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F .  Ramuz ,  *Les * *signes * *parmi * *nous* *.* *\n*'),(39399,5822,'VoixOffIn','\n'),(39400,5822,'BandeSon','Silence . \n'),(39401,5822,'Ecrits','\n'),(39402,5822,'_product_image_gallery',''),(39403,5823,'_pingme','1'),(39404,5823,'_encloseme','1'),(39405,5823,'Index','280'),(39406,5823,'Minutage','02’42 \n'),(39407,5823,'Images','Noir . \n'),(39408,5823,'VoixOffIn','\n'),(39409,5823,'BandeSon','*Cue* ,  Scott  Walker  ( 2006 ). \n'),(39410,5823,'Ecrits','Les  prophètes \n'),(39411,5823,'_product_image_gallery',''),(39412,5824,'_pingme','1'),(39413,5824,'_encloseme','1'),(39414,5824,'Index','290'),(39415,5824,'Minutage','02’46 \n'),(39416,5824,'Images','Homme  sautant  une  épée  à  la  main  sur  un  autre  homme .  \n *Hamlet * ( 1964 ),  Grigori  Kozintsev .  \n'),(39417,5824,'VoixOffIn','\n'),(39418,5824,'BandeSon','*Id* *.* *\n*'),(39419,5824,'Ecrits','\n'),(39420,5824,'_product_image_gallery',''),(39421,5825,'_pingme','1'),(39422,5825,'_encloseme','1'),(39423,5825,'Index','300'),(39424,5825,'Minutage','02’47 \n'),(39425,5825,'Images','Noir . \n'),(39426,5825,'VoixOffIn','\n'),(39427,5825,'BandeSon','*Id* *.* *\n*'),(39428,5825,'Ecrits','\n'),(39429,5825,'_product_image_gallery',''),(39430,5826,'_pingme','1'),(39431,5826,'_encloseme','1'),(39432,5826,'Index','310'),(39433,5826,'Minutage','02’48 \n'),(39434,5826,'Images','Homme  en  assassinant  un  autre  à  coups  d’épée ,  puis  sautant  d’un  mur ,  imitant  un  oiseau . \n *Hamlet * ( 1948 *), * Laurence  Olivier . \n'),(39435,5826,'VoixOffIn','\n'),(39436,5826,'BandeSon','Cri  du  coq .  ( Logo  de  Pathé ). \n'),(39437,5826,'Ecrits','\n'),(39438,5826,'_product_image_gallery',''),(39439,5827,'_pingme','1'),(39440,5827,'_encloseme','1'),(39441,5827,'Index','320'),(39442,5827,'Minutage','02’51 \n'),(39443,5827,'Images','Petite  enfant  à  la  tête  levée  et  aux  mains  ouvertes .  \n *Miracle * *en * *Alabama * ( 1962 ),  Arthur  Penn .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(39444,5827,'VoixOffIn','\n'),(39445,5827,'BandeSon','Silence . \n'),(39446,5827,'Ecrits','\n'),(39447,5827,'_product_image_gallery',''),(39448,5828,'_pingme','1'),(39449,5828,'_encloseme','1'),(39450,5828,'Index','330'),(39451,5828,'Minutage','02’55 \r\n'),(39452,5828,'Images','Noir . \r\n'),(39453,5828,'VoixOffIn',''),(39454,5828,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *IV* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \r\n'),(39455,5828,'Ecrits','1 \r\n   REMAKES \r\n'),(39456,5828,'_product_image_gallery',''),(39457,5829,'_pingme','1'),(39458,5829,'_encloseme','1'),(39459,5829,'Index','340'),(39460,5829,'Minutage','03’00 \n'),(39461,5829,'Images','Explosion  d’une  bombe  atomique .  \n'),(39462,5829,'VoixOffIn','écrit  dans  une  nuit  d’orage \n'),(39463,5829,'BandeSon','*Id* *.* \n'),(39464,5829,'Ecrits','\n'),(39465,5829,'_product_image_gallery',''),(39466,5830,'_pingme','1'),(39467,5830,'_encloseme','1'),(39468,5830,'Index','350'),(39469,5830,'Minutage','03’04 \n'),(39470,5830,'Images','Femme  aidant  un  homme  à  s’éloigner  d’une  maison .  \n *En * *quatrième * *vitesse * [ *Kiss * *Me * *Deadly* ]  ( 1955 ),  Robert  Aldrich . \n'),(39471,5830,'VoixOffIn','les  affaires  spéciales  de  police  marchent  de  front  avec  \n'),(39472,5830,'BandeSon','*Id* *.* \n'),(39473,5830,'Ecrits','\n'),(39474,5830,'_product_image_gallery',''),(39475,5831,'_pingme','1'),(39476,5831,'_encloseme','1'),(39477,5831,'Index','360'),(39478,5831,'Minutage','03’08 \n'),(39479,5831,'Images','Logo  représentant  un  atome . \n'),(39480,5831,'VoixOffIn','les  mesures  les  plus  générales  de  la  politique . \n'),(39481,5831,'BandeSon','*Id* *.* \n'),(39482,5831,'Ecrits','\n'),(39483,5831,'_product_image_gallery',''),(39484,5832,'_pingme','1'),(39485,5832,'_encloseme','1'),(39486,5832,'Index','370'),(39487,5832,'Minutage','03’12 \n'),(39488,5832,'Images','Femme  aidant  un  homme  à  s’éloigner  d’une  maison  sur  une  plage . \n *En * *quatrième * *vitesse * [ *Kiss * *Me * *Deadly* ]  ( 1955 ),  Robert  Aldrich . \n'),(39489,5832,'VoixOffIn','Les  fautes  morales  s’y  confondent  avec  les  crimes  d’État .  \n *Histoire * *de * *la * *Révolution * *française * ( 1893 - 98 *), * Jules  Michelet . \n \n'),(39490,5832,'BandeSon','*Id* *.* \n'),(39491,5832,'Ecrits','\n'),(39492,5832,'_product_image_gallery',''),(39493,5833,'_pingme','1'),(39494,5833,'_encloseme','1'),(39495,5833,'Index','380'),(39496,5833,'Minutage','03’17 \n'),(39497,5833,'Images','Vassili  Semionovitch  Grossman  écrivant  au  tableau . \n'),(39498,5833,'VoixOffIn','C’est  évidemment  là ,  et  évidemment  le  coloris  aussi  que  les  peintres  en  tiraient .  La  forme ,  le  dessin ,  les  gros  axes ,  les  cadrages ,  les  directions ,  le  mouvement  ( Pierre  Guyotat ). \n'),(39499,5833,'BandeSon','Silence . \n'),(39500,5833,'Ecrits','\n'),(39501,5833,'_product_image_gallery',''),(39502,5834,'_pingme','1'),(39503,5834,'_encloseme','1'),(39504,5834,'Index','390'),(39505,5834,'Minutage','03’24 \n'),(39506,5834,'Images','Noir . \n'),(39507,5834,'VoixOffIn','On  accomplirait  l’acte  rédempteur ,  si  l’on  pourrait  conduire  la  critique  jusqu’à  la  mort  volontaire ,  sagement  désespérée ,  de  notre  penser  /  parler .  \n *Le * *langage * ( 1906 *), * Fritz  Mauthner . \n'),(39508,5834,'BandeSon','*Id* *.* \n'),(39509,5834,'Ecrits','\n'),(39510,5834,'_product_image_gallery',''),(39511,5835,'_pingme','1'),(39512,5835,'_encloseme','1'),(39513,5835,'Index','400'),(39514,5835,'Minutage','03’37 \n'),(39515,5835,'Images','Noir . \n'),(39516,5835,'VoixOffIn','\n'),(39517,5835,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n'),(39518,5835,'Ecrits','1  Remakes \n'),(39519,5835,'_product_image_gallery',''),(39520,5836,'_pingme','1'),(39521,5836,'_encloseme','1'),(39522,5836,'Index','410'),(39523,5836,'Minutage','03’42 \n'),(39524,5836,'Images','Femmes  sortant  d’un  taxi  ouvert  par  un  concierge ,  homme  lisant  un  papier .  \n *Allemagne * *neuf * *zéro * ( 1997 *), * Jean - Luc  Godard . \n'),(39525,5836,'VoixOffIn','garder  l’apparence  de  la  vie \n ( Jean - Luc  Godard ). \n \n \n \n Comme  le  cinéma  aussi ,  il  faut  que  tout  soit , \n'),(39526,5836,'BandeSon','*Id* *. * e  *Cue * ( 2006 ),  Scott  Walker . \n'),(39527,5836,'Ecrits','\n'),(39528,5836,'_product_image_gallery',''),(39529,5837,'_pingme','1'),(39530,5837,'_encloseme','1'),(39531,5837,'Index','420'),(39532,5837,'Minutage','04’04 \n'),(39533,5837,'Images','Au  ralenti ,  et  plus  tard  accéléré  :  deux  dames  accompagnées  à  une  voiture  par  un  concierge  sous  un  parapluie .  \n *Le * *dernier * *des * *hommes * ( 1924 *), * Friedrich  Wilhelm  Murnau . \n'),(39534,5837,'VoixOffIn','il  faut  que  tout  parle .  ( Pierre  Guyotat ). \n'),(39535,5837,'BandeSon','Silence ,  puis  moteur  de  voiture ,  et  pas  sur  le  sol  accompagnés  de  rires  de  femmes .  \n *Mon * *histoire * *n’est * *pas * *encore * *écrite * ( 2017 ),  Jacqueline  Gozland . \n'),(39536,5837,'Ecrits','\n'),(39537,5837,'_product_image_gallery',''),(39538,5838,'_pingme','1'),(39539,5838,'_encloseme','1'),(39540,5838,'Index','430'),(39541,5838,'Minutage','04’27 \n'),(39542,5838,'Images','Noir . \n'),(39543,5838,'VoixOffIn','\n'),(39544,5838,'BandeSon','Silence . \n'),(39545,5838,'Ecrits','\n'),(39546,5838,'_product_image_gallery',''),(39547,5839,'_pingme','1'),(39548,5839,'_encloseme','1'),(39549,5839,'Index','440'),(39550,5839,'Minutage','04’29 \n'),(39551,5839,'Images','Homme  parlant  avec  une  femme . \n *Johnny * *Guitar * ( 1954 ),  Nicholas  Ray . \n'),(39552,5839,'VoixOffIn','Johnny  :  Don’t  go  away . \n Vienna  :  I  haven’t  moved . \n \n'),(39553,5839,'BandeSon','Bande  son  de  *Johnny * *Guitar * ( 1954 ),  Nicholas  Ray . \n'),(39554,5839,'Ecrits','\n'),(39555,5839,'_product_image_gallery',''),(39556,5840,'_pingme','1'),(39557,5840,'_encloseme','1'),(39558,5840,'Index','450'),(39559,5840,'Minutage','04’36 \n'),(39560,5840,'Images','Noir . \n'),(39561,5840,'VoixOffIn','Johnny  :  Tell  me  something  nice . \n Vienna  :  Sure ,  what  do  you  want  to  hear  ? \n Johnny  :  Lie  to  me .  Tell  me  all  these  years  you’ve  waited \n'),(39562,5840,'BandeSon','*Id* *.* \n'),(39563,5840,'Ecrits','\n'),(39564,5840,'_product_image_gallery',''),(39565,5841,'_pingme','1'),(39566,5841,'_encloseme','1'),(39567,5841,'Index','460'),(39568,5841,'Minutage','04’48 \n'),(39569,5841,'Images','Homme  parlant  avec  une  femme .  \n *Johnny * *Guitar * ( 1954 ),  Nicholas  Ray . \n'),(39570,5841,'VoixOffIn','Vienna  :  All  those  years  I’ve  waited … \n Johnny  :  Tell  me  you  would  have  died  if  I  hadn’t  come  back . \n Vienna  :  I  would\'ve  died  if  you  hadn’t  come  back . \n Johnny  :  Tell  me  you  still  love  me  like  I  love  you . \n Vienna  :  I  still …  \n'),(39571,5841,'BandeSon','*Id* *.* \n'),(39572,5841,'Ecrits','\n'),(39573,5841,'_product_image_gallery',''),(39574,5842,'_pingme','1'),(39575,5842,'_encloseme','1'),(39576,5842,'Index','470'),(39577,5842,'Minutage','05’05 \n'),(39578,5842,'Images','Noir . \n'),(39579,5842,'VoixOffIn','-  Dites  des  mensonges . \n'),(39580,5842,'BandeSon','Silence . \n'),(39581,5842,'Ecrits','\n'),(39582,5842,'_product_image_gallery',''),(39583,5843,'_pingme','1'),(39584,5843,'_encloseme','1'),(39585,5843,'Index','480'),(39586,5843,'Minutage','05’10 \n'),(39587,5843,'Images','Homme  parlant  avec  une  femme .  *\n* *Le * *petit * *soldat * ( 1947 *), * Jean - Luc  Godard . *\n*'),(39588,5843,'VoixOffIn','que  vous  n’êtes  pas  triste  que  je  parte . \n -  Je  ne  suis  pas  triste  que  vous  partiez .  Je  ne  suis  pas  amoureuse  de  vous .  Je  ne  vous  rejoindrai  pas  au  Brésil ,  je  ne  vous  embrasse  pas  tendrement . \n'),(39589,5843,'BandeSon','*Id* *. * et  piano . \n'),(39590,5843,'Ecrits','\n'),(39591,5843,'_product_image_gallery',''),(39592,5844,'_pingme','1'),(39593,5844,'_encloseme','1'),(39594,5844,'Index','490'),(39595,5844,'Minutage','05’38 \n'),(39596,5844,'Images','Noir . \n'),(39597,5844,'VoixOffIn','Je  ne  vous  embrasse  pas  tendrement . \n'),(39598,5844,'BandeSon','*Id* *.* *\n*'),(39599,5844,'Ecrits','\n'),(39600,5844,'_product_image_gallery',''),(39601,5845,'_pingme','1'),(39602,5845,'_encloseme','1'),(39603,5845,'Index','500'),(39604,5845,'Minutage','05’45 \n'),(39605,5845,'Images','Homme  parlant  avec  une  femme .  *\n* *Le * *petit * *soldat * ( 1947 *), * Jean - Luc  Godard . *\n*'),(39606,5845,'VoixOffIn','\n'),(39607,5845,'BandeSon','*Id* *.* *\n*'),(39608,5845,'Ecrits','\n'),(39609,5845,'_product_image_gallery',''),(39610,5846,'_pingme','1'),(39611,5846,'_encloseme','1'),(39612,5846,'Index','510'),(39613,5846,'Minutage','05’50 \n'),(39614,5846,'Images','Noir . \n'),(39615,5846,'VoixOffIn','\n'),(39616,5846,'BandeSon','Silence . \n'),(39617,5846,'Ecrits','\n'),(39618,5846,'_product_image_gallery',''),(39619,5847,'_pingme','1'),(39620,5847,'_encloseme','1'),(39621,5847,'Index','520'),(39622,5847,'Minutage','05’55 \n'),(39623,5847,'Images','Adolescents  faisant  des  exercices  militaires  sous  la  supervision  de  soldats .  \n *Liban* *, * *guerres * *et * *hommes * ( 1975 *), * Frédéric  Laffont . \n'),(39624,5847,'VoixOffIn','\n'),(39625,5847,'BandeSon','*Id* *.* *\n*'),(39626,5847,'Ecrits','\n'),(39627,5847,'_product_image_gallery',''),(39628,5848,'_pingme','1'),(39629,5848,'_encloseme','1'),(39630,5848,'Index','530'),(39631,5848,'Minutage','05’59 \n'),(39632,5848,'Images','Noir . \n'),(39633,5848,'VoixOffIn','\n'),(39634,5848,'BandeSon','*Id* *.* \n'),(39635,5848,'Ecrits','\n'),(39636,5848,'_product_image_gallery',''),(39637,5849,'_pingme','1'),(39638,5849,'_encloseme','1'),(39639,5849,'Index','540'),(39640,5849,'Minutage','06’00 \n'),(39641,5849,'Images','Adolescents  faisant  des  exercices  militaires  sous  la  supervision  de  soldats .  *\n* *Liban* *, * *guerres * *et * *hommes * ( 1975 *), * Frédéric  Laffont . *\n*'),(39642,5849,'VoixOffIn','\n'),(39643,5849,'BandeSon','*Id* *.* \n'),(39644,5849,'Ecrits','\n'),(39645,5849,'_product_image_gallery',''),(39646,5850,'_pingme','1'),(39647,5850,'_encloseme','1'),(39648,5850,'Index','550'),(39649,5850,'Minutage','06’03 \n'),(39650,5850,'Images','Militaires  en  rang  observés  par  un  commandant .  *\n* *Liban* *, * *guerres * *et * *hommes * ( 1975 *), * Frédéric  Laffont . *\n*'),(39651,5850,'VoixOffIn','\n'),(39652,5850,'BandeSon','*Id* *.* \n'),(39653,5850,'Ecrits','\n'),(39654,5850,'_product_image_gallery',''),(39655,5851,'_pingme','1'),(39656,5851,'_encloseme','1'),(39657,5851,'Index','560'),(39658,5851,'Minutage','06’07 \n'),(39659,5851,'Images','Jeunes  gens  marchant  à  la  manière  de  chiens ,  entourés  de  soldats  les  nourrissant .  \n *Salò * *o * *le * *centoventi * *giornate * *di * *Sodoma * ( 1976 *), * Pier  Paolo  Pasolini . \n'),(39660,5851,'VoixOffIn','\n'),(39661,5851,'BandeSon','Aboiements  et  halètements  de  chiens . \n'),(39662,5851,'Ecrits','\n'),(39663,5851,'_product_image_gallery',''),(39664,5852,'_pingme','1'),(39665,5852,'_encloseme','1'),(39666,5852,'Index','570'),(39667,5852,'Minutage','06’17 \n'),(39668,5852,'Images','Noir . \n'),(39669,5852,'VoixOffIn','-  Mangia ,  sù ! \n'),(39670,5852,'BandeSon','Silence . \n'),(39671,5852,'Ecrits','\n'),(39672,5852,'_product_image_gallery',''),(39673,5853,'_pingme','1'),(39674,5853,'_encloseme','1'),(39675,5853,'Index','580'),(39676,5853,'Minutage','06’28 \n'),(39677,5853,'Images','Noir . \n'),(39678,5853,'VoixOffIn','\n'),(39679,5853,'BandeSon','*Id* *.* \n'),(39680,5853,'Ecrits','1  Remakes \n'),(39681,5853,'_product_image_gallery',''),(39682,5854,'_pingme','1'),(39683,5854,'_encloseme','1'),(39684,5854,'Index','590'),(39685,5854,'Minutage','06’31 \n'),(39686,5854,'Images','Soldats  djihadistes  tirant  à  la  mitraillette .  \n *Timbuktu * ( 2014 *), * Abderrahmane  Sissako . \n'),(39687,5854,'VoixOffIn','\n'),(39688,5854,'BandeSon','Mitraillette .  \n'),(39689,5854,'Ecrits','\n'),(39690,5854,'_product_image_gallery',''),(39691,5855,'_pingme','1'),(39692,5855,'_encloseme','1'),(39693,5855,'Index','600'),(39694,5855,'Minutage','06’33 \n'),(39695,5855,'Images','Blanc \n'),(39696,5855,'VoixOffIn','\n'),(39697,5855,'BandeSon','Silence . \n'),(39698,5855,'Ecrits','\n'),(39699,5855,'_product_image_gallery',''),(39700,5856,'_pingme','1'),(39701,5856,'_encloseme','1'),(39702,5856,'Index','610'),(39703,5856,'Minutage','06’37 \n'),(39704,5856,'Images','Soldats  djihadistes  tirant  à  la  mitraillette .  *\n* *Timbuktu * ( 2014 *), * Abderrahmane  Sissako . *\n*'),(39705,5856,'VoixOffIn','Bruit  de  manipulation  d\'une  arme . \n'),(39706,5856,'BandeSon','*Id* *.* \n'),(39707,5856,'Ecrits','\n'),(39708,5856,'_product_image_gallery',''),(39709,5857,'_pingme','1'),(39710,5857,'_encloseme','1'),(39711,5857,'Index','620'),(39712,5857,'Minutage','06’44 \n'),(39713,5857,'Images','Soldats  déplaçant  des  cadavres  et  soignant  des  femmes  torturées .  \n *Vrai * *faux * *passeport* ( 2006 *), * Jean - Luc  Godard . \n'),(39714,5857,'VoixOffIn','Les  américains  s’efforcent  de  réanimer  cette  combattante  \n'),(39715,5857,'BandeSon','Bande  son  de  *Vrai * *faux * *passeport* ( 2006 *), * Jean - Luc  Godard . \n'),(39716,5857,'Ecrits','\n'),(39717,5857,'_product_image_gallery',''),(39718,5858,'_pingme','1'),(39719,5858,'_encloseme','1'),(39720,5858,'Index','630'),(39721,5858,'Minutage','07’05 \n'),(39722,5858,'Images','Noir . \n'),(39723,5858,'VoixOffIn','\n'),(39724,5858,'BandeSon','*Id* *.* *\n*'),(39725,5858,'Ecrits','\n'),(39726,5858,'_product_image_gallery',''),(39727,5859,'_pingme','1'),(39728,5859,'_encloseme','1'),(39729,5859,'Index','640'),(39730,5859,'Minutage','07’08 \n'),(39731,5859,'Images','Hélicoptère .  \n *La * *Chute * *du * *faucon * *noir * ( 2001 *), * Ridley  Scott . \n'),(39732,5859,'VoixOffIn','pour  sans  doute  l’interroger .  Qu’en  tireront - ils  ?  ( fois  2 ) \n'),(39733,5859,'BandeSon','*Id* *.* \n'),(39734,5859,'Ecrits','\n'),(39735,5859,'_product_image_gallery',''),(39736,5860,'_pingme','1'),(39737,5860,'_encloseme','1'),(39738,5860,'Index','650'),(39739,5860,'Minutage','07’13 \n'),(39740,5860,'Images','Soldats  déplaçant  des  cadavres  et  soignant  des  femmes  torturées .  *Vrai * *faux * *passeport* ( 2006 *), * Jean - Luc  Godard . \n'),(39741,5860,'VoixOffIn','Des  insultes ,  des  chants  communistes  ou  simplement  des  cris  de  douleur . \n'),(39742,5860,'BandeSon','*Id* *.* \n'),(39743,5860,'Ecrits','Patrie \n'),(39744,5860,'_product_image_gallery',''),(39745,5861,'_pingme','1'),(39746,5861,'_encloseme','1'),(39747,5861,'Index','660'),(39748,5861,'Minutage','07’17 \n'),(39749,5861,'Images','Soldat  menaçant  une  femme  et  un  enfant  avec  une  carabine .  \n *Les * *carabiniers * ( 1963 ),  Jean - Luc  Godard . \n'),(39750,5861,'VoixOffIn','Faites  la  partir .  Pas  dans  la  cuisine .  Mettez - vous  sur  la  chaise  !  Tournez - vous  ! \n'),(39751,5861,'BandeSon','Silence . \n'),(39752,5861,'Ecrits','\n'),(39753,5861,'_product_image_gallery',''),(39754,5862,'_pingme','1'),(39755,5862,'_encloseme','1'),(39756,5862,'Index','670'),(39757,5862,'Minutage','07’43 \n'),(39758,5862,'Images','Noir . \n'),(39759,5862,'VoixOffIn','\n'),(39760,5862,'BandeSon','*Id* *.* \n'),(39761,5862,'Ecrits','\n'),(39762,5862,'_product_image_gallery',''),(39763,5863,'_pingme','1'),(39764,5863,'_encloseme','1'),(39765,5863,'Index','680'),(39766,5863,'Minutage','07’44 \n'),(39767,5863,'Images','Enfant  sur  une  pelouse  écoutant  de  la  musique .  Homme  apprenant  à  nager  à  une  femme .  *\n* *Les * *hommes * *les * *dimanches * ( 1930 *), * Robert  Siodmak  et  Edgar  George  Ulmer . *\n*'),(39768,5863,'VoixOffIn','\n'),(39769,5863,'BandeSon','Bande  son  de  *Les * *hommes * *les * *dimanches * ( 1930 *), * Robert  Siodmak  et  Edgar  George  Ulmer . \n *\n*'),(39770,5863,'Ecrits','\n'),(39771,5863,'_product_image_gallery',''),(39772,5864,'_pingme','1'),(39773,5864,'_encloseme','1'),(39774,5864,'Index','690'),(39775,5864,'Minutage','07’51 \n'),(39776,5864,'Images','Deux  hommes  avec  un  scooter  suivant  deux  femmes  qui  se  promenant  dans  la  rue .  \n *Blue * *jeans * ( 1957 *), * Jacques  Rozier . \n'),(39777,5864,'VoixOffIn','Alors  on  se  promène  ?  Vous  n’avez  pas  peur  toutes  seules  ?  Vous  habitez  chez  vos  parents  ?  Alors  vous  habitez  chez  papa  et  maman  ? \n'),(39778,5864,'BandeSon','Silence . \n'),(39779,5864,'Ecrits','\n'),(39780,5864,'_product_image_gallery',''),(39781,5865,'_pingme','1'),(39782,5865,'_encloseme','1'),(39783,5865,'Index','700'),(39784,5865,'Minutage','08’09 \n'),(39785,5865,'Images','Noir . \n'),(39786,5865,'VoixOffIn','Chez  papa  et  maman  ? \n'),(39787,5865,'BandeSon','*Id* *.* \n'),(39788,5865,'Ecrits','\n'),(39789,5865,'_product_image_gallery',''),(39790,5866,'_pingme','1'),(39791,5866,'_encloseme','1'),(39792,5866,'Index','710'),(39793,5866,'Minutage','08’12 \n'),(39794,5866,'Images','Avion  de  guerre  \n orné  d’un  dessin  de  dents .  Documentaire  de  la  guerre  civile  en  Chine . \n'),(39795,5866,'VoixOffIn','\n'),(39796,5866,'BandeSon','*Id* *.* \n'),(39797,5866,'Ecrits','\n'),(39798,5866,'_product_image_gallery',''),(39799,5867,'_pingme','1'),(39800,5867,'_encloseme','1'),(39801,5867,'Index','720'),(39802,5867,'Minutage','08’13 \n'),(39803,5867,'Images','Requin  émergeant  de  l\'eau ,  la  gueule  grande  ouverte .  \n *Les * *dents * *de * *la * *mer * ( 1975 *), * Steven  Spielberg . \n'),(39804,5867,'VoixOffIn','\n'),(39805,5867,'BandeSon','*Id* *.* \n'),(39806,5867,'Ecrits','\n'),(39807,5867,'_product_image_gallery',''),(39808,5868,'_pingme','1'),(39809,5868,'_encloseme','1'),(39810,5868,'Index','730'),(39811,5868,'Minutage','08’14 \n'),(39812,5868,'Images','Noir . \n'),(39813,5868,'VoixOffIn','\n'),(39814,5868,'BandeSon','*Id* *.* \n'),(39815,5868,'Ecrits','1  \n REMAKES \n'),(39816,5868,'_product_image_gallery',''),(39817,5869,'_pingme','1'),(39818,5869,'_encloseme','1'),(39819,5869,'Index','740'),(39820,5869,'Minutage','08’16 \n'),(39821,5869,'Images','Empilement  de  cadavres . \n *Nuit * *et * *brouillard * ( 1956 *), * Alain  Resnais . \n'),(39822,5869,'VoixOffIn','\n'),(39823,5869,'BandeSon','*Id* *.* \n'),(39824,5869,'Ecrits','\n'),(39825,5869,'_product_image_gallery',''),(39826,5870,'_pingme','1'),(39827,5870,'_encloseme','1'),(39828,5870,'Index','750'),(39829,5870,'Minutage','08’19 \n'),(39830,5870,'Images','Homme  tuant  un  cheval .  \n *Le * *sang * *des * *bêtes * ( 1949 *), * Georges  Franju ,. \n'),(39831,5870,'VoixOffIn','Il  est  presque  impossible  d’abolir  \n'),(39832,5870,'BandeSon','*Id* *.* \n'),(39833,5870,'Ecrits','\n'),(39834,5870,'_product_image_gallery',''),(39835,5871,'_pingme','1'),(39836,5871,'_encloseme','1'),(39837,5871,'Index','760'),(39838,5871,'Minutage','08’24 \n'),(39839,5871,'Images','Noir . \n'),(39840,5871,'VoixOffIn','la  réciprocité  entre  les  hommes . \n La  violence  est  une  forme .  \n *La * *violence * *et * *le * *sacré* *, * ( 1972 ),  René  Girard \n \n'),(39841,5871,'BandeSon','*Id* *. * e  *Cue * ( 2006 ),  Scott  Walker . \n'),(39842,5871,'Ecrits','L’une  part  la  décision  et \n décision ,  c’est  :  se  tenir \n être  et  le  non - être  @  et  il  y \n de  l’être ,  le  primat  incor \n \n ( Vladimir  Ilitch  Lénine ).  \n'),(39843,5871,'_product_image_gallery',''),(39844,5872,'_pingme','1'),(39845,5872,'_encloseme','1'),(39846,5872,'Index','770'),(39847,5872,'Minutage','08’31 \n'),(39848,5872,'Images','Hibou ,  fondu  avec  un  homme  battant  des  paupières  et  les  frottant  successivement .  \n *La * *Grève * ( 1925 *), * Sergueï  Eisenstein .  *Histoire* *(* *s* *) * *du * *cinéma * *1a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(39849,5872,'VoixOffIn','\n'),(39850,5872,'BandeSon','*Cue * ( 2006 ),  Scott  Walker . \n'),(39851,5872,'Ecrits','\n'),(39852,5872,'_product_image_gallery',''),(39853,5873,'_pingme','1'),(39854,5873,'_encloseme','1'),(39855,5873,'Index','780'),(39856,5873,'Minutage','08’36 \n'),(39857,5873,'Images','Noir . \n'),(39858,5873,'VoixOffIn','\n'),(39859,5873,'BandeSon','*Id* *.* *\n*'),(39860,5873,'Ecrits','\n'),(39861,5873,'_product_image_gallery',''),(39862,5874,'_pingme','1'),(39863,5874,'_encloseme','1'),(39864,5874,'Index','790'),(39865,5874,'Minutage','08’43 \n'),(39866,5874,'Images','Hommes  essayant  de  prendre  la  fuite  et  se  faisant  tirer  dessus .  Certains  meurent .  Hommes  lançant  dans  la  mer  des  prisonniers  attachés .  \n *Paisà * ( 1946 *), * Roberto  Rossellini . \n'),(39867,5874,'VoixOffIn','Accadeva  nell’inverno  del  1944 .  All’inizio  della  primavera  la  guerra  era  finita . \n \n'),(39868,5874,'BandeSon','Mitraillette ,  personnes  tombant  dans  l\'eau . \n'),(39869,5874,'Ecrits','\n'),(39870,5874,'_product_image_gallery',''),(39871,5875,'_pingme','1'),(39872,5875,'_encloseme','1'),(39873,5875,'Index','800'),(39874,5875,'Minutage','09’06 \n'),(39875,5875,'Images','Surexposé  :  djihadistes  tirant  sur  des  hommes ,  et  les  lançant  à  la  mer . \n'),(39876,5875,'VoixOffIn','\n'),(39877,5875,'BandeSon','Silence . \n'),(39878,5875,'Ecrits','\n'),(39879,5875,'_product_image_gallery',''),(39880,5876,'_pingme','1'),(39881,5876,'_encloseme','1'),(39882,5876,'Index','810'),(39883,5876,'Minutage','09’13 \n'),(39884,5876,'Images','Surexposé  et  saturé  en  tons  rouges  :  mer . \n'),(39885,5876,'VoixOffIn','\n'),(39886,5876,'BandeSon','*Id* *.* \n'),(39887,5876,'Ecrits','\n'),(39888,5876,'_product_image_gallery',''),(39889,5877,'_pingme','1'),(39890,5877,'_encloseme','1'),(39891,5877,'Index','820'),(39892,5877,'Minutage','09’15  \n'),(39893,5877,'Images','Un  homme  et  une  femme  traversant  en  courant  le  corridor  de  Vasari  à  Florence . \n *Paisà * ( 1946 *), * Roberto  Rossellini .  \n \n En  surimpression ,  *La * *belle * *et * *la * *bête * ( 1946 *), * Jean  Cocteau . \n'),(39894,5877,'VoixOffIn','S’il  vous  plaît  ( fois  7 ) \n'),(39895,5877,'BandeSon','Ressac  de  vagues . \n'),(39896,5877,'Ecrits','\n'),(39897,5877,'_product_image_gallery',''),(39898,5878,'_pingme','1'),(39899,5878,'_encloseme','1'),(39900,5878,'Index','830'),(39901,5878,'Minutage','09’23 \n'),(39902,5878,'Images','Noir . \n'),(39903,5878,'VoixOffIn','Devenir  immortelle  ne  vous  intéresse  vraiment  pas  ? \n'),(39904,5878,'BandeSon','*Id* *.* *\n*'),(39905,5878,'Ecrits','RIM ( AK ) ES \n'),(39906,5878,'_product_image_gallery',''),(39907,5879,'_pingme','1'),(39908,5879,'_encloseme','1'),(39909,5879,'Index','840'),(39910,5879,'Minutage','09’27 \n'),(39911,5879,'Images','Homme  se  jettant  à  la  mer  pour  sauver  une  femme  voulant  se  suicider .  \n *Vertigo * ( 1958 *), * Alfred  Hitchcock . \n'),(39912,5879,'VoixOffIn','- Immortelle ,  quoi  ça  sert  ? \n - On  m’a  dit  que  tout  le  monde  en  avait  envie . \n - Qu’est  ce  que  je  vais  devenir  si  je  meurs  pas  ?  La  vie  va  s’arrêter \n \n'),(39913,5879,'BandeSon','*Id* *.* \n'),(39914,5879,'Ecrits','\n'),(39915,5879,'_product_image_gallery',''),(39916,5880,'_pingme','1'),(39917,5880,'_encloseme','1'),(39918,5880,'Index','850'),(39919,5880,'Minutage','09’44 \n'),(39920,5880,'Images','Noir . \n'),(39921,5880,'VoixOffIn','je  ne  suis  pas  comme  vous . \n'),(39922,5880,'BandeSon','*Id* *.* \n'),(39923,5880,'Ecrits','\n'),(39924,5880,'_product_image_gallery',''),(39925,5881,'_pingme','1'),(39926,5881,'_encloseme','1'),(39927,5881,'Index','860'),(39928,5881,'Minutage','09’47 \n'),(39929,5881,'Images','Surexposé  et  au  ralenti  :  homme  transportant  le  corps  d’une  femme  ayant  risqué  de  se  noyer .  \n *Vertigo * ( 1958 *), * Alfred  Hitchcock . \n'),(39930,5881,'VoixOffIn','- Fière ,  et  orgueilleuse  avec  ça .  \n \n'),(39931,5881,'BandeSon','*Id* *.* \n'),(39932,5881,'Ecrits','\n'),(39933,5881,'_product_image_gallery',''),(39934,5882,'_pingme','1'),(39935,5882,'_encloseme','1'),(39936,5882,'Index','870'),(39937,5882,'Minutage','09’49 \n'),(39938,5882,'Images','Femme  à  la  plage  et  homme  naigeant  dans  la  mer .  \n *Femme * *au * *corbeau * ( 1929 *), * Frank  Borzage . *\n*'),(39939,5882,'VoixOffIn','-  Oui ,  fière ,  si  je  me  compare .  \n'),(39940,5882,'BandeSon','*Id* *.* \n'),(39941,5882,'Ecrits','\n'),(39942,5882,'_product_image_gallery',''),(39943,5883,'_pingme','1'),(39944,5883,'_encloseme','1'),(39945,5883,'Index','880'),(39946,5883,'Minutage','09’56 \n'),(39947,5883,'Images','Caméraman  assis  sur  une  dolly .  \n *Silence* *! * *On * *tourne * ( 2001 *), * Youssef  Chahine . \n'),(39948,5883,'VoixOffIn','\n'),(39949,5883,'BandeSon','*Id* *.* \n'),(39950,5883,'Ecrits','\n'),(39951,5883,'_product_image_gallery',''),(39952,5884,'_pingme','1'),(39953,5884,'_encloseme','1'),(39954,5884,'Index','890'),(39955,5884,'Minutage','09’58 \n'),(39956,5884,'Images','Visage  d’une  femme . \n *L’Atalante * ( 1934 *), * Jean  Vigo ,  au  ralenti  et  superposé  à  l’image  d’un  homme . \n'),(39957,5884,'VoixOffIn','Et  humble ,  si  je  me  considère . \n -  Vous  me  l\'avez  déjà  dit . \n -  Oui ,  mais  je  ne  savais  pas  que  c\'était  vous .  Je  croyais  que  c\'était  Simon  qui  était  là . \n'),(39958,5884,'BandeSon','*Id* *.* \n'),(39959,5884,'Ecrits','\n'),(39960,5884,'_product_image_gallery',''),(39961,5885,'_pingme','1'),(39962,5885,'_encloseme','1'),(39963,5885,'Index','900'),(39964,5885,'Minutage','10’12 \n'),(39965,5885,'Images','Homme  déposant  une  femme  par  terre  au  bord  d’un  lac . \n *Hélas * *pour * *moi * ( 1993 *), * Jean - Luc  Godard . \n'),(39966,5885,'VoixOffIn','C’est  notre  première  dispute ,  et  je  t’aime . \n *Hélas * *pour * *moi * ( 1993 *), * Jean - Luc  Godard . \n'),(39967,5885,'BandeSon','*Id* *.* \n'),(39968,5885,'Ecrits','\n'),(39969,5885,'_product_image_gallery',''),(39970,5886,'_pingme','1'),(39971,5886,'_encloseme','1'),(39972,5886,'Index','910'),(39973,5886,'Minutage','10’19 \n'),(39974,5886,'Images','Deux  personnes  marchant  à  quatre  pattes  sur  le  sol  au  milieu  de  l\'eau .  \n *La * *furie * *du * *désir * [ *Ruby * *Gentry* ]  ( 1952 *), * King  Vidor . \n'),(39975,5886,'VoixOffIn','\n'),(39976,5886,'BandeSon','Silence . \n'),(39977,5886,'Ecrits','\n'),(39978,5886,'_product_image_gallery',''),(39979,5887,'_pingme','1'),(39980,5887,'_encloseme','1'),(39981,5887,'Index','920'),(39982,5887,'Minutage','10’25 \n'),(39983,5887,'Images','Noir . \n'),(39984,5887,'VoixOffIn','\n'),(39985,5887,'BandeSon','*Quintette * *avec * *piano * ( 1944 *), * *Op* *. * *18 * *- * *I * ( 1944 *), * Mieczysław  Weinberg . \n'),(39986,5887,'Ecrits','\n'),(39987,5887,'_product_image_gallery',''),(39988,5888,'_pingme','1'),(39989,5888,'_encloseme','1'),(39990,5888,'Index','930'),(39991,5888,'Minutage','10’27 \n'),(39992,5888,'Images','Images  d’archives  :  signature  de  l\'armistice  de  la  Seconde  Guerre  mondiale  le  8  mai  1945 .  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( Papier  monnaie  fiduciaire  d’échange ,  instaurée  sous  la  Révolution  française  par  la  loi  du  4  janvier  1792 ). \n'),(40020,5891,'VoixOffIn','On  a  signé ,  ah  signé ,  assigné ,  assigné ,  assignats .  ( Jean - Luc  Godard ) \n'),(40021,5891,'BandeSon','Silence . \n'),(40022,5891,'Ecrits','\n'),(40023,5891,'_product_image_gallery',''),(40024,5892,'_pingme','1'),(40025,5892,'_encloseme','1'),(40026,5892,'Index','970'),(40027,5892,'Minutage','10’55 \n'),(40028,5892,'Images','Noir . \n'),(40029,5892,'VoixOffIn','Vous  vous  souvenez  de  José .  républicain  espagnol  ?  Avec  les  communistes  j\'irai  jusqu\'à  la  mort . \n'),(40030,5892,'BandeSon','*Id* *.* *\n*'),(40031,5892,'Ecrits','\n'),(40032,5892,'_product_image_gallery',''),(40033,5893,'_pingme','1'),(40034,5893,'_encloseme','1'),(40035,5893,'Index','980'),(40036,5893,'Minutage','11’00 \n'),(40037,5893,'Images','Hommes  posant  un  livre  sur  la  tête  d’un  homme  allongé  et  plaçant  le  bout  de  l\'index  et  du  majeur  sur  sa  couverture . \n *Ivan * *le * *terrible * ( 1944 *), * Sergej  Ejzenstejn .  *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(40038,5893,'VoixOffIn','Avec  les  communistes  j\'irai  jusqu\'à  la  mort  mais  je  ne  ferai  pas  un  pas  de  plus . \n *L’Espoir * ( 1937 ),  André  Malraux . \n'),(40039,5893,'BandeSon','*Id* *.* \n'),(40040,5893,'Ecrits','\n'),(40041,5893,'_product_image_gallery',''),(40042,5894,'_pingme','1'),(40043,5894,'_encloseme','1'),(40044,5894,'Index','990'),(40045,5894,'Minutage','11’21 \n'),(40046,5894,'Images','Enfants  jouant  du  violon .  \n *Les * *enfants * *jouent * *à * *la * *Russie * ( 1993 *), * Jean - Luc  Godard . \n'),(40047,5894,'VoixOffIn','\n'),(40048,5894,'BandeSon','Orchestre .  \n'),(40049,5894,'Ecrits','\n'),(40050,5894,'_product_image_gallery',''),(40051,5895,'_pingme','1'),(40052,5895,'_encloseme','1'),(40053,5895,'Index','1000'),(40054,5895,'Minutage','11’26 \n'),(40055,5895,'Images','Photographie  d’Inès  Armand ,  femme  politique  communiste . \n'),(40056,5895,'VoixOffIn','\n'),(40057,5895,'BandeSon','Silence . \n'),(40058,5895,'Ecrits','\n'),(40059,5895,'_product_image_gallery',''),(40060,5896,'_pingme','1'),(40061,5896,'_encloseme','1'),(40062,5896,'Index','1010'),(40063,5896,'Minutage','11’30 \n'),(40064,5896,'Images','Avec  des  couleurs  surexposées  et  saturées  :  groupe  de  personnes  avec  drapeaux  et  armes . \n *La * *liberté * *guidant * *le * *peuple * ( 1830 ),  Eugène  Delacroix . \n'),(40065,5896,'VoixOffIn','\n'),(40066,5896,'BandeSon','*Id* *.* *\n*'),(40067,5896,'Ecrits','\n'),(40068,5896,'_product_image_gallery',''),(40069,5897,'_pingme','1'),(40070,5897,'_encloseme','1'),(40071,5897,'Index','1020'),(40072,5897,'Minutage','11’32 \n'),(40073,5897,'Images','En  noir  et  blanc  et  surexposé  :  groupe  de  personnes  avec  drapeaux  et  armes .  *\n* *La * *liberté * *guidant * *le * *peuple * ( 1830 ),  Eugène  Delacroix . *\n*'),(40074,5897,'VoixOffIn','Les  aventures .  Encore  un  rouge .  Dernier ,  le  rouge . \n   \n \n'),(40075,5897,'BandeSon','*Id* *.* \n'),(40076,5897,'Ecrits','\n'),(40077,5897,'_product_image_gallery',''),(40078,5898,'_pingme','1'),(40079,5898,'_encloseme','1'),(40080,5898,'Index','1030'),(40081,5898,'Minutage','11’35 \n'),(40082,5898,'Images','Alternance  en  clignotant  de  photos  en  couleur  d’Hitler ,  et  d’une  dame  marchant ,  un  enfant  dans  les  bras .  \n *Angèle * ( 1934 *), * Marcel  Pagnol . \n'),(40083,5898,'VoixOffIn','- C’est  lui  qui  a  commencé ,  et  c’est  la  vérité .  \n'),(40084,5898,'BandeSon','*Id* *.* \n'),(40085,5898,'Ecrits','\n'),(40086,5898,'_product_image_gallery',''),(40087,5899,'_pingme','1'),(40088,5899,'_encloseme','1'),(40089,5899,'Index','1040'),(40090,5899,'Minutage','11’40  \n'),(40091,5899,'Images','Noir . \n'),(40092,5899,'VoixOffIn','Tais - toi  Cassandre ! \n'),(40093,5899,'BandeSon','*Id* *.* \n'),(40094,5899,'Ecrits','\n'),(40095,5899,'_product_image_gallery',''),(40096,5900,'_pingme','1'),(40097,5900,'_encloseme','1'),(40098,5900,'Index','1050'),(40099,5900,'Minutage','11’42 \n'),(40100,5900,'Images','Femme  pleurant .  \n *Les * *larmes * *de * *Freya * ( 1900 *), * Anne - Marie  Zylberman . \n'),(40101,5900,'VoixOffIn','\n'),(40102,5900,'BandeSon','*Id* *.* \n'),(40103,5900,'Ecrits','\n'),(40104,5900,'_product_image_gallery',''),(40105,5901,'_pingme','1'),(40106,5901,'_encloseme','1'),(40107,5901,'Index','1060'),(40108,5901,'Minutage','11’45 \n'),(40109,5901,'Images','Mains  tournées  vers  la  lumière .  \n Fragment  de  tableau  ( 1588 ),  Anonyme ,  Ecole  de  Fontainebleau . \n Une  main  sous  un  sein ,  une  autre  main  joignant  l’index  au  pouce .  \n *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard ,. \n'),(40110,5901,'VoixOffIn','\n'),(40111,5901,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n'),(40112,5901,'Ecrits','\n'),(40113,5901,'_product_image_gallery',''),(40114,5902,'_pingme','1'),(40115,5902,'_encloseme','1'),(40116,5902,'Index','1070'),(40117,5902,'Minutage','11’48 \r\n'),(40118,5902,'Images','Noir . \r\n'),(40119,5902,'VoixOffIn',''),(40120,5902,'BandeSon','*Id* *.* \r\n'),(40121,5902,'Ecrits','2  \r\n LES  SOIRÉES  DE  \r\n ST .  PÉTERSBOURG  ( Joseph  de  Maistre ,  1821 ) \r\n'),(40122,5902,'_product_image_gallery',''),(40123,5903,'_pingme','1'),(40124,5903,'_encloseme','1'),(40125,5903,'Index','1080'),(40126,5903,'Minutage','11’53 \n'),(40127,5903,'Images','Jeune  fille  dansant  à  un  bal .  \n *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40128,5903,'VoixOffIn','\n'),(40129,5903,'BandeSon','Instruments  à  cordes  :  bande  son  de  *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40130,5903,'Ecrits','\n'),(40131,5903,'_product_image_gallery',''),(40132,5904,'_pingme','1'),(40133,5904,'_encloseme','1'),(40134,5904,'Index','1090'),(40135,5904,'Minutage','11’55 \n'),(40136,5904,'Images','Soldats  à  cheval ,  pendant  une  bataille .  \n *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40137,5904,'VoixOffIn','\n'),(40138,5904,'BandeSon','Silence  et  *Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n'),(40139,5904,'Ecrits','\n'),(40140,5904,'_product_image_gallery',''),(40141,5905,'_pingme','1'),(40142,5905,'_encloseme','1'),(40143,5905,'Index','1100'),(40144,5905,'Minutage','12’06 \n'),(40145,5905,'Images','Surexposé ,  puis  perturbé  par  des  scintillements ,  des  taches  noires  ou  des  taches  blanches  surexposées  :  nobles  entrant  dans  une  salle  de  bal . \n *\n* *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40146,5905,'VoixOffIn','\n'),(40147,5905,'BandeSon','*Entrance * *of * *Tsar * *Alexander* *(* *Polonaise* *) * :  bande  son  du  film  *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40148,5905,'Ecrits','\n'),(40149,5905,'_product_image_gallery',''),(40150,5906,'_pingme','1'),(40151,5906,'_encloseme','1'),(40152,5906,'Index','1110'),(40153,5906,'Minutage','12’45 \n'),(40154,5906,'Images','Noir . \n'),(40155,5906,'VoixOffIn','\n'),(40156,5906,'BandeSon','Silence . \n'),(40157,5906,'Ecrits','\n'),(40158,5906,'_product_image_gallery',''),(40159,5907,'_pingme','1'),(40160,5907,'_encloseme','1'),(40161,5907,'Index','1120'),(40162,5907,'Minutage','12’47 \n'),(40163,5907,'Images','Enfants  luttant  à  coups  de  bâton .  \n *Les * *enfants * *de * *la * *guerre * ( 1976 *), * Jocelyne  Saab . \n'),(40164,5907,'VoixOffIn','La  guerre  est  là .  ( Jean - Luc  Godard ) \n'),(40165,5907,'BandeSon','*Id* *.* *\n*'),(40166,5907,'Ecrits','\n'),(40167,5907,'_product_image_gallery',''),(40168,5908,'_pingme','1'),(40169,5908,'_encloseme','1'),(40170,5908,'Index','1130'),(40171,5908,'Minutage','13’03 \n'),(40172,5908,'Images','Femme  allongée  sur  le  dos  devant  un  homme  regardant  la  mer .  \n *Notre * *musique * ( 2004 ),  Jean - Luc  Godard . \n'),(40173,5908,'VoixOffIn','- La  voyez - vous ,  Péguy ,  dit - elle .  \n - Il  n’y  a  pas  de  morts . \n - Rien  n’est  aussi  commode  qu\'un  texte .  \n - Il  y  a  seulement \n - Et  rien  n’est  aussi  commode  qu\'un  mot  dans  un  texte . \n'),(40174,5908,'BandeSon','Ressac  de  vagues . \n'),(40175,5908,'Ecrits','\n'),(40176,5908,'_product_image_gallery',''),(40177,5909,'_pingme','1'),(40178,5909,'_encloseme','1'),(40179,5909,'Index','1140'),(40180,5909,'Minutage','13’13 \n'),(40181,5909,'Images','Noir . \n'),(40182,5909,'VoixOffIn','Nous  n\'avions  que  du  livre  à  mettre  dans  du  livre .  \n'),(40183,5909,'BandeSon','Silence . \n'),(40184,5909,'Ecrits','\n'),(40185,5909,'_product_image_gallery',''),(40186,5910,'_pingme','1'),(40187,5910,'_encloseme','1'),(40188,5910,'Index','1150'),(40189,5910,'Minutage','13’17 \n'),(40190,5910,'Images','Surexposé  :  bateaux  naviguant  en  mer .  \n'),(40191,5910,'VoixOffIn','Que  serait - ce  quand  il  faut  dans  un  livre ,  dans  du  livre ,  mettre  de  la  réalité  ?  Et  au  deuxième  degré  quand  il  faut ,  dans  la  réalité , \n'),(40192,5910,'BandeSon','*Id* *.* \n'),(40193,5910,'Ecrits','\n'),(40194,5910,'_product_image_gallery',''),(40195,5911,'_pingme','1'),(40196,5911,'_encloseme','1'),(40197,5911,'Index','1160'),(40198,5911,'Minutage','13’29 \n'),(40199,5911,'Images','Cannon  visant  une  voiture .  \n *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(40200,5911,'VoixOffIn','mettre  de  la  réalité .  \n'),(40201,5911,'BandeSon','*Id* *.* \n'),(40202,5911,'Ecrits','\n'),(40203,5911,'_product_image_gallery',''),(40204,5912,'_pingme','1'),(40205,5912,'_encloseme','1'),(40206,5912,'Index','1170'),(40207,5912,'Minutage','13’31 \n'),(40208,5912,'Images','Femme  se  posant  la  main  sur  la  tête . \n *Le * *silence * *de * *la * *mer * ( 1949 *), * Jean - Pierre  Melville .  \n \n En  alternance  :  canon  visant  une  voiture .  \n *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(40209,5912,'VoixOffIn','Qu\'arrive - t - il  toujours  mon  ami  ?  \n'),(40210,5912,'BandeSon','Piano . \n'),(40211,5912,'Ecrits','\n'),(40212,5912,'_product_image_gallery',''),(40213,5913,'_pingme','1'),(40214,5913,'_encloseme','1'),(40215,5913,'Index','1180'),(40216,5913,'Minutage','13’34 \n'),(40217,5913,'Images','Voiture  militaire  passant  devant  une  folle . \n'),(40218,5913,'VoixOffIn','\n \n'),(40219,5913,'BandeSon','*Id* *.* \n'),(40220,5913,'Ecrits','\n'),(40221,5913,'_product_image_gallery',''),(40222,5914,'_pingme','1'),(40223,5914,'_encloseme','1'),(40224,5914,'Index','1190'),(40225,5914,'Minutage','13’36 \n'),(40226,5914,'Images','Noir .  En  alternance  :  femme  se  posant  la  main  sur  la  tête .  \n *Le * *silence * *de * *la * *mer * ( 1949 *), * Jean - Pierre  Melville . \n'),(40227,5914,'VoixOffIn','Le  soir  tombe ,  les  vacances  finissent .  \n'),(40228,5914,'BandeSon','*Id* *.* \n'),(40229,5914,'Ecrits','\n'),(40230,5914,'_product_image_gallery',''),(40231,5915,'_pingme','1'),(40232,5915,'_encloseme','1'),(40233,5915,'Index','1200'),(40234,5915,'Minutage','13’43 \n'),(40235,5915,'Images','Homme  torturé  au  chalumeau .  \n *Roma * *città * *aperta * ( 1945 *), * Roberto  Rossellini . \n'),(40236,5915,'VoixOffIn','Il  me  faut  une  journée  pour  faire  l\'histoire  d\'une  seconde .  \n'),(40237,5915,'BandeSon','*Id* *.* \n'),(40238,5915,'Ecrits','\n'),(40239,5915,'_product_image_gallery',''),(40240,5916,'_pingme','1'),(40241,5916,'_encloseme','1'),(40242,5916,'Index','1210'),(40243,5916,'Minutage','13’46 \n'),(40244,5916,'Images','Noir . \n'),(40245,5916,'VoixOffIn','\n'),(40246,5916,'BandeSon','*Id* *.* \n'),(40247,5916,'Ecrits','\n'),(40248,5916,'_product_image_gallery',''),(40249,5917,'_pingme','1'),(40250,5917,'_encloseme','1'),(40251,5917,'Index','1220'),(40252,5917,'Minutage','13’51 \n'),(40253,5917,'Images','Détail  surexposé  :  Reporter ,  et  ombre  d’un  soldat  au  fusil . \n'),(40254,5917,'VoixOffIn','Il  me  faut  une  année  pour  faire  l\'histoire  d\'une  minute . \n'),(40255,5917,'BandeSon','*Id* *.* \n'),(40256,5917,'Ecrits','\n'),(40257,5917,'_product_image_gallery',''),(40258,5918,'_pingme','1'),(40259,5918,'_encloseme','1'),(40260,5918,'Index','1230'),(40261,5918,'Minutage','13’57 \n'),(40262,5918,'Images','Reporter ,  et  ombre  d’un  soldat  au  fusil . \n'),(40263,5918,'VoixOffIn','Il  me  faut  une  vie  pour  faire  l\'histoire  d\'une  heure . \n'),(40264,5918,'BandeSon','*Id* *.* \n'),(40265,5918,'Ecrits','\n'),(40266,5918,'_product_image_gallery',''),(40267,5919,'_pingme','1'),(40268,5919,'_encloseme','1'),(40269,5919,'Index','1240'),(40270,5919,'Minutage','14’05 \n'),(40271,5919,'Images','Noir . \n'),(40272,5919,'VoixOffIn','Il  me  faut  une  éternité  pour  faire  l\'histoire  d\'un  jour .  ( Julie  Delpy ). \n   *Clio* *, * *dialogue * *de * *l’histoire * *et * *de * *l’âme * *païenne * ( 1912 ),  Charles  Péguy . \n'),(40273,5919,'BandeSon','*Id* *.* \n'),(40274,5919,'Ecrits','\n'),(40275,5919,'_product_image_gallery',''),(40276,5920,'_pingme','1'),(40277,5920,'_encloseme','1'),(40278,5920,'Index','1250'),(40279,5920,'Minutage','14’08 \n'),(40280,5920,'Images','*Hélas * *pour * *moi * ( 1993 *), * Jean - Luc  Godard . \n'),(40281,5920,'VoixOffIn','- Au  revoir  Ludovic ,  vous  allez  à  la  guerre  ? \n - Oui  madame  Donadieu . \n'),(40282,5920,'BandeSon','Au  violon  :  bande  son  *d’Hélas * *pour * *moi * ( 1993 *), * Jean - Luc  Godard . \n'),(40283,5920,'Ecrits','\n'),(40284,5920,'_product_image_gallery',''),(40285,5921,'_pingme','1'),(40286,5921,'_encloseme','1'),(40287,5921,'Index','1260'),(40288,5921,'Minutage','14’25 \n'),(40289,5921,'Images','Noir . \n'),(40290,5921,'VoixOffIn','\n'),(40291,5921,'BandeSon','*Id* *.* \n'),(40292,5921,'Ecrits','\n'),(40293,5921,'_product_image_gallery',''),(40294,5922,'_pingme','1'),(40295,5922,'_encloseme','1'),(40296,5922,'Index','1270'),(40297,5922,'Minutage','14’28 \n'),(40298,5922,'Images','Homme  lançant  une  lance  dans  le  dos  d\'un  autre  homme . \n *Les * *Nibelungen* *. * *La * *mort * *de * *Siegfried * ( 1924 ),  Fritz  Lang . \n'),(40299,5922,'VoixOffIn','\n'),(40300,5922,'BandeSon','*Id* *. * puis  silence . \n'),(40301,5922,'Ecrits','\n'),(40302,5922,'_product_image_gallery',''),(40303,5923,'_pingme','1'),(40304,5923,'_encloseme','1'),(40305,5923,'Index','1280'),(40306,5923,'Minutage','14’32 \n'),(40307,5923,'Images','Djihadistes  tuant  d’une  une  voiture  des  gens  dans  la  rue . \n *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard . \n'),(40308,5923,'VoixOffIn','\n'),(40309,5923,'BandeSon','Silence . \n'),(40310,5923,'Ecrits','\n'),(40311,5923,'_product_image_gallery',''),(40312,5924,'_pingme','1'),(40313,5924,'_encloseme','1'),(40314,5924,'Index','1290'),(40315,5924,'Minutage','14’35 \n'),(40316,5924,'Images','Homme  transpercé  par  un  javelot .  \n *Le * *testament * *d\'Orphée * ( 1960 ),  Jean  Cocteau . \n'),(40317,5924,'VoixOffIn','Quel  horreur  ( fois  3 ) \n'),(40318,5924,'BandeSon','Mitraillette ,  voitures . \n'),(40319,5924,'Ecrits','\n'),(40320,5924,'_product_image_gallery',''),(40321,5925,'_pingme','1'),(40322,5925,'_encloseme','1'),(40323,5925,'Index','1300'),(40324,5925,'Minutage','14’42 \n'),(40325,5925,'Images','Noir . \n'),(40326,5925,'VoixOffIn','\n'),(40327,5925,'BandeSon','Silence . \n'),(40328,5925,'Ecrits','\n'),(40329,5925,'_product_image_gallery',''),(40330,5926,'_pingme','1'),(40331,5926,'_encloseme','1'),(40332,5926,'Index','1310'),(40333,5926,'Minutage','14’45 \n'),(40334,5926,'Images','Maison  en  flammes . \n'),(40335,5926,'VoixOffIn','C\'est  à  Saint  Petersburg  \n'),(40336,5926,'BandeSon','Violon . \n'),(40337,5926,'Ecrits','\n'),(40338,5926,'_product_image_gallery',''),(40339,5927,'_pingme','1'),(40340,5927,'_encloseme','1'),(40341,5927,'Index','1320'),(40342,5927,'Minutage','14’51 \n'),(40343,5927,'Images','Nobles  habillés  pour  une  fête  de  carnaval .  *Guerre * *et * *paix * ( 1967 *), * Sergueï  Bondartchouk . \n'),(40344,5927,'VoixOffIn','que  de  Maistre  écrivait  les  soirées ...  A  la  veille  de  la  bataille  de  la  Moskova ,  il  écrivait  :  «  Les  fléaux ,  les  malheurs ,  les  divisions ,  les  tortures  sont  la  punition  de  la  méchanceté  de  l’homme  corrompu  par  le  péché .  Le  bourreau  est  la  pierre  angulaire  de  la  société  @  l’exécuteur  de  l’expiation  divine .  \n'),(40345,5927,'BandeSon','*Id* *.* \n'),(40346,5927,'Ecrits','\n'),(40347,5927,'_product_image_gallery',''),(40348,5928,'_pingme','1'),(40349,5928,'_encloseme','1'),(40350,5928,'Index','1330'),(40351,5928,'Minutage','15’17 \n'),(40352,5928,'Images','Photo  d’une  voiture  avec  militaires . \n'),(40353,5928,'VoixOffIn','C\'est  lui  \n'),(40354,5928,'BandeSon','*Id* *.* \n'),(40355,5928,'Ecrits','\n'),(40356,5928,'_product_image_gallery',''),(40357,5929,'_pingme','1'),(40358,5929,'_encloseme','1'),(40359,5929,'Index','1340'),(40360,5929,'Minutage','15’19 \n'),(40361,5929,'Images','Montage  en  surimpression  :  photo  d’une  comtesse .  *My * *Official * *Wife * ( 1926 ),  Paul  L .  Stein . \n'),(40362,5929,'VoixOffIn','qui  nous  renvoie  à  notre  juge  naturel ...  Sa  mission  est  sacrée .  \n'),(40363,5929,'BandeSon','*Id* *.* \n'),(40364,5929,'Ecrits','\n'),(40365,5929,'_product_image_gallery',''),(40366,5930,'_pingme','1'),(40367,5930,'_encloseme','1'),(40368,5930,'Index','1350'),(40369,5930,'Minutage','15’22 \n'),(40370,5930,'Images','Noir . \n'),(40371,5930,'VoixOffIn','\n'),(40372,5930,'BandeSon','*Id* *.* \n'),(40373,5930,'Ecrits','\n'),(40374,5930,'_product_image_gallery',''),(40375,5931,'_pingme','1'),(40376,5931,'_encloseme','1'),(40377,5931,'Index','1360'),(40378,5931,'Minutage','15’26 \n'),(40379,5931,'Images','Militaires  sur  un  champ  de  bataille ,  explosions .  \n *Guerre * *et * *paix * ( 1956 *), * King  Vidor . \n'),(40380,5931,'VoixOffIn','Le  ciel  ne  peut  être  apaisé  que  par  le  sang .  L’innocent  peut  payer  pour  le  coupable .  ( Jean  Luc  Godard ). \n *Les * *soirées * *de * *Saint* *-* *Pétersbourg * ( 1821 *), * Joseph  de  Maistre .  \n'),(40381,5931,'BandeSon','*Id* *. * et  batterie \n'),(40382,5931,'Ecrits','\n'),(40383,5931,'_product_image_gallery',''),(40384,5932,'_pingme','1'),(40385,5932,'_encloseme','1'),(40386,5932,'Index','1370'),(40387,5932,'Minutage','15’33 \n'),(40388,5932,'Images','En  noir  et  blanc  :  homme  trainant  un  chargement .  \n *Les * *paumés * *de * *la * *mendicité * [ *Ladoni* ]  ( 1994 ),  Artur  Aristakisyan . \n'),(40389,5932,'VoixOffIn','\n'),(40390,5932,'BandeSon','Silence ,  puis  *Concerto * *pour * *Violoncelle * *et * *cordes * *: * *part * *II* *. * *Longing * ( 2008 *), * Dobrinka  Tabakova . \n'),(40391,5932,'Ecrits','\n'),(40392,5932,'_product_image_gallery',''),(40393,5933,'_pingme','1'),(40394,5933,'_encloseme','1'),(40395,5933,'Index','1380'),(40396,5933,'Minutage','16’02 \n'),(40397,5933,'Images','Photo  du  tombeau  de  Rosa  Luxemburg . \n'),(40398,5933,'VoixOffIn','\n'),(40399,5933,'BandeSon','*Id* *.* *\n*'),(40400,5933,'Ecrits','\n'),(40401,5933,'_product_image_gallery',''),(40402,5934,'_pingme','1'),(40403,5934,'_encloseme','1'),(40404,5934,'Index','1390'),(40405,5934,'Minutage','16’09 \n'),(40406,5934,'Images','En  superposition  :  soldats  tirant  une  femme  à  la  bouche  ouverte .  \n *La * *Chanteuse * *de * *café * ( ou  *au * *gant* )  ( 1878 ),  Edgar  Degas .  *Histoire* *(* *s* *) * *du * *cinéma * *1a * ( 1988 - 98 ),  Jean - Luc  Godard . \n'),(40407,5934,'VoixOffIn','\n'),(40408,5934,'BandeSon','Silence . \n'),(40409,5934,'Ecrits','\n'),(40410,5934,'_product_image_gallery',''),(40411,5935,'_pingme','1'),(40412,5935,'_encloseme','1'),(40413,5935,'Index','1400'),(40414,5935,'Minutage','16’12 \n'),(40415,5935,'Images','Cheval  dans  un  cimetière .  Documentaire  *Shoah* *, * *les * *oubliés * *de * *l’histoire * ( 2014 *), * Véronique  Lagoarde - Ségot ,  par  la  chaîne  de  télévision  *Histoire* *.* \n'),(40416,5935,'VoixOffIn','\n'),(40417,5935,'BandeSon','*Id* *.* \n'),(40418,5935,'Ecrits','\n'),(40419,5935,'_product_image_gallery',''),(40420,5936,'_pingme','1'),(40421,5936,'_encloseme','1'),(40422,5936,'Index','1410'),(40423,5936,'Minutage','16’18 \n'),(40424,5936,'Images','Femme  gisant  sur  le  dos ,  devant  un  homme  regardant  la  mer .  \n *Notre * *musique * ( 2004 ),  Jean - Luc  Godard . \n'),(40425,5936,'VoixOffIn','\n'),(40426,5936,'BandeSon','Vagues  et  cris  de  mouettes . \n'),(40427,5936,'Ecrits','\n'),(40428,5936,'_product_image_gallery',''),(40429,5937,'_pingme','1'),(40430,5937,'_encloseme','1'),(40431,5937,'Index','1420'),(40432,5937,'Minutage','16’18 \n'),(40433,5937,'Images','Surexposé  :  femme  gisant  sur  le  dos ,  devant  un  homme  regardant  la  mer .  \n *Notre * *musique * ( 2004 ),  Jean - Luc  Godard . \n'),(40434,5937,'VoixOffIn','They  are  not  men  of  the  world .  They  told  me  I  was  everything .  It  is  a  lie . \n She  is  gone  forever .  She  is  gone .  \n I  know  when  one  is  dead ,  when  one  leaves .  ( fois  3 )  ( Jean - Luc  Godard  et  Anne - Marie  Miéville ). \n *King * *Lear* ,  Acte  IV  Scène  6  ( 1606 ),  William  Shakespeare ,  avec  modifications  de  Jean - Luc  Godard . \n'),(40435,5937,'BandeSon','*Id* *.* \n'),(40436,5937,'Ecrits','\n'),(40437,5937,'_product_image_gallery',''),(40438,5938,'_pingme','1'),(40439,5938,'_encloseme','1'),(40440,5938,'Index','1430'),(40441,5938,'Minutage','16’50 \n'),(40442,5938,'Images','Noir . \n'),(40443,5938,'VoixOffIn','\n'),(40444,5938,'BandeSon','*Id* *.* \n'),(40445,5938,'Ecrits','\n'),(40446,5938,'_product_image_gallery',''),(40447,5939,'_pingme','1'),(40448,5939,'_encloseme','1'),(40449,5939,'Index','1440'),(40450,5939,'Minutage','16’54 \n'),(40451,5939,'Images','Détail  saturé  et  surexposée  :  photographie  d’une  femme  à  terre ,  blessée ,  un  chien  mort  à  ses  côtés .  \n *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(40452,5939,'VoixOffIn','\n'),(40453,5939,'BandeSon','*Id* *.* \n'),(40454,5939,'Ecrits','\n'),(40455,5939,'_product_image_gallery',''),(40456,5940,'_pingme','1'),(40457,5940,'_encloseme','1'),(40458,5940,'Index','1450'),(40459,5940,'Minutage','16’56 \n'),(40460,5940,'Images','Saturé ,  puis  pris  depuis  le  toit  d\'un  réservoir  :  soldats  traversant  une  rivière ,  les  armes  au - dessus  de  la  tête .  \n'),(40461,5940,'VoixOffIn','\n'),(40462,5940,'BandeSon','*Id* *.* \n'),(40463,5940,'Ecrits','\n'),(40464,5940,'_product_image_gallery',''),(40465,5941,'_pingme','1'),(40466,5941,'_encloseme','1'),(40467,5941,'Index','1460'),(40468,5941,'Minutage','17’05 \n'),(40469,5941,'Images','Noir . \n'),(40470,5941,'VoixOffIn','\n'),(40471,5941,'BandeSon','*Id* *.* \n'),(40472,5941,'Ecrits','\n'),(40473,5941,'_product_image_gallery',''),(40474,5942,'_pingme','1'),(40475,5942,'_encloseme','1'),(40476,5942,'Index','1470'),(40477,5942,'Minutage','17’08 \n'),(40478,5942,'Images','Tableau  représentant  Joseph  de  Maistre ,  père  de  la  philosophie  contre - révolutionnaire ,  et  critique  important  des  idées  des  Lumières . \n'),(40479,5942,'VoixOffIn','Au  cours  de  la  soirée ,  le  comte  Joseph  de  Maistre  grand  croix  de  l\'ordre  de  saint  Maurice  et  de  Lazare ,  continua …  \n'),(40480,5942,'BandeSon','*Id* *.* \n'),(40481,5942,'Ecrits','\n'),(40482,5942,'_product_image_gallery',''),(40483,5943,'_pingme','1'),(40484,5943,'_encloseme','1'),(40485,5943,'Index','1480'),(40486,5943,'Minutage','17’16 \n'),(40487,5943,'Images','Saturé  :  bombardements  aériens . \n'),(40488,5943,'VoixOffIn','\n'),(40489,5943,'BandeSon','Explosions  et  avions . \n'),(40490,5943,'Ecrits','\n'),(40491,5943,'_product_image_gallery',''),(40492,5944,'_pingme','1'),(40493,5944,'_encloseme','1'),(40494,5944,'Index','1490'),(40495,5944,'Minutage','17’27 \n'),(40496,5944,'Images','Voyage  dans  la  steppe  à  l’arrière  d’un  camion  :  une  femme  et  un  enfant ,  la  tête  recouverte  d’un  foulard  @  sur  la  route  poussiéreuse ,  l’ombre  d’autres  camions  passant  dans  la  perpendiculaire  à  l’horizon .  \n *Alenka * ( 1961 ),  Boris  Barnet .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(40497,5944,'VoixOffIn','\n'),(40498,5944,'BandeSon','*Concerto * *pour * *Violoncelle * *et * *cordes * *: * *part * *II* *. * *Longing * ( 2008 *), * Dobrinka  Tabakova . \n'),(40499,5944,'Ecrits','La  terre \n'),(40500,5944,'_product_image_gallery',''),(40501,5945,'_pingme','1'),(40502,5945,'_encloseme','1'),(40503,5945,'Index','1500'),(40504,5945,'Minutage','17’33 \n'),(40505,5945,'Images','Femme  poursuivie  et  attaquée  par  un  groupe  d\'hommes .  \n *Les * *Contes * *de * *la * *lune * *vague * *après * *la * *pluie * ( 1953 *), * Kenji  Mizoguchi . \n'),(40506,5945,'VoixOffIn','continua  ses  phrases  les  plus  folles .  Ainsi  s’accomplit  sans  cesse  la  grande  loi  de  la  destruction  des  êtres  vivants .  La  terre  entière  continuellement  imbibée  de  sang  n’est  qu’un  autel  immense  où  tout  ce  qui  vit \n'),(40507,5945,'BandeSon','Silence . \n'),(40508,5945,'Ecrits','\n'),(40509,5945,'_product_image_gallery',''),(40510,5946,'_pingme','1'),(40511,5946,'_encloseme','1'),(40512,5946,'Index','1510'),(40513,5946,'Minutage','17’56 \n'),(40514,5946,'Images','Femmes  traversant  une  ville  détruite  dont  les  bâtiments  s\'effondrent  devant  elles .  \n *Histoire* *(* *s* *) * *du * *cinéma * *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(40515,5946,'VoixOffIn','doit  être  immolé ,  sans  fin ,  sans  mesure  @ \n'),(40516,5946,'BandeSon','*Id* *.* \n'),(40517,5946,'Ecrits','\n'),(40518,5946,'_product_image_gallery',''),(40519,5947,'_pingme','1'),(40520,5947,'_encloseme','1'),(40521,5947,'Index','1520'),(40522,5947,'Minutage','17’56 \n'),(40523,5947,'Images','Saturé  de  jaune  :  id . \n'),(40524,5947,'VoixOffIn','\n'),(40525,5947,'BandeSon','*Id* *.* \n'),(40526,5947,'Ecrits','\n'),(40527,5947,'_product_image_gallery',''),(40528,5948,'_pingme','1'),(40529,5948,'_encloseme','1'),(40530,5948,'Index','1530'),(40531,5948,'Minutage','18’02 \n'),(40532,5948,'Images','En  couleur  :  femme  au  bord  d\'une  route ,  le  visage  défiguré  par  des  coups .  \n *Ici * *et * *ailleurs * ( 1976 ),  Jean - Luc  Godard . \n'),(40533,5948,'VoixOffIn','Où  tout  ce  qui  vit  doit  être  immolé ,  sans  fin ,  sans  mesure ,  sans  relâche  jusqu\'à  la  consommation  des  choses ,  jusqu\'à  l\'extinction  du  mal .  \n'),(40534,5948,'BandeSon','*Id* *.* \n'),(40535,5948,'Ecrits','\n'),(40536,5948,'_product_image_gallery',''),(40537,5949,'_pingme','1'),(40538,5949,'_encloseme','1'),(40539,5949,'Index','1540'),(40540,5949,'Minutage','18’15 \n'),(40541,5949,'Images','Voitures  de  police  djihadistes  défilant  dans  les  rues ,  avec  des  drapeaux  noirs . \n'),(40542,5949,'VoixOffIn','D’ici  un  mois ,  les  brigades  allaient  devoir  quitter  le  pays .  Une  fois  de  plus ,  nous  comprîmes  à  quel  point  \n'),(40543,5949,'BandeSon','*Id* *.* \n'),(40544,5949,'Ecrits','\n'),(40545,5949,'_product_image_gallery',''),(40546,5950,'_pingme','1'),(40547,5950,'_encloseme','1'),(40548,5950,'Index','1550'),(40549,5950,'Minutage','18’19 \n'),(40550,5950,'Images','Voiture  avec  des  soldats  armés  de  fusils  passant  au  milieu  d\'une  rue  avec  des  gens  autour . \n'),(40551,5950,'VoixOffIn','nous  n’avions  pu  imaginer  que  la  guerre  finisse  sans  que  nous  remportions  la  victoire .  La  guerre  est  donc  divine  en  elle - même . \n \n \n'),(40552,5950,'BandeSon','*Id* *.* \n'),(40553,5950,'Ecrits','\n'),(40554,5950,'_product_image_gallery',''),(40555,5951,'_pingme','1'),(40556,5951,'_encloseme','1'),(40557,5951,'Index','1560'),(40558,5951,'Minutage','18’28 \n'),(40559,5951,'Images','Noir . \n'),(40560,5951,'VoixOffIn','La  guerre ,  la  guerre  est  donc  divine  en  elle - même ,  parce  que  c\'est  une  loi  du  monde .  \n'),(40561,5951,'BandeSon','*Id* *.* \n'),(40562,5951,'Ecrits','Délivrance \n'),(40563,5951,'_product_image_gallery',''),(40564,5952,'_pingme','1'),(40565,5952,'_encloseme','1'),(40566,5952,'Index','1570'),(40567,5952,'Minutage','18’35 \n'),(40568,5952,'Images','Photos  d\'avions  de  chasse  en  vol . \n'),(40569,5952,'VoixOffIn','\n'),(40570,5952,'BandeSon','*Id* *.* \n'),(40571,5952,'Ecrits','\n'),(40572,5952,'_product_image_gallery',''),(40573,5953,'_pingme','1'),(40574,5953,'_encloseme','1'),(40575,5953,'Index','1580'),(40576,5953,'Minutage','18’37 \n'),(40577,5953,'Images','Saturé  :  bombes  et  explosions . \n'),(40578,5953,'VoixOffIn','Qui  pourrait  douter  que  la  mort  trouvée  dans  les  combats  n’est  de  grand  privilège  et  qui  pourrait  croire  que  les  victimes  de  cet  épouvantable  \n'),(40579,5953,'BandeSon','*Id* *.* \n'),(40580,5953,'Ecrits','\n'),(40581,5953,'_product_image_gallery',''),(40582,5954,'_pingme','1'),(40583,5954,'_encloseme','1'),(40584,5954,'Index','1590'),(40585,5954,'Minutage','18’47 \n'),(40586,5954,'Images','Photo  d\'une  petite  fille  demandant  désespérément  de  l\'aide  à  un  soldat . \n'),(40587,5954,'VoixOffIn','jugement  aient  versé  leur  sang  en  vain .  La  guerre  est  donc  divine  dans  la  gloire  mystérieuse  qui  l\'environne ,  et  dans  l\'attrait  non  moins  \n'),(40588,5954,'BandeSon','*Id* *.* \n'),(40589,5954,'Ecrits','\n'),(40590,5954,'_product_image_gallery',''),(40591,5955,'_pingme','1'),(40592,5955,'_encloseme','1'),(40593,5955,'Index','1600'),(40594,5955,'Minutage','19’07 \n'),(40595,5955,'Images','Noir . \n'),(40596,5955,'VoixOffIn','inexplicable  qui  nous  y  porte .  \n'),(40597,5955,'BandeSon','*Id* *.* \n'),(40598,5955,'Ecrits','\n'),(40599,5955,'_product_image_gallery',''),(40600,5956,'_pingme','1'),(40601,5956,'_encloseme','1'),(40602,5956,'Index','1610'),(40603,5956,'Minutage','19’11 \n'),(40604,5956,'Images','Enfants  jouant  à  la  guerre . \n'),(40605,5956,'VoixOffIn','\n'),(40606,5956,'BandeSon','*Id* *.* \n'),(40607,5956,'Ecrits','\n'),(40608,5956,'_product_image_gallery',''),(40609,5957,'_pingme','1'),(40610,5957,'_encloseme','1'),(40611,5957,'Index','1620'),(40612,5957,'Minutage','19’21 \n'),(40613,5957,'Images','Saturé  :  voiture  passant  avec  un  drapeau  étasunien . \n'),(40614,5957,'VoixOffIn','\n'),(40615,5957,'BandeSon','*Id* *.* \n'),(40616,5957,'Ecrits','\n'),(40617,5957,'_product_image_gallery',''),(40618,5958,'_pingme','1'),(40619,5958,'_encloseme','1'),(40620,5958,'Index','1630'),(40621,5958,'Minutage','19’24 \n'),(40622,5958,'Images','Noir . \n'),(40623,5958,'VoixOffIn','\n'),(40624,5958,'BandeSon','*Id* *.* \n'),(40625,5958,'Ecrits','\n'),(40626,5958,'_product_image_gallery',''),(40627,5959,'_pingme','1'),(40628,5959,'_encloseme','1'),(40629,5959,'Index','1640'),(40630,5959,'Minutage','19’26 \n'),(40631,5959,'Images','Femme  militaire .  \n *La * *chute * *de * *Berlin * ( 1950 ),  Mikhaïl  Tchiaoureli . \n'),(40632,5959,'VoixOffIn','En  fin  de  soirée ,  encore  ces  mots  de  représentants  de  la  diplomatie  française  \n'),(40633,5959,'BandeSon','*Id* *.* \n'),(40634,5959,'Ecrits','\n'),(40635,5959,'_product_image_gallery',''),(40636,5960,'_pingme','1'),(40637,5960,'_encloseme','1'),(40638,5960,'Index','1650'),(40639,5960,'Minutage','19’33 \n'),(40640,5960,'Images','Noir . \n'),(40641,5960,'VoixOffIn','à  Saint - Petersburg .  \n'),(40642,5960,'BandeSon','*Id* *.* \n'),(40643,5960,'Ecrits','\n'),(40644,5960,'_product_image_gallery',''),(40645,5961,'_pingme','1'),(40646,5961,'_encloseme','1'),(40647,5961,'Index','1660'),(40648,5961,'Minutage','19’36 \n'),(40649,5961,'Images','Au  ralenti  :  politiciens  débattant  dans  une  assemblée .  \n *Napoléon * ( 1927 *), * Abel  Gance . \n'),(40650,5961,'VoixOffIn','En  fin  de  soirée ,  encore  ces  mots  de  la  diplomatie  française  à  Saint - Petersburg . \n'),(40651,5961,'BandeSon','*Id* *.* \n'),(40652,5961,'Ecrits','\n'),(40653,5961,'_product_image_gallery',''),(40654,5962,'_pingme','1'),(40655,5962,'_encloseme','1'),(40656,5962,'Index','1670'),(40657,5962,'Minutage','19’43 \n'),(40658,5962,'Images','Détail  :  homme  et  femme  pleurant .  \n *Adam * *et * *Ève * *chassés * *du * *paradis * ( 1424 - 1425 ),  Masaccio . \n'),(40659,5962,'VoixOffIn','Mais  c’est  précisément  parce  que  la  révolution  qui  s’y  passe  est  le  comble  de  l’absurdité  et  de  la  corruption  morale ...  ( Jean - Luc  Godard ).  \n *Soirées * *de * *Saint* *-* *Pétersbourg * ( 1821 ),  Joseph  de  Maistre . \n'),(40660,5962,'BandeSon','*Id* *.* \n'),(40661,5962,'Ecrits','\n'),(40662,5962,'_product_image_gallery',''),(40663,5963,'_pingme','1'),(40664,5963,'_encloseme','1'),(40665,5963,'Index','1680'),(40666,5963,'Minutage','19’49 \n'),(40667,5963,'Images','Chien . \n *Adieu * *au * *langage * ( 2014 *), * Jean - Luc  Godard . \n'),(40668,5963,'VoixOffIn','\n'),(40669,5963,'BandeSon','*Id* *.* \n'),(40670,5963,'Ecrits','\n'),(40671,5963,'_product_image_gallery',''),(40672,5964,'_pingme','1'),(40673,5964,'_encloseme','1'),(40674,5964,'Index','1690'),(40675,5964,'Minutage','19’57 \n'),(40676,5964,'Images','Homme  en  voiture  roulant  très  vite .  \n *Dr* *. * *Mabuse* *, * *le * *joueur * ( 1922 *), * Fritz  Lang . \n'),(40677,5964,'VoixOffIn','et  Malraux  dira  plus  simplement  transformer  notre  apocalypse  en  armée  ou  crever ,  c’est  tout .  ( Jean - Luc  Godard ) \n'),(40678,5964,'BandeSon','*Id* *.* \n'),(40679,5964,'Ecrits','\n'),(40680,5964,'_product_image_gallery',''),(40681,5965,'_pingme','1'),(40682,5965,'_encloseme','1'),(40683,5965,'Index','1700'),(40684,5965,'Minutage','20’07 \n'),(40685,5965,'Images','Noir . \n'),(40686,5965,'VoixOffIn','Transformer  notre  apocalypse  en  armée  \n'),(40687,5965,'BandeSon','*Id* *.* \n'),(40688,5965,'Ecrits','\n'),(40689,5965,'_product_image_gallery',''),(40690,5966,'_pingme','1'),(40691,5966,'_encloseme','1'),(40692,5966,'Index','1710'),(40693,5966,'Minutage','20’09 \n'),(40694,5966,'Images','Saturé  et  en  tons  verts  et  jaunes  :  canard  attaqué  par  un  crocodile ,  et  tentant  de  s\'échapper . \n'),(40695,5966,'VoixOffIn','ou  crever ,  c’est  tout .  \n *L’espoir * ( 1937 *), * André  Malraux . \n'),(40696,5966,'BandeSon','*Id* *.* \n'),(40697,5966,'Ecrits','\n'),(40698,5966,'_product_image_gallery',''),(40699,5967,'_pingme','1'),(40700,5967,'_encloseme','1'),(40701,5967,'Index','1720'),(40702,5967,'Minutage','20’13 \n'),(40703,5967,'Images','Lapin  touché  par  un  coup  de  feu .  \n *La * *règle * *du * *jeu * ( 1939 *), * Jean  Renoir . \n'),(40704,5967,'VoixOffIn','\n'),(40705,5967,'BandeSon','Coup  de  feu . \n'),(40706,5967,'Ecrits','\n'),(40707,5967,'_product_image_gallery',''),(40708,5968,'_pingme','1'),(40709,5968,'_encloseme','1'),(40710,5968,'Index','1730'),(40711,5968,'Minutage','20’21 \n'),(40712,5968,'Images','Photos  de  trois  indiens  à  cheval  au  bord  d\'une  rivière ,  dans  un  quartier  industrialisé .  \n *Notre * *musique * ( 2004 ),  Jean - Luc  Godard . \n'),(40713,5968,'VoixOffIn','Laissez - moi  seul .  Tout  seul ,  vous  entendez  ?  Je  ne  demande  rien  à  personne  moi . \n *Allô * *Berlin * *? * *Ici * *Paris * *! * ( 1931 *), * Julien  Duvivier . \n'),(40714,5968,'BandeSon','Silence . \n'),(40715,5968,'Ecrits','\n'),(40716,5968,'_product_image_gallery',''),(40717,5969,'_pingme','1'),(40718,5969,'_encloseme','1'),(40719,5969,'Index','1740'),(40720,5969,'Minutage','20’26 \n'),(40721,5969,'Images','Rangée  de  personnes  pendues  ensemble .  \n *Shoah* *, * *les * *oubliés * *de * *l’histoire * ( 2014 *), * Véronique  Lagoarde - Ségot ,  par  la  chaîne  de  télévision  *Histoire* *.* \n'),(40722,5969,'VoixOffIn','\n'),(40723,5969,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(40724,5969,'Ecrits','\n'),(40725,5969,'_product_image_gallery',''),(40726,5970,'_pingme','1'),(40727,5970,'_encloseme','1'),(40728,5970,'Index','1750'),(40729,5970,'Minutage','20’28 \r\n'),(40730,5970,'Images','Noir . \r\n'),(40731,5970,'VoixOffIn',''),(40732,5970,'BandeSon','*Id* *.* *\r\n*'),(40733,5970,'Ecrits','3 .  \r\n CES  FLEURS  ENTRE  LES  RAILS , \r\n DANS  LE  VENT  CONFUS \r\n DES  VOYAGES \r\n \r\n ( Joseph  Maria  Rilke ). \r\n'),(40734,5970,'_product_image_gallery',''),(40735,5971,'_pingme','1'),(40736,5971,'_encloseme','1'),(40737,5971,'Index','1760'),(40738,5971,'Minutage','20’41 \n'),(40739,5971,'Images','Petite  fille  sur  le  quai  regardant  le  passage  d\'un  train .  \n *Madeline * *+ * *Train * *= * *Sheer * *Delight* ,  Vidéo  sur  youtube  https :// www . youtube . com / watch ? v = rvpCmKUo1Aw .  \n'),(40740,5971,'VoixOffIn','\n'),(40741,5971,'BandeSon','Piano . \n'),(40742,5971,'Ecrits','\n'),(40743,5971,'_product_image_gallery',''),(40744,5972,'_pingme','1'),(40745,5972,'_encloseme','1'),(40746,5972,'Index','1770'),(40747,5972,'Minutage','20’42 \n'),(40748,5972,'Images','En  négatif  et  passé  en  noir  et  blanc  :  train  à  vapeur  passant .  \n *Visual * *essays* *: * *origins * *of * *film * ( 1983 ),  Al  Razutis . \n'),(40749,5972,'VoixOffIn','- What’s  coming  ? \n - A  train . \n \n'),(40750,5972,'BandeSon','*Id* *.* \n'),(40751,5972,'Ecrits','\n'),(40752,5972,'_product_image_gallery',''),(40753,5973,'_pingme','1'),(40754,5973,'_encloseme','1'),(40755,5973,'Index','1780'),(40756,5973,'Minutage','20’45 \n'),(40757,5973,'Images','Images  du  19ème  siècle  :  passagers  montant  dans  un  train . \n'),(40758,5973,'VoixOffIn','-  Oh  is  gonna  arrive  the  train  ? \n - Yeah \n'),(40759,5973,'BandeSon','*Id* *.* \n'),(40760,5973,'Ecrits','\n'),(40761,5973,'_product_image_gallery',''),(40762,5974,'_pingme','1'),(40763,5974,'_encloseme','1'),(40764,5974,'Index','1790'),(40765,5974,'Minutage','20’59 \n'),(40766,5974,'Images','Noir . \n'),(40767,5974,'VoixOffIn','- Here  he  comes ! \n - We  are  gonna  be  safe ,  let\'s  go  back \n'),(40768,5974,'BandeSon','*Id* *.* \n'),(40769,5974,'Ecrits','\n'),(40770,5974,'_product_image_gallery',''),(40771,5975,'_pingme','1'),(40772,5975,'_encloseme','1'),(40773,5975,'Index','1800'),(40774,5975,'Minutage','21’03 \n'),(40775,5975,'Images','En  négatif ,  passé  en  noir  et  blanc ,  clignotant  sur  les  images  originales  :  train  à  vapeur  passant .  \n *The * *edge * ( 2010 *), * Alekseï  Outchitel .  \n'),(40776,5975,'VoixOffIn','\n'),(40777,5975,'BandeSon','Train  en  approche . \n'),(40778,5975,'Ecrits','\n'),(40779,5975,'_product_image_gallery',''),(40780,5976,'_pingme','1'),(40781,5976,'_encloseme','1'),(40782,5976,'Index','1810'),(40783,5976,'Minutage','21’05 \n'),(40784,5976,'Images','Noir . \n'),(40785,5976,'VoixOffIn','- Oooh \n *Madeline * *+ * *Train * *= * *Sheer * *Delight* ,  Vidéo  sur  youtube  https :// www . youtube . com / watch ? v = rvpCmKUo1Aw .  \n'),(40786,5976,'BandeSon','*Id* *.* \n'),(40787,5976,'Ecrits','\n'),(40788,5976,'_product_image_gallery',''),(40789,5977,'_pingme','1'),(40790,5977,'_encloseme','1'),(40791,5977,'Index','1820'),(40792,5977,'Minutage','21’07 \n'),(40793,5977,'Images','Saturé  :  fleurs . \n'),(40794,5977,'VoixOffIn','\n'),(40795,5977,'BandeSon','Silence . \n'),(40796,5977,'Ecrits','\n'),(40797,5977,'_product_image_gallery',''),(40798,5978,'_pingme','1'),(40799,5978,'_encloseme','1'),(40800,5978,'Index','1830'),(40801,5978,'Minutage','21’09 \n'),(40802,5978,'Images','Hommes  jetant  des  pierres  sur  un  train  venant  de  passer .  \n *Hélas * *pour * *moi * ( 1993 *), * Jean - Luc  Godard . \n'),(40803,5978,'VoixOffIn','-  lui  jette  la  première  pierre ! \n'),(40804,5978,'BandeSon','*Id* *.* \n'),(40805,5978,'Ecrits','\n'),(40806,5978,'_product_image_gallery',''),(40807,5979,'_pingme','1'),(40808,5979,'_encloseme','1'),(40809,5979,'Index','1840'),(40810,5979,'Minutage','21’14 \n'),(40811,5979,'Images','Noir . \n'),(40812,5979,'VoixOffIn','\n'),(40813,5979,'BandeSon','*Id* *.* \n'),(40814,5979,'Ecrits','\n'),(40815,5979,'_product_image_gallery',''),(40816,5980,'_pingme','1'),(40817,5980,'_encloseme','1'),(40818,5980,'Index','1850'),(40819,5980,'Minutage','21’19 \n'),(40820,5980,'Images','Passagers  d\'un  train  s\'installant  dans  leurs  cabines  avant  le  départ .  \n *Berlin * *express * ( 1948 *), * Jacques  Tourneur . \n'),(40821,5980,'VoixOffIn','Compartment  B ,  Lucienne  Mirbeau ,  birthplace  Lyon  France ,  occupation  secretary .  Compartment  C ,  Herr  Otto  Franzen ,  birthplace ,  Frankfurt ,  Germany .  Once  a  German  industrialist ,  now  a  dealer  in  scrap  iron .  Compartment  D ,  unoccupied ,  but  being  held  for  a  person  of  importance .  Compartment  E ,  James  Sterling  of  Liverpool ,  former  occupation ,  soldier ,  present  occupation ,  school  teacher .  Lieutenant  Maxim  Kiroshilov ,  birthplace  Moskow ,  defender  of  Stalingrad ,  now  military  aide ,  Russian  occupation  authorities .  Compartment  F ,  Hneu  Perrault ,  Paris ,  once  a  member  of  the  French  Underground ,  now  a  man  of  commerce .  \n Compartment  G ,  Hans  Schmidt ,  birthplace  Munich ,  occupation \n'),(40822,5980,'BandeSon','*Id* *.* \n'),(40823,5980,'Ecrits','\n'),(40824,5980,'_product_image_gallery',''),(40825,5981,'_pingme','1'),(40826,5981,'_encloseme','1'),(40827,5981,'Index','1860'),(40828,5981,'Minutage','22’27 \n'),(40829,5981,'Images','Noir . \n'),(40830,5981,'VoixOffIn','\n'),(40831,5981,'BandeSon','*Id* *.* \n'),(40832,5981,'Ecrits','\n'),(40833,5981,'_product_image_gallery',''),(40834,5982,'_pingme','1'),(40835,5982,'_encloseme','1'),(40836,5982,'Index','1870'),(40837,5982,'Minutage','22’30 \n'),(40838,5982,'Images','Train  à  vapeur  en  approche  traversant  un  bois  sous  la  neige .  \n *The * *edge * ( 2010 *), * Alekseï  Outchitel .  \n'),(40839,5982,'VoixOffIn','Il  était  environ  neuf  heures  du  matin  \n'),(40840,5982,'BandeSon','*Id* *.* \n'),(40841,5982,'Ecrits','\n'),(40842,5982,'_product_image_gallery',''),(40843,5983,'_pingme','1'),(40844,5983,'_encloseme','1'),(40845,5983,'Index','1880'),(40846,5983,'Minutage','22’38 \n'),(40847,5983,'Images','En  couleurs  :  gens  poursuivant  un  train  en  partance .  \n *The * *edge * ( 2010 *), * Alekseï  Outchitel .  \n'),(40848,5983,'VoixOffIn','c’était  à  la  fin  de  novembre ,  par  un  temps  de  dégel .  Le  train  de  Varsovie  filait  à  toute  vapeur  vers  Petersburg .  \n'),(40849,5983,'BandeSon','*Id* *.* \n'),(40850,5983,'Ecrits','\n'),(40851,5983,'_product_image_gallery',''),(40852,5984,'_pingme','1'),(40853,5984,'_encloseme','1'),(40854,5984,'Index','1890'),(40855,5984,'Minutage','22’42 \n'),(40856,5984,'Images','Suresposé  et  passé  en  noir  et  blanc  :  Femmes  nues  au  sauna .  \n *The * *edge * ( 2010 *), * Alekseï  Outchitel .  \n'),(40857,5984,'VoixOffIn','L’humidité  et  la  brume  étaient  telles  que  le  jour  avait  peine  à  percer .  \n'),(40858,5984,'BandeSon','*Id* *.* \n'),(40859,5984,'Ecrits','\n'),(40860,5984,'_product_image_gallery',''),(40861,5985,'_pingme','1'),(40862,5985,'_encloseme','1'),(40863,5985,'Index','1900'),(40864,5985,'Minutage','22’51 \n'),(40865,5985,'Images','Deux  enfants  devant  un  train  en  partance .  \n *Paysage * *dans * *le * *brouillard * ( 1988 ),  Theo  Angelopoulos . \n'),(40866,5985,'VoixOffIn','A  dix  pas  à  droite  et  à  gauche  de  la  voie ,  on  distinguait  malaisément  quoi  que  ce  fût  par  les  fenêtres  du  wagon .  ( Jean  Luc  Godard ).  \n *L’idiot * ( 1962 *), * Fiodor  Dostoïevski . \n'),(40867,5985,'BandeSon','*Id* *. * puis  trains  et  foule  dans  une  gare . \n'),(40868,5985,'Ecrits','\n'),(40869,5985,'_product_image_gallery',''),(40870,5986,'_pingme','1'),(40871,5986,'_encloseme','1'),(40872,5986,'Index','1910'),(40873,5986,'Minutage','23’23 \n'),(40874,5986,'Images','Noir . \n'),(40875,5986,'VoixOffIn','Quand  un  siècle \n'),(40876,5986,'BandeSon','Silence . \n'),(40877,5986,'Ecrits','\n'),(40878,5986,'_product_image_gallery',''),(40879,5987,'_pingme','1'),(40880,5987,'_encloseme','1'),(40881,5987,'Index','1920'),(40882,5987,'Minutage','23’28 \n'),(40883,5987,'Images','Photo  d\'une  femme  en  robe  rose . \n'),(40884,5987,'VoixOffIn','se  dissout  lentement  dans  le  siècle  suivant \n'),(40885,5987,'BandeSon','*Id* *.* \n'),(40886,5987,'Ecrits','\n'),(40887,5987,'_product_image_gallery',''),(40888,5988,'_pingme','1'),(40889,5988,'_encloseme','1'),(40890,5988,'Index','1930'),(40891,5988,'Minutage','23’34 \n'),(40892,5988,'Images','Enfants  photographiant  un  canard .  \n *Histoires * *du * *cinéma * *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(40893,5988,'VoixOffIn','quelques  individus  transforment  les  moyens  de  survie  anciens  en  moyens  nouveaux .  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Aucune  activité  ne  deviendra  un  art  \n'),(40912,5990,'BandeSon','*Id* *.* \n'),(40913,5990,'Ecrits','\n'),(40914,5990,'_product_image_gallery',''),(40915,5991,'_pingme','1'),(40916,5991,'_encloseme','1'),(40917,5991,'Index','1960'),(40918,5991,'Minutage','23’56 \n'),(40919,5991,'Images','Saturé  :  personnes  assises  à  des  tables  en  terrasse  d\'un  bar . \n'),(40920,5991,'VoixOffIn','avant  que  son  époque  ne  soit  terminée .  Ensuite  \n'),(40921,5991,'BandeSon','*Id* *.* \n'),(40922,5991,'Ecrits','\n'),(40923,5991,'_product_image_gallery',''),(40924,5992,'_pingme','1'),(40925,5992,'_encloseme','1'),(40926,5992,'Index','1970'),(40927,5992,'Minutage','24’00 \n'),(40928,5992,'Images','Fragment  surexposé .  \n *Louis * *IX* *, * *dit * *Saint * *Louis* *, * *Roi * *de * *France * ( 1844 *), * Emile  Signol . \n'),(40929,5992,'VoixOffIn','cet  art  disparaîtra .  ( Jean  Luc  Godard ).  \n *Pour * *une * *métahistoire * *du * *film * ( printemps  1997 ),  Hollis  Frampton ,  «  Trafic  *», * n .  21 . \n'),(40930,5992,'BandeSon','*Id* *.* \n'),(40931,5992,'Ecrits','Le  roi  Saint  Louis \n'),(40932,5992,'_product_image_gallery',''),(40933,5993,'_pingme','1'),(40934,5993,'_encloseme','1'),(40935,5993,'Index','1980'),(40936,5993,'Minutage','24’05 \n'),(40937,5993,'Images','Femme  traversant  un  train  bondé *. * *\n* *Manon * ( 1949 ),  Henri - Georges  Clouzot . \n'),(40938,5993,'VoixOffIn','- C’est  pire  que  dans  le  métro . \n - Pardon ,  laissez  passer . \n - Merde  alors ,  vous  pouvez  pas  rester  à  votre  place  non  ? \n'),(40939,5993,'BandeSon','*Das * *Buch * *der * *Klange * *I* *-* *XII* *, * *V * ( 1999 *), * Hans  Otte . \n'),(40940,5993,'Ecrits','\n'),(40941,5993,'_product_image_gallery',''),(40942,5994,'_pingme','1'),(40943,5994,'_encloseme','1'),(40944,5994,'Index','1990'),(40945,5994,'Minutage','24’46 \n'),(40946,5994,'Images','Train  prenant  un  virage . \n'),(40947,5994,'VoixOffIn','- Suivez - moi  Monsieur . \n - Décidément  vous  dormez \n - Oui ,  oui  je  dors .  C’est  très  curieux .  \n - Enfin  madame ,  mais  expliquerez - vous  ? \n \n'),(40948,5994,'BandeSon','Silence . \n'),(40949,5994,'Ecrits','\n'),(40950,5994,'_product_image_gallery',''),(40951,5995,'_pingme','1'),(40952,5995,'_encloseme','1'),(40953,5995,'Index','2000'),(40954,5995,'Minutage','25’02 \n'),(40955,5995,'Images','Cadavres  le  long  de  voies  ferrées .  \n *Nuit * *et * *Brouillard * ( 1956 *), * Alain  Resnais . \n'),(40956,5995,'VoixOffIn','-  Rien .  Si  vous  dormez ,  si  vous  rêvez ,  acceptez  vos  rêves .  C\'est  le  rôle  du  dormeur . \n * * *Orphée * ( 1950 *), * Jean  Cocteau . \n \n'),(40957,5995,'BandeSon','*Id* *.* \n'),(40958,5995,'Ecrits','\n'),(40959,5995,'_product_image_gallery',''),(40960,5996,'_pingme','1'),(40961,5996,'_encloseme','1'),(40962,5996,'Index','2010'),(40963,5996,'Minutage','25’08 \n'),(40964,5996,'Images','Couple  dans  un  train  regardant  par  la  fenêtre .  \n *Film * *socialisme * ( 2010 *), * Jean - Luc  Godard . \n'),(40965,5996,'VoixOffIn','Elle  était  devenue  terrible ,  la  langue  de  Goethe ,  quand  on  l\'entendait  dans  la  nuit  des  petites  gares  russes .  ( Jean  Luc  Godard ).  \n *Vie * *et * *destin * ( 1930 ),  Vasiliĭ  Semenovich  Grossman . \n \n Femme  [ traduction  du  dialecte  tunisien ]: \n On  la  décrit  toujours  comme  quelque  chose  de  surnaturel .  Mais  c\'est  quelque  chose  qui  ne  se  ressent  pas .  Une  fois ,  je  me  suis  heurté  à  une  voiture  de  police .  Après  une  explosion .  J\'ai  couru ,  je  suis  tombée .  J\'ai  senti  ma  tête  se  cogner  contre  le  sol .  J\'ai  eu  un  malaise .  Je  n\'ai  pas  pensé  à  la  mort .  Non .  Moi .  C\'est  MOI  qui  est  en  train  de  mourir . \n \n Homme  ( traduction  du  dialecte  tunisien ): \n Je  te  souhaite  la  sûreté .  \n'),(40966,5996,'BandeSon','*Id* *.* \n'),(40967,5996,'Ecrits','\n'),(40968,5996,'_product_image_gallery',''),(40969,5997,'_pingme','1'),(40970,5997,'_encloseme','1'),(40971,5997,'Index','2020'),(40972,5997,'Minutage','25’53 \n'),(40973,5997,'Images','Femme  marchant  et  trébuchant  parmi  des  soldats  campant  par  terre  après  une  catastrophe  ferroviaire  en  Inde .  \n *La * *Croisée * *des * *destins * [ *Bhowani * *Junction* ]  ( 1956 *), * George  Cukor . \n'),(40974,5997,'VoixOffIn','\n'),(40975,5997,'BandeSon','Nombreuses  personnes  parlant  et  criant .  \n'),(40976,5997,'Ecrits','\n'),(40977,5997,'_product_image_gallery',''),(40978,5998,'_pingme','1'),(40979,5998,'_encloseme','1'),(40980,5998,'Index','2030'),(40981,5998,'Minutage','26’00 \n'),(40982,5998,'Images','Homme  aidant  une  femme  à  sortir  par  la  fenêtre  d\'un  wagon  de  train .  \n *Le * *Mécano * *de * *la * *General * [ *The * *General* ]  ( 1927 *), * Buster  Keaton . \n'),(40983,5998,'VoixOffIn','Nous  voulons  voyager ,  sans  vapeur ,  et  sans  voile ,  faites ,  pour  égayer  l’ennui  de  nos  prisons ,  passer  sur  nos  esprits  tendus  comme  une  toile ,  vos  souvenirs  avec  leur  cadre  d’horizon .  ( Julie  Delpy ). \n «  Le  voyage  »,  *Les * *Fleurs * *du * *mal * ( 1857 ),  Charles  Baudelaire .  *\n* *Histoires * *du * *cinéma * *2a * ( 1989 - 1999 *), * Jean - Luc  Godard . \n'),(40984,5998,'BandeSon','Silence  et  *Le * *Clavier * *bien * *tempéré * *1* *, * *BWV * *846* *-* *869 * ( 1722 ),  Johann  Sebastian  Bach . \n'),(40985,5998,'Ecrits','\n'),(40986,5998,'_product_image_gallery',''),(40987,5999,'_pingme','1'),(40988,5999,'_encloseme','1'),(40989,5999,'Index','2040'),(40990,5999,'Minutage','26’30 \n'),(40991,5999,'Images','Train  en  Afrique  avec  autour  des  femmes  et  hommes  vendant  des  fruits  et  vêtements  dans  un  marché .  Enfants  suivant  un  train  qui  s’éloigne .  \n *Les * *routes * *de * *l’impossible * ( 2007 *), * Tony  Comiti ,  France  5 . \n'),(40992,5999,'VoixOffIn','\n'),(40993,5999,'BandeSon','Personnes  parlant  et  criant .  En  arrière - plan  sonore  :  tambours . \n'),(40994,5999,'Ecrits','\n'),(40995,5999,'_product_image_gallery',''),(40996,6000,'_pingme','1'),(40997,6000,'_encloseme','1'),(40998,6000,'Index','2050'),(40999,6000,'Minutage','26’46 \n'),(41000,6000,'Images','Homme  et  femme  mangeant  assis  sur  les  sièges  d\'un  train . *\n* *Manon * ( 1949 ),  Henri - Georges  Clouzot . *\n*'),(41001,6000,'VoixOffIn','\n'),(41002,6000,'BandeSon','Silence . \n'),(41003,6000,'Ecrits','\n'),(41004,6000,'_product_image_gallery',''),(41005,6001,'_pingme','1'),(41006,6001,'_encloseme','1'),(41007,6001,'Index','2060'),(41008,6001,'Minutage','26’48 \n'),(41009,6001,'Images','Passagers  dans  un  wagon . \n *Manon * ( 1949 ),  Henri - Georges  Clouzot . \n'),(41010,6001,'VoixOffIn','\n'),(41011,6001,'BandeSon','Accordéon . \n'),(41012,6001,'Ecrits','\n'),(41013,6001,'_product_image_gallery',''),(41014,6002,'_pingme','1'),(41015,6002,'_encloseme','1'),(41016,6002,'Index','2070'),(41017,6002,'Minutage','26’50 \n'),(41018,6002,'Images','Homme  parlant  de  manière  animée  à  une  femme  dans  un  train . \n *Manon * ( 1949 ),  Henri - 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delà  d\'une  barricade .  \n'),(41100,6011,'VoixOffIn','\n'),(41101,6011,'BandeSon','Tirs  de  pistolets  et  mitraillettes . \n'),(41102,6011,'Ecrits','\n'),(41103,6011,'_product_image_gallery',''),(41104,6012,'_pingme','1'),(41105,6012,'_encloseme','1'),(41106,6012,'Index','2170'),(41107,6012,'Minutage','27’25 \n'),(41108,6012,'Images','Au  ralenti  :  homme  et  femme  passant  dans  le  couloir  d\'un  train . *\n* *\n* *Terror * *by * *night * ( 1946 *), * Roy  William  Neill . *\n*'),(41109,6012,'VoixOffIn','Mais  enfin  dites - moi  pourquoi  vous  avez  fait  de  l’espionnage  ? \n - J\'en  sais  rien .  \n - Vous  avez  accepté  ? \n'),(41110,6012,'BandeSon','Silence . \n'),(41111,6012,'Ecrits','\n'),(41112,6012,'_product_image_gallery',''),(41113,6013,'_pingme','1'),(41114,6013,'_encloseme','1'),(41115,6013,'Index','2180'),(41116,6013,'Minutage','27’36 \n'),(41117,6013,'Images','Noir . \n'),(41118,6013,'VoixOffIn','-  D’entrer  dans  son  organisation  ?  Non  Michel . \n Mais  même  chez  les  communistes  l’agent  compte  plus  que  tout  le  reste . \n'),(41119,6013,'BandeSon','*Id* *.* *\n*'),(41120,6013,'Ecrits','\n'),(41121,6013,'_product_image_gallery',''),(41122,6014,'_pingme','1'),(41123,6014,'_encloseme','1'),(41124,6014,'Index','2190'),(41125,6014,'Minutage','27’45 \n'),(41126,6014,'Images','Vapeur  sortant  d\'un  train  prenant  un  virage .  \n *Terror * *by * *night * ( 1946 *), * Roy  William  Neill . \n'),(41127,6014,'VoixOffIn','\n'),(41128,6014,'BandeSon','Sifflet ,  puis  passage  d\'un  train . \n'),(41129,6014,'Ecrits','\n'),(41130,6014,'_product_image_gallery',''),(41131,6015,'_pingme','1'),(41132,6015,'_encloseme','1'),(41133,6015,'Index','2200'),(41134,6015,'Minutage','27’50  \n'),(41135,6015,'Images','Homme  regardant  une  femme  boire ,  au  restaurant  d\'un  train .  \n *Terror * *by * *night * ( 1946 *), * Roy  William  Neill . \n'),(41136,6015,'VoixOffIn','Deux  discours  prononcés  par  George  Steiner  et  Cornelius  Castoriadis  se  chevauchent  :  \n Steiner  :  Il  fera  exactement  la  même  chose  que  les  autres ,  ce  que  les  autres  lui  ont  appris .  \n'),(41137,6015,'BandeSon','Silence . \n'),(41138,6015,'Ecrits','\n'),(41139,6015,'_product_image_gallery',''),(41140,6016,'_pingme','1'),(41141,6016,'_encloseme','1'),(41142,6016,'Index','2210'),(41143,6016,'Minutage','27’54 \n'),(41144,6016,'Images','Enfant  regardant  par  la  fenêtre  d\'un  train  des  wagons  militaires  transportant  des  réservoirs .  \n *Le * *silence * ( 1963 *), * Ingmar  Bergman . \n'),(41145,6016,'VoixOffIn','Pour  qu\'il  y  ait  vraiment  des  individus ,  il  faut  que  la  collectivité  bouge ,  et  pour  que  la  collectivité  bouge  il  fera  exactement  la  même  chose  que  les  autres ,  ce  que  les  autres \n Castoriadis  :  Quelque  chose  a  surgi  de  barbare .  Quelque  chose  d’immense  lumière  qui  a  accentué  les  beaux  mystères  de  la  vie \n \n'),(41146,6016,'BandeSon','*Id* *.* \n'),(41147,6016,'Ecrits','\n'),(41148,6016,'_product_image_gallery',''),(41149,6017,'_pingme','1'),(41150,6017,'_encloseme','1'),(41151,6017,'Index','2220'),(41152,6017,'Minutage','28’11 \n'),(41153,6017,'Images','Au  ralenti  :  femme  dans  le  vagons  d’un  train .  \n *Terror * *by * *night * ( 1946 *), * Roy  William  Neill . \n'),(41154,6017,'VoixOffIn','- Come  va  a  New  York  ?  Va  bene ?  \n -  Non  ci  si  arricchisce \n -  Che  importa  questo ?  Si  può  star  bene  senza  arricchire \n'),(41155,6017,'BandeSon','Train *.* \n'),(41156,6017,'Ecrits','\n'),(41157,6017,'_product_image_gallery',''),(41158,6018,'_pingme','1'),(41159,6018,'_encloseme','1'),(41160,6018,'Index','2230'),(41161,6018,'Minutage','28’14 \n'),(41162,6018,'Images','Hommes  parlant  en  regardant  par  la  fenêtre  d\'un  train .  \n *Sicilia * *! * ( 1998 ),  Jean - Marie  Straub  et  Danièle  Huillet . \n'),(41163,6018,'VoixOffIn','-  Non  avresti  fatto  che  il  tuo  dovere . \n - Naturalmente ! \n - I  tipi  così  sono  sempre  da  fermare . \n - Effettivamente ,  non  si  sa  mai . \n - Ogni  morto  di  fame  è  un  uomo  pericoloso . \n - Come  no ,  capace  di  tutto . \n - Di  rubare . \n - Questo  va  da  sé . \n'),(41164,6018,'BandeSon','*Id* *.* \n'),(41165,6018,'Ecrits','\n'),(41166,6018,'_product_image_gallery',''),(41167,6019,'_pingme','1'),(41168,6019,'_encloseme','1'),(41169,6019,'Index','2240'),(41170,6019,'Minutage','28’35 \n'),(41171,6019,'Images','Femme  entrant  dans  un  wagon  de  train ,  hommes  se  retournant  pour  la  regarder .  \n *Johnny * *Guitar * ( 1954 ),  Nicholas  Ray . \n'),(41172,6019,'VoixOffIn','\n'),(41173,6019,'BandeSon','*Image * *The * *Fog * *Dirappearing * ( 2016 *), * Tord  Gustavsen . \n'),(41174,6019,'Ecrits','\n'),(41175,6019,'_product_image_gallery',''),(41176,6020,'_pingme','1'),(41177,6020,'_encloseme','1'),(41178,6020,'Index','2250'),(41179,6020,'Minutage','29’03 \n'),(41180,6020,'Images','Noir . \n'),(41181,6020,'VoixOffIn','\n'),(41182,6020,'BandeSon','*Id* *.* \n'),(41183,6020,'Ecrits','\n'),(41184,6020,'_product_image_gallery',''),(41185,6021,'_pingme','1'),(41186,6021,'_encloseme','1'),(41187,6021,'Index','2260'),(41188,6021,'Minutage','29’07 \n'),(41189,6021,'Images','Cheval  et  cavalier  au  galop ,  derrière  un  train .  \n *Turksib * ( 1921 *), * Viktor  Alexandrovitch  Turin . \n \n'),(41190,6021,'VoixOffIn','\n'),(41191,6021,'BandeSon','*Id* *.* \n'),(41192,6021,'Ecrits','\n'),(41193,6021,'_product_image_gallery',''),(41194,6022,'_pingme','1'),(41195,6022,'_encloseme','1'),(41196,6022,'Index','2270'),(41197,6022,'Minutage','29’10 \n'),(41198,6022,'Images','Homme  passant  la  main  sur  un  vinyle  et  écoutant  la  musique  qui  s\'en  dégage .  \n *L’Atalante * ( 1934 *), * Jean  Vigo . \n'),(41199,6022,'VoixOffIn','\n'),(41200,6022,'BandeSon','Silence  et  *Concerto * *Grosso * *No* *. * *4 * ( 1988 *), * Alfred  Schnittke . \n'),(41201,6022,'Ecrits','\n'),(41202,6022,'_product_image_gallery',''),(41203,6023,'_pingme','1'),(41204,6023,'_encloseme','1'),(41205,6023,'Index','2280'),(41206,6023,'Minutage','29’16 \n'),(41207,6023,'Images','Cheval  et  cavalier  au  galop ,  le  long  d’un  train .  \n *Turksib * ( 1921 *), * Viktor  Alexandrovitch  Turin . \n \n'),(41208,6023,'VoixOffIn','\n'),(41209,6023,'BandeSon','*Id* *.* *\n*'),(41210,6023,'Ecrits','\n'),(41211,6023,'_product_image_gallery',''),(41212,6024,'_pingme','1'),(41213,6024,'_encloseme','1'),(41214,6024,'Index','2290'),(41215,6024,'Minutage','29’22 \n'),(41216,6024,'Images','Noir .  \n'),(41217,6024,'VoixOffIn','\n'),(41218,6024,'BandeSon','Silence . \n'),(41219,6024,'Ecrits','\n'),(41220,6024,'_product_image_gallery',''),(41221,6025,'_pingme','1'),(41222,6025,'_encloseme','1'),(41223,6025,'Index','2300'),(41224,6025,'Minutage','29’24 \n'),(41225,6025,'Images','Chameau  reniflant  les  rails  d\'un  train ,  train  traversant  une  prairie  déserte .  \n *Turksib * ( 1921 *), * Viktor  Alexandrovitch  Turin . \n'),(41226,6025,'VoixOffIn','\n'),(41227,6025,'BandeSon','*Image * *The * *Fog * *Dirappearing * ( 2016 *), * Tord  Gustavsen . \n'),(41228,6025,'Ecrits','\n'),(41229,6025,'_product_image_gallery',''),(41230,6026,'_pingme','1'),(41231,6026,'_encloseme','1'),(41232,6026,'Index','2310'),(41233,6026,'Minutage','29’31 \n'),(41234,6026,'Images','Paysage  vu  d\'un  train .  \n'),(41235,6026,'VoixOffIn','j\'avoue  qu\'avant  d\'embarquer  à  bord  \n'),(41236,6026,'BandeSon','Voix  masculine  accompagnée  au  piano . \n'),(41237,6026,'Ecrits','\n'),(41238,6026,'_product_image_gallery',''),(41239,6027,'_pingme','1'),(41240,6027,'_encloseme','1'),(41241,6027,'Index','2320'),(41242,6027,'Minutage','29’36 \n'),(41243,6027,'Images','Saturé  et  surexposé  :  train  avançant . \n'),(41244,6027,'VoixOffIn','de  ce  vieux \n   piano \n'),(41245,6027,'BandeSon','*Id* *.* \n'),(41246,6027,'Ecrits','\n'),(41247,6027,'_product_image_gallery',''),(41248,6028,'_pingme','1'),(41249,6028,'_encloseme','1'),(41250,6028,'Index','2330'),(41251,6028,'Minutage','29’39 \n'),(41252,6028,'Images','Montage  en  superposition  :  rose . \n   *Allemagne * *90 * *neuf * *zéro * ( 1991 ),  Jean - Luc  Godard . \n'),(41253,6028,'VoixOffIn','j\'ai  scruté  la  météo \n'),(41254,6028,'BandeSon','*Id* *.* \n'),(41255,6028,'Ecrits','\n'),(41256,6028,'_product_image_gallery',''),(41257,6029,'_pingme','1'),(41258,6029,'_encloseme','1'),(41259,6029,'Index','2340'),(41260,6029,'Minutage','29’42 \n'),(41261,6029,'Images','Passage  du  métro .  Superposé  :  femme  semblant  avoir  été  heurtée  par  un  train .  \n *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(41262,6029,'VoixOffIn','j\'ai  longtemps  flâné \n \n'),(41263,6029,'BandeSon','*Id* *. * et  silence . \n'),(41264,6029,'Ecrits','\n'),(41265,6029,'_product_image_gallery',''),(41266,6030,'_pingme','1'),(41267,6030,'_encloseme','1'),(41268,6030,'Index','2350'),(41269,6030,'Minutage','29’45 \n'),(41270,6030,'Images','Dessin  :  femme  vue  de  dos .  \n *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(41271,6030,'VoixOffIn','\n'),(41272,6030,'BandeSon','Silence . \n'),(41273,6030,'Ecrits','\n'),(41274,6030,'_product_image_gallery',''),(41275,6031,'_pingme','1'),(41276,6031,'_encloseme','1'),(41277,6031,'Index','2360'),(41278,6031,'Minutage','29’50 \n'),(41279,6031,'Images','Noir . \n'),(41280,6031,'VoixOffIn','Eux  tous \n'),(41281,6031,'BandeSon','*Fratres * *pour * *12 * *violoncelles * ( 1977 ),  Arvo  Pärt . \n'),(41282,6031,'Ecrits','\n'),(41283,6031,'_product_image_gallery',''),(41284,6032,'_pingme','1'),(41285,6032,'_encloseme','1'),(41286,6032,'Index','2370'),(41287,6032,'Minutage','29’53 \n'),(41288,6032,'Images','Hommes  saluant  joyeusement  des  deux  mains ,  depuis  un  train .  \n *Les * *Deux * *Fedor * ( 1959 *), * Marlen  Khoutsiev . \n'),(41289,6032,'VoixOffIn','enfilés  sur  le  fond \n'),(41290,6032,'BandeSon','*Id* *.* \n'),(41291,6032,'Ecrits','\n'),(41292,6032,'_product_image_gallery',''),(41293,6033,'_pingme','1'),(41294,6033,'_encloseme','1'),(41295,6033,'Index','2380'),(41296,6033,'Minutage','29’57 \n'),(41297,6033,'Images','Femmes  courant . \n *Les * *Deux * *Fedor * ( 1959 *), * Marlen  Khoutsiev . \n'),(41298,6033,'VoixOffIn','Du  vert  luxuriant . \n'),(41299,6033,'BandeSon','*Id* *.* \n'),(41300,6033,'Ecrits','\n'),(41301,6033,'_product_image_gallery',''),(41302,6034,'_pingme','1'),(41303,6034,'_encloseme','1'),(41304,6034,'Index','2390'),(41305,6034,'Minutage','30’00 \n'),(41306,6034,'Images','Saturé  :  paysage  vu  depuis  la  fenêtre  d’un  train . \n'),(41307,6034,'VoixOffIn','De  l’été . \n'),(41308,6034,'BandeSon','*Id* *.* \n'),(41309,6034,'Ecrits','\n'),(41310,6034,'_product_image_gallery',''),(41311,6035,'_pingme','1'),(41312,6035,'_encloseme','1'),(41313,6035,'Index','2400'),(41314,6035,'Minutage','30’03 \n'),(41315,6035,'Images','Noir . \n'),(41316,6035,'VoixOffIn','\n'),(41317,6035,'BandeSon','*Id* *.* \n'),(41318,6035,'Ecrits','\n'),(41319,6035,'_product_image_gallery',''),(41320,6036,'_pingme','1'),(41321,6036,'_encloseme','1'),(41322,6036,'Index','2410'),(41323,6036,'Minutage','30’04 \n'),(41324,6036,'Images','Homme  courant  le  long  d\'un  train .  *\n* *Wild * *boys * *on * *the * *road * ( 1933 ),  William  A .  Wellman .  *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(41325,6036,'VoixOffIn','Et  l’embrasement \n'),(41326,6036,'BandeSon','*Id* *.* \n'),(41327,6036,'Ecrits','\n'),(41328,6036,'_product_image_gallery',''),(41329,6037,'_pingme','1'),(41330,6037,'_encloseme','1'),(41331,6037,'Index','2420'),(41332,6037,'Minutage','30’06  \n'),(41333,6037,'Images','Au  ralenti  :  homme  s\'approchant  d\'une  femme  assise  dans  une  grange  devant  un  brasier .  \n *Wild * *boys * *on * *the * *road * ( 1933 ),  William  A .  Wellman . \n'),(41334,6037,'VoixOffIn','\n'),(41335,6037,'BandeSon','*Id* *.* \n'),(41336,6037,'Ecrits','\n'),(41337,6037,'_product_image_gallery',''),(41338,6038,'_pingme','1'),(41339,6038,'_encloseme','1'),(41340,6038,'Index','2430'),(41341,6038,'Minutage','30’07 \n'),(41342,6038,'Images','Foule  d\'hommes  se  pressant  pour  monter  dans  un  train .  \n *Wild * *boys * *on * *the * *road * ( 1933 ),  William  A .  Wellman . \n'),(41343,6038,'VoixOffIn','Royal \n'),(41344,6038,'BandeSon','*Id* *.* \n'),(41345,6038,'Ecrits','\n'),(41346,6038,'_product_image_gallery',''),(41347,6039,'_pingme','1'),(41348,6039,'_encloseme','1'),(41349,6039,'Index','2440'),(41350,6039,'Minutage','30’10 \n'),(41351,6039,'Images','Saturé  :  trains  miniatures  passant  sur  une  ligne  de  chemin  de  fer .  *Toccata * *for * *Toy * *Trains * ( 1957 *), * Charles  and  Ray  Eames . \n'),(41352,6039,'VoixOffIn','de  l\'automne . \n -  Et  la  ruine  de  l’hiver \n'),(41353,6039,'BandeSon','*Id* *.* \n'),(41354,6039,'Ecrits','\n'),(41355,6039,'_product_image_gallery',''),(41356,6040,'_pingme','1'),(41357,6040,'_encloseme','1'),(41358,6040,'Index','2450'),(41359,6040,'Minutage','30’15 \n'),(41360,6040,'Images','Noir . \n'),(41361,6040,'VoixOffIn','avant  que  ne  fleurisse \n'),(41362,6040,'BandeSon','*Id* *.* \n'),(41363,6040,'Ecrits','\n'),(41364,6040,'_product_image_gallery',''),(41365,6041,'_pingme','1'),(41366,6041,'_encloseme','1'),(41367,6041,'Index','2460'),(41368,6041,'Minutage','30’19 \n'),(41369,6041,'Images','Fille  faisant  de  l\'escrime  devant  un  projecteur  montrant  une  cathédrale  gothique .  En  montage  clignotant  :  cameraman  sur  un  dolly . \n'),(41370,6041,'VoixOffIn','à  nouveau \n le  printemps , \n salit  maintenant \n un  peu  noirci \n'),(41371,6041,'BandeSon','*Id* *.* \n'),(41372,6041,'Ecrits','\n'),(41373,6041,'_product_image_gallery',''),(41374,6042,'_pingme','1'),(41375,6042,'_encloseme','1'),(41376,6042,'Index','2470'),(41377,6042,'Minutage','30’30 \n'),(41378,6042,'Images','Homme  se  traînant  le  long  d\'une  voie  ferrée .  \n *Wild * *boys * *on * *the * *road * ( 1933 ),  William  A .  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Wellman .  \n'),(41397,6044,'VoixOffIn','\n'),(41398,6044,'BandeSon','*Id* *.* \n'),(41399,6044,'Ecrits','\n'),(41400,6044,'_product_image_gallery',''),(41401,6045,'_pingme','1'),(41402,6045,'_encloseme','1'),(41403,6045,'Index','2500'),(41404,6045,'Minutage','30’39 \n'),(41405,6045,'Images','Noir . \n'),(41406,6045,'VoixOffIn','par  le  temps . \n'),(41407,6045,'BandeSon','*Fratres * *pour * *12 * *violoncelles * ( 1977 ),  Arvo  Pärt . \n'),(41408,6045,'Ecrits','\n'),(41409,6045,'_product_image_gallery',''),(41410,6046,'_pingme','1'),(41411,6046,'_encloseme','1'),(41412,6046,'Index','2510'),(41413,6046,'Minutage','30’41 \n'),(41414,6046,'Images','Homme  évanoui  et  écrasé  par  un  train .  \n *Wild * *boys * *on * *the * *road * ( 1933 ),  William  A .  Wellman .  \n'),(41415,6046,'VoixOffIn','\n Toujours  serein \n'),(41416,6046,'BandeSon','Train  en  approche ,  cris . \n'),(41417,6046,'Ecrits','\n'),(41418,6046,'_product_image_gallery',''),(41419,6047,'_pingme','1'),(41420,6047,'_encloseme','1'),(41421,6047,'Index','2520'),(41422,6047,'Minutage','30’45 \n'),(41423,6047,'Images','Noir . \n'),(41424,6047,'VoixOffIn','\n'),(41425,6047,'BandeSon','*Id * et  silence . \n'),(41426,6047,'Ecrits','\n'),(41427,6047,'_product_image_gallery',''),(41428,6048,'_pingme','1'),(41429,6048,'_encloseme','1'),(41430,6048,'Index','2530'),(41431,6048,'Minutage','30’47 \n'),(41432,6048,'Images','Femme  arrachant  ses  boucles  d\'oreilles  en  perle ,  horrifiée . \n *Au * *bord * *de * *la * *mer * *bleue * ( 1937 *), * Boris  Barnet . \n'),(41433,6048,'VoixOffIn','…  des  sentinelles .  Non . \n - Comme  s\'ils  défendaient \n'),(41434,6048,'BandeSon','*Id* *.* \n'),(41435,6048,'Ecrits','\n'),(41436,6048,'_product_image_gallery',''),(41437,6049,'_pingme','1'),(41438,6049,'_encloseme','1'),(41439,6049,'Index','2540'),(41440,6049,'Minutage','31’01 \n'),(41441,6049,'Images','Perles  tombant .  \n *Au * *bord * *de * *la * *mer * *bleue * ( 1937 *), * Boris  Barnet . \n Enchaînement  avec  un  montage  clignotant  :  cadavres  le  long  d\'une  voie  ferrée .  \n *Nuit * *et * *brouillard * ( 1956 *), * Alain  Resnais . \n'),(41442,6049,'VoixOffIn','de  leurs  énormes  et  monolithiques  \n'),(41443,6049,'BandeSon','*Fratres * *pour * *12 * *violoncelles * ( 1977 ),  Arvo  Pärt . \n'),(41444,6049,'Ecrits','\n'),(41445,6049,'_product_image_gallery',''),(41446,6050,'_pingme','1'),(41447,6050,'_encloseme','1'),(41448,6050,'Index','2550'),(41449,6050,'Minutage','31’09 \n'),(41450,6050,'Images','Montage  clignotant  :  sous  des  cadavres  longant  les  rails  d\'un  train ,  folle  dans  une  église  du  tableau .  \n *L\'église * *Ludwigskirche * *à * *Munich * ( 1908 *), * Wassily  Kandinsky . \n'),(41451,6050,'VoixOffIn','Les  vivants  contre  les  morts .  \n'),(41452,6050,'BandeSon','*Id* *.* \n'),(41453,6050,'Ecrits','\n'),(41454,6050,'_product_image_gallery',''),(41455,6051,'_pingme','1'),(41456,6051,'_encloseme','1'),(41457,6051,'Index','2560'),(41458,6051,'Minutage','31’18 \n'),(41459,6051,'Images','Noir . \n'),(41460,6051,'VoixOffIn','Tous .  \n Les  ossements .  \n'),(41461,6051,'BandeSon','*Id* *.* \n'),(41462,6051,'Ecrits','\n'),(41463,6051,'_product_image_gallery',''),(41464,6052,'_pingme','1'),(41465,6052,'_encloseme','1'),(41466,6052,'Index','2570'),(41467,6052,'Minutage','31’21 \n'),(41468,6052,'Images','Femmes  et  hommes  autour  d\'une  table ,  plaçant  leurs  mains  en  cercle  lors  d\'une  séance  de  spiritisme .  *Anna * *Karénine * ( 1948 ),  Julien  Duvivier . \n'),(41469,6052,'VoixOffIn','Avant  que  ne  fleurissent \n'),(41470,6052,'BandeSon','*Id* *.* \n'),(41471,6052,'Ecrits','\n'),(41472,6052,'_product_image_gallery',''),(41473,6053,'_pingme','1'),(41474,6053,'_encloseme','1'),(41475,6053,'Index','2580'),(41476,6053,'Minutage','31’26 \n'),(41477,6053,'Images','Noir . \n'),(41478,6053,'VoixOffIn','à  nouveau  le  printemps  \n'),(41479,6053,'BandeSon','*Id* *.* \n'),(41480,6053,'Ecrits','\n'),(41481,6053,'_product_image_gallery',''),(41482,6054,'_pingme','1'),(41483,6054,'_encloseme','1'),(41484,6054,'Index','2590'),(41485,6054,'Minutage','31’28 \n'),(41486,6054,'Images','Train  passant  dans  le  blizzard  et  personnes  marchant  sous  la  neige  et  dans  le  vent .  \n *Anna * *Karénine * ( 1948 ),  Julien  Duvivier . \n \n'),(41487,6054,'VoixOffIn','\n'),(41488,6054,'BandeSon','*Id* *. * et  train  passant . \n'),(41489,6054,'Ecrits','\n'),(41490,6054,'_product_image_gallery',''),(41491,6055,'_pingme','1'),(41492,6055,'_encloseme','1'),(41493,6055,'Index','2600'),(41494,6055,'Minutage','31’43 \n'),(41495,6055,'Images','En  superposition ,  et  en  alternance  :  dessin  d\'un  mort . \n *Les * *désastres * *de * *la * *guerre * ( 1815 - 20 ),  Francisco  Goya .  \n \n Puis  montage  clignotant  :  personne  levant  un  fusil  vers  le  ciel ,  femme  juive . \n'),(41496,6055,'VoixOffIn','Eux  tous ,  profilés  sur  le  fond  du  vert  luxuriant  de  l’été ,  et  l\'embrasement  royal  de  l’automne ,  et  la  ruine  de  l’hiver , \n'),(41497,6055,'BandeSon','*Fratres * *pour * *12 * *violoncelles * ( 1977 ),  Arvo  Pärt  et  silence . \n'),(41498,6055,'Ecrits','\n'),(41499,6055,'_product_image_gallery',''),(41500,6056,'_pingme','1'),(41501,6056,'_encloseme','1'),(41502,6056,'Index','2610'),(41503,6056,'Minutage','32’09 \n'),(41504,6056,'Images','Au  ralenti ,  saturé  :  voie  ferrée  parcourue  par  un  train .  \n *Après * *le * *feu * ( 2010 *), * Jacques  Perconte . \n'),(41505,6056,'VoixOffIn','avant  que  ne  fleurisse  à  nouveau  le  printemps .  Eux  tous .  \n *Sépulture * *Sud* ,  in  *Idylle * *au * *désert * *et * *autres * *nouvelles * ( 1985 ),  William  Faulkner .  *Grandeur * *et * *décadence * *d\'un * *petit * *commerce * *de * *cinéma * ( 1986 ),  Jean - Luc  Godard . \n'),(41506,6056,'BandeSon','Silence . \n'),(41507,6056,'Ecrits','\n'),(41508,6056,'_product_image_gallery',''),(41509,6057,'_pingme','1'),(41510,6057,'_encloseme','1'),(41511,6057,'Index','2620'),(41512,6057,'Minutage','32’23 \n'),(41513,6057,'Images','Homme  saluant  une  femme  le  regardant  par  la  fenêtre  d\'un  train ,  et  poursuvant  le  train  qui  s’éloigne .  \n *Le * *plaisir * ( 1938 *), * Max  Ophüls . \n'),(41514,6057,'VoixOffIn','\n'),(41515,6057,'BandeSon','Silence  et  *Das * *Buch * *der * *Klange * *I* *-* *XII* *, * *V * ( 1999 *), * Hans  Otte . \n'),(41516,6057,'Ecrits','\n'),(41517,6057,'_product_image_gallery',''),(41518,6058,'_pingme','1'),(41519,6058,'_encloseme','1'),(41520,6058,'Index','2630'),(41521,6058,'Minutage','32’51 \n'),(41522,6058,'Images','Pellicule  passant  dans  un  projecteur . \n *Deux * *fois * *cinquante * *ans * *de * *cinéma * *français * ( 1995 *), * Jean - Luc  Godard . \n'),(41523,6058,'VoixOffIn','\n'),(41524,6058,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 ),  Mieczysław  Weinberg . \n \n'),(41525,6058,'Ecrits','\n'),(41526,6058,'_product_image_gallery',''),(41527,6059,'_pingme','1'),(41528,6059,'_encloseme','1'),(41529,6059,'Index','2640'),(41530,6059,'Minutage','33’02 \r\n'),(41531,6059,'Images','Noir . \r\n'),(41532,6059,'VoixOffIn',''),(41533,6059,'BandeSon','*Id* *.* \r\n \r\n'),(41534,6059,'Ecrits',''),(41535,6059,'_product_image_gallery',''),(41536,6060,'_pingme','1'),(41537,6060,'_encloseme','1'),(41538,6060,'Index','2650'),(41539,6060,'Minutage','33’05 \n'),(41540,6060,'Images','Noir . \n'),(41541,6060,'VoixOffIn','\n'),(41542,6060,'BandeSon','*Id* *.* \n'),(41543,6060,'Ecrits','4  \n L’ESPRIT  DES  LOIS \n'),(41544,6060,'_product_image_gallery',''),(41545,6061,'_pingme','1'),(41546,6061,'_encloseme','1'),(41547,6061,'Index','2660'),(41548,6061,'Minutage','33’08 \n'),(41549,6061,'Images','Acteurs  incarnant  au  théâtre  des  soldats  intimant  à  la  population  qui  manifeste  de  se  disperser .  Soldats  déposant  les  armes  et  s\'unissant  au  peuple .  *La * *Commune * *(* *Paris* *, * *1971* *) * ( 2000 *), * Peter  Watkins . \n'),(41550,6061,'VoixOffIn','Écartez - vous .  Première  sommation ,  nous  allons  faire  usage  de  la  force .  Deuxième  et  dernière  sommation ,  nous  allons  faire  usage  de  la  force .  Dispersez - vous . \n'),(41551,6061,'BandeSon','Personnes  protestant  et  criant .  \n *Three * *Little * *Nocturnes* *, * *II * *Allegro * *appassionata * ( 2005 ),  Hans  Abrahamsen . \n'),(41552,6061,'Ecrits','\n'),(41553,6061,'_product_image_gallery',''),(41554,6062,'_pingme','1'),(41555,6062,'_encloseme','1'),(41556,6062,'Index','2670'),(41557,6062,'Minutage','34’08 \n'),(41558,6062,'Images','Hommes  derrière  une  barricade  attaqués  par  des  soldats .  \n *Vendémiaire * ( 1918 ),  Louis  Feuillade .  \n *Histoire* *(* *s* *) * *du * *cinéma * *3b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41559,6062,'VoixOffIn','-  La  situation  de  tous ,  dans  cette  heure  fatale  et  dans  ce  lieu  inexorable ,  avait  comme  résultat  et  comme  sommet .  *Les * *Misérables * ( 1862 *), * Victor  Hugo .  \n - Le  drapeau \n \n'),(41560,6062,'BandeSon','*Breit* *-* *sehr * *frisch * *und * *straff * ( 1939 *), * Paul  Hindemith . \n'),(41561,6062,'Ecrits','\n'),(41562,6062,'_product_image_gallery',''),(41563,6063,'_pingme','1'),(41564,6063,'_encloseme','1'),(41565,6063,'Index','2680'),(41566,6063,'Minutage','34’20 \n'),(41567,6063,'Images','Photographie  d’Arthur  Rimbaud . \n'),(41568,6063,'VoixOffIn','-  la  mélancolie  suprême  d’Enjolras .  *Les * *Misérables * ( 1862 *), * Victor  Hugo . \n - Le  drapeau  va  au  paysage  infâme \n'),(41569,6063,'BandeSon','Silence . \n'),(41570,6063,'Ecrits','\n'),(41571,6063,'_product_image_gallery',''),(41572,6064,'_pingme','1'),(41573,6064,'_encloseme','1'),(41574,6064,'Index','2690'),(41575,6064,'Minutage','34’30 \n'),(41576,6064,'Images','Femme  tout  en  blanc  se  dirigeant  vers  un  écran  puis  reculant  de  peur ,  les  mains  en  l\'air .  *\n* *Le * *Mystère * *des * *roches * *de * *Kador * ( 1912 ),  Léonce  Perret .  *Histoire* *(* *s* *) * *du * *cinéma * *2a * ( 1988 - 89 *), * Jean - Luc  Godard .  \n'),(41577,6064,'VoixOffIn','et  notre  patois  étouffe  le \n tambour .  Arthur  Rimbaud ,  \n'),(41578,6064,'BandeSon','*Id* *.* \n'),(41579,6064,'Ecrits','\n'),(41580,6064,'_product_image_gallery',''),(41581,6065,'_pingme','1'),(41582,6065,'_encloseme','1'),(41583,6065,'Index','2700'),(41584,6065,'Minutage','34’36 \n'),(41585,6065,'Images','Noir . \n'),(41586,6065,'VoixOffIn','démocratie .  ( Jean  Luc  Godard ).  *Les * *Illuminations* *. * *Démocratie * ( 1854 *), * Arthur  Rimbaud . \n'),(41587,6065,'BandeSon','*Id* *.* \n'),(41588,6065,'Ecrits','TERRORISM  CONSIDERED  \n as  one  of  the  \n FINE  ARTS \n'),(41589,6065,'_product_image_gallery',''),(41590,6066,'_pingme','1'),(41591,6066,'_encloseme','1'),(41592,6066,'Index','2710'),(41593,6066,'Minutage','34’38 \n'),(41594,6066,'Images','Noir . \n'),(41595,6066,'VoixOffIn','\n'),(41596,6066,'BandeSon','*Id* *.* \n'),(41597,6066,'Ecrits','Dissonance  Films \n'),(41598,6066,'_product_image_gallery',''),(41599,6067,'_pingme','1'),(41600,6067,'_encloseme','1'),(41601,6067,'Index','2720'),(41602,6067,'Minutage','34’41 \n'),(41603,6067,'Images','Femme  supliant  un  homme  jettant  un  bébé  par  la  fenêtre .  \n *Histoire* *(* *s* *) * *du * *cinéma* *, * ( 1988 - 89 *), * Jean - Luc  Godard . *\n*'),(41604,6067,'VoixOffIn','Après  une  révolution  dans  la  révolution  ( Philippe  Sollers ). \n'),(41605,6067,'BandeSon','*Id* *.