket #57373</a> a nécessité beaucoup de travail sur ce point.</li>\n\n\n\n<li>Le chargement différé des métadonnées des termes de taxonomies est à présent plus rapide, grâce à l’utilisation de la fonction <code>wp_cache_get_multiple()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57150\">ticket #57150</a>.</li>\n\n\n\n<li>Les résultats de <code>wp_get_global_settings()</code> sont maintenant placés en cache au sein d’une seule et unique requête, ce qui améliore de 8&nbsp;% les temps de réponse du cœur WordPress. Pour en savoir plus, voir le <a href=\"https://core.trac.wordpress.org/ticket/57502\">ticket #57502</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Thèmes</h2>\n\n\n\n<p>Les développeuses et développeurs de thèmes WordPress pourront apprécier l&rsquo;arrivée de nouvelles fonctionnalités, et devront aussi prendre en compte la suppression de certains fonctionnalités obsolètes&nbsp;:</p>\n\n\n\n<ul>\n<li>La fonctionnalité «&nbsp;Variations de styles&nbsp;» a été ajoutée dans la liste des filtres sur les thèmes sur WordPress.org. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56869\">ticket #56869</a>.</li>\n\n\n\n<li>Le fichier <code>theme.json</code> prend maintenant en charge davantage de pseudo-classes CSS liées aux liens hypertextes, comme <code>:link</code>&nbsp;ou&nbsp;<code>:any-link</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57053\">ticket #57053</a>.</li>\n\n\n\n<li>Les thèmes possédant un nom composé de chiffres sont désormais pris en charge par le CMS via un changement dans&nbsp;<code>WP_Theme::__construct()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/54645\">ticket #54645</a>.</li>\n\n\n\n<li>Amélioration des performances des fonctions <code>_add_block_template_part_area_info</code> et <code>_add_block_template_info</code> en diminuant les appels à la fonction  <code>get_option</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57077\">ticket #57077</a>.</li>\n\n\n\n<li>Une mise en cache a été ajoutée sur <code>WP_Theme::is_block_theme()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57114\">ticket #57114</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Bibliothèques externes</h2>\n\n\n\n<p>La bibliothèque jQuery a été mise à jour, elle est passée de la version 3.6.3 à 3.6.4.</p>\n\n\n\n<p>En outre, la bibliothèque <code>Requests</code> a aussi été mise à jour. Une note de développement détaille d&rsquo;ailleurs les changements apportés&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"bkYeQfRrWr\"><a href=\"https://make.wordpress.org/core/2023/03/08/requests-library-upgraded-to-2-0-5-in-wordpress-6-2/\">Requests library upgraded to 2.0.5 in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Requests library upgraded to 2.0.5 in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/08/requests-library-upgraded-to-2-0-5-in-wordpress-6-2/embed/#?secret=KYn2V4QANu#?secret=bkYeQfRrWr\" data-secret=\"bkYeQfRrWr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres mises à jour</h2>\n\n\n\n<p>Plusieurs crochets d’action et filtres ont été mis à jour, vous les trouverez dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"NbmRoqD5xC\"><a href=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-developer-changes-in-wordpress-6-2/\">Miscellaneous developer changes in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous developer changes in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-developer-changes-in-wordpress-6-2/embed/#?secret=mwuiUZgXSy#?secret=NbmRoqD5xC\" data-secret=\"NbmRoqD5xC\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"wait\">Mais ce n’est pas tout&nbsp;!</h2>\n\n\n\n<p>Voici d’autres composants qui ont reçu des mises à jour notables.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Processus de chargement de WP</h3>\n\n\n\n<p>Ajout d&rsquo;une vérification que les fonctions&nbsp;<code>mysqli_connect()</code>&nbsp;ou&nbsp;<code>mysql_connect()</code>&nbsp;sont bien disponibles. Cela résout une erreur fatale potentiellement provoquée par l&rsquo;absence de l’extension PHP <code>mysqli</code> sur le serveur, et affiche un message d&rsquo;erreur clair le cas échéant. Voir le ticket <a href=\"https://core.trac.wordpress.org/ticket/51988\">#51988</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Commentaires</h3>\n\n\n\n<p>Ajout de la possibilité de passer le paramètre&nbsp;<code>$comment_ID</code>&nbsp;aux fonctions <code>get_comment_time()</code> et <code>comment_time()</code>. Cela apporte une meilleure cohérence vis-à-vis des fonctions similaires <code>get_comment_date()</code> et <code>comment_date()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52322\">ticket #52322</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Mots de passe d’applications</h3>\n\n\n\n<p>Les URL en <code>HTTP</code> sont désormais autorisées pour la création de mots de passe d’applications dans le cadre d’un environnement local. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52617\">ticket #52617</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Bibliothèques externes</h3>\n\n\n\n<p>Les bibliothèques suivantes ont été mises à jour&nbsp;:</p>\n\n\n\n<ul>\n<li>jQuery (voir le <a href=\"https://core.trac.wordpress.org/ticket/57324\">ticket #57324</a>)</li>\n\n\n\n<li>jQuery Migrate (voir le <a href=\"https://core.trac.wordpress.org/ticket/56743\">ticket #56743</a>)</li>\n\n\n\n<li>PHPMailer (voir le <a href=\"https://core.trac.wordpress.org/ticket/57281\">ticket #57281</a>)</li>\n\n\n\n<li>element-closest (voir le <a href=\"https://core.trac.wordpress.org/ticket/52851\">ticket#52851</a>)</li>\n\n\n\n<li>regenerator runtime (voir le <a href=\"https://core.trac.wordpress.org/ticket/57646\">ticket #57646</a>)</li>\n\n\n\n<li>polyfill-library (voir le <a href=\"https://core.trac.wordpress.org/ticket/57646\">ticket #57646</a>)</li>\n\n\n\n<li>Requests 2.0 (voir le <a href=\"https://core.trac.wordpress.org/ticket/54504\">ticket #54504</a>). Pour en savoir plus sur cette mise à jour,&nbsp;<a href=\"https://github.com/WordPress/Requests/blob/stable/docs/upgrading.md\">voir la documentation de la bibliothèque Requests 2.0</a>.</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Formattage</h3>\n\n\n\n<p>Optimisation de la fonction de bas niveau&nbsp;<code>wp_kses_bad_protocol()</code>&nbsp;afin d&rsquo;améliorer les performances de la fonction d&rsquo;échappement&nbsp;<code>esc_url()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52617\">ticket #22951</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Modernisation du code</h3>\n\n\n\n<p>Un énorme travail a été fait pour améliorer encore la conformité de la structure du code de WordPress vis-à-vis des versions de PHP supérieures à 8.0. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56788\">ticket #56788</a>.  </p>\n\n\n\n<h3 class=\"wp-block-heading\">E-mails</h3>\n\n\n\n<p>L&rsquo;ajout de pièce jointes avec noms de fichiers personnalisés dans la fonction <code>wp_mail()</code> est maintenant possible en passant un tableau associatif <code>$attachments</code>, où les chaînes utilisées en tant que clés seront employées pour déterminer les noms de fichiers. Voir le <a href=\"https://core.trac.wordpress.org/ticket/28407\">ticket #28407</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Médias</h3>\n\n\n\n<p>Il est maintenant possible de fournir explicitement une valeur booléenne <code>false</code> au paramètre&nbsp;<code>$attr</code>&nbsp;de la fonction <code>wp_get_attachment_image()</code> afin de s&rsquo;assurer que l&rsquo;attribut <code>decoding</code> n&rsquo;est pas ajouté au média. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57086\">ticket #57086</a>.</p>\n\n\n\n<p>La logique permettant de déterminer les images participant au <a href=\"https://web.dev/lcp/\">LCP (<em>Largest Contenful Paint</em>, représentant le temps avant que la page complète soit lisible)</a> au sein des thèmes basés sur des blocs a été grandement améliorée, afin de s&rsquo;assurer que ces images ne soient pas chargées en différé. Cela permet d&rsquo;améliorer la conformité LCP des thèmes basés sur des blocs. Cette modification tire par ailleurs profit du principe des éléments de modèles de l&rsquo;éditeur de site pour éviter de charger en différé les médias situés dans l&rsquo;entête du site. Un <a href=\"https://core.trac.wordpress.org/ticket/56930#comment:53\">test conduit sur une page créée via un thème basé sur des blocs</a> a permis de souligner une amélioration de <strong>19&nbsp;% du critère LCP sur WordPress 6.2</strong>. Voir les tickets <a href=\"https://core.trac.wordpress.org/ticket/56930\">#56930</a> et <a href=\"https://core.trac.wordpress.org/ticket/57490\">#57490</a> pour plus de détails.</p>\n\n\n\n<h3 class=\"wp-block-heading\">API REST</h3>\n\n\n\n<p>Ajout de la prise en charge de caractères non latins dans la Regex utilisée pour le point de terminaison <code>template</code>. Ces caractères sont encodés afin de pouvoir être utilisés dans une URL (exemple&nbsp;:&nbsp;<code>%cf%84%ce%b5%cf%83%cf%84</code>). Voir le <a href=\"https://core.trac.wordpress.org/ticket/57329\">ticket #57329</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Gestion des comptes</h3>\n\n\n\n<p>Ajout du nouveau crochet d&rsquo;action&nbsp;<code>wp_set_password</code>, déclenché après la création d&rsquo;un mot de passe pour un compte déterminé. Cela aidera les auteur·ices d&rsquo;extensions à intercepter toutes les utilisations de <code>wp_set_password()</code>, qu&rsquo;elles proviennent du cœur de WordPress ou d&rsquo;autres extensions. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57490\">ticket #57436</a>.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a rel=\"noreferrer noopener\" href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec <a href=\"https://wordpress.org/news/2023/03/wordpress-6-2-release-candidate-1/\">WordPress 6.2&nbsp;Release Candidate&nbsp;1</a>.&nbsp;Nous comptons sur vous pour vous assurer que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Ce guide a été traduit de l&rsquo;anglais puis adapté à partir du <a href=\"https://make.wordpress.org/core/2023/03/09/wordpress-6-2-field-guide/\"><em>Field Guide</em> de WP 6.2</a> par <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>. Merci à <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">FX Bénard</a> et <a href=\"https://profiles.wordpress.org/btpub/\">Bruno Tritsch</a> pour leur relecture attentive.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"Questionnaire annuel sur votre expérience d’utilisation de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"https://fr.wordpress.org/2022/12/05/questionnaire-annuel-sur-votre-experience-dutilisation-de-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:112:\"https://fr.wordpress.org/2022/12/05/questionnaire-annuel-sur-votre-experience-dutilisation-de-wordpress/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 05 Dec 2022 10:33:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Questionnaires/sondages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2577\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:378:\"Chaque année, les membres de la communauté WordPress sont invités à donner leurs retours sur WordPress. Chaque personne gravitant autour de notre CMS est concernée, qu’elle en soit simple utilisatrice, ou qu’elle participe à la conception ou à la production de sites, d’extensions, de thèmes, ou même au développement de WordPress ou de sa communauté. [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4827:\"\n<p>Chaque année, les membres de la communauté WordPress sont invités à donner leurs retours sur WordPress. Chaque personne gravitant autour de notre CMS est concernée, qu’elle en soit simple utilisatrice, ou qu’elle participe à la conception ou à la production de sites, d’extensions, de thèmes, ou même au développement de WordPress ou de sa communauté.</p>\n\n\n\n<p>Les retours obtenus par ce questionnaire sont utilisés pour la conférence annuelle du co-fondateur de WordPress, le <a href=\"https://wordpress.org/news/2022/11/state-of-the-word-2022/\"><em lang=\"en\">State of the Word</em></a> et auront une influence sur la direction stratégique du projet dans les années à venir.</p>\n\n\n\n<p>Pour le dire plus simplement, ce questionnaire aide les personnes qui construisent WordPress à en savoir plus sur la façon dont ce logiciel est utilisé.</p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-6 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://wordpressdotorg.survey.fm/fr-2022\">Je participe au questionnaire annuel&nbsp;!</a></div>\n</div>\n\n\n\n<span id=\"more-2577\"></span>\n\n\n\n<p>Cette année encore, le questionnaire est disponible en plusieurs langues – dont le français – grâce à l’aide des différentes équipes de traduction du CMS, merci à elles !</p>\n\n\n\n<p>Ce questionnaire sera accessible jusqu’à la fin de l’année 2022, et la publication des résultats est prévue courant 2023. Cette année, les questions ont été revues afin de faciliter le déroulement, la réalisation et l’analyse de l&rsquo;enquête. Certaines questions ont été supprimées, tandis que quelques nouvelles sont désormais présentes, reflétant le présent et l’avenir de WordPress. Si vous cherchez l’analyse des résultats de l’enquête de 2021, elle sera également partagée début 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Faites passer le message</h2>\n\n\n\n<p>Aidez à faire connaître le questionnaire en le partageant avec votre réseau, via Slack, ou sur vos comptes de réseaux sociaux. Plus il y aura de personnes qui répondront au questionnaire et partageront leur expérience avec WordPress, plus l’ensemble du projet en bénéficiera.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Sécurité et confidentialité</h2>\n\n\n\n<p>La sécurité et la confidentialité des données sont primordiales pour le projet et la communauté WordPress. Dans cet esprit, toutes les données personnelles sont rendues anonymes&nbsp;: aucune adresse e-mail ou adresse IP ne sera associée aux résultats publiés. Pour en savoir plus sur les pratiques de WordPress.org en matière de confidentialité, consultez la <a href=\"https://fr.wordpress.org/about/privacy/\">politique de confidentialité</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Merci</h2>\n\n\n\n<p>Nous remercions les contributeurs et contributrices WordPress suivants pour leur aide à la mise en œuvre de ce questionnaire annuel, comprenant la création des questions, la réflexion stratégique, l’élaboration de l’enquête et sa traduction&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/dansoschin/\">dansoschin</a>, <a href=\"https://profiles.wordpress.org/_dorsvenabili/\">_dorsvenabili</a>, <a href=\"https://profiles.wordpress.org/angelasjin/\">angelasjin</a>, <a href=\"https://profiles.wordpress.org/arkangel/\">arkangel</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">audrasjb</a>, <a href=\"https://profiles.wordpress.org/atachibana/\">atachibana</a>, <a href=\"https://profiles.wordpress.org/bjmcsherry/\">bjmcsherry</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\">chanthaboune</a>, <a href=\"https://profiles.wordpress.org/eidolonnight/\">eidolonnight</a>, <a href=\"https://profiles.wordpress.org/fernandot/\">fernandot</a>, <a href=\"https://profiles.wordpress.org/fierevere/\">fierevere</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">fxbenard</a>, <a href=\"https://profiles.wordpress.org/jdy68/\">jdy68</a>, <a href=\"https://profiles.wordpress.org/jpantani/\">jpantani</a>, <a href=\"https://profiles.wordpress.org/laurlittle/\">laurlittle</a>, <a href=\"https://profiles.wordpress.org/nao/\">nao</a>, <a href=\"https://profiles.wordpress.org/nielslange/\">nielslange</a>, <a href=\"https://profiles.wordpress.org/peiraisotta/\">peiraisotta</a>, <a href=\"https://profiles.wordpress.org/piermario/\">piermario</a>, <a href=\"https://profiles.wordpress.org/rmartinezduque/\">rmartinezduque</a>, <a href=\"https://profiles.wordpress.org/santanainniss/\">santanainniss</a>.</p>\n\n\n\n<p class=\"has-text-align-right\"><small><em>Traduction du communiqué par <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a> et <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>.</em></small></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:109:\"https://fr.wordpress.org/2022/12/05/questionnaire-annuel-sur-votre-experience-dutilisation-de-wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"WordPress 6.1 « Misha »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://fr.wordpress.org/2022/11/02/wordpress-6-1-misha/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://fr.wordpress.org/2022/11/02/wordpress-6-1-misha/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Nov 2022 03:12:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2551\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:418:\"La troisième version majeure de WordPress pour l&#8217;année 2022 est disponible. Elle a été baptisée «&#160;Misha&#160;» en l&#8217;honneur du pianiste de jazz Michail Jefimowitsch Alperin. Nous vous invitons à effectuer cette mise à jour afin de bénéficier des améliorations de stabilité, de performances, et d&#8217;utilisabilité que propose cette nouvelle version majeure. Quoi de neuf dans [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:80292:\"\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2022/11/misha.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"679\" src=\"https://fr.wordpress.org/files/2022/11/misha-1024x679.png\" alt=\"\" class=\"wp-image-2554\" srcset=\"https://fr.wordpress.org/files/2022/11/misha-1024x679.png 1024w, https://fr.wordpress.org/files/2022/11/misha-300x199.png 300w, https://fr.wordpress.org/files/2022/11/misha-768x509.png 768w, https://fr.wordpress.org/files/2022/11/misha-1536x1019.png 1536w, https://fr.wordpress.org/files/2022/11/misha.png 1996w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p><span style=\"font-weight: 400\">La troisième version majeure de WordPress pour l&rsquo;année 2022 est disponible.</span> Elle a été baptisée «&nbsp;Misha&nbsp;» en l&rsquo;honneur du pianiste de jazz Michail Jefimowitsch Alperin.</p>\n\n\n\n<p>Nous vous invitons à effectuer cette mise à jour afin de bénéficier des améliorations de stabilité, de performances, et d&rsquo;utilisabilité que propose cette nouvelle version majeure.</p>\n\n\n\n<span id=\"more-2551\"></span>\n\n\n\n<h2 class=\"wp-block-heading\">Quoi de neuf dans WordPress&nbsp;6.1&nbsp;?</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Twenty Twenty-Three&nbsp;: un nouveau thème natif proposant 10 variations de styles distinctes</h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/11/Style-Variation-News-1024x601.png\" alt=\"\" class=\"wp-image-13816\" /></figure>\n\n\n\n<p>S’appuyant sur les principes fondamentaux des versions 5.9 et 6.0 pour les thèmes de blocs et les variations de style, le nouveau thème par défaut, nommé <em>Twenty Twenty-Three</em>, comprend&nbsp;<a href=\"https://make.wordpress.org/design/2022/09/07/tt3-default-theme-announcing-style-variation-selections/\">10 variations de styles différentes</a>&nbsp;et est&nbsp;<a href=\"https://make.wordpress.org/themes/handbook/review/accessibility/\">accessible</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Une meilleure expérience de création avec de nouveaux modèles entièrement revus</h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/11/Templates-News-1024x601.png\" alt=\"\" class=\"wp-image-13818\" /></figure>\n\n\n\n<p>Les&nbsp;<a href=\"https://make.wordpress.org/core/2022/07/21/core-editor-improvement-deeper-customization-with-more-template-options/\">nouveaux modèles (note de développement, en anglais)</a>&nbsp;comprennent un modèle personnalisé pour les publications dans l’éditeur de site. Les outils de recherche/remplacement accélèrent la conception des&nbsp;<a href=\"https://make.wordpress.org/core/2022/08/25/core-editor-improvement-refining-the-template-creation-experience/\">éléments de modèles (en anglais)</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Plus de cohérence et de contrôle sur les outils de conception</h3>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"13819\" src=\"https://wordpress.org/news/files/2022/11/Design-Tools-News-1024x601.png\" alt=\"\" class=\"wp-image-13819\" /></figure>\n</figure>\n\n\n\n<p>L’amélioration des&nbsp;commandes pour les éléments de conception et les blocs&nbsp;rendent le processus de mise en page et de création de site plus cohérent, complet et intuitif.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Les menus peuvent être créés et modifiés plus facilement</h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/11/Navigation-1024x601.png\" alt=\"\" class=\"wp-image-13821\" /></figure>\n\n\n\n<p>Les&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/27/navigation-block-fallback-behavior-in-wp-6-1-dev-note/\">nouvelles options de récupération du bloc Navigation (en anglais)</a>&nbsp;vous permettent de modifier le menu que vous avez ouvert sans avoir besoin d’effectuer de recherche. De plus, les commandes pour choisir et travailler sur les menus sont dorénavant placées dans les réglages du bloc. 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En savoir plus sur les&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/\">améliorations d’accessibilité apportées par WP 6.1</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres changements importants</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Éléments de modèles de blocs dans les thèmes classiques</h3>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\"></a>Les éléments de modèles de blocs peuvent désormais être <a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">définis dans les thèmes classiques (en anglais)</a>&nbsp;en ajoutant les fichiers HTML appropriés au répertoire&nbsp;<code>parts</code>&nbsp;à la racine du thème.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Évolution des blocs de boucle de requête</h3>\n\n\n\n<p>Les&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/\">nouveaux filtres</a>&nbsp;permettent aux variantes du bloc de requête de prendre en charge des requêtes personnalisées afin de créer des variantes plus spécifiques et des options avancées de filtrage des types de publication hiérarchiques.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Des filtres pour tous vos styles</h3>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\"><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\">Exploitez les filtres</a> dans la barre latérale « Styles » pour contrôler les réglages sur quatre niveaux de votre site, du moins spécifique au plus spécifique : principal, thème, compte, bloc.</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Préréglages d’espacement pour une conception plus rapide et cohérente</h3>\n\n\n\n<p>Gagnez du temps et évitez de coder en dur des déclarations dans un thème grâce aux&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/\">valeurs de marge internes et externes prédéfinies pour de multiples blocs</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Modification limitée au contenu sur les blocs conteneurs</h3>\n\n\n\n<p>Grâce au&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/content-locking-features-and-updates/\">réglage de modification limitée au contenu</a>, les mises en page peuvent être verrouillées au sein des blocs conteneurs. Dans un bloc de contenu seul, ses blocs enfants sont invisibles dans la vue en liste et ne sont pas modifiables. Vous contrôlez donc la mise en page tandis que vos rédactrices et rédacteurs peuvent se concentrer sur le contenu.</p>\n\n\n\n<p>Combinez-la avec les options de verrouillage des blocs pour un contrôle encore plus poussé de vos blocs.</p>\n\n\n\n<h3 class=\"wp-block-heading\">De meilleures performances</h3>\n\n\n\n<p>WordPress 6.1 résout 25 tickets dédiés à l’amélioration des performances. De&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/performance-improvements-to-the-rest-api/\">l’API REST</a>&nbsp;au&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/multisite-improvements-in-wordpress-6-1/\">multisite</a>, en passant par&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/improvements-to-wp_query-performance-in-6-1/\"><code>WP_Query</code></a>&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/improved-php-performance-for-core-blocks-registration/\">l’enregistrement des blocs du cœur WordPress</a>&nbsp;et par de&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/06/new-cache-site-health-checks-in-wordpress-6-1/\">nouvelles vérifications sur l’outil Santé du site</a>, ou par l’ajout des attributs&nbsp;<code>async</code>&nbsp;aux images, il y a des améliorations bénéfiques pour tous les types de sites. Un récapitulatif complet est disponible dans le&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/\">guide dédié aux performance de WP&nbsp;6.1</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Guide des changements techniques de WordPress 6.1</h2>\n\n\n\n<p>WordPress 6.1 comprend encore bien plus de nouvelles fonctionnalités et d’améliorations. Pour en savoir plus, et notamment si vous développez des sites WordPress, <a href=\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/\" data-type=\"post\" data-id=\"2509\">consultez le guide des changements techniques de cette version</a>.</p>\n\n\n\n<h1 class=\"wp-block-heading\">Plus d’informations sur WordPress 6.1</h1>\n\n\n\n<p>Découvrez WordPress 6.1 en fonctionnement&nbsp;! Notre&nbsp;<a href=\"https://youtu.be/1w9oywSa6Hw\">vidéo de présentation</a>&nbsp;propose une vue d’ensemble des principales fonctionnalités qui sont sorties avec WordPress 6.1.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"612\" height=\"345\" src=\"https://www.youtube.com/embed/1w9oywSa6Hw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"></iframe>\n</div></figure>\n\n\n\n<p><br></p>\n\n\n\n<p>Visitez&nbsp;<a href=\"https://learn.wordpress.org/\">learn.wordpress.org</a>&nbsp;pour des tutoriels vidéos, des ateliers en ligne, des cours et des plans de cours pour les personnes organisant des évènements, et pour des contenus présentant les nouvelles fonctionnalités de WordPress.</p>\n\n\n\n<p>Consultez notre&nbsp;<a href=\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/\">guide des changements techniques introduits par WordPress 6.0</a>. Il contient toutes les notes techniques que vous devez connaître si vous développez sur WordPress.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WordPress&nbsp;6.1</h2>\n\n\n\n<p><span style=\"font-weight: 400\">Les personnes mentionnées ci-dessous ont participé à la direction de cette version majeure du CMS&nbsp;:</span></p>\n\n\n\n<ul>\n<li><span style=\"font-weight: 400\">Direction générale&nbsp;: </span><a href=\"https://profiles.wordpress.org/matt/\"><span style=\"font-weight: 400\">Matt Mullenweg</span></a><span style=\"font-weight: 400\">&nbsp;</span></li>\n\n\n\n<li><span style=\"font-weight: 400\">Coordinateurs de cette version&nbsp;: </span><a href=\"https://profiles.wordpress.org/priethor/\"><span style=\"font-weight: 400\">Héctor Prieto</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/desrosj/\"><span style=\"font-weight: 400\">Jonathan Desrosiers</span></a><span style=\"font-weight: 400\">&nbsp;</span></li>\n\n\n\n<li><span style=\"font-weight: 400\">Direction technique côté Core&nbsp;: </span><a href=\"https://profiles.wordpress.org/mikeschroder/\"><span style=\"font-weight: 400\">Mike Schroder</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/davidbaumwald/\"><span style=\"font-weight: 400\">David Baumwald</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/jeffpaul/\"><span style=\"font-weight: 400\">Jeff Paul</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\"><span style=\"font-weight: 400\">Direction</span> technique côté Gutenberg&nbsp;: </span><a href=\"https://profiles.wordpress.org/czapla/\"><span style=\"font-weight: 400\">Michal Czaplinski</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/bernhard-reiter/\"><span style=\"font-weight: 400\">Bernie Reiter</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/cbravobernal/\"><span style=\"font-weight: 400\">Carlos Bravo</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Gestion de projet côté cœur&nbsp;: </span><a href=\"https://profiles.wordpress.org/audrasjb/\"><span style=\"font-weight: 400\">JB Audras</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/chaion07/\"><span style=\"font-weight: 400\">Ahmed Chaion</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\"><span style=\"font-weight: 400\">Gestion de projet côté</span></span> Gutenberg&nbsp;<span style=\"font-weight: 400\">: </span><a href=\"https://profiles.wordpress.org/ndiego/\"><span style=\"font-weight: 400\">Nick Diego</span></a> <span style=\"font-weight: 400\">et </span><a href=\"https://profiles.wordpress.org/annezazu/\"><span style=\"font-weight: 400\">Anne McCarthy</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Documentation&nbsp;: </span><a href=\"https://profiles.wordpress.org/bph/\"><span style=\"font-weight: 400\">Birgit Pauli-Haack</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/milana_cap/\"><span style=\"font-weight: 400\">Milana Cap</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/femkreations/\"><span style=\"font-weight: 400\">Femy Praseeth</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Communication&nbsp;:</span> <a href=\"https://profiles.wordpress.org/jpantani/\"><span style=\"font-weight: 400\">Jonathan Pantani</span></a> <span style=\"font-weight: 400\">et </span><a href=\"https://profiles.wordpress.org/dansoschin/\"><span style=\"font-weight: 400\">Dan Soschin</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Tests&nbsp;: </span><a href=\"https://profiles.wordpress.org/ironprogrammer/\"><span style=\"font-weight: 400\">Brian Alexander</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Design : </span><a href=\"https://profiles.wordpress.org/richtabor/\"><span style=\"font-weight: 400\">Rich Tabor</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Design et développement du nouveau thème natif&nbsp;: </span><a href=\"https://profiles.wordpress.org/beafialho/\"><span style=\"font-weight: 400\">Beatriz Fialho</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/mikachan/\"><span style=\"font-weight: 400\">Sarah Norris</span></a></li>\n</ul>\n\n\n\n<p>Il n&rsquo;aurait pas été possible de sortir WordPress 6.1 sans le travail acharné de plus de 800 personnes situées dans au moins 60 pays différents. Merci à toutes celles et ceux qui ont travaillé sur cette nouvelle version de WordPress&nbsp;!</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/1naveengiri/\">1naveengiri</a> · <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a> · <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/hurayraiit/\">Abu Hurayra</a> · <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a> · <a href=\"https://profiles.wordpress.org/adampickering/\">Adam Pickering</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/admwgn/\">Adam Wiltgen</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zielinski</a> · <a href=\"https://profiles.wordpress.org/addiestavlo/\">Addie</a> · <a href=\"https://profiles.wordpress.org/oztaser/\">Adil Öztaşer</a> · <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a> · <a href=\"https://profiles.wordpress.org/aezazshekh/\">Aezaz Shekh</a> · <a href=\"https://profiles.wordpress.org/afrid1719/\">afrid1719</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> · <a href=\"https://profiles.wordpress.org/engahmeds3ed/\">Ahmed Saeed</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/kamig478/\">Akram Ul Haq</a> · <a href=\"https://profiles.wordpress.org/akshitsethi/\">Akshit Sethi</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alamgircsebd/\">alamgircsebd</a> · <a href=\"https://profiles.wordpress.org/alanp57/\">AlanP57</a> · <a href=\"https://profiles.wordpress.org/alansyue/\">alansyue</a> · <a href=\"https://profiles.wordpress.org/albatross10/\">albatross10</a> · <a href=\"https://profiles.wordpress.org/aljullu/\">Albert Juhé Lluveras</a> · <a href=\"https://profiles.wordpress.org/alberuni-azad/\">Alberuni Azad.</a> · <a href=\"https://profiles.wordpress.org/elpanda13gmailcom/\">Alejandro J. Sanchez P.</a> · <a href=\"https://profiles.wordpress.org/zutigrm/\">Aleksej</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/viper007bond/\">Alex Mills</a> · <a href=\"https://profiles.wordpress.org/acoulombe/\">Alexis Coulombe</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">alexstine</a> · <a href=\"https://profiles.wordpress.org/allancole/\">allancole</a> · <a href=\"https://profiles.wordpress.org/allisonplus/\">allisonplus</a> · <a href=\"https://profiles.wordpress.org/mrfoxtalbot/\">Alvaro Gómez</a> · <a href=\"https://profiles.wordpress.org/amirkamizi/\">amirkamizi</a> · <a href=\"https://profiles.wordpress.org/amjadr360/\">Amjad Ali</a> · <a href=\"https://profiles.wordpress.org/anantajitjg/\">Anantajit JG</a> · <a href=\"https://profiles.wordpress.org/anariel-design/\">Anariel Design</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/deksar/\">Andreas</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/_smartik_/\">Andrei Surdu</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/eatingrules/\">Andrew Wilder</a> · <a href=\"https://profiles.wordpress.org/andrewnz/\">AndrewNZ</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey « Rarst » Savchenko</a> · <a href=\"https://profiles.wordpress.org/andrija/\">Andrija Naglic</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/andykeith/\">Andy Keith</a> · <a href=\"https://profiles.wordpress.org/aniketpatel/\">Aniket Patel</a> · <a href=\"https://profiles.wordpress.org/anitanenova/\">anitanenova</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/annabansaghi/\">Anna Bansaghi</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/alaca/\">Ante Laca</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/apedog/\">apedog</a> · <a href=\"https://profiles.wordpress.org/apokalyptik/\">apokalyptik</a> · <a href=\"https://profiles.wordpress.org/arrasel403/\">AR Rasel</a> · <a href=\"https://profiles.wordpress.org/arcangelini/\">arcangelini</a> · <a href=\"https://profiles.wordpress.org/archon810/\">archon810</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/yellyc/\">Ariel Chinn</a> · <a href=\"https://profiles.wordpress.org/xylocone/\">Arjun Singh</a> · <a href=\"https://profiles.wordpress.org/armondal/\">Arnab Mondal</a> · <a href=\"https://profiles.wordpress.org/passoniate/\">Arslan Kalwar</a> · <a href=\"https://profiles.wordpress.org/arturgrabo/\">Artur Grabowski</a> · <a href=\"https://profiles.wordpress.org/ideag/\">Arunas Liuiza</a> · <a href=\"https://profiles.wordpress.org/aspexi/\">Aspexi</a> · <a href=\"https://profiles.wordpress.org/aurooba/\">Aurooba Ahmed</a> · <a href=\"https://profiles.wordpress.org/filosofo/\">Austin Matzko</a> · <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a> · <a href=\"https://profiles.wordpress.org/baned/\">BaneD</a> · <a href=\"https://profiles.wordpress.org/barneydavey/\">barneydavey</a> · <a href=\"https://profiles.wordpress.org/bbobnis/\">Bartosz Bobnis</a> · <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/bengreeley/\">Ben Greeley</a> · <a href=\"https://profiles.wordpress.org/utz119/\">Benachi</a> · <a href=\"https://profiles.wordpress.org/benjgrolleau/\">Benjamin Grolleau</a> · <a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a> · <a href=\"https://profiles.wordpress.org/bernhard reiter/\">Bernhard Reiter</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a> · <a href=\"https://profiles.wordpress.org/bhrugesh12/\">Bhrugesh Bavishi</a> · <a href=\"https://profiles.wordpress.org/elten/\">Bing</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a> · <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> · <a href=\"https://profiles.wordpress.org/blockify/\">Blockify</a> · <a href=\"https://profiles.wordpress.org/boblindner/\">Bob</a> · <a href=\"https://profiles.wordpress.org/bobbingwide/\">bobbingwide</a> · <a href=\"https://profiles.wordpress.org/gitlost/\">bonger</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">Brian Alexander</a> · <a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a> · <a href=\"https://profiles.wordpress.org/cantuaria/\">Bruno Cantuaria</a> · <a href=\"https://profiles.wordpress.org/ribaricplusplus/\">Bruno Ribaric</a> · <a href=\"https://profiles.wordpress.org/burgiuk/\">burgiuk</a> · <a href=\"https://profiles.wordpress.org/burhandodhy/\">Burhan Nasir</a> · <a href=\"https://profiles.wordpress.org/bwbama/\">bwbama</a> · <a href=\"https://profiles.wordpress.org/cadlec/\">cadlec</a> · <a href=\"https://profiles.wordpress.org/cagsmith/\">cagsmith</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos Garcia Prim</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/cavalierlife/\">cavalierlife</a> · <a href=\"https://profiles.wordpress.org/cdbessig/\">cdbessig</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/nhuja/\">Chandra M</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/chetan200891/\">Chetan Prajapati</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/chrisbudd1/\">Chris Budd</a> · <a href=\"https://profiles.wordpress.org/chrishardie/\">Chris Hardie</a> · <a href=\"https://profiles.wordpress.org/czarate/\">Chris Zarate</a> · <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a> · <a href=\"https://profiles.wordpress.org/chrisguitarguy/\">chrisguitarguy</a> · <a href=\"https://profiles.wordpress.org/cwbudde/\">Christian-W. Budde</a> · <a href=\"https://profiles.wordpress.org/christinavoudouris/\">Christina Voudouris</a> · <a href=\"https://profiles.wordpress.org/apermo/\">Christoph Daum</a> · <a href=\"https://profiles.wordpress.org/cfinke/\">Christopher Finke</a> · <a href=\"https://profiles.wordpress.org/ryno267/\">Chuck Reynolds</a> · <a href=\"https://profiles.wordpress.org/chynnabenton/\">chynnabenton</a> · <a href=\"https://profiles.wordpress.org/ckanderson22/\">ckanderson22</a> · <a href=\"https://profiles.wordpress.org/design_dolphin/\">CodePoet</a> · <a href=\"https://profiles.wordpress.org/codewhy/\">codewhy</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/collieit/\">Collie-IT, Anne K. Frey</a> · <a href=\"https://profiles.wordpress.org/colonelphantom/\">colonelphantom</a> · <a href=\"https://profiles.wordpress.org/cbirdsong/\">Cory Birdsong</a> · <a href=\"https://profiles.wordpress.org/courane01/\">Courtney Robertson</a> · <a href=\"https://profiles.wordpress.org/craigfrancis/\">craigfrancis</a> · <a href=\"https://profiles.wordpress.org/crazycoders/\">crazycoders</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a> · <a href=\"https://profiles.wordpress.org/curdin/\">Curdin Krummenacher</a> · <a href=\"https://profiles.wordpress.org/cyrillbolliger/\">cyrillbolliger</a> · <a href=\"https://profiles.wordpress.org/dxd5001/\">Daijiro Miyazawa</a> · <a href=\"https://profiles.wordpress.org/dainemawer/\">dainemawer</a> · <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a> · <a href=\"https://profiles.wordpress.org/daledupreez/\">Dale du Preez</a> · <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a> · <a href=\"https://profiles.wordpress.org/damonganto/\">damonganto</a> · <a href=\"https://profiles.wordpress.org/danfarrow/\">Dan Farrow</a> · <a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/danieliser/\">Daniel Iser</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/schutzsmith/\">Daniel Schutzsmith</a> · <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/dariak/\">Daria</a> · <a href=\"https://profiles.wordpress.org/dkotter/\">Darin Kotter</a> · <a href=\"https://profiles.wordpress.org/darkog/\">Darko G.</a> · <a href=\"https://profiles.wordpress.org/darkskipper/\">darkskipper</a> · <a href=\"https://profiles.wordpress.org/uofaberdeendarren/\">Darren Coutts</a> · <a href=\"https://profiles.wordpress.org/htdat/\">Dat Hoang</a> · <a href=\"https://profiles.wordpress.org/datainterlock/\">datainterlock</a> · <a href=\"https://profiles.wordpress.org/dhilditch/\">Dave Hilditch</a> · <a href=\"https://profiles.wordpress.org/dave1010/\">dave1010</a> · <a href=\"https://profiles.wordpress.org/davidanderson/\">David Anderson</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dcowgill/\">David C</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/desmith/\">David E. Smith</a> · <a href=\"https://profiles.wordpress.org/dg12345/\">David Goring</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/daviedr/\">David Rozando</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a> · <a href=\"https://profiles.wordpress.org/daxelrod/\">daxelrod</a> · <a href=\"https://profiles.wordpress.org/daymobrew/\">daymobrew</a> · <a href=\"https://profiles.wordpress.org/deepakvijayan/\">Deepak Vijayan</a> · <a href=\"https://profiles.wordpress.org/denis-de-bernardy/\">Denis de Bernardy</a> · <a href=\"https://profiles.wordpress.org/dingo_d/\">Denis Žoljom</a> · <a href=\"https://profiles.wordpress.org/denishua/\">denishua</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/derekblank/\">derekblank</a> · <a href=\"https://profiles.wordpress.org/pcfreak30/\">Derrick Hammer</a> · <a href=\"https://profiles.wordpress.org/dharm1025/\">Dharmesh Patel</a> · <a href=\"https://profiles.wordpress.org/dhl/\">dhl</a> · <a href=\"https://profiles.wordpress.org/dianeco/\">Diane Co</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dingdang/\">dingdang</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/dipakparmar443/\">Dipak Parmar</a> · <a href=\"https://profiles.wordpress.org/divyeshgodhani/\">divyeshgodhani</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donmhico/\">donmhico</a> · <a href=\"https://profiles.wordpress.org/dougwollison/\">Doug Wollison</a> · <a href=\"https://profiles.wordpress.org/dougal/\">Dougal Campbell</a> · <a href=\"https://profiles.wordpress.org/drewapicture/\">Drew Jaynes</a> · <a href=\"https://profiles.wordpress.org/drivingralle/\">Drivingralle</a> · <a href=\"https://profiles.wordpress.org/drzraf/\">drzraf</a> · <a href=\"https://profiles.wordpress.org/dsas/\">dsas</a> · <a href=\"https://profiles.wordpress.org/dwainm/\">Dwain Maralack</a> · <a href=\"https://profiles.wordpress.org/kucrut/\">Dzikri Aziz</a> · <a href=\"https://profiles.wordpress.org/dovyp/\">Dōvy Paukstys</a> · <a href=\"https://profiles.wordpress.org/eclev91/\">eclev91</a> · <a href=\"https://profiles.wordpress.org/chopinbach/\">Edwin Cromley</a> · <a href=\"https://profiles.wordpress.org/eedee/\">eedee</a> · <a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a> · <a href=\"https://profiles.wordpress.org/eliezerspp/\">Eliezer Peña</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van&nbsp;Durpe</a> · <a href=\"https://profiles.wordpress.org/clarkeemily/\">Emily Clarke</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/ethitter/\">Erick Hitter</a> · <a href=\"https://profiles.wordpress.org/codekraft/\">Erik</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/estelaris/\">estelaris</a> · <a href=\"https://profiles.wordpress.org/madpixels/\">eugene.manuilov</a> · <a href=\"https://profiles.wordpress.org/eugenemanuilov/\">Eugene.Manuilov</a> · <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a> · <a href=\"https://profiles.wordpress.org/aaemnnosttv/\">Evan Mattson</a> · <a href=\"https://profiles.wordpress.org/circlecube/\">Evan Mullins</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a> · <a href=\"https://profiles.wordpress.org/faison/\">Faison</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/fellyph/\">Fellyph Cintra</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/florianbrinkmann/\">Florian Brinkmann</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco</a> · <a href=\"https://profiles.wordpress.org/fuadragib/\">Fuad Ragib</a> · <a href=\"https://profiles.wordpress.org/furi3r/\">furi3r</a> · <a href=\"https://profiles.wordpress.org/gabri3lmarques/\">gabri3lmarques</a> · <a href=\"https://profiles.wordpress.org/gdetassigny/\">Gabriel de Tassigny</a> · <a href=\"https://profiles.wordpress.org/gabertronic/\">Gabriel Rose</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/voldemortensen/\">Garth Mortensen</a> · <a href=\"https://profiles.wordpress.org/garyj/\">Gary Jones</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/garymatthews919/\">garymatthews919</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/georgestephanis/\">George Stephanis</a> · <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a> · <a href=\"https://profiles.wordpress.org/gigitux/\">gigitux</a> · <a href=\"https://profiles.wordpress.org/giox069/\">giox069</a> · <a href=\"https://profiles.wordpress.org/giuseppemazzapica/\">giuseppemazzapica</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/goldenapples/\">goldenapples</a> · <a href=\"https://profiles.wordpress.org/greglone/\">Grégory Viguier</a> · <a href=\"https://profiles.wordpress.org/graham73may/\">graham73may</a> · <a href=\"https://profiles.wordpress.org/grantmkin/\">Grant M. Kinney</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/greg24/\">greg24</a> · <a href=\"https://profiles.wordpress.org/gregorlove/\">gRegor Morrill</a> · <a href=\"https://profiles.wordpress.org/gunterer/\">gunterer</a> · <a href=\"https://profiles.wordpress.org/bordoni/\">Gustavo Bordoni</a> · <a href=\"https://profiles.wordpress.org/h2ham/\">h2ham (Hiromu Hasegawa)</a> · <a href=\"https://profiles.wordpress.org/hakanca/\">hakanca</a> · <a href=\"https://profiles.wordpress.org/hakre/\">hakre</a> · <a href=\"https://profiles.wordpress.org/hansjovisyoast/\">Hans-Christiaan Braun</a> · <a href=\"https://profiles.wordpress.org/thakkarhardik/\">Hardik Thakkar</a> · <a href=\"https://profiles.wordpress.org/haritpanchal/\">Harit Panchal</a> · <a href=\"https://profiles.wordpress.org/harshvaishnav/\">harshvaishnav</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/azhiyadev/\">Hauwa Abashiya</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/iamarinoh/\">Henrique Iamarino</a> · <a href=\"https://profiles.wordpress.org/henrywright/\">Henry Wright</a> · <a href=\"https://profiles.wordpress.org/here/\">here</a> · <a href=\"https://profiles.wordpress.org/herregroen/\">Herre Groen</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hiren1094/\">hiren sanja</a> · <a href=\"https://profiles.wordpress.org/hiyascout/\">hiyascout</a> · <a href=\"https://profiles.wordpress.org/howdy_mcgee/\">Howdy_McGee</a> · <a href=\"https://profiles.wordpress.org/hugodevos/\">hugodevos</a> · <a href=\"https://profiles.wordpress.org/huubl/\">huubl</a> · <a href=\"https://profiles.wordpress.org/hztyfoon/\">hztyfoon</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/iansvo/\">iansvo</a> · <a href=\"https://profiles.wordpress.org/icaspar/\">iCaspar</a> · <a href=\"https://profiles.wordpress.org/igmoweb/\">Ignacio Cruz Moreno</a> · <a href=\"https://profiles.wordpress.org/igorsch/\">Igor</a> · <a href=\"https://profiles.wordpress.org/igrigorik/\">igrigorik</a> · <a href=\"https://profiles.wordpress.org/ilovecats7/\">ilovecats7</a> · <a href=\"https://profiles.wordpress.org/ilunabar/\">ilunabar</a> · <a href=\"https://profiles.wordpress.org/imadarshakshat/\">imadarshakshat</a> · <a href=\"https://profiles.wordpress.org/ipajen/\">ipajen</a> · <a href=\"https://profiles.wordpress.org/ipstenu/\">Ipstenu (Mika Epstein)</a> · <a href=\"https://profiles.wordpress.org/irecinius/\">irecinius</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/iulia-cazan/\">Iulia Cazan</a> · <a href=\"https://profiles.wordpress.org/ivanjeronimo/\">ivanjeronimo</a> · <a href=\"https://profiles.wordpress.org/iviweb/\">iviweb</a> · <a href=\"https://profiles.wordpress.org/jdgrimes/\">J.D. Grimes</a> · <a href=\"https://profiles.wordpress.org/primetimejas/\">Jacob Schweitzer</a> · <a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a> · <a href=\"https://profiles.wordpress.org/jamesckemp/\">James Kemp</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/jamieburchell/\">jamieburchell</a> · <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a> · <a href=\"https://profiles.wordpress.org/jarretc/\">Jarret</a> · <a href=\"https://profiles.wordpress.org/jsnjohnston/\">Jason Johnston</a> · <a href=\"https://profiles.wordpress.org/trapsta/\">Jasper Kinoti</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a> · <a href=\"https://profiles.wordpress.org/grandeljay/\">Jay Trees</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jeawhanlee/\">jeawhanlee</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeff Paul</a> · <a href=\"https://profiles.wordpress.org/juberstine/\">Jeff Uberstine</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/jeroenreumkens/\">JeroenReumkens</a> · <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a> · <a href=\"https://profiles.wordpress.org/jhart35/\">jhart35</a> · <a href=\"https://profiles.wordpress.org/jhnstn/\">jhnstn</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jnz31/\">jnz31</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joehoyle/\">Joe Hoyle</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joelhardi/\">joelhardi</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnregan3/\">John Regan</a> · <a href=\"https://profiles.wordpress.org/johnmark8080/\">johnmark8080</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/jonsurrell/\">Jon Surrell</a> · <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a> · <a href=\"https://profiles.wordpress.org/jonmackintosh/\">jonmackintosh</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jonny-s/\">jonny-s</a> · <a href=\"https://profiles.wordpress.org/jonoaldersonwp/\">Jono Alderson</a> · <a href=\"https://profiles.wordpress.org/joostdevalk/\">Joost de Valk</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/josvelasco/\">Jos Velasco</a> · <a href=\"https://profiles.wordpress.org/joegrainger/\">Joseph Grainger</a> · <a href=\"https://profiles.wordpress.org/jostnes/\">Josepha Dambul</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a> · <a href=\"https://profiles.wordpress.org/jhabdas/\">Josh Habdas</a> · <a href=\"https://profiles.wordpress.org/joshuaabenazer/\">Joshua Abenazer</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jrbeilke/\">jrbeilke</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">jsnajdr</a> · <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a> · <a href=\"https://profiles.wordpress.org/juliemoynat/\">Julie Moynat</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/juliobox/\">Julio Potier</a> · <a href=\"https://profiles.wordpress.org/just0nequestion/\">just0nequestion</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/justinsainton/\">Justin Sainton</a> · <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a> · <a href=\"https://profiles.wordpress.org/welenofsky/\">Justin Welenofsky</a> · <a href=\"https://profiles.wordpress.org/jyolsna/\">jyolsna</a> · <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/akabarikalpesh/\">Kalpesh Akabari</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/karinclimber/\">Kari Anderson</a> · <a href=\"https://profiles.wordpress.org/karlgroves/\">karlgroves</a> · <a href=\"https://profiles.wordpress.org/karlijnbk/\">Karlijn Bok</a> · <a href=\"https://profiles.wordpress.org/kasparsd/\">Kaspars</a> · <a href=\"https://profiles.wordpress.org/zoonini/\">Kathryn Presner</a> · <a href=\"https://profiles.wordpress.org/kbrownkd/\">kbrownkd</a> · <a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a> · <a href=\"https://profiles.wordpress.org/kevinb/\">Kevin Behrens</a> · <a href=\"https://profiles.wordpress.org/khag7/\">Kevin Hagerty</a> · <a href=\"https://profiles.wordpress.org/khoipro/\">Khoi Pro</a> · <a href=\"https://profiles.wordpress.org/khokansardar/\">Khokan Sardar</a> · <a href=\"https://profiles.wordpress.org/killua99/\">killua99</a> · <a href=\"https://profiles.wordpress.org/kishanjasani/\">Kishan Jasani</a> · <a href=\"https://profiles.wordpress.org/kitchin/\">kitchin</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/kkmuffme/\">kkmuffme</a> · <a href=\"https://profiles.wordpress.org/blackawxs/\">klewis</a> · <a href=\"https://profiles.wordpress.org/knutsp/\">Knut Sparhell</a> · <a href=\"https://profiles.wordpress.org/vdwijngaert/\">Koen Van den Wijngaert</a> · <a href=\"https://profiles.wordpress.org/konradyoast/\">Konrad.K</a> · <a href=\"https://profiles.wordpress.org/kovshenin/\">Konstantin Kovshenin</a> · <a href=\"https://profiles.wordpress.org/kanlukasz/\">Kris Kelvin</a> · <a href=\"https://profiles.wordpress.org/krishaweb/\">KrishaWeb</a> · <a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a> · <a href=\"https://profiles.wordpress.org/kmadhak/\">Kunal Madhak</a> · <a href=\"https://profiles.wordpress.org/kurtpayne/\">Kurt Payne</a> · <a href=\"https://profiles.wordpress.org/kwillmorth/\">kwillmorth</a> · <a href=\"https://profiles.wordpress.org/kbjohnson90/\">Kyle B. Johnson</a> · <a href=\"https://profiles.wordpress.org/devnel/\">Kyle Nel</a> · <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a> · <a href=\"https://profiles.wordpress.org/laurent22777/\">laurent22777</a> · <a href=\"https://profiles.wordpress.org/lazam786/\">lazam786</a> · <a href=\"https://profiles.wordpress.org/leewillis77/\">Lee Willis</a> · <a href=\"https://profiles.wordpress.org/leemon/\">leemon</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/leogermani/\">leogermani</a> · <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a> · <a href=\"https://profiles.wordpress.org/linsoftware/\">Linnea Huxford</a> · <a href=\"https://profiles.wordpress.org/lonnylot/\">lonnylot</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/lovor/\">Lovro Hrust</a> · <a href=\"https://profiles.wordpress.org/lucasbustamante/\">Lucas Bustamante</a> · <a href=\"https://profiles.wordpress.org/lucilastancato/\">lucilastancato</a> · <a href=\"https://profiles.wordpress.org/luigipulcini/\">luigipulcini</a> · <a href=\"https://profiles.wordpress.org/zaguiini/\">Luis Felipe Zaguini</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/infolu/\">Luiz Araújo</a> · <a href=\"https://profiles.wordpress.org/mitweka/\">Lukas Niebler</a> · <a href=\"https://profiles.wordpress.org/lukecavanagh/\">Luke Cavanagh</a> · <a href=\"https://profiles.wordpress.org/msnewas/\">M S Newaz</a> · <a href=\"https://profiles.wordpress.org/maartenj/\">Maarten</a> · <a href=\"https://profiles.wordpress.org/mashikag/\">Maciej</a> · <a href=\"https://profiles.wordpress.org/maciejmackowiak/\">maciejmackowiak</a> · <a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/patopaiar/\">magicoders</a> · <a href=\"https://profiles.wordpress.org/maahrokh/\">Mahrokh</a> · <a href=\"https://profiles.wordpress.org/maksimkuzmin/\">maksimkuzmin</a> · <a href=\"https://profiles.wordpress.org/malthert/\">malthert</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/manishsongirkar36/\">Manish Songirkar</a> · <a href=\"https://profiles.wordpress.org/manzoorwanijk/\">Manzoor Wani</a> · <a href=\"https://profiles.wordpress.org/manzurahammed/\">Manzur Ahammed</a> · <a href=\"https://profiles.wordpress.org/marcyoast/\">Marc</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/mkaz/\">Marcus Kazmierczak</a> · <a href=\"https://profiles.wordpress.org/marekdedic/\">Marek Dědič</a> · <a href=\"https://profiles.wordpress.org/nuryko/\">Marianna</a> · <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markbiek/\">Mark Biek</a> · <a href=\"https://profiles.wordpress.org/markhowellsmead/\">Mark Howells-Mead</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/markparnell/\">Mark Parnell</a> · <a href=\"https://profiles.wordpress.org/markoheijnen/\">Marko Heijnen</a> · <a href=\"https://profiles.wordpress.org/flootr/\">Markus</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a> · <a href=\"https://profiles.wordpress.org/hinjiriyo/\">Martin Stehle</a> · <a href=\"https://profiles.wordpress.org/martinkrcho/\">martin.krcho</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/mashukushibiki/\">Mashu</a> · <a href=\"https://profiles.wordpress.org/masteradhoc/\">masteradhoc</a> · <a href=\"https://profiles.wordpress.org/msurdi/\">Matías Emanuel Surdi</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">matiasbenedetto</a> · <a href=\"https://profiles.wordpress.org/mattchowning/\">Matt Chowning</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/mattwondra/\">Matt Wondra</a> · <a href=\"https://profiles.wordpress.org/mboynes/\">Matthew Boynes</a> · <a href=\"https://profiles.wordpress.org/mattheweppelsheimer/\">Matthew Eppelsheimer</a> · <a href=\"https://profiles.wordpress.org/matthiaspabst/\">Matthias Pabst</a> · <a href=\"https://profiles.wordpress.org/matthiasreinholz/\">Matthias Reinholz</a> · <a href=\"https://profiles.wordpress.org/mattyrob/\">mattyrob</a> · <a href=\"https://profiles.wordpress.org/azouamauriac/\">Mauriac AZOUA</a> · <a href=\"https://profiles.wordpress.org/maximej/\">Maxime J.</a> · <a href=\"https://profiles.wordpress.org/maximemeganck/\">Maxime Meganck</a> · <a href=\"https://profiles.wordpress.org/mayankmajeji/\">Mayank Majeji</a> · <a href=\"https://profiles.wordpress.org/maythamalsudany/\">maythamalsudany</a> · <a href=\"https://profiles.wordpress.org/mayuge/\">Mayuge</a> · <a href=\"https://profiles.wordpress.org/mcliwanow/\">mcliwanow</a> · <a href=\"https://profiles.wordpress.org/rakibwordpress/\">Md Rakib Hossain</a> · <a href=\"https://profiles.wordpress.org/russel07/\">Md. Russel Hussain</a> · <a href=\"https://profiles.wordpress.org/mdrago/\">mdrago</a> · <a href=\"https://profiles.wordpress.org/mehedi890/\">Mehedi Foysal</a> · <a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a> · <a href=\"https://profiles.wordpress.org/mehulkaklotar/\">Mehul Kaklotar</a> · <a href=\"https://profiles.wordpress.org/melchoyce/\">Mel Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/meloniq/\">meloniq</a> · <a href=\"https://profiles.wordpress.org/merkys/\">Merkys Maliukevičius</a> · <a href=\"https://profiles.wordpress.org/meysamnorouzi/\">meysam norouzi</a> · <a href=\"https://profiles.wordpress.org/mfgmicha/\">Micha Krapp</a> · <a href=\"https://profiles.wordpress.org/michaelbourne/\">Michael Bourne</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mihaidumitrascu/\">Mihai Dumitrascu</a> · <a href=\"https://profiles.wordpress.org/mihai2u/\">Mike Crantea</a> · <a href=\"https://profiles.wordpress.org/mdgl/\">Mike Glendinning</a> · <a href=\"https://profiles.wordpress.org/mikehansenme/\">Mike Hansen</a> · <a href=\"https://profiles.wordpress.org/mikejolley/\">Mike Jolley (a11n)</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/mikemanzo/\">mikemanzo</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/milindmore22/\">Milind More</a> · <a href=\"https://profiles.wordpress.org/mimitips/\">mimi</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/presents111/\">miya</a> · <a href=\"https://profiles.wordpress.org/mlajo/\">Mladen</a> · <a href=\"https://profiles.wordpress.org/batmoo/\">Mohammad Jangda</a> · <a href=\"https://profiles.wordpress.org/mjkhajeh/\">MohammadJafar Khajeh</a> · <a href=\"https://profiles.wordpress.org/mohitdadhich10/\">Mohit Dadhich</a> · <a href=\"https://profiles.wordpress.org/boemedia/\">Monique Dubbelman</a> · <a href=\"https://profiles.wordpress.org/mt8biz/\">moto hachi</a> · <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a> · <a href=\"https://profiles.wordpress.org/mrobit/\">mrobit</a> · <a href=\"https://profiles.wordpress.org/msolution/\">msolution</a> · <a href=\"https://profiles.wordpress.org/mtias/\">mtias</a> · <a href=\"https://profiles.wordpress.org/wparslan/\">Muhammad Arslan</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/mmaumio/\">Muntasir Mahmud</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/mvraghavan/\">mvraghavan</a> · <a href=\"https://profiles.wordpress.org/mweichert/\">mweichert</a> · <a href=\"https://profiles.wordpress.org/n8finch/\">n8finch</a> · <a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a> · <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a> · <a href=\"https://profiles.wordpress.org/nareshbheda/\">Naresh Bheda</a> · <a href=\"https://profiles.wordpress.org/nateallen/\">Nate Allen</a> · <a href=\"https://profiles.wordpress.org/nhadsall/\">Nathan</a> · <a href=\"https://profiles.wordpress.org/nathanatmoz/\">Nathan Johnson</a> · <a href=\"https://profiles.wordpress.org/navigatrum/\">navigatrum</a> · <a href=\"https://profiles.wordpress.org/neffff/\">neffff</a> · <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a> · <a href=\"https://profiles.wordpress.org/neychok/\">Neycho Kalaydzhiev</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/celloexpressions/\">Nick Halsey</a> · <a href=\"https://profiles.wordpress.org/nico23/\">Nico</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/nikkigagency/\">nikkigagency</a> · <a href=\"https://profiles.wordpress.org/im_niloy/\">Niloy</a> · <a href=\"https://profiles.wordpress.org/ninos-ego/\">Ninos</a> · <a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a> · <a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a> · <a href=\"https://profiles.wordpress.org/nlpro/\">nlpro</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/noplanman/\">noplanman</a> · <a href=\"https://profiles.wordpress.org/nouarah/\">nouarah</a> · <a href=\"https://profiles.wordpress.org/numidwasnotavailable/\">NumidWasNotAvailable</a> · <a href=\"https://profiles.wordpress.org/nunomorgadinho/\">Nuno Morgadinho</a> · <a href=\"https://profiles.wordpress.org/zikubd/\">Nurul Umbhiya</a> · <a href=\"https://profiles.wordpress.org/nvartolomei/\">nvartolomei</a> · <a href=\"https://profiles.wordpress.org/obayedmamur/\">Obayed Mamur</a> · <a href=\"https://profiles.wordpress.org/obliviousharmony/\">obliviousharmony</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a> · <a href=\"https://profiles.wordpress.org/oliverstapelfeldt/\">Oliver Stapelfeldt</a> · <a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a> · <a href=\"https://profiles.wordpress.org/oneearth27/\">oneearth27</a> · <a href=\"https://profiles.wordpress.org/onnimonni/\">Onni Hakala</a> · <a href=\"https://profiles.wordpress.org/opr18/\">opr18</a> · <a href=\"https://profiles.wordpress.org/ovidiul/\">ovidiul</a> · <a href=\"https://profiles.wordpress.org/p_enrique/\">p_enrique</a> · <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a> · <a href=\"https://profiles.wordpress.org/poliuk/\">Pablo Postigo</a> · <a href=\"https://profiles.wordpress.org/pablohoney/\">PabloHoney</a> · <a href=\"https://profiles.wordpress.org/palmiak/\">palmiak</a> · <a href=\"https://profiles.wordpress.org/pls78/\">Paolo L. Scala</a> · <a href=\"https://profiles.wordpress.org/paragoninitiativeenterprises/\">Paragon Initiative Enterprises</a> · <a href=\"https://profiles.wordpress.org/xparham/\">Parham Ghaffarian</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/patrickgroot/\">Patrick Groot</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a> · <a href=\"https://profiles.wordpress.org/figureone/\">Paul Ryan</a> · <a href=\"https://profiles.wordpress.org/paulohcruz/\">Paulo Cruz</a> · <a href=\"https://profiles.wordpress.org/paulopmt1/\">Paulo Trentin</a> · <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a> · <a href=\"https://profiles.wordpress.org/pavelschoffer/\">pavelschoffer</a> · <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/westi/\">Peter Westwood</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/johnstonphilip/\">Phil Johnston</a> · <a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a> · <a href=\"https://profiles.wordpress.org/strategio/\">Pierre Sylvestre</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/mordauk/\">Pippin Williamson</a> · <a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/praful2111/\">Praful Patel</a> · <a href=\"https://profiles.wordpress.org/pratiweb/\">Pratiksha</a> · <a href=\"https://profiles.wordpress.org/nikeo/\">presscustomizr</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/presstoke/\">presstoke</a> · <a href=\"https://profiles.wordpress.org/priyomukul/\">Priyo Mukul</a> · <a href=\"https://profiles.wordpress.org/prokium/\">prokium</a> · <a href=\"https://profiles.wordpress.org/itsjonq/\">Q</a> · <a href=\"https://profiles.wordpress.org/rachelbaker/\">Rachel Baker</a> · <a href=\"https://profiles.wordpress.org/larrach/\">Rachel Peter</a> · <a href=\"https://profiles.wordpress.org/raduiason/\">raduiason</a> · <a href=\"https://profiles.wordpress.org/rafiahmedd/\">Rafi Ahmed</a> · <a href=\"https://profiles.wordpress.org/tan007/\">Rahi Prajapati</a> · <a href=\"https://profiles.wordpress.org/rajanpanchal2028/\">Rajan Panchal</a> · <a href=\"https://profiles.wordpress.org/rajeshraval786/\">Rajesh Raval</a> · <a href=\"https://profiles.wordpress.org/ralucastn/\">ralucastn</a> · <a href=\"https://profiles.wordpress.org/superpoincare/\">Ramanan</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/rcorrales/\">Ramon Corrales</a> · <a href=\"https://profiles.wordpress.org/ramon-fincken/\">ramon fincken</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/randhirexpresstech/\">randhirexpresstech</a> · <a href=\"https://profiles.wordpress.org/ravipatel/\">Ravikumar Patel</a> · <a href=\"https://profiles.wordpress.org/rcanepa/\">rcanepa</a> · <a href=\"https://profiles.wordpress.org/rebasaurus/\">rebasaurus</a> · <a href=\"https://profiles.wordpress.org/rehanali/\">Rehan Ali</a> · <a href=\"https://profiles.wordpress.org/tabrisrp/\">Remy Perona</a> · <a href=\"https://profiles.wordpress.org/renathoc/\">Renatho (a11n)</a> · <a href=\"https://profiles.wordpress.org/renegeuze/\">renegeuze</a> · <a href=\"https://profiles.wordpress.org/laboiteare/\">Reuhno</a> · <a href=\"https://profiles.wordpress.org/rflw/\">rflw</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/rinatkhaziev/\">Rinat</a> · <a href=\"https://profiles.wordpress.org/rinkychowdhury9/\">Rinky Chowdhury</a> · <a href=\"https://profiles.wordpress.org/rishishah/\">Rishi Shah</a> · <a href=\"https://profiles.wordpress.org/rkaiser0324/\">rkaiser0324</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/miqrogroove/\">Robert Chapin</a> · <a href=\"https://profiles.wordpress.org/robertghetau/\">robertght</a> · <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a> · <a href=\"https://profiles.wordpress.org/robmiller/\">robmiller</a> · <a href=\"https://profiles.wordpress.org/rodrigosevero/\">rodrigosevero</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/rolfsiebers/\">Rolf Siebers</a> · <a href=\"https://profiles.wordpress.org/rollybueno/\">rollybueno</a> · <a href=\"https://profiles.wordpress.org/rherault/\">Romain Herault</a> · <a href=\"https://profiles.wordpress.org/romulodl/\">romulodl</a> · <a href=\"https://profiles.wordpress.org/ross_ritchey/\">ross_ritchey</a> · <a href=\"https://profiles.wordpress.org/lev0/\">Roy</a> · <a href=\"https://profiles.wordpress.org/geekstreetwp/\">Russell Aaron</a> · <a href=\"https://profiles.wordpress.org/ryan/\">Ryan Boren</a> · <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a> · <a href=\"https://profiles.wordpress.org/ryanmurphy/\">Ryan Murphy</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/sebastienserre/\">Sébastien SERRE</a> · <a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a> · <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a> · <a href=\"https://profiles.wordpress.org/sabbirmc/\">Sabbir Ahmed</a> · <a href=\"https://profiles.wordpress.org/sajjad67/\">Sajjad Hossain Sagor</a> · <a href=\"https://profiles.wordpress.org/saggre/\">Sakri Koskimies</a> · <a href=\"https://profiles.wordpress.org/samikeijonen/\">Sami Keijonen</a> · <a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a> · <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a> · <a href=\"https://profiles.wordpress.org/sandipmondal/\">Sandip Mondal &#8211; a11n</a> · <a href=\"https://profiles.wordpress.org/sandrasanzdev/\">Sandra Sanz</a> · <a 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href=\"https://profiles.wordpress.org/shuvo586/\">shuvo586</a> · <a href=\"https://profiles.wordpress.org/rsiddharth/\">siddharth ravikumar</a> · <a href=\"https://profiles.wordpress.org/nomnom99/\">Siddharth Thevaril</a> · <a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/sirzooro/\">sirzooro</a> · <a href=\"https://profiles.wordpress.org/slaffik/\">Slava Abakumov</a> · <a href=\"https://profiles.wordpress.org/slobodanmanic/\">Slobodan Manic</a> · <a href=\"https://profiles.wordpress.org/smit08/\">Smit Rathod</a> · <a href=\"https://profiles.wordpress.org/sobatkras/\">sobatkras</a> · <a href=\"https://profiles.wordpress.org/khromov/\">Stanislav Khromov</a> · <a href=\"https://profiles.wordpress.org/steelwagstaff/\">SteelWagstaff</a> · <a href=\"https://profiles.wordpress.org/ste_95/\">Stefano</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/hypest/\">Stefanos 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+0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:13:\"Documentation\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2509\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"Tour d\'horizon des changements techniques apportés par WordPress 6.1, la prochaine version majeure du CMS.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:66:\"https://make.wordpress.org/design/files/2022/09/tt3_variations.mp4\";s:6:\"length\";s:6:\"996018\";s:4:\"type\";s:9:\"video/mp4\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:45796:\"\n<p>La version&nbsp;<em>Release Candidate</em>&nbsp;de&nbsp;<strong>WordPress&nbsp;6.1</strong>&nbsp;est sortie mardi 11 octobre. Il est donc temps de parcourir les différents changements techniques qu’apportera cette prochaine version majeure de notre CMS.</p>\n\n\n\n<p><strong>La sortie finale de cette nouvelle version est planifiée pour le 1<sup>er</sup>&nbsp;novembre 2022.</strong></p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2328\" height=\"1158\" src=\"https://fr.wordpress.org/files/2022/10/wp61-guide.png\" alt=\"WordPress 6.1 : Guide des changements techniques\" class=\"wp-image-2472\" srcset=\"https://fr.wordpress.org/files/2022/10/wp61-guide.png 2328w, https://fr.wordpress.org/files/2022/10/wp61-guide-300x149.png 300w, https://fr.wordpress.org/files/2022/10/wp61-guide-1024x509.png 1024w, https://fr.wordpress.org/files/2022/10/wp61-guide-768x382.png 768w, https://fr.wordpress.org/files/2022/10/wp61-guide-1536x764.png 1536w, https://fr.wordpress.org/files/2022/10/wp61-guide-2048x1019.png 2048w\" sizes=\"(max-width: 2328px) 100vw, 2328px\" /></figure>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/6-1/\">L’équipe de direction de WP 6.1</a>&nbsp;et plusieurs centaines de contributeurs et contributrices ont travaillé sur plus de&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">120 améliorations et nouvelles fonctionnalités</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">241 correctifs</a>&nbsp;et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">42 autres tâches variées</a>, ce qui représente plus de&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">400 tickets sur Trac</a>.</p>\n\n\n\n<p>À cela, il faut ajouter plus de&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56467\">50 pull requests</a>&nbsp;ayant permis de fusionner les différentes versions de Gutenberg dans le cœur du CMS. Du côté du projet Gutenberg il y a eu en tout 1684 pull requests apportant 425 nouvelles fonctionnalités et améliorations et 428&nbsp;correctifs de bugs, le reste concernant des tâches courantes de revue de qualité du code, de documentation ou d&rsquo;amélioration des outils de déploiement.</p>\n\n\n\n<p class=\"is-style-serif has-text-color\" style=\"color:#d95e43;font-size:18px\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.1&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<span id=\"more-2509\"></span>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-text-color has-background\" style=\"color:#ac270c;background-color:#f4e3da\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress&nbsp;6.1 lorsque cette version sortira le 1<sup>er</sup>&nbsp;novembre 2022.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Performances</h2>\n\n\n\n<p>Avec&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=version&amp;col=focuses&amp;col=keywords&amp;order=priority\">45 tickets sur Trac</a>&nbsp;pour WP&nbsp;6.1, l’amélioration des performances et des temps de chargement de WordPress a été l’un des enjeux principaux de cette version. Les changements les plus significatifs portent sur les requêtes&nbsp;<code>WP_Query</code>&nbsp;et sur l’API REST, deux points qui impactent grandement les temps de chargement de votre site. L’un des changements les plus attendus concernait notamment la mise en cache des requêtes&nbsp;<code>WP_Query</code>, et c’est maintenant une réalité avec WP&nbsp;6.1.</p>\n\n\n\n<p>De nouveaux points de contrôle ont aussi été ajoutés dans l’écran de&nbsp;<em>Santé du site</em>, qui vous indiquera maintenant si la mise en cache des pages et le cache persistant fonctionnent correctement sur votre site.</p>\n\n\n\n<p>Plusieurs améliorations conséquentes sur l’API de mise en cache de WordPress ont également été mises en œuvre, et l’ordre d’exécution général des crochets d’action a été optimisé pour retarder le moins possible l’affichage des pages.</p>\n\n\n\n<p>L’enregistrement de blocs personnalisés pour l’éditeur à l’aide de fichiers&nbsp;<code>block.json</code>&nbsp;a aussi été rendu bien plus performant.</p>\n\n\n\n<p>Et ce n’est qu’une petite partie des améliorations de performances de WP 6.1. Pour en découvrir plus, voici un guide spécifique sur les performances dans cette nouvelle version de WP&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"qnD9kaPwLM\"><a href=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/\">Performance Field Guide for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Performance Field Guide for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/embed/#?secret=S9AxfZHdKy#?secret=qnD9kaPwLM\" data-secret=\"qnD9kaPwLM\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Accessibilité</h2>\n\n\n\n<p>Il s’agit du second focus principal de WordPress 6.1, avec&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=focuses&amp;col=version&amp;col=keywords&amp;order=priority\">28 tickets sur Trac</a>, concernant 13 des principaux composants du CMS. De nombreuses améliorations ont été faites sur l’éditeur de blocs et sur la fonctionnalité d’édition complète du site, quelques éléments encore non conformes sur les différents écrans d’administration ont été corrigés, et beaucoup d’autres améliorations ont été faites pour faciliter l’utilisation de WordPress par toutes et tous.</p>\n\n\n\n<p>Une attention particulière a également été portée sur la gestion des champs requis sur les différents formulaires de l’interface d’administration&nbsp;: pour faciliter leur maintenance, une petite API a été créée afin de gérer de façon centralisée leur affichage. Celle-ci est publique et peut donc être utilisée par les personnes réalisant des développements sur mesure.</p>\n\n\n\n<p>Notons également qu’avec WordPress 6.1, les deux thèmes natifs&nbsp;<a href=\"https://core.trac.wordpress.org/changeset/54467\">Twenty Twenty-Three</a>&nbsp;(nous reparlerons de celui-là dans un article dédié&nbsp;!) et&nbsp;<a href=\"https://github.com/WordPress/wordpress-develop/pull/2324/files\">Twenty Twenty-Two</a>&nbsp;font leur entrée parmi les premiers&nbsp;<em>Block Themes</em>&nbsp;(ces thèmes entièrement modifiables avec l’éditeur de blocs) ayant obtenu le libellé&nbsp;<code>accessibility-ready</code>&nbsp;sur le répertoire de thèmes WordPress.org.</p>\n\n\n\n<p>Pour en savoir plus sur toutes ces améliorations concernant l’accessibilité de WordPress, consultez le guide spécifique proposé par l’équipe&nbsp;<em>Accessibility</em>&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"gOxSBctZIG\"><a href=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/\">WordPress 6.1 Accessibility Improvements</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;WordPress 6.1 Accessibility Improvements&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/embed/#?secret=Rp2Ep8E3XI#?secret=gOxSBctZIG\" data-secret=\"gOxSBctZIG\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">L’éditeur de blocs</h2>\n\n\n\n<p>C’est évidemment encore et toujours un des axes concentrant le plus d’évolutions d’une version à une autre&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f60a.png\" alt=\"😊\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>WordPress 6.1 embarque les versions&nbsp;<a href=\"https://make.wordpress.org/core/2022/04/28/whats-new-in-gutenberg-13-1-27-april/\">13.1</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/05/12/whats-new-in-gutenberg-13-2-may-11/\">13.2</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/05/26/whats-new-in-gutenberg-13-3-0-may-25/\">13.3</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/06/10/whats-new-in-gutenberg-13-4-8-june/\">13.4</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/06/22/whats-new-in-gutenberg-13-5-22-june/\">13.5</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/07/07/whats-new-in-gutenberg-13-6-6-july/\">13.6</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/07/20/whats-new-in-gutenberg-13-7-20-july/\">13.7</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/08/04/whats-new-in-gutenberg-13-8-3-august/\">13.8</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/08/17/whats-new-in-gutenberg-13-9-17-august/\">13.9</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/01/whats-new-in-gutenberg-14-0-31-august/\">14.0</a>, et&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/16/whats-new-in-gutenberg-14-1-15-september/\">14.1</a>&nbsp;du projet Gutenberg.</p>\n\n\n\n<p>Parmi les nombreux changements de ces 10 versions de l’extension Gutenberg, un gros effort a été fait pour rendre les blocs et autres fonctionnalités de l’éditeur de plus en plus disponibles pour les thèmes «&nbsp;classiques&nbsp;», c’est à dire les thèmes qui ne prennent pas encore en charge l’édition complète du site à l’aide de blocs, une fonctionnalité introduite dans le CMS en 2022 avec WordPress&nbsp;5.9.</p>\n\n\n\n<p>L’objectif est de faciliter le travail des développeuses et des développeurs pour effectuer une transition de leurs thèmes «&nbsp;classiques&nbsp;» vers le principe du thème basé sur des blocs, que celui-ci soit entièrement ou partiellement modifiable dans l’éditeur. Nous espérons que cela poussera encore plus les personnes développant des thèmes WordPress à exploiter au maximum les fonctionnalités de l’éditeur.</p>\n\n\n\n<p>Par ailleurs, de nombreuses fonctionnalités utiles au quotidien ont été ajoutées dans cette version&nbsp;: filtrage des données du&nbsp;<code>theme.json</code>, nouveau système de gestion des préférences dans l’éditeur, possibilité de modifier et étendre le bloc «&nbsp;Boucle de requête&nbsp;», et bien plus encore.</p>\n\n\n\n<p>Vous trouverez ci-dessous les différentes notes de développement concernant l’éditeur de WordPress&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dBrmxcR9rG\"><a href=\"https://make.wordpress.org/core/2022/10/12/block-api-changes-in-wordpress-6-1/\">Block API changes in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block API changes in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/12/block-api-changes-in-wordpress-6-1/embed/#?secret=yffoVF22CZ#?secret=dBrmxcR9rG\" data-secret=\"dBrmxcR9rG\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Fjn1oGyqWW\"><a href=\"https://make.wordpress.org/core/2022/10/07/create-block-scaffolding-tool-updates/\">Create-block scaffolding tool updates</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Create-block scaffolding tool updates&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/07/create-block-scaffolding-tool-updates/embed/#?secret=VtlSw1eM1t#?secret=Fjn1oGyqWW\" data-secret=\"Fjn1oGyqWW\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zyyLlU97ov\"><a href=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/\">Extending the Query Loop block</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Extending the Query Loop block&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/embed/#?secret=LIiTYZPDuG#?secret=zyyLlU97ov\" data-secret=\"zyyLlU97ov\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zexxXNky1n\"><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">Block-based &#8220;template parts&#8221; in traditional themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block-based &#8220;template parts&#8221; in traditional themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/embed/#?secret=jGN0kLdfpO#?secret=zexxXNky1n\" data-secret=\"zexxXNky1n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"TQjPI7jtgJ\"><a href=\"https://make.wordpress.org/core/2022/10/10/block-styles-generation-style-engine/\">Block styles generation (Style Engine)</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block styles generation (Style Engine)&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/block-styles-generation-style-engine/embed/#?secret=hpcPvjxOC0#?secret=TQjPI7jtgJ\" data-secret=\"TQjPI7jtgJ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"3JmOVCNc5n\"><a href=\"https://make.wordpress.org/core/2022/10/10/changes-to-block-editor-preferences-in-wordpress-6-1/\">Changes to block editor preferences in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Changes to block editor preferences in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/changes-to-block-editor-preferences-in-wordpress-6-1/embed/#?secret=71OVXmY0eo#?secret=3JmOVCNc5n\" data-secret=\"3JmOVCNc5n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"vifHRi3Twr\"><a href=\"https://make.wordpress.org/core/2022/10/10/editor-components-updates-for-wordpress-6-1/\">Editor Components updates in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Editor Components updates in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/editor-components-updates-for-wordpress-6-1/embed/#?secret=qPmCZKf0U8#?secret=vifHRi3Twr\" data-secret=\"vifHRi3Twr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"h3aDnp2W04\"><a href=\"https://make.wordpress.org/core/2022/10/11/simplified-data-access-with-new-react-hooks-in-wordpress-6-1/\">Simplified data access with new React hooks in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Simplified data access with new React hooks in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/simplified-data-access-with-new-react-hooks-in-wordpress-6-1/embed/#?secret=0IPHFMNGSf#?secret=h3aDnp2W04\" data-secret=\"h3aDnp2W04\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"bRnyzICqAu\"><a href=\"https://make.wordpress.org/core/2022/10/10/miscellaneous-editor-changes-for-wordpress-6-1/\">Miscellaneous editor changes for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous editor changes for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/miscellaneous-editor-changes-for-wordpress-6-1/embed/#?secret=5zY0ol61lV#?secret=bRnyzICqAu\" data-secret=\"bRnyzICqAu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Par ailleurs, la note de développement suivante fournit un état des lieux très pratique des blocs natifs et de leurs différentes possibilités de formatage&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"wq78upcC0e\"><a href=\"https://make.wordpress.org/core/2022/10/11/roster-of-design-tools-per-block/\">Roster of design tools per block</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Roster of design tools per block&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/roster-of-design-tools-per-block/embed/#?secret=0coW6ckdnA#?secret=wq78upcC0e\" data-secret=\"wq78upcC0e\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Développement de thèmes WordPress</h2>\n\n\n\n<p>Les notes de développement suivantes présentent des changements qui concernent tout particulièrement les développeuses et développeurs de thèmes.</p>\n\n\n\n<p>Tout d’abord, l’entête&nbsp;<code>Update URI</code>&nbsp;qui doit être utilisé si vous développez des thèmes sur mesure n’ayant pas vocation à être déployés sur le répertoire WordPress.org. Cela évitera que votre site propose une mise à jour et écrase votre thème dans le cas où un thème du répertoire officiel porterait le même identifiant (slug) que le vôtre&nbsp;!</p>\n\n\n\n<p>Ensuite nous avons plusieurs notes de développement concernant les interactions entre les thèmes et l’éditeur de site. Et notamment la possibilité de créer des éléments de modèles basés sur des blocs au sein d’un thème classique, c’est à dire d’un thème ne proposant au départ pas de compatibilité avec l’édition complète de site (<em>full site editing</em>).</p>\n\n\n\n<p>Enfin, on notera l&rsquo;arrivée de la gestion fluide des polices typographiques, qui permettent de définir la taille de typo de façon à ce qu&rsquo;elle s&rsquo;adapte dynamiquement à la largeur de l&rsquo;écran.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"kTK0wJfy87\"><a href=\"https://make.wordpress.org/core/2022/10/06/introducing-update-uri-theme-header-in-wordpress-6-1/\">Introducing “Update URI” theme header in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing “Update URI” theme header in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/06/introducing-update-uri-theme-header-in-wordpress-6-1/embed/#?secret=qitshxDkLe#?secret=kTK0wJfy87\" data-secret=\"kTK0wJfy87\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zexxXNky1n\"><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">Block-based &#8220;template parts&#8221; in traditional themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block-based &#8220;template parts&#8221; in traditional themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/embed/#?secret=jGN0kLdfpO#?secret=zexxXNky1n\" data-secret=\"zexxXNky1n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"WzczIz4yg6\"><a href=\"https://make.wordpress.org/core/2022/10/03/fluid-font-sizes-in-wordpress-6-1/\">Fluid font sizes in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Fluid font sizes in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/03/fluid-font-sizes-in-wordpress-6-1/embed/#?secret=SLMWQp7RNK#?secret=WzczIz4yg6\" data-secret=\"WzczIz4yg6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"z0vYQmLM5z\"><a href=\"https://make.wordpress.org/core/2022/09/27/navigation-block-fallback-behavior-in-wp-6-1-dev-note/\">Navigation Block Fallback Behavior in WP 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Navigation Block Fallback Behavior in WP 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/09/27/navigation-block-fallback-behavior-in-wp-6-1-dev-note/embed/#?secret=tx4090NC9A#?secret=z0vYQmLM5z\" data-secret=\"z0vYQmLM5z\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"GWWtPp4NS7\"><a href=\"https://make.wordpress.org/core/2022/10/10/styling-elements-in-block-themes/\">Styling elements in block themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Styling elements in block themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/styling-elements-in-block-themes/embed/#?secret=DNb1wiOY5K#?secret=GWWtPp4NS7\" data-secret=\"GWWtPp4NS7\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iGV1yvHNkk\"><a href=\"https://make.wordpress.org/core/2022/10/10/updated-editor-layout-support-in-6-1-after-refactor/\">Updated editor layout support in 6.1 after refactor</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Updated editor layout support in 6.1 after refactor&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/updated-editor-layout-support-in-6-1-after-refactor/embed/#?secret=ldKH3CQjOT#?secret=iGV1yvHNkk\" data-secret=\"iGV1yvHNkk\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"90Yib2AXch\"><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\">Filters for theme.json data</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Filters for theme.json data&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/embed/#?secret=5Qfg0Q38Dk#?secret=90Yib2AXch\" data-secret=\"90Yib2AXch\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PrZ6RePCEE\"><a href=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/\">Introduction of presets across padding, margin and block gap</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introduction of presets across padding, margin and block gap&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/embed/#?secret=9fmr75XcT7#?secret=PrZ6RePCEE\" data-secret=\"PrZ6RePCEE\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Twenty Twenty-Three, le nouveau thème natif</h2>\n\n\n\n<p><em>Twenty Twenty-Three</em>&nbsp;est le nouveau thème par défaut de WordPress.</p>\n\n\n\n<p>Comme son prédécesseur, il exploite à 100&nbsp;% les fonctionnalités de l’éditeur de site. Il va même beaucoup plus loin en intégrant nativement 10 variations de styles permettant de modifier complètement l’interface depuis l’administration.</p>\n\n\n\n<p>Ces 10 variations de styles ont été sélectionnées à l’aide d’un appel à contribution. L’objectif est de montrer par l’exemple comment se comportent les nouvelles fonctionnalités de l’éditeur de site, et notamment comment exploiter le fichier&nbsp;<code>theme.json</code>.</p>\n\n\n\n<p>Vous trouverez ci-dessous une vidéo balayant les 10 variations de styles de ce thème.</p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https://make.wordpress.org/design/files/2022/09/tt3_variations.mp4\"></video></figure>\n\n\n\n<p>Comme d’habitude, ce thème natif a été développé sur GitHub (où vous retrouverez l’historique du projet) puis intégré au cœur de WordPress pendant la phase de développement de la version 6.1.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres améliorations</h2>\n\n\n\n<h3 class=\"wp-block-heading\">API REST</h3>\n\n\n\n<p>L’API REST a vu l’arrivée d’améliorations concernant le point de terminaison&nbsp;<code>/search</code>&nbsp;ainsi que de l’affichage des réponses JSON pouvant être controlées via le filtre&nbsp;<code>rest_json_encode_options</code>. Toutes les améliorations de l’API sont décrites dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"wqhN6S07e4\"><a href=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-rest-api-improvements-in-wordpress-6-1/\">Miscellaneous REST API improvements in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous REST API improvements in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-rest-api-improvements-in-wordpress-6-1/embed/#?secret=99O3BHkhq9#?secret=wqhN6S07e4\" data-secret=\"wqhN6S07e4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Page de connexion</h3>\n\n\n\n<p>Une nouvelle fonction attendue depuis plus de 10 ans a fait son entrée dans la boîte à outils des développeuses et développeurs&nbsp;:&nbsp;<code>is_login()</code>&nbsp;permet de déterminer si l’on se trouve sur la page de connexion ou non.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"T8g55XKRps\"><a href=\"https://make.wordpress.org/core/2022/09/11/new-is_login-function-for-determining-if-a-page-is-the-login-screen/\">New is_login() function for determining if a page is the login screen</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New is_login() function for determining if a page is the login screen&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/09/11/new-is_login-function-for-determining-if-a-page-is-the-login-screen/embed/#?secret=JQ3aBVlXl1#?secret=T8g55XKRps\" data-secret=\"T8g55XKRps\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Tableaux de listes de l’admin</h3>\n\n\n\n<p>Une nouvelle méthode fait son apparition, afin de pouvoir interagir et filtrer plus facilement les liens de visualisation présents dans ces tableaux.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"at2b0OL7mT\"><a href=\"https://make.wordpress.org/core/2022/10/09/introducing-wp_list_tableget_views_links-in-wordpress-6-1/\">Introducing WP_List_Table::get_views_links() in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing WP_List_Table::get_views_links() in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/09/introducing-wp_list_tableget_views_links-in-wordpress-6-1/embed/#?secret=iitc3BtHzA#?secret=at2b0OL7mT\" data-secret=\"at2b0OL7mT\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Médias</h3>\n\n\n\n<p>Avec la version 5.8, nous avons accueilli&nbsp;<a href=\"https://make.wordpress.org/core/2021/06/07/wordpress-5-8-adds-webp-support/\">la prise en charge du format WebP</a>&nbsp;et nous prévoyions initialement d’intégrer la génération automatique et par défaut d’images dans ce format dans WordPress 6.1, mais le&nbsp;<em>commit</em>&nbsp;associé a finalement été&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54226\">annulé</a>&nbsp;avec la&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/11/webp-in-core-for-6-1/\">recommandation</a>&nbsp;de plutôt intégrer cette fonctionnalité dans une&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/11/canonical-plugins-revisited/\">extension canonique</a>.</p>\n\n\n\n<p>En revanche, la propriété&nbsp;<code>muted</code>&nbsp;est maintenant disponible pour les vidéos insérées dans l’éditeur, ce qui permet de rendre silencieuse les vidéos ayant vocation à être lancées automatiquement (propriété&nbsp;<code>autoplay</code>). Ceci est obligatoire pour les vidéos automatiques.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Autres changements techniques</h3>\n\n\n\n<p>WordPress 6.1 introduit de nombreuses nouvelles fonctions et crochets d’action ou filtres. Ces changements sont détaillés dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"eKrGcN1LRi\"><a href=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-core-changes-for-wordpress-6-1/\">Miscellaneous Core changes for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Core changes for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-core-changes-for-wordpress-6-1/embed/#?secret=wygMCG7gVe#?secret=eKrGcN1LRi\" data-secret=\"eKrGcN1LRi\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>En plus de tous ces changements, on notera les évolutions suivantes, triées par composant du cœur WP&nbsp;:</p>\n\n\n\n<ul>\n<li><strong>Mots de passe d’applications :</strong>&nbsp;les super&nbsp;admins peuvent mettre en place un mot de passe d’application sur un site auquel ils n’ont pas été rattachés (<a href=\"https://core.trac.wordpress.org/ticket/53224\">#53224</a>)</li>\n\n\n\n<li><strong>Sauvegardes automatiques :</strong>&nbsp;les utilisateur·ices ayant un blocage via la fonctionnalité&nbsp;<code>post lock</code>&nbsp;pouvaient auparavant tricher en surchargeant les modifications via les sauvegardes automatiques&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/55659\">#55659</a>)</li>\n\n\n\n<li><strong>API de gestion du cache&nbsp;:&nbsp;</strong>ajout des fonctions&nbsp;<code>wp_cache_flush_group</code>&nbsp;et&nbsp;<code>wp_cache_supports</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/4476\">#4476</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56605\">#56605</a>)</li>\n\n\n\n<li><strong>Charset&nbsp;:</strong>&nbsp;ajout de l’échappement des caractères unicode NFD dans&nbsp;<code>remove_accents()</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/35951\">#35951</a>)</li>\n\n\n\n<li><strong>API Cron :</strong>&nbsp;ajout de la journalisation des erreurs et de crochets associés dans&nbsp;<code>wp-cron.php</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56048\">#56048</a>)</li>\n\n\n\n<li><strong>Éditeur&nbsp;:</strong>&nbsp;clarification du fait que&nbsp;<code>get_page_template()</code>&nbsp;ne fonctionne pas sur les thèmes basés sur des blocs&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56394\">#56394</a>)</li>\n\n\n\n<li><strong>Compositions de blocs :</strong>&nbsp;ajout d’une catégorie «&nbsp;Pieds de page&nbsp;»&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56416\">#56416</a>)</li>\n\n\n\n<li><strong>Bibliothèque tierces :</strong>\n<ul>\n<li>Correction sur Thickbox pour la prise en charge des images WebP&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55786\">#55786</a></li>\n\n\n\n<li>Mise à jour de PHPMailer à la version 6.6.4&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55976\">#55976</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56016\">#56016</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56413\">#56413</a></li>\n\n\n\n<li>Mise à jour de Underscore à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56030\">#56030</a></li>\n\n\n\n<li>Mise à jour de Moment à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56031\">#56031</a></li>\n\n\n\n<li>Mise à jour de jQuery&nbsp;UI à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56239\">#56239</a></li>\n\n\n\n<li>Mise à jour de mediaelement.js à la version 4.2.17&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56319\">#56319</a></li>\n\n\n\n<li>Mise à jour de jQuery à la version 3.6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56451\">#56451</a></li>\n\n\n\n<li>Mise à jour de Sodium Compat à la version 1.19.0&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56564\">#56564</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56653\">#56653</a></li>\n\n\n\n<li>Mise à jour de GetID3 à la version 1.9.22&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56692\">#56692</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Formatage :</strong>\n<ul>\n<li>Suppression des accents combinés dans&nbsp;<code>remove_accents()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/24661\">#24661</a></li>\n\n\n\n<li>Inversement de l’encapsulation de&nbsp;<code>sanitize_url()</code>&nbsp;et&nbsp;<code>esc_url_raw()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55852\">#55852</a></li>\n\n\n\n<li>Correction de la valeur retournée par&nbsp;<code>safecss_filter_attr()</code>&nbsp;<a 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Différentes facettes de la plateforme, depuis la rédaction de nouveaux articles jusqu’à […]\nL’article WORDPRESS 6.4 : Un pas de géant vers un avenir plus performant et accessible pour le web est apparu en premier sur Agence WordPress Whodunit.