docker_partition_jlg/Docker/mariadb/wordpress.sql

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Vous trouverez une prévisualisation complète de vos modèles et éléments de modèles, et pourrez passer à l’éditeur de site depuis n’importe quel écran.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-navigation.png);background-position:25% 47%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-navigation.png\" alt=\"\" class=\"wp-image-2663 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-navigation.png 872w, https://fr.wordpress.org/files/2023/03/about-navigation-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-navigation-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-navigation-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Améliorations du bloc de navigation</h3>\n\n\n\n<p>La nouvelle colonne latérale de réglages facilite la modification de la navigation de votre site. Ajoutez, supprimez et réordonnez vos éléments de menus plus rapidement, peu importe la complexité de vos menus.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-block-inserter.png);background-position:33% 52%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-block-inserter.png\" alt=\"\" class=\"wp-image-2664 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-block-inserter.png 872w, https://fr.wordpress.org/files/2023/03/about-block-inserter-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-block-inserter-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-block-inserter-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Une expérience plus fluide pour l’outil d’insertion de blocs</h3>\n\n\n\n<p>L’onglet «&nbsp;média&nbsp;» permet de glisser et déposer du contenu depuis votre médiathèque rapidement. La vue partagée facilite la navigation parmi les catégories et la prévisualisation des compositions.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png);background-position:24% 50%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png\" alt=\"\" class=\"wp-image-2665 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-split-controls-fixed.png 872w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-split-controls-fixed-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Une meilleure interface pour les réglages des blocs</h3>\n\n\n\n<p>La colonne latérale de réglages de vos blocs est mieux organisée, avec des onglets pour les réglages et pour les styles. Les outils dont vous avez besoin sont identifiables et facile d’accès.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-headers.png);background-position:20% 46%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-headers.png\" alt=\"\" class=\"wp-image-2666 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-headers.png 872w, https://fr.wordpress.org/files/2023/03/about-headers-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-headers-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-headers-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Des en-têtes et des pieds de page prêts à l&#8217;emploi</h3>\n\n\n\n<p>Découvrez une nouvelle collection de compositions d’en-têtes et de pieds de page. Utilisez-les avec n’importe quel thème basé sur des blocs pour en faire un point de départ rapide et de qualité pour les modèles de pages de votre site.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-openverse.png);background-position:27% 48%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-openverse.png\" alt=\"\" class=\"wp-image-2667 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-openverse.png 872w, https://fr.wordpress.org/files/2023/03/about-openverse-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-openverse-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-openverse-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Explorez les médias Openverse directement depuis l’éditeur</h3>\n\n\n\n<p>La bibliothèque d’Openverse répertorie plus de 600 millions d’images et de fichiers audio gratuits sous licence ouverte, et elle est désormais directement intégrée à l’éditeur.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-distraction-free.png);background-position:50% 50%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-distraction-free.png\" alt=\"\" class=\"wp-image-2668 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-distraction-free.png 872w, https://fr.wordpress.org/files/2023/03/about-distraction-free-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-distraction-free-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-distraction-free-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Un nouveau mode sans distraction</h3>\n\n\n\n<p>De temps en temps, il est bon de pouvoir se concentrer sur son travail. Vous pouvez maintenant masquer tous les panneaux et réglages pour vous concentrer sur l’écriture de votre contenu.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://fr.wordpress.org/files/2023/03/about-out-of-beta.png);background-position:44% 50%\"><img decoding=\"async\" loading=\"lazy\" width=\"872\" height=\"872\" src=\"https://fr.wordpress.org/files/2023/03/about-out-of-beta.png\" alt=\"\" class=\"wp-image-2670 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-out-of-beta.png 872w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-150x150.png 150w, https://fr.wordpress.org/files/2023/03/about-out-of-beta-768x768.png 768w\" sizes=\"(max-width: 872px) 100vw, 872px\" /></figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">L’éditeur de site n’est officiellement plus en version bêta&nbsp;!</h3>\n\n\n\n<p>La version 6.2 est une invitation à découvrir le potentiel de la prochaine génération de thèmes WordPress.</p>\n</div></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Un nouveau guide de styles à votre disposition</h3>\n\n\n\n<p>Utilisez le guide de style pour obtenir une vue d’ensemble de l’apparence de chaque bloc de votre site. Tout vos blocs sont affichés en un seul endroit, accessible en un clin d’œil.</p>\n</div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-style-book.png\" alt=\"\" class=\"wp-image-2671 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-style-book.png 560w, https://fr.wordpress.org/files/2023/03/about-style-book-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-style-book-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Copier / coller les styles en un clin d’œil</h3>\n\n\n\n<p>Travaillez votre design sur un type de bloc, puis copiez et collez ces styles sur d’autres blocs pour obtenir exactement l’aspect que vous souhaitez.</p>\n</div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-copy-paste.png\" alt=\"\" class=\"wp-image-2672 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-copy-paste.png 560w, https://fr.wordpress.org/files/2023/03/about-copy-paste-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-copy-paste-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 23%\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">CSS personnalisé</h3>\n\n\n\n<p>Améliorez votre site à votre guise en ajoutant votre propre CSS sur votre site ou sur vos blocs, pour un niveau de contrôle encore plus important sur l’apparence de votre site.</p>\n</div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"560\" height=\"560\" src=\"https://fr.wordpress.org/files/2023/03/about-custom-css.png\" alt=\"\" class=\"wp-image-2673 size-full\" srcset=\"https://fr.wordpress.org/files/2023/03/about-custom-css.png 560w, https://fr.wordpress.org/files/2023/03/about-custom-css-300x300.png 300w, https://fr.wordpress.org/files/2023/03/about-custom-css-150x150.png 150w\" sizes=\"(max-width: 560px) 100vw, 560px\" /></figure></div>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Positionnement épinglé</h3>\n\n\n\n<p>Maintenez certains blocs important en haut de page lorsque les internautes la font défiler.</p>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Importation des widgets</h3>\n\n\n\n<p>Options pour importer vos widgets préférés depuis les thèmes classiques vers les thèmes basés sur des blocs.</p>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:20px\">Polices embarquées depuis les thèmes</h3>\n\n\n\n<p>Les thèmes par défaut proposés par WordPress offrent un meilleur respect des données personnelles en embarquant les polices Google en local.</p>\n\n\n\n<h3 class=\"wp-block-heading\">En savoir plus sur WordPress 6.2</h3>\n\n\n\n<p>Visitez&nbsp;<a href=\"https://learn.wordpress.org/\">learn.wordpress.org</a>&nbsp;pour des tutoriels vidéos, des ateliers en ligne, des cours et des plans de cours pour les personnes organisant des évènements, et pour des contenus présentant les nouvelles fonctionnalités de WordPress.</p>\n\n\n\n<p>Consultez notre&nbsp;<a href=\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/\">guide des changements techniques introduits par WordPress 6.2</a>. Il contient toutes les notes techniques que vous devez connaître si vous développez sur WordPress.</p>\n\n\n\n<p><a href=\"https://wordpress.org/support/wordpress-version/version-6-2/\">Lire les notes de développement de WordPress 6.2 (en anglais)</a>&nbsp;pour obtenir plus d’informations sur les améliorations proposées et les anomalies corrigées, les informations d’installation, les notes et ressources à destination des développeuses et des développeurs, connaître les personnes ayant contribué à cette version et pour obtenir la liste des fichiers modifiés.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WP 6.2</h2>\n\n\n\n<p>Voici l’équipe qui a coordonné le développement et la sortie cette nouvelle version de WordPress&nbsp;:</p>\n\n\n\n<ul>\n<li>Direction générale&nbsp;: <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a></li>\n\n\n\n<li>Coordination de la version&nbsp;: <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>, <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a></li>\n\n\n\n<li>Direction technique du cœur WP&nbsp;: <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a></li>\n\n\n\n<li>Direction technique Gutenberg&nbsp;: <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a></li>\n\n\n\n<li>Gestion de projet côté cœur WP : <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>, <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a></li>\n\n\n\n<li>Gestion de projet côté Gutenberg&nbsp;: <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>, <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a></li>\n\n\n\n<li>Responsable du design&nbsp;: <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a></li>\n\n\n\n<li>Coordination de la documentation&nbsp;: <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseet</a>, <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a>, <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a></li>\n\n\n\n<li>Coordination de la communication&nbsp;: <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a>, <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a>, <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a></li>\n\n\n\n<li>Coordination des tests&nbsp;: <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a>, <a href=\"https://profiles.wordpress.org/adeltahri/\">Adel Tahri</a></li>\n\n\n\n<li>Responsable de l&rsquo;optimisation des performances&nbsp;: <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Merci aux contributeurs et contributrices</h2>\n\n\n\n<p>WordPress 6.2 n&rsquo;aurait pas pu sortir sans la contribution passionnée de plus de 600 personnes provenant d&rsquo;au moins 50 pays différents. Un remerciement tout spécial pour les 178 personnes qui ont contribué au cœur de WordPress pour la première fois avec WP&nbsp;6.2 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> </p>\n\n\n\n<p>Les personnes listées ci-dessous démontrent la vitalité et le dynamisme de notre belle communauté open-source, merci à elles&nbsp;!</p>\n\n\n\n<p style=\"font-size:12px\"><a href=\"https://profiles.wordpress.org/10upsimon/\">10upsimon</a> · <a href=\"https://profiles.wordpress.org/254volkan/\">254volkan</a> · <a href=\"https://profiles.wordpress.org/mercime/\">@mercime</a> · <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a> · <a href=\"https://profiles.wordpress.org/aeg0125/\">Aaron Graham</a> · <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/abidhasan112/\">Abid Hasan</a> · <a href=\"https://profiles.wordpress.org/abitofmind/\">abitofmind</a> · <a href=\"https://profiles.wordpress.org/abtop/\">ABTOP</a> · <a href=\"https://profiles.wordpress.org/ace100/\">ace100</a> · <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/admwgn/\">Adam Wiltgen</a> · <a href=\"https://profiles.wordpress.org/adeltahri/\">Adel Tahri</a> · <a href=\"https://profiles.wordpress.org/adhun/\">Adhun Anand</a> · <a href=\"https://profiles.wordpress.org/adityaarora010196/\">adityaarora010196</a> · <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a> · <a href=\"https://profiles.wordpress.org/afshanadiya/\">Afshana Diya</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> · <a href=\"https://profiles.wordpress.org/ajmaurya/\">Ajay Maurya</a> · <a href=\"https://profiles.wordpress.org/ajayver/\">ajayver</a> · <a href=\"https://profiles.wordpress.org/seakashdiu/\">Akash Mia</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alanjacobmathew/\">Alan Jacob Mathew</a> · <a href=\"https://profiles.wordpress.org/albarin/\">albarin</a> · <a href=\"https://profiles.wordpress.org/alberuni-azad/\">Alberuni Azad.</a> · <a href=\"https://profiles.wordpress.org/alecgeatches/\">alecgeatches</a> · <a href=\"https://profiles.wordpress.org/aleksganev/\">Aleks Ganev</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">Alex Stine</a> · <a href=\"https://profiles.wordpress.org/alvastar/\">alvastar</a> · <a href=\"https://profiles.wordpress.org/alvitazwar052/\">Alvi Tazwar</a> · <a href=\"https://profiles.wordpress.org/amin7/\">amin</a> · <a href=\"https://profiles.wordpress.org/amirrezatm/\">amirrezatm</a> · <a href=\"https://profiles.wordpress.org/amitbarai013/\">Amit Barai Alit</a> · <a href=\"https://profiles.wordpress.org/paulamit/\">Amit Paul</a> · <a href=\"https://profiles.wordpress.org/anantajitjg/\">Anantajit JG</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/andreaboe/\">andreaboe</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/apmatthe/\">Andrew Matthews</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey “Rarst” Savchenko</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/apeatling/\">Andy Peatling</a> · <a href=\"https://profiles.wordpress.org/aniketpatel/\">Aniket Patel</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/ankitmaru/\">Ankit Panchal</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/ahortin/\">Anthony Hortin</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/antonyagrios/\">Antony Agrios</a> · <a href=\"https://profiles.wordpress.org/aparnajl/\">Aparna Adhun</a> · <a href=\"https://profiles.wordpress.org/arrasel403/\">AR Rasel</a> · <a href=\"https://profiles.wordpress.org/arafatjamil01/\">Arafat Jamil</a> · <a href=\"https://profiles.wordpress.org/aravindajith/\">Aravind Ajith</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/arnolp/\">arnolp</a> · <a href=\"https://profiles.wordpress.org/artemiosans/\">Artemio Morales</a> · <a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a> · <a href=\"https://profiles.wordpress.org/artz91/\">ArtZ91</a> · <a href=\"https://profiles.wordpress.org/aryamaaru/\">Arun</a> · <a href=\"https://profiles.wordpress.org/mrasharirfan/\">Ashar Irfan</a> · <a href=\"https://profiles.wordpress.org/ashrafulsarkar/\">Ashraful Sarkar Naiem</a> · <a href=\"https://profiles.wordpress.org/nmutua/\">Autumn</a> · <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a> · <a href=\"https://profiles.wordpress.org/azurseisme/\">azurseisme</a> · <a href=\"https://profiles.wordpress.org/barryceelen/\">Barry Ceelen</a> · <a href=\"https://profiles.wordpress.org/bart/\">Bart</a> · <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a> · <a href=\"https://profiles.wordpress.org/bedas/\">Beda</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/benish74/\">benish74</a> · <a href=\"https://profiles.wordpress.org/benjgrolleau/\">Benjamin Grolleau</a> · <a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a> · <a href=\"https://profiles.wordpress.org/kau-boy/\">Bernhard Kau</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a> · <a href=\"https://profiles.wordpress.org/mxbclang/\">Bethany Chobanian Lang</a> · <a href=\"https://profiles.wordpress.org/bgin/\">bgin</a> · <a href=\"https://profiles.wordpress.org/albatross10/\">Bhavik Kalpesh</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a>&nbsp;· <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> ·&nbsp;<a href=\"https://profiles.wordpress.org/bjorn2404/\">bjorn2404</a> · <a href=\"https://profiles.wordpress.org/bogdanungureanu/\">BogdanUngureanu</a> · <a href=\"https://profiles.wordpress.org/bonjour52/\">bonjour52</a> · <a href=\"https://profiles.wordpress.org/bookwyrm/\">bookwyrm</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a> · <a href=\"https://profiles.wordpress.org/bradyvercher/\">Brady Vercher</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/bgoewert/\">Brennan Goewert</a> · <a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a> · <a href=\"https://profiles.wordpress.org/bronsonquick/\">bronsonquick</a> · <a href=\"https://profiles.wordpress.org/brookemk/\">Brooke Kaminski</a> · <a href=\"https://profiles.wordpress.org/brookedot/\">Brooke.</a> · <a href=\"https://profiles.wordpress.org/buutqn/\">buutqn</a> · <a href=\"https://profiles.wordpress.org/cameronjonesweb/\">Cameron Jones</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos Garcia Prim</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/mcaskill/\">Chauncey McAskill</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/chiragrathod103/\">Chirag Rathod</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chocofc1/\">chocofc1</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/chrisbaltazar/\">chrisbaltazar</a> · <a href=\"https://profiles.wordpress.org/apermo/\">Christoph Daum</a> · <a href=\"https://profiles.wordpress.org/chrystl/\">Chrystl</a> · <a href=\"https://profiles.wordpress.org/ckanderson22/\">ckanderson22</a> · <a href=\"https://profiles.wordpress.org/claytoncollie/\">Clayton Collie</a> · <a href=\"https://profiles.wordpress.org/cnspecialcolor/\">cnspecialcolor</a> · <a href=\"https://profiles.wordpress.org/codesdnc/\">codesdnc</a> · <a href=\"https://profiles.wordpress.org/codingchicken/\">Coding Chicken</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/conner_bw/\">conner_bw</a> · <a href=\"https://profiles.wordpress.org/copons/\">Copons</a> · <a href=\"https://profiles.wordpress.org/corentingautier/\">corentingautier</a> · <a href=\"https://profiles.wordpress.org/coreyw/\">Corey Worrell</a> · <a href=\"https://profiles.wordpress.org/cbirdsong/\">Cory Birdsong</a> · <a href=\"https://profiles.wordpress.org/craigfrancis/\">Craig Francis</a> · <a href=\"https://profiles.wordpress.org/craiglpeters/\">craiglpeters</a> · <a href=\"https://profiles.wordpress.org/geisthanen/\">Creative Andrew</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a> · <a href=\"https://profiles.wordpress.org/dperonne/\">D.PERONNE</a> · <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a> · <a href=\"https://profiles.wordpress.org/dalirajab/\">dali-rajab</a> · <a href=\"https://profiles.wordpress.org/dalleyne/\">Damien Alleyne</a> · <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/wirecat/\">Daniel Johnson</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/datagutten/\">datagutten</a> · <a href=\"https://profiles.wordpress.org/davilera/\">David Aguilera</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/davefx/\">David Marín Carreño</a> · <a href=\"https://profiles.wordpress.org/dshanske/\">David Shanske</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a> · <a href=\"https://profiles.wordpress.org/davidvongries/\">David Vongries</a> · <a href=\"https://profiles.wordpress.org/dsas/\">Dean Sas</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/derekblank/\">derekblank</a> · <a href=\"https://profiles.wordpress.org/devanshijoshi/\">devanshijoshi</a> · <a href=\"https://profiles.wordpress.org/dhusakovic/\">dhusakovic</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/doctorlai/\">doctorlai</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donncha/\">Donncha</a> · <a href=\"https://profiles.wordpress.org/drzraf/\">drzraf</a> · <a href=\"https://profiles.wordpress.org/d-signed/\">DSIGNED</a> · <a href=\"https://profiles.wordpress.org/dustinrue/\">dustinrue</a> · <a href=\"https://profiles.wordpress.org/chopinbach/\">Edwin Cromley</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van&nbsp;Durpe</a> · <a href=\"https://profiles.wordpress.org/emanuelx/\">emanuelx</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/enej/\">Enej Bajgorić</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/ericlewis/\">Eric Andrew Lewis</a> · <a href=\"https://profiles.wordpress.org/edanzer/\">Erick Danzer</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/esratpopy/\">Esrat Sultana Popy</a> · <a href=\"https://profiles.wordpress.org/manuilov/\">Eugene M</a> · <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/fosuahmed/\">Faisal Ahmed</a> · <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a> · <a href=\"https://profiles.wordpress.org/fasuto/\">fasuto</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/felipelavinz/\">Felipe Lavín</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/mista-flo/\">Florian TIAR</a> · <a href=\"https://profiles.wordpress.org/fpodhorsky/\">fpodhorsky</a> · <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco</a> · <a href=\"https://profiles.wordpress.org/bueltge/\">Frank Bueltge</a> · <a href=\"https://profiles.wordpress.org/franz00/\">franzaurus</a> · <a href=\"https://profiles.wordpress.org/fuadragib/\">Fuad Ragib</a> · <a href=\"https://profiles.wordpress.org/galbaras/\">Gal Baras</a> · <a href=\"https://profiles.wordpress.org/gamecreature/\">gamecreature</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/soulseekah/\">Gennady Kovshenin</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a> · <a href=\"https://profiles.wordpress.org/gisgeo/\">gisgeo</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/grl570810/\">grl570810</a> · <a href=\"https://profiles.wordpress.org/gvgvgvijayan/\">gvgvgvijayan</a> · <a href=\"https://profiles.wordpress.org/hvar/\">H-var</a> · <a href=\"https://profiles.wordpress.org/hakre/\">hakre</a> · <a href=\"https://profiles.wordpress.org/hanshenrik/\">hanshenrik</a> · <a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh S</a> · <a href=\"https://profiles.wordpress.org/haritpanchal/\">Harit Panchal</a> · <a href=\"https://profiles.wordpress.org/hasanmisbah/\">Hasan Misbah</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/helgatheviking/\">HelgaTheViking</a> · <a href=\"https://profiles.wordpress.org/ehtmlu/\">Helmut Wandl</a> · <a href=\"https://profiles.wordpress.org/luehrsen/\">Hendrik Luehrsen</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hiren1094/\">hiren sanja</a> · <a href=\"https://profiles.wordpress.org/patelhitesh/\">Hitesh Patel</a> · <a href=\"https://profiles.wordpress.org/hughiemolloy/\">hughie.molloy</a> · <a href=\"https://profiles.wordpress.org/hugodevos/\">hugodevos</a> · <a href=\"https://profiles.wordpress.org/hztyfoon/\">hztyfoon</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/polevaultweb/\">Iain Poulson</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/iazel/\">Iazel</a> · <a href=\"https://profiles.wordpress.org/ignatggeorgiev/\">Ignat Georgiev</a> · <a href=\"https://profiles.wordpress.org/imanish003/\">imanish003</a> · <a href=\"https://profiles.wordpress.org/ingeniumed/\">ingeniumed</a> · <a href=\"https://profiles.wordpress.org/innovext/\">Innovext</a> · <a href=\"https://profiles.wordpress.org/inwerpsel/\">inwerpsel</a> · <a href=\"https://profiles.wordpress.org/iqbalrony/\">iqbalrony</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">ironprogrammer</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/itpathsolutions/\">IT Path Solutions</a> · <a href=\"https://profiles.wordpress.org/ivanjeronimo/\">ivanjeronimo</a> · <a href=\"https://profiles.wordpress.org/jhoffmann/\">j.hoffmann</a> · <a href=\"https://profiles.wordpress.org/jackreichert/\">Jack Reichert</a> · <a href=\"https://profiles.wordpress.org/jaedm97/\">Jaed Mosharraf</a> · <a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a> · <a href=\"https://profiles.wordpress.org/outrankjames/\">James</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/james-roberts/\">James Roberts</a> · <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a> · <a href=\"https://profiles.wordpress.org/janusdev/\">janusdev</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">Jarda Snajdr</a> · <a href=\"https://profiles.wordpress.org/ipajen/\">Jarko Piironen</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/carazo/\">Javier Carazo</a> · <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a> · <a href=\"https://profiles.wordpress.org/jchambo/\">jchambo</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jeanphilippegreen/\">Jean-Philippe Green</a> · <a href=\"https://profiles.wordpress.org/jeawhanlee/\">jeawhanlee</a> · <a href=\"https://profiles.wordpress.org/jeffmatson/\">Jeff Matson</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a> · <a href=\"https://profiles.wordpress.org/jmdodd/\">Jennifer M. Dodd</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/lobeless14/\">Jeremy Lind</a> · <a href=\"https://profiles.wordpress.org/jeryj/\">jeryj</a> · <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a> · <a href=\"https://profiles.wordpress.org/jhned/\">jhned</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jipmoors/\">Jip Moors</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joelmadigan/\">joelmadigan</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnwatkins0/\">John Watkins</a> · <a href=\"https://profiles.wordpress.org/jokerrs/\">Jokerrs</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a> · <a href=\"https://profiles.wordpress.org/jongycastillo/\">Jong</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/jornp/\">jornp</a> · <a href=\"https://profiles.wordpress.org/dunhakdis/\">Joseph G.</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a> · <a href=\"https://profiles.wordpress.org/joshuatf/\">joshuatf</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jsh4/\">jsh4</a> · <a href=\"https://profiles.wordpress.org/juanfra/\">Juan Aldasoro</a> · <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a> · <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/juliobox/\">Julio Potier</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a> · <a href=\"https://profiles.wordpress.org/welenofsky/\">Justin Welenofsky</a> · <a href=\"https://profiles.wordpress.org/justlevine/\">justlevine</a> · <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a> · <a href=\"https://profiles.wordpress.org/kacper3355/\">kacper3355</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/kaneva/\">kaneva</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/zoonini/\">Kathryn P.</a> · <a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a> · <a href=\"https://profiles.wordpress.org/kbat82/\">Kevin Batdorf</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a> · <a href=\"https://profiles.wordpress.org/konyoldeath/\">konyoldeath</a> · <a href=\"https://profiles.wordpress.org/kowsar89/\">Kowsar Hossain</a> · <a href=\"https://profiles.wordpress.org/krunal265/\">Krunal Bhimajiyani</a> · <a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a> · <a href=\"https://profiles.wordpress.org/kmadhak/\">Kunal Madhak</a> · <a href=\"https://profiles.wordpress.org/lanacodes/\">Lana Codes</a> · <a href=\"https://profiles.wordpress.org/larsmqller/\">larsmqller</a> · <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/lenasterg/\">Lena Stergatou</a> · <a href=\"https://profiles.wordpress.org/leonidasmilossis/\">Leo Milo</a> · <a href=\"https://profiles.wordpress.org/lifeboat/\">lifeboat</a> · <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a> · <a href=\"https://profiles.wordpress.org/lkraav/\">lkraav</a> · <a href=\"https://profiles.wordpress.org/webaxones/\">Loïc Antignac</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/dreadlox/\">Lox</a> · <a href=\"https://profiles.wordpress.org/lozula/\">lozula</a> · <a href=\"https://profiles.wordpress.org/lucius0101/\">lucius0101</a> · <a href=\"https://profiles.wordpress.org/lucymtc/\">Lucy Tomas</a> · <a href=\"https://profiles.wordpress.org/gigitux/\">Luigi</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/pyrobd/\">Lukman Nakib</a> · <a href=\"https://profiles.wordpress.org/pagelab/\">Márcio Duarte</a> · <a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/mahbubshovan/\">Mahbub Shovan</a> · <a href=\"https://profiles.wordpress.org/mahekkalola/\">Mahek Kalola</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/manojkpatil/\">Manoj Patil</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/marekdedic/\">Marek Dědič</a> · <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/santosguillamot/\">Mario Santos</a> · <a href=\"https://profiles.wordpress.org/marissamakes/\">Marissa Matthews</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/markoserb/\">Marko Ivanovic</a> · <a href=\"https://profiles.wordpress.org/marksabbath/\">marksabbath</a> · <a href=\"https://profiles.wordpress.org/flootr/\">Markus</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/matclayton/\">matclayton</a> · <a href=\"https://profiles.wordpress.org/wetah/\">Mateus Machado Luna</a> · <a href=\"https://profiles.wordpress.org/paapst/\">Mathieu Paapst</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">matiasbenedetto</a> · <a href=\"https://profiles.wordpress.org/mattkeys/\">Matt Keys</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/matthiasreinholz/\">Matthias Reinholz</a> · <a href=\"https://profiles.wordpress.org/h4l9k/\">Mauricio</a> · <a href=\"https://profiles.wordpress.org/wppunk/\">Max</a> · <a href=\"https://profiles.wordpress.org/cadic/\">Max Lyuchin</a> · <a href=\"https://profiles.wordpress.org/maximej/\">Maxime J.</a> · <a href=\"https://profiles.wordpress.org/jamilbd07/\">MD Jamil Uddin</a> · <a href=\"https://profiles.wordpress.org/kawserz/\">Md Kawser Ahmed Khan Jami</a> · <a href=\"https://profiles.wordpress.org/rakibwordpress/\">Md Rakib Hossain</a> · <a href=\"https://profiles.wordpress.org/abirhasandipu/\">Md. Abir Hasan Dipu</a> · <a href=\"https://profiles.wordpress.org/reduanmasud/\">Md. Reduan Masud</a> · <a href=\"https://profiles.wordpress.org/mdviralsampat/\">mdviralsampat</a> · <a href=\"https://profiles.wordpress.org/mehulkaklotar/\">Mehul Kaklotar</a> · <a href=\"https://profiles.wordpress.org/mensmaximus/\">mensmaximus</a> · <a href=\"https://profiles.wordpress.org/meyegui/\">meyerdev.ch</a> · <a href=\"https://profiles.wordpress.org/mgol/\">mgol</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/michael-kelly/\">Michael Kelly</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/michelmany/\">Michel Many</a> · <a href=\"https://profiles.wordpress.org/miguelaxcar/\">Miguel Axcar</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mmtr86/\">Miguel Torres</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/mikestraw/\">Mike Straw</a> · <a href=\"https://profiles.wordpress.org/dimadin/\">Milan Dinić</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/mitchellaustin/\">mitchellaustin</a> · <a href=\"https://profiles.wordpress.org/presents111/\">miya</a> · <a href=\"https://profiles.wordpress.org/monzuralam/\">Monzur Alam</a> · <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a> · <a href=\"https://profiles.wordpress.org/mrwweb/\">mrwweb</a> · <a href=\"https://profiles.wordpress.org/mtias/\">mtias</a> · <a href=\"https://profiles.wordpress.org/mujuonly/\">mujuonly</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/faguni22/\">Mumtahina Faguni</a> · <a href=\"https://profiles.wordpress.org/tanjimtc71/\">Musarrat Anjum Chowdhury</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/mw108/\">mw108</a> · <a href=\"https://profiles.wordpress.org/naeemhaque/\">Naeem Haque</a> · <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a> · <a href=\"https://profiles.wordpress.org/nathanatmoz/\">Nathan Johnson</a> · <a href=\"https://profiles.wordpress.org/nazmulhasan103/\">Nazmul Hasan</a> · <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a> · <a href=\"https://profiles.wordpress.org/neychok/\">Neycho Kalaydzhiev</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/nicholaswilson/\">nicholaswilson</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/nick_thegeek/\">Nick the Geek</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/nielslange/\">Niels Lange</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/itsnikhilpatel/\">NikhilPatel</a> · <a href=\"https://profiles.wordpress.org/dhrupo/\">Niluthpal Purkayastha</a> · <a href=\"https://profiles.wordpress.org/dasnitesh780/\">Nitesh Das</a> · <a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a> · <a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a> · <a href=\"https://profiles.wordpress.org/rnitinb/\">Nitin Rathod</a> · <a href=\"https://profiles.wordpress.org/nitman43/\">nitman43</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/nuvopoint/\">nuvoPoint</a> · <a href=\"https://profiles.wordpress.org/oakesjosh/\">oakesjosh</a> · <a href=\"https://profiles.wordpress.org/obayedmamur/\">Obayed Mamur</a> · <a href=\"https://profiles.wordpress.org/ockham/\">ockham</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/oh_hello/\">oh_hello</a> · <a href=\"https://profiles.wordpress.org/hideokamoto/\">Okamoto Hidetaka</a> · <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a> · <a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a> · <a href=\"https://profiles.wordpress.org/alshakero/\">Omar Alshaker</a> · <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a> · <a href=\"https://profiles.wordpress.org/pablohoney/\">PabloHoney</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a> · <a href=\"https://profiles.wordpress.org/paulschreiber/\">Paul Schreiber</a> · <a href=\"https://profiles.wordpress.org/pavelevap/\">pavelevap</a> · <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/pputzer/\">pepe</a> · <a href=\"https://profiles.wordpress.org/petaryoast/\">Petar Ratković</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/phil-webster/\">Phil Webster</a> · <a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a> · <a href=\"https://profiles.wordpress.org/iapial/\">Pial</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/knowingart_com/\">PJ Brunet</a> · <a href=\"https://profiles.wordpress.org/pkolenbr/\">pkolenbr</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/pravinparmar2404/\">Pravin Parmar</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/ptahdunbar/\">Ptah Dunbar</a> · <a href=\"https://profiles.wordpress.org/pypwalters/\">pypwalters</a> · <a href=\"https://profiles.wordpress.org/raduiason/\">raduiason</a> · <a href=\"https://profiles.wordpress.org/initsogar/\">Rafael Agostini</a> · <a href=\"https://profiles.wordpress.org/rafinkhan/\">Rafin</a> · <a href=\"https://profiles.wordpress.org/rajanpanchal2028/\">Rajan Panchal</a> · <a href=\"https://profiles.wordpress.org/rajeshraval786/\">Rajesh Raval</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/ramon-fincken/\">ramon fincken</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/razthee007/\">Razthee Md. Yakini</a> · <a href=\"https://profiles.wordpress.org/renatoagds/\">Renato Augusto Gama dos Santos</a> · <a href=\"https://profiles.wordpress.org/rezakhan995/\">Reza Khan</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/riccardodicurti/\">Riccardo Di Curti</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/rinkychowdhury9/\">Rinky Chowdhury</a> · <a href=\"https://profiles.wordpress.org/ritteshpatel/\">Ritesh Patel</a> · <a href=\"https://profiles.wordpress.org/rjasdfiii/\">rjasdfiii</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a> · <a href=\"https://profiles.wordpress.org/robin-labadie/\">Robin Labadie</a> · <a href=\"https://profiles.wordpress.org/rodage/\">rodage</a> · <a href=\"https://profiles.wordpress.org/rodricus/\">rodricus</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/digical/\">Ross Gile</a> · <a href=\"https://profiles.wordpress.org/roytanck/\">Roy Tanck</a> · <a href=\"https://profiles.wordpress.org/ruchirj/\">Ruchir Goswami</a> · <a href=\"https://profiles.wordpress.org/re_enter_rupok/\">Rupok</a> · <a href=\"https://profiles.wordpress.org/rryyaanndd/\">Ryan</a> · <a href=\"https://profiles.wordpress.org/ryankienstra/\">Ryan Kienstra</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/looswebstudio/\">Ryo</a> · <a href=\"https://profiles.wordpress.org/sereedmedia/\">Sé Reed</a> · <a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a> · <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a> · <a href=\"https://profiles.wordpress.org/andy786/\">Sahil B.