* \n'),(41606,6067,'Ecrits','End  Lo  Sung \n'),(41607,6067,'_product_image_gallery',''),(41608,6068,'_pingme','1'),(41609,6068,'_encloseme','1'),(41610,6068,'Index','2730'),(41611,6068,'Minutage','34’44 \n'),(41612,6068,'Images','Noir . \n'),(41613,6068,'VoixOffIn','\n'),(41614,6068,'BandeSon','Au  violon \n'),(41615,6068,'Ecrits','\n'),(41616,6068,'_product_image_gallery',''),(41617,6069,'_pingme','1'),(41618,6069,'_encloseme','1'),(41619,6069,'Index','2740'),(41620,6069,'Minutage','34’48 \n'),(41621,6069,'Images','Saturé  :  torero  transperçant  un  taureau  à  coups  d’épée . \n'),(41622,6069,'VoixOffIn','\n'),(41623,6069,'BandeSon','Silence . \n'),(41624,6069,'Ecrits','\n'),(41625,6069,'_product_image_gallery',''),(41626,6070,'_pingme','1'),(41627,6070,'_encloseme','1'),(41628,6070,'Index','2750'),(41629,6070,'Minutage','34’49 \n'),(41630,6070,'Images','Au  ralenti  :  homme  courant  et  criant  en  faisant  claquer  ses  poignets  ensemble .  \n *La * *terre * ( 1930 *), * Alexandre  Dovjenko .  *Histoire* *(* *s* *) * *du * *cinéma * *2a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41631,6070,'VoixOffIn','\n'),(41632,6070,'BandeSon','Voix  masculine ,  accompagnée  à  la  guitare  :  chant  russe .  \n *La * *chasse * *aux * *loups * ( 1977 *), * Vladimir  Vissotsky . \n'),(41633,6070,'Ecrits','\n'),(41634,6070,'_product_image_gallery',''),(41635,6071,'_pingme','1'),(41636,6071,'_encloseme','1'),(41637,6071,'Index','2760'),(41638,6071,'Minutage','35’12 \n'),(41639,6071,'Images','Noir . \n'),(41640,6071,'VoixOffIn','\n'),(41641,6071,'BandeSon','Silence . \n'),(41642,6071,'Ecrits','\n'),(41643,6071,'_product_image_gallery',''),(41644,6072,'_pingme','1'),(41645,6072,'_encloseme','1'),(41646,6072,'Index','2770'),(41647,6072,'Minutage','35’14 \n'),(41648,6072,'Images','Surexposé  :  photographie  d’un  buste  de  Montesquieu . \n'),(41649,6072,'VoixOffIn','Si  je  pouvais  faire  en  sorte  que  ceux  qui  commandent  augmentassent  leur  connaissances  sur  ce  qu’ils  doivent  prescrire ,  et  que  ceux  qui  obéissent  trouvassent  un  nouveau  plaisir  à  obéir .  *L’esprit * *des * *lois * ( 1748 *), * Montesquieu .  \n'),(41650,6072,'BandeSon','*Id* *.* *\n*'),(41651,6072,'Ecrits','\n'),(41652,6072,'_product_image_gallery',''),(41653,6073,'_pingme','1'),(41654,6073,'_encloseme','1'),(41655,6073,'Index','2780'),(41656,6073,'Minutage','35’26 \n'),(41657,6073,'Images','Enfants  en  Asie  faisant  un  exercice  militaire . \n'),(41658,6073,'VoixOffIn','\n'),(41659,6073,'BandeSon','Voix  d\'enfants  chantant  et  criant  ensemble . \n'),(41660,6073,'Ecrits','\n'),(41661,6073,'_product_image_gallery',''),(41662,6074,'_pingme','1'),(41663,6074,'_encloseme','1'),(41664,6074,'Index','2790'),(41665,6074,'Minutage','35’31 \n'),(41666,6074,'Images','Surexposé  :  personnes  marchant  courbées  et  vacillantes  le  long  d\'un  couloir .  \n *Alphaville * ( 1965 *), * Jean - 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Luc  Godard .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41703,6078,'VoixOffIn','J\'appelle  ici  préjugés ,  \n'),(41704,6078,'BandeSon','*Id* *.* \n'),(41705,6078,'Ecrits','\n'),(41706,6078,'_product_image_gallery',''),(41707,6079,'_pingme','1'),(41708,6079,'_encloseme','1'),(41709,6079,'Index','2840'),(41710,6079,'Minutage','35’56 \n'),(41711,6079,'Images','Montage  superposé  :  main  tenant  une  bougie .  \n *Ivan * *le * *terrible * ( 1944 - 46 *), * Sergueï  Eisenstein .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41712,6079,'VoixOffIn','non  pas  \n'),(41713,6079,'BandeSon','*Id* *.* \n'),(41714,6079,'Ecrits','\n'),(41715,6079,'_product_image_gallery',''),(41716,6080,'_pingme','1'),(41717,6080,'_encloseme','1'),(41718,6080,'Index','2850'),(41719,6080,'Minutage','35’59 \n'),(41720,6080,'Images','Noir . \n'),(41721,6080,'VoixOffIn','ce  qui  fait  qu\'on  ignore  de  certaines  choses ,  \n'),(41722,6080,'BandeSon','*Id* *.* \n'),(41723,6080,'Ecrits','\n'),(41724,6080,'_product_image_gallery',''),(41725,6081,'_pingme','1'),(41726,6081,'_encloseme','1'),(41727,6081,'Index','2860'),(41728,6081,'Minutage','36’00 \n'),(41729,6081,'Images','Surexposé  :  buste  de  Montesquieu . \n'),(41730,6081,'VoixOffIn','mais  ce  qui  fait  qu\'on  s\'ignore  soi - même .  ( Jean  Luc  Godard ) \n *L’esprit * *des * *lois * ( 1748 *), * Montesquieu .  \n'),(41731,6081,'BandeSon','*Id* *.* \n'),(41732,6081,'Ecrits','\n'),(41733,6081,'_product_image_gallery',''),(41734,6082,'_pingme','1'),(41735,6082,'_encloseme','1'),(41736,6082,'Index','2870'),(41737,6082,'Minutage','36’02 \n'),(41738,6082,'Images','Couteau  planté  sur  une  surface  noire .  \n *Au * *cœur * *de * *l\'orage * ( 1948 ),  Jean - Paul  Le  Chanois . \n'),(41739,6082,'VoixOffIn','E  arrivato  Zampanò  !  è  arrivato  Zampanò  ! \n'),(41740,6082,'BandeSon','Tambours . \n'),(41741,6082,'Ecrits','\n'),(41742,6082,'_product_image_gallery',''),(41743,6083,'_pingme','1'),(41744,6083,'_encloseme','1'),(41745,6083,'Index','2880'),(41746,6083,'Minutage','36’13 \n'),(41747,6083,'Images','Au  ralenti  :  deux  clowns  parmi  une  foule  de  gens .  \n *La * *Strada * ( 1954 *), * Federico  Fellini . \n'),(41748,6083,'VoixOffIn','\n'),(41749,6083,'BandeSon','Silence . \n'),(41750,6083,'Ecrits','\n'),(41751,6083,'_product_image_gallery',''),(41752,6084,'_pingme','1'),(41753,6084,'_encloseme','1'),(41754,6084,'Index','2890'),(41755,6084,'Minutage','36’18 \n'),(41756,6084,'Images','Femme  au  bord  d\'une  rivière . \n *Pastorales * *Tahitiennes * ( 1893 ),  Paul  Gauguin .  Alternant ,  en  montage  clignotant  :  homme  l’observant  à  travers  une  vitre .  \n *Le * *Pré * *de * *Béjine * ( 1935 - 37 ),  Sergueï  Eisenstein .  En  alternance  :  femme  en  blanc  des  *Pastorales * *tahitiennes * ( 1892 ),  Paul  Gauguin . \n'),(41757,6084,'VoixOffIn','\n'),(41758,6084,'BandeSon','*Id* *.* \n'),(41759,6084,'Ecrits','\n'),(41760,6084,'_product_image_gallery',''),(41761,6085,'_pingme','1'),(41762,6085,'_encloseme','1'),(41763,6085,'Index','2900'),(41764,6085,'Minutage','36’22 \n'),(41765,6085,'Images','Saturé  :  homme  et  femme  marchant  entre  des  voitures  en  feu .  \n *Weekend * ( 1967 *), * Jean - Luc  Godard . \n'),(41766,6085,'VoixOffIn','C’est  qu’il  n’est  pas  \n \n'),(41767,6085,'BandeSon','*Choral * *pour * *orgue* *, * *BWV * *721 * («  *Aie * *pitié * *de * *moi * *Seigneur * »)  ( 1704 *), * Johann  Sebastian  Bach . \n'),(41768,6085,'Ecrits','\n'),(41769,6085,'_product_image_gallery',''),(41770,6086,'_pingme','1'),(41771,6086,'_encloseme','1'),(41772,6086,'Index','2910'),(41773,6086,'Minutage','36’27 \n'),(41774,6086,'Images','Noir . \n'),(41775,6086,'VoixOffIn','plus  permis  à  un  gouvernement \n qu’à  un  individu  d’être  un  assassin .  C’est  que  l’Europe  est  solidaire \n'),(41776,6086,'BandeSon','*Id* *.* \n'),(41777,6086,'Ecrits','\n'),(41778,6086,'_product_image_gallery',''),(41779,6087,'_pingme','1'),(41780,6087,'_encloseme','1'),(41781,6087,'Index','2920'),(41782,6087,'Minutage','36’32 \n'),(41783,6087,'Images','Femmes  décapitant  un  homme . \n * * *Judith * *tranchant * *la * *tête * *d’Holopherne * ( 1620 ),  Artemisia  Gentileschi . \n'),(41784,6087,'VoixOffIn','c’est  que  tout  ce  qui  se  fait  en  Europe \n est  fait  par  l’Europe \n'),(41785,6087,'BandeSon','*Id* *.* \n'),(41786,6087,'Ecrits','\n'),(41787,6087,'_product_image_gallery',''),(41788,6088,'_pingme','1'),(41789,6088,'_encloseme','1'),(41790,6088,'Index','2930'),(41791,6088,'Minutage','35’34 \n'),(41792,6088,'Images','Homme  pillant  un  cadavre . \n'),(41793,6088,'VoixOffIn','c’est  que \n s’il  existe  un  gouvernement  \n de  bêtes  fauves \n il  doit  être  traité  \n'),(41794,6088,'BandeSon','*Id* *.* \n'),(41795,6088,'Ecrits','\n'),(41796,6088,'_product_image_gallery',''),(41797,6089,'_pingme','1'),(41798,6089,'_encloseme','1'),(41799,6089,'Index','2940'),(41800,6089,'Minutage','36’41 \n'),(41801,6089,'Images','Homme  regardant  à  travers  une  caméra .  En  superposition  :  cadavre  d’homme  dans  la  rue . \n'),(41802,6089,'VoixOffIn','en  bête  fauve \n'),(41803,6089,'BandeSon','*Id* *.* \n'),(41804,6089,'Ecrits','\n'),(41805,6089,'_product_image_gallery',''),(41806,6090,'_pingme','1'),(41807,6090,'_encloseme','1'),(41808,6090,'Index','2950'),(41809,6090,'Minutage','36’44 \n'),(41810,6090,'Images','Homme  conduisant  une  voiture  à  toute  vitesse . \n *Dr* *. * *Mabuse* *, * *le * *joueur * ( 1922 *), * Fritz  Lang .  \n \n En  superposition  :  dessin  d\'homme .  *Combats * ( 1915 ),  Ernst  Ludwig  Kirchner .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41811,6090,'VoixOffIn','c’est  qu’à  l’heure  qu’il  est ,  tout  près  de  nous  là ,  sous  nos  yeux  on  massacre \n on  incendie \n on  pille \n on  extermine \n \n'),(41812,6090,'BandeSon','*Id* *.* \n'),(41813,6090,'Ecrits','\n'),(41814,6090,'_product_image_gallery',''),(41815,6091,'_pingme','1'),(41816,6091,'_encloseme','1'),(41817,6091,'Index','2960'),(41818,6091,'Minutage','36’49 \n'),(41819,6091,'Images','Noir . \n'),(41820,6091,'VoixOffIn','on  égorge  les  pères  et  les  mères \n on  vend  les  petites  filles  et  les  petits  garçons \n'),(41821,6091,'BandeSon','*Id* *.* \n'),(41822,6091,'Ecrits','\n'),(41823,6091,'_product_image_gallery',''),(41824,6092,'_pingme','1'),(41825,6092,'_encloseme','1'),(41826,6092,'Index','2970'),(41827,6092,'Minutage','36’52 \n \n'),(41828,6092,'Images','Femme  avec  une  tache  rouge  à  la  place  de  son  sexe  se  trouvant  situé  à  la  hauteur  de  la  bouche  d’un  Saturne  dont  le  croquis  se  superpose  au   dessin  en  clignotement  léger  comme  une  flamme  qui  va  s’éteindre ,  avec  une  femme  portant  une  torche  et  au  bras  levé .  \n *Lady * *Macbeth * *somnambule * ( 1781 - 84 ),  Johann  Heinrich  Füssli .  *Histoire* *(* *s* *) * *du * *cinéma * *3a* *, * Jean - Luc  Godard  ( 1889 - 99 ) \n'),(41829,6092,'VoixOffIn','on  vend  les  petites  filles  et  les  petits  garçons  \n \n'),(41830,6092,'BandeSon','*Id* *.* \n'),(41831,6092,'Ecrits','\n'),(41832,6092,'_product_image_gallery',''),(41833,6093,'_pingme','1'),(41834,6093,'_encloseme','1'),(41835,6093,'Index','2980'),(41836,6093,'Minutage','36’55 \n'),(41837,6093,'Images','Lady  Macbeth  id .  clignotement  id .  avec  deux  corps  pendus  à  un  arbre ,  des  taches  rouges  à  la  place  du  sexe  et  l’un  en  morceaux  accrochés  à  l’arbre  :  des  bras  tranchés  et  attachés  d’une  corde  à  une  branche ,  le  corps  pendu  par  les  jambes  et  la  tête  plantée  dans  une  branche .  \n *Bel * *exploit* *, * *avec * *des * *morts * ( dans  la  série  des   *Désastres * *de * *la * *guerre* *, * n .  39  ( 1810 - 1815 ),  Francisco  de  Goya .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1889 - 99 *), * Jean - Luc  Godard .  \n'),(41838,6093,'VoixOffIn','c’est  que  les  enfants  trop  petits  \n pour  être  vendus \n on  les  fend  d’un  coup  de  sabre \n \n'),(41839,6093,'BandeSon','*Id* *.* \n'),(41840,6093,'Ecrits','\n'),(41841,6093,'_product_image_gallery',''),(41842,6094,'_pingme','1'),(41843,6094,'_encloseme','1'),(41844,6094,'Index','2990'),(41845,6094,'Minutage','36’58 \n'),(41846,6094,'Images','Goya  id .  Clignotant  :  enfant  errant  dans  une  ville .  \n *Allemagne * *année * *zéro * ( 1948 ),  Roberto  Rossellini . \n'),(41847,6094,'VoixOffIn','c’est  qu’on  brûle  les  familles  dans  les  maisons \n'),(41848,6094,'BandeSon','*Id* *.* \n'),(41849,6094,'Ecrits','\n'),(41850,6094,'_product_image_gallery',''),(41851,6095,'_pingme','1'),(41852,6095,'_encloseme','1'),(41853,6095,'Index','3000'),(41854,6095,'Minutage','37’03 \n'),(41855,6095,'Images','Enfant  errant  dans  une  ville . \n *Allemagne * *année * *zéro * ( 1948 ),  Roberto  Rossellini . \n'),(41856,6095,'VoixOffIn','\n'),(41857,6095,'BandeSon','Silence . \n'),(41858,6095,'Ecrits','\n'),(41859,6095,'_product_image_gallery',''),(41860,6096,'_pingme','1'),(41861,6096,'_encloseme','1'),(41862,6096,'Index','3010'),(41863,6096,'Minutage','37’09 \n'),(41864,6096,'Images','Id .  Rossellini .  En  surimpression  :  homme  avec  une  tête  au  bout  d’un  pique .  *\n* Gravure  des  *Disparates * ( 1821 - 24 *), * Francisco  de  Goya .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1889 - 99 *), * Jean - Luc  Godard . \n'),(41865,6096,'VoixOffIn','de  sorte  qu’aux  vivants  qui  leur  ont  envoyé  le  carnage \n les  morts  envoient  la  peste ,  ce  qui  est  bien  fait \n nous  apprenons  aux  gouvernements  d’Europe \n ceci : \n c’est  qu’on  ouvre  les  femmes  grosses \n pour  leur  tuer  les  enfants  dans  les  entrailles \n'),(41866,6096,'BandeSon','*Choral * *pour * *orgue* *, * *BWV * *721 * *(« * *Aie * *pitié * *de * *moi * *Seigneur * *») * ( 1704 *), * Johann  Sebastian  Bach . \n'),(41867,6096,'Ecrits','Les  signes  parmi  nous . \n'),(41868,6096,'_product_image_gallery',''),(41869,6097,'_pingme','1'),(41870,6097,'_encloseme','1'),(41871,6097,'Index','3020'),(41872,6097,'Minutage','37’25 \n'),(41873,6097,'Images','Noir . \n'),(41874,6097,'VoixOffIn','c’est  qu’il  y  a  dans  les  places  publiques \n des  tas  de  squelettes .  ( Jean - Luc  Godard ) \n *Pour * *la * *Serbie * ( 1876 *), * Victor  Hugo . \n'),(41875,6097,'BandeSon','*Id* *.* \n'),(41876,6097,'Ecrits','\n'),(41877,6097,'_product_image_gallery',''),(41878,6098,'_pingme','1'),(41879,6098,'_encloseme','1'),(41880,6098,'Index','3030'),(41881,6098,'Minutage','37’27 \n'),(41882,6098,'Images','Chat  noir  descendant  les  escaliers  au  ralenti . \n *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(41883,6098,'VoixOffIn','Le  sort  de  la  France \n'),(41884,6098,'BandeSon','Silence . \n'),(41885,6098,'Ecrits','\n'),(41886,6098,'_product_image_gallery',''),(41887,6099,'_pingme','1'),(41888,6099,'_encloseme','1'),(41889,6099,'Index','3040'),(41890,6099,'Minutage','37’29 \n'),(41891,6099,'Images','Surexposé  :  homme  se  traînant  péniblement  vers  une  chaise .  \n *Docteur * *Jerry * *et * *Mister * *Love * ( 1963 ),  Jerry  Lewis . \n'),(41892,6099,'VoixOffIn','Suivait  celui  de  l’Amérique .  Comme  dans  les  contes  romantiques  allemandes ,  le  chat \n'),(41893,6099,'BandeSon','*Id* *.* \n'),(41894,6099,'Ecrits','\n'),(41895,6099,'_product_image_gallery',''),(41896,6100,'_pingme','1'),(41897,6100,'_encloseme','1'),(41898,6100,'Index','3050'),(41899,6100,'Minutage','37’37 \n'),(41900,6100,'Images','Noir . \n'),(41901,6100,'VoixOffIn','qui  éprouve  à  son  tour  les  amours \n'),(41902,6100,'BandeSon','*Id* *.* \n'),(41903,6100,'Ecrits','\n'),(41904,6100,'_product_image_gallery',''),(41905,6101,'_pingme','1'),(41906,6101,'_encloseme','1'),(41907,6101,'Index','3060'),(41908,6101,'Minutage','37’42 \n'),(41909,6101,'Images','Pieds  marchant  au  milieu  de  l\'eau .  \n *La * *couleur * *de * *la * *grenade * ( 1968 *), * Sergei  Parajanov . \n'),(41910,6101,'VoixOffIn','et  les  ambitions  de  son  maître  et  les  rend  dérisoires .  \n'),(41911,6101,'BandeSon','*Id* *.* \n'),(41912,6101,'Ecrits','\n'),(41913,6101,'_product_image_gallery',''),(41914,6102,'_pingme','1'),(41915,6102,'_encloseme','1'),(41916,6102,'Index','3070'),(41917,6102,'Minutage','37’44 \n'),(41918,6102,'Images','Pieds  marchant  dans  la  rue .  \n *Les * *Olvidados * ( 1950 *), * Luis  Buñuel . \n'),(41919,6102,'VoixOffIn','\n'),(41920,6102,'BandeSon','Cloche  d’enterrement .  \n'),(41921,6102,'Ecrits','\n'),(41922,6102,'_product_image_gallery',''),(41923,6103,'_pingme','1'),(41924,6103,'_encloseme','1'),(41925,6103,'Index','3080'),(41926,6103,'Minutage','37’46 \n'),(41927,6103,'Images','Photographie  de  Marilyn  Monroe .  \n *Histoire* *(* *s* *) * *du * *cinéma * *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41928,6103,'VoixOffIn','\n'),(41929,6103,'BandeSon','Silence . \n'),(41930,6103,'Ecrits','\n'),(41931,6103,'_product_image_gallery',''),(41932,6104,'_pingme','1'),(41933,6104,'_encloseme','1'),(41934,6104,'Index','3090'),(41935,6104,'Minutage','37’47 \n'),(41936,6104,'Images','Homme  et  jeune  femme  sous  la  pluie .  \n *Le * *premier * *maître * ( 1965 *), * Andreï  Kontchalovski .  *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(41937,6104,'VoixOffIn','\n'),(41938,6104,'BandeSon','*Id* *.* \n'),(41939,6104,'Ecrits','\n'),(41940,6104,'_product_image_gallery',''),(41941,6105,'_pingme','1'),(41942,6105,'_encloseme','1'),(41943,6105,'Index','3100'),(41944,6105,'Minutage','37’50 \n'),(41945,6105,'Images','Visage  de  femme  aux  mains  jointes  dans  un  geste  de  prière . En  tons  rouges  : \n détail  de  la  fresque  de  la  coupole  *San * *Antonio * *de * *la * *Florida * ( 1798 ),  Francisco  Goya .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41946,6105,'VoixOffIn','\n'),(41947,6105,'BandeSon','*Id* *.* \n'),(41948,6105,'Ecrits','\n'),(41949,6105,'_product_image_gallery',''),(41950,6106,'_pingme','1'),(41951,6106,'_encloseme','1'),(41952,6106,'Index','3110'),(41953,6106,'Minutage','37’51 \n'),(41954,6106,'Images','Jean - Luc  Godard  posant  les  mains  sur  un  exemplaire  de  *De * *la * *certitude * ( 1951 ),  Ludwig  Wittgenstein ,  puis  les  retirant .  En  dessous ,  un  autre  livre  de  la  Pléiade .  Sur  un  bureau ,  clés  et  marqueurs .  A  côté ,  *JLG* */* *JLG * ( 1995 ),  Jean - Luc  Godard .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41955,6106,'VoixOffIn','\n'),(41956,6106,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(41957,6106,'_product_image_gallery',''),(41958,6107,'_pingme','1'),(41959,6107,'_encloseme','1'),(41960,6107,'Index','3120'),(41961,6107,'Minutage','37’59 \n'),(41962,6107,'Images','Iris  :  détail ,  un  visage .  \n *Judith * *et * *Holopherne * ( 1820 - 23 *), * Francisco  de  Goya .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41963,6107,'VoixOffIn','-  Pourquoi  Sarajevo  ? \n -  On  dit  deux  cents  villages  brûlés \n il  n’y  en  a  que  quatre  vingt  dix  neuf \n ce  que  vous  appelez  la  peste \n n’est  que  le  typhus \n toutes  les  femmes  n’ont  pas  été  violées \n \n'),(41964,6107,'BandeSon','Cloche  d’enterrement  et  silence . \n'),(41965,6107,'Ecrits','Des  ténèbres \n'),(41966,6107,'_product_image_gallery',''),(41967,6108,'_pingme','1'),(41968,6108,'_encloseme','1'),(41969,6108,'Index','3130'),(41970,6108,'Minutage','38’10 \n'),(41971,6108,'Images','Noir . \n'),(41972,6108,'VoixOffIn','toutes  les  filles  n’ont  pas  été  vendues \n quelques - unes  ont  échappé \n on  a  châtré  les  prisonniers \n'),(41973,6108,'BandeSon','*Id* *.* \n'),(41974,6108,'Ecrits','\n'),(41975,6108,'_product_image_gallery',''),(41976,6109,'_pingme','1'),(41977,6109,'_encloseme','1'),(41978,6109,'Index','3140'),(41979,6109,'Minutage','38’15 \n'),(41980,6109,'Images','Détail  du  visage  d\'une  femme .  \n *Balcon * ( 1868 ),  Edouard  Manet .  *Histoire* *(* *s* *) * *du * *cinéma * *3a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(41981,6109,'VoixOffIn','mais  on  leur  a  aussi  coupé  la  tête … \n - Parce  que  la  Palestine \n -... à  la  pointe  d’une  baïonnette .  ( Jean - Luc  Godard ) \n *Pour * *la * *Serbie * ( 1876 *), * Victor  Hugo . \n'),(41982,6109,'BandeSon','*Id* *.* \n'),(41983,6109,'Ecrits','Je  sais  à  quoi  tu  penses \n'),(41984,6109,'_product_image_gallery',''),(41985,6110,'_pingme','1'),(41986,6110,'_encloseme','1'),(41987,6110,'Index','3150'),(41988,6110,'Minutage','38’27 \n'),(41989,6110,'Images','Noir . \n'),(41990,6110,'VoixOffIn','Et  cetera ,  et  cetera .  ( Jean - Luc  Godard ) \n'),(41991,6110,'BandeSon','Silence . \n'),(41992,6110,'Ecrits','\n'),(41993,6110,'_product_image_gallery',''),(41994,6111,'_pingme','1'),(41995,6111,'_encloseme','1'),(41996,6111,'Index','3160'),(41997,6111,'Minutage','38’31 \n'),(41998,6111,'Images','Quatrièmes  de  couverture  des  exemplaires  des  volumes  de  *l\'Esprit * *des * *lois * ( 1748 ),  Montesquieu . \n'),(41999,6111,'VoixOffIn','C\'est  en  cherchant  à  instruire  les  hommes ,  que  l\'on  peut  pratiquer  cette  vertu  générale  qui  comprend  l\'amour  de  tous .  L\'homme …  \n que  l\'on  peut  pratiquer  cette  vertu  générale  qui  comprend  l\'amour  de  tous . \n'),(42000,6111,'BandeSon','*Id* *.* \n'),(42001,6111,'Ecrits','\n'),(42002,6111,'_product_image_gallery',''),(42003,6112,'_pingme','1'),(42004,6112,'_encloseme','1'),(42005,6112,'Index','3170'),(42006,6112,'Minutage','38’58 \n'),(42007,6112,'Images','Hommes  encagoulés  de  blanc  sur  le  toit  d\'une  voiture  avec  une  croix  en  bois  sur  le  coffre . \n'),(42008,6112,'VoixOffIn','L\'homme ,  l’homme \n'),(42009,6112,'BandeSon','*Id* *.* \n'),(42010,6112,'Ecrits','\n'),(42011,6112,'_product_image_gallery',''),(42012,6113,'_pingme','1'),(42013,6113,'_encloseme','1'),(42014,6113,'Index','3180'),(42015,6113,'Minutage','39’00 \n'),(42016,6113,'Images','Au  ralenti  :  homme  ouvrant  un  canif  avec  sa  main .  \n *M * *le * *maudit * ( 1931 *), * Fritz  Lang .  *Histoire* *(* *s* *) * *du * *cinéma * *1a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42017,6113,'VoixOffIn','cet  être  flexible ,  se  pliant  dans  la  société  \n'),(42018,6113,'BandeSon','*Id* *.* \n'),(42019,6113,'Ecrits','\n'),(42020,6113,'_product_image_gallery',''),(42021,6114,'_pingme','1'),(42022,6114,'_encloseme','1'),(42023,6114,'Index','3190'),(42024,6114,'Minutage','39’07 \n'),(42025,6114,'Images','Homme  tenant  un  appareil  photo .  \n'),(42026,6114,'VoixOffIn','aux  pensées  \n'),(42027,6114,'BandeSon','*Id* *.* \n'),(42028,6114,'Ecrits','\n'),(42029,6114,'_product_image_gallery',''),(42030,6115,'_pingme','1'),(42031,6115,'_encloseme','1'),(42032,6115,'Index','3200'),(42033,6115,'Minutage','39’09 \n'),(42034,6115,'Images','Femme  mourant  dans  les  bras  d\'un  homme  et  s\'effondrant  sur  le  sol .  \n'),(42035,6115,'VoixOffIn','et  aux  impressions  des  autres ,  est  également  capable  de  comprendre  sa  propre  nature .  lorsqu\'on  la  lui  montre ,  et  d\'en  perdre  jusqu\'au  sentiment  lorsqu\'on  la  lui  dérobe .  ( Jean - Luc  Godard ). \n *L’esprit * *des * *lois* ( 1748 *), * Montesquieu . \n'),(42036,6115,'BandeSon','*Id* *.* \n'),(42037,6115,'Ecrits','\n'),(42038,6115,'_product_image_gallery',''),(42039,6116,'_pingme','1'),(42040,6116,'_encloseme','1'),(42041,6116,'Index','3210'),(42042,6116,'Minutage','39’30 \n'),(42043,6116,'Images','Homme  poussant  un  autre  homme  au  sol .  \n *Francesco* *, * *giullare * *di * *dio * ( 1950 *), * Roberto  Rossellini . \n'),(42044,6116,'VoixOffIn','\n'),(42045,6116,'BandeSon','*Id* *.* \n'),(42046,6116,'Ecrits','\n'),(42047,6116,'_product_image_gallery',''),(42048,6117,'_pingme','1'),(42049,6117,'_encloseme','1'),(42050,6117,'Index','3220'),(42051,6117,'Minutage','39’39 \n'),(42052,6117,'Images','Photographie  d\'un  réalisateur  regardant  à  travers  une  caméra  \n'),(42053,6117,'VoixOffIn','\n'),(42054,6117,'BandeSon','*Id* *.* \n'),(42055,6117,'Ecrits','\n'),(42056,6117,'_product_image_gallery',''),(42057,6118,'_pingme','1'),(42058,6118,'_encloseme','1'),(42059,6118,'Index','3230'),(42060,6118,'Minutage','39’46 \n'),(42061,6118,'Images','Saturé  et  ouverture  iris  entourée  de  noir  :  mains  d\'une  femme  avec  des  ciseaux  coupant  une  pellicule . \n'),(42062,6118,'VoixOffIn','- Books ? \n - Yeah ,  in  the  last  barrel \n - Books \n \n'),(42063,6118,'BandeSon','*Id* *.* \n'),(42064,6118,'Ecrits','\n'),(42065,6118,'_product_image_gallery',''),(42066,6119,'_pingme','1'),(42067,6119,'_encloseme','1'),(42068,6119,'Index','3240'),(42069,6119,'Minutage','39’48 \n'),(42070,6119,'Images','Homme  trouvant  un  livre  et  le  lisant ,  pendant  que  d\'autres  enfants  et  adultes  l\'entourent  avec  intérêt .  *\n* *Vers * *sa * *destinée * ( 1939 *), * John  Ford . \n'),(42071,6119,'VoixOffIn','-  That\'s  law . \n -  Law ,  I  know  that  book  was  about  somethin’ . \n - Hardly  a  thumb  mark  on  it  either .  \n - No  sir .  We  took  mighty  good  care  of  it .  Reckon  you  can  read  it ,  sir ?  \n - I  expect  I  could  make  heads  or  tails  out  of  it ,  if  I  set  my  mind  to  it .  \n \n'),(42072,6119,'BandeSon','*Id* *.* \n'),(42073,6119,'Ecrits','\n'),(42074,6119,'_product_image_gallery',''),(42075,6120,'_pingme','1'),(42076,6120,'_encloseme','1'),(42077,6120,'Index','3250'),(42078,6120,'Minutage','40’07 \n'),(42079,6120,'Images','Noir . \n'),(42080,6120,'VoixOffIn','\n'),(42081,6120,'BandeSon','*Id* *.* \n'),(42082,6120,'Ecrits','\n'),(42083,6120,'_product_image_gallery',''),(42084,6121,'_pingme','1'),(42085,6121,'_encloseme','1'),(42086,6121,'Index','3260'),(42087,6121,'Minutage','40’10 \n'),(42088,6121,'Images','Homme  allongé ,  les  jambes  contre  un  arbre ,  un  livre  à  la  main .  *\n* *Vers * *sa * *destinée * ( 1939 *), * John  Ford . \n'),(42089,6121,'VoixOffIn','A  bas  le  roi  ! \n Il  a  dix  femmes  dans  son  lit  pour  y  passer  de  folles  nuits .  A  Bas  le  roi  ! \n Vive  la  loi  !  Vive  la  loi  ! \n Vive  le  roi  !  Peut  contenter  d’une  traite .  A  bas  la  loi  ! \n *Chanson * *paillarde * *républicaine* *.* *\n*'),(42090,6121,'BandeSon','Accordéon ,  voix  féminine . \n'),(42091,6121,'Ecrits','\n'),(42092,6121,'_product_image_gallery',''),(42093,6122,'_pingme','1'),(42094,6122,'_encloseme','1'),(42095,6122,'Index','3270'),(42096,6122,'Minutage','40’32 \n'),(42097,6122,'Images','Homme  en  menaçant  et  poussant  un  autre  dans  des  escaliers .  \n *Le * *Chaos * ( 2007 *), * Youssef  Chahine . \n'),(42098,6122,'VoixOffIn','\n'),(42099,6122,'BandeSon','Silence . \n'),(42100,6122,'Ecrits','\n'),(42101,6122,'_product_image_gallery',''),(42102,6123,'_pingme','1'),(42103,6123,'_encloseme','1'),(42104,6123,'Index','3280'),(42105,6123,'Minutage','40’36 \n'),(42106,6123,'Images','Noir . \n'),(42107,6123,'VoixOffIn','\n'),(42108,6123,'BandeSon','*Id* *.* \n'),(42109,6123,'Ecrits','\n'),(42110,6123,'_product_image_gallery',''),(42111,6124,'_pingme','1'),(42112,6124,'_encloseme','1'),(42113,6124,'Index','3290'),(42114,6124,'Minutage','40’39 \n'),(42115,6124,'Images','Au  ralenti  :  homme  souriant ,  les  dents  découvertes .  \n *Freaks * ( 1939 ),  Tod  Browning .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42116,6124,'VoixOffIn','\n'),(42117,6124,'BandeSon','*Id* *.* \n'),(42118,6124,'Ecrits','\n'),(42119,6124,'_product_image_gallery',''),(42120,6125,'_pingme','1'),(42121,6125,'_encloseme','1'),(42122,6125,'Index','3300'),(42123,6125,'Minutage','40’44 \n'),(42124,6125,'Images','Femme  nue ,  homme  lui  lèchant  l’anus .  \n Extrait  d’un  film  pornographique .  \n *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42125,6125,'VoixOffIn','\n'),(42126,6125,'BandeSon','*Id* *.* \n'),(42127,6125,'Ecrits','\n'),(42128,6125,'_product_image_gallery',''),(42129,6126,'_pingme','1'),(42130,6126,'_encloseme','1'),(42131,6126,'Index','3310'),(42132,6126,'Minutage','40’51 \n \n \n'),(42133,6126,'Images','Homme  riant ,  et  se  couvrant  la  bouche  avec  la  main .  \n *Freaks * ( 1939 ),  Tod  Browning .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42134,6126,'VoixOffIn','\n'),(42135,6126,'BandeSon','*Id* *. * et  *Arcadiana* *, * *Op* *. * *12* *: * *IV* *. * *Et* *… * *(* *tango * *mortale* )  ( 1994 ),  Thomas  Adès . \n'),(42136,6126,'Ecrits','\n'),(42137,6126,'_product_image_gallery',''),(42138,6127,'_pingme','1'),(42139,6127,'_encloseme','1'),(42140,6127,'Index','3320'),(42141,6127,'Minutage','40’57 \n'),(42142,6127,'Images','Surexposé ,  en  noir  et  blanc  :  François  Truffaut . \n'),(42143,6127,'VoixOffIn','\n'),(42144,6127,'BandeSon','*Arcadiana* *, * *Op* *. * *12* *: * *IV* *. * *Et* *… * *(* *tango * *mortale* )  ( 1994 ),  Thomas  Adès . *\n*'),(42145,6127,'Ecrits','\n'),(42146,6127,'_product_image_gallery',''),(42147,6128,'_pingme','1'),(42148,6128,'_encloseme','1'),(42149,6128,'Index','3330'),(42150,6128,'Minutage','41’00 \n'),(42151,6128,'Images','Surexposé ,  en  noir  et  blanc  :  Jacques  Rivette . \n'),(42152,6128,'VoixOffIn','\n'),(42153,6128,'BandeSon','*Id* *.* \n'),(42154,6128,'Ecrits','\n'),(42155,6128,'_product_image_gallery',''),(42156,6129,'_pingme','1'),(42157,6129,'_encloseme','1'),(42158,6129,'Index','3340'),(42159,6129,'Minutage','41’04 \n'),(42160,6129,'Images','Surexposé ,  en  noir  et  blanc  :  Eric  Rohmer . \n'),(42161,6129,'VoixOffIn','On  sent  que  l’on  tombera .  Doit  tomber . \n Va  tomber . \n'),(42162,6129,'BandeSon','*Id* *.* \n'),(42163,6129,'Ecrits','\n'),(42164,6129,'_product_image_gallery',''),(42165,6130,'_pingme','1'),(42166,6130,'_encloseme','1'),(42167,6130,'Index','3350'),(42168,6130,'Minutage','41’08 \n'),(42169,6130,'Images','Noir . \n'),(42170,6130,'VoixOffIn','\n'),(42171,6130,'BandeSon','*Id* *.* \n'),(42172,6130,'Ecrits','le  secret  et  la  loi \n'),(42173,6130,'_product_image_gallery',''),(42174,6131,'_pingme','1'),(42175,6131,'_encloseme','1'),(42176,6131,'Index','3360'),(42177,6131,'Minutage','41’16 \n'),(42178,6131,'Images','Saturé  :  femme  attachée  à  un  poteau ,  et  brûlée  vive .  \n *Jeanne * *au * *bûcher * ( 1954 )  Roberto  Rossellini .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard .  \n'),(42179,6131,'VoixOffIn','\n'),(42180,6131,'BandeSon','*Id* *.* \n'),(42181,6131,'Ecrits','\n'),(42182,6131,'_product_image_gallery',''),(42183,6132,'_pingme','1'),(42184,6132,'_encloseme','1'),(42185,6132,'Index','3370'),(42186,6132,'Minutage','41’30 \n'),(42187,6132,'Images','Noir . \n'),(42188,6132,'VoixOffIn','\n'),(42189,6132,'BandeSon','*Id* *.* \n'),(42190,6132,'Ecrits','\n'),(42191,6132,'_product_image_gallery',''),(42192,6133,'_pingme','1'),(42193,6133,'_encloseme','1'),(42194,6133,'Index','3380'),(42195,6133,'Minutage','41’32  \n'),(42196,6133,'Images','Homme  marchant  sous  un  arbre . \n'),(42197,6133,'VoixOffIn','Qu’est - ce  que  cela  fait  ?  Tout  est  grâce .  Je  crois  qu’il  est  mort  presque  aussitôt .  ( Jean - Luc  Godard ).  \n *Journal * *d\'un * *curé * *de * *campagne * ( 1951 ),  Robert  Bresson . \n \n'),(42198,6133,'BandeSon','*Id* *. * \n'),(42199,6133,'Ecrits','\n'),(42200,6133,'_product_image_gallery',''),(42201,6134,'_pingme','1'),(42202,6134,'_encloseme','1'),(42203,6134,'Index','3390'),(42204,6134,'Minutage','41’37 \n'),(42205,6134,'Images','Chars  traversant  une  forêt . \n'),(42206,6134,'VoixOffIn','\n'),(42207,6134,'BandeSon','*Id* *.* \n'),(42208,6134,'Ecrits','\n'),(42209,6134,'_product_image_gallery',''),(42210,6135,'_pingme','1'),(42211,6135,'_encloseme','1'),(42212,6135,'Index','3400'),(42213,6135,'Minutage','41’41 \n'),(42214,6135,'Images','Noir . \n'),(42215,6135,'VoixOffIn','\n'),(42216,6135,'BandeSon','Silence . \n'),(42217,6135,'Ecrits','\n'),(42218,6135,'_product_image_gallery',''),(42219,6136,'_pingme','1'),(42220,6136,'_encloseme','1'),(42221,6136,'Index','3410'),(42222,6136,'Minutage','41’43 \n'),(42223,6136,'Images','Hommes  courbés  à  genoux  ponçant  un  parquet .  \n *Les * *Raboteurs * *de * *parquet * ( 1875 ),  Gustave  Caillebotte . \n'),(42224,6136,'VoixOffIn','Un  homme  que  la  justice  a  retranché  du  nombre  des  vivants  \n'),(42225,6136,'BandeSon','*Id* *.* \n'),(42226,6136,'Ecrits','\n'),(42227,6136,'_product_image_gallery',''),(42228,6137,'_pingme','1'),(42229,6137,'_encloseme','1'),(42230,6137,'Index','3420'),(42231,6137,'Minutage','41’47 \n'),(42232,6137,'Images','Homme  marchant  derrière  les  barreaux  d\'une  prison . \n *La * *faux * *coupable * ( 1956 *), * Alfred  Hitchcock . \n'),(42233,6137,'VoixOffIn','appartient  au  Parquet .  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( Jean - Luc  Godard ) *\n* *Scènes * *de * *la * *vie * *parisienne * ( 1820 ),  Honoré  Balzac . \n'),(42270,6141,'BandeSon','*Id* *.* \n'),(42271,6141,'Ecrits','\n'),(42272,6141,'_product_image_gallery',''),(42273,6142,'_pingme','1'),(42274,6142,'_encloseme','1'),(42275,6142,'Index','3470'),(42276,6142,'Minutage','42’10 \n'),(42277,6142,'Images','Homme  marchant  dans  un  long  couloir  obscure .  \n *La * *dame * *de * *Shanghai * ( 1948 *), * Orson  Welles .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42278,6142,'VoixOffIn','-  Ils  ont  vite  été  relâchés  dans  la  nature . \n -  Les  Clanton  et  les  Mclaury  ont  payé  leur  caution .  C’est  la  loi .  C’est  la  même  pour  eux  que  pour  toi  ou  moi .  \n -  Alors  il  y  a  quelque  chose  qui  cloche  dans  la  loi .  *\n* *Wyatt * *Earp * ( 1994 *), * Lawrence  Kasdan . \n'),(42279,6142,'BandeSon','*Id* *.* \n'),(42280,6142,'Ecrits','- Tais  toi  ! \n'),(42281,6142,'_product_image_gallery',''),(42282,6143,'_pingme','1'),(42283,6143,'_encloseme','1'),(42284,6143,'Index','3480'),(42285,6143,'Minutage','42’22 \n'),(42286,6143,'Images','Noir . \n'),(42287,6143,'VoixOffIn','*\n*'),(42288,6143,'BandeSon','*Insight * ( 2002 *), * Dobrinka  Tabakova . \n'),(42289,6143,'Ecrits','\n'),(42290,6143,'_product_image_gallery',''),(42291,6144,'_pingme','1'),(42292,6144,'_encloseme','1'),(42293,6144,'Index','3490'),(42294,6144,'Minutage','42’23 \n'),(42295,6144,'Images','Saturé  :  hommes  marchant  en  rang ,  les  mains  au - dessus  de  la  tête .  En  arrière - plan  :  fumée  d’incendie .  \n *Tout * *va * *bien * ( 1972 ),  Jean  Luc  Godard . \n'),(42296,6144,'VoixOffIn','\n'),(42297,6144,'BandeSon','*Id* *.* \n'),(42298,6144,'Ecrits','\n'),(42299,6144,'_product_image_gallery',''),(42300,6145,'_pingme','1'),(42301,6145,'_encloseme','1'),(42302,6145,'Index','3500'),(42303,6145,'Minutage','42’32 \n'),(42304,6145,'Images','Au  ralenti  :  homme  désignant  de  la  main  un  point  hors - champ .  \n *Alexandre * *Nevski * ( 1938 ),  Sergueï  Eisenstein  et  Dmitri  Vassiliev . \n'),(42305,6145,'VoixOffIn','\n'),(42306,6145,'BandeSon','*Id* *.* \n'),(42307,6145,'Ecrits','\n'),(42308,6145,'_product_image_gallery',''),(42309,6146,'_pingme','1'),(42310,6146,'_encloseme','1'),(42311,6146,'Index','3510'),(42312,6146,'Minutage','42’39 \n'),(42313,6146,'Images','Noir . \n'),(42314,6146,'VoixOffIn','\n'),(42315,6146,'BandeSon','*Id* *.* \n'),(42316,6146,'Ecrits','\n'),(42317,6146,'_product_image_gallery',''),(42318,6147,'_pingme','1'),(42319,6147,'_encloseme','1'),(42320,6147,'Index','3520'),(42321,6147,'Minutage','42’44 \n'),(42322,6147,'Images','Prisonnier  nu ,  assis  et  recroquevillé .  \n *Eau * *argentée* ,  *Syrie * *autoportrait * ( 2014 *), * Ossama  Mohammad  et  Wiam  Simav  Bedirxan . \n'),(42323,6147,'VoixOffIn','\n'),(42324,6147,'BandeSon','*Id* *.* \n'),(42325,6147,'Ecrits','\n'),(42326,6147,'_product_image_gallery',''),(42327,6148,'_pingme','1'),(42328,6148,'_encloseme','1'),(42329,6148,'Index','3530'),(42330,6148,'Minutage','42’52 \n'),(42331,6148,'Images','Femme  avec  un  foulard  autour  de  la  bouche  et  du  nez  regardant  à  travers  les  barreaux .  \n *Tout * *va * *bien * ( 1972 ),  Jean  Luc  Godard .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42332,6148,'VoixOffIn','\n'),(42333,6148,'BandeSon','*Id* *.* \n'),(42334,6148,'Ecrits','\n'),(42335,6148,'_product_image_gallery',''),(42336,6149,'_pingme','1'),(42337,6149,'_encloseme','1'),(42338,6149,'Index','3540'),(42339,6149,'Minutage','42’57 \n'),(42340,6149,'Images','Prisonnier  d\'un  camp  de  concentration  regardant  à  travers  la  fenêtre  d’un  train . \n *Nuit * *et * *brouillard * ( 1956 *), * Alain  Resnais .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42341,6149,'VoixOffIn','\n'),(42342,6149,'BandeSon','*Id* *.* \n'),(42343,6149,'Ecrits','\n'),(42344,6149,'_product_image_gallery',''),(42345,6150,'_pingme','1'),(42346,6150,'_encloseme','1'),(42347,6150,'Index','3550'),(42348,6150,'Minutage','42’59 \n'),(42349,6150,'Images','Soldats . \n'),(42350,6150,'VoixOffIn','\n'),(42351,6150,'BandeSon','*Id* *.