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:16546:\"\n        \n<p>Dirigée par une équipe composée de personnes de genres sous-représentés dans la tech et disponible depuis le 7 novembre, cette nouvelle version, nommée Shirley en hommage à la célèbre chanteuse et pianiste de jazz Shirley Horn, se concentre sur l&#8217;amélioration de l&#8217;expérience utilisateur. Différentes facettes de la plateforme, depuis la rédaction de nouveaux articles jusqu&#8217;à la gestion des modèles sur votre site, ont été revues. 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Et Whodunit figure toujours parmi le top 10 des agences contributrices 😇</p>\n\n\n\n<p>Suivez le guide&#8230;</p>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">1 &#8211; Aperçu des fonctionnalités clés et des améliorations</h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-nouveau-theme-par-defaut-twenty-twenty-four\" data-block-type=\"core\">Nouveau thème par défaut&nbsp;: <bdo lang=\"en\" dir=\"ltr\">Twenty Twenty-Four</bdo></h3>\n\n\n\n<p>Le thème par défaut de cette année, <bdo lang=\"en\" dir=\"ltr\">Twenty Twenty-Four</bdo> (TT4), est conçu pour être polyvalent, adapté à une variété de sites et d&#8217;utilisations. Que vous soyez entrepreneur, photographe, artiste, écrivain ou blogueur, TT4 offre une collection de modèles et de motifs qui peuvent être personnalisés pour répondre à vos besoins spécifiques. Avec des modèles de page d&#8217;accueil variés et des options comme des pages &#8220;À propos&#8221;, des aperçus de projets, des RSVP et des pages d&#8217;atterrissage, TT4 est un thème qui promet flexibilité et facilité d&#8217;adoption.</p>\n\n\n\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-mkx084a\" data-block-id=\"mkx084a\"><figure><div class=\"stk-img-wrapper stk-image--shape-stretch\"><img class=\"stk-img wp-image-76215\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/11/tt4.png\" width=\"1200\" height=\"804\" //></div></figure></div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-fonctionnalite-lightbox-pour-les-images\" data-block-type=\"core\">Fonctionnalité Lightbox pour les images</h3>\n\n\n\n<p>WordPress 6.4 introduit une fonctionnalité <bdo lang=\"en\" dir=\"ltr\">lightbox</bdo> pour les images, permettant aux utilisateurs de cliquer sur une image et de l&#8217;afficher en plein écran. Cette fonctionnalité peut être activée globalement pour toutes les images ou individuellement, offrant ainsi une expérience de visualisation plus immersive et engageante pour les visiteurs du site.</p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-ameliorations-des-flux-de-travail\" data-block-type=\"core\">Améliorations des flux de travail</h3>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-possibilite-de-renommer-les-blocs-groupe\" data-block-type=\"core\">Possibilité de renommer les blocs Groupe</h4>\n\n\n\n<p>Dans le but de simplifier l&#8217;organisation et d&#8217;améliorer le flux de travail, WordPress 6.4 permettra de renommer les blocs Groupe. Cette fonctionnalité est particulièrement utile dans l&#8217;éditeur de site où les blocs Groupe sont fréquemment utilisés. En renommant ces blocs, les utilisateurs pourront mieux s&#8217;orienter dans la vue en Liste, facilitant ainsi la distinction entre les différentes parties du contenu.</p>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Améliorations de la gestion des images et des galeries</h3>\n\n\n\n<p>WordPress 6.4 facilite grandement le travail avec les images et les galeries. Dans la vue Liste, les utilisateurs peuvent désormais voir des aperçus des images et des galeries, ce qui permet de repérer rapidement et efficacement où chaque élément se trouve dans le contenu. Cette fonctionnalité, qui sera étendue à d&#8217;autres blocs liés aux images dans les futures versions, est un pas de plus vers une interface plus intuitive et visuelle pour les utilisateurs.</p>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Évolution de la Palette de commandes</h3>\n\n\n\n<p>La Palette de commandes, introduite dans WordPress 6.3, a été améliorée avec un nouveau design et de nouvelles commandes, notamment des actions spécifiques aux blocs. Ces améliorations rendent l&#8217;utilisation de la palette plus contextuelle et intuitive, permettant aux utilisateurs d&#8217;effectuer des actions comme grouper et dégrouper les blocs, avec une correspondance précise entre les options visibles et les actions disponibles.</p>\n\n\n\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-kjqkr1h\" data-block-id=\"kjqkr1h\"><figure><div class=\"stk-img-wrapper stk-image--shape-stretch\"><img class=\"stk-img wp-image-76213\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/11/visionneuse-renommer-palette-commandes.png\" width=\"1872\" height=\"538\" //></div></figure></div>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Catégorisation et gestion améliorée des compositions</h3>\n\n\n\n<p>Les compositions peuvent maintenant être organisés par catégories dès leur création, rendant leur tri et ajout beaucoup plus simples. Que ce soit dans la section globale des compositions ou lors de l&#8217;insertion, les catégories facilitent la recherche. De plus, une option de filtrage avancée est disponible pour une expérience de recherche plus ciblée.</p>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Import/export des compositions en tant que fichiers JSON</h3>\n\n\n\n<p>Pour une meilleure compatibilité et facilité de transfert, les compositions peuvent désormais être importées et exportées en tant que fichiers JSON. Cela offre un moyen simple de déplacer des compositions personnalisées entre différents sites.</p>\n\n\n\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-e3gquaq\" data-block-id=\"e3gquaq\"><figure><div class=\"stk-img-wrapper stk-image--shape-stretch\"><img class=\"stk-img wp-image-76214\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/11/vue-liste-vignettes-exportjson.png\" width=\"1872\" height=\"538\" //></div></figure></div>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Introduction des <bdo lang=\"en\" dir=\"ltr\">Block Hooks</bdo> pour les développeurs de plugins</h3>\n\n\n\n<p>Les <bdo lang=\"en\" dir=\"ltr\">Block Hooks</bdo> sont une API qui permet à un bloc dynamique de se greffer au rendu d&#8217;un autre bloc, offrant ainsi la possibilité d&#8217;insérer du contenu avant ou après un bloc spécifique. Cette fonctionnalité est conçue pour améliorer l&#8217;expérience utilisateur finale en permettant une insertion automatique de blocs à l&#8217;emplacement choisi par le développeur, tout en respectant les modifications apportées par l&#8217;utilisateur.</p>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Améliorations du flux d&#8217;écriture</h3>\n\n\n\n<p>L&#8217;acte d&#8217;écrire dans WordPress doit être fluide et agréable. Des raccourcis clavier supplémentaires, une fiabilité améliorée du collage, une fusion plus douce des listes et d&#8217;autres améliorations ont été apportées pour soutenir la créativité des utilisateurs. Par exemple, l&#8217;utilisation de la touche Échap permet de désélectionner les blocs dans la vue Liste, et des raccourcis clavier pour dupliquer les blocs ont été ajoutés.</p>\n\n\n\n<h3 class=\"wp-block-heading\" data-block-type=\"core\">Outils de design</h3>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Ajout du contrôle de proportions dans le placeholder du bloc Image</h4>\n\n\n\n<p>Après l&#8217;introduction des contrôles de proportion pour le bloc d&#8217;image à la une dans WordPress 6.3, ces mêmes contrôles sont maintenant disponibles pour le <bdo lang=\"en\" dir=\"ltr\">placeholder</bdo> du bloc Image. Cela offre plus de contrôle pour les motifs de type <bdo lang=\"en\" dir=\"ltr\">wireframe</bdo>, permettant de définir des mises en page que les utilisateurs peuvent ensuite personnaliser.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Ajout d&#8217;images de fond aux blocs Groupe</h4>\n\n\n\n<p>Les images de fond sont désormais prises en charge par les blocs Groupe, ce qui enrichit considérablement les possibilités de design.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Conservation des réglages d&#8217;alignement dans les compositions synchronisées</h4>\n\n\n\n<p>Un bug important a été corrigé : les réglages d&#8217;alignement sont désormais conservés lors de la création d&#8217;une composition synchronisée.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Support de l&#8217;orientation verticale du texte</h4>\n\n\n\n<p>Les thèmes peuvent désormais opter pour une fonctionnalité d&#8217;orientation du texte (disponible via le panneau de réglages de typographie d&#8217;un bloc) qui permet d&#8217;écrire le texte verticalement.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Ajout de boutons au bloc Navigation</h4>\n\n\n\n<p>Il est maintenant possible d&#8217;ajouter des boutons directement dans le bloc Navigation sans CSS personnalisé ou autres solutions de contournement.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Désactiver les contrôles de mise en page par bloc via le fichier theme.json</h4>\n\n\n\n<p>Il est maintenant possible de désactiver les contrôles de mise en page pour des blocs spécifiques via le fichier <code>theme.json</code>.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Bloc Query Loop : pagination améliorée avec contrôles supplémentaires</h4>\n\n\n\n<p>Une nouvelle option de pagination améliorée est disponible pour le bloc de Boucle de Requête, permettant de naviguer entre les pages sans rafraîchir la page.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Configurer votre propre typographie fluide</h4>\n\n\n\n<p>Après l&#8217;introduction de la typographie fluide dans WordPress 6.1, il est maintenant possible de définir ses propres valeurs de largeur de viewport pour le schéma <code>theme.json</code> de la typographie fluide.</p>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-34qgr4q\" id=\"autres-ameliorations\" data-block-id=\"34qgr4q\"><h3 class=\"stk-block-heading__text\">Autres améliorations</h3></div>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Nouveau composant ProgressBar (barre de progression)</h4>\n\n\n\n<p>Un nouveau composant ProgressBar horizontal est disponible et visible lors du chargement de l&#8217;Éditeur de site.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Empêcher l&#8217;édition de blocs avec useBlockEditingMode()</h4>\n\n\n\n<p>Une API précédemment privée est maintenant publique, permettant de restreindre l&#8217;interface d&#8217;édition d&#8217;un bloc et de ses enfants.</p>\n\n\n\n<h4 class=\"wp-block-heading\" data-block-type=\"core\">Utiliser le paramètre &#8216;nofollow&#8217; lors de l&#8217;ajout de liens</h4>\n\n\n\n<p>La possibilité de définir un lien comme <code>nofollow</code> a été ajoutée aux options de contrôle de lien. Cela permet d&#8217;indiquer aux moteurs d&#8217;indexation comme Google de ne pas suivre le lien concerné.</p>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">2- Quelques nouveautés techniques notables</h2>\n\n\n\n<h3 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Gutenberg et l&#8217;Éditeur de Blocs </strong></h3>\n\n\n\n<p>WordPress 6.4 introduit six nouvelles versions de l&#8217;extension Gutenberg, allant de la 16.2 à la 16.7. Une attention particulière a été portée sur l&#8217;API Block Hooks, offrant une extensibilité accrue pour les thèmes basés sur des blocs. Cette innovation permet aux développeurs de filtrer et d&#8217;étendre les fonctionnalités des blocs avec une plus grande facilité.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Améliorations de l&#8217;Interface et des Composants</strong></h2>\n\n\n\n<p>Des changements substantiels ont été apportés au paquet @wordpress/components, améliorant l&#8217;interface utilisateur et l&#8217;expérience de l&#8217;éditeur. Les développeurs bénéficieront de nouvelles API pour les Innerblocks, la typographie fluide, et la gestion des images d&#8217;arrière-plan, ainsi que d&#8217;une meilleure gestion des options de mise en page via le fichier theme.json.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Administration et Notifications </strong></h2>\n\n\n\n<p>Deux nouvelles fonctions d&#8217;administration simplifient la génération de balisage HTML, favorisant une maintenance aisée et une cohérence accrue. Ces fonctions sont également recommandées pour les développeurs d&#8217;extensions, assurant une intégration harmonieuse avec le cœur de WordPress.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Performance et Optimisation</strong></h2>\n\n\n\n<p>WordPress 6.4 met l&#8217;accent sur les performances, notamment à travers une gestion améliorée du cache objet. De nouvelles fonctions telles que get_options(), wp_prime_option_caches(), et wp_set_option_autoload_values() optimisent la récupération des options stockées en base de données. L&#8217;efficacité du chargement des fichiers modèles et des images a également été significativement améliorée.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Stratégies de Chargement des Ressources</strong></h2>\n\n\n\n<p>Des stratégies de chargement avancées sont désormais en place pour les scripts et les feuilles de style, utilisant principalement l&#8217;attribut <code>defer</code> pour un chargement non bloquant et une meilleure performance de rendu.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Médias et SEO</strong> </h2>\n\n\n\n<p>Les nouvelles installations de WordPress n&#8217;auront plus de page de fichier attaché par défaut, une modification qui vise à améliorer le référencement en évitant l&#8217;indexation de pages souvent non pertinentes.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Accessibilité et Personnalisation</strong></h2>\n\n\n\n<p>Des améliorations significatives ont été apportées à la page <code>wp-login.php</code>, et les libellés &#8220;Add New&#8221; ont été clarifiés pour une meilleure accessibilité et contexte dans l&#8217;interface d&#8217;administration.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Développement et Tests </strong></h2>\n\n\n\n<p>Les développeurs doivent prendre note des modifications des prérequis pour les tests d&#8217;intégration, avec PHPUnit Polyfills version 1.1.0 désormais nécessaire. De plus, certaines classes et méthodes de l&#8217;API HTTP ont été dépréciées.</p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" data-block-type=\"core\"><strong>Révisions et Compatibilité</strong></h2>\n\n\n\n<p>Les révisions sont maintenant applicables aux champs personnalisés des publications, et il est crucial que les développeurs testent leur code avec l&#8217;extension Beta Tester pour assurer la compatibilité avec la nouvelle version.</p>\n\n\n\n<p>WordPress 6.4 est une étape importante dans l&#8217;évolution du CMS, apportant des améliorations qui seront appréciées tant par les développeurs que par les utilisateurs finaux. Avec une meilleure performance, une accessibilité accrue, et des outils de développement plus robustes, cette mise à jour est un pas de géant vers un avenir plus performant et accessible pour le web.</p>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">Conclusion</h2>\n\n\n\n<p>Cette version 6.4 est un témoignage de l&#8217;engagement de WordPress envers l&#8217;innovation et l&#8217;amélioration continue, affirmant une fois de plus pourquoi WordPress reste le CMS de choix pour des millions de personnes à travers le monde.</p>\n\n\n\n<p></p>\n<p>L’article <a href=\"https://www.whodunit.fr/wordpress-6-4-un-pas-de-geant-vers-un-avenir-plus-performant-et-accessible-pour-le-web/\">WORDPRESS 6.4 : Un pas de géant vers un avenir plus performant et accessible pour le web</a> est apparu en premier sur <a href=\"https://www.whodunit.fr\">Agence WordPress Whodunit</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Gaelle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://www.whodunit.fr/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Whodunit\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:1;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://kinsta.com/fr/blog/statique-sveltekit/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Comment construire un site statique avec SvelteKit\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:46:\"https://kinsta.com/fr/blog/statique-sveltekit/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-11-04T11:03:11.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-11-04T11:03:11.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:254:\"Les sites statiques sont de plus en plus populaires en raison de leur rapidité, de leur sécurité et de leur simplicité. Lorsqu’il s’agit de construire des ...\nThe post Comment construire un site statique avec SvelteKit appeared first on Kinsta®.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:418:\"\n        <p>Les sites statiques sont de plus en plus populaires en raison de leur rapidité, de leur sécurité et de leur simplicité. 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Et comme j&#8217;adore, je partage: un compte Instagram pendant 90 jours @gregoirewp, les ateliers que j&#8217;anime au sein des meetups de WordPress Paris (avec WP Paris), ces Lives que je lance sur YouTube et enfin avec la [&#8230;]<p>Cet article a été publié le 31 octobre 2023 par <a href=\"https://www.gregoirenoyelle.com\">Grégoire Noyelle</a>. Pour le lire en ligne, suivre le lien: <a href=\"https://www.gregoirenoyelle.com/premier-live-youtube-wordpress-100-bloc/\">Maîtrisez l&rsquo;éditeur de site (FSE) de WordPress avec mon Live YouTube</a>.</p>\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Grégoire Noyelle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://www.gregoirenoyelle.com/category/tuto/wordpress-tutos/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Grégoire Noyelle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:4;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://www.whodunit.fr/woa-29-traduire-wordpress-et-ses-dependances/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"WOA ! #29 Traduire WordPress et ses dépendances\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:69:\"https://www.whodunit.fr/woa-29-traduire-wordpress-et-ses-dependances/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-10-23T09:40:26.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-10-23T09:40:26.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:414:\"Préparez-vous à plonger dans l\'univers captivant de WordPress, de la traduction et de l\'intelligence artificielle au cours d\'une discussion fascinante. Je suis heureux d\'accueillir François Xavier Benard, ou FX, pour une conversation enrichissante qui vous apportera des connaissances précieuses.\nL’article WOA ! #29 Traduire WordPress et ses dépendances est apparu en premier sur Agence WordPress Whodunit.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:12995:\"\n        \n<p></p>\n\n\n\n<p>Préparez-vous à plonger dans l&#8217;univers captivant de WordPress, de la traduction et de l&#8217;intelligence artificielle au cours d&#8217;une discussion fascinante. Je suis heureux d&#8217;accueillir François Xavier Benard, ou FX, pour une conversation enrichissante qui vous apportera des connaissances précieuses.</p>\n\n\n\n\n\n\n\n<p>Nous commencerons par explorer les récents problèmes rencontrés avec le bouton &#8216;Live Preview&#8217; dans le répertoire d&#8217;extensions WordPress. Découvrez comment une nouvelle application de prise de notes, BlockNotes, révolutionne la manière de prendre des notes en utilisant les blocs Gutenberg via WordPress Playground sur votre téléphone portable.</p>\n\n\n\n<p>Ensuite, nous vous dévoilerons les coulisses du développement de WP Translations, une société de traduction que j&#8217;ai eu le privilège de créer. FX et moi partagerons les défis auxquels nous sommes confrontés lors de la traduction d&#8217;extensions en anglais pour des utilisateurs finaux non anglophones. Vous comprendrez comment des traductions de qualité peuvent rehausser l&#8217;expérience de l&#8217;utilisateur et stimuler l&#8217;activité des auteurs. Nous aborderons également l&#8217;importance cruciale de faire appel à des traducteurs professionnels pour garantir la qualité des traductions.</p>\n\n\n\n<p>Enfin, nous explorerons le rôle essentiel de la traduction dans le marketing à l&#8217;échelle mondiale. Nous discuterons de l&#8217;impact significatif des traductions payantes et des avantages des outils tels que OpenAI et Deep Level. Vous saisirez l&#8217;influence majeure de la traduction sur les activités commerciales. En conclusion, nous évoquerons le projet WorldCorp, son achèvement et les implications futures de l&#8217;intelligence artificielle. Préparez-vous à une émission chargée d&#8217;informations précieuses et de discussions stimulantes. Attachez vos ceintures, le voyage commence ici.</p>\n\n\n\n<p><strong>Pour tester Blocknotes :</strong></p>\n\n\n\n<ol data-block-type=\"core\">\n<li data-block-type=\"core\">Installez l&#8217;application testflight : https://apps.apple.com/fr/app/testflight/id899247664</li>\n\n\n\n<li data-block-type=\"core\">Cliquez sur cette invitation :&nbsp;<a href=\"https://t.co/oLmLR8zqxF\" target=\"_BLANK\" rel=\"noreferrer noopener\">testflight.apple.com/join/1LHlA8uA</a>&nbsp;</li>\n\n\n\n<li data-block-type=\"core\">Créez des notes 🙂</li>\n</ol>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-ecoutez-le-podcast-sur\" data-block-type=\"core\">Ecoutez le podcast sur </h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-5 wp-block-columns-is-layout-flex\" data-block-type=\"core\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://podcasts.apple.com/fr/podcast/woa-wordpress-on-air/id1482779414\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/apple-podcasts-e1571142591535.jpg\" alt=\"\" class=\"wp-image-66447\" //></a></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://open.spotify.com/show/5rEMqG2cyoKYxpTTUAKSPp\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/unknown.png\" alt=\"\" class=\"wp-image-66448\" //></a></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://www.deezer.com/fr/show/586602\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/deezer-1024x196.png\" alt=\"\" class=\"wp-image-66449\" //></a></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"http://podplayer.net/?podId=2447675\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/podcast-addict-for-windows-pc.jpg\" alt=\"\" class=\"wp-image-66450\" //></a></figure>\n</div>\n</div>\n\n\n\n<hr data-block-type=\"core\"/>\n\n\n\n<p><strong>Sommaire de l&#8217;épisode :</strong></p>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">⏱️ 00:33 Sommaire</li>\n\n\n\n<li data-block-type=\"core\">⏱️ 00:56 Blocknotes</li>\n\n\n\n<li data-block-type=\"core\">⏱️ 02:31 Plugin live preview</li>\n\n\n\n<li data-block-type=\"core\">⏱️ 04:44 Interview FX Bénard</li>\n</ul>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-b1933f2\" id=\"mon-invite\" data-block-id=\"b1933f2\"><h2 class=\"stk-block-heading__text\">Mon invité</h2></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:28% auto\" data-block-type=\"core\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://www.whodunit.fr/wp-content/uploads/2023/10/img_1014-810x1080.jpeg);background-position:40% 43%\"><img width=\"810\" height=\"1080\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/10/img_1014-810x1080.jpeg\" alt=\"\" class=\"wp-image-76130 size-full\" //></figure><div class=\"wp-block-media-text__content\">\n<h2 class=\"wp-block-heading\" id=\"h-francois-xavier-benard\" data-block-type=\"core\">François-Xavier Bénard</h2>\n\n\n\n<p>Également connu sous les pseudonymes &#8220;fxbenard&#8221; ou &#8220;FXB&#8221; sur le web, est un individu très actif et engagé dans la communauté WordPress, notamment dans le domaine de la traduction et de la localisation. Voici quelques éléments marquants de sa vie et de son travail :</p>\n</div></div>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\"><strong>Passion pour les Traductions WordPress</strong> : FX est un professionnel qui se consacre principalement à la traduction française des produits liés à WordPress. Il collabore étroitement avec les développeurs de thèmes et d&#8217;extensions WordPress pour s&#8217;assurer que les produits sont disponibles en français.</li>\n\n\n\n<li data-block-type=\"core\"><strong>Rôle clé dans WordPress</strong> : FX est le co-créateur de WP-Translations, une société spécialisée dans la traduction de produits WordPress en plus de 20 langues. Il est également le CEO de TranslationsPress, une plateforme dédiée à la traduction. En outre, depuis la fin de 2015, il occupe le poste de G(eneral) T(ranslation) E(ditor) pour la communauté francophone sur WordPress.org. Cela signifie qu&#8217;il est activement impliqué dans la traduction française de WordPress sur de nombreuses plateformes.</li>\n\n\n\n<li data-block-type=\"core\"><strong>Voyageur et Papa Heureux</strong> : En dehors de son travail dans le domaine de WordPress, FX partage quelques aspects personnels. Il se décrit comme un ancien voyageur et touche-à-tout. Il est également un père comblé.</li>\n\n\n\n<li data-block-type=\"core\"><strong>Amoureux du Café et du Pineau</strong> : FX est un amateur de café, mais il tient à rappeler que la modération est de mise. Il apprécie également le pineau, une boisson traditionnelle de la région de Charente, mais toujours avec modération.</li>\n\n\n\n<li data-block-type=\"core\"><strong>Passion pour la Musique</strong> : FX aime écouter de la musique, en particulier du reggae qui le fait vibrer. Il apprécie aussi le &#8220;bon gros son.&#8221;</li>\n\n\n\n<li data-block-type=\"core\"><strong>Outils de Travail</strong> : FX utilise WordPress comme principal outil de gestion de contenu. Il travaille également avec un thème enfant de Réunion. Parmi ses extensions favorites, on trouve WordPress SEO de Yoast, BackWPup, LoginLock, HybridTabs, Gravity Forms, et Easy Digital Downloads. Il a également sa propre palette de couleurs pour son travail, en mettant en avant le bleu comme couleur principale, ainsi qu&#8217;une touche de rouge pour rappeler la thématique française.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-pour-aller-plus-loin\" data-block-type=\"core\">Pour aller plus loin</h2>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\"><a href=\"https://apps.apple.com/fr/app/testflight/id899247664\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Testflight</a></li>\n</ul>\n\n\n\n<ol data-block-type=\"core\">\n<li data-block-type=\"core\"><strong>WordPress Playground</strong>: Ce terme fait référence à la possibilité de charger un environnement WordPress sur un serveur local ou distant pour expérimenter ou tester des configurations sans affecter un site Web en direct.<br><a href=\"https://www.wordpress.org/\">Plus d&#8217;informations sur WordPress Playground</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>BlockNotes</strong>: Il s&#8217;agit d&#8217;une application de prise de notes basée sur WordPress et Playground. Elle permet aux utilisateurs de créer des notes en utilisant des blocs Gutenberg.<br><a href=\"https://apps.apple.com/us/app/blocknotes/id1687450046\">BlockNotes sur l&#8217;App Store US</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>Extensions WordPress</strong>: Les extensions, aussi appelées plugins, sont des logiciels qui ajoutent des fonctionnalités supplémentaires à un site WordPress.<br><a href=\"https://www.wordpress.org/plugins/\">En savoir plus sur les extensions WordPress</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>WordPress Core</strong>: Le &#8220;Core&#8221; de WordPress est le cœur du logiciel WordPress, il inclut le code principal et les fonctionnalités essentielles du système de gestion de contenu (CMS) WordPress.<br><a href=\"https://github.com/WordPress/wordpress-develop\">WordPress Core sur Github</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>GTE (General Translation Editor)</strong>: GTE est un acronyme pour &#8220;General Translation Editor&#8221;. Il s&#8217;agit de personnes qui ont des droits spéciaux pour gérer et superviser les traductions de WordPress pour une langue spécifique.<br><a href=\"https://make.wordpress.org/polyglots/handbook/translating/roles-and-capabilities/#general-translation-editor\">Plus d&#8217;informations sur le rôle de GTE</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>Translate WordPress</strong>: Translate WordPress est la plateforme officielle utilisée pour la traduction de WordPress et de ses extensions dans différentes langues.<br><a href=\"https://translate.wordpress.org/\">Accédez à Translate WordPress</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>Language Pack</strong>: Les Language Packs sont des ensembles de fichiers de traduction générés automatiquement pour WordPress et ses extensions. Ils permettent aux utilisateurs de WordPress de voir leur site dans leur langue préférée.<br><a href=\"https://make.wordpress.org/core/handbook/releases/translation-releases/\">En savoir plus sur les Language Packs</a></li>\n\n\n\n<li data-block-type=\"core\"><strong>Slug</strong>: Dans le contexte de WordPress, un slug est un texte convivial pour les moteurs de recherche qui est utilisé dans l&#8217;URL d&#8217;une publication, d&#8217;une page ou d&#8217;une taxonomie. Il s&#8217;agit généralement d&#8217;une version simplifiée et lisible par l&#8217;humain du titre de la publication ou de la page.</li>\n\n\n\n<li data-block-type=\"core\"><strong>Yost SEO</strong>: Une référence à l&#8217;extension Yoast SEO, qui est une extension populaire pour optimiser le référencement de sites WordPress.<br><a href=\"https://yoast.com/\">Plus d&#8217;informations sur Yoast SEO</a></li>\n</ol>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-j-attends-vos-retours-avec-impatience\" data-block-type=\"core\">J&#8217;attends vos retours avec impatience&nbsp;!</h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\" data-block-type=\"core\"><figure class=\"wp-block-media-text__media\"><img width=\"1080\" height=\"1080\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/05/template-carre-1080x1080.jpg\" alt=\"\" class=\"wp-image-75791 size-full\" //></figure><div class=\"wp-block-media-text__content\">\n<p>Je vous invite à écouter, partager et surtout à laisser vos commentaires et évaluations. Votre feedback est non seulement précieux pour moi, mais il aide aussi le podcast à toucher un public plus large. ????</p>\n\n\n\n<p>Vous souhaitez intervenir ? Envoyez un mail à eddy@whodunit.fr ou rejoignez-moi sur LinkedIn <a href=\"https://www.linkedin.com/in/eddy-boels/\" target=\"_blank\" rel=\"noreferrer noopener\">https://www.linkedin.com/in/eddy-boels/</a> pour en discuter.</p>\n</div></div>\n<p>L’article <a rel=\"nofollow\" href=\"https://www.whodunit.fr/woa-29-traduire-wordpress-et-ses-dependances/\">WOA ! #29 Traduire WordPress et ses dépendances</a> est apparu en premier sur <a rel=\"nofollow\" href=\"https://www.whodunit.fr\">Agence WordPress Whodunit</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Eddy 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\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://www.seomix.fr/optimiser-fiche-google-my-business/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"7 Astuces pour Optimiser votre Fiche Google My Business\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:57:\"https://www.seomix.fr/optimiser-fiche-google-my-business/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-10-12T07:00:00.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-10-12T07:00:00.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:143:\"Découvrez dans cet article, 7 astuces de professionnels du référencement web pour booster la visibilité de votre fiche Google My Business !\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:432:\"\n        <div><img width=\"180\" height=\"135\" src=\"https://www.seomix.fr/wp-content/uploads/2023/10/astuces-pour-optimiser-sa-fiche-google-my-business-180x135.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"astuces pour optimiser sa fiche Google My Business\"/></div>Découvrez dans cet article, 7 astuces de professionnels du référencement web pour booster la visibilité de votre fiche Google My Business !\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Jean-Marie Even\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"https://www.seomix.fr/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"SeoMix\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:6;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://beapi.fr/blog/linteractivite-sur-wordpress-une-nouvelle-api-pour-lediteur-de-blocs/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"L’interactivité sur WordPress: une nouvelle API pour l’éditeur de blocs\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:91:\"https://beapi.fr/blog/linteractivite-sur-wordpress-une-nouvelle-api-pour-lediteur-de-blocs/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-09-27T13:29:14.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-09-27T13:29:14.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:518:\"Lors du dernier WordCamp Europe, nous avons plongé dans les coulisses de l’éditeur de blocs WordPress pour explorer une nouveauté en cours de développement : l’API d’interactivité. Cette nouvelle brique vise à améliorer un aspect encore trop peu considéré des blocs : leur comportement côté front, c’est-à-dire la façon dont ils se manifestent visuellement pour […]\nThe post L’interactivité sur WordPress: une nouvelle API pour l’éditeur de blocs appeared first on Agence WordPress Be API.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:13482:\"\n        \n<p>Lors du dernier WordCamp Europe, nous avons plongé dans les coulisses de l&rsquo;éditeur de blocs WordPress pour explorer une nouveauté en cours de développement : l&rsquo;API d&rsquo;interactivité. Cette nouvelle brique vise à améliorer un aspect encore trop peu considéré des blocs : leur comportement côté front, c’est-à-dire la façon dont ils se manifestent visuellement pour l’utilisateur final.</p>\n\n\n\n<p>L&rsquo;interactivité, dans ce contexte, désigne la capacité d&rsquo;un bloc à répondre immédiatement à une action utilisateur. Pensez à un bloc accordéon qui s&rsquo;ouvre, un sous-menu qui s’affiche ou encore à une modification des quantités d&rsquo;un panier sur un site e-commerce.</p>\n\n\n\n<p>Ces interactions étaient jusqu&rsquo;alors laissées à l&rsquo;appréciation de chaque développeur, entrainant plusieurs challenges techniques sur lesquelles nous reviendrons plus tard dans cet article. Mais avant cela, commençons par rappeler l’intérêt pour le CMS open source WordPress de s&rsquo;orienter vers la création de nouvelles API.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Le rôle essentiel des API dans WordPress</h2>\n\n\n\n<p>WordPress propose une vaste gamme d&rsquo;<strong><a href=\"https://developer.wordpress.org/apis/\">Interfaces de Programmation Applicative</a></strong>, plus connues sous l&rsquo;acronyme anglais API.</p>\n\n\n\n<p>Leur intérêt ? Standardiser de nombreux aspects du code que les développeurs d’extensions et de thèmes WordPress pourraient avoir à écrire. Au lieu de repartir de zéro à chaque fois, ils bénéficient d&rsquo;une palette de ressources prédéfinies, comme des fonctions ou des classes.</p>\n\n\n\n<p>Voici les avantages clés :</p>\n\n\n\n<ul>\n<li><strong>Simplicité et Clarté</strong> : Les codes requis sont non seulement standardisés, mais aussi bien documentés, les rendant accessibles à tous les développeurs utilisant WordPress.</li>\n\n\n\n<li><strong>Sécurité et Performance</strong> : Ces deux aspects sont gérés par défaut par les API, qui bénéficient en plus du regard expert de la communauté qui participe au développement du cœur de WordPress.</li>\n\n\n\n<li><strong>Flexibilité</strong> : Les API peuvent être ajustées et enrichies au fil du temps, offrant toujours plus de possibilités, de correctifs et d&rsquo;améliorations, sans contraindre les développeurs à revoir constamment leur code.</li>\n</ul>\n\n\n\n<p>Les API WordPress ne sont pas seulement des outils pour faciliter la vie des développeurs. Elles incarnent la vision de WordPress pour un développement web plus efficace, sécurisé et évolutif.</p>\n\n\n\n<p></p>\n\n\n\n<h2 class=\"wp-block-heading\">Renforcer l’interactivité</h2>\n\n\n\n<p>L&rsquo;éditeur de blocs WordPress offre déjà une large gamme d&rsquo;outils permettant une édition riche des contenus en backoffice. Mais jusqu&rsquo;à récemment, les développeurs désireux de proposer des rendus complexes et/ou interactif sur la partie front devaient concevoir leur propre solution, souvent sans lignes directrices claires ni bonnes pratiques établies. Cette hétérogénéité de solutions pouvait altérer la performance, l&rsquo;accessibilité et la sécurité des pages.</p>\n\n\n\n<p>L&rsquo;introduction de l&rsquo;éditeur de site, ou « Full Site Editing » (FSE), a mis ce problème en lumière, avec sa construction à partir de blocs. En réponse à cela, un groupe de développeurs a entrepris de concevoir une solution&nbsp;: leur réflexion a donné lieu à <strong><a href=\"https://make.wordpress.org/core/2023/03/30/proposal-the-interactivity-api-a-better-developer-experience-in-building-interactive-blocks/\">un article détaillé</a></strong>, présentant cette nouvelle API,  ainsi qu&rsquo;un <strong><a href=\"https://wpmovies.dev/\">site de démonstration</a></strong>. Son déploiement comporte des défis, puisqu’elle doit être fonctionnelle côté serveur lors du rendu de la page et côté navigateur où l’utilisateur va interagir avec les blocs.</p>\n\n\n\n<p>Pour cette API, les développeurs ont établi des critères essentiels, tels que :</p>\n\n\n\n<ul>\n<li>Une intégration fluide avec la logique actuelle des blocs, accessible côté serveur en PHP,</li>\n\n\n\n<li>Une compatibilité avec le cœur de WordPress et les extensions existantes, y compris tous les crochets pour manipuler le rendu HTML,</li>\n\n\n\n<li>Une mise en œuvre optionnelle pour la maintenance ou la création de blocs, avec une adoption progressive selon les besoins,</li>\n\n\n\n<li>Une influence minimale sur la performance des pages web.</li>\n</ul>\n\n\n\n<p>D&rsquo;autres conditions ciblent spécifiquement les développeurs d&rsquo;extensions.</p>\n\n\n\n<p>Cette nouvelle API présente le potentiel de transformer la dynamique des blocs face aux interactions des utilisateurs. Elle permet aux développeurs de se focaliser sur leurs objectifs métiers, tout en simplifiant la mise en place des fondements techniques nécessaires à ces ambitions.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Pour les utilisateurs finaux</h2>\n\n\n\n<p>Bien que conçue initialement pour optimiser le quotidien des développeurs, cette nouvelle API présente des bénéfices tangibles pour tous, avec en tête de liste une amélioration significative des performances et une consolidation de la sécurité.</p>\n\n\n\n<p>Comme mentionné précédemment, les avantages offerts par les APIs sont vastes.</p>\n\n\n\n<p>Concernant l&rsquo;API d&rsquo;interactivité, ses principaux atouts pour les utilisateurs finaux se distinguent par :</p>\n\n\n\n<ul>\n<li><strong>Une navigation plus rapide et fluide:</strong> Avec moins de ressources à charger et une optimisation maximale, les utilisateurs bénéficient d&rsquo;un temps de chargement réduit et d&rsquo;une meilleure réactivité, garantissant une expérience optimisée.</li>\n\n\n\n<li><strong>Qualité du code :</strong> Le socle programmatique est revu et approuvé par une communauté de développeurs soucieuse de sa performance, sa sécurité et sa capacité d&rsquo;évolution. Un code de qualité se traduit par moins de bugs, de défaillances et d&rsquo;interruptions &#8211; tout cela contribuant à une navigation plus fluide et plus sécurisée.</li>\n\n\n\n<li><strong>Interopérabilité :</strong> Cette nouveauté assure une harmonie entre différents éléments d&rsquo;une page, permettant des d&rsquo;interactions plus intelligentes et intuitives. Que ce soit un widget météo qui s&rsquo;adapte en fonction de votre localisation ou une intégration e-commerce qui suggère des produits en fonction de votre navigation, cette interopérabilité enrichit considérablement l&rsquo;expérience utilisateur.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Pour les développeurs</h2>\n\n\n\n<p><em>Cette nouvelle API n’est pas encore stabilisée, les exemples de codes sont donnés à titre d’exemple et vont très probablement être modifiés dans le futur.</em></p>\n\n\n\n<p>L’un des points forts de cette nouvelle API en termes de développement est d’être réactive. On y retrouve les éléments qui font la force de la philosophie de React: des “interfaces“ dérivées d’un état précis. Le développeur décrit la façon dont l’interface doit s’afficher et comment son état doit être modifié et la librairie sous-jacente s’occupe de détecter les événements, mettre à jour l’état et muter l’interface en conséquence. C’est là toute la philosophie de l’éditeur de blocs.</p>\n\n\n\n<p>À l’inverse, pour ajouter de l’interactivité sur des éléments d’un site, il était souvent question de passer par jQuery (ou du JavaScript natif). Avec cette approche, le développeur est chargé de la gestion du rendu de l’interface, de la détection des événements, de la mise à jour de l&rsquo;état et de la modification de l&rsquo;interface. Plus les éléments à mettre à jour sont nombreux, plus cette méthode révèle ses faiblesses.</p>\n\n\n\n<p>Un autre impératif crucial pour cette API était sa compatibilité avec le rendu côté serveur. Le HTML produit par le serveur doit constituer le fondement du côté client, sur lequel une dimension interactive est superposée. Ce HTML ne doit pas être intégralement remplacé. D&rsquo;un point de vue performance et SEO, cela garantit l&rsquo;affichage instantané d&rsquo;un contenu tangible, évitant un effet « page vierge » pendant le téléchargement et l&rsquo;exécution du JavaScript nécessaire au rendu. Cela assure également que toute modification apportée au HTML côté serveur est conservée, comme l&rsquo;ajout éventuel de classes CSS.</p>\n\n\n\n<p>Pour la composante « réactive », l&rsquo;équipe a opté pour la bibliothèque <strong><a href=\"https://preactjs.com/\">Preact</a></strong>, qui, tout en étant plus compacte, emprunte largement aux concepts de <strong><a href=\"https://react.dev/\">React</a></strong>. C&rsquo;est cette couche qui orchestre la mise à jour des interfaces en fonction des interactions des utilisateurs.</p>\n\n\n\n<p>La véritable innovation réside dans la méthode d&rsquo;intégration des éléments interactifs, réalisée par le biais de directives HTML. Ce principe s&rsquo;inspire de ce qui est fait par la librairie <a href=\"https://alpinejs.dev/\">AlpineJs</a>.</p>\n\n\n\n<p>Via ce système, on peut facilement enrichir un code HTML pour lui permettre de déclencher des actions ou de réagir à des changements (des « effets »).</p>\n\n\n<div class=\"wp-block-wab-pastacode\">\n	<div class=\"code-embed-wrapper\"> <pre class=\"language-markup code-embed-pre line-numbers\" data-start=\"1\" data-line-offset=\"0\"><code class=\"language-markup code-embed-code\">&lt;div<br //>  data-wp-context=&#039;{ &quot;isOpen&quot;: false }&#039;<br //>  data-wp-effect=&quot;effects.logIsOpen&quot;<br //>&gt;<br //>  &lt;button<br //>    data-wp-on--click=&quot;actions.toggle&quot;<br //>    data-wp-bind--aria-expanded=&quot;context.isOpen&quot;<br //>    aria-controls=&quot;p-1&quot;<br //>  &gt;<br //>    Toggle<br //>  &lt;/button&gt;<br //> <br //>  &lt;p id=&quot;p-1&quot; data-wp-show=&quot;context.isOpen&quot;&gt;<br //>    This element is now visible!<br //>  &lt;/p&gt;<br //>&lt;/div&gt;</code></pre> <div class=\"code-embed-infos\"> </div> </div></div>\n\n\n\n<p>Ces directives vont permettre de lier les éléments HTML avec la partie réactive en JavaScript</p>\n\n\n<div class=\"wp-block-wab-pastacode\">\n	<div class=\"code-embed-wrapper\"> <pre class=\"language-javascript code-embed-pre line-numbers\" data-start=\"1\" data-line-offset=\"0\"><code class=\"language-javascript code-embed-code\">import { store } from &quot;@wordpress/interactivity&quot;;<br //> <br //>store({<br //>  actions: {<br //>    toggle: ({ context }) =&gt; {<br //>      context.isOpen = !context.isOpen;<br //>    },<br //>  },<br //>  effects: {<br //>    logIsOpen: ({ context }) =&gt; {<br //>      // Log the value of `isOpen` each time it changes.<br //>      console.log(`Is open: ${context.isOpen}`);<br //>    },<br //>  },<br //>});</code></pre> <div class=\"code-embed-infos\"> </div> </div></div>\n\n\n\n<p>Dans l&rsquo;exemple ci-dessus (issu de l&rsquo;article de présentation de l&rsquo;API interactivé publié sur le bloc Make Core), on a un « bloc » fictif qui fonctionne comme un accordéon.</p>\n\n\n\n<p>Pour résumer le fonctionnement, lorsque l&rsquo;utilisateur clique sur l&rsquo;élément bouton, celui-ci vient changer la valeur de l&rsquo;état <code>isOpen</code>. Au moment où cette valeur change, cela va avoir pour effet (d&rsquo;où le nom « effect » utilisé en anglais) d&rsquo;afficher ou de masquer l&rsquo;élément paragraphe.</p>\n\n\n\n<p>Tout ce fonctionnement est porté par les directives visibles dans le HTML comme <code>data-wp-on--click</code>, <code>data-wp-show</code> et qui font le pont avec le code JavaScript.</p>\n\n\n\n<p>L&rsquo;article sur le Core est très bien fait et présente plus complète du mécanisme et des directives en faisant le parallèle avec React.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion</h2>\n\n\n\n<p>Ainsi, l&rsquo;éditeur Gutenberg continue d’évoluer et de s’améliorer. Cette nouvelle API est une proposition très intéressante pour faciliter le développement d’expériences interactives via les blocs. Les développeurs qui ont contribué à sa création ont poussé la réflexion pour proposer une solution s&rsquo;intégrant parfaitement dans l&rsquo;écosystème WordPress existant, en restant le plus léger possible. </p>\n\n\n\n<p>Des développeurs travaillant sur le projet Gutenberg ou WooCommerce ont déjà commencé à faire évoluer leurs blocs pour profiter des nouvelles possibilités qu’offre cette API. Il a y fort à parier qu’elle va continuer d’évoluer &#8211; mais il est intéressant de voir qu’elle est déjà exploitée.</p>\n\n\n\n<p>Si vous souhaitez suivre les développements, un <a href=\"https://github.com/WordPress/gutenberg/discussions/52906\">changelog</a> est disponible pour suivre les évolutions de l’API et elle a <a href=\"https://github.com/WordPress/gutenberg/discussions/categories/interactivity-api\">sa propre catégorie</a> dans la partie Discussions du projet Gutenberg.</p>\n<p>The post <a rel=\"nofollow\" href=\"https://beapi.fr/blog/linteractivite-sur-wordpress-une-nouvelle-api-pour-lediteur-de-blocs/\">L’interactivité sur WordPress: une nouvelle API pour l’éditeur de blocs</a> appeared first on <a rel=\"nofollow\" href=\"https://beapi.fr\">Agence WordPress Be API</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Clément Boirie\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://beapi.fr/blog/categories/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BeAPI\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:7;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wp-rocket.me/fr/blog/wp-rocket-3-15/#comment-4387875\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:116:\"Commentaires sur 3.15 – Le LazyLoad désormais disponible pour les images de backgrounds CSS par Valentina Orlandi\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:60:\"https://wp-rocket.me/fr/blog/wp-rocket-3-15/#comment-4387875\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-09-21T11:19:37.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-09-21T11:19:37.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:564:\"En réponse à Gérard.\n\nBonjour Gérard, Pouvez-vous ouvrir un ticket de support et nous fournir les informations suivantes?\n- Liens vers les pages où vous avez remarqué le changement de score uniquement à cause de l&#039;activation de la fonctionnalité.\n- La version de la page affectée par le changement de score (Desktop ou Mobile, ou les deux ?)\nLe support aura besoin d&#039;un accès administrateur à votre site pour effectuer des tests avec et sans la nouvelle fonctionnalité. Ils vous en demanderont un lorsqu&#039;ils répondront à votre demande.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:703:\"\n        <p>En réponse à <a href=\"https://wp-rocket.me/fr/blog/wp-rocket-3-15/#comment-4384721\">Gérard</a>.</p>\n<p>Bonjour Gérard, Pouvez-vous ouvrir un ticket de support et nous fournir les informations suivantes?<br //>\n&#8211; Liens vers les pages où vous avez remarqué le changement de score uniquement à cause de l&#8217;activation de la fonctionnalité.<br //>\n&#8211; La version de la page affectée par le changement de score (Desktop ou Mobile, ou les deux ?)<br //>\nLe support aura besoin d&#8217;un accès administrateur à votre site pour effectuer des tests avec et sans la nouvelle fonctionnalité. Ils vous en demanderont un lorsqu&#8217;ils répondront à votre demande.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Valentina Orlandi\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                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src=\"https://api.follow.it/track-rss-story-loaded/v1/KJhHJJfL2KHS2JYC0C3WfJs0ohxaO6Yr\" border=\"0\" width=\"1\" height=\"1\" alt=\"sécuri\" title=\"sécuri\"> \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:170:\"\n        <img src=\"https://api.follow.it/track-rss-story-loaded/v1/KJhHJJfL2KHS2JYC0C3WfJs0ohxaO6Yr\" border=\"0\" width=\"1\" height=\"1\" alt=\"sécuri\" title=\"sécuri\"/> \n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://feeds.feedburner.com/LechodespluginsWp\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"L’écho des plugins WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:9;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://jeanbaptisteaudras.com/2023/08/contribution-stats-for-wordpress-6-3-lionel/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"Contribution Stats for WordPress 6.3 « Lionel »\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:83:\"https://jeanbaptisteaudras.com/2023/08/contribution-stats-for-wordpress-6-3-lionel/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-08-14T15:58:52.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-08-14T15:58:52.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:558:\"L’article Contribution Stats for WordPress 6.3 « Lionel » provient de Jean-Baptiste Audras - CTO @ Whodunit & WordPress Core Developer\nWordPress 6.3 « Lionel » was released on August 8, 2023. This version is named « Lionel », after the American jazzer Lionel Hampton. I was involved in this release as Triage Lead and as a core committer. It was a pleasure to work with the release squad. A […]\nL’article Contribution Stats for WordPress 6.3 « Lionel » provient de Jean-Baptiste Audras - CTO @ Whodunit & WordPress Core Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:16410:\"\n        <p>L’article <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com/2023/08/contribution-stats-for-wordpress-6-3-lionel/\">Contribution Stats for WordPress 6.3 « Lionel »</a> provient de <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com\">Jean-Baptiste Audras - CTO @ Whodunit &amp; WordPress Core Developer</a></p>\n\n<p>WordPress 6.3 «&nbsp;Lionel&nbsp;»&nbsp;was released on August 8, 2023. This version is named&nbsp;<em>«&nbsp;Lionel&nbsp;»</em>, after the American jazzer Lionel Hampton.</p>\n\n\n\n<p>I was involved in this release as&nbsp;<em>Triage Lead</em>&nbsp;and as a&nbsp;<a href=\"https://github.com/WordPress/wordpress-develop/commits?author=audrasjb\">core committer</a>. It was a pleasure to work with the release squad. A big&nbsp;<em>thank you</em>&nbsp;to all the talented people who worked hard to put together WP&nbsp;6.3 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2764.png\" alt=\"❤\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p>As for previous releases, let’s have a look on a few stats about this release.</p>\n\n\n\n<p>In the past, I already published some contributions stats for versions <a href=\"https://jeanbaptisteaudras.com/en/2019/11/distribution-of-wordpress-5-3-contributors-by-country-2/\">5.3</a>, <a href=\"https://jeanbaptisteaudras.com/en/2020/03/wordpress-5-4-core-contribution-statistics/\">5.4</a>, <a href=\"https://jeanbaptisteaudras.com/en/2020/08/wordpress-5-5-core-stats-contributions-by-country-company/\">5.5</a>, <a href=\"https://jeanbaptisteaudras.com/en/2020/12/wordpress-5-6-core-stats-contributions-by-country-company/\">5.6</a>, <a href=\"https://datastudio.google.com/u/0/reporting/a496c333-7e64-412c-9299-9ea2c84e5d2c/page/j595B\">5.7</a>, <a href=\"https://jeanbaptisteaudras.com/en/2022/01/wordpress-5-9-core-contribution-statistics/\">5.9</a>, <a href=\"https://jeanbaptisteaudras.com/en/2022/05/wp-6-0-arturo-contribution-stats/\">6.0</a>, <a href=\"https://jeanbaptisteaudras.com/en/2022/11/contribution-stats-for-wordpress-6-1-misha/\">6.1</a> and <a href=\"https://jeanbaptisteaudras.com/2023/04/contribution-stats-for-wordpress-6-2-dolphy/\">6.2</a>. I did it again for WP 6.3, so we can have an eye on the relative « influence » of countries and companies on WordPress Core.</p>\n\n\n\n<p>Before diving into WordPress 6.3 Core contributions stats, I wanted to share a few disclaimers, for better context:</p>\n\n\n\n<ul>\n<li>These stats were generated after the last Release Candidate of WP 6.3. Thanks to&nbsp;<a href=\"https://profiles.wordpress.org/desrosj/\" target=\"_blank\" rel=\"noreferrer noopener\">Jon</a>&nbsp;who collected the props list for the release squad.</li>\n\n\n\n<li>These statistics only relate to Core contributions (= props gained for source code contributions) of WordPress. There is a lot of other types of contributions, not listed here: marketing, communication, translation, testing…</li>\n\n\n\n<li>To get these stats, I parsed the WordPress.org profile page of each contributor to get some public informations about them: country, employer, and wether they already contributed to WordPress Core or not.</li>\n\n\n\n<li>It includes both Core contributions on Trac and Gutenberg pull requests on GitHub.</li>\n\n\n\n<li>Those stats are based on what’s declared in each contributors’s wp.org profile.&nbsp;<strong>Users with empty profile info are not taken into account.</strong></li>\n</ul>\n\n\n\n<div class=\"wp-block-group alignwide is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h2 class=\"wp-block-heading alignwide\">WordPress 6.3 overall stats</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p><strong>About 640</strong>&nbsp;<strong>people</strong>&nbsp;from at least&nbsp;<strong>52 countries</strong>&nbsp;and&nbsp;<strong>186 identified companies</strong>&nbsp;contributed to WordPress&nbsp;6.3.</p>\n\n\n\n<p>Worth noting that&nbsp;<strong>207 people contributed to WordPress Core for the very first time!</strong>&nbsp;That’s&nbsp;about&nbsp;<strong>32%</strong>&nbsp;of the total number of contributors!</p>\n\n\n\n<p>The ratio of new contributors is still quite good for an open-source project!<a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/evolution-release-wp62.svg\"></a></p>\n</div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img width=\"831\" height=\"523\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/Evolution-of-WordPress-Core-contributors-across-recent-releases-2.svg\" alt=\"\" class=\"wp-image-145060\" //></figure>\n</div>\n</div>\n</div></div>\n\n\n\n<h2 class=\"wp-block-heading alignwide\">Country ranking by number of contributions</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-9 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>It’s interesting to see how much WordPress is a worldwide project. Contributions come from all over the planet <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p><strong>USA</strong>&nbsp;is still number one by far with 863 contributions,&nbsp;<strong>United Kingdom</strong>&nbsp;comes 2<sup>nd</sup> with 360 contributions.&nbsp;<strong>Russia</strong> and <strong>France</strong>&nbsp;follows with 346 and 320 contributions each, and&nbsp;<strong>India</strong>&nbsp;and <strong>Australia</strong> with 291 and 266 props.</p>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributions-country.svg\" alt=\"\" class=\"wp-image-145066\" //></figure>\n\n\n\n\n</div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading alignwide\">Country ranking by number of contributors</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-12 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributors-country.svg\" alt=\"\" class=\"wp-image-145069\" //></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Still, contributions are not everything.&nbsp;<strong>Let’s talk about contributors</strong>. Instead of counting contributions, we can count the individuals who worked on this release (=&nbsp;number of people credited in Trac tickets or GitHub PRs)… and we have the following results&nbsp;:</p>\n\n\n\n<p><strong>USA</strong> is still on the top of the game with 102 people. <strong>India</strong> has 68 and <strong>Bangladesh</strong> has 48.</p>\n\n\n\n<p>These countries are followed by <strong>France</strong> and <strong>United Kingdom</strong> with 19 contributors each.</p>\n\n\n\n<p>In conclusion, USA still completely dominates the stats by number of independent contributors, and by number of contributions (props count). Bangladesh and India have a great number of people involved, but not so much contribution.</p>\n</div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading\">Company ranking by contributions</h2>\n\n\n\n<p><strong>Automattic</strong> is still the most prolific company with employees credited in no less than 1718 contributions (by 83 contributors), and is followed by plugin editor <strong>Yoast</strong> with 499 contributions (by 6 contributors) and <strong>Whodunit</strong> French agency (298 contributions by 6 people). Next, we have the international WP agencies <strong>10up</strong> (290 contributions by 16 people), <strong>XWP</strong> (180 contributions), hosting companies like <strong>GoDaddy</strong> (173 contributions) and <strong>Google</strong> with 161 contributions.</p>\n\n\n\n<p>Worth noting that major stakeholders can still be categorized in three sorts of companies: agencies, plugins/themes editors and hosting companies. And of course, well… Automattic <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f61c.png\" alt=\"😜\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p>In the graphic below, you&rsquo;ll see all the company credited in WordPress 6.3 and the number of contributions of their employees.</p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributions-company.svg\"><img width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributions-company.svg\" alt=\"\" class=\"wp-image-145070\" //></a></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Company ranking by contributors</h2>\n\n\n\n<p>Of the 186 identified companies that contributed to WordPress 6.3, <strong>Automattic</strong> had by far the largest number of contributors, with 83 people involved. <strong>10up</strong> is the second biggest company in terms of contributors, with 16 people. <strong>WPDeveloper</strong> comes third with 11 people. <strong>AuthLab</strong> and <strong><strong>rtCamp</strong></strong> come fourth with 10 people.</p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributor-company.svg\"><img width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/wp63-contributor-company.svg\" alt=\"\" class=\"wp-image-145072\" //></a></figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" //>\n\n\n\n<h2 class=\"wp-block-heading\">Individuals ranking – WordPress 6.3</h2>\n\n\n\n<p>Here is the top 30 of WordPress 6.3 contributors. You can also checkout the full table <a href=\"https://docs.google.com/spreadsheets/d/159RrLuGKJeq1A_igMwDbZ7VVY7iWzwqbfmbtrlN_960/edit?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">on this spreadsheet</a>.</p>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"></div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<figure class=\"wp-block-table is-style-stripes\"><table><thead><tr><th>#</th><th>Username</th><th>Contributions</th><th>Country</th><th>Company</th></tr></thead><tbody><tr><td>1</td><td>sergeybiryukov</td><td>296</td><td>Russia</td><td>Yoast</td></tr><tr><td>2</td><td>audrasjb</td><td>293</td><td>France</td><td>Whodunit</td></tr><tr><td>3</td><td>spacedmonkey</td><td>175</td><td>United Kingdom</td><td>XWP</td></tr><tr><td>4</td><td>mamaduka</td><td>143</td><td>Georgia</td><td>GoDaddy</td></tr><tr><td>5</td><td>costdev</td><td>142</td><td>NC</td><td>NC</td></tr><tr><td>6</td><td>mukesh27</td><td>119</td><td>India</td><td>10up</td></tr><tr><td>7</td><td>isabel_brison</td><td>110</td><td>NC</td><td>Automattic</td></tr><tr><td>8</td><td>ramonopoly</td><td>110</td><td>NC</td><td>NC</td></tr><tr><td>9</td><td>andrewserong</td><td>97</td><td>Australia</td><td>Automattic</td></tr><tr><td>10</td><td>wildworks</td><td>88</td><td>Japan</td><td>NC</td></tr><tr><td>11</td><td>youknowriad</td><td>87</td><td>Algeria</td><td>Automattic</td></tr><tr><td>12</td><td>scruffian</td><td>87</td><td>NC</td><td>Automattic</td></tr><tr><td>13</td><td>ntsekouras</td><td>84</td><td>Greece</td><td>Automattic</td></tr><tr><td>14</td><td>flixos90</td><td>81</td><td>United States</td><td>Google</td></tr><tr><td>15</td><td>peterwilsoncc</td><td>80</td><td>Australia</td><td>10up</td></tr><tr><td>16</td><td>poena</td><td>78</td><td>Sweden</td><td>Yoast</td></tr><tr><td>17</td><td>get_dave</td><td>75</td><td>United Kingdom</td><td>Automattic</td></tr><tr><td>18</td><td>sabernhardt</td><td>74</td><td>United States</td><td>NC</td></tr><tr><td>19</td><td>afercia</td><td>71</td><td>Italy</td><td>Yoast</td></tr><tr><td>20</td><td>tyxla</td><td>70</td><td>Bulgaria</td><td>Automattic</td></tr><tr><td>21</td><td>joedolson</td><td>69</td><td>United States</td><td>Accessible WD</td></tr><tr><td>22</td><td>aaronrobertshaw</td><td>67</td><td>NC</td><td>Automattic</td></tr><tr><td>23</td><td>richtabor</td><td>66</td><td>United States</td><td>Automattic</td></tr><tr><td>24</td><td>jameskoster</td><td>56</td><td>United Kingdom</td><td>Automattic</td></tr><tr><td>25</td><td>hellofromtonya</td><td>56</td><td>United States</td><td>Automattic</td></tr><tr><td>26</td><td>aristath</td><td>51</td><td>Greece</td><td>Yoast</td></tr><tr><td>27</td><td>joemcgill</td><td>49</td><td>United States</td><td>10up</td></tr><tr><td>28</td><td>mciampini</td><td>48</td><td>NC</td><td>Automattic</td></tr><tr><td>29</td><td>talldanwp</td><td>47</td><td>Australia</td><td>Automattic</td></tr><tr><td>30</td><td>ellatrix</td><td>47</td><td>NC</td><td>NC</td></tr></tbody></table></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"></div>\n</div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" //>\n\n\n\n<figure class=\"wp-block-pullquote is-style-default\"><blockquote><p>Thank you to everyone who helped <br>to release WordPress 6.3. <br>Big or small, each of the above company contributes <br>to the <a href=\"https://wordpress.org/five-for-the-future/\"><em>Five for the future</em> initiative</a> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f499.png\" alt=\"💙\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p></blockquote></figure>\n\n\n\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<hr class=\"wp-block-separator has-css-opacity is-style-default\" //>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized\"><img src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2019/11/photo-avatar-jb-make-e1598437997298.jpg\" alt=\"Mon texte alternatif\" class=\"wp-image-99017\" style=\"width:127px;height:127px\" width=\"127\" height=\"127\" //></figure></div>\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-style-large alignwide\">\n<p>I hope you liked that post! Comments &amp; shares are welcome&nbsp;<strong><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f60d.png\" alt=\"😍\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></strong></p>\n\n\n\n<p><span style=\"color: inherit;font-family: inherit;letter-spacing: -0.0357143em\">You can also </span><a href=\"https://www.paypal.me/audrasjb\" target=\"_blank\" rel=\"noreferrer noopener\">buy me a beer or a coffee</a><span style=\"color: inherit;font-family: inherit;letter-spacing: -0.0357143em\"> if you want <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f37b.png\" alt=\"🍻\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2615.png\" alt=\"☕\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></span></p>\n\n\n\n<p>Feel free to reuse any graphic or data used in this post, without any limitation. The raw data are available <a href=\"https://docs.google.com/spreadsheets/d/1snF4iV3ejOKvifix5GYD08ydWHHQsIRCYEZPkLMDFCg/edit?usp=sharing\">on this spreadsheet</a>.</p>\n\n\n\n<p>Contact me if you have any question.</p>\n</blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-default\" //>\n</div></div>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img width=\"1024\" height=\"415\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/08/WP63-banner-audrasjb-1024x415.png\" alt=\"\" class=\"wp-image-145064\" //></figure>\n<p>L’article <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com/2023/08/contribution-stats-for-wordpress-6-3-lionel/\">Contribution Stats for WordPress 6.3 « Lionel »</a> provient de <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com\">Jean-Baptiste Audras - CTO @ Whodunit &amp; WordPress Core Developer</a></p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"Jb\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://jeanbaptisteaudras.com/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}}}}}s:4:\"type\";i:512;s:7:\"headers\";O:48:\"WpOrg\\Requests\\Utility\\CaseInsensitiveDictionary\":1:{s:7:\"\0*\0data\";a:11:{s:6:\"server\";s:12:\"nginx/1.21.4\";s:4:\"date\";s:29:\"Thu, 09 Nov 2023 07:12:26 GMT\";s:12:\"content-type\";s:20:\"application/atom+xml\";s:12:\"x-powered-by\";s:10:\"PHP/8.0.13\";s:13:\"last-modified\";s:29:\"Wed, 15 Dec 2021 21:33:54 GMT\";s:4:\"etag\";s:34:\"\"2ffe8d75591b5b1ed5ca7f66d3c037d3\"\";s:4:\"link\";s:57:\"<https://rss.wpfr.net/wp-json/>; rel=\"https://api.w.org/\"\";s:13:\"cache-control\";s:35:\"no-cache, no-store, must-revalidate\";s:6:\"pragma\";s:8:\"no-cache\";s:7:\"expires\";s:1:\"0\";s:25:\"strict-transport-security\";s:16:\"max-age=63072000\";}}s:5:\"build\";s:14:\"20230707232333\";}','no'),
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Il ne contient pas de données personnelles et sera supprimé automatiquement à la fermeture de votre navigateur.</p><p>Lorsque vous vous connecterez, nous mettrons en place un certain nombre de cookies pour enregistrer vos informations de connexion et vos préférences d’écran. La durée de vie d’un cookie de connexion est de deux jours, celle d’un cookie d’option d’écran est d’un an. Si vous cochez « Se souvenir de moi », votre cookie de connexion sera conservé pendant deux semaines. Si vous vous déconnectez de votre compte, le cookie de connexion sera effacé.</p><p>En modifiant ou en publiant une publication, un cookie supplémentaire sera enregistré dans votre navigateur. Ce cookie ne comprend aucune donnée personnelle. Il indique simplement l’ID de la publication que vous venez de modifier. 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Il expire au bout d’un jour.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Contenu embarqué depuis d’autres sites</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Les articles de ce site peuvent inclure des contenus intégrés (par exemple des vidéos, images, articles…). 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(9962,1,'2023-09-25 06:39:14','2023-09-25 04:39:14','<!-- wp:paragraph -->\n<p>Dans le cadre de ses recherches,<em>&nbsp;</em>Letizia Lusuardi, doctorante à l’ED 267 Arts&amp;Médias (UMR THALIM) de l’Université Sorbonne-Nouvelle à Paris et à l’Université IULM à Milan, a réalisé en 2023 un travail d’identification et de partition de <em>Le Livre d’Image </em>(2018), dernier&nbsp;film de Jean-Luc Godard, composé de citations d’archives (<em>found-footage</em>) provenant de films, de peintures, de programmes télévisés, de photographies, de livres ou de compositions musicales.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>La partition, découpant le film en séquences temporelles, prend la forme d’un tableau&nbsp;où chaque moment du film est décrit selon quatre catégories: les images, les écrits, les pistes musicales et enfin les voix off. Ce modèle est repris du travail sur&nbsp;<em>Histoire(s) du cinéma</em>&nbsp;(1989-99) réalisé et publié sur un site internet en 2006 en&nbsp;<em>open access</em>&nbsp;par Céline Scemama, en collaboration avec l\'Université Panthéon Sorbonne.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Outre l’accès libre à la partition du film, cette publication sur site internet permet aux utilisateurs référencés de compléter le travail d\'identification, ou de suggérer des modifications (environ 80% des œuvres citées sont pour l’instant identifiées). Ceci répond à une volonté d\'encourager&nbsp;les pratiques d\'interaction et de science participative.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ce site, développé selon les principes F.A.I.R., est hébergé par la TGIR huma-Num, dans un but de partage et de pérennisation des données de la recherche. Il a été développé en collaboration avec Amal Guha, ingénieur de recherches CNRS, Philippe Agbati, étudiant en informatique à l’IUT Paris Rives de Seine de l’Université Paris-Descartes et stagiaire auprès du laboratoire THALIM, et Valentin Le Moign, pour le collectif Figures Libres, en charge de la conception graphique et du suivi de développement.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ce projet a pu être réalisé grâce au financement reçu en 2023 à la suite d\'un appel à projets en&nbsp;<em>Humanités Numériques - Science &amp; Société</em>&nbsp;de la Direction de la Recherche, de la Valorisation, et des Etudes Doctorales (DiRVED) de l’Université Sorbonne-Nouvelle, et grâce au soutien de l’unité mixte de recherche 7172 THALIM (Théorie et histoire des arts et des littératures de la modernité).</p>\n<!-- /wp:paragraph -->','Content about popup','','publish','closed','closed','','content-about-popup','','','2023-10-25 07:59:12','2023-10-25 05:59:12','',0,'https://localhost/?page_id=9962',0,'page','',0),
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(9965,1,'2023-09-25 10:41:19','2023-09-25 08:41:19','https://localhost/app/uploads/2023/09/cropped-le-livre-d-image-1450x800-c.jpeg','cropped-le-livre-d-image-1450x800-c.jpeg','','inherit','open','closed','','cropped-le-livre-d-image-1450x800-c-jpeg','','','2023-09-25 10:41:19','2023-09-25 08:41:19','',0,'https://localhost/app/uploads/2023/09/cropped-le-livre-d-image-1450x800-c.jpeg',0,'attachment','image/jpeg',0),
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(13190,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBrusquement : silence.\n\n<b>Écrits\n---</b>\n\nWild Bunch\nVentes internationales\n','1h28’08','','publish','open','open','','1h2808','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13190',0,'post','',0),
(13191,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nLogos des distributeurs :\nArte, RTS, CINEFORUM, Loterie Romande, FONDATION JAN MICHALSKI POUR L\'ÉCRITURE ET LA LITTÉRATURE,\nSNAP ORAZ VE REIN,\nConfédération suisse, Département fédéral de l\'intérieur DFI, Office fédéral de la culture OFC\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n<b>Écrits\n---</b>\n\n','1h28’15','','publish','open','open','','1h2815','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13191',0,'post','',0),
(13192,1,'2023-11-09 18:38:49','2023-11-09 17:38:49','<b>Images\n---</b>\n\nNoir.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’00','','publish','open','open','','000','','','2023-11-09 18:40:10','2023-11-09 17:40:10','',0,'https://localhost/?p=13192',0,'post','',0),
(13193,1,'2023-10-23 06:56:21','2023-10-23 04:56:21','<b>Images\n---</b>\n\nLogo de la société de distribution Kino Lorber.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’02','','publish','open','open','','002','','','2023-11-09 08:57:46','2023-11-09 07:57:46','',0,'https://localhost/?p=13193',0,'post','',0),
(13194,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n\n<b>Écrits\n---</b>\n\n\n\n','0’10','','publish','open','open','','010','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13194',0,'post','',0),
(13195,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nPalme  d\'Or  avec  inscrit  en-dessous  «  Festival  de  Cannes  2018  Spécial ». \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nBip  sonore \n\n\n<b>Écrits\n---</b>\n\n\n\n','0\'13','','publish','open','open','','013','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13195',0,'post','',0),
(13196,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','0’18','','publish','open','open','','018','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13196',0,'post','',0),
(13197,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nDétail de la main.\n<em>San Giovanni Battista</em> (1508 - 1513), Léonard de Vinci.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','0’23','','publish','open','open','','023','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13197',0,'post','',0),
(13198,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nLes maîtres du m\nDevraient se méf\nPrécisément parc\n','0’26','','publish','open','open','','026','','','2023-09-26 09:18:55','2023-09-26 07:18:55','',0,'https://localhost/?p=13198',0,'post','',0),
(13199,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\ns du monde\nSe méfier de Bécassine,\nParce qu’elle se tait.\n<em>Les enfants humiliés</em>, Georges Bernanos (1949).\n','0’30','','publish','open','open','','030','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13199',0,'post','',0),
(13200,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','0’35','','publish','open','open','','035','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13200',0,'post','',0),
(13201,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nMains de Jean-Luc Godard, au travail à la table de montage, avec une pellicule.\n<em>King Lear</em> (1987), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a les 5 doigts, les 5 sens, les 5 parties du monde, oui les 5 doigts de la fée. Mais tous ensemble ils composent la main.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','0’41','','publish','open','open','','041','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13201',0,'post','',0),
(13202,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nMain écrivant au tableau « Un ruisseau d’ombres / A brook of shadows ».\n<em>Closed Vision</em> (1953), Marc\'O.\n\n\n<b>Voix Off et In\n---</b>\n\nEt la vraie condition de l’homme c’est de penser avec ses mains. (Jean-Luc Godard).\n<em>Penser avec les mains</em> (1936), Denis de Rougemont.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','01’04','','publish','open','open','','0104','','','2023-09-26 09:18:55','2023-09-26 07:18:55','',0,'https://localhost/?p=13202',0,'post','',0),
(13203,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nDétail de <em>La Main</em>, Alberto Giacometti (1947) allant vers le haut.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et début du <em>Quintette avec piano, Op. 18 - I.</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nL’image\n','01’17','','publish','open','open','','0117','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13203',0,'post','',0),
(13204,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nMains de personne enchaînée allant vers le bas et touchant le sol.\n<em>Le Procès de Jeanne d’Arc</em> (1961), Robert Bresson. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nviendra\n','01’23','','publish','open','open','','0123','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13204',0,'post','',0),
(13205,1,'2023-11-09 09:40:52','2023-11-09 08:40:52','<b>Images\n---</b>\n\nMain levée vers le haut.\n<em>Gare Centrale</em> (1958), Youssef Chahine.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nOh ! Temps','01’29','','publish','open','open','','0129','','','2023-11-09 09:41:54','2023-11-09 08:41:54','',0,'https://localhost/?p=13205',0,'post','',0),
(13206,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nPersonne coupant en deux les yeux d’une dame avec un rasoir.\n<em>Un chien andalou</em> (1929), Luis Bunuel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','01’40','','publish','open','open','','0140','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13206',0,'post','',0),
(13207,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nArchive s et morale.\nPhrase citée dans <em>Histoire (s) du cinéma</em> (1988 - 98), Jean-Luc Godard.\n','01’43','','publish','open','open','','0143','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13207',0,'post','',0),
(13208,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nSaturé : maisons avec des arbres. Détail d’un tableau d’André Derain.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Quintette avec piano, Op. 18 - I</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nCasa Azul Films\n','01’48','','publish','open','open','','0148','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13208',0,'post','',0),
(13209,1,'2023-09-26 09:18:55','2023-09-26 07:18:55','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nEcran  noir  production \n \n En  surimpression,  écrit  à  la  main :  \n Mitra  Farahani  (présidente  de  la  société). \n\n','01’53','','publish','open','open','','0153','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13209',0,'post','',0),
(13210,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nSaturé et surexposé : fragments de pellicule sur fond blanc.\n<em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','01’55','','publish','open','open','','0155','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13210',0,'post','',0),
(13211,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nTableau  avec  femmes  dans  la  rue  entre  des  maisons. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','01’58','','publish','open','open','','0158','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13211',0,'post','',0),
(13212,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\n« Le Livre d’ » écrit à la main à la peinture à l’huile rouge, et « image » écrit en blanc sur fond noir et bleu foncé, toujours coloré à la peinture à l’huile, avec une applique de couleur épaisse et très visible.\n\n\n<b>Voix Off et In\n---</b>\n\nBon, va me chercher les livres. On va jeter un coup d\'œil.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nC\'est que pour ne pas faire caca, il aurait fallu. Extrait de <em>Pour en finir avec le jugement de Dieu</em> (1948), Antonin Artaud.\n','02’00','','publish','open','open','','0200','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13212',0,'post','',0),
(13213,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','02’06','','publish','open','open','','0206','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13213',0,'post','',0),
(13214,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nImage  et  Parole \n\n','02’08','','publish','open','open','','0208','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13214',0,'post','',0),
(13215,1,'2023-10-26 10:19:57','2023-10-26 08:19:57','<b>Images\n---</b>\n\nSurexposé et saturé : pellicule entraînée par une bobine en rotation.\n<em>Notre caméra analytique</em> (2015), Yervant Gianikian et Angela Ricci Lucchi.\n\n<b>Voix Off et In\n---</b>\n\nScott Walker in 2006, Orpheus has returned from the underworld. What happened on his long long journey ? Who is this man ?\n<em>Scott Walker : 30th Century Man</em> (2007), Stephen Kijak.\n\n<b>Bande Son\n---</b>\n\n<em>Cossacks Are</em> (2006), Scott Walker.\n\n<b>Écrits\n---</b>','02’11','','publish','open','open','','0211','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13215',0,'post','',0),
(13216,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nC’est  que  pour  ne  pas  faire  caca \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','02’31','','publish','open','open','','0231','','','2023-09-26 09:18:56','2023-09-26 07:18:56','',0,'https://localhost/?p=13216',0,'post','',0),
(13217,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nHomme (avec une casquette de marin) visant dans une caméra (probablement photographie de Friedrich Wilhelm Murnau).\n<em>Histoire (s) du cinéma, 1b</em> (1988 - 98) Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nil aurait fallu qu\'on.\n<em>Pour en finir avec le jugement de Dieu</em> (1948), Antonin Artaud.\n\n\n<b>Bande Son\n---</b>\n\n<em>Cossacks Are</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\nTabou\n','02’34','','publish','open','open','','0234','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13217',0,'post','',0),
(13218,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nCouverture du livre de C. F. Ramuz, <em>Les signes parmi nous.</em>\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','02’38','','publish','open','open','','0238','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13218',0,'post','',0),
(13219,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cue</em>, Scott Walker (2006).\n\n\n<b>Écrits\n---</b>\n\nLes prophètes\n','02’42','','publish','open','open','','0242','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13219',0,'post','',0),
(13220,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nHomme sautant une épée à la main sur un autre homme.\n<em>Hamlet</em> (1964), Grigori Kozintsev.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','02’46','','publish','open','open','','0246','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13220',0,'post','',0),
(13221,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','02’47','','publish','open','open','','0247','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13221',0,'post','',0),
(13222,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nHomme en assassinant un autre à coups d’épée, puis sautant d’un mur, imitant un oiseau.\n<em>Hamlet</em> (1948), Laurence Olivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCri du coq. (Logo de Pathé).\n\n\n<b>Écrits\n---</b>\n\n','02’48','','publish','open','open','','0248','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13222',0,'post','',0),
(13223,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nPetite enfant à la tête levée et aux mains ouvertes.\n<em>Miracle en Alabama</em> (1962), Arthur Penn. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','02’51','','publish','open','open','','0251','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13223',0,'post','',0),
(13224,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - IV. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n1\nREMAKES\n','02’55','','publish','open','open','','0255','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13224',0,'post','',0),
(13225,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nExplosion  d’une  bombe  atomique.  \n\n\n<b>Voix Off et In\n---</b>\n\nécrit  dans  une  nuit  d’orage \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’00','','publish','open','open','','0300','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13225',0,'post','',0),
(13226,1,'2023-09-26 09:18:56','2023-09-26 07:18:56','<b>Images\n---</b>\n\nFemme aidant un homme à s’éloigner d’une maison.\n<em>En quatrième vitesse [Kiss Me Deadly]</em> (1955), Robert Aldrich.\n\n\n<b>Voix Off et In\n---</b>\n\nles affaires spéciales de police marchent de front avec\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’04','','publish','open','open','','0304','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13226',0,'post','',0),
(13227,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nLogo  représentant  un  atome. \n\n\n<b>Voix Off et In\n---</b>\n\nles  mesures  les  plus  générales  de  la  politique. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’08','','publish','open','open','','0308','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13227',0,'post','',0),
(13228,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nFemme aidant un homme à s’éloigner d’une maison sur une plage.\n<em>En quatrième vitesse [Kiss Me Deadly]</em> (1955), Robert Aldrich.\n\n\n<b>Voix Off et In\n---</b>\n\nLes fautes morales s’y confondent avec les crimes d’État.\n<em>Histoire de la Révolution française</em> (1893 - 98), Jules Michelet.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’12','','publish','open','open','','0312','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13228',0,'post','',0),
(13229,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nVassili  Semionovitch  Grossman  écrivant  au  tableau. \n\n\n<b>Voix Off et In\n---</b>\n\nC’est  évidemment  là,  et  évidemment  le  coloris  aussi  que  les  peintres  en  tiraient.  La  forme,  le  dessin,  les  gros  axes,  les  cadrages,  les  directions,  le  mouvement  (Pierre  Guyotat). \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’17','','publish','open','open','','0317','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13229',0,'post','',0),
(13230,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nOn accomplirait l’acte rédempteur, si l’on pourrait conduire la critique jusqu’à la mort volontaire, sagement désespérée, de notre penser / parler.\n<em>Le langage</em> (1906), Fritz Mauthner.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’24','','publish','open','open','','0324','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13230',0,'post','',0),
(13231,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n1 Remakes\n','03’37','','publish','open','open','','0337','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13231',0,'post','',0),
(13232,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nFemmes sortant d’un taxi ouvert par un concierge, homme lisant un papier.\n<em>Allemagne neuf zéro</em> (1997), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ngarder l’apparence de la vie\n(Jean-Luc Godard).\n\nComme le cinéma aussi, il faut que tout soit,\n\n\n<b>Bande Son\n---</b>\n\nId. e <em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\n','03’42','','publish','open','open','','0342','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13232',0,'post','',0),
(13233,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nAu ralenti, et plus tard accéléré : deux dames accompagnées à une voiture par un concierge sous un parapluie.\n<em>Le dernier des hommes</em> (1924), Friedrich Wilhelm Murnau.\n\n\n<b>Voix Off et In\n---</b>\n\nil faut que tout parle. (Pierre Guyotat).\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis moteur de voiture, et pas sur le sol accompagnés de rires de femmes.\n<em>Mon histoire n’est pas encore écrite</em> (2017), Jacqueline Gozland.\n\n\n<b>Écrits\n---</b>\n\n','04’04','','publish','open','open','','0404','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13233',0,'post','',0),
(13234,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','04’27','','publish','open','open','','0427','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13234',0,'post','',0),
(13235,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\nJohnny : Don’t go away.\nVienna : I haven’t moved.\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Écrits\n---</b>\n\n','04’29','','publish','open','open','','0429','','','2023-11-09 08:53:16','2023-11-09 07:53:16','',0,'https://localhost/?p=13235',0,'post','',0),
(13236,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nJohnny  :  Tell  me  something  nice. \n Vienna  :  Sure,  what  do  you  want  to  hear  ? \n Johnny  :  Lie  to  me.  Tell  me  all  these  years  you’ve  waited \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','04’36','','publish','open','open','','0436','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13236',0,'post','',0),
(13237,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\nVienna : All those years I’ve waited …\nJohnny : Tell me you would have died if I hadn’t come back.\nVienna : I would\'ve died if you hadn’t come back.\nJohnny : Tell me you still love me like I love you.\nVienna : I still …\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','04’48','','publish','open','open','','0448','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13237',0,'post','',0),
(13238,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Dites  des  mensonges. \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’05','','publish','open','open','','0505','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13238',0,'post','',0),
(13239,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Le petit soldat</em> (1947), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nque vous n’êtes pas triste que je parte.\n- Je ne suis pas triste que vous partiez. Je ne suis pas amoureuse de vous. Je ne vous rejoindrai pas au Brésil, je ne vous embrasse pas tendrement.\n\n\n<b>Bande Son\n---</b>\n\nId. et piano.\n\n\n<b>Écrits\n---</b>\n\n','05’10','','publish','open','open','','0510','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13239',0,'post','',0),
(13240,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nJe ne vous embrasse pas tendrement.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’38','','publish','open','open','','0538','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13240',0,'post','',0),
(13241,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Le petit soldat</em> (1947), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’45','','publish','open','open','','0545','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13241',0,'post','',0),
(13242,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’50','','publish','open','open','','0550','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13242',0,'post','',0),
(13243,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nAdolescents faisant des exercices militaires sous la supervision de soldats.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’55','','publish','open','open','','0555','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13243',0,'post','',0),
(13244,1,'2023-09-26 09:18:57','2023-09-26 07:18:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’59','','publish','open','open','','0559','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13244',0,'post','',0),
(13245,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nAdolescents faisant des exercices militaires sous la supervision de soldats.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’00','','publish','open','open','','0600','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13245',0,'post','',0),
(13246,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nMilitaires en rang observés par un commandant.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’03','','publish','open','open','','0603','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13246',0,'post','',0),
(13247,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nJeunes gens marchant à la manière de chiens, entourés de soldats les nourrissant.\n<em>Salò o le centoventi giornate di Sodoma</em> (1976), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAboiements et halètements de chiens.\n\n\n<b>Écrits\n---</b>\n\n','06’07','','publish','open','open','','0607','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13247',0,'post','',0),
(13248,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Mangia,  sù ! \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','06’17','','publish','open','open','','0617','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13248',0,'post','',0),
(13249,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n1  Remakes \n\n','06’28','','publish','open','open','','0628','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13249',0,'post','',0),
(13250,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nSoldats djihadistes tirant à la mitraillette.\n<em>Timbuktu</em> (2014), Abderrahmane Sissako.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nMitraillette.\n\n\n<b>Écrits\n---</b>\n\n','06’31','','publish','open','open','','0631','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13250',0,'post','',0),
(13251,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nBlanc \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','06’33','','publish','open','open','','0633','','','2023-11-09 08:53:17','2023-11-09 07:53:17','',0,'https://localhost/?p=13251',0,'post','',0),
(13252,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nSoldats djihadistes tirant à la mitraillette.\n<em>Timbuktu</em> (2014), Abderrahmane Sissako.\n\n<b>Voix Off et In\n---</b>\n\nBruit de manipulation d\'une arme.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’37','','publish','open','open','','0637','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13252',0,'post','',0),
(13253,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nSoldats déplaçant des cadavres et soignant des femmes torturées.\n<em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLes américains s’efforcent de réanimer cette combattante\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Écrits\n---</b>\n\n','06’44','','publish','open','open','','0644','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13253',0,'post','',0),
(13254,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','07’05','','publish','open','open','','0705','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13254',0,'post','',0),
(13255,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nHélicoptère.\n<em>La Chute du faucon noir</em> (2001), Ridley Scott.\n\n\n<b>Voix Off et In\n---</b>\n\npour sans doute l’interroger. Qu’en tireront-ils ? (fois 2)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','07’08','','publish','open','open','','0708','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13255',0,'post','',0),