</a> · <a href=\"https://profiles.wordpress.org/stalukder03/\">Sajib Talukder</a> · <a href=\"https://profiles.wordpress.org/sakibmd/\">Sakib Mohammed</a> · <a href=\"https://profiles.wordpress.org/samful/\">Sam Fullalove</a> · <a href=\"https://profiles.wordpress.org/sam1el/\">sam1el</a> · <a href=\"https://profiles.wordpress.org/samiamnot/\">samiamnot</a> · <a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a> · <a href=\"https://profiles.wordpress.org/samruddhikhandale/\">samruddhikhandale</a> · <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a> · <a href=\"https://profiles.wordpress.org/sanjucta/\">sanjucta</a> · <a href=\"https://profiles.wordpress.org/sanketchodavadiya/\">Sanket Chodavadiya</a> · <a href=\"https://profiles.wordpress.org/sannevndrmeulen/\">Sanne van der Meulen</a> · <a href=\"https://profiles.wordpress.org/sapayth/\">sapayth</a> · <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a> · <a href=\"https://profiles.wordpress.org/sarathar/\">Sarath AR</a> · <a href=\"https://profiles.wordpress.org/saumil1611/\">Saumil Nerpagar</a> · <a href=\"https://profiles.wordpress.org/ira2910/\">Sazia Faizunnessa Ira</a> · <a href=\"https://profiles.wordpress.org/sc0ttkclark/\">Scott Kingsley Clark</a> · <a href=\"https://profiles.wordpress.org/countrymusicchicago/\">Scott Winterroth</a> · <a href=\"https://profiles.wordpress.org/hiyascout/\">Scout James</a> · <a href=\"https://profiles.wordpress.org/seanchayes/\">Sean Hayes</a> · <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a> · <a href=\"https://profiles.wordpress.org/seriouslysenpai/\">seriouslysenpai</a> · <a href=\"https://profiles.wordpress.org/wandering-aramean/\">Seth Miller</a> · <a href=\"https://profiles.wordpress.org/shahidul95/\">Shahidul Islam</a> · <a href=\"https://profiles.wordpress.org/shamayel007/\">Shamayel</a> · <a href=\"https://profiles.wordpress.org/shamimmiashuhagh/\">Shamim Mia</a> · <a href=\"https://profiles.wordpress.org/smeunus/\">Sharif Mohammad Eunus</a> · <a href=\"https://profiles.wordpress.org/shraboni/\">Shraboni</a> · <a href=\"https://profiles.wordpress.org/shubham1gupta/\">shubham1gupta</a> · <a href=\"https://profiles.wordpress.org/silicium23/\">Silicium</a> · <a href=\"https://profiles.wordpress.org/simongomes02/\">Simon Gomes</a> · <a href=\"https://profiles.wordpress.org/slieschke/\">Simon Lieschke</a> · <a href=\"https://profiles.wordpress.org/siobhan/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/calvinalkan/\">snicco.io</a> · <a href=\"https://profiles.wordpress.org/sruthi90/\">sruthi90</a> · <a href=\"https://profiles.wordpress.org/steelwagstaff/\">SteelWagstaff</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/stentibbing/\">stentibbing</a> · <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a> · <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a> · <a href=\"https://profiles.wordpress.org/stephym/\">Stephy Miehle</a> · <a href=\"https://profiles.wordpress.org/stephymiehle/\">stephymiehle</a> · <a href=\"https://profiles.wordpress.org/stevenkword/\">Steven Word</a> · <a href=\"https://profiles.wordpress.org/subrataemfluence/\">Subrata Sarkar</a> · <a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/sun/\">sun</a> · <a href=\"https://profiles.wordpress.org/sunyatasattva/\">sunyatasattva (a11n)</a> · <a href=\"https://profiles.wordpress.org/codemonksuvro/\">Suvro</a> · <a href=\"https://profiles.wordpress.org/syamraj24/\">syamraj24</a> · <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a> · <a href=\"https://profiles.wordpress.org/afrin29/\">Syeda Sanjida Afrin</a> · <a href=\"https://profiles.wordpress.org/syhc/\">syhc</a> · <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a> · <a href=\"https://profiles.wordpress.org/syntaxart/\">syntaxart</a> · <a href=\"https://profiles.wordpress.org/szaqal21/\">szaqal21</a> · <a href=\"https://profiles.wordpress.org/tahmidulkarim/\">Tahmid ul Karim</a> · <a href=\"https://profiles.wordpress.org/tahminar27/\">tahminar27</a> · <a href=\"https://profiles.wordpress.org/inc2734/\">Takashi Kitajima</a> · <a href=\"https://profiles.wordpress.org/tanazmasaba/\">Tanaz Masaba</a> · <a href=\"https://profiles.wordpress.org/devtanbir/\">Tanbir Ahmod</a> · <a href=\"https://profiles.wordpress.org/tanner-m/\">Tanner Moushey</a> · <a href=\"https://profiles.wordpress.org/rahmantasnia/\">Tasnia Rahman Raima</a> · <a href=\"https://profiles.wordpress.org/teebee/\">teebee</a> · <a href=\"https://profiles.wordpress.org/tekapo/\">tekapo</a> · <a href=\"https://profiles.wordpress.org/thedaysse/\">thedaysse</a> · <a href=\"https://profiles.wordpress.org/iamjaydip/\">thejaydip</a> · <a href=\"https://profiles.wordpress.org/theode/\">theode</a> · <a href=\"https://profiles.wordpress.org/griffinjt/\">Thomas Griffin</a> · <a href=\"https://profiles.wordpress.org/thomasplevy/\">Thomas Patrick Levy</a> · <a href=\"https://profiles.wordpress.org/thomask/\">thomask</a> · <a href=\"https://profiles.wordpress.org/timbroddin/\">timbroddin</a> · <a href=\"https://profiles.wordpress.org/sippis/\">Timi Wahalahti</a> · <a href=\"https://profiles.wordpress.org/spaceshipone/\">Timothée Brosille</a> · <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a> · <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a> · <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a> · <a href=\"https://profiles.wordpress.org/tjnowell/\">Tom J Nowell</a> · <a href=\"https://profiles.wordpress.org/dziudek/\">Tomasz Dziuda</a> · <a href=\"https://profiles.wordpress.org/skithund/\">Toni Viemerö</a> · <a href=\"https://profiles.wordpress.org/starbuck/\">Tony G</a> · <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a> · <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a> · <a href=\"https://profiles.wordpress.org/toru/\">Toru Miki</a> · <a href=\"https://profiles.wordpress.org/itowhid06/\">Towhidul I Chowdhury</a> · <a href=\"https://profiles.wordpress.org/travisaxton/\">travisaxton</a> · <a href=\"https://profiles.wordpress.org/triumvirate/\">triumvirate</a> · <a href=\"https://profiles.wordpress.org/dinhtungdu/\">Tung Du</a> · <a href=\"https://profiles.wordpress.org/umesh84/\">Umesh Gupta</a> · <a href=\"https://profiles.wordpress.org/upadalavipul/\">upadalavipul</a> · <a href=\"https://profiles.wordpress.org/eboxnet/\">Vagelis</a> · <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a> · <a href=\"https://profiles.wordpress.org/szepeviktor/\">Viktor Szépe</a> · <a href=\"https://profiles.wordpress.org/virgar/\">Virginie Garnier</a> · <a href=\"https://profiles.wordpress.org/elifvish/\">Vishal Kumar</a> · <a href=\"https://profiles.wordpress.org/vladytimy/\">Vlad T</a> · <a href=\"https://profiles.wordpress.org/vtad/\">vtad</a> · <a href=\"https://profiles.wordpress.org/vykesmac/\">vykesmac</a> · <a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a> · <a href=\"https://profiles.wordpress.org/webrocker/\">Webrocker</a> · <a href=\"https://profiles.wordpress.org/websitegenii/\">websitegenii</a> · <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a> · <a href=\"https://profiles.wordpress.org/whaze/\">whaze</a> · <a href=\"https://profiles.wordpress.org/winterpsv/\">winterpsv</a> · <a href=\"https://profiles.wordpress.org/wojsmol/\">wojsmol</a> · <a href=\"https://profiles.wordpress.org/wojtekn/\">Wojtek Naruniec</a> · <a href=\"https://profiles.wordpress.org/wojtekszkutnik/\">Wojtek Szkutnik</a> · <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a> · <a href=\"https://profiles.wordpress.org/yuliyan/\">Yuliyan Slavchev</a> · <a href=\"https://profiles.wordpress.org/zebaafiashama/\">Zeba Afia Shama</a> · <a href=\"https://profiles.wordpress.org/zenaulislam/\">Zenaul Islam</a> · <a href=\"https://profiles.wordpress.org/zevilz/\">zevilz</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a> · <a href=\"https://profiles.wordpress.org/chesio/\">Česlav Przywara</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Merci aux personnes ayant contribué à traduire WordPress&nbsp;6.2 en français</h3>\n\n\n\n<p>WordPress est un projet international et la version 6.2 est déjà complètement disponible dans plus de 70 langues différentes.</p>\n\n\n\n<p>Nous souhaitons remercier ici les personnes ayant participé à la traduction de WordPress 6.2 en français&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>,&nbsp;<a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>,&nbsp;<a href=\"https://profiles.wordpress.org/fxbenard\">FX Bénard</a>, <a href=\"https://profiles.wordpress.org/eddystile\">Eddy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/gaellebesson\">gaellebesson</a>, <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/webaxones\">Loïc Antignac</a>,&nbsp;<a href=\"https://profiles.wordpress.org/lulucmy\">lulucmy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oellin\">Magali</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>,&nbsp;<a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/maxpertici\">Maxime Pertici</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nandow\">nandow</a>,&nbsp;<a href=\"https://profiles.wordpress.org/petitphp\">petitphp</a>,&nbsp;<a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sebastienserre\">Sébastien SERRE</a>,&nbsp;<a href=\"https://profiles.wordpress.org/stephanepoisson\">Stéphane POISSON</a>,&nbsp;<a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virgar\">Virginie Garnier</a>,&nbsp;<a href=\"https://profiles.wordpress.org/whaze\">whaze</a>,&nbsp;<a href=\"https://profiles.wordpress.org/alexisgrolot\">WordPress Express</a>, et&nbsp;<a href=\"https://profiles.wordpress.org/wplmillet\">wplmillet</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://fr.wordpress.org/2023/03/30/wordpress-6-2-dolphy/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:76:\"\n		\n		\n					\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 10 Mar 2023 12:09:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2612\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:475:\"Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&#160;6.2, dont la sortie est prévue le 28 mars 2023. WordPress 6.2 corrige quelque 300 tickets Trac&#160;:&#160;110 sont des améliorations et nouvelles fonctionnalités,&#160;166 sont des corrections de bogues et&#160;20 sont d’autres tâches courantes. On retrouvera 28 améliorations de performances,&#160;15 améliorations d’accessibilité et&#160;18 améliorations de [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:40678:\"\n<p>Ce guide décrit les principaux changements techniques que vous trouverez sur WordPress&nbsp;6.2, dont la sortie est prévue le 28 mars 2023.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"591\" src=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-1024x591.png\" alt=\"\" class=\"wp-image-2614\" srcset=\"https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-1024x591.png 1024w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-300x173.png 300w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1-768x443.png 768w, https://fr.wordpress.org/files/2023/03/wp62-field-guide-1.png 1486w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>WordPress 6.2 corrige <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">quelque 300 tickets Trac</a>&nbsp;:&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">110 sont des améliorations et nouvelles fonctionnalités</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">166 sont des corrections de bogues</a> et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.2&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">20 sont d’autres tâches courantes</a>.</p>\n\n\n\n<p>On retrouvera <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">28 améliorations de performances</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">15 améliorations d’accessibilité</a> et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~coding-standards&amp;milestone=6.2&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=focuses&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">18 améliorations de code</a> notamment dédiées à la prise en charge des versions les plus récentes de PHP.</p>\n\n\n\n<p>Du côté du projet Gutenberg, <a href=\"https://github.com/WordPress/gutenberg/commits/wp/6.2\">1645 pull requests</a> ont été fusionnées au cœur de WordPress&nbsp;: 292 améliorations, 354&nbsp;corrections de bogues et 30 améliorations concernant l’accessibilité de l’éditeur.</p>\n\n\n\n<p>Les modifications apportées par WP&nbsp;6.2 concernent 44&nbsp;composants du cœur WordPress. Vous trouverez dans cet article des précisions concernant les modifications les plus impactantes.</p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#14825a\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.2&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress&nbsp;6.2 lorsque cette version sortira le 28&nbsp;mars 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Themes\">Les polices Google Font sont maintenant incluses localement dans les thèmes natifs</h2>\n\n\n\n<p>Suite aux incertitudes juridiques liées à l’utilisation des polices <em>Google Fonts</em> directement chargées depuis les serveurs de Google, les thèmes natifs qui embarquaient auparavant directement des polices provenant des serveurs de Google ne le feront plus à partir de WordPress 6.2.</p>\n\n\n\n<p>Cela concerne les thèmes suivants&nbsp;:</p>\n\n\n\n<ul>\n<li><em>Twenty Twelve</em> à partir de sa version 3.9</li>\n\n\n\n<li><em>Twenty Thirteen</em> à partir de sa version 3.8</li>\n\n\n\n<li><em>Twenty Fourteen</em> à partir de sa version 3.6</li>\n\n\n\n<li><em>Twenty Fifteen</em> à partir de sa version 3.4</li>\n\n\n\n<li><em>Twenty Sixteen</em> à partir de sa version 2.9</li>\n\n\n\n<li><em>Twenty Seventeen</em> à partir de sa version 3.2</li>\n</ul>\n\n\n\n<p>Les autres thèmes natifs n&rsquo;utilisent pas directement de polices Google et ne sont donc pas concernés par cette modification.</p>\n\n\n\n<p>À partir de maintenant, chaque thème concerné va servir une nouvelle feuille de styles depuis son propre répertoire, au sein du domaine de votre site. Si le thème embarque plusieurs polices différentes, votre thème les embarquera en les plaçant dans une seule feuille de styles pour de meilleures performances.</p>\n\n\n\n<p>Voici par exemple la déclaration de feuille de styles de Twenty Thirteen&nbsp;:</p>\n\n\n<div class=\"wp-block-syntaxhighlighter-code \"><pre class=\"brush: css; title: ; notranslate\">\n&lt;link\n	rel=&quot;stylesheet&quot;\n	id=&quot;twentythirteen-fonts-css&quot;\n	href=&quot;https://example.com/wp-content/themes/twentythirteen/fonts/source-sans-pro-plus-bitter.css?ver=20230328&quot;\n	media=&quot;all&quot;\n/&gt;\n</pre></div>\n\n\n<p>Comme vous pouvez le voir, les polices sont maintenant directement embarquées depuis les thèmes natifs, afin d’éviter toute dépendance tierce.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\"><strong>Attention&nbsp;: si vous avez déjà modifié ou retiré l’appel <em>Google Fonts</em> via un thème enfant ou via une extension, il est recommandé de vérifier que ce changement n’affecte pas votre site.</strong></p>\n\n\n\n<p>Pour en savoir plus, consultez la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Y9fix8byS8\"><a href=\"https://make.wordpress.org/core/2023/03/06/google-fonts-are-included-locally-in-bundled-themes/\">Google Fonts are included locally in bundled themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Google Fonts are included locally in bundled themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/google-fonts-are-included-locally-in-bundled-themes/embed/#?secret=LQGDbnYuSO#?secret=Y9fix8byS8\" data-secret=\"Y9fix8byS8\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"blockeditor\">L’éditeur de blocs</h2>\n\n\n\n<p>WordPress 6.2 comprend 10 versions du projet Gutenberg –&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/30/whats-new-in-gutenberg-14-2-28-september/\">14.2</a>, <a href=\"https://make.wordpress.org/core/2022/10/13/whats-new-in-gutenberg-14-3-12-october/\">14.3</a>, <a href=\"https://make.wordpress.org/core/2022/10/27/whats-new-in-gutenberg-14-4-26-october/\">14.4</a>, <a href=\"https://make.wordpress.org/core/2022/11/09/whats-new-in-gutenberg-14-5-9-november/\">14.5</a>, <a href=\"https://make.wordpress.org/core/2022/11/23/whats-new-in-gutenberg-14-6-23-november/\">14.6</a>, <a href=\"https://make.wordpress.org/core/2022/12/09/whats-new-in-gutenberg-14-7-7-december/\">14.7</a>, <a href=\"https://make.wordpress.org/core/2022/12/22/whats-new-in-gutenberg-14-8-21-december/\">14.8</a>, <a href=\"https://make.wordpress.org/core/2023/01/04/whats-new-in-gutenberg-14-9-4-january/\">14.9</a>, <a href=\"https://make.wordpress.org/core/2023/01/20/whats-new-in-gutenberg-15-0-18-january/\">15.0</a> et <a href=\"https://make.wordpress.org/core/2023/02/10/whats-new-in-gutenberg-15-1-8-february/\">15.1</a>. Vous y trouverez de nouvelles API, des mises à niveau de bibliothèques, des améliorations très utiles des Styles globaux, encore plus de fonctionnalités prises en charge nativement par les blocs, de nouveaux crochets d’action et filtres, ainsi que <a href=\"https://core.trac.wordpress.org/ticket/57471\">bien d&rsquo;autres modifications ayant été développées sur ces 10 versions de l’extension Gutenberg</a>.</p>\n\n\n\n<p>Pour en savoir plus, consultez les notes de développement suivantes&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"n2WFGSL2CC\"><a href=\"https://make.wordpress.org/core/2023/03/07/introducing-the-html-api-in-wordpress-6-2/\">Introducing the HTML API in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing the HTML API in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/introducing-the-html-api-in-wordpress-6-2/embed/#?secret=qWbjG7rDS3#?secret=n2WFGSL2CC\" data-secret=\"n2WFGSL2CC\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"M82WlzFxsu\"><a href=\"https://make.wordpress.org/core/2023/03/07/upgrading-to-react-18-and-common-pitfalls-of-concurrent-mode/\">Upgrading to React 18 and common pitfalls of concurrent mode</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Upgrading to React 18 and common pitfalls of concurrent mode&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/upgrading-to-react-18-and-common-pitfalls-of-concurrent-mode/embed/#?secret=RpUH01kp4I#?secret=M82WlzFxsu\" data-secret=\"M82WlzFxsu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"twZm3MCaTb\"><a href=\"https://make.wordpress.org/core/2023/03/06/custom-css-for-global-styles-and-per-block/\">Custom CSS for global styles and per block</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Custom CSS for global styles and per block&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/custom-css-for-global-styles-and-per-block/embed/#?secret=Gw8tU7aWEg#?secret=twZm3MCaTb\" data-secret=\"twZm3MCaTb\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ZNOpTU85lt\"><a href=\"https://make.wordpress.org/core/2023/02/19/style-book-preview-of-blocks-in-global-styles/\">Style Book preview of blocks in global styles</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Style Book preview of blocks in global styles&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/02/19/style-book-preview-of-blocks-in-global-styles/embed/#?secret=R3sVocacKE#?secret=ZNOpTU85lt\" data-secret=\"ZNOpTU85lt\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"qZ291B2NN6\"><a href=\"https://make.wordpress.org/core/2023/03/07/shadows-in-global-styles-with-wordpress-6-2/\">Shadows in Global Styles with WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Shadows in Global Styles with WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/shadows-in-global-styles-with-wordpress-6-2/embed/#?secret=jkJeKyBLSo#?secret=qZ291B2NN6\" data-secret=\"qZ291B2NN6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PWtKtg9YUw\"><a href=\"https://make.wordpress.org/core/2023/03/07/sticky-position-block-support/\">Sticky position block support</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Sticky position block support&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/sticky-position-block-support/embed/#?secret=AtzJ8mk5KI#?secret=PWtKtg9YUw\" data-secret=\"PWtKtg9YUw\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"U2DStPkdCp\"><a href=\"https://make.wordpress.org/core/2023/03/06/minimum-height-dimensions-block-support/\">Minimum height dimensions block support</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Minimum height dimensions block support&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/minimum-height-dimensions-block-support/embed/#?secret=uWwtmaDTGe#?secret=U2DStPkdCp\" data-secret=\"U2DStPkdCp\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"BUfnEQcoGS\"><a href=\"https://make.wordpress.org/core/2023/02/28/custom-settings-wordpress-6-2/\">Customize settings for any block in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Customize settings for any block in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/02/28/custom-settings-wordpress-6-2/embed/#?secret=i3GL0VbSTi#?secret=BUfnEQcoGS\" data-secret=\"BUfnEQcoGS\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"pwoOs2XiSD\"><a href=\"https://make.wordpress.org/core/2023/03/07/introduction-of-block-inspector-tabs/\">Introduction of Block Inspector Tabs</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introduction of Block Inspector Tabs&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/introduction-of-block-inspector-tabs/embed/#?secret=Kwhyyzdi8U#?secret=pwoOs2XiSD\" data-secret=\"pwoOs2XiSD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"xxeDIgaDji\"><a href=\"https://make.wordpress.org/core/2022/12/09/update-to-content-only-editing-filter-namespace/\">Update to content only editing filter namespace</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Update to content only editing filter namespace&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/12/09/update-to-content-only-editing-filter-namespace/embed/#?secret=Od8kWWwqTv#?secret=xxeDIgaDji\" data-secret=\"xxeDIgaDji\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"8kFEsRew5m\"><a href=\"https://make.wordpress.org/core/2023/03/06/add-new-prop-to-serversiderender-component/\">Add new prop to ServerSideRender component</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Add new prop to ServerSideRender component&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/add-new-prop-to-serversiderender-component/embed/#?secret=SCVQjiLIpb#?secret=8kFEsRew5m\" data-secret=\"8kFEsRew5m\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"09NBil83hn\"><a href=\"https://make.wordpress.org/core/2023/03/03/editor-components-updates-in-wordpress-6-2/\">Editor Components updates in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Editor Components updates in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/03/editor-components-updates-in-wordpress-6-2/embed/#?secret=oQ4gEUSTac#?secret=09NBil83hn\" data-secret=\"09NBil83hn\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"JCZNnjDtnD\"><a href=\"https://make.wordpress.org/core/2023/03/07/patterns-api-expanded-to-include-template_types-property/\">Patterns API expanded to include template_types property</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Patterns API expanded to include template_types property&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/patterns-api-expanded-to-include-template_types-property/embed/#?secret=FcP78xalny#?secret=JCZNnjDtnD\" data-secret=\"JCZNnjDtnD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"4QJSGLeOEy\"><a href=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-editor-changes-in-wordpress-6-2/\">Miscellaneous Editor changes in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Editor changes in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-editor-changes-in-wordpress-6-2/embed/#?secret=wSzZ6hh85H#?secret=4QJSGLeOEy\" data-secret=\"4QJSGLeOEy\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Internationalisation</h2>\n\n\n\n<p>Dans WordPress 6.2, le composant internationalisation (abrégé «&nbsp;i18n&nbsp;») propose une nouvelle fonction conteneur et propose de faciliter le changement des traductions de l’administration du site pour chaque compte. Voici la note de développement dédiée aux modifications ayant eu lieu sur ce composant&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PmeBBCqf9M\"><a href=\"https://make.wordpress.org/core/2023/03/03/i18n-improvements-in-6-2/\">I18N Improvements in 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;I18N Improvements in 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/03/i18n-improvements-in-6-2/embed/#?secret=oN9FSuxaex#?secret=PmeBBCqf9M\" data-secret=\"PmeBBCqf9M\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion des fichiers système</h2>\n\n\n\n<p>Si vous utilisiez la fonction <code>copy_dir()</code> pour déplacer des répertoires, vous serez probablement heureux de découvrir la nouvelle fonction <code>move_dir()</code>, qui arrive avec WordPress 6.2.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iD9AZGTuz0\"><a href=\"https://make.wordpress.org/core/2023/03/07/introducing-move_dir-in-wordpress-6-2/\">Introducing move_dir() in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing move_dir() in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/introducing-move_dir-in-wordpress-6-2/embed/#?secret=2lu0bdfgVX#?secret=iD9AZGTuz0\" data-secret=\"iD9AZGTuz0\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Notons également l&rsquo;apparition de la fonction <code>wp_opcache_invalidate()</code>&nbsp;qui sert à vider OPcache pour des fichiers PHP individuels après les avoir surchargés. La fonction &nbsp;<code>wp_opcache_invalidate_directory()</code>&nbsp;a été ajoutée dans le cadre du ticket <a href=\"https://core.trac.wordpress.org/ticket/57375\">#57375</a> afin de vider le cache OPcache de façon récursive pour les fichiers PHP après les avoir surchargés. Cette fonction accepte un paramètre unique <code>$dir</code>, pointant vers le répertoire contenant les fichiers PHP pour lesquels OPcache doit être vidé.</p>\n\n\n\n<p>Dans le ticket <a href=\"https://core.trac.wordpress.org/ticket/57375\">#57375</a>, la méthode&nbsp;<code>WP_Filesystem_Direct::move()</code>&nbsp;a reçu la possibilité de gérer des répertoires afin de la rendre cohérente par rapport aux méthodes <code>::move()</code> présentes dans <code>WP_Filesystem_FTPext</code>,&nbsp;<code>WP_Filesystem_ftpsockets</code>&nbsp;et&nbsp;<code>WP_Filesystem_SSH2</code>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Base de données</h2>\n\n\n\n<p>La possibilité de nettoyer les noms de tables et de champs a été ajoutée dans la méthode <code>wpdb::prepare()</code>. Plus d&rsquo;infos dans la note de développement dédiée&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"8Mu29VU4GA\"><a href=\"https://make.wordpress.org/core/2022/10/08/escaping-table-and-field-names-with-wpdbprepare-in-wordpress-6-1/\">Escaping Table and Field names with wpdb::prepare() in WordPress</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Escaping Table and Field names with wpdb::prepare() in WordPress&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/08/escaping-table-and-field-names-with-wpdbprepare-in-wordpress-6-1/embed/#?secret=du2jY7znoa#?secret=8Mu29VU4GA\" data-secret=\"8Mu29VU4GA\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Gestion des publications</h2>\n\n\n\n<p>La fonction <code>get_page_by_title()</code> est maintenant dépréciée en faveur de l&rsquo;utilisation de <code>WP_Query</code>.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iFjyMSq3Ii\"><a href=\"https://make.wordpress.org/core/2023/03/06/get_page_by_title-deprecated/\">get_page_by_title() deprecated</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;get_page_by_title() deprecated&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/06/get_page_by_title-deprecated/embed/#?secret=LWF768ee3z#?secret=iFjyMSq3Ii\" data-secret=\"iFjyMSq3Ii\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"perfs\">Performances</h2>\n\n\n\n<p>WordPress 6.2 apporte plusieurs gains de temps de chargement importants au cœur du CMS. Cela est clairement visualisable dans les tests que nous avons conduits avec des mesures de <a href=\"https://docs.google.com/spreadsheets/d/1LroIJoYz-O9CpfJzaiKYYMWJ7GbE5RZoW1rf1R4FqyA/edit#gid=996638482\">signaux web essentiels (<em>Web Vitals</em> en anglais)</a> et de <a href=\"https://docs.google.com/spreadsheets/d/1LroIJoYz-O9CpfJzaiKYYMWJ7GbE5RZoW1rf1R4FqyA/edit#gid=0\">chargement côté serveur (<em>Server Timing</em> en anglais)</a>.</p>\n\n\n\n<p>Les performances des thèmes basés sur des blocs ont également été améliorées, avec un <a href=\"https://web.dev/ttfb/\">TTFB (en anglais <em>Time to First Byte</em>, ou temps de chargement du premier octet</a>) qui est environ 20&nbsp;% plus rapide, et aussi 14&nbsp;% d&rsquo;amélioration sur le <a href=\"https://web.dev/lcp/\">LCP (<em>Largest Contenful Paint</em>, représentant le temps avant que la page complète soit lisible)</a>. Sur des pages où vous utilisez de grandes bannières d’images, vous devriez même observer une amélioration du critère LCP d&rsquo;environ 19&nbsp;%.</p>\n\n\n\n<p>Autres améliorations de performances&nbsp;:</p>\n\n\n\n<ul>\n<li>Le nouveau filtre <code>pre_wp_load_alloptions</code> permet de court-circuiter le chargement des options auto-chargées de WordPress avec des conditions personnalisées. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56045\">ticket #56045</a> pour plus d&rsquo;informations.</li>\n\n\n\n<li>Les résultats de la fonction <code>get_adjacent_post()</code> sont maintenant mis en cache. Voir le <a href=\"https://core.trac.wordpress.org/ticket/41131\">ticket #41131</a>.</li>\n\n\n\n<li>Les clés de mise en cache de <code>WP_Term_Query</code> sont dorénavant basées sur du SQL sans variables, afin de pouvoir être mises en cache. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57298\">ticket #57298</a>.</li>\n\n\n\n<li><code>WP_Query</code> ne parcourt désormais plus les publications deux fois avant de les retourner. Ça peut paraître une évidence, mais le <a href=\"https://core.trac.wordpress.org/ticket/57373\">ticket #57373</a> a nécessité beaucoup de travail sur ce point.</li>\n\n\n\n<li>Le chargement différé des métadonnées des termes de taxonomies est à présent plus rapide, grâce à l’utilisation de la fonction <code>wp_cache_get_multiple()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57150\">ticket #57150</a>.</li>\n\n\n\n<li>Les résultats de <code>wp_get_global_settings()</code> sont maintenant placés en cache au sein d’une seule et unique requête, ce qui améliore de 8&nbsp;% les temps de réponse du cœur WordPress. Pour en savoir plus, voir le <a href=\"https://core.trac.wordpress.org/ticket/57502\">ticket #57502</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Thèmes</h2>\n\n\n\n<p>Les développeuses et développeurs de thèmes WordPress pourront apprécier l&rsquo;arrivée de nouvelles fonctionnalités, et devront aussi prendre en compte la suppression de certains fonctionnalités obsolètes&nbsp;:</p>\n\n\n\n<ul>\n<li>La fonctionnalité «&nbsp;Variations de styles&nbsp;» a été ajoutée dans la liste des filtres sur les thèmes sur WordPress.org. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56869\">ticket #56869</a>.</li>\n\n\n\n<li>Le fichier <code>theme.json</code> prend maintenant en charge davantage de pseudo-classes CSS liées aux liens hypertextes, comme <code>:link</code>&nbsp;ou&nbsp;<code>:any-link</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57053\">ticket #57053</a>.</li>\n\n\n\n<li>Les thèmes possédant un nom composé de chiffres sont désormais pris en charge par le CMS via un changement dans&nbsp;<code>WP_Theme::__construct()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/54645\">ticket #54645</a>.</li>\n\n\n\n<li>Amélioration des performances des fonctions <code>_add_block_template_part_area_info</code> et <code>_add_block_template_info</code> en diminuant les appels à la fonction  <code>get_option</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57077\">ticket #57077</a>.</li>\n\n\n\n<li>Une mise en cache a été ajoutée sur <code>WP_Theme::is_block_theme()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57114\">ticket #57114</a>.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Bibliothèques externes</h2>\n\n\n\n<p>La bibliothèque jQuery a été mise à jour, elle est passée de la version 3.6.3 à 3.6.4.</p>\n\n\n\n<p>En outre, la bibliothèque <code>Requests</code> a aussi été mise à jour. Une note de développement détaille d&rsquo;ailleurs les changements apportés&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"bkYeQfRrWr\"><a href=\"https://make.wordpress.org/core/2023/03/08/requests-library-upgraded-to-2-0-5-in-wordpress-6-2/\">Requests library upgraded to 2.0.5 in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Requests library upgraded to 2.0.5 in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/08/requests-library-upgraded-to-2-0-5-in-wordpress-6-2/embed/#?secret=KYn2V4QANu#?secret=bkYeQfRrWr\" data-secret=\"bkYeQfRrWr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres mises à jour</h2>\n\n\n\n<p>Plusieurs crochets d’action et filtres ont été mis à jour, vous les trouverez dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"NbmRoqD5xC\"><a href=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-developer-changes-in-wordpress-6-2/\">Miscellaneous developer changes in WordPress 6.2</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous developer changes in WordPress 6.2&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2023/03/07/miscellaneous-developer-changes-in-wordpress-6-2/embed/#?secret=mwuiUZgXSy#?secret=NbmRoqD5xC\" data-secret=\"NbmRoqD5xC\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"wait\">Mais ce n’est pas tout&nbsp;!</h2>\n\n\n\n<p>Voici d’autres composants qui ont reçu des mises à jour notables.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Processus de chargement de WP</h3>\n\n\n\n<p>Ajout d&rsquo;une vérification que les fonctions&nbsp;<code>mysqli_connect()</code>&nbsp;ou&nbsp;<code>mysql_connect()</code>&nbsp;sont bien disponibles. Cela résout une erreur fatale potentiellement provoquée par l&rsquo;absence de l’extension PHP <code>mysqli</code> sur le serveur, et affiche un message d&rsquo;erreur clair le cas échéant. Voir le ticket <a href=\"https://core.trac.wordpress.org/ticket/51988\">#51988</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Commentaires</h3>\n\n\n\n<p>Ajout de la possibilité de passer le paramètre&nbsp;<code>$comment_ID</code>&nbsp;aux fonctions <code>get_comment_time()</code> et <code>comment_time()</code>. Cela apporte une meilleure cohérence vis-à-vis des fonctions similaires <code>get_comment_date()</code> et <code>comment_date()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52322\">ticket #52322</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Mots de passe d’applications</h3>\n\n\n\n<p>Les URL en <code>HTTP</code> sont désormais autorisées pour la création de mots de passe d’applications dans le cadre d’un environnement local. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52617\">ticket #52617</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Bibliothèques externes</h3>\n\n\n\n<p>Les bibliothèques suivantes ont été mises à jour&nbsp;:</p>\n\n\n\n<ul>\n<li>jQuery (voir le <a href=\"https://core.trac.wordpress.org/ticket/57324\">ticket #57324</a>)</li>\n\n\n\n<li>jQuery Migrate (voir le <a href=\"https://core.trac.wordpress.org/ticket/56743\">ticket #56743</a>)</li>\n\n\n\n<li>PHPMailer (voir le <a href=\"https://core.trac.wordpress.org/ticket/57281\">ticket #57281</a>)</li>\n\n\n\n<li>element-closest (voir le <a href=\"https://core.trac.wordpress.org/ticket/52851\">ticket#52851</a>)</li>\n\n\n\n<li>regenerator runtime (voir le <a href=\"https://core.trac.wordpress.org/ticket/57646\">ticket #57646</a>)</li>\n\n\n\n<li>polyfill-library (voir le <a href=\"https://core.trac.wordpress.org/ticket/57646\">ticket #57646</a>)</li>\n\n\n\n<li>Requests 2.0 (voir le <a href=\"https://core.trac.wordpress.org/ticket/54504\">ticket #54504</a>). Pour en savoir plus sur cette mise à jour,&nbsp;<a href=\"https://github.com/WordPress/Requests/blob/stable/docs/upgrading.md\">voir la documentation de la bibliothèque Requests 2.0</a>.</li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Formattage</h3>\n\n\n\n<p>Optimisation de la fonction de bas niveau&nbsp;<code>wp_kses_bad_protocol()</code>&nbsp;afin d&rsquo;améliorer les performances de la fonction d&rsquo;échappement&nbsp;<code>esc_url()</code>. Voir le <a href=\"https://core.trac.wordpress.org/ticket/52617\">ticket #22951</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Modernisation du code</h3>\n\n\n\n<p>Un énorme travail a été fait pour améliorer encore la conformité de la structure du code de WordPress vis-à-vis des versions de PHP supérieures à 8.0. Voir le <a href=\"https://core.trac.wordpress.org/ticket/56788\">ticket #56788</a>.  </p>\n\n\n\n<h3 class=\"wp-block-heading\">E-mails</h3>\n\n\n\n<p>L&rsquo;ajout de pièce jointes avec noms de fichiers personnalisés dans la fonction <code>wp_mail()</code> est maintenant possible en passant un tableau associatif <code>$attachments</code>, où les chaînes utilisées en tant que clés seront employées pour déterminer les noms de fichiers. Voir le <a href=\"https://core.trac.wordpress.org/ticket/28407\">ticket #28407</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Médias</h3>\n\n\n\n<p>Il est maintenant possible de fournir explicitement une valeur booléenne <code>false</code> au paramètre&nbsp;<code>$attr</code>&nbsp;de la fonction <code>wp_get_attachment_image()</code> afin de s&rsquo;assurer que l&rsquo;attribut <code>decoding</code> n&rsquo;est pas ajouté au média. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57086\">ticket #57086</a>.</p>\n\n\n\n<p>La logique permettant de déterminer les images participant au <a href=\"https://web.dev/lcp/\">LCP (<em>Largest Contenful Paint</em>, représentant le temps avant que la page complète soit lisible)</a> au sein des thèmes basés sur des blocs a été grandement améliorée, afin de s&rsquo;assurer que ces images ne soient pas chargées en différé. Cela permet d&rsquo;améliorer la conformité LCP des thèmes basés sur des blocs. Cette modification tire par ailleurs profit du principe des éléments de modèles de l&rsquo;éditeur de site pour éviter de charger en différé les médias situés dans l&rsquo;entête du site. Un <a href=\"https://core.trac.wordpress.org/ticket/56930#comment:53\">test conduit sur une page créée via un thème basé sur des blocs</a> a permis de souligner une amélioration de <strong>19&nbsp;% du critère LCP sur WordPress 6.2</strong>. Voir les tickets <a href=\"https://core.trac.wordpress.org/ticket/56930\">#56930</a> et <a href=\"https://core.trac.wordpress.org/ticket/57490\">#57490</a> pour plus de détails.</p>\n\n\n\n<h3 class=\"wp-block-heading\">API REST</h3>\n\n\n\n<p>Ajout de la prise en charge de caractères non latins dans la Regex utilisée pour le point de terminaison <code>template</code>. Ces caractères sont encodés afin de pouvoir être utilisés dans une URL (exemple&nbsp;:&nbsp;<code>%cf%84%ce%b5%cf%83%cf%84</code>). Voir le <a href=\"https://core.trac.wordpress.org/ticket/57329\">ticket #57329</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Gestion des comptes</h3>\n\n\n\n<p>Ajout du nouveau crochet d&rsquo;action&nbsp;<code>wp_set_password</code>, déclenché après la création d&rsquo;un mot de passe pour un compte déterminé. Cela aidera les auteur·ices d&rsquo;extensions à intercepter toutes les utilisations de <code>wp_set_password()</code>, qu&rsquo;elles proviennent du cœur de WordPress ou d&rsquo;autres extensions. Voir le <a href=\"https://core.trac.wordpress.org/ticket/57490\">ticket #57436</a>.</p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#fee7af\">Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a rel=\"noreferrer noopener\" href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec <a href=\"https://wordpress.org/news/2023/03/wordpress-6-2-release-candidate-1/\">WordPress 6.2&nbsp;Release Candidate&nbsp;1</a>.&nbsp;Nous comptons sur vous pour vous assurer que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>Ce guide a été traduit de l&rsquo;anglais puis adapté à partir du <a href=\"https://make.wordpress.org/core/2023/03/09/wordpress-6-2-field-guide/\"><em>Field Guide</em> de WP 6.2</a> par <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>. Merci à <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">FX Bénard</a> et <a href=\"https://profiles.wordpress.org/btpub/\">Bruno Tritsch</a> pour leur relecture attentive.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2023/03/10/guide-des-changements-techniques-de-wordpress-6-2/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"Questionnaire annuel sur votre expérience d’utilisation de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"https://fr.wordpress.org/2022/12/05/questionnaire-annuel-sur-votre-experience-dutilisation-de-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:112:\"https://fr.wordpress.org/2022/12/05/questionnaire-annuel-sur-votre-experience-dutilisation-de-wordpress/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 05 Dec 2022 10:33:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Questionnaires/sondages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2577\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:378:\"Chaque année, les membres de la communauté WordPress sont invités à donner leurs retours sur WordPress. Chaque personne gravitant autour de notre CMS est concernée, qu’elle en soit simple utilisatrice, ou qu’elle participe à la conception ou à la production de sites, d’extensions, de thèmes, ou même au développement de WordPress ou de sa communauté. [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4827:\"\n<p>Chaque année, les membres de la communauté WordPress sont invités à donner leurs retours sur WordPress. Chaque personne gravitant autour de notre CMS est concernée, qu’elle en soit simple utilisatrice, ou qu’elle participe à la conception ou à la production de sites, d’extensions, de thèmes, ou même au développement de WordPress ou de sa communauté.</p>\n\n\n\n<p>Les retours obtenus par ce questionnaire sont utilisés pour la conférence annuelle du co-fondateur de WordPress, le <a href=\"https://wordpress.org/news/2022/11/state-of-the-word-2022/\"><em lang=\"en\">State of the Word</em></a> et auront une influence sur la direction stratégique du projet dans les années à venir.</p>\n\n\n\n<p>Pour le dire plus simplement, ce questionnaire aide les personnes qui construisent WordPress à en savoir plus sur la façon dont ce logiciel est utilisé.</p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-1 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://wordpressdotorg.survey.fm/fr-2022\">Je participe au questionnaire annuel&nbsp;!</a></div>\n</div>\n\n\n\n<span id=\"more-2577\"></span>\n\n\n\n<p>Cette année encore, le questionnaire est disponible en plusieurs langues – dont le français – grâce à l’aide des différentes équipes de traduction du CMS, merci à elles !</p>\n\n\n\n<p>Ce questionnaire sera accessible jusqu’à la fin de l’année 2022, et la publication des résultats est prévue courant 2023. Cette année, les questions ont été revues afin de faciliter le déroulement, la réalisation et l’analyse de l&rsquo;enquête. Certaines questions ont été supprimées, tandis que quelques nouvelles sont désormais présentes, reflétant le présent et l’avenir de WordPress. Si vous cherchez l’analyse des résultats de l’enquête de 2021, elle sera également partagée début 2023.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Faites passer le message</h2>\n\n\n\n<p>Aidez à faire connaître le questionnaire en le partageant avec votre réseau, via Slack, ou sur vos comptes de réseaux sociaux. Plus il y aura de personnes qui répondront au questionnaire et partageront leur expérience avec WordPress, plus l’ensemble du projet en bénéficiera.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Sécurité et confidentialité</h2>\n\n\n\n<p>La sécurité et la confidentialité des données sont primordiales pour le projet et la communauté WordPress. Dans cet esprit, toutes les données personnelles sont rendues anonymes&nbsp;: aucune adresse e-mail ou adresse IP ne sera associée aux résultats publiés. 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Par exemple, le texte d’aide du bloc Image affiche les réglages personnalisés des bordures et des filtres duotones avant même de sélectionner l’image à afficher.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Composez des listes et des citations enrichies en y plaçant des blocs internes</h3>\n\n\n\n<p>Les blocs Liste et Citation prennent désormais en charge les blocs internes, ce qui permet des compositions plus flexibles et plus riches, par exemple en vous permettant d’ajouter des titres à l’intérieur de vos blocs de citations.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Du texte plus <em>responsive</em> avec une typographie fluide</h3>\n\n\n\n<p>La <a href=\"https://make.wordpress.org/core/2022/08/04/whats-new-in-gutenberg-13-8-3-august/#fluid-typography-support\"></a><a href=\"https://make.wordpress.org/core/2022/10/03/fluid-font-sizes-in-wordpress-6-1/\">typographie fluide (en anglais)</a>&nbsp;vous permet de définir des tailles de police qui s’adaptent pour faciliter la lecture sur n’importe quelle taille d’écran.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Ajoutez des suggestions de compositions pour vos types de publications</h3>\n\n\n\n<p>Dans WordPress 6.0, lorsque vous ajoutiez une nouvelle page, vous pouviez voir des suggestions de compositions afin d’éviter de partir d’une page vide. Avec WordPress 6.1 vous verrez cette fenêtre modale lors de la création de n’importe quel type de publication.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Facilitation de la recherche de thèmes basés sur des blocs</h3>\n\n\n\n<p>Le répertoire des thèmes contient&nbsp;<a href=\"https://fr.wordpress.org/themes/tags/full-site-editing/\">un filtre pour les thèmes basés sur des blocs</a>, et l’aperçu des compositions donne une meilleure idée de ce à quoi le thème pourrait ressembler lorsque vous explorez les thèmes et les compositions.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Conservez les réglages de l’éditeur de site pour plus tard</h3>\n\n\n\n<p>Les réglages de l’éditeur de site sont désormais&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/changes-to-block-editor-preferences-in-wordpress-6-1/\">persistants pour chaque compte</a>. Cela signifie que vos réglages seront désormais cohérents sur tous les navigateurs et appareils.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Un système de gestion des styles simplifié</h3>\n\n\n\n<p>Les règles CSS pour les marges internes et externes, la typographie, les couleurs et les bordures du&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/block-styles-generation-style-engine/\">moteur de styles</a>&nbsp;sont désormais regroupées au même endroit, ce qui diminue le temps consacré aux tâches de mise en page et aide à générer des noms de classes sémantiques.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Amélioration de l’accessibilité de l’administration et de l’éditeur</h3>\n\n\n\n<p>Plus de 40 améliorations de l’accessibilité ont été réalisées, comprenant la résolution des problèmes de perte de focus dans l’éditeur, l’amélioration des libellés de formulaires et de la restitution vocale des messages, l’amélioration de l’interface de modifications des textes alternatifs, la correction du débordement du menu d’administration sur les petits écrans ou en zoom navigateur. En savoir plus sur les&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/\">améliorations d’accessibilité apportées par WP 6.1</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres changements importants</h2>\n\n\n\n<h3 class=\"wp-block-heading\">Éléments de modèles de blocs dans les thèmes classiques</h3>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\"></a>Les éléments de modèles de blocs peuvent désormais être <a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">définis dans les thèmes classiques (en anglais)</a>&nbsp;en ajoutant les fichiers HTML appropriés au répertoire&nbsp;<code>parts</code>&nbsp;à la racine du thème.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Évolution des blocs de boucle de requête</h3>\n\n\n\n<p>Les&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/\">nouveaux filtres</a>&nbsp;permettent aux variantes du bloc de requête de prendre en charge des requêtes personnalisées afin de créer des variantes plus spécifiques et des options avancées de filtrage des types de publication hiérarchiques.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Des filtres pour tous vos styles</h3>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\"><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\">Exploitez les filtres</a> dans la barre latérale « Styles » pour contrôler les réglages sur quatre niveaux de votre site, du moins spécifique au plus spécifique : principal, thème, compte, bloc.</a></p>\n\n\n\n<h3 class=\"wp-block-heading\">Préréglages d’espacement pour une conception plus rapide et cohérente</h3>\n\n\n\n<p>Gagnez du temps et évitez de coder en dur des déclarations dans un thème grâce aux&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/\">valeurs de marge internes et externes prédéfinies pour de multiples blocs</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Modification limitée au contenu sur les blocs conteneurs</h3>\n\n\n\n<p>Grâce au&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/content-locking-features-and-updates/\">réglage de modification limitée au contenu</a>, les mises en page peuvent être verrouillées au sein des blocs conteneurs. Dans un bloc de contenu seul, ses blocs enfants sont invisibles dans la vue en liste et ne sont pas modifiables. Vous contrôlez donc la mise en page tandis que vos rédactrices et rédacteurs peuvent se concentrer sur le contenu.</p>\n\n\n\n<p>Combinez-la avec les options de verrouillage des blocs pour un contrôle encore plus poussé de vos blocs.</p>\n\n\n\n<h3 class=\"wp-block-heading\">De meilleures performances</h3>\n\n\n\n<p>WordPress 6.1 résout 25 tickets dédiés à l’amélioration des performances. De&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/performance-improvements-to-the-rest-api/\">l’API REST</a>&nbsp;au&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/10/multisite-improvements-in-wordpress-6-1/\">multisite</a>, en passant par&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/improvements-to-wp_query-performance-in-6-1/\"><code>WP_Query</code></a>&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/07/improved-php-performance-for-core-blocks-registration/\">l’enregistrement des blocs du cœur WordPress</a>&nbsp;et par de&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/06/new-cache-site-health-checks-in-wordpress-6-1/\">nouvelles vérifications sur l’outil Santé du site</a>, ou par l’ajout des attributs&nbsp;<code>async</code>&nbsp;aux images, il y a des améliorations bénéfiques pour tous les types de sites. Un récapitulatif complet est disponible dans le&nbsp;<a href=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/\">guide dédié aux performance de WP&nbsp;6.1</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Guide des changements techniques de WordPress 6.1</h2>\n\n\n\n<p>WordPress 6.1 comprend encore bien plus de nouvelles fonctionnalités et d’améliorations. Pour en savoir plus, et notamment si vous développez des sites WordPress, <a href=\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/\" data-type=\"post\" data-id=\"2509\">consultez le guide des changements techniques de cette version</a>.</p>\n\n\n\n<h1 class=\"wp-block-heading\">Plus d’informations sur WordPress 6.1</h1>\n\n\n\n<p>Découvrez WordPress 6.1 en fonctionnement&nbsp;! Notre&nbsp;<a href=\"https://youtu.be/1w9oywSa6Hw\">vidéo de présentation</a>&nbsp;propose une vue d’ensemble des principales fonctionnalités qui sont sorties avec WordPress 6.1.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"612\" height=\"345\" src=\"https://www.youtube.com/embed/1w9oywSa6Hw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"></iframe>\n</div></figure>\n\n\n\n<p><br></p>\n\n\n\n<p>Visitez&nbsp;<a href=\"https://learn.wordpress.org/\">learn.wordpress.org</a>&nbsp;pour des tutoriels vidéos, des ateliers en ligne, des cours et des plans de cours pour les personnes organisant des évènements, et pour des contenus présentant les nouvelles fonctionnalités de WordPress.</p>\n\n\n\n<p>Consultez notre&nbsp;<a href=\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/\">guide des changements techniques introduits par WordPress 6.0</a>. Il contient toutes les notes techniques que vous devez connaître si vous développez sur WordPress.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WordPress&nbsp;6.1</h2>\n\n\n\n<p><span style=\"font-weight: 400\">Les personnes mentionnées ci-dessous ont participé à la direction de cette version majeure du CMS&nbsp;:</span></p>\n\n\n\n<ul>\n<li><span style=\"font-weight: 400\">Direction générale&nbsp;: </span><a href=\"https://profiles.wordpress.org/matt/\"><span style=\"font-weight: 400\">Matt Mullenweg</span></a><span style=\"font-weight: 400\">&nbsp;</span></li>\n\n\n\n<li><span style=\"font-weight: 400\">Coordinateurs de cette version&nbsp;: </span><a href=\"https://profiles.wordpress.org/priethor/\"><span style=\"font-weight: 400\">Héctor Prieto</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/desrosj/\"><span style=\"font-weight: 400\">Jonathan Desrosiers</span></a><span style=\"font-weight: 400\">&nbsp;</span></li>\n\n\n\n<li><span style=\"font-weight: 400\">Direction technique côté Core&nbsp;: </span><a href=\"https://profiles.wordpress.org/mikeschroder/\"><span style=\"font-weight: 400\">Mike Schroder</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/davidbaumwald/\"><span style=\"font-weight: 400\">David Baumwald</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/jeffpaul/\"><span style=\"font-weight: 400\">Jeff Paul</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\"><span style=\"font-weight: 400\">Direction</span> technique côté Gutenberg&nbsp;: </span><a href=\"https://profiles.wordpress.org/czapla/\"><span style=\"font-weight: 400\">Michal Czaplinski</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/bernhard-reiter/\"><span style=\"font-weight: 400\">Bernie Reiter</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/cbravobernal/\"><span style=\"font-weight: 400\">Carlos Bravo</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Gestion de projet côté cœur&nbsp;: </span><a href=\"https://profiles.wordpress.org/audrasjb/\"><span style=\"font-weight: 400\">JB Audras</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/chaion07/\"><span style=\"font-weight: 400\">Ahmed Chaion</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\"><span style=\"font-weight: 400\">Gestion de projet côté</span></span> Gutenberg&nbsp;<span style=\"font-weight: 400\">: </span><a href=\"https://profiles.wordpress.org/ndiego/\"><span style=\"font-weight: 400\">Nick Diego</span></a> <span style=\"font-weight: 400\">et </span><a href=\"https://profiles.wordpress.org/annezazu/\"><span style=\"font-weight: 400\">Anne McCarthy</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Documentation&nbsp;: </span><a href=\"https://profiles.wordpress.org/bph/\"><span style=\"font-weight: 400\">Birgit Pauli-Haack</span></a><span style=\"font-weight: 400\">, </span><a href=\"https://profiles.wordpress.org/milana_cap/\"><span style=\"font-weight: 400\">Milana Cap</span></a><span style=\"font-weight: 400\">, et </span><a href=\"https://profiles.wordpress.org/femkreations/\"><span style=\"font-weight: 400\">Femy Praseeth</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Communication&nbsp;:</span> <a href=\"https://profiles.wordpress.org/jpantani/\"><span style=\"font-weight: 400\">Jonathan Pantani</span></a> <span style=\"font-weight: 400\">et </span><a href=\"https://profiles.wordpress.org/dansoschin/\"><span style=\"font-weight: 400\">Dan Soschin</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Tests&nbsp;: </span><a href=\"https://profiles.wordpress.org/ironprogrammer/\"><span style=\"font-weight: 400\">Brian Alexander</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Design : </span><a href=\"https://profiles.wordpress.org/richtabor/\"><span style=\"font-weight: 400\">Rich Tabor</span></a></li>\n\n\n\n<li><span style=\"font-weight: 400\">Design et développement du nouveau thème natif&nbsp;: </span><a href=\"https://profiles.wordpress.org/beafialho/\"><span style=\"font-weight: 400\">Beatriz Fialho</span></a><span style=\"font-weight: 400\"> et </span><a href=\"https://profiles.wordpress.org/mikachan/\"><span style=\"font-weight: 400\">Sarah Norris</span></a></li>\n</ul>\n\n\n\n<p>Il n&rsquo;aurait pas été possible de sortir WordPress 6.1 sans le travail acharné de plus de 800 personnes situées dans au moins 60 pays différents. Merci à toutes celles et ceux qui ont travaillé sur cette nouvelle version de WordPress&nbsp;!</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/1naveengiri/\">1naveengiri</a> · <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a> · <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/hurayraiit/\">Abu Hurayra</a> · <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a> · <a href=\"https://profiles.wordpress.org/adampickering/\">Adam Pickering</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/admwgn/\">Adam Wiltgen</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zielinski</a> · <a href=\"https://profiles.wordpress.org/addiestavlo/\">Addie</a> · <a href=\"https://profiles.wordpress.org/oztaser/\">Adil Öztaşer</a> · <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a> · <a href=\"https://profiles.wordpress.org/aezazshekh/\">Aezaz Shekh</a> · <a href=\"https://profiles.wordpress.org/afrid1719/\">afrid1719</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> · <a href=\"https://profiles.wordpress.org/engahmeds3ed/\">Ahmed Saeed</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/kamig478/\">Akram Ul Haq</a> · <a href=\"https://profiles.wordpress.org/akshitsethi/\">Akshit Sethi</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alamgircsebd/\">alamgircsebd</a> · <a href=\"https://profiles.wordpress.org/alanp57/\">AlanP57</a> · <a href=\"https://profiles.wordpress.org/alansyue/\">alansyue</a> · <a href=\"https://profiles.wordpress.org/albatross10/\">albatross10</a> · <a href=\"https://profiles.wordpress.org/aljullu/\">Albert Juhé Lluveras</a> · <a href=\"https://profiles.wordpress.org/alberuni-azad/\">Alberuni Azad.</a> · <a href=\"https://profiles.wordpress.org/elpanda13gmailcom/\">Alejandro J. Sanchez P.</a> · <a href=\"https://profiles.wordpress.org/zutigrm/\">Aleksej</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/viper007bond/\">Alex Mills</a> · <a href=\"https://profiles.wordpress.org/acoulombe/\">Alexis Coulombe</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">alexstine</a> · <a href=\"https://profiles.wordpress.org/allancole/\">allancole</a> · <a href=\"https://profiles.wordpress.org/allisonplus/\">allisonplus</a> · <a href=\"https://profiles.wordpress.org/mrfoxtalbot/\">Alvaro Gómez</a> · <a href=\"https://profiles.wordpress.org/amirkamizi/\">amirkamizi</a> · <a href=\"https://profiles.wordpress.org/amjadr360/\">Amjad Ali</a> · <a href=\"https://profiles.wordpress.org/anantajitjg/\">Anantajit JG</a> · <a href=\"https://profiles.wordpress.org/anariel-design/\">Anariel Design</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/deksar/\">Andreas</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/_smartik_/\">Andrei Surdu</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/eatingrules/\">Andrew Wilder</a> · <a href=\"https://profiles.wordpress.org/andrewnz/\">AndrewNZ</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey « Rarst » Savchenko</a> · <a href=\"https://profiles.wordpress.org/andrija/\">Andrija Naglic</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/andykeith/\">Andy Keith</a> · <a href=\"https://profiles.wordpress.org/aniketpatel/\">Aniket Patel</a> · <a href=\"https://profiles.wordpress.org/anitanenova/\">anitanenova</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/annabansaghi/\">Anna Bansaghi</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/alaca/\">Ante Laca</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/apedog/\">apedog</a> · <a href=\"https://profiles.wordpress.org/apokalyptik/\">apokalyptik</a> · <a href=\"https://profiles.wordpress.org/arrasel403/\">AR Rasel</a> · <a href=\"https://profiles.wordpress.org/arcangelini/\">arcangelini</a> · <a href=\"https://profiles.wordpress.org/archon810/\">archon810</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/yellyc/\">Ariel Chinn</a> · <a href=\"https://profiles.wordpress.org/xylocone/\">Arjun Singh</a> · <a href=\"https://profiles.wordpress.org/armondal/\">Arnab Mondal</a> · <a href=\"https://profiles.wordpress.org/passoniate/\">Arslan Kalwar</a> · <a href=\"https://profiles.wordpress.org/arturgrabo/\">Artur Grabowski</a> · <a href=\"https://profiles.wordpress.org/ideag/\">Arunas Liuiza</a> · <a href=\"https://profiles.wordpress.org/aspexi/\">Aspexi</a> · <a href=\"https://profiles.wordpress.org/aurooba/\">Aurooba Ahmed</a> · <a href=\"https://profiles.wordpress.org/filosofo/\">Austin Matzko</a> · <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a> · <a href=\"https://profiles.wordpress.org/baned/\">BaneD</a> · <a href=\"https://profiles.wordpress.org/barneydavey/\">barneydavey</a> · <a href=\"https://profiles.wordpress.org/bbobnis/\">Bartosz Bobnis</a> · <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/bengreeley/\">Ben Greeley</a> · <a href=\"https://profiles.wordpress.org/utz119/\">Benachi</a> · <a href=\"https://profiles.wordpress.org/benjgrolleau/\">Benjamin Grolleau</a> · <a href=\"https://profiles.wordpress.org/benoitchantre/\">Benoit Chantre</a> · <a href=\"https://profiles.wordpress.org/bernhard reiter/\">Bernhard Reiter</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernie Reiter</a> · <a href=\"https://profiles.wordpress.org/bhrugesh12/\">Bhrugesh Bavishi</a> · <a href=\"https://profiles.wordpress.org/elten/\">Bing</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a> · <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> · <a href=\"https://profiles.wordpress.org/blockify/\">Blockify</a> · <a href=\"https://profiles.wordpress.org/boblindner/\">Bob</a> · <a href=\"https://profiles.wordpress.org/bobbingwide/\">bobbingwide</a> · <a href=\"https://profiles.wordpress.org/gitlost/\">bonger</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">Brian Alexander</a> · <a href=\"https://profiles.wordpress.org/bgardner/\">Brian Gardner</a> · <a href=\"https://profiles.wordpress.org/cantuaria/\">Bruno Cantuaria</a> · <a href=\"https://profiles.wordpress.org/ribaricplusplus/\">Bruno Ribaric</a> · <a href=\"https://profiles.wordpress.org/burgiuk/\">burgiuk</a> · <a href=\"https://profiles.wordpress.org/burhandodhy/\">Burhan Nasir</a> · <a href=\"https://profiles.wordpress.org/bwbama/\">bwbama</a> · <a href=\"https://profiles.wordpress.org/cadlec/\">cadlec</a> · <a href=\"https://profiles.wordpress.org/cagsmith/\">cagsmith</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos Garcia Prim</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/cavalierlife/\">cavalierlife</a> · <a href=\"https://profiles.wordpress.org/cdbessig/\">cdbessig</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/nhuja/\">Chandra M</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/chetan200891/\">Chetan Prajapati</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/chrisbudd1/\">Chris Budd</a> · <a href=\"https://profiles.wordpress.org/chrishardie/\">Chris Hardie</a> · <a href=\"https://profiles.wordpress.org/czarate/\">Chris Zarate</a> · <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a> · <a href=\"https://profiles.wordpress.org/chrisguitarguy/\">chrisguitarguy</a> · <a href=\"https://profiles.wordpress.org/cwbudde/\">Christian-W. Budde</a> · <a href=\"https://profiles.wordpress.org/christinavoudouris/\">Christina Voudouris</a> · <a href=\"https://profiles.wordpress.org/apermo/\">Christoph Daum</a> · <a href=\"https://profiles.wordpress.org/cfinke/\">Christopher Finke</a> · <a href=\"https://profiles.wordpress.org/ryno267/\">Chuck Reynolds</a> · <a href=\"https://profiles.wordpress.org/chynnabenton/\">chynnabenton</a> · <a href=\"https://profiles.wordpress.org/ckanderson22/\">ckanderson22</a> · <a href=\"https://profiles.wordpress.org/design_dolphin/\">CodePoet</a> · <a href=\"https://profiles.wordpress.org/codewhy/\">codewhy</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/collieit/\">Collie-IT, Anne K. Frey</a> · <a href=\"https://profiles.wordpress.org/colonelphantom/\">colonelphantom</a> · <a href=\"https://profiles.wordpress.org/cbirdsong/\">Cory Birdsong</a> · <a href=\"https://profiles.wordpress.org/courane01/\">Courtney Robertson</a> · <a href=\"https://profiles.wordpress.org/craigfrancis/\">craigfrancis</a> · <a href=\"https://profiles.wordpress.org/crazycoders/\">crazycoders</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/cu121/\">Cupid Chakma</a> · <a href=\"https://profiles.wordpress.org/curdin/\">Curdin Krummenacher</a> · <a href=\"https://profiles.wordpress.org/cyrillbolliger/\">cyrillbolliger</a> · <a href=\"https://profiles.wordpress.org/dxd5001/\">Daijiro Miyazawa</a> · <a href=\"https://profiles.wordpress.org/dainemawer/\">dainemawer</a> · <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a> · <a href=\"https://profiles.wordpress.org/daledupreez/\">Dale du Preez</a> · <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a> · <a href=\"https://profiles.wordpress.org/damonganto/\">damonganto</a> · <a href=\"https://profiles.wordpress.org/danfarrow/\">Dan Farrow</a> · <a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/danieliser/\">Daniel Iser</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/schutzsmith/\">Daniel Schutzsmith</a> · <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/dariak/\">Daria</a> · <a href=\"https://profiles.wordpress.org/dkotter/\">Darin Kotter</a> · <a href=\"https://profiles.wordpress.org/darkog/\">Darko G.