* \n'),(42352,6150,'Ecrits','\n'),(42353,6150,'_product_image_gallery',''),(42354,6151,'_pingme','1'),(42355,6151,'_encloseme','1'),(42356,6151,'Index','3560'),(42357,6151,'Minutage','43’00 \n'),(42358,6151,'Images','Manifestation  appelant  à  la  grève  générale  diffusée  par  la  programme  télévisé  français  *C\'est * *dans * *l\'air* *.* *\n*'),(42359,6151,'VoixOffIn','Grève  générale , \n Jusqu’au  retrait  total .  ( 2x ) \n \n'),(42360,6151,'BandeSon','*Id* *.* \n'),(42361,6151,'Ecrits','\n'),(42362,6151,'_product_image_gallery',''),(42363,6152,'_pingme','1'),(42364,6152,'_encloseme','1'),(42365,6152,'Index','3570'),(42366,6152,'Minutage','43’04 \n'),(42367,6152,'Images','Homme  dans  l\'obscurité ,  le  menton  appuyé  sur  la  paume  de  la  main . \n *Fantômas * ( 1913 ),  Louis  Feuillade .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42368,6152,'VoixOffIn','-  Et  toujours  le  même  slogan ,  et  la  même  connerie . \n \n Tous  ensemble ,  tous  ensemble  ! \n'),(42369,6152,'BandeSon','*Id* *.* \n'),(42370,6152,'Ecrits','\n'),(42371,6152,'_product_image_gallery',''),(42372,6153,'_pingme','1'),(42373,6153,'_encloseme','1'),(42374,6153,'Index','3580'),(42375,6153,'Minutage','43’13 \n'),(42376,6153,'Images','Blanc \n'),(42377,6153,'VoixOffIn','Grève  générale  ! \n Tous  ensemble ,  tous  ensemble  ! \n Il  faut  que  ça  continue ,  il  faut  que  ça  continue  pour  faire  céder  ce  gouvernement .  ( Discours  de  François  Ruffin ) *\n*'),(42378,6153,'BandeSon','*Id* *.* \n'),(42379,6153,'Ecrits','la  société \n est  fondée \n sur  un  crime \n en  commun \n *La * *violence * *et * *le * *sacré * ( 1972 ),  René  Girard . \n'),(42380,6153,'_product_image_gallery',''),(42381,6154,'_pingme','1'),(42382,6154,'_encloseme','1'),(42383,6154,'Index','3590'),(42384,6154,'Minutage','43’20 \n'),(42385,6154,'Images','Homme  recourbé ,  la  tête  posée  sur  un  bloc  de  bois ,  condamné  à  mort ,  puis  décapité .  *Le * *procès * *de * *Charles * *I * ( 1963 *), * Guy  Lessertisseur . \n'),(42386,6154,'VoixOffIn','Souvenez - vous  !  ( Sigmund  Freud ) \n'),(42387,6154,'BandeSon','*Id* *.* \n'),(42388,6154,'Ecrits','\n'),(42389,6154,'_product_image_gallery',''),(42390,6155,'_pingme','1'),(42391,6155,'_encloseme','1'),(42392,6155,'Index','3600'),(42393,6155,'Minutage','43’35 \n'),(42394,6155,'Images','Au  ralenti  :  personnes  dans  le  procès  de  Nuremberg  ( 1945 - 46 ). \n'),(42395,6155,'VoixOffIn','\n'),(42396,6155,'BandeSon','Silence . \n'),(42397,6155,'Ecrits','\n'),(42398,6155,'_product_image_gallery',''),(42399,6156,'_pingme','1'),(42400,6156,'_encloseme','1'),(42401,6156,'Index','3610'),(42402,6156,'Minutage','43’46 \n'),(42403,6156,'Images','Noir . \n'),(42404,6156,'VoixOffIn','\n'),(42405,6156,'BandeSon','*Insight * ( 2002 *), * Dobrinka  Tabakova . \n'),(42406,6156,'Ecrits','\n'),(42407,6156,'_product_image_gallery',''),(42408,6157,'_pingme','1'),(42409,6157,'_encloseme','1'),(42410,6157,'Index','3620'),(42411,6157,'Minutage','43’50 \n'),(42412,6157,'Images','Saturé  et  surexposé  :  femme  et  fleurs  géantes .  \n *La * *Fée * *Libellule * ( 1908 ),  Georges  Méliès .  *Histoire* *(* *s* *) * *du * *cinéma * *2a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42413,6157,'VoixOffIn','\n'),(42414,6157,'BandeSon','*Id* *.* \n'),(42415,6157,'Ecrits','\n'),(42416,6157,'_product_image_gallery',''),(42417,6158,'_pingme','1'),(42418,6158,'_encloseme','1'),(42419,6158,'Index','3630'),(42420,6158,'Minutage','44’04 \n'),(42421,6158,'Images','Photographie  de   Marilyne  Monroe .  Iris  et  clignotant  :  corbeaux  s’envolant .  *Les * *Oiseaux * ( 1963 ),  Alfred  Hitchcock .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42422,6158,'VoixOffIn','Devenue  adulte ,  la  jeune  femme  se  méfiant  de  la  liberté  exagérée ,  dont  le  mot  souvent  répété  pourrait  faire  craindre  les  excès ,  tout  comme  elle  sera  hostile  à  la  république  \n'),(42423,6158,'BandeSon','*Id* *.* \n'),(42424,6158,'Ecrits','\n'),(42425,6158,'_product_image_gallery',''),(42426,6159,'_pingme','1'),(42427,6159,'_encloseme','1'),(42428,6159,'Index','3640'),(42429,6159,'Minutage','44’12 \n'),(42430,6159,'Images','Noir . \n'),(42431,6159,'VoixOffIn','\n'),(42432,6159,'BandeSon','*Id* *.* \n'),(42433,6159,'Ecrits','\n'),(42434,6159,'_product_image_gallery',''),(42435,6160,'_pingme','1'),(42436,6160,'_encloseme','1'),(42437,6160,'Index','3650'),(42438,6160,'Minutage','44’13 \n'),(42439,6160,'Images','Banc  de  montage .  Puis  en  surimpression  :  détail  de  *Gabrielle * *d\'Estrées * *et * *une * *de * *ses * *sœurs* \n ( 1594 *), * Anonyme ,  Ecole  Française .  La  bobine  est  aussi  grande  que  le  buste  de  la  femme  et  sa  pointe  ressemble  presque  à  celle  du  sein  de  la  femme .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42440,6160,'VoixOffIn','non  par  principe ,  mais  parce  que  l\'Europe  \n'),(42441,6160,'BandeSon','*Id* *. * et  silence . \n'),(42442,6160,'Ecrits','\n'),(42443,6160,'_product_image_gallery',''),(42444,6161,'_pingme','1'),(42445,6161,'_encloseme','1'),(42446,6161,'Index','3660'),(42447,6161,'Minutage','44’16 \n'),(42448,6161,'Images','Hommes  prononçant  un  discours  devant  une  foule ,  à  la  fin  du  XVII  siècle .  \n'),(42449,6161,'VoixOffIn','n\'a  pas  les  vertus  nécessaires .  ( Jean - Luc  Godard ). \n *Mémoire * *de * *la * *reine * *Hortense * ( 1831 *), * *Hortense * *de * *Beauharnais* . \n'),(42450,6161,'BandeSon','Silence . \n'),(42451,6161,'Ecrits','\n'),(42452,6161,'_product_image_gallery',''),(42453,6162,'_pingme','1'),(42454,6162,'_encloseme','1'),(42455,6162,'Index','3670'),(42456,6162,'Minutage','44’21 \n'),(42457,6162,'Images','Plusieurs  personnes  dansant  dans  une  salle .  *This * *Country\'s * *Going * *to * *War* ,  *Duck * *soup * ( 1933 ),  Leo  McCarey . \n'),(42458,6162,'VoixOffIn','\n'),(42459,6162,'BandeSon','Bande  son  de  *This * *Country\'s * *Going * *to * *War* ,  *Duck * *soup * ( 1933 ),  Leo  McCarey .  Et  voix  qui  chantent . \n'),(42460,6162,'Ecrits','\n'),(42461,6162,'_product_image_gallery',''),(42462,6163,'_pingme','1'),(42463,6163,'_encloseme','1'),(42464,6163,'Index','3680'),(42465,6163,'Minutage','44’24 \n'),(42466,6163,'Images','Noir . \n'),(42467,6163,'VoixOffIn','Les  rebels ,  c’est  vous  ?  Vous  vous  insurgez  contre  l’ordre \n'),(42468,6163,'BandeSon','Silence . \n'),(42469,6163,'Ecrits','t \n'),(42470,6163,'_product_image_gallery',''),(42471,6164,'_pingme','1'),(42472,6164,'_encloseme','1'),(42473,6164,'Index','3690'),(42474,6164,'Minutage','44’28 \n'),(42475,6164,'Images','Chat  se  retournant ,  l’air  terrifié .  Cartoon  de  Tex  Avery .  En  surimpression  :  texte .  *\n* *Histoire* *(* *s* *) * *du * *cinéma * *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42476,6164,'VoixOffIn','- Non ,  contre  les  privilèges  ! \n \n \n'),(42477,6164,'BandeSon','*Id* *.* *\n*'),(42478,6164,'Ecrits','montage \n inter \n dit  / \n par \n andré \n bazin \n'),(42479,6164,'_product_image_gallery',''),(42480,6165,'_pingme','1'),(42481,6165,'_encloseme','1'),(42482,6165,'Index','3700'),(42483,6165,'Minutage','44’34 \n'),(42484,6165,'Images','Adolescent  parlant  à  une  caméra ,  habillé  en  soldat  avec  un  foulard  sur  la  tête . \n'),(42485,6165,'VoixOffIn','Devant  nous  de  la  République \n L\'étendard … \n ( réécriture  de  *La * *Marseillaise* *, * paroles  de  l’Abbé  René  Charles  de  Lusson ) \n'),(42486,6165,'BandeSon','Voix  masculine  chantant  *La * *Marseillaise* *.* \n'),(42487,6165,'Ecrits','Et  je  vous  invite  à  égorger  les  mécréants \n'),(42488,6165,'_product_image_gallery',''),(42489,6166,'_pingme','1'),(42490,6166,'_encloseme','1'),(42491,6166,'Index','3710'),(42492,6166,'Minutage','44’37 \n'),(42493,6166,'Images','Adolescent  tirant  avec  une  arme  à  feu  sur  un  autre  dans  les  couloirs  d\'une  école *. * *\n* *Elephant * ( 2003 *), * Gus  Van  Sant . \n'),(42494,6166,'VoixOffIn','la  sensation  mentale  qu’il  éprouvait  depuis  quelques  temps ,  se  transforma  en  un  tourbillon  de  ténèbres \n'),(42495,6166,'BandeSon','Coup  de  mitraillette . \n'),(42496,6166,'Ecrits','\n'),(42497,6166,'_product_image_gallery',''),(42498,6167,'_pingme','1'),(42499,6167,'_encloseme','1'),(42500,6167,'Index','3720'),(42501,6167,'Minutage','44’41 \n'),(42502,6167,'Images','Noir . \n'),(42503,6167,'VoixOffIn','Les  pauvres  gens ,  ceux  pour  qui  j’avais  \n'),(42504,6167,'BandeSon','Silence . \n'),(42505,6167,'Ecrits','\n'),(42506,6167,'_product_image_gallery',''),(42507,6168,'_pingme','1'),(42508,6168,'_encloseme','1'),(42509,6168,'Index','3730'),(42510,6168,'Minutage','44’44 \n'),(42511,6168,'Images','Au  ralenti  :  femme  grimpant  dans  un  wagon  de  marchandises  d\'un  train  du  documentaire  *Shoah* *, * *les * *oubliés * *de * *l’histoire * ( 2014 *), * Véronique  Lagoarde - Ségot ,  par  la  chaîne  de  télévision  *Histoire* *.* *\n*'),(42512,6168,'VoixOffIn','Je  les  préfère  [ les  pauvres ] \n'),(42513,6168,'BandeSon','*Id* *.* \n'),(42514,6168,'Ecrits','\n'),(42515,6168,'_product_image_gallery',''),(42516,6169,'_pingme','1'),(42517,6169,'_encloseme','1'),(42518,6169,'Index','3740'),(42519,6169,'Minutage','44’50 \n'),(42520,6169,'Images','Dessin  :  femme ,  homme  et  deux  enfants  manipulant  une  lanterne  magique . \n *Histoire* *(* *s* *) * *du * *cinéma * *3b * ( 1988 - 98 *), * Jean - Luc  Godard . *\n*'),(42521,6169,'VoixOffIn','mais  uniquement  parce  qu\'ils  sont  les  vaincus .  ( Jean - Luc  Godard ) \n   *Les * *Conquérants * ( 1928 ),  André  Malraux . \n'),(42522,6169,'BandeSon','*Id* *.* \n'),(42523,6169,'Ecrits','\n'),(42524,6169,'_product_image_gallery',''),(42525,6170,'_pingme','1'),(42526,6170,'_encloseme','1'),(42527,6170,'Index','3750'),(42528,6170,'Minutage','44’55 \n'),(42529,6170,'Images','Gris \n'),(42530,6170,'VoixOffIn','\n'),(42531,6170,'BandeSon','*Id* *.* \n'),(42532,6170,'Ecrits','\n'),(42533,6170,'_product_image_gallery',''),(42534,6171,'_pingme','1'),(42535,6171,'_encloseme','1'),(42536,6171,'Index','3760'),(42537,6171,'Minutage','44’56 \n'),(42538,6171,'Images','Homme  avec  un  chapeau  mexicain  et  une  moustache ,  l\'air  en  colère . \n *Viva * *Villa* *! * ( 1934 ),  Jack  Conway . \n'),(42539,6171,'VoixOffIn','\n'),(42540,6171,'BandeSon','*\n*'),(42541,6171,'Ecrits','\n'),(42542,6171,'_product_image_gallery',''),(42543,6172,'_pingme','1'),(42544,6172,'_encloseme','1'),(42545,6172,'Index','3770'),(42546,6172,'Minutage','44’58 \n'),(42547,6172,'Images','Au  ralenti  :  Cavaliers  passant  au - dessus  d’un  jeune  homme  enterré  jusqu’aux  épaules .  \n *Que * *Viva * *Mexico * *! * ( 1931 - 1979 ),  Sergueï  Eisenstein . \n'),(42548,6172,'VoixOffIn','[ Bruit  d\'une  voiture  qui  freine  et  accélère ] \n Et  bien  des  fois  abandonné  cet  ouvrage \n'),(42549,6172,'BandeSon','Freinage  et  accélération  de  la  voiture . \n'),(42550,6172,'Ecrits','\n'),(42551,6172,'_product_image_gallery',''),(42552,6173,'_pingme','1'),(42553,6173,'_encloseme','1'),(42554,6173,'Index','3780'),(42555,6173,'Minutage','45’06 \n'),(42556,6173,'Images','Homme  passant  la  main  à  travers  le  feu  d’une  cheminée .  \n *Les * *visiteurs * *du * *soir * ( 1942 ),  Marcel  Carné . \n'),(42557,6173,'VoixOffIn','Je  suivais  mon  objet  sans  former  de  dessein  @  je  ne  connaissais  ni  les  règles  \n'),(42558,6173,'BandeSon','Silence . \n'),(42559,6173,'Ecrits','\n'),(42560,6173,'_product_image_gallery',''),(42561,6174,'_pingme','1'),(42562,6174,'_encloseme','1'),(42563,6174,'Index','3790'),(42564,6174,'Minutage','45’15 \n'),(42565,6174,'Images','Noir . \n'),(42566,6174,'VoixOffIn','ni  les  exceptions . \n'),(42567,6174,'BandeSon','*Id* *.* \n'),(42568,6174,'Ecrits','\n'),(42569,6174,'_product_image_gallery',''),(42570,6175,'_pingme','1'),(42571,6175,'_encloseme','1'),(42572,6175,'Index','3800'),(42573,6175,'Minutage','45’16 \n'),(42574,6175,'Images','Paysage  de  jour ,  paisible . \n   *JLG* */* *JLG * ( 1995 ),  Jean - Luc  Godard .  \n \n En  alternance  :  homme  à  cheval  semblant  mort ,  battu  par  le  vent .  \n *Nan * *of * *the * *Music * *Mountain * ( 1917 ),  G .  H .  Melford .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42575,6175,'VoixOffIn','Je  ne  trouvais  la  vérité  que  pour  la  perdre .  ( Jean - Luc  Godard ).  \n *L’Esprit * *des * *lois * ( 1887 ),  Montesquieu . \n \n'),(42576,6175,'BandeSon','*Id* *.* \n'),(42577,6175,'Ecrits','\n'),(42578,6175,'_product_image_gallery',''),(42579,6176,'_pingme','1'),(42580,6176,'_encloseme','1'),(42581,6176,'Index','3810'),(42582,6176,'Minutage','45’19 \n'),(42583,6176,'Images','Noir . \n'),(42584,6176,'VoixOffIn','Il  n’y  a  que  de  traits  noir .  *Histoire * *de * *l’art* ,  «  L’art  moderne  »,  I ,  ( 1921 ),  Elie  Faure ,. \n *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42585,6176,'BandeSon','*Id* *.* \n'),(42586,6176,'Ecrits','\n'),(42587,6176,'_product_image_gallery',''),(42588,6177,'_pingme','1'),(42589,6177,'_encloseme','1'),(42590,6177,'Index','3820'),(42591,6177,'Minutage','45’21 \n'),(42592,6177,'Images','Saturé  et  surexposé  en  tons  rouges  :  flammes  et  fumée  s\'élevant  à  l\'horizon . \n'),(42593,6177,'VoixOffIn','\n'),(42594,6177,'BandeSon','Violons .  Sergei  Sergeyevich  Prokofiev . \n'),(42595,6177,'Ecrits','\n'),(42596,6177,'_product_image_gallery',''),(42597,6178,'_pingme','1'),(42598,6178,'_encloseme','1'),(42599,6178,'Index','3830'),(42600,6178,'Minutage','45’28 \n'),(42601,6178,'Images','Noir . \n'),(42602,6178,'VoixOffIn','\n'),(42603,6178,'BandeSon','*Id* *.* \n'),(42604,6178,'Ecrits','\n'),(42605,6178,'_product_image_gallery',''),(42606,6179,'_pingme','1'),(42607,6179,'_encloseme','1'),(42608,6179,'Index','3840'),(42609,6179,'Minutage','45’30 \n'),(42610,6179,'Images','Couverture  du  livre  de  science - fiction . \n *La * *fin * *du * *A * ( 1984 *), * A .  E .  Van  Vogt . \n'),(42611,6179,'VoixOffIn','\n'),(42612,6179,'BandeSon','*Id* *.* \n'),(42613,6179,'Ecrits','\n'),(42614,6179,'_product_image_gallery',''),(42615,6180,'_pingme','1'),(42616,6180,'_encloseme','1'),(42617,6180,'Index','3850'),(42618,6180,'Minutage','45’37 \n'),(42619,6180,'Images','Écoliers  aux  bras  croisés ,  l\'air  sérieux .  \n Luis  Buñuel  ( 1932 ),  *Las * *Hurdes* .  *Liberté * *et * *Patrie * ( 2002 ),  Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(42620,6180,'VoixOffIn','-  Vous  êtes  un  drôle  de  pistolet ,  c\'est  ça  que  vous  vouliez  dire  à  la  tribune ,  pourquoi  vous  ne  l’avez  pas  dit  ?  \n'),(42621,6180,'BandeSon','*Id* *.* \n'),(42622,6180,'Ecrits','\n'),(42623,6180,'_product_image_gallery',''),(42624,6181,'_pingme','1'),(42625,6181,'_encloseme','1'),(42626,6181,'Index','3860'),(42627,6181,'Minutage','45’46 \n'),(42628,6181,'Images','Fragment  de  texte . \n'),(42629,6181,'VoixOffIn','-  Je  l\'ai  dit  mais  je  n\'ai  pas  su  me  faire  entendre . \n \n En  même  temps  :  Ce  qui  joue  ici ,  ce  n\'est  pas  seulement  cette  vision  rétrospective  des  choses  qui  considère  tout  le  passé  comme  préparant  le  fait  accompli .  \n'),(42630,6181,'BandeSon','Silence . \n'),(42631,6181,'Ecrits','plus  la  pein  la  la \n dans  la  boue  j \n plus  soif  la  lang \n se  referme  elle \n droite  à  présent  c’ \n l’image \n \n [ je  souris  encore  ce  n\'est  plus  la  peine  depuis  longtemps  ce  n\'est  plus  la  peine  la  langue  ressort  va  dans  la  boue  je  reste  comme  ça  plus  soif  la  langue  rentre  la  bouche  se  referme  elle  doit  faire  une  ligne  droite  à  présent  c\'est  fait  j\'ai  fait  l\'image ],  *Image * ( 1950 *), * Samuel  Beckett .  *Histoire* *(* *s* *) * *du * *cinéma * *1a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42632,6181,'_product_image_gallery',''),(42633,6182,'_pingme','1'),(42634,6182,'_encloseme','1'),(42635,6182,'Index','3870'),(42636,6182,'Minutage','45’51 \n'),(42637,6182,'Images','Au  ralenti  :  foule  se  pressant  et  tendant  les  mains .  \n *Metropolis * ( 1927 ),  Fritz  Lang .  *Histoire* *(* *s* *) * *du * *cinéma * *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42638,6182,'VoixOffIn','C’est  également  une  certaine  interférence  des  événements  qui  embrouille  tout .  ( Jean - Luc  Godard ).  \n *Guerre * *et * *Paix * ( 1867 *), * Léon  Tolstoï . \n   \n Les  phares ,  éteignez  les  phares !  \n *Nuit * *du * *carrefour * ( 1932 *), * Jean  Renoir . \n'),(42639,6182,'BandeSon','*Id* *.* \n'),(42640,6182,'Ecrits','\n'),(42641,6182,'_product_image_gallery',''),(42642,6183,'_pingme','1'),(42643,6183,'_encloseme','1'),(42644,6183,'Index','3880'),(42645,6183,'Minutage','46’00 \n'),(42646,6183,'Images','Noir . \n'),(42647,6183,'VoixOffIn','\n'),(42648,6183,'BandeSon','*Id* *.* \n'),(42649,6183,'Ecrits','\n'),(42650,6183,'_product_image_gallery',''),(42651,6184,'_pingme','1'),(42652,6184,'_encloseme','1'),(42653,6184,'Index','3890'),(42654,6184,'Minutage','46’02 \n'),(42655,6184,'Images','Femme  au  nez  en  sang  se  faisant  pousser  par  des  policiers  et  juge  parlant  animeusement .  \n *Vladimir * *et * *Rosa * ( 1971 *), * Jean - Luc  Godard . \n'),(42656,6184,'VoixOffIn','Politique ,  ça  veut  dire  quoi  politique ?! \n'),(42657,6184,'BandeSon','*Id* *.* \n'),(42658,6184,'Ecrits','\n'),(42659,6184,'_product_image_gallery',''),(42660,6185,'_pingme','1'),(42661,6185,'_encloseme','1'),(42662,6185,'Index','3900'),(42663,6185,'Minutage','46’03 \n'),(42664,6185,'Images','Juge  parlant  animeusement .  *\n* *Vent * *d’est * ( 1969 ),  Jean - Luc  Godard  et  Jean - Pierre  Gorin . \n'),(42665,6185,'VoixOffIn','\n'),(42666,6185,'BandeSon','*Id* *.* \n'),(42667,6185,'Ecrits','\n'),(42668,6185,'_product_image_gallery',''),(42669,6186,'_pingme','1'),(42670,6186,'_encloseme','1'),(42671,6186,'Index','3910'),(42672,6186,'Minutage','46’06 \n'),(42673,6186,'Images','Juge  en  hauteur ,  derrière  le  banc ,  dans  une  salle  d\'audience . \n *La * *terreur * *et * *la * *vertu * ( 1964 *), * Stellio  Lorenzi . \n'),(42674,6186,'VoixOffIn','Deux  discours  solennels  prononcés  par  un  homme  se  chevauchent .  \n \n Le  dieu  des  prêtres  est  différent  de  l’être  suprême .  Le  véritable  prêtre  de  l’être  suprême  c’est  la  nature ,  son  temple ,  l’univers ,  son  culte ,  la  vertu ,  ses  fêtes ,  la  joie  d’un  grand  peuple  rassemblé  sous  ses  yeux  pour  resserrer  les  doux  nœuds  de  la  fraternité  universelle  et  pour  lui  présenter  l’hommage  des  cœurs  sensibles  et  pures .  *Sur * *le * *rapport * *des * *idées * *religieuses * *et * *morales * *avec * *les * *principes * *républicains * *et * *sur * *les * *fêtes * *nationales * ( 1866 ),  Maximilien  de  Robespierre .  \n \n - Vous  devez  savoir ,  si  le  ressort  du  gouvernement  populaire  dans  la  paix  est  la  vertu .  En  temps  de  guerre ,  le  ressort  du  gouvernement  populaire  est  par  nécessité  la  terreur ,  mais  toujours  la  vertu ,  \n car  la  vertu  sans  la  terreur  est  impuissante ,  mais  la  terreur  sans  la  vertue  est  funeste .  *Sur * *les * *principes * *de * *morale * *politique * *qui * *doivent * *guider * *la * *Convention * *nationale * *dans * *l’administration * *intérieure * *de * *la * *République * ( 1794 *), * Maximilien  de  Robespierre . \n - Tout  cela  est  bel  et  bon  \n \n'),(42675,6186,'BandeSon','Applaudissements *.* \n'),(42676,6186,'Ecrits','\n'),(42677,6186,'_product_image_gallery',''),(42678,6187,'_pingme','1'),(42679,6187,'_encloseme','1'),(42680,6187,'Index','3920'),(42681,6187,'Minutage','46’24 \n'),(42682,6187,'Images','Couverture  d’un  exemplaire  de  *De * *l’Esprit * *des * *Lois * ( 1748 *), * Montesquieu . \n'),(42683,6187,'VoixOffIn','\n'),(42684,6187,'BandeSon','Applaudissements *.* \n'),(42685,6187,'Ecrits','\n'),(42686,6187,'_product_image_gallery',''),(42687,6188,'_pingme','1'),(42688,6188,'_encloseme','1'),(42689,6188,'Index','3930'),(42690,6188,'Minutage','46’27 \n'),(42691,6188,'Images','Surexposé  et  saturé  en  tons  rouge  :  photographie  des  manifestations  en  Grèce  ( 2015 ),  *Alkis * *Konstantinidis* . \n'),(42692,6188,'VoixOffIn','\n'),(42693,6188,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(42694,6188,'Ecrits','\n'),(42695,6188,'_product_image_gallery',''),(42696,6189,'_pingme','1'),(42697,6189,'_encloseme','1'),(42698,6189,'Index','3940'),(42699,6189,'Minutage','46’42 \n'),(42700,6189,'Images','Surexposée  et  saturé  en  tons  rouges  et  jaunes  :  presque  illisible . \n'),(42701,6189,'VoixOffIn','-  Qu’est - ce  qu’elle  dit  ?  J’entends  rien  ! \n \n'),(42702,6189,'BandeSon','*Id* *. * et  vagues \n'),(42703,6189,'Ecrits','\n'),(42704,6189,'_product_image_gallery',''),(42705,6190,'_pingme','1'),(42706,6190,'_encloseme','1'),(42707,6190,'Index','3950'),(42708,6190,'Minutage','46’52 \n'),(42709,6190,'Images','En  surimpression  :  défilement  d’une  pellicule  dans  un  iris .  Couple  au  projecteur .  \n *La * *Prison * ( 1949 *), * Ingmar  Bergman .  *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42710,6190,'VoixOffIn','-  Elle  dit  que  les  pauvres  sauveront  le  monde  \n *Notre * *Musique * ( 2004 *), * Jean - Luc  Godard . \n'),(42711,6190,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(42712,6190,'Ecrits','\n'),(42713,6190,'_product_image_gallery',''),(42714,6191,'_pingme','1'),(42715,6191,'_encloseme','1'),(42716,6191,'Index','3960'),(42717,6191,'Minutage','46’59 \n'),(42718,6191,'Images','Noir . \n'),(42719,6191,'VoixOffIn','\n'),(42720,6191,'BandeSon','*Id* *.* *\n*'),(42721,6191,'Ecrits','\n'),(42722,6191,'_product_image_gallery',''),(42723,6192,'_pingme','1'),(42724,6192,'_encloseme','1'),(42725,6192,'Index','3970'),(42726,6192,'Minutage','47’01 \n'),(42727,6192,'Images','Femme  mourant  dans  les  bras  d\'une  autre  femme  essayant  de  parler  à  un  homme  devant  elle  répétant  à  haute  voix  ce  qu\'il  entend *. * *\n* *Notre * *Musique * ( 2004 *), * Jean - Luc  Godard . \n'),(42728,6192,'VoixOffIn','Ils  ne  demanderont  rien  en  échange .  Ils  ne  savent  pas  le  prix  du  service  rendu .  Ils  feront  cette  colossale  affaire . \n \n'),(42729,6192,'BandeSon','Brusquement  :  silence . \n'),(42730,6192,'Ecrits','\n'),(42731,6192,'_product_image_gallery',''),(42732,6193,'_pingme','1'),(42733,6193,'_encloseme','1'),(42734,6193,'Index','3980'),(42735,6193,'Minutage','47’46 \n'),(42736,6193,'Images','Noir . \n'),(42737,6193,'VoixOffIn','Et … \n'),(42738,6193,'BandeSon','*Id* *.* \n'),(42739,6193,'Ecrits','\n'),(42740,6193,'_product_image_gallery',''),(42741,6194,'_pingme','1'),(42742,6194,'_encloseme','1'),(42743,6194,'Index','3990'),(42744,6194,'Minutage','47’50 \n'),(42745,6194,'Images','Femme  effrayée  à  la  vue  d\'un  monstre ,  puis  s’évanuissant .  \n *La * *belle * *et * *la * *bête * ( 1946 *), * Jean  Cocteau .  *Histoire* *(* *s* *) * *du * *cinéma * *2b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42746,6194,'VoixOffIn','Où  allez - vous  ? \n'),(42747,6194,'BandeSon','Bande  son  du  film  *La * *belle * *et * *la * *bête * ( 1946 *), * Jean  Cocteau . \n'),(42748,6194,'Ecrits','\n'),(42749,6194,'_product_image_gallery',''),(42750,6195,'_pingme','1'),(42751,6195,'_encloseme','1'),(42752,6195,'Index','4000'),(42753,6195,'Minutage','47’58 \n'),(42754,6195,'Images','Femme  avec  bâton  à  la  main  et  policier  avec  un  chapeau  saluant  le  publique .  \n *Un * *drame * *chez * *les * *fantoches * ( 1908 ),  Emile  Cohl . \n'),(42755,6195,'VoixOffIn','\n'),(42756,6195,'BandeSon','Silence . \n'),(42757,6195,'Ecrits','\n'),(42758,6195,'_product_image_gallery',''),(42759,6196,'_pingme','1'),(42760,6196,'_encloseme','1'),(42761,6196,'Index','4010'),(42762,6196,'Minutage','48’00 \n'),(42763,6196,'Images','Noir . \n'),(42764,6196,'VoixOffIn','\n'),(42765,6196,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(42766,6196,'Ecrits','\n'),(42767,6196,'_product_image_gallery',''),(42768,6197,'_pingme','1'),(42769,6197,'_encloseme','1'),(42770,6197,'Index','4020'),(42771,6197,'Minutage','48’02 \n'),(42772,6197,'Images','Noir . \n'),(42773,6197,'VoixOffIn','\n'),(42774,6197,'BandeSon','*Id* *.* \n'),(42775,6197,'Ecrits','5 \n LA  RÉGION  CENTRALE  \n ( Michael  Snow ,  1971 ) \n'),(42776,6197,'_product_image_gallery',''),(42777,6198,'_pingme','1'),(42778,6198,'_encloseme','1'),(42779,6198,'Index','4030'),(42780,6198,'Minutage','48’16 \r\n'),(42781,6198,'Images','Saturé  et  au  ralenti :  chemin  avec  des  pierres .  \r\n *La * *Région * *Centrale * ( 1971 ),  Michael  Snow . \r\n'),(42782,6198,'VoixOffIn','C’est  une  brève  histoire ,  que  celle  de  l’extinction  en  masse  des  espèces .  \r\n En  bref ,  le  plus  gros  des  dégradations  environnementales  d’aujourd’hui  est  le  fait  de  deux  groupes .  Le  milliard  le  plus  riche  et  le  milliard  le  plus  pauvre .  Les  plus  riches  détruisent  l’environnement  global  par  leur  surconsommation  rapide  des  ressources  et  leur  production  de  déchets .  Tandis  que  les  plus  pauvres  détruisent  leurs  ressources  par  nécessité  et  par  absence  de  choix . \r\n *Une * *brève * *histoire * *de * *l\'extinction * *en * *masse * *des * *espèces * ( 2010 ),  Franz  J . \r\n Broswimmer . \r\n'),(42783,6198,'BandeSon','Silence . \r\n'),(42784,6198,'Ecrits',''),(42785,6198,'_product_image_gallery',''),(42786,6199,'_pingme','1'),(42787,6199,'_encloseme','1'),(42788,6199,'Index','4040'),(42789,6199,'Minutage','48’58 \n'),(42790,6199,'Images','Saturé  et  surexposé  en  tons  rouges  et  jaunes  :  homme  assis . \n'),(42791,6199,'VoixOffIn','\n'),(42792,6199,'BandeSon','*Id* *.* \n'),(42793,6199,'Ecrits','\n'),(42794,6199,'_product_image_gallery',''),(42795,6200,'_pingme','1'),(42796,6200,'_encloseme','1'),(42797,6200,'Index','4050'),(42798,6200,'Minutage','49’00 \n'),(42799,6200,'Images','Saturé  et  surexposé  en  tons  bleus  :  presque  illisible . \n'),(42800,6200,'VoixOffIn','\n'),(42801,6200,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(42802,6200,'Ecrits','\n'),(42803,6200,'_product_image_gallery',''),(42804,6201,'_pingme','1'),(42805,6201,'_encloseme','1'),(42806,6201,'Index','4060'),(42807,6201,'Minutage','49’03 \n'),(42808,6201,'Images','Homme  portant  un  chapeau  haut  de  forme  et  tenant  une  loupe  devant  son  œil .  \n *Dossier * *Secret * [ *Mr * *Arkadin* ]  ( 1955 *), * Orson  Welles . \n'),(42809,6201,'VoixOffIn','\n'),(42810,6201,'BandeSon','Bande  son  de  *Dossier * *Secret * [ *Mr * *Arkadin* ]  ( 1955 *), * Orson  Welles . \n'),(42811,6201,'Ecrits','\n'),(42812,6201,'_product_image_gallery',''),(42813,6202,'_pingme','1'),(42814,6202,'_encloseme','1'),(42815,6202,'Index','4070'),(42816,6202,'Minutage','49’15 \n'),(42817,6202,'Images','Noir . \n'),(42818,6202,'VoixOffIn','\n'),(42819,6202,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(42820,6202,'Ecrits','Hommage \n A  la  Catalogne \n'),(42821,6202,'_product_image_gallery',''),(42822,6203,'_pingme','1'),(42823,6203,'_encloseme','1'),(42824,6203,'Index','4080'),(42825,6203,'Minutage','49’18 \n'),(42826,6203,'Images','Noir . \n'),(42827,6203,'VoixOffIn','\n'),(42828,6203,'BandeSon','*Id* *.* \n'),(42829,6203,'Ecrits','\n'),(42830,6203,'_product_image_gallery',''),(42831,6204,'_pingme','1'),(42832,6204,'_encloseme','1'),(42833,6204,'Index','4090'),(42834,6204,'Minutage','49’24 \n'),(42835,6204,'Images','Homme  tenant  d\'une  main  le  revers  de  sa  veste ,  remonté  jusqu\'au  cou .  \n *La * *terre * ( 1930 *), * Alexandre  Dovjenko . \n *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(42836,6204,'VoixOffIn','Et  pourtant  aimer  ceux  qui  sont  capable  de  faire  cela .  Etre  aimé  d\'eux  peut - être .  Qu\'attendre  de  plus  de  l\'amour  ?  Quelle  rage  de  leur  demander  encore  des  comptes .  Mais  lui  aussi  parlait  lentement .  Cet  amour  ne  t\'empêchait  pas  de  coucher  avec  ce  type ,  alors  que  tu  pensais  si  nous  étions  vivants . \n'),(42837,6204,'BandeSon','*Id* *.* \n'),(42838,6204,'Ecrits','\n'),(42839,6204,'_product_image_gallery',''),(42840,6205,'_pingme','1'),(42841,6205,'_encloseme','1'),(42842,6205,'Index','4100'),(42843,6205,'Minutage','50’03 \n'),(42844,6205,'Images','Femme  se  tenant  la  main  devant  la  bouche ,  l\'air  perdu  et  pensif .  \n *La * *terre * ( 1930 *), * Alexandre  Dovjenko .  *Liberté * *et * *patrie * ( 2002 *), * Jean - Luc  Godard  et  Anne - Marie  Miéville . \n'),(42845,6205,'VoixOffIn','Mais  nous  sommes  vivants  !  –  Vous  m\'interrogez  avec  quelque  chose  qui  n\'est  pas  vivant  en  vous  et  qui  cherche  en  moi  quelque  chose  qui  ne  peux  pas  vivre .  Cela  c’est  une  souffrance ,  c\'est  l\'angoisse ,  c\'est  l\'attente ,  lorsque  le  temps  est  toujours  de  trop  et  que  toutefois  le  temps  manque  au  temps ...  Dans  l’attente  le  temps  qui  permet  d’attendre  se  perd  pour  mieux  répondre  à  l’attente .  Et  l’attente  qui  a  lieu  dans  le  temps  ouvre  le  temps  à  l’absence  de  temps  où  il  n’y  a  pas  lieu  d’attendre .  ( Jean - Luc  Godard ). \n *L’attente* *, * *l’oubli * ( 1962 ),  Maurice  Blanchot .  \n'),(42846,6205,'BandeSon','Silence . \n'),(42847,6205,'Ecrits','\n'),(42848,6205,'_product_image_gallery',''),(42849,6206,'_pingme','1'),(42850,6206,'_encloseme','1'),(42851,6206,'Index','4110'),(42852,6206,'Minutage','50’58 \n'),(42853,6206,'Images','Noir . \n'),(42854,6206,'VoixOffIn','He  oui  Ninon ,  c’est  une  fille \n'),(42855,6206,'BandeSon','*Id* *.* \n'),(42856,6206,'Ecrits','\n'),(42857,6206,'_product_image_gallery',''),(42858,6207,'_pingme','1'),(42859,6207,'_encloseme','1'),(42860,6207,'Index','4120'),(42861,6207,'Minutage','51’00 \n'),(42862,6207,'Images','Mains  d\'un  vieil  homme  tournées  vers  le  haut . \n *Histoire* *(* *s* *) * *du * *cinéma * *1b* */* *4b * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42863,6207,'VoixOffIn','Il  y  a  les  cinq  doigts .  On  accomplirait  l’acte  rédempteur .  \n La  main .  ( Jean - Luc  Godard ). \n'),(42864,6207,'BandeSon','*Id* *.* \n'),(42865,6207,'Ecrits','\n'),(42866,6207,'_product_image_gallery',''),(42867,6208,'_pingme','1'),(42868,6208,'_encloseme','1'),(42869,6208,'Index','4130'),(42870,6208,'Minutage','51’09 \n'),(42871,6208,'Images','Dessin  de  main  tournée  vers  le  bas .  \n *Liberté * *et * *patrie* *, * Jean - Luc  Godard  et  Anne - Marie  Miéville  ( 2002 ). \n'),(42872,6208,'VoixOffIn','\n'),(42873,6208,'BandeSon','*Id* *.* \n'),(42874,6208,'Ecrits','\n'),(42875,6208,'_product_image_gallery',''),(42876,6209,'_pingme','1'),(42877,6209,'_encloseme','1'),(42878,6209,'Index','4140'),(42879,6209,'Minutage','51’12 \n'),(42880,6209,'Images','Main  d\'homme  reposant  sur  une  main  de  femme .  La  main  de  femme  repose  sur  une  épaule . \n'),(42881,6209,'VoixOffIn','\n'),(42882,6209,'BandeSon','*Id* *.* \n'),(42883,6209,'Ecrits','\n'),(42884,6209,'_product_image_gallery',''),(42885,6210,'_pingme','1'),(42886,6210,'_encloseme','1'),(42887,6210,'Index','4150'),(42888,6210,'Minutage','51’16 \n'),(42889,6210,'Images','Noir . \n'),(42890,6210,'VoixOffIn','Et  un  long  moment  après \n'),(42891,6210,'BandeSon','*Id* *.* \n'),(42892,6210,'Ecrits','\n'),(42893,6210,'_product_image_gallery',''),(42894,6211,'_pingme','1'),(42895,6211,'_encloseme','1'),(42896,6211,'Index','4160'),(42897,6211,'Minutage','51’20 \n'),(42898,6211,'Images','Dessin  de  Bécassine .  Caumery  et  Pinchon . \n'),(42899,6211,'VoixOffIn','Parce  que  les  histoires  que  l\'on  raconte  vont  moins  vite  que  les  actions  \n'),(42900,6211,'BandeSon','*Id* *.* \n'),(42901,6211,'Ecrits','\n'),(42902,6211,'_product_image_gallery',''),(42903,6212,'_pingme','1'),(42904,6212,'_encloseme','1'),(42905,6212,'Index','4170'),(42906,6212,'Minutage','51’29 \n'),(42907,6212,'Images','Noir . \n'),(42908,6212,'VoixOffIn','ne  s\'accomplissent  ( Jean - Luc  Godard ). \n'),(42909,6212,'BandeSon','*Id* *.* \n'),(42910,6212,'Ecrits','\n'),(42911,6212,'_product_image_gallery',''),(42912,6213,'_pingme','1'),(42913,6213,'_encloseme','1'),(42914,6213,'Index','4180'),(42915,6213,'Minutage','51’32 \n'),(42916,6213,'Images','Noir . \n'),(42917,6213,'VoixOffIn','\n'),(42918,6213,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(42919,6213,'Ecrits','\n'),(42920,6213,'_product_image_gallery',''),(42921,6214,'_pingme','1'),(42922,6214,'_encloseme','1'),(42923,6214,'Index','4190'),(42924,6214,'Minutage','51’35 \n'),(42925,6214,'Images','Femme  tenant  un  trousseau  de  clés  à  la  main  et  touchant  une  clé  sur  laquelle  est  écrit  «  unica  ». \n *Les * *Enchaînés* *, * [ *Notorious* ]  ( 1946 ),  Alfred  Hitchcock .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42926,6214,'VoixOffIn','\n'),(42927,6214,'BandeSon','*Id* *.* \n'),(42928,6214,'Ecrits','\n'),(42929,6214,'_product_image_gallery',''),(42930,6215,'_pingme','1'),(42931,6215,'_encloseme','1'),(42932,6215,'Index','4200'),(42933,6215,'Minutage','51’51 \n'),(42934,6215,'Images','La  femme  serrant  dans  ses  bras  un  homme  et ,  derrière  sa  tête ,  dérobant  une  clé  d’un  trousseau . \n *Les * *Enchaînés* *, * [ *Notorious* ]  ( 1946 ),  Alfred  Hitchcock .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(42935,6215,'VoixOffIn','\n'),(42936,6215,'BandeSon','*Id* *.* \n'),(42937,6215,'Ecrits','\n'),(42938,6215,'_product_image_gallery',''),(42939,6216,'_pingme','1'),(42940,6216,'_encloseme','1'),(42941,6216,'Index','4210'),(42942,6216,'Minutage','51’57 \r\n'),(42943,6216,'Images','Noir . \r\n'),(42944,6216,'VoixOffIn',''),(42945,6216,'BandeSon','Silence . \r\n'),(42946,6216,'Ecrits','SOUS  LES  YEUX \r\n DE  L’OCCIDENT \r\n'),(42947,6216,'_product_image_gallery',''),(42948,6217,'_pingme','1'),(42949,6217,'_encloseme','1'),(42950,6217,'Index','4220'),(42951,6217,'Minutage','51’59 \n'),(42952,6217,'Images','Homme  poussé  les  mains  derrière  le  dos  par  d\'autres  hommes .  Images  retransmises  dans  le  documentaire  \n *Shoah* *, * *les * *oubliés * *de * *l’histoire * ( 2014 *), * Véronique  Lagoarde - Ségot ,  par  la  chaîne  de  télévision  *Histoire* *.* \n'),(42953,6217,'VoixOffIn','\n'),(42954,6217,'BandeSon','Cris \n'),(42955,6217,'Ecrits','\n'),(42956,6217,'_product_image_gallery',''),(42957,6218,'_pingme','1'),(42958,6218,'_encloseme','1'),(42959,6218,'Index','4230'),(42960,6218,'Minutage','52’01 \n'),(42961,6218,'Images','Petite  fille  portant  un  nourrisson  sur  l\'épaule  et ,  à  côté  d\'elle ,  trois  autres  enfants ,  habillés  de  haillons .  \n *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(42962,6218,'VoixOffIn','\n'),(42963,6218,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n'),(42964,6218,'Ecrits','\n'),(42965,6218,'_product_image_gallery',''),(42966,6219,'_pingme','1'),(42967,6219,'_encloseme','1'),(42968,6219,'Index','4240'),(42969,6219,'Minutage','52’06 \n'),(42970,6219,'Images','Noir . \n'),(42971,6219,'VoixOffIn','\n'),(42972,6219,'BandeSon','*Id* *.* \n'),(42973,6219,'Ecrits','\n'),(42974,6219,'_product_image_gallery',''),(42975,6220,'_pingme','1'),(42976,6220,'_encloseme','1'),(42977,6220,'Index','4250'),(42978,6220,'Minutage','52’08 \n'),(42979,6220,'Images','Noir . \n'),(42980,6220,'VoixOffIn','Dans  un  roman , \n'),(42981,6220,'BandeSon','Arpèges  à  la  guitare .  *Raf * *Raf * ( 1991 *), * Anouar  Brahem  \n . \n'),(42982,6220,'Ecrits','HEUREUSE  ARABIE \n *L\'Arabie * *heureuse * *: * *souvenirs * *de * *voyages * *en * *Afrique * *et * *en * *Asie * ( 1860 *), * Alexandre  Dumas . \n'),(42983,6220,'_product_image_gallery',''),(42984,6221,'_pingme','1'),(42985,6221,'_encloseme','1'),(42986,6221,'Index','4260'),(42987,6221,'Minutage','52’10 \n'),(42988,6221,'Images','Saturé  :  enfant  sur  le  toit  d\'une  maison ,  vu  de  dos ,  regardant  le  reste  de  la  ville . \n'),(42989,6221,'VoixOffIn','Dans  un  roman  l\'intérêt ,  dans  le  pire  des  cas ,  vient  du  fait  que  \n'),(42990,6221,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 *), * Mieczysław  Weinberg . \n'),(42991,6221,'Ecrits','\n'),(42992,6221,'_product_image_gallery',''),(42993,6222,'_pingme','1'),(42994,6222,'_encloseme','1'),(42995,6222,'Index','4270'),(42996,6222,'Minutage','52’21 \n'),(42997,6222,'Images','Noir . \n'),(42998,6222,'VoixOffIn','très  souvent  les  situations  quelconques  \n'),(42999,6222,'BandeSon','*Id* *.* \n'),(43000,6222,'Ecrits','\n'),(43001,6222,'_product_image_gallery',''),(43002,6223,'_pingme','1'),(43003,6223,'_encloseme','1'),(43004,6223,'Index','4280'),(43005,6223,'Minutage','52’23 \n'),(43006,6223,'Images','Femme  tenant  à  la  main  une  clé .  \n *Meshes * *of * *afternoon * ( 1943 *), * Maya  Deren ,  Alexandr  Hackenschmied . \n \n'),(43007,6223,'VoixOffIn','ont  un  comportement  assez  \n'),(43008,6223,'BandeSon','*Id* *.* \n'),(43009,6223,'Ecrits','\n'),(43010,6223,'_product_image_gallery',''),(43011,6224,'_pingme','1'),(43012,6224,'_encloseme','1'),(43013,6224,'Index','4290'),(43014,6224,'Minutage','52’26 \n'),(43015,6224,'Images','Noir . \n'),(43016,6224,'VoixOffIn','proche  du  pire  des  cas . \n ( Jean - Luc  Godard ) \n'),(43017,6224,'BandeSon','Silence . \n'),(43018,6224,'Ecrits','LES  \n PARADIS \n PERDUS \n'),(43019,6224,'_product_image_gallery',''),(43020,6225,'_pingme','1'),(43021,6225,'_encloseme','1'),(43022,6225,'Index','4300'),(43023,6225,'Minutage','52’33 \n'),(43024,6225,'Images','Dessin  de  soldat  avec  une  épée  et  un  bouclier  orné  d\'un  croissant  et  d’une  étoile . \n'),(43025,6225,'VoixOffIn','\n'),(43026,6225,'BandeSon','Voix  féminine  chantant  en  arabe .  \n'),(43027,6225,'Ecrits','\n'),(43028,6225,'_product_image_gallery',''),(43029,6226,'_pingme','1'),(43030,6226,'_encloseme','1'),(43031,6226,'Index','4310'),(43032,6226,'Minutage','52’35 \n'),(43033,6226,'Images','Armée  avec  des  lances ,  des  épées  et  des  boucliers  en  marche .  \n *Constantinople* *, * Faruk  Aksoy ,  ( 2012 ). \n'),(43034,6226,'VoixOffIn','\n'),(43035,6226,'BandeSon','*Taabani * *Nibniou* *, * Hedi  Jouini  ( 1993 ). \n'),(43036,6226,'Ecrits','\n'),(43037,6226,'_product_image_gallery',''),(43038,6227,'_pingme','1'),(43039,6227,'_encloseme','1'),(43040,6227,'Index','4320'),(43041,6227,'Minutage','52’41 \n'),(43042,6227,'Images','Saturé  en  tons  rouge  :  homme  agenouillé  avec  un  drapeau  à  la  main . \n *Le * *visage * *de * *Dieu * ( 2014 *), * Bahram  Aloui . \n'),(43043,6227,'VoixOffIn','\n'),(43044,6227,'BandeSon','*Id* *.* \n'),(43045,6227,'Ecrits','\n'),(43046,6227,'_product_image_gallery',''),(43047,6228,'_pingme','1'),(43048,6228,'_encloseme','1'),(43049,6228,'Index','4330'),(43050,6228,'Minutage','52’45 \n'),(43051,6228,'Images','Tourné  en  noir  et  blanc  et  surexposé  :  photographie  de  Hosni  Moubarak ,  ancien  Président  de  la  République  arabe  d\'Égypte . \n'),(43052,6228,'VoixOffIn','Je  peux  mourir  tranquille \n ( Albert  Cossery ) \n'),(43053,6228,'BandeSon','Silence . \n'),(43054,6228,'Ecrits','\n'),(43055,6228,'_product_image_gallery',''),(43056,6229,'_pingme','1'),(43057,6229,'_encloseme','1'),(43058,6229,'Index','4340'),(43059,6229,'Minutage','52’47 \n'),(43060,6229,'Images','Homme  parlant  à  une  femme  vêtue  d\'une  tenue  traditionnelle  arabe .  \n *La * *bandera * ( 1935 *), * Julien  Duvivier . \n'),(43061,6229,'VoixOffIn','Te  souviens - tu  encore  comment  nous  entraînions  autrefois  notre  pensée .  Le  plus  souvent  nous  partions  d\'un  rêve .  ( Jean - Luc  Godard ) \n'),(43062,6229,'BandeSon','*Id* *.* \n'),(43063,6229,'Ecrits','\n'),(43064,6229,'_product_image_gallery',''),(43065,6230,'_pingme','1'),(43066,6230,'_encloseme','1'),(43067,6230,'Index','4350'),(43068,6230,'Minutage','52’54 \n'),(43069,6230,'Images','Jeune  homme  dormant  avec  un  keffieh .  En  surimpression  :  femmes  agées  dansant  et  jouant  cérémonieusement  de  la  musique  autour  d\'une  jeune  femme  à  la  poitrine  nue . \n'),(43070,6230,'VoixOffIn','Je  me  sens  toujours  très  bien  les  mains  dans  les  poches  même  si  j’ai  pas  un  sou . \n'),(43071,6230,'BandeSon','*Id* *.* \n'),(43072,6230,'Ecrits','\n'),(43073,6230,'_product_image_gallery',''),(43074,6231,'_pingme','1'),(43075,6231,'_encloseme','1'),(43076,6231,'Index','4360'),(43077,6231,'Minutage','52’58 \n'),(43078,6231,'Images','Photographie  en  noir  et  blanc  d’un  homme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos . \n'),(43079,6231,'VoixOffIn','Je  me  suis  toujours  senti  un  fils  de  roi . \n'),(43080,6231,'BandeSon','*Id* *.* \n'),(43081,6231,'Ecrits','\n'),(43082,6231,'_product_image_gallery',''),(43083,6232,'_pingme','1'),(43084,6232,'_encloseme','1'),(43085,6232,'Index','4370'),(43086,6232,'Minutage','53’01 \n'),(43087,6232,'Images','Homme  âgé  assis  avec  à  côté  de  lui  un  âne  portant  une  télévision  sur  son  dos . \n'),(43088,6232,'VoixOffIn','Mais  tous  les  égyptiens  se  sentent  un  peu  fils  de  roi . \n'),(43089,6232,'BandeSon','*Id* *.* \n'),(43090,6232,'Ecrits','\n'),(43091,6232,'_product_image_gallery',''),(43092,6233,'_pingme','1'),(43093,6233,'_encloseme','1'),(43094,6233,'Index','4380'),(43095,6233,'Minutage','53’04 \n'),(43096,6233,'Images','Saturé  en  tous  rouge  :  désert .  \n *The * *Thief * *of * *Baghdad * ( 1978 ),  Cline  Donner . \n'),(43097,6233,'VoixOffIn','\n'),(43098,6233,'BandeSon','Au  violon  :  musique  traditionnelle  arabe .  Personnes  discutant . \n'),(43099,6233,'Ecrits','\n'),(43100,6233,'_product_image_gallery',''),(43101,6234,'_pingme','1'),(43102,6234,'_encloseme','1'),(43103,6234,'Index','4390'),(43104,6234,'Minutage','53’07 \n'),(43105,6234,'Images','Saturé  en  tons  rouge  :  homme  portant  de  l’encens  fumant .  *\n* *Aladdin\'s * *magic * *lamp * ( 1967 *), * Boris  Rytsarev . \n'),(43106,6234,'VoixOffIn','L’orient  est  plus  philosophe  que  l’occident ,  \n'),(43107,6234,'BandeSon','*Id* *.* \n'),(43108,6234,'Ecrits','\n'),(43109,6234,'_product_image_gallery',''),(43110,6235,'_pingme','1'),(43111,6235,'_encloseme','1'),(43112,6235,'Index','4400'),(43113,6235,'Minutage','53’15 \n'),(43114,6235,'Images','Jeune  homme  et  jeune  femme  ayant  des  rapports  sexuels  la  nuit  dans  une  chambre .  *\n* *Il * *fiore * *delle * *mille * *e * *una * *notte * ( 1974 *), * Pier  Paolo  Pasolini . \n'),(43115,6235,'VoixOffIn','et  le  moindre  vanupieds  vous  dira  de  choses  extraordinaires \n'),(43116,6235,'BandeSon','*Id* *.* \n'),(43117,6235,'Ecrits','\n'),(43118,6235,'_product_image_gallery',''),(43119,6236,'_pingme','1'),(43120,6236,'_encloseme','1'),(43121,6236,'Index','4410'),(43122,6236,'Minutage','53’18 \n'),(43123,6236,'Images','Noir . \n'),(43124,6236,'VoixOffIn','Sur  la  vie ,  sur  le  monde .  Et  vous  entendez  chacun  est  philosophe \n'),(43125,6236,'BandeSon','*Id* *.* \n'),(43126,6236,'Ecrits','\n'),(43127,6236,'_product_image_gallery',''),(43128,6237,'_pingme','1'),(43129,6237,'_encloseme','1'),(43130,6237,'Index','4420'),(43131,6237,'Minutage','53’26 \n'),(43132,6237,'Images','Trois  personnes  sur  un  tapis  volant .  \n *Le * *voleur * *de * *Bagdad * ( 1924 *), * Raoul  Walsh . \n'),(43133,6237,'VoixOffIn','Parce  que  il  a  le  temps  de  réfléchir ,  de  penser ,  de  voir  le  monde  passer \n'),(43134,6237,'BandeSon','*Id* *.* \n'),(43135,6237,'Ecrits','\n'),(43136,6237,'_product_image_gallery',''),(43137,6238,'_pingme','1'),(43138,6238,'_encloseme','1'),(43139,6238,'Index','4430'),(43140,6238,'Minutage','53’29 \n'),(43141,6238,'Images','Armée  romaine  devant  les  murs  d\'une  ville  du  Moyen - Orient .  \n *Il * *Messia * ( 1975 *), * Roberto  Rossellini . \n'),(43142,6238,'VoixOffIn','En  occident \n ( Albert  Cossery ) \n'),(43143,6238,'BandeSon','*Id* *.* \n'),(43144,6238,'Ecrits','\n'),(43145,6238,'_product_image_gallery',''),(43146,6239,'_pingme','1'),(43147,6239,'_encloseme','1'),(43148,6239,'Index','4440'),(43149,6239,'Minutage','53’33 \n'),(43150,6239,'Images','Croisés  à  cheval  avec  des  armures  et  des  drapeaux  passant  sous  les  acclamations  de  la  foule .  \n *The * *Crusades * ( 1935 ),  Cecil  B  DeMille . \n'),(43151,6239,'VoixOffIn','\n'),(43152,6239,'BandeSon','Silence ,  puis  cris  d’acclamation *.* \n'),(43153,6239,'Ecrits','\n'),(43154,6239,'_product_image_gallery',''),(43155,6240,'_pingme','1'),(43156,6240,'_encloseme','1'),(43157,6240,'Index','4450'),(43158,6240,'Minutage','53’38 \n'),(43159,6240,'Images','Noir . \n'),(43160,6240,'VoixOffIn','\n'),(43161,6240,'BandeSon','*Id* *.* \n'),(43162,6240,'Ecrits','\n'),(43163,6240,'_product_image_gallery',''),(43164,6241,'_pingme','1'),(43165,6241,'_encloseme','1'),(43166,6241,'Index','4460'),(43167,6241,'Minutage','53’41 \n'),(43168,6241,'Images','Saturé  :  soldats  en  guerre .  \n *Adieu * *Bonaparte * ( 1985 *), * Youssef  Chahine . \n'),(43169,6241,'VoixOffIn','Arrêtez  !  Oh  le  con .  \n -  Vous  ne  savez  pas  qui  vous  êtes ,  vous  voyez  bien .  Le  christianisme ,  c’est  le  refus  de  se  connaître ,  c’est  la  mort  du  langage .  \n *Détective * ( 1985 *), * Jean - Luc  Godard . \n'),(43170,6241,'BandeSon','Tirs  au  pistolet ,  puis  klaxon . \n'),(43171,6241,'Ecrits','\n'),(43172,6241,'_product_image_gallery',''),(43173,6242,'_pingme','1'),(43174,6242,'_encloseme','1'),(43175,6242,'Index','4470'),(43176,6242,'Minutage','53’57 \n'),(43177,6242,'Images','Inscriptions  en  arabe  sur  fond  noir  du  film  *Socialisme * ( 2010 ),  Jean - Luc  Godard . \n'),(43178,6242,'VoixOffIn','Silence  je  vous  ai  dit . \n'),(43179,6242,'BandeSon','Silence . \n'),(43180,6242,'Ecrits','\n'),(43181,6242,'_product_image_gallery',''),(43182,6243,'_pingme','1'),(43183,6243,'_encloseme','1'),(43184,6243,'Index','4480'),(43185,6243,'Minutage','54’03 \n'),(43186,6243,'Images','Au  ralenti  :  femme  se  précipitant  pour  ramasser  un  tissu  et  s’en  couvrant  jusqu\'au  nez . \n'),(43187,6243,'VoixOffIn','Tout  à  coup ,  il  aperçut  à  l’horizon  derrière  Tunis ,  comme  des  brouillards  légers ,  qui  se  traînaient  contre  le  sol  @  \n'),(43188,6243,'BandeSon','*Id* *.* \n'),(43189,6243,'Ecrits','\n'),(43190,6243,'_product_image_gallery',''),(43191,6244,'_pingme','1'),(43192,6244,'_encloseme','1'),(43193,6244,'Index','4490'),(43194,6244,'Minutage','54’15 \n'),(43195,6244,'Images','Saturé  et  surexposé  :  personnages  presque  invisibles . \n'),(43196,6244,'VoixOffIn','puis  ce  fut  un  grand  rideau  de  poudre  grise  perpendiculairement  étalé ,  et ,  dans  les  tourbillons  \n'),(43197,6244,'BandeSon','*Id* *.* \n'),(43198,6244,'Ecrits','\n'),(43199,6244,'_product_image_gallery',''),(43200,6245,'_pingme','1'),(43201,6245,'_encloseme','1'),(43202,6245,'Index','4500'),(43203,6245,'Minutage','54’24 \n'),(43204,6245,'Images','Surexposé ,  et  saturé  en  tons  bleu  clair ,  rouges  et  verts  :  navire  voguant  dans  la  mer  et  drapeaux  qui  flottent  dans  le  vent . \n'),(43205,6245,'VoixOffIn','de  cette  masse  nombreuse ,  \n des  têtes  de  dromadaires ,  des  lances ,  \n'),(43206,6245,'BandeSon','*Id* *.* *\n*'),(43207,6245,'Ecrits','\n'),(43208,6245,'_product_image_gallery',''),(43209,6246,'_pingme','1'),(43210,6246,'_encloseme','1'),(43211,6246,'Index','4510'),(43212,6246,'Minutage','54’30 \n'),(43213,6246,'Images','Surexposé ,  en  noir  et  blanc  :  mer  avec  de  la  vapeur  flottant  au  loin  dans  l’air . \n'),(43214,6246,'VoixOffIn','des  boucliers  parurent .  C’était  l’armée  des  Barbares  qui  s’avançait  sur  Carthage .  \n'),(43215,6246,'BandeSon','*Id* *.* \n'),(43216,6246,'Ecrits','\n'),(43217,6246,'_product_image_gallery',''),(43218,6247,'_pingme','1'),(43219,6247,'_encloseme','1'),(43220,6247,'Index','4520'),(43221,6247,'Minutage','54’37 \n'),(43222,6247,'Images','Caravane  dans  le  désert .  \n *Il * *Messia * ( 1975 *), * Roberto  Rossellini . \n'),(43223,6247,'VoixOffIn','Oh  Salammbô .( Jean - Luc  Godard ). \n *Salammbô * ( 1862 ),  Gustave  Flaubert . \n'),(43224,6247,'BandeSon','*Aube * *rouge * *à * *Grozny * ( 2000 *), * Anouar  Trio  Brahem . \n'),(43225,6247,'Ecrits','\n'),(43226,6247,'_product_image_gallery',''),(43227,6248,'_pingme','1'),(43228,6248,'_encloseme','1'),(43229,6248,'Index','4530'),(43230,6248,'Minutage','55’07 \n'),(43231,6248,'Images','Noir . \n'),(43232,6248,'VoixOffIn','\n'),(43233,6248,'BandeSon','*Id* *.* \n'),(43234,6248,'Ecrits','\n'),(43235,6248,'_product_image_gallery',''),(43236,6249,'_pingme','1'),(43237,6249,'_encloseme','1'),(43238,6249,'Index','4540'),(43239,6249,'Minutage','55’11 \n'),(43240,6249,'Images','Saturé ,  au  ralenti  :  deux  mains  déboutonnant  une  robe  bleue .  \n *Méditerranée * ( 1963 ),  Jean  Daniel  Pollet . \n'),(43241,6249,'VoixOffIn','\n'),(43242,6249,'BandeSon','*Id* *.* \n'),(43243,6249,'Ecrits','\n'),(43244,6249,'_product_image_gallery',''),(43245,6250,'_pingme','1'),(43246,6250,'_encloseme','1'),(43247,6250,'Index','4550'),(43248,6250,'Minutage','55’33 \r\n'),(43249,6250,'Images','Noir . \r\n'),(43250,6250,'VoixOffIn','Dans  l’ombre  de  l’Occident . \r\n \r\n'),(43251,6250,'BandeSon','*Id* *.* \r\n'),(43252,6250,'Ecrits','CES  FLEURS \r\n                          PERDUES \r\n DANS  LE  VENT \r\n'),(43253,6250,'_product_image_gallery',''),(43254,6251,'_pingme','1'),(43255,6251,'_encloseme','1'),(43256,6251,'Index','4560'),(43257,6251,'Minutage','55’35 \n'),(43258,6251,'Images','Saturé  en  tons  jaunes  et  rouges  :  hommes  creusant  avec  des  pelles  dans  le  desert .  Groupe  d\'arabophones  essayant  d\'embarquer  sur  un  bateau  en  plein  désert .  \n *Les * *Baliseurs * *du * *désert * ( 1984 *), * Nacer  Khémir .  \n'),(43259,6251,'VoixOffIn','Il  est  certain  que  la  représentation ,  plus  particulièrement  l’acte  de  représenter  ( et  donc  de  réduire )  implique  presque  toujours \n'),(43260,6251,'BandeSon','*Id* *.* \n'),(43261,6251,'Ecrits','\n'),(43262,6251,'_product_image_gallery',''),(43263,6252,'_pingme','1'),(43264,6252,'_encloseme','1'),(43265,6252,'Index','4570'),(43266,6252,'Minutage','55’59 \n'),(43267,6252,'Images','Femme  nue  dans  dans  une  réplique  miniature  de  ville  du  Moyen - Orient ,  puis  capturée  par  un  homme  à  cheval  déguisé  en  soldat  croisé .  \n *Passion * ( 1982 *), * Jean - Luc  Godard . \n'),(43268,6252,'VoixOffIn','implique  presque  toujours  une  violence  envers  le  sujet  de  la  représentation .  ( Jean - Luc  Godard ).  *Dans * *l\'ombre * *de * *l\'Occident * *@ * *les * *Arabes * *peuvent* *-* *ils * *parler * *? * ( 2014 *), * Edward  W .  Saïd  et  Seloua  Luste  Boulbina . \n'),(43269,6252,'BandeSon','*Id* *.* \n'),(43270,6252,'Ecrits','\n'),(43271,6252,'_product_image_gallery',''),(43272,6253,'_pingme','1'),(43273,6253,'_encloseme','1'),(43274,6253,'Index','4580'),(43275,6253,'Minutage','56’02 \n'),(43276,6253,'Images','Au  ralenti ,  saturé  de  bleu  :  croisé  levant  l’épée  pour  frapper .  \n *Passion * ( 1982 *), * Jean - Luc  Godard . \n'),(43277,6253,'VoixOffIn','Il  y  a  \n'),(43278,6253,'BandeSon','*Id* *.* \n'),(43279,6253,'Ecrits','\n'),(43280,6253,'_product_image_gallery',''),(43281,6254,'_pingme','1'),(43282,6254,'_encloseme','1'),(43283,6254,'Index','4590'),(43284,6254,'Minutage','56’10 \n'),(43285,6254,'Images','Noir . \n'),(43286,6254,'VoixOffIn','un  réel  contraste  entre  la  violence  de  l’acte  de  représenter  et  le  calme  intérieur  de  la  représentation  elle - même .  ( Jean - Luc  Godard ).  *Dans * *l\'ombre * *de * *l\'Occident * *@ * *les * *Arabes * *peuvent* *-* *ils * *parler * *?(* 2014 *), * Edward  W .  Saïd  et  Seloua  Luste  Boulbina . \n'),(43287,6254,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(43288,6254,'Ecrits','\n'),(43289,6254,'_product_image_gallery',''),(43290,6255,'_pingme','1'),(43291,6255,'_encloseme','1'),(43292,6255,'Index','4600'),(43293,6255,'Minutage','56’22 \n'),(43294,6255,'Images','Saturé  :  film  en  couleur  pris  avec  une  petite  caméra  numérique  en  2016  d’une  ville  de  bord  de  mer  avec  un  homme  à  vélo .  Au  ralenti  :  deux  enfants  cherchant  quelque  chose  entre  les  rochers ,  les  pieds  dans  la  mer . \n'),(43295,6255,'VoixOffIn','\n'),(43296,6255,'BandeSon','Silence ,  et  vagues . \n'),(43297,6255,'Ecrits','\n'),(43298,6255,'_product_image_gallery',''),(43299,6256,'_pingme','1'),(43300,6256,'_encloseme','1'),(43301,6256,'Index','4610'),(43302,6256,'Minutage','56’40 \n'),(43303,6256,'Images','Foule  de  personnes  se  bousculant  dans  la  rue .  \n *De * *l’origine * *du * *XX * *siècle * ( 2000 *), * Jean . Luc  Godard . \n'),(43304,6256,'VoixOffIn','Ils  sont  pris  entre  “ salamalecs ”  et  “ charabia ”,  et  les  Arabes  n\'intéressent  pas  “ le  monde ”.  Les  musulmans  non  plus .  Si  l\'islam  retient  politiquement  l\'attention ,  le  “ monde  arabe ”  est  d’abord  décor  et  paysage .  \n'),(43305,6256,'BandeSon','Silence . \n'),(43306,6256,'Ecrits','\n'),(43307,6256,'_product_image_gallery',''),(43308,6257,'_pingme','1'),(43309,6257,'_encloseme','1'),(43310,6257,'Index','4620'),(43311,6257,'Minutage','57’09 \n'),(43312,6257,'Images','Deux  soldats  intimant  à  une  personne  de  lever  les  mains  et  de  faire  face  au  mur . \n'),(43313,6257,'VoixOffIn','Le  monde  arabe  s\'il  existe  en  tant  que  monde  n\'est  jamais  regardé  en  tant  que  tel .  \n'),(43314,6257,'BandeSon','*Id* *.* \n'),(43315,6257,'Ecrits','\n'),(43316,6257,'_product_image_gallery',''),(43317,6258,'_pingme','1'),(43318,6258,'_encloseme','1'),(43319,6258,'Index','4630'),(43320,6258,'Minutage','57’17 \n'),(43321,6258,'Images','De  nouveau ,  petite  fille  portant  un  bébé  sur  les  épaules ,  trois  autres  enfants  habillés  de  haillons  à  ses  côtés .  \n *De * *l’origine * *du * *XXI * *siècle * ( 2000 *), * Jean - Luc  Godard . \n'),(43322,6258,'VoixOffIn','Il  est  toujours  examiné  comme  un  ensemble  relativement  à  un  pays  du  moyen - orient .  *Dans * *l\'ombre * *de * *l\'Occident * *@ * *les * *Arabes * *peuvent* *-* *ils * *parler * *? * ( 2014 *), * Edward  W .  Saïd  et  Seloua  Luste  Boulbina . \n'),(43323,6258,'BandeSon','*Id* *.* \n'),(43324,6258,'Ecrits','\n'),(43325,6258,'_product_image_gallery',''),(43326,6259,'_pingme','1'),(43327,6259,'_encloseme','1'),(43328,6259,'Index','4640'),(43329,6259,'Minutage','57’19 \n'),(43330,6259,'Images','Noir . \n'),(43331,6259,'VoixOffIn','\n'),(43332,6259,'BandeSon','*Id* *.* \n'),(43333,6259,'Ecrits','\n'),(43334,6259,'_product_image_gallery',''),(43335,6260,'_pingme','1'),(43336,6260,'_encloseme','1'),(43337,6260,'Index','4650'),(43338,6260,'Minutage','57’23 \n'),(43339,6260,'Images','Jeune  femme  ramant  sur  un  lac ,  aidée  par  un  jeune  homme  assis  derrière  elle .  \n *Les * *Dernières * *vacances* ,  ( 1947 ),  Roger  Leenhardt *. * *Histoire* *(* *s* *) * *du * *cinéma * *4b * ( 1988 - 98 ),  Jean - Luc  Godard . \n'),(43340,6260,'VoixOffIn','Ces  citoyens ,  ces  amants  de  la  patrie ,  dans  l’excès  de  leur  passion ,  auraient  voulu  mourir  pour  elle \n'),(43341,6260,'BandeSon','*Id* *.* \n'),(43342,6260,'Ecrits','\n'),(43343,6260,'_product_image_gallery',''),(43344,6261,'_pingme','1'),(43345,6261,'_encloseme','1'),(43346,6261,'Index','4660'),(43347,6261,'Minutage','57’33 \n'),(43348,6261,'Images','Saturé  en  tons  bleus  :  homme  à  cheval  au  milieu  d\'un  paysage  vallonné .  \n *Paysage * *et * *cavalier* *, * aquarelle  réalisée  au  cours  du  trajet  Tanger - Meknès  ( 1832 *), * Eugène  Delacroix . \n'),(43349,6261,'VoixOffIn','et  ils  allaient  la  tuer .  \n *Histoire * *de * *la * *Révolution * *française * ( 1847 - 1853 ),  Jules  Michelet . \n \n Les  défauts \n \n \n'),(43350,6261,'BandeSon','*Id* *. * \n'),(43351,6261,'Ecrits','\n'),(43352,6261,'_product_image_gallery',''),(43353,6262,'_pingme','1'),(43354,6262,'_encloseme','1'),(43355,6262,'Index','4670'),(43356,6262,'Minutage','57’39 \n'),(43357,6262,'Images','Surexposé  :  autre  aquarelle  d’homme  au  turban  à  cheval  de  Eugène  Delacroix . \n'),(43358,6262,'VoixOffIn','Et  les  enjeux \n'),(43359,6262,'BandeSon','*Id* *.* \n'),(43360,6262,'Ecrits','\n'),(43361,6262,'_product_image_gallery',''),(43362,6263,'_pingme','1'),(43363,6263,'_encloseme','1'),(43364,6263,'Index','4680'),(43365,6263,'Minutage','57’42 \n \n \n'),(43366,6263,'Images','Femme  étendant  du  linge ,  autre  femme  se  lavant  au  bord  d\'un  ruisseau *. * *\n* *Femme * *qui * *se * *lave * *et * *sa * *servante * *Maures * ( 1854 ),  Eugene  Delacroix \n Peinture . \n'),(43367,6263,'VoixOffIn','Les  arabes ,  les  arabes  peuvent - ils  parler .  ( Jean - Luc  Godard ).  *Dans * *l\'ombre * *de * *l\'Occident * *@ * *les * *Arabes * *peuvent* *-* *ils * *parler * *? * ( 2014 *), * Edward  W .  Saïd  et  Seloua  Luste  Boulbina . \n'),(43368,6263,'BandeSon','*Id* *.* \n'),(43369,6263,'Ecrits','\n'),(43370,6263,'_product_image_gallery',''),(43371,6264,'_pingme','1'),(43372,6264,'_encloseme','1'),(43373,6264,'Index','4690'),(43374,6264,'Minutage','57’52 \n \n'),(43375,6264,'Images','Femme  interpellée  bruyamment  alors  qu\'elle  traverse  une  rue  dans  une  ville  du  Moyen - Orient ,  puis  se  retournant .  \n *Djamila * ( 1958 ),  Youssef  Chahine . \n'),(43376,6264,'VoixOffIn','Djamila ,  Djamila ! \n'),(43377,6264,'BandeSon','*Id* *.* \n'),(43378,6264,'Ecrits','\n'),(43379,6264,'_product_image_gallery',''),(43380,6265,'_pingme','1'),(43381,6265,'_encloseme','1'),(43382,6265,'Index','4700'),(43383,6265,'Minutage','57’58 \n'),(43384,6265,'Images','Jeune  homme  levant  les  mains  et  montrant  les  paumes ,  puis  plaçant  d’un  geste  lent  la  main  droite  sur  la  paume  gauche . \n *Les * *Baliseurs * *du * *désert* *, * Nacer  Khémir  ( 1984 ),  cité  dans  *Voyage * *à * *Tunis * ( 2007 *), * Bruno  Moll . \n \n'),(43385,6265,'VoixOffIn','Les  arabes  peuvent - ils  parler .  ( Jean - Luc  Godard ).  \n *Dans * *l\'ombre * *de * *l\'Occident * *@ * *les * *Arabes * *peuvent* *-* *ils * *parler * *? * ( 2014 ),  Edward  W .  Saïd  et  Seloua  Luste  Boulbina . \n \n À  demi - voix ,  d’une  voix  douce  et  faible  disant  de  grandes  choses  :  d’importantes ,  d’étonnantes ,  de  profondes  et  justes  choses ,  \n'),(43386,6265,'BandeSon','*Id* *.* \n'),(43387,6265,'Ecrits','\n'),(43388,6265,'_product_image_gallery',''),(43389,6266,'_pingme','1'),(43390,6266,'_encloseme','1'),(43391,6266,'Index','4710'),(43392,6266,'Minutage','58’16 \n'),(43393,6266,'Images','Homme  attrapant  une  colombe  et  la  sortant  de  sa  petite  maison  accrochée  au  mur . \n *Le * *collier * *perdu * *de * *la * *colombe * ( 1991 ),  Nacer  Khémir . \n \n'),(43394,6266,'VoixOffIn','d’une  voix  douce  et  faible .  La  menace  du  tonnerre ,  la  présence  d’absolus  dans  une  voix  de  rougegorge \n'),(43395,6266,'BandeSon','*Id* *.* \n'),(43396,6266,'Ecrits','\n'),(43397,6266,'_product_image_gallery',''),(43398,6267,'_pingme','1'),(43399,6267,'_encloseme','1'),(43400,6267,'Index','4720'),(43401,6267,'Minutage','58’27 \n'),(43402,6267,'Images','Saturé  :  homme  et  enfant  marchant  dans  le  désert .  \n *Bab\'Aziz* *, * *le * *prince * *qui * *contemplait * *son * *âme * ( 2005 *), * Nacer  Khémir ,  cité  dans  *Voyage * *à * *Tunis * ( 2007 *), * Bruno  Moll . \n'),(43403,6267,'VoixOffIn','dans  le  détail  fin  d’une  flûte ,  et  la  délicatesse  du  son  pur .  Tout  le  soleil  suggérait ,  au  moyen  d’un  demi - sourire  demie  voix ...  \n'),(43404,6267,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n'),(43405,6267,'Ecrits','\n'),(43406,6267,'_product_image_gallery',''),(43407,6268,'_pingme','1'),(43408,6268,'_encloseme','1'),(43409,6268,'Index','4730'),(43410,6268,'Minutage','58’36 \n'),(43411,6268,'Images','Homme  se  jetant  sur  une  robe  posée  sur  le  toit  d\'une  maison  de  terre  cuite  dans  une  ville  du  Moyen - Orient . \n *Il * *fiore * *delle * *mille * *e * *una * *notte * ( 1974 *), * Pier  Paolo  Pasolini . \n'),(43412,6268,'VoixOffIn','\n'),(43413,6268,'BandeSon','*Id* *.* \n'),(43414,6268,'Ecrits','\n'),(43415,6268,'_product_image_gallery',''),(43416,6269,'_pingme','1'),(43417,6269,'_encloseme','1'),(43418,6269,'Index','4740'),(43419,6269,'Minutage','58’44 \n'),(43420,6269,'Images','Saturé  :  maisons  se  reflétant  dans  l\'eau . \n'),(43421,6269,'VoixOffIn','Et  d’une  sorte  de  murmure  en  français  infiniment  pur . \n'),(43422,6269,'BandeSon','*Id* *.* \n'),(43423,6269,'Ecrits','\n'),(43424,6269,'_product_image_gallery',''),(43425,6270,'_pingme','1'),(43426,6270,'_encloseme','1'),(43427,6270,'Index','4750'),(43428,6270,'Minutage','58’55 \n \n'),(43429,6270,'Images','Au  ralenti  :  enfant  poussant  une  roue  de  voiture . \n'),(43430,6270,'VoixOffIn','Qui  n’eût  saisi  les  mots ,  qui  l’eût  ouï  à  quelque  distance ,  aurait  cru  qu’il  disait  des  riens .  Et  c’étaient  des  riens  pour  l’oreille ,  rassurée .  ( Julie  Delpy ).  \n *A * *propos * *de * *Stéphane * *Mallarmé* *. * *A * *demi* *-* *voix * ( 1939 *), * Paul  Valery . \n \n'),(43431,6270,'BandeSon','*Id* *.* \n'),(43432,6270,'Ecrits','\n'),(43433,6270,'_product_image_gallery',''),(43434,6271,'_pingme','1'),(43435,6271,'_encloseme','1'),(43436,6271,'Index','4760'),(43437,6271,'Minutage','59’04 \n'),(43438,6271,'Images','Tremblant  de  droite  à  gauche  :  ville  en  ruines  avec  des  soldats  cachés ,  armes  à  la  main . \n'),(43439,6271,'VoixOffIn','\n'),(43440,6271,'BandeSon','*Id* *.* *\n*'),(43441,6271,'Ecrits','\n'),(43442,6271,'_product_image_gallery',''),(43443,6272,'_pingme','1'),(43444,6272,'_encloseme','1'),(43445,6272,'Index','4770'),(43446,6272,'Minutage','59’10 \n'),(43447,6272,'Images','Surexposé  :  pinceau  projetant  de  l\'aquarelle  sur  une  feuille  de  papier . \n'),(43448,6272,'VoixOffIn','Mais  ce  contraste  et  cette  musique  cette  voix  ridant  l’air  à  peine  cette  puissance  chuchotée  ces  perspectives , \n'),(43449,6272,'BandeSon','*Id* *.* \n'),(43450,6272,'Ecrits','\n'),(43451,6272,'_product_image_gallery',''),(43452,6273,'_pingme','1'),(43453,6273,'_encloseme','1'),(43454,6273,'Index','4780'),(43455,6273,'Minutage','59’22 \n'),(43456,6273,'Images','Enfants  jouant  dans  la  rue ,  autres  enfants  avec  un  scooter  et  un  chat . \n'),(43457,6273,'VoixOffIn','ces  découvertes ,  ces  abîmes  et  ces  manœuvres  devinées  ce  sourire  congédiant  l’univers .  *Psaume * *sur * *une * *voix* ,  *Autres * *Rhumbs * ( 1927 ),  Paul  Valéry .  *Histoires * *du * *cinéma * *4a * ( 1989 - 99 *), * Jean - Luc  Godard . \n'),(43458,6273,'BandeSon','Voix  d’enfants . \n'),(43459,6273,'Ecrits','\n'),(43460,6273,'_product_image_gallery',''),(43461,6274,'_pingme','1'),(43462,6274,'_encloseme','1'),(43463,6274,'Index','4790'),(43464,6274,'Minutage','59’36 \n'),(43465,6274,'Images','Jeune  femme  parlant  au  téléphone  en  arabe ,  observée  par  un  homme  au  chapeau  de  prière  musulman  situé  derrière  la  vitre  d’une  cabine  téléphonique . \n *Gare * *Centrale * ( 1958 *), * Youssef  Chahine . \n'),(43466,6274,'VoixOffIn','Jeune  femme  [ traduction  du  dialecte  égyptien ]: \n Il  faut  que  je  vois .  Il  faut  que  je  te  vois ,  tu  as  été  absent  pendant  quatre  ans .  Je  m\'en  fiche .  Dis  leur  n\'importe  quoi .  Je  t\'attendrai  à  la  gare .  Mon  chéri ... \n'),(43467,6274,'BandeSon','Silence . \n'),(43468,6274,'Ecrits','\n'),(43469,6274,'_product_image_gallery',''),(43470,6275,'_pingme','1'),(43471,6275,'_encloseme','1'),(43472,6275,'Index','4800'),(43473,6275,'Minutage','59’57 \n'),(43474,6275,'Images','Noir . \n'),(43475,6275,'VoixOffIn','Voix  d\'un  enfant  criant  [ traduction  du  dialecte  palestinien ]:  \n Monsieur  le  juge ,  la  guerre  a  brûlé  mes  livres  ! \n *Histoires * *du * *cinéma * *4b * ( 1989 - 99 *), * Jean - Luc  Godard . \n \n Voix  d’homme  recitant  un  poème  du  poète  palestinien  Mahmoud  Darwich  en  arabe  [ traduction  de  l’arabe  classique ]:  \n Je  t\'ai  donné  un  instant .  Et  j\'ai  passé  un  moment .  Mais  ton  visage  n\'est  pas ...  et  ton  *kohl * [ un  maquillage  similaire  au  mascara ]  est  devenu  ciment .  Et  les  fusils .  J\'ai  eu  peur  de  la  mort  mais  j\'ai  souris .  J\'ai  porté  la  blessure  des  blessés  pour  un  instant .  Oh  mon  dieu ...  Je  t\'ai  cherché  sous  le  palmier .  On  l\'a  traîné ... \n'),(43476,6275,'BandeSon','*Id* *.* \n'),(43477,6275,'Ecrits','\n'),(43478,6275,'_product_image_gallery',''),(43479,6276,'_pingme','1'),(43480,6276,'_encloseme','1'),(43481,6276,'Index','4810'),(43482,6276,'Minutage','1h00’03 \n'),(43483,6276,'Images','Noir . \n'),(43484,6276,'VoixOffIn','\n'),(43485,6276,'BandeSon','*Id* *.* \n'),(43486,6276,'Ecrits','Peut - être \n Que  \n Dans \n Mille  et  un \n Jours \n \n Racontera  \n cela \n'),(43487,6276,'_product_image_gallery',''),(43488,6277,'_pingme','1'),(43489,6277,'_encloseme','1'),(43490,6277,'Index','4820'),(43491,6277,'Minutage','1h00’04 \n'),(43492,6277,'Images','Clignotant  :  deux  nouveaux  mots  s’ajoutent  au  texte  précédemment  affiché . \n *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard / Groupe  Dziga  Vertov . \n'),(43493,6277,'VoixOffIn','\n'),(43494,6277,'BandeSon','*Id* *.* \n'),(43495,6277,'Ecrits','Peut - être \n Que  \n Dans \n Mille  et  un \n Jours \n Scheherazade \n Racontera  \n Cela \n autrement \n'),(43496,6277,'_product_image_gallery',''),(43497,6278,'_pingme','1'),(43498,6278,'_encloseme','1'),(43499,6278,'Index','4830'),(43500,6278,'Minutage','1h00’09 \n'),(43501,6278,'Images','Photographie  d\'une  personne  morte  et  défigurée ,  au  crâne  fendu .  \n *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard / Groupe  Dziga  Vertov . \n'),(43502,6278,'VoixOffIn','\n'),(43503,6278,'BandeSon','*Id* *.* \n'),(43504,6278,'Ecrits','\n'),(43505,6278,'_product_image_gallery',''),(43506,6279,'_pingme','1'),(43507,6279,'_encloseme','1'),(43508,6279,'Index','4840'),(43509,6279,'Minutage','1h00’13 \n'),(43510,6279,'Images','Femme  parlant  devant  un  brasier .  Main  d\'une  autre  personne  s\'approchant  et  posant  l\'index  sur  sa  lèvre  inférieure .  \n *Les * *silences * *du * *passé * ( 1994 *), * Moufida  Tlatli . \n'),(43511,6279,'VoixOffIn','Voix  d\'un  homme  parlant  en  arabe .  *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard / Groupe  Dziga  Vertov . \n'),(43512,6279,'BandeSon','Coups  de  mitraillette .  *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard / Groupe  Dziga  Vertov . \n'),(43513,6279,'Ecrits','\n'),(43514,6279,'_product_image_gallery',''),(43515,6280,'_pingme','1'),(43516,6280,'_encloseme','1'),(43517,6280,'Index','4850'),(43518,6280,'Minutage','1h00’22 \n'),(43519,6280,'Images','De  nouveau ,  personne  morte  et  défigurée  au  crâne  fendu .  \n *Ici * *et * *ailleurs * ( 1976 *), * Jean - Luc  Godard / Groupe  Dziga  Vertov . \n'),(43520,6280,'VoixOffIn','*Id* *.* \n'),(43521,6280,'BandeSon','*Id* *.* \n'),(43522,6280,'Ecrits','\n'),(43523,6280,'_product_image_gallery',''),(43524,6281,'_pingme','1'),(43525,6281,'_encloseme','1'),(43526,6281,'Index','4860'),(43527,6281,'Minutage','1h00’31 \n'),(43528,6281,'Images','Saturé  :  cadavres  dans  un  paysage  désertique . \n'),(43529,6281,'VoixOffIn','*Id* *.* \n'),(43530,6281,'BandeSon','*Id* *.* \n'),(43531,6281,'Ecrits','\n'),(43532,6281,'_product_image_gallery',''),(43533,6282,'_pingme','1'),(43534,6282,'_encloseme','1'),(43535,6282,'Index','4870'),(43536,6282,'Minutage','1h00’41 \n'),(43537,6282,'Images','Saturé  en  tons  bleus  :  personne  nageant  dans  l\'eau . \n'),(43538,6282,'VoixOffIn','*Id* *.* \n'),(43539,6282,'BandeSon','*Id* *.* \n'),(43540,6282,'Ecrits','\n'),(43541,6282,'_product_image_gallery',''),(43542,6283,'_pingme','1'),(43543,6283,'_encloseme','1'),(43544,6283,'Index','4880'),(43545,6283,'Minutage','1h00’47 \n'),(43546,6283,'Images','Saturée  en  tons  verts  et  rouges  :  femmes  habillées  plongeant  dans  un  fleuve .  \n *La * *saison * *des * *hommes * ( 2002 ),  Moufida  Tlatli . \n'),(43547,6283,'VoixOffIn','*Id* *.* \n'),(43548,6283,'BandeSon','*Id* *.* \n'),(43549,6283,'Ecrits','\n'),(43550,6283,'_product_image_gallery',''),(43551,6284,'_pingme','1'),(43552,6284,'_encloseme','1'),(43553,6284,'Index','4890'),(43554,6284,'Minutage','1h00’54 \n'),(43555,6284,'Images','Livre  feuilleté  \n *L\'Arabie * *heureuse* *. * *Souvenirs * *de * *voyages * *en * *Afrique * *et * *en * *Asie * ( 1860 *), * Hadji - Abd - El - Hamid  Bey ,  publié  par  Alexandre  Dumas . \n'),(43556,6284,'VoixOffIn','Que  n’a - t - on  pas  écrit  la  nuit  ?  pourtant  de  ce  qui  fut  écrit  à  partir  de  ces  visions  par  Holderlin ,  Rimbaud .  \n \n \n'),(43557,6284,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(43558,6284,'Ecrits','\n'),(43559,6284,'_product_image_gallery',''),(43560,6285,'_pingme','1'),(43561,6285,'_encloseme','1'),(43562,6285,'Index','4900'),(43563,6285,'Minutage','1h01’06 \n'),(43564,6285,'Images','Noir . \n'),(43565,6285,'VoixOffIn','Nous  parlions  de  ce  qu’on  voit  dans  un  rêve \n Nous  nous  demandions  comment ,  dans  l’obscurité  totale  peuvent  surgir  parmi  nous  \n'),(43566,6285,'BandeSon','Voix  masculine  d’un  muezzin ,  en  arabe .  \n Puis ,  après  à  la  guitare .  *Thimar* *, * *6* *. * *Uns * ( 1998 ),  Anouar  Brahem ,  John  Surman ,  Dave  Holland .  \n'),(43567,6285,'Ecrits','\n'),(43568,6285,'_product_image_gallery',''),(43569,6286,'_pingme','1'),(43570,6286,'_encloseme','1'),(43571,6286,'Index','4910'),(43572,6286,'Minutage','1h01’18  \n'),(43573,6286,'Images','Saturé  :  aquarelle  représentant  un  homme  marchant  entre  des  maisons .  \n *Vue * *dans * *une * *ruelle * ( 1914 ),  August  Macke . \n'),(43574,6286,'VoixOffIn','de  couleurs  de  telle  intensité \n'),(43575,6286,'BandeSon','*Id* *.* \n'),(43576,6286,'Ecrits','\n'),(43577,6286,'_product_image_gallery',''),(43578,6287,'_pingme','1'),(43579,6287,'_encloseme','1'),(43580,6287,'Index','4920'),(43581,6287,'Minutage','1h01’20 \n'),(43582,6287,'Images','Mains  de  Godard  feuilletant  des  images ,  dont  un  dessin  stylisé  d’une  femme  en  robe  bleue .  \n *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 ),  Jean - Luc  Godard . \n'),(43583,6287,'VoixOffIn','Elles  sont  le  produit  de  notre  savoir  \n'),(43584,6287,'BandeSon','*Id* *.* \n'),(43585,6287,'Ecrits','\n'),(43586,6287,'_product_image_gallery',''),(43587,6288,'_pingme','1'),(43588,6288,'_encloseme','1'),(43589,6288,'Index','4930'),(43590,6288,'Minutage','1h01’23 \n'),(43591,6288,'Images','Aquarelle  de  femme  en  robe .  \n *Histoire* *(* *s* *) * *du * *cinéma * *1b * ( 1988 - 98 ),  Jean - Luc  Godard . \n'),(43592,6288,'VoixOffIn','concernant  la  lumière \n'),(43593,6288,'BandeSon','*Id* *.