(13256,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nSoldats déplaçant des cadavres et soignant des femmes torturées. <em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nDes insultes, des chants communistes ou simplement des cris de douleur.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nPatrie\n','07’13','','publish','open','open','','0713','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13256',0,'post','',0),
(13257,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nSoldat menaçant une femme et un enfant avec une carabine.\n<em>Les carabiniers</em> (1963), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nFaites la partir. Pas dans la cuisine. Mettez-vous sur la chaise ! Tournez-vous !\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','07’17','','publish','open','open','','0717','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13257',0,'post','',0),
(13258,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','07’43','','publish','open','open','','0743','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13258',0,'post','',0),
(13259,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nEnfant sur une pelouse écoutant de la musique. Homme apprenant à nager à une femme.\n<em>Les hommes les dimanches</em> (1930), Robert Siodmak et Edgar George Ulmer.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Les hommes les dimanches</em> (1930), Robert Siodmak et Edgar George Ulmer.\n\n<b>Écrits\n---</b>\n\n','07’44','','publish','open','open','','0744','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13259',0,'post','',0),
(13260,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nDeux hommes avec un scooter suivant deux femmes qui se promenant dans la rue.\n<em>Blue jeans</em> (1957), Jacques Rozier.\n\n\n<b>Voix Off et In\n---</b>\n\nAlors on se promène ? Vous n’avez pas peur toutes seules ? Vous habitez chez vos parents ? Alors vous habitez chez papa et maman ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','07’51','','publish','open','open','','0751','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13260',0,'post','',0),
(13261,1,'2023-09-26 09:18:58','2023-09-26 07:18:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nChez  papa  et  maman ? \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','08’09','','publish','open','open','','0809','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13261',0,'post','',0),
(13262,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nAvion  de  guerre  \n orné  d’un  dessin  de  dents.  Documentaire  de  la  guerre  civile  en  Chine. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','08’12','','publish','open','open','','0812','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13262',0,'post','',0),
(13263,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nRequin émergeant de l\'eau, la gueule grande ouverte.\n<em>Les dents de la mer</em> (1975), Steven Spielberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’13','','publish','open','open','','0813','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13263',0,'post','',0),
(13264,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n1  \n REMAKES \n\n','08’14','','publish','open','open','','0814','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13264',0,'post','',0),
(13265,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nEmpilement de cadavres.\n<em>Nuit et brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’16','','publish','open','open','','0816','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13265',0,'post','',0),
(13266,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nHomme tuant un cheval.\n<em>Le sang des bêtes</em> (1949), Georges Franju,.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est presque impossible d’abolir\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’19','','publish','open','open','','0819','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13266',0,'post','',0),
(13267,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nla réciprocité entre les hommes.\nLa violence est une forme.\n<em>La violence et le sacré</em>, (1972), René Girard\n\n\n<b>Bande Son\n---</b>\n\nId. e <em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\nL’une part la décision et\ndécision, c’est : se tenir\nêtre et le non-être @ et il y\nde l’être, le primat incor\n\n(Vladimir Ilitch Lénine).\n','08’24','','publish','open','open','','0824','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13267',0,'post','',0),
(13268,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nHibou, fondu avec un homme battant des paupières et les frottant successivement.\n<em>La Grève</em> (1925), Sergueï Eisenstein. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\n','08’31','','publish','open','open','','0831','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13268',0,'post','',0),
(13269,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','08’36','','publish','open','open','','0836','','','2023-11-09 08:53:18','2023-11-09 07:53:18','',0,'https://localhost/?p=13269',0,'post','',0),
(13270,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nHommes essayant de prendre la fuite et se faisant tirer dessus. Certains meurent. Hommes lançant dans la mer des prisonniers attachés.\n<em>Paisà</em> (1946), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nAccadeva nell’inverno del 1944. All’inizio della primavera la guerra era finita.\n\n\n<b>Bande Son\n---</b>\n\nMitraillette, personnes tombant dans l\'eau.\n\n\n<b>Écrits\n---</b>\n\n','08’43','','publish','open','open','','0843','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13270',0,'post','',0),
(13271,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nSurexposé :  djihadistes  tirant  sur  des  hommes,  et  les  lançant  à  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’06','','publish','open','open','','0906','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13271',0,'post','',0),
(13272,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nSurexposé  et  saturé  en  tons  rouges  :  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’13','','publish','open','open','','0913','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13272',0,'post','',0),
(13273,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nUn homme et une femme traversant en courant le corridor de Vasari à Florence.\n<em>Paisà</em> (1946), Roberto Rossellini.\n\nEn surimpression, <em>La belle et la bête</em> (1946), Jean Cocteau.\n\n\n<b>Voix Off et In\n---</b>\n\nS’il vous plaît (fois 7)\n\n\n<b>Bande Son\n---</b>\n\nRessac de vagues.\n\n\n<b>Écrits\n---</b>\n\n','09’15','','publish','open','open','','0915','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13273',0,'post','',0),
(13274,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nDevenir immortelle ne vous intéresse vraiment pas ?\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nRIM (AK) ES\n','09’23','','publish','open','open','','0923','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13274',0,'post','',0),
(13275,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nHomme se jettant à la mer pour sauver une femme voulant se suicider.\n<em>Vertigo</em> (1958), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\n- Immortelle, quoi ça sert ?\n- On m’a dit que tout le monde en avait envie.\n- Qu’est ce que je vais devenir si je meurs pas ? La vie va s’arrêter\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’27','','publish','open','open','','0927','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13275',0,'post','',0),
(13276,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nje  ne  suis  pas  comme  vous. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’44','','publish','open','open','','0944','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13276',0,'post','',0),
(13277,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nSurexposé et au ralenti : homme transportant le corps d’une femme ayant risqué de se noyer.\n<em>Vertigo</em> (1958), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\n- Fière, et orgueilleuse avec ça.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’47','','publish','open','open','','0947','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13277',0,'post','',0),
(13278,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nFemme à la plage et homme naigeant dans la mer.\n<em>Femme au corbeau</em> (1929), Frank Borzage.\n\n<b>Voix Off et In\n---</b>\n\n- Oui, fière, si je me compare.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’49','','publish','open','open','','0949','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13278',0,'post','',0),
(13279,1,'2023-09-26 09:18:59','2023-09-26 07:18:59','<b>Images\n---</b>\n\nCaméraman assis sur une dolly.\n<em>Silence ! On tourne</em> (2001), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’56','','publish','open','open','','0956','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13279',0,'post','',0),
(13280,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nVisage d’une femme.\n<em>L’Atalante</em> (1934), Jean Vigo, au ralenti et superposé à l’image d’un homme.\n\n\n<b>Voix Off et In\n---</b>\n\nEt humble, si je me considère.\n- Vous me l\'avez déjà dit.\n- Oui, mais je ne savais pas que c\'était vous. Je croyais que c\'était Simon qui était là.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’58','','publish','open','open','','0958','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13280',0,'post','',0),
(13281,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nHomme déposant une femme par terre au bord d’un lac.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est notre première dispute, et je t’aime.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','10’12','','publish','open','open','','1012','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13281',0,'post','',0),
(13282,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nDeux personnes marchant à quatre pattes sur le sol au milieu de l\'eau.\n<em>La furie du désir [Ruby Gentry]</em> (1952), King Vidor.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','10’19','','publish','open','open','','1019','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13282',0,'post','',0),
(13283,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Quintette avec piano</em> (1944), <em>Op. 18 - I</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','10’25','','publish','open','open','','1025','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13283',0,'post','',0),
(13284,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nImages d’archives : signature de l\'armistice de la Seconde Guerre mondiale le 8 mai 1945. En noir et blanc, puis en couleurs.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','10’27','','publish','open','open','','1027','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13284',0,'post','',0),
(13285,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','10’37','','publish','open','open','','1037','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13285',0,'post','',0),
(13286,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nImages d’archives de la chaîne de télévision francaise <em>Planète</em> : folle fêtant, drapeau Etatsunien à la main.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','10’39','','publish','open','open','','1039','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13286',0,'post','',0),
(13287,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nAssignat  de  25  sols.  (Papier  monnaie  fiduciaire  d’échange,  instaurée  sous  la  Révolution  française  par  la  loi  du  4  janvier  1792). \n\n\n<b>Voix Off et In\n---</b>\n\nOn  a  signé,  ah  signé,  assigné,  assigné,  assignats.  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','10’41','','publish','open','open','','1041','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13287',0,'post','',0),
(13288,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nVous vous souvenez de José. républicain espagnol ? Avec les communistes j\'irai jusqu\'à la mort.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','10’55','','publish','open','open','','1055','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13288',0,'post','',0),
(13289,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nHommes posant un livre sur la tête d’un homme allongé et plaçant le bout de l\'index et du majeur sur sa couverture.\n<em>Ivan le terrible</em> (1944), Sergej Ejzenstejn.<em> Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nAvec les communistes j\'irai jusqu\'à la mort mais je ne ferai pas un pas de plus.\n<em>L’Espoir</em> (1937), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’00','','publish','open','open','','1100','','','2023-11-09 08:53:19','2023-11-09 07:53:19','',0,'https://localhost/?p=13289',0,'post','',0),
(13290,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nEnfants jouant du violon.\n<em>Les enfants jouent à la Russie</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nOrchestre.\n\n\n<b>Écrits\n---</b>\n\n','11’21','','publish','open','open','','1121','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13290',0,'post','',0),
(13291,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nPhotographie  d’Inès  Armand,  femme  politique  communiste. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','11’26','','publish','open','open','','1126','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13291',0,'post','',0),
(13292,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nAvec des couleurs surexposées et saturées : groupe de personnes avec drapeaux et armes.\nLa liberté guidant le peuple (1830), Eugène Delacroix.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','11’30','','publish','open','open','','1130','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13292',0,'post','',0),
(13293,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nEn noir et blanc et surexposé : groupe de personnes avec drapeaux et armes.\n<em>La liberté guidant le peuple</em> (1830), Eugène Delacroix.\n\n<b>Voix Off et In\n---</b>\n\nLes aventures. Encore un rouge. Dernier, le rouge.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’32','','publish','open','open','','1132','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13293',0,'post','',0),
(13294,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nAlternance en clignotant de photos en couleur d’Hitler, et d’une dame marchant, un enfant dans les bras.\n<em>Angèle</em> (1934), Marcel Pagnol.\n\n\n<b>Voix Off et In\n---</b>\n\n- C’est lui qui a commencé, et c’est la vérité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’35','','publish','open','open','','1135','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13294',0,'post','',0),
(13295,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTais-toi  Cassandre ! \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','11’40','','publish','open','open','','1140','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13295',0,'post','',0),
(13296,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nFemme pleurant.\n<em>Les larmes de Freya</em> (1900), Anne-Marie Zylberman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’42','','publish','open','open','','1142','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13296',0,'post','',0),
(13297,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nMains tournées vers la lumière.\nFragment de tableau (1588), Anonyme, École de Fontainebleau.\nUne main sous un sein, une autre main joignant l’index au pouce.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard,.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','11’45','','publish','open','open','','1145','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13297',0,'post','',0),
(13298,1,'2023-09-26 09:19:00','2023-09-26 07:19:00','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n2  \n LES  SOIRÉES  DE  \n ST.  PÉTERSBOURG  (Joseph  de  Maistre,  1821) \n\n','11’48','','publish','open','open','','1148','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13298',0,'post','',0),
(13299,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nJeune fille dansant à un bal.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nInstruments à cordes : bande son de <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Écrits\n---</b>\n\n','11’53','','publish','open','open','','1153','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13299',0,'post','',0),
(13300,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nSoldats à cheval, pendant une bataille.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','11’55','','publish','open','open','','1155','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13300',0,'post','',0),
(13301,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nSurexposé, puis perturbé par des scintillements, des taches noires ou des taches blanches surexposées : nobles entrant dans une salle de bal.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Entrance of Tsar Alexander (Polonaise)</em> : bande son du film <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Écrits\n---</b>\n\n','12’06','','publish','open','open','','1206','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13301',0,'post','',0),
(13302,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','12’45','','publish','open','open','','1245','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13302',0,'post','',0),
(13303,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nEnfants luttant à coups de bâton.\n<em>Les enfants de la guerre</em> (1976), Jocelyne Saab.\n\n\n<b>Voix Off et In\n---</b>\n\nLa guerre est là. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','12’47','','publish','open','open','','1247','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13303',0,'post','',0),
(13304,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nFemme allongée sur le dos devant un homme regardant la mer.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- La voyez-vous, Péguy, dit-elle.\n- Il n’y a pas de morts.\n- Rien n’est aussi commode qu\'un texte.\n- Il y a seulement\n- Et rien n’est aussi commode qu\'un mot dans un texte.\n\n\n<b>Bande Son\n---</b>\n\nRessac de vagues.\n\n\n<b>Écrits\n---</b>\n\n','13’03','','publish','open','open','','1303','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13304',0,'post','',0),
(13305,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nNous  n\'avions  que  du  livre  à  mettre  dans  du  livre.  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’13','','publish','open','open','','1313','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13305',0,'post','',0),
(13306,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nSurexposé  :  bateaux  naviguant  en  mer.  \n\n\n<b>Voix Off et In\n---</b>\n\nQue  serait-ce  quand  il  faut  dans  un  livre,  dans  du  livre,  mettre  de  la  réalité  ?  Et  au  deuxième  degré  quand  il  faut,  dans  la  réalité, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’17','','publish','open','open','','1317','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13306',0,'post','',0),
(13307,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nCannon visant une voiture.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nmettre de la réalité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’29','','publish','open','open','','1329','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13307',0,'post','',0),
(13308,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nFemme se posant la main sur la tête.\nLe silence de la mer (1949), Jean-Pierre Melville.\n\nEn alternance : canon visant une voiture.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nQu\'arrive-t-il toujours mon ami ?\n\n<b>Bande Son\n---</b>\n\nPiano.\n\n<b>Écrits\n---</b>','13’31','','publish','open','open','','1331','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13308',0,'post','',0),
(13309,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nVoiture  militaire  passant  devant  une  folle. \n\n\n<b>Voix Off et In\n---</b>\n\n\n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’34','','publish','open','open','','1334','','','2023-11-09 08:53:20','2023-11-09 07:53:20','',0,'https://localhost/?p=13309',0,'post','',0),
(13310,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nNoir. En alternance : femme se posant la main sur la tête.\n<em>Le silence de la mer</em> (1949), Jean-Pierre Melville.\n\n\n<b>Voix Off et In\n---</b>\n\nLe soir tombe, les vacances finissent.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’36','','publish','open','open','','1336','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13310',0,'post','',0),
(13311,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nHomme torturé au chalumeau.\n<em>Roma città aperta</em> (1945), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nIl me faut une journée pour faire l\'histoire d\'une seconde.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’43','','publish','open','open','','1343','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13311',0,'post','',0),
(13312,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’46','','publish','open','open','','1346','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13312',0,'post','',0),
(13313,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nDétail  surexposé  :  Reporter,  et  ombre  d’un  soldat  au  fusil. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  me  faut  une  année  pour  faire  l\'histoire  d\'une  minute. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’51','','publish','open','open','','1351','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13313',0,'post','',0),
(13314,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nReporter,  et  ombre  d’un  soldat  au  fusil. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  me  faut  une  vie  pour  faire  l\'histoire  d\'une  heure. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’57','','publish','open','open','','1357','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13314',0,'post','',0),
(13315,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl me faut une éternité pour faire l\'histoire d\'un jour. (Julie Delpy).\n<em>Clio, dialogue de l’histoire et de l’âme païenne</em> (1912), Charles Péguy.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','14’05','','publish','open','open','','1405','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13315',0,'post','',0),
(13316,1,'2023-09-26 09:19:01','2023-09-26 07:19:01','<b>Images\n---</b>\n\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Au revoir Ludovic, vous allez à la guerre ?\n- Oui madame Donadieu.\n\n\n<b>Bande Son\n---</b>\n\nAu violon : bande son <em>d’Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Écrits\n---</b>\n\n','14’08','','publish','open','open','','1408','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13316',0,'post','',0),
(13317,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’25','','publish','open','open','','1425','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13317',0,'post','',0),
(13318,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nHomme lançant une lance dans le dos d\'un autre homme.\n<em>Les Nibelungen. La mort de Siegfried</em> (1924), Fritz Lang.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. puis silence.\n\n\n<b>Écrits\n---</b>\n\n','14’28','','publish','open','open','','1428','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13318',0,'post','',0),
(13319,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nDjihadistes tuant d’une une voiture des gens dans la rue.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','14’32','','publish','open','open','','1432','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13319',0,'post','',0),
(13320,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nHomme transpercé par un javelot.\n<em>Le testament d\'Orphée</em> (1960), Jean Cocteau.\n\n\n<b>Voix Off et In\n---</b>\n\nQuel horreur (fois 3)\n\n\n<b>Bande Son\n---</b>\n\nMitraillette, voitures.\n\n\n<b>Écrits\n---</b>\n\n','14’35','','publish','open','open','','1435','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13320',0,'post','',0),
(13321,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’42','','publish','open','open','','1442','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13321',0,'post','',0),
(13322,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nMaison  en  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\nC\'est  à  Saint  Petersburg  \n\n\n<b>Bande Son\n---</b>\n\nViolon. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’45','','publish','open','open','','1445','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13322',0,'post','',0),
(13323,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nNobles habillés pour une fête de carnaval. <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\nque de Maistre écrivait les soirées... A la veille de la bataille de la Moskova, il écrivait : « Les fléaux, les malheurs, les divisions, les tortures sont la punition de la méchanceté de l’homme corrompu par le péché. Le bourreau est la pierre angulaire de la société @ l’exécuteur de l’expiation divine.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','14’51','','publish','open','open','','1451','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13323',0,'post','',0),
(13324,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nPhoto  d’une  voiture  avec  militaires. \n\n\n<b>Voix Off et In\n---</b>\n\nC\'est  lui  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','15’17','','publish','open','open','','1517','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13324',0,'post','',0),
(13325,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nMontage en surimpression : photo d’une comtesse. <em>My Official Wife</em> (1926), Paul L. Stein.\n\n\n<b>Voix Off et In\n---</b>\n\nqui nous renvoie à notre juge naturel... Sa mission est sacrée.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','15’19','','publish','open','open','','1519','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13325',0,'post','',0),
(13326,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','15’22','','publish','open','open','','1522','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13326',0,'post','',0),
(13327,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nMilitaires sur un champ de bataille, explosions.\n<em>Guerre et paix</em> (1956), King Vidor.\n\n\n<b>Voix Off et In\n---</b>\n\nLe ciel ne peut être apaisé que par le sang. L’innocent peut payer pour le coupable. (Jean Luc Godard).\n<em>Les soirées de Saint-Pétersbourg</em> (1821), Joseph de Maistre.\n\n\n<b>Bande Son\n---</b>\n\nId. et batterie\n\n\n<b>Écrits\n---</b>\n\n','15’26','','publish','open','open','','1526','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13327',0,'post','',0),
(13328,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nEn noir et blanc : homme traînant un chargement.\n<em>Les paumés de la mendicité [Ladoni]</em> (1994), Artur Aristakisyan.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis <em>Concerto pour Violoncelle et cordes : part II. Longing</em> (2008), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','15’33','','publish','open','open','','1533','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13328',0,'post','',0),
(13329,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nPhoto du tombeau de Rosa Luxemburg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','16’02','','publish','open','open','','1602','','','2023-11-09 08:53:21','2023-11-09 07:53:21','',0,'https://localhost/?p=13329',0,'post','',0),
(13330,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nEn superposition : soldats tirant une femme à la bouche ouverte.\n<em>La Chanteuse de café (ou au gant)</em> (1878), Edgar Degas. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','16’09','','publish','open','open','','1609','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13330',0,'post','',0),
(13331,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nCheval dans un cimetière. Documentaire <em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','16’12','','publish','open','open','','1612','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13331',0,'post','',0),
(13332,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nFemme gisant sur le dos, devant un homme regardant la mer.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVagues et cris de mouettes.\n\n\n<b>Écrits\n---</b>\n\n','16’18','','publish','open','open','','1618','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13332',0,'post','',0),
(13333,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','16’50','','publish','open','open','','1650','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13333',0,'post','',0),
(13334,1,'2023-09-26 09:19:02','2023-09-26 07:19:02','<b>Images\n---</b>\n\nDétail saturé et surexposée : photographie d’une femme à terre, blessée, un chien mort à ses côtés.\n<em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','16’54','','publish','open','open','','1654','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13334',0,'post','',0),
(13335,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nSaturé,  puis  pris  depuis  le  toit  d\'un  réservoir  :  soldats  traversant  une  rivière,  les  armes  au-dessus  de  la  tête.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','16’56','','publish','open','open','','1656','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13335',0,'post','',0),
(13336,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’05','','publish','open','open','','1705','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13336',0,'post','',0),
(13337,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nTableau  représentant  Joseph  de  Maistre,  père  de  la  philosophie contre-révolutionnaire, et  critique  important  des  idées  des  Lumières. \n\n\n<b>Voix Off et In\n---</b>\n\nAu  cours  de  la  soirée,  le  comte  Joseph  de  Maistre  grand  croix  de  l\'ordre  de  saint  Maurice  et  de  Lazare,  continua… \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’08','','publish','open','open','','1708','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13337',0,'post','',0),
(13338,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nSaturé  :  bombardements  aériens. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nExplosions  et  avions. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’16','','publish','open','open','','1716','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13338',0,'post','',0),
(13339,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nVoyage dans la steppe à l’arrière d’un camion : une femme et un enfant, la tête recouverte d’un foulard @ sur la route poussiéreuse, l’ombre d’autres camions passant dans la perpendiculaire à l’horizon.\n<em>Alenka</em> (1961), Boris Barnet. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Concerto pour Violoncelle et cordes : part II. Longing</em> (2008), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\nLa terre\n','17’27','','publish','open','open','','1727','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13339',0,'post','',0),
(13340,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nFemme poursuivie et attaquée par un groupe d\'hommes.\n<em>Les Contes de la lune vague après la pluie</em> (1953), Kenji Mizoguchi.\n\n\n<b>Voix Off et In\n---</b>\n\ncontinua ses phrases les plus folles. Ainsi s’accomplit sans cesse la grande loi de la destruction des êtres vivants. La terre entière continuellement imbibée de sang n’est qu’un autel immense où tout ce qui vit\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','17’33','','publish','open','open','','1733','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13340',0,'post','',0),
(13341,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nFemmes traversant une ville détruite dont les bâtiments s\'effondrent devant elles.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ndoit être immolé, sans fin, sans mesure @\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','17’56','','publish','open','open','','1756','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13341',0,'post','',0),
(13342,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nEn couleur : femme au bord d\'une route, le visage défiguré par des coups.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nOù tout ce qui vit doit être immolé, sans fin, sans mesure, sans relâche jusqu\'à la consommation des choses, jusqu\'à l\'extinction du mal.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','18’02','','publish','open','open','','1802','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13342',0,'post','',0),
(13343,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nVoitures  de  police  djihadistes  défilant  dans  les  rues,  avec  des  drapeaux  noirs. \n\n\n<b>Voix Off et In\n---</b>\n\nD’ici  un  mois,  les  brigades  allaient  devoir  quitter  le  pays.  Une  fois  de  plus,  nous  comprîmes  à  quel  point  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’15','','publish','open','open','','1815','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13343',0,'post','',0),
(13344,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nVoiture  avec  des  soldats  armés  de  fusils  passant  au  milieu  d\'une  rue  avec  des  gens  autour. \n\n\n<b>Voix Off et In\n---</b>\n\nnous  n’avions  pu  imaginer  que  la  guerre  finisse  sans  que  nous  remportions  la  victoire.  La  guerre  est  donc  divine  en  elle-même. \n \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’19','','publish','open','open','','1819','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13344',0,'post','',0),
(13345,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  guerre,  la  guerre  est  donc  divine  en  elle-même,  parce  que  c\'est  une  loi  du  monde. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDélivrance \n\n','18’28','','publish','open','open','','1828','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13345',0,'post','',0),
(13346,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nPhotos  d\'avions  de  chasse  en  vol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’35','','publish','open','open','','1835','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13346',0,'post','',0),
(13347,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nSaturé  :  bombes  et  explosions. \n\n\n<b>Voix Off et In\n---</b>\n\nQui  pourrait  douter  que  la  mort  trouvée  dans  les  combats  n’est  de  grand  privilège  et  qui  pourrait  croire  que  les  victimes  de  cet  épouvantable  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’37','','publish','open','open','','1837','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13347',0,'post','',0),
(13348,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nPhoto  d\'une  petite  fille  demandant  désespérément  de  l\'aide  à  un  soldat. \n\n\n<b>Voix Off et In\n---</b>\n\njugement  aient  versé  leur  sang  en  vain.  La  guerre  est  donc  divine  dans  la  gloire  mystérieuse  qui  l\'environne,  et  dans  l\'attrait  non  moins \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’47','','publish','open','open','','1847','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13348',0,'post','',0),
(13349,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ninexplicable  qui  nous  y  porte.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’07','','publish','open','open','','1907','','','2023-11-09 08:53:22','2023-11-09 07:53:22','',0,'https://localhost/?p=13349',0,'post','',0),
(13350,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nEnfants  jouant  à  la  guerre. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’11','','publish','open','open','','1911','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13350',0,'post','',0),
(13351,1,'2023-09-26 09:19:03','2023-09-26 07:19:03','<b>Images\n---</b>\n\nSaturé  :  voiture  passant  avec  un  drapeau  étasunien. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’21','','publish','open','open','','1921','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13351',0,'post','',0),
(13352,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’24','','publish','open','open','','1924','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13352',0,'post','',0),
(13353,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nFemme militaire.\n<em>La chute de Berlin</em> (1950), Mikhaïl Tchiaoureli.\n\n\n<b>Voix Off et In\n---</b>\n\nEn fin de soirée, encore ces mots de représentants de la diplomatie française\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’26','','publish','open','open','','1926','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13353',0,'post','',0),
(13354,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nà Saint-Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’33','','publish','open','open','','1933','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13354',0,'post','',0),
(13355,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nAu ralenti : politiciens débattant dans une assemblée.\n<em>Napoléon</em> (1927), Abel Gance.\n\n\n<b>Voix Off et In\n---</b>\n\nEn fin de soirée, encore ces mots de la diplomatie française à Saint-Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’36','','publish','open','open','','1936','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13355',0,'post','',0),
(13356,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nDétail : homme et femme pleurant.\n<em>Adam et Ève chassés du paradis</em> (1424 - 1425), Masaccio.\n\n\n<b>Voix Off et In\n---</b>\n\nMais c’est précisément parce que la révolution qui s’y passe est le comble de l’absurdité et de la corruption morale... (Jean-Luc Godard).\n<em>Soirées de Saint-Pétersbourg</em> (1821), Joseph de Maistre.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’43','','publish','open','open','','1943','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13356',0,'post','',0),
(13357,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nChien.\n<em>Adieu au langage</em> (2014), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’49','','publish','open','open','','1949','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13357',0,'post','',0),
(13358,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nHomme en voiture roulant très vite.\n<em>Dr. Mabuse, le joueur</em> (1922), Fritz Lang.\n\n\n<b>Voix Off et In\n---</b>\n\net Malraux dira plus simplement transformer notre apocalypse en armée ou crever, c’est tout. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’57','','publish','open','open','','1957','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13358',0,'post','',0),
(13359,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTransformer  notre  apocalypse  en  armée  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’07','','publish','open','open','','2007','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13359',0,'post','',0),
(13360,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nSaturé et en tons verts et jaunes : canard attaqué par un crocodile, et tentant de s\'échapper.\n\n\n<b>Voix Off et In\n---</b>\n\nou crever, c’est tout.\nL’espoir (1937), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','20’09','','publish','open','open','','2009','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13360',0,'post','',0),
(13361,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nLapin touché par un coup de feu.\n<em>La règle du jeu</em> (1939), Jean Renoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCoup de feu.\n\n\n<b>Écrits\n---</b>\n\n','20’13','','publish','open','open','','2013','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13361',0,'post','',0),
(13362,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nPhotos de trois indiens à cheval au bord d\'une rivière, dans un quartier industrialisé.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLaissez-moi seul. Tout seul, vous entendez ? Je ne demande rien à personne moi.\n<em>Allô Berlin ? Ici Paris !</em> (1931), Julien Duvivier.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','20’21','','publish','open','open','','2021','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13362',0,'post','',0),
(13363,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nRangée de personnes pendues ensemble.\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPiano Quintet, Op. 18 - 4. Largo (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','20’26','','publish','open','open','','2026','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13363',0,'post','',0),
(13364,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n3.\nCES FLEURS ENTRE LES RAILS,\nDANS LE VENT CONFUS\nDES VOYAGES\n\n(Joseph Maria Rilke).\n','20’28','','publish','open','open','','2028','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13364',0,'post','',0),
(13365,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nPetite fille sur le quai regardant le passage d\'un train.\n<em>Madeline + Train = Sheer Delight</em>, <a href=\"https://www.youtube.com/watch?v=rvpCmKUo1Aw\">Vidéo sur youtube</a> .\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPiano.\n\n\n<b>Écrits\n---</b>\n\n','20’41','','publish','open','open','','2041','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13365',0,'post','',0),
(13366,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nEn négatif et passé en noir et blanc : train à vapeur passant.\n<em>Visual essays : origins of film</em> (1983), Al Razutis.\n\n\n<b>Voix Off et In\n---</b>\n\n- What’s coming ?\n- A train.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','20’42','','publish','open','open','','2042','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13366',0,'post','',0),
(13367,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nImages  du  19ème  siècle  :  passagers  montant  dans  un  train. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Oh  is  gonna  arrive  the  train ? \n - Yeah \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’45','','publish','open','open','','2045','','','2023-11-09 08:53:23','2023-11-09 07:53:23','',0,'https://localhost/?p=13367',0,'post','',0),
(13368,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n- Here  he  comes ! \n - We  are  gonna  be  safe,  let\'s  go  back \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’59','','publish','open','open','','2059','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13368',0,'post','',0),
(13369,1,'2023-09-26 09:19:04','2023-09-26 07:19:04','<b>Images\n---</b>\n\nEn négatif, passé en noir et blanc, clignotant sur les images originales : train à vapeur passant.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche.\n\n\n<b>Écrits\n---</b>\n\n','21’03','','publish','open','open','','2103','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13369',0,'post','',0),
(13370,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n- Oooh\n<em>Madeline + Train = Sheer Delight</em>, <a href=\"https://www.youtube.com/watch?v=rvpCmKUo1Aw\">Vidéo sur youtube</a>.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’05','','publish','open','open','','2105','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13370',0,'post','',0),
(13371,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nSaturé  :  fleurs. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','21’07','','publish','open','open','','2107','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13371',0,'post','',0),
(13372,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nHommes jetant des pierres sur un train venant de passer.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- lui jette la première pierre !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’09','','publish','open','open','','2109','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13372',0,'post','',0),
(13373,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','21’14','','publish','open','open','','2114','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13373',0,'post','',0),
(13374,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nPassagers d\'un train s\'installant dans leurs cabines avant le départ.\n<em>Berlin express</em> (1948), Jacques Tourneur.\n\n\n<b>Voix Off et In\n---</b>\n\nCompartment B, Lucienne Mirbeau, birthplace Lyon France, occupation secretary. Compartment C, Herr Otto Franzen, birthplace, Frankfurt, Germany. Once a German industrialist, now a dealer in scrap iron. Compartment D, unoccupied, but being held for a person of importance. Compartment E, James Sterling of Liverpool, former occupation, soldier, present occupation, school teacher. Lieutenant Maxim Kiroshilov, birthplace Moskow, defender of Stalingrad, now military aide, Russian occupation authorities. Compartment F, Hneu Perrault, Paris, once a member of the French Underground, now a man of commerce.\nCompartment G, Hans Schmidt, birthplace Munich, occupation\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’19','','publish','open','open','','2119','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13374',0,'post','',0),
(13375,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','22’27','','publish','open','open','','2227','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13375',0,'post','',0),
(13376,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nTrain à vapeur en approche traversant un bois sous la neige.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était environ neuf heures du matin\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’30','','publish','open','open','','2230','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13376',0,'post','',0),
(13377,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nEn couleurs : gens poursuivant un train en partance.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nc’était à la fin de novembre, par un temps de dégel. Le train de Varsovie filait à toute vapeur vers Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’38','','publish','open','open','','2238','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13377',0,'post','',0),
(13378,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nSuresposé et passé en noir et blanc : Femmes nues au sauna.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nL’humidité et la brume étaient telles que le jour avait peine à percer.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’42','','publish','open','open','','2242','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13378',0,'post','',0),
(13379,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nDeux enfants devant un train en partance.\n<em>Paysage dans le brouillard</em> (1988), Theo Angelopoulos.\n\n\n<b>Voix Off et In\n---</b>\n\nÀ dix pas à droite et à gauche de la voie, on distinguait malaisément quoi que ce fût par les fenêtres du wagon. (Jean Luc Godard).\n<em>L’idiot</em> (1962), Fiodor Dostoïevski.\n\n\n<b>Bande Son\n---</b>\n\nId. puis trains et foule dans une gare.\n\n\n<b>Écrits\n---</b>\n\n','22’51','','publish','open','open','','2251','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13379',0,'post','',0),
(13380,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nQuand  un  siècle \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’23','','publish','open','open','','2323','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13380',0,'post','',0),
(13381,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nPhoto  d\'une  femme  en  robe  rose. \n\n\n<b>Voix Off et In\n---</b>\n\nse  dissout  lentement  dans  le  siècle  suivant \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’28','','publish','open','open','','2328','','','2023-11-09 08:53:24','2023-11-09 07:53:24','',0,'https://localhost/?p=13381',0,'post','',0),
(13382,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nEnfants photographiant un canard.\n<em>Histoires du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nquelques individus transforment les moyens de survie anciens en moyens nouveaux. Ce sont ces derniers que nous appelons arts.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','23’34','','publish','open','open','','2334','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13382',0,'post','',0),
(13383,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nPhoto  de  Louis-Ferdinand  Céline. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  seule  chose  qui  survit  à  une  époque  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’44','','publish','open','open','','2344','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13383',0,'post','',0),
(13384,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nSurexposé  :  maisons  blanches  cubiques.  \n\n\n<b>Voix Off et In\n---</b>\n\nc\'est  la  forme  d\'art  qu\'elle  s\'est  créée.  Aucune  activité  ne  deviendra  un  art  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’50','','publish','open','open','','2350','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13384',0,'post','',0),
(13385,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nSaturé  :  personnes  assises  à  des  tables  en  terrasse  d\'un  bar. \n\n\n<b>Voix Off et In\n---</b>\n\navant  que  son  époque  ne  soit  terminée.  Ensuite  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’56','','publish','open','open','','2356','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13385',0,'post','',0),
(13386,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nFragment surexposé.\n<em>Louis IX, dit Saint Louis, Roi de France</em> (1844), Emile Signol.\n\n\n<b>Voix Off et In\n---</b>\n\ncet art disparaîtra. (Jean Luc Godard).\n<em>Pour une métahistoire du film</em> (printemps 1997), Hollis Frampton, « <em>Trafic</em> », n. 21.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nLe roi Saint Louis\n','24’00','','publish','open','open','','2400','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13386',0,'post','',0),
(13387,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nFemme traversant un train bondé.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n- C’est pire que dans le métro.\n- Pardon, laissez passer.\n- Merde alors, vous pouvez pas rester à votre place non ?\n\n\n<b>Bande Son\n---</b>\n\n<em>Das Buch der Klange I - XII, V</em> (1999), Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','24’05','','publish','open','open','','2405','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13387',0,'post','',0),
(13388,1,'2023-09-26 09:19:05','2023-09-26 07:19:05','<b>Images\n---</b>\n\nTrain  prenant  un  virage. \n\n\n<b>Voix Off et In\n---</b>\n\n- Suivez - moi  Monsieur. \n - Décidément  vous  dormez \n - Oui,  oui  je  dors.  C’est  très  curieux.  \n - Enfin  madame,  mais  expliquerez-vous  ? \n \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','24’46','','publish','open','open','','2446','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13388',0,'post','',0),
(13389,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nCadavres le long de voies ferrées.\n<em>Nuit et Brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\n- Rien. Si vous dormez, si vous rêvez, acceptez vos rêves. C\'est le rôle du dormeur.\n<em>Orphée</em> (1950), Jean Cocteau.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','25’02','','publish','open','open','','2502','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13389',0,'post','',0),
(13390,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nCouple dans un train regardant par la fenêtre.\n<em>Film socialisme</em> (2010), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nElle était devenue terrible, la langue de Goethe, quand on l\'entendait dans la nuit des petites gares russes. (Jean Luc Godard).\n<em>Vie et destin</em> (1930), Vasiliĭ Semenovich Grossman.\n\nFemme [traduction du dialecte tunisien]:\nOn la décrit toujours comme quelque chose de surnaturel. Mais c\'est quelque chose qui ne se ressent pas. Une fois, je me suis heurté à une voiture de police. Après une explosion. J\'ai couru, je suis tombée. J\'ai senti ma tête se cogner contre le sol. J\'ai eu un malaise. Je n\'ai pas pensé à la mort. Non. Moi. C\'est MOI qui est en train de mourir.\n\nHomme (traduction du dialecte tunisien):\nJe te souhaite la sûreté.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','25’08','','publish','open','open','','2508','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13390',0,'post','',0),
(13391,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nFemme marchant et trébuchant parmi des soldats campant par terre après une catastrophe ferroviaire en Inde.\n<em>La Croisée des destins [Bhowani Junction]</em> (1956), George Cukor.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nNombreuses personnes parlant et criant.\n\n\n<b>Écrits\n---</b>\n\n','25’53','','publish','open','open','','2553','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13391',0,'post','',0),
(13392,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nHomme aidant une femme à sortir par la fenêtre d\'un wagon de train.\n<em>Le Mécano de la General [The General]</em> (1927), Buster Keaton.\n\n\n<b>Voix Off et In\n---</b>\n\nNous voulons voyager, sans vapeur, et sans voile, faites, pour égayer l’ennui de nos prisons, passer sur nos esprits tendus comme une toile, vos souvenirs avec leur cadre d’horizon. (Julie Delpy).\n« Le voyage », <em>Les Fleurs du mal</em> (1857), Charles Baudelaire.\n<em>Histoires du cinéma 2a</em> (1989 - 1999), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Le Clavier bien tempéré 1, BWV 846 - 869</em> (1722), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\n','26’00','','publish','open','open','','2600','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13392',0,'post','',0),
(13393,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nTrain en Afrique avec autour des femmes et hommes vendant des fruits et vêtements dans un marché. Enfants suivant un train qui s’éloigne.\n<em>Les routes de l’impossible</em> (2007), Tony Comiti, France 5.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPersonnes parlant et criant. En arrière-plan sonore : tambours.\n\n\n<b>Écrits\n---</b>\n\n','26’30','','publish','open','open','','2630','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13393',0,'post','',0),
(13394,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nHomme et femme mangeant assis sur les sièges d\'un train.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','26’46','','publish','open','open','','2646','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13394',0,'post','',0),
(13395,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nPassagers dans un wagon.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAccordéon.\n\n\n<b>Écrits\n---</b>\n\n','26’48','','publish','open','open','','2648','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13395',0,'post','',0),
(13396,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nHomme parlant de manière animée à une femme dans un train.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSifflement de la vapeur s\'échappant d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','26’50','','publish','open','open','','2650','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13396',0,'post','',0),
(13397,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nPassagers à l\'intérieur d\'une voiture.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAccordéon, voix de personnes qui discutent.\n\n\n<b>Écrits\n---</b>\n\n','26’53','','publish','open','open','','2653','','','2023-11-09 08:53:25','2023-11-09 07:53:25','',0,'https://localhost/?p=13397',0,'post','',0),
(13398,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nGroupe de personnes à l\'intérieur d\'une voiture, jouant de l\'accordéon.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','26’55','','publish','open','open','','2655','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13398',0,'post','',0),
(13399,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\nLes  voix  de  la  séquence  précédente  continuent \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','26’56','','publish','open','open','','2656','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13399',0,'post','',0),
(13400,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nTrain  passant  au  ralenti  avec  un  drapeau  nazi. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence  et  train  passant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','27’00','','publish','open','open','','2700','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13400',0,'post','',0),
(13401,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nTrain traversant lentement un marché en Chine.\n<em>Shanghai Express</em> (1932), Josef von Sternberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’05','','publish','open','open','','2705','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13401',0,'post','',0),
(13402,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nSaturé : fleurs.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Rising Grace</em> (2016), Wolfgang Muthspiel.\n\n\n<b>Écrits\n---</b>\n\n','27’07','','publish','open','open','','2707','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13402',0,'post','',0),
(13403,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nSous les yeux de l’occident.\n<em>Under Western Eyes</em> (1911), Joseph Conrad.\n','27’17','','publish','open','open','','2717','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13403',0,'post','',0),
(13404,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nPersonne en tuant une autre dans un train.\n<em>Shanghai Express</em> (1932), Josef von Sternberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVapeur s\'échappant d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','27’19','','publish','open','open','','2719','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13404',0,'post','',0),
(13405,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nSoldat tirant sur d\'autres soldats, au-delà d\'une barricade.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTirs de pistolets et mitraillettes.\n\n\n<b>Écrits\n---</b>\n\n','27’23','','publish','open','open','','2723','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13405',0,'post','',0),
(13406,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nAu ralenti : homme et femme passant dans le couloir d\'un train.\n\n<em>Terror by night</em> (1946), Roy William Neill.\n\n<b>Voix Off et In\n---</b>\n\nMais enfin dites-moi pourquoi vous avez fait de l’espionnage ?\n- J\'en sais rien.\n- Vous avez accepté ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’25','','publish','open','open','','2725','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13406',0,'post','',0),
(13407,1,'2023-09-26 09:19:06','2023-09-26 07:19:06','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n- D’entrer dans son organisation ? Non Michel.\nMais même chez les communistes l’agent compte plus que tout le reste.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','27’36','','publish','open','open','','2736','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13407',0,'post','',0),
(13408,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nVapeur sortant d\'un train prenant un virage.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSifflet, puis passage d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','27’45','','publish','open','open','','2745','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13408',0,'post','',0),
(13409,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nHomme regardant une femme boire, au restaurant d\'un train.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\nDeux discours prononcés par George Steiner et Cornelius Castoriadis se chevauchent :\nSteiner : Il fera exactement la même chose que les autres, ce que les autres lui ont appris.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’50','','publish','open','open','','2750','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13409',0,'post','',0),
(13410,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nEnfant regardant par la fenêtre d\'un train des wagons militaires transportant des réservoirs.\n<em>Le silence</em> (1963), Ingmar Bergman.\n\n\n<b>Voix Off et In\n---</b>\n\nPour qu\'il y ait vraiment des individus, il faut que la collectivité bouge, et pour que la collectivité bouge il fera exactement la même chose que les autres, ce que les autres\nCastoriadis : Quelque chose a surgi de barbare. Quelque chose d’immense lumière qui a accentué les beaux mystères de la vie\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','27’54','','publish','open','open','','2754','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13410',0,'post','',0),
(13411,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nAu ralenti : femme dans le vagons d’un train.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\n- Come va a New York ? Va bene ?\n- Non ci si arricchisce\n- Che importa questo ? Si può star bene senza arricchire\n\n\n<b>Bande Son\n---</b>\n\nTrain.\n\n\n<b>Écrits\n---</b>\n\n','28’11','','publish','open','open','','2811','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13411',0,'post','',0),
(13412,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nHommes parlant en regardant par la fenêtre d\'un train.\n<em>Sicilia !</em> (1998), Jean-Marie Straub et Danièle Huillet.\n\n\n<b>Voix Off et In\n---</b>\n\n- Non avresti fatto che il tuo dovere.\n- Naturalmente !\n- I tipi così sono sempre da fermare.\n- Effettivamente, non si sa mai.\n- Ogni morto di fame è un uomo pericoloso.\n- Come no, capace di tutto.\n- Di rubare.\n- Questo va da sé.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','28’14','','publish','open','open','','2814','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13412',0,'post','',0),
(13413,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nFemme entrant dans un wagon de train, hommes se retournant pour la regarder.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Image The Fog Dirappearing</em> (2016), Tord Gustavsen.\n\n\n<b>Écrits\n---</b>\n\n','28’35','','publish','open','open','','2835','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13413',0,'post','',0),
(13414,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’03','','publish','open','open','','2903','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13414',0,'post','',0),
(13415,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nCheval et cavalier au galop, derrière un train.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’07','','publish','open','open','','2907','','','2023-11-09 08:53:26','2023-11-09 07:53:26','',0,'https://localhost/?p=13415',0,'post','',0),
(13416,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nHomme passant la main sur un vinyle et écoutant la musique qui s\'en dégage.\n<em>L’Atalante</em> (1934), Jean Vigo.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Concerto Grosso No. 4</em> (1988), Alfred Schnittke.\n\n\n<b>Écrits\n---</b>\n\n','29’10','','publish','open','open','','2910','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13416',0,'post','',0),
(13417,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nCheval et cavalier au galop, le long d’un train.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','29’16','','publish','open','open','','2916','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13417',0,'post','',0),
(13418,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’22','','publish','open','open','','2922','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13418',0,'post','',0),
(13419,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nChameau reniflant les rails d\'un train, train traversant une prairie déserte.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>The Fog Disappearing</em> (2016), Tord Gustavsen.\n\n\n<b>Écrits\n---</b>\n\n','29’24','','publish','open','open','','2924','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13419',0,'post','',0),
(13420,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nPaysage  vu  d\'un  train.  \n\n\n<b>Voix Off et In\n---</b>\n\nj\'avoue  qu\'avant  d\'embarquer  à  bord  \n\n\n<b>Bande Son\n---</b>\n\nVoix  masculine  accompagnée  au  piano. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’31','','publish','open','open','','2931','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13420',0,'post','',0),
(13421,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  train  avançant. \n\n\n<b>Voix Off et In\n---</b>\n\nde  ce  vieux \n   piano \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’36','','publish','open','open','','2936','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13421',0,'post','',0),
(13422,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nMontage en superposition : rose.\n<em>Allemagne 90 neuf zéro</em> (1991), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nj\'ai scruté la météo\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’39','','publish','open','open','','2939','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13422',0,'post','',0),
(13423,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nPassage du métro. Superposé : femme semblant avoir été heurtée par un train.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nj\'ai longtemps flâné\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','29’42','','publish','open','open','','2942','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13423',0,'post','',0),
(13424,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nDessin : femme vue de dos.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','29’45','','publish','open','open','','2945','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13424',0,'post','',0),
(13425,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nEux tous\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','29’50','','publish','open','open','','2950','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13425',0,'post','',0),
(13426,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nHommes saluant joyeusement des deux mains, depuis un train.\n<em>Les Deux Fedor</em> (1959), Marlen Khoutsiev.\n\n\n<b>Voix Off et In\n---</b>\n\nenfilés sur le fond\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’53','','publish','open','open','','2953','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13426',0,'post','',0),
(13427,1,'2023-09-26 09:19:07','2023-09-26 07:19:07','<b>Images\n---</b>\n\nFemmes courant.\n<em>Les Deux Fedor</em> (1959), Marlen Khoutsiev.\n\n\n<b>Voix Off et In\n---</b>\n\nDu vert luxuriant.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’57','','publish','open','open','','2957','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13427',0,'post','',0),
(13428,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nSaturé  :  paysage  vu  depuis  la  fenêtre  d’un  train. \n\n\n<b>Voix Off et In\n---</b>\n\nDe  l’été. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’00','','publish','open','open','','3000','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13428',0,'post','',0),
(13429,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’03','','publish','open','open','','3003','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13429',0,'post','',0),
(13430,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nHomme courant le long d\'un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman. <em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nEt l’embrasement\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’04','','publish','open','open','','3004','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13430',0,'post','',0),
(13431,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nAu ralenti : homme s\'approchant d\'une femme assise dans une grange devant un brasier.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’06','','publish','open','open','','3006','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13431',0,'post','',0),
(13432,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nFoule d\'hommes se pressant pour monter dans un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\nRoyal\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’07','','publish','open','open','','3007','','','2023-11-09 08:53:27','2023-11-09 07:53:27','',0,'https://localhost/?p=13432',0,'post','',0),
(13433,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nSaturé : trains miniatures passant sur une ligne de chemin de fer. <em>Toccata for Toy Trains</em> (1957), Charles and Ray Eames.\n\n\n<b>Voix Off et In\n---</b>\n\nde l\'automne.\n- Et la ruine de l’hiver\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’10','','publish','open','open','','3010','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13433',0,'post','',0),
(13434,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\navant  que  ne  fleurisse \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’15','','publish','open','open','','3015','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13434',0,'post','',0),
(13435,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nFille  faisant  de  l\'escrime  devant  un  projecteur  montrant  une  cathédrale  gothique.  En  montage  clignotant  :  cameraman  sur  un  dolly. \n\n\n<b>Voix Off et In\n---</b>\n\nà  nouveau \n le  printemps, \n salit  maintenant \n un  peu  noirci \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’19','','publish','open','open','','3019','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13435',0,'post','',0),
(13436,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nHomme se traînant le long d\'une voie ferrée.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche.\n\n\n<b>Écrits\n---</b>\n\n','30’30','','publish','open','open','','3030','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13436',0,'post','',0),
(13437,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’33','','publish','open','open','','3033','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13437',0,'post','',0),
(13438,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nHomme se traînant le long d\'une voie ferrée, et essayant de ne pas être écrasé par un train en approche.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’36','','publish','open','open','','3036','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13438',0,'post','',0),
(13439,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\npar le temps.\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','30’39','','publish','open','open','','3039','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13439',0,'post','',0),
(13440,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nHomme évanoui et écrasé par un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\nToujours serein\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche, cris.\n\n\n<b>Écrits\n---</b>\n\n','30’41','','publish','open','open','','3041','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13440',0,'post','',0),
(13441,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','30’45','','publish','open','open','','3045','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13441',0,'post','',0),
(13442,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nFemme arrachant ses boucles d\'oreilles en perle, horrifiée.\n<em>Au bord de la mer bleue</em> (1937), Boris Barnet.\n\n\n<b>Voix Off et In\n---</b>\n\n… des sentinelles. Non.\n- Comme s\'ils défendaient\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’47','','publish','open','open','','3047','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13442',0,'post','',0),
(13443,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nPerles tombant.\n<em>Au bord de la mer bleue</em> (1937), Boris Barnet.\nEnchaînement avec un montage clignotant : cadavres le long d\'une voie ferrée.\n<em>Nuit et brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\nde leurs énormes et monolithiques\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','31’01','','publish','open','open','','3101','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13443',0,'post','',0),
(13444,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nMontage clignotant : sous des cadavres longeant les rails d\'un train, folle dans une église du tableau.\n<em>L\'église Ludwigskirche à Munich</em> (1908), Wassily Kandinsky.\n\n\n<b>Voix Off et In\n---</b>\n\nLes vivants contre les morts.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','31’09','','publish','open','open','','3109','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13444',0,'post','',0),
(13445,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTous.  \n Les  ossements.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','31’18','','publish','open','open','','3118','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13445',0,'post','',0),
(13446,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nFemmes et hommes autour d\'une table, plaçant leurs mains en cercle lors d\'une séance de spiritisme. <em>Anna Karénine</em> (1948), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\nAvant que ne fleurissent\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','31’21','','publish','open','open','','3121','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13446',0,'post','',0),
(13447,1,'2023-09-26 09:19:08','2023-09-26 07:19:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nà  nouveau  le  printemps  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','31’26','','publish','open','open','','3126','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13447',0,'post','',0),
(13448,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nTrain passant dans le blizzard et personnes marchant sous la neige et dans le vent.\n<em>Anna Karénine</em> (1948), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et train passant.\n\n\n<b>Écrits\n---</b>\n\n','31’28','','publish','open','open','','3128','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13448',0,'post','',0),
(13449,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nEn superposition, et en alternance : dessin d\'un mort.\n<em>Les désastres de la guerre</em> (1815 - 20), Francisco Goya.\n\nPuis montage clignotant : personne levant un fusil vers le ciel, femme juive.\n\n\n<b>Voix Off et In\n---</b>\n\nEux tous, profilés sur le fond du vert luxuriant de l’été, et l\'embrasement royal de l’automne, et la ruine de l’hiver,\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt et silence.\n\n\n<b>Écrits\n---</b>\n\n','31’43','','publish','open','open','','3143','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13449',0,'post','',0),
(13450,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nAu ralenti, saturé : voie ferrée parcourue par un train.\n<em>Après le feu</em> (2010), Jacques Perconte.\n\n\n<b>Voix Off et In\n---</b>\n\navant que ne fleurisse à nouveau le printemps. Eux tous.\n<em>Sépulture Sud</em>, in <em>Idylle au désert et autres nouvelles</em> (1985), William Faulkner. <em>Grandeur et décadence d\'un petit commerce de cinéma</em> (1986), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','32’09','','publish','open','open','','3209','','','2023-11-09 08:53:28','2023-11-09 07:53:28','',0,'https://localhost/?p=13450',0,'post','',0),
(13451,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nHomme saluant une femme le regardant par la fenêtre d\'un train, et poursuivant le train qui s’éloigne.\n<em>Le plaisir</em> (1938), Max Ophüls.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Das Buch der Klange I - XII, V</em> (1999), Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','32’23','','publish','open','open','','3223','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13451',0,'post','',0),
(13452,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nPellicule passant dans un projecteur.\n<em>Deux fois cinquante ans de cinéma français</em> (1995), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','32’51','','publish','open','open','','3251','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13452',0,'post','',0),
(13453,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n \n\n\n<b>Écrits\n---</b>\n\n\n\n','33’02','','publish','open','open','','3302','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13453',0,'post','',0),
(13454,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n4  \n L’ESPRIT  DES  LOIS \n\n','33’05','','publish','open','open','','3305','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13454',0,'post','',0),
(13455,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nActeurs incarnant au théâtre des soldats intimant à la population qui manifeste de se disperser. Soldats déposant les armes et s\'unissant au peuple. <em>La Commune (Paris, 1971)</em> (2000), Peter Watkins.\n\n\n<b>Voix Off et In\n---</b>\n\nÉcartez - vous. Première sommation, nous allons faire usage de la force. Deuxième et dernière sommation, nous allons faire usage de la force. Dispersez-vous.\n\n\n<b>Bande Son\n---</b>\n\nPersonnes protestant et criant.\n<em>Three Little Nocturnes, II Allegro appassionata</em> (2005), Hans Abrahamsen.\n\n\n<b>Écrits\n---</b>\n\n','33’08','','publish','open','open','','3308','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13455',0,'post','',0),
(13456,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nHommes derrière une barricade attaqués par des soldats.\n<em>Vendémiaire</em> (1918), Louis Feuillade.\n<em>Histoire (s) du cinéma 3b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- La situation de tous, dans cette heure fatale et dans ce lieu inexorable, avait comme résultat et comme sommet. <em>Les Misérables</em> (1862), Victor Hugo.\n- Le drapeau\n\n\n<b>Bande Son\n---</b>\n\n<em>Breit-sehr frisch und straff</em> (1939), Paul Hindemith.\n\n\n<b>Écrits\n---</b>\n\n','34’08','','publish','open','open','','3408','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13456',0,'post','',0),
(13457,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nPhotographie d’Arthur Rimbaud.\n\n\n<b>Voix Off et In\n---</b>\n\n- la mélancolie suprême d’Enjolras. <em>Les Misérables</em> (1862), Victor Hugo.\n- Le drapeau va au paysage infâme\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','34’20','','publish','open','open','','3420','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13457',0,'post','',0),
(13458,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nFemme tout en blanc se dirigeant vers un écran puis reculant de peur, les mains en l\'air.\n<em>Le Mystère des roches de Kador</em> (1912), Léonce Perret. <em>Histoire (s) du cinéma 2a</em> (1988 - 89), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\net notre patois étouffe le\ntambour. Arthur Rimbaud,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','34’30','','publish','open','open','','3430','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13458',0,'post','',0),
(13459,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ndémocratie. (Jean Luc Godard). <em>Les Illuminations. Démocratie</em> (1854), Arthur Rimbaud.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nTERRORISM CONSIDERED\nas one of the\nFINE ARTS\n','34’36','','publish','open','open','','3436','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13459',0,'post','',0),
(13460,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDissonance  Films \n\n','34’38','','publish','open','open','','3438','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13460',0,'post','',0),
(13461,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nFemme supliant un homme jettant un bébé par la fenêtre.\n<em>Histoire (s) du cinéma</em>, (1988 - 89), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nAprès une révolution dans la révolution (Philippe Sollers).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nEnd Lo Sung\n','34’41','','publish','open','open','','3441','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13461',0,'post','',0),
(13462,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nAu  violon \n\n\n<b>Écrits\n---</b>\n\n\n\n','34’44','','publish','open','open','','3444','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13462',0,'post','',0),
(13463,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nSaturé  :  torero  transperçant  un  taureau  à  coups  d’épée. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','34’48','','publish','open','open','','3448','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13463',0,'post','',0),
(13464,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nAu ralenti : homme courant et criant en faisant claquer ses poignets ensemble.\n<em>La terre</em> (1930), Alexandre Dovjenko. <em>Histoire (s) du cinéma 2a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine, accompagnée à la guitare : chant russe.\n<em>La chasse aux loups</em> (1977), Vladimir Vissotsky.\n\n\n<b>Écrits\n---</b>\n\n','34’49','','publish','open','open','','3449','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13464',0,'post','',0),
(13465,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’12','','publish','open','open','','3512','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13465',0,'post','',0),
(13466,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nSurexposé : photographie d’un buste de Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nSi je pouvais faire en sorte que ceux qui commandent augmentassent leur connaissances sur ce qu’ils doivent prescrire, et que ceux qui obéissent trouvassent un nouveau plaisir à obéir. <em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','35’14','','publish','open','open','','3514','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13466',0,'post','',0),
(13467,1,'2023-09-26 09:19:09','2023-09-26 07:19:09','<b>Images\n---</b>\n\nEnfants  en  Asie  faisant  un  exercice  militaire. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  d\'enfants  chantant  et  criant  ensemble. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’26','','publish','open','open','','3526','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13467',0,'post','',0),
(13468,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nSurexposé : personnes marchant courbées et vacillantes le long d\'un couloir.\n<em>Alphaville</em> (1965), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJe me croirais le plus heureux des hommes.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','35’31','','publish','open','open','','3531','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13468',0,'post','',0),
(13469,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  croirais  le  plus  heureux  des  mortels. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’37','','publish','open','open','','3537','','','2023-11-09 08:53:29','2023-11-09 07:53:29','',0,'https://localhost/?p=13469',0,'post','',0),
(13470,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nSaturé et surexposé : pellicule d’aspect usée et déchirée.\n<em>Notre caméra analytique</em> (2015), Yervant Gianikian et Angela Ricci Lucchi.\n\n\n<b>Voix Off et In\n---</b>\n\nJe me croirais le plus heureux des mortels, si je pouvais faire que les hommes\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’40','','publish','open','open','','3540','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13470',0,'post','',0),
(13471,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nCouverture des volumes de <em>l\'Esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\npuissent se guérir de leurs préjugés.\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’50','','publish','open','open','','3550','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13471',0,'post','',0),
(13472,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nSaturé : visage d’un homme de profil allumant une cigarette.\n<em>Détective</em> (1985), Jean-Luc Godard. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJ\'appelle ici préjugés,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’54','','publish','open','open','','3554','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13472',0,'post','',0),
(13473,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nMontage superposé : main tenant une bougie.\n<em>Ivan le terrible</em> (1944 - 46), Sergueï Eisenstein. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nnon pas\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’56','','publish','open','open','','3556','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13473',0,'post','',0),
(13474,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nce  qui  fait  qu\'on  ignore  de  certaines  choses,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’59','','publish','open','open','','3559','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13474',0,'post','',0),
(13475,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nSurexposé : buste de Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nmais ce qui fait qu\'on s\'ignore soi-même. (Jean Luc Godard)\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’00','','publish','open','open','','3600','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13475',0,'post','',0),
(13476,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nCouteau planté sur une surface noire.\n<em>Au cœur de l\'orage</em> (1948), Jean-Paul Le Chanois.\n\n\n<b>Voix Off et In\n---</b>\n\nE arrivato Zampanò ! è arrivato Zampanò !\n\n\n<b>Bande Son\n---</b>\n\nTambours.\n\n\n<b>Écrits\n---</b>\n\n','36’02','','publish','open','open','','3602','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13476',0,'post','',0),
(13477,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nAu ralenti : deux clowns parmi une foule de gens.\n<em>La Strada</em> (1954), Federico Fellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','36’13','','publish','open','open','','3613','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13477',0,'post','',0),
(13478,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nFemme au bord d\'une rivière.\n<em>Pastorales Tahitiennes</em> (1893), Paul Gauguin. Alternant, en montage clignotant : homme l’observant à travers une vitre.\n<em>Le Pré de Béjine</em> (1935 - 37), Sergueï Eisenstein. En alternance : femme en blanc des <em>Pastorales tahitiennes</em> (1892), Paul Gauguin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’18','','publish','open','open','','3618','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13478',0,'post','',0),
(13479,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nSaturé : homme et femme marchant entre des voitures en feu.\n<em>Weekend</em> (1967), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est qu’il n’est pas\n\n\n<b>Bande Son\n---</b>\n\n<em>Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »)</em> (1704), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\n','36’22','','publish','open','open','','3622','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13479',0,'post','',0),
(13480,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nplus  permis  à  un  gouvernement \n qu’à  un  individu  d’être  un  assassin.  C’est  que  l’Europe  est  solidaire \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’27','','publish','open','open','','3627','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13480',0,'post','',0),
(13481,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nFemmes décapitant un homme.\n<em>Judith tranchant la tête d’Holopherne</em> (1620), Artemisia Gentileschi.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est que tout ce qui se fait en Europe\nest fait par l’Europe\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’32','','publish','open','open','','3632','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13481',0,'post','',0),
(13482,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nHomme  pillant  un  cadavre. \n\n\n<b>Voix Off et In\n---</b>\n\nc’est  que \n s’il  existe  un  gouvernement  \n de  bêtes  fauves \n il  doit  être  traité  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’34','','publish','open','open','','3534','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13482',0,'post','',0),
(13483,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nHomme  regardant  à  travers  une  caméra.  En  superposition  :  cadavre  d’homme  dans  la  rue. \n\n\n<b>Voix Off et In\n---</b>\n\nen  bête  fauve \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’41','','publish','open','open','','3641','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13483',0,'post','',0),
(13484,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nHomme conduisant une voiture à toute vitesse.\n<em>Dr. Mabuse, le joueur</em> (1922), Fritz Lang.\n\nEn superposition : dessin d\'homme. <em>Combats</em> (1915), Ernst Ludwig Kirchner. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’à l’heure qu’il est, tout près de nous là, sous nos yeux on massacre\non incendie\non pille\non extermine\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’44','','publish','open','open','','3644','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13484',0,'post','',0),
(13485,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\non  égorge  les  pères  et  les  mères \n on  vend  les  petites  filles  et  les  petits  garçons \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’49','','publish','open','open','','3649','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13485',0,'post','',0),
(13486,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nFemme avec une tache rouge à la place de son sexe se trouvant situé à la hauteur de la bouche d’un Saturne dont le croquis se superpose au dessin en clignotement léger comme une flamme qui va s’éteindre, avec une femme portant une torche et au bras levé.\n<em>Lady Macbeth somnambule</em> (1781 - 84), Johann Heinrich Füssli. <em>Histoire (s) du cinéma 3a</em>, Jean-Luc Godard (1889 - 99)\n\n\n<b>Voix Off et In\n---</b>\n\non vend les petites filles et les petits garçons\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’52','','publish','open','open','','3652','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13486',0,'post','',0),
(13487,1,'2023-09-26 09:19:10','2023-09-26 07:19:10','<b>Images\n---</b>\n\nLady Macbeth id. clignotement id. avec deux corps pendus à un arbre, des taches rouges à la place du sexe et l’un en morceaux accrochés à l’arbre : des bras tranchés et attachés d’une corde à une branche, le corps pendu par les jambes et la tête plantée dans une branche.\n<em>Bel exploit, avec des morts</em> (dans la série des <em>Désastres de la guerre, n. 39</em> (1810 - 1815), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1889 - 99), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est que les enfants trop petits\npour être vendus\non les fend d’un coup de sabre\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’55','','publish','open','open','','3655','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13487',0,'post','',0),
(13488,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nGoya id. Clignotant : enfant errant dans une ville.\n<em>Allemagne année zéro</em> (1948), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’on brûle les familles dans les maisons\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’58','','publish','open','open','','3658','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13488',0,'post','',0),
(13489,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nEnfant errant dans une ville.\n<em>Allemagne année zéro</em> (1948), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’03','','publish','open','open','','3703','','','2023-11-09 08:53:30','2023-11-09 07:53:30','',0,'https://localhost/?p=13489',0,'post','',0),
(13490,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nId.. Rossellini. En surimpression : homme avec une tête au bout d’un pique.\nGravure des <em>Disparates</em> (1821 - 24), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1889 - 99), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nde sorte qu’aux vivants qui leur ont envoyé le carnage\nles morts envoient la peste, ce qui est bien fait\nnous apprenons aux gouvernements d’Europe\nceci :\nc’est qu’on ouvre les femmes grosses\npour leur tuer les enfants dans les entrailles\n\n\n<b>Bande Son\n---</b>\n\n<em>Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »)</em> (1704), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\nLes signes parmi nous.\n','37’09','','publish','open','open','','3709','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13490',0,'post','',0),
(13491,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’il y a dans les places publiques\ndes tas de squelettes. (Jean-Luc Godard)\n<em>Pour la Serbie</em> (1876), Victor Hugo.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’25','','publish','open','open','','3725','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13491',0,'post','',0),
(13492,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nChat noir descendant les escaliers au ralenti.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLe sort de la France\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’27','','publish','open','open','','3727','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13492',0,'post','',0),
(13493,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nSurexposé : homme se traînant péniblement vers une chaise.\n<em>Docteur Jerry et Mister Love</em> (1963), Jerry Lewis.\n\n\n<b>Voix Off et In\n---</b>\n\nSuivait celui de l’Amérique. Comme dans les contes romantiques allemandes, le chat\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’29','','publish','open','open','','3729','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13493',0,'post','',0),
(13494,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nqui  éprouve  à  son  tour  les  amours \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','37’37','','publish','open','open','','3737','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13494',0,'post','',0),
(13495,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nPieds marchant au milieu de l\'eau.\n<em>La couleur de la grenade</em> (1968), Sergei Parajanov.\n\n\n<b>Voix Off et In\n---</b>\n\net les ambitions de son maître et les rend dérisoires.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’42','','publish','open','open','','3742','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13495',0,'post','',0),
(13496,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nPieds marchant dans la rue.\n<em>Les Olvidados</em> (1950), Luis Buñuel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCloche d’enterrement.\n\n\n<b>Écrits\n---</b>\n\n','37’44','','publish','open','open','','3744','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13496',0,'post','',0),
(13497,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nPhotographie de Marilyn Monroe.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’46','','publish','open','open','','3746','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13497',0,'post','',0),
(13498,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nHomme et jeune femme sous la pluie.\n<em>Le premier maître</em> (1965), Andreï Kontchalovski. <em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’47','','publish','open','open','','3747','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13498',0,'post','',0),
(13499,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nVisage de femme aux mains jointes dans un geste de prière. En tons rouges :\ndétail de la fresque de la coupole <em>San Antonio de la Florida</em> (1798), Francisco Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’50','','publish','open','open','','3750','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13499',0,'post','',0),
(13500,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nJean-Luc Godard posant les mains sur un exemplaire de <em>De la certitude</em> (1951), Ludwig Wittgenstein, puis les retirant. En dessous, un autre livre de la Pléiade. Sur un bureau, clés et marqueurs. À côté, <em>JLG / JLG</em> (1995), Jean-Luc Godard. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','37’51','','publish','open','open','','3751','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13500',0,'post','',0),