</a> · <a href=\"https://profiles.wordpress.org/darkskipper/\">darkskipper</a> · <a href=\"https://profiles.wordpress.org/uofaberdeendarren/\">Darren Coutts</a> · <a href=\"https://profiles.wordpress.org/htdat/\">Dat Hoang</a> · <a href=\"https://profiles.wordpress.org/datainterlock/\">datainterlock</a> · <a href=\"https://profiles.wordpress.org/dhilditch/\">Dave Hilditch</a> · <a href=\"https://profiles.wordpress.org/dave1010/\">dave1010</a> · <a href=\"https://profiles.wordpress.org/davidanderson/\">David Anderson</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dcowgill/\">David C</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/desmith/\">David E. Smith</a> · <a href=\"https://profiles.wordpress.org/dg12345/\">David Goring</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/daviedr/\">David Rozando</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a> · <a href=\"https://profiles.wordpress.org/daxelrod/\">daxelrod</a> · <a href=\"https://profiles.wordpress.org/daymobrew/\">daymobrew</a> · <a href=\"https://profiles.wordpress.org/deepakvijayan/\">Deepak Vijayan</a> · <a href=\"https://profiles.wordpress.org/denis-de-bernardy/\">Denis de Bernardy</a> · <a href=\"https://profiles.wordpress.org/dingo_d/\">Denis Žoljom</a> · <a href=\"https://profiles.wordpress.org/denishua/\">denishua</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/derekblank/\">derekblank</a> · <a href=\"https://profiles.wordpress.org/pcfreak30/\">Derrick Hammer</a> · <a href=\"https://profiles.wordpress.org/dharm1025/\">Dharmesh Patel</a> · <a href=\"https://profiles.wordpress.org/dhl/\">dhl</a> · <a href=\"https://profiles.wordpress.org/dianeco/\">Diane Co</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dingdang/\">dingdang</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/dipakparmar443/\">Dipak Parmar</a> · <a href=\"https://profiles.wordpress.org/divyeshgodhani/\">divyeshgodhani</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donmhico/\">donmhico</a> · <a href=\"https://profiles.wordpress.org/dougwollison/\">Doug Wollison</a> · <a href=\"https://profiles.wordpress.org/dougal/\">Dougal Campbell</a> · <a href=\"https://profiles.wordpress.org/drewapicture/\">Drew Jaynes</a> · <a href=\"https://profiles.wordpress.org/drivingralle/\">Drivingralle</a> · <a href=\"https://profiles.wordpress.org/drzraf/\">drzraf</a> · <a href=\"https://profiles.wordpress.org/dsas/\">dsas</a> · <a href=\"https://profiles.wordpress.org/dwainm/\">Dwain Maralack</a> · <a href=\"https://profiles.wordpress.org/kucrut/\">Dzikri Aziz</a> · <a href=\"https://profiles.wordpress.org/dovyp/\">Dōvy Paukstys</a> · <a href=\"https://profiles.wordpress.org/eclev91/\">eclev91</a> · <a href=\"https://profiles.wordpress.org/chopinbach/\">Edwin Cromley</a> · <a href=\"https://profiles.wordpress.org/eedee/\">eedee</a> · <a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a> · <a href=\"https://profiles.wordpress.org/eliezerspp/\">Eliezer Peña</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van&nbsp;Durpe</a> · <a href=\"https://profiles.wordpress.org/clarkeemily/\">Emily Clarke</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/ethitter/\">Erick Hitter</a> · <a href=\"https://profiles.wordpress.org/codekraft/\">Erik</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/estelaris/\">estelaris</a> · <a href=\"https://profiles.wordpress.org/madpixels/\">eugene.manuilov</a> · <a href=\"https://profiles.wordpress.org/eugenemanuilov/\">Eugene.Manuilov</a> · <a href=\"https://profiles.wordpress.org/eherman24/\">Evan Herman</a> · <a href=\"https://profiles.wordpress.org/aaemnnosttv/\">Evan Mattson</a> · <a href=\"https://profiles.wordpress.org/circlecube/\">Evan Mullins</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a> · <a href=\"https://profiles.wordpress.org/faison/\">Faison</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/fellyph/\">Fellyph Cintra</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/florianbrinkmann/\">Florian Brinkmann</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco</a> · <a href=\"https://profiles.wordpress.org/fuadragib/\">Fuad Ragib</a> · <a href=\"https://profiles.wordpress.org/furi3r/\">furi3r</a> · <a href=\"https://profiles.wordpress.org/gabri3lmarques/\">gabri3lmarques</a> · <a href=\"https://profiles.wordpress.org/gdetassigny/\">Gabriel de Tassigny</a> · <a href=\"https://profiles.wordpress.org/gabertronic/\">Gabriel Rose</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/voldemortensen/\">Garth Mortensen</a> · <a href=\"https://profiles.wordpress.org/garyj/\">Gary Jones</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/garymatthews919/\">garymatthews919</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/georgestephanis/\">George Stephanis</a> · <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a> · <a href=\"https://profiles.wordpress.org/gigitux/\">gigitux</a> · <a href=\"https://profiles.wordpress.org/giox069/\">giox069</a> · <a href=\"https://profiles.wordpress.org/giuseppemazzapica/\">giuseppemazzapica</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/goldenapples/\">goldenapples</a> · <a href=\"https://profiles.wordpress.org/greglone/\">Grégory Viguier</a> · <a href=\"https://profiles.wordpress.org/graham73may/\">graham73may</a> · <a href=\"https://profiles.wordpress.org/grantmkin/\">Grant M. Kinney</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/greg24/\">greg24</a> · <a href=\"https://profiles.wordpress.org/gregorlove/\">gRegor Morrill</a> · <a href=\"https://profiles.wordpress.org/gunterer/\">gunterer</a> · <a href=\"https://profiles.wordpress.org/bordoni/\">Gustavo Bordoni</a> · <a href=\"https://profiles.wordpress.org/h2ham/\">h2ham (Hiromu Hasegawa)</a> · <a href=\"https://profiles.wordpress.org/hakanca/\">hakanca</a> · <a href=\"https://profiles.wordpress.org/hakre/\">hakre</a> · <a href=\"https://profiles.wordpress.org/hansjovisyoast/\">Hans-Christiaan Braun</a> · <a href=\"https://profiles.wordpress.org/thakkarhardik/\">Hardik Thakkar</a> · <a href=\"https://profiles.wordpress.org/haritpanchal/\">Harit Panchal</a> · <a href=\"https://profiles.wordpress.org/harshvaishnav/\">harshvaishnav</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/azhiyadev/\">Hauwa Abashiya</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/iamarinoh/\">Henrique Iamarino</a> · <a href=\"https://profiles.wordpress.org/henrywright/\">Henry Wright</a> · <a href=\"https://profiles.wordpress.org/here/\">here</a> · <a href=\"https://profiles.wordpress.org/herregroen/\">Herre Groen</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hiren1094/\">hiren sanja</a> · <a href=\"https://profiles.wordpress.org/hiyascout/\">hiyascout</a> · <a href=\"https://profiles.wordpress.org/howdy_mcgee/\">Howdy_McGee</a> · <a href=\"https://profiles.wordpress.org/hugodevos/\">hugodevos</a> · <a href=\"https://profiles.wordpress.org/huubl/\">huubl</a> · <a href=\"https://profiles.wordpress.org/hztyfoon/\">hztyfoon</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/iansvo/\">iansvo</a> · <a href=\"https://profiles.wordpress.org/icaspar/\">iCaspar</a> · <a href=\"https://profiles.wordpress.org/igmoweb/\">Ignacio Cruz Moreno</a> · <a href=\"https://profiles.wordpress.org/igorsch/\">Igor</a> · <a href=\"https://profiles.wordpress.org/igrigorik/\">igrigorik</a> · <a href=\"https://profiles.wordpress.org/ilovecats7/\">ilovecats7</a> · <a href=\"https://profiles.wordpress.org/ilunabar/\">ilunabar</a> · <a href=\"https://profiles.wordpress.org/imadarshakshat/\">imadarshakshat</a> · <a href=\"https://profiles.wordpress.org/ipajen/\">ipajen</a> · <a href=\"https://profiles.wordpress.org/ipstenu/\">Ipstenu (Mika Epstein)</a> · <a href=\"https://profiles.wordpress.org/irecinius/\">irecinius</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/iulia-cazan/\">Iulia Cazan</a> · <a href=\"https://profiles.wordpress.org/ivanjeronimo/\">ivanjeronimo</a> · <a href=\"https://profiles.wordpress.org/iviweb/\">iviweb</a> · <a href=\"https://profiles.wordpress.org/jdgrimes/\">J.D. Grimes</a> · <a href=\"https://profiles.wordpress.org/primetimejas/\">Jacob Schweitzer</a> · <a href=\"https://profiles.wordpress.org/jakariaistauk/\">Jakaria Istauk</a> · <a href=\"https://profiles.wordpress.org/jamesckemp/\">James Kemp</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/jamieburchell/\">jamieburchell</a> · <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a> · <a href=\"https://profiles.wordpress.org/jarretc/\">Jarret</a> · <a href=\"https://profiles.wordpress.org/jsnjohnston/\">Jason Johnston</a> · <a href=\"https://profiles.wordpress.org/trapsta/\">Jasper Kinoti</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a> · <a href=\"https://profiles.wordpress.org/grandeljay/\">Jay Trees</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jeawhanlee/\">jeawhanlee</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeff Paul</a> · <a href=\"https://profiles.wordpress.org/juberstine/\">Jeff Uberstine</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/jeroenreumkens/\">JeroenReumkens</a> · <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a> · <a href=\"https://profiles.wordpress.org/jhart35/\">jhart35</a> · <a href=\"https://profiles.wordpress.org/jhnstn/\">jhnstn</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jnz31/\">jnz31</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joehoyle/\">Joe Hoyle</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joelhardi/\">joelhardi</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnregan3/\">John Regan</a> · <a href=\"https://profiles.wordpress.org/johnmark8080/\">johnmark8080</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/jonsurrell/\">Jon Surrell</a> · <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/jpantani/\">Jonathan Pantani</a> · <a href=\"https://profiles.wordpress.org/jonmackintosh/\">jonmackintosh</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jonny-s/\">jonny-s</a> · <a href=\"https://profiles.wordpress.org/jonoaldersonwp/\">Jono Alderson</a> · <a href=\"https://profiles.wordpress.org/joostdevalk/\">Joost de Valk</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/josvelasco/\">Jos Velasco</a> · <a href=\"https://profiles.wordpress.org/joegrainger/\">Joseph Grainger</a> · <a href=\"https://profiles.wordpress.org/jostnes/\">Josepha Dambul</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a> · <a href=\"https://profiles.wordpress.org/jhabdas/\">Josh Habdas</a> · <a href=\"https://profiles.wordpress.org/joshuaabenazer/\">Joshua Abenazer</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jrbeilke/\">jrbeilke</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">jsnajdr</a> · <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a> · <a href=\"https://profiles.wordpress.org/juliemoynat/\">Julie Moynat</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/juliobox/\">Julio Potier</a> · <a href=\"https://profiles.wordpress.org/just0nequestion/\">just0nequestion</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/justinsainton/\">Justin Sainton</a> · <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a> · <a href=\"https://profiles.wordpress.org/welenofsky/\">Justin Welenofsky</a> · <a href=\"https://profiles.wordpress.org/jyolsna/\">jyolsna</a> · <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/akabarikalpesh/\">Kalpesh Akabari</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/karinclimber/\">Kari Anderson</a> · <a href=\"https://profiles.wordpress.org/karlgroves/\">karlgroves</a> · <a href=\"https://profiles.wordpress.org/karlijnbk/\">Karlijn Bok</a> · <a href=\"https://profiles.wordpress.org/kasparsd/\">Kaspars</a> · <a href=\"https://profiles.wordpress.org/zoonini/\">Kathryn Presner</a> · <a href=\"https://profiles.wordpress.org/kbrownkd/\">kbrownkd</a> · <a href=\"https://profiles.wordpress.org/kkoppenhaver/\">Keanan Koppenhaver</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a> · <a href=\"https://profiles.wordpress.org/kevinb/\">Kevin Behrens</a> · <a href=\"https://profiles.wordpress.org/khag7/\">Kevin Hagerty</a> · <a href=\"https://profiles.wordpress.org/khoipro/\">Khoi Pro</a> · <a href=\"https://profiles.wordpress.org/khokansardar/\">Khokan Sardar</a> · <a href=\"https://profiles.wordpress.org/killua99/\">killua99</a> · <a href=\"https://profiles.wordpress.org/kishanjasani/\">Kishan Jasani</a> · <a href=\"https://profiles.wordpress.org/kitchin/\">kitchin</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/kkmuffme/\">kkmuffme</a> · <a href=\"https://profiles.wordpress.org/blackawxs/\">klewis</a> · <a href=\"https://profiles.wordpress.org/knutsp/\">Knut Sparhell</a> · <a href=\"https://profiles.wordpress.org/vdwijngaert/\">Koen Van den Wijngaert</a> · <a href=\"https://profiles.wordpress.org/konradyoast/\">Konrad.K</a> · <a href=\"https://profiles.wordpress.org/kovshenin/\">Konstantin Kovshenin</a> · <a href=\"https://profiles.wordpress.org/kanlukasz/\">Kris Kelvin</a> · <a href=\"https://profiles.wordpress.org/krishaweb/\">KrishaWeb</a> · <a href=\"https://profiles.wordpress.org/krupalpanchal/\">Krupal Panchal</a> · <a href=\"https://profiles.wordpress.org/kmadhak/\">Kunal Madhak</a> · <a href=\"https://profiles.wordpress.org/kurtpayne/\">Kurt Payne</a> · <a href=\"https://profiles.wordpress.org/kwillmorth/\">kwillmorth</a> · <a href=\"https://profiles.wordpress.org/kbjohnson90/\">Kyle B. Johnson</a> · <a href=\"https://profiles.wordpress.org/devnel/\">Kyle Nel</a> · <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren Stein</a> · <a href=\"https://profiles.wordpress.org/laurent22777/\">laurent22777</a> · <a href=\"https://profiles.wordpress.org/lazam786/\">lazam786</a> · <a href=\"https://profiles.wordpress.org/leewillis77/\">Lee Willis</a> · <a href=\"https://profiles.wordpress.org/leemon/\">leemon</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/leogermani/\">leogermani</a> · <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a> · <a href=\"https://profiles.wordpress.org/linsoftware/\">Linnea Huxford</a> · <a href=\"https://profiles.wordpress.org/lonnylot/\">lonnylot</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/lovor/\">Lovro Hrust</a> · <a href=\"https://profiles.wordpress.org/lucasbustamante/\">Lucas Bustamante</a> · <a href=\"https://profiles.wordpress.org/lucilastancato/\">lucilastancato</a> · <a href=\"https://profiles.wordpress.org/luigipulcini/\">luigipulcini</a> · <a href=\"https://profiles.wordpress.org/zaguiini/\">Luis Felipe Zaguini</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/infolu/\">Luiz Araújo</a> · <a href=\"https://profiles.wordpress.org/mitweka/\">Lukas Niebler</a> · <a href=\"https://profiles.wordpress.org/lukecavanagh/\">Luke Cavanagh</a> · <a href=\"https://profiles.wordpress.org/msnewas/\">M S Newaz</a> · <a href=\"https://profiles.wordpress.org/maartenj/\">Maarten</a> · <a href=\"https://profiles.wordpress.org/mashikag/\">Maciej</a> · <a href=\"https://profiles.wordpress.org/maciejmackowiak/\">maciejmackowiak</a> · <a href=\"https://profiles.wordpress.org/mrdollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/madhudollu/\">Madhu Dollu</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/patopaiar/\">magicoders</a> · <a href=\"https://profiles.wordpress.org/maahrokh/\">Mahrokh</a> · <a href=\"https://profiles.wordpress.org/maksimkuzmin/\">maksimkuzmin</a> · <a href=\"https://profiles.wordpress.org/malthert/\">malthert</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/manishsongirkar36/\">Manish Songirkar</a> · <a href=\"https://profiles.wordpress.org/manzoorwanijk/\">Manzoor Wani</a> · <a href=\"https://profiles.wordpress.org/manzurahammed/\">Manzur Ahammed</a> · <a href=\"https://profiles.wordpress.org/marcyoast/\">Marc</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/mkaz/\">Marcus Kazmierczak</a> · <a href=\"https://profiles.wordpress.org/marekdedic/\">Marek Dědič</a> · <a href=\"https://profiles.wordpress.org/nuryko/\">Marianna</a> · <a href=\"https://profiles.wordpress.org/chaton666/\">Marie Comet</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markbiek/\">Mark Biek</a> · <a href=\"https://profiles.wordpress.org/markhowellsmead/\">Mark Howells-Mead</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/markparnell/\">Mark Parnell</a> · <a href=\"https://profiles.wordpress.org/markoheijnen/\">Marko Heijnen</a> · <a href=\"https://profiles.wordpress.org/flootr/\">Markus</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/mhkuu/\">Martijn van der Klis</a> · <a href=\"https://profiles.wordpress.org/hinjiriyo/\">Martin Stehle</a> · <a href=\"https://profiles.wordpress.org/martinkrcho/\">martin.krcho</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/mashukushibiki/\">Mashu</a> · <a href=\"https://profiles.wordpress.org/masteradhoc/\">masteradhoc</a> · <a href=\"https://profiles.wordpress.org/msurdi/\">Matías Emanuel Surdi</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">matiasbenedetto</a> · <a href=\"https://profiles.wordpress.org/mattchowning/\">Matt Chowning</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/mattwondra/\">Matt Wondra</a> · <a href=\"https://profiles.wordpress.org/mboynes/\">Matthew Boynes</a> · <a href=\"https://profiles.wordpress.org/mattheweppelsheimer/\">Matthew Eppelsheimer</a> · <a href=\"https://profiles.wordpress.org/matthiaspabst/\">Matthias Pabst</a> · <a href=\"https://profiles.wordpress.org/matthiasreinholz/\">Matthias Reinholz</a> · <a href=\"https://profiles.wordpress.org/mattyrob/\">mattyrob</a> · <a href=\"https://profiles.wordpress.org/azouamauriac/\">Mauriac AZOUA</a> · <a href=\"https://profiles.wordpress.org/maximej/\">Maxime J.</a> · <a href=\"https://profiles.wordpress.org/maximemeganck/\">Maxime Meganck</a> · <a href=\"https://profiles.wordpress.org/mayankmajeji/\">Mayank Majeji</a> · <a href=\"https://profiles.wordpress.org/maythamalsudany/\">maythamalsudany</a> · <a href=\"https://profiles.wordpress.org/mayuge/\">Mayuge</a> · <a href=\"https://profiles.wordpress.org/mcliwanow/\">mcliwanow</a> · <a href=\"https://profiles.wordpress.org/rakibwordpress/\">Md Rakib Hossain</a> · <a href=\"https://profiles.wordpress.org/russel07/\">Md. Russel Hussain</a> · <a href=\"https://profiles.wordpress.org/mdrago/\">mdrago</a> · <a href=\"https://profiles.wordpress.org/mehedi890/\">Mehedi Foysal</a> · <a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a> · <a href=\"https://profiles.wordpress.org/mehulkaklotar/\">Mehul Kaklotar</a> · <a href=\"https://profiles.wordpress.org/melchoyce/\">Mel Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/meloniq/\">meloniq</a> · <a href=\"https://profiles.wordpress.org/merkys/\">Merkys Maliukevičius</a> · <a href=\"https://profiles.wordpress.org/meysamnorouzi/\">meysam norouzi</a> · <a href=\"https://profiles.wordpress.org/mfgmicha/\">Micha Krapp</a> · <a href=\"https://profiles.wordpress.org/michaelbourne/\">Michael Bourne</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mihaidumitrascu/\">Mihai Dumitrascu</a> · <a href=\"https://profiles.wordpress.org/mihai2u/\">Mike Crantea</a> · <a href=\"https://profiles.wordpress.org/mdgl/\">Mike Glendinning</a> · <a href=\"https://profiles.wordpress.org/mikehansenme/\">Mike Hansen</a> · <a href=\"https://profiles.wordpress.org/mikejolley/\">Mike Jolley (a11n)</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/mikemanzo/\">mikemanzo</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/milindmore22/\">Milind More</a> · <a href=\"https://profiles.wordpress.org/mimitips/\">mimi</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/presents111/\">miya</a> · <a href=\"https://profiles.wordpress.org/mlajo/\">Mladen</a> · <a href=\"https://profiles.wordpress.org/batmoo/\">Mohammad Jangda</a> · <a href=\"https://profiles.wordpress.org/mjkhajeh/\">MohammadJafar Khajeh</a> · <a href=\"https://profiles.wordpress.org/mohitdadhich10/\">Mohit Dadhich</a> · <a href=\"https://profiles.wordpress.org/boemedia/\">Monique Dubbelman</a> · <a href=\"https://profiles.wordpress.org/mt8biz/\">moto hachi</a> · <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a> · <a href=\"https://profiles.wordpress.org/mrobit/\">mrobit</a> · <a href=\"https://profiles.wordpress.org/msolution/\">msolution</a> · <a href=\"https://profiles.wordpress.org/mtias/\">mtias</a> · <a href=\"https://profiles.wordpress.org/wparslan/\">Muhammad Arslan</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/mmaumio/\">Muntasir Mahmud</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/mvraghavan/\">mvraghavan</a> · <a href=\"https://profiles.wordpress.org/mweichert/\">mweichert</a> · <a href=\"https://profiles.wordpress.org/n8finch/\">n8finch</a> · <a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a> · <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a> · <a href=\"https://profiles.wordpress.org/nareshbheda/\">Naresh Bheda</a> · <a href=\"https://profiles.wordpress.org/nateallen/\">Nate Allen</a> · <a href=\"https://profiles.wordpress.org/nhadsall/\">Nathan</a> · <a href=\"https://profiles.wordpress.org/nathanatmoz/\">Nathan Johnson</a> · <a href=\"https://profiles.wordpress.org/navigatrum/\">navigatrum</a> · <a href=\"https://profiles.wordpress.org/neffff/\">neffff</a> · <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a> · <a href=\"https://profiles.wordpress.org/neychok/\">Neycho Kalaydzhiev</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/celloexpressions/\">Nick Halsey</a> · <a href=\"https://profiles.wordpress.org/nico23/\">Nico</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/nikkigagency/\">nikkigagency</a> · <a href=\"https://profiles.wordpress.org/im_niloy/\">Niloy</a> · <a href=\"https://profiles.wordpress.org/ninos-ego/\">Ninos</a> · <a href=\"https://profiles.wordpress.org/nithi22/\">Nithin John</a> · <a href=\"https://profiles.wordpress.org/nithins53/\">Nithin SreeRaj</a> · <a href=\"https://profiles.wordpress.org/nlpro/\">nlpro</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/noplanman/\">noplanman</a> · <a href=\"https://profiles.wordpress.org/nouarah/\">nouarah</a> · <a href=\"https://profiles.wordpress.org/numidwasnotavailable/\">NumidWasNotAvailable</a> · <a href=\"https://profiles.wordpress.org/nunomorgadinho/\">Nuno Morgadinho</a> · <a href=\"https://profiles.wordpress.org/zikubd/\">Nurul Umbhiya</a> · <a href=\"https://profiles.wordpress.org/nvartolomei/\">nvartolomei</a> · <a href=\"https://profiles.wordpress.org/obayedmamur/\">Obayed Mamur</a> · <a href=\"https://profiles.wordpress.org/obliviousharmony/\">obliviousharmony</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a> · <a href=\"https://profiles.wordpress.org/oliverstapelfeldt/\">Oliver Stapelfeldt</a> · <a href=\"https://profiles.wordpress.org/olliejones/\">OllieJones</a> · <a href=\"https://profiles.wordpress.org/oneearth27/\">oneearth27</a> · <a href=\"https://profiles.wordpress.org/onnimonni/\">Onni Hakala</a> · <a href=\"https://profiles.wordpress.org/opr18/\">opr18</a> · <a href=\"https://profiles.wordpress.org/ovidiul/\">ovidiul</a> · <a href=\"https://profiles.wordpress.org/p_enrique/\">p_enrique</a> · <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a> · <a href=\"https://profiles.wordpress.org/poliuk/\">Pablo Postigo</a> · <a href=\"https://profiles.wordpress.org/pablohoney/\">PabloHoney</a> · <a href=\"https://profiles.wordpress.org/palmiak/\">palmiak</a> · <a href=\"https://profiles.wordpress.org/pls78/\">Paolo L. Scala</a> · <a href=\"https://profiles.wordpress.org/paragoninitiativeenterprises/\">Paragon Initiative Enterprises</a> · <a href=\"https://profiles.wordpress.org/xparham/\">Parham Ghaffarian</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/patrickgroot/\">Patrick Groot</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">Paul Kevan</a> · <a href=\"https://profiles.wordpress.org/figureone/\">Paul Ryan</a> · <a href=\"https://profiles.wordpress.org/paulohcruz/\">Paulo Cruz</a> · <a href=\"https://profiles.wordpress.org/paulopmt1/\">Paulo Trentin</a> · <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a> · <a href=\"https://profiles.wordpress.org/pavelschoffer/\">pavelschoffer</a> · <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/westi/\">Peter Westwood</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petitphp/\">petitphp</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/johnstonphilip/\">Phil Johnston</a> · <a href=\"https://profiles.wordpress.org/phillsav/\">Phill</a> · <a href=\"https://profiles.wordpress.org/strategio/\">Pierre Sylvestre</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/mordauk/\">Pippin Williamson</a> · <a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/praful2111/\">Praful Patel</a> · <a href=\"https://profiles.wordpress.org/pratiweb/\">Pratiksha</a> · <a href=\"https://profiles.wordpress.org/nikeo/\">presscustomizr</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/presstoke/\">presstoke</a> · <a href=\"https://profiles.wordpress.org/priyomukul/\">Priyo Mukul</a> · <a href=\"https://profiles.wordpress.org/prokium/\">prokium</a> · <a href=\"https://profiles.wordpress.org/itsjonq/\">Q</a> · <a href=\"https://profiles.wordpress.org/rachelbaker/\">Rachel Baker</a> · <a href=\"https://profiles.wordpress.org/larrach/\">Rachel Peter</a> · <a href=\"https://profiles.wordpress.org/raduiason/\">raduiason</a> · <a href=\"https://profiles.wordpress.org/rafiahmedd/\">Rafi Ahmed</a> · <a href=\"https://profiles.wordpress.org/tan007/\">Rahi Prajapati</a> · <a href=\"https://profiles.wordpress.org/rajanpanchal2028/\">Rajan Panchal</a> · <a href=\"https://profiles.wordpress.org/rajeshraval786/\">Rajesh Raval</a> · <a href=\"https://profiles.wordpress.org/ralucastn/\">ralucastn</a> · <a href=\"https://profiles.wordpress.org/superpoincare/\">Ramanan</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/rcorrales/\">Ramon Corrales</a> · <a href=\"https://profiles.wordpress.org/ramon-fincken/\">ramon fincken</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/randhirexpresstech/\">randhirexpresstech</a> · <a href=\"https://profiles.wordpress.org/ravipatel/\">Ravikumar Patel</a> · <a href=\"https://profiles.wordpress.org/rcanepa/\">rcanepa</a> · <a href=\"https://profiles.wordpress.org/rebasaurus/\">rebasaurus</a> · <a href=\"https://profiles.wordpress.org/rehanali/\">Rehan Ali</a> · <a href=\"https://profiles.wordpress.org/tabrisrp/\">Remy Perona</a> · <a href=\"https://profiles.wordpress.org/renathoc/\">Renatho (a11n)</a> · <a href=\"https://profiles.wordpress.org/renegeuze/\">renegeuze</a> · <a href=\"https://profiles.wordpress.org/laboiteare/\">Reuhno</a> · <a href=\"https://profiles.wordpress.org/rflw/\">rflw</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/rinatkhaziev/\">Rinat</a> · <a href=\"https://profiles.wordpress.org/rinkychowdhury9/\">Rinky Chowdhury</a> · <a href=\"https://profiles.wordpress.org/rishishah/\">Rishi Shah</a> · <a href=\"https://profiles.wordpress.org/rkaiser0324/\">rkaiser0324</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/miqrogroove/\">Robert Chapin</a> · <a href=\"https://profiles.wordpress.org/robertghetau/\">robertght</a> · <a href=\"https://profiles.wordpress.org/robinwpdeveloper/\">Robin</a> · <a href=\"https://profiles.wordpress.org/robmiller/\">robmiller</a> · <a href=\"https://profiles.wordpress.org/rodrigosevero/\">rodrigosevero</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/rolfsiebers/\">Rolf Siebers</a> · <a href=\"https://profiles.wordpress.org/rollybueno/\">rollybueno</a> · <a href=\"https://profiles.wordpress.org/rherault/\">Romain Herault</a> · <a href=\"https://profiles.wordpress.org/romulodl/\">romulodl</a> · <a href=\"https://profiles.wordpress.org/ross_ritchey/\">ross_ritchey</a> · <a href=\"https://profiles.wordpress.org/lev0/\">Roy</a> · <a href=\"https://profiles.wordpress.org/geekstreetwp/\">Russell Aaron</a> · <a href=\"https://profiles.wordpress.org/ryan/\">Ryan Boren</a> · <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a> · <a href=\"https://profiles.wordpress.org/ryanmurphy/\">Ryan Murphy</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/sebastienserre/\">Sébastien SERRE</a> · <a href=\"https://profiles.wordpress.org/sergiomdgomes/\">Sérgio Gomes</a> · <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a> · <a href=\"https://profiles.wordpress.org/sabbirmc/\">Sabbir Ahmed</a> · <a href=\"https://profiles.wordpress.org/sajjad67/\">Sajjad Hossain Sagor</a> · <a href=\"https://profiles.wordpress.org/saggre/\">Sakri Koskimies</a> · <a href=\"https://profiles.wordpress.org/samikeijonen/\">Sami Keijonen</a> · <a href=\"https://profiles.wordpress.org/viralsampat/\">Sampat Viral</a> · <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a> · <a href=\"https://profiles.wordpress.org/sandipmondal/\">Sandip Mondal &#8211; a11n</a> · <a href=\"https://profiles.wordpress.org/sandrasanzdev/\">Sandra Sanz</a> · <a href=\"https://profiles.wordpress.org/santosguillamot/\">santosguillamot</a> · <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a> · <a href=\"https://profiles.wordpress.org/sarahricker/\">sarahricker</a> · <a href=\"https://profiles.wordpress.org/sathyapulse/\">Sathiyamoorthy V</a> · <a href=\"https://profiles.wordpress.org/isaumya/\">Saumya Majumder</a> · <a href=\"https://profiles.wordpress.org/xconsau/\">Saurabh Sharma</a> · <a href=\"https://profiles.wordpress.org/scofennellgmailcom/\">Scott Fennell</a> · <a href=\"https://profiles.wordpress.org/sc0ttkclark/\">Scott Kingsley Clark</a> · <a href=\"https://profiles.wordpress.org/gmagicscott/\">Scott Lesovic</a> · <a href=\"https://profiles.wordpress.org/wonderboymusic/\">Scott Taylor</a> · <a href=\"https://profiles.wordpress.org/scribu/\">scribu</a> · <a href=\"https://profiles.wordpress.org/seakashdiu/\">seakashdiu</a> · <a href=\"https://profiles.wordpress.org/sean212/\">Sean Fisher</a> · <a href=\"https://profiles.wordpress.org/sebastianpisula/\">Sebastian Pisula</a> · <a href=\"https://profiles.wordpress.org/monolithon/\">seieric</a> · <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a> · <a href=\"https://profiles.wordpress.org/seedsca/\">Sergio Scabuzzo</a> · <a href=\"https://profiles.wordpress.org/seriouslysenpai/\">seriouslysenpai</a> · <a href=\"https://profiles.wordpress.org/sethta/\">Seth Alling</a> · <a href=\"https://profiles.wordpress.org/shanjidah/\">shangidah afroz</a> · <a href=\"https://profiles.wordpress.org/enchiridion/\">Shannon Little</a> · <a href=\"https://profiles.wordpress.org/sharjeelkhanvmi/\">Sharjeel Khan</a> · <a href=\"https://profiles.wordpress.org/shetheliving/\">shetheliving</a> · <a href=\"https://profiles.wordpress.org/shoaibkarimali/\">Shoaib Ali</a> · <a href=\"https://profiles.wordpress.org/shraboni/\">Shraboni</a> · <a href=\"https://profiles.wordpress.org/shreyasikhar26/\">Shreyas Ikhar</a> · <a href=\"https://profiles.wordpress.org/shuvo586/\">shuvo586</a> · <a href=\"https://profiles.wordpress.org/rsiddharth/\">siddharth ravikumar</a> · <a href=\"https://profiles.wordpress.org/nomnom99/\">Siddharth Thevaril</a> · <a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/sirzooro/\">sirzooro</a> · <a href=\"https://profiles.wordpress.org/slaffik/\">Slava Abakumov</a> · <a href=\"https://profiles.wordpress.org/slobodanmanic/\">Slobodan Manic</a> · <a href=\"https://profiles.wordpress.org/smit08/\">Smit Rathod</a> · <a href=\"https://profiles.wordpress.org/sobatkras/\">sobatkras</a> · <a href=\"https://profiles.wordpress.org/khromov/\">Stanislav Khromov</a> · <a href=\"https://profiles.wordpress.org/steelwagstaff/\">SteelWagstaff</a> · <a href=\"https://profiles.wordpress.org/ste_95/\">Stefano</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/hypest/\">Stefanos Togoulidis</a> · <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a> · <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a> · <a href=\"https://profiles.wordpress.org/camwynsp/\">Stephen Page</a> · <a href=\"https://profiles.wordpress.org/sterlo/\">Sterling Hamilton</a> · <a href=\"https://profiles.wordpress.org/stevenlinx/\">Steven Lin</a> · <a href=\"https://profiles.wordpress.org/steveo2000/\">steveo2000</a> · <a href=\"https://profiles.wordpress.org/studiolxv/\">studiolxv</a> · <a href=\"https://profiles.wordpress.org/sumitbagthariya16/\">Sumit Bagthariya</a> · <a href=\"https://profiles.wordpress.org/5um17/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh (WP Lovers)</a> · <a href=\"https://profiles.wordpress.org/csesumonpro/\">Sumon Sarker</a> · <a href=\"https://profiles.wordpress.org/sunil25393/\">SunilPrajapati</a> · <a href=\"https://profiles.wordpress.org/sunyatasattva/\">sunyatasattva</a> · <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a> · <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a> · <a href=\"https://profiles.wordpress.org/system909/\">system909</a> · <a href=\"https://profiles.wordpress.org/tahmidulkarim/\">Tahmid ul Karim</a> · <a href=\"https://profiles.wordpress.org/inc2734/\">Takashi Kitajima</a> · <a href=\"https://profiles.wordpress.org/karmatosed/\">Tammie Lister</a> · <a href=\"https://profiles.wordpress.org/devtanbir/\">Tanbir Ahmod</a> · <a href=\"https://profiles.wordpress.org/tanvirul/\">Tanvirul Haque</a> · <a href=\"https://profiles.wordpress.org/taskotr/\">Taras Dashkevych</a> · <a href=\"https://profiles.wordpress.org/targz/\">targz</a> · <a href=\"https://profiles.wordpress.org/tlovett1/\">Taylor Lovett</a> · <a href=\"https://profiles.wordpress.org/tazotodua/\">tazotodua</a> · <a href=\"https://profiles.wordpress.org/tbember/\">tbember</a> · <a href=\"https://profiles.wordpress.org/tykoted/\">Teddy Patriarca</a> · <a href=\"https://profiles.wordpress.org/tellyworth/\">Tellyworth</a> · <a href=\"https://profiles.wordpress.org/edent/\">Terence Eden</a> · <a href=\"https://profiles.wordpress.org/tharsheblows/\">tharsheblows</a> · <a href=\"https://profiles.wordpress.org/iamjaydip/\">thejaydip</a> · <a href=\"https://profiles.wordpress.org/tweetythierry/\">Thierry Muller</a> · <a href=\"https://profiles.wordpress.org/thijso/\">Thijs</a> · <a href=\"https://profiles.wordpress.org/griffinjt/\">Thomas Griffin</a> · <a href=\"https://profiles.wordpress.org/hyperbrand/\">Thorsten Schraut</a> · <a href=\"https://profiles.wordpress.org/threadi/\">threadi</a> · <a href=\"https://profiles.wordpress.org/baxbridge/\">Tiffany Bridge</a> · <a href=\"https://profiles.wordpress.org/tillkruess/\">Till Krüss</a> · <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a> · <a href=\"https://profiles.wordpress.org/tmooredev/\">Titus Moore</a> · <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a> · <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a> · <a href=\"https://profiles.wordpress.org/tomjdv/\">Tom de Visser</a> · <a href=\"https://profiles.wordpress.org/tjnowell/\">Tom J Nowell</a> · <a href=\"https://profiles.wordpress.org/tj692/\">Tom Janssen</a> · <a href=\"https://profiles.wordpress.org/tommusrhodus/\">Tom Rhodes</a> · <a href=\"https://profiles.wordpress.org/tomasztunik/\">Tomasz Tunik</a> · <a href=\"https://profiles.wordpress.org/tomepajk/\">tomepajk</a> · <a href=\"https://profiles.wordpress.org/shimotomoki/\">Tomoki Shimomura</a> · <a href=\"https://profiles.wordpress.org/skithund/\">Toni Viemerö</a> · <a href=\"https://profiles.wordpress.org/tonylocalword/\">tony.localword</a> · <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a> · <a href=\"https://profiles.wordpress.org/toro_unit/\">Toro_Unit (Hiroshi Urabe)</a> · <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a> · <a href=\"https://profiles.wordpress.org/transl8or/\">transl8or</a> · <a href=\"https://profiles.wordpress.org/wpsmith/\">Travis Smith</a> · <a href=\"https://profiles.wordpress.org/tremidkhar/\">Tremi Dkhar</a> · <a href=\"https://profiles.wordpress.org/trevorpfromsandee/\">TrevorPolischuk</a> · <a href=\"https://profiles.wordpress.org/nathannoom/\">Trinadin</a> · <a href=\"https://profiles.wordpress.org/dinhtungdu/\">Tung Du</a> · <a href=\"https://profiles.wordpress.org/turtlepod/\">turtlepod</a> · <a href=\"https://profiles.wordpress.org/tushar284/\">Tushar</a> · <a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a> · <a href=\"https://profiles.wordpress.org/grapplerulrich/\">Ulrich</a> · <a href=\"https://profiles.wordpress.org/umesh84/\">Umesh Gupta</a> · <a href=\"https://profiles.wordpress.org/upadalavipul/\">upadalavipul</a> · <a href=\"https://profiles.wordpress.org/utsavmadaan823/\">utsavmadaan823</a> · <a href=\"https://profiles.wordpress.org/eboxnet/\">Vagelis</a> · <a href=\"https://profiles.wordpress.org/evildon/\">varma</a> · <a href=\"https://profiles.wordpress.org/vasartam/\">vasartam</a> · <a href=\"https://profiles.wordpress.org/vdankbaar/\">vdankbaar</a> · <a href=\"https://profiles.wordpress.org/velochicdunord/\">Velochicdunord</a> · <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a> · <a href=\"https://profiles.wordpress.org/vikasprogrammer/\">vikasprogrammer</a> · <a href=\"https://profiles.wordpress.org/virgar/\">Virginie Garnier</a> · <a href=\"https://profiles.wordpress.org/vishalkakadiya/\">Vishal Kakadiya</a> · <a href=\"https://profiles.wordpress.org/vortfu/\">vortfu</a> · <a href=\"https://profiles.wordpress.org/webbeetle/\">webbeetle</a> · <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a> · <a href=\"https://profiles.wordpress.org/whaze/\">whaze</a> · <a href=\"https://profiles.wordpress.org/whissi/\">Whissi</a> · <a href=\"https://profiles.wordpress.org/earnjam/\">William Earnhardt</a> · <a href=\"https://profiles.wordpress.org/williampatton/\">williampatton</a> · <a href=\"https://profiles.wordpress.org/withinboredom/\">withinboredom</a> · <a href=\"https://profiles.wordpress.org/woji29911/\">woji29911</a> · <a href=\"https://profiles.wordpress.org/yahil/\">Yahil Madakiya</a> · <a href=\"https://profiles.wordpress.org/yannielsen/\">Yan Knudtskov</a> · <a href=\"https://profiles.wordpress.org/collet/\">Yann</a> · <a href=\"https://profiles.wordpress.org/yoavf/\">Yoav Farhi</a> · <a href=\"https://profiles.wordpress.org/byohann6/\">Yohann Billard</a> · <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a> · <a href=\"https://profiles.wordpress.org/omaeyusuke/\">yuu</a> · <a href=\"https://profiles.wordpress.org/zaerl/\">zaerl</a> · <a href=\"https://profiles.wordpress.org/zebulan/\">Zebulan Stanphill</a> · <a href=\"https://profiles.wordpress.org/zenaulislam/\">Zenaul Islam</a> · <a href=\"https://profiles.wordpress.org/ziposc/\">ziposc</a> · <a href=\"https://profiles.wordpress.org/chesio/\">Česlav Przywara</a> · <a href=\"https://profiles.wordpress.org/shenyanzhi/\">沈唁</a></p>\n\n\n\n<p>Merci également à toutes celles et ceux qui ont traduit cette version en français&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/bonaldi\">Bonaldi</a>,&nbsp;<a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chouby\">Chouby</a>,&nbsp;<a href=\"https://profiles.wordpress.org/wolforg\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/eddystile\">Eddy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>, <a href=\"https://profiles.wordpress.org/fxbenard\">FX&nbsp;Bénard</a>,&nbsp;<a href=\"https://profiles.wordpress.org/florianv\">florianv</a>,&nbsp;<a href=\"https://profiles.wordpress.org/fred5550\">Frederic Nuyts</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ggwptranslate\">Gilbert GAYRAUD</a>,&nbsp;<a href=\"https://profiles.wordpress.org/guillaumeturpin\">Guillaume TURPIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ioanamuresan\">Ioana M.