* \n'),(43594,6288,'Ecrits','\n'),(43595,6288,'_product_image_gallery',''),(43596,6289,'_pingme','1'),(43597,6289,'_encloseme','1'),(43598,6289,'Index','4940'),(43599,6289,'Minutage','1h01’25 \n'),(43600,6289,'Images','Homme  allongé  sur  un  lit  regardant  au  plafond  où  des  images  semblent  être  projetées . \n'),(43601,6289,'VoixOffIn','Le  savoir  voit  !  \n \n Le  contrepoint  est  une  discipline  de  la  superposition  des  lignes  mélodiques . \n'),(43602,6289,'BandeSon','*Concerto * *pour * *violon * *no * *2 * *en * *mi * *mineur* ,  *Op* *. * *64 * *(* *MWV * *O * *14* *) * ( 1844 ),  Félix  Mendelssohn . \n'),(43603,6289,'Ecrits','PASSEPORT \n VERS \n      LE  RÉEL \n'),(43604,6289,'_product_image_gallery',''),(43605,6290,'_pingme','1'),(43606,6290,'_encloseme','1'),(43607,6290,'Index','4950'),(43608,6290,'Minutage','1h01’35 \n'),(43609,6290,'Images','Noir . \n'),(43610,6290,'VoixOffIn','Les  mélodies  n’ont  pas  besoin  d’être  identiques \n'),(43611,6290,'BandeSon','*Id* *.* \n'),(43612,6290,'Ecrits','\n'),(43613,6290,'_product_image_gallery',''),(43614,6291,'_pingme','1'),(43615,6291,'_encloseme','1'),(43616,6291,'Index','4960'),(43617,6291,'Minutage','1h01’44 \n'),(43618,6291,'Images','Aquarelle  d\'un  âne  au  milieu  des  maisons .  \n *Vue * *sur * *une * *mosquée * ( 1914 ),  August  Macke . \n'),(43619,6291,'VoixOffIn','non  plus  que  parentes ,  étrangères  l\'une  à  l\'autre .  Elles  ne  font  pas  obstacle  à  la  composition  \n'),(43620,6291,'BandeSon','*Id* *.* \n'),(43621,6291,'Ecrits','\n'),(43622,6291,'_product_image_gallery',''),(43623,6292,'_pingme','1'),(43624,6292,'_encloseme','1'),(43625,6292,'Index','4970'),(43626,6292,'Minutage','1h01’49 \n'),(43627,6292,'Images','Noir . \n'),(43628,6292,'VoixOffIn','mais  il  faut  les  tenir  \n'),(43629,6292,'BandeSon','*Id* *.* \n'),(43630,6292,'Ecrits','\n'),(43631,6292,'_product_image_gallery',''),(43632,6293,'_pingme','1'),(43633,6293,'_encloseme','1'),(43634,6293,'Index','4980'),(43635,6293,'Minutage','1h01’53 \n'),(43636,6293,'Images','Photographie  d\'un  pinceau  posé  sur  une  feuille  peinte . \n'),(43637,6293,'VoixOffIn','toutes  les  deux  ensemble  et  en  même  temps .  Dans  l\'harmonie  les  accords  produisent  les  mélodies .  \n'),(43638,6293,'BandeSon','*Id* *. * et  silence . \n'),(43639,6293,'Ecrits','\n'),(43640,6293,'_product_image_gallery',''),(43641,6294,'_pingme','1'),(43642,6294,'_encloseme','1'),(43643,6294,'Index','4990'),(43644,6294,'Minutage','1h02’07 \n'),(43645,6294,'Images','Surexposé  et  en  tons  jaunes  :  trois  femmes  faisant  la  vaisselle  dans  des  bacs  de  fer  posés  à  même  le  sol .  \n *Tamaout * ( 1970 *), * Marc’o . \n'),(43646,6294,'VoixOffIn','Dans  le  contrepoint  ce  sont  des  mélodies  elles - mêmes  dont  dont  à  l\'inverse  résultent  les  accords .  ( Jean -  Luc  Godard ). \n'),(43647,6294,'BandeSon','*Id* *.* \n'),(43648,6294,'Ecrits','\n'),(43649,6294,'_product_image_gallery',''),(43650,6295,'_pingme','1'),(43651,6295,'_encloseme','1'),(43652,6295,'Index','5000'),(43653,6295,'Minutage','1h02’16 \n'),(43654,6295,'Images','Noir . \n'),(43655,6295,'VoixOffIn','\n'),(43656,6295,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 ),  Mieczysław  Weinberg . \n'),(43657,6295,'Ecrits','\n'),(43658,6295,'_product_image_gallery',''),(43659,6296,'_pingme','1'),(43660,6296,'_encloseme','1'),(43661,6296,'Index','5010'),(43662,6296,'Minutage','1h02’21 \n'),(43663,6296,'Images','Trois  filles  et  un  garçon  jouant  dans  une  piscine .  *\n* *Il * *fiore * *delle * *mille * *e * *una * *notte * ( 1974 *), * Pier  Paolo  Pasolini . \n'),(43664,6296,'VoixOffIn','\n'),(43665,6296,'BandeSon','*Id* *.* \n'),(43666,6296,'Ecrits','\n'),(43667,6296,'_product_image_gallery',''),(43668,6297,'_pingme','1'),(43669,6297,'_encloseme','1'),(43670,6297,'Index','5020'),(43671,6297,'Minutage','1h02’39 \n'),(43672,6297,'Images','Saturé  :  soleil  couchant  sur  la  mer . \n'),(43673,6297,'VoixOffIn','\n'),(43674,6297,'BandeSon','*Id* *.* \n'),(43675,6297,'Ecrits','\n'),(43676,6297,'_product_image_gallery',''),(43677,6298,'_pingme','1'),(43678,6298,'_encloseme','1'),(43679,6298,'Index','5030'),(43680,6298,'Minutage','1h02’48 \n'),(43681,6298,'Images','Noir . \n'),(43682,6298,'VoixOffIn','\n'),(43683,6298,'BandeSon','*Piano * *Quintet* *, * *Op* *. * *18 * *- * *4* *. * *Largo * ( 1944 *), * Mieczysław  Weinberg . \n \n'),(43684,6298,'Ecrits','HEUREUSE \n ARABIE \n \n *Hasards * *de * *l\'Arabie * *heureuse * ( 2005 ),  Frederic  Prokosch . \n'),(43685,6298,'_product_image_gallery',''),(43686,6299,'_pingme','1'),(43687,6299,'_encloseme','1'),(43688,6299,'Index','5040'),(43689,6299,'Minutage','1h02’55 \n'),(43690,6299,'Images','Saturé  et  surexposé  :  bateau  au  milieu  de  la  mer  et  pêcheurs . \n'),(43691,6299,'VoixOffIn','\n'),(43692,6299,'BandeSon','*Id* *.* \n'),(43693,6299,'Ecrits','\n'),(43694,6299,'_product_image_gallery',''),(43695,6300,'_pingme','1'),(43696,6300,'_encloseme','1'),(43697,6300,'Index','5050'),(43698,6300,'Minutage','1h03’08 \n'),(43699,6300,'Images','Femme  se  peingnant  les  mains  de  symboles  géométriques . \n'),(43700,6300,'VoixOffIn','\n'),(43701,6300,'BandeSon','*Id* *.* \n'),(43702,6300,'Ecrits','\n'),(43703,6300,'_product_image_gallery',''),(43704,6301,'_pingme','1'),(43705,6301,'_encloseme','1'),(43706,6301,'Index','5060'),(43707,6301,'Minutage','1h03’09 \n'),(43708,6301,'Images','Saturé  :  mer  ondulante  vue  d\'un  golfe . \n'),(43709,6301,'VoixOffIn','\n'),(43710,6301,'BandeSon','Silence ,  puis  vagues . \n'),(43711,6301,'Ecrits','\n'),(43712,6301,'_product_image_gallery',''),(43713,6302,'_pingme','1'),(43714,6302,'_encloseme','1'),(43715,6302,'Index','5070'),(43716,6302,'Minutage','1h03’41 \n'),(43717,6302,'Images','Noir . \n'),(43718,6302,'VoixOffIn','\n'),(43719,6302,'BandeSon','*Id* *. * et  silence . \n'),(43720,6302,'Ecrits','\n'),(43721,6302,'_product_image_gallery',''),(43722,6303,'_pingme','1'),(43723,6303,'_encloseme','1'),(43724,6303,'Index','5080'),(43725,6303,'Minutage','1h03’47 \n'),(43726,6303,'Images','Jeune  femme  pleurant  sur  une  plage ,  hommes  chantant  en  arabe  en  arrière - plan .  *La * *fièvre * ( 2014 ),  Safia  Benhaïm . \n'),(43727,6303,'VoixOffIn','\n'),(43728,6303,'BandeSon','Voix  masculines  accompagnées  d’instruments  à  percussions . \n'),(43729,6303,'Ecrits','\n'),(43730,6303,'_product_image_gallery',''),(43731,6304,'_pingme','1'),(43732,6304,'_encloseme','1'),(43733,6304,'Index','5090'),(43734,6304,'Minutage','1h03’57 \n'),(43735,6304,'Images','Noir . \n'),(43736,6304,'VoixOffIn','\n'),(43737,6304,'BandeSon','*Id* *.* \n'),(43738,6304,'Ecrits','\n'),(43739,6304,'_product_image_gallery',''),(43740,6305,'_pingme','1'),(43741,6305,'_encloseme','1'),(43742,6305,'Index','5100'),(43743,6305,'Minutage','1h03’58 \n'),(43744,6305,'Images','En  noir  et  blanc  :  bris  de  vitres  de  voitures .  \n *Djamila * ( 1958 ),  Youssef  Chahine . \n'),(43745,6305,'VoixOffIn','\n'),(43746,6305,'BandeSon','Explosion  et  vitres  cassées . \n'),(43747,6305,'Ecrits','\n'),(43748,6305,'_product_image_gallery',''),(43749,6306,'_pingme','1'),(43750,6306,'_encloseme','1'),(43751,6306,'Index','5110'),(43752,6306,'Minutage','1h04’00 \n'),(43753,6306,'Images','Femme  nue  s’alongeant  sur  un  homme  nu  sur  un  lit .  *\n* *Il * *fiore * *delle * *mille * *e * *una * *notte * ( 1974 *), * Pier  Paolo  Pasolini . \n'),(43754,6306,'VoixOffIn','\n'),(43755,6306,'BandeSon','Silence . \n'),(43756,6306,'Ecrits','\n'),(43757,6306,'_product_image_gallery',''),(43758,6307,'_pingme','1'),(43759,6307,'_encloseme','1'),(43760,6307,'Index','5120'),(43761,6307,'Minutage','1h04’05 \n'),(43762,6307,'Images','Femme  embrassant  les  pieds  d\'un  homme . \n'),(43763,6307,'VoixOffIn','\n'),(43764,6307,'BandeSon','*Id* *.* \n'),(43765,6307,'Ecrits','\n'),(43766,6307,'_product_image_gallery',''),(43767,6308,'_pingme','1'),(43768,6308,'_encloseme','1'),(43769,6308,'Index','5130'),(43770,6308,'Minutage','1h04’07 \n'),(43771,6308,'Images','Homme  marchant  sur  des  toits  de  maisons  au  moyen - 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Les  religions  du  livre  ont  forgé  nos  sociétés \n'),(43944,6327,'BandeSon','Silence . \n'),(43945,6327,'Ecrits','\n'),(43946,6327,'_product_image_gallery',''),(43947,6328,'_pingme','1'),(43948,6328,'_encloseme','1'),(43949,6328,'Index','5330'),(43950,6328,'Minutage','1h06’19 \n'),(43951,6328,'Images','Homme  sortant  d\'une  maison  en  pierre  et  en  saluant  d’autres  en  leur  tendant  la  main .  \n *Il * *fiore * *delle * *mille * *e * *una * *notte * ( 1974 *), * Pier  Paolo  Pasolini . \n'),(43952,6328,'VoixOffIn','et  nous  avons  sacralisé  les  textes . \n Tables  de  la  lois ,  dix  commencements ,  rouleaux  de  la   Torah ,  Bible ,  Coran  etc .  \n'),(43953,6328,'BandeSon','*Id* *.* \n'),(43954,6328,'Ecrits','\n'),(43955,6328,'_product_image_gallery',''),(43956,6329,'_pingme','1'),(43957,6329,'_encloseme','1'),(43958,6329,'Index','5340'),(43959,6329,'Minutage','1h06’36 \n'),(43960,6329,'Images','Noir . \n'),(43961,6329,'VoixOffIn','Il  fallait  ( Jean - Luc  Godard ) \n'),(43962,6329,'BandeSon','*Id* *.* \n'),(43963,6329,'Ecrits','\n'),(43964,6329,'_product_image_gallery',''),(43965,6330,'_pingme','1'),(43966,6330,'_encloseme','1'),(43967,6330,'Index','5350'),(43968,6330,'Minutage','1h06’38 \n'),(43969,6330,'Images','Peinte  à  la  main  sur  un  fond  noir  :  «  Le  Livre  d’\'  »  écrit  en  rouge  et  «  Image  »  écrit  en  blanc . \n'),(43970,6330,'VoixOffIn','\n'),(43971,6330,'BandeSon','*Id* *.* \n'),(43972,6330,'Ecrits','\n'),(43973,6330,'_product_image_gallery',''),(43974,6331,'_pingme','1'),(43975,6331,'_encloseme','1'),(43976,6331,'Index','5360'),(43977,6331,'Minutage','1h06’41 \n'),(43978,6331,'Images','Saturé  :  vidéo  prise  du  sommet  d\'une  montagne ,  montrant  la  mer .  Le  bruit  du  vent  perturbe  le  microphone . \n'),(43979,6331,'VoixOffIn','\n'),(43980,6331,'BandeSon','Vent . \n'),(43981,6331,'Ecrits','\n'),(43982,6331,'_product_image_gallery',''),(43983,6332,'_pingme','1'),(43984,6332,'_encloseme','1'),(43985,6332,'Index','5370'),(43986,6332,'Minutage','1h06’50 \n'),(43987,6332,'Images','En  noir  et  blanc  :  femme  dansant  tandis  que  des  hommes  et  des  femmes  assis  à  table  la  regardent .  \n *La * *mome * *vert * *de * *gris * ( 1953 *), * Bernard  borderie . \n'),(43988,6332,'VoixOffIn','Ici ,  à  Dofa ,  la  capitale  de  l\'Émirat ,  il  était  inconcevable  qu’un  mouvement  subversif  se  soit  constitué \n'),(43989,6332,'BandeSon','Silence . \n'),(43990,6332,'Ecrits','\n'),(43991,6332,'_product_image_gallery',''),(43992,6333,'_pingme','1'),(43993,6333,'_encloseme','1'),(43994,6333,'Index','5380'),(43995,6333,'Minutage','1h06’55 \n'),(43996,6333,'Images','Homme  et  enfant  entrant  dans  une  pièce  remplie  de  fumée  de  cigarette ,  où  de  nombreux  hommes  sont  assis  à  table  tout  en  regardant  un  écran ,  se  plaignant  de  la  main ,  et  à  haute - voix .  Ils  s’asseyent  à  table  et  commandent  de  la  nourriture  à  un  serveur . \n'),(43997,6333,'VoixOffIn','Vous  êtes  conscients  je  suppose  que  toutes  les  histoires  racontées  se  montrent  parties .  \n \n quelque  rumeur  autre  que  les  explosions \n'),(43998,6333,'BandeSon','*Id* *. * puis  voix  humaines . \n'),(43999,6333,'Ecrits','\n'),(44000,6333,'_product_image_gallery',''),(44001,6334,'_pingme','1'),(44002,6334,'_encloseme','1'),(44003,6334,'Index','5390'),(44004,6334,'Minutage','1h07’28 \n'),(44005,6334,'Images','Saturé  en  tons  jaunes  et  rouges ,  et  sous - exposé  :  puit  de  pétrole  en  flammes . \n'),(44006,6334,'VoixOffIn','En  effet  la  grande  puissance  impérialiste  qui  étendait  son  emprise  politique  sur  tous  les  États  du  Golfe  ne  s’intéressait  plus  à  Dofa  depuis  qu’il  était  clair  que  son  sous - sol  ne  renfermait  pas  de  pétrole . \n \n En  superposition  la  voix  de  Jean - Luc  Godard  :  un  gouvernement  assez  puissant  pour  donner  aux  gens  tout  ce  qu\'ils  veulent ,  \n'),(44007,6334,'BandeSon','Silence . \n'),(44008,6334,'Ecrits','\n'),(44009,6334,'_product_image_gallery',''),(44010,6335,'_pingme','1'),(44011,6335,'_encloseme','1'),(44012,6335,'Index','5400'),(44013,6335,'Minutage','1h07’50 \n'),(44014,6335,'Images','Homme  tirant  de  nuit  sur  des  fêtards  réunis  autour  d\'un  feu .  Fêtards  s\'enfuyant  à  la  vue  de  l\'homme . \n'),(44015,6335,'VoixOffIn','assez  puissant  pour  leur  prendre  tout  ce  qu’ils  ont . \n \n Les  frondeurs  irréductibles  de  l’ordre  établi  avaient  depuis  longtemps  renoncé  à  toute  action  brutale \n'),(44016,6335,'BandeSon','*Id* *. * puis  chants ,  coups  de  fusil  et  cris . \n'),(44017,6335,'Ecrits','\n'),(44018,6335,'_product_image_gallery',''),(44019,6336,'_pingme','1'),(44020,6336,'_encloseme','1'),(44021,6336,'Index','5410'),(44022,6336,'Minutage','1h08’13 \n'),(44023,6336,'Images','Sous - exposé ,  en  noir  et  blanc  :  personnes  autour  d\'un  feu . \n'),(44024,6336,'VoixOffIn','la  considérant  comme  inadéquate  dans  cet  oasis  misérable  \n'),(44025,6336,'BandeSon','Silence . \n'),(44026,6336,'Ecrits','\n'),(44027,6336,'_product_image_gallery',''),(44028,6337,'_pingme','1'),(44029,6337,'_encloseme','1'),(44030,6337,'Index','5420'),(44031,6337,'Minutage','1h08’21 \n'),(44032,6337,'Images','Noir . \n'),(44033,6337,'VoixOffIn','mais  où  régnait  une  paix  souveraine  \n'),(44034,6337,'BandeSon','*Id* *.* \n'),(44035,6337,'Ecrits','\n'),(44036,6337,'_product_image_gallery',''),(44037,6338,'_pingme','1'),(44038,6338,'_encloseme','1'),(44039,6338,'Index','5430'),(44040,6338,'Minutage','1h08’24 \n'),(44041,6338,'Images','Paysage  semi  désert ,  vu  d\'une  route . \n'),(44042,6338,'VoixOffIn','car ,  là  où  il  n\'y  a  rien ,  même  les  scélérats  se  résignent  à  l\'indigence .  ( Jean - Luc  Godard ).  \n *Une * *ambition * *dans * *le * *désert * ( 1984 ),  Albert  Cossery . \n'),(44043,6338,'BandeSon','*Id* *.* \n'),(44044,6338,'Ecrits','\n'),(44045,6338,'_product_image_gallery',''),(44046,6339,'_pingme','1'),(44047,6339,'_encloseme','1'),(44048,6339,'Index','5440'),(44049,6339,'Minutage','1h08’32 \n'),(44050,6339,'Images','Noir . \n'),(44051,6339,'VoixOffIn','\n'),(44052,6339,'BandeSon','*Id* *.* \n'),(44053,6339,'Ecrits','\n'),(44054,6339,'_product_image_gallery',''),(44055,6340,'_pingme','1'),(44056,6340,'_encloseme','1'),(44057,6340,'Index','5450'),(44058,6340,'Minutage','1h08’36 \n'),(44059,6340,'Images','Haut  et  bas  de  l’écran  noircis  pour  imiter  la  vision  d’une  personne  portant  une  burqa .  Au  milieu  de  l’écran ,  à  travers  la  fente  :  femmes  marchant  couvertes  d’une  burqa . \n'),(44060,6340,'VoixOffIn','\n'),(44061,6340,'BandeSon','A  la  guitare  :  arpèges . \n'),(44062,6340,'Ecrits','\n'),(44063,6340,'_product_image_gallery',''),(44064,6341,'_pingme','1'),(44065,6341,'_encloseme','1'),(44066,6341,'Index','5460'),(44067,6341,'Minutage','1h08’52 \n'),(44068,6341,'Images','Noir . \n'),(44069,6341,'VoixOffIn','\n'),(44070,6341,'BandeSon','*Id* *.* \n'),(44071,6341,'Ecrits','\n'),(44072,6341,'_product_image_gallery',''),(44073,6342,'_pingme','1'),(44074,6342,'_encloseme','1'),(44075,6342,'Index','5470'),(44076,6342,'Minutage','1h08’55 \n'),(44077,6342,'Images','Visage  d\'une  femme  chantant  en  arabe . \n'),(44078,6342,'VoixOffIn','\n'),(44079,6342,'BandeSon','Voix  féminine ,  en  arabe . \n'),(44080,6342,'Ecrits','\n'),(44081,6342,'_product_image_gallery',''),(44082,6343,'_pingme','1'),(44083,6343,'_encloseme','1'),(44084,6343,'Index','5480'),(44085,6343,'Minutage','1h08’59 \n'),(44086,6343,'Images','Saturé  en  tons  oranges  et  jaunes  :  match  de  football  à  la  télévision  aaccompagné  des  mots  d’un  commentateur  sportif  et  photographie  en  couleur  seppia  de  deux  footballers . \n'),(44087,6343,'VoixOffIn','\n'),(44088,6343,'BandeSon','*Id* *.* \n'),(44089,6343,'Ecrits','\n'),(44090,6343,'_product_image_gallery',''),(44091,6344,'_pingme','1'),(44092,6344,'_encloseme','1'),(44093,6344,'Index','5490'),(44094,6344,'Minutage','1h09’11 \n'),(44095,6344,'Images','Noir . \n'),(44096,6344,'VoixOffIn','\n'),(44097,6344,'BandeSon','*Id* *.* \n'),(44098,6344,'Ecrits','\n'),(44099,6344,'_product_image_gallery',''),(44100,6345,'_pingme','1'),(44101,6345,'_encloseme','1'),(44102,6345,'Index','5500'),(44103,6345,'Minutage','1h09’12 \n'),(44104,6345,'Images','Homme  et  femme  regardant  la  télévision . \n'),(44105,6345,'VoixOffIn','On  ne  pouvait  cependant  oublier  leur  aptitude  à  se  surpasser  dans  l\'abjection  \n'),(44106,6345,'BandeSon','Silence . \n'),(44107,6345,'Ecrits','\n'),(44108,6345,'_product_image_gallery',''),(44109,6346,'_pingme','1'),(44110,6346,'_encloseme','1'),(44111,6346,'Index','5510'),(44112,6346,'Minutage','1h09’23 \n'),(44113,6346,'Images','Mains  d\'un  homme  enchaîné .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44114,6346,'VoixOffIn','lorsqu\'ils  sont  soutenus  \n'),(44115,6346,'BandeSon','*Id* *.* \n'),(44116,6346,'Ecrits','\n'),(44117,6346,'_product_image_gallery',''),(44118,6347,'_pingme','1'),(44119,6347,'_encloseme','1'),(44120,6347,'Index','5520'),(44121,6347,'Minutage','1h09’26 \n'),(44122,6347,'Images','Petit  enfant  marchant  dans  une  rue  à  la  lumière  du  soleil  sur  laquelle  se  découpent  les  ombres  des  pales  d\'un  moulin . \n A  côté  de  lui ,  homme  enchaîné  et  gardé  par  trois  autres  hommes .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44123,6347,'VoixOffIn','et  conseillés  par  des  criminels  d\'une  plus  grande  envergure  venus  de  l\'extérieur . \n'),(44124,6347,'BandeSon','*Id* *.* \n'),(44125,6347,'Ecrits','\n'),(44126,6347,'_product_image_gallery',''),(44127,6348,'_pingme','1'),(44128,6348,'_encloseme','1'),(44129,6348,'Index','5530'),(44130,6348,'Minutage','1h09’38 \n'),(44131,6348,'Images','Noir . \n'),(44132,6348,'VoixOffIn','Samantar \n'),(44133,6348,'BandeSon','*Id* *.* \n'),(44134,6348,'Ecrits','\n'),(44135,6348,'_product_image_gallery',''),(44136,6349,'_pingme','1'),(44137,6349,'_encloseme','1'),(44138,6349,'Index','5540'),(44139,6349,'Minutage','1h09’44 \n'),(44140,6349,'Images','Visage  d\'un  jeune  homme  appuyant  sur  une  vitre  reflétant  son  image . \n'),(44141,6349,'VoixOffIn','était  convaincu  que  la  pauvreté  d’un  pays  était  sa  seule  sauvegarde  contre  les  rapaces  armés  ou  non . \n'),(44142,6349,'BandeSon','*Id* *.* \n'),(44143,6349,'Ecrits','\n'),(44144,6349,'_product_image_gallery',''),(44145,6350,'_pingme','1'),(44146,6350,'_encloseme','1'),(44147,6350,'Index','5550'),(44148,6350,'Minutage','1h09’58 \n'),(44149,6350,'Images','Deux  petites  filles  au  foulard  sur  la  tête .  Mains  de  personnes  applaudissant . \n'),(44150,6350,'VoixOffIn','qui  n\'attendaient  qu\'une  promesse  de  profit  pour  venir  le  conquérir ,  \n'),(44151,6350,'BandeSon','*Id* *.* \n'),(44152,6350,'Ecrits','\n'),(44153,6350,'_product_image_gallery',''),(44154,6351,'_pingme','1'),(44155,6351,'_encloseme','1'),(44156,6351,'Index','5560'),(44157,6351,'Minutage','1h10’01 \n'),(44158,6351,'Images','Surexposé  et  saturé  :  chameaux  et  hommes  marchant  en  file  dans  le  désert . \n'),(44159,6351,'VoixOffIn','le  détruire  et  le  pourrir \n'),(44160,6351,'BandeSon','*Id* *.* \n'),(44161,6351,'Ecrits','\n'),(44162,6351,'_product_image_gallery',''),(44163,6352,'_pingme','1'),(44164,6352,'_encloseme','1'),(44165,6352,'Index','5570'),(44166,6352,'Minutage','1h10’05 \n'),(44167,6352,'Images','Femme  vue  de  dos ,  regardant  un  âne . \n'),(44168,6352,'VoixOffIn','Et  Samantar  remerciait  le  ciel  d\'être  né  sur  cette  \n'),(44169,6352,'BandeSon','*Id* *.* \n'),(44170,6352,'Ecrits','\n'),(44171,6352,'_product_image_gallery',''),(44172,6353,'_pingme','1'),(44173,6353,'_encloseme','1'),(44174,6353,'Index','5580'),(44175,6353,'Minutage','1h10’14 \n'),(44176,6353,'Images','Au  ralenti ,  en  noir  et  blanc  :  homme  marchant  dans  une  rue ,  une  arme  à  la  main . \n'),(44177,6353,'VoixOffIn','terre  désertique  démunie  de  toute  matière  première  et  assez  ingrate  pour  décourager  les  marchés .  \n'),(44178,6353,'BandeSon','*Id* *.* \n'),(44179,6353,'Ecrits','\n'),(44180,6353,'_product_image_gallery',''),(44181,6354,'_pingme','1'),(44182,6354,'_encloseme','1'),(44183,6354,'Index','5590'),(44184,6354,'Minutage','1h10’26 \n'),(44185,6354,'Images','Noir . \n'),(44186,6354,'VoixOffIn','Le  plus  stupéfiant  dans  cette  affaire  \n'),(44187,6354,'BandeSon','*Id* *.* \n'),(44188,6354,'Ecrits','\n'),(44189,6354,'_product_image_gallery',''),(44190,6355,'_pingme','1'),(44191,6355,'_encloseme','1'),(44192,6355,'Index','5600'),(44193,6355,'Minutage','1h10’31 \n'),(44194,6355,'Images','Rue  et  marché  en  plein  air  dans  une  ville  du  Moyen - Orient .  \n *La * *fièvre * ( 2014 ),  Safia  Benhaïm . \n'),(44195,6355,'VoixOffIn','était  que  les  attentats  étaient  revendiqués  par  une  soi - disant \n'),(44196,6355,'BandeSon','*Id* *.* \n'),(44197,6355,'Ecrits','\n'),(44198,6355,'_product_image_gallery',''),(44199,6356,'_pingme','1'),(44200,6356,'_encloseme','1'),(44201,6356,'Index','5610'),(44202,6356,'Minutage','1h10’38 \n'),(44203,6356,'Images','Saturé  :  trois  personnes  sur  une  plage  rocheuse  au  bord  d\'une  mer . \n'),(44204,6356,'VoixOffIn','force  de  libération  du  golfe  totalement  inconnue  et  dont  les  tracts  mal  imprimés  se  targuaient  d\'un  vocabulaire  révolutionnaire  depuis  longtemps  dépassé .  ( Jean - Luc  Godard ).  *Une * *ambition * *dans * *le * *désert * ( 1984 ),  Albert  Cossery . \n'),(44205,6356,'BandeSon','*Id* *. * puis  vent . \n'),(44206,6356,'Ecrits','\n'),(44207,6356,'_product_image_gallery',''),(44208,6357,'_pingme','1'),(44209,6357,'_encloseme','1'),(44210,6357,'Index','5620'),(44211,6357,'Minutage','1h11’30 \n'),(44212,6357,'Images','Noir . \n'),(44213,6357,'VoixOffIn','\n'),(44214,6357,'BandeSon','*Id* *.* \n'),(44215,6357,'Ecrits','\n'),(44216,6357,'_product_image_gallery',''),(44217,6358,'_pingme','1'),(44218,6358,'_encloseme','1'),(44219,6358,'Index','5630'),(44220,6358,'Minutage','1h11’32 \n'),(44221,6358,'Images','Surexposé  et  saturé  :  deux  hommes  debout  dans  une  voiture  au  toit  ouvert ,  et  criant  des  phrases  en  arabe .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44222,6358,'VoixOffIn','[ traduction  de  l’arabe ]  :  Le  volontariat  dans  la  brigade  de ...  La  vie  est  une  posture ... \n'),(44223,6358,'BandeSon','*Id* *.* \n'),(44224,6358,'Ecrits','\n'),(44225,6358,'_product_image_gallery',''),(44226,6359,'_pingme','1'),(44227,6359,'_encloseme','1'),(44228,6359,'Index','5640'),(44229,6359,'Minutage','1h11’35 \n'),(44230,6359,'Images','Noir . \n'),(44231,6359,'VoixOffIn','Ni  l\'importance  du  territoire  de  Dofa … \n'),(44232,6359,'BandeSon','*Id* *.* \n'),(44233,6359,'Ecrits','\n'),(44234,6359,'_product_image_gallery',''),(44235,6360,'_pingme','1'),(44236,6360,'_encloseme','1'),(44237,6360,'Index','5650'),(44238,6360,'Minutage','1h11’40 \n'),(44239,6360,'Images','Sous - exposée  :  homme  se  déplaçant  dans  l\'ombre .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44240,6360,'VoixOffIn','\n'),(44241,6360,'BandeSon','*Id* *.* \n'),(44242,6360,'Ecrits','\n'),(44243,6360,'_product_image_gallery',''),(44244,6361,'_pingme','1'),(44245,6361,'_encloseme','1'),(44246,6361,'Index','5660'),(44247,6361,'Minutage','1h11’46 \n'),(44248,6361,'Images','Ralenti  et  sous  exposé  :  main  glissant  trois  doigts  dans  l’ouverture  d\'une  porte ,  pour  l\'ouvrir .  *\n* *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . *\n*'),(44249,6361,'VoixOffIn','Journal  télévisé  [ traduction  de  l’arabe  standard ]  :  \n Nous  ne  savons  pas  jusqu\'à  présent  jusqu\'où  pourra  aller  la  riposte  russe  mais  le  climat  ambiant  laisse  à  penser  que  l\'attaque  ne ... \n \n Voix  d’homme  :  \n ni  la  conjoncture  politique  dans  la  région  n\'avaient \n \n resté  jusqu\'ici  en  dehors  de  l\'éclatante  prospérité  \n'),(44250,6361,'BandeSon','*Id* *.* \n'),(44251,6361,'Ecrits','\n'),(44252,6361,'_product_image_gallery',''),(44253,6362,'_pingme','1'),(44254,6362,'_encloseme','1'),(44255,6362,'Index','5670'),(44256,6362,'Minutage','1h12’00 \n'),(44257,6362,'Images','Surexposé  et  saturé ,  au  ralenti  :  rangée  de  personnes  vêtues  de  blanc  se  tenant  les  mains ,  et  les  déplaçant  vers  l\'arrière .  Puis  pieds  en  tongs  dansant . \n'),(44258,6362,'VoixOffIn','des  émirats  voisins  pouvait  d\'un  jour  à  l\'autre  devenir  un  enfer . \n'),(44259,6362,'BandeSon','Voix  masculines  chantant  un  chant  soufi  ( mystique )  d\'Afrique  du  Nord  ( Hadhra  en  Tunisie  ou  Aissaoua  en  Algérie ),  accompagné  de  percussions .  ( Chant  d\'invocation  où  l’on  dit  que  il  n\'y  a  de  dieu  que  Dieu  et  que  Mohamed  est  son  prophète .  Éloges  de  Dieu  et  du  prophète  Mohamed .  Éloges  d\'un  saint  patron  qui  est  censé  nous  protéger ). \n'),(44260,6362,'Ecrits','\n'),(44261,6362,'_product_image_gallery',''),(44262,6363,'_pingme','1'),(44263,6363,'_encloseme','1'),(44264,6363,'Index','5680'),(44265,6363,'Minutage','1h12’24 \n'),(44266,6363,'Images','Noir . \n'),(44267,6363,'VoixOffIn','\n'),(44268,6363,'BandeSon','*Id* *.* \n'),(44269,6363,'Ecrits','\n'),(44270,6363,'_product_image_gallery',''),(44271,6364,'_pingme','1'),(44272,6364,'_encloseme','1'),(44273,6364,'Index','5690'),(44274,6364,'Minutage','1h12’28 \n'),(44275,6364,'Images','De  nouveau ,  groupe  d\'hommes  courant  dans  la  rue  et  se  pressant  contre  la  porte  d\'un  appartement . \n'),(44276,6364,'VoixOffIn','\n'),(44277,6364,'BandeSon','*Id* *.* \n'),(44278,6364,'Ecrits','\n'),(44279,6364,'_product_image_gallery',''),(44280,6365,'_pingme','1'),(44281,6365,'_encloseme','1'),(44282,6365,'Index','5700'),(44283,6365,'Minutage','1h12’34 \n'),(44284,6365,'Images','Saturé  :  hommes  en  tenue  militaire  officielle ,  et  commandants .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44285,6365,'VoixOffIn','Ce  qui  tourmentait  le  Cheick  El  Kadem ,  le  premier  ministre  du  royaume ,  c\'était  une  vue  de  l\'esprit  \n'),(44286,6365,'BandeSon','Trompettes  de  fanfare  militaire . \n'),(44287,6365,'Ecrits','\n'),(44288,6365,'_product_image_gallery',''),(44289,6366,'_pingme','1'),(44290,6366,'_encloseme','1'),(44291,6366,'Index','5710'),(44292,6366,'Minutage','1h12’47 \n'),(44293,6366,'Images','Saturé ,  sortant  à  droite  et  réapparaissant  à  gauche  de  l\'écran  comme  s\'il  était  projeté  sur  l\'écran  d\'une  télévision  cassée  :  libellé  du  film  «  Le  Livre  d\'Image  ». \n'),(44294,6366,'VoixOffIn','car  il  rêvait  de  soumettre  à  sa  domination ,  l\'ensemble  des  pays  du  golfe .  \n'),(44295,6366,'BandeSon','*Id* *. * et  puis  silence . \n'),(44296,6366,'Ecrits','\n'),(44297,6366,'_product_image_gallery',''),(44298,6367,'_pingme','1'),(44299,6367,'_encloseme','1'),(44300,6367,'Index','5720'),(44301,6367,'Minutage','1h12’57 \n'),(44302,6367,'Images','Saturé  :  maison  en  ruine  sur  une  plage  de  roche  en  bord  de  mer .  \n'),(44303,6367,'VoixOffIn','Il  était  vrai  que  sur  cette  bande  de  terre  aride ,  \n'),(44304,6367,'BandeSon','Silence . \n'),(44305,6367,'Ecrits','\n'),(44306,6367,'_product_image_gallery',''),(44307,6368,'_pingme','1'),(44308,6368,'_encloseme','1'),(44309,6368,'Index','5730'),(44310,6368,'Minutage','1h13’08 \n'),(44311,6368,'Images','Manifestation  avec  de  nombreuses  personnes  dans  la  rue  portant  des  pancartes  écrites  en  arabe .  \n *Shoah* *, * *les * *oubliés * *de * *l’histoire * ( 2014 *), * Véronique  Lagoarde - Ségot ,  par  la  chaîne  de  télévision  *Histoire* . \n'),(44312,6368,'VoixOffIn','Il  était  le  maître  incontesté  \n'),(44313,6368,'BandeSon','A  la  guitare  :  arpèges . \n'),(44314,6368,'Ecrits','\n'),(44315,6368,'_product_image_gallery',''),(44316,6369,'_pingme','1'),(44317,6369,'_encloseme','1'),(44318,6369,'Index','5740'),(44319,6369,'Minutage','1h13’15 \n'),(44320,6369,'Images','Surexposé  :  sultan  avec  une  femme  à  ses  côtés .  \n *The * *Thief * *of * *Baghdad * ( 1978 ),  Cline  Donner . *\n*'),(44321,6369,'VoixOffIn','puisque  le  vieil  émir  régnant ,  croupissant  dans  son  harem ,  ne  prenait  plus  la  peine  de  lui  donner  des  ordres . \n'),(44322,6369,'BandeSon','*Id* *.* \n'),(44323,6369,'Ecrits','\n'),(44324,6369,'_product_image_gallery',''),(44325,6370,'_pingme','1'),(44326,6370,'_encloseme','1'),(44327,6370,'Index','5750'),(44328,6370,'Minutage','1h13’21 \n'),(44329,6370,'Images','Noir . \n'),(44330,6370,'VoixOffIn','Et  la  passion  \n'),(44331,6370,'BandeSon','Silence . \n'),(44332,6370,'Ecrits','\n'),(44333,6370,'_product_image_gallery',''),(44334,6371,'_pingme','1'),(44335,6371,'_encloseme','1'),(44336,6371,'Index','5760'),(44337,6371,'Minutage','1h13’24 \n'),(44338,6371,'Images','Homme  au  fez  rouge  sortant  d\'une  voiture  dont  le  conducteur  ouvre  la  porte . \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44339,6371,'VoixOffIn','pour  le  pouvoir ,  Ben  Kadem  l\'avait  ressentie  depuis  son  enfance  et  maintenant  à  42  ans  elle  le  dévorait  avec  encore  plus  de  densité .  \n'),(44340,6371,'BandeSon','*Id* *.* \n'),(44341,6371,'Ecrits','\n'),(44342,6371,'_product_image_gallery',''),(44343,6372,'_pingme','1'),(44344,6372,'_encloseme','1'),(44345,6372,'Index','5770'),(44346,6372,'Minutage','1h13’37 \n'),(44347,6372,'Images','Groupe  de  personnes  marchant  de  nuit  dans  les  dunes  d\'un  désert . \n *Bab\'Aziz* *, * *le * *prince * *qui * *contemplait * *son * *âme * ( 2005 *), * Nacer  Khémir . \n'),(44348,6372,'VoixOffIn','Mais  malheureusement  le  monde  n\'était  pas  aussi  simple  que  son  rêve  d\'enfant .  L\'irruption  du  pétrole  dans  la  péninsule  sauf  ici  à  Dofa  avait  détruit  l\'espoir  de  réaliser  ses  ambitions . \n'),(44349,6372,'BandeSon','*Id* *.* \n'),(44350,6372,'Ecrits','\n'),(44351,6372,'_product_image_gallery',''),(44352,6373,'_pingme','1'),(44353,6373,'_encloseme','1'),(44354,6373,'Index','5780'),(44355,6373,'Minutage','1h14’00 \n'),(44356,6373,'Images','Palmier  enflammé  dans  le  désert  de  nuit . \n *Bab\'Aziz* *, * *le * *prince * *qui * *contemplait * *son * *âme * ( 2005 *), * Nacer  Khémir . \n'),(44357,6373,'VoixOffIn','\n'),(44358,6373,'BandeSon','A  la  guitare  :  arpèges . \n'),(44359,6373,'Ecrits','\n'),(44360,6373,'_product_image_gallery',''),(44361,6374,'_pingme','1'),(44362,6374,'_encloseme','1'),(44363,6374,'Index','5790'),(44364,6374,'Minutage','1h14’11 \n'),(44365,6374,'Images','Femmes  riant  dans  un  harem .  \n *Arabian * *nights * ( 1942 *), * John  Rawlins . \n'),(44366,6374,'VoixOffIn','Chose  étrange , \n'),(44367,6374,'BandeSon','Silence . \n'),(44368,6374,'Ecrits','\n'),(44369,6374,'_product_image_gallery',''),(44370,6375,'_pingme','1'),(44371,6375,'_encloseme','1'),(44372,6375,'Index','5800'),(44373,6375,'Minutage','1h14’16 \n'),(44374,6375,'Images','Noir . \n'),(44375,6375,'VoixOffIn','le  seul  homme  avec  lequel  Ben  Kadem  pouvait  parler  franchement  de  son  ambition  \n'),(44376,6375,'BandeSon','*Id* *.* \n'),(44377,6375,'Ecrits','\n'),(44378,6375,'_product_image_gallery',''),(44379,6376,'_pingme','1'),(44380,6376,'_encloseme','1'),(44381,6376,'Index','5810'),(44382,6376,'Minutage','1h14’24 \n'),(44383,6376,'Images','Palmiers  secoués  par  un  vent  fort . \n'),(44384,6376,'VoixOffIn','c’était  celui  là  même  qui  trouvait  cette  ambition  dérisoire  :  son  jeune  cousin  Samantar . \n'),(44385,6376,'BandeSon','Vent . \n'),(44386,6376,'Ecrits','\n'),(44387,6376,'_product_image_gallery',''),(44388,6377,'_pingme','1'),(44389,6377,'_encloseme','1'),(44390,6377,'Index','5820'),(44391,6377,'Minutage','1h14’33 \n'),(44392,6377,'Images','Noir . \n'),(44393,6377,'VoixOffIn','\n'),(44394,6377,'BandeSon','Silence . \n'),(44395,6377,'Ecrits','\n'),(44396,6377,'_product_image_gallery',''),(44397,6378,'_pingme','1'),(44398,6378,'_encloseme','1'),(44399,6378,'Index','5830'),(44400,6378,'Minutage','1h14’36 \n'),(44401,6378,'Images','Déplacement  de  gauche  à  droite  :  photo  d\'un  restaurant  appelé  «  Les  coquillages  »  et  d’une  rue  d’une  ville  de  bord  de  mer . \n'),(44402,6378,'VoixOffIn','n’avait  pas  uniquement  pour  objet  d’approfondir  sa  vision  sur  le  jeu  sanglant  des  grandes  puissances .  ( Jean - Luc  Godard ).  \n *Une * *ambition * *dans * *le * *désert * ( 1984 ),  Albert  Cossery . \n'),(44403,6378,'BandeSon','Explosions . \n \n'),(44404,6378,'Ecrits','\n'),(44405,6378,'_product_image_gallery',''),(44406,6379,'_pingme','1'),(44407,6379,'_encloseme','1'),(44408,6379,'Index','5840'),(44409,6379,'Minutage','1h14’53 \n'),(44410,6379,'Images','Photo  de  Barack  Obama  aux  côtés  de  l\'émir  du  Koweït   Cheikh  Sabah  al - Ahmad  al - Jaber  al - Sabah . \n'),(44411,6379,'VoixOffIn','\n'),(44412,6379,'BandeSon','Silence . \n'),(44413,6379,'Ecrits','\n'),(44414,6379,'_product_image_gallery',''),(44415,6380,'_pingme','1'),(44416,6380,'_encloseme','1'),(44417,6380,'Index','5850'),(44418,6380,'Minutage','1h14’57 \n'),(44419,6380,'Images','Homme  au  fez  s\'approchant  d\'une  grille  d\'entrée  et  frappant  avec  son  bâton  contre  la  grille .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44420,6380,'VoixOffIn','Il  était  d\'une  importance  capitale  de  savoir  l\'opinion  de  Samantar  sur  les  derniers  événements  survenus .  \n'),(44421,6380,'BandeSon','*Id* *.* \n'),(44422,6380,'Ecrits','\n'),(44423,6380,'_product_image_gallery',''),(44424,6381,'_pingme','1'),(44425,6381,'_encloseme','1'),(44426,6381,'Index','5860'),(44427,6381,'Minutage','1h15’07 \n'),(44428,6381,'Images','Noir .  \n'),(44429,6381,'VoixOffIn','Le  début  d’une  ère  révolutionnaire  à  Dofa \n'),(44430,6381,'BandeSon','*Id* *.* \n'),(44431,6381,'Ecrits','\n'),(44432,6381,'_product_image_gallery',''),(44433,6382,'_pingme','1'),(44434,6382,'_encloseme','1'),(44435,6382,'Index','5870'),(44436,6382,'Minutage','1h15’12 \n'),(44437,6382,'Images','Visage  d\'un  homme  plongé  dans  l\'obscurité ,  puis  émergeant  à  la  lumière  éclairant  ses  lèvres  et  son  nez . \n'),(44438,6382,'VoixOffIn','était  une  négation  totale  de  la  possible  d’une  action  armée  dans  la  péninsule .  ( Jean - Luc  Godard ).  \n *Une * *ambition * *dans * *le * *désert * ( 1984 ),  Albert  Cossery . \n \n \n'),(44439,6382,'BandeSon','*Id* *.* \n'),(44440,6382,'Ecrits','\n'),(44441,6382,'_product_image_gallery',''),(44442,6383,'_pingme','1'),(44443,6383,'_encloseme','1'),(44444,6383,'Index','5880'),(44445,6383,'Minutage','1h15’24 \n'),(44446,6383,'Images','Saturé  en  tons  bleus  et  rouges  :  personnes  ballottées  par  une  mer  agitée . \n'),(44447,6383,'VoixOffIn','\n'),(44448,6383,'BandeSon','Vagues . \n'),(44449,6383,'Ecrits','\n'),(44450,6383,'_product_image_gallery',''),(44451,6384,'_pingme','1'),(44452,6384,'_encloseme','1'),(44453,6384,'Index','5890'),(44454,6384,'Minutage','1h15’28 \n'),(44455,6384,'Images','Personne  au  foulard  palestinien  nué  autour  de  la  tête ,  se  traînant  avec  un  bras  sur  le  sable ,  tenant  de  l’autre  un  fusil .  \n *Ici * *et * *ailleurs * ( 1975 ),  Jean - Luc  Godard . \n'),(44456,6384,'VoixOffIn','- Tu  es  seul  ?  \n - Oui  je  suis  seul .  \n - Je  ne  te  dérange  pas  ? \n'),(44457,6384,'BandeSon','Silence . \n'),(44458,6384,'Ecrits','\n'),(44459,6384,'_product_image_gallery',''),(44460,6385,'_pingme','1'),(44461,6385,'_encloseme','1'),(44462,6385,'Index','5900'),(44463,6385,'Minutage','1h15’36 \n'),(44464,6385,'Images','Au  ralenti ,  saturé  en  tons  bleus  :  foule  de  personnes  manifestant .  \n *Sexe* *, * *salafistes* *, * *prientemps * *arabe * ( 2012 *), * Paul  Moreira . \n'),(44465,6385,'VoixOffIn','- Je  suis  toujours  ravi  de  te  voir .  \n'),(44466,6385,'BandeSon','*Id* *.* \n'),(44467,6385,'Ecrits','\n'),(44468,6385,'_product_image_gallery',''),(44469,6386,'_pingme','1'),(44470,6386,'_encloseme','1'),(44471,6386,'Index','5910'),(44472,6386,'Minutage','1h15’43 \n'),(44473,6386,'Images','Sous - exposé  et  tourné  en  noir  et  blanc  :  personnes  dansant  au  milieu  de  la  fumée .  \n *Silence* *! * *On * *tourne * ( 2001 *), * Youssef  Chahine . \n'),(44474,6386,'VoixOffIn','- Un  tel  bonheur  m\'est  rarement  accordé ,  excellence .  - Tu  te  détaches  de  moi . \n'),(44475,6386,'BandeSon','*Id* *.* \n'),(44476,6386,'Ecrits','\n'),(44477,6386,'_product_image_gallery',''),(44478,6387,'_pingme','1'),(44479,6387,'_encloseme','1'),(44480,6387,'Index','5920'),(44481,6387,'Minutage','1h15’51 \n'),(44482,6387,'Images','Femme  portant  une  écharpe  à  pois  rouges  et  blancs  et  courant  les  mains  en  l\'air .  \n *À * *propos * *d\'Elly * ( 2009 *), * Asghar  Farhadi . \n \n'),(44483,6387,'VoixOffIn','- Je  vois  que  tu  n\'es  toujours  pas  prêt  à  ce  sacrifice . \n'),(44484,6387,'BandeSon','A  la  guitare  :  arpèges . \n'),(44485,6387,'Ecrits','\n'),(44486,6387,'_product_image_gallery',''),(44487,6388,'_pingme','1'),(44488,6388,'_encloseme','1'),(44489,6388,'Index','5930'),(44490,6388,'Minutage','1h15’57 \n'),(44491,6388,'Images','Saturé  :  groupe  d\'hommes  armés  sur  le  toit  d\'une  voiture ,  observés  par  un  homme  vu  de  dos  se  cachant  derrière  un  mur .  Au  ralenti  :  hommes  descendant  de  la  voiture .  \n *Al* *-* *lail * ( 1992 *), * Mohamed  Malas . \n'),(44492,6388,'VoixOffIn','- C\'est  l\'excuse  de  toute  ambition  politique  que  de  prétendre  se  sacrifier  pour  le  bonheur  du  peuple .  Mais  le  peuple  ne  t\'a  rien  demandé ,  il  veut  simplement  vivre  en  paix .  \n'),(44493,6388,'BandeSon','*Id * et  silence . \n'),(44494,6388,'Ecrits','\n'),(44495,6388,'_product_image_gallery',''),(44496,6389,'_pingme','1'),(44497,6389,'_encloseme','1'),(44498,6389,'Index','5940'),(44499,6389,'Minutage','1h16’15 \n'),(44500,6389,'Images','En  noir  et  blanc ,  basculé  de  180 °  :  visage  d\'un  homme  la  tête  en  bas ,  plongé  dans  l\'obscurité . \n'),(44501,6389,'VoixOffIn','- Pendant  que  nous  vivons  en  paix ,  le  monde  bouge .  ( Avec  écho ) \n'),(44502,6389,'BandeSon','Silence . \n'),(44503,6389,'Ecrits','\n'),(44504,6389,'_product_image_gallery',''),(44505,6390,'_pingme','1'),(44506,6390,'_encloseme','1'),(44507,6390,'Index','5950'),(44508,6390,'Minutage','1h16’23 \n'),(44509,6390,'Images','Tremblements ,  et  déplacement  de  droite  à  gauche  :  enfant  écrivant  sur  une  feuille  de  papier ,  observée  de  dos  par  un  autre  enfant . \n'),(44510,6390,'VoixOffIn','- Que  nous  importe  ce  monde  qui  bouge .  ( Avec  écho ) \n'),(44511,6390,'BandeSon','*Id* *.* \n'),(44512,6390,'Ecrits','\n'),(44513,6390,'_product_image_gallery',''),(44514,6391,'_pingme','1'),(44515,6391,'_encloseme','1'),(44516,6391,'Index','5960'),(44517,6391,'Minutage','1h16’25 \n'),(44518,6391,'Images','Saturé  en  tons  rouges  :  visage  de  femme  aux  mains  jointes  en  prière .  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C\'est  leur  seule  manière  d\'exprimer  leur  révolte  devant  la  férocité  des  moyens  employés  par  le  gouvernement .  Quelle  autre  attitude  serait  valable  ?  Pour  ma  part ,  je  serai  toujours  du  côté  des  bombes .  \n'),(44637,6404,'BandeSon','De  nouveau ,  à  la  guitare  :  arpèges .  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( Jean - Luc  Godard ).  \n *Air * *de * *Méphistophélès* *, * *Damnation * *de * *Faust * ( 1846 *), * Hector  Berlioz . \n'),(44781,6420,'BandeSon','*Id* *.* \n'),(44782,6420,'Ecrits','\n'),(44783,6420,'_product_image_gallery',''),(44784,6421,'_pingme','1'),(44785,6421,'_encloseme','1'),(44786,6421,'Index','6260'),(44787,6421,'Minutage','1h19’10 \n'),(44788,6421,'Images','Enfant  jetant  des  pierres  sur  un  chien  dans  une  rue . \n'),(44789,6421,'VoixOffIn','\n'),(44790,6421,'BandeSon','*Id* *.* \n'),(44791,6421,'Ecrits','\n'),(44792,6421,'_product_image_gallery',''),(44793,6422,'_pingme','1'),(44794,6422,'_encloseme','1'),(44795,6422,'Index','6270'),(44796,6422,'Minutage','1h19’16 \n'),(44797,6422,'Images','Personne  écrivant  en  arabe  sur  une  feuille  de  papier . \n'),(44798,6422,'VoixOffIn','\n'),(44799,6422,'BandeSon','*Cloud * ( 2017 *), * Tomasz  Stanko  New  York  Quartet .  \n'),(44800,6422,'Ecrits','\n'),(44801,6422,'_product_image_gallery',''),(44802,6423,'_pingme','1'),(44803,6423,'_encloseme','1'),(44804,6423,'Index','6280'),(44805,6423,'Minutage','1h19’20 \n'),(44806,6423,'Images','Aquarelle  d\'un  homme  vêtu  de  blanc  assis  sur  le  sol . \n'),(44807,6423,'VoixOffIn','\n'),(44808,6423,'BandeSon','*Id* *.* \n'),(44809,6423,'Ecrits','\n'),(44810,6423,'_product_image_gallery',''),(44811,6424,'_pingme','1'),(44812,6424,'_encloseme','1'),(44813,6424,'Index','6290'),(44814,6424,'Minutage','1h19’28 \n'),(44815,6424,'Images','Saturé  en  tons  bleus  :  lac  entouré  d\'arbres . \n'),(44816,6424,'VoixOffIn','A  Dofa ,  le  rêve  de  Cheikh  ben  Kadem  fit  naufrage .  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Ben  Kadem  s\'en  vint  alors  confesser  ses  erreurs  politiques \n'),(44826,6425,'BandeSon','*Id* *.* \n'),(44827,6425,'Ecrits','\n'),(44828,6425,'_product_image_gallery',''),(44829,6426,'_pingme','1'),(44830,6426,'_encloseme','1'),(44831,6426,'Index','6310'),(44832,6426,'Minutage','1h19’51 \n'),(44833,6426,'Images','De  nouveau ,  photo  en  noir  et  blanc  d\'un  homme  au  visage  courroucé . \n'),(44834,6426,'VoixOffIn','à  Samantar  et  puis  il  s\'enfuit  et  se  refugia . \n'),(44835,6426,'BandeSon','*Id* *.* \n'),(44836,6426,'Ecrits','\n'),(44837,6426,'_product_image_gallery',''),(44838,6427,'_pingme','1'),(44839,6427,'_encloseme','1'),(44840,6427,'Index','6320'),(44841,6427,'Minutage','1h19’58 \n'),(44842,6427,'Images','Noir . \n'),(44843,6427,'VoixOffIn','Samantar  heureux  et  tranquillisé \n'),(44844,6427,'BandeSon','*Id* *.* \n'),(44845,6427,'Ecrits','\n'),(44846,6427,'_product_image_gallery',''),(44847,6428,'_pingme','1'),(44848,6428,'_encloseme','1'),(44849,6428,'Index','6330'),(44850,6428,'Minutage','1h20’01 \n'),(44851,6428,'Images','Saturé  :  maison  en  ruine  entourée  d\'antennes  de  télévision  et  d\'internet . \n'),(44852,6428,'VoixOffIn','par  ce  dénouement ,  sortit  de  sa  misérable  cahute .  \n \n'),(44853,6428,'BandeSon','De  nouveau ,  à  la  guitare  :  arpèges . \n'),(44854,6428,'Ecrits','\n'),(44855,6428,'_product_image_gallery',''),(44856,6429,'_pingme','1'),(44857,6429,'_encloseme','1'),(44858,6429,'Index','6340'),(44859,6429,'Minutage','1h20’07 \n'),(44860,6429,'Images','Homme  souriant .  \n *Les * *terrasses * ( 2013 *), * Merzak  Allouache . \n'),(44861,6429,'VoixOffIn','\n'),(44862,6429,'BandeSon','*Id* *.* \n'),(44863,6429,'Ecrits','\n'),(44864,6429,'_product_image_gallery',''),(44865,6430,'_pingme','1'),(44866,6430,'_encloseme','1'),(44867,6430,'Index','6350'),(44868,6430,'Minutage','1h20’11 \n'),(44869,6430,'Images','Surexposé  :  Photographie  d\'une  file  d\'hommes  vêtus  de  jeans  et  de  lunettes  de  soleil  marchant . \n'),(44870,6430,'VoixOffIn','\n'),(44871,6430,'BandeSon','*Id* *.* \n'),(44872,6430,'Ecrits','\n'),(44873,6430,'_product_image_gallery',''),(44874,6431,'_pingme','1'),(44875,6431,'_encloseme','1'),(44876,6431,'Index','6360'),(44877,6431,'Minutage','1h20’18 \n'),(44878,6431,'Images','Noir . \n'),(44879,6431,'VoixOffIn','\n'),(44880,6431,'BandeSon','*Id* *.* \n'),(44881,6431,'Ecrits','\n'),(44882,6431,'_product_image_gallery',''),(44883,6432,'_pingme','1'),(44884,6432,'_encloseme','1'),(44885,6432,'Index','6370'),(44886,6432,'Minutage','1h20’20 \n'),(44887,6432,'Images','Saturé  :  cheval  tirant  une  calèche  passant  dans  une  rue . \n'),(44888,6432,'VoixOffIn','Ce  n\'est  que  quelques  mois  plus  tard  que  Samantar  rencontra  Tarek  le  long  de  la  mer \n'),(44889,6432,'BandeSon','Silence . \n'),(44890,6432,'Ecrits','\n'),(44891,6432,'_product_image_gallery',''),(44892,6433,'_pingme','1'),(44893,6433,'_encloseme','1'),(44894,6433,'Index','6380'),(44895,6433,'Minutage','1h20’27 \n'),(44896,6433,'Images','Jeune  homme  au  turban  accompagnant  un  homme  âgé  dans  une  prairie  près  d\'un  ruisseau  et  s’asseyant  sur  un  rocher . \n'),(44897,6433,'VoixOffIn','et  apprit  la  vérité  de  la  fausse  révolution  fomentée  par  l\'ancien  premier  ministre .  ( Jean -  Luc  Godard ). \n *Une * *ambition * *dans * *le * *désert * ( 1984 ),  Albert  Cossery . \n \n Ce  que  je  fais  avec  les  enfants  dit  le  fou  c\'est  une  sorte  de  contre - révolution . \n'),(44898,6433,'BandeSon','*Id* *.* \n'),(44899,6433,'Ecrits','\n'),(44900,6433,'_product_image_gallery',''),(44901,6434,'_pingme','1'),(44902,6434,'_encloseme','1'),(44903,6434,'Index','6390'),(44904,6434,'Minutage','1h20’43 \n'),(44905,6434,'Images','Surexposé  :  groupe  d\'enfants  jouant  et  courant . \n *Les * *mille * *mois * ( 2003 *), * Faouzi  Bensaïdi . \n'),(44906,6434,'VoixOffIn','Un  fou  peut  aller  partout ,  il  a  une  liberté  totale  de  mouvement ,  et  de  parole .  Avec  l\'aide  des  enfants  j\'ai  fait  sauter  la  banque  et  l\'agence  d\'import  export \n'),(44907,6434,'BandeSon','*Id* *.* \n'),(44908,6434,'Ecrits','\n'),(44909,6434,'_product_image_gallery',''),(44910,6435,'_pingme','1'),(44911,6435,'_encloseme','1'),(44912,6435,'Index','6400'),(44913,6435,'Minutage','1h21’01 \n'),(44914,6435,'Images','Homme  écrivant  sur  une  feuille  de  papier ,  et  enfant  regardant  ce  qu\'il  écrit ,  debout  devant  lui ,  dans  une  maison  du  Moyen  Orient  avec  des  tapis ,  des  coussins  et  des  rideaux  devant  les  fenêtres . \n'),(44915,6435,'VoixOffIn','les  deux  signes  de  l\'ignominie  capitaliste . \n'),(44916,6435,'BandeSon','*Id* *.* \n'),(44917,6435,'Ecrits','\n'),(44918,6435,'_product_image_gallery',''),(44919,6436,'_pingme','1'),(44920,6436,'_encloseme','1'),(44921,6436,'Index','6410'),(44922,6436,'Minutage','1h21’02 \n'),(44923,6436,'Images','Saturé  en  tons  rouges  et  bleus ,  et  basculé  de  90  degrés  :  coucher  du  soleil  et  puits  de  pétrole . \n'),(44924,6436,'VoixOffIn','Mais  comment  as - tu  pu  te  procurer  les  explosifs  ?  Ils  ont  été  repérés \n'),(44925,6436,'BandeSon','*Id* *.* \n'),(44926,6436,'Ecrits','\n'),(44927,6436,'_product_image_gallery',''),(44928,6437,'_pingme','1'),(44929,6437,'_encloseme','1'),(44930,6437,'Index','6420'),(44931,6437,'Minutage','1h21’09 \n'),(44932,6437,'Images','Enfants  courant  derrière  la  caméra .  Enfant  portant  une  chemise  blanche  trop  longue  et  marchant  en  trébuchant  sur  le  tissu . \n'),(44933,6437,'VoixOffIn','par  les  enfants  dans  un  vieux  derrick  abandonné  par  les  étrangers  quand  ils  cherchaient  en  vain  du  pétrole . \n'),(44934,6437,'BandeSon','*Id* *.* \n'),(44935,6437,'Ecrits','\n'),(44936,6437,'_product_image_gallery',''),(44937,6438,'_pingme','1'),(44938,6438,'_encloseme','1'),(44939,6438,'Index','6430'),(44940,6438,'Minutage','1h21’18 \n'),(44941,6438,'Images','Enfant  sur  une  route  faisant  tourner  de  la  main  une  bobine  rouge  en  s’aidant  d’une  pellicule .  *Reel* *-* *Unreel * ( 2011 ),  Francis  Alÿs . \n'),(44942,6438,'VoixOffIn','Je  te  remercie .  Discuter  avec  un  fou  est  un  privilège \n'),(44943,6438,'BandeSon','*Id* *.* \n'),(44944,6438,'Ecrits','\n'),(44945,6438,'_product_image_gallery',''),(44946,6439,'_pingme','1'),(44947,6439,'_encloseme','1'),(44948,6439,'Index','6440'),(44949,6439,'Minutage','1h21’25 \n'),(44950,6439,'Images','Couverture  d’un  exemplaire  *d’Images * *en * *parole * ( 2003 ),  Anne - Marie  Miéville .  L’exemplaire  est  feuilleté . \n'),(44951,6439,'VoixOffIn','inestimable ,  crois  moi .  ( Jean - Luc  Godard ). \n'),(44952,6439,'BandeSon','*Id* *.* \n'),(44953,6439,'Ecrits','\n'),(44954,6439,'_product_image_gallery',''),(44955,6440,'_pingme','1'),(44956,6440,'_encloseme','1'),(44957,6440,'Index','6450'),(44958,6440,'Minutage','1h21’32 \n'),(44959,6440,'Images','Gros  plan  de  la  face  de  Bécassine . \n Derrière  :  id .  en  dimensions  réduites . \n'),(44960,6440,'VoixOffIn','Crois - moi .  On  n\'est  jamais  suffisamment  triste .  ( Anne - Marie  Miéville ). \n *Le * *territoire * *de * *l’homme * ( 1978 *), * Elias  Canetti .  \n'),(44961,6440,'BandeSon','*Id* *.* \n'),(44962,6440,'Ecrits','\n'),(44963,6440,'_product_image_gallery',''),(44964,6441,'_pingme','1'),(44965,6441,'_encloseme','1'),(44966,6441,'Index','6460'),(44967,6441,'Minutage','1h21’32 \n'),(44968,6441,'Images','Derrière  le  visage  de  Bécassine  en  gros  plan ,  saturé  :  pinceau  et  livre  ouvert . \n'),(44969,6441,'VoixOffIn','Crois  moi \n'),(44970,6441,'BandeSon','*Id* *.* \n'),(44971,6441,'Ecrits','\n'),(44972,6441,'_product_image_gallery',''),(44973,6442,'_pingme','1'),(44974,6442,'_encloseme','1'),(44975,6442,'Index','6470'),(44976,6442,'Minutage','1h21’38 \n'),(44977,6442,'Images','Saturé  :  pinceau  et  livre  ouvert . \n'),(44978,6442,'VoixOffIn','\n'),(44979,6442,'BandeSon','*Id* *.* \n'),(44980,6442,'Ecrits','\n'),(44981,6442,'_product_image_gallery',''),(44982,6443,'_pingme','1'),(44983,6443,'_encloseme','1'),(44984,6443,'Index','6480'),(44985,6443,'Minutage','1h21’41 \n'),(44986,6443,'Images','Saturé  :  photographie  d\'un  grand  pinceau  et  d\'un  crayon . \n'),(44987,6443,'VoixOffIn','On  n\'est  jamais  suffisamment  triste  pour  que  le  monde  soit  meilleur .  \n'),(44988,6443,'BandeSon','*Id* *.* \n'),(44989,6443,'Ecrits','\n'),(44990,6443,'_product_image_gallery',''),(44991,6444,'_pingme','1'),(44992,6444,'_encloseme','1'),(44993,6444,'Index','6490'),(44994,6444,'Minutage','1h21’53 \n'),(44995,6444,'Images','Saturé  :  de  nouveau ,  plage  de  roche  en  bord  de  mer ,  enfants  y  jouant  au  football . \n'),(44996,6444,'VoixOffIn','la  terre  abandonnée ,  la  terre  abandonnée ,  surchargée  de  lettres  de  l\'alphabet ,  étouffée  sous  les  connaissances  et  \n'),(44997,6444,'BandeSon','*Id* *.* \n'),(44998,6444,'Ecrits','\n'),(44999,6444,'_product_image_gallery',''),(45000,6445,'_pingme','1'),(45001,6445,'_encloseme','1'),(45002,6445,'Index','6500'),(45003,6445,'Minutage','1h22’10 \n'),(45004,6445,'Images','Noir . \n'),(45005,6445,'VoixOffIn','plus  guère  d\'oreilles  qui  soient  à  l\'écoute .  ( Anne - Marie  Miéville ).  \n *Le * *territoire * *de * *l’homme * ( 1978 *), * Elias  Canetti .  \n'),(45006,6445,'BandeSon','*Id* *.* \n'),(45007,6445,'Ecrits','\n'),(45008,6445,'_product_image_gallery',''),(45009,6446,'_pingme','1'),(45010,6446,'_encloseme','1'),(45011,6446,'Index','6510'),(45012,6446,'Minutage','1h22’14 \n'),(45013,6446,'Images','Surexposé  et  en  négatif  :  de  nouveau ,  petite  fille  aux  yeux  fermés ,  le  visage  levé  vers  le  ciel  et  les  mains  tendues  devant  elle .  \n *Miracle * *en * *Alabama * ( 1962 ),  Arthur  Penn .  *Histoire* *(* *s* *) * *du * *cinéma * *4a* *, * ( 1988 - 98 )  Jean - Luc  Godard . \n \n'),(45014,6446,'VoixOffIn','\n'),(45015,6446,'BandeSon','*Klavierquintett* *, * *Op* *. * *18* ,  *Moderato * *con * *moto * ( 1946 )  Mieczysław  Weinberg . \n'),(45016,6446,'Ecrits','\n'),(45017,6446,'_product_image_gallery',''),(45018,6447,'_pingme','1'),(45019,6447,'_encloseme','1'),(45020,6447,'Index','6520'),(45021,6447,'Minutage','1h22’20 \n'),(45022,6447,'Images','Détail  de  son  visage  et  de  sa  main  gauche . \n'),(45023,6447,'VoixOffIn','\n'),(45024,6447,'BandeSon','Silence . \n'),(45025,6447,'Ecrits','\n'),(45026,6447,'_product_image_gallery',''),(45027,6448,'_pingme','1'),(45028,6448,'_encloseme','1'),(45029,6448,'Index','6530'),(45030,6448,'Minutage','1h22’26 \n'),(45031,6448,'Images','En  tons  bleus  :  détail  de  son  visage . \n'),(45032,6448,'VoixOffIn','\n'),(45033,6448,'BandeSon','*Id* *.* \n'),(45034,6448,'Ecrits','\n'),(45035,6448,'_product_image_gallery',''),(45036,6449,'_pingme','1'),(45037,6449,'_encloseme','1'),(45038,6449,'Index','6540'),(45039,6449,'Minutage','1h22’32 \n'),(45040,6449,'Images','Détail  de  sa  main . \n'),(45041,6449,'VoixOffIn','Voici  les  roses  de  cette  nuit  écloses .  \n *La * *Damnation * *de * *Faust * ( 1946 *),  * Berlioz  Hector . \n'),(45042,6449,'BandeSon','*La * *Damnation * *de * *Faust * ( 1946 *),  * Berlioz  Hector . \n'),(45043,6449,'Ecrits','\n'),(45044,6449,'_product_image_gallery',''),(45045,6450,'_pingme','1'),(45046,6450,'_encloseme','1'),(45047,6450,'Index','6550'),(45048,6450,'Minutage','1h22’43 \r\n'),(45049,6450,'Images','En  blanc  sur  fond  noir  :  inscription  manuscrites .  \r\n'),(45050,6450,'VoixOffIn',''),(45051,6450,'BandeSon','*Id* *.* \r\n'),(45052,6450,'Ecrits','Godard \r\n Battaggia \r\n Aragno \r\n Brenez \r\n'),(45053,6450,'_product_image_gallery',''),(45054,6451,'_pingme','1'),(45055,6451,'_encloseme','1'),(45056,6451,'Index','6560'),(45057,6451,'Minutage','1h22’49 \n'),(45058,6451,'Images','Noir . \n'),(45059,6451,'VoixOffIn','\n'),(45060,6451,'BandeSon','*Id* *.* \n'),(45061,6451,'Ecrits','\n'),(45062,6451,'_product_image_gallery',''),(45063,6452,'_pingme','1'),(45064,6452,'_encloseme','1'),(45065,6452,'Index','6570'),(45066,6452,'Minutage','1h22’54 \n'),(45067,6452,'Images','Noir . \n'),(45068,6452,'VoixOffIn','Silenzio ,  si  gira .  \n'),(45069,6452,'BandeSon','*Id* *.* \n'),(45070,6452,'Ecrits','De  Vinci ,  Bernanos ,  King  Lear ,  Closed  vision ,  Weinberg ,  Giacometti ,  Jeanne  d\'arc ,  Chahine ,  Chien  andalou ,  Histoire ( s )  du  cinéma ,  Derain ,  Caméra  analytique ,  S .  Walker ,  Artaud ,  Murnau ,  Ramuz ,  Hamlet ,  Gaumont ,  Miracle  en  Alabama ,  J  Michelet ,  Histoire ,  Kiss  me  Deadly ,  V .   Grossman \n'),(45071,6452,'_product_image_gallery',''),(45072,6453,'_pingme','1'),(45073,6453,'_encloseme','1'),(45074,6453,'Index','6580'),(45075,6453,'Minutage','1h22’58 \n'),(45076,6453,'Images','Noir . \n'),(45077,6453,'VoixOffIn','Silenzio .  Camera ,  moteur ,  motore \n'),(45078,6453,'BandeSon','*Id* *.* \n'),(45079,6453,'Ecrits','D .  Guyotat ,  Allemagne  année  neuf  zéro ,  Le  dernier  des  hommes ,  J .  Gozland ,  Johny  Guitar ,  petit  soldat ,  M  Leroux ,  Liban  Guerres  et  hommes ,  Salo ,  A  Sokourov ,  Timbuktu ,  Vrai  faux  passeport ,  chute  faucon  noir ,  les  carabiniers ,  hommes  du  dimanche ,  Blue  jean ,  guerre  de  chine ,  les  dents  de  la  mer ,  Le  sang  des  bêtes ,  R .  Girard ,  V  Illitch ,  La  grève ,  Païsa \n'),(45080,6453,'_product_image_gallery',''),(45081,6454,'_pingme','1'),(45082,6454,'_encloseme','1'),(45083,6454,'Index','6590'),(45084,6454,'Minutage','1h23’03  \n'),(45085,6454,'Images','Noir . \n'),(45086,6454,'VoixOffIn','partito ,  ciak ,  Odissea  14702  prima .  \n *Le * *Mépris * ( 1963 *), * Jean - Luc  Godard . \n'),(45087,6454,'BandeSon','*Id* *.* \n'),(45088,6454,'Ecrits','Vertigo ,  femme  au  corbeau ,  l\'Atalante ,  au  bord  de  la  mer  bleue ,  hélas  pour  moi ,  Ruby  gentry ,  planète ,  8  mai  1945 ,  les  enfants  jouent  à  la  Russie ,  Delacroix ,  Angèle ,  Zylberman ,  JLG  JLG ,  Guerre  et  paix ,  Péguy ,  Les  enfants  de  la  guerre ,  Stalingrad ,  l\'espoir ,  Inessa  Armand ,  le  silence  de  la  mer \n'),(45089,6454,'_product_image_gallery',''),(45090,6455,'_pingme','1'),(45091,6455,'_encloseme','1'),(45092,6455,'Index','6600'),(45093,6455,'Minutage','1h23’08 \n'),(45094,6455,'Images','Noir . \n'),(45095,6455,'VoixOffIn','\n'),(45096,6455,'BandeSon','Gong  profond  et  inquiétant . \n'),(45097,6455,'Ecrits','\n'),(45098,6455,'_product_image_gallery',''),(45099,6456,'_pingme','1'),(45100,6456,'_encloseme','1'),(45101,6456,'Index','6610'),(45102,6456,'Minutage','1h23’08 \n'),(45103,6456,'Images','Noir . \n'),(45104,6456,'VoixOffIn','\n'),(45105,6456,'BandeSon','*Id* *.* \n'),(45106,6456,'Ecrits','Rome  ville  ouverte ,  reporters  sans  frontière ,  Silence  on  tourne ,  Siegfried ,  le  testament  d\'Orphée ,  J  de  Maistre ,  Paumés  de  la  mendicité ,  Dobrinka  Tabakova ,  les  oubliés  de  l\'histoire ,  Shakespeare ,  Beethoven ,  la  chute  de  Berlin ,  Delivrance ,  B .  Barnett ,  Notre  musique ,  Napoléon ,  Masaccio ,  DR  Mabuse ,  La  règle  du  jeu ,  Allo  Berlin  ici  Paris \n'),(45107,6456,'_product_image_gallery',''),(45108,6457,'_pingme','1'),(45109,6457,'_encloseme','1'),(45110,6457,'Index','6620'),(45111,6457,'Minutage','1h23’10 \n'),(45112,6457,'Images','En  gras ,  s’ajoutant  à  la  liste  précédente  :  «  TEXTES  ». \n La  liste  disparaît . \n'),(45113,6457,'VoixOffIn','\n'),(45114,6457,'BandeSon','*Id* *.* \n'),(45115,6457,'Ecrits','\n TEXTES \n'),(45116,6457,'_product_image_gallery',''),(45117,6458,'_pingme','1'),(45118,6458,'_encloseme','1'),(45119,6458,'Index','6630'),(45120,6458,'Minutage','1h23’14 \n'),(45121,6458,'Images','Noir . \n'),(45122,6458,'VoixOffIn','\n'),(45123,6458,'BandeSon','*Id* *.* \n'),(45124,6458,'Ecrits','Google ,  Al  razutis ,  RM  Rilke ,  Berlin  express ,  l\'affrontement ,  paysage  dans  le  brouillard ,  Dostoïevski ,  Hollis  Frampton ,  L .  F .  Céline ,  P  de  Villiers ,  Hans  Otte ,  Manon ,  Orphée ,  croisée  des  destins ,  mécano  de  la  générale ,  route  de  l\'impossible ,  Baudelaire ,  Hegel ,  D .  Vertov ,  terror  by  night ,  G  Steiner ,  castoriadis ,  le  silence \n'),(45125,6458,'_product_image_gallery',''),(45126,6459,'_pingme','1'),(45127,6459,'_encloseme','1'),(45128,6459,'Index','6640'),(45129,6459,'Minutage','1h23’19 \n'),(45130,6459,'Images','Noir . \n'),(45131,6459,'VoixOffIn','\n'),(45132,6459,'BandeSon','*Id* *.* \n'),(45133,6459,'Ecrits','Shanghai  express ,  A  Brehem ,  E  Vittorini  T  Gustavsen ,  Turksib ,  A .  Schnittke ,  Trigon  films ,  Liberté  et  patrie ,  P .  Val ,  W .  Faulkner ,  grandeur  et  décadence ,  les  2  Fédor ,  Wild  boys  on  the  road ,  Toccata  for  toy  trains ,  Arvo  part ,  Au  bord  de  la  mer  bleue ,  Anna  Karenine ,  Medvedkine ,  Après  le  feu ,  le  plaisir ,  deux  fois  cinquante  ans ,  la  commune ,  Arditti  quartet ,  ECM  records ,  V .  Hugo ,  vendémiaire \n'),(45134,6459,'_product_image_gallery',''),(45135,6460,'_pingme','1'),(45136,6460,'_encloseme','1'),(45137,6460,'Index','6650'),(45138,6460,'Minutage','1h23’20 \n'),(45139,6460,'Images','En  gras ,  s’ajoutant  à  la  liste  précédente  :  «  FILMS  ». \n La  liste  disparaît . \n'),(45140,6460,'VoixOffIn','Mais  la  langue  ne  sera  jamais \n'),(45141,6460,'BandeSon','Silence . \n'),(45142,6460,'Ecrits','FILMS \n'),(45143,6460,'_product_image_gallery',''),(45144,6461,'_pingme','1'),(45145,6461,'_encloseme','1'),(45146,6461,'Index','6660'),(45147,6461,'Minutage','1h23’25 \n'),(45148,6461,'Images','Noir . \n'),(45149,6461,'VoixOffIn','le  langage \n'),(45150,6461,'BandeSon','*Id* *.* \n'),(45151,6461,'Ecrits','A .  Rimbaud ,  terrorism  considered ,  Sollers ,  V .  Vysotsky ,  Montesquieu ,  le  faux  coupable ,  Grèce  2013 ,  Au  cœur  de  l\'orage ,  La  Strada ,  J .- S .  Bach ,  Les  chouans ,  Mister  love ,  Sayat  nova ,  Los  Olvidados ,  Marilyn ,  Le  premier  maître ,  les  onze  fioretti ,  Young  Mister  Lincoln ,  Monsieur  de  Charette ,  Le  chaos ,  Freaks ,  Porno ,  danish  string  quartet ,  For  ever  Mozart \n'),(45152,6461,'_product_image_gallery',''),(45153,6462,'_pingme','1'),(45154,6462,'_encloseme','1'),(45155,6462,'Index','6670'),(45156,6462,'Minutage','1h23’30 \n'),(45157,6462,'Images','Noir . \n'),(45158,6462,'VoixOffIn','\n'),(45159,6462,'BandeSon','*Id* *.* \n'),(45160,6462,'Ecrits','Caillebotte ,  Balzac ,  Jacques  rivette ,  Dies  irae ,  Wyatt  Earp ,  Tout  va  bien ,  Alexandre  Nevski ,  Eau  argentée ,  C  dans  l\'air ,  Fantômas ,  Freud ,  procès  de  Charles  1er ,  Nuremberg ,  Méliès ,  Hortense  de  Beauharnais ,  école  de  Fontainebleau ,  Duck  soup ,  René  Charles  de  Lusson ,  Elephant ,  Week - end ,  Viva  Villa ,  Que  viva  mexico ,  les  visiteurs  du  soir ,  Elie  Faure ,  S .  Prokofiev ,  La  fin  du  A \n'),(45161,6462,'_product_image_gallery',''),(45162,6463,'_pingme','1'),(45163,6463,'_encloseme','1'),(45164,6463,'Index','6680'),(45165,6463,'Minutage','1h23’31 \n'),(45166,6463,'Images','En  gras ,  s’ajoutant  à  la  liste  précédente  :  «  TABLEAUX  ». \n La  liste  disparaît . \n'),(45167,6463,'VoixOffIn','\n'),(45168,6463,'BandeSon','Coq  chantant . \n'),(45169,6463,'Ecrits','TABLEAUX \n'),(45170,6463,'_product_image_gallery',''),(45171,6464,'_pingme','1'),(45172,6464,'_encloseme','1'),(45173,6464,'Index','6690'),(45174,6464,'Minutage','1h23’35 \n'),(45175,6464,'Images','Noir . \n'),(45176,6464,'VoixOffIn','\n'),(45177,6464,'BandeSon','*Vom * *Winde * *Beweint * *- * *1 * *Largo * *Molto * ( 1990 *), * Giya  Kancheli .  \n'),(45178,6464,'Ecrits','las  Hurdes ,  Beckett ,  metropolis ,  Nuit  du  carrefour ,  M .  Blanchot ,  Vladimir  et  Rosa ,  terreur  et  vertu ,  l\'esprit  des  lois ,  La  dame  de  Shanghai ,  Un  feu ,  la  belle  et  la  Bête ,  Emile  Cohl ,  la  région  centrale ,  Photo  Libération ,  Bécassine ,  Broswimmer ,  Notorius ,  Moubarak ,  Origine  du  XXIe  siècle ,  A .  Cossery ,  le  visage  de  Dieu ,  Meshes  of  afternoon ,  Les  1001  nuits ,  Constantinople ,  Détective ,  Film  socialisme ,  Voleur  de  Bagdad  ( R .  Walsh ) \n'),(45179,6464,'_product_image_gallery',''),(45180,6465,'_pingme','1'),(45181,6465,'_encloseme','1'),(45182,6465,'Index','6700'),(45183,6465,'Minutage','1h23’40 \n'),(45184,6465,'Images','Noir . \n'),(45185,6465,'VoixOffIn','\n'),(45186,6465,'BandeSon','*Id* *.* \n'),(45187,6465,'Ecrits','Aladin  magic  lamp ,  le  Messie ,  The  crusades ,  Bonaparte ,  frères  de  guerre ,  Salammbô ,  Méditerranée ,  E .  Saïd ,  S .  Luste  Boulbina ,  M .  Koldenitzky ,  Nous ,  les  dernières  vacances ,  Djamila ,  Voyage  à  Tunis ,  Collier  perdu  de  la  colombe ,  Kanchelli ,  Khalled  abou  Khalled ,  gare  centrale ,  Ici  et  ailleurs ,  la  saison  des  hommes ,  Alexandre  Dumas ,  Muezzin ,  P  Mizraki ,  Mendelssohn ,  A .  Macke ,  Tamaout ,  Détention  secrète \n'),(45188,6465,'_product_image_gallery',''),(45189,6466,'_pingme','1'),(45190,6466,'_encloseme','1'),(45191,6466,'Index','6710'),(45192,6466,'Minutage','1h23’41 \n'),(45193,6466,'Images','En  gras ,  s’ajoutant  à  la  liste  précédente  :  «  MUSIQUE  » \n La  liste  disparaît . \n'),(45194,6466,'VoixOffIn','\n'),(45195,6466,'BandeSon','*Id* *.* \n'),(45196,6466,'Ecrits','MUSIQUE \n'),(45197,6466,'_product_image_gallery',''),(45198,6467,'_pingme','1'),(45199,6467,'_encloseme','1'),(45200,6467,'Index','6720'),(45201,6467,'Minutage','1h23’45 \n'),(45202,6467,'Images','Noir . \n'),(45203,6467,'VoixOffIn','\n'),(45204,6467,'BandeSon','*Id* *.* \n'),(45205,6467,'Ecrits','  F .  Prokosch ,  Judex ,  la  Bandera ,  Syriana ,  D .  Sibony ,  La  môme  vert  de  gris ,  Mille  mois ,  Premiers  chanteurs  des  Bilad  Al  Sham ,  les  silences  du  palais ,  Al  leil ,  La  fièvre ,  About  Elly ,  Tunisie ,  Voleur  de  Bagdad  ( C .  Donner ),  Bab\'  Aziz\' ,  Arabian  nights ,  Fissures ,  Salafistes  sexe ,  Maghreb ,  13  hours ,  kerbala ,  Tomasz  Stanko ,  les  terrasses ,  2  films  inconnus ,  Reel  unreel ,  La  recupart ,  Elias  Canetti ,  P .  Weiss \n'),(45206,6467,'_product_image_gallery',''),(45207,6468,'_pingme','1'),(45208,6468,'_encloseme','1'),(45209,6468,'Index','6730'),(45210,6468,'Minutage','1h23’49 \n'),(45211,6468,'Images','Noir . \n'),(45212,6468,'VoixOffIn','\n'),(45213,6468,'BandeSon','*Id* *.* \n'),(45214,6468,'Ecrits','EUX  TOUS \n'),(45215,6468,'_product_image_gallery',''),(45216,6469,'_pingme','1'),(45217,6469,'_encloseme','1'),(45218,6469,'Index','6740'),(45219,6469,'Minutage','1h23’51 \n'),(45220,6469,'Images','Surexposé ,  en  noir  et  blanc  :  photo  d\'un  enfant  mangeant  assis . \n'),(45221,6469,'VoixOffIn','\n'),(45222,6469,'BandeSon','*Id* *.* \n'),(45223,6469,'Ecrits','\n'),(45224,6469,'_product_image_gallery',''),(45225,6470,'_pingme','1'),(45226,6470,'_encloseme','1'),(45227,6470,'Index','6750'),(45228,6470,'Minutage','1h23’54 \n'),(45229,6470,'Images','Noir .  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches . \n'),(45230,6470,'VoixOffIn','\n'),(45231,6470,'BandeSon','*Id* *.* \n'),(45232,6470,'Ecrits','HAMIDREZA \n PEJMAN \n'),(45233,6470,'_product_image_gallery',''),(45234,6471,'_pingme','1'),(45235,6471,'_encloseme','1'),(45236,6471,'Index','6760'),(45237,6471,'Minutage','1h23’56 \n'),(45238,6471,'Images','Noir .  Lettres  latines  rouges  s’y  superposant  à  des  lettres  arabes  blanches . \n'),(45239,6471,'VoixOffIn','\n'),(45240,6471,'BandeSon','*Id* *.* \n'),(45241,6471,'Ecrits','GEORGES \n SCHOUCAIR \n'),(45242,6471,'_product_image_gallery',''),(45243,6472,'_pingme','1'),(45244,6472,'_encloseme','1'),(45245,6472,'Index','6770'),(45246,6472,'Minutage','1h23’59 \n'),(45247,6472,'Images','Noir . \n'),(45248,6472,'VoixOffIn','\n'),(45249,6472,'BandeSon','Silence . \n'),(45250,6472,'Ecrits','NADER \n MOBARGHA \n'),(45251,6472,'_product_image_gallery',''),(45252,6473,'_pingme','1'),(45253,6473,'_encloseme','1'),(45254,6473,'Index','6780'),(45255,6473,'Minutage','1h24’00 \r\n'),(45256,6473,'Images','En  noir  et  blanc  :  grillage  avec  une  pancarte  indiquant  :  «  NO  TRESPASSING  ». \r\n'),(45257,6473,'VoixOffIn',''),(45258,6473,'BandeSon','*Id* *.* \r\n'),(45259,6473,'Ecrits',''),(45260,6473,'_product_image_gallery',''),(45261,6474,'_pingme','1'),(45262,6474,'_encloseme','1'),(45263,6474,'Index','6790'),(45264,6474,'Minutage','1h24’04 \n'),(45265,6474,'Images','En  couleur  :  photo  d’un  grillage  avec  une  pancarte  indiquant  :  «  DÉFENSE  D’ENTRER \n PROPRIÉTÉ  DE  L’ETAT  ». \n'),(45266,6474,'VoixOffIn','En  réalité ,  disait  Brecht ,  \n'),(45267,6474,'BandeSon','*Id* *.* \n'),(45268,6474,'Ecrits','\n'),(45269,6474,'_product_image_gallery',''),(45270,6475,'_pingme','1'),(45271,6475,'_encloseme','1'),(45272,6475,'Index','6800'),(45273,6475,'Minutage','1h24’09 \n'),(45274,6475,'Images','Inscription  manuscrite  : \n «  Film  immatriculé  \n Au  Registre  public  de  la  \n Cinématographie \n et  visé  à  la  censure \n sous  N932  15 / 2 / 46  ». \n'),(45275,6475,'VoixOffIn','seul  le  fragment  \n'),(45276,6475,'BandeSon','*Id* *.* \n'),(45277,6475,'Ecrits','\n'),(45278,6475,'_product_image_gallery',''),(45279,6476,'_pingme','1'),(45280,6476,'_encloseme','1'),(45281,6476,'Index','6810'),(45282,6476,'Minutage','1h24’14 \n'),(45283,6476,'Images','Au  ralenti  et  en  noir  et  blanc  :  jeunes  esclaves  vénérant  un  roi  sur  un  trône . \n'),(45284,6476,'VoixOffIn','porte  la  marque  de  l\'authenticité  parce  qu’il  est  le  plus  proche  de  la  fonction  la  plus  intérieure  de  l’acte  de  production .  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Ils  admirent ,  il  vrai ,  que  la  représentation  d’une  civilisation  tombée  dans  la  dépravation  d’un  état  où  les  droits  civils  n’étaient  pas  respectés ,  où  l’inégalité  régnait ,  contenait  …  critique . \n'),(45285,6476,'BandeSon','*Id* *.* \n'),(45286,6476,'Ecrits','\n'),(45287,6476,'_product_image_gallery',''),(45288,6477,'_pingme','1'),(45289,6477,'_encloseme','1'),(45290,6477,'Index','6820'),(45291,6477,'Minutage','1h24’41 \n'),(45292,6477,'Images','En  noir  et  blanc  :  détail  de  la  main  du  *San * *Giovanni * *Battista * ( 1508 - 1513 *), * Leonardo  da  Vinci . \n'),(45293,6477,'VoixOffIn','Mais \n'),(45294,6477,'BandeSon','*Id* *.* \n'),(45295,6477,'Ecrits','\n'),(45296,6477,'_product_image_gallery',''),(45297,6478,'_pingme','1'),(45298,6478,'_encloseme','1'),(45299,6478,'Index','6830'),(45300,6478,'Minutage','1h24’44 \n'),(45301,6478,'Images','Surexposé  et  saturé  :  pellicule  tirée  d\'une  bobine  en  rotation . \n'),(45302,6478,'VoixOffIn','au  contraire  de  Balzac ,  \n'),(45303,6478,'BandeSon','*Id* *.* \n'),(45304,6478,'Ecrits','\n'),(45305,6478,'_product_image_gallery',''),(45306,6479,'_pingme','1'),(45307,6479,'_encloseme','1'),(45308,6479,'Index','6840'),(45309,6479,'Minutage','1h24’45 \n'),(45310,6479,'Images','Surexposé ,  en  noir  et  blanc  :  de  nouveau ,  photographie  d\'un  enfant  mangeant  assis . \n'),(45311,6479,'VoixOffIn','il  ne  faisait  que  satisfaire  son  penchant  effréné  pour  l’homme  \n \n \n \n'),(45312,6479,'BandeSon','*Id* *.* \n'),(45313,6479,'Ecrits','\n'),(45314,6479,'_product_image_gallery',''),(45315,6480,'_pingme','1'),(45316,6480,'_encloseme','1'),(45317,6480,'Index','6850'),(45318,6480,'Minutage','1h24’48 \n'),(45319,6480,'Images','Soldats  courants  à  travers  des  explosions . \n'),(45320,6480,'VoixOffIn','s’humiliant  lui - même . \n'),(45321,6480,'BandeSon','*Id* *.* \n'),(45322,6480,'Ecrits','\n'),(45323,6480,'_product_image_gallery',''),(45324,6481,'_pingme','1'),(45325,6481,'_encloseme','1'),(45326,6481,'Index','6860'),(45327,6481,'Minutage','1h24’50 \n'),(45328,6481,'Images','Photographie  de  Louis - Ferdinand  Céline . \n'),(45329,6481,'VoixOffIn','\n'),(45330,6481,'BandeSon','*Id* *.* \n'),(45331,6481,'Ecrits','\n'),(45332,6481,'_product_image_gallery',''),(45333,6482,'_pingme','1'),(45334,6482,'_encloseme','1'),(45335,6482,'Index','6870'),(45336,6482,'Minutage','1h24’51 \n'),(45337,6482,'Images','De  nouveau ,  femme  s’évanouissant  avec  les  mains  en  l\'air  devant  un  écran .  *Deux * *fois * *cinquante * *ans * *de * *cinéma * *français * ( 1995 *), * Jean - Luc  Godard . \n'),(45338,6482,'VoixOffIn','Qu’il  n’utilisait  le  remords  et  l’expiation  \n'),(45339,6482,'BandeSon','*Id* *.* \n'),(45340,6482,'Ecrits','\n'),(45341,6482,'_product_image_gallery',''),(45342,6483,'_pingme','1'),(45343,6483,'_encloseme','1'),(45344,6483,'Index','6880'),(45345,6483,'Minutage','1h24’53 \n'),(45346,6483,'Images','De  nouveau ,  femme  au  micro  parlant  lors  d\'une  manifestation . \n'),(45347,6483,'VoixOffIn','d’actes  d’une  brutalité  inouïe \n'),(45348,6483,'BandeSon','*Id* *.* \n'),(45349,6483,'Ecrits','\n'),(45350,6483,'_product_image_gallery',''),(45351,6484,'_pingme','1'),(45352,6484,'_encloseme','1'),(45353,6484,'Index','6890'),(45354,6484,'Minutage','1h24’54 \n'),(45355,6484,'Images','En  négatif  :  de  nouveau ,  homme  caché  dans  l\'ombre ,  le  menton  posé  sur  la  main  gauche .  \n *Fantômas * ( 1913 ),  Louis  Feuillade .  *Histoire* *(* *s* *) * *du * *cinéma * *4a * ( 1988 - 98 *), * Jean - Luc  Godard . \n'),(45356,6484,'VoixOffIn','\n'),(45357,6484,'BandeSon','*Id* *.* \n'),(45358,6484,'Ecrits','\n'),(45359,6484,'_product_image_gallery',''),(45360,6485,'_pingme','1'),(45361,6485,'_encloseme','1'),(45362,6485,'Index','6900'),(45363,6485,'Minutage','1h24’56 \n'),(45364,6485,'Images','De  nouveau ,  photographie  de   Marilyne  Monroe .  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