(13501,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nIris : détail, un visage.\n<em>Judith et Holopherne</em> (1820 - 23), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Pourquoi Sarajevo ?\n- On dit deux cents villages brûlés\nil n’y en a que quatre vingt dix neuf\nce que vous appelez la peste\nn’est que le typhus\ntoutes les femmes n’ont pas été violées\n\n\n<b>Bande Son\n---</b>\n\nCloche d’enterrement et silence.\n\n\n<b>Écrits\n---</b>\n\nDes ténèbres\n','37’59','','publish','open','open','','3759','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13501',0,'post','',0),
(13502,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ntoutes  les  filles  n’ont  pas  été  vendues \n quelques-unes  ont  échappé \n on  a  châtré  les  prisonniers \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’10','','publish','open','open','','3810','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13502',0,'post','',0),
(13503,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nDétail du visage d\'une femme.\n<em>Balcon</em> (1868), Edouard Manet. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nmais on leur a aussi coupé la tête…\n- Parce que la Palestine\n-... à la pointe d’une baïonnette. (Jean-Luc Godard)\n<em>Pour la Serbie</em> (1876), Victor Hugo.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nJe sais à quoi tu penses\n','38’15','','publish','open','open','','3815','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13503',0,'post','',0),
(13504,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  cetera,  et  cetera.  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’27','','publish','open','open','','3827','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13504',0,'post','',0),
(13505,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nQuatrièmes de couverture des exemplaires des volumes de <em>l\'Esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nC\'est en cherchant à instruire les hommes, que l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous. L\'homme …\nque l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','38’31','','publish','open','open','','3831','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13505',0,'post','',0),
(13506,1,'2023-09-26 09:19:11','2023-09-26 07:19:11','<b>Images\n---</b>\n\nHommes  encagoulés  de  blanc  sur  le  toit  d\'une  voiture  avec  une  croix  en  bois  sur  le  coffre. \n\n\n<b>Voix Off et In\n---</b>\n\nL\'homme,  l’homme \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’58','','publish','open','open','','3858','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13506',0,'post','',0),
(13507,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nAu ralenti : homme ouvrant un canif avec sa main.\n<em>M le maudit</em> (1931), Fritz Lang. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ncet être flexible, se pliant dans la société\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’00','','publish','open','open','','3900','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13507',0,'post','',0),
(13508,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme  tenant  un  appareil  photo.  \n\n\n<b>Voix Off et In\n---</b>\n\naux  pensées  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’07','','publish','open','open','','3907','','','2023-11-09 08:53:31','2023-11-09 07:53:31','',0,'https://localhost/?p=13508',0,'post','',0),
(13509,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nFemme mourant dans les bras d\'un homme et s\'effondrant sur le sol.\n\n\n<b>Voix Off et In\n---</b>\n\net aux impressions des autres, est également capable de comprendre sa propre nature. lorsqu\'on la lui montre, et d\'en perdre jusqu\'au sentiment lorsqu\'on la lui dérobe. (Jean-Luc Godard).\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’09','','publish','open','open','','3909','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13509',0,'post','',0),
(13510,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme poussant un autre homme au sol.\n<em>Francesco, giullare di dio</em> (1950), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’30','','publish','open','open','','3930','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13510',0,'post','',0),
(13511,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nPhotographie  d\'un  réalisateur  regardant  à  travers  une  caméra  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’39','','publish','open','open','','3939','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13511',0,'post','',0),
(13512,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nSaturé  et  ouverture  iris  entourée  de  noir  :  mains  d\'une  femme  avec  des  ciseaux  coupant  une  pellicule. \n\n\n<b>Voix Off et In\n---</b>\n\n- Books ? \n - Yeah,  in  the  last  barrel \n - Books \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’46','','publish','open','open','','3946','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13512',0,'post','',0),
(13513,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme trouvant un livre et le lisant, pendant que d\'autres enfants et adultes l\'entourent avec intérêt.\n<em>Vers sa destinée</em> (1939), John Ford.\n\n\n<b>Voix Off et In\n---</b>\n\n- That\'s law.\n- Law, I know that book was about somethin’.\n- Hardly a thumb mark on it either.\n- No sir. We took mighty good care of it. Reckon you can read it, sir ?\n- I expect I could make heads or tails out of it, if I set my mind to it.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’48','','publish','open','open','','3948','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13513',0,'post','',0),
(13514,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','40’07','','publish','open','open','','4007','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13514',0,'post','',0),
(13515,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme allongé, les jambes contre un arbre, un livre à la main.\n<em>Vers sa destinée</em> (1939), John Ford.\n\n\n<b>Voix Off et In\n---</b>\n\nA bas le roi !\nIl a dix femmes dans son lit pour y passer de folles nuits. A Bas le roi !\nVive la loi ! Vive la loi !\nVive le roi ! Peut contenter d’une traite. A bas la loi !\n<em>Chanson paillarde républicaine.</em>\n\n<b>Bande Son\n---</b>\n\nAccordéon, voix féminine.\n\n\n<b>Écrits\n---</b>\n\n','40’10','','publish','open','open','','4010','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13515',0,'post','',0),
(13516,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme en menaçant et poussant un autre dans des escaliers.\n<em>Le Chaos</em> (2007), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','40’32','','publish','open','open','','4032','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13516',0,'post','',0),
(13517,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','40’36','','publish','open','open','','4036','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13517',0,'post','',0),
(13518,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nAu ralenti : homme souriant, les dents découvertes.\n<em>Freaks</em> (1939), Tod Browning. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','40’39','','publish','open','open','','4039','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13518',0,'post','',0),
(13519,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nFemme nue, homme lui léchant l’anus.\nExtrait d’un film pornographique.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','40’44','','publish','open','open','','4044','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13519',0,'post','',0),
(13520,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nHomme riant, et se couvrant la bouche avec la main.\n<em>Freaks</em> (1939), Tod Browning. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et <em>Arcadiana, Op. 12 : IV. Et … (tango mortale)</em> (1994), Thomas Adès.\n\n\n<b>Écrits\n---</b>\n\n','40’51','','publish','open','open','','4051','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13520',0,'post','',0),
(13521,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nSurexposé, en noir et blanc : François Truffaut.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Arcadiana, Op. 12 : IV. Et … (tango mortale)</em> (1994), Thomas Adès.\n\n<b>Écrits\n---</b>\n\n','40’57','','publish','open','open','','4057','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13521',0,'post','',0),
(13522,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  Jacques  Rivette. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’00','','publish','open','open','','4100','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13522',0,'post','',0),
(13523,1,'2023-09-26 09:19:12','2023-09-26 07:19:12','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  Eric  Rohmer. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  sent  que  l’on  tombera.  Doit  tomber. \n Va  tomber. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’04','','publish','open','open','','4104','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13523',0,'post','',0),
(13524,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nle  secret  et  la  loi \n\n','41’08','','publish','open','open','','4108','','','2023-11-09 08:53:32','2023-11-09 07:53:32','',0,'https://localhost/?p=13524',0,'post','',0),
(13525,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nSaturé : femme attachée à un poteau, et brûlée vive.\n<em>Jeanne au bûcher</em> (1954) Roberto Rossellini. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’16','','publish','open','open','','4116','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13525',0,'post','',0),
(13526,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’30','','publish','open','open','','4130','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13526',0,'post','',0),
(13527,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nHomme marchant sous un arbre.\n\n\n<b>Voix Off et In\n---</b>\n\nQu’est-ce que cela fait ? Tout est grâce. Je crois qu’il est mort presque aussitôt. (Jean-Luc Godard).\n<em>Journal d\'un curé de campagne</em> (1951), Robert Bresson.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’32','','publish','open','open','','4132','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13527',0,'post','',0),
(13528,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nChars  traversant  une  forêt. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’37','','publish','open','open','','4137','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13528',0,'post','',0),
(13529,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’41','','publish','open','open','','4141','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13529',0,'post','',0),
(13530,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nHommes courbés à genoux ponçant un parquet.\n<em>Les Raboteurs de parquet</em> (1875), Gustave Caillebotte.\n\n\n<b>Voix Off et In\n---</b>\n\nUn homme que la justice a retranché du nombre des vivants\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’43','','publish','open','open','','4143','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13530',0,'post','',0),
(13531,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nHomme marchant derrière les barreaux d\'une prison.\n<em>La faux coupable</em> (1956), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\nappartient au Parquet. Le Parquet est souverain @\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’47','','publish','open','open','','4147','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13531',0,'post','',0),
(13532,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nil  ne  dépend  de  personne,  il  ne  relève  que  de  sa  conscience.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’54','','publish','open','open','','4154','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13532',0,'post','',0),
(13533,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nHomme serrant les poings.\n<em>Le faux coupable</em> (1956), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\nLa prison appartient au Parquet\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’00','','publish','open','open','','4200','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13533',0,'post','',0),
(13534,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nil  en  est \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’03','','publish','open','open','','4203','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13534',0,'post','',0),
(13535,1,'2023-09-26 09:19:13','2023-09-26 07:19:13','<b>Images\n---</b>\n\nJuge enjoinant à une femme de garder le silence.\n<em>Jour de colère</em> (1943), Carl Theodor Dreyer.\n\n\n<b>Voix Off et In\n---</b>\n\nle maître absolu. (Jean-Luc Godard)\n<em>Scènes de la vie parisienne</em> (1820), Honoré Balzac.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’06','','publish','open','open','','4206','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13535',0,'post','',0),
(13536,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nHomme marchant dans un long couloir obscure.\n<em>La dame de Shanghai</em> (1948), Orson Welles. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Ils ont vite été relâchés dans la nature.\n- Les Clanton et les Mclaury ont payé leur caution. C’est la loi. C’est la même pour eux que pour toi ou moi.\n- Alors il y a quelque chose qui cloche dans la loi.\n<em>Wyatt Earp</em> (1994), Lawrence Kasdan.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n- Tais toi !\n','42’10','','publish','open','open','','4210','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13536',0,'post','',0),
(13537,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Insight</em> (2002), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','42’22','','publish','open','open','','4222','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13537',0,'post','',0),
(13538,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nSaturé : hommes marchant en rang, les mains au-dessus de la tête. En arrière-plan : fumée d’incendie.\nTout va bien (1972), Jean Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’23','','publish','open','open','','4223','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13538',0,'post','',0),
(13539,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nAu ralenti : homme désignant de la main un point hors-champ.\n<em>Alexandre Nevski</em> (1938), Sergueï Eisenstein et Dmitri Vassiliev.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’32','','publish','open','open','','4232','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13539',0,'post','',0),
(13540,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’39','','publish','open','open','','4239','','','2023-11-09 08:53:33','2023-11-09 07:53:33','',0,'https://localhost/?p=13540',0,'post','',0),
(13541,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nPrisonnier nu, assis et recroquevillé.\n<em>Eau argentée, Syrie autoportrait</em> (2014), Ossama Mohammad et Wiam Simav Bedirxan.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’44','','publish','open','open','','4244','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13541',0,'post','',0),
(13542,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nFemme avec un foulard autour de la bouche et du nez regardant à travers les barreaux.\n<em>Tout va bien</em> (1972), Jean Luc Godard. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’52','','publish','open','open','','4252','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13542',0,'post','',0),
(13543,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nPrisonnier d\'un camp de concentration regardant à travers la fenêtre d’un train.\n<em>Nuit et brouillard</em> (1956), Alain Resnais. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’57','','publish','open','open','','4257','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13543',0,'post','',0),
(13544,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nSoldats. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’59','','publish','open','open','','4259','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13544',0,'post','',0),
(13545,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nManifestation appelant à la grève générale diffusée par la programme télévisé français <em>C\'est dans l\'air</em>.\n\n<b>Voix Off et In\n---</b>\n\nGrève générale,\nJusqu’au retrait total. (2x)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’00','','publish','open','open','','4300','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13545',0,'post','',0),
(13546,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nHomme dans l\'obscurité, le menton appuyé sur la paume de la main.\n<em>Fantômas</em> (1913), Louis Feuillade. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Et toujours le même slogan, et la même connerie.\n\nTous ensemble, tous ensemble !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’04','','publish','open','open','','4304','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13546',0,'post','',0),
(13547,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nBlanc\n\n\n<b>Voix Off et In\n---</b>\n\nGrève générale !\nTous ensemble, tous ensemble !\nIl faut que ça continue, il faut que ça continue pour faire céder ce gouvernement. (Discours de François Ruffin)\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nla société\nest fondée\nsur un crime\nen commun\n<em>La violence et le sacré</em> (1972), René Girard.\n','43’13','','publish','open','open','','4313','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13547',0,'post','',0),
(13548,1,'2023-09-26 09:19:14','2023-09-26 07:19:14','<b>Images\n---</b>\n\nHomme recourbé, la tête posée sur un bloc de bois, condamné à mort, puis décapité. <em>Le procès de Charles I</em> (1963), Guy Lessertisseur.\n\n\n<b>Voix Off et In\n---</b>\n\nSouvenez-vous ! (Sigmund Freud)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’20','','publish','open','open','','4320','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13548',0,'post','',0),
(13549,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nAu  ralenti  :  personnes  dans  le  procès  de  Nuremberg  (1945 - 46). \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','43’35','','publish','open','open','','4335','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13549',0,'post','',0),
(13550,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Insight</em> (2002), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','43’46','','publish','open','open','','4346','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13550',0,'post','',0),
(13551,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nSaturé et surexposé : femme et fleurs géantes.\n<em>La Fée Libellule</em> (1908), Georges Méliès. <em>Histoire (s) du cinéma 2a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’50','','publish','open','open','','4350','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13551',0,'post','',0),
(13552,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nPhotographie de Marilyne Monroe. Iris et clignotant : corbeaux s’envolant. <em>Les Oiseaux</em> (1963), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nDevenue adulte, la jeune femme se méfiant de la liberté exagérée, dont le mot souvent répété pourrait faire craindre les excès, tout comme elle sera hostile à la république\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’04','','publish','open','open','','4404','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13552',0,'post','',0),
(13553,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’12','','publish','open','open','','4412','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13553',0,'post','',0),
(13554,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nBanc de montage. Puis en surimpression : détail de <em>Gabrielle d\'Estrées et une de ses sœurs</em> (1594), Anonyme, École Française.\n\nLa bobine est aussi grande que le buste de la femme et sa pointe ressemble presque à celle du sein de la femme. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nnon par principe, mais parce que l\'Europe\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','44’13','','publish','open','open','','4413','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13554',0,'post','',0),
(13555,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nHommes prononçant un discours devant une foule, à la fin du XVII siècle.\n\n\n<b>Voix Off et In\n---</b>\n\nn\'a pas les vertus nécessaires. (Jean-Luc Godard).\n<em>Mémoire de la reine Hortense</em> (1831), Hortense de Beauharnais.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','44’16','','publish','open','open','','4416','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13555',0,'post','',0),
(13556,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nPlusieurs personnes dansant dans une salle. <em>This Country\'s Going to War, Duck soup</em> (1933), Leo McCarey.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>This Country\'s Going to War, Duck soup</em> (1933), Leo McCarey. Et voix qui chantent.\n\n\n<b>Écrits\n---</b>\n\n','44’21','','publish','open','open','','4421','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13556',0,'post','',0),
(13557,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  rebels,  c’est  vous ?  Vous  vous  insurgez  contre  l’ordre \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nt \n\n','44’24','','publish','open','open','','4424','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13557',0,'post','',0),
(13558,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nChat se retournant, l’air terrifié. Cartoon de Tex Avery. En surimpression : texte.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Non, contre les privilèges !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nmontage\ninter\ndit /\npar\nandré\nbazin\n','44’28','','publish','open','open','','4428','','','2023-11-09 08:53:34','2023-11-09 07:53:34','',0,'https://localhost/?p=13558',0,'post','',0),
(13559,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nAdolescent parlant à une caméra, habillé en soldat avec un foulard sur la tête.\n\n\n<b>Voix Off et In\n---</b>\n\nDevant nous de la République\nL\'étendard …\n(réécriture de <em>La Marseillaise</em>, paroles de l’Abbé René Charles de Lusson)\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine chantant <em>La Marseillaise</em>.\n\n\n<b>Écrits\n---</b>\n\nEt je vous invite à égorger les mécréants\n','44’34','','publish','open','open','','4434','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13559',0,'post','',0),
(13560,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nAdolescent tirant avec une arme à feu sur un autre dans les couloirs d\'une école.\n<em>Elephant</em> (2003), Gus Van Sant.\n\n\n<b>Voix Off et In\n---</b>\n\nla sensation mentale qu’il éprouvait depuis quelques temps, se transforma en un tourbillon de ténèbres\n\n\n<b>Bande Son\n---</b>\n\nCoup de mitraillette.\n\n\n<b>Écrits\n---</b>\n\n','44’37','','publish','open','open','','4437','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13560',0,'post','',0),
(13561,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  pauvres  gens,  ceux  pour  qui  j’avais  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’41','','publish','open','open','','4441','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13561',0,'post','',0),
(13562,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nAu ralenti : femme grimpant dans un wagon de marchandises d\'un train du documentaire <em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n<b>Voix Off et In\n---</b>\n\nJe les préfère [les pauvres]\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’44','','publish','open','open','','4444','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13562',0,'post','',0),
(13563,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nDessin : femme, homme et deux enfants manipulant une lanterne magique.\n<em>Histoire (s) du cinéma 3b</em> (1988 - 98), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nmais uniquement parce qu\'ils sont les vaincus. (Jean-Luc Godard)\n<em>Les Conquérants</em> (1928), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’50','','publish','open','open','','4450','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13563',0,'post','',0),
(13564,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nGris \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’55','','publish','open','open','','4455','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13564',0,'post','',0),
(13565,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nHomme avec un chapeau mexicain et une moustache, l\'air en colère.\n<em>Viva Villa !</em> (1934), Jack Conway.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n<b>Écrits\n---</b>\n\n','44’56','','publish','open','open','','4456','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13565',0,'post','',0),
(13566,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nAu ralenti : Cavaliers passant au-dessus d’un jeune homme enterré jusqu’aux épaules.\n<em>Que Viva Mexico !</em> (1931 - 1979), Sergueï Eisenstein.\n\n\n<b>Voix Off et In\n---</b>\n\n[Bruit d\'une voiture qui freine et accélère]\nEt bien des fois abandonné cet ouvrage\n\n\n<b>Bande Son\n---</b>\n\nFreinage et accélération de la voiture.\n\n\n<b>Écrits\n---</b>\n\n','44’58','','publish','open','open','','4458','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13566',0,'post','',0),
(13567,1,'2023-09-26 09:19:15','2023-09-26 07:19:15','<b>Images\n---</b>\n\nHomme passant la main à travers le feu d’une cheminée.\n<em>Les visiteurs du soir</em> (1942), Marcel Carné.\n\n\n<b>Voix Off et In\n---</b>\n\nJe suivais mon objet sans former de dessein @ je ne connaissais ni les règles\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','45’06','','publish','open','open','','4506','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13567',0,'post','',0),
(13568,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nni  les  exceptions. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’15','','publish','open','open','','4515','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13568',0,'post','',0),
(13569,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nPaysage de jour, paisible.\n<em>JLG / JLG</em> (1995), Jean-Luc Godard.\n\nEn alternance : homme à cheval semblant mort, battu par le vent.\n<em>Nan of the Music Mountain</em> (1917), G. H. Melford. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJe ne trouvais la vérité que pour la perdre. (Jean-Luc Godard).\n<em>L’Esprit des lois</em> (1887), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’16','','publish','open','open','','4516','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13569',0,'post','',0),
(13570,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl n’y a que de traits noir. <em>Histoire de l’art, « L’art moderne », I</em>, (1921), Elie Faure,.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’19','','publish','open','open','','4519','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13570',0,'post','',0),
(13571,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nSaturé  et  surexposé  en  tons  rouges  :  flammes  et  fumée  s\'élevant  à  l\'horizon. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nViolons.  Sergei  Sergeyevich  Prokofiev. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’21','','publish','open','open','','4521','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13571',0,'post','',0),
(13572,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’28','','publish','open','open','','4528','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13572',0,'post','',0),
(13573,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nCouverture du livre de science-fiction.\n<em>La fin du A</em> (1984), A. E. Van Vogt.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’30','','publish','open','open','','4530','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13573',0,'post','',0),
(13574,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nÉcoliers aux bras croisés, l\'air sérieux.\nLuis Buñuel (1932), <em>Las Hurdes. Liberté et Patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\n- Vous êtes un drôle de pistolet, c\'est ça que vous vouliez dire à la tribune, pourquoi vous ne l’avez pas dit ?\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’37','','publish','open','open','','4537','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13574',0,'post','',0),
(13575,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nFragment de texte.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je l\'ai dit mais je n\'ai pas su me faire entendre.\n\nEn même temps : Ce qui joue ici, ce n\'est pas seulement cette vision rétrospective des choses qui considère tout le passé comme préparant le fait accompli.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nplus la pein la la\ndans la boue j\nplus soif la lang\nse referme elle\ndroite à présent c’\nl’image\n\n[je souris encore ce n\'est plus la peine depuis longtemps ce n\'est plus la peine la langue ressort va dans la boue je reste comme ça plus soif la langue rentre la bouche se referme elle doit faire une ligne droite à présent c\'est fait j\'ai fait l\'image], <em>Image</em> (1950), Samuel Beckett. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n','45’46','','publish','open','open','','4546','','','2023-11-09 08:53:35','2023-11-09 07:53:35','',0,'https://localhost/?p=13575',0,'post','',0),
(13576,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nAu ralenti : foule se pressant et tendant les mains.\n<em>Metropolis</em> (1927), Fritz Lang. <em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est également une certaine interférence des événements qui embrouille tout. (Jean-Luc Godard).\n<em>Guerre et Paix</em> (1867), Léon Tolstoï.\n\nLes phares, éteignez les phares !\n<em>Nuit du carrefour</em> (1932), Jean Renoir.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’51','','publish','open','open','','4551','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13576',0,'post','',0),
(13577,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','46’00','','publish','open','open','','4600','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13577',0,'post','',0),
(13578,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nFemme au nez en sang se faisant pousser par des policiers et juge parlant animeusement.\n<em>Vladimir et Rosa</em> (1971), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nPolitique, ça veut dire quoi politique ?!\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','46’02','','publish','open','open','','4602','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13578',0,'post','',0),
(13579,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nJuge parlant animeusement.\n<em>Vent d’est</em> (1969), Jean-Luc Godard et Jean-Pierre Gorin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','46’03','','publish','open','open','','4603','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13579',0,'post','',0),
(13580,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nJuge en hauteur, derrière le banc, dans une salle d\'audience.\n<em>La terreur et la vertu</em> (1964), Stellio Lorenzi.\n\n\n<b>Voix Off et In\n---</b>\n\nDeux discours solennels prononcés par un homme se chevauchent.\n\nLe dieu des prêtres est différent de l’être suprême. Le véritable prêtre de l’être suprême c’est la nature, son temple, l’univers, son culte, la vertu, ses fêtes, la joie d’un grand peuple rassemblé sous ses yeux pour resserrer les doux nœuds de la fraternité universelle et pour lui présenter l’hommage des cœurs sensibles et pures. <em>Sur le rapport des idées religieuses et morales avec les principes républicains et sur les fêtes nationales</em> (1866), Maximilien de Robespierre.\n\n- Vous devez savoir, si le ressort du gouvernement populaire dans la paix est la vertu. En temps de guerre, le ressort du gouvernement populaire est par nécessité la terreur, mais toujours la vertu,\ncar la vertu sans la terreur est impuissante, mais la terreur sans la vertue est funeste. <em>Sur les principes de morale politique qui doivent guider la Convention nationale dans l’administration intérieure de la République</em> (1794), Maximilien de Robespierre.\n- Tout cela est bel et bon\n\n\n<b>Bande Son\n---</b>\n\nApplaudissements.\n\n\n<b>Écrits\n---</b>\n\n','46’06','','publish','open','open','','4606','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13580',0,'post','',0),
(13581,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nCouverture d’un exemplaire de <em>De l’Esprit des Lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nApplaudissements.\n\n\n<b>Écrits\n---</b>\n\n','46’24','','publish','open','open','','4624','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13581',0,'post','',0),
(13582,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nSurexposé et saturé en tons rouge : photographie des manifestations en Grèce (2015), <em>Alkis Konstantinidis</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','46’27','','publish','open','open','','4627','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13582',0,'post','',0),
(13583,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nSurexposée  et  saturé  en  tons  rouges  et  jaunes  :  presque  illisible. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Qu’est-ce  qu’elle  dit ?  J’entends  rien ! \n \n\n\n<b>Bande Son\n---</b>\n\nId. et  vagues \n\n\n<b>Écrits\n---</b>\n\n\n\n','46’42','','publish','open','open','','4642','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13583',0,'post','',0),
(13584,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nEn surimpression : défilement d’une pellicule dans un iris. Couple au projecteur.\n<em>La Prison</em> (1949), Ingmar Bergman. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Elle dit que les pauvres sauveront le monde\n<em>Notre Musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','46’52','','publish','open','open','','4652','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13584',0,'post','',0),
(13585,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','46’59','','publish','open','open','','4659','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13585',0,'post','',0),
(13586,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nFemme mourant dans les bras d\'une autre femme essayant de parler à un homme devant elle répétant à haute voix ce qu\'il entend.\n<em>Notre Musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIls ne demanderont rien en échange. Ils ne savent pas le prix du service rendu. Ils feront cette colossale affaire.\n\n\n<b>Bande Son\n---</b>\n\nBrusquement : silence.\n\n\n<b>Écrits\n---</b>\n\n','47’01','','publish','open','open','','4701','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13586',0,'post','',0),
(13587,1,'2023-09-26 09:19:16','2023-09-26 07:19:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt … \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','47’46','','publish','open','open','','4746','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13587',0,'post','',0),
(13588,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nFemme effrayée à la vue d\'un monstre, puis s’évanouissant.\n<em>La belle et la bête</em> (1946), Jean Cocteau. <em>Histoire (s) du cinéma 2b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nOù allez-vous ?\n\n\n<b>Bande Son\n---</b>\n\nBande son du film <em>La belle et la bête</em> (1946), Jean Cocteau.\n\n\n<b>Écrits\n---</b>\n\n','47’50','','publish','open','open','','4750','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13588',0,'post','',0),
(13589,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nFemme avec bâton à la main et policier avec un chapeau saluant le publique.\n<em>Un drame chez les fantoches</em> (1908), Emile Cohl.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','47’58','','publish','open','open','','4758','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13589',0,'post','',0),
(13590,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','48’00','','publish','open','open','','4800','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13590',0,'post','',0),
(13591,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n5 \n LA  RÉGION  CENTRALE  \n (Michael  Snow,  1971) \n\n','48’02','','publish','open','open','','4802','','','2023-11-09 08:53:36','2023-11-09 07:53:36','',0,'https://localhost/?p=13591',0,'post','',0),
(13592,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nSaturé et au ralenti : chemin avec des pierres.\n<em>La Région Centrale</em> (1971), Michael Snow.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est une brève histoire, que celle de l’extinction en masse des espèces.\nEn bref, le plus gros des dégradations environnementales d’aujourd’hui est le fait de deux groupes. Le milliard le plus riche et le milliard le plus pauvre. Les plus riches détruisent l’environnement global par leur surconsommation rapide des ressources et leur production de déchets. Tandis que les plus pauvres détruisent leurs ressources par nécessité et par absence de choix.\n<em>Une brève histoire de l\'extinction en masse des espèces</em> (2010), Franz J.\nBroswimmer.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','48’16','','publish','open','open','','4816','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13592',0,'post','',0),
(13593,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nSaturé  et  surexposé  en  tons  rouges  et  jaunes  :  homme  assis. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','48’58','','publish','open','open','','4858','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13593',0,'post','',0),
(13594,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nSaturé et surexposé en tons bleus : presque illisible.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','49’00','','publish','open','open','','4900','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13594',0,'post','',0),
(13595,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nHomme portant un chapeau haut de forme et tenant une loupe devant son œil.\n<em>Dossier Secret [Mr Arkadin]</em> (1955), Orson Welles.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Dossier Secret [Mr Arkadin]</em> (1955), Orson Welles.\n\n\n<b>Écrits\n---</b>\n\n','49’03','','publish','open','open','','4903','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13595',0,'post','',0),
(13596,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nHommage\nA la Catalogne\n','49’15','','publish','open','open','','4915','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13596',0,'post','',0),
(13597,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','49’18','','publish','open','open','','4918','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13597',0,'post','',0),
(13598,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nHomme tenant d\'une main le revers de sa veste, remonté jusqu\'au cou.\n<em>La terre</em> (1930), Alexandre Dovjenko.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nEt pourtant aimer ceux qui sont capable de faire cela. Etre aimé d\'eux peut-être. Qu\'attendre de plus de l\'amour ? Quelle rage de leur demander encore des comptes. Mais lui aussi parlait lentement. Cet amour ne t\'empêchait pas de coucher avec ce type, alors que tu pensais si nous étions vivants.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','49’24','','publish','open','open','','4924','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13598',0,'post','',0),
(13599,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nFemme se tenant la main devant la bouche, l\'air perdu et pensif.\n<em>La terre</em> (1930), Alexandre Dovjenko. <em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nMais nous sommes vivants ! – Vous m\'interrogez avec quelque chose qui n\'est pas vivant en vous et qui cherche en moi quelque chose qui ne peux pas vivre. Cela c’est une souffrance, c\'est l\'angoisse, c\'est l\'attente, lorsque le temps est toujours de trop et que toutefois le temps manque au temps... Dans l’attente le temps qui permet d’attendre se perd pour mieux répondre à l’attente. Et l’attente qui a lieu dans le temps ouvre le temps à l’absence de temps où il n’y a pas lieu d’attendre. (Jean-Luc Godard).\n<em>L’attente, l’oubli</em> (1962), Maurice Blanchot.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','50’03','','publish','open','open','','5003','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13599',0,'post','',0),
(13600,1,'2023-09-26 09:19:17','2023-09-26 07:19:17','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nHe  oui  Ninon,  c’est  une  fille \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','50’58','','publish','open','open','','5058','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13600',0,'post','',0),
(13601,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nMains d\'un vieil homme tournées vers le haut.\n<em>Histoire (s) du cinéma 1b / 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a les cinq doigts. On accomplirait l’acte rédempteur.\nLa main. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’00','','publish','open','open','','5100','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13601',0,'post','',0),
(13602,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nDessin de main tournée vers le bas.\n<em>Liberté et patrie</em>, Jean-Luc Godard et Anne-Marie Miéville (2002).\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’09','','publish','open','open','','5109','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13602',0,'post','',0),
(13603,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nMain  d\'homme  reposant  sur  une  main  de  femme.  La  main  de  femme  repose  sur  une  épaule. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’12','','publish','open','open','','5112','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13603',0,'post','',0),
(13604,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  un  long  moment  après \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’16','','publish','open','open','','5116','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13604',0,'post','',0),
(13605,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nDessin  de  Bécassine.  Caumery  et  Pinchon. \n\n\n<b>Voix Off et In\n---</b>\n\nParce  que  les  histoires  que  l\'on  raconte  vont  moins  vite  que  les  actions  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’20','','publish','open','open','','5120','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13605',0,'post','',0),
(13606,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nne  s\'accomplissent  (Jean-Luc  Godard). \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’29','','publish','open','open','','5129','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13606',0,'post','',0),
(13607,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','51’32','','publish','open','open','','5132','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13607',0,'post','',0),
(13608,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nFemme tenant un trousseau de clés à la main et touchant une clé sur laquelle est écrit « unica ».\n<em>Les Enchaînés, [Notorious]</em> (1946), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’35','','publish','open','open','','5135','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13608',0,'post','',0),
(13609,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nLa femme serrant dans ses bras un homme et, derrière sa tête, dérobant une clé d’un trousseau.\n<em>Les Enchaînés, [Notorious]</em> (1946), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’51','','publish','open','open','','5151','','','2023-11-09 08:53:37','2023-11-09 07:53:37','',0,'https://localhost/?p=13609',0,'post','',0),
(13610,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nSOUS  LES  YEUX \n DE  L’OCCIDENT \n\n','51’57','','publish','open','open','','5157','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13610',0,'post','',0),
(13611,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nHomme poussé les mains derrière le dos par d\'autres hommes. Images retransmises dans le documentaire\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCris\n\n\n<b>Écrits\n---</b>\n\n','51’59','','publish','open','open','','5159','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13611',0,'post','',0),
(13612,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nPetite fille portant un nourrisson sur l\'épaule et, à côté d\'elle, trois autres enfants, habillés de haillons.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','52’01','','publish','open','open','','5201','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13612',0,'post','',0),
(13613,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’06','','publish','open','open','','5206','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13613',0,'post','',0),
(13614,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nDans un roman,\n\n\n<b>Bande Son\n---</b>\n\nArpèges à la guitare. <em>Raf Raf</em> (1991), Anouar Brahem.\n\n\n<b>Écrits\n---</b>\n\nHEUREUSE ARABIE\n<em>L\'Arabie heureuse : souvenirs de voyages en Afrique et en Asie</em> (1860), Alexandre Dumas.\n','52’08','','publish','open','open','','5208','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13614',0,'post','',0),
(13615,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nSaturé : enfant sur le toit d\'une maison, vu de dos, regardant le reste de la ville.\n\n\n<b>Voix Off et In\n---</b>\n\nDans un roman l\'intérêt, dans le pire des cas, vient du fait que\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','52’10','','publish','open','open','','5210','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13615',0,'post','',0),
(13616,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ntrès  souvent  les  situations  quelconques  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’21','','publish','open','open','','5221','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13616',0,'post','',0),
(13617,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nFemme tenant à la main une clé.\n<em>Meshes of afternoon</em> (1943), Maya Deren, Alexandr Hackenschmied.\n\n\n<b>Voix Off et In\n---</b>\n\nont un comportement assez\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’23','','publish','open','open','','5223','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13617',0,'post','',0),
(13618,1,'2023-09-26 09:19:18','2023-09-26 07:19:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nproche  du  pire  des  cas. \n (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nLES  \n PARADIS \n PERDUS \n\n','52’26','','publish','open','open','','5226','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13618',0,'post','',0),
(13619,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nDessin  de  soldat  avec  une  épée  et  un  bouclier  orné  d\'un  croissant  et  d’une  étoile. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  féminine  chantant  en  arabe.  \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’33','','publish','open','open','','5233','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13619',0,'post','',0),
(13620,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nArmée avec des lances, des épées et des boucliers en marche.\n<em>Constantinople</em>, Faruk Aksoy, (2012).\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Taabani Nibniou</em>, Hedi Jouini (1993).\n\n\n<b>Écrits\n---</b>\n\n','52’35','','publish','open','open','','5235','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13620',0,'post','',0),
(13621,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSaturé en tons rouge : homme agenouillé avec un drapeau à la main.\n<em>Le visage de Dieu</em> (2014), Bahram Aloui.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’41','','publish','open','open','','5241','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13621',0,'post','',0),
(13622,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nTourné  en  noir  et  blanc  et  surexposé  :  photographie  de  Hosni  Moubarak,  ancien  Président  de  la  République  arabe  d\'Égypte. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  peux  mourir  tranquille \n (Albert  Cossery) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’45','','publish','open','open','','5245','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13622',0,'post','',0),
(13623,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nHomme parlant à une femme vêtue d\'une tenue traditionnelle arabe.\n<em>La bandera</em> (1935), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\nTe souviens-tu encore comment nous entraînions autrefois notre pensée. Le plus souvent nous partions d\'un rêve. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’47','','publish','open','open','','5247','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13623',0,'post','',0),
(13624,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nJeune  homme  dormant  avec  un  keffieh.  En  surimpression  :  femmes  agées  dansant  et  jouant  cérémonieusement  de  la  musique  autour  d\'une  jeune  femme  à  la  poitrine  nue. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  sens  toujours  très  bien  les  mains  dans  les  poches  même  si  j’ai  pas  un  sou. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’54','','publish','open','open','','5254','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13624',0,'post','',0),
(13625,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nPhotographie  en  noir  et  blanc  d’un  homme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  suis  toujours  senti  un  fils  de  roi. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’58','','publish','open','open','','5258','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13625',0,'post','',0),
(13626,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nHomme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  tous  les  égyptiens  se  sentent  un  peu  fils  de  roi. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’01','','publish','open','open','','5301','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13626',0,'post','',0),
(13627,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSaturé en tous rouge : désert.\n<em>The Thief of Baghdad</em> (1978), Cline Donner.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAu violon : musique traditionnelle arabe. Personnes discutant.\n\n\n<b>Écrits\n---</b>\n\n','53’04','','publish','open','open','','5304','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13627',0,'post','',0),
(13628,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSaturé en tons rouge : homme portant de l’encens fumant.\n<em>Aladdin\'s magic lamp</em> (1967), Boris Rytsarev.\n\n\n<b>Voix Off et In\n---</b>\n\nL’orient est plus philosophe que l’occident,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’07','','publish','open','open','','5307','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13628',0,'post','',0),
(13629,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nJeune homme et jeune femme ayant des rapports sexuels la nuit dans une chambre.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\net le moindre vanupieds vous dira de choses extraordinaires\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’15','','publish','open','open','','5315','','','2023-11-09 08:53:38','2023-11-09 07:53:38','',0,'https://localhost/?p=13629',0,'post','',0),
(13630,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSur  la  vie,  sur  le  monde.  Et  vous  entendez  chacun  est  philosophe \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’18','','publish','open','open','','5318','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13630',0,'post','',0),
(13631,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nTrois personnes sur un tapis volant.\n<em>Le voleur de Bagdad</em> (1924), Raoul Walsh.\n\n\n<b>Voix Off et In\n---</b>\n\nParce que il a le temps de réfléchir, de penser, de voir le monde passer\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’26','','publish','open','open','','5326','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13631',0,'post','',0),
(13632,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nArmée romaine devant les murs d\'une ville du Moyen-Orient.\n<em>Il Messia</em> (1975), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nEn occident\n(Albert Cossery)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’29','','publish','open','open','','5329','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13632',0,'post','',0),
(13633,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nCroisés à cheval avec des armures et des drapeaux passant sous les acclamations de la foule.\n<em>The Crusades</em> (1935), Cecil B DeMille.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis cris d’acclamation.\n\n\n<b>Écrits\n---</b>\n\n','53’33','','publish','open','open','','5333','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13633',0,'post','',0),
(13634,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’38','','publish','open','open','','5338','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13634',0,'post','',0),
(13635,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSaturé : soldats en guerre.\n<em>Adieu Bonaparte</em> (1985), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nArrêtez ! Oh le con.\n- Vous ne savez pas qui vous êtes, vous voyez bien. Le christianisme, c’est le refus de se connaître, c’est la mort du langage.\n<em>Détective</em> (1985), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nTirs au pistolet, puis klaxon.\n\n\n<b>Écrits\n---</b>\n\n','53’41','','publish','open','open','','5341','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13635',0,'post','',0),
(13636,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nInscriptions en arabe sur fond noir du film <em>Socialisme</em> (2010), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nSilence je vous ai dit.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','53’57','','publish','open','open','','5357','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13636',0,'post','',0),
(13637,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nAu  ralenti  :  femme  se  précipitant  pour  ramasser  un  tissu  et  s’en  couvrant  jusqu\'au  nez. \n\n\n<b>Voix Off et In\n---</b>\n\nTout  à  coup,  il  aperçut  à  l’horizon  derrière  Tunis,  comme  des  brouillards  légers,  qui  se  traînaient  contre  le  sol  @  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’03','','publish','open','open','','5403','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13637',0,'post','',0),
(13638,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  personnages  presque  invisibles. \n\n\n<b>Voix Off et In\n---</b>\n\npuis  ce  fut  un  grand  rideau  de  poudre  grise  perpendiculairement  étalé,  et,  dans  les  tourbillons  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’15','','publish','open','open','','5415','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13638',0,'post','',0),
(13639,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSurexposé, et saturé en tons bleu clair, rouges et verts : navire voguant dans la mer et drapeaux qui flottent dans le vent.\n\n\n<b>Voix Off et In\n---</b>\n\nde cette masse nombreuse,\ndes têtes de dromadaires, des lances,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','54’24','','publish','open','open','','5424','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13639',0,'post','',0),
(13640,1,'2023-09-26 09:19:19','2023-09-26 07:19:19','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  mer  avec  de  la  vapeur  flottant  au  loin  dans  l’air. \n\n\n<b>Voix Off et In\n---</b>\n\ndes  boucliers  parurent.  C’était  l’armée  des  Barbares  qui  s’avançait  sur  Carthage.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’30','','publish','open','open','','5430','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13640',0,'post','',0),
(13641,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nCaravane dans le désert.\n<em>Il Messia</em> (1975), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nOh Salammbô.(Jean-Luc Godard).\n<em>Salammbô</em> (1862), Gustave Flaubert.\n\n\n<b>Bande Son\n---</b>\n\n<em>Aube rouge à Grozny</em> (2000), Anouar Trio Brahem.\n\n\n<b>Écrits\n---</b>\n\n','54’37','','publish','open','open','','5437','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13641',0,'post','',0),
(13642,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','55’07','','publish','open','open','','5507','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13642',0,'post','',0),
(13643,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSaturé, au ralenti : deux mains déboutonnant une robe bleue.\n<em>Méditerranée</em> (1963), Jean Daniel Pollet.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’11','','publish','open','open','','5511','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13643',0,'post','',0),
(13644,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nDans  l’ombre  de  l’Occident. \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nCES  FLEURS \n                          PERDUES \n DANS  LE  VENT \n\n','55’33','','publish','open','open','','5533','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13644',0,'post','',0),
(13645,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSaturé en tons jaunes et rouges : hommes creusant avec des pelles dans le désert. Groupe d\'arabophones essayant d\'embarquer sur un bateau en plein désert.\n<em>Les Baliseurs du désert</em> (1984), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est certain que la représentation, plus particulièrement l’acte de représenter (et donc de réduire) implique presque toujours\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’35','','publish','open','open','','5535','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13645',0,'post','',0),
(13646,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nFemme nue dans dans une réplique miniature de ville du Moyen-Orient, puis capturée par un homme à cheval déguisé en soldat croisé.\n<em>Passion</em> (1982), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nimplique presque toujours une violence envers le sujet de la représentation. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’59','','publish','open','open','','5559','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13646',0,'post','',0),
(13647,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nAu ralenti, saturé de bleu : croisé levant l’épée pour frapper.\n<em>Passion</em> (1982), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','56’02','','publish','open','open','','5602','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13647',0,'post','',0),
(13648,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nun réel contraste entre la violence de l’acte de représenter et le calme intérieur de la représentation elle-même. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','56’10','','publish','open','open','','5610','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13648',0,'post','',0),
(13649,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSaturé  :  film  en  couleur  pris  avec  une  petite  caméra  numérique  en  2016  d’une  ville  de  bord  de  mer  avec  un  homme  à  vélo.  Au  ralenti  :  deux  enfants  cherchant  quelque  chose  entre  les  rochers,  les  pieds  dans  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence,  et  vagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','56’22','','publish','open','open','','5622','','','2023-11-09 08:53:39','2023-11-09 07:53:39','',0,'https://localhost/?p=13649',0,'post','',0),
(13650,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nFoule de personnes se bousculant dans la rue.\n<em>De l’origine du XX siècle</em> (2000), Jean. Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIls sont pris entre “ salamalecs ” et “ charabia ”, et les Arabes n\'intéressent pas “ le monde ”. Les musulmans non plus. Si l\'islam retient politiquement l\'attention, le “ monde arabe ” est d’abord décor et paysage.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','56’40','','publish','open','open','','5640','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13650',0,'post','',0),
(13651,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nDeux  soldats  intimant  à  une  personne  de  lever  les  mains  et  de  faire  face  au  mur. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  monde  arabe  s\'il  existe  en  tant  que  monde  n\'est  jamais  regardé  en  tant  que  tel.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’09','','publish','open','open','','5709','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13651',0,'post','',0),
(13652,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nDe nouveau, petite fille portant un bébé sur les épaules, trois autres enfants habillés de haillons à ses côtés.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est toujours examiné comme un ensemble relativement à un pays du moyen-orient. <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’17','','publish','open','open','','5717','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13652',0,'post','',0),
(13653,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’19','','publish','open','open','','5719','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13653',0,'post','',0),
(13654,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nJeune femme ramant sur un lac, aidée par un jeune homme assis derrière elle.\n<em>Les Dernières vacances</em>, (1947), Roger Leenhardt. <em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nCes citoyens, ces amants de la patrie, dans l’excès de leur passion, auraient voulu mourir pour elle\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’23','','publish','open','open','','5723','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13654',0,'post','',0),
(13655,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSaturé en tons bleus : homme à cheval au milieu d\'un paysage vallonné.\n<em>Paysage et cavalier</em>, aquarelle réalisée au cours du trajet Tanger-Meknès (1832), Eugène Delacroix.\n\n\n<b>Voix Off et In\n---</b>\n\net ils allaient la tuer.\n<em>Histoire de la Révolution française</em> (1847 - 1853), Jules Michelet.\n\nLes défauts\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’33','','publish','open','open','','5733','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13655',0,'post','',0),
(13656,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSurexposé  :  autre  aquarelle  d’homme  au  turban  à  cheval  de  Eugène  Delacroix. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  les  enjeux \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’39','','publish','open','open','','5739','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13656',0,'post','',0),
(13657,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nFemme étendant du linge, autre femme se lavant au bord d\'un ruisseau.\n<em>Femme qui se lave et sa servante Maures</em> (1854), Eugene Delacroix\nPeinture.\n\n\n<b>Voix Off et In\n---</b>\n\nLes arabes, les arabes peuvent-ils parler. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’42','','publish','open','open','','5742','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13657',0,'post','',0),
(13658,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nFemme interpellée bruyamment alors qu\'elle traverse une rue dans une ville du Moyen-Orient, puis se retournant.\n<em>Djamila</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nDjamila, Djamila !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’52','','publish','open','open','','5752','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13658',0,'post','',0),
(13659,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nJeune homme levant les mains et montrant les paumes, puis plaçant d’un geste lent la main droite sur la paume gauche.\n<em>Les Baliseurs du désert</em>, Nacer Khémir (1984), cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\nLes arabes peuvent-ils parler. (Jean-Luc Godard).\n<em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\nÀ demi-voix, d’une voix douce et faible disant de grandes choses : d’importantes, d’étonnantes, de profondes et justes choses,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’58','','publish','open','open','','5758','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13659',0,'post','',0),
(13660,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nHomme attrapant une colombe et la sortant de sa petite maison accrochée au mur.\n<em>Le collier perdu de la colombe</em> (1991), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nd’une voix douce et faible. La menace du tonnerre, la présence d’absolus dans une voix de rougegorge\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’16','','publish','open','open','','5816','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13660',0,'post','',0),
(13661,1,'2023-09-26 09:19:20','2023-09-26 07:19:20','<b>Images\n---</b>\n\nSaturé : homme et enfant marchant dans le désert.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir, cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\ndans le détail fin d’une flûte, et la délicatesse du son pur. Tout le soleil suggérait, au moyen d’un demi-sourire demie voix...\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','58’27','','publish','open','open','','5827','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13661',0,'post','',0),
(13662,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nHomme se jetant sur une robe posée sur le toit d\'une maison de terre cuite dans une ville du Moyen-Orient.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’36','','publish','open','open','','5836','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13662',0,'post','',0),
(13663,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSaturé  :  maisons  se  reflétant  dans  l\'eau. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  d’une  sorte  de  murmure  en  français  infiniment  pur. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','58’44','','publish','open','open','','5844','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13663',0,'post','',0),
(13664,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nAu ralenti : enfant poussant une roue de voiture.\n\n\n<b>Voix Off et In\n---</b>\n\nQui n’eût saisi les mots, qui l’eût ouï à quelque distance, aurait cru qu’il disait des riens. Et c’étaient des riens pour l’oreille, rassurée. (Julie Delpy).\n<em>À propos de Stéphane Mallarmé. À demi-voix</em> (1939), Paul Valery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’55','','publish','open','open','','5855','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13664',0,'post','',0),
(13665,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nTremblant de droite à gauche : ville en ruines avec des soldats cachés, armes à la main.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','59’04','','publish','open','open','','5904','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13665',0,'post','',0),
(13666,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSurexposé  :  pinceau  projetant  de  l\'aquarelle  sur  une  feuille  de  papier. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  ce  contraste  et  cette  musique  cette  voix  ridant  l’air  à  peine  cette  puissance  chuchotée  ces  perspectives, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','59’10','','publish','open','open','','5910','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13666',0,'post','',0),
(13667,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nEnfants jouant dans la rue, autres enfants avec un scooter et un chat.\n\n\n<b>Voix Off et In\n---</b>\n\nces découvertes, ces abîmes et ces manœuvres devinées ce sourire congédiant l’univers. <em>Psaume sur une voix, Autres Rhumbs</em> (1927), Paul Valéry. <em>Histoires du cinéma 4a</em> (1989 - 99), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nVoix d’enfants.\n\n\n<b>Écrits\n---</b>\n\n','59’22','','publish','open','open','','5922','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13667',0,'post','',0),
(13668,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nJeune femme parlant au téléphone en arabe, observée par un homme au chapeau de prière musulman situé derrière la vitre d’une cabine téléphonique.\n<em>Gare Centrale</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nJeune femme [traduction du dialecte égyptien]:\nIl faut que je vois. Il faut que je te vois, tu as été absent pendant quatre ans. Je m\'en fiche. Dis leur n\'importe quoi. Je t\'attendrai à la gare. Mon chéri...\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','59’36','','publish','open','open','','5936','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13668',0,'post','',0),
(13669,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nVoix d\'un enfant criant [traduction du dialecte palestinien]:\nMonsieur le juge, la guerre a brûlé mes livres !\n<em>Histoires du cinéma 4b</em> (1989 - 99), Jean-Luc Godard.\n\nVoix d’homme récitant un poème du poète palestinien Mahmoud Darwich en arabe [traduction de l’arabe classique]:\nJe t\'ai donné un instant. Et j\'ai passé un moment. Mais ton visage n\'est pas... et ton kohl un maquillage similaire au mascara] est devenu ciment. Et les fusils. J\'ai eu peur de la mort mais j\'ai souris. J\'ai porté la blessure des blessés pour un instant. Oh mon dieu... Je t\'ai cherché sous le palmier. On l\'a traîné...\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','59’57','','publish','open','open','','5957','','','2023-11-09 08:53:40','2023-11-09 07:53:40','',0,'https://localhost/?p=13669',0,'post','',0),
(13670,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nPeut-être \n Que  \n Dans \n Mille  et  un \n Jours \n \n Racontera  \n cela \n\n','1h00’03','','publish','open','open','','1h0003','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13670',0,'post','',0),
(13671,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nClignotant : deux nouveaux mots s’ajoutent au texte précédemment affiché.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nPeut-être\nQue\nDans\nMille et un\nJours\nScheherazade\nRacontera\nCela\nautrement\n','1h00’04','','publish','open','open','','1h0004','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13671',0,'post','',0),
(13672,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nPhotographie d\'une personne morte et défigurée, au crâne fendu.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’09','','publish','open','open','','1h0009','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13672',0,'post','',0),
(13673,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nFemme parlant devant un brasier. Main d\'une autre personne s\'approchant et posant l\'index sur sa lèvre inférieure.\n<em>Les silences du passé</em> (1994), Moufida Tlatli.\n\n\n<b>Voix Off et In\n---</b>\n\nVoix d\'un homme parlant en arabe. <em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Bande Son\n---</b>\n\nCoups de mitraillette. <em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Écrits\n---</b>\n\n','1h00’13','','publish','open','open','','1h0013','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13673',0,'post','',0),
(13674,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nDe nouveau, personne morte et défigurée au crâne fendu.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\nId.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’22','','publish','open','open','','1h0022','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13674',0,'post','',0),
(13675,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSaturé  :  cadavres  dans  un  paysage  désertique. \n\n\n<b>Voix Off et In\n---</b>\n\nId. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h00’31','','publish','open','open','','1h0031','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13675',0,'post','',0),
(13676,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSaturé  en  tons  bleus  :  personne  nageant  dans  l\'eau. \n\n\n<b>Voix Off et In\n---</b>\n\nId. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h00’41','','publish','open','open','','1h0041','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13676',0,'post','',0),
(13677,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSaturée en tons verts et rouges : femmes habillées plongeant dans un fleuve.\n<em>La saison des hommes</em> (2002), Moufida Tlatli.\n\n\n<b>Voix Off et In\n---</b>\n\nId.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’47','','publish','open','open','','1h0047','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13677',0,'post','',0),
(13678,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nLivre feuilleté\n<em>L\'Arabie heureuse. Souvenirs de voyages en Afrique et en Asie</em> (1860), Hadji-Abd-El-Hamid Bey, publié par Alexandre Dumas.\n\n\n<b>Voix Off et In\n---</b>\n\nQue n’a-t-on pas écrit la nuit ? pourtant de ce qui fut écrit à partir de ces visions par Holderlin, Rimbaud.\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h00’54','','publish','open','open','','1h0054','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13678',0,'post','',0),
(13679,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nNous parlions de ce qu’on voit dans un rêve\nNous nous demandions comment, dans l’obscurité totale peuvent surgir parmi nous\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine d’un muezzin, en arabe.\nPuis, après à la guitare. <em>Thimar, 6. Uns</em> (1998), Anouar Brahem, John Surman, Dave Holland.\n\n\n<b>Écrits\n---</b>\n\n','1h01’06','','publish','open','open','','1h0106','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13679',0,'post','',0),
(13680,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nSaturé : aquarelle représentant un homme marchant entre des maisons.\n<em>Vue dans une ruelle</em> (1914), August Macke.\n\n\n<b>Voix Off et In\n---</b>\n\nde couleurs de telle intensité\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’18','','publish','open','open','','1h0118','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13680',0,'post','',0),
(13681,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nMains de Godard feuilletant des images, dont un dessin stylisé d’une femme en robe bleue.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nElles sont le produit de notre savoir\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’20','','publish','open','open','','1h0120','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13681',0,'post','',0),
(13682,1,'2023-09-26 09:19:21','2023-09-26 07:19:21','<b>Images\n---</b>\n\nAquarelle de femme en robe.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nconcernant la lumière\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’23','','publish','open','open','','1h0123','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13682',0,'post','',0),
(13683,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nHomme allongé sur un lit regardant au plafond où des images semblent être projetées.\n\n\n<b>Voix Off et In\n---</b>\n\nLe savoir voit !\n\nLe contrepoint est une discipline de la superposition des lignes mélodiques.\n\n\n<b>Bande Son\n---</b>\n\n<em>Concerto pour violon no 2 en mi mineur, Op. 64 (MWV O 14)</em> (1844), Félix Mendelssohn.\n\n\n<b>Écrits\n---</b>\n\nPASSEPORT\nVERS\nLE RÉEL\n','1h01’25','','publish','open','open','','1h0125','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13683',0,'post','',0),
(13684,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  mélodies  n’ont  pas  besoin  d’être  identiques \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’35','','publish','open','open','','1h0135','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13684',0,'post','',0),
(13685,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nAquarelle d\'un âne au milieu des maisons.\n<em>Vue sur une mosquée</em> (1914), August Macke.\n\n\n<b>Voix Off et In\n---</b>\n\nnon plus que parentes, étrangères l\'une à l\'autre. Elles ne font pas obstacle à la composition\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’44','','publish','open','open','','1h0144','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13685',0,'post','',0),
(13686,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  il  faut  les  tenir  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’49','','publish','open','open','','1h0149','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13686',0,'post','',0),
(13687,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nPhotographie  d\'un  pinceau  posé  sur  une  feuille  peinte. \n\n\n<b>Voix Off et In\n---</b>\n\ntoutes  les  deux  ensemble  et  en  même  temps.  Dans  l\'harmonie  les  accords  produisent  les  mélodies.  \n\n\n<b>Bande Son\n---</b>\n\nId. et  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’53','','publish','open','open','','1h0153','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13687',0,'post','',0),
(13688,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nSurexposé et en tons jaunes : trois femmes faisant la vaisselle dans des bacs de fer posés à même le sol.\n<em>Tamaout</em> (1970), Marc’o.\n\n\n<b>Voix Off et In\n---</b>\n\nDans le contrepoint ce sont des mélodies elles-mêmes dont dont à l\'inverse résultent les accords. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h02’07','','publish','open','open','','1h0207','','','2023-11-09 08:53:41','2023-11-09 07:53:41','',0,'https://localhost/?p=13688',0,'post','',0),
(13689,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h02’16','','publish','open','open','','1h0216','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13689',0,'post','',0),
(13690,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nTrois filles et un garçon jouant dans une piscine.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h02’21','','publish','open','open','','1h0221','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13690',0,'post','',0),
(13691,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nSaturé  :  soleil  couchant  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h02’39','','publish','open','open','','1h0239','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13691',0,'post','',0),
(13692,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nHEUREUSE\nARABIE\n\n<em>Hasards de l\'Arabie heureuse</em> (2005), Frederic Prokosch.\n','1h02’48','','publish','open','open','','1h0248','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13692',0,'post','',0),
(13693,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  bateau  au  milieu  de  la  mer  et  pêcheurs. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h02’55','','publish','open','open','','1h0255','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13693',0,'post','',0),
(13694,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nFemme  se  peingnant  les  mains  de  symboles  géométriques. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’08','','publish','open','open','','1h0308','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13694',0,'post','',0),
(13695,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nSaturé  :  mer  ondulante  vue  d\'un  golfe. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence,  puis  vagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’09','','publish','open','open','','1h0309','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13695',0,'post','',0),
(13696,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. et  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’41','','publish','open','open','','1h0341','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13696',0,'post','',0),
(13697,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nJeune femme pleurant sur une plage, hommes chantant en arabe en arrière-plan. <em>La fièvre</em> (2014), Safia Benhaïm.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVoix masculines accompagnées d’instruments à percussions.\n\n\n<b>Écrits\n---</b>\n\n','1h03’47','','publish','open','open','','1h0347','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13697',0,'post','',0),
(13698,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’57','','publish','open','open','','1h0357','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13698',0,'post','',0),
(13699,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nEn noir et blanc : bris de vitres de voitures.\n<em>Djamila</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nExplosion et vitres cassées.\n\n\n<b>Écrits\n---</b>\n\n','1h03’58','','publish','open','open','','1h0358','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13699',0,'post','',0),
(13700,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nFemme nue s’alongeant sur un homme nu sur un lit.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h04’00','','publish','open','open','','1h0400','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13700',0,'post','',0),
(13701,1,'2023-09-26 09:19:22','2023-09-26 07:19:22','<b>Images\n---</b>\n\nFemme  embrassant  les  pieds  d\'un  homme. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’05','','publish','open','open','','1h0405','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13701',0,'post','',0),
(13702,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nHomme marchant sur des toits de maisons au moyen-orient.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\nTrès loin, très bas, l’océan … cent millions de vagues.\nElles rampaient vers les côtes invisibles de Dofa,\n\n\n<b>Bande Son\n---</b>\n\nId. puis coups de mitraillette.\n\n\n<b>Écrits\n---</b>\n\n','1h04’07','','publish','open','open','','1h0407','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13702',0,'post','',0),
(13703,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nLac  et  ciel  entourés  de  montagnes. \n\n\n<b>Voix Off et In\n---</b>\n\nsi  lentes  que,  vues  d’en  haut,  d’en  plein  ciel  en  ciel,  elles  ne  donnaient  qu’à  peine  l’impression  de  bouger \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’24','','publish','open','open','','1h0424','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13703',0,'post','',0),
(13704,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nSaturé  :  hommes  et  femmes  sur  une  plage,  bateau. \n\n\n<b>Voix Off et In\n---</b>\n\nElles  glissaient  sur  la  mer  avec  l’indolente  précision  d\'un  dessin  de  Damas  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’35','','publish','open','open','','1h0435','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13704',0,'post','',0),
(13705,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nqui semble comme un grand réseau blanc sur une feuille\n\n\n<b>Bande Son\n---</b>\n\nArpèges à la guitare. <em>Raf Raf</em> (1991), Anouar Brahem.\n\n\n<b>Écrits\n---</b>\n\nARCHÉOLOGIE\nET PIRATES\n','1h04’42','','publish','open','open','','1h0442','','','2023-11-09 08:53:42','2023-11-09 07:53:42','',0,'https://localhost/?p=13705',0,'post','',0),
(13706,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  quatre  enfants  au  milieu  de  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\nde  verre  bleu.  De  place  en  place, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’45','','publish','open','open','','1h0445','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13706',0,'post','',0),
(13707,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nPhoto  d\'un  coucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\ndans  cette  transparence,  la  forme  d\'un  poisson  frémissait  puis  s\'éclipsait,  raie  géant  peut-être, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’52','','publish','open','open','','1h0452','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13707',0,'post','',0),
(13708,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nCoucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\noù  requin  sur  la  voie  d\'eau  plus  froide.  Vers  le  nord.  S’aplatissait  un  archipel  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’00','','publish','open','open','','1h0500','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13708',0,'post','',0),
(13709,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nZoomé  :  coucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\ncortège  de  crocodiles,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’09','','publish','open','open','','1h0509','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13709',0,'post','',0),
(13710,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nSurexposé  :  hommes  dans  un  bateau. \n\n\n<b>Voix Off et In\n---</b>\n\nvers  les  jardins  du  sud,  vers  le  nord.  Les  pirogues  s\'aplatissaient.  Un  archipel  posé  sur  la  plaque  de  verre  comme  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’16','','publish','open','open','','1h0516','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13710',0,'post','',0),
(13711,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ndes moustiques.\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’26','','publish','open','open','','1h0526','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13711',0,'post','',0),
(13712,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nSaturé  en  tons  rouge  :  désert,  dunes. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’27','','publish','open','open','','1h0527','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13712',0,'post','',0),
(13713,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nVieil  homme  soufflant  sur  des  braises  placées  sur  une  brique,  et  posant  une  cafetière  dessus. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’30','','publish','open','open','','1h0530','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13713',0,'post','',0),
(13714,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nPalmiers  secoués  par  un  vent  fort. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVent \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’36','','publish','open','open','','1h0536','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13714',0,'post','',0),
(13715,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nRue  bruyante  d\'une  ville  du  Moyen  Orient  vue  d’un  balcon.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nChanson  en  arabe  provenant  d’une  radio  résonnant  dans  la  ville.  \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’41','','publish','open','open','','1h0541','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13715',0,'post','',0),
(13716,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nSurexposé et déformé : masque d’aigle sur un homme dont on voit les mains au bas du cadre.\n<em>Judex</em> (1964), Georges Franju.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h05’45','','publish','open','open','','1h0545','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13716',0,'post','',0),
(13717,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nAu ralenti : femme au balcon vue de dos, se retournant.\n<em>La mome vert de gris</em> (1953), Bernard borderie.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’52','','publish','open','open','','1h0552','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13717',0,'post','',0),
(13718,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nFemme dansant en regardant la caméra.\n<em>La bandera</em> (1935), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’55','','publish','open','open','','1h0555','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13718',0,'post','',0),
(13719,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nPhoto  d\'une  rue  d’une  ville  prise  avec  un  téléphone  portable  depuis  un  balcon. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nExplosions  et  cris. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’00','','publish','open','open','','1h0600','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13719',0,'post','',0),
(13720,1,'2023-09-26 09:19:23','2023-09-26 07:19:23','<b>Images\n---</b>\n\nAu  ralenti  :  homme  enflammé  courant. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’06','','publish','open','open','','1h0606','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13720',0,'post','',0),
(13721,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nDeux  hommes  lisant  le  Coran  et  priant. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  livre.  Les  religions  du  livre  ont  forgé  nos  sociétés \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’12','','publish','open','open','','1h0612','','','2023-11-09 08:53:43','2023-11-09 07:53:43','',0,'https://localhost/?p=13721',0,'post','',0),
(13722,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nHomme sortant d\'une maison en pierre et en saluant d’autres en leur tendant la main.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\net nous avons sacralisé les textes.\nTables de la lois, dix commencements, rouleaux de la Torah, Bible, Coran etc.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h06’19','','publish','open','open','','1h0619','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13722',0,'post','',0),
(13723,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  fallait  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’36','','publish','open','open','','1h0636','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13723',0,'post','',0),
(13724,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nPeinte  à  la  main  sur  un  fond  noir  :  « Le  Livre  d’\' »  écrit  en  rouge  et  « Image »  écrit  en  blanc. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’38','','publish','open','open','','1h0638','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13724',0,'post','',0),
(13725,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nSaturé  :  vidéo  prise  du  sommet  d\'une  montagne,  montrant  la  mer.  Le  bruit  du  vent  perturbe  le  microphone. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVent. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’41','','publish','open','open','','1h0641','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13725',0,'post','',0),
(13726,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nEn noir et blanc : femme dansant tandis que des hommes et des femmes assis à table la regardent.\n<em>La mome vert de gris</em> (1953), Bernard borderie.\n\n\n<b>Voix Off et In\n---</b>\n\nIci, à Dofa, la capitale de l\'Émirat, il était inconcevable qu’un mouvement subversif se soit constitué\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h06’50','','publish','open','open','','1h0650','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13726',0,'post','',0),
(13727,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nHomme et enfant entrant dans une pièce remplie de fumée de cigarette, où de nombreux hommes sont assis à table tout en regardant un écran, se plaignant de la main, et à haute-voix. Ils s’asseyent à table et commandent de la nourriture à un serveur.\n\n\n<b>Voix Off et In\n---</b>\n\nVous êtes conscients je suppose que toutes les histoires racontées se montrent parties.\n\nquelque rumeur autre que les explosions\n\n\n<b>Bande Son\n---</b>\n\nId. puis voix humaines.\n\n\n<b>Écrits\n---</b>\n\n','1h06’55','','publish','open','open','','1h0655','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13727',0,'post','',0),
(13728,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nSaturé  en  tons  jaunes  et  rouges,  et  sous-exposé  :  puit  de  pétrole  en  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\nEn  effet  la  grande  puissance  impérialiste  qui  étendait  son  emprise  politique  sur  tous  les  États  du  Golfe  ne  s’intéressait  plus  à  Dofa  depuis  qu’il  était  clair  que  son  sous-sol  ne  renfermait  pas  de  pétrole. \n \n En  superposition  la  voix  de  Jean-Luc  Godard :  un  gouvernement  assez  puissant  pour  donner  aux  gens  tout  ce  qu\'ils  veulent,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h07’28','','publish','open','open','','1h0728','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13728',0,'post','',0),
(13729,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nHomme  tirant  de  nuit  sur  des  fêtards  réunis  autour  d\'un  feu.  Fêtards  s\'enfuyant  à  la  vue  de  l\'homme. \n\n\n<b>Voix Off et In\n---</b>\n\nassez  puissant  pour  leur  prendre  tout  ce  qu’ils  ont. \n \n Les  frondeurs  irréductibles  de  l’ordre  établi  avaient  depuis  longtemps  renoncé  à  toute  action  brutale \n\n\n<b>Bande Son\n---</b>\n\nId. puis  chants,  coups  de  fusil  et  cris. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h07’50','','publish','open','open','','1h0750','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13729',0,'post','',0),
(13730,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nSous-exposé, en noir et blanc : personnes autour d\'un feu.\n\n\n<b>Voix Off et In\n---</b>\n\nla considérant comme inadéquate dans cet oasis misérable\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h08’13','','publish','open','open','','1h0813','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13730',0,'post','',0),
(13731,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  où  régnait  une  paix  souveraine  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’21','','publish','open','open','','1h0821','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13731',0,'post','',0),
(13732,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nPaysage semi désert, vu d\'une route.\n\n\n<b>Voix Off et In\n---</b>\n\ncar, là où il n\'y a rien, même les scélérats se résignent à l\'indigence. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h08’24','','publish','open','open','','1h0824','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13732',0,'post','',0),
(13733,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’32','','publish','open','open','','1h0832','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13733',0,'post','',0),
(13734,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nHaut et bas de l’écran noircis pour imiter la vision d’une personne portant une burqa. Au milieu de l’écran, à travers la fente : femmes marchant couvertes d’une burqa.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h08’36','','publish','open','open','','1h0836','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13734',0,'post','',0),
(13735,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’52','','publish','open','open','','1h0852','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13735',0,'post','',0),
(13736,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nVisage  d\'une  femme  chantant  en  arabe. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  féminine,  en  arabe. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’55','','publish','open','open','','1h0855','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13736',0,'post','',0),
(13737,1,'2023-09-26 09:19:24','2023-09-26 07:19:24','<b>Images\n---</b>\n\nSaturé  en  tons  oranges  et  jaunes  :  match  de  football  à  la  télévision  aaccompagné  des  mots  d’un  commentateur  sportif  et  photographie  en  couleur  seppia  de  deux  footballers. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’59','','publish','open','open','','1h0859','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13737',0,'post','',0),
(13738,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’11','','publish','open','open','','1h0911','','','2023-11-09 08:53:44','2023-11-09 07:53:44','',0,'https://localhost/?p=13738',0,'post','',0),
(13739,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nHomme  et  femme  regardant  la  télévision. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  ne  pouvait  cependant  oublier  leur  aptitude  à  se  surpasser  dans  l\'abjection  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’12','','publish','open','open','','1h0912','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13739',0,'post','',0),