</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jaz_on\">Jason Rouet</a>, <a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/loulou51\">Loulou51</a>, <a href=\"https://profiles.wordpress.org/lulucmy\">lulucmy</a>, <a href=\"https://profiles.wordpress.org/maecatnou\">maecatnou</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oellin\">Magali</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>, <a href=\"https://profiles.wordpress.org/chaton666\">Marie Comet</a>, <a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/maxpertici\">Maxime Pertici</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nandow\">nandow</a>,&nbsp;<a href=\"https://profiles.wordpress.org/pasglop\">pasglop</a>,&nbsp;<a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sebastienserre\">Sébastien SERRE</a>,&nbsp;<a href=\"https://profiles.wordpress.org/solaack\">solaack</a>,&nbsp;<a href=\"https://profiles.wordpress.org/stephanepoisson\">Stéphane POISSON</a>,&nbsp;<a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>,&nbsp;<a href=\"https://profiles.wordpress.org/translationsbyautomattic\">Translations by Automattic</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virgar\">Virginie Garnier</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virginienacci\">virginienacci</a>, <a href=\"https://profiles.wordpress.org/whaze\">whaze</a>,&nbsp;<a href=\"https://profiles.wordpress.org/whodunitagency\">Whodunit</a>,&nbsp;<a href=\"https://profiles.wordpress.org/wptranslationsorg\">WP-Translations</a>, et&nbsp;<a href=\"https://profiles.wordpress.org/wplmillet\">wplmillet</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"https://fr.wordpress.org/2022/11/02/wordpress-6-1-misha/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:77:\"\n		\n		\n					\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n					\n			\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:8:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 12 Oct 2022 16:20:45 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:13:\"Documentation\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:5:\"Guide\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2509\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"Tour d\'horizon des changements techniques apportés par WordPress 6.1, la prochaine version majeure du CMS.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:66:\"https://make.wordpress.org/design/files/2022/09/tt3_variations.mp4\";s:6:\"length\";s:6:\"996018\";s:4:\"type\";s:9:\"video/mp4\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:45796:\"\n<p>La version&nbsp;<em>Release Candidate</em>&nbsp;de&nbsp;<strong>WordPress&nbsp;6.1</strong>&nbsp;est sortie mardi 11 octobre. Il est donc temps de parcourir les différents changements techniques qu’apportera cette prochaine version majeure de notre CMS.</p>\n\n\n\n<p><strong>La sortie finale de cette nouvelle version est planifiée pour le 1<sup>er</sup>&nbsp;novembre 2022.</strong></p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"2328\" height=\"1158\" src=\"https://fr.wordpress.org/files/2022/10/wp61-guide.png\" alt=\"WordPress 6.1 : Guide des changements techniques\" class=\"wp-image-2472\" srcset=\"https://fr.wordpress.org/files/2022/10/wp61-guide.png 2328w, https://fr.wordpress.org/files/2022/10/wp61-guide-300x149.png 300w, https://fr.wordpress.org/files/2022/10/wp61-guide-1024x509.png 1024w, https://fr.wordpress.org/files/2022/10/wp61-guide-768x382.png 768w, https://fr.wordpress.org/files/2022/10/wp61-guide-1536x764.png 1536w, https://fr.wordpress.org/files/2022/10/wp61-guide-2048x1019.png 2048w\" sizes=\"(max-width: 2328px) 100vw, 2328px\" /></figure>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/6-1/\">L’équipe de direction de WP 6.1</a>&nbsp;et plusieurs centaines de contributeurs et contributrices ont travaillé sur plus de&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">120 améliorations et nouvelles fonctionnalités</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">241 correctifs</a>&nbsp;et&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.1&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">42 autres tâches variées</a>, ce qui représente plus de&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">400 tickets sur Trac</a>.</p>\n\n\n\n<p>À cela, il faut ajouter plus de&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56467\">50 pull requests</a>&nbsp;ayant permis de fusionner les différentes versions de Gutenberg dans le cœur du CMS. Du côté du projet Gutenberg il y a eu en tout 1684 pull requests apportant 425 nouvelles fonctionnalités et améliorations et 428&nbsp;correctifs de bugs, le reste concernant des tâches courantes de revue de qualité du code, de documentation ou d&rsquo;amélioration des outils de déploiement.</p>\n\n\n\n<p class=\"is-style-serif has-text-color\" style=\"color:#d95e43;font-size:18px\">En route pour un petit tour d’horizon des<br>nouveautés techniques de WordPress&nbsp;6.1&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<span id=\"more-2509\"></span>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais.</p>\n\n\n\n<p>L’objectif est de fournir un panorama général des changements techniques apportés par cette version, en français, puis de diriger les personnes qui souhaitent en savoir plus vers les notes de développement en anglais.</p>\n\n\n\n<p class=\"has-text-color has-background\" style=\"color:#ac270c;background-color:#f4e3da\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions de la part des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress&nbsp;6.1 lorsque cette version sortira le 1<sup>er</sup>&nbsp;novembre 2022.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Performances</h2>\n\n\n\n<p>Avec&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~performance&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=version&amp;col=focuses&amp;col=keywords&amp;order=priority\">45 tickets sur Trac</a>&nbsp;pour WP&nbsp;6.1, l’amélioration des performances et des temps de chargement de WordPress a été l’un des enjeux principaux de cette version. Les changements les plus significatifs portent sur les requêtes&nbsp;<code>WP_Query</code>&nbsp;et sur l’API REST, deux points qui impactent grandement les temps de chargement de votre site. L’un des changements les plus attendus concernait notamment la mise en cache des requêtes&nbsp;<code>WP_Query</code>, et c’est maintenant une réalité avec WP&nbsp;6.1.</p>\n\n\n\n<p>De nouveaux points de contrôle ont aussi été ajoutés dans l’écran de&nbsp;<em>Santé du site</em>, qui vous indiquera maintenant si la mise en cache des pages et le cache persistant fonctionnent correctement sur votre site.</p>\n\n\n\n<p>Plusieurs améliorations conséquentes sur l’API de mise en cache de WordPress ont également été mises en œuvre, et l’ordre d’exécution général des crochets d’action a été optimisé pour retarder le moins possible l’affichage des pages.</p>\n\n\n\n<p>L’enregistrement de blocs personnalisés pour l’éditeur à l’aide de fichiers&nbsp;<code>block.json</code>&nbsp;a aussi été rendu bien plus performant.</p>\n\n\n\n<p>Et ce n’est qu’une petite partie des améliorations de performances de WP 6.1. Pour en découvrir plus, voici un guide spécifique sur les performances dans cette nouvelle version de WP&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"qnD9kaPwLM\"><a href=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/\">Performance Field Guide for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Performance Field Guide for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/performance-field-guide-for-wordpress-6-1/embed/#?secret=S9AxfZHdKy#?secret=qnD9kaPwLM\" data-secret=\"qnD9kaPwLM\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Accessibilité</h2>\n\n\n\n<p>Il s’agit du second focus principal de WordPress 6.1, avec&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;focuses=~accessibility&amp;milestone=6.1&amp;group=component&amp;col=id&amp;col=summary&amp;col=focuses&amp;col=version&amp;col=keywords&amp;order=priority\">28 tickets sur Trac</a>, concernant 13 des principaux composants du CMS. De nombreuses améliorations ont été faites sur l’éditeur de blocs et sur la fonctionnalité d’édition complète du site, quelques éléments encore non conformes sur les différents écrans d’administration ont été corrigés, et beaucoup d’autres améliorations ont été faites pour faciliter l’utilisation de WordPress par toutes et tous.</p>\n\n\n\n<p>Une attention particulière a également été portée sur la gestion des champs requis sur les différents formulaires de l’interface d’administration&nbsp;: pour faciliter leur maintenance, une petite API a été créée afin de gérer de façon centralisée leur affichage. Celle-ci est publique et peut donc être utilisée par les personnes réalisant des développements sur mesure.</p>\n\n\n\n<p>Notons également qu’avec WordPress 6.1, les deux thèmes natifs&nbsp;<a href=\"https://core.trac.wordpress.org/changeset/54467\">Twenty Twenty-Three</a>&nbsp;(nous reparlerons de celui-là dans un article dédié&nbsp;!) et&nbsp;<a href=\"https://github.com/WordPress/wordpress-develop/pull/2324/files\">Twenty Twenty-Two</a>&nbsp;font leur entrée parmi les premiers&nbsp;<em>Block Themes</em>&nbsp;(ces thèmes entièrement modifiables avec l’éditeur de blocs) ayant obtenu le libellé&nbsp;<code>accessibility-ready</code>&nbsp;sur le répertoire de thèmes WordPress.org.</p>\n\n\n\n<p>Pour en savoir plus sur toutes ces améliorations concernant l’accessibilité de WordPress, consultez le guide spécifique proposé par l’équipe&nbsp;<em>Accessibility</em>&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"gOxSBctZIG\"><a href=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/\">WordPress 6.1 Accessibility Improvements</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;WordPress 6.1 Accessibility Improvements&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/wordpress-6-1-accessibility-improvements/embed/#?secret=Rp2Ep8E3XI#?secret=gOxSBctZIG\" data-secret=\"gOxSBctZIG\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">L’éditeur de blocs</h2>\n\n\n\n<p>C’est évidemment encore et toujours un des axes concentrant le plus d’évolutions d’une version à une autre&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f60a.png\" alt=\"😊\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p>WordPress 6.1 embarque les versions&nbsp;<a href=\"https://make.wordpress.org/core/2022/04/28/whats-new-in-gutenberg-13-1-27-april/\">13.1</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/05/12/whats-new-in-gutenberg-13-2-may-11/\">13.2</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/05/26/whats-new-in-gutenberg-13-3-0-may-25/\">13.3</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/06/10/whats-new-in-gutenberg-13-4-8-june/\">13.4</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/06/22/whats-new-in-gutenberg-13-5-22-june/\">13.5</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/07/07/whats-new-in-gutenberg-13-6-6-july/\">13.6</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/07/20/whats-new-in-gutenberg-13-7-20-july/\">13.7</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/08/04/whats-new-in-gutenberg-13-8-3-august/\">13.8</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/08/17/whats-new-in-gutenberg-13-9-17-august/\">13.9</a>,&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/01/whats-new-in-gutenberg-14-0-31-august/\">14.0</a>, et&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/16/whats-new-in-gutenberg-14-1-15-september/\">14.1</a>&nbsp;du projet Gutenberg.</p>\n\n\n\n<p>Parmi les nombreux changements de ces 10 versions de l’extension Gutenberg, un gros effort a été fait pour rendre les blocs et autres fonctionnalités de l’éditeur de plus en plus disponibles pour les thèmes «&nbsp;classiques&nbsp;», c’est à dire les thèmes qui ne prennent pas encore en charge l’édition complète du site à l’aide de blocs, une fonctionnalité introduite dans le CMS en 2022 avec WordPress&nbsp;5.9.</p>\n\n\n\n<p>L’objectif est de faciliter le travail des développeuses et des développeurs pour effectuer une transition de leurs thèmes «&nbsp;classiques&nbsp;» vers le principe du thème basé sur des blocs, que celui-ci soit entièrement ou partiellement modifiable dans l’éditeur. Nous espérons que cela poussera encore plus les personnes développant des thèmes WordPress à exploiter au maximum les fonctionnalités de l’éditeur.</p>\n\n\n\n<p>Par ailleurs, de nombreuses fonctionnalités utiles au quotidien ont été ajoutées dans cette version&nbsp;: filtrage des données du&nbsp;<code>theme.json</code>, nouveau système de gestion des préférences dans l’éditeur, possibilité de modifier et étendre le bloc «&nbsp;Boucle de requête&nbsp;», et bien plus encore.</p>\n\n\n\n<p>Vous trouverez ci-dessous les différentes notes de développement concernant l’éditeur de WordPress&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dBrmxcR9rG\"><a href=\"https://make.wordpress.org/core/2022/10/12/block-api-changes-in-wordpress-6-1/\">Block API changes in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block API changes in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/12/block-api-changes-in-wordpress-6-1/embed/#?secret=yffoVF22CZ#?secret=dBrmxcR9rG\" data-secret=\"dBrmxcR9rG\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Fjn1oGyqWW\"><a href=\"https://make.wordpress.org/core/2022/10/07/create-block-scaffolding-tool-updates/\">Create-block scaffolding tool updates</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Create-block scaffolding tool updates&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/07/create-block-scaffolding-tool-updates/embed/#?secret=VtlSw1eM1t#?secret=Fjn1oGyqWW\" data-secret=\"Fjn1oGyqWW\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zyyLlU97ov\"><a href=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/\">Extending the Query Loop block</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Extending the Query Loop block&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/extending-the-query-loop-block/embed/#?secret=LIiTYZPDuG#?secret=zyyLlU97ov\" data-secret=\"zyyLlU97ov\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zexxXNky1n\"><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">Block-based &#8220;template parts&#8221; in traditional themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block-based &#8220;template parts&#8221; in traditional themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/embed/#?secret=jGN0kLdfpO#?secret=zexxXNky1n\" data-secret=\"zexxXNky1n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"TQjPI7jtgJ\"><a href=\"https://make.wordpress.org/core/2022/10/10/block-styles-generation-style-engine/\">Block styles generation (Style Engine)</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block styles generation (Style Engine)&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/block-styles-generation-style-engine/embed/#?secret=hpcPvjxOC0#?secret=TQjPI7jtgJ\" data-secret=\"TQjPI7jtgJ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"3JmOVCNc5n\"><a href=\"https://make.wordpress.org/core/2022/10/10/changes-to-block-editor-preferences-in-wordpress-6-1/\">Changes to block editor preferences in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Changes to block editor preferences in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/changes-to-block-editor-preferences-in-wordpress-6-1/embed/#?secret=71OVXmY0eo#?secret=3JmOVCNc5n\" data-secret=\"3JmOVCNc5n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"vifHRi3Twr\"><a href=\"https://make.wordpress.org/core/2022/10/10/editor-components-updates-for-wordpress-6-1/\">Editor Components updates in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Editor Components updates in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/editor-components-updates-for-wordpress-6-1/embed/#?secret=qPmCZKf0U8#?secret=vifHRi3Twr\" data-secret=\"vifHRi3Twr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"h3aDnp2W04\"><a href=\"https://make.wordpress.org/core/2022/10/11/simplified-data-access-with-new-react-hooks-in-wordpress-6-1/\">Simplified data access with new React hooks in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Simplified data access with new React hooks in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/simplified-data-access-with-new-react-hooks-in-wordpress-6-1/embed/#?secret=0IPHFMNGSf#?secret=h3aDnp2W04\" data-secret=\"h3aDnp2W04\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"bRnyzICqAu\"><a href=\"https://make.wordpress.org/core/2022/10/10/miscellaneous-editor-changes-for-wordpress-6-1/\">Miscellaneous editor changes for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous editor changes for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/miscellaneous-editor-changes-for-wordpress-6-1/embed/#?secret=5zY0ol61lV#?secret=bRnyzICqAu\" data-secret=\"bRnyzICqAu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Par ailleurs, la note de développement suivante fournit un état des lieux très pratique des blocs natifs et de leurs différentes possibilités de formatage&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"wq78upcC0e\"><a href=\"https://make.wordpress.org/core/2022/10/11/roster-of-design-tools-per-block/\">Roster of design tools per block</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Roster of design tools per block&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/roster-of-design-tools-per-block/embed/#?secret=0coW6ckdnA#?secret=wq78upcC0e\" data-secret=\"wq78upcC0e\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Développement de thèmes WordPress</h2>\n\n\n\n<p>Les notes de développement suivantes présentent des changements qui concernent tout particulièrement les développeuses et développeurs de thèmes.</p>\n\n\n\n<p>Tout d’abord, l’entête&nbsp;<code>Update URI</code>&nbsp;qui doit être utilisé si vous développez des thèmes sur mesure n’ayant pas vocation à être déployés sur le répertoire WordPress.org. Cela évitera que votre site propose une mise à jour et écrase votre thème dans le cas où un thème du répertoire officiel porterait le même identifiant (slug) que le vôtre&nbsp;!</p>\n\n\n\n<p>Ensuite nous avons plusieurs notes de développement concernant les interactions entre les thèmes et l’éditeur de site. Et notamment la possibilité de créer des éléments de modèles basés sur des blocs au sein d’un thème classique, c’est à dire d’un thème ne proposant au départ pas de compatibilité avec l’édition complète de site (<em>full site editing</em>).</p>\n\n\n\n<p>Enfin, on notera l&rsquo;arrivée de la gestion fluide des polices typographiques, qui permettent de définir la taille de typo de façon à ce qu&rsquo;elle s&rsquo;adapte dynamiquement à la largeur de l&rsquo;écran.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"kTK0wJfy87\"><a href=\"https://make.wordpress.org/core/2022/10/06/introducing-update-uri-theme-header-in-wordpress-6-1/\">Introducing “Update URI” theme header in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing “Update URI” theme header in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/06/introducing-update-uri-theme-header-in-wordpress-6-1/embed/#?secret=qitshxDkLe#?secret=kTK0wJfy87\" data-secret=\"kTK0wJfy87\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zexxXNky1n\"><a href=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/\">Block-based &#8220;template parts&#8221; in traditional themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block-based &#8220;template parts&#8221; in traditional themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/04/block-based-template-parts-in-traditional-themes/embed/#?secret=jGN0kLdfpO#?secret=zexxXNky1n\" data-secret=\"zexxXNky1n\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"WzczIz4yg6\"><a href=\"https://make.wordpress.org/core/2022/10/03/fluid-font-sizes-in-wordpress-6-1/\">Fluid font sizes in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Fluid font sizes in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/03/fluid-font-sizes-in-wordpress-6-1/embed/#?secret=SLMWQp7RNK#?secret=WzczIz4yg6\" data-secret=\"WzczIz4yg6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"z0vYQmLM5z\"><a href=\"https://make.wordpress.org/core/2022/09/27/navigation-block-fallback-behavior-in-wp-6-1-dev-note/\">Navigation Block Fallback Behavior in WP 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Navigation Block Fallback Behavior in WP 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/09/27/navigation-block-fallback-behavior-in-wp-6-1-dev-note/embed/#?secret=tx4090NC9A#?secret=z0vYQmLM5z\" data-secret=\"z0vYQmLM5z\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"GWWtPp4NS7\"><a href=\"https://make.wordpress.org/core/2022/10/10/styling-elements-in-block-themes/\">Styling elements in block themes</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Styling elements in block themes&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/styling-elements-in-block-themes/embed/#?secret=DNb1wiOY5K#?secret=GWWtPp4NS7\" data-secret=\"GWWtPp4NS7\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iGV1yvHNkk\"><a href=\"https://make.wordpress.org/core/2022/10/10/updated-editor-layout-support-in-6-1-after-refactor/\">Updated editor layout support in 6.1 after refactor</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Updated editor layout support in 6.1 after refactor&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/updated-editor-layout-support-in-6-1-after-refactor/embed/#?secret=ldKH3CQjOT#?secret=iGV1yvHNkk\" data-secret=\"iGV1yvHNkk\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"90Yib2AXch\"><a href=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/\">Filters for theme.json data</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Filters for theme.json data&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/10/filters-for-theme-json-data/embed/#?secret=5Qfg0Q38Dk#?secret=90Yib2AXch\" data-secret=\"90Yib2AXch\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"PrZ6RePCEE\"><a href=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/\">Introduction of presets across padding, margin and block gap</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introduction of presets across padding, margin and block gap&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/07/introduction-of-presets-across-padding-margin-and-block-gap/embed/#?secret=9fmr75XcT7#?secret=PrZ6RePCEE\" data-secret=\"PrZ6RePCEE\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Twenty Twenty-Three, le nouveau thème natif</h2>\n\n\n\n<p><em>Twenty Twenty-Three</em>&nbsp;est le nouveau thème par défaut de WordPress.</p>\n\n\n\n<p>Comme son prédécesseur, il exploite à 100&nbsp;% les fonctionnalités de l’éditeur de site. Il va même beaucoup plus loin en intégrant nativement 10 variations de styles permettant de modifier complètement l’interface depuis l’administration.</p>\n\n\n\n<p>Ces 10 variations de styles ont été sélectionnées à l’aide d’un appel à contribution. L’objectif est de montrer par l’exemple comment se comportent les nouvelles fonctionnalités de l’éditeur de site, et notamment comment exploiter le fichier&nbsp;<code>theme.json</code>.</p>\n\n\n\n<p>Vous trouverez ci-dessous une vidéo balayant les 10 variations de styles de ce thème.</p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https://make.wordpress.org/design/files/2022/09/tt3_variations.mp4\"></video></figure>\n\n\n\n<p>Comme d’habitude, ce thème natif a été développé sur GitHub (où vous retrouverez l’historique du projet) puis intégré au cœur de WordPress pendant la phase de développement de la version 6.1.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Autres améliorations</h2>\n\n\n\n<h3 class=\"wp-block-heading\">API REST</h3>\n\n\n\n<p>L’API REST a vu l’arrivée d’améliorations concernant le point de terminaison&nbsp;<code>/search</code>&nbsp;ainsi que de l’affichage des réponses JSON pouvant être controlées via le filtre&nbsp;<code>rest_json_encode_options</code>. Toutes les améliorations de l’API sont décrites dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"wqhN6S07e4\"><a href=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-rest-api-improvements-in-wordpress-6-1/\">Miscellaneous REST API improvements in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous REST API improvements in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-rest-api-improvements-in-wordpress-6-1/embed/#?secret=99O3BHkhq9#?secret=wqhN6S07e4\" data-secret=\"wqhN6S07e4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Page de connexion</h3>\n\n\n\n<p>Une nouvelle fonction attendue depuis plus de 10 ans a fait son entrée dans la boîte à outils des développeuses et développeurs&nbsp;:&nbsp;<code>is_login()</code>&nbsp;permet de déterminer si l’on se trouve sur la page de connexion ou non.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"T8g55XKRps\"><a href=\"https://make.wordpress.org/core/2022/09/11/new-is_login-function-for-determining-if-a-page-is-the-login-screen/\">New is_login() function for determining if a page is the login screen</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New is_login() function for determining if a page is the login screen&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/09/11/new-is_login-function-for-determining-if-a-page-is-the-login-screen/embed/#?secret=JQ3aBVlXl1#?secret=T8g55XKRps\" data-secret=\"T8g55XKRps\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Tableaux de listes de l’admin</h3>\n\n\n\n<p>Une nouvelle méthode fait son apparition, afin de pouvoir interagir et filtrer plus facilement les liens de visualisation présents dans ces tableaux.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"at2b0OL7mT\"><a href=\"https://make.wordpress.org/core/2022/10/09/introducing-wp_list_tableget_views_links-in-wordpress-6-1/\">Introducing WP_List_Table::get_views_links() in WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Introducing WP_List_Table::get_views_links() in WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/09/introducing-wp_list_tableget_views_links-in-wordpress-6-1/embed/#?secret=iitc3BtHzA#?secret=at2b0OL7mT\" data-secret=\"at2b0OL7mT\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Médias</h3>\n\n\n\n<p>Avec la version 5.8, nous avons accueilli&nbsp;<a href=\"https://make.wordpress.org/core/2021/06/07/wordpress-5-8-adds-webp-support/\">la prise en charge du format WebP</a>&nbsp;et nous prévoyions initialement d’intégrer la génération automatique et par défaut d’images dans ce format dans WordPress 6.1, mais le&nbsp;<em>commit</em>&nbsp;associé a finalement été&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54226\">annulé</a>&nbsp;avec la&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/11/webp-in-core-for-6-1/\">recommandation</a>&nbsp;de plutôt intégrer cette fonctionnalité dans une&nbsp;<a href=\"https://make.wordpress.org/core/2022/09/11/canonical-plugins-revisited/\">extension canonique</a>.</p>\n\n\n\n<p>En revanche, la propriété&nbsp;<code>muted</code>&nbsp;est maintenant disponible pour les vidéos insérées dans l’éditeur, ce qui permet de rendre silencieuse les vidéos ayant vocation à être lancées automatiquement (propriété&nbsp;<code>autoplay</code>). Ceci est obligatoire pour les vidéos automatiques.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Autres changements techniques</h3>\n\n\n\n<p>WordPress 6.1 introduit de nombreuses nouvelles fonctions et crochets d’action ou filtres. Ces changements sont détaillés dans la note de développement suivante&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"eKrGcN1LRi\"><a href=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-core-changes-for-wordpress-6-1/\">Miscellaneous Core changes for WordPress 6.1</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Core changes for WordPress 6.1&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/10/11/miscellaneous-core-changes-for-wordpress-6-1/embed/#?secret=wygMCG7gVe#?secret=eKrGcN1LRi\" data-secret=\"eKrGcN1LRi\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>En plus de tous ces changements, on notera les évolutions suivantes, triées par composant du cœur WP&nbsp;:</p>\n\n\n\n<ul>\n<li><strong>Mots de passe d’applications :</strong>&nbsp;les super&nbsp;admins peuvent mettre en place un mot de passe d’application sur un site auquel ils n’ont pas été rattachés (<a href=\"https://core.trac.wordpress.org/ticket/53224\">#53224</a>)</li>\n\n\n\n<li><strong>Sauvegardes automatiques :</strong>&nbsp;les utilisateur·ices ayant un blocage via la fonctionnalité&nbsp;<code>post lock</code>&nbsp;pouvaient auparavant tricher en surchargeant les modifications via les sauvegardes automatiques&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/55659\">#55659</a>)</li>\n\n\n\n<li><strong>API de gestion du cache&nbsp;:&nbsp;</strong>ajout des fonctions&nbsp;<code>wp_cache_flush_group</code>&nbsp;et&nbsp;<code>wp_cache_supports</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/4476\">#4476</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56605\">#56605</a>)</li>\n\n\n\n<li><strong>Charset&nbsp;:</strong>&nbsp;ajout de l’échappement des caractères unicode NFD dans&nbsp;<code>remove_accents()</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/35951\">#35951</a>)</li>\n\n\n\n<li><strong>API Cron :</strong>&nbsp;ajout de la journalisation des erreurs et de crochets associés dans&nbsp;<code>wp-cron.php</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56048\">#56048</a>)</li>\n\n\n\n<li><strong>Éditeur&nbsp;:</strong>&nbsp;clarification du fait que&nbsp;<code>get_page_template()</code>&nbsp;ne fonctionne pas sur les thèmes basés sur des blocs&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56394\">#56394</a>)</li>\n\n\n\n<li><strong>Compositions de blocs :</strong>&nbsp;ajout d’une catégorie «&nbsp;Pieds de page&nbsp;»&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/56416\">#56416</a>)</li>\n\n\n\n<li><strong>Bibliothèque tierces :</strong>\n<ul>\n<li>Correction sur Thickbox pour la prise en charge des images WebP&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55786\">#55786</a></li>\n\n\n\n<li>Mise à jour de PHPMailer à la version 6.6.4&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55976\">#55976</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56016\">#56016</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56413\">#56413</a></li>\n\n\n\n<li>Mise à jour de Underscore à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56030\">#56030</a></li>\n\n\n\n<li>Mise à jour de Moment à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56031\">#56031</a></li>\n\n\n\n<li>Mise à jour de jQuery&nbsp;UI à la version 6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56239\">#56239</a></li>\n\n\n\n<li>Mise à jour de mediaelement.js à la version 4.2.17&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56319\">#56319</a></li>\n\n\n\n<li>Mise à jour de jQuery à la version 3.6.1&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56451\">#56451</a></li>\n\n\n\n<li>Mise à jour de Sodium Compat à la version 1.19.0&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56564\">#56564</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56653\">#56653</a></li>\n\n\n\n<li>Mise à jour de GetID3 à la version 1.9.22&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56692\">#56692</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Formatage :</strong>\n<ul>\n<li>Suppression des accents combinés dans&nbsp;<code>remove_accents()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/24661\">#24661</a></li>\n\n\n\n<li>Inversement de l’encapsulation de&nbsp;<code>sanitize_url()</code>&nbsp;et&nbsp;<code>esc_url_raw()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55852\">#55852</a></li>\n\n\n\n<li>Correction de la valeur retournée par&nbsp;<code>safecss_filter_attr()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55966\">#55966</a></li>\n\n\n\n<li>Autorisation de l’utilisation de propriétés CSS spécifiques à la mise en page dans le filtre&nbsp;<code>safe_style_css</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56122\">#56122</a></li>\n\n\n\n<li>Autorisation de l’utilisation de variables CSS dans&nbsp;<code>safecss_filter_attr</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56353\">#56353</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Général :</strong>\n<ul>\n<li>Mise à jour de&nbsp;<code>is_serialized</code>&nbsp;pour accepter les Enums&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/53299\">#53299</a></li>\n\n\n\n<li>Remplacement des appels à&nbsp;<code>phpversion()</code>&nbsp;par la constante PHP_VERSION&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55680\">#55680</a></li>\n\n\n\n<li>Suppression des doublons d’utilisation de&nbsp;<code>realpath()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56636\">#56636</a></li>\n\n\n\n<li>Suppression des doublons d’utilisation de&nbsp;<code>file_get_contents</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56637\">#56637</a></li>\n\n\n\n<li>Suppression des appels à&nbsp;<code>file_exists()</code>&nbsp;sur les variables utilisant&nbsp;<code>realpath()</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56654\">#56654</a></li>\n\n\n\n<li>Suppression des doublons d’utilisation de&nbsp;<code>get_theme_file_path</code>&nbsp;dans&nbsp;<code>register_block_style_handle</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/56666\">#56666</a></li>\n\n\n\n<li>Correction du retour obtenu en utilisant&nbsp;<code>wp_rand( 0, 0)</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55194\">#55194</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Internationalisation :</strong>&nbsp;correction d’un bug conduisant&nbsp;<code>switch_to_locale()</code>&nbsp;à annuler le chargement des traductions des thèmes et des extensions&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/39210\">#39210</a></li>\n\n\n\n<li><strong>Page de connexion/inscription :</strong>\n<ul>\n<li>Les champs obligatoires de la page d’inscription sur les multisites n’avaient pas d’attribut&nbsp;<code>required</code>&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54344\">#54344</a></li>\n\n\n\n<li>Ajout de description ARIA sur les champs d’erreur de connexion&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54483\">#54483</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Médias :</strong>&nbsp;correction d’un bug sur l’interprétation de l’orientation des images via leurs données EXIF&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54937\">#54937</a></li>\n\n\n\n<li><strong>Multisite :</strong>\n<ul>\n<li>Suppression complète des termes globaux <a href=\"https://core.trac.wordpress.org/ticket/21734\">#21734</a></li>\n\n\n\n<li>Utilisation de l’API&nbsp;des métadonnées pour les options du réseau <a href=\"https://core.trac.wordpress.org/ticket/37181\">#37181</a></li>\n\n\n\n<li>Stockage de l&rsquo;ID du site principal dans les options du réseau multisite <a href=\"https://core.trac.wordpress.org/ticket/55802\">#55802</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Chargement des scripts :</strong> mise en place des scripts en front-end via&nbsp;<code>viewScript</code> pour les blocs dynamiques <a href=\"https://core.trac.wordpress.org/ticket/56470\">#56470</a></li>\n\n\n\n<li><strong>Publications :</strong> correction de la vérification des publications non existantes dans&nbsp;<code>get_post_permalink()</code> <a href=\"https://core.trac.wordpress.org/ticket/45329\">#45329</a></li>\n\n\n\n<li><strong>Taxonomies :</strong>\n<ul>\n<li>Dans <code>wp_insert_term</code>, passage de <code>$args</code> en tant que paramètre additionnel pour les actions d’après-insertion (<code>create_term</code>, <code>created_term</code>, etc.)&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55441\">#55441</a></li>\n\n\n\n<li>Les liens d&rsquo;archives de catégories n&rsquo;incluent plus par défaut la description dans l&rsquo;attribut  <code>title</code> du lien&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55530\">#55530</a></li>\n\n\n\n<li>Les champs des termes sont maintenant associés avec leurs description dans l&rsquo;admin&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/55651\">#55651</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Mises à jour :</strong>\n<ul>\n<li>Ajout d&rsquo;un suivi de l&rsquo;usage des modules PHP installés sur les sites WP&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/48116\">#48116</a></li>\n</ul>\n</li>\n\n\n\n<li><strong>Widgets :</strong>\n<ul>\n<li>Suppression de requêtes inutiles vers la base de données&nbsp;<a href=\"https://core.trac.wordpress.org/ticket/54677\">#54677</a></li>\n</ul>\n</li>\n</ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<p>Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a rel=\"noreferrer noopener\" href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec WordPress 6.1&nbsp;RC&nbsp;1.&nbsp;Nous comptons sur vous pour vous assurer que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<p style=\"font-size:13px\">Ce guide en français a été rédigé par <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a> avec l’aide de <a href=\"https://profiles.wordpress.org/fxbenard\">FX Bénard</a> et <a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a>.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2022/10/12/guide-des-changements-techniques-de-wordpress-6-1/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"Arrêt définitif des mises à jour de sécurité pour les versions de WordPress 3.7 à 4.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:122:\"https://fr.wordpress.org/2022/09/07/arret-definitif-des-mises-a-jour-de-securite-pour-les-versions-de-wordpress-3-7-a-4-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"https://fr.wordpress.org/2022/09/07/arret-definitif-des-mises-a-jour-de-securite-pour-les-versions-de-wordpress-3-7-a-4-0/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 07 Sep 2022 13:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"WordPress.org\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2445\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:147:\"À partir du 1er décembre 2022, l\'équipe de sécurité de WordPress ne fournira plus de mises à jour de sécurité pour les versions 3.7 à 4.0.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4398:\"\n<p>Jusqu&rsquo;à présent, l&rsquo;équipe de sécurité de WordPress proposait des correctifs de sécurité pour toutes les versions de WordPress reposant sur les versions 3.7 à la version actuelle (6.0, sachant que WordPress&nbsp;6.1 sortira cet automne). Cela faisait donc un grand nombre de versions à maintenir, alors qu&rsquo;elles ne représentent qu&rsquo;un nombre très minoritaire de sites (les statistiques sont disponibles publiquement <a href=\"https://fr.wordpress.org/about/stats/\">sur cette page</a>).</p>\n\n\n\n<p>À partir du 1<sup>er</sup> décembre 2022, l&rsquo;équipe dédiée à la sécurité de WordPress ne fournira plus de mises à jour de sécurité pour les versions 3.7 à 4.0.</p>\n\n\n\n<span id=\"more-2445\"></span>\n\n\n\n<p>Ces versions datant maintenant de 8 ans ou plus, il y a peu de chances que votre site soit concerné, mais vous pouvez vous en assurer en vous connectant à votre tableau de bord et en vérifiant la version de WordPress indiquée dans l’encart «&nbsp;D&rsquo;un coup d&rsquo;œil&nbsp;» (sur les versions les plus anciennes, cet encart est intitulé «&nbsp;Aujourd’hui&nbsp;»).</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil.png\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"300\" src=\"https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil-1024x300.png\" alt=\"\" class=\"wp-image-2448\" srcset=\"https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil-1024x300.png 1024w, https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil-300x88.png 300w, https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil-768x225.png 768w, https://fr.wordpress.org/files/2022/09/widget-wordpress-duncoupdoeil.png 1132w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Dans le cas où vous disposeriez d&rsquo;une installation tournant sur WordPress 4.0 ou inférieur, vous devrez faire une mise à jour vers une version plus récente (nous recommandons la dernière version disponible) afin de garder votre site sécurisé. Consultez notre <a href=\"https://fr.wordpress.org/support/article/updating-wordpress/\">documentation sur la mise à niveau de votre site WordPress</a> pour plus d&rsquo;informations.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord.png\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"564\" src=\"https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-1024x564.png\" alt=\"\" class=\"wp-image-2452\" srcset=\"https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-1024x564.png 1024w, https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-300x165.png 300w, https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-768x423.png 768w, https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-1536x846.png 1536w, https://fr.wordpress.org/files/2022/09/maj-wordpress-tableau-de-bord-2048x1128.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<p>Dans tous les cas, il est important de noter que <strong>la seule version de WordPress activement maintenue est la version courante</strong> (à ce jour, la version 6.0). Les versions plus anciennes ne font que bénéficier de correctifs de sécurité et ne reçoivent généralement aucun correctif de bug.</p>\n\n\n\n<p>Dans les prochains mois, l&rsquo;arrêt du support d&rsquo;un nouveau groupe d’anciennes versions de WordPress sera annoncé, selon un calendrier qui est en cours d&rsquo;élaboration au sein de l&rsquo;équipe de sécurité de WP.</p>\n\n\n\n<p>Pour plus d&rsquo;informations sur le processus d&rsquo;arrêt du support des anciennes versions de WordPress, vous pouvez consulter <a href=\"https://make.wordpress.org/security/?p=73\">cet article de l&rsquo;équipe de sécurité de WordPress (en anglais)</a>.</p>\n\n\n\n<p class=\"has-small-font-size\"><em>Article publié par <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a> de l&rsquo;équipe de sécurité de WP. Merci aux co-responsables du site fr.wordpress.org <a href=\"https://profiles.wordpress.org/wolforg/\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a> et <a href=\"https://profiles.wordpress.org/fxbenard/\">FX Bénard</a> pour la relecture.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:127:\"https://fr.wordpress.org/2022/09/07/arret-definitif-des-mises-a-jour-de-securite-pour-les-versions-de-wordpress-3-7-a-4-0/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"WordPress 6.0 « Arturo »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://fr.wordpress.org/2022/05/25/wordpress-6-0-arturo/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"https://fr.wordpress.org/2022/05/25/wordpress-6-0-arturo/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 25 May 2022 06:16:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2400\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:376:\"Bienvenue sur WordPress 6.0 «&#160;Arturo&#160;» Nous vous souhaitons la bienvenue sur WordPress 6.0, version inspirée par le musicien de jazz Arturo O’Farrill. Célèbre pour son influence sur le jazz latino contemporain, Arturo a publié plus de 15 albums sur 50 ans de carrière. Prenez le temps d’explorer WordPress 6.0. Cette version a été conçue afin [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Jenny Dupuy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:54838:\"\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2022/05/Main-image-News-post.png\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"694\" src=\"https://fr.wordpress.org/files/2022/05/Main-image-News-post-1024x694.png\" alt=\"\" class=\"wp-image-2401\" srcset=\"https://fr.wordpress.org/files/2022/05/Main-image-News-post-1024x694.png 1024w, https://fr.wordpress.org/files/2022/05/Main-image-News-post-300x203.png 300w, https://fr.wordpress.org/files/2022/05/Main-image-News-post-768x521.png 768w, https://fr.wordpress.org/files/2022/05/Main-image-News-post-1536x1042.png 1536w, https://fr.wordpress.org/files/2022/05/Main-image-News-post-2048x1389.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Bienvenue sur WordPress 6.0 «&nbsp;Arturo&nbsp;»</h2>\n\n\n\n<p>Nous vous souhaitons la bienvenue sur WordPress 6.0, version inspirée par le musicien de jazz <a href=\"https://en.wikipedia.org/wiki/Arturo_O\'Farrill\">Arturo O’Farrill</a>. Célèbre pour son influence sur le jazz latino contemporain, Arturo a publié plus de 15 albums sur 50 ans de carrière.</p>\n\n\n\n<p>Prenez le temps d’explorer WordPress 6.0. Cette version a été conçue afin de vous aider à développer votre inspiration créative et pour rendre l’expérience éditoriale encore plus intuitive. Pendant que vous découvrez les nouveautés de cette version, n’hésitez pas à lancer une liste de lecture comprenant les meilleures chansons d’Arturo&nbsp;!</p>\n\n\n\n<p>Avec presque 1 000 améliorations et corrections, la deuxième version majeure de l’année 2022 est là. <a href=\"https://fr.wordpress.org/latest-fr_FR.zip\">Cliquez ici pour télécharger WordPress 6.0 !</a></p>\n\n\n\n<span id=\"more-2400\"></span>\n\n\n\n<p>Les propriétaires de sites devraient mettre à jour leurs installations WordPress afin de profiter des avantages de sa stabilité, de ses améliorations de performances, et de ses améliorations en terme d&rsquo;ergonomie. Les personnes créant du contenu avec WordPress apprécieront toutes les nouvelles fonctionnalités améliorant l&rsquo;expérience éditoriale et de mise en page.</p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://fr.wordpress.org/latest-fr_FR.zip\">Télécharger WordPress 6.0 en français – ZIP 22,5 Mo </a></div>\n</div>\n\n\n\n<h3 class=\"wp-block-heading\">Le contenu de WordPress 6.0</h3>\n\n\n\n<p>Pour en savoir plus sur le contenu technique de la version, lisez <a href=\"https://fr.wordpress.org/2022/05/04/guide-des-changements-techniques-de-wordpress-6-0/\" data-type=\"post\" data-id=\"2369\">le guide que nous avons publié il y a quelques semaines</a>.</p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i2.wp.com/wordpress.org/news/files/2022/05/Writing-Improvements-1.png?fit=1204%2C700&amp;ssl=1\" alt=\"Selecting multiple lines of text from two blocks\" class=\"wp-image-12887\" /></figure>\n\n\n\n<h4 class=\"wp-block-heading\">Une expérience d’édition améliorée</h4>\n\n\n\n<p>Les améliorations éditoriales ne manquent pas, que vous écriviez un tout nouvel article ou que vous ajoutiez des éléments à une page existante. Explorez les façons d’améliorer votre processus de création de contenu avec&nbsp;:</p>\n\n\n\n<ul>\n<li>Sélectionnez du texte à cheval sur plusieurs blocs pour le modifier en une seule fois.</li>\n\n\n\n<li>Saisissez deux crochets ouvrants&nbsp;<code>[[</code>&nbsp;pour accéder rapidement au gestionnaire de liens.</li>\n\n\n\n<li>Conservez les styles existants lorsque vous transformez des blocs d’un certain type en un autre type de bloc, par exemple lorsque vous transformez un bloc paragraphe en un bloc code.</li>\n\n\n\n<li>Créez des boutons personnalisés et tous les nouveaux boutons que vous créerez par la suite conserveront automatiquement ces styles personnalisés.</li>\n\n\n\n<li>Rendez les nuages d’étiquettes et les icônes de réseaux sociaux encore plus attrayants avec leurs nouveaux réglages. Un nouveau style de contour est aussi disponible pour le nuage d’étiquettes.</li>\n</ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i0.wp.com/wordpress.org/news/files/2022/05/Style-switcher-big.gif?fit=1204%2C700&amp;ssl=1\" alt=\"Style variations of Twenty Twenty Two theme\" class=\"wp-image-12893\" /></figure>\n\n\n\n<h4 class=\"wp-block-heading\">Changements de styles</h4>\n\n\n\n<p>Les thèmes basés sur des blocs permettent désormais de multiples variations de style. Cela étend le nouveau système de gestion des styles et ajoute des raccourcis permettant de changer l’affichage de votre site avec un seul et même thème. Vous pouvez modifier les réglages disponibles, tels que la graisse de la police et autres options de mise en forme comme la palette de couleurs disponible par défaut. Vous pouvez modifier le rendu de votre site en quelques clics seulement.</p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i2.wp.com/wordpress.org/news/files/2022/05/Expanded-templates.png?fit=1204%2C700&amp;ssl=1\" alt=\"Popover listing available templates\" class=\"wp-image-12889\" /></figure>\n\n\n\n<h4 class=\"wp-block-heading\">Plus de choix de modèles</h4>\n\n\n\n<p>WordPress 6.0 inclut cinq nouveaux modèles pour les thèmes basés sur des blocs&nbsp;: auteur/autrice, date, catégorie, étiquette et taxonomie. Ces modèles additionnels offrent encore plus de flexibilité pour créer du contenu. Adaptez-les avec les outils que vous connaissez déjà ou bien en utilisant les nouvelles fonctionnalités de cette version&nbsp;:</p>\n\n\n\n<ul>\n<li>Les images mises en avant peuvent être utilisées dans le bloc bannière.</li>\n\n\n\n<li>Les nouveaux contrôles de la taille des images mises en avant vous permettent d’obtenir exactement ce que vous souhaitez.</li>\n\n\n\n<li>Lorsque vous modifiez un modèle, l’outil d’insertion rapide vous affiche les compositions et les éléments de modèles qui vous aideront à travailler plus rapidement et à découvrir de nouvelles options de mise en page.</li>\n\n\n\n<li>Le bloc Boucle de requête prend en charge le filtrage en fonction de multiples auteurs ou autrices, en fonction de taxonomies personnalisées, ainsi que la personnalisation de ce qui est affiché lorsqu’aucune publication n’est trouvée.</li>\n</ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i1.wp.com/wordpress.org/news/files/2022/05/Integrated-Patterns.png?fit=1204%2C700&amp;ssl=1\" alt=\"Browsing footer patterns in the quick inserter\" class=\"wp-image-12890\" /></figure>\n\n\n\n<h4 class=\"wp-block-heading\">Compositions intégrées</h4>\n\n\n\n<p>Les compositions s’affichent désormais là où vous en avez besoin, comme dans l’outil d’insertion rapide ou lors de la création d’un nouvel en-tête ou pied de page. Si vous créez des thèmes basés sur des blocs, vous pouvez même&nbsp;<a href=\"https://make.wordpress.org/core/2022/05/02/new-features-for-working-with-patterns-and-themes-in-wordpress-6-0/\">déclarer des compositions provenant du répertoire de compositions via le fichier&nbsp;<code>theme.json</code></a>, ce qui vous permet de prioriser les compositions qui vous semblent les plus utiles pour les personnes utilisant votre thème.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Une vue en liste améliorée</h4>\n\n\n\n<p>De nouveaux raccourcis clavier vous permettent de sélectionner plusieurs blocs dans la vue en liste, de les modifier en une fois et de les glisser-déposer dans la liste. La vue en liste peut maintenant être ouverte et fermée plus facilement. Au départ, elle est en affichage réduit puis elle s’étend automatiquement à la sélection actuelle lorsque que vous sélectionnez un bloc.</p>\n\n\n\n<h4 class=\"wp-block-heading\">Verrouillage des blocs</h4>\n\n\n\n<p>Vous pouvez dorénavant verrouiller vos blocs, ce qui permet de désactiver la possibilité de les déplacer ou de les retirer. Cela facilite la gestion de projet pour les pros, en permettant à leurs clientèle d’exprimer leur créativité au sein d’un cadre limitant les risques de casser leur site.</p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i1.wp.com/wordpress.org/news/files/2022/05/Block-Locking-Controls.png?fit=1204%2C700&amp;ssl=1\" alt=\"Unlocking the block in the block toolbar\" class=\"wp-image-12892\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\">De nouveaux outils de design</h3>\n\n\n\n<p>Les outils de design deviennent plus puissants et intuitifs à chaque nouvelle version.<br>Parmi les principaux changements de la version 6.0, on trouvera&nbsp;:</p>\n\n\n\n<ul>\n<li>Un nouveau panneau de gestion des couleurs qui économise de la place sur l’éditeur, tout en montrant toutes les options en un coup d’œil.</li>\n\n\n\n<li>Les nouveaux contrôles des bordures offrent une façon plus simple de définir les bordures de vos conteneurs.</li>\n\n\n\n<li>Les niveaux de transparence vous permettent des choix colorimétriques encore plus créatifs.</li>\n\n\n\n<li>Contrôlez les espacements, les marges ou la typographie de vos blocs en une fois via le bloc groupe.</li>\n\n\n\n<li>Basculez entre les variations «&nbsp;empilé&nbsp;», «&nbsp;en ligne&nbsp;» ou «&nbsp;groupé&nbsp;» pour positionner des groupes de blocs avec une plus grande flexibilité de mise en page.</li>\n\n\n\n<li>Utilisez la fonctionnalité de gestion des espacements du bloc galerie pour créer toute une variété de mises en page en faisant varier l’espacement entre les images, ou tout simplement en le supprimant.</li>\n</ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://i0.wp.com/wordpress.org/news/files/2022/05/List-view.png?fit=1204%2C700&amp;ssl=1\" alt=\"Selecting multiple blocks in the list view\" class=\"wp-image-12891\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\">De meilleures performances</h3>\n\n\n\n<p>Cette version comprend plusieurs améliorations des performances de WordPress. Elles portent sur le chargement des publications, la réduction du temps d’exécution des requêtes, la mise en cache, le chargement des menus de navigation et bien plus encore. Notre équipe dédiée aux performances travaille au quotidien pour améliorer l&rsquo;expérience d&rsquo;utilisation de votre site WordPress.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Une meilleure accessibilité</h3>\n\n\n\n<p>Rendre le web plus accessible fait partie des missions du CMS WordPress. Cette nouvelle version comprend plus de 50 améliorations de l’accessibilité de WP.</p>\n\n\n\n<h2 class=\"wp-block-heading\">En savoir plus sur WordPress 6.0</h2>\n\n\n\n<p>Découvrez WordPress 6.0 en action&nbsp;! Notre&nbsp;<a href=\"https://www.youtube.com/watch?v=oe452WcY7fA\">vidéo de présentation</a>&nbsp;propose une vue d’ensemble des principales fonctionnalités qui sont arrivées avec WordPress 6.0.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"612\" height=\"345\" src=\"https://www.youtube.com/embed/oe452WcY7fA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"></iframe>\n</div></figure>\n\n\n\n<p>Nous invitons les développeurs et développeuses à explorer <a href=\"https://make.wordpress.org/core/2022/05/03/wordpress-6-0-field-guide/\">le guide de changements techniques de WordPress&nbsp;6.0</a>.</p>\n\n\n\n<p>N’hésitez aussi pas à lire le <a href=\"https://wordpress.org/support/wordpress-version/version-6-0/\">journal de version de WordPress 6.0</a> pour plus d&rsquo;informations sur les fichiers créés, modifiés et supprimés dans cette version.</p>\n\n\n\n<h2 class=\"wp-block-heading\">L’équipe de direction de WP 6.0</h2>\n\n\n\n<ul>\n<li>Directeur de la version&nbsp;: <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a>&nbsp;</li>\n\n\n\n<li>Coordinateur·ice·s de la version&nbsp;: <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> et <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a></li>\n\n\n\n<li>Directeur technique Cœur&nbsp;: <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a></li>\n\n\n\n<li>Directeurs techniques Éditeur&nbsp;: <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zieliński</a> et <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a></li>\n\n\n\n<li>Responsables de projet Cœur&nbsp;: <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> et <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a></li>\n\n\n\n<li>Responsable de projet Éditeur&nbsp;: <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a></li>\n\n\n\n<li>Directeur·ice·s de la documentation&nbsp;: <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> et <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a></li>\n\n\n\n<li>Responsable de la communication&nbsp;: <a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a></li>\n\n\n\n<li>Responsable des tests&nbsp;: <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> et <a href=\"https://profiles.wordpress.org/ironprogrammer/\">Brian Alexander</a></li>\n\n\n\n<li>Responsable du design&nbsp;: <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Merci aux plus de 500 contributeurs et contributrices&nbsp;!</h2>\n\n\n\n<p>La livraison de WordPress 6.0 n’aurait jamais été possible sans la participation de ces personnes provenant de plus de 58 pays différents&nbsp;!</p>\n\n\n\n<p><small><a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a> · <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a> · <a href=\"https://profiles.wordpress.org/abdullahramzan/\">Abdullah Ramzan</a> · <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a> · <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a> · <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zielinski</a> · <a href=\"https://profiles.wordpress.org/adi64bit/\">adi64bit</a> · <a href=\"https://profiles.wordpress.org/aadilali/\">Adil Ali</a> · <a href=\"https://profiles.wordpress.org/agepcom/\">agepcom</a> · <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a> · <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a> · <a href=\"https://profiles.wordpress.org/atachibana/\">Akira Tachibana</a> · <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a> · <a href=\"https://profiles.wordpress.org/alanjacobmathew/\">Alan Jacob Mathew</a> · <a href=\"https://profiles.wordpress.org/alansyue/\">alansyue</a> · <a href=\"https://profiles.wordpress.org/aljullu/\">Albert Juhé Lluveras</a> · <a href=\"https://profiles.wordpress.org/albertomake/\">albertomake</a> · <a href=\"https://profiles.wordpress.org/alefesouza/\">Alefe Souza</a> · <a href=\"https://profiles.wordpress.org/alex897/\">Aleksandar Kostov</a> · <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a> · <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a> · <a href=\"https://profiles.wordpress.org/viper007bond/\">Alex Mills</a> · <a href=\"https://profiles.wordpress.org/alexstine/\">Alex Stine</a> · <a href=\"https://profiles.wordpress.org/aliakseyenkaihar/\">aliakseyenkaihar</a> · <a href=\"https://profiles.wordpress.org/alkesh7/\">Alkesh Miyani</a> · <a href=\"https://profiles.wordpress.org/alokstha1/\">Alok Shrestha</a> · <a href=\"https://profiles.wordpress.org/shedonist/\">Amanda Giles</a> · <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a> · <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a> · <a href=\"https://profiles.wordpress.org/_smartik_/\">Andrei Surdu</a> · <a href=\"https://profiles.wordpress.org/aandrewdixon/\">Andrew Dixon</a> · <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a> · <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a> · <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a> · <a href=\"https://profiles.wordpress.org/rarst/\">Andrey “Rarst” Savchenko</a> · <a href=\"https://profiles.wordpress.org/oandregal/\">André</a> · <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a> · <a href=\"https://profiles.wordpress.org/la-geek/\">Angelika Reisiger</a> · <a href=\"https://profiles.wordpress.org/rilwis/\">Anh Tran</a> · <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a> · <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a> · <a href=\"https://profiles.wordpress.org/anoopranawat/\">Anoop Ranawat</a> · <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a> · <a href=\"https://profiles.wordpress.org/paranoia1906/\">Anthony Ledesma</a> · <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a> · <a href=\"https://profiles.wordpress.org/antonrinas/\">antonrinas</a> · <a href=\"https://profiles.wordpress.org/arcangelini/\">arcangelini</a> · <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a> · <a href=\"https://profiles.wordpress.org/arnee/\">Arne</a> · <a href=\"https://profiles.wordpress.org/arpitgshah/\">Arpit G Shah</a> · <a href=\"https://profiles.wordpress.org/artdecotech/\">artdecotech</a> · <a href=\"https://profiles.wordpress.org/madeinua/\">ArteMa</a> · <a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a> · <a href=\"https://profiles.wordpress.org/asaquzzaman/\">Asaquzzaman mishu</a> · <a href=\"https://profiles.wordpress.org/atomicjack/\">atomicjack</a> · <a href=\"https://profiles.wordpress.org/ajoah/\">Aurélien Joahny</a> · <a href=\"https://profiles.wordpress.org/aurooba/\">Aurooba Ahmed</a> · <a href=\"https://profiles.wordpress.org/barryhughes/\">Barry</a> · <a href=\"https://profiles.wordpress.org/barryceelen/\">Barry Ceelen</a> · <a href=\"https://profiles.wordpress.org/bartoszgadomski/\">Bartosz Gadomski</a> · <a href=\"https://profiles.wordpress.org/bedas/\">Beda</a> · <a href=\"https://profiles.wordpress.org/scruffian/\">Ben Dwyer</a> · <a href=\"https://profiles.wordpress.org/utz119/\">Benachi</a> · <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernhard Reiter</a> · <a href=\"https://profiles.wordpress.org/bettyjj/\">BettyJJ</a> · <a href=\"https://profiles.wordpress.org/bhrugesh12/\">Bhrugesh Bavishi</a> · <a href=\"https://profiles.wordpress.org/binarymoon/\">binarymoon</a> · <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a> · <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a> · <a href=\"https://profiles.wordpress.org/supercleanse/\">Blair Williams</a> · <a href=\"https://profiles.wordpress.org/blogaid/\">BlogAid</a> · <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a> · <a href=\"https://profiles.wordpress.org/wpe_bdurette/\">Brandon DuRette</a> · <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a> · <a href=\"https://profiles.wordpress.org/ironprogrammer/\">Brian Alexander</a> · <a href=\"https://profiles.wordpress.org/bronsonquick/\">bronsonquick</a> · <a href=\"https://profiles.wordpress.org/brookemk/\">Brooke</a> · <a href=\"https://profiles.wordpress.org/brookedot/\">Brooke.</a> · <a href=\"https://profiles.wordpress.org/ribaricplusplus/\">Bruno Ribaric</a> · <a href=\"https://profiles.wordpress.org/caraya/\">caraya</a> · <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a> · <a href=\"https://profiles.wordpress.org/carlosgprim/\">Carlos Garcia</a> · <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a> · <a href=\"https://profiles.wordpress.org/cbigler/\">cbigler</a> · <a href=\"https://profiles.wordpress.org/shireling/\">Chad Chadbourne</a> · <a href=\"https://profiles.wordpress.org/critterverse/\">Channing Ritter</a> · <a href=\"https://profiles.wordpress.org/charleyparkerdesign/\">charleyparkerdesign</a> · <a href=\"https://profiles.wordpress.org/charlyox/\">charlyox</a> · <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a> · <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a> · <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a> · <a href=\"https://profiles.wordpress.org/clubkert/\">Chris Lubkert</a> · <a href=\"https://profiles.wordpress.org/chrisvanpatten/\">Chris Van Patten</a> · <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a> · <a href=\"https://profiles.wordpress.org/clonemykey/\">clonemykey</a> · <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a> · <a href=\"https://profiles.wordpress.org/conner_bw/\">conner_bw</a> · <a href=\"https://profiles.wordpress.org/cr0ybot/\">Cory Hughart</a> · <a href=\"https://profiles.wordpress.org/courane01/\">Courtney Robertson</a> · <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a> · <a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a> · <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a> · <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a> · <a href=\"https://profiles.wordpress.org/danieldudzic/\">danieldudzic</a> · <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a> · <a href=\"https://profiles.wordpress.org/htdat/\">Dat Hoang</a> · <a href=\"https://profiles.wordpress.org/get_dave/\">Dave Smith</a> · <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a> · <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a> · <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a> · <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a> · <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a> · <a href=\"https://profiles.wordpress.org/dshanske/\">David Shanske</a> · <a href=\"https://profiles.wordpress.org/devutpol/\">Deb Nath Utpol</a> · <a href=\"https://profiles.wordpress.org/delowardev/\">Delowar Hossain</a> · <a href=\"https://profiles.wordpress.org/denishua/\">denishua</a> · <a href=\"https://profiles.wordpress.org/dennisatyoast/\">Dennis Claassen</a> · <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a> · <a href=\"https://profiles.wordpress.org/dhanendran/\">Dhanendran</a> · <a href=\"https://profiles.wordpress.org/dharm1025/\">Dharmesh Patel</a> · <a href=\"https://profiles.wordpress.org/dhusakovic/\">dhusakovic</a> · <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a> · <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a> · <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a> · <a href=\"https://profiles.wordpress.org/donmhico/\">donmhico</a> · <a href=\"https://profiles.wordpress.org/drago239/\">drago239</a> · <a href=\"https://profiles.wordpress.org/drewapicture/\">Drew Jaynes</a> · <a href=\"https://profiles.wordpress.org/dromero20/\">dromero20</a> · <a href=\"https://profiles.wordpress.org/eddystile/\">Eddy</a> · <a href=\"https://profiles.wordpress.org/ehtis/\">ehtis</a> · <a href=\"https://profiles.wordpress.org/eliezerspp/\">Eliezer Peña</a> · <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van Durpe</a> · <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a> · <a href=\"https://profiles.wordpress.org/lopo/\">Enrico Battocchi</a> · <a href=\"https://profiles.wordpress.org/eric3d/\">eric3d</a> · <a href=\"https://profiles.wordpress.org/kebbet/\">Erik Betshammar</a> · <a href=\"https://profiles.wordpress.org/espiat/\">espiat</a> · <a href=\"https://profiles.wordpress.org/estelaris/\">Estela Rueda</a> · <a href=\"https://profiles.wordpress.org/etaproducto/\">etaproducto</a> · <a href=\"https://profiles.wordpress.org/everpress/\">EverPress</a> · <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a> · <a href=\"https://profiles.wordpress.org/iogui/\">Fabio Blanco</a> · <a href=\"https://profiles.wordpress.org/faison/\">Faison</a> · <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a> · <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a> · <a href=\"https://profiles.wordpress.org/femkreations/\">Femy Praseeth</a> · <a href=\"https://profiles.wordpress.org/florianbrinkmann/\">Florian Brinkmann</a> · <a href=\"https://profiles.wordpress.org/mista-flo/\">Florian TIAR</a> · <a href=\"https://profiles.wordpress.org/foliovision/\">FolioVision</a> · <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a> · <a href=\"https://profiles.wordpress.org/fcoveram/\">Francisco Vera</a> · <a href=\"https://profiles.wordpress.org/frankei/\">frankei</a> · <a href=\"https://profiles.wordpress.org/furi3r/\">furi3r</a> · <a href=\"https://profiles.wordpress.org/gadhiyaravi/\">gadhiyaravi</a> · <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a> · <a href=\"https://profiles.wordpress.org/voldemortensen/\">Garth Mortensen</a> · <a href=\"https://profiles.wordpress.org/garyj/\">Gary Jones</a> · <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a> · <a href=\"https://profiles.wordpress.org/genosseeinhorn/\">genosseeinhorn</a> · <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a> · <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a> · <a href=\"https://profiles.wordpress.org/georgestephanis/\">George Stephanis</a> · <a href=\"https://profiles.wordpress.org/geriux/\">geriux</a> · <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a> · <a href=\"https://profiles.wordpress.org/greglone/\">Grégory Viguier</a> · <a href=\"https://profiles.wordpress.org/grantmkin/\">Grant M. Kinney</a> · <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a> · <a href=\"https://profiles.wordpress.org/gregoiresailland/\">gregoiresailland</a> · <a href=\"https://profiles.wordpress.org/wido/\">Guido Scialfa</a> · <a href=\"https://profiles.wordpress.org/gumacahin/\">gumacahin</a> · <a href=\"https://profiles.wordpress.org/gvgvgvijayan/\">gvgvgvijayan</a> · <a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh</a> · <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a> · <a href=\"https://profiles.wordpress.org/hasnainashfaq/\">Hasnain Ashfaq</a> · <a href=\"https://profiles.wordpress.org/azhiyadev/\">Hauwa Abashiya</a> · <a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a> · <a href=\"https://profiles.wordpress.org/helen/\">Helen Hou-Sandi</a> · <a href=\"https://profiles.wordpress.org/helgatheviking/\">HelgaTheViking</a> · <a href=\"https://profiles.wordpress.org/henrywright/\">Henry Wright</a> · <a href=\"https://profiles.wordpress.org/hilayt24/\">Hilay Trivedi</a> · <a href=\"https://profiles.wordpress.org/hitendra-chopda/\">Hitendra Chopda</a> · <a href=\"https://profiles.wordpress.org/hristok/\">HristoK</a> · <a href=\"https://profiles.wordpress.org/hlashbrooke/\">Hugh Lashbrooke</a> · <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a> · <a href=\"https://profiles.wordpress.org/ianbelanger/\">Ian Belanger</a> · <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a> · <a href=\"https://profiles.wordpress.org/ianatkins/\">ianatkins</a> · <a href=\"https://profiles.wordpress.org/ianmjones/\">ianmjones</a> · <a href=\"https://profiles.wordpress.org/credo61/\">ImanGM</a> · <a href=\"https://profiles.wordpress.org/imokol/\">imokol</a> · <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a> · <a href=\"https://profiles.wordpress.org/ishitaka/\">ishitaka</a> · <a href=\"https://profiles.wordpress.org/itsamoreh/\">itsamoreh</a> · <a href=\"https://profiles.wordpress.org/iulia-cazan/\">Iulia Cazan</a> · <a href=\"https://profiles.wordpress.org/ivanlutrov/\">Ivan Lutrov</a> · <a href=\"https://profiles.wordpress.org/jadpm/\">jadpm</a> · <a href=\"https://profiles.wordpress.org/whyisjake/\">Jake Spurlock</a> · <a href=\"https://profiles.wordpress.org/jakeparis/\">jakeparis</a> · <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a> · <a href=\"https://profiles.wordpress.org/codente/\">Jamie</a> · <a href=\"https://profiles.wordpress.org/rumpel2116/\">Jan Weiss</a> · <a href=\"https://profiles.wordpress.org/janh2/\">janh2</a> · <a href=\"https://profiles.wordpress.org/jarretc/\">Jarret</a> · <a href=\"https://profiles.wordpress.org/jsnjohnston/\">Jason Johnston</a> · <a href=\"https://profiles.wordpress.org/madtownlems/\">Jason LeMahieu (MadtownLems)</a> · <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a> · <a href=\"https://profiles.wordpress.org/jprieton/\">Javier Prieto</a> · <a href=\"https://profiles.wordpress.org/grandeljay/\">Jay Trees</a> · <a href=\"https://profiles.wordpress.org/jazbek/\">jazbek</a> · <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a> · <a href=\"https://profiles.wordpress.org/jblz/\">Jeff Bowen</a> · <a href=\"https://profiles.wordpress.org/jeffmatson/\">Jeff Matson</a> · <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a> · <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeff Paul</a> · <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a> · <a href=\"https://profiles.wordpress.org/miss_jwo/\">Jenny Wong</a> · <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a> · <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a> · <a href=\"https://profiles.wordpress.org/jeremyyip/\">Jeremy Yip</a> · <a href=\"https://profiles.wordpress.org/sausajez/\">Jez Emery</a> · <a href=\"https://profiles.wordpress.org/jhned/\">jhned</a> · <a href=\"https://profiles.wordpress.org/jhnstn/\">jhnstn</a> · <a href=\"https://profiles.wordpress.org/jigar-bhanushali/\">jigar bhanushali</a> · <a href=\"https://profiles.wordpress.org/jiteshdhamaniya/\">jiteshdhamaniya</a> · <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a> · <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a> · <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a> · <a href=\"https://profiles.wordpress.org/goaroundagain/\">Johannes Kinast</a> · <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a> · <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a> · <a href=\"https://profiles.wordpress.org/johnregan3/\">John Regan</a> · <a href=\"https://profiles.wordpress.org/johnwatkins0/\">John Watkins</a> · <a href=\"https://profiles.wordpress.org/jb510/\">Jon Brown</a> · <a href=\"https://profiles.wordpress.org/jrchamp/\">Jonathan Champ</a> · <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a> · <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a> · <a href=\"https://profiles.wordpress.org/jonoaldersonwp/\">Jono Alderson</a> · <a href=\"https://profiles.wordpress.org/jorgecontreras/\">Jorge</a> · <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a> · <a