(13740,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nMains d\'un homme enchaîné.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nlorsqu\'ils sont soutenus\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h09’23','','publish','open','open','','1h0923','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13740',0,'post','',0),
(13741,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nPetit enfant marchant dans une rue à la lumière du soleil sur laquelle se découpent les ombres des pales d\'un moulin.\nÀ côté de lui, homme enchaîné et gardé par trois autres hommes.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\net conseillés par des criminels d\'une plus grande envergure venus de l\'extérieur.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h09’26','','publish','open','open','','1h0926','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13741',0,'post','',0),
(13742,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSamantar \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’38','','publish','open','open','','1h0938','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13742',0,'post','',0),
(13743,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nVisage  d\'un  jeune  homme  appuyant  sur  une  vitre  reflétant  son  image. \n\n\n<b>Voix Off et In\n---</b>\n\nétait  convaincu  que  la  pauvreté  d’un  pays  était  sa  seule  sauvegarde  contre  les  rapaces  armés  ou  non. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’44','','publish','open','open','','1h0944','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13743',0,'post','',0),
(13744,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nDeux  petites  filles  au  foulard  sur  la  tête.  Mains  de  personnes  applaudissant. \n\n\n<b>Voix Off et In\n---</b>\n\nqui  n\'attendaient  qu\'une  promesse  de  profit  pour  venir  le  conquérir,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’58','','publish','open','open','','1h0958','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13744',0,'post','',0),
(13745,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  chameaux  et  hommes  marchant  en  file  dans  le  désert. \n\n\n<b>Voix Off et In\n---</b>\n\nle  détruire  et  le  pourrir \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’01','','publish','open','open','','1h1001','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13745',0,'post','',0),
(13746,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nFemme  vue  de  dos,  regardant  un  âne. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  Samantar  remerciait  le  ciel  d\'être  né  sur  cette  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’05','','publish','open','open','','1h1005','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13746',0,'post','',0),
(13747,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nAu  ralenti,  en  noir  et  blanc  :  homme  marchant  dans  une  rue,  une  arme  à  la  main. \n\n\n<b>Voix Off et In\n---</b>\n\nterre  désertique  démunie  de  toute  matière  première  et  assez  ingrate  pour  décourager  les  marchés.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’14','','publish','open','open','','1h1014','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13747',0,'post','',0),
(13748,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  plus  stupéfiant  dans  cette  affaire  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’26','','publish','open','open','','1h1026','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13748',0,'post','',0),
(13749,1,'2023-09-26 09:19:25','2023-09-26 07:19:25','<b>Images\n---</b>\n\nRue et marché en plein air dans une ville du Moyen-Orient.\n<em>La fièvre</em> (2014), Safia Benhaïm.\n\n\n<b>Voix Off et In\n---</b>\n\nétait que les attentats étaient revendiqués par une soi-disant\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h10’31','','publish','open','open','','1h1031','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13749',0,'post','',0),
(13750,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSaturé : trois personnes sur une plage rocheuse au bord d\'une mer.\n\n\n<b>Voix Off et In\n---</b>\n\nforce de libération du golfe totalement inconnue et dont les tracts mal imprimés se targuaient d\'un vocabulaire révolutionnaire depuis longtemps dépassé. (Jean-Luc Godard). <em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId. puis vent.\n\n\n<b>Écrits\n---</b>\n\n','1h10’38','','publish','open','open','','1h1038','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13750',0,'post','',0),
(13751,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h11’30','','publish','open','open','','1h1130','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13751',0,'post','',0),
(13752,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSurexposé et saturé : deux hommes debout dans une voiture au toit ouvert, et criant des phrases en arabe.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n[traduction de l’arabe] : Le volontariat dans la brigade de... La vie est une posture...\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’32','','publish','open','open','','1h1132','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13752',0,'post','',0),
(13753,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nNi  l\'importance  du  territoire  de  Dofa … \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h11’35','','publish','open','open','','1h1135','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13753',0,'post','',0),
(13754,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSous-exposée : homme se déplaçant dans l\'ombre.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’40','','publish','open','open','','1h1140','','','2023-11-09 08:53:45','2023-11-09 07:53:45','',0,'https://localhost/?p=13754',0,'post','',0),
(13755,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nRalenti et sous exposé : main glissant trois doigts dans l’ouverture d\'une porte, pour l\'ouvrir.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n<b>Voix Off et In\n---</b>\n\nJournal télévisé [traduction de l’arabe standard] :\nNous ne savons pas jusqu\'à présent jusqu\'où pourra aller la riposte russe mais le climat ambiant laisse à penser que l\'attaque ne...\n\nVoix d’homme :\nni la conjoncture politique dans la région n\'avaient\n\nresté jusqu\'ici en dehors de l\'éclatante prospérité\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’46','','publish','open','open','','1h1146','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13755',0,'post','',0),
(13756,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSurexposé  et  saturé,  au  ralenti  :  rangée  de  personnes  vêtues  de  blanc  se  tenant  les  mains,  et  les  déplaçant  vers  l\'arrière.  Puis  pieds  en  tongs  dansant. \n\n\n<b>Voix Off et In\n---</b>\n\ndes  émirats  voisins  pouvait  d\'un  jour  à  l\'autre  devenir  un  enfer. \n\n\n<b>Bande Son\n---</b>\n\nVoix  masculines  chantant  un  chant  soufi  (mystique)  d\'Afrique  du  Nord  (Hadhra  en  Tunisie  ou  Aissaoua  en  Algérie),  accompagné  de  percussions.  (Chant  d\'invocation  où  l’on  dit  que  il  n\'y  a  de  dieu  que  Dieu  et  que  Mohamed  est  son  prophète.  Éloges  de  Dieu  et  du  prophète  Mohamed.  Éloges  d\'un  saint  patron  qui  est  censé  nous  protéger). \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’00','','publish','open','open','','1h1200','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13756',0,'post','',0),
(13757,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’24','','publish','open','open','','1h1224','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13757',0,'post','',0),
(13758,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nDe  nouveau,  groupe  d\'hommes  courant  dans  la  rue  et  se  pressant  contre  la  porte  d\'un  appartement. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’28','','publish','open','open','','1h1228','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13758',0,'post','',0),
(13759,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSaturé : hommes en tenue militaire officielle, et commandants.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nCe qui tourmentait le Cheick El Kadem, le premier ministre du royaume, c\'était une vue de l\'esprit\n\n\n<b>Bande Son\n---</b>\n\nTrompettes de fanfare militaire.\n\n\n<b>Écrits\n---</b>\n\n','1h12’34','','publish','open','open','','1h1234','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13759',0,'post','',0),
(13760,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSaturé,  sortant  à  droite  et  réapparaissant  à  gauche  de  l\'écran  comme  s\'il  était  projeté  sur  l\'écran  d\'une  télévision  cassée  :  libellé  du  film  « Le  Livre  d\'Image ». \n\n\n<b>Voix Off et In\n---</b>\n\ncar  il  rêvait  de  soumettre  à  sa  domination,  l\'ensemble  des  pays  du  golfe.  \n\n\n<b>Bande Son\n---</b>\n\nId. et  puis  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’47','','publish','open','open','','1h1247','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13760',0,'post','',0),
(13761,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSaturé  :  maison  en  ruine  sur  une  plage  de  roche  en  bord  de  mer.  \n\n\n<b>Voix Off et In\n---</b>\n\nIl  était  vrai  que  sur  cette  bande  de  terre  aride,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’57','','publish','open','open','','1h1257','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13761',0,'post','',0),
(13762,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nManifestation avec de nombreuses personnes dans la rue portant des pancartes écrites en arabe.\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était le maître incontesté\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h13’08','','publish','open','open','','1h1308','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13762',0,'post','',0),
(13763,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nSurexposé : sultan avec une femme à ses côtés.\n<em>The Thief of Baghdad</em> (1978), Cline Donner.\n\n<b>Voix Off et In\n---</b>\n\npuisque le vieil émir régnant, croupissant dans son harem, ne prenait plus la peine de lui donner des ordres.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’15','','publish','open','open','','1h1315','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13763',0,'post','',0),
(13764,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  la  passion  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h13’21','','publish','open','open','','1h1321','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13764',0,'post','',0),
(13765,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nHomme au fez rouge sortant d\'une voiture dont le conducteur ouvre la porte.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\npour le pouvoir, Ben Kadem l\'avait ressentie depuis son enfance et maintenant à 42 ans elle le dévorait avec encore plus de densité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’24','','publish','open','open','','1h1324','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13765',0,'post','',0),
(13766,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nGroupe de personnes marchant de nuit dans les dunes d\'un désert.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nMais malheureusement le monde n\'était pas aussi simple que son rêve d\'enfant. L\'irruption du pétrole dans la péninsule sauf ici à Dofa avait détruit l\'espoir de réaliser ses ambitions.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’37','','publish','open','open','','1h1337','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13766',0,'post','',0),
(13767,1,'2023-09-26 09:19:26','2023-09-26 07:19:26','<b>Images\n---</b>\n\nPalmier enflammé dans le désert de nuit.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h14’00','','publish','open','open','','1h1400','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13767',0,'post','',0),
(13768,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nFemmes riant dans un harem.\n<em>Arabian nights</em> (1942), John Rawlins.\n\n\n<b>Voix Off et In\n---</b>\n\nChose étrange,\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h14’11','','publish','open','open','','1h1411','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13768',0,'post','',0),
(13769,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nle  seul  homme  avec  lequel  Ben  Kadem  pouvait  parler  franchement  de  son  ambition  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’16','','publish','open','open','','1h1416','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13769',0,'post','',0),
(13770,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nPalmiers  secoués  par  un  vent  fort. \n\n\n<b>Voix Off et In\n---</b>\n\nc’était  celui  là  même  qui  trouvait  cette  ambition  dérisoire  :  son  jeune  cousin  Samantar. \n\n\n<b>Bande Son\n---</b>\n\nVent. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’24','','publish','open','open','','1h1424','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13770',0,'post','',0),
(13771,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’33','','publish','open','open','','1h1433','','','2023-11-09 08:53:46','2023-11-09 07:53:46','',0,'https://localhost/?p=13771',0,'post','',0),
(13772,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nDéplacement de gauche à droite : photo d\'un restaurant appelé « Les coquillages » et d’une rue d’une ville de bord de mer.\n\n\n<b>Voix Off et In\n---</b>\n\nn’avait pas uniquement pour objet d’approfondir sa vision sur le jeu sanglant des grandes puissances. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nExplosions.\n\n\n<b>Écrits\n---</b>\n\n','1h14’36','','publish','open','open','','1h1436','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13772',0,'post','',0),
(13773,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nPhoto de Barack Obama aux côtés de l\'émir du Koweït Cheikh Sabah al-Ahmad al-Jaber al-Sabah.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h14’53','','publish','open','open','','1h1453','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13773',0,'post','',0),
(13774,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nHomme au fez s\'approchant d\'une grille d\'entrée et frappant avec son bâton contre la grille.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était d\'une importance capitale de savoir l\'opinion de Samantar sur les derniers événements survenus.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h14’57','','publish','open','open','','1h1457','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13774',0,'post','',0),
(13775,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\nLe  début  d’une  ère  révolutionnaire  à  Dofa \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h15’07','','publish','open','open','','1h1507','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13775',0,'post','',0),
(13776,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nVisage d\'un homme plongé dans l\'obscurité, puis émergeant à la lumière éclairant ses lèvres et son nez.\n\n\n<b>Voix Off et In\n---</b>\n\nétait une négation totale de la possible d’une action armée dans la péninsule. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’12','','publish','open','open','','1h1512','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13776',0,'post','',0),
(13777,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nSaturé  en  tons  bleus  et  rouges  :  personnes  ballottées  par  une  mer  agitée. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h15’24','','publish','open','open','','1h1524','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13777',0,'post','',0),
(13778,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nPersonne au foulard palestinien nué autour de la tête, se traînant avec un bras sur le sable, tenant de l’autre un fusil.\n<em>Ici et ailleurs</em> (1975), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Tu es seul ?\n- Oui je suis seul.\n- Je ne te dérange pas ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h15’28','','publish','open','open','','1h1528','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13778',0,'post','',0),
(13779,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nAu ralenti, saturé en tons bleus : foule de personnes manifestant.\n<em>Sexe, salafistes, printemps arabe</em> (2012), Paul Moreira.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je suis toujours ravi de te voir.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’36','','publish','open','open','','1h1536','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13779',0,'post','',0),
(13780,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nSous-exposé et tourné en noir et blanc : personnes dansant au milieu de la fumée.\n<em>Silence ! On tourne</em> (2001), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n- Un tel bonheur m\'est rarement accordé, excellence. - Tu te détaches de moi.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’43','','publish','open','open','','1h1543','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13780',0,'post','',0),
(13781,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nFemme portant une écharpe à pois rouges et blancs et courant les mains en l\'air.\n<em>À propos d\'Elly</em> (2009), Asghar Farhadi.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je vois que tu n\'es toujours pas prêt à ce sacrifice.\n\n\n<b>Bande Son\n---</b>\n\nA la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h15’51','','publish','open','open','','1h1551','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13781',0,'post','',0),
(13782,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nSaturé : groupe d\'hommes armés sur le toit d\'une voiture, observés par un homme vu de dos se cachant derrière un mur. Au ralenti : hommes descendant de la voiture.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n- C\'est l\'excuse de toute ambition politique que de prétendre se sacrifier pour le bonheur du peuple. Mais le peuple ne t\'a rien demandé, il veut simplement vivre en paix.\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','1h15’57','','publish','open','open','','1h1557','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13782',0,'post','',0),
(13783,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nEn noir et blanc, basculé de 180° : visage d\'un homme la tête en bas, plongé dans l\'obscurité.\n\n\n<b>Voix Off et In\n---</b>\n\n- Pendant que nous vivons en paix, le monde bouge. (Avec écho)\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h16’15','','publish','open','open','','1h1615','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13783',0,'post','',0),
(13784,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nTremblements,  et  déplacement  de  droite  à  gauche  :  enfant  écrivant  sur  une  feuille  de  papier,  observée  de  dos  par  un  autre  enfant. \n\n\n<b>Voix Off et In\n---</b>\n\n- Que  nous  importe  ce  monde  qui  bouge.  (Avec  écho) \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’23','','publish','open','open','','1h1623','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13784',0,'post','',0),
(13785,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nSaturé en tons rouges : visage de femme aux mains jointes en prière. Détail de la fresque de la coupole.\n<em>San Antonio de la Florida</em> (1798), Francisco Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nCe sont tous des canailles, tous complices de l’imposture universelle.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’25','','publish','open','open','','1h1625','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13785',0,'post','',0),
(13786,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n- La  révolution  a  commencé  dans  le  royaume  mais  tu  le  sais  déjà  sans  doute. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’33','','publish','open','open','','1h1633','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13786',0,'post','',0),
(13787,1,'2023-09-26 09:19:27','2023-09-26 07:19:27','<b>Images\n---</b>\n\nEn noir et blanc, basculé de 180° : visage courroucé d\'un homme plongé dans l\'obscurité.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je le reconnaîtrais volontiers s’il s’agissait d’une vraie révolution, mais j’en doute.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’40','','publish','open','open','','1h1640','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13787',0,'post','',0),
(13788,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé : tissu rouge traîné sur la plage par le vent.\n<em>Fissures</em> (2009), Hicham Ayouch.\n\n\n<b>Voix Off et In\n---</b>\n\nOn a arrêté quelque type\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’49','','publish','open','open','','1h1649','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13788',0,'post','',0),
(13789,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nconnu  de  nos  services  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’51','','publish','open','open','','1h1651','','','2023-11-09 08:53:47','2023-11-09 07:53:47','',0,'https://localhost/?p=13789',0,'post','',0),
(13790,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé  :  enfants  jouant  avec  une  femme  portant  une  burka. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  ils  prétendent  ne  rien  savoir. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’54','','publish','open','open','','1h1654','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13790',0,'post','',0),
(13791,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nIls  demandent  même  de  quelle  bombe  il  s’agit  car  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’55','','publish','open','open','','1h1655','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13791',0,'post','',0),
(13792,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nFemme et homme vus à contre jour, se faisant face dans un couloir.\n\n\n<b>Voix Off et In\n---</b>\n\nils n’ont rien entendu. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nDe nouveau, à la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h16’56','','publish','open','open','','1h1656','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13792',0,'post','',0),
(13793,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé  :  homme  portant  un  voile  et  homme  marchant  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoitures,  et  personnes  marchant  et  parlant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’02','','publish','open','open','','1h1702','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13793',0,'post','',0),
(13794,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nRue  de  nuit,  éclairée  par  des  lampadaires,  avec  des  gens  parlant  et  faisant  du  bruit. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’07','','publish','open','open','','1h1707','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13794',0,'post','',0),
(13795,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nFemmes voilées et hommes marchant dans la rue.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et en arrière-plan, annonces de service d\'une gare.\n\n\n<b>Écrits\n---</b>\n\n','1h17’25','','publish','open','open','','1h1725','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13795',0,'post','',0),
(13796,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nCôte  montagneuse  surplombant  la  mer.  Groupe  de  personnes  marchant  sur  la  plage.  \n\n\n<b>Voix Off et In\n---</b>\n\nIci,  à  Dofa,  que  des  gens  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’31','','publish','open','open','','1h1731','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13796',0,'post','',0),
(13797,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nlancent  des  bombes  un  peu  partout  cela  me  parait  normal  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nHICHAM \n People  throwing  bombs \n\n','1h17’40','','publish','open','open','','1h1740','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13797',0,'post','',0),
(13798,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nHomme touareg vêtu de blanc, assis au pied d\'un palmier dans le désert, caressant une antilope.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em>, Nacer Khémir (2005).\n\n\n<b>Voix Off et In\n---</b>\n\nque pourraient-ils faire d\'autre ? C\'est leur seule manière d\'exprimer leur révolte devant la férocité des moyens employés par le gouvernement. Quelle autre attitude serait valable ? Pour ma part, je serai toujours du côté des bombes.\n\n\n<b>Bande Son\n---</b>\n\nDe nouveau, à la guitare : arpèges. Silence.\n\n\n<b>Écrits\n---</b>\n\n','1h17’44','','publish','open','open','','1h1744','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13798',0,'post','',0),
(13799,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  révolution, \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nTAREK \n\n','1h18’13','','publish','open','open','','1h1813','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13799',0,'post','',0),
(13800,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  hommes  touareg  sous  des  palmiers  avec  des  ânes  à  leurs  côtés. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’18','','publish','open','open','','1h1818','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13800',0,'post','',0),
(13801,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé  en  tons  rouges  :  explosion  et  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\ncela  ne  me  paraît  pas  vital  dans  cette  région. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’21','','publish','open','open','','1h1821','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13801',0,'post','',0),
(13802,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nHomme  courant. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  est  vrai  qu\'à  notre  époque \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’26','','publish','open','open','','1h1826','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13802',0,'post','',0),
(13803,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé : enfants et personnes courant en tous sens et semblant regarder quelque chose hors champ.\n<em>Les Baliseurs du désert</em>, Nacer Khémir (1984), cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\ntout est possible\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’32','','publish','open','open','','1h1832','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13803',0,'post','',0),
(13804,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé : missile tiré sur une voiture explosant.\n<em>13 hours. The Secret Soldiers of Benghazi</em>, (2016), Michael Bay.\n\n\n<b>Voix Off et In\n---</b>\n\ncrois-tu que les hommes\n\n\n<b>Bande Son\n---</b>\n\nExplosions et cris.\n\n\n<b>Écrits\n---</b>\n\n','1h18’37','','publish','open','open','','1h1837','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13804',0,'post','',0),
(13805,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’40','','publish','open','open','','1h1840','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13805',0,'post','',0),
(13806,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nSaturé et sous-exposé : explosion, avec un hélicoptère en feu à l\'arrière-plan. Homme tombant au sol en gémissant après avoir été touché par un missile.\n<em>13 hours. The Secret Soldiers of Benghazi</em>, (2016), Michael Bay.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’41','','publish','open','open','','1h1841','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13806',0,'post','',0),
(13807,1,'2023-09-26 09:19:28','2023-09-26 07:19:28','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ncrois-tu que les hommes au pouvoir aujourd\'hui\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h18’43','','publish','open','open','','1h1843','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13807',0,'post','',0),
(13808,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nHommes vêtus de manière formelle, avec un fez sur la tête, parlant entre eux.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\ndans le monde soient autre chose\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’47','','publish','open','open','','1h1847','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13808',0,'post','',0),
(13809,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSaturé et au ralenti : homme courant dans une rue, avec à ses côtés une explosion.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nque des débiles sanguinaires ?\n(Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’53','','publish','open','open','','1h1853','','','2023-11-09 08:53:48','2023-11-09 07:53:48','',0,'https://localhost/?p=13809',0,'post','',0),
(13810,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nC’était  peu  de  rêver  d’être  roi \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’55','','publish','open','open','','1h1855','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13810',0,'post','',0),
(13811,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSous-exposé et saturé et puis surexposé : Homme visant avec un bazooka à l’épaule.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nquand on pouvait rêver d\'être Faust.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’57','','publish','open','open','','1h1857','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13811',0,'post','',0),
(13812,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  nul,  mais  nul,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’00','','publish','open','open','','1h1900','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13812',0,'post','',0),
(13813,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nPersonne morte gisant sur le sol.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nne rêvait plus d\'être Faust\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’03','','publish','open','open','','1h1903','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13813',0,'post','',0),
(13814,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\net chacun rêvait d\'être roi. (Jean-Luc Godard).\n<em>Air de Méphistophélès, Damnation de Faust</em> (1846), Hector Berlioz.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’05','','publish','open','open','','1h1905','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13814',0,'post','',0),
(13815,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nEnfant  jetant  des  pierres  sur  un  chien  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’10','','publish','open','open','','1h1910','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13815',0,'post','',0),
(13816,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nPersonne écrivant en arabe sur une feuille de papier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cloud</em> (2017), Tomasz Stanko New York Quartet.\n\n\n<b>Écrits\n---</b>\n\n','1h19’16','','publish','open','open','','1h1916','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13816',0,'post','',0),
(13817,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nAquarelle  d\'un  homme  vêtu  de  blanc  assis  sur  le  sol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’20','','publish','open','open','','1h1920','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13817',0,'post','',0),
(13818,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSaturé en tons bleus : lac entouré d\'arbres.\n\n\n<b>Voix Off et In\n---</b>\n\nÀ Dofa, le rêve de Cheikh ben Kadem fit naufrage. La mort de son jeune amant dissipa l’ambition de soumettre à sa domination l\'ensemble\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h19’28','','publish','open','open','','1h1928','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13818',0,'post','',0),
(13819,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nVoiture longeant une route suivie de personnes marchant derrière elle.\n<em>Les terrasses</em> (2013), Merzak Allouache.\n\n\n<b>Voix Off et In\n---</b>\n\ndes pays du golfe. Ben Kadem s\'en vint alors confesser ses erreurs politiques\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’43','','publish','open','open','','1h1943','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13819',0,'post','',0),
(13820,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nDe  nouveau,  photo  en  noir  et  blanc  d\'un  homme  au  visage  courroucé. \n\n\n<b>Voix Off et In\n---</b>\n\nà  Samantar  et  puis  il  s\'enfuit  et  se  refugia. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’51','','publish','open','open','','1h1951','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13820',0,'post','',0),
(13821,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSamantar  heureux  et  tranquillisé \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’58','','publish','open','open','','1h1958','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13821',0,'post','',0),
(13822,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSaturé  :  maison  en  ruine  entourée  d\'antennes  de  télévision  et  d\'internet. \n\n\n<b>Voix Off et In\n---</b>\n\npar  ce  dénouement,  sortit  de  sa  misérable  cahute.  \n \n\n\n<b>Bande Son\n---</b>\n\nDe  nouveau,  à  la  guitare  :  arpèges. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’01','','publish','open','open','','1h2001','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13822',0,'post','',0),
(13823,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nHomme souriant.\n<em>Les terrasses</em> (2013), Merzak Allouache.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’07','','publish','open','open','','1h2007','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13823',0,'post','',0),
(13824,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSurexposé  :  Photographie  d\'une  file  d\'hommes  vêtus  de  jeans  et  de  lunettes  de  soleil  marchant. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’11','','publish','open','open','','1h2011','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13824',0,'post','',0),
(13825,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’18','','publish','open','open','','1h2018','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13825',0,'post','',0),
(13826,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nSaturé  :  cheval  tirant  une  calèche  passant  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\nCe  n\'est  que  quelques  mois  plus  tard  que  Samantar  rencontra  Tarek  le  long  de  la  mer \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’20','','publish','open','open','','1h2020','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13826',0,'post','',0),
(13827,1,'2023-09-26 09:19:29','2023-09-26 07:19:29','<b>Images\n---</b>\n\nJeune homme au turban accompagnant un homme âgé dans une prairie près d\'un ruisseau et s’asseyant sur un rocher.\n\n\n<b>Voix Off et In\n---</b>\n\net apprit la vérité de la fausse révolution fomentée par l\'ancien premier ministre. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\nCe que je fais avec les enfants dit le fou c\'est une sorte de contre-révolution.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’27','','publish','open','open','','1h2027','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13827',0,'post','',0),
(13828,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSurexposé : groupe d\'enfants jouant et courant.\n<em>Les mille mois</em> (2003), Faouzi Bensaïdi.\n\n\n<b>Voix Off et In\n---</b>\n\nUn fou peut aller partout, il a une liberté totale de mouvement, et de parole. Avec l\'aide des enfants j\'ai fait sauter la banque et l\'agence d\'import export\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’43','','publish','open','open','','1h2043','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13828',0,'post','',0),
(13829,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nHomme  écrivant  sur  une  feuille  de  papier,  et  enfant  regardant  ce  qu\'il  écrit,  debout  devant  lui,  dans  une  maison  du  Moyen  Orient  avec  des  tapis,  des  coussins  et  des  rideaux  devant  les  fenêtres. \n\n\n<b>Voix Off et In\n---</b>\n\nles  deux  signes  de  l\'ignominie  capitaliste. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’01','','publish','open','open','','1h2101','','','2023-11-09 08:53:49','2023-11-09 07:53:49','',0,'https://localhost/?p=13829',0,'post','',0),
(13830,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSaturé  en  tons  rouges  et  bleus,  et  basculé  de  90  degrés  :  coucher  du  soleil  et  puits  de  pétrole. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  comment  as-tu  pu  te  procurer  les  explosifs  ?  Ils  ont  été  repérés \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’02','','publish','open','open','','1h2102','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13830',0,'post','',0),
(13831,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nEnfants  courant  derrière  la  caméra.  Enfant  portant  une  chemise  blanche  trop  longue  et  marchant  en  trébuchant  sur  le  tissu. \n\n\n<b>Voix Off et In\n---</b>\n\npar  les  enfants  dans  un  vieux  derrick  abandonné  par  les  étrangers  quand  ils  cherchaient  en  vain  du  pétrole. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’09','','publish','open','open','','1h2109','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13831',0,'post','',0),
(13832,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nEnfant sur une route faisant tourner de la main une bobine rouge en s’aidant d’une pellicule. <em>Reel-Unreel</em> (2011), Francis Alÿs.\n\n\n<b>Voix Off et In\n---</b>\n\nJe te remercie. Discuter avec un fou est un privilège\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’18','','publish','open','open','','1h2118','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13832',0,'post','',0),
(13833,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nCouverture d’un exemplaire <em>d’Images en parole</em> (2003), Anne-Marie Miéville. L’exemplaire est feuilleté.\n\n\n<b>Voix Off et In\n---</b>\n\ninestimable, crois moi. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’25','','publish','open','open','','1h2125','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13833',0,'post','',0),
(13834,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nGros plan de la face de Bécassine.\nDerrière : id. en dimensions réduites.\n\n\n<b>Voix Off et In\n---</b>\n\nCrois-moi. On n\'est jamais suffisamment triste. (Anne-Marie Miéville).\n<em>Le territoire de l’homme</em> (1978), Elias Canetti.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’32','','publish','open','open','','1h2132','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13834',0,'post','',0),
(13835,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSaturé  :  pinceau  et  livre  ouvert. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’38','','publish','open','open','','1h2138','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13835',0,'post','',0),
(13836,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSaturé  :  photographie  d\'un  grand  pinceau  et  d\'un  crayon. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  n\'est  jamais  suffisamment  triste  pour  que  le  monde  soit  meilleur.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’41','','publish','open','open','','1h2141','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13836',0,'post','',0),
(13837,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSaturé  :  de  nouveau,  plage  de  roche  en  bord  de  mer,  enfants  y  jouant  au  football. \n\n\n<b>Voix Off et In\n---</b>\n\nla  terre  abandonnée,  la  terre  abandonnée,  surchargée  de  lettres  de  l\'alphabet,  étouffée  sous  les  connaissances  et  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’53','','publish','open','open','','1h2153','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13837',0,'post','',0),
(13838,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nplus guère d\'oreilles qui soient à l\'écoute. (Anne-Marie Miéville).\n<em>Le territoire de l’homme</em> (1978), Elias Canetti.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h22’10','','publish','open','open','','1h2210','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13838',0,'post','',0),
(13839,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nSurexposé et en négatif : de nouveau, petite fille aux yeux fermés, le visage levé vers le ciel et les mains tendues devant elle.\n<em>Miracle en Alabama</em> (1962), Arthur Penn. <em>Histoire (s) du cinéma 4a</em>, (1988 - 98) Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946) Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h22’14','','publish','open','open','','1h2214','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13839',0,'post','',0),
(13840,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nDétail  de  son  visage  et  de  sa  main  gauche. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’20','','publish','open','open','','1h2220','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13840',0,'post','',0),
(13841,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nEn  tons  bleus  :  détail  de  son  visage. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’26','','publish','open','open','','1h2226','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13841',0,'post','',0),
(13842,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nDétail de sa main.\n\n\n<b>Voix Off et In\n---</b>\n\nVoici les roses de cette nuit écloses.\n<em>La Damnation de Faust</em> (1946), Berlioz Hector.\n\n\n<b>Bande Son\n---</b>\n\n<em>La Damnation de Faust</em> (1946), Berlioz Hector.\n\n\n<b>Écrits\n---</b>\n\n','1h22’32','','publish','open','open','','1h2232','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13842',0,'post','',0),
(13843,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nEn  blanc  sur  fond  noir  :  inscription  manuscrites.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGodard \n Battaggia \n Aragno \n Brenez \n\n','1h22’43','','publish','open','open','','1h2243','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13843',0,'post','',0),
(13844,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’49','','publish','open','open','','1h2249','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13844',0,'post','',0),
(13845,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSilenzio,  si  gira.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDe  Vinci,  Bernanos,  King  Lear,  Closed  vision,  Weinberg,  Giacometti,  Jeanne  d\'arc,  Chahine,  Chien  andalou,  Histoire (s)  du  cinéma,  Derain,  Caméra  analytique,  S.  Walker,  Artaud,  Murnau,  Ramuz,  Hamlet,  Gaumont,  Miracle  en  Alabama,  J  Michelet,  Histoire,  Kiss  me  Deadly,  V. Grossman \n\n','1h22’54','','publish','open','open','','1h2254','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13845',0,'post','',0),
(13846,1,'2023-09-26 09:19:30','2023-09-26 07:19:30','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSilenzio.  Camera,  moteur,  motore \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nD.  Guyotat,  Allemagne  année  neuf  zéro,  Le  dernier  des  hommes,  J.  Gozland,  Johny  Guitar,  petit  soldat,  M  Leroux,  Liban  Guerres  et  hommes,  Salo,  A  Sokourov,  Timbuktu,  Vrai  faux  passeport,  chute  faucon  noir,  les  carabiniers,  hommes  du  dimanche,  Blue  jean,  guerre  de  chine,  les  dents  de  la  mer,  Le  sang  des  bêtes,  R.  Girard,  V  Illitch,  La  grève,  Païsa \n\n','1h22’58','','publish','open','open','','1h2258','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13846',0,'post','',0),
(13847,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\npartito, ciak, Odissea 14702 prima.\n<em>Le Mépris</em> (1963), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nVertigo, femme au corbeau, l\'Atalante, au bord de la mer bleue, hélas pour moi, Ruby gentry, planète, 8 mai 1945, les enfants jouent à la Russie, Delacroix, Angèle, Zylberman, JLG JLG, Guerre et paix, Péguy, Les enfants de la guerre, Stalingrad, l\'espoir, Inessa Armand, le silence de la mer\n','1h23’03','','publish','open','open','','1h2303','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13847',0,'post','',0),
(13848,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nGong  profond  et  inquiétant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h23’08','','publish','open','open','','1h2308','','','2023-11-09 08:53:50','2023-11-09 07:53:50','',0,'https://localhost/?p=13848',0,'post','',0),
(13849,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  TEXTES  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n TEXTES \n\n','1h23’10','','publish','open','open','','1h2310','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13849',0,'post','',0),
(13850,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGoogle,  Al  razutis,  RM  Rilke,  Berlin  express,  l\'affrontement,  paysage  dans  le  brouillard,  Dostoïevski,  Hollis  Frampton,  L.  F.  Céline,  P  de  Villiers,  Hans  Otte,  Manon,  Orphée,  croisée  des  destins,  mécano  de  la  générale,  route  de  l\'impossible,  Baudelaire,  Hegel,  D.  Vertov,  terror  by  night,  G  Steiner,  castoriadis,  le  silence \n\n','1h23’14','','publish','open','open','','1h2314','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13850',0,'post','',0),
(13851,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nShanghai  express,  A  Brehem,  E  Vittorini  T  Gustavsen,  Turksib,  A.  Schnittke,  Trigon  films,  Liberté  et  patrie,  P.  Val,  W.  Faulkner,  grandeur  et  décadence,  les  2  Fédor,  Wild  boys  on  the  road,  Toccata  for  toy  trains,  Arvo  part,  Au  bord  de  la  mer  bleue,  Anna  Karenine,  Medvedkine,  Après  le  feu,  le  plaisir,  deux  fois  cinquante  ans,  la  commune,  Arditti  quartet,  ECM  records,  V.  Hugo,  vendémiaire \n\n','1h23’19','','publish','open','open','','1h2319','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13851',0,'post','',0),
(13852,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  FILMS  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  la  langue  ne  sera  jamais \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nFILMS \n\n','1h23’20','','publish','open','open','','1h2320','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13852',0,'post','',0),
(13853,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nle  langage \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nA.  Rimbaud,  terrorism  considered,  Sollers,  V.  Vysotsky,  Montesquieu,  le  faux  coupable,  Grèce  2013,  Au  cœur  de  l\'orage,  La  Strada,  J.- S.  Bach,  Les  chouans,  Mister  love,  Sayat  nova,  Los  Olvidados,  Marilyn,  Le  premier  maître,  les  onze  fioretti,  Young  Mister  Lincoln,  Monsieur  de  Charette,  Le  chaos,  Freaks,  Porno,  danish  string  quartet,  For  ever  Mozart \n\n','1h23’25','','publish','open','open','','1h2325','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13853',0,'post','',0),
(13854,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nCaillebotte,  Balzac,  Jacques  rivette,  Dies  irae,  Wyatt  Earp,  Tout  va  bien,  Alexandre  Nevski,  Eau  argentée,  C  dans  l\'air,  Fantômas,  Freud,  procès  de  Charles  1er,  Nuremberg,  Méliès,  Hortense  de  Beauharnais,  école  de  Fontainebleau,  Duck  soup,  René  Charles  de  Lusson,  Elephant,  Week-end,  Viva  Villa,  Que  viva  mexico,  les  visiteurs  du  soir,  Elie  Faure,  S.  Prokofiev,  La  fin  du  A \n\n','1h23’30','','publish','open','open','','1h2330','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13854',0,'post','',0),
(13855,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  TABLEAUX  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nCoq  chantant. \n\n\n<b>Écrits\n---</b>\n\nTABLEAUX \n\n','1h23’31','','publish','open','open','','1h2331','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13855',0,'post','',0),
(13856,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Vom Winde Beweint - 1 Largo Molto</em> (1990), Giya Kancheli.\n\n\n<b>Écrits\n---</b>\n\nlas Hurdes, Beckett, metropolis, Nuit du carrefour, M. Blanchot, Vladimir et Rosa, terreur et vertu, l\'esprit des lois, La dame de Shanghai, Un feu, la belle et la Bête, Emile Cohl, la région centrale, Photo Libération, Bécassine, Broswimmer, Notorius, Moubarak, Origine du XXIe siècle, A. Cossery, le visage de Dieu, Meshes of afternoon, Les 1001 nuits, Constantinople, Détective, Film socialisme, Voleur de Bagdad (R. Walsh)\n','1h23’35','','publish','open','open','','1h2335','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13856',0,'post','',0),
(13857,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nAladin  magic  lamp,  le  Messie,  The  crusades,  Bonaparte,  frères  de  guerre,  Salammbô,  Méditerranée,  E.  Saïd,  S.  Luste  Boulbina,  M.  Koldenitzky,  Nous,  les  dernières  vacances,  Djamila,  Voyage  à  Tunis,  Collier  perdu  de  la  colombe,  Kanchelli,  Khalled  abou  Khalled,  gare  centrale,  Ici  et  ailleurs,  la  saison  des  hommes,  Alexandre  Dumas,  Muezzin,  P  Mizraki,  Mendelssohn,  A.  Macke,  Tamaout,  Détention  secrète \n\n','1h23’40','','publish','open','open','','1h2340','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13857',0,'post','',0),
(13858,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  MUSIQUE  » \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nMUSIQUE \n\n','1h23’41','','publish','open','open','','1h2341','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13858',0,'post','',0),
(13859,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n F.  Prokosch,  Judex,  la  Bandera,  Syriana,  D.  Sibony,  La  môme  vert  de  gris,  Mille  mois,  Premiers  chanteurs  des  Bilad  Al  Sham,  les  silences  du  palais,  Al  leil,  La  fièvre,  About  Elly,  Tunisie,  Voleur  de  Bagdad  (C.  Donner),  Bab\'  Aziz\',  Arabian  nights,  Fissures,  Salafistes  sexe,  Maghreb,  13  hours,  kerbala,  Tomasz  Stanko,  les  terrasses,  2  films  inconnus,  Reel  unreel,  La  recupart,  Elias  Canetti,  P.  Weiss \n\n','1h23’45','','publish','open','open','','1h2345','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13859',0,'post','',0),
(13860,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nEUX  TOUS \n\n','1h23’49','','publish','open','open','','1h2349','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13860',0,'post','',0),
(13861,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  photo  d\'un  enfant  mangeant  assis. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h23’51','','publish','open','open','','1h2351','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13861',0,'post','',0),
(13862,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir.  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nHAMIDREZA \n PEJMAN \n\n','1h23’54','','publish','open','open','','1h2354','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13862',0,'post','',0),
(13863,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir.  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGEORGES \n SCHOUCAIR \n\n','1h23’56','','publish','open','open','','1h2356','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13863',0,'post','',0),
(13864,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nNADER \n MOBARGHA \n\n','1h23’59','','publish','open','open','','1h2359','','','2023-11-09 08:53:51','2023-11-09 07:53:51','',0,'https://localhost/?p=13864',0,'post','',0),
(13865,1,'2023-09-26 09:19:31','2023-09-26 07:19:31','<b>Images\n---</b>\n\nEn  noir  et  blanc  :  grillage  avec  une  pancarte  indiquant  :  «  NO  TRESPASSING  ». \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’00','','publish','open','open','','1h2400','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13865',0,'post','',0),
(13866,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nEn  couleur  :  photo  d’un  grillage  avec  une  pancarte  indiquant  :  «  DÉFENSE  D’ENTRER \n PROPRIÉTÉ  DE  L’ETAT  ». \n\n\n<b>Voix Off et In\n---</b>\n\nEn  réalité,  disait  Brecht,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’04','','publish','open','open','','1h2404','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13866',0,'post','',0),
(13867,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nInscription  manuscrite  : \n «  Film  immatriculé  \n Au  Registre  public  de  la  \n Cinématographie \n et  visé  à  la  censure \n sous  N932  15 / 2 / 46  ». \n\n\n<b>Voix Off et In\n---</b>\n\nseul  le  fragment  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’09','','publish','open','open','','1h2409','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13867',0,'post','',0),
(13868,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nAu  ralenti  et  en  noir  et  blanc  :  jeunes  esclaves  vénérant  un  roi  sur  un  trône. \n\n\n<b>Voix Off et In\n---</b>\n\nporte  la  marque  de  l\'authenticité  parce  qu’il  est  le  plus  proche  de  la  fonction  la  plus  intérieure  de  l’acte  de  production.  De  production  qui  correspond  à  la  respiration,  au  simple  fait  d’exister  tout  juste  vécu  par  la  conscience.  (Jean-Luc  Godard). \n \n Deux  voix  de  Godard  continuent  de  parler  en  se  chevauchant : \n \n Marx  et  Engels.  A  leurs  yeux \n Eugène  Sue  était  un  aveugle, \n un  solitaire,  pour  qui  la  vie  pleine  de  vie  était  une  abstraction.  Ils  admirent,  il  vrai,  que  la  représentation  d’une  civilisation  tombée  dans  la  dépravation  d’un  état  où  les  droits  civils  n’étaient  pas  respectés,  où  l’inégalité  régnait,  contenait  …  critique. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’14','','publish','open','open','','1h2414','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13868',0,'post','',0),
(13869,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nEn noir et blanc : détail de la main du <em>San Giovanni Battista</em> (1508 - 1513), Leonardo da Vinci.\n\n\n<b>Voix Off et In\n---</b>\n\nMais\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’41','','publish','open','open','','1h2441','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13869',0,'post','',0),
(13870,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  pellicule  tirée  d\'une  bobine  en  rotation. \n\n\n<b>Voix Off et In\n---</b>\n\nau  contraire  de  Balzac,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’44','','publish','open','open','','1h2444','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13870',0,'post','',0),
(13871,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  de  nouveau,  photographie  d\'un  enfant  mangeant  assis. \n\n\n<b>Voix Off et In\n---</b>\n\nil  ne  faisait  que  satisfaire  son  penchant  effréné  pour  l’homme  \n \n \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’45','','publish','open','open','','1h2445','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13871',0,'post','',0),
(13872,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nSoldats courants à travers des explosions.\n\n\n<b>Voix Off et In\n---</b>\n\ns’humiliant lui-même.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’48','','publish','open','open','','1h2448','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13872',0,'post','',0),
(13873,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nPhotographie de Louis-Ferdinand Céline.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’50','','publish','open','open','','1h2450','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13873',0,'post','',0),
(13874,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe nouveau, femme s’évanouissant avec les mains en l\'air devant un écran. <em>Deux fois cinquante ans de cinéma français</em> (1995), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nQu’il n’utilisait le remords et l’expiation\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’51','','publish','open','open','','1h2451','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13874',0,'post','',0),
(13875,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe  nouveau,  femme  au  micro  parlant  lors  d\'une  manifestation. \n\n\n<b>Voix Off et In\n---</b>\n\nd’actes  d’une  brutalité  inouïe \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’53','','publish','open','open','','1h2453','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13875',0,'post','',0),
(13876,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nEn négatif : de nouveau, homme caché dans l\'ombre, le menton posé sur la main gauche.\n<em>Fantômas</em> (1913), Louis Feuillade. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’54','','publish','open','open','','1h2454','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13876',0,'post','',0),
(13877,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe nouveau, photographie de Marilyne Monroe. Iris et clignotement : corbeaux s’envolant.\n<em>Les Oiseaux</em> (1963), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’56','','publish','open','open','','1h2456','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13877',0,'post','',0),
(13878,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe  nouveau,  Bécassine  avec  l\'index  de  la  main  gauche  levé. \n\n\n<b>Voix Off et In\n---</b>\n\nque  pour  faire  miroiter  le  lieu  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’00','','publish','open','open','','1h2500','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13878',0,'post','',0),
(13879,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nSurexposé,  saturé  en  tons  bleus  :  presque  indistinguable. \n\n\n<b>Voix Off et In\n---</b>\n\nd’une  transformation  de  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’01','','publish','open','open','','1h2501','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13879',0,'post','',0),
(13880,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe nouveau, personne portant un turban, montrant les paumes et plaçant une main sur la paume de l\'autre d’un mouvement lent.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nla réalité. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h25’04','','publish','open','open','','1h2504','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13880',0,'post','',0),
(13881,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe  nouveau,  visage  d\'un  homme  appuyé  contre  une  vitre  reflétant  son  image. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’10','','publish','open','open','','1h2510','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13881',0,'post','',0),
(13882,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe  nouveau,  plage  de  roche  surplombant  la  mer,  avec  une  maison  en  ruine  à  côté.  Deux  hommes  marchant  entre  des  bateaux  échoués  sur  la  plage. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’13','','publish','open','open','','1h2513','','','2023-11-09 08:53:52','2023-11-09 07:53:52','',0,'https://localhost/?p=13882',0,'post','',0),
(13883,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe  nouveau,  groupe  d\'hommes  courant  dans  la  rue,  puis  faisant  irruption  à  travers  la  porte  d\'une  maison  située  dans  une  ruelle. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’17','','publish','open','open','','1h2517','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13883',0,'post','',0),
(13884,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nDe nouveau, enfant sur une route poussant d\'une main une bobine rouge avec une pellicule.\n<em>Reel-Unreel</em> (2011), Francis Alÿs.\n\n\n<b>Voix Off et In\n---</b>\n\nIl doit y avoir une révolution. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h25’22','','publish','open','open','','1h2522','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13884',0,'post','',0),
(13885,1,'2023-09-26 09:19:32','2023-09-26 07:19:32','<b>Images\n---</b>\n\nNoir, avec l\'inscription « Parole et Image »\napparaissant. En traces de détrempe bleue et bleu clair, « Parole » et « Image », en rouge « et ».\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>The River I</em> (1997), Ketil Bjornstad &amp; David Darling.\n\n\n<b>Écrits\n---</b>\n\n','1h25’29','','publish','open','open','','1h2529','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13885',0,'post','',0),
(13886,1,'2023-09-26 09:19:33','2023-09-26 07:19:33','<b>Images\n---</b>\n\nHomme  en  pleurs  soulevant  un  cadavre  du  sol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’32','','publish','open','open','','1h2532','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13886',0,'post','',0),
(13887,1,'2023-09-26 09:19:33','2023-09-26 07:19:33','<b>Images\n---</b>\n\nPhotographie  d\'une  statue  représentant  probablement  le  Christ. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’36','','publish','open','open','','1h2536','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13887',0,'post','',0),
(13888,1,'2023-09-26 09:19:33','2023-09-26 07:19:33','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nLorsque je me parle à moi même, je parle la parole d\'un autre. Que je me parle à moi-même. D\'un autre. Que je me parle à moi-même. (Anne Marie Miéville).\n\nGodard, avec une voix d’outre tombe :\nEt si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien à nos espérances. Les espérances resteraient, l\'utopie serait nécessaire. Plus tard aussi les espérances s’embraseraient de nombreuses fois, étouffées par l\'ennemi plus fort, et elles se réveilleraient sans cesse. Et le domaine des espérances serait plus vaste que de notre temps. Il s\'étendrait sur tous les continents : le besoin de contradiction, de résistance ne diminuera jamais, de même que le passé était immutable, de même les espérances resteraient immuables, et ceux qui un jour alors que nous étions jeunes avaient nourri l’ [toux] ardent espoir. Et si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien aux espérances.\n<em>L’Esthétique de la résistance</em> (1978 - 81), Peter Weiss.\n\n\n<b>Bande Son\n---</b>\n\nId. et puis silence.\n\n\n<b>Écrits\n---</b>\n\n','1h25’37','','publish','open','open','','1h2537','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13888',0,'post','',0),
(13889,1,'2023-09-26 09:19:33','2023-09-26 07:19:33','<b>Images\n---</b>\n\nEntrée du danseur cachant sa vieillesse sous un masque, et dansant jusqu\'à en mourir.\n<em>Le masque, Le Plaisir</em> (1952), Max Ophüls.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Das Buch der Klange I - XII</em> (1999), I, Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','1h26’58','','publish','open','open','','1h2658','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13889',0,'post','',0),
(13890,1,'2023-09-26 09:19:33','2023-09-26 07:19:33','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h27’58','','publish','open','open','','1h2758','','','2023-11-09 08:53:53','2023-11-09 07:53:53','',0,'https://localhost/?p=13890',0,'post','',0),
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(13926,1,'2023-10-10 10:02:48','2023-10-10 08:02:48','<b>Images\n---</b>\n\nFemme se posant la main sur la tête.\nLe silence de la mer (1949), Jean-Pierre Melville.\n\nEn alternance : canon visant une voiture.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nQu\'arrive-t-il toujours mon ami ?\n\n<b>Bande Son\n---</b>\n\nPiano.\n\n<b>Écrits\n---</b>','13’31','','inherit','closed','closed','','13308-revision-v1','','','2023-10-10 10:02:48','2023-10-10 08:02:48','',13308,'https://localhost/?p=13926',0,'revision','',0),
(13927,4,'2023-10-23 06:56:21','2023-10-23 04:56:21','<b>Images\n---</b>\n\nLogo de la société de distribution Kino Lorber.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’02','','inherit','open','open','','','','','2023-10-23 06:56:11','2023-10-23 04:56:11','',13193,'https://localhost/?p=13927',0,'revision','',0),
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(13933,1,'2023-10-23 11:43:49','2023-10-23 09:43:49','<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Qui sommes-nous&nbsp;?</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>L’adresse de notre site est&nbsp;: https://localhost.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Commentaires</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Quand vous laissez un commentaire sur notre site, les données inscrites dans le formulaire de commentaire, ainsi que votre adresse IP et l’agent utilisateur de votre navigateur sont collectés pour nous aider à la détection des commentaires indésirables.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Une chaîne anonymisée créée à partir de votre adresse e-mail (également appelée hash) peut être envoyée au service Gravatar pour vérifier si vous utilisez ce dernier. Les clauses de confidentialité du service Gravatar sont disponibles ici&nbsp;: https://automattic.com/privacy/. Après validation de votre commentaire, votre photo de profil sera visible publiquement à coté de votre commentaire.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Médias</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Si vous téléversez des images sur le site, nous vous conseillons d’éviter de téléverser des images contenant des données EXIF de coordonnées GPS. Les personnes visitant votre site peuvent télécharger et extraire des données de localisation depuis ces images.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Cookies</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Si vous déposez un commentaire sur notre site, il vous sera proposé d’enregistrer votre nom, adresse e-mail et site dans des cookies. C’est uniquement pour votre confort afin de ne pas avoir à saisir ces informations si vous déposez un autre commentaire plus tard. Ces cookies expirent au bout d’un an.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Si vous vous rendez sur la page de connexion, un cookie temporaire sera créé afin de déterminer si votre navigateur accepte les cookies. Il ne contient pas de données personnelles et sera supprimé automatiquement à la fermeture de votre navigateur.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lorsque vous vous connecterez, nous mettrons en place un certain nombre de cookies pour enregistrer vos informations de connexion et vos préférences d’écran. La durée de vie d’un cookie de connexion est de deux jours, celle d’un cookie d’option d’écran est d’un an. Si vous cochez «&nbsp;Se souvenir de moi&nbsp;», votre cookie de connexion sera conservé pendant deux semaines. Si vous vous déconnectez de votre compte, le cookie de connexion sera effacé.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>En modifiant ou en publiant une publication, un cookie supplémentaire sera enregistré dans votre navigateur. Ce cookie ne comprend aucune donnée personnelle. Il indique simplement l’ID de la publication que vous venez de modifier. Il expire au bout d’un jour.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Contenu embarqué depuis d’autres sites</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Les articles de ce site peuvent inclure des contenus intégrés (par exemple des vidéos, images, articles…). Le contenu intégré depuis d’autres sites se comporte de la même manière que si le visiteur se rendait sur cet autre site.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ces sites web pourraient collecter des données sur vous, utiliser des cookies, embarquer des outils de suivis tiers, suivre vos interactions avec ces contenus embarqués si vous disposez d’un compte connecté sur leur site web.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Utilisation et transmission de vos données personnelles</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Si vous demandez une réinitialisation de votre mot de passe, votre adresse IP sera incluse dans l’e-mail de réinitialisation.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Durées de stockage de vos données</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Si vous laissez un commentaire, le commentaire et ses métadonnées sont conservés indéfiniment. Cela permet de reconnaître et approuver automatiquement les commentaires suivants au lieu de les laisser dans la file de modération.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pour les comptes qui s’inscrivent sur notre site (le cas échéant), nous stockons également les données personnelles indiquées dans leur profil. Tous les comptes peuvent voir, modifier ou supprimer leurs informations personnelles à tout moment (à l’exception de leur identifiant). Les gestionnaires du site peuvent aussi voir et modifier ces informations.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Les droits que vous avez sur vos données</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Si vous avez un compte ou si vous avez laissé des commentaires sur le site, vous pouvez demander à recevoir un fichier contenant toutes les données personnelles que nous possédons à votre sujet, incluant celles que vous nous avez fournies. Vous pouvez également demander la suppression des données personnelles vous concernant. Cela ne prend pas en compte les données stockées à des fins administratives, légales ou pour des raisons de sécurité.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2 class=\"wp-block-heading\">Où vos données sont envoyées</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong class=\"privacy-policy-tutorial\">Texte suggéré&nbsp;: </strong>Les commentaires des visiteurs peuvent être vérifiés à l’aide d’un service automatisé de détection des commentaires indésirables.</p>\n<!-- /wp:paragraph -->','Politique de confidentialité','','inherit','closed','closed','','3-revision-v1','','','2023-10-23 11:43:49','2023-10-23 09:43:49','',3,'https://localhost/?p=13933',0,'revision','',0),
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(13941,1,'2023-10-23 19:56:10','2023-10-23 17:56:10','<!-- wp:paragraph -->\n<p>Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse rhoncus hendrerit convallis. Sed pellentesque ante mi, sit amet venenatis sem rutrum sed. Nullam eleifend bibendum nibh sit amet cursus. Phasellus et nibh sed libero bibendum suscipit. Nulla sodales nisi ipsum, quis sollicitudin nunc molestie at. Aenean commodo sodales elit, vel feugiat mauris vehicula in. Ut nec augue eget elit scelerisque mattis. Duis quam nunc, eleifend at justo ac, imperdiet sollicitudin leo. Cras vel dolor et lectus scelerisque scelerisque. Ut pulvinar iaculis ultricies. Etiam tempor purus ac arcu vulputate, eget blandit velit elementum. Duis ante leo, fringilla nec pellentesque nec, viverra sed quam.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In elementum libero eu quam finibus interdum. In interdum ex at velit dignissim, vel luctus nulla cursus. Ut sodales dui ac blandit consectetur. Aenean porttitor velit non nibh mollis, porta semper turpis consectetur. Sed a dignissim sem, eget varius purus. Nullam mollis vitae nulla id eleifend. Cras at hendrerit est, sed pretium tortor. Donec vitae odio sit amet sapien ultrices ullamcorper. Integer fringilla consequat nisl, sed dignissim purus cursus et.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In hac habitasse platea dictumst. In mattis turpis odio, id fermentum justo scelerisque eget. Sed nisi justo, dictum eu euismod eget, porttitor a ligula. Nunc mollis molestie quam, sit amet mollis nisi aliquam dictum. In dignissim sapien libero, quis faucibus erat laoreet id. Morbi aliquam placerat nulla eu vehicula. Duis elementum magna lorem, a aliquet mi feugiat sed. Ut est metus, consequat at volutpat vitae, finibus ut enim. Duis porttitor orci non volutpat feugiat. Vivamus tincidunt metus vel eros malesuada, ut luctus nulla commodo. In in sollicitudin odio. Donec in est ut tortor pharetra elementum eget non risus.</p>\n<!-- /wp:paragraph -->','Explication édition','','inherit','closed','closed','','13940-revision-v1','','','2023-10-23 19:56:10','2023-10-23 17:56:10','',13940,'https://localhost/?p=13941',0,'revision','',0),
(13943,1,'2023-10-24 05:57:09','2023-10-24 03:57:09','<!-- wp:paragraph -->\n<p>godard, christ, noir, les oubliés, flamme</p>\n<!-- /wp:paragraph -->','Mots clés','','publish','closed','closed','','mots-cles','','','2023-10-24 07:28:59','2023-10-24 05:28:59','',0,'https://localhost/?page_id=13943',0,'page','',0),
(13944,1,'2023-10-24 05:57:09','2023-10-24 03:57:09','<!-- wp:paragraph -->\n<p>lorem, ipsum, dolor, sit amet, consectetur, adipiscing, elit</p>\n<!-- /wp:paragraph -->','Mots clés','','inherit','closed','closed','','13943-revision-v1','','','2023-10-24 05:57:09','2023-10-24 03:57:09','',13943,'https://localhost/?p=13944',0,'revision','',0),
(13946,1,'2023-10-24 07:28:35','2023-10-24 05:28:35','<!-- wp:paragraph -->\n<p>godard, christ, noir, les oubliés, flamme</p>\n<!-- /wp:paragraph -->','Mots clés','','inherit','closed','closed','','13943-revision-v1','','','2023-10-24 07:28:35','2023-10-24 05:28:35','',13943,'https://localhost/?p=13946',0,'revision','',0),
(13947,1,'2023-10-25 07:59:12','2023-10-25 05:59:12','<!-- wp:paragraph -->\n<p>Dans le cadre de ses recherches,<em>&nbsp;</em>Letizia Lusuardi, doctorante à l’ED 267 Arts&amp;Médias (UMR THALIM) de l’Université Sorbonne-Nouvelle à Paris et à l’Université IULM à Milan, a réalisé en 2023 un travail d’identification et de partition de <em>Le Livre d’Image </em>(2018), dernier&nbsp;film de Jean-Luc Godard, composé de citations d’archives (<em>found-footage</em>) provenant de films, de peintures, de programmes télévisés, de photographies, de livres ou de compositions musicales.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>La partition, découpant le film en séquences temporelles, prend la forme d’un tableau&nbsp;où chaque moment du film est décrit selon quatre catégories: les images, les écrits, les pistes musicales et enfin les voix off. Ce modèle est repris du travail sur&nbsp;<em>Histoire(s) du cinéma</em>&nbsp;(1989-99) réalisé et publié sur un site internet en 2006 en&nbsp;<em>open access</em>&nbsp;par Céline Scemama, en collaboration avec l\'Université Panthéon Sorbonne.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Outre l’accès libre à la partition du film, cette publication sur site internet permet aux utilisateurs référencés de compléter le travail d\'identification, ou de suggérer des modifications (environ 80% des œuvres citées sont pour l’instant identifiées). Ceci répond à une volonté d\'encourager&nbsp;les pratiques d\'interaction et de science participative.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ce site, développé selon les principes F.A.I.R., est hébergé par la TGIR huma-Num, dans un but de partage et de pérennisation des données de la recherche. Il a été développé en collaboration avec Amal Guha, ingénieur de recherches CNRS, Philippe Agbati, étudiant en informatique à l’IUT Paris Rives de Seine de l’Université Paris-Descartes et stagiaire auprès du laboratoire THALIM, et Valentin Le Moign, pour le collectif Figures Libres, en charge de la conception graphique et du suivi de développement.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ce projet a pu être réalisé grâce au financement reçu en 2023 à la suite d\'un appel à projets en&nbsp;<em>Humanités Numériques - Science &amp; Société</em>&nbsp;de la Direction de la Recherche, de la Valorisation, et des Etudes Doctorales (DiRVED) de l’Université Sorbonne-Nouvelle, et grâce au soutien de l’unité mixte de recherche 7172 THALIM (Théorie et histoire des arts et des littératures de la modernité).</p>\n<!-- /wp:paragraph -->','Content about popup','','inherit','closed','closed','','9962-revision-v1','','','2023-10-25 07:59:12','2023-10-25 05:59:12','',9962,'https://localhost/?p=13947',0,'revision','',0),
(13949,5,'2023-10-25 11:49:18','2023-10-25 09:49:18','<b>Images\n---</b>\n\nMain écrivant au tableau « Un ruisseau d’ombres / A brook of shadows ».\n<em>Closed Vision</em> (1953), Marc\'O.\n\n<b>Voix Off et In\n---</b>\n\nEt la vraie condition de l’homme c’est de penser avec ses mains. (Jean-Luc Godard).\n<em>Penser avec les mains</em> (1936), Denis de Rougemont.\n\n<b>Bande Son\n---</b>\n\nRévision test\n\nId.\n\n<b>Écrits\n---</b>','01’04','','pending','open','open','','','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13949',0,'post','pending-revision',13202),
(13950,5,'2023-10-25 11:49:33','2023-10-25 09:49:33','<b>Images\n---</b>\n\nMain écrivant au tableau « Un ruisseau d’ombres / A brook of shadows ».\n<em>Closed Vision</em> (1953), Marc\'O.\n\n<b>Voix Off et In\n---</b>\n\nEt la vraie condition de l’homme c’est de penser avec ses mains. (Jean-Luc Godard).\n<em>Penser avec les mains</em> (1936), Denis de Rougemont.\n\n<b>Bande Son\n---</b>\n\nRévision test\n\nId.\n\n<b>Écrits\n---</b>','01’04','','inherit','closed','closed','','13949-revision-v1','','','2023-10-25 11:49:33','2023-10-25 09:49:33','',13949,'https://localhost/?p=13950',0,'revision','',0),
(13951,6,'2023-10-25 11:50:35','0000-00-00 00:00:00','','Brouillon auto','','auto-draft','open','open','','','','','2023-10-25 11:50:35','0000-00-00 00:00:00','',0,'https://localhost/?p=13951',0,'post','',0),
(13952,6,'2023-10-26 10:19:58','2023-10-26 08:19:58','<b>Images\n---</b>\n\nSurexposé et saturé : pellicule entraînée par une bobine en rotation.\n<em>Notre caméra analytique</em> (2015), Yervant Gianikian et Angela Ricci Lucchi.\n\n<b>Voix Off et In\n---</b>\n\nScott Walker in 2006, Orpheus has returned from the underworld. What happened on his long long journey ? Who is this man ?\n<em>Scott Walker : 30th Century Man</em> (2007), Stephen Kijak.\n\n<b>Bande Son\n---</b>\n\n<em>Cossacks Are</em> (2006), Scott Walker.\n\n<b>Écrits\n---</b>\n\nje vais rajouter un <em>contenu </em>','02’11','','inherit','open','open','','','','','2023-10-26 10:13:37','2023-10-26 08:13:37','',13215,'https://localhost/?p=13952',0,'revision','',0),
(13954,1,'2023-11-07 09:18:46','2023-11-07 08:18:46','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nC’est  que  pour  ne  pas  faire  caca \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','02’31','','draft','open','open','','','','','2023-11-09 08:53:15','2023-11-09 07:53:15','',0,'https://localhost/?p=13954',0,'post','draft-revision',13216),
(13955,1,'2023-11-07 09:19:02','2023-11-07 08:19:02','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nLes maîtres du m\nDevraient se méf\nPrécisément parc\n','0’26','','draft','open','open','','','','','2023-11-09 08:53:14','2023-11-09 07:53:14','',0,'https://localhost/?p=13955',0,'post','draft-revision',13198),
(13965,1,'2023-11-09 08:33:15','2023-11-09 07:33:15','<b>Images\n---</b>\n\nSurexposé et saturé : pellicule entraînée par une bobine en rotation.\n<em>Notre caméra analytique</em> (2015), Yervant Gianikian et Angela Ricci Lucchi.\n\n<b>Voix Off et In\n---</b>\n\nScott Walker in 2006, Orpheus has returned from the underworld. What happened on his long long journey ? Who is this man ?\n<em>Scott Walker : 30th Century Man</em> (2007), Stephen Kijak.\n\n<b>Bande Son\n---</b>\n\n<em>Cossacks Are</em> (2006), Scott Walker.\n\n<b>Écrits\n---</b>','02’11','','inherit','closed','closed','','13215-revision-v1','','','2023-11-09 08:33:15','2023-11-09 07:33:15','',13215,'https://localhost/?p=13965',0,'revision','',0),
(13966,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBrusquement : silence.\n\n<b>Écrits\n---</b>\n\nWild Bunch\nVentes internationales\n','1h28’08','','inherit','closed','closed','','13190-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13190,'https://localhost/?p=13966',0,'revision','',0),
(13967,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nLogos des distributeurs :\nArte, RTS, CINEFORUM, Loterie Romande, FONDATION JAN MICHALSKI POUR L\'ÉCRITURE ET LA LITTÉRATURE,\nSNAP ORAZ VE REIN,\nConfédération suisse, Département fédéral de l\'intérieur DFI, Office fédéral de la culture OFC\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n<b>Écrits\n---</b>\n\n','1h28’15','','inherit','closed','closed','','13191-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13191,'https://localhost/?p=13967',0,'revision','',0),
(13968,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n\n<b>Écrits\n---</b>\n\n\n\n','0’00','','inherit','closed','closed','','13192-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13192,'https://localhost/?p=13968',0,'revision','',0),
(13969,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nLogo de la société de distribution Kino Lorber.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’02','','inherit','closed','closed','','13193-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13193,'https://localhost/?p=13969',0,'revision','',0),
(13970,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n\n<b>Écrits\n---</b>\n\n\n\n','0’10','','inherit','closed','closed','','13194-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13194,'https://localhost/?p=13970',0,'revision','',0),
(13971,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nPalme  d\'Or  avec  inscrit  en-dessous  «  Festival  de  Cannes  2018  Spécial ». \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nBip  sonore \n\n\n<b>Écrits\n---</b>\n\n\n\n','0\'13','','inherit','closed','closed','','13195-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13195,'https://localhost/?p=13971',0,'revision','',0),
(13972,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','0’18','','inherit','closed','closed','','13196-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13196,'https://localhost/?p=13972',0,'revision','',0),
(13973,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nDétail de la main.\n<em>San Giovanni Battista</em> (1508 - 1513), Léonard de Vinci.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','0’23','','inherit','closed','closed','','13197-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13197,'https://localhost/?p=13973',0,'revision','',0),
(13974,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nLes maîtres du m\nDevraient se méf\nPrécisément parc\n','0’26','','inherit','closed','closed','','13955-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13955,'https://localhost/?p=13974',0,'revision','',0),
(13975,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\ns du monde\nSe méfier de Bécassine,\nParce qu’elle se tait.\n<em>Les enfants humiliés</em>, Georges Bernanos (1949).\n','0’30','','inherit','closed','closed','','13199-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13199,'https://localhost/?p=13975',0,'revision','',0),
(13976,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','0’35','','inherit','closed','closed','','13200-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13200,'https://localhost/?p=13976',0,'revision','',0),
(13977,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nMains de Jean-Luc Godard, au travail à la table de montage, avec une pellicule.\n<em>King Lear</em> (1987), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a les 5 doigts, les 5 sens, les 5 parties du monde, oui les 5 doigts de la fée. Mais tous ensemble ils composent la main.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','0’41','','inherit','closed','closed','','13201-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13201,'https://localhost/?p=13977',0,'revision','',0),
(13978,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nDétail de <em>La Main</em>, Alberto Giacometti (1947) allant vers le haut.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et début du <em>Quintette avec piano, Op. 18 - I.</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nL’image\n','01’17','','inherit','closed','closed','','13203-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13203,'https://localhost/?p=13978',0,'revision','',0),
(13979,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nMains de personne enchaînée allant vers le bas et touchant le sol.\n<em>Le Procès de Jeanne d’Arc</em> (1961), Robert Bresson. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nviendra\n','01’23','','inherit','closed','closed','','13204-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13204,'https://localhost/?p=13979',0,'revision','',0),
(13980,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nMain levée vers le haut.\n<em>Gare Centrale</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nOh ! Temps\n','01’29','','inherit','closed','closed','','13205-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13205,'https://localhost/?p=13980',0,'revision','',0),
(13981,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nPersonne coupant en deux les yeux d’une dame avec un rasoir.\n<em>Un chien andalou</em> (1929), Luis Bunuel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','01’40','','inherit','closed','closed','','13206-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13206,'https://localhost/?p=13981',0,'revision','',0),
(13982,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nArchive s et morale.\nPhrase citée dans <em>Histoire (s) du cinéma</em> (1988 - 98), Jean-Luc Godard.\n','01’43','','inherit','closed','closed','','13207-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13207,'https://localhost/?p=13982',0,'revision','',0),
(13983,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nSaturé : maisons avec des arbres. Détail d’un tableau d’André Derain.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Quintette avec piano, Op. 18 - I</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nCasa Azul Films\n','01’48','','inherit','closed','closed','','13208-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13208,'https://localhost/?p=13983',0,'revision','',0),
(13984,1,'2023-11-09 08:49:51','2023-11-09 07:49:51','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nEcran  noir  production \n \n En  surimpression,  écrit  à  la  main :  \n Mitra  Farahani  (présidente  de  la  société). \n\n','01’53','','inherit','closed','closed','','13209-revision-v1','','','2023-11-09 08:49:51','2023-11-09 07:49:51','',13209,'https://localhost/?p=13984',0,'revision','',0),
(13985,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nSaturé et surexposé : fragments de pellicule sur fond blanc.\n<em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','01’55','','inherit','closed','closed','','13210-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13210,'https://localhost/?p=13985',0,'revision','',0),
(13986,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nTableau  avec  femmes  dans  la  rue  entre  des  maisons. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','01’58','','inherit','closed','closed','','13211-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13211,'https://localhost/?p=13986',0,'revision','',0),
(13987,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\n« Le Livre d’ » écrit à la main à la peinture à l’huile rouge, et « image » écrit en blanc sur fond noir et bleu foncé, toujours coloré à la peinture à l’huile, avec une applique de couleur épaisse et très visible.\n\n\n<b>Voix Off et In\n---</b>\n\nBon, va me chercher les livres. On va jeter un coup d\'œil.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nC\'est que pour ne pas faire caca, il aurait fallu. Extrait de <em>Pour en finir avec le jugement de Dieu</em> (1948), Antonin Artaud.\n','02’00','','inherit','closed','closed','','13212-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13212,'https://localhost/?p=13987',0,'revision','',0),
(13988,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','02’06','','inherit','closed','closed','','13213-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13213,'https://localhost/?p=13988',0,'revision','',0),
(13989,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nImage  et  Parole \n\n','02’08','','inherit','closed','closed','','13214-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13214,'https://localhost/?p=13989',0,'revision','',0),
(13990,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nC’est  que  pour  ne  pas  faire  caca \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','02’31','','inherit','closed','closed','','13954-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13954,'https://localhost/?p=13990',0,'revision','',0),
(13991,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nHomme (avec une casquette de marin) visant dans une caméra (probablement photographie de Friedrich Wilhelm Murnau).\n<em>Histoire (s) du cinéma, 1b</em> (1988 - 98) Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nil aurait fallu qu\'on.\n<em>Pour en finir avec le jugement de Dieu</em> (1948), Antonin Artaud.\n\n\n<b>Bande Son\n---</b>\n\n<em>Cossacks Are</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\nTabou\n','02’34','','inherit','closed','closed','','13217-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13217,'https://localhost/?p=13991',0,'revision','',0),
(13992,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nCouverture du livre de C. F. Ramuz, <em>Les signes parmi nous.</em>\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','02’38','','inherit','closed','closed','','13218-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13218,'https://localhost/?p=13992',0,'revision','',0),
(13993,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cue</em>, Scott Walker (2006).\n\n\n<b>Écrits\n---</b>\n\nLes prophètes\n','02’42','','inherit','closed','closed','','13219-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13219,'https://localhost/?p=13993',0,'revision','',0),
(13994,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nHomme sautant une épée à la main sur un autre homme.\n<em>Hamlet</em> (1964), Grigori Kozintsev.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','02’46','','inherit','closed','closed','','13220-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13220,'https://localhost/?p=13994',0,'revision','',0),
(13995,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','02’47','','inherit','closed','closed','','13221-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13221,'https://localhost/?p=13995',0,'revision','',0),
(13996,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nHomme en assassinant un autre à coups d’épée, puis sautant d’un mur, imitant un oiseau.\n<em>Hamlet</em> (1948), Laurence Olivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCri du coq. (Logo de Pathé).\n\n\n<b>Écrits\n---</b>\n\n','02’48','','inherit','closed','closed','','13222-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13222,'https://localhost/?p=13996',0,'revision','',0),
(13997,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nPetite enfant à la tête levée et aux mains ouvertes.\n<em>Miracle en Alabama</em> (1962), Arthur Penn. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','02’51','','inherit','closed','closed','','13223-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13223,'https://localhost/?p=13997',0,'revision','',0),
(13998,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - IV. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n1\nREMAKES\n','02’55','','inherit','closed','closed','','13224-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13224,'https://localhost/?p=13998',0,'revision','',0),
(13999,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nExplosion  d’une  bombe  atomique.  \n\n\n<b>Voix Off et In\n---</b>\n\nécrit  dans  une  nuit  d’orage \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’00','','inherit','closed','closed','','13225-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13225,'https://localhost/?p=13999',0,'revision','',0),
(14000,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nFemme aidant un homme à s’éloigner d’une maison.\n<em>En quatrième vitesse [Kiss Me Deadly]</em> (1955), Robert Aldrich.\n\n\n<b>Voix Off et In\n---</b>\n\nles affaires spéciales de police marchent de front avec\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’04','','inherit','closed','closed','','13226-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13226,'https://localhost/?p=14000',0,'revision','',0),
(14001,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nLogo  représentant  un  atome. \n\n\n<b>Voix Off et In\n---</b>\n\nles  mesures  les  plus  générales  de  la  politique. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’08','','inherit','closed','closed','','13227-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13227,'https://localhost/?p=14001',0,'revision','',0),
(14002,1,'2023-11-09 08:49:52','2023-11-09 07:49:52','<b>Images\n---</b>\n\nFemme aidant un homme à s’éloigner d’une maison sur une plage.\n<em>En quatrième vitesse [Kiss Me Deadly]</em> (1955), Robert Aldrich.\n\n\n<b>Voix Off et In\n---</b>\n\nLes fautes morales s’y confondent avec les crimes d’État.\n<em>Histoire de la Révolution française</em> (1893 - 98), Jules Michelet.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’12','','inherit','closed','closed','','13228-revision-v1','','','2023-11-09 08:49:52','2023-11-09 07:49:52','',13228,'https://localhost/?p=14002',0,'revision','',0),
(14003,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nVassili  Semionovitch  Grossman  écrivant  au  tableau. \n\n\n<b>Voix Off et In\n---</b>\n\nC’est  évidemment  là,  et  évidemment  le  coloris  aussi  que  les  peintres  en  tiraient.  La  forme,  le  dessin,  les  gros  axes,  les  cadrages,  les  directions,  le  mouvement  (Pierre  Guyotat). \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','03’17','','inherit','closed','closed','','13229-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13229,'https://localhost/?p=14003',0,'revision','',0),
(14004,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nOn accomplirait l’acte rédempteur, si l’on pourrait conduire la critique jusqu’à la mort volontaire, sagement désespérée, de notre penser / parler.\n<em>Le langage</em> (1906), Fritz Mauthner.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','03’24','','inherit','closed','closed','','13230-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13230,'https://localhost/?p=14004',0,'revision','',0),
(14005,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n1 Remakes\n','03’37','','inherit','closed','closed','','13231-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13231,'https://localhost/?p=14005',0,'revision','',0),
(14006,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nFemmes sortant d’un taxi ouvert par un concierge, homme lisant un papier.\n<em>Allemagne neuf zéro</em> (1997), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ngarder l’apparence de la vie\n(Jean-Luc Godard).\n\nComme le cinéma aussi, il faut que tout soit,\n\n\n<b>Bande Son\n---</b>\n\nId. e <em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\n','03’42','','inherit','closed','closed','','13232-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13232,'https://localhost/?p=14006',0,'revision','',0),
(14007,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nAu ralenti, et plus tard accéléré : deux dames accompagnées à une voiture par un concierge sous un parapluie.\n<em>Le dernier des hommes</em> (1924), Friedrich Wilhelm Murnau.\n\n\n<b>Voix Off et In\n---</b>\n\nil faut que tout parle. (Pierre Guyotat).\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis moteur de voiture, et pas sur le sol accompagnés de rires de femmes.\n<em>Mon histoire n’est pas encore écrite</em> (2017), Jacqueline Gozland.\n\n\n<b>Écrits\n---</b>\n\n','04’04','','inherit','closed','closed','','13233-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13233,'https://localhost/?p=14007',0,'revision','',0),
(14008,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','04’27','','inherit','closed','closed','','13234-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13234,'https://localhost/?p=14008',0,'revision','',0),
(14009,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\nJohnny : Don’t go away.\nVienna : I haven’t moved.\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Écrits\n---</b>\n\n','04’29','','inherit','closed','closed','','13235-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13235,'https://localhost/?p=14009',0,'revision','',0),