href=\"https://profiles.wordpress.org/josearcos/\">José Arcos</a> · <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha</a> · <a href=\"https://profiles.wordpress.org/jostnes/\">Josepha Dambul</a> · <a href=\"https://profiles.wordpress.org/joshf/\">Joshua Fredrickson</a> · <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a> · <a href=\"https://profiles.wordpress.org/jrivett/\">jrivett</a> · <a href=\"https://profiles.wordpress.org/jsnajdr/\">jsnajdr</a> · <a href=\"https://profiles.wordpress.org/juanlopez4691/\">juanlopez4691</a> · <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a> · <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a> · <a href=\"https://profiles.wordpress.org/junaidkbr/\">Junaid Ahmed</a> · <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a> · <a href=\"https://profiles.wordpress.org/justinbusa/\">Justin Busa</a> · <a href=\"https://profiles.wordpress.org/certainstrings/\">Justin Tucker</a> · <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a> · <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a> · <a href=\"https://profiles.wordpress.org/kajalgohel/\">Kajal Gohel</a> · <a href=\"https://profiles.wordpress.org/kapacity/\">kapacity</a> · <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a> · <a href=\"https://profiles.wordpress.org/kasparsd/\">Kaspars</a> · <a href=\"https://profiles.wordpress.org/kbat82/\">kbatdorf</a> · <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a> · <a href=\"https://profiles.wordpress.org/w33zy/\">Kemory Grubb</a> · <a href=\"https://profiles.wordpress.org/gwwar/\">Kerry Liu</a> · <a href=\"https://profiles.wordpress.org/kprovance/\">Kev Provance</a> · <a href=\"https://profiles.wordpress.org/kharisblank/\">Kharis Sulistiyono</a> · <a href=\"https://profiles.wordpress.org/kirtan95/\">Kirtan Gajjar</a> · <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> · <a href=\"https://profiles.wordpress.org/kmix39/\">KMix</a> · <a href=\"https://profiles.wordpress.org/knutsp/\">Knut Sparhell</a> · <a href=\"https://profiles.wordpress.org/konradyoast/\">Konrad.K</a> · <a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a> · <a href=\"https://profiles.wordpress.org/kpegoraro/\">kpegoraro</a> · <a href=\"https://profiles.wordpress.org/kubiq/\">kubiq</a> · <a href=\"https://profiles.wordpress.org/sainthkh/\">Kukhyeon Heo</a> · <a href=\"https://profiles.wordpress.org/laurlittle/\">Lauren</a> · <a href=\"https://profiles.wordpress.org/0mirka00/\">Lena Morita</a> · <a href=\"https://profiles.wordpress.org/lenasterg/\">lenasterg</a> · <a href=\"https://profiles.wordpress.org/uzumymw/\">leskam</a> · <a href=\"https://profiles.wordpress.org/layotte/\">Lew Ayotte</a> · <a href=\"https://profiles.wordpress.org/linux4me2/\">linux4me2</a> · <a href=\"https://profiles.wordpress.org/lschuyler/\">Lisa Schuyler</a> · <a href=\"https://profiles.wordpress.org/lkraav/\">lkraav</a> · <a href=\"https://profiles.wordpress.org/louislaugesen/\">Louis</a> · <a href=\"https://profiles.wordpress.org/thelovekesh/\">Lovekesh Kumar</a> · <a href=\"https://profiles.wordpress.org/karpstrucking/\">Lucas Karpiuk</a> · <a href=\"https://profiles.wordpress.org/zaguiini/\">Luis Felipe Zaguini</a> · <a href=\"https://profiles.wordpress.org/luisherranz/\">luisherranz</a> · <a href=\"https://profiles.wordpress.org/lukecavanagh/\">Luke Cavanagh</a> · <a href=\"https://profiles.wordpress.org/pyrobd/\">Lukman Nakib</a> · <a href=\"https://profiles.wordpress.org/michelangelovandam/\">M. van Dam</a> · <a href=\"https://profiles.wordpress.org/macbookandrew/\">macbookandrew</a> · <a href=\"https://profiles.wordpress.org/mashikag/\">Maciej</a> · <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a> · <a href=\"https://profiles.wordpress.org/maguijo/\">maguijo</a> · <a href=\"https://profiles.wordpress.org/mhimon/\">Mahbub Hasan Imon</a> · <a href=\"https://profiles.wordpress.org/malthert/\">malthert</a> · <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a> · <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">Marcelo de Moraes Serpa</a> · <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a> · <a href=\"https://profiles.wordpress.org/mkaz/\">Marcus Kazmierczak</a> · <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a> · <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a> · <a href=\"https://profiles.wordpress.org/markjaquith/\">Mark Jaquith</a> · <a href=\"https://profiles.wordpress.org/mkox/\">Markus Kosmal</a> · <a href=\"https://profiles.wordpress.org/marv2/\">marv2</a> · <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> · <a href=\"https://profiles.wordpress.org/mat-lipe/\">Mat Lipe</a> · <a href=\"https://profiles.wordpress.org/paapst/\">Mathieu</a> · <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a> · <a href=\"https://profiles.wordpress.org/mmaattiiaass/\">matiasbenedetto</a> · <a href=\"https://profiles.wordpress.org/mattchowning/\">Matt Chowning</a> · <a href=\"https://profiles.wordpress.org/sivel/\">Matt Martz</a> · <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a> · <a href=\"https://profiles.wordpress.org/themattroyal/\">Matt Royal</a> · <a href=\"https://profiles.wordpress.org/mjstoney/\">Matt Stoney</a> · <a href=\"https://profiles.wordpress.org/mattwiebe/\">Matt Wiebe</a> · <a href=\"https://profiles.wordpress.org/mauriac/\">maur</a> · <a href=\"https://profiles.wordpress.org/azouamauriac/\">Mauriac AZOUA</a> · <a href=\"https://profiles.wordpress.org/maxkellermann/\">Max Kellermann</a> · <a href=\"https://profiles.wordpress.org/mehedi890/\">Mehedi Foysal</a> · <a href=\"https://profiles.wordpress.org/mgol/\">mgol</a> · <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a> · <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a> · <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a> · <a href=\"https://profiles.wordpress.org/mauteri/\">Mike Auteri</a> · <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a> · <a href=\"https://profiles.wordpress.org/miken32/\">miken32</a> · <a href=\"https://profiles.wordpress.org/dimadin/\">Milan Dinić</a> · <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a> · <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a> · <a href=\"https://profiles.wordpress.org/mirkolofio/\">Mirco Babini</a> · <a href=\"https://profiles.wordpress.org/mmdeveloper/\">MMDeveloper</a> · <a href=\"https://profiles.wordpress.org/mohadeseghasemi/\">Mohadese Ghasemi</a> · <a href=\"https://profiles.wordpress.org/ahsan03/\">Mohammad Ahsan Habib</a> · <a href=\"https://profiles.wordpress.org/opurockey/\">Mohammad Rockeybul Alam</a> · <a href=\"https://profiles.wordpress.org/mjkhajeh/\">MohammadJafar Khajeh</a> · <a href=\"https://profiles.wordpress.org/mor10/\">Morten Rand-Hendriksen</a> · <a href=\"https://profiles.wordpress.org/moushik/\">moushik</a> · <a href=\"https://profiles.wordpress.org/computerguru/\">mqudsi</a> · <a href=\"https://profiles.wordpress.org/muhammadfaizanhaidar/\">Muhammad Faizan Haidar</a> · <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a> · <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a> · <a href=\"https://profiles.wordpress.org/nabil_kadimi/\">Nabil</a> · <a href=\"https://profiles.wordpress.org/nagpai/\">Nagesh Pai – a11n</a> · <a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a> · <a href=\"https://profiles.wordpress.org/nhadsall/\">Nathan</a> · <a href=\"https://profiles.wordpress.org/nayana123/\">Nayana Maradia</a> · <a href=\"https://profiles.wordpress.org/nextend_ramona/\">Nextend Support – Ramona</a> · <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a> · <a href=\"https://profiles.wordpress.org/nickciske/\">Nick Ciske</a> · <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a> · <a href=\"https://profiles.wordpress.org/rahe/\">Nicolas Juen</a> · <a href=\"https://profiles.wordpress.org/nidhidhandhukiya/\">nidhidhandhukiya</a> · <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a> · <a href=\"https://profiles.wordpress.org/knilkantha/\">Nil</a> · <a href=\"https://profiles.wordpress.org/nmschaller/\">nmschaller</a> · <a href=\"https://profiles.wordpress.org/noahtallen/\">Noah Allen</a> · <a href=\"https://profiles.wordpress.org/oakesjosh/\">oakesjosh</a> · <a href=\"https://profiles.wordpress.org/oguzkocer/\">oguzkocer</a> · <a href=\"https://profiles.wordpress.org/domainsupport/\">Oliver Campion</a> · <a href=\"https://profiles.wordpress.org/alshakero/\">Omar Alshaker</a> · <a href=\"https://profiles.wordpress.org/opr18/\">opr18</a> · <a href=\"https://profiles.wordpress.org/otshelnik-fm/\">Otshelnik-Fm</a> · <a href=\"https://profiles.wordpress.org/overclokk/\">overclokk</a> · <a href=\"https://profiles.wordpress.org/ovidiul/\">ovidiul</a> · <a href=\"https://profiles.wordpress.org/pablohoneyhoney/\">Pablo Honey</a> · <a href=\"https://profiles.wordpress.org/pls78/\">Paolo L. Scala</a> · <a href=\"https://profiles.wordpress.org/paragoninitiativeenterprises/\">Paragon Initiative Enterprises</a> · <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a> · <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a> · <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a> · <a href=\"https://profiles.wordpress.org/figureone/\">Paul Ryan</a> · <a href=\"https://profiles.wordpress.org/pschrottky/\">Paul Von Schrottky</a> · <a href=\"https://profiles.wordpress.org/paulkevan/\">paulkevan</a> · <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a> · <a href=\"https://profiles.wordpress.org/malinevskiy/\">Pavlo</a> · <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a> · <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a> · <a href=\"https://profiles.wordpress.org/petaryoast/\">Petar Ratković</a> · <a href=\"https://profiles.wordpress.org/psmits1567/\">Peter Smits</a> · <a href=\"https://profiles.wordpress.org/westi/\">Peter Westwood</a> · <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a> · <a href=\"https://profiles.wordpress.org/petrosparaskevopoulos/\">petrosparaskevopoulos</a> · <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a> · <a href=\"https://profiles.wordpress.org/pgpagely/\">pgpagely</a> · <a href=\"https://profiles.wordpress.org/johnstonphilip/\">Phil Johnston</a> · <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a> · <a href=\"https://profiles.wordpress.org/pikamander2/\">pikamander2</a> · <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> · <a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a> · <a href=\"https://profiles.wordpress.org/pooja1210/\">Pooja N Muchandikar</a> · <a href=\"https://profiles.wordpress.org/pravinparmar2404/\">Pravin Parmar</a> · <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a> · <a href=\"https://profiles.wordpress.org/presstoke/\">presstoke</a> · <a href=\"https://profiles.wordpress.org/priyank9033/\">Priyank</a> · <a href=\"https://profiles.wordpress.org/pypwalters/\">pypwalters</a> · <a href=\"https://profiles.wordpress.org/r-a-y/\">r-a-y</a> · <a href=\"https://profiles.wordpress.org/rachelbaker/\">Rachel Baker</a> · <a href=\"https://profiles.wordpress.org/rafiahmedd/\">Rafi Ahmed</a> · <a href=\"https://profiles.wordpress.org/superpoincare/\">Ramanan</a> · <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a> · <a href=\"https://profiles.wordpress.org/ramonopoly/\">Ramon James</a> · <a href=\"https://profiles.wordpress.org/jontyravi/\">Ravi Vaghela</a> · <a href=\"https://profiles.wordpress.org/ravipatel/\">ravipatel</a> · <a href=\"https://profiles.wordpress.org/razvanonofrei/\">Razvan Onofrei</a> · <a href=\"https://profiles.wordpress.org/rehanali/\">Rehan Ali</a> · <a href=\"https://profiles.wordpress.org/tabrisrp/\">Remy Perona</a> · <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a> · <a href=\"https://profiles.wordpress.org/rianrietveld/\">Rian Rietveld</a> · <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> · <a href=\"https://profiles.wordpress.org/richybkreckel/\">Richard B. Kreckel</a> · <a href=\"https://profiles.wordpress.org/ricomoorman/\">ricomoorman</a> · <a href=\"https://profiles.wordpress.org/r0bsc0tt/\">Rob Scott</a> · <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> · <a href=\"https://profiles.wordpress.org/ravanh/\">Rolf Allard van Hagen</a> · <a href=\"https://profiles.wordpress.org/rolfsiebers/\">Rolf Siebers</a> · <a href=\"https://profiles.wordpress.org/costasovo/\">Rostislav Wolný</a> · <a href=\"https://profiles.wordpress.org/rufus87/\">Rufus87</a> · <a href=\"https://profiles.wordpress.org/ryan/\">Ryan Boren</a> · <a href=\"https://profiles.wordpress.org/bookdude13/\">Ryan Fredlund</a> · <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a> · <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a> · <a href=\"https://profiles.wordpress.org/sebastienserre/\">Sébastien SERRE</a> · <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a> · <a href=\"https://profiles.wordpress.org/sabbir1991/\">Sabbir Ahmed</a> · <a href=\"https://profiles.wordpress.org/sabbirshouvo/\">Sabbir Hasan</a> · <a href=\"https://profiles.wordpress.org/samiff/\">Sami Falah</a> · <a href=\"https://profiles.wordpress.org/sanzeeb3/\">Sanjeev Aryal</a> · <a href=\"https://profiles.wordpress.org/santosguillamot/\">santosguillamot</a> · <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a> · <a href=\"https://profiles.wordpress.org/arasae/\">Sarah Snow</a> · <a href=\"https://profiles.wordpress.org/sarayourfriend/\">sarayourfriend</a> · <a href=\"https://profiles.wordpress.org/sathyapulse/\">Sathiyamoorthy V</a> · <a href=\"https://profiles.wordpress.org/sayedulsayem/\">Sayedul Sayem</a> · <a href=\"https://profiles.wordpress.org/sbossarte/\">sbossarte</a> · <a href=\"https://profiles.wordpress.org/sclayf1/\">sclayf1</a> · <a href=\"https://profiles.wordpress.org/swb1192/\">Scott Buscemi</a> · <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a> · <a href=\"https://profiles.wordpress.org/wonderboymusic/\">Scott Taylor</a> · <a href=\"https://profiles.wordpress.org/omaeyusuke/\">Segayuu</a> · <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a> · <a href=\"https://profiles.wordpress.org/sheepysheep60/\">sheepysheep60</a> · <a href=\"https://profiles.wordpress.org/shital-patel/\">Shital Marakana</a> · <a href=\"https://profiles.wordpress.org/shreyasikhar26/\">Shreyas Ikhar</a> · <a href=\"https://profiles.wordpress.org/rsiddharth/\">siddharth</a> · <a href=\"https://profiles.wordpress.org/nomnom99/\">Siddharth Thevaril</a> · <a href=\"https://profiles.wordpress.org/silb3r/\">silb3r</a> · <a href=\"https://profiles.wordpress.org/lumpysimon/\">Simon Blackbourn</a> · <a href=\"https://profiles.wordpress.org/pross/\">Simon Prosser</a> · <a href=\"https://profiles.wordpress.org/simonhammes/\">simonhammes</a> · <a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan</a> · <a href=\"https://profiles.wordpress.org/smit08/\">Smit Rathod</a> · <a href=\"https://profiles.wordpress.org/snapfractalpop/\">snapfractalpop</a> · <a href=\"https://profiles.wordpress.org/socalchristina/\">socalchristina</a> · <a href=\"https://profiles.wordpress.org/spencercameron/\">Spencer Cameron-Morin</a> · <a href=\"https://profiles.wordpress.org/stacimc/\">stacimc</a> · <a href=\"https://profiles.wordpress.org/stefanfisk/\">stefanfisk</a> · <a href=\"https://profiles.wordpress.org/satollo/\">Stefano Lissa</a> · <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a> · <a href=\"https://profiles.wordpress.org/hypest/\">Stefanos Togoulidis</a> · <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a> · <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a> · <a href=\"https://profiles.wordpress.org/stephenharris/\">Stephen Harris</a> · <a href=\"https://profiles.wordpress.org/stevegrunwell/\">Steve Grunwell</a> · <a href=\"https://profiles.wordpress.org/subrataemfluence/\">Subrata Sarkar</a> · <a href=\"https://profiles.wordpress.org/sumitsingh/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/5um17/\">Sumit Singh</a> · <a href=\"https://profiles.wordpress.org/csesumonpro/\">Sumon Sarker</a> · <a href=\"https://profiles.wordpress.org/sunil25393/\">SunilPrajapati</a> · <a href=\"https://profiles.wordpress.org/sunyatasattva/\">sunyatasattva</a> · <a href=\"https://profiles.wordpress.org/mahype/\">Sven Wagener</a> · <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a> · <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a> · <a href=\"https://profiles.wordpress.org/inc2734/\">Takashi Kitajima</a> · <a href=\"https://profiles.wordpress.org/tharsheblows/\">tharsheblows</a> · <a href=\"https://profiles.wordpress.org/legendusmaximus/\">Theo H</a> · <a href=\"https://profiles.wordpress.org/thimalw/\">Thimal Wickremage</a> · <a href=\"https://profiles.wordpress.org/twistermc/\">Thomas McMahon</a> · <a href=\"https://profiles.wordpress.org/thomasplevy/\">Thomas Patrick Levy</a> · <a href=\"https://profiles.wordpress.org/xiven/\">Thomas Pike</a> · <a href=\"https://profiles.wordpress.org/tillkruess/\">Till Krüss</a> · <a href=\"https://profiles.wordpress.org/waterfire/\">Tim Blankenship</a> · <a href=\"https://profiles.wordpress.org/tnolte/\">Tim Nolte</a> · <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a> · <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a> · <a href=\"https://profiles.wordpress.org/tomjdevisser/\">Tom</a> · <a href=\"https://profiles.wordpress.org/tomasztunik/\">tomasztunik</a> · <a href=\"https://profiles.wordpress.org/tomalec/\">Tomek</a> · <a href=\"https://profiles.wordpress.org/shimotomoki/\">Tomoki Shimomura</a> · <a href=\"https://profiles.wordpress.org/ttahmouch/\">Tony Tahmouch</a> · <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a> · <a href=\"https://profiles.wordpress.org/toro_unit/\">Toro_Unit (Hiroshi Urabe)</a> · <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a> · <a href=\"https://profiles.wordpress.org/sierratr/\">Tracy</a> · <a href=\"https://profiles.wordpress.org/trex005/\">trex005</a> · <a href=\"https://profiles.wordpress.org/tszming/\">tszming</a> · <a href=\"https://profiles.wordpress.org/tumas2/\">tumas2</a> · <a href=\"https://profiles.wordpress.org/twstokes/\">twstokes</a> · <a href=\"https://profiles.wordpress.org/junsuijin/\">Tynan Beatty</a> · <a href=\"https://profiles.wordpress.org/tzipporahwitty/\">tzipporahwitty</a> · <a href=\"https://profiles.wordpress.org/uday17035/\">Uday Kokitkar</a> · <a href=\"https://profiles.wordpress.org/ugljanin/\">ugljanin</a> · <a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a> · <a href=\"https://profiles.wordpress.org/grapplerulrich/\">Ulrich</a> · <a href=\"https://profiles.wordpress.org/utkarshpatel/\">Utkarsh</a> · <a href=\"https://profiles.wordpress.org/valer1e/\">valer1e</a> · <a href=\"https://profiles.wordpress.org/versusbassz/\">versusbassz</a> · <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a> · <a href=\"https://profiles.wordpress.org/elifvish/\">Vishal Kumar</a> · <a href=\"https://profiles.wordpress.org/vladolaru/\">vlad.olaru</a> · <a href=\"https://profiles.wordpress.org/volodymyrkolesnykov/\">Volodymyr Kolesnykov</a> · <a href=\"https://profiles.wordpress.org/vortfu/\">vortfu</a> · <a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a> · <a href=\"https://profiles.wordpress.org/wendyjchen/\">Wendy Chen</a> · <a href=\"https://profiles.wordpress.org/west7/\">Wes Theron</a> · <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a> · <a href=\"https://profiles.wordpress.org/whoisnegrello/\">whoisnegrello</a> · <a href=\"https://profiles.wordpress.org/antonynz/\">wpcharged</a> · <a href=\"https://profiles.wordpress.org/wpmakenorg/\">wpmakenorg</a> · <a href=\"https://profiles.wordpress.org/wpsoul/\">wpsoul</a> · <a href=\"https://profiles.wordpress.org/wraithkenny/\">WraithKenny</a> · <a href=\"https://profiles.wordpress.org/wslyhbb/\">wslyhbb</a> · <a href=\"https://profiles.wordpress.org/upsuper/\">Xidorn Quan</a> · <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a> · <a href=\"https://profiles.wordpress.org/dolphingg/\">Yunus Ertuğrul</a> · <a href=\"https://profiles.wordpress.org/zebulan/\">Zebulan Stanphill</a> · <a href=\"https://profiles.wordpress.org/znuff/\">znuff</a> · <a href=\"https://profiles.wordpress.org/chesio/\">Česlav Przywara</a></small></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<p>Merci également aux personnes qui ont traduit WordPress 6.0 en français&nbsp;: <a href=\"https://profiles.wordpress.org/fxbenard\">FX Bénard</a>, <a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a>, <a style=\"font-size: revert;, sans-serif\" href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/wolforg\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/ajoah\">Aurélien Joahny</a>,&nbsp;<a href=\"https://profiles.wordpress.org/bonaldi\">Bonaldi</a>,&nbsp;<a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>,&nbsp;<a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>,&nbsp;<a href=\"https://profiles.wordpress.org/eddystile\">Eddy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/fred5550\">Frederic Nuyts</a>,&nbsp;<a href=\"https://profiles.wordpress.org/guillaumeturpin\">Guillaume TURPIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/ioanamuresan\">Ioana M</a>,&nbsp;<a href=\"https://profiles.wordpress.org/jaz_on\">Jason Rouet</a>,&nbsp;<a href=\"https://profiles.wordpress.org/lulucmy\">lulucmy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oellin\">Magali</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chaton666\">Marie Comet</a>,&nbsp;<a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/maxpertici\">Maxime Pertici</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nandow\">Nandor Wiener</a>,&nbsp;<a href=\"https://profiles.wordpress.org/pasglop\">pasglop</a>,&nbsp;<a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>,&nbsp;<a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virgar\">Virginie Garnier</a>,&nbsp;<a href=\"https://profiles.wordpress.org/virginienacci\">Virginie Nacci</a>,&nbsp;<a href=\"https://profiles.wordpress.org/whodunitagency\">Whodunit</a>,&nbsp;<a href=\"https://profiles.wordpress.org/wptranslationsorg\">WP-Translations</a> et&nbsp;<a href=\"https://profiles.wordpress.org/wplmillet\">wplmillet</a>.</p>\n\n\n\n<p class=\"has-text-align-right\"><small>Merci à <a href=\'https://profiles.wordpress.org/fxbenard/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>fxbenard</a> <a href=\'https://profiles.wordpress.org/wolforg/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>wolforg</a> et <a href=\'https://profiles.wordpress.org/em-m/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>em-m</a> pour la relecture de communiqué</small></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://fr.wordpress.org/2022/05/25/wordpress-6-0-arturo/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Guide des changements techniques de WordPress 6.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://fr.wordpress.org/2022/05/04/guide-des-changements-techniques-de-wordpress-6-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://fr.wordpress.org/2022/05/04/guide-des-changements-techniques-de-wordpress-6-0/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 04 May 2022 12:16:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2369\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:349:\"Maintenant que la première version Release Candidate de WordPress 6.0 est sortie, il est grand temps d&#8217;explorer les modifications apportées par cette future version, dont la sortie est prévue pour le 24 mai 2022. WordPress 6.0 est une version majeure de même niveau que WP 5.8 ou WP 5.9. Elle apportera le principe des variations [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:38078:\"\n<p>Maintenant que la première version <em>Release Candidate</em> de WordPress 6.0 est sortie, il est grand temps d&rsquo;explorer les modifications apportées par cette future version, dont la sortie est prévue pour le 24 mai 2022. WordPress 6.0 est une version majeure de même niveau que WP 5.8 ou WP 5.9. Elle apportera le principe des variations de styles, l’interface de verrouillage des blocs, plusieurs améliorations de l&rsquo;éditeur, encore plus d’outils de design, de nouveaux crochets et filtres, des mises à jour des différentes bibliothèques utilisées par WP, et bien plus encore&nbsp;!</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire.png\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"702\" src=\"https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire-1024x702.png\" alt=\"\" class=\"wp-image-2376\" srcset=\"https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire-1024x702.png 1024w, https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire-300x206.png 300w, https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire-768x527.png 768w, https://fr.wordpress.org/files/2022/05/wordpress-60-provisoire.png 1446w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></a></figure>\n\n\n\n<span id=\"more-2369\"></span>\n\n\n\n<p>Au bas mot, ce seront au moins <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.0&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">97 améliorations et nouvelles fonctionnalités</a>, <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.0&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">131 corrections de bogues</a>, <a href=\"https://core.trac.wordpress.org/ticket/55567\">13 correctifs sur l’éditeur de bloc</a>, ainsi que <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.0&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">23 autres changements divers</a>, ce qui représente au total <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.0&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">231 tickets Trac</a>.</p>\n\n\n\n<p>La nouvelle équipe chargée des performances de WordPress a aussi travaillé dur pour améliorer diverses parties du CMS. De nombreuses requêtes ont été optimisées et certaines d&rsquo;entre elles ont été retirées, la gestion du cache a été perfectionnée, et de nombreux doublons de traductions ont été enlevés afin d&rsquo;améliorer la vitesse de chargement de WP sur les installations non anglophones.</p>\n\n\n\n<p class=\"is-style-plain has-medium-font-size\">C&rsquo;est parti pour un petit tour d’horizon des nouveautés de WordPress 6.0&nbsp;!</p>\n\n\n\n<p>Tous les liens de cet article pointent vers des notes de développement rédigées en anglais. L&rsquo;objectif est de fournir un panorama général des changements techniques apportés par cette version, en français.</p>\n\n\n\n<p class=\"has-text-color has-background\" style=\"color:#03517f;background-color:#cceaff\">À noter&nbsp;: certaines modifications listées ici vont nécessiter des actions des auteurs et autrices de thèmes et d’extensions, qui devront adapter ou modifier leur code. Si vous êtes concerné·e, veuillez lire les notes de développement listées dans cet article consciencieusement afin de vous assurer que votre code fonctionnera avec WordPress 6.0 lorsque cette version sortira le 24 mai 2022.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Accessibilité</h2>\n\n\n\n<p>De même que pour les performances, l’accessibilité de WordPress a été grandement améliorée. La note de développement suivante détaille les différentes améliorations effectuées.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"aylbLUKVvp\"><a href=\"https://make.wordpress.org/core/2022/04/20/wordpress-6-0-accessibility-improvements/\">WordPress 6.0 Accessibility Improvements</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;WordPress 6.0 Accessibility Improvements&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/20/wordpress-6-0-accessibility-improvements/embed/#?secret=1ZIEsiLvDE#?secret=aylbLUKVvp\" data-secret=\"aylbLUKVvp\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">L’éditeur de blocs</h2>\n\n\n\n<p>L’éditeur a bien entendu reçu de nombreuses améliorations&nbsp;:</p>\n\n\n\n<ul>\n<li>Possibilité de construire de multiples variations de styles pour les thèmes basés sur des blocs&nbsp;;</li>\n\n\n\n<li>Possibilité de créer des compositions de contenu de pages que les rédacteurs et rédactrices pourront utiliser ou non pour construire leurs pages de contenu&nbsp;;</li>\n\n\n\n<li>Nouvelle propriété <code>ancestor</code> dans le fichier <code>block.json</code> afin de permettre la restriction des endroits où les rédacteurs et rédactrices peuvent placer leurs blocs&nbsp;;</li>\n\n\n\n<li>Une nouvelle interface de verrouillage des blocs à l&rsquo;aide de l&rsquo;attribut <code>lock</code>&nbsp;;</li>\n\n\n\n<li>Déclaration et enregistrement de blocs au sein des thèmes&nbsp;;</li>\n\n\n\n<li>Amélioration de la préservation des contenus non reconnus comme des blocs dans l’éditeur&nbsp;;</li>\n\n\n\n<li>Une fonctionnalité d&rsquo;exportation des blocs des thèmes plus robuste au sein de l’éditeur&nbsp;;</li>\n\n\n\n<li>Des mises à jour du balisage des blocs image, citation, liste et groupe&nbsp;;</li>\n\n\n\n<li>De nouveaux blocs tels que le bloc de commentaires de la publication, le bloc «&nbsp;Aucun résultat&nbsp;», et bien plus encore…</li>\n</ul>\n\n\n\n<p>À noter que si vous utilisez la version <em>extension</em> de Gutenberg (ce qui ne devrait être le cas que sur un site destiné à des expérimentations), vous devrez impérativement la mettre à jour vers sa toute dernière version <em>avant</em> de mettre à jour votre site avec la version 6.0 de WordPress.</p>\n\n\n\n<p>Sans plus attendre, voici les notes de développement liées à l’éditeur&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"O4MaN7Al9W\"><a href=\"https://make.wordpress.org/core/2022/05/03/page-creation-patterns-in-wordpress-6-0/\">Page creation patterns in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Page creation patterns in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/page-creation-patterns-in-wordpress-6-0/embed/#?secret=Vva1kiTUdO#?secret=O4MaN7Al9W\" data-secret=\"O4MaN7Al9W\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"yNgdvwFZyq\"><a href=\"https://make.wordpress.org/core/2022/05/03/global-styles-variations-in-wordpress-6-0/\">Global Styles variations in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Global Styles variations in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/global-styles-variations-in-wordpress-6-0/embed/#?secret=LouvK1NNRH#?secret=yNgdvwFZyq\" data-secret=\"yNgdvwFZyq\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"gEKvxlYKbw\"><a href=\"https://make.wordpress.org/core/2022/05/03/support-for-handling-resolution-errors-for-editor-data-module/\">Support for handling resolution errors for Editor data module</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Support for handling resolution errors for Editor data module&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/support-for-handling-resolution-errors-for-editor-data-module/embed/#?secret=ok7NQ4NnkH#?secret=gEKvxlYKbw\" data-secret=\"gEKvxlYKbw\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"yzhtIAVRNf\"><a href=\"https://make.wordpress.org/core/2022/05/03/block-markup-updates-for-image-quote-list-and-group-blocks/\">Block markup updates for image, quote, list and group blocks</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block markup updates for image, quote, list and group blocks&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/block-markup-updates-for-image-quote-list-and-group-blocks/embed/#?secret=udFFQ8yHBA#?secret=yzhtIAVRNf\" data-secret=\"yzhtIAVRNf\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"kC6j5E5zKf\"><a href=\"https://make.wordpress.org/core/2022/05/03/separator-block-updated-to-use-block-supports-color-settings/\">Separator block: Updated to use block supports color settings</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Separator block: Updated to use block supports color settings&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/separator-block-updated-to-use-block-supports-color-settings/embed/#?secret=EVWwVqSsK8#?secret=kC6j5E5zKf\" data-secret=\"kC6j5E5zKf\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"e8Tty8IzRp\"><a href=\"https://make.wordpress.org/core/2022/05/03/block-editor-miscellaneous-dev-notes-for-wordpress-6-0/\">Block Editor miscellaneous Dev Notes for WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Block Editor miscellaneous Dev Notes for WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/block-editor-miscellaneous-dev-notes-for-wordpress-6-0/embed/#?secret=5wJqoOGfuk#?secret=e8Tty8IzRp\" data-secret=\"e8Tty8IzRp\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Processus de chargement de WordPress</h2>\n\n\n\n<p>Entre autres améliorations concernant les performances du logiciel, le processus de chargement de WordPress (le «&nbsp;bootstrap&nbsp;») a été amélioré afin de permettre aux développeurs et développeuses d’ignorer les requêtes non nécessaires avec le filtre <code>do_parse_request</code>.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"QGN6nyDZZx\"><a href=\"https://make.wordpress.org/core/2022/04/27/changes-to-do_parse_request-filter-in-wordpress-6-0/\">Changes to do_parse_request filter in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Changes to do_parse_request filter in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/27/changes-to-do_parse_request-filter-in-wordpress-6-0/embed/#?secret=JGyFNpM8Vw#?secret=QGN6nyDZZx\" data-secret=\"QGN6nyDZZx\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">API de gestion du cache</h2>\n\n\n\n<p>Avec WordPress 6.0, l’API <code>wp_cache_*_multiple</code> devient une API complètement CRUD (voir le <a href=\"https://fr.wikipedia.org/wiki/CRUD\">terme «&nbsp;CRUD&nbsp;» sur Wikipédia</a>). Par ailleurs, une option permettant de réinitialiser le temps d’exécution du cache sans réinitialiser l&rsquo;entièreté du cache persistant a été ajoutée.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"HixiB7GUbB\"><a href=\"https://make.wordpress.org/core/2022/04/29/caching-improvements-in-wordpress-6-0/\">Caching improvements in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Caching improvements in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/29/caching-improvements-in-wordpress-6-0/embed/#?secret=eSHwD0gV8N#?secret=HixiB7GUbB\" data-secret=\"HixiB7GUbB\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Médias</h2>\n\n\n\n<p>La gestion des médias a elle aussi reçu de nouveaux filtres et plusieurs améliorations d’interface&nbsp;:</p>\n\n\n\n<ul>\n<li>Activation de la modification des tailles d’images personnalisées à l’aide du filtre&nbsp;<code>edit_custom_thumbnail_sizes</code>&nbsp;qui permet aux développeuses et développeurs de modifier les tailles d’images personnalisées individuelles (<a href=\"https://core.trac.wordpress.org/ticket/28277\">Voir le ticket #28277</a>)&nbsp;;</li>\n\n\n\n<li>&nbsp;Ajout d’une fonction «&nbsp;copier l’URL dans le presse-papier&nbsp;» sur la vue en liste des médias (<a href=\"https://core.trac.wordpress.org/ticket/54426\">Voir le ticket #54426</a>).</li>\n</ul>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"yxx2tJKflU\"><a href=\"https://make.wordpress.org/core/2022/04/27/new-filter-to-modify-content-images-in-wordpress-6-0/\">New filter to modify content images in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New filter to modify content images in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/27/new-filter-to-modify-content-images-in-wordpress-6-0/embed/#?secret=8kaC2NHwuW#?secret=yxx2tJKflU\" data-secret=\"yxx2tJKflU\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<p>Le composant Médias a par ailleurs lui aussi reçu des améliorations de performances&nbsp;:</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"rzdrAmmrI6\"><a href=\"https://make.wordpress.org/core/2022/05/02/media-storing-file-size-as-part-of-metadata/\">Media: storing file size as part of metadata</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Media: storing file size as part of metadata&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/02/media-storing-file-size-as-part-of-metadata/embed/#?secret=7VfVtwQN76#?secret=rzdrAmmrI6\" data-secret=\"rzdrAmmrI6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Types de publications</h2>\n\n\n\n<p>WordPress 6.0 introduit encore davantage de crochets et filtres dynamiques pour les types de publications et les taxonomies.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"WJDM87k4sz\"><a href=\"https://make.wordpress.org/core/2022/05/02/object-type-specific-registration-hooks-in-6-0/\">Object type specific registration hooks in 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Object type specific registration hooks in 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/02/object-type-specific-registration-hooks-in-6-0/embed/#?secret=wYXFAV3b98#?secret=WJDM87k4sz\" data-secret=\"WJDM87k4sz\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Taxonomies</h2>\n\n\n\n<p>Les taxonomies ont reçues des améliorations de performances, notamment à travers la mise en cache des requêtes sur les termes de taxonomies, et via l’ajout de limites aux requêtes concernant les taxonomies, mais aussi au niveau des éléments de menus de navigation.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"VtwOOxjJuQ\"><a href=\"https://make.wordpress.org/core/2022/04/28/taxonomy-performance-improvements-in-wordpress-6-0/\">Taxonomy performance improvements in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Taxonomy performance improvements in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/28/taxonomy-performance-improvements-in-wordpress-6-0/embed/#?secret=90lFxU7Wbk#?secret=VtwOOxjJuQ\" data-secret=\"VtwOOxjJuQ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Thèmes</h2>\n\n\n\n<p>Cette nouvelle version offre aux auteurs et autrices de thèmes une façon encore plus efficace de travailler avec les compositions de blocs, la prise en charge de multiples fichiers <code>theme.json</code> avec l’éditeur de site, et bien plus encore.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"pTkwNLfniL\"><a href=\"https://make.wordpress.org/core/2022/05/02/new-features-for-working-with-patterns-and-themes-in-wordpress-6-0/\">New features for working with patterns and themes in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;New features for working with patterns and themes in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/02/new-features-for-working-with-patterns-and-themes-in-wordpress-6-0/embed/#?secret=z1ichmCsB3#?secret=pTkwNLfniL\" data-secret=\"pTkwNLfniL\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ZTyMFeyCFv\"><a href=\"https://make.wordpress.org/core/2022/05/02/theme-export-in-wordpress-6-0/\">Theme export in WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Theme export in WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/02/theme-export-in-wordpress-6-0/embed/#?secret=AIOHcWsoD9#?secret=ZTyMFeyCFv\" data-secret=\"ZTyMFeyCFv\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h3 class=\"wp-block-heading\">Les thèmes basés sur des blocs peuvent maintenant se passer du fichier&nbsp;index.php</h3>\n\n\n\n<p>Avec cette modification, il n&rsquo;est maintenant plus nécessaire d&rsquo;avoir un fichier modèle&nbsp;<code>index.php</code>. Jusqu&rsquo;à présent, il était nécessaire d&rsquo;en avoir un même s&rsquo;il n&rsquo;était pas utilisé. Dorénavant, ce fichier est remplacé par le fichier&nbsp;<code>templates/index.html</code>. <a href=\"https://core.trac.wordpress.org/ticket/54272\">Voir le ticket #54272</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Correction de la logique d’affichage des avertissements&nbsp;_doing_it_wrong()&nbsp;pour&nbsp;add_theme_support( &lsquo;html5&rsquo; )</h3>\n\n\n\n<ul>\n<li>Le fait d’appeler&nbsp;<code>add_theme_support( \'html5\' )</code>&nbsp;sans passer un tableau de types pris en charges affiche maintenant un avertissement&nbsp;<code>_doing_it_wrong()</code>&nbsp;: «&nbsp;Vous devez passer un tableau de types&nbsp;» ;</li>\n\n\n\n<li>Si le second paramètre n’est pas spécifié, un tableau contenant&nbsp;<code>comment-list</code>,&nbsp;<code>comment-form</code>, et&nbsp;<code>search-form</code>&nbsp;sera automatiquement passé en tant que solution de repli, pour assurer la rétrocompatibilité de la fonction&nbsp;;</li>\n\n\n\n<li>Si le second paramètre n’est pas un tableau, la fonction retournera&nbsp;<code>false</code>.</li>\n</ul>\n\n\n\n<p>Pour plus d&rsquo;informations, <a href=\"https://core.trac.wordpress.org/ticket/51657\">voir le ticket #51657</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Comptes</h2>\n\n\n\n<p>Avec WP 6.0, les installations comprenant plus de 10&nbsp;000 comptes ont reçu des améliorations de performances sur les requêtes concernant les comptes.</p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"BHtC3yStBd\"><a href=\"https://make.wordpress.org/core/2022/04/29/wp_user_query-now-accepts-fields-options-in-wordpress-6-0/\">WP_User_Query now accepts fields options in WordPress 6.0 </a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;WP_User_Query now accepts fields options in WordPress 6.0 &#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/04/29/wp_user_query-now-accepts-fields-options-in-wordpress-6-0/embed/#?secret=YDNq2zqbDE#?secret=BHtC3yStBd\" data-secret=\"BHtC3yStBd\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"WrP1XxUcf7\"><a href=\"https://make.wordpress.org/core/2022/05/02/performance-increase-for-sites-with-large-user-counts-now-also-available-on-single-site/\">Performance increase for sites with large user counts (now also available on single site)</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Performance increase for sites with large user counts (now also available on single site)&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/02/performance-increase-for-sites-with-large-user-counts-now-also-available-on-single-site/embed/#?secret=xdlkVPVFnI#?secret=WrP1XxUcf7\" data-secret=\"WrP1XxUcf7\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Autres changements techniques</h2>\n\n\n\n<p>WordPress 6.0 apporte également&nbsp;: </p>\n\n\n\n<ul>\n<li>Un filtre destiné aux auteurs et autrices d’extensions qui leur permet de modifier la description de leur extension telle qu’elle est affichée sur l&rsquo;écran <strong>Extensions &gt; Ajouter</strong> et/ou sur l&rsquo;écran&nbsp;<strong>Administration du réseau&nbsp;&gt; Extensions &gt; Ajouter</strong>&nbsp;;</li>\n\n\n\n<li>La possibilité de filtrer l’ensemble de la notification e-mail envoyée par <code>retrieve_password</code>&nbsp;;</li>\n\n\n\n<li>La possibilité de retirer les icônes de sites sur les réseaux multisites.</li>\n</ul>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-make-wordpress-core wp-block-embed-make-wordpress-core\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ET2xV9XcVa\"><a href=\"https://make.wordpress.org/core/2022/05/03/miscellaneous-dev-notes-for-wordpress-6-0/\">Miscellaneous Dev Notes for WordPress 6.0</a></blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" title=\"&#8220;Miscellaneous Dev Notes for WordPress 6.0&#8221; &#8212; Make WordPress Core\" src=\"https://make.wordpress.org/core/2022/05/03/miscellaneous-dev-notes-for-wordpress-6-0/embed/#?secret=Z0RAvcrbpa#?secret=ET2xV9XcVa\" data-secret=\"ET2xV9XcVa\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"></iframe>\n</div></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Et bien plus encore…</h2>\n\n\n\n<p>Plus de&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=defect+(bug)&amp;milestone=6.0&amp;group=component&amp;col=id&amp;col=summary&amp;col=type&amp;col=owner&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">131 corrections de bugs</a>,&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=enhancement&amp;type=feature+request&amp;milestone=6.0&amp;max=500&amp;col=id&amp;col=summary&amp;col=type&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=priority&amp;order=priority\">97 améliorations et nouvelles fonctionnalité</a>, ainsi que&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;type=task+(blessed)&amp;milestone=6.0&amp;group=component&amp;col=id&amp;col=summary&amp;col=type&amp;col=owner&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">23 tâches diverses</a>&nbsp;ont été&nbsp;<a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=6.0&amp;group=component&amp;col=id&amp;col=summary&amp;col=owner&amp;col=type&amp;col=priority&amp;col=component&amp;col=version&amp;order=priority\">ajoutés dans WordPress 6.0</a>.</p>\n\n\n\n<p>Voici quelques modifications qui méritent d’être soulignées&nbsp;:</p>\n\n\n\n<ul>\n<li><strong>Administration&nbsp;:</strong> ajout d’un filtre&nbsp;<code>media_date_column_time</code>&nbsp;à la colonne de date de l&rsquo;écran de liste des médias. De façon similaire au filtre existant <code>post_date_column_time</code>&nbsp;pour les publications, ce filtre permet de modifier l’affichage du contenu de la colonne «&nbsp;Date&nbsp;» (<a href=\"https://core.trac.wordpress.org/ticket/42942\">voir le ticket #42942</a>)&nbsp;;</li>\n\n\n\n<li><strong>Outils de <em>build</em> et de tests&nbsp;:</strong>\n<ul>\n<li>Mise à jour de webpack vers la version v5.x. Cela rapproche WordPress de la façon dont l’extension Gutenberg gère ses paquets&nbsp;;</li>\n\n\n\n<li>WordPress 6.0 active également la prise en charge de <em>«&nbsp;React Fast Refresh&nbsp;»</em> pour le développement de blocs avec <code>@wordpress/scripts</code>&nbsp;;</li>\n\n\n\n<li>Cette nouvelle version ajoute aussi la dernière version de&nbsp;<code>caniuse-lite</code>&nbsp;qui permet de s’assurer que les outils de <em>build</em> de WP ciblent la dernière version des navigateurs pris en charge par WordPress (voir les tickets <a href=\"https://core.trac.wordpress.org/ticket/51750\">#51750</a> et <a href=\"https://core.trac.wordpress.org/ticket/55505\">#55505</a>)&nbsp;;</li>\n\n\n\n<li>Un fichier <code>.git-blame-ignore-revs</code> a été ajouté au répertoire de développement de WP afin de rendre la fonctionnalité <code>git blame</code> plus efficace sur GitHub (<a href=\"https://core.trac.wordpress.org/ticket/55422\">voir le ticket #55422</a>)&nbsp;;</li>\n\n\n\n<li>La commande <code>npm install</code> a été corrigée pour les contributeurs et contributrices utilisant des appareils <em>«&nbsp;Apple M series silicone&nbsp;»</em> en mettant à jour la dépendance technique <code>grunt-contrib-qunit</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/52690\">voir le ticket #52690</a>)&nbsp;;</li>\n</ul>\n</li>\n\n\n\n<li><strong>Thèmes natifs&nbsp;:</strong> si vous rencontriez des soucis avec l’ordre des éléments dans le formulaire de commentaires du thème Twenty Nineteen, nous avons une bonne nouvelle&nbsp;: ceci a été corrigé dans le ticket <a href=\"https://core.trac.wordpress.org/ticket/46600\">#46600</a>&nbsp;; </li>\n\n\n\n<li><strong>URL canoniques&nbsp;:</strong> la fonction <code>redirect_guess_404_permalink()</code> inclue maintenant tous les états publics des publications, et pas uniquement l’état «&nbsp;publié&nbsp;» / <code>publish</code>, dans les redirections 404 de recherche (<a href=\"https://core.trac.wordpress.org/ticket/47911\">voir le ticket #47911</a>)&nbsp;;</li>\n\n\n\n<li><strong>Commentaires&nbsp;:</strong>&nbsp;accélération du chargement SQL du tableau de bord et de la modération des commentaires (<a href=\"https://core.trac.wordpress.org/ticket/19901\">voir le ticket #19901</a>)&nbsp;;</li>\n\n\n\n<li><strong>Emojis :</strong> mise à jour de la bibliothèque Twemoji vers la version 14.0.2. Cette version introduit la prise en charge des derniers Emojis ajoutés dans la version 14 (<a href=\"https://core.trac.wordpress.org/ticket/55395\">voir le ticket #55395</a>)&nbsp;;</li>\n\n\n\n<li><strong>Bibliothèques externes&nbsp;:</strong>\n<ul>\n<li>Mise à jour de Jcrop à la version 0.9.15 (<a href=\"https://core.trac.wordpress.org/ticket/54035\">ticket #54035</a>)&nbsp;;</li>\n\n\n\n<li>Mise à jour de jQuery Color à la version 2.2.0. Suppression de la version embarquée (qui existait toujours dans le cœur WP) en faveur de l&rsquo;amélioration du processus Grunt pour plutôt inclure le paquet depuis NPM (<a href=\"https://core.trac.wordpress.org/ticket/55016\">ticket #55016</a>)&nbsp;;</li>\n\n\n\n<li>Mise à jour de <code>random_compat</code> à la version 2.0.21. Cela améliore la compatibilité avec PHP 8.1 et corrige des bogues avec les plateformes Windows (<a href=\"https://core.trac.wordpress.org/ticket/55181\">ticket #55181</a>) ;</li>\n\n\n\n<li>Mise à niveau de PHPMailer à la version 6.5.4. Amélioration de compatibilité PHP et sécurisation contre les hébergeurs désactivant certaines fonctions de sécurité. <strong>Note aux hébergeurs&nbsp;: ne désactivez pas les fonctions&nbsp;<code>escapeshellarg()</code>&nbsp;et&nbsp;<code>escapeshellcmd()</code>, cela présente un risque de sécurité&nbsp;!</strong> (<a href=\"https://core.trac.wordpress.org/ticket/55187\">ticket #55187</a>)&nbsp;;</li>\n\n\n\n<li>Mise à niveau de PHPMailer à la version 6.6.0 (<a href=\"https://core.trac.wordpress.org/ticket/55277\">ticket #55277</a>)&nbsp;;</li>\n\n\n\n<li>Mise à jour de sodium_compat à la version 1.17.1. Amélioration de la compatibilité PHP 8.1 (<a href=\"https://core.trac.wordpress.org/ticket/55453\">ticket #55453</a>)</li>\n\n\n\n<li>Mise à jour de <code>backbone</code>&nbsp;de la version&nbsp;<code>1.4.0</code>&nbsp;à la version&nbsp;<code>1.4.1</code>&nbsp;;</li>\n\n\n\n<li>Mise à jour de <code>underscore</code>&nbsp;de la version&nbsp;<code>1.13.1</code>&nbsp;à la version&nbsp;<code>1.13.2</code>&nbsp;;</li>\n\n\n\n<li>Mise à jour de <code>clipboard</code>&nbsp;de la version&nbsp;<code>2.0.8</code>&nbsp;à la version&nbsp;<code>2.0.10</code> (<a href=\"https://core.trac.wordpress.org/ticket/55547\">ticket #55547</a>)&nbsp;;</li>\n</ul>\n</li>\n\n\n\n<li><strong>Formatage :</strong>\n<ul>\n<li>Ajout de la prise en charge des formatage de tailles PB, EB, ZB, and YB (<a href=\"https://core.trac.wordpress.org/ticket/40875\">ticket #40875</a>)</li>\n</ul>\n</li>\n\n\n\n<li><strong>KSES&nbsp;:</strong>\n<ul>\n<li>Prise en charge de l&rsquo;élément&nbsp;<code>&lt;ruby&gt;</code>&nbsp;et des autres éléments liés. Cela est particulièrement utile pour le contenu écrit en japonais ou chinois, via les éléments HTML&nbsp;<code>&lt;ruby&gt;</code>,&nbsp;<code>&lt;rt&gt;</code> et&nbsp;<code>&lt;rp&gt;</code>&nbsp;dans le&nbsp;<a href=\"https://html.spec.whatwg.org/multipage/text-level-semantics.html#the-ruby-element\">standard HTML</a>, ainsi que&nbsp;<code>&lt;rb&gt;</code>&nbsp;et&nbsp;<code>&lt;rtc&gt;</code>&nbsp;pour des options de formatage avancées (<a href=\"https://core.trac.wordpress.org/ticket/54698\">ticket #54698</a>)&nbsp;;</li>\n\n\n\n<li>Ajout global de la prise en charge des attributs&nbsp;<code>lang</code>,&nbsp;<code>xml:lang</code>,&nbsp;<code>dir</code>&nbsp;en tant qu’attributs utilisables sur n&rsquo;importe quel élément HTML, ce qui améliore considérablement les possibilités de produire du contenu accessible (<a href=\"https://core.trac.wordpress.org/ticket/54699\">ticket #54699</a>)&nbsp;;</li>\n\n\n\n<li>La fonction <code>get_the_author_link()</code> devient filtrable sur WordPress 6.0, via le filtre <code>get_the_author_link</code>, afin de permettre l&rsquo;altération de l’affichage du lien vers l’auteur/autrice de chaque publication (<a href=\"https://core.trac.wordpress.org/ticket/51859\">ticket #51859</a>)&nbsp;;</li>\n</ul>\n</li>\n\n\n\n<li><strong>Internationnalisation&nbsp;:</strong>\n<ul>\n<li>Le séparateur des éléments de liste est maintenant une propriété de <code>WP_Locale</code> (<a href=\"https://core.trac.wordpress.org/ticket/39733\">voir le ticket #39733</a>)&nbsp;;</li>\n\n\n\n<li>Les chemins de langues sont maintenant définissables dans la fonction  <code>register_block_type</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/54797\">ticket #54797</a>)&nbsp;;</li>\n</ul>\n</li>\n\n\n\n<li><strong>Médias&nbsp;:</strong> suppression du filtre&nbsp;<code>attachment_fields_to_save</code>&nbsp;filter et dépréciation de la fonction&nbsp;<code>image_attachment_fields_to_save()</code>. Cette fonction n’était plus utilisée par le cœur WP&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/39108\">ticket #39108</a>)&nbsp;;</li>\n\n\n\n<li><strong>Réseaux multisites&nbsp;:</strong> amélioration de la génération du cache des clés sur <code>WP_Site_Query</code>&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/55462\">ticket #55462</a>)&nbsp;;</li>\n\n\n\n<li><strong>Extensions&nbsp;:</strong>\n<ul>\n<li>Ajout du filtre&nbsp;<code>plugin_install_description</code> (<a href=\"https://core.trac.wordpress.org/ticket/55480\">ticket #55480</a>)</li>\n\n\n\n<li>Conversion de&nbsp;<code>apply_filters()</code>&nbsp;en une vraie fonction variadique. Une fonction variadique est une fonction d&rsquo;arité indéfinie, c&rsquo;est-à-dire qu&rsquo;elle accepte un nombre variable de paramètres (<a href=\"https://core.trac.wordpress.org/ticket/53218\">voir le ticket #53218</a>)&nbsp;;</li>\n</ul>\n</li>\n\n\n\n<li><strong>Publications et types de publications&nbsp;:</strong> passage du paramètre <code>$update</code>&nbsp;aux filtres <code>wp_insert_post_data</code>&nbsp;et&nbsp;<code>wp_insert_attachment_data</code>. Cela facilite la détermination de l&rsquo;existence d&rsquo;une publication lors de sa mise à jour (<a href=\"https://core.trac.wordpress.org/ticket/46228\">ticket #46228</a>)&nbsp;;</li>\n\n\n\n<li><strong>Taxonomies :</strong> mutualisation de la traduction des libellés de taxonomies afin d&rsquo;améliorer les performances générales de l&rsquo;administration WordPress&nbsp;(<a href=\"https://core.trac.wordpress.org/ticket/26746\">ticket #26746</a>).</li>\n</ul>\n\n\n\n<p>Que vous développiez des thèmes ou des extensions, pensez à tester et retester votre code pour vous assurer de sa compatibilité avec ces changements. Vous pouvez utiliser&nbsp;<a rel=\"noreferrer noopener\" href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">l’extension Beta Tester</a>&nbsp;sur un site de test pour vérifier la compatibilité de vos développements avec WordPress 6.0 RC1.&nbsp;Nous comptons sur vous pour vous assurer que votre code fonctionne correctement avec le cœur du CMS, pour le bien des millions d’utilisateurs et utilisatrices de WordPress&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /></p>\n\n\n\n<p class=\"has-small-font-size\"><em>Rédigé par <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a> d&rsquo;après le <a href=\"https://make.wordpress.org/core/2022/05/03/wordpress-6-0-field-guide/\">Field Guide en anglais</a>. Merci à <a href=\"https://profiles.wordpress.org/valer1e/\">Valérie Galassi</a>, <a href=\"https://profiles.wordpress.org/fxbenard/\">FX Bénard</a> et <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a> pour la relecture.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://fr.wordpress.org/2022/05/04/guide-des-changements-techniques-de-wordpress-6-0/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:73:\"\n		\n		\n					\n		\n		\n		\n				\n		\n\n					\n										\n					\n					\n			\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"WordPress 5.9 « Joséphine »\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://fr.wordpress.org/2022/01/25/wordpress-5-9/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://fr.wordpress.org/2022/01/25/wordpress-5-9/#respond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 25 Jan 2022 21:05:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Nouvelles versions de WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://fr.wordpress.org/?p=2330\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:450:\"Bienvenue sur WordPress 5.9 «&#160;Joséphine&#160;»&#160;! Nous vous présentons WordPress 5.9, nommée «&#160;Joséphine&#160;» en l’honneur de la chanteuse internationale de jazz Joséphine Baker. Vous pouvez&#160;télécharger cette version ici&#160;ou effectuer la mise à jour directement depuis votre tableau de bord. En tant que militante des droits civiques depuis toujours, Joséphine Baker pensait que tout le monde pouvait [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:62335:\"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"682\" src=\"https://fr.wordpress.org/files/2022/01/5-9-josephine-1024x682.png\" alt=\"\" class=\"wp-image-2341\" srcset=\"https://fr.wordpress.org/files/2022/01/5-9-josephine-1024x682.png 1024w, https://fr.wordpress.org/files/2022/01/5-9-josephine-300x200.png 300w, https://fr.wordpress.org/files/2022/01/5-9-josephine-768x512.png 768w, https://fr.wordpress.org/files/2022/01/5-9-josephine.png 1264w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" /></figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bienvenue-sur-wordpress-5-9-josephine\">Bienvenue sur WordPress 5.9 «&nbsp;Joséphine&nbsp;»&nbsp;!</h2>\n\n\n\n<p>Nous vous présentons WordPress 5.9, nommée «&nbsp;Joséphine&nbsp;» en l’honneur de la chanteuse internationale de jazz Joséphine Baker. Vous pouvez&nbsp;<a href=\"https://wordpress.org/download/\">télécharger cette version ici</a>&nbsp;ou effectuer la mise à jour directement depuis votre tableau de bord.</p>\n\n\n\n<p>En tant que militante des droits civiques depuis toujours, Joséphine Baker pensait que tout le monde pouvait vivre en harmonie ensemble, tout comme les différents instruments d&rsquo;un groupe de jazz se mélangent pour former un morceau complet. Mentionnons également que Joséphine Baker était naturalisée française et est d&rsquo;ailleurs entrée au Panthéon l’année dernière, en 2021.</p>\n\n\n\n<p>Activez donc une liste de lecture de votre service de musique préféré et profitez de ses célèbres interprétations de <em>« You are the greatest love »</em>, <em>« Sans Amour »</em> et <em>« Love is a dreamer »</em> tout en découvrant les fonctionnalités de cette toute nouvelle version de WordPress.</p>\n\n\n\n<span id=\"more-2330\"></span>\n\n\n\n<hr class=\"wp-block-separator\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"l-edition-complete-de-votre-site-est-la\">L’édition complète de votre site est là.</h2>\n\n\n\n<p>Cela vous donne le contrôle sur l’ensemble de votre site, directement depuis votre administration WordPress.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-1.png\" alt=\"\" class=\"wp-image-12101\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"decouvrez-twenty-twenty-two\">Découvrez Twenty Twenty-Two</h3>\n\n\n\n<p>Et saluez l’arrivée du premier thème natif basé sur des blocs dans l’histoire de WordPress. Cela représente bien plus qu’un thème natif&nbsp;: c’est une toute nouvelle façon de travailler avec les thèmes WordPress.</p>\n\n\n\n<p>Les <a href=\"https://fr.wordpress.org/support/article/block-themes/\">thèmes basés sur des blocs</a> placent un large choix de conception dans vos mains, des jeux de couleurs aux combinaisons typographiques, en passant par les modèles de pages et les filtres d’images. Tout cela est compris sur <a href=\"https://fr.wordpress.org/support/article/site-editor/\">la nouvelle interface d’édition de site</a>. En un seul et même endroit, vous trouverez tout ce qu’il faut pour donner votre touche graphique à <em>Twenty Twenty‑Two</em>, et vous pourrez donner un nouveau départ à votre site.</p>\n\n\n\n<p>Le thème Twenty Twenty‑Two est déjà sans doute disponible sur votre site si vous l’avez mis à jour vers WP 5.9. Il a été installé en même temps que WordPress 5.9. Vous le trouverez avec&nbsp;les autres thèmes que vous avez installés.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-2.png\" alt=\"\" class=\"wp-image-12102\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"votre-palette-de-peinture-vous-attend\">Votre palette de peinture vous attend</h3>\n\n\n\n<p>D’autres thèmes basés sur des blocs et implémentant des fonctionnalités d’édition de site sont disponibles dans le répertoire officiel des thèmes, aux côtés de Twenty Twenty‑Two. Ils attendent simplement d’être essayés. Et bien d’autres viendront avec le temps&nbsp;!</p>\n\n\n\n<p>Lorsque vous utiliserez l’un de ces nouveaux thèmes, vous n’aurez plus besoin de l’outil de personnalisation. À la place, vous découvrirez la puissance de l’interface de gestion des styles globaux comprise dans l’éditeur de site. Tout comme avec Twenty Twenty‑Two, vous pourrez y bâtir l’apparence de votre site avec des outils prêts à l’emploi et une interface fluide et dynamique.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-3.png\" alt=\"\" class=\"wp-image-12103\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"le-bloc-navigation\">Le bloc navigation</h3>\n\n\n\n<p>Les blocs font leur entrée dans les menus de navigation, le cœur de l’expérience de visite de votre site.</p>\n\n\n\n<p>Le nouveau bloc Navigation vous donne la possibilité de choisir&nbsp;: un menu fluide ou plutôt un menu adapté à la taille d’écran de l’internaute. Qu’importe le menu que vous créez, vous pourrez le réutiliser partout où vous le souhaitez, que ce soit dans un nouveau modèle de page ou même après avoir changé de thème.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"encore-plus-d-ameliorations-et-de-mises-a-jour\">Encore plus d’améliorations et de mises à jour</h2>\n\n\n\n<p>Vous aimez bloguer ou produire de contenu&nbsp;? De nouveaux ajustements aideront votre expérience éditoriale et la rendront plus efficace.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-4.png\" alt=\"\" class=\"wp-image-12104\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"de-meilleurs-outils-de-controle-pour-les-blocs\">De meilleurs outils de contrôle pour les blocs</h3>\n\n\n\n<p>WordPress 5.9 contient de nouveaux outils typographiques et vous permet de contrôler votre mise en page, comme par exemple sur des détails tels que les espacements, les bordures, et bien plus encore. Cela vous aidera à apporter autant de soin à l’apparence générale de votre site qu’aux détails des contenus de vos pages.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-5.png\" alt=\"\" class=\"wp-image-12105\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"le-pouvoir-des-compositions\">Le pouvoir des compositions</h3>\n\n\n\n<p>Le répertoire de compositions de WordPress contient un grand nombre de compositions de blocs construites pour vous faire gagner du temps. Vous pouvez les utiliser et les modifier autant que vous le souhaitez. Vous voulez un en-tête ou un pied de page différent pour votre site&nbsp;? Vous pourrez en installer de nouveaux en quelques clics.</p>\n\n\n\n<p>Avec sa vue en grande largeur qui vous montre tous les détails de chaque élément, l’outil d’exploration de compositions vous permet de comparer les compositions entre elles et de choisir la plus adaptée pour votre site.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-6.png\" alt=\"\" class=\"wp-image-12106\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"une-refonte-de-la-vue-en-liste\">Une refonte de la vue en liste</h3>\n\n\n\n<p>Dans WP 5.9, la vue en liste vous permet de glisser-déposer votre contenu exactement où vous le souhaitez. Gérer des documents complexes est encore plus simple&nbsp;: des boutons vous permettent de déplier-replier les sections pendant que vous bâtissez votre site, et d’ajouter des ancres à vos blocs pour aider les internautes à naviguer dans la page.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https://wordpress.org/news/files/2022/01/5-9-release-7.png\" alt=\"\" class=\"wp-image-12107\" /></figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"un-meilleur-bloc-galerie\">Un meilleur bloc galerie</h3>\n\n\n\n<p>Manipulez chaque image de vos blocs galeries de la même façon que vous manipuleriez un bloc image indépendant.</p>\n\n\n\n<p>Mettez en forme chaque image de votre galerie de façon indépendante des autres (par exemple avec un recadrage différent ou un filtre duotone), ou faites-les toutes se ressembler. Vous pourrez ensuite modifier la mise en page de la galerie avec un simple glisser-déposer.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"wordpress-5-9-pour-les-developpeurs-et-les-developpeuses\">WordPress 5.9 pour les développeurs et les développeuses</h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"le-fichier-theme-json-pour-les-themes-enfants\">Le fichier theme.json pour les thèmes enfants</h3>\n\n\n\n<p>Avec WP 5.9, le fichier <code>theme.json</code> prendra maintenant en charge les thèmes enfants. Cela signifie que vous pourrez construire un thème enfant directement depuis l’interface d’administration de WordPress, sans écrire la moindre ligne de code.&nbsp;</p>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/01/04/block-themes-a-new-way-to-build-themes-in-wordpress-5-9/\">Voir la note de développement sur la fonctionnalité theme.json pour les thèmes enfants (en anglais)</a></p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"verrouillage-des-blocs\">Verrouillage des blocs</h3>\n\n\n\n<p>Vous pouvez maintenant verrouiller tout ou partie des blocs au sein d’une composition, juste en ajoutant un attribut de verrouillage dans ses réglages au sein du fichier block.json. Laissez les rédacteur·ice·s libres de modifier le reste de la composition pour adapter son contenu.</p>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2022/01/04/block-themes-a-new-way-to-build-themes-in-wordpress-5-9/\">Voir la note de développement sur la fonctionnalité de verrouillage des blocs (en anglais)</a></p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"plusieurs-feuilles-de-styles-pour-chaque-bloc\">Plusieurs feuilles de styles pour chaque bloc</h3>\n\n\n\n<p>Vous pouvez maintenant déclarer plus qu’une seule feuille de style par bloc. Cela vous permet de partager des styles entre différents blocs que vous avez créés, ou pour charger des styles pour des blocs individuels, ce qui fait que vos styles ne sont chargés que lorsque le bloc est utilisé. Pour en savoir plus, apprenez à&nbsp;<a href=\"https://make.wordpress.org/core/2021/12/15/using-multiple-stylesheets-per-block/\">charger plusieurs feuilles de styles sur un bloc (en anglais)</a>.</p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"un-bloc-galerie-remodele-de-a-a-z\">Un bloc galerie remodelé de A à Z</h3>\n\n\n\n<p>Les modifications du bloc galerie listées ci-dessus sont le résultat d’un remodelage complet. Si vous avez construit un thème ou une extension qui l’utilise, assurez-vous de lire la&nbsp;<a href=\"https://make.wordpress.org/core/2021/08/20/gallery-block-refactor-dev-note/\">note technique de compatibilité du bloc galerie (en anglais)</a>.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator\" />\n\n\n\n<h3 class=\"wp-block-heading\" id=\"en-savoir-plus-sur-les-fonctionnalites-de-wp-5-9\">En savoir plus sur les fonctionnalités de WP&nbsp;5.9</h3>\n\n\n\n<p>Vous voulez plonger dans 5.9 mais ne savez pas par où commencer&nbsp;? Rendez-vous sur&nbsp;<a href=\"https://learn.wordpress.org/\">learn.wordpress.org</a>&nbsp;pour consulter des ressources sur les nouvelles fonctionnalités de WordPress 5.9.</p>\n\n\n\n<p>Si vous cherchez des ressources en français, nous vous conseillons aussi de <a href=\"https://fr.wordpress.org/2022/01/17/wordpress-5-9-documentation-en-francais-des-fonctionnalites-de-lediteur-de-site/\" data-type=\"post\" data-id=\"2304\">consulter la documentation produite par l&rsquo;équipe de traduction de WordPress en français tout spécialement pour WordPress&nbsp;5.9</a>.</p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator\" />\n\n\n\n<h3 class=\"wp-block-heading\" id=\"consultez-le-guide-de-la-version-pour-en-savoir-plus\">Consultez le guide de la version pour en savoir plus&nbsp;!</h3>\n\n\n\n<p>Consultez le guide des changements techniques de WordPress&nbsp;5.9. Il met en avant les notes de développement pour chaque modification que vous souhaiteriez approfondir&nbsp;:&nbsp;<a href=\"https://fr.wordpress.org/2022/01/12/guide-des-changements-techniques-a-venir-sur-wordpress-5-9/\" data-type=\"post\" data-id=\"2264\">guide des changements techniques de WordPress 5.9 en français</a></p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"l-equipe-de-direction-de-wordpress-5-9\"><strong>L’équipe de direction de WordPress&nbsp;5.9</strong></h2>\n\n\n\n<p>La version 5.9 de WordPress 5.9 a été dirigée par <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a>, avec l’assistance de l’équipe de direction suivante&nbsp;:</p>\n\n\n\n<ul><li>Directeur de la version&nbsp;: <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a></li><li>Directrice technique et coordinatrice de la version&nbsp;: <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a></li><li>Responsables projet&nbsp;: <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a> et <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a></li><li>Responsables techniques côté éditeur/Gutenberg&nbsp;: <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a> et <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a></li><li>Responsables du nouveau thème&nbsp;: <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a> et <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a></li><li>Rédacteur technique&nbsp;: <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a></li><li>Responsables de la documentation&nbsp;: <a href=\"https://profiles.wordpress.org/mkaz/\">Marcus Kazmierczak</a> et <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a></li><li>Responsables marketing &amp; communications&nbsp;: <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a> et <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a></li><li>Responsables des tests&nbsp;: <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a> et <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a></li></ul>\n\n\n\n<p>WordPress 5.9 reflète l’impressionnant travail accompli par of 624 contributrices et contributeurs bénévoles. Cela a abouti à <a href=\"https://core.trac.wordpress.org/query?status=closed&amp;milestone=5.9&amp;group=component&amp;col=id&amp;col=summary&amp;col=status&amp;col=milestone&amp;col=owner&amp;col=type&amp;col=priority&amp;order=priority\">370 tickets sur Trac</a> et plus de <a href=\"https://github.com/WordPress/gutenberg/compare/v10.8.0...v11.9.0\">1900 <em>pull requests</em> sur GitHub</a>. Merci à toutes et à tous&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/2linctools/\">2linctools</a>, <a href=\"https://profiles.wordpress.org/aaroncampbell/\">Aaron D. Campbell</a>, <a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a>, <a href=\"https://profiles.wordpress.org/aaronrobertshaw/\">Aaron Robertshaw</a>, <a href=\"https://profiles.wordpress.org/abesell132/\">abesell132</a>, <a href=\"https://profiles.wordpress.org/webcommsat/\">Abha Thakor</a>, <a href=\"https://profiles.wordpress.org/acosmin/\">acosmin</a>, <a href=\"https://profiles.wordpress.org/wpmudev-support8/\">Adam &#8211; WPMU DEV Support</a>, <a href=\"https://profiles.wordpress.org/bosconiandynamics/\">Adam Bosco</a>, <a href=\"https://profiles.wordpress.org/adam3128/\">Adam Morgan</a>, <a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a>, <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zielinski</a>, <a href=\"https://profiles.wordpress.org/addiestavlo/\">Addie</a>, <a href=\"https://profiles.wordpress.org/aadilali/\">Adil Ali</a>, <a href=\"https://profiles.wordpress.org/aduth/\">aduth</a>, <a href=\"https://profiles.wordpress.org/aezazshekh/\">Aezaz Shekh</a>, <a href=\"https://profiles.wordpress.org/chaion07/\">Ahmed Chaion</a>, <a href=\"https://profiles.wordpress.org/ajotka/\">ajotka</a>, <a href=\"https://profiles.wordpress.org/soniakash/\">Akash Soni</a>, <a href=\"https://profiles.wordpress.org/atachibana/\">Akira Tachibana</a>, <a href=\"https://profiles.wordpress.org/schlessera/\">Alain Schlesser</a>, <a href=\"https://profiles.wordpress.org/alanjacobmathew/\">Alan Jacob Mathew</a>, <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a>, <a href=\"https://profiles.wordpress.org/ajlende/\">Alex Lende</a>, <a href=\"https://profiles.wordpress.org/alexvorn2/\">Alexandru Vornicescu</a>, <a href=\"https://profiles.wordpress.org/alexeydemidov/\">alexeydemidov</a>, <a href=\"https://profiles.wordpress.org/alexislloyd/\">Alexis Lloyd</