(14010,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nJohnny  :  Tell  me  something  nice. \n Vienna  :  Sure,  what  do  you  want  to  hear  ? \n Johnny  :  Lie  to  me.  Tell  me  all  these  years  you’ve  waited \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','04’36','','inherit','closed','closed','','13236-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13236,'https://localhost/?p=14010',0,'revision','',0),
(14011,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\nVienna : All those years I’ve waited …\nJohnny : Tell me you would have died if I hadn’t come back.\nVienna : I would\'ve died if you hadn’t come back.\nJohnny : Tell me you still love me like I love you.\nVienna : I still …\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','04’48','','inherit','closed','closed','','13237-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13237,'https://localhost/?p=14011',0,'revision','',0),
(14012,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Dites  des  mensonges. \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’05','','inherit','closed','closed','','13238-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13238,'https://localhost/?p=14012',0,'revision','',0),
(14013,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Le petit soldat</em> (1947), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nque vous n’êtes pas triste que je parte.\n- Je ne suis pas triste que vous partiez. Je ne suis pas amoureuse de vous. Je ne vous rejoindrai pas au Brésil, je ne vous embrasse pas tendrement.\n\n\n<b>Bande Son\n---</b>\n\nId. et piano.\n\n\n<b>Écrits\n---</b>\n\n','05’10','','inherit','closed','closed','','13239-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13239,'https://localhost/?p=14013',0,'revision','',0),
(14014,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nJe ne vous embrasse pas tendrement.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’38','','inherit','closed','closed','','13240-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13240,'https://localhost/?p=14014',0,'revision','',0),
(14015,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nHomme parlant avec une femme.\n<em>Le petit soldat</em> (1947), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’45','','inherit','closed','closed','','13241-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13241,'https://localhost/?p=14015',0,'revision','',0),
(14016,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’50','','inherit','closed','closed','','13242-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13242,'https://localhost/?p=14016',0,'revision','',0),
(14017,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nAdolescents faisant des exercices militaires sous la supervision de soldats.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','05’55','','inherit','closed','closed','','13243-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13243,'https://localhost/?p=14017',0,'revision','',0),
(14018,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','05’59','','inherit','closed','closed','','13244-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13244,'https://localhost/?p=14018',0,'revision','',0),
(14019,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nAdolescents faisant des exercices militaires sous la supervision de soldats.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’00','','inherit','closed','closed','','13245-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13245,'https://localhost/?p=14019',0,'revision','',0),
(14020,1,'2023-11-09 08:49:53','2023-11-09 07:49:53','<b>Images\n---</b>\n\nMilitaires en rang observés par un commandant.\n<em>Liban, guerres et hommes</em> (1975), Frédéric Laffont.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’03','','inherit','closed','closed','','13246-revision-v1','','','2023-11-09 08:49:53','2023-11-09 07:49:53','',13246,'https://localhost/?p=14020',0,'revision','',0),
(14021,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nJeunes gens marchant à la manière de chiens, entourés de soldats les nourrissant.\n<em>Salò o le centoventi giornate di Sodoma</em> (1976), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAboiements et halètements de chiens.\n\n\n<b>Écrits\n---</b>\n\n','06’07','','inherit','closed','closed','','13247-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13247,'https://localhost/?p=14021',0,'revision','',0),
(14022,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Mangia,  sù ! \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','06’17','','inherit','closed','closed','','13248-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13248,'https://localhost/?p=14022',0,'revision','',0),
(14023,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n1  Remakes \n\n','06’28','','inherit','closed','closed','','13249-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13249,'https://localhost/?p=14023',0,'revision','',0),
(14024,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nSoldats djihadistes tirant à la mitraillette.\n<em>Timbuktu</em> (2014), Abderrahmane Sissako.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nMitraillette.\n\n\n<b>Écrits\n---</b>\n\n','06’31','','inherit','closed','closed','','13250-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13250,'https://localhost/?p=14024',0,'revision','',0),
(14025,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nBlanc \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','06’33','','inherit','closed','closed','','13251-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13251,'https://localhost/?p=14025',0,'revision','',0),
(14026,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nSoldats djihadistes tirant à la mitraillette.\n<em>Timbuktu</em> (2014), Abderrahmane Sissako.\n\n<b>Voix Off et In\n---</b>\n\nBruit de manipulation d\'une arme.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','06’37','','inherit','closed','closed','','13252-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13252,'https://localhost/?p=14026',0,'revision','',0),
(14027,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nSoldats déplaçant des cadavres et soignant des femmes torturées.\n<em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLes américains s’efforcent de réanimer cette combattante\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Écrits\n---</b>\n\n','06’44','','inherit','closed','closed','','13253-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13253,'https://localhost/?p=14027',0,'revision','',0),
(14028,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','07’05','','inherit','closed','closed','','13254-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13254,'https://localhost/?p=14028',0,'revision','',0),
(14029,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nHélicoptère.\n<em>La Chute du faucon noir</em> (2001), Ridley Scott.\n\n\n<b>Voix Off et In\n---</b>\n\npour sans doute l’interroger. Qu’en tireront-ils ? (fois 2)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','07’08','','inherit','closed','closed','','13255-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13255,'https://localhost/?p=14029',0,'revision','',0),
(14030,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nSoldats déplaçant des cadavres et soignant des femmes torturées. <em>Vrai faux passeport</em> (2006), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nDes insultes, des chants communistes ou simplement des cris de douleur.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nPatrie\n','07’13','','inherit','closed','closed','','13256-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13256,'https://localhost/?p=14030',0,'revision','',0),
(14031,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nSoldat menaçant une femme et un enfant avec une carabine.\n<em>Les carabiniers</em> (1963), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nFaites la partir. Pas dans la cuisine. Mettez-vous sur la chaise ! Tournez-vous !\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','07’17','','inherit','closed','closed','','13257-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13257,'https://localhost/?p=14031',0,'revision','',0),
(14032,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','07’43','','inherit','closed','closed','','13258-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13258,'https://localhost/?p=14032',0,'revision','',0),
(14033,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nEnfant sur une pelouse écoutant de la musique. Homme apprenant à nager à une femme.\n<em>Les hommes les dimanches</em> (1930), Robert Siodmak et Edgar George Ulmer.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Les hommes les dimanches</em> (1930), Robert Siodmak et Edgar George Ulmer.\n\n<b>Écrits\n---</b>\n\n','07’44','','inherit','closed','closed','','13259-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13259,'https://localhost/?p=14033',0,'revision','',0),
(14034,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nDeux hommes avec un scooter suivant deux femmes qui se promenant dans la rue.\n<em>Blue jeans</em> (1957), Jacques Rozier.\n\n\n<b>Voix Off et In\n---</b>\n\nAlors on se promène ? Vous n’avez pas peur toutes seules ? Vous habitez chez vos parents ? Alors vous habitez chez papa et maman ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','07’51','','inherit','closed','closed','','13260-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13260,'https://localhost/?p=14034',0,'revision','',0),
(14035,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nChez  papa  et  maman ? \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','08’09','','inherit','closed','closed','','13261-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13261,'https://localhost/?p=14035',0,'revision','',0),
(14036,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nAvion  de  guerre  \n orné  d’un  dessin  de  dents.  Documentaire  de  la  guerre  civile  en  Chine. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','08’12','','inherit','closed','closed','','13262-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13262,'https://localhost/?p=14036',0,'revision','',0),
(14037,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nRequin émergeant de l\'eau, la gueule grande ouverte.\n<em>Les dents de la mer</em> (1975), Steven Spielberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’13','','inherit','closed','closed','','13263-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13263,'https://localhost/?p=14037',0,'revision','',0),
(14038,1,'2023-11-09 08:49:54','2023-11-09 07:49:54','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n1  \n REMAKES \n\n','08’14','','inherit','closed','closed','','13264-revision-v1','','','2023-11-09 08:49:54','2023-11-09 07:49:54','',13264,'https://localhost/?p=14038',0,'revision','',0),
(14039,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nEmpilement de cadavres.\n<em>Nuit et brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’16','','inherit','closed','closed','','13265-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13265,'https://localhost/?p=14039',0,'revision','',0),
(14040,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nHomme tuant un cheval.\n<em>Le sang des bêtes</em> (1949), Georges Franju,.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est presque impossible d’abolir\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','08’19','','inherit','closed','closed','','13266-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13266,'https://localhost/?p=14040',0,'revision','',0),
(14041,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nla réciprocité entre les hommes.\nLa violence est une forme.\n<em>La violence et le sacré</em>, (1972), René Girard\n\n\n<b>Bande Son\n---</b>\n\nId. e <em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\nL’une part la décision et\ndécision, c’est : se tenir\nêtre et le non-être @ et il y\nde l’être, le primat incor\n\n(Vladimir Ilitch Lénine).\n','08’24','','inherit','closed','closed','','13267-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13267,'https://localhost/?p=14041',0,'revision','',0),
(14042,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nHibou, fondu avec un homme battant des paupières et les frottant successivement.\n<em>La Grève</em> (1925), Sergueï Eisenstein. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cue</em> (2006), Scott Walker.\n\n\n<b>Écrits\n---</b>\n\n','08’31','','inherit','closed','closed','','13268-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13268,'https://localhost/?p=14042',0,'revision','',0),
(14043,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','08’36','','inherit','closed','closed','','13269-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13269,'https://localhost/?p=14043',0,'revision','',0),
(14044,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nHommes essayant de prendre la fuite et se faisant tirer dessus. Certains meurent. Hommes lançant dans la mer des prisonniers attachés.\n<em>Paisà</em> (1946), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nAccadeva nell’inverno del 1944. All’inizio della primavera la guerra era finita.\n\n\n<b>Bande Son\n---</b>\n\nMitraillette, personnes tombant dans l\'eau.\n\n\n<b>Écrits\n---</b>\n\n','08’43','','inherit','closed','closed','','13270-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13270,'https://localhost/?p=14044',0,'revision','',0),
(14045,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nSurexposé :  djihadistes  tirant  sur  des  hommes,  et  les  lançant  à  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’06','','inherit','closed','closed','','13271-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13271,'https://localhost/?p=14045',0,'revision','',0),
(14046,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nSurexposé  et  saturé  en  tons  rouges  :  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’13','','inherit','closed','closed','','13272-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13272,'https://localhost/?p=14046',0,'revision','',0),
(14047,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nUn homme et une femme traversant en courant le corridor de Vasari à Florence.\n<em>Paisà</em> (1946), Roberto Rossellini.\n\nEn surimpression, <em>La belle et la bête</em> (1946), Jean Cocteau.\n\n\n<b>Voix Off et In\n---</b>\n\nS’il vous plaît (fois 7)\n\n\n<b>Bande Son\n---</b>\n\nRessac de vagues.\n\n\n<b>Écrits\n---</b>\n\n','09’15','','inherit','closed','closed','','13273-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13273,'https://localhost/?p=14047',0,'revision','',0),
(14048,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nDevenir immortelle ne vous intéresse vraiment pas ?\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nRIM (AK) ES\n','09’23','','inherit','closed','closed','','13274-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13274,'https://localhost/?p=14048',0,'revision','',0),
(14049,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nHomme se jettant à la mer pour sauver une femme voulant se suicider.\n<em>Vertigo</em> (1958), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\n- Immortelle, quoi ça sert ?\n- On m’a dit que tout le monde en avait envie.\n- Qu’est ce que je vais devenir si je meurs pas ? La vie va s’arrêter\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’27','','inherit','closed','closed','','13275-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13275,'https://localhost/?p=14049',0,'revision','',0),
(14050,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nje  ne  suis  pas  comme  vous. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','09’44','','inherit','closed','closed','','13276-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13276,'https://localhost/?p=14050',0,'revision','',0),
(14051,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nSurexposé et au ralenti : homme transportant le corps d’une femme ayant risqué de se noyer.\n<em>Vertigo</em> (1958), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\n- Fière, et orgueilleuse avec ça.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’47','','inherit','closed','closed','','13277-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13277,'https://localhost/?p=14051',0,'revision','',0),
(14052,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nFemme à la plage et homme naigeant dans la mer.\n<em>Femme au corbeau</em> (1929), Frank Borzage.\n\n<b>Voix Off et In\n---</b>\n\n- Oui, fière, si je me compare.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’49','','inherit','closed','closed','','13278-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13278,'https://localhost/?p=14052',0,'revision','',0),
(14053,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nCaméraman assis sur une dolly.\n<em>Silence ! On tourne</em> (2001), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’56','','inherit','closed','closed','','13279-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13279,'https://localhost/?p=14053',0,'revision','',0),
(14054,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nVisage d’une femme.\n<em>L’Atalante</em> (1934), Jean Vigo, au ralenti et superposé à l’image d’un homme.\n\n\n<b>Voix Off et In\n---</b>\n\nEt humble, si je me considère.\n- Vous me l\'avez déjà dit.\n- Oui, mais je ne savais pas que c\'était vous. Je croyais que c\'était Simon qui était là.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','09’58','','inherit','closed','closed','','13280-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13280,'https://localhost/?p=14054',0,'revision','',0),
(14055,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nHomme déposant une femme par terre au bord d’un lac.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est notre première dispute, et je t’aime.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','10’12','','inherit','closed','closed','','13281-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13281,'https://localhost/?p=14055',0,'revision','',0),
(14056,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nDeux personnes marchant à quatre pattes sur le sol au milieu de l\'eau.\n<em>La furie du désir [Ruby Gentry]</em> (1952), King Vidor.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','10’19','','inherit','closed','closed','','13282-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13282,'https://localhost/?p=14056',0,'revision','',0),
(14057,1,'2023-11-09 08:49:55','2023-11-09 07:49:55','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Quintette avec piano</em> (1944), <em>Op. 18 - I</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','10’25','','inherit','closed','closed','','13283-revision-v1','','','2023-11-09 08:49:55','2023-11-09 07:49:55','',13283,'https://localhost/?p=14057',0,'revision','',0),
(14058,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nImages d’archives : signature de l\'armistice de la Seconde Guerre mondiale le 8 mai 1945. En noir et blanc, puis en couleurs.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','10’27','','inherit','closed','closed','','13284-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13284,'https://localhost/?p=14058',0,'revision','',0),
(14059,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','10’37','','inherit','closed','closed','','13285-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13285,'https://localhost/?p=14059',0,'revision','',0),
(14060,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nImages d’archives de la chaîne de télévision francaise <em>Planète</em> : folle fêtant, drapeau Etatsunien à la main.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','10’39','','inherit','closed','closed','','13286-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13286,'https://localhost/?p=14060',0,'revision','',0),
(14061,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nAssignat  de  25  sols.  (Papier  monnaie  fiduciaire  d’échange,  instaurée  sous  la  Révolution  française  par  la  loi  du  4  janvier  1792). \n\n\n<b>Voix Off et In\n---</b>\n\nOn  a  signé,  ah  signé,  assigné,  assigné,  assignats.  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','10’41','','inherit','closed','closed','','13287-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13287,'https://localhost/?p=14061',0,'revision','',0),
(14062,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nVous vous souvenez de José. républicain espagnol ? Avec les communistes j\'irai jusqu\'à la mort.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','10’55','','inherit','closed','closed','','13288-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13288,'https://localhost/?p=14062',0,'revision','',0),
(14063,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nHommes posant un livre sur la tête d’un homme allongé et plaçant le bout de l\'index et du majeur sur sa couverture.\n<em>Ivan le terrible</em> (1944), Sergej Ejzenstejn.<em> Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nAvec les communistes j\'irai jusqu\'à la mort mais je ne ferai pas un pas de plus.\n<em>L’Espoir</em> (1937), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’00','','inherit','closed','closed','','13289-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13289,'https://localhost/?p=14063',0,'revision','',0),
(14064,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nEnfants jouant du violon.\n<em>Les enfants jouent à la Russie</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nOrchestre.\n\n\n<b>Écrits\n---</b>\n\n','11’21','','inherit','closed','closed','','13290-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13290,'https://localhost/?p=14064',0,'revision','',0),
(14065,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nPhotographie  d’Inès  Armand,  femme  politique  communiste. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','11’26','','inherit','closed','closed','','13291-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13291,'https://localhost/?p=14065',0,'revision','',0),
(14066,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nAvec des couleurs surexposées et saturées : groupe de personnes avec drapeaux et armes.\nLa liberté guidant le peuple (1830), Eugène Delacroix.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','11’30','','inherit','closed','closed','','13292-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13292,'https://localhost/?p=14066',0,'revision','',0),
(14067,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nEn noir et blanc et surexposé : groupe de personnes avec drapeaux et armes.\n<em>La liberté guidant le peuple</em> (1830), Eugène Delacroix.\n\n<b>Voix Off et In\n---</b>\n\nLes aventures. Encore un rouge. Dernier, le rouge.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’32','','inherit','closed','closed','','13293-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13293,'https://localhost/?p=14067',0,'revision','',0),
(14068,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nAlternance en clignotant de photos en couleur d’Hitler, et d’une dame marchant, un enfant dans les bras.\n<em>Angèle</em> (1934), Marcel Pagnol.\n\n\n<b>Voix Off et In\n---</b>\n\n- C’est lui qui a commencé, et c’est la vérité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’35','','inherit','closed','closed','','13294-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13294,'https://localhost/?p=14068',0,'revision','',0),
(14069,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTais-toi  Cassandre ! \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','11’40','','inherit','closed','closed','','13295-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13295,'https://localhost/?p=14069',0,'revision','',0),
(14070,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nFemme pleurant.\n<em>Les larmes de Freya</em> (1900), Anne-Marie Zylberman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','11’42','','inherit','closed','closed','','13296-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13296,'https://localhost/?p=14070',0,'revision','',0),
(14071,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nMains tournées vers la lumière.\nFragment de tableau (1588), Anonyme, École de Fontainebleau.\nUne main sous un sein, une autre main joignant l’index au pouce.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard,.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','11’45','','inherit','closed','closed','','13297-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13297,'https://localhost/?p=14071',0,'revision','',0),
(14072,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n2  \n LES  SOIRÉES  DE  \n ST.  PÉTERSBOURG  (Joseph  de  Maistre,  1821) \n\n','11’48','','inherit','closed','closed','','13298-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13298,'https://localhost/?p=14072',0,'revision','',0),
(14073,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nJeune fille dansant à un bal.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nInstruments à cordes : bande son de <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Écrits\n---</b>\n\n','11’53','','inherit','closed','closed','','13299-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13299,'https://localhost/?p=14073',0,'revision','',0),
(14074,1,'2023-11-09 08:49:56','2023-11-09 07:49:56','<b>Images\n---</b>\n\nSoldats à cheval, pendant une bataille.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','11’55','','inherit','closed','closed','','13300-revision-v1','','','2023-11-09 08:49:56','2023-11-09 07:49:56','',13300,'https://localhost/?p=14074',0,'revision','',0),
(14075,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nSurexposé, puis perturbé par des scintillements, des taches noires ou des taches blanches surexposées : nobles entrant dans une salle de bal.\n<em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Entrance of Tsar Alexander (Polonaise)</em> : bande son du film <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Écrits\n---</b>\n\n','12’06','','inherit','closed','closed','','13301-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13301,'https://localhost/?p=14075',0,'revision','',0),
(14076,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','12’45','','inherit','closed','closed','','13302-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13302,'https://localhost/?p=14076',0,'revision','',0),
(14077,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nEnfants luttant à coups de bâton.\n<em>Les enfants de la guerre</em> (1976), Jocelyne Saab.\n\n\n<b>Voix Off et In\n---</b>\n\nLa guerre est là. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','12’47','','inherit','closed','closed','','13303-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13303,'https://localhost/?p=14077',0,'revision','',0),
(14078,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nFemme allongée sur le dos devant un homme regardant la mer.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- La voyez-vous, Péguy, dit-elle.\n- Il n’y a pas de morts.\n- Rien n’est aussi commode qu\'un texte.\n- Il y a seulement\n- Et rien n’est aussi commode qu\'un mot dans un texte.\n\n\n<b>Bande Son\n---</b>\n\nRessac de vagues.\n\n\n<b>Écrits\n---</b>\n\n','13’03','','inherit','closed','closed','','13304-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13304,'https://localhost/?p=14078',0,'revision','',0),
(14079,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nNous  n\'avions  que  du  livre  à  mettre  dans  du  livre.  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’13','','inherit','closed','closed','','13305-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13305,'https://localhost/?p=14079',0,'revision','',0),
(14080,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nSurexposé  :  bateaux  naviguant  en  mer.  \n\n\n<b>Voix Off et In\n---</b>\n\nQue  serait-ce  quand  il  faut  dans  un  livre,  dans  du  livre,  mettre  de  la  réalité  ?  Et  au  deuxième  degré  quand  il  faut,  dans  la  réalité, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’17','','inherit','closed','closed','','13306-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13306,'https://localhost/?p=14080',0,'revision','',0),
(14081,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nCannon visant une voiture.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nmettre de la réalité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’29','','inherit','closed','closed','','13307-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13307,'https://localhost/?p=14081',0,'revision','',0),
(14082,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nVoiture  militaire  passant  devant  une  folle. \n\n\n<b>Voix Off et In\n---</b>\n\n\n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’34','','inherit','closed','closed','','13309-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13309,'https://localhost/?p=14082',0,'revision','',0),
(14083,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir. En alternance : femme se posant la main sur la tête.\n<em>Le silence de la mer</em> (1949), Jean-Pierre Melville.\n\n\n<b>Voix Off et In\n---</b>\n\nLe soir tombe, les vacances finissent.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’36','','inherit','closed','closed','','13310-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13310,'https://localhost/?p=14083',0,'revision','',0),
(14084,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nHomme torturé au chalumeau.\n<em>Roma città aperta</em> (1945), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nIl me faut une journée pour faire l\'histoire d\'une seconde.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','13’43','','inherit','closed','closed','','13311-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13311,'https://localhost/?p=14084',0,'revision','',0),
(14085,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’46','','inherit','closed','closed','','13312-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13312,'https://localhost/?p=14085',0,'revision','',0),
(14086,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nDétail  surexposé  :  Reporter,  et  ombre  d’un  soldat  au  fusil. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  me  faut  une  année  pour  faire  l\'histoire  d\'une  minute. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’51','','inherit','closed','closed','','13313-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13313,'https://localhost/?p=14086',0,'revision','',0),
(14087,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nReporter,  et  ombre  d’un  soldat  au  fusil. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  me  faut  une  vie  pour  faire  l\'histoire  d\'une  heure. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','13’57','','inherit','closed','closed','','13314-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13314,'https://localhost/?p=14087',0,'revision','',0),
(14088,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl me faut une éternité pour faire l\'histoire d\'un jour. (Julie Delpy).\n<em>Clio, dialogue de l’histoire et de l’âme païenne</em> (1912), Charles Péguy.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','14’05','','inherit','closed','closed','','13315-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13315,'https://localhost/?p=14088',0,'revision','',0),
(14089,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Au revoir Ludovic, vous allez à la guerre ?\n- Oui madame Donadieu.\n\n\n<b>Bande Son\n---</b>\n\nAu violon : bande son <em>d’Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Écrits\n---</b>\n\n','14’08','','inherit','closed','closed','','13316-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13316,'https://localhost/?p=14089',0,'revision','',0),
(14090,1,'2023-11-09 08:49:57','2023-11-09 07:49:57','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’25','','inherit','closed','closed','','13317-revision-v1','','','2023-11-09 08:49:57','2023-11-09 07:49:57','',13317,'https://localhost/?p=14090',0,'revision','',0),
(14091,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nHomme lançant une lance dans le dos d\'un autre homme.\n<em>Les Nibelungen. La mort de Siegfried</em> (1924), Fritz Lang.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. puis silence.\n\n\n<b>Écrits\n---</b>\n\n','14’28','','inherit','closed','closed','','13318-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13318,'https://localhost/?p=14091',0,'revision','',0),
(14092,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nDjihadistes tuant d’une une voiture des gens dans la rue.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','14’32','','inherit','closed','closed','','13319-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13319,'https://localhost/?p=14092',0,'revision','',0),
(14093,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nHomme transpercé par un javelot.\n<em>Le testament d\'Orphée</em> (1960), Jean Cocteau.\n\n\n<b>Voix Off et In\n---</b>\n\nQuel horreur (fois 3)\n\n\n<b>Bande Son\n---</b>\n\nMitraillette, voitures.\n\n\n<b>Écrits\n---</b>\n\n','14’35','','inherit','closed','closed','','13320-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13320,'https://localhost/?p=14093',0,'revision','',0),
(14094,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’42','','inherit','closed','closed','','13321-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13321,'https://localhost/?p=14094',0,'revision','',0),
(14095,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nMaison  en  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\nC\'est  à  Saint  Petersburg  \n\n\n<b>Bande Son\n---</b>\n\nViolon. \n\n\n<b>Écrits\n---</b>\n\n\n\n','14’45','','inherit','closed','closed','','13322-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13322,'https://localhost/?p=14095',0,'revision','',0),
(14096,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nNobles habillés pour une fête de carnaval. <em>Guerre et paix</em> (1967), Sergueï Bondartchouk.\n\n\n<b>Voix Off et In\n---</b>\n\nque de Maistre écrivait les soirées... A la veille de la bataille de la Moskova, il écrivait : « Les fléaux, les malheurs, les divisions, les tortures sont la punition de la méchanceté de l’homme corrompu par le péché. Le bourreau est la pierre angulaire de la société @ l’exécuteur de l’expiation divine.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','14’51','','inherit','closed','closed','','13323-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13323,'https://localhost/?p=14096',0,'revision','',0),
(14097,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nPhoto  d’une  voiture  avec  militaires. \n\n\n<b>Voix Off et In\n---</b>\n\nC\'est  lui  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','15’17','','inherit','closed','closed','','13324-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13324,'https://localhost/?p=14097',0,'revision','',0),
(14098,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nMontage en surimpression : photo d’une comtesse. <em>My Official Wife</em> (1926), Paul L. Stein.\n\n\n<b>Voix Off et In\n---</b>\n\nqui nous renvoie à notre juge naturel... Sa mission est sacrée.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','15’19','','inherit','closed','closed','','13325-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13325,'https://localhost/?p=14098',0,'revision','',0),
(14099,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','15’22','','inherit','closed','closed','','13326-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13326,'https://localhost/?p=14099',0,'revision','',0),
(14100,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nMilitaires sur un champ de bataille, explosions.\n<em>Guerre et paix</em> (1956), King Vidor.\n\n\n<b>Voix Off et In\n---</b>\n\nLe ciel ne peut être apaisé que par le sang. L’innocent peut payer pour le coupable. (Jean Luc Godard).\n<em>Les soirées de Saint-Pétersbourg</em> (1821), Joseph de Maistre.\n\n\n<b>Bande Son\n---</b>\n\nId. et batterie\n\n\n<b>Écrits\n---</b>\n\n','15’26','','inherit','closed','closed','','13327-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13327,'https://localhost/?p=14100',0,'revision','',0),
(14101,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nEn noir et blanc : homme traînant un chargement.\n<em>Les paumés de la mendicité [Ladoni]</em> (1994), Artur Aristakisyan.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis <em>Concerto pour Violoncelle et cordes : part II. Longing</em> (2008), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','15’33','','inherit','closed','closed','','13328-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13328,'https://localhost/?p=14101',0,'revision','',0),
(14102,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nPhoto du tombeau de Rosa Luxemburg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','16’02','','inherit','closed','closed','','13329-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13329,'https://localhost/?p=14102',0,'revision','',0),
(14103,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nEn superposition : soldats tirant une femme à la bouche ouverte.\n<em>La Chanteuse de café (ou au gant)</em> (1878), Edgar Degas. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','16’09','','inherit','closed','closed','','13330-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13330,'https://localhost/?p=14103',0,'revision','',0),
(14104,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nCheval dans un cimetière. Documentaire <em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','16’12','','inherit','closed','closed','','13331-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13331,'https://localhost/?p=14104',0,'revision','',0),
(14105,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nFemme gisant sur le dos, devant un homme regardant la mer.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVagues et cris de mouettes.\n\n\n<b>Écrits\n---</b>\n\n','16’18','','inherit','closed','closed','','13332-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13332,'https://localhost/?p=14105',0,'revision','',0),
(14106,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','16’50','','inherit','closed','closed','','13333-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13333,'https://localhost/?p=14106',0,'revision','',0),
(14107,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nDétail saturé et surexposée : photographie d’une femme à terre, blessée, un chien mort à ses côtés.\n<em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','16’54','','inherit','closed','closed','','13334-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13334,'https://localhost/?p=14107',0,'revision','',0),
(14108,1,'2023-11-09 08:49:58','2023-11-09 07:49:58','<b>Images\n---</b>\n\nSaturé,  puis  pris  depuis  le  toit  d\'un  réservoir  :  soldats  traversant  une  rivière,  les  armes  au-dessus  de  la  tête.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','16’56','','inherit','closed','closed','','13335-revision-v1','','','2023-11-09 08:49:58','2023-11-09 07:49:58','',13335,'https://localhost/?p=14108',0,'revision','',0),
(14109,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’05','','inherit','closed','closed','','13336-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13336,'https://localhost/?p=14109',0,'revision','',0),
(14110,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nTableau  représentant  Joseph  de  Maistre,  père  de  la  philosophie contre-révolutionnaire, et  critique  important  des  idées  des  Lumières. \n\n\n<b>Voix Off et In\n---</b>\n\nAu  cours  de  la  soirée,  le  comte  Joseph  de  Maistre  grand  croix  de  l\'ordre  de  saint  Maurice  et  de  Lazare,  continua… \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’08','','inherit','closed','closed','','13337-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13337,'https://localhost/?p=14110',0,'revision','',0),
(14111,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nSaturé  :  bombardements  aériens. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nExplosions  et  avions. \n\n\n<b>Écrits\n---</b>\n\n\n\n','17’16','','inherit','closed','closed','','13338-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13338,'https://localhost/?p=14111',0,'revision','',0),
(14112,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nVoyage dans la steppe à l’arrière d’un camion : une femme et un enfant, la tête recouverte d’un foulard @ sur la route poussiéreuse, l’ombre d’autres camions passant dans la perpendiculaire à l’horizon.\n<em>Alenka</em> (1961), Boris Barnet. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Concerto pour Violoncelle et cordes : part II. Longing</em> (2008), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\nLa terre\n','17’27','','inherit','closed','closed','','13339-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13339,'https://localhost/?p=14112',0,'revision','',0),
(14113,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nFemme poursuivie et attaquée par un groupe d\'hommes.\n<em>Les Contes de la lune vague après la pluie</em> (1953), Kenji Mizoguchi.\n\n\n<b>Voix Off et In\n---</b>\n\ncontinua ses phrases les plus folles. Ainsi s’accomplit sans cesse la grande loi de la destruction des êtres vivants. La terre entière continuellement imbibée de sang n’est qu’un autel immense où tout ce qui vit\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','17’33','','inherit','closed','closed','','13340-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13340,'https://localhost/?p=14113',0,'revision','',0),
(14114,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nFemmes traversant une ville détruite dont les bâtiments s\'effondrent devant elles.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ndoit être immolé, sans fin, sans mesure @\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','17’56','','inherit','closed','closed','','13341-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13341,'https://localhost/?p=14114',0,'revision','',0),
(14115,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nEn couleur : femme au bord d\'une route, le visage défiguré par des coups.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nOù tout ce qui vit doit être immolé, sans fin, sans mesure, sans relâche jusqu\'à la consommation des choses, jusqu\'à l\'extinction du mal.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','18’02','','inherit','closed','closed','','13342-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13342,'https://localhost/?p=14115',0,'revision','',0),
(14116,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nVoitures  de  police  djihadistes  défilant  dans  les  rues,  avec  des  drapeaux  noirs. \n\n\n<b>Voix Off et In\n---</b>\n\nD’ici  un  mois,  les  brigades  allaient  devoir  quitter  le  pays.  Une  fois  de  plus,  nous  comprîmes  à  quel  point  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’15','','inherit','closed','closed','','13343-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13343,'https://localhost/?p=14116',0,'revision','',0),
(14117,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nVoiture  avec  des  soldats  armés  de  fusils  passant  au  milieu  d\'une  rue  avec  des  gens  autour. \n\n\n<b>Voix Off et In\n---</b>\n\nnous  n’avions  pu  imaginer  que  la  guerre  finisse  sans  que  nous  remportions  la  victoire.  La  guerre  est  donc  divine  en  elle-même. \n \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’19','','inherit','closed','closed','','13344-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13344,'https://localhost/?p=14117',0,'revision','',0),
(14118,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  guerre,  la  guerre  est  donc  divine  en  elle-même,  parce  que  c\'est  une  loi  du  monde. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDélivrance \n\n','18’28','','inherit','closed','closed','','13345-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13345,'https://localhost/?p=14118',0,'revision','',0),
(14119,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nPhotos  d\'avions  de  chasse  en  vol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’35','','inherit','closed','closed','','13346-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13346,'https://localhost/?p=14119',0,'revision','',0),
(14120,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nSaturé  :  bombes  et  explosions. \n\n\n<b>Voix Off et In\n---</b>\n\nQui  pourrait  douter  que  la  mort  trouvée  dans  les  combats  n’est  de  grand  privilège  et  qui  pourrait  croire  que  les  victimes  de  cet  épouvantable  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’37','','inherit','closed','closed','','13347-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13347,'https://localhost/?p=14120',0,'revision','',0),
(14121,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nPhoto  d\'une  petite  fille  demandant  désespérément  de  l\'aide  à  un  soldat. \n\n\n<b>Voix Off et In\n---</b>\n\njugement  aient  versé  leur  sang  en  vain.  La  guerre  est  donc  divine  dans  la  gloire  mystérieuse  qui  l\'environne,  et  dans  l\'attrait  non  moins \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','18’47','','inherit','closed','closed','','13348-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13348,'https://localhost/?p=14121',0,'revision','',0),
(14122,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ninexplicable  qui  nous  y  porte.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’07','','inherit','closed','closed','','13349-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13349,'https://localhost/?p=14122',0,'revision','',0),
(14123,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nEnfants  jouant  à  la  guerre. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’11','','inherit','closed','closed','','13350-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13350,'https://localhost/?p=14123',0,'revision','',0),
(14124,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nSaturé  :  voiture  passant  avec  un  drapeau  étasunien. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’21','','inherit','closed','closed','','13351-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13351,'https://localhost/?p=14124',0,'revision','',0),
(14125,1,'2023-11-09 08:49:59','2023-11-09 07:49:59','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','19’24','','inherit','closed','closed','','13352-revision-v1','','','2023-11-09 08:49:59','2023-11-09 07:49:59','',13352,'https://localhost/?p=14125',0,'revision','',0),
(14126,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nFemme militaire.\n<em>La chute de Berlin</em> (1950), Mikhaïl Tchiaoureli.\n\n\n<b>Voix Off et In\n---</b>\n\nEn fin de soirée, encore ces mots de représentants de la diplomatie française\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’26','','inherit','closed','closed','','13353-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13353,'https://localhost/?p=14126',0,'revision','',0),
(14127,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nà Saint-Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’33','','inherit','closed','closed','','13354-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13354,'https://localhost/?p=14127',0,'revision','',0),
(14128,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nAu ralenti : politiciens débattant dans une assemblée.\n<em>Napoléon</em> (1927), Abel Gance.\n\n\n<b>Voix Off et In\n---</b>\n\nEn fin de soirée, encore ces mots de la diplomatie française à Saint-Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’36','','inherit','closed','closed','','13355-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13355,'https://localhost/?p=14128',0,'revision','',0),
(14129,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nDétail : homme et femme pleurant.\n<em>Adam et Ève chassés du paradis</em> (1424 - 1425), Masaccio.\n\n\n<b>Voix Off et In\n---</b>\n\nMais c’est précisément parce que la révolution qui s’y passe est le comble de l’absurdité et de la corruption morale... (Jean-Luc Godard).\n<em>Soirées de Saint-Pétersbourg</em> (1821), Joseph de Maistre.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’43','','inherit','closed','closed','','13356-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13356,'https://localhost/?p=14129',0,'revision','',0),
(14130,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nChien.\n<em>Adieu au langage</em> (2014), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’49','','inherit','closed','closed','','13357-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13357,'https://localhost/?p=14130',0,'revision','',0),
(14131,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nHomme en voiture roulant très vite.\n<em>Dr. Mabuse, le joueur</em> (1922), Fritz Lang.\n\n\n<b>Voix Off et In\n---</b>\n\net Malraux dira plus simplement transformer notre apocalypse en armée ou crever, c’est tout. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','19’57','','inherit','closed','closed','','13358-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13358,'https://localhost/?p=14131',0,'revision','',0),
(14132,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTransformer  notre  apocalypse  en  armée  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’07','','inherit','closed','closed','','13359-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13359,'https://localhost/?p=14132',0,'revision','',0),
(14133,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nSaturé et en tons verts et jaunes : canard attaqué par un crocodile, et tentant de s\'échapper.\n\n\n<b>Voix Off et In\n---</b>\n\nou crever, c’est tout.\nL’espoir (1937), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','20’09','','inherit','closed','closed','','13360-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13360,'https://localhost/?p=14133',0,'revision','',0),
(14134,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nLapin touché par un coup de feu.\n<em>La règle du jeu</em> (1939), Jean Renoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCoup de feu.\n\n\n<b>Écrits\n---</b>\n\n','20’13','','inherit','closed','closed','','13361-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13361,'https://localhost/?p=14134',0,'revision','',0),
(14135,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nPhotos de trois indiens à cheval au bord d\'une rivière, dans un quartier industrialisé.\n<em>Notre musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLaissez-moi seul. Tout seul, vous entendez ? Je ne demande rien à personne moi.\n<em>Allô Berlin ? Ici Paris !</em> (1931), Julien Duvivier.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','20’21','','inherit','closed','closed','','13362-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13362,'https://localhost/?p=14135',0,'revision','',0),
(14136,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nRangée de personnes pendues ensemble.\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPiano Quintet, Op. 18 - 4. Largo (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','20’26','','inherit','closed','closed','','13363-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13363,'https://localhost/?p=14136',0,'revision','',0),
(14137,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n3.\nCES FLEURS ENTRE LES RAILS,\nDANS LE VENT CONFUS\nDES VOYAGES\n\n(Joseph Maria Rilke).\n','20’28','','inherit','closed','closed','','13364-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13364,'https://localhost/?p=14137',0,'revision','',0),
(14138,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nPetite fille sur le quai regardant le passage d\'un train.\n<em>Madeline + Train = Sheer Delight</em>, <a href=\"https://www.youtube.com/watch?v=rvpCmKUo1Aw\">Vidéo sur youtube</a> .\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPiano.\n\n\n<b>Écrits\n---</b>\n\n','20’41','','inherit','closed','closed','','13365-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13365,'https://localhost/?p=14138',0,'revision','',0),
(14139,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nEn négatif et passé en noir et blanc : train à vapeur passant.\n<em>Visual essays : origins of film</em> (1983), Al Razutis.\n\n\n<b>Voix Off et In\n---</b>\n\n- What’s coming ?\n- A train.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','20’42','','inherit','closed','closed','','13366-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13366,'https://localhost/?p=14139',0,'revision','',0),
(14140,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nImages  du  19ème  siècle  :  passagers  montant  dans  un  train. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Oh  is  gonna  arrive  the  train ? \n - Yeah \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’45','','inherit','closed','closed','','13367-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13367,'https://localhost/?p=14140',0,'revision','',0),
(14141,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n- Here  he  comes ! \n - We  are  gonna  be  safe,  let\'s  go  back \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','20’59','','inherit','closed','closed','','13368-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13368,'https://localhost/?p=14141',0,'revision','',0),
(14142,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nEn négatif, passé en noir et blanc, clignotant sur les images originales : train à vapeur passant.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche.\n\n\n<b>Écrits\n---</b>\n\n','21’03','','inherit','closed','closed','','13369-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13369,'https://localhost/?p=14142',0,'revision','',0),
(14143,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n- Oooh\n<em>Madeline + Train = Sheer Delight</em>, <a href=\"https://www.youtube.com/watch?v=rvpCmKUo1Aw\">Vidéo sur youtube</a>.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’05','','inherit','closed','closed','','13370-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13370,'https://localhost/?p=14143',0,'revision','',0),
(14144,1,'2023-11-09 08:50:00','2023-11-09 07:50:00','<b>Images\n---</b>\n\nSaturé  :  fleurs. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','21’07','','inherit','closed','closed','','13371-revision-v1','','','2023-11-09 08:50:00','2023-11-09 07:50:00','',13371,'https://localhost/?p=14144',0,'revision','',0),
(14145,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nHommes jetant des pierres sur un train venant de passer.\n<em>Hélas pour moi</em> (1993), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- lui jette la première pierre !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’09','','inherit','closed','closed','','13372-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13372,'https://localhost/?p=14145',0,'revision','',0),
(14146,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','21’14','','inherit','closed','closed','','13373-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13373,'https://localhost/?p=14146',0,'revision','',0),
(14147,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nPassagers d\'un train s\'installant dans leurs cabines avant le départ.\n<em>Berlin express</em> (1948), Jacques Tourneur.\n\n\n<b>Voix Off et In\n---</b>\n\nCompartment B, Lucienne Mirbeau, birthplace Lyon France, occupation secretary. Compartment C, Herr Otto Franzen, birthplace, Frankfurt, Germany. Once a German industrialist, now a dealer in scrap iron. Compartment D, unoccupied, but being held for a person of importance. Compartment E, James Sterling of Liverpool, former occupation, soldier, present occupation, school teacher. Lieutenant Maxim Kiroshilov, birthplace Moskow, defender of Stalingrad, now military aide, Russian occupation authorities. Compartment F, Hneu Perrault, Paris, once a member of the French Underground, now a man of commerce.\nCompartment G, Hans Schmidt, birthplace Munich, occupation\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','21’19','','inherit','closed','closed','','13374-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13374,'https://localhost/?p=14147',0,'revision','',0),
(14148,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','22’27','','inherit','closed','closed','','13375-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13375,'https://localhost/?p=14148',0,'revision','',0),
(14149,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nTrain à vapeur en approche traversant un bois sous la neige.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était environ neuf heures du matin\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’30','','inherit','closed','closed','','13376-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13376,'https://localhost/?p=14149',0,'revision','',0),
(14150,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nEn couleurs : gens poursuivant un train en partance.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nc’était à la fin de novembre, par un temps de dégel. Le train de Varsovie filait à toute vapeur vers Petersburg.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’38','','inherit','closed','closed','','13377-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13377,'https://localhost/?p=14150',0,'revision','',0),
(14151,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nSuresposé et passé en noir et blanc : Femmes nues au sauna.\n<em>The edge</em> (2010), Alekseï Outchitel.\n\n\n<b>Voix Off et In\n---</b>\n\nL’humidité et la brume étaient telles que le jour avait peine à percer.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','22’42','','inherit','closed','closed','','13378-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13378,'https://localhost/?p=14151',0,'revision','',0),
(14152,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nDeux enfants devant un train en partance.\n<em>Paysage dans le brouillard</em> (1988), Theo Angelopoulos.\n\n\n<b>Voix Off et In\n---</b>\n\nÀ dix pas à droite et à gauche de la voie, on distinguait malaisément quoi que ce fût par les fenêtres du wagon. (Jean Luc Godard).\n<em>L’idiot</em> (1962), Fiodor Dostoïevski.\n\n\n<b>Bande Son\n---</b>\n\nId. puis trains et foule dans une gare.\n\n\n<b>Écrits\n---</b>\n\n','22’51','','inherit','closed','closed','','13379-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13379,'https://localhost/?p=14152',0,'revision','',0),
(14153,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nQuand  un  siècle \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’23','','inherit','closed','closed','','13380-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13380,'https://localhost/?p=14153',0,'revision','',0),
(14154,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nPhoto  d\'une  femme  en  robe  rose. \n\n\n<b>Voix Off et In\n---</b>\n\nse  dissout  lentement  dans  le  siècle  suivant \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’28','','inherit','closed','closed','','13381-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13381,'https://localhost/?p=14154',0,'revision','',0),
(14155,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nEnfants photographiant un canard.\n<em>Histoires du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nquelques individus transforment les moyens de survie anciens en moyens nouveaux. Ce sont ces derniers que nous appelons arts.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','23’34','','inherit','closed','closed','','13382-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13382,'https://localhost/?p=14155',0,'revision','',0),
(14156,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nPhoto  de  Louis-Ferdinand  Céline. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  seule  chose  qui  survit  à  une  époque  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’44','','inherit','closed','closed','','13383-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13383,'https://localhost/?p=14156',0,'revision','',0),
(14157,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nSurexposé  :  maisons  blanches  cubiques.  \n\n\n<b>Voix Off et In\n---</b>\n\nc\'est  la  forme  d\'art  qu\'elle  s\'est  créée.  Aucune  activité  ne  deviendra  un  art  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’50','','inherit','closed','closed','','13384-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13384,'https://localhost/?p=14157',0,'revision','',0),
(14158,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nSaturé  :  personnes  assises  à  des  tables  en  terrasse  d\'un  bar. \n\n\n<b>Voix Off et In\n---</b>\n\navant  que  son  époque  ne  soit  terminée.  Ensuite  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','23’56','','inherit','closed','closed','','13385-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13385,'https://localhost/?p=14158',0,'revision','',0),
(14159,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nFragment surexposé.\n<em>Louis IX, dit Saint Louis, Roi de France</em> (1844), Emile Signol.\n\n\n<b>Voix Off et In\n---</b>\n\ncet art disparaîtra. (Jean Luc Godard).\n<em>Pour une métahistoire du film</em> (printemps 1997), Hollis Frampton, « <em>Trafic</em> », n. 21.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nLe roi Saint Louis\n','24’00','','inherit','closed','closed','','13386-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13386,'https://localhost/?p=14159',0,'revision','',0),
(14160,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nFemme traversant un train bondé.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n- C’est pire que dans le métro.\n- Pardon, laissez passer.\n- Merde alors, vous pouvez pas rester à votre place non ?\n\n\n<b>Bande Son\n---</b>\n\n<em>Das Buch der Klange I - XII, V</em> (1999), Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','24’05','','inherit','closed','closed','','13387-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13387,'https://localhost/?p=14160',0,'revision','',0),
(14161,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nTrain  prenant  un  virage. \n\n\n<b>Voix Off et In\n---</b>\n\n- Suivez - moi  Monsieur. \n - Décidément  vous  dormez \n - Oui,  oui  je  dors.  C’est  très  curieux.  \n - Enfin  madame,  mais  expliquerez-vous  ? \n \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','24’46','','inherit','closed','closed','','13388-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13388,'https://localhost/?p=14161',0,'revision','',0),
(14162,1,'2023-11-09 08:50:01','2023-11-09 07:50:01','<b>Images\n---</b>\n\nCadavres le long de voies ferrées.\n<em>Nuit et Brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\n- Rien. Si vous dormez, si vous rêvez, acceptez vos rêves. C\'est le rôle du dormeur.\n<em>Orphée</em> (1950), Jean Cocteau.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','25’02','','inherit','closed','closed','','13389-revision-v1','','','2023-11-09 08:50:01','2023-11-09 07:50:01','',13389,'https://localhost/?p=14162',0,'revision','',0),
(14163,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nCouple dans un train regardant par la fenêtre.\n<em>Film socialisme</em> (2010), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nElle était devenue terrible, la langue de Goethe, quand on l\'entendait dans la nuit des petites gares russes. (Jean Luc Godard).\n<em>Vie et destin</em> (1930), Vasiliĭ Semenovich Grossman.\n\nFemme [traduction du dialecte tunisien]:\nOn la décrit toujours comme quelque chose de surnaturel. Mais c\'est quelque chose qui ne se ressent pas. Une fois, je me suis heurté à une voiture de police. Après une explosion. J\'ai couru, je suis tombée. J\'ai senti ma tête se cogner contre le sol. J\'ai eu un malaise. Je n\'ai pas pensé à la mort. Non. Moi. C\'est MOI qui est en train de mourir.\n\nHomme (traduction du dialecte tunisien):\nJe te souhaite la sûreté.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','25’08','','inherit','closed','closed','','13390-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13390,'https://localhost/?p=14163',0,'revision','',0),
(14164,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nFemme marchant et trébuchant parmi des soldats campant par terre après une catastrophe ferroviaire en Inde.\n<em>La Croisée des destins [Bhowani Junction]</em> (1956), George Cukor.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nNombreuses personnes parlant et criant.\n\n\n<b>Écrits\n---</b>\n\n','25’53','','inherit','closed','closed','','13391-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13391,'https://localhost/?p=14164',0,'revision','',0),
(14165,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nHomme aidant une femme à sortir par la fenêtre d\'un wagon de train.\n<em>Le Mécano de la General [The General]</em> (1927), Buster Keaton.\n\n\n<b>Voix Off et In\n---</b>\n\nNous voulons voyager, sans vapeur, et sans voile, faites, pour égayer l’ennui de nos prisons, passer sur nos esprits tendus comme une toile, vos souvenirs avec leur cadre d’horizon. (Julie Delpy).\n« Le voyage », <em>Les Fleurs du mal</em> (1857), Charles Baudelaire.\n<em>Histoires du cinéma 2a</em> (1989 - 1999), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Le Clavier bien tempéré 1, BWV 846 - 869</em> (1722), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\n','26’00','','inherit','closed','closed','','13392-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13392,'https://localhost/?p=14165',0,'revision','',0),
(14166,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nTrain en Afrique avec autour des femmes et hommes vendant des fruits et vêtements dans un marché. Enfants suivant un train qui s’éloigne.\n<em>Les routes de l’impossible</em> (2007), Tony Comiti, France 5.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nPersonnes parlant et criant. En arrière-plan sonore : tambours.\n\n\n<b>Écrits\n---</b>\n\n','26’30','','inherit','closed','closed','','13393-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13393,'https://localhost/?p=14166',0,'revision','',0),
(14167,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nHomme et femme mangeant assis sur les sièges d\'un train.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','26’46','','inherit','closed','closed','','13394-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13394,'https://localhost/?p=14167',0,'revision','',0),
(14168,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nPassagers dans un wagon.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAccordéon.\n\n\n<b>Écrits\n---</b>\n\n','26’48','','inherit','closed','closed','','13395-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13395,'https://localhost/?p=14168',0,'revision','',0),
(14169,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nHomme parlant de manière animée à une femme dans un train.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSifflement de la vapeur s\'échappant d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','26’50','','inherit','closed','closed','','13396-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13396,'https://localhost/?p=14169',0,'revision','',0),
(14170,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nPassagers à l\'intérieur d\'une voiture.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAccordéon, voix de personnes qui discutent.\n\n\n<b>Écrits\n---</b>\n\n','26’53','','inherit','closed','closed','','13397-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13397,'https://localhost/?p=14170',0,'revision','',0),
(14171,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nGroupe de personnes à l\'intérieur d\'une voiture, jouant de l\'accordéon.\n<em>Manon</em> (1949), Henri-Georges Clouzot.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','26’55','','inherit','closed','closed','','13398-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13398,'https://localhost/?p=14171',0,'revision','',0),
(14172,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\nLes  voix  de  la  séquence  précédente  continuent \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','26’56','','inherit','closed','closed','','13399-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13399,'https://localhost/?p=14172',0,'revision','',0),
(14173,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nTrain  passant  au  ralenti  avec  un  drapeau  nazi. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence  et  train  passant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','27’00','','inherit','closed','closed','','13400-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13400,'https://localhost/?p=14173',0,'revision','',0),
(14174,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nTrain traversant lentement un marché en Chine.\n<em>Shanghai Express</em> (1932), Josef von Sternberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’05','','inherit','closed','closed','','13401-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13401,'https://localhost/?p=14174',0,'revision','',0),
(14175,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nSaturé : fleurs.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Rising Grace</em> (2016), Wolfgang Muthspiel.\n\n\n<b>Écrits\n---</b>\n\n','27’07','','inherit','closed','closed','','13402-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13402,'https://localhost/?p=14175',0,'revision','',0),
(14176,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nSous les yeux de l’occident.\n<em>Under Western Eyes</em> (1911), Joseph Conrad.\n','27’17','','inherit','closed','closed','','13403-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13403,'https://localhost/?p=14176',0,'revision','',0),
(14177,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nPersonne en tuant une autre dans un train.\n<em>Shanghai Express</em> (1932), Josef von Sternberg.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVapeur s\'échappant d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','27’19','','inherit','closed','closed','','13404-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13404,'https://localhost/?p=14177',0,'revision','',0),
(14178,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nSoldat tirant sur d\'autres soldats, au-delà d\'une barricade.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTirs de pistolets et mitraillettes.\n\n\n<b>Écrits\n---</b>\n\n','27’23','','inherit','closed','closed','','13405-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13405,'https://localhost/?p=14178',0,'revision','',0),
(14179,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nAu ralenti : homme et femme passant dans le couloir d\'un train.\n\n<em>Terror by night</em> (1946), Roy William Neill.\n\n<b>Voix Off et In\n---</b>\n\nMais enfin dites-moi pourquoi vous avez fait de l’espionnage ?\n- J\'en sais rien.\n- Vous avez accepté ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’25','','inherit','closed','closed','','13406-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13406,'https://localhost/?p=14179',0,'revision','',0),
(14180,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n- D’entrer dans son organisation ? Non Michel.\nMais même chez les communistes l’agent compte plus que tout le reste.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','27’36','','inherit','closed','closed','','13407-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13407,'https://localhost/?p=14180',0,'revision','',0),
(14181,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nVapeur sortant d\'un train prenant un virage.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSifflet, puis passage d\'un train.\n\n\n<b>Écrits\n---</b>\n\n','27’45','','inherit','closed','closed','','13408-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13408,'https://localhost/?p=14181',0,'revision','',0),
(14182,1,'2023-11-09 08:50:02','2023-11-09 07:50:02','<b>Images\n---</b>\n\nHomme regardant une femme boire, au restaurant d\'un train.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\nDeux discours prononcés par George Steiner et Cornelius Castoriadis se chevauchent :\nSteiner : Il fera exactement la même chose que les autres, ce que les autres lui ont appris.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','27’50','','inherit','closed','closed','','13409-revision-v1','','','2023-11-09 08:50:02','2023-11-09 07:50:02','',13409,'https://localhost/?p=14182',0,'revision','',0),
(14183,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nEnfant regardant par la fenêtre d\'un train des wagons militaires transportant des réservoirs.\n<em>Le silence</em> (1963), Ingmar Bergman.\n\n\n<b>Voix Off et In\n---</b>\n\nPour qu\'il y ait vraiment des individus, il faut que la collectivité bouge, et pour que la collectivité bouge il fera exactement la même chose que les autres, ce que les autres\nCastoriadis : Quelque chose a surgi de barbare. Quelque chose d’immense lumière qui a accentué les beaux mystères de la vie\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','27’54','','inherit','closed','closed','','13410-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13410,'https://localhost/?p=14183',0,'revision','',0),
(14184,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nAu ralenti : femme dans le vagons d’un train.\n<em>Terror by night</em> (1946), Roy William Neill.\n\n\n<b>Voix Off et In\n---</b>\n\n- Come va a New York ? Va bene ?\n- Non ci si arricchisce\n- Che importa questo ? Si può star bene senza arricchire\n\n\n<b>Bande Son\n---</b>\n\nTrain.\n\n\n<b>Écrits\n---</b>\n\n','28’11','','inherit','closed','closed','','13411-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13411,'https://localhost/?p=14184',0,'revision','',0),
(14185,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nHommes parlant en regardant par la fenêtre d\'un train.\n<em>Sicilia !</em> (1998), Jean-Marie Straub et Danièle Huillet.\n\n\n<b>Voix Off et In\n---</b>\n\n- Non avresti fatto che il tuo dovere.\n- Naturalmente !\n- I tipi così sono sempre da fermare.\n- Effettivamente, non si sa mai.\n- Ogni morto di fame è un uomo pericoloso.\n- Come no, capace di tutto.\n- Di rubare.\n- Questo va da sé.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','28’14','','inherit','closed','closed','','13412-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13412,'https://localhost/?p=14185',0,'revision','',0),
(14186,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nFemme entrant dans un wagon de train, hommes se retournant pour la regarder.\n<em>Johnny Guitar</em> (1954), Nicholas Ray.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Image The Fog Dirappearing</em> (2016), Tord Gustavsen.\n\n\n<b>Écrits\n---</b>\n\n','28’35','','inherit','closed','closed','','13413-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13413,'https://localhost/?p=14186',0,'revision','',0),
(14187,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’03','','inherit','closed','closed','','13414-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13414,'https://localhost/?p=14187',0,'revision','',0),
(14188,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nCheval et cavalier au galop, derrière un train.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’07','','inherit','closed','closed','','13415-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13415,'https://localhost/?p=14188',0,'revision','',0),
(14189,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nHomme passant la main sur un vinyle et écoutant la musique qui s\'en dégage.\n<em>L’Atalante</em> (1934), Jean Vigo.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Concerto Grosso No. 4</em> (1988), Alfred Schnittke.\n\n\n<b>Écrits\n---</b>\n\n','29’10','','inherit','closed','closed','','13416-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13416,'https://localhost/?p=14189',0,'revision','',0),
(14190,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nCheval et cavalier au galop, le long d’un train.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','29’16','','inherit','closed','closed','','13417-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13417,'https://localhost/?p=14190',0,'revision','',0),
(14191,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’22','','inherit','closed','closed','','13418-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13418,'https://localhost/?p=14191',0,'revision','',0),
(14192,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nChameau reniflant les rails d\'un train, train traversant une prairie déserte.\n<em>Turksib</em> (1921), Viktor Alexandrovitch Turin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>The Fog Disappearing</em> (2016), Tord Gustavsen.\n\n\n<b>Écrits\n---</b>\n\n','29’24','','inherit','closed','closed','','13419-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13419,'https://localhost/?p=14192',0,'revision','',0),
(14193,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nPaysage  vu  d\'un  train.  \n\n\n<b>Voix Off et In\n---</b>\n\nj\'avoue  qu\'avant  d\'embarquer  à  bord  \n\n\n<b>Bande Son\n---</b>\n\nVoix  masculine  accompagnée  au  piano. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’31','','inherit','closed','closed','','13420-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13420,'https://localhost/?p=14193',0,'revision','',0),
(14194,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  train  avançant. \n\n\n<b>Voix Off et In\n---</b>\n\nde  ce  vieux \n   piano \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','29’36','','inherit','closed','closed','','13421-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13421,'https://localhost/?p=14194',0,'revision','',0),
(14195,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nMontage en superposition : rose.\n<em>Allemagne 90 neuf zéro</em> (1991), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nj\'ai scruté la météo\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’39','','inherit','closed','closed','','13422-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13422,'https://localhost/?p=14195',0,'revision','',0),
(14196,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nPassage du métro. Superposé : femme semblant avoir été heurtée par un train.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nj\'ai longtemps flâné\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','29’42','','inherit','closed','closed','','13423-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13423,'https://localhost/?p=14196',0,'revision','',0),
(14197,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nDessin : femme vue de dos.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','29’45','','inherit','closed','closed','','13424-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13424,'https://localhost/?p=14197',0,'revision','',0),
(14198,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nEux tous\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','29’50','','inherit','closed','closed','','13425-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13425,'https://localhost/?p=14198',0,'revision','',0),
(14199,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nHommes saluant joyeusement des deux mains, depuis un train.\n<em>Les Deux Fedor</em> (1959), Marlen Khoutsiev.\n\n\n<b>Voix Off et In\n---</b>\n\nenfilés sur le fond\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’53','','inherit','closed','closed','','13426-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13426,'https://localhost/?p=14199',0,'revision','',0),
(14200,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nFemmes courant.\n<em>Les Deux Fedor</em> (1959), Marlen Khoutsiev.\n\n\n<b>Voix Off et In\n---</b>\n\nDu vert luxuriant.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','29’57','','inherit','closed','closed','','13427-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13427,'https://localhost/?p=14200',0,'revision','',0),
(14201,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nSaturé  :  paysage  vu  depuis  la  fenêtre  d’un  train. \n\n\n<b>Voix Off et In\n---</b>\n\nDe  l’été. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’00','','inherit','closed','closed','','13428-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13428,'https://localhost/?p=14201',0,'revision','',0),
(14202,1,'2023-11-09 08:50:03','2023-11-09 07:50:03','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’03','','inherit','closed','closed','','13429-revision-v1','','','2023-11-09 08:50:03','2023-11-09 07:50:03','',13429,'https://localhost/?p=14202',0,'revision','',0),
(14203,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nHomme courant le long d\'un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman. <em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nEt l’embrasement\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’04','','inherit','closed','closed','','13430-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13430,'https://localhost/?p=14203',0,'revision','',0),
(14204,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nAu ralenti : homme s\'approchant d\'une femme assise dans une grange devant un brasier.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’06','','inherit','closed','closed','','13431-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13431,'https://localhost/?p=14204',0,'revision','',0),
(14205,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nFoule d\'hommes se pressant pour monter dans un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\nRoyal\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’07','','inherit','closed','closed','','13432-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13432,'https://localhost/?p=14205',0,'revision','',0),
(14206,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nSaturé : trains miniatures passant sur une ligne de chemin de fer. <em>Toccata for Toy Trains</em> (1957), Charles and Ray Eames.\n\n\n<b>Voix Off et In\n---</b>\n\nde l\'automne.\n- Et la ruine de l’hiver\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’10','','inherit','closed','closed','','13433-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13433,'https://localhost/?p=14206',0,'revision','',0),
(14207,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\navant  que  ne  fleurisse \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’15','','inherit','closed','closed','','13434-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13434,'https://localhost/?p=14207',0,'revision','',0),
(14208,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nFille  faisant  de  l\'escrime  devant  un  projecteur  montrant  une  cathédrale  gothique.  En  montage  clignotant  :  cameraman  sur  un  dolly. \n\n\n<b>Voix Off et In\n---</b>\n\nà  nouveau \n le  printemps, \n salit  maintenant \n un  peu  noirci \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’19','','inherit','closed','closed','','13435-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13435,'https://localhost/?p=14208',0,'revision','',0),
(14209,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nHomme se traînant le long d\'une voie ferrée.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche.\n\n\n<b>Écrits\n---</b>\n\n','30’30','','inherit','closed','closed','','13436-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13436,'https://localhost/?p=14209',0,'revision','',0),
(14210,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','30’33','','inherit','closed','closed','','13437-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13437,'https://localhost/?p=14210',0,'revision','',0),
(14211,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nHomme se traînant le long d\'une voie ferrée, et essayant de ne pas être écrasé par un train en approche.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’36','','inherit','closed','closed','','13438-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13438,'https://localhost/?p=14211',0,'revision','',0),
(14212,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\npar le temps.\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','30’39','','inherit','closed','closed','','13439-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13439,'https://localhost/?p=14212',0,'revision','',0),
(14213,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nHomme évanoui et écrasé par un train.\n<em>Wild boys on the road</em> (1933), William A. Wellman.\n\n\n<b>Voix Off et In\n---</b>\n\n\nToujours serein\n\n\n<b>Bande Son\n---</b>\n\nTrain en approche, cris.\n\n\n<b>Écrits\n---</b>\n\n','30’41','','inherit','closed','closed','','13440-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13440,'https://localhost/?p=14213',0,'revision','',0),
(14214,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','30’45','','inherit','closed','closed','','13441-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13441,'https://localhost/?p=14214',0,'revision','',0),
(14215,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nFemme arrachant ses boucles d\'oreilles en perle, horrifiée.\n<em>Au bord de la mer bleue</em> (1937), Boris Barnet.\n\n\n<b>Voix Off et In\n---</b>\n\n… des sentinelles. Non.\n- Comme s\'ils défendaient\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','30’47','','inherit','closed','closed','','13442-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13442,'https://localhost/?p=14215',0,'revision','',0),
(14216,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nPerles tombant.\n<em>Au bord de la mer bleue</em> (1937), Boris Barnet.\nEnchaînement avec un montage clignotant : cadavres le long d\'une voie ferrée.\n<em>Nuit et brouillard</em> (1956), Alain Resnais.\n\n\n<b>Voix Off et In\n---</b>\n\nde leurs énormes et monolithiques\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt.\n\n\n<b>Écrits\n---</b>\n\n','31’01','','inherit','closed','closed','','13443-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13443,'https://localhost/?p=14216',0,'revision','',0),
(14217,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nMontage clignotant : sous des cadavres longeant les rails d\'un train, folle dans une église du tableau.\n<em>L\'église Ludwigskirche à Munich</em> (1908), Wassily Kandinsky.\n\n\n<b>Voix Off et In\n---</b>\n\nLes vivants contre les morts.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','31’09','','inherit','closed','closed','','13444-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13444,'https://localhost/?p=14217',0,'revision','',0),
(14218,1,'2023-11-09 08:50:04','2023-11-09 07:50:04','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nTous.  \n Les  ossements.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','31’18','','inherit','closed','closed','','13445-revision-v1','','','2023-11-09 08:50:04','2023-11-09 07:50:04','',13445,'https://localhost/?p=14218',0,'revision','',0),
(14219,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nFemmes et hommes autour d\'une table, plaçant leurs mains en cercle lors d\'une séance de spiritisme. <em>Anna Karénine</em> (1948), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\nAvant que ne fleurissent\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','31’21','','inherit','closed','closed','','13446-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13446,'https://localhost/?p=14219',0,'revision','',0),
(14220,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nà  nouveau  le  printemps  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','31’26','','inherit','closed','closed','','13447-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13447,'https://localhost/?p=14220',0,'revision','',0),
(14221,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nTrain passant dans le blizzard et personnes marchant sous la neige et dans le vent.\n<em>Anna Karénine</em> (1948), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et train passant.\n\n\n<b>Écrits\n---</b>\n\n','31’28','','inherit','closed','closed','','13448-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13448,'https://localhost/?p=14221',0,'revision','',0),
(14222,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nEn superposition, et en alternance : dessin d\'un mort.\n<em>Les désastres de la guerre</em> (1815 - 20), Francisco Goya.\n\nPuis montage clignotant : personne levant un fusil vers le ciel, femme juive.\n\n\n<b>Voix Off et In\n---</b>\n\nEux tous, profilés sur le fond du vert luxuriant de l’été, et l\'embrasement royal de l’automne, et la ruine de l’hiver,\n\n\n<b>Bande Son\n---</b>\n\n<em>Fratres pour 12 violoncelles</em> (1977), Arvo Pärt et silence.\n\n\n<b>Écrits\n---</b>\n\n','31’43','','inherit','closed','closed','','13449-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13449,'https://localhost/?p=14222',0,'revision','',0),
(14223,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nAu ralenti, saturé : voie ferrée parcourue par un train.\n<em>Après le feu</em> (2010), Jacques Perconte.\n\n\n<b>Voix Off et In\n---</b>\n\navant que ne fleurisse à nouveau le printemps. Eux tous.\n<em>Sépulture Sud</em>, in <em>Idylle au désert et autres nouvelles</em> (1985), William Faulkner. <em>Grandeur et décadence d\'un petit commerce de cinéma</em> (1986), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','32’09','','inherit','closed','closed','','13450-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13450,'https://localhost/?p=14223',0,'revision','',0),
(14224,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nHomme saluant une femme le regardant par la fenêtre d\'un train, et poursuivant le train qui s’éloigne.\n<em>Le plaisir</em> (1938), Max Ophüls.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence et <em>Das Buch der Klange I - XII, V</em> (1999), Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','32’23','','inherit','closed','closed','','13451-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13451,'https://localhost/?p=14224',0,'revision','',0),
(14225,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nPellicule passant dans un projecteur.\n<em>Deux fois cinquante ans de cinéma français</em> (1995), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','32’51','','inherit','closed','closed','','13452-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13452,'https://localhost/?p=14225',0,'revision','',0),
(14226,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n \n\n\n<b>Écrits\n---</b>\n\n\n\n','33’02','','inherit','closed','closed','','13453-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13453,'https://localhost/?p=14226',0,'revision','',0),
(14227,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n4  \n L’ESPRIT  DES  LOIS \n\n','33’05','','inherit','closed','closed','','13454-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13454,'https://localhost/?p=14227',0,'revision','',0),
(14228,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nActeurs incarnant au théâtre des soldats intimant à la population qui manifeste de se disperser. Soldats déposant les armes et s\'unissant au peuple. <em>La Commune (Paris, 1971)</em> (2000), Peter Watkins.\n\n\n<b>Voix Off et In\n---</b>\n\nÉcartez - vous. Première sommation, nous allons faire usage de la force. Deuxième et dernière sommation, nous allons faire usage de la force. Dispersez-vous.\n\n\n<b>Bande Son\n---</b>\n\nPersonnes protestant et criant.\n<em>Three Little Nocturnes, II Allegro appassionata</em> (2005), Hans Abrahamsen.\n\n\n<b>Écrits\n---</b>\n\n','33’08','','inherit','closed','closed','','13455-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13455,'https://localhost/?p=14228',0,'revision','',0),
(14229,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nHommes derrière une barricade attaqués par des soldats.\n<em>Vendémiaire</em> (1918), Louis Feuillade.\n<em>Histoire (s) du cinéma 3b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- La situation de tous, dans cette heure fatale et dans ce lieu inexorable, avait comme résultat et comme sommet. <em>Les Misérables</em> (1862), Victor Hugo.\n- Le drapeau\n\n\n<b>Bande Son\n---</b>\n\n<em>Breit-sehr frisch und straff</em> (1939), Paul Hindemith.\n\n\n<b>Écrits\n---</b>\n\n','34’08','','inherit','closed','closed','','13456-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13456,'https://localhost/?p=14229',0,'revision','',0),
(14230,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nPhotographie d’Arthur Rimbaud.\n\n\n<b>Voix Off et In\n---</b>\n\n- la mélancolie suprême d’Enjolras. <em>Les Misérables</em> (1862), Victor Hugo.\n- Le drapeau va au paysage infâme\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','34’20','','inherit','closed','closed','','13457-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13457,'https://localhost/?p=14230',0,'revision','',0),
(14231,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nFemme tout en blanc se dirigeant vers un écran puis reculant de peur, les mains en l\'air.\n<em>Le Mystère des roches de Kador</em> (1912), Léonce Perret. <em>Histoire (s) du cinéma 2a</em> (1988 - 89), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\net notre patois étouffe le\ntambour. Arthur Rimbaud,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','34’30','','inherit','closed','closed','','13458-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13458,'https://localhost/?p=14231',0,'revision','',0),
(14232,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ndémocratie. (Jean Luc Godard). <em>Les Illuminations. Démocratie</em> (1854), Arthur Rimbaud.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nTERRORISM CONSIDERED\nas one of the\nFINE ARTS\n','34’36','','inherit','closed','closed','','13459-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13459,'https://localhost/?p=14232',0,'revision','',0),
(14233,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDissonance  Films \n\n','34’38','','inherit','closed','closed','','13460-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13460,'https://localhost/?p=14233',0,'revision','',0),
(14234,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nFemme supliant un homme jettant un bébé par la fenêtre.\n<em>Histoire (s) du cinéma</em>, (1988 - 89), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nAprès une révolution dans la révolution (Philippe Sollers).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nEnd Lo Sung\n','34’41','','inherit','closed','closed','','13461-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13461,'https://localhost/?p=14234',0,'revision','',0),
(14235,1,'2023-11-09 08:50:05','2023-11-09 07:50:05','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nAu  violon \n\n\n<b>Écrits\n---</b>\n\n\n\n','34’44','','inherit','closed','closed','','13462-revision-v1','','','2023-11-09 08:50:05','2023-11-09 07:50:05','',13462,'https://localhost/?p=14235',0,'revision','',0),
(14236,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSaturé  :  torero  transperçant  un  taureau  à  coups  d’épée. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','34’48','','inherit','closed','closed','','13463-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13463,'https://localhost/?p=14236',0,'revision','',0),
(14237,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nAu ralenti : homme courant et criant en faisant claquer ses poignets ensemble.\n<em>La terre</em> (1930), Alexandre Dovjenko. <em>Histoire (s) du cinéma 2a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine, accompagnée à la guitare : chant russe.\n<em>La chasse aux loups</em> (1977), Vladimir Vissotsky.\n\n\n<b>Écrits\n---</b>\n\n','34’49','','inherit','closed','closed','','13464-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13464,'https://localhost/?p=14237',0,'revision','',0),
(14238,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’12','','inherit','closed','closed','','13465-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13465,'https://localhost/?p=14238',0,'revision','',0),
(14239,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSurexposé : photographie d’un buste de Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nSi je pouvais faire en sorte que ceux qui commandent augmentassent leur connaissances sur ce qu’ils doivent prescrire, et que ceux qui obéissent trouvassent un nouveau plaisir à obéir. <em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','35’14','','inherit','closed','closed','','13466-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13466,'https://localhost/?p=14239',0,'revision','',0),
(14240,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nEnfants  en  Asie  faisant  un  exercice  militaire. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  d\'enfants  chantant  et  criant  ensemble. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’26','','inherit','closed','closed','','13467-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13467,'https://localhost/?p=14240',0,'revision','',0),
(14241,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSurexposé : personnes marchant courbées et vacillantes le long d\'un couloir.\n<em>Alphaville</em> (1965), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJe me croirais le plus heureux des hommes.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','35’31','','inherit','closed','closed','','13468-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13468,'https://localhost/?p=14241',0,'revision','',0),
(14242,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  croirais  le  plus  heureux  des  mortels. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’37','','inherit','closed','closed','','13469-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13469,'https://localhost/?p=14242',0,'revision','',0),
(14243,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSaturé et surexposé : pellicule d’aspect usée et déchirée.\n<em>Notre caméra analytique</em> (2015), Yervant Gianikian et Angela Ricci Lucchi.\n\n\n<b>Voix Off et In\n---</b>\n\nJe me croirais le plus heureux des mortels, si je pouvais faire que les hommes\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’40','','inherit','closed','closed','','13470-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13470,'https://localhost/?p=14243',0,'revision','',0),
(14244,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nCouverture des volumes de <em>l\'Esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\npuissent se guérir de leurs préjugés.\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’50','','inherit','closed','closed','','13471-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13471,'https://localhost/?p=14244',0,'revision','',0),
(14245,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSaturé : visage d’un homme de profil allumant une cigarette.\n<em>Détective</em> (1985), Jean-Luc Godard. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJ\'appelle ici préjugés,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’54','','inherit','closed','closed','','13472-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13472,'https://localhost/?p=14245',0,'revision','',0),
(14246,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nMontage superposé : main tenant une bougie.\n<em>Ivan le terrible</em> (1944 - 46), Sergueï Eisenstein. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nnon pas\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','35’56','','inherit','closed','closed','','13473-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13473,'https://localhost/?p=14246',0,'revision','',0),
(14247,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nce  qui  fait  qu\'on  ignore  de  certaines  choses,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’59','','inherit','closed','closed','','13474-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13474,'https://localhost/?p=14247',0,'revision','',0),
(14248,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSurexposé : buste de Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nmais ce qui fait qu\'on s\'ignore soi-même. (Jean Luc Godard)\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’00','','inherit','closed','closed','','13475-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13475,'https://localhost/?p=14248',0,'revision','',0),
(14249,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nCouteau planté sur une surface noire.\n<em>Au cœur de l\'orage</em> (1948), Jean-Paul Le Chanois.\n\n\n<b>Voix Off et In\n---</b>\n\nE arrivato Zampanò ! è arrivato Zampanò !\n\n\n<b>Bande Son\n---</b>\n\nTambours.\n\n\n<b>Écrits\n---</b>\n\n','36’02','','inherit','closed','closed','','13476-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13476,'https://localhost/?p=14249',0,'revision','',0),
(14250,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nAu ralenti : deux clowns parmi une foule de gens.\n<em>La Strada</em> (1954), Federico Fellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','36’13','','inherit','closed','closed','','13477-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13477,'https://localhost/?p=14250',0,'revision','',0),
(14251,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nFemme au bord d\'une rivière.\n<em>Pastorales Tahitiennes</em> (1893), Paul Gauguin. Alternant, en montage clignotant : homme l’observant à travers une vitre.\n<em>Le Pré de Béjine</em> (1935 - 37), Sergueï Eisenstein. En alternance : femme en blanc des <em>Pastorales tahitiennes</em> (1892), Paul Gauguin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’18','','inherit','closed','closed','','13478-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13478,'https://localhost/?p=14251',0,'revision','',0),
(14252,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nSaturé : homme et femme marchant entre des voitures en feu.\n<em>Weekend</em> (1967), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est qu’il n’est pas\n\n\n<b>Bande Son\n---</b>\n\n<em>Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »)</em> (1704), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\n','36’22','','inherit','closed','closed','','13479-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13479,'https://localhost/?p=14252',0,'revision','',0),
(14253,1,'2023-11-09 08:50:06','2023-11-09 07:50:06','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nplus  permis  à  un  gouvernement \n qu’à  un  individu  d’être  un  assassin.  C’est  que  l’Europe  est  solidaire \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’27','','inherit','closed','closed','','13480-revision-v1','','','2023-11-09 08:50:06','2023-11-09 07:50:06','',13480,'https://localhost/?p=14253',0,'revision','',0),
(14254,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nFemmes décapitant un homme.\n<em>Judith tranchant la tête d’Holopherne</em> (1620), Artemisia Gentileschi.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est que tout ce qui se fait en Europe\nest fait par l’Europe\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’32','','inherit','closed','closed','','13481-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13481,'https://localhost/?p=14254',0,'revision','',0),
(14255,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nHomme  pillant  un  cadavre. \n\n\n<b>Voix Off et In\n---</b>\n\nc’est  que \n s’il  existe  un  gouvernement  \n de  bêtes  fauves \n il  doit  être  traité  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','35’34','','inherit','closed','closed','','13482-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13482,'https://localhost/?p=14255',0,'revision','',0),
(14256,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nHomme  regardant  à  travers  une  caméra.  En  superposition  :  cadavre  d’homme  dans  la  rue. \n\n\n<b>Voix Off et In\n---</b>\n\nen  bête  fauve \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’41','','inherit','closed','closed','','13483-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13483,'https://localhost/?p=14256',0,'revision','',0),
(14257,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nHomme conduisant une voiture à toute vitesse.\n<em>Dr. Mabuse, le joueur</em> (1922), Fritz Lang.\n\nEn superposition : dessin d\'homme. <em>Combats</em> (1915), Ernst Ludwig Kirchner. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’à l’heure qu’il est, tout près de nous là, sous nos yeux on massacre\non incendie\non pille\non extermine\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’44','','inherit','closed','closed','','13484-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13484,'https://localhost/?p=14257',0,'revision','',0),
(14258,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\non  égorge  les  pères  et  les  mères \n on  vend  les  petites  filles  et  les  petits  garçons \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','36’49','','inherit','closed','closed','','13485-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13485,'https://localhost/?p=14258',0,'revision','',0),
(14259,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nFemme avec une tache rouge à la place de son sexe se trouvant situé à la hauteur de la bouche d’un Saturne dont le croquis se superpose au dessin en clignotement léger comme une flamme qui va s’éteindre, avec une femme portant une torche et au bras levé.\n<em>Lady Macbeth somnambule</em> (1781 - 84), Johann Heinrich Füssli. <em>Histoire (s) du cinéma 3a</em>, Jean-Luc Godard (1889 - 99)\n\n\n<b>Voix Off et In\n---</b>\n\non vend les petites filles et les petits garçons\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’52','','inherit','closed','closed','','13486-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13486,'https://localhost/?p=14259',0,'revision','',0),
(14260,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nLady Macbeth id. clignotement id. avec deux corps pendus à un arbre, des taches rouges à la place du sexe et l’un en morceaux accrochés à l’arbre : des bras tranchés et attachés d’une corde à une branche, le corps pendu par les jambes et la tête plantée dans une branche.\n<em>Bel exploit, avec des morts</em> (dans la série des <em>Désastres de la guerre, n. 39</em> (1810 - 1815), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1889 - 99), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est que les enfants trop petits\npour être vendus\non les fend d’un coup de sabre\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’55','','inherit','closed','closed','','13487-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13487,'https://localhost/?p=14260',0,'revision','',0),
(14261,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nGoya id. Clignotant : enfant errant dans une ville.\n<em>Allemagne année zéro</em> (1948), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’on brûle les familles dans les maisons\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','36’58','','inherit','closed','closed','','13488-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13488,'https://localhost/?p=14261',0,'revision','',0),
(14262,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nEnfant errant dans une ville.\n<em>Allemagne année zéro</em> (1948), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’03','','inherit','closed','closed','','13489-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13489,'https://localhost/?p=14262',0,'revision','',0),
(14263,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nId.. Rossellini. En surimpression : homme avec une tête au bout d’un pique.\nGravure des <em>Disparates</em> (1821 - 24), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1889 - 99), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nde sorte qu’aux vivants qui leur ont envoyé le carnage\nles morts envoient la peste, ce qui est bien fait\nnous apprenons aux gouvernements d’Europe\nceci :\nc’est qu’on ouvre les femmes grosses\npour leur tuer les enfants dans les entrailles\n\n\n<b>Bande Son\n---</b>\n\n<em>Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »)</em> (1704), Johann Sebastian Bach.\n\n\n<b>Écrits\n---</b>\n\nLes signes parmi nous.\n','37’09','','inherit','closed','closed','','13490-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13490,'https://localhost/?p=14263',0,'revision','',0),
(14264,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nc’est qu’il y a dans les places publiques\ndes tas de squelettes. (Jean-Luc Godard)\n<em>Pour la Serbie</em> (1876), Victor Hugo.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’25','','inherit','closed','closed','','13491-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13491,'https://localhost/?p=14264',0,'revision','',0),
(14265,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nChat noir descendant les escaliers au ralenti.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nLe sort de la France\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’27','','inherit','closed','closed','','13492-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13492,'https://localhost/?p=14265',0,'revision','',0),
(14266,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nSurexposé : homme se traînant péniblement vers une chaise.\n<em>Docteur Jerry et Mister Love</em> (1963), Jerry Lewis.\n\n\n<b>Voix Off et In\n---</b>\n\nSuivait celui de l’Amérique. Comme dans les contes romantiques allemandes, le chat\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’29','','inherit','closed','closed','','13493-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13493,'https://localhost/?p=14266',0,'revision','',0),
(14267,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nqui  éprouve  à  son  tour  les  amours \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','37’37','','inherit','closed','closed','','13494-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13494,'https://localhost/?p=14267',0,'revision','',0),
(14268,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nPieds marchant au milieu de l\'eau.\n<em>La couleur de la grenade</em> (1968), Sergei Parajanov.\n\n\n<b>Voix Off et In\n---</b>\n\net les ambitions de son maître et les rend dérisoires.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’42','','inherit','closed','closed','','13495-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13495,'https://localhost/?p=14268',0,'revision','',0),
(14269,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nPieds marchant dans la rue.\n<em>Les Olvidados</em> (1950), Luis Buñuel.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCloche d’enterrement.\n\n\n<b>Écrits\n---</b>\n\n','37’44','','inherit','closed','closed','','13496-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13496,'https://localhost/?p=14269',0,'revision','',0),
(14270,1,'2023-11-09 08:50:07','2023-11-09 07:50:07','<b>Images\n---</b>\n\nPhotographie de Marilyn Monroe.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','37’46','','inherit','closed','closed','','13497-revision-v1','','','2023-11-09 08:50:07','2023-11-09 07:50:07','',13497,'https://localhost/?p=14270',0,'revision','',0),
(14271,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nHomme et jeune femme sous la pluie.\n<em>Le premier maître</em> (1965), Andreï Kontchalovski. <em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’47','','inherit','closed','closed','','13498-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13498,'https://localhost/?p=14271',0,'revision','',0),
(14272,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nVisage de femme aux mains jointes dans un geste de prière. En tons rouges :\ndétail de la fresque de la coupole <em>San Antonio de la Florida</em> (1798), Francisco Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','37’50','','inherit','closed','closed','','13499-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13499,'https://localhost/?p=14272',0,'revision','',0),
(14273,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nJean-Luc Godard posant les mains sur un exemplaire de <em>De la certitude</em> (1951), Ludwig Wittgenstein, puis les retirant. En dessous, un autre livre de la Pléiade. Sur un bureau, clés et marqueurs. À côté, <em>JLG / JLG</em> (1995), Jean-Luc Godard. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','37’51','','inherit','closed','closed','','13500-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13500,'https://localhost/?p=14273',0,'revision','',0),
(14274,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nIris : détail, un visage.\n<em>Judith et Holopherne</em> (1820 - 23), Francisco de Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Pourquoi Sarajevo ?\n- On dit deux cents villages brûlés\nil n’y en a que quatre vingt dix neuf\nce que vous appelez la peste\nn’est que le typhus\ntoutes les femmes n’ont pas été violées\n\n\n<b>Bande Son\n---</b>\n\nCloche d’enterrement et silence.\n\n\n<b>Écrits\n---</b>\n\nDes ténèbres\n','37’59','','inherit','closed','closed','','13501-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13501,'https://localhost/?p=14274',0,'revision','',0),
(14275,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ntoutes  les  filles  n’ont  pas  été  vendues \n quelques-unes  ont  échappé \n on  a  châtré  les  prisonniers \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’10','','inherit','closed','closed','','13502-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13502,'https://localhost/?p=14275',0,'revision','',0),
(14276,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nDétail du visage d\'une femme.\n<em>Balcon</em> (1868), Edouard Manet. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nmais on leur a aussi coupé la tête…\n- Parce que la Palestine\n-... à la pointe d’une baïonnette. (Jean-Luc Godard)\n<em>Pour la Serbie</em> (1876), Victor Hugo.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nJe sais à quoi tu penses\n','38’15','','inherit','closed','closed','','13503-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13503,'https://localhost/?p=14276',0,'revision','',0),
(14277,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  cetera,  et  cetera.  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’27','','inherit','closed','closed','','13504-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13504,'https://localhost/?p=14277',0,'revision','',0),
(14278,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nQuatrièmes de couverture des exemplaires des volumes de <em>l\'Esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\nC\'est en cherchant à instruire les hommes, que l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous. L\'homme …\nque l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','38’31','','inherit','closed','closed','','13505-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13505,'https://localhost/?p=14278',0,'revision','',0),
(14279,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nHommes  encagoulés  de  blanc  sur  le  toit  d\'une  voiture  avec  une  croix  en  bois  sur  le  coffre. \n\n\n<b>Voix Off et In\n---</b>\n\nL\'homme,  l’homme \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','38’58','','inherit','closed','closed','','13506-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13506,'https://localhost/?p=14279',0,'revision','',0),
(14280,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nAu ralenti : homme ouvrant un canif avec sa main.\n<em>M le maudit</em> (1931), Fritz Lang. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\ncet être flexible, se pliant dans la société\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’00','','inherit','closed','closed','','13507-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13507,'https://localhost/?p=14280',0,'revision','',0),
(14281,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nHomme  tenant  un  appareil  photo.  \n\n\n<b>Voix Off et In\n---</b>\n\naux  pensées  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’07','','inherit','closed','closed','','13508-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13508,'https://localhost/?p=14281',0,'revision','',0),
(14282,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nFemme mourant dans les bras d\'un homme et s\'effondrant sur le sol.\n\n\n<b>Voix Off et In\n---</b>\n\net aux impressions des autres, est également capable de comprendre sa propre nature. lorsqu\'on la lui montre, et d\'en perdre jusqu\'au sentiment lorsqu\'on la lui dérobe. (Jean-Luc Godard).\n<em>L’esprit des lois</em> (1748), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’09','','inherit','closed','closed','','13509-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13509,'https://localhost/?p=14282',0,'revision','',0),
(14283,1,'2023-11-09 08:50:08','2023-11-09 07:50:08','<b>Images\n---</b>\n\nHomme poussant un autre homme au sol.\n<em>Francesco, giullare di dio</em> (1950), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’30','','inherit','closed','closed','','13510-revision-v1','','','2023-11-09 08:50:08','2023-11-09 07:50:08','',13510,'https://localhost/?p=14283',0,'revision','',0),
(14284,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nPhotographie  d\'un  réalisateur  regardant  à  travers  une  caméra  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’39','','inherit','closed','closed','','13511-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13511,'https://localhost/?p=14284',0,'revision','',0),
(14285,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nSaturé  et  ouverture  iris  entourée  de  noir  :  mains  d\'une  femme  avec  des  ciseaux  coupant  une  pellicule. \n\n\n<b>Voix Off et In\n---</b>\n\n- Books ? \n - Yeah,  in  the  last  barrel \n - Books \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','39’46','','inherit','closed','closed','','13512-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13512,'https://localhost/?p=14285',0,'revision','',0),
(14286,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nHomme trouvant un livre et le lisant, pendant que d\'autres enfants et adultes l\'entourent avec intérêt.\n<em>Vers sa destinée</em> (1939), John Ford.\n\n\n<b>Voix Off et In\n---</b>\n\n- That\'s law.\n- Law, I know that book was about somethin’.\n- Hardly a thumb mark on it either.\n- No sir. We took mighty good care of it. Reckon you can read it, sir ?\n- I expect I could make heads or tails out of it, if I set my mind to it.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','39’48','','inherit','closed','closed','','13513-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13513,'https://localhost/?p=14286',0,'revision','',0),
(14287,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','40’07','','inherit','closed','closed','','13514-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13514,'https://localhost/?p=14287',0,'revision','',0),
(14288,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nHomme allongé, les jambes contre un arbre, un livre à la main.\n<em>Vers sa destinée</em> (1939), John Ford.\n\n\n<b>Voix Off et In\n---</b>\n\nA bas le roi !\nIl a dix femmes dans son lit pour y passer de folles nuits. A Bas le roi !\nVive la loi ! Vive la loi !\nVive le roi ! Peut contenter d’une traite. A bas la loi !\n<em>Chanson paillarde républicaine.</em>\n\n<b>Bande Son\n---</b>\n\nAccordéon, voix féminine.\n\n\n<b>Écrits\n---</b>\n\n','40’10','','inherit','closed','closed','','13515-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13515,'https://localhost/?p=14288',0,'revision','',0),
(14289,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nHomme en menaçant et poussant un autre dans des escaliers.\n<em>Le Chaos</em> (2007), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','40’32','','inherit','closed','closed','','13516-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13516,'https://localhost/?p=14289',0,'revision','',0),
(14290,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','40’36','','inherit','closed','closed','','13517-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13517,'https://localhost/?p=14290',0,'revision','',0),
(14291,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nAu ralenti : homme souriant, les dents découvertes.\n<em>Freaks</em> (1939), Tod Browning. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','40’39','','inherit','closed','closed','','13518-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13518,'https://localhost/?p=14291',0,'revision','',0),
(14292,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nFemme nue, homme lui léchant l’anus.\nExtrait d’un film pornographique.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','40’44','','inherit','closed','closed','','13519-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13519,'https://localhost/?p=14292',0,'revision','',0),
(14293,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nHomme riant, et se couvrant la bouche avec la main.\n<em>Freaks</em> (1939), Tod Browning. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et <em>Arcadiana, Op. 12 : IV. Et … (tango mortale)</em> (1994), Thomas Adès.\n\n\n<b>Écrits\n---</b>\n\n','40’51','','inherit','closed','closed','','13520-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13520,'https://localhost/?p=14293',0,'revision','',0),
(14294,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nSurexposé, en noir et blanc : François Truffaut.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Arcadiana, Op. 12 : IV. Et … (tango mortale)</em> (1994), Thomas Adès.\n\n<b>Écrits\n---</b>\n\n','40’57','','inherit','closed','closed','','13521-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13521,'https://localhost/?p=14294',0,'revision','',0),
(14295,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  Jacques  Rivette. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’00','','inherit','closed','closed','','13522-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13522,'https://localhost/?p=14295',0,'revision','',0),
(14296,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  Eric  Rohmer. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  sent  que  l’on  tombera.  Doit  tomber. \n Va  tomber. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’04','','inherit','closed','closed','','13523-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13523,'https://localhost/?p=14296',0,'revision','',0),
(14297,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nle  secret  et  la  loi \n\n','41’08','','inherit','closed','closed','','13524-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13524,'https://localhost/?p=14297',0,'revision','',0),
(14298,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nSaturé : femme attachée à un poteau, et brûlée vive.\n<em>Jeanne au bûcher</em> (1954) Roberto Rossellini. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’16','','inherit','closed','closed','','13525-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13525,'https://localhost/?p=14298',0,'revision','',0),
(14299,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’30','','inherit','closed','closed','','13526-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13526,'https://localhost/?p=14299',0,'revision','',0),
(14300,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nHomme marchant sous un arbre.\n\n\n<b>Voix Off et In\n---</b>\n\nQu’est-ce que cela fait ? Tout est grâce. Je crois qu’il est mort presque aussitôt. (Jean-Luc Godard).\n<em>Journal d\'un curé de campagne</em> (1951), Robert Bresson.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’32','','inherit','closed','closed','','13527-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13527,'https://localhost/?p=14300',0,'revision','',0),
(14301,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nChars  traversant  une  forêt. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’37','','inherit','closed','closed','','13528-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13528,'https://localhost/?p=14301',0,'revision','',0),
(14302,1,'2023-11-09 08:50:09','2023-11-09 07:50:09','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’41','','inherit','closed','closed','','13529-revision-v1','','','2023-11-09 08:50:09','2023-11-09 07:50:09','',13529,'https://localhost/?p=14302',0,'revision','',0),
(14303,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHommes courbés à genoux ponçant un parquet.\n<em>Les Raboteurs de parquet</em> (1875), Gustave Caillebotte.\n\n\n<b>Voix Off et In\n---</b>\n\nUn homme que la justice a retranché du nombre des vivants\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’43','','inherit','closed','closed','','13530-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13530,'https://localhost/?p=14303',0,'revision','',0),
(14304,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHomme marchant derrière les barreaux d\'une prison.\n<em>La faux coupable</em> (1956), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\nappartient au Parquet. Le Parquet est souverain @\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','41’47','','inherit','closed','closed','','13531-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13531,'https://localhost/?p=14304',0,'revision','',0),
(14305,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nil  ne  dépend  de  personne,  il  ne  relève  que  de  sa  conscience.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','41’54','','inherit','closed','closed','','13532-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13532,'https://localhost/?p=14305',0,'revision','',0),
(14306,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHomme serrant les poings.\n<em>Le faux coupable</em> (1956), Alfred Hitchcock.\n\n\n<b>Voix Off et In\n---</b>\n\nLa prison appartient au Parquet\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’00','','inherit','closed','closed','','13533-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13533,'https://localhost/?p=14306',0,'revision','',0),
(14307,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nil  en  est \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’03','','inherit','closed','closed','','13534-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13534,'https://localhost/?p=14307',0,'revision','',0),
(14308,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nJuge enjoinant à une femme de garder le silence.\n<em>Jour de colère</em> (1943), Carl Theodor Dreyer.\n\n\n<b>Voix Off et In\n---</b>\n\nle maître absolu. (Jean-Luc Godard)\n<em>Scènes de la vie parisienne</em> (1820), Honoré Balzac.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’06','','inherit','closed','closed','','13535-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13535,'https://localhost/?p=14308',0,'revision','',0),
(14309,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHomme marchant dans un long couloir obscure.\n<em>La dame de Shanghai</em> (1948), Orson Welles. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Ils ont vite été relâchés dans la nature.\n- Les Clanton et les Mclaury ont payé leur caution. C’est la loi. C’est la même pour eux que pour toi ou moi.\n- Alors il y a quelque chose qui cloche dans la loi.\n<em>Wyatt Earp</em> (1994), Lawrence Kasdan.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n- Tais toi !\n','42’10','','inherit','closed','closed','','13536-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13536,'https://localhost/?p=14309',0,'revision','',0),
(14310,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Insight</em> (2002), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','42’22','','inherit','closed','closed','','13537-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13537,'https://localhost/?p=14310',0,'revision','',0),
(14311,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nSaturé : hommes marchant en rang, les mains au-dessus de la tête. En arrière-plan : fumée d’incendie.\nTout va bien (1972), Jean Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’23','','inherit','closed','closed','','13538-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13538,'https://localhost/?p=14311',0,'revision','',0),
(14312,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nAu ralenti : homme désignant de la main un point hors-champ.\n<em>Alexandre Nevski</em> (1938), Sergueï Eisenstein et Dmitri Vassiliev.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’32','','inherit','closed','closed','','13539-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13539,'https://localhost/?p=14312',0,'revision','',0),
(14313,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’39','','inherit','closed','closed','','13540-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13540,'https://localhost/?p=14313',0,'revision','',0),
(14314,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nPrisonnier nu, assis et recroquevillé.\n<em>Eau argentée, Syrie autoportrait</em> (2014), Ossama Mohammad et Wiam Simav Bedirxan.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’44','','inherit','closed','closed','','13541-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13541,'https://localhost/?p=14314',0,'revision','',0),
(14315,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nFemme avec un foulard autour de la bouche et du nez regardant à travers les barreaux.\n<em>Tout va bien</em> (1972), Jean Luc Godard. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’52','','inherit','closed','closed','','13542-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13542,'https://localhost/?p=14315',0,'revision','',0),
(14316,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nPrisonnier d\'un camp de concentration regardant à travers la fenêtre d’un train.\n<em>Nuit et brouillard</em> (1956), Alain Resnais. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','42’57','','inherit','closed','closed','','13543-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13543,'https://localhost/?p=14316',0,'revision','',0),
(14317,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nSoldats. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','42’59','','inherit','closed','closed','','13544-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13544,'https://localhost/?p=14317',0,'revision','',0),
(14318,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nManifestation appelant à la grève générale diffusée par la programme télévisé français <em>C\'est dans l\'air</em>.\n\n<b>Voix Off et In\n---</b>\n\nGrève générale,\nJusqu’au retrait total. (2x)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’00','','inherit','closed','closed','','13545-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13545,'https://localhost/?p=14318',0,'revision','',0),
(14319,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHomme dans l\'obscurité, le menton appuyé sur la paume de la main.\n<em>Fantômas</em> (1913), Louis Feuillade. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Et toujours le même slogan, et la même connerie.\n\nTous ensemble, tous ensemble !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’04','','inherit','closed','closed','','13546-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13546,'https://localhost/?p=14319',0,'revision','',0),
(14320,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nBlanc\n\n\n<b>Voix Off et In\n---</b>\n\nGrève générale !\nTous ensemble, tous ensemble !\nIl faut que ça continue, il faut que ça continue pour faire céder ce gouvernement. (Discours de François Ruffin)\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nla société\nest fondée\nsur un crime\nen commun\n<em>La violence et le sacré</em> (1972), René Girard.\n','43’13','','inherit','closed','closed','','13547-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13547,'https://localhost/?p=14320',0,'revision','',0),
(14321,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nHomme recourbé, la tête posée sur un bloc de bois, condamné à mort, puis décapité. <em>Le procès de Charles I</em> (1963), Guy Lessertisseur.\n\n\n<b>Voix Off et In\n---</b>\n\nSouvenez-vous ! (Sigmund Freud)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’20','','inherit','closed','closed','','13548-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13548,'https://localhost/?p=14321',0,'revision','',0),
(14322,1,'2023-11-09 08:50:10','2023-11-09 07:50:10','<b>Images\n---</b>\n\nAu  ralenti  :  personnes  dans  le  procès  de  Nuremberg  (1945 - 46). \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','43’35','','inherit','closed','closed','','13549-revision-v1','','','2023-11-09 08:50:10','2023-11-09 07:50:10','',13549,'https://localhost/?p=14322',0,'revision','',0),
(14323,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Insight</em> (2002), Dobrinka Tabakova.\n\n\n<b>Écrits\n---</b>\n\n','43’46','','inherit','closed','closed','','13550-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13550,'https://localhost/?p=14323',0,'revision','',0),
(14324,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nSaturé et surexposé : femme et fleurs géantes.\n<em>La Fée Libellule</em> (1908), Georges Méliès. <em>Histoire (s) du cinéma 2a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','43’50','','inherit','closed','closed','','13551-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13551,'https://localhost/?p=14324',0,'revision','',0),
(14325,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nPhotographie de Marilyne Monroe. Iris et clignotant : corbeaux s’envolant. <em>Les Oiseaux</em> (1963), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nDevenue adulte, la jeune femme se méfiant de la liberté exagérée, dont le mot souvent répété pourrait faire craindre les excès, tout comme elle sera hostile à la république\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’04','','inherit','closed','closed','','13552-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13552,'https://localhost/?p=14325',0,'revision','',0),
(14326,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’12','','inherit','closed','closed','','13553-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13553,'https://localhost/?p=14326',0,'revision','',0),
(14327,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nBanc de montage. Puis en surimpression : détail de <em>Gabrielle d\'Estrées et une de ses sœurs</em> (1594), Anonyme, École Française.\n\nLa bobine est aussi grande que le buste de la femme et sa pointe ressemble presque à celle du sein de la femme. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nnon par principe, mais parce que l\'Europe\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','44’13','','inherit','closed','closed','','13554-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13554,'https://localhost/?p=14327',0,'revision','',0),
(14328,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nHommes prononçant un discours devant une foule, à la fin du XVII siècle.\n\n\n<b>Voix Off et In\n---</b>\n\nn\'a pas les vertus nécessaires. (Jean-Luc Godard).\n<em>Mémoire de la reine Hortense</em> (1831), Hortense de Beauharnais.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','44’16','','inherit','closed','closed','','13555-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13555,'https://localhost/?p=14328',0,'revision','',0),
(14329,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nPlusieurs personnes dansant dans une salle. <em>This Country\'s Going to War, Duck soup</em> (1933), Leo McCarey.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>This Country\'s Going to War, Duck soup</em> (1933), Leo McCarey. Et voix qui chantent.\n\n\n<b>Écrits\n---</b>\n\n','44’21','','inherit','closed','closed','','13556-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13556,'https://localhost/?p=14329',0,'revision','',0),
(14330,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  rebels,  c’est  vous ?  Vous  vous  insurgez  contre  l’ordre \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nt \n\n','44’24','','inherit','closed','closed','','13557-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13557,'https://localhost/?p=14330',0,'revision','',0),
(14331,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nChat se retournant, l’air terrifié. Cartoon de Tex Avery. En surimpression : texte.\n<em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Non, contre les privilèges !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nmontage\ninter\ndit /\npar\nandré\nbazin\n','44’28','','inherit','closed','closed','','13558-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13558,'https://localhost/?p=14331',0,'revision','',0),
(14332,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nAdolescent parlant à une caméra, habillé en soldat avec un foulard sur la tête.\n\n\n<b>Voix Off et In\n---</b>\n\nDevant nous de la République\nL\'étendard …\n(réécriture de <em>La Marseillaise</em>, paroles de l’Abbé René Charles de Lusson)\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine chantant <em>La Marseillaise</em>.\n\n\n<b>Écrits\n---</b>\n\nEt je vous invite à égorger les mécréants\n','44’34','','inherit','closed','closed','','13559-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13559,'https://localhost/?p=14332',0,'revision','',0),
(14333,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nAdolescent tirant avec une arme à feu sur un autre dans les couloirs d\'une école.\n<em>Elephant</em> (2003), Gus Van Sant.\n\n\n<b>Voix Off et In\n---</b>\n\nla sensation mentale qu’il éprouvait depuis quelques temps, se transforma en un tourbillon de ténèbres\n\n\n<b>Bande Son\n---</b>\n\nCoup de mitraillette.\n\n\n<b>Écrits\n---</b>\n\n','44’37','','inherit','closed','closed','','13560-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13560,'https://localhost/?p=14333',0,'revision','',0),
(14334,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  pauvres  gens,  ceux  pour  qui  j’avais  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’41','','inherit','closed','closed','','13561-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13561,'https://localhost/?p=14334',0,'revision','',0),
(14335,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nAu ralenti : femme grimpant dans un wagon de marchandises d\'un train du documentaire <em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n<b>Voix Off et In\n---</b>\n\nJe les préfère [les pauvres]\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’44','','inherit','closed','closed','','13562-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13562,'https://localhost/?p=14335',0,'revision','',0),
(14336,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nDessin : femme, homme et deux enfants manipulant une lanterne magique.\n<em>Histoire (s) du cinéma 3b</em> (1988 - 98), Jean-Luc Godard.\n\n<b>Voix Off et In\n---</b>\n\nmais uniquement parce qu\'ils sont les vaincus. (Jean-Luc Godard)\n<em>Les Conquérants</em> (1928), André Malraux.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','44’50','','inherit','closed','closed','','13563-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13563,'https://localhost/?p=14336',0,'revision','',0),
(14337,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nGris \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','44’55','','inherit','closed','closed','','13564-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13564,'https://localhost/?p=14337',0,'revision','',0),
(14338,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nHomme avec un chapeau mexicain et une moustache, l\'air en colère.\n<em>Viva Villa !</em> (1934), Jack Conway.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n<b>Écrits\n---</b>\n\n','44’56','','inherit','closed','closed','','13565-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13565,'https://localhost/?p=14338',0,'revision','',0),
(14339,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nAu ralenti : Cavaliers passant au-dessus d’un jeune homme enterré jusqu’aux épaules.\n<em>Que Viva Mexico !</em> (1931 - 1979), Sergueï Eisenstein.\n\n\n<b>Voix Off et In\n---</b>\n\n[Bruit d\'une voiture qui freine et accélère]\nEt bien des fois abandonné cet ouvrage\n\n\n<b>Bande Son\n---</b>\n\nFreinage et accélération de la voiture.\n\n\n<b>Écrits\n---</b>\n\n','44’58','','inherit','closed','closed','','13566-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13566,'https://localhost/?p=14339',0,'revision','',0),
(14340,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nHomme passant la main à travers le feu d’une cheminée.\n<em>Les visiteurs du soir</em> (1942), Marcel Carné.\n\n\n<b>Voix Off et In\n---</b>\n\nJe suivais mon objet sans former de dessein @ je ne connaissais ni les règles\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','45’06','','inherit','closed','closed','','13567-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13567,'https://localhost/?p=14340',0,'revision','',0),
(14341,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nni  les  exceptions. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’15','','inherit','closed','closed','','13568-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13568,'https://localhost/?p=14341',0,'revision','',0),
(14342,1,'2023-11-09 08:50:11','2023-11-09 07:50:11','<b>Images\n---</b>\n\nPaysage de jour, paisible.\n<em>JLG / JLG</em> (1995), Jean-Luc Godard.\n\nEn alternance : homme à cheval semblant mort, battu par le vent.\n<em>Nan of the Music Mountain</em> (1917), G. H. Melford. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nJe ne trouvais la vérité que pour la perdre. (Jean-Luc Godard).\n<em>L’Esprit des lois</em> (1887), Montesquieu.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’16','','inherit','closed','closed','','13569-revision-v1','','','2023-11-09 08:50:11','2023-11-09 07:50:11','',13569,'https://localhost/?p=14342',0,'revision','',0),
(14343,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl n’y a que de traits noir. <em>Histoire de l’art, « L’art moderne », I</em>, (1921), Elie Faure,.\n<em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’19','','inherit','closed','closed','','13570-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13570,'https://localhost/?p=14343',0,'revision','',0),
(14344,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nSaturé  et  surexposé  en  tons  rouges  :  flammes  et  fumée  s\'élevant  à  l\'horizon. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nViolons.  Sergei  Sergeyevich  Prokofiev. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’21','','inherit','closed','closed','','13571-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13571,'https://localhost/?p=14344',0,'revision','',0),
(14345,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','45’28','','inherit','closed','closed','','13572-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13572,'https://localhost/?p=14345',0,'revision','',0),
(14346,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nCouverture du livre de science-fiction.\n<em>La fin du A</em> (1984), A. E. Van Vogt.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’30','','inherit','closed','closed','','13573-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13573,'https://localhost/?p=14346',0,'revision','',0),
(14347,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nÉcoliers aux bras croisés, l\'air sérieux.\nLuis Buñuel (1932), <em>Las Hurdes. Liberté et Patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\n- Vous êtes un drôle de pistolet, c\'est ça que vous vouliez dire à la tribune, pourquoi vous ne l’avez pas dit ?\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’37','','inherit','closed','closed','','13574-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13574,'https://localhost/?p=14347',0,'revision','',0),
(14348,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nFragment de texte.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je l\'ai dit mais je n\'ai pas su me faire entendre.\n\nEn même temps : Ce qui joue ici, ce n\'est pas seulement cette vision rétrospective des choses qui considère tout le passé comme préparant le fait accompli.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\nplus la pein la la\ndans la boue j\nplus soif la lang\nse referme elle\ndroite à présent c’\nl’image\n\n[je souris encore ce n\'est plus la peine depuis longtemps ce n\'est plus la peine la langue ressort va dans la boue je reste comme ça plus soif la langue rentre la bouche se referme elle doit faire une ligne droite à présent c\'est fait j\'ai fait l\'image], <em>Image</em> (1950), Samuel Beckett. <em>Histoire (s) du cinéma 1a</em> (1988 - 98), Jean-Luc Godard.\n','45’46','','inherit','closed','closed','','13575-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13575,'https://localhost/?p=14348',0,'revision','',0),
(14349,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nAu ralenti : foule se pressant et tendant les mains.\n<em>Metropolis</em> (1927), Fritz Lang. <em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est également une certaine interférence des événements qui embrouille tout. (Jean-Luc Godard).\n<em>Guerre et Paix</em> (1867), Léon Tolstoï.\n\nLes phares, éteignez les phares !\n<em>Nuit du carrefour</em> (1932), Jean Renoir.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','45’51','','inherit','closed','closed','','13576-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13576,'https://localhost/?p=14349',0,'revision','',0),
(14350,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','46’00','','inherit','closed','closed','','13577-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13577,'https://localhost/?p=14350',0,'revision','',0),
(14351,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nFemme au nez en sang se faisant pousser par des policiers et juge parlant animeusement.\n<em>Vladimir et Rosa</em> (1971), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nPolitique, ça veut dire quoi politique ?!\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','46’02','','inherit','closed','closed','','13578-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13578,'https://localhost/?p=14351',0,'revision','',0),
(14352,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nJuge parlant animeusement.\n<em>Vent d’est</em> (1969), Jean-Luc Godard et Jean-Pierre Gorin.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','46’03','','inherit','closed','closed','','13579-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13579,'https://localhost/?p=14352',0,'revision','',0),
(14353,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nJuge en hauteur, derrière le banc, dans une salle d\'audience.\n<em>La terreur et la vertu</em> (1964), Stellio Lorenzi.\n\n\n<b>Voix Off et In\n---</b>\n\nDeux discours solennels prononcés par un homme se chevauchent.\n\nLe dieu des prêtres est différent de l’être suprême. Le véritable prêtre de l’être suprême c’est la nature, son temple, l’univers, son culte, la vertu, ses fêtes, la joie d’un grand peuple rassemblé sous ses yeux pour resserrer les doux nœuds de la fraternité universelle et pour lui présenter l’hommage des cœurs sensibles et pures. <em>Sur le rapport des idées religieuses et morales avec les principes républicains et sur les fêtes nationales</em> (1866), Maximilien de Robespierre.\n\n- Vous devez savoir, si le ressort du gouvernement populaire dans la paix est la vertu. En temps de guerre, le ressort du gouvernement populaire est par nécessité la terreur, mais toujours la vertu,\ncar la vertu sans la terreur est impuissante, mais la terreur sans la vertue est funeste. <em>Sur les principes de morale politique qui doivent guider la Convention nationale dans l’administration intérieure de la République</em> (1794), Maximilien de Robespierre.\n- Tout cela est bel et bon\n\n\n<b>Bande Son\n---</b>\n\nApplaudissements.\n\n\n<b>Écrits\n---</b>\n\n','46’06','','inherit','closed','closed','','13580-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13580,'https://localhost/?p=14353',0,'revision','',0),
(14354,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nCouverture d’un exemplaire de <em>De l’Esprit des Lois</em> (1748), Montesquieu.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nApplaudissements.\n\n\n<b>Écrits\n---</b>\n\n','46’24','','inherit','closed','closed','','13581-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13581,'https://localhost/?p=14354',0,'revision','',0),
(14355,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nSurexposé et saturé en tons rouge : photographie des manifestations en Grèce (2015), <em>Alkis Konstantinidis</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','46’27','','inherit','closed','closed','','13582-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13582,'https://localhost/?p=14355',0,'revision','',0),
(14356,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nSurexposée  et  saturé  en  tons  rouges  et  jaunes  :  presque  illisible. \n\n\n<b>Voix Off et In\n---</b>\n\n-  Qu’est-ce  qu’elle  dit ?  J’entends  rien ! \n \n\n\n<b>Bande Son\n---</b>\n\nId. et  vagues \n\n\n<b>Écrits\n---</b>\n\n\n\n','46’42','','inherit','closed','closed','','13583-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13583,'https://localhost/?p=14356',0,'revision','',0),
(14357,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nEn surimpression : défilement d’une pellicule dans un iris. Couple au projecteur.\n<em>La Prison</em> (1949), Ingmar Bergman. <em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Elle dit que les pauvres sauveront le monde\n<em>Notre Musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','46’52','','inherit','closed','closed','','13584-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13584,'https://localhost/?p=14357',0,'revision','',0),
(14358,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','46’59','','inherit','closed','closed','','13585-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13585,'https://localhost/?p=14358',0,'revision','',0),
(14359,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nFemme mourant dans les bras d\'une autre femme essayant de parler à un homme devant elle répétant à haute voix ce qu\'il entend.\n<em>Notre Musique</em> (2004), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIls ne demanderont rien en échange. Ils ne savent pas le prix du service rendu. Ils feront cette colossale affaire.\n\n\n<b>Bande Son\n---</b>\n\nBrusquement : silence.\n\n\n<b>Écrits\n---</b>\n\n','47’01','','inherit','closed','closed','','13586-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13586,'https://localhost/?p=14359',0,'revision','',0),
(14360,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt … \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','47’46','','inherit','closed','closed','','13587-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13587,'https://localhost/?p=14360',0,'revision','',0),
(14361,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nFemme effrayée à la vue d\'un monstre, puis s’évanouissant.\n<em>La belle et la bête</em> (1946), Jean Cocteau. <em>Histoire (s) du cinéma 2b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nOù allez-vous ?\n\n\n<b>Bande Son\n---</b>\n\nBande son du film <em>La belle et la bête</em> (1946), Jean Cocteau.\n\n\n<b>Écrits\n---</b>\n\n','47’50','','inherit','closed','closed','','13588-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13588,'https://localhost/?p=14361',0,'revision','',0),
(14362,1,'2023-11-09 08:50:12','2023-11-09 07:50:12','<b>Images\n---</b>\n\nFemme avec bâton à la main et policier avec un chapeau saluant le publique.\n<em>Un drame chez les fantoches</em> (1908), Emile Cohl.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','47’58','','inherit','closed','closed','','13589-revision-v1','','','2023-11-09 08:50:12','2023-11-09 07:50:12','',13589,'https://localhost/?p=14362',0,'revision','',0),
(14363,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','48’00','','inherit','closed','closed','','13590-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13590,'https://localhost/?p=14363',0,'revision','',0),
(14364,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n5 \n LA  RÉGION  CENTRALE  \n (Michael  Snow,  1971) \n\n','48’02','','inherit','closed','closed','','13591-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13591,'https://localhost/?p=14364',0,'revision','',0),
(14365,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nSaturé et au ralenti : chemin avec des pierres.\n<em>La Région Centrale</em> (1971), Michael Snow.\n\n\n<b>Voix Off et In\n---</b>\n\nC’est une brève histoire, que celle de l’extinction en masse des espèces.\nEn bref, le plus gros des dégradations environnementales d’aujourd’hui est le fait de deux groupes. Le milliard le plus riche et le milliard le plus pauvre. Les plus riches détruisent l’environnement global par leur surconsommation rapide des ressources et leur production de déchets. Tandis que les plus pauvres détruisent leurs ressources par nécessité et par absence de choix.\n<em>Une brève histoire de l\'extinction en masse des espèces</em> (2010), Franz J.\nBroswimmer.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','48’16','','inherit','closed','closed','','13592-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13592,'https://localhost/?p=14365',0,'revision','',0),
(14366,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nSaturé  et  surexposé  en  tons  rouges  et  jaunes  :  homme  assis. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','48’58','','inherit','closed','closed','','13593-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13593,'https://localhost/?p=14366',0,'revision','',0),
(14367,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nSaturé et surexposé en tons bleus : presque illisible.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','49’00','','inherit','closed','closed','','13594-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13594,'https://localhost/?p=14367',0,'revision','',0),
(14368,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nHomme portant un chapeau haut de forme et tenant une loupe devant son œil.\n<em>Dossier Secret [Mr Arkadin]</em> (1955), Orson Welles.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nBande son de <em>Dossier Secret [Mr Arkadin]</em> (1955), Orson Welles.\n\n\n<b>Écrits\n---</b>\n\n','49’03','','inherit','closed','closed','','13595-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13595,'https://localhost/?p=14368',0,'revision','',0),
(14369,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nHommage\nA la Catalogne\n','49’15','','inherit','closed','closed','','13596-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13596,'https://localhost/?p=14369',0,'revision','',0),
(14370,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','49’18','','inherit','closed','closed','','13597-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13597,'https://localhost/?p=14370',0,'revision','',0),
(14371,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nHomme tenant d\'une main le revers de sa veste, remonté jusqu\'au cou.\n<em>La terre</em> (1930), Alexandre Dovjenko.\n<em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nEt pourtant aimer ceux qui sont capable de faire cela. Etre aimé d\'eux peut-être. Qu\'attendre de plus de l\'amour ? Quelle rage de leur demander encore des comptes. Mais lui aussi parlait lentement. Cet amour ne t\'empêchait pas de coucher avec ce type, alors que tu pensais si nous étions vivants.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','49’24','','inherit','closed','closed','','13598-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13598,'https://localhost/?p=14371',0,'revision','',0),
(14372,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nFemme se tenant la main devant la bouche, l\'air perdu et pensif.\n<em>La terre</em> (1930), Alexandre Dovjenko. <em>Liberté et patrie</em> (2002), Jean-Luc Godard et Anne-Marie Miéville.\n\n\n<b>Voix Off et In\n---</b>\n\nMais nous sommes vivants ! – Vous m\'interrogez avec quelque chose qui n\'est pas vivant en vous et qui cherche en moi quelque chose qui ne peux pas vivre. Cela c’est une souffrance, c\'est l\'angoisse, c\'est l\'attente, lorsque le temps est toujours de trop et que toutefois le temps manque au temps... Dans l’attente le temps qui permet d’attendre se perd pour mieux répondre à l’attente. Et l’attente qui a lieu dans le temps ouvre le temps à l’absence de temps où il n’y a pas lieu d’attendre. (Jean-Luc Godard).\n<em>L’attente, l’oubli</em> (1962), Maurice Blanchot.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','50’03','','inherit','closed','closed','','13599-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13599,'https://localhost/?p=14372',0,'revision','',0),
(14373,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nHe  oui  Ninon,  c’est  une  fille \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','50’58','','inherit','closed','closed','','13600-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13600,'https://localhost/?p=14373',0,'revision','',0),
(14374,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nMains d\'un vieil homme tournées vers le haut.\n<em>Histoire (s) du cinéma 1b / 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a les cinq doigts. On accomplirait l’acte rédempteur.\nLa main. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’00','','inherit','closed','closed','','13601-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13601,'https://localhost/?p=14374',0,'revision','',0),
(14375,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nDessin de main tournée vers le bas.\n<em>Liberté et patrie</em>, Jean-Luc Godard et Anne-Marie Miéville (2002).\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’09','','inherit','closed','closed','','13602-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13602,'https://localhost/?p=14375',0,'revision','',0),
(14376,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nMain  d\'homme  reposant  sur  une  main  de  femme.  La  main  de  femme  repose  sur  une  épaule. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’12','','inherit','closed','closed','','13603-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13603,'https://localhost/?p=14376',0,'revision','',0),
(14377,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  un  long  moment  après \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’16','','inherit','closed','closed','','13604-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13604,'https://localhost/?p=14377',0,'revision','',0),
(14378,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nDessin  de  Bécassine.  Caumery  et  Pinchon. \n\n\n<b>Voix Off et In\n---</b>\n\nParce  que  les  histoires  que  l\'on  raconte  vont  moins  vite  que  les  actions  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’20','','inherit','closed','closed','','13605-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13605,'https://localhost/?p=14378',0,'revision','',0),
(14379,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nne  s\'accomplissent  (Jean-Luc  Godard). \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','51’29','','inherit','closed','closed','','13606-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13606,'https://localhost/?p=14379',0,'revision','',0),
(14380,1,'2023-11-09 08:50:13','2023-11-09 07:50:13','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','51’32','','inherit','closed','closed','','13607-revision-v1','','','2023-11-09 08:50:13','2023-11-09 07:50:13','',13607,'https://localhost/?p=14380',0,'revision','',0),
(14381,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nFemme tenant un trousseau de clés à la main et touchant une clé sur laquelle est écrit « unica ».\n<em>Les Enchaînés, [Notorious]</em> (1946), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’35','','inherit','closed','closed','','13608-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13608,'https://localhost/?p=14381',0,'revision','',0),
(14382,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nLa femme serrant dans ses bras un homme et, derrière sa tête, dérobant une clé d’un trousseau.\n<em>Les Enchaînés, [Notorious]</em> (1946), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','51’51','','inherit','closed','closed','','13609-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13609,'https://localhost/?p=14382',0,'revision','',0),
(14383,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nSOUS  LES  YEUX \n DE  L’OCCIDENT \n\n','51’57','','inherit','closed','closed','','13610-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13610,'https://localhost/?p=14383',0,'revision','',0),
(14384,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nHomme poussé les mains derrière le dos par d\'autres hommes. Images retransmises dans le documentaire\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nCris\n\n\n<b>Écrits\n---</b>\n\n','51’59','','inherit','closed','closed','','13611-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13611,'https://localhost/?p=14384',0,'revision','',0),
(14385,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nPetite fille portant un nourrisson sur l\'épaule et, à côté d\'elle, trois autres enfants, habillés de haillons.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','52’01','','inherit','closed','closed','','13612-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13612,'https://localhost/?p=14385',0,'revision','',0),
(14386,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’06','','inherit','closed','closed','','13613-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13613,'https://localhost/?p=14386',0,'revision','',0),
(14387,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nDans un roman,\n\n\n<b>Bande Son\n---</b>\n\nArpèges à la guitare. <em>Raf Raf</em> (1991), Anouar Brahem.\n\n\n<b>Écrits\n---</b>\n\nHEUREUSE ARABIE\n<em>L\'Arabie heureuse : souvenirs de voyages en Afrique et en Asie</em> (1860), Alexandre Dumas.\n','52’08','','inherit','closed','closed','','13614-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13614,'https://localhost/?p=14387',0,'revision','',0),
(14388,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nSaturé : enfant sur le toit d\'une maison, vu de dos, regardant le reste de la ville.\n\n\n<b>Voix Off et In\n---</b>\n\nDans un roman l\'intérêt, dans le pire des cas, vient du fait que\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','52’10','','inherit','closed','closed','','13615-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13615,'https://localhost/?p=14388',0,'revision','',0),
(14389,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\ntrès  souvent  les  situations  quelconques  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’21','','inherit','closed','closed','','13616-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13616,'https://localhost/?p=14389',0,'revision','',0),
(14390,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nFemme tenant à la main une clé.\n<em>Meshes of afternoon</em> (1943), Maya Deren, Alexandr Hackenschmied.\n\n\n<b>Voix Off et In\n---</b>\n\nont un comportement assez\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’23','','inherit','closed','closed','','13617-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13617,'https://localhost/?p=14390',0,'revision','',0),
(14391,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nproche  du  pire  des  cas. \n (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nLES  \n PARADIS \n PERDUS \n\n','52’26','','inherit','closed','closed','','13618-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13618,'https://localhost/?p=14391',0,'revision','',0),
(14392,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nDessin  de  soldat  avec  une  épée  et  un  bouclier  orné  d\'un  croissant  et  d’une  étoile. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  féminine  chantant  en  arabe.  \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’33','','inherit','closed','closed','','13619-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13619,'https://localhost/?p=14392',0,'revision','',0),
(14393,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nArmée avec des lances, des épées et des boucliers en marche.\n<em>Constantinople</em>, Faruk Aksoy, (2012).\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Taabani Nibniou</em>, Hedi Jouini (1993).\n\n\n<b>Écrits\n---</b>\n\n','52’35','','inherit','closed','closed','','13620-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13620,'https://localhost/?p=14393',0,'revision','',0),
(14394,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nSaturé en tons rouge : homme agenouillé avec un drapeau à la main.\n<em>Le visage de Dieu</em> (2014), Bahram Aloui.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’41','','inherit','closed','closed','','13621-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13621,'https://localhost/?p=14394',0,'revision','',0),
(14395,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nTourné  en  noir  et  blanc  et  surexposé  :  photographie  de  Hosni  Moubarak,  ancien  Président  de  la  République  arabe  d\'Égypte. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  peux  mourir  tranquille \n (Albert  Cossery) \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’45','','inherit','closed','closed','','13622-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13622,'https://localhost/?p=14395',0,'revision','',0),
(14396,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nHomme parlant à une femme vêtue d\'une tenue traditionnelle arabe.\n<em>La bandera</em> (1935), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\nTe souviens-tu encore comment nous entraînions autrefois notre pensée. Le plus souvent nous partions d\'un rêve. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','52’47','','inherit','closed','closed','','13623-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13623,'https://localhost/?p=14396',0,'revision','',0),
(14397,1,'2023-11-09 08:50:14','2023-11-09 07:50:14','<b>Images\n---</b>\n\nJeune  homme  dormant  avec  un  keffieh.  En  surimpression  :  femmes  agées  dansant  et  jouant  cérémonieusement  de  la  musique  autour  d\'une  jeune  femme  à  la  poitrine  nue. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  sens  toujours  très  bien  les  mains  dans  les  poches  même  si  j’ai  pas  un  sou. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’54','','inherit','closed','closed','','13624-revision-v1','','','2023-11-09 08:50:14','2023-11-09 07:50:14','',13624,'https://localhost/?p=14397',0,'revision','',0),
(14398,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nPhotographie  en  noir  et  blanc  d’un  homme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos. \n\n\n<b>Voix Off et In\n---</b>\n\nJe  me  suis  toujours  senti  un  fils  de  roi. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','52’58','','inherit','closed','closed','','13625-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13625,'https://localhost/?p=14398',0,'revision','',0),
(14399,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nHomme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  tous  les  égyptiens  se  sentent  un  peu  fils  de  roi. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’01','','inherit','closed','closed','','13626-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13626,'https://localhost/?p=14399',0,'revision','',0),
(14400,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSaturé en tous rouge : désert.\n<em>The Thief of Baghdad</em> (1978), Cline Donner.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nAu violon : musique traditionnelle arabe. Personnes discutant.\n\n\n<b>Écrits\n---</b>\n\n','53’04','','inherit','closed','closed','','13627-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13627,'https://localhost/?p=14400',0,'revision','',0),
(14401,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSaturé en tons rouge : homme portant de l’encens fumant.\n<em>Aladdin\'s magic lamp</em> (1967), Boris Rytsarev.\n\n\n<b>Voix Off et In\n---</b>\n\nL’orient est plus philosophe que l’occident,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’07','','inherit','closed','closed','','13628-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13628,'https://localhost/?p=14401',0,'revision','',0),
(14402,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nJeune homme et jeune femme ayant des rapports sexuels la nuit dans une chambre.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\net le moindre vanupieds vous dira de choses extraordinaires\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’15','','inherit','closed','closed','','13629-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13629,'https://localhost/?p=14402',0,'revision','',0),
(14403,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSur  la  vie,  sur  le  monde.  Et  vous  entendez  chacun  est  philosophe \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’18','','inherit','closed','closed','','13630-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13630,'https://localhost/?p=14403',0,'revision','',0),
(14404,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nTrois personnes sur un tapis volant.\n<em>Le voleur de Bagdad</em> (1924), Raoul Walsh.\n\n\n<b>Voix Off et In\n---</b>\n\nParce que il a le temps de réfléchir, de penser, de voir le monde passer\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’26','','inherit','closed','closed','','13631-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13631,'https://localhost/?p=14404',0,'revision','',0),
(14405,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nArmée romaine devant les murs d\'une ville du Moyen-Orient.\n<em>Il Messia</em> (1975), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nEn occident\n(Albert Cossery)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','53’29','','inherit','closed','closed','','13632-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13632,'https://localhost/?p=14405',0,'revision','',0),
(14406,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nCroisés à cheval avec des armures et des drapeaux passant sous les acclamations de la foule.\n<em>The Crusades</em> (1935), Cecil B DeMille.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence, puis cris d’acclamation.\n\n\n<b>Écrits\n---</b>\n\n','53’33','','inherit','closed','closed','','13633-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13633,'https://localhost/?p=14406',0,'revision','',0),
(14407,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','53’38','','inherit','closed','closed','','13634-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13634,'https://localhost/?p=14407',0,'revision','',0),
(14408,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSaturé : soldats en guerre.\n<em>Adieu Bonaparte</em> (1985), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nArrêtez ! Oh le con.\n- Vous ne savez pas qui vous êtes, vous voyez bien. Le christianisme, c’est le refus de se connaître, c’est la mort du langage.\n<em>Détective</em> (1985), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nTirs au pistolet, puis klaxon.\n\n\n<b>Écrits\n---</b>\n\n','53’41','','inherit','closed','closed','','13635-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13635,'https://localhost/?p=14408',0,'revision','',0),
(14409,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nInscriptions en arabe sur fond noir du film <em>Socialisme</em> (2010), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nSilence je vous ai dit.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','53’57','','inherit','closed','closed','','13636-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13636,'https://localhost/?p=14409',0,'revision','',0),
(14410,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nAu  ralenti  :  femme  se  précipitant  pour  ramasser  un  tissu  et  s’en  couvrant  jusqu\'au  nez. \n\n\n<b>Voix Off et In\n---</b>\n\nTout  à  coup,  il  aperçut  à  l’horizon  derrière  Tunis,  comme  des  brouillards  légers,  qui  se  traînaient  contre  le  sol  @  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’03','','inherit','closed','closed','','13637-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13637,'https://localhost/?p=14410',0,'revision','',0),
(14411,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  personnages  presque  invisibles. \n\n\n<b>Voix Off et In\n---</b>\n\npuis  ce  fut  un  grand  rideau  de  poudre  grise  perpendiculairement  étalé,  et,  dans  les  tourbillons  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’15','','inherit','closed','closed','','13638-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13638,'https://localhost/?p=14411',0,'revision','',0),
(14412,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSurexposé, et saturé en tons bleu clair, rouges et verts : navire voguant dans la mer et drapeaux qui flottent dans le vent.\n\n\n<b>Voix Off et In\n---</b>\n\nde cette masse nombreuse,\ndes têtes de dromadaires, des lances,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','54’24','','inherit','closed','closed','','13639-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13639,'https://localhost/?p=14412',0,'revision','',0),
(14413,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  mer  avec  de  la  vapeur  flottant  au  loin  dans  l’air. \n\n\n<b>Voix Off et In\n---</b>\n\ndes  boucliers  parurent.  C’était  l’armée  des  Barbares  qui  s’avançait  sur  Carthage.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','54’30','','inherit','closed','closed','','13640-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13640,'https://localhost/?p=14413',0,'revision','',0),
(14414,1,'2023-11-09 08:50:15','2023-11-09 07:50:15','<b>Images\n---</b>\n\nCaravane dans le désert.\n<em>Il Messia</em> (1975), Roberto Rossellini.\n\n\n<b>Voix Off et In\n---</b>\n\nOh Salammbô.(Jean-Luc Godard).\n<em>Salammbô</em> (1862), Gustave Flaubert.\n\n\n<b>Bande Son\n---</b>\n\n<em>Aube rouge à Grozny</em> (2000), Anouar Trio Brahem.\n\n\n<b>Écrits\n---</b>\n\n','54’37','','inherit','closed','closed','','13641-revision-v1','','','2023-11-09 08:50:15','2023-11-09 07:50:15','',13641,'https://localhost/?p=14414',0,'revision','',0),
(14415,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','55’07','','inherit','closed','closed','','13642-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13642,'https://localhost/?p=14415',0,'revision','',0),
(14416,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nSaturé, au ralenti : deux mains déboutonnant une robe bleue.\n<em>Méditerranée</em> (1963), Jean Daniel Pollet.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’11','','inherit','closed','closed','','13643-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13643,'https://localhost/?p=14416',0,'revision','',0),
(14417,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nDans  l’ombre  de  l’Occident. \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nCES  FLEURS \n                          PERDUES \n DANS  LE  VENT \n\n','55’33','','inherit','closed','closed','','13644-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13644,'https://localhost/?p=14417',0,'revision','',0),
(14418,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nSaturé en tons jaunes et rouges : hommes creusant avec des pelles dans le désert. Groupe d\'arabophones essayant d\'embarquer sur un bateau en plein désert.\n<em>Les Baliseurs du désert</em> (1984), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est certain que la représentation, plus particulièrement l’acte de représenter (et donc de réduire) implique presque toujours\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’35','','inherit','closed','closed','','13645-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13645,'https://localhost/?p=14418',0,'revision','',0),
(14419,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nFemme nue dans dans une réplique miniature de ville du Moyen-Orient, puis capturée par un homme à cheval déguisé en soldat croisé.\n<em>Passion</em> (1982), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nimplique presque toujours une violence envers le sujet de la représentation. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','55’59','','inherit','closed','closed','','13646-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13646,'https://localhost/?p=14419',0,'revision','',0),
(14420,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nAu ralenti, saturé de bleu : croisé levant l’épée pour frapper.\n<em>Passion</em> (1982), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl y a\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','56’02','','inherit','closed','closed','','13647-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13647,'https://localhost/?p=14420',0,'revision','',0),
(14421,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nun réel contraste entre la violence de l’acte de représenter et le calme intérieur de la représentation elle-même. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','56’10','','inherit','closed','closed','','13648-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13648,'https://localhost/?p=14421',0,'revision','',0),
(14422,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nSaturé  :  film  en  couleur  pris  avec  une  petite  caméra  numérique  en  2016  d’une  ville  de  bord  de  mer  avec  un  homme  à  vélo.  Au  ralenti  :  deux  enfants  cherchant  quelque  chose  entre  les  rochers,  les  pieds  dans  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence,  et  vagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','56’22','','inherit','closed','closed','','13649-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13649,'https://localhost/?p=14422',0,'revision','',0),
(14423,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nFoule de personnes se bousculant dans la rue.\n<em>De l’origine du XX siècle</em> (2000), Jean. Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIls sont pris entre “ salamalecs ” et “ charabia ”, et les Arabes n\'intéressent pas “ le monde ”. Les musulmans non plus. Si l\'islam retient politiquement l\'attention, le “ monde arabe ” est d’abord décor et paysage.\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','56’40','','inherit','closed','closed','','13650-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13650,'https://localhost/?p=14423',0,'revision','',0),
(14424,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nDeux  soldats  intimant  à  une  personne  de  lever  les  mains  et  de  faire  face  au  mur. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  monde  arabe  s\'il  existe  en  tant  que  monde  n\'est  jamais  regardé  en  tant  que  tel.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’09','','inherit','closed','closed','','13651-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13651,'https://localhost/?p=14424',0,'revision','',0),
(14425,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nDe nouveau, petite fille portant un bébé sur les épaules, trois autres enfants habillés de haillons à ses côtés.\n<em>De l’origine du XXI siècle</em> (2000), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nIl est toujours examiné comme un ensemble relativement à un pays du moyen-orient. <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’17','','inherit','closed','closed','','13652-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13652,'https://localhost/?p=14425',0,'revision','',0),
(14426,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’19','','inherit','closed','closed','','13653-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13653,'https://localhost/?p=14426',0,'revision','',0),
(14427,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nJeune femme ramant sur un lac, aidée par un jeune homme assis derrière elle.\n<em>Les Dernières vacances</em>, (1947), Roger Leenhardt. <em>Histoire (s) du cinéma 4b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nCes citoyens, ces amants de la patrie, dans l’excès de leur passion, auraient voulu mourir pour elle\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’23','','inherit','closed','closed','','13654-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13654,'https://localhost/?p=14427',0,'revision','',0),
(14428,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nSaturé en tons bleus : homme à cheval au milieu d\'un paysage vallonné.\n<em>Paysage et cavalier</em>, aquarelle réalisée au cours du trajet Tanger-Meknès (1832), Eugène Delacroix.\n\n\n<b>Voix Off et In\n---</b>\n\net ils allaient la tuer.\n<em>Histoire de la Révolution française</em> (1847 - 1853), Jules Michelet.\n\nLes défauts\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’33','','inherit','closed','closed','','13655-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13655,'https://localhost/?p=14428',0,'revision','',0),
(14429,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nSurexposé  :  autre  aquarelle  d’homme  au  turban  à  cheval  de  Eugène  Delacroix. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  les  enjeux \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','57’39','','inherit','closed','closed','','13656-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13656,'https://localhost/?p=14429',0,'revision','',0),
(14430,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nFemme étendant du linge, autre femme se lavant au bord d\'un ruisseau.\n<em>Femme qui se lave et sa servante Maures</em> (1854), Eugene Delacroix\nPeinture.\n\n\n<b>Voix Off et In\n---</b>\n\nLes arabes, les arabes peuvent-ils parler. (Jean-Luc Godard). <em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’42','','inherit','closed','closed','','13657-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13657,'https://localhost/?p=14430',0,'revision','',0),
(14431,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nFemme interpellée bruyamment alors qu\'elle traverse une rue dans une ville du Moyen-Orient, puis se retournant.\n<em>Djamila</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nDjamila, Djamila !\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’52','','inherit','closed','closed','','13658-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13658,'https://localhost/?p=14431',0,'revision','',0),
(14432,1,'2023-11-09 08:50:16','2023-11-09 07:50:16','<b>Images\n---</b>\n\nJeune homme levant les mains et montrant les paumes, puis plaçant d’un geste lent la main droite sur la paume gauche.\n<em>Les Baliseurs du désert</em>, Nacer Khémir (1984), cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\nLes arabes peuvent-ils parler. (Jean-Luc Godard).\n<em>Dans l\'ombre de l\'Occident @ les Arabes peuvent-ils parler ?</em> (2014), Edward W. Saïd et Seloua Luste Boulbina.\n\nÀ demi-voix, d’une voix douce et faible disant de grandes choses : d’importantes, d’étonnantes, de profondes et justes choses,\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','57’58','','inherit','closed','closed','','13659-revision-v1','','','2023-11-09 08:50:16','2023-11-09 07:50:16','',13659,'https://localhost/?p=14432',0,'revision','',0),
(14433,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nHomme attrapant une colombe et la sortant de sa petite maison accrochée au mur.\n<em>Le collier perdu de la colombe</em> (1991), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nd’une voix douce et faible. La menace du tonnerre, la présence d’absolus dans une voix de rougegorge\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’16','','inherit','closed','closed','','13660-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13660,'https://localhost/?p=14433',0,'revision','',0),
(14434,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nSaturé : homme et enfant marchant dans le désert.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir, cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\ndans le détail fin d’une flûte, et la délicatesse du son pur. Tout le soleil suggérait, au moyen d’un demi-sourire demie voix...\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','58’27','','inherit','closed','closed','','13661-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13661,'https://localhost/?p=14434',0,'revision','',0),
(14435,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nHomme se jetant sur une robe posée sur le toit d\'une maison de terre cuite dans une ville du Moyen-Orient.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’36','','inherit','closed','closed','','13662-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13662,'https://localhost/?p=14435',0,'revision','',0),
(14436,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nSaturé  :  maisons  se  reflétant  dans  l\'eau. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  d’une  sorte  de  murmure  en  français  infiniment  pur. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','58’44','','inherit','closed','closed','','13663-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13663,'https://localhost/?p=14436',0,'revision','',0),
(14437,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nAu ralenti : enfant poussant une roue de voiture.\n\n\n<b>Voix Off et In\n---</b>\n\nQui n’eût saisi les mots, qui l’eût ouï à quelque distance, aurait cru qu’il disait des riens. Et c’étaient des riens pour l’oreille, rassurée. (Julie Delpy).\n<em>À propos de Stéphane Mallarmé. À demi-voix</em> (1939), Paul Valery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','58’55','','inherit','closed','closed','','13664-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13664,'https://localhost/?p=14437',0,'revision','',0),
(14438,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nTremblant de droite à gauche : ville en ruines avec des soldats cachés, armes à la main.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\n','59’04','','inherit','closed','closed','','13665-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13665,'https://localhost/?p=14438',0,'revision','',0),
(14439,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nSurexposé  :  pinceau  projetant  de  l\'aquarelle  sur  une  feuille  de  papier. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  ce  contraste  et  cette  musique  cette  voix  ridant  l’air  à  peine  cette  puissance  chuchotée  ces  perspectives, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','59’10','','inherit','closed','closed','','13666-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13666,'https://localhost/?p=14439',0,'revision','',0),
(14440,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nEnfants jouant dans la rue, autres enfants avec un scooter et un chat.\n\n\n<b>Voix Off et In\n---</b>\n\nces découvertes, ces abîmes et ces manœuvres devinées ce sourire congédiant l’univers. <em>Psaume sur une voix, Autres Rhumbs</em> (1927), Paul Valéry. <em>Histoires du cinéma 4a</em> (1989 - 99), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nVoix d’enfants.\n\n\n<b>Écrits\n---</b>\n\n','59’22','','inherit','closed','closed','','13667-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13667,'https://localhost/?p=14440',0,'revision','',0),
(14441,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nJeune femme parlant au téléphone en arabe, observée par un homme au chapeau de prière musulman situé derrière la vitre d’une cabine téléphonique.\n<em>Gare Centrale</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\nJeune femme [traduction du dialecte égyptien]:\nIl faut que je vois. Il faut que je te vois, tu as été absent pendant quatre ans. Je m\'en fiche. Dis leur n\'importe quoi. Je t\'attendrai à la gare. Mon chéri...\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','59’36','','inherit','closed','closed','','13668-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13668,'https://localhost/?p=14441',0,'revision','',0),
(14442,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nVoix d\'un enfant criant [traduction du dialecte palestinien]:\nMonsieur le juge, la guerre a brûlé mes livres !\n<em>Histoires du cinéma 4b</em> (1989 - 99), Jean-Luc Godard.\n\nVoix d’homme récitant un poème du poète palestinien Mahmoud Darwich en arabe [traduction de l’arabe classique]:\nJe t\'ai donné un instant. Et j\'ai passé un moment. Mais ton visage n\'est pas... et ton kohl un maquillage similaire au mascara] est devenu ciment. Et les fusils. J\'ai eu peur de la mort mais j\'ai souris. J\'ai porté la blessure des blessés pour un instant. Oh mon dieu... Je t\'ai cherché sous le palmier. On l\'a traîné...\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','59’57','','inherit','closed','closed','','13669-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13669,'https://localhost/?p=14442',0,'revision','',0),
(14443,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nPeut-être \n Que  \n Dans \n Mille  et  un \n Jours \n \n Racontera  \n cela \n\n','1h00’03','','inherit','closed','closed','','13670-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13670,'https://localhost/?p=14443',0,'revision','',0),
(14444,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nClignotant : deux nouveaux mots s’ajoutent au texte précédemment affiché.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nPeut-être\nQue\nDans\nMille et un\nJours\nScheherazade\nRacontera\nCela\nautrement\n','1h00’04','','inherit','closed','closed','','13671-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13671,'https://localhost/?p=14444',0,'revision','',0),
(14445,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nPhotographie d\'une personne morte et défigurée, au crâne fendu.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’09','','inherit','closed','closed','','13672-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13672,'https://localhost/?p=14445',0,'revision','',0),
(14446,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nFemme parlant devant un brasier. Main d\'une autre personne s\'approchant et posant l\'index sur sa lèvre inférieure.\n<em>Les silences du passé</em> (1994), Moufida Tlatli.\n\n\n<b>Voix Off et In\n---</b>\n\nVoix d\'un homme parlant en arabe. <em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Bande Son\n---</b>\n\nCoups de mitraillette. <em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Écrits\n---</b>\n\n','1h00’13','','inherit','closed','closed','','13673-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13673,'https://localhost/?p=14446',0,'revision','',0),
(14447,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nDe nouveau, personne morte et défigurée au crâne fendu.\n<em>Ici et ailleurs</em> (1976), Jean-Luc Godard / Groupe Dziga Vertov.\n\n\n<b>Voix Off et In\n---</b>\n\nId.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’22','','inherit','closed','closed','','13674-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13674,'https://localhost/?p=14447',0,'revision','',0),
(14448,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nSaturé  :  cadavres  dans  un  paysage  désertique. \n\n\n<b>Voix Off et In\n---</b>\n\nId. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h00’31','','inherit','closed','closed','','13675-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13675,'https://localhost/?p=14448',0,'revision','',0),
(14449,1,'2023-11-09 08:50:17','2023-11-09 07:50:17','<b>Images\n---</b>\n\nSaturé  en  tons  bleus  :  personne  nageant  dans  l\'eau. \n\n\n<b>Voix Off et In\n---</b>\n\nId. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h00’41','','inherit','closed','closed','','13676-revision-v1','','','2023-11-09 08:50:17','2023-11-09 07:50:17','',13676,'https://localhost/?p=14449',0,'revision','',0),
(14450,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nSaturée en tons verts et rouges : femmes habillées plongeant dans un fleuve.\n<em>La saison des hommes</em> (2002), Moufida Tlatli.\n\n\n<b>Voix Off et In\n---</b>\n\nId.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h00’47','','inherit','closed','closed','','13677-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13677,'https://localhost/?p=14450',0,'revision','',0),
(14451,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nLivre feuilleté\n<em>L\'Arabie heureuse. Souvenirs de voyages en Afrique et en Asie</em> (1860), Hadji-Abd-El-Hamid Bey, publié par Alexandre Dumas.\n\n\n<b>Voix Off et In\n---</b>\n\nQue n’a-t-on pas écrit la nuit ? pourtant de ce qui fut écrit à partir de ces visions par Holderlin, Rimbaud.\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h00’54','','inherit','closed','closed','','13678-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13678,'https://localhost/?p=14451',0,'revision','',0),
(14452,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nNous parlions de ce qu’on voit dans un rêve\nNous nous demandions comment, dans l’obscurité totale peuvent surgir parmi nous\n\n\n<b>Bande Son\n---</b>\n\nVoix masculine d’un muezzin, en arabe.\nPuis, après à la guitare. <em>Thimar, 6. Uns</em> (1998), Anouar Brahem, John Surman, Dave Holland.\n\n\n<b>Écrits\n---</b>\n\n','1h01’06','','inherit','closed','closed','','13679-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13679,'https://localhost/?p=14452',0,'revision','',0),
(14453,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nSaturé : aquarelle représentant un homme marchant entre des maisons.\n<em>Vue dans une ruelle</em> (1914), August Macke.\n\n\n<b>Voix Off et In\n---</b>\n\nde couleurs de telle intensité\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’18','','inherit','closed','closed','','13680-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13680,'https://localhost/?p=14453',0,'revision','',0),
(14454,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nMains de Godard feuilletant des images, dont un dessin stylisé d’une femme en robe bleue.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nElles sont le produit de notre savoir\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’20','','inherit','closed','closed','','13681-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13681,'https://localhost/?p=14454',0,'revision','',0),
(14455,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nAquarelle de femme en robe.\n<em>Histoire (s) du cinéma 1b</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nconcernant la lumière\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’23','','inherit','closed','closed','','13682-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13682,'https://localhost/?p=14455',0,'revision','',0),
(14456,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nHomme allongé sur un lit regardant au plafond où des images semblent être projetées.\n\n\n<b>Voix Off et In\n---</b>\n\nLe savoir voit !\n\nLe contrepoint est une discipline de la superposition des lignes mélodiques.\n\n\n<b>Bande Son\n---</b>\n\n<em>Concerto pour violon no 2 en mi mineur, Op. 64 (MWV O 14)</em> (1844), Félix Mendelssohn.\n\n\n<b>Écrits\n---</b>\n\nPASSEPORT\nVERS\nLE RÉEL\n','1h01’25','','inherit','closed','closed','','13683-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13683,'https://localhost/?p=14456',0,'revision','',0),
(14457,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLes  mélodies  n’ont  pas  besoin  d’être  identiques \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’35','','inherit','closed','closed','','13684-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13684,'https://localhost/?p=14457',0,'revision','',0),
(14458,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nAquarelle d\'un âne au milieu des maisons.\n<em>Vue sur une mosquée</em> (1914), August Macke.\n\n\n<b>Voix Off et In\n---</b>\n\nnon plus que parentes, étrangères l\'une à l\'autre. Elles ne font pas obstacle à la composition\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h01’44','','inherit','closed','closed','','13685-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13685,'https://localhost/?p=14458',0,'revision','',0),
(14459,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  il  faut  les  tenir  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’49','','inherit','closed','closed','','13686-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13686,'https://localhost/?p=14459',0,'revision','',0),
(14460,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nPhotographie  d\'un  pinceau  posé  sur  une  feuille  peinte. \n\n\n<b>Voix Off et In\n---</b>\n\ntoutes  les  deux  ensemble  et  en  même  temps.  Dans  l\'harmonie  les  accords  produisent  les  mélodies.  \n\n\n<b>Bande Son\n---</b>\n\nId. et  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h01’53','','inherit','closed','closed','','13687-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13687,'https://localhost/?p=14460',0,'revision','',0),
(14461,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nSurexposé et en tons jaunes : trois femmes faisant la vaisselle dans des bacs de fer posés à même le sol.\n<em>Tamaout</em> (1970), Marc’o.\n\n\n<b>Voix Off et In\n---</b>\n\nDans le contrepoint ce sont des mélodies elles-mêmes dont dont à l\'inverse résultent les accords. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h02’07','','inherit','closed','closed','','13688-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13688,'https://localhost/?p=14461',0,'revision','',0),
(14462,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h02’16','','inherit','closed','closed','','13689-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13689,'https://localhost/?p=14462',0,'revision','',0),
(14463,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nTrois filles et un garçon jouant dans une piscine.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h02’21','','inherit','closed','closed','','13690-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13690,'https://localhost/?p=14463',0,'revision','',0),
(14464,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nSaturé  :  soleil  couchant  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h02’39','','inherit','closed','closed','','13691-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13691,'https://localhost/?p=14464',0,'revision','',0),
(14465,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Piano Quintet, Op. 18 - 4. Largo</em> (1944), Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\nHEUREUSE\nARABIE\n\n<em>Hasards de l\'Arabie heureuse</em> (2005), Frederic Prokosch.\n','1h02’48','','inherit','closed','closed','','13692-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13692,'https://localhost/?p=14465',0,'revision','',0),
(14466,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nSaturé  et  surexposé  :  bateau  au  milieu  de  la  mer  et  pêcheurs. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h02’55','','inherit','closed','closed','','13693-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13693,'https://localhost/?p=14466',0,'revision','',0),
(14467,1,'2023-11-09 08:50:18','2023-11-09 07:50:18','<b>Images\n---</b>\n\nFemme  se  peingnant  les  mains  de  symboles  géométriques. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’08','','inherit','closed','closed','','13694-revision-v1','','','2023-11-09 08:50:18','2023-11-09 07:50:18','',13694,'https://localhost/?p=14467',0,'revision','',0),
(14468,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nSaturé  :  mer  ondulante  vue  d\'un  golfe. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence,  puis  vagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’09','','inherit','closed','closed','','13695-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13695,'https://localhost/?p=14468',0,'revision','',0),
(14469,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. et  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’41','','inherit','closed','closed','','13696-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13696,'https://localhost/?p=14469',0,'revision','',0),
(14470,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nJeune femme pleurant sur une plage, hommes chantant en arabe en arrière-plan. <em>La fièvre</em> (2014), Safia Benhaïm.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nVoix masculines accompagnées d’instruments à percussions.\n\n\n<b>Écrits\n---</b>\n\n','1h03’47','','inherit','closed','closed','','13697-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13697,'https://localhost/?p=14470',0,'revision','',0),
(14471,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h03’57','','inherit','closed','closed','','13698-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13698,'https://localhost/?p=14471',0,'revision','',0),
(14472,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nEn noir et blanc : bris de vitres de voitures.\n<em>Djamila</em> (1958), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nExplosion et vitres cassées.\n\n\n<b>Écrits\n---</b>\n\n','1h03’58','','inherit','closed','closed','','13699-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13699,'https://localhost/?p=14472',0,'revision','',0),
(14473,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nFemme nue s’alongeant sur un homme nu sur un lit.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h04’00','','inherit','closed','closed','','13700-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13700,'https://localhost/?p=14473',0,'revision','',0),
(14474,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nFemme  embrassant  les  pieds  d\'un  homme. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’05','','inherit','closed','closed','','13701-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13701,'https://localhost/?p=14474',0,'revision','',0),
(14475,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nHomme marchant sur des toits de maisons au moyen-orient.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\nTrès loin, très bas, l’océan … cent millions de vagues.\nElles rampaient vers les côtes invisibles de Dofa,\n\n\n<b>Bande Son\n---</b>\n\nId. puis coups de mitraillette.\n\n\n<b>Écrits\n---</b>\n\n','1h04’07','','inherit','closed','closed','','13702-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13702,'https://localhost/?p=14475',0,'revision','',0),
(14476,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nLac  et  ciel  entourés  de  montagnes. \n\n\n<b>Voix Off et In\n---</b>\n\nsi  lentes  que,  vues  d’en  haut,  d’en  plein  ciel  en  ciel,  elles  ne  donnaient  qu’à  peine  l’impression  de  bouger \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’24','','inherit','closed','closed','','13703-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13703,'https://localhost/?p=14476',0,'revision','',0),
(14477,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nSaturé  :  hommes  et  femmes  sur  une  plage,  bateau. \n\n\n<b>Voix Off et In\n---</b>\n\nElles  glissaient  sur  la  mer  avec  l’indolente  précision  d\'un  dessin  de  Damas  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’35','','inherit','closed','closed','','13704-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13704,'https://localhost/?p=14477',0,'revision','',0),
(14478,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nqui semble comme un grand réseau blanc sur une feuille\n\n\n<b>Bande Son\n---</b>\n\nArpèges à la guitare. <em>Raf Raf</em> (1991), Anouar Brahem.\n\n\n<b>Écrits\n---</b>\n\nARCHÉOLOGIE\nET PIRATES\n','1h04’42','','inherit','closed','closed','','13705-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13705,'https://localhost/?p=14478',0,'revision','',0),
(14479,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  quatre  enfants  au  milieu  de  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\nde  verre  bleu.  De  place  en  place, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’45','','inherit','closed','closed','','13706-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13706,'https://localhost/?p=14479',0,'revision','',0),
(14480,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nPhoto  d\'un  coucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\ndans  cette  transparence,  la  forme  d\'un  poisson  frémissait  puis  s\'éclipsait,  raie  géant  peut-être, \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h04’52','','inherit','closed','closed','','13707-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13707,'https://localhost/?p=14480',0,'revision','',0),
(14481,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nCoucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\noù  requin  sur  la  voie  d\'eau  plus  froide.  Vers  le  nord.  S’aplatissait  un  archipel  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’00','','inherit','closed','closed','','13708-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13708,'https://localhost/?p=14481',0,'revision','',0),
(14482,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nZoomé  :  coucher  de  soleil  sur  la  mer. \n\n\n<b>Voix Off et In\n---</b>\n\ncortège  de  crocodiles,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’09','','inherit','closed','closed','','13709-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13709,'https://localhost/?p=14482',0,'revision','',0),
(14483,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nSurexposé  :  hommes  dans  un  bateau. \n\n\n<b>Voix Off et In\n---</b>\n\nvers  les  jardins  du  sud,  vers  le  nord.  Les  pirogues  s\'aplatissaient.  Un  archipel  posé  sur  la  plaque  de  verre  comme  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’16','','inherit','closed','closed','','13710-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13710,'https://localhost/?p=14483',0,'revision','',0),
(14484,1,'2023-11-09 08:50:19','2023-11-09 07:50:19','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ndes moustiques.\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’26','','inherit','closed','closed','','13711-revision-v1','','','2023-11-09 08:50:19','2023-11-09 07:50:19','',13711,'https://localhost/?p=14484',0,'revision','',0),
(14485,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nSaturé  en  tons  rouge  :  désert,  dunes. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’27','','inherit','closed','closed','','13712-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13712,'https://localhost/?p=14485',0,'revision','',0),
(14486,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nVieil  homme  soufflant  sur  des  braises  placées  sur  une  brique,  et  posant  une  cafetière  dessus. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’30','','inherit','closed','closed','','13713-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13713,'https://localhost/?p=14486',0,'revision','',0),
(14487,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nPalmiers  secoués  par  un  vent  fort. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVent \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’36','','inherit','closed','closed','','13714-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13714,'https://localhost/?p=14487',0,'revision','',0),
(14488,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nRue  bruyante  d\'une  ville  du  Moyen  Orient  vue  d’un  balcon.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nChanson  en  arabe  provenant  d’une  radio  résonnant  dans  la  ville.  \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h05’41','','inherit','closed','closed','','13715-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13715,'https://localhost/?p=14488',0,'revision','',0),
(14489,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nSurexposé et déformé : masque d’aigle sur un homme dont on voit les mains au bas du cadre.\n<em>Judex</em> (1964), Georges Franju.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h05’45','','inherit','closed','closed','','13716-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13716,'https://localhost/?p=14489',0,'revision','',0),
(14490,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nAu ralenti : femme au balcon vue de dos, se retournant.\n<em>La mome vert de gris</em> (1953), Bernard borderie.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’52','','inherit','closed','closed','','13717-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13717,'https://localhost/?p=14490',0,'revision','',0),
(14491,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nFemme dansant en regardant la caméra.\n<em>La bandera</em> (1935), Julien Duvivier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h05’55','','inherit','closed','closed','','13718-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13718,'https://localhost/?p=14491',0,'revision','',0),
(14492,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nPhoto  d\'une  rue  d’une  ville  prise  avec  un  téléphone  portable  depuis  un  balcon. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nExplosions  et  cris. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’00','','inherit','closed','closed','','13719-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13719,'https://localhost/?p=14492',0,'revision','',0),
(14493,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nAu  ralenti  :  homme  enflammé  courant. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’06','','inherit','closed','closed','','13720-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13720,'https://localhost/?p=14493',0,'revision','',0),
(14494,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nDeux  hommes  lisant  le  Coran  et  priant. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  livre.  Les  religions  du  livre  ont  forgé  nos  sociétés \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’12','','inherit','closed','closed','','13721-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13721,'https://localhost/?p=14494',0,'revision','',0),
(14495,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nHomme sortant d\'une maison en pierre et en saluant d’autres en leur tendant la main.\n<em>Il fiore delle mille e una notte</em> (1974), Pier Paolo Pasolini.\n\n\n<b>Voix Off et In\n---</b>\n\net nous avons sacralisé les textes.\nTables de la lois, dix commencements, rouleaux de la Torah, Bible, Coran etc.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h06’19','','inherit','closed','closed','','13722-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13722,'https://localhost/?p=14495',0,'revision','',0),
(14496,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  fallait  (Jean-Luc  Godard) \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’36','','inherit','closed','closed','','13723-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13723,'https://localhost/?p=14496',0,'revision','',0),
(14497,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nPeinte  à  la  main  sur  un  fond  noir  :  « Le  Livre  d’\' »  écrit  en  rouge  et  « Image »  écrit  en  blanc. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’38','','inherit','closed','closed','','13724-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13724,'https://localhost/?p=14497',0,'revision','',0),
(14498,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nSaturé  :  vidéo  prise  du  sommet  d\'une  montagne,  montrant  la  mer.  Le  bruit  du  vent  perturbe  le  microphone. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVent. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h06’41','','inherit','closed','closed','','13725-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13725,'https://localhost/?p=14498',0,'revision','',0),
(14499,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nEn noir et blanc : femme dansant tandis que des hommes et des femmes assis à table la regardent.\n<em>La mome vert de gris</em> (1953), Bernard borderie.\n\n\n<b>Voix Off et In\n---</b>\n\nIci, à Dofa, la capitale de l\'Émirat, il était inconcevable qu’un mouvement subversif se soit constitué\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h06’50','','inherit','closed','closed','','13726-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13726,'https://localhost/?p=14499',0,'revision','',0),
(14500,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nHomme et enfant entrant dans une pièce remplie de fumée de cigarette, où de nombreux hommes sont assis à table tout en regardant un écran, se plaignant de la main, et à haute-voix. Ils s’asseyent à table et commandent de la nourriture à un serveur.\n\n\n<b>Voix Off et In\n---</b>\n\nVous êtes conscients je suppose que toutes les histoires racontées se montrent parties.\n\nquelque rumeur autre que les explosions\n\n\n<b>Bande Son\n---</b>\n\nId. puis voix humaines.\n\n\n<b>Écrits\n---</b>\n\n','1h06’55','','inherit','closed','closed','','13727-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13727,'https://localhost/?p=14500',0,'revision','',0),
(14501,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nSaturé  en  tons  jaunes  et  rouges,  et  sous-exposé  :  puit  de  pétrole  en  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\nEn  effet  la  grande  puissance  impérialiste  qui  étendait  son  emprise  politique  sur  tous  les  États  du  Golfe  ne  s’intéressait  plus  à  Dofa  depuis  qu’il  était  clair  que  son  sous-sol  ne  renfermait  pas  de  pétrole. \n \n En  superposition  la  voix  de  Jean-Luc  Godard :  un  gouvernement  assez  puissant  pour  donner  aux  gens  tout  ce  qu\'ils  veulent,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h07’28','','inherit','closed','closed','','13728-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13728,'https://localhost/?p=14501',0,'revision','',0),
(14502,1,'2023-11-09 08:50:20','2023-11-09 07:50:20','<b>Images\n---</b>\n\nHomme  tirant  de  nuit  sur  des  fêtards  réunis  autour  d\'un  feu.  Fêtards  s\'enfuyant  à  la  vue  de  l\'homme. \n\n\n<b>Voix Off et In\n---</b>\n\nassez  puissant  pour  leur  prendre  tout  ce  qu’ils  ont. \n \n Les  frondeurs  irréductibles  de  l’ordre  établi  avaient  depuis  longtemps  renoncé  à  toute  action  brutale \n\n\n<b>Bande Son\n---</b>\n\nId. puis  chants,  coups  de  fusil  et  cris. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h07’50','','inherit','closed','closed','','13729-revision-v1','','','2023-11-09 08:50:20','2023-11-09 07:50:20','',13729,'https://localhost/?p=14502',0,'revision','',0),
(14503,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nSous-exposé, en noir et blanc : personnes autour d\'un feu.\n\n\n<b>Voix Off et In\n---</b>\n\nla considérant comme inadéquate dans cet oasis misérable\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h08’13','','inherit','closed','closed','','13730-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13730,'https://localhost/?p=14503',0,'revision','',0),
(14504,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  où  régnait  une  paix  souveraine  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’21','','inherit','closed','closed','','13731-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13731,'https://localhost/?p=14504',0,'revision','',0),
(14505,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nPaysage semi désert, vu d\'une route.\n\n\n<b>Voix Off et In\n---</b>\n\ncar, là où il n\'y a rien, même les scélérats se résignent à l\'indigence. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h08’24','','inherit','closed','closed','','13732-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13732,'https://localhost/?p=14505',0,'revision','',0),
(14506,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’32','','inherit','closed','closed','','13733-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13733,'https://localhost/?p=14506',0,'revision','',0),
(14507,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nHaut et bas de l’écran noircis pour imiter la vision d’une personne portant une burqa. Au milieu de l’écran, à travers la fente : femmes marchant couvertes d’une burqa.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h08’36','','inherit','closed','closed','','13734-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13734,'https://localhost/?p=14507',0,'revision','',0),
(14508,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’52','','inherit','closed','closed','','13735-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13735,'https://localhost/?p=14508',0,'revision','',0),
(14509,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nVisage  d\'une  femme  chantant  en  arabe. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoix  féminine,  en  arabe. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’55','','inherit','closed','closed','','13736-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13736,'https://localhost/?p=14509',0,'revision','',0),
(14510,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nSaturé  en  tons  oranges  et  jaunes  :  match  de  football  à  la  télévision  aaccompagné  des  mots  d’un  commentateur  sportif  et  photographie  en  couleur  seppia  de  deux  footballers. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h08’59','','inherit','closed','closed','','13737-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13737,'https://localhost/?p=14510',0,'revision','',0),
(14511,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’11','','inherit','closed','closed','','13738-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13738,'https://localhost/?p=14511',0,'revision','',0),
(14512,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nHomme  et  femme  regardant  la  télévision. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  ne  pouvait  cependant  oublier  leur  aptitude  à  se  surpasser  dans  l\'abjection  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’12','','inherit','closed','closed','','13739-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13739,'https://localhost/?p=14512',0,'revision','',0),
(14513,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nMains d\'un homme enchaîné.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nlorsqu\'ils sont soutenus\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h09’23','','inherit','closed','closed','','13740-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13740,'https://localhost/?p=14513',0,'revision','',0),
(14514,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nPetit enfant marchant dans une rue à la lumière du soleil sur laquelle se découpent les ombres des pales d\'un moulin.\nÀ côté de lui, homme enchaîné et gardé par trois autres hommes.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\net conseillés par des criminels d\'une plus grande envergure venus de l\'extérieur.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h09’26','','inherit','closed','closed','','13741-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13741,'https://localhost/?p=14514',0,'revision','',0),
(14515,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSamantar \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’38','','inherit','closed','closed','','13742-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13742,'https://localhost/?p=14515',0,'revision','',0),
(14516,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nVisage  d\'un  jeune  homme  appuyant  sur  une  vitre  reflétant  son  image. \n\n\n<b>Voix Off et In\n---</b>\n\nétait  convaincu  que  la  pauvreté  d’un  pays  était  sa  seule  sauvegarde  contre  les  rapaces  armés  ou  non. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’44','','inherit','closed','closed','','13743-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13743,'https://localhost/?p=14516',0,'revision','',0),
(14517,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nDeux  petites  filles  au  foulard  sur  la  tête.  Mains  de  personnes  applaudissant. \n\n\n<b>Voix Off et In\n---</b>\n\nqui  n\'attendaient  qu\'une  promesse  de  profit  pour  venir  le  conquérir,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h09’58','','inherit','closed','closed','','13744-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13744,'https://localhost/?p=14517',0,'revision','',0),
(14518,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  chameaux  et  hommes  marchant  en  file  dans  le  désert. \n\n\n<b>Voix Off et In\n---</b>\n\nle  détruire  et  le  pourrir \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’01','','inherit','closed','closed','','13745-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13745,'https://localhost/?p=14518',0,'revision','',0),
(14519,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nFemme  vue  de  dos,  regardant  un  âne. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  Samantar  remerciait  le  ciel  d\'être  né  sur  cette  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’05','','inherit','closed','closed','','13746-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13746,'https://localhost/?p=14519',0,'revision','',0),
(14520,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nAu  ralenti,  en  noir  et  blanc  :  homme  marchant  dans  une  rue,  une  arme  à  la  main. \n\n\n<b>Voix Off et In\n---</b>\n\nterre  désertique  démunie  de  toute  matière  première  et  assez  ingrate  pour  décourager  les  marchés.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’14','','inherit','closed','closed','','13747-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13747,'https://localhost/?p=14520',0,'revision','',0),
(14521,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLe  plus  stupéfiant  dans  cette  affaire  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h10’26','','inherit','closed','closed','','13748-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13748,'https://localhost/?p=14521',0,'revision','',0),
(14522,1,'2023-11-09 08:50:21','2023-11-09 07:50:21','<b>Images\n---</b>\n\nRue et marché en plein air dans une ville du Moyen-Orient.\n<em>La fièvre</em> (2014), Safia Benhaïm.\n\n\n<b>Voix Off et In\n---</b>\n\nétait que les attentats étaient revendiqués par une soi-disant\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h10’31','','inherit','closed','closed','','13749-revision-v1','','','2023-11-09 08:50:21','2023-11-09 07:50:21','',13749,'https://localhost/?p=14522',0,'revision','',0),
(14523,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSaturé : trois personnes sur une plage rocheuse au bord d\'une mer.\n\n\n<b>Voix Off et In\n---</b>\n\nforce de libération du golfe totalement inconnue et dont les tracts mal imprimés se targuaient d\'un vocabulaire révolutionnaire depuis longtemps dépassé. (Jean-Luc Godard). <em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId. puis vent.\n\n\n<b>Écrits\n---</b>\n\n','1h10’38','','inherit','closed','closed','','13750-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13750,'https://localhost/?p=14523',0,'revision','',0),
(14524,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h11’30','','inherit','closed','closed','','13751-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13751,'https://localhost/?p=14524',0,'revision','',0),
(14525,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSurexposé et saturé : deux hommes debout dans une voiture au toit ouvert, et criant des phrases en arabe.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n[traduction de l’arabe] : Le volontariat dans la brigade de... La vie est une posture...\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’32','','inherit','closed','closed','','13752-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13752,'https://localhost/?p=14525',0,'revision','',0),
(14526,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nNi  l\'importance  du  territoire  de  Dofa … \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h11’35','','inherit','closed','closed','','13753-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13753,'https://localhost/?p=14526',0,'revision','',0),
(14527,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSous-exposée : homme se déplaçant dans l\'ombre.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’40','','inherit','closed','closed','','13754-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13754,'https://localhost/?p=14527',0,'revision','',0),
(14528,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nRalenti et sous exposé : main glissant trois doigts dans l’ouverture d\'une porte, pour l\'ouvrir.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n<b>Voix Off et In\n---</b>\n\nJournal télévisé [traduction de l’arabe standard] :\nNous ne savons pas jusqu\'à présent jusqu\'où pourra aller la riposte russe mais le climat ambiant laisse à penser que l\'attaque ne...\n\nVoix d’homme :\nni la conjoncture politique dans la région n\'avaient\n\nresté jusqu\'ici en dehors de l\'éclatante prospérité\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h11’46','','inherit','closed','closed','','13755-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13755,'https://localhost/?p=14528',0,'revision','',0),
(14529,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSurexposé  et  saturé,  au  ralenti  :  rangée  de  personnes  vêtues  de  blanc  se  tenant  les  mains,  et  les  déplaçant  vers  l\'arrière.  Puis  pieds  en  tongs  dansant. \n\n\n<b>Voix Off et In\n---</b>\n\ndes  émirats  voisins  pouvait  d\'un  jour  à  l\'autre  devenir  un  enfer. \n\n\n<b>Bande Son\n---</b>\n\nVoix  masculines  chantant  un  chant  soufi  (mystique)  d\'Afrique  du  Nord  (Hadhra  en  Tunisie  ou  Aissaoua  en  Algérie),  accompagné  de  percussions.  (Chant  d\'invocation  où  l’on  dit  que  il  n\'y  a  de  dieu  que  Dieu  et  que  Mohamed  est  son  prophète.  Éloges  de  Dieu  et  du  prophète  Mohamed.  Éloges  d\'un  saint  patron  qui  est  censé  nous  protéger). \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’00','','inherit','closed','closed','','13756-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13756,'https://localhost/?p=14529',0,'revision','',0),
(14530,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’24','','inherit','closed','closed','','13757-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13757,'https://localhost/?p=14530',0,'revision','',0),
(14531,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nDe  nouveau,  groupe  d\'hommes  courant  dans  la  rue  et  se  pressant  contre  la  porte  d\'un  appartement. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’28','','inherit','closed','closed','','13758-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13758,'https://localhost/?p=14531',0,'revision','',0),
(14532,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSaturé : hommes en tenue militaire officielle, et commandants.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nCe qui tourmentait le Cheick El Kadem, le premier ministre du royaume, c\'était une vue de l\'esprit\n\n\n<b>Bande Son\n---</b>\n\nTrompettes de fanfare militaire.\n\n\n<b>Écrits\n---</b>\n\n','1h12’34','','inherit','closed','closed','','13759-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13759,'https://localhost/?p=14532',0,'revision','',0),
(14533,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSaturé,  sortant  à  droite  et  réapparaissant  à  gauche  de  l\'écran  comme  s\'il  était  projeté  sur  l\'écran  d\'une  télévision  cassée  :  libellé  du  film  « Le  Livre  d\'Image ». \n\n\n<b>Voix Off et In\n---</b>\n\ncar  il  rêvait  de  soumettre  à  sa  domination,  l\'ensemble  des  pays  du  golfe.  \n\n\n<b>Bande Son\n---</b>\n\nId. et  puis  silence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’47','','inherit','closed','closed','','13760-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13760,'https://localhost/?p=14533',0,'revision','',0),
(14534,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSaturé  :  maison  en  ruine  sur  une  plage  de  roche  en  bord  de  mer.  \n\n\n<b>Voix Off et In\n---</b>\n\nIl  était  vrai  que  sur  cette  bande  de  terre  aride,  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h12’57','','inherit','closed','closed','','13761-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13761,'https://localhost/?p=14534',0,'revision','',0),
(14535,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nManifestation avec de nombreuses personnes dans la rue portant des pancartes écrites en arabe.\n<em>Shoah, les oubliés de l’histoire</em> (2014), Véronique Lagoarde-Ségot, par la chaîne de télévision <em>Histoire</em>.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était le maître incontesté\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h13’08','','inherit','closed','closed','','13762-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13762,'https://localhost/?p=14535',0,'revision','',0),
(14536,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nSurexposé : sultan avec une femme à ses côtés.\n<em>The Thief of Baghdad</em> (1978), Cline Donner.\n\n<b>Voix Off et In\n---</b>\n\npuisque le vieil émir régnant, croupissant dans son harem, ne prenait plus la peine de lui donner des ordres.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’15','','inherit','closed','closed','','13763-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13763,'https://localhost/?p=14536',0,'revision','',0),
(14537,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nEt  la  passion  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h13’21','','inherit','closed','closed','','13764-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13764,'https://localhost/?p=14537',0,'revision','',0),
(14538,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nHomme au fez rouge sortant d\'une voiture dont le conducteur ouvre la porte.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\npour le pouvoir, Ben Kadem l\'avait ressentie depuis son enfance et maintenant à 42 ans elle le dévorait avec encore plus de densité.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’24','','inherit','closed','closed','','13765-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13765,'https://localhost/?p=14538',0,'revision','',0),
(14539,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nGroupe de personnes marchant de nuit dans les dunes d\'un désert.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nMais malheureusement le monde n\'était pas aussi simple que son rêve d\'enfant. L\'irruption du pétrole dans la péninsule sauf ici à Dofa avait détruit l\'espoir de réaliser ses ambitions.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h13’37','','inherit','closed','closed','','13766-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13766,'https://localhost/?p=14539',0,'revision','',0),
(14540,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nPalmier enflammé dans le désert de nuit.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nÀ la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h14’00','','inherit','closed','closed','','13767-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13767,'https://localhost/?p=14540',0,'revision','',0),
(14541,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nFemmes riant dans un harem.\n<em>Arabian nights</em> (1942), John Rawlins.\n\n\n<b>Voix Off et In\n---</b>\n\nChose étrange,\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h14’11','','inherit','closed','closed','','13768-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13768,'https://localhost/?p=14541',0,'revision','',0),
(14542,1,'2023-11-09 08:50:22','2023-11-09 07:50:22','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nle  seul  homme  avec  lequel  Ben  Kadem  pouvait  parler  franchement  de  son  ambition  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’16','','inherit','closed','closed','','13769-revision-v1','','','2023-11-09 08:50:22','2023-11-09 07:50:22','',13769,'https://localhost/?p=14542',0,'revision','',0),
(14543,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nPalmiers  secoués  par  un  vent  fort. \n\n\n<b>Voix Off et In\n---</b>\n\nc’était  celui  là  même  qui  trouvait  cette  ambition  dérisoire  :  son  jeune  cousin  Samantar. \n\n\n<b>Bande Son\n---</b>\n\nVent. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’24','','inherit','closed','closed','','13770-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13770,'https://localhost/?p=14543',0,'revision','',0),
(14544,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h14’33','','inherit','closed','closed','','13771-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13771,'https://localhost/?p=14544',0,'revision','',0),
(14545,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nDéplacement de gauche à droite : photo d\'un restaurant appelé « Les coquillages » et d’une rue d’une ville de bord de mer.\n\n\n<b>Voix Off et In\n---</b>\n\nn’avait pas uniquement pour objet d’approfondir sa vision sur le jeu sanglant des grandes puissances. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nExplosions.\n\n\n<b>Écrits\n---</b>\n\n','1h14’36','','inherit','closed','closed','','13772-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13772,'https://localhost/?p=14545',0,'revision','',0),
(14546,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nPhoto de Barack Obama aux côtés de l\'émir du Koweït Cheikh Sabah al-Ahmad al-Jaber al-Sabah.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h14’53','','inherit','closed','closed','','13773-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13773,'https://localhost/?p=14546',0,'revision','',0),
(14547,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nHomme au fez s\'approchant d\'une grille d\'entrée et frappant avec son bâton contre la grille.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\nIl était d\'une importance capitale de savoir l\'opinion de Samantar sur les derniers événements survenus.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h14’57','','inherit','closed','closed','','13774-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13774,'https://localhost/?p=14547',0,'revision','',0),
(14548,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nNoir.  \n\n\n<b>Voix Off et In\n---</b>\n\nLe  début  d’une  ère  révolutionnaire  à  Dofa \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h15’07','','inherit','closed','closed','','13775-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13775,'https://localhost/?p=14548',0,'revision','',0),
(14549,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nVisage d\'un homme plongé dans l\'obscurité, puis émergeant à la lumière éclairant ses lèvres et son nez.\n\n\n<b>Voix Off et In\n---</b>\n\nétait une négation totale de la possible d’une action armée dans la péninsule. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’12','','inherit','closed','closed','','13776-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13776,'https://localhost/?p=14549',0,'revision','',0),
(14550,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nSaturé  en  tons  bleus  et  rouges  :  personnes  ballottées  par  une  mer  agitée. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVagues. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h15’24','','inherit','closed','closed','','13777-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13777,'https://localhost/?p=14550',0,'revision','',0),
(14551,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nPersonne au foulard palestinien nué autour de la tête, se traînant avec un bras sur le sable, tenant de l’autre un fusil.\n<em>Ici et ailleurs</em> (1975), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n- Tu es seul ?\n- Oui je suis seul.\n- Je ne te dérange pas ?\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h15’28','','inherit','closed','closed','','13778-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13778,'https://localhost/?p=14551',0,'revision','',0),
(14552,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nAu ralenti, saturé en tons bleus : foule de personnes manifestant.\n<em>Sexe, salafistes, printemps arabe</em> (2012), Paul Moreira.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je suis toujours ravi de te voir.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’36','','inherit','closed','closed','','13779-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13779,'https://localhost/?p=14552',0,'revision','',0),
(14553,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nSous-exposé et tourné en noir et blanc : personnes dansant au milieu de la fumée.\n<em>Silence ! On tourne</em> (2001), Youssef Chahine.\n\n\n<b>Voix Off et In\n---</b>\n\n- Un tel bonheur m\'est rarement accordé, excellence. - Tu te détaches de moi.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h15’43','','inherit','closed','closed','','13780-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13780,'https://localhost/?p=14553',0,'revision','',0),
(14554,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nFemme portant une écharpe à pois rouges et blancs et courant les mains en l\'air.\n<em>À propos d\'Elly</em> (2009), Asghar Farhadi.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je vois que tu n\'es toujours pas prêt à ce sacrifice.\n\n\n<b>Bande Son\n---</b>\n\nA la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h15’51','','inherit','closed','closed','','13781-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13781,'https://localhost/?p=14554',0,'revision','',0),
(14555,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nSaturé : groupe d\'hommes armés sur le toit d\'une voiture, observés par un homme vu de dos se cachant derrière un mur. Au ralenti : hommes descendant de la voiture.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\n- C\'est l\'excuse de toute ambition politique que de prétendre se sacrifier pour le bonheur du peuple. Mais le peuple ne t\'a rien demandé, il veut simplement vivre en paix.\n\n\n<b>Bande Son\n---</b>\n\nId. et silence.\n\n\n<b>Écrits\n---</b>\n\n','1h15’57','','inherit','closed','closed','','13782-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13782,'https://localhost/?p=14555',0,'revision','',0),
(14556,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nEn noir et blanc, basculé de 180° : visage d\'un homme la tête en bas, plongé dans l\'obscurité.\n\n\n<b>Voix Off et In\n---</b>\n\n- Pendant que nous vivons en paix, le monde bouge. (Avec écho)\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h16’15','','inherit','closed','closed','','13783-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13783,'https://localhost/?p=14556',0,'revision','',0),
(14557,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nTremblements,  et  déplacement  de  droite  à  gauche  :  enfant  écrivant  sur  une  feuille  de  papier,  observée  de  dos  par  un  autre  enfant. \n\n\n<b>Voix Off et In\n---</b>\n\n- Que  nous  importe  ce  monde  qui  bouge.  (Avec  écho) \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’23','','inherit','closed','closed','','13784-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13784,'https://localhost/?p=14557',0,'revision','',0),
(14558,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nSaturé en tons rouges : visage de femme aux mains jointes en prière. Détail de la fresque de la coupole.\n<em>San Antonio de la Florida</em> (1798), Francisco Goya. <em>Histoire (s) du cinéma 3a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nCe sont tous des canailles, tous complices de l’imposture universelle.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’25','','inherit','closed','closed','','13785-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13785,'https://localhost/?p=14558',0,'revision','',0),
(14559,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n- La  révolution  a  commencé  dans  le  royaume  mais  tu  le  sais  déjà  sans  doute. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’33','','inherit','closed','closed','','13786-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13786,'https://localhost/?p=14559',0,'revision','',0),
(14560,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nEn noir et blanc, basculé de 180° : visage courroucé d\'un homme plongé dans l\'obscurité.\n\n\n<b>Voix Off et In\n---</b>\n\n- Je le reconnaîtrais volontiers s’il s’agissait d’une vraie révolution, mais j’en doute.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’40','','inherit','closed','closed','','13787-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13787,'https://localhost/?p=14560',0,'revision','',0),
(14561,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nSaturé : tissu rouge traîné sur la plage par le vent.\n<em>Fissures</em> (2009), Hicham Ayouch.\n\n\n<b>Voix Off et In\n---</b>\n\nOn a arrêté quelque type\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h16’49','','inherit','closed','closed','','13788-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13788,'https://localhost/?p=14561',0,'revision','',0),
(14562,1,'2023-11-09 08:50:23','2023-11-09 07:50:23','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nconnu  de  nos  services  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’51','','inherit','closed','closed','','13789-revision-v1','','','2023-11-09 08:50:23','2023-11-09 07:50:23','',13789,'https://localhost/?p=14562',0,'revision','',0),
(14563,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé  :  enfants  jouant  avec  une  femme  portant  une  burka. \n\n\n<b>Voix Off et In\n---</b>\n\nmais  ils  prétendent  ne  rien  savoir. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’54','','inherit','closed','closed','','13790-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13790,'https://localhost/?p=14563',0,'revision','',0),
(14564,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nIls  demandent  même  de  quelle  bombe  il  s’agit  car  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h16’55','','inherit','closed','closed','','13791-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13791,'https://localhost/?p=14564',0,'revision','',0),
(14565,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nFemme et homme vus à contre jour, se faisant face dans un couloir.\n\n\n<b>Voix Off et In\n---</b>\n\nils n’ont rien entendu. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nDe nouveau, à la guitare : arpèges.\n\n\n<b>Écrits\n---</b>\n\n','1h16’56','','inherit','closed','closed','','13792-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13792,'https://localhost/?p=14565',0,'revision','',0),
(14566,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé  :  homme  portant  un  voile  et  homme  marchant  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nVoitures,  et  personnes  marchant  et  parlant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’02','','inherit','closed','closed','','13793-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13793,'https://localhost/?p=14566',0,'revision','',0),
(14567,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nRue  de  nuit,  éclairée  par  des  lampadaires,  avec  des  gens  parlant  et  faisant  du  bruit. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’07','','inherit','closed','closed','','13794-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13794,'https://localhost/?p=14567',0,'revision','',0),
(14568,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nFemmes voilées et hommes marchant dans la rue.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId. et en arrière-plan, annonces de service d\'une gare.\n\n\n<b>Écrits\n---</b>\n\n','1h17’25','','inherit','closed','closed','','13795-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13795,'https://localhost/?p=14568',0,'revision','',0),
(14569,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nCôte  montagneuse  surplombant  la  mer.  Groupe  de  personnes  marchant  sur  la  plage.  \n\n\n<b>Voix Off et In\n---</b>\n\nIci,  à  Dofa,  que  des  gens  \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h17’31','','inherit','closed','closed','','13796-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13796,'https://localhost/?p=14569',0,'revision','',0),
(14570,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nlancent  des  bombes  un  peu  partout  cela  me  parait  normal  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nHICHAM \n People  throwing  bombs \n\n','1h17’40','','inherit','closed','closed','','13797-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13797,'https://localhost/?p=14570',0,'revision','',0),
(14571,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nHomme touareg vêtu de blanc, assis au pied d\'un palmier dans le désert, caressant une antilope.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em>, Nacer Khémir (2005).\n\n\n<b>Voix Off et In\n---</b>\n\nque pourraient-ils faire d\'autre ? C\'est leur seule manière d\'exprimer leur révolte devant la férocité des moyens employés par le gouvernement. Quelle autre attitude serait valable ? Pour ma part, je serai toujours du côté des bombes.\n\n\n<b>Bande Son\n---</b>\n\nDe nouveau, à la guitare : arpèges. Silence.\n\n\n<b>Écrits\n---</b>\n\n','1h17’44','','inherit','closed','closed','','13798-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13798,'https://localhost/?p=14571',0,'revision','',0),
(14572,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nLa  révolution, \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nTAREK \n\n','1h18’13','','inherit','closed','closed','','13799-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13799,'https://localhost/?p=14572',0,'revision','',0),
(14573,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  hommes  touareg  sous  des  palmiers  avec  des  ânes  à  leurs  côtés. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’18','','inherit','closed','closed','','13800-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13800,'https://localhost/?p=14573',0,'revision','',0),
(14574,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé  en  tons  rouges  :  explosion  et  flammes. \n\n\n<b>Voix Off et In\n---</b>\n\ncela  ne  me  paraît  pas  vital  dans  cette  région. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’21','','inherit','closed','closed','','13801-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13801,'https://localhost/?p=14574',0,'revision','',0),
(14575,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nHomme  courant. \n\n\n<b>Voix Off et In\n---</b>\n\nIl  est  vrai  qu\'à  notre  époque \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’26','','inherit','closed','closed','','13802-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13802,'https://localhost/?p=14575',0,'revision','',0),
(14576,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé : enfants et personnes courant en tous sens et semblant regarder quelque chose hors champ.\n<em>Les Baliseurs du désert</em>, Nacer Khémir (1984), cité dans <em>Voyage à Tunis</em> (2007), Bruno Moll.\n\n\n<b>Voix Off et In\n---</b>\n\ntout est possible\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’32','','inherit','closed','closed','','13803-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13803,'https://localhost/?p=14576',0,'revision','',0),
(14577,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé : missile tiré sur une voiture explosant.\n<em>13 hours. The Secret Soldiers of Benghazi</em>, (2016), Michael Bay.\n\n\n<b>Voix Off et In\n---</b>\n\ncrois-tu que les hommes\n\n\n<b>Bande Son\n---</b>\n\nExplosions et cris.\n\n\n<b>Écrits\n---</b>\n\n','1h18’37','','inherit','closed','closed','','13804-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13804,'https://localhost/?p=14577',0,'revision','',0),
(14578,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’40','','inherit','closed','closed','','13805-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13805,'https://localhost/?p=14578',0,'revision','',0),
(14579,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nSaturé et sous-exposé : explosion, avec un hélicoptère en feu à l\'arrière-plan. Homme tombant au sol en gémissant après avoir été touché par un missile.\n<em>13 hours. The Secret Soldiers of Benghazi</em>, (2016), Michael Bay.\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’41','','inherit','closed','closed','','13806-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13806,'https://localhost/?p=14579',0,'revision','',0),
(14580,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\ncrois-tu que les hommes au pouvoir aujourd\'hui\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h18’43','','inherit','closed','closed','','13807-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13807,'https://localhost/?p=14580',0,'revision','',0),
(14581,1,'2023-11-09 08:50:24','2023-11-09 07:50:24','<b>Images\n---</b>\n\nHommes vêtus de manière formelle, avec un fez sur la tête, parlant entre eux.\n<em>Al-lail</em> (1992), Mohamed Malas.\n\n\n<b>Voix Off et In\n---</b>\n\ndans le monde soient autre chose\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’47','','inherit','closed','closed','','13808-revision-v1','','','2023-11-09 08:50:24','2023-11-09 07:50:24','',13808,'https://localhost/?p=14581',0,'revision','',0),
(14582,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nSaturé et au ralenti : homme courant dans une rue, avec à ses côtés une explosion.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nque des débiles sanguinaires ?\n(Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’53','','inherit','closed','closed','','13809-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13809,'https://localhost/?p=14582',0,'revision','',0),
(14583,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nC’était  peu  de  rêver  d’être  roi \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h18’55','','inherit','closed','closed','','13810-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13810,'https://localhost/?p=14583',0,'revision','',0),
(14584,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nSous-exposé et saturé et puis surexposé : Homme visant avec un bazooka à l’épaule.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nquand on pouvait rêver d\'être Faust.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h18’57','','inherit','closed','closed','','13811-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13811,'https://localhost/?p=14584',0,'revision','',0),
(14585,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  nul,  mais  nul,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’00','','inherit','closed','closed','','13812-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13812,'https://localhost/?p=14585',0,'revision','',0),
(14586,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nPersonne morte gisant sur le sol.\n<em>Karbala, 4 jour en enfer</em> (2015), Krzysztof Łukaszewicz.\n\n\n<b>Voix Off et In\n---</b>\n\nne rêvait plus d\'être Faust\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’03','','inherit','closed','closed','','13813-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13813,'https://localhost/?p=14586',0,'revision','',0),
(14587,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\net chacun rêvait d\'être roi. (Jean-Luc Godard).\n<em>Air de Méphistophélès, Damnation de Faust</em> (1846), Hector Berlioz.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’05','','inherit','closed','closed','','13814-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13814,'https://localhost/?p=14587',0,'revision','',0),
(14588,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nEnfant  jetant  des  pierres  sur  un  chien  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’10','','inherit','closed','closed','','13815-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13815,'https://localhost/?p=14588',0,'revision','',0),
(14589,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nPersonne écrivant en arabe sur une feuille de papier.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Cloud</em> (2017), Tomasz Stanko New York Quartet.\n\n\n<b>Écrits\n---</b>\n\n','1h19’16','','inherit','closed','closed','','13816-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13816,'https://localhost/?p=14589',0,'revision','',0),
(14590,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nAquarelle  d\'un  homme  vêtu  de  blanc  assis  sur  le  sol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’20','','inherit','closed','closed','','13817-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13817,'https://localhost/?p=14590',0,'revision','',0),
(14591,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nSaturé en tons bleus : lac entouré d\'arbres.\n\n\n<b>Voix Off et In\n---</b>\n\nÀ Dofa, le rêve de Cheikh ben Kadem fit naufrage. La mort de son jeune amant dissipa l’ambition de soumettre à sa domination l\'ensemble\n\n\n<b>Bande Son\n---</b>\n\nSilence.\n\n\n<b>Écrits\n---</b>\n\n','1h19’28','','inherit','closed','closed','','13818-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13818,'https://localhost/?p=14591',0,'revision','',0),
(14592,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nVoiture longeant une route suivie de personnes marchant derrière elle.\n<em>Les terrasses</em> (2013), Merzak Allouache.\n\n\n<b>Voix Off et In\n---</b>\n\ndes pays du golfe. Ben Kadem s\'en vint alors confesser ses erreurs politiques\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h19’43','','inherit','closed','closed','','13819-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13819,'https://localhost/?p=14592',0,'revision','',0),
(14593,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nDe  nouveau,  photo  en  noir  et  blanc  d\'un  homme  au  visage  courroucé. \n\n\n<b>Voix Off et In\n---</b>\n\nà  Samantar  et  puis  il  s\'enfuit  et  se  refugia. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’51','','inherit','closed','closed','','13820-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13820,'https://localhost/?p=14593',0,'revision','',0),
(14594,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSamantar  heureux  et  tranquillisé \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h19’58','','inherit','closed','closed','','13821-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13821,'https://localhost/?p=14594',0,'revision','',0),
(14595,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nSaturé  :  maison  en  ruine  entourée  d\'antennes  de  télévision  et  d\'internet. \n\n\n<b>Voix Off et In\n---</b>\n\npar  ce  dénouement,  sortit  de  sa  misérable  cahute.  \n \n\n\n<b>Bande Son\n---</b>\n\nDe  nouveau,  à  la  guitare  :  arpèges. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’01','','inherit','closed','closed','','13822-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13822,'https://localhost/?p=14595',0,'revision','',0),
(14596,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nHomme souriant.\n<em>Les terrasses</em> (2013), Merzak Allouache.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’07','','inherit','closed','closed','','13823-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13823,'https://localhost/?p=14596',0,'revision','',0),
(14597,1,'2023-11-09 08:50:25','2023-11-09 07:50:25','<b>Images\n---</b>\n\nSurexposé  :  Photographie  d\'une  file  d\'hommes  vêtus  de  jeans  et  de  lunettes  de  soleil  marchant. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’11','','inherit','closed','closed','','13824-revision-v1','','','2023-11-09 08:50:25','2023-11-09 07:50:25','',13824,'https://localhost/?p=14597',0,'revision','',0),
(14598,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’18','','inherit','closed','closed','','13825-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13825,'https://localhost/?p=14598',0,'revision','',0),
(14599,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSaturé  :  cheval  tirant  une  calèche  passant  dans  une  rue. \n\n\n<b>Voix Off et In\n---</b>\n\nCe  n\'est  que  quelques  mois  plus  tard  que  Samantar  rencontra  Tarek  le  long  de  la  mer \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h20’20','','inherit','closed','closed','','13826-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13826,'https://localhost/?p=14599',0,'revision','',0),
(14600,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nJeune homme au turban accompagnant un homme âgé dans une prairie près d\'un ruisseau et s’asseyant sur un rocher.\n\n\n<b>Voix Off et In\n---</b>\n\net apprit la vérité de la fausse révolution fomentée par l\'ancien premier ministre. (Jean-Luc Godard).\n<em>Une ambition dans le désert</em> (1984), Albert Cossery.\n\nCe que je fais avec les enfants dit le fou c\'est une sorte de contre-révolution.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’27','','inherit','closed','closed','','13827-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13827,'https://localhost/?p=14600',0,'revision','',0),
(14601,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSurexposé : groupe d\'enfants jouant et courant.\n<em>Les mille mois</em> (2003), Faouzi Bensaïdi.\n\n\n<b>Voix Off et In\n---</b>\n\nUn fou peut aller partout, il a une liberté totale de mouvement, et de parole. Avec l\'aide des enfants j\'ai fait sauter la banque et l\'agence d\'import export\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h20’43','','inherit','closed','closed','','13828-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13828,'https://localhost/?p=14601',0,'revision','',0),
(14602,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nHomme  écrivant  sur  une  feuille  de  papier,  et  enfant  regardant  ce  qu\'il  écrit,  debout  devant  lui,  dans  une  maison  du  Moyen  Orient  avec  des  tapis,  des  coussins  et  des  rideaux  devant  les  fenêtres. \n\n\n<b>Voix Off et In\n---</b>\n\nles  deux  signes  de  l\'ignominie  capitaliste. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’01','','inherit','closed','closed','','13829-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13829,'https://localhost/?p=14602',0,'revision','',0),
(14603,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSaturé  en  tons  rouges  et  bleus,  et  basculé  de  90  degrés  :  coucher  du  soleil  et  puits  de  pétrole. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  comment  as-tu  pu  te  procurer  les  explosifs  ?  Ils  ont  été  repérés \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’02','','inherit','closed','closed','','13830-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13830,'https://localhost/?p=14603',0,'revision','',0),
(14604,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nEnfants  courant  derrière  la  caméra.  Enfant  portant  une  chemise  blanche  trop  longue  et  marchant  en  trébuchant  sur  le  tissu. \n\n\n<b>Voix Off et In\n---</b>\n\npar  les  enfants  dans  un  vieux  derrick  abandonné  par  les  étrangers  quand  ils  cherchaient  en  vain  du  pétrole. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’09','','inherit','closed','closed','','13831-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13831,'https://localhost/?p=14604',0,'revision','',0),
(14605,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nEnfant sur une route faisant tourner de la main une bobine rouge en s’aidant d’une pellicule. <em>Reel-Unreel</em> (2011), Francis Alÿs.\n\n\n<b>Voix Off et In\n---</b>\n\nJe te remercie. Discuter avec un fou est un privilège\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’18','','inherit','closed','closed','','13832-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13832,'https://localhost/?p=14605',0,'revision','',0),
(14606,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nCouverture d’un exemplaire <em>d’Images en parole</em> (2003), Anne-Marie Miéville. L’exemplaire est feuilleté.\n\n\n<b>Voix Off et In\n---</b>\n\ninestimable, crois moi. (Jean-Luc Godard).\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’25','','inherit','closed','closed','','13833-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13833,'https://localhost/?p=14606',0,'revision','',0),
(14607,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nGros plan de la face de Bécassine.\nDerrière : id. en dimensions réduites.\n\n\n<b>Voix Off et In\n---</b>\n\nCrois-moi. On n\'est jamais suffisamment triste. (Anne-Marie Miéville).\n<em>Le territoire de l’homme</em> (1978), Elias Canetti.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h21’32','','inherit','closed','closed','','13834-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13834,'https://localhost/?p=14607',0,'revision','',0),
(14608,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSaturé  :  pinceau  et  livre  ouvert. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’38','','inherit','closed','closed','','13835-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13835,'https://localhost/?p=14608',0,'revision','',0),
(14609,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSaturé  :  photographie  d\'un  grand  pinceau  et  d\'un  crayon. \n\n\n<b>Voix Off et In\n---</b>\n\nOn  n\'est  jamais  suffisamment  triste  pour  que  le  monde  soit  meilleur.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’41','','inherit','closed','closed','','13836-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13836,'https://localhost/?p=14609',0,'revision','',0),
(14610,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSaturé  :  de  nouveau,  plage  de  roche  en  bord  de  mer,  enfants  y  jouant  au  football. \n\n\n<b>Voix Off et In\n---</b>\n\nla  terre  abandonnée,  la  terre  abandonnée,  surchargée  de  lettres  de  l\'alphabet,  étouffée  sous  les  connaissances  et  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h21’53','','inherit','closed','closed','','13837-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13837,'https://localhost/?p=14610',0,'revision','',0),
(14611,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nplus guère d\'oreilles qui soient à l\'écoute. (Anne-Marie Miéville).\n<em>Le territoire de l’homme</em> (1978), Elias Canetti.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h22’10','','inherit','closed','closed','','13838-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13838,'https://localhost/?p=14611',0,'revision','',0),
(14612,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nSurexposé et en négatif : de nouveau, petite fille aux yeux fermés, le visage levé vers le ciel et les mains tendues devant elle.\n<em>Miracle en Alabama</em> (1962), Arthur Penn. <em>Histoire (s) du cinéma 4a</em>, (1988 - 98) Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Klavierquintett, Op. 18, Moderato con moto</em> (1946) Mieczysław Weinberg.\n\n\n<b>Écrits\n---</b>\n\n','1h22’14','','inherit','closed','closed','','13839-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13839,'https://localhost/?p=14612',0,'revision','',0),
(14613,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nDétail  de  son  visage  et  de  sa  main  gauche. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’20','','inherit','closed','closed','','13840-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13840,'https://localhost/?p=14613',0,'revision','',0),
(14614,1,'2023-11-09 08:50:26','2023-11-09 07:50:26','<b>Images\n---</b>\n\nEn  tons  bleus  :  détail  de  son  visage. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’26','','inherit','closed','closed','','13841-revision-v1','','','2023-11-09 08:50:26','2023-11-09 07:50:26','',13841,'https://localhost/?p=14614',0,'revision','',0),
(14615,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nDétail de sa main.\n\n\n<b>Voix Off et In\n---</b>\n\nVoici les roses de cette nuit écloses.\n<em>La Damnation de Faust</em> (1946), Berlioz Hector.\n\n\n<b>Bande Son\n---</b>\n\n<em>La Damnation de Faust</em> (1946), Berlioz Hector.\n\n\n<b>Écrits\n---</b>\n\n','1h22’32','','inherit','closed','closed','','13842-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13842,'https://localhost/?p=14615',0,'revision','',0),
(14616,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nEn  blanc  sur  fond  noir  :  inscription  manuscrites.  \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGodard \n Battaggia \n Aragno \n Brenez \n\n','1h22’43','','inherit','closed','closed','','13843-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13843,'https://localhost/?p=14616',0,'revision','',0),
(14617,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h22’49','','inherit','closed','closed','','13844-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13844,'https://localhost/?p=14617',0,'revision','',0),
(14618,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSilenzio,  si  gira.  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nDe  Vinci,  Bernanos,  King  Lear,  Closed  vision,  Weinberg,  Giacometti,  Jeanne  d\'arc,  Chahine,  Chien  andalou,  Histoire (s)  du  cinéma,  Derain,  Caméra  analytique,  S.  Walker,  Artaud,  Murnau,  Ramuz,  Hamlet,  Gaumont,  Miracle  en  Alabama,  J  Michelet,  Histoire,  Kiss  me  Deadly,  V. Grossman \n\n','1h22’54','','inherit','closed','closed','','13845-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13845,'https://localhost/?p=14618',0,'revision','',0),
(14619,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nSilenzio.  Camera,  moteur,  motore \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nD.  Guyotat,  Allemagne  année  neuf  zéro,  Le  dernier  des  hommes,  J.  Gozland,  Johny  Guitar,  petit  soldat,  M  Leroux,  Liban  Guerres  et  hommes,  Salo,  A  Sokourov,  Timbuktu,  Vrai  faux  passeport,  chute  faucon  noir,  les  carabiniers,  hommes  du  dimanche,  Blue  jean,  guerre  de  chine,  les  dents  de  la  mer,  Le  sang  des  bêtes,  R.  Girard,  V  Illitch,  La  grève,  Païsa \n\n','1h22’58','','inherit','closed','closed','','13846-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13846,'https://localhost/?p=14619',0,'revision','',0),
(14620,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\npartito, ciak, Odissea 14702 prima.\n<em>Le Mépris</em> (1963), Jean-Luc Godard.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\nVertigo, femme au corbeau, l\'Atalante, au bord de la mer bleue, hélas pour moi, Ruby gentry, planète, 8 mai 1945, les enfants jouent à la Russie, Delacroix, Angèle, Zylberman, JLG JLG, Guerre et paix, Péguy, Les enfants de la guerre, Stalingrad, l\'espoir, Inessa Armand, le silence de la mer\n','1h23’03','','inherit','closed','closed','','13847-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13847,'https://localhost/?p=14620',0,'revision','',0),
(14621,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nGong  profond  et  inquiétant. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h23’08','','inherit','closed','closed','','13848-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13848,'https://localhost/?p=14621',0,'revision','',0),
(14622,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  TEXTES  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n TEXTES \n\n','1h23’10','','inherit','closed','closed','','13849-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13849,'https://localhost/?p=14622',0,'revision','',0),
(14623,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGoogle,  Al  razutis,  RM  Rilke,  Berlin  express,  l\'affrontement,  paysage  dans  le  brouillard,  Dostoïevski,  Hollis  Frampton,  L.  F.  Céline,  P  de  Villiers,  Hans  Otte,  Manon,  Orphée,  croisée  des  destins,  mécano  de  la  générale,  route  de  l\'impossible,  Baudelaire,  Hegel,  D.  Vertov,  terror  by  night,  G  Steiner,  castoriadis,  le  silence \n\n','1h23’14','','inherit','closed','closed','','13850-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13850,'https://localhost/?p=14623',0,'revision','',0),
(14624,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nShanghai  express,  A  Brehem,  E  Vittorini  T  Gustavsen,  Turksib,  A.  Schnittke,  Trigon  films,  Liberté  et  patrie,  P.  Val,  W.  Faulkner,  grandeur  et  décadence,  les  2  Fédor,  Wild  boys  on  the  road,  Toccata  for  toy  trains,  Arvo  part,  Au  bord  de  la  mer  bleue,  Anna  Karenine,  Medvedkine,  Après  le  feu,  le  plaisir,  deux  fois  cinquante  ans,  la  commune,  Arditti  quartet,  ECM  records,  V.  Hugo,  vendémiaire \n\n','1h23’19','','inherit','closed','closed','','13851-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13851,'https://localhost/?p=14624',0,'revision','',0),
(14625,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  FILMS  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\nMais  la  langue  ne  sera  jamais \n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nFILMS \n\n','1h23’20','','inherit','closed','closed','','13852-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13852,'https://localhost/?p=14625',0,'revision','',0),
(14626,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\nle  langage \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nA.  Rimbaud,  terrorism  considered,  Sollers,  V.  Vysotsky,  Montesquieu,  le  faux  coupable,  Grèce  2013,  Au  cœur  de  l\'orage,  La  Strada,  J.- S.  Bach,  Les  chouans,  Mister  love,  Sayat  nova,  Los  Olvidados,  Marilyn,  Le  premier  maître,  les  onze  fioretti,  Young  Mister  Lincoln,  Monsieur  de  Charette,  Le  chaos,  Freaks,  Porno,  danish  string  quartet,  For  ever  Mozart \n\n','1h23’25','','inherit','closed','closed','','13853-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13853,'https://localhost/?p=14626',0,'revision','',0),
(14627,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nCaillebotte,  Balzac,  Jacques  rivette,  Dies  irae,  Wyatt  Earp,  Tout  va  bien,  Alexandre  Nevski,  Eau  argentée,  C  dans  l\'air,  Fantômas,  Freud,  procès  de  Charles  1er,  Nuremberg,  Méliès,  Hortense  de  Beauharnais,  école  de  Fontainebleau,  Duck  soup,  René  Charles  de  Lusson,  Elephant,  Week-end,  Viva  Villa,  Que  viva  mexico,  les  visiteurs  du  soir,  Elie  Faure,  S.  Prokofiev,  La  fin  du  A \n\n','1h23’30','','inherit','closed','closed','','13854-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13854,'https://localhost/?p=14627',0,'revision','',0),
(14628,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  TABLEAUX  ». \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nCoq  chantant. \n\n\n<b>Écrits\n---</b>\n\nTABLEAUX \n\n','1h23’31','','inherit','closed','closed','','13855-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13855,'https://localhost/?p=14628',0,'revision','',0),
(14629,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Vom Winde Beweint - 1 Largo Molto</em> (1990), Giya Kancheli.\n\n\n<b>Écrits\n---</b>\n\nlas Hurdes, Beckett, metropolis, Nuit du carrefour, M. Blanchot, Vladimir et Rosa, terreur et vertu, l\'esprit des lois, La dame de Shanghai, Un feu, la belle et la Bête, Emile Cohl, la région centrale, Photo Libération, Bécassine, Broswimmer, Notorius, Moubarak, Origine du XXIe siècle, A. Cossery, le visage de Dieu, Meshes of afternoon, Les 1001 nuits, Constantinople, Détective, Film socialisme, Voleur de Bagdad (R. Walsh)\n','1h23’35','','inherit','closed','closed','','13856-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13856,'https://localhost/?p=14629',0,'revision','',0),
(14630,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nAladin  magic  lamp,  le  Messie,  The  crusades,  Bonaparte,  frères  de  guerre,  Salammbô,  Méditerranée,  E.  Saïd,  S.  Luste  Boulbina,  M.  Koldenitzky,  Nous,  les  dernières  vacances,  Djamila,  Voyage  à  Tunis,  Collier  perdu  de  la  colombe,  Kanchelli,  Khalled  abou  Khalled,  gare  centrale,  Ici  et  ailleurs,  la  saison  des  hommes,  Alexandre  Dumas,  Muezzin,  P  Mizraki,  Mendelssohn,  A.  Macke,  Tamaout,  Détention  secrète \n\n','1h23’40','','inherit','closed','closed','','13857-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13857,'https://localhost/?p=14630',0,'revision','',0),
(14631,1,'2023-11-09 08:50:27','2023-11-09 07:50:27','<b>Images\n---</b>\n\nEn  gras,  s’ajoutant  à  la  liste  précédente  :  «  MUSIQUE  » \n La  liste  disparaît. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nMUSIQUE \n\n','1h23’41','','inherit','closed','closed','','13858-revision-v1','','','2023-11-09 08:50:27','2023-11-09 07:50:27','',13858,'https://localhost/?p=14631',0,'revision','',0),
(14632,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n F.  Prokosch,  Judex,  la  Bandera,  Syriana,  D.  Sibony,  La  môme  vert  de  gris,  Mille  mois,  Premiers  chanteurs  des  Bilad  Al  Sham,  les  silences  du  palais,  Al  leil,  La  fièvre,  About  Elly,  Tunisie,  Voleur  de  Bagdad  (C.  Donner),  Bab\'  Aziz\',  Arabian  nights,  Fissures,  Salafistes  sexe,  Maghreb,  13  hours,  kerbala,  Tomasz  Stanko,  les  terrasses,  2  films  inconnus,  Reel  unreel,  La  recupart,  Elias  Canetti,  P.  Weiss \n\n','1h23’45','','inherit','closed','closed','','13859-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13859,'https://localhost/?p=14632',0,'revision','',0),
(14633,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nEUX  TOUS \n\n','1h23’49','','inherit','closed','closed','','13860-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13860,'https://localhost/?p=14633',0,'revision','',0),
(14634,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  photo  d\'un  enfant  mangeant  assis. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h23’51','','inherit','closed','closed','','13861-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13861,'https://localhost/?p=14634',0,'revision','',0),
(14635,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nNoir.  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nHAMIDREZA \n PEJMAN \n\n','1h23’54','','inherit','closed','closed','','13862-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13862,'https://localhost/?p=14635',0,'revision','',0),
(14636,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nNoir.  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\nGEORGES \n SCHOUCAIR \n\n','1h23’56','','inherit','closed','closed','','13863-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13863,'https://localhost/?p=14636',0,'revision','',0),
(14637,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\nNADER \n MOBARGHA \n\n','1h23’59','','inherit','closed','closed','','13864-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13864,'https://localhost/?p=14637',0,'revision','',0),
(14638,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nEn  noir  et  blanc  :  grillage  avec  une  pancarte  indiquant  :  «  NO  TRESPASSING  ». \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’00','','inherit','closed','closed','','13865-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13865,'https://localhost/?p=14638',0,'revision','',0),
(14639,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nEn  couleur  :  photo  d’un  grillage  avec  une  pancarte  indiquant  :  «  DÉFENSE  D’ENTRER \n PROPRIÉTÉ  DE  L’ETAT  ». \n\n\n<b>Voix Off et In\n---</b>\n\nEn  réalité,  disait  Brecht,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’04','','inherit','closed','closed','','13866-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13866,'https://localhost/?p=14639',0,'revision','',0),
(14640,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nInscription  manuscrite  : \n «  Film  immatriculé  \n Au  Registre  public  de  la  \n Cinématographie \n et  visé  à  la  censure \n sous  N932  15 / 2 / 46  ». \n\n\n<b>Voix Off et In\n---</b>\n\nseul  le  fragment  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’09','','inherit','closed','closed','','13867-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13867,'https://localhost/?p=14640',0,'revision','',0),
(14641,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nAu  ralenti  et  en  noir  et  blanc  :  jeunes  esclaves  vénérant  un  roi  sur  un  trône. \n\n\n<b>Voix Off et In\n---</b>\n\nporte  la  marque  de  l\'authenticité  parce  qu’il  est  le  plus  proche  de  la  fonction  la  plus  intérieure  de  l’acte  de  production.  De  production  qui  correspond  à  la  respiration,  au  simple  fait  d’exister  tout  juste  vécu  par  la  conscience.  (Jean-Luc  Godard). \n \n Deux  voix  de  Godard  continuent  de  parler  en  se  chevauchant : \n \n Marx  et  Engels.  A  leurs  yeux \n Eugène  Sue  était  un  aveugle, \n un  solitaire,  pour  qui  la  vie  pleine  de  vie  était  une  abstraction.  Ils  admirent,  il  vrai,  que  la  représentation  d’une  civilisation  tombée  dans  la  dépravation  d’un  état  où  les  droits  civils  n’étaient  pas  respectés,  où  l’inégalité  régnait,  contenait  …  critique. \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’14','','inherit','closed','closed','','13868-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13868,'https://localhost/?p=14641',0,'revision','',0),
(14642,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nEn noir et blanc : détail de la main du <em>San Giovanni Battista</em> (1508 - 1513), Leonardo da Vinci.\n\n\n<b>Voix Off et In\n---</b>\n\nMais\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’41','','inherit','closed','closed','','13869-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13869,'https://localhost/?p=14642',0,'revision','',0),
(14643,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nSurexposé  et  saturé  :  pellicule  tirée  d\'une  bobine  en  rotation. \n\n\n<b>Voix Off et In\n---</b>\n\nau  contraire  de  Balzac,  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’44','','inherit','closed','closed','','13870-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13870,'https://localhost/?p=14643',0,'revision','',0),
(14644,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nSurexposé,  en  noir  et  blanc  :  de  nouveau,  photographie  d\'un  enfant  mangeant  assis. \n\n\n<b>Voix Off et In\n---</b>\n\nil  ne  faisait  que  satisfaire  son  penchant  effréné  pour  l’homme  \n \n \n \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’45','','inherit','closed','closed','','13871-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13871,'https://localhost/?p=14644',0,'revision','',0),
(14645,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nSoldats courants à travers des explosions.\n\n\n<b>Voix Off et In\n---</b>\n\ns’humiliant lui-même.\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’48','','inherit','closed','closed','','13872-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13872,'https://localhost/?p=14645',0,'revision','',0),
(14646,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nPhotographie de Louis-Ferdinand Céline.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’50','','inherit','closed','closed','','13873-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13873,'https://localhost/?p=14646',0,'revision','',0),
(14647,1,'2023-11-09 08:50:28','2023-11-09 07:50:28','<b>Images\n---</b>\n\nDe nouveau, femme s’évanouissant avec les mains en l\'air devant un écran. <em>Deux fois cinquante ans de cinéma français</em> (1995), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\nQu’il n’utilisait le remords et l’expiation\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’51','','inherit','closed','closed','','13874-revision-v1','','','2023-11-09 08:50:28','2023-11-09 07:50:28','',13874,'https://localhost/?p=14647',0,'revision','',0),
(14648,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe  nouveau,  femme  au  micro  parlant  lors  d\'une  manifestation. \n\n\n<b>Voix Off et In\n---</b>\n\nd’actes  d’une  brutalité  inouïe \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h24’53','','inherit','closed','closed','','13875-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13875,'https://localhost/?p=14648',0,'revision','',0),
(14649,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nEn négatif : de nouveau, homme caché dans l\'ombre, le menton posé sur la main gauche.\n<em>Fantômas</em> (1913), Louis Feuillade. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’54','','inherit','closed','closed','','13876-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13876,'https://localhost/?p=14649',0,'revision','',0),
(14650,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe nouveau, photographie de Marilyne Monroe. Iris et clignotement : corbeaux s’envolant.\n<em>Les Oiseaux</em> (1963), Alfred Hitchcock. <em>Histoire (s) du cinéma 4a</em> (1988 - 98), Jean-Luc Godard.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h24’56','','inherit','closed','closed','','13877-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13877,'https://localhost/?p=14650',0,'revision','',0),
(14651,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe  nouveau,  Bécassine  avec  l\'index  de  la  main  gauche  levé. \n\n\n<b>Voix Off et In\n---</b>\n\nque  pour  faire  miroiter  le  lieu  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’00','','inherit','closed','closed','','13878-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13878,'https://localhost/?p=14651',0,'revision','',0),
(14652,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nSurexposé,  saturé  en  tons  bleus  :  presque  indistinguable. \n\n\n<b>Voix Off et In\n---</b>\n\nd’une  transformation  de  \n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’01','','inherit','closed','closed','','13879-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13879,'https://localhost/?p=14652',0,'revision','',0),
(14653,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe nouveau, personne portant un turban, montrant les paumes et plaçant une main sur la paume de l\'autre d’un mouvement lent.\n<em>Bab\'Aziz, le prince qui contemplait son âme</em> (2005), Nacer Khémir.\n\n\n<b>Voix Off et In\n---</b>\n\nla réalité. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h25’04','','inherit','closed','closed','','13880-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13880,'https://localhost/?p=14653',0,'revision','',0),
(14654,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe  nouveau,  visage  d\'un  homme  appuyé  contre  une  vitre  reflétant  son  image. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’10','','inherit','closed','closed','','13881-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13881,'https://localhost/?p=14654',0,'revision','',0),
(14655,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe  nouveau,  plage  de  roche  surplombant  la  mer,  avec  une  maison  en  ruine  à  côté.  Deux  hommes  marchant  entre  des  bateaux  échoués  sur  la  plage. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’13','','inherit','closed','closed','','13882-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13882,'https://localhost/?p=14655',0,'revision','',0),
(14656,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe  nouveau,  groupe  d\'hommes  courant  dans  la  rue,  puis  faisant  irruption  à  travers  la  porte  d\'une  maison  située  dans  une  ruelle. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’17','','inherit','closed','closed','','13883-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13883,'https://localhost/?p=14656',0,'revision','',0),
(14657,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nDe nouveau, enfant sur une route poussant d\'une main une bobine rouge avec une pellicule.\n<em>Reel-Unreel</em> (2011), Francis Alÿs.\n\n\n<b>Voix Off et In\n---</b>\n\nIl doit y avoir une révolution. (Jean-Luc Godard)\n\n\n<b>Bande Son\n---</b>\n\nId.\n\n\n<b>Écrits\n---</b>\n\n','1h25’22','','inherit','closed','closed','','13884-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13884,'https://localhost/?p=14657',0,'revision','',0),
(14658,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nNoir, avec l\'inscription « Parole et Image »\napparaissant. En traces de détrempe bleue et bleu clair, « Parole » et « Image », en rouge « et ».\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>The River I</em> (1997), Ketil Bjornstad &amp; David Darling.\n\n\n<b>Écrits\n---</b>\n\n','1h25’29','','inherit','closed','closed','','13885-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13885,'https://localhost/?p=14658',0,'revision','',0),
(14659,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nHomme  en  pleurs  soulevant  un  cadavre  du  sol. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’32','','inherit','closed','closed','','13886-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13886,'https://localhost/?p=14659',0,'revision','',0),
(14660,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nPhotographie  d\'une  statue  représentant  probablement  le  Christ. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nId. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h25’36','','inherit','closed','closed','','13887-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13887,'https://localhost/?p=14660',0,'revision','',0),
(14661,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\nLorsque je me parle à moi même, je parle la parole d\'un autre. Que je me parle à moi-même. D\'un autre. Que je me parle à moi-même. (Anne Marie Miéville).\n\nGodard, avec une voix d’outre tombe :\nEt si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien à nos espérances. Les espérances resteraient, l\'utopie serait nécessaire. Plus tard aussi les espérances s’embraseraient de nombreuses fois, étouffées par l\'ennemi plus fort, et elles se réveilleraient sans cesse. Et le domaine des espérances serait plus vaste que de notre temps. Il s\'étendrait sur tous les continents : le besoin de contradiction, de résistance ne diminuera jamais, de même que le passé était immutable, de même les espérances resteraient immuables, et ceux qui un jour alors que nous étions jeunes avaient nourri l’ [toux] ardent espoir. Et si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien aux espérances.\n<em>L’Esthétique de la résistance</em> (1978 - 81), Peter Weiss.\n\n\n<b>Bande Son\n---</b>\n\nId. et puis silence.\n\n\n<b>Écrits\n---</b>\n\n','1h25’37','','inherit','closed','closed','','13888-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13888,'https://localhost/?p=14661',0,'revision','',0),
(14662,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nEntrée du danseur cachant sa vieillesse sous un masque, et dansant jusqu\'à en mourir.\n<em>Le masque, Le Plaisir</em> (1952), Max Ophüls.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Das Buch der Klange I - XII</em> (1999), I, Hans Otte.\n\n\n<b>Écrits\n---</b>\n\n','1h26’58','','inherit','closed','closed','','13889-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13889,'https://localhost/?p=14662',0,'revision','',0),
(14663,1,'2023-11-09 08:50:29','2023-11-09 07:50:29','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\nSilence. \n\n\n<b>Écrits\n---</b>\n\n\n\n','1h27’58','','inherit','closed','closed','','13890-revision-v1','','','2023-11-09 08:50:29','2023-11-09 07:50:29','',13890,'https://localhost/?p=14663',0,'revision','',0),
(14664,1,'2023-11-09 08:50:30','2023-11-09 07:50:30','<b>Images\n---</b>\n\nNoir.\n\n\n<b>Voix Off et In\n---</b>\n\n\n\n<b>Bande Son\n---</b>\n\n<em>Das Buch der Klange I - XII, V</em> (1999), Hans Otte.\n\n\n<b>Écrits\n---</b>\n\nC 2018 CASA AZUL FILMS\nC 2015 ECRAN Noir. productions\n','1h28’03','','inherit','closed','closed','','13891-revision-v1','','','2023-11-09 08:50:30','2023-11-09 07:50:30','',13891,'https://localhost/?p=14664',0,'revision','',0),
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(14680,6,'2023-11-09 09:40:52','2023-11-09 08:40:52','<b>Images\n---</b>\n\nMain levée vers le haut.\n<em>Gare Centrale</em> (1958), Youssef Chahine.\n\n<b>Voix Off et In\n---</b>\n\nwayayayaya\n\n<b>Bande Son\n---</b>\n\nId.\n\n<b>Écrits\n---</b>\n\nOh ! Temps','01’29','','inherit','open','open','','','','','2023-11-09 09:39:28','2023-11-09 08:39:28','',13205,'https://localhost/?p=14680',0,'revision','',0),
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(14707,6,'2023-11-09 18:20:06','2023-11-09 17:20:06','<b>Images\n---</b>\n\nNoir. \n\n\n<b>Voix Off et In\n---</b>\n\n\n\n\n<b>Bande Son\n---</b>\n\n\n\n\n<b>Écrits\n---</b>\n\n\n\n','0’00','','pending','open','open','','','','','2023-11-09 18:20:05','2023-11-09 17:20:05','',0,'https://localhost/?p=14707',0,'post','pending-revision',13192),
(14708,6,'2023-11-09 18:20:26','2023-11-09 17:20:26','<b>Images\n---</b>\n\nLogo de la société de distribution Kino Lorber.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’02','','pending','open','open','','','','','2023-11-09 18:20:25','2023-11-09 17:20:25','',0,'https://localhost/?p=14708',0,'post','pending-revision',13193),
(14709,1,'2023-11-09 18:38:49','2023-11-09 17:38:49','<b>Images\n---</b>\n\nNoir.\n\n<b>Voix Off et In\n---</b>\n\nSalut à tous c\'est Godard\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’00','','inherit','open','open','','','','','2023-11-09 18:38:34','2023-11-09 17:38:34','',13192,'https://localhost/?p=14709',0,'revision','',0),
(14711,1,'2023-11-09 18:40:09','2023-11-09 17:40:09','<b>Images\n---</b>\n\nNoir.\n\n<b>Voix Off et In\n---</b>\n\n<b>Bande Son\n---</b>\n\n<b>Écrits\n---</b>','0’00','','inherit','closed','closed','','13192-revision-v1','','','2023-11-09 18:40:09','2023-11-09 17:40:09','',13192,'https://localhost/?p=14711',0,'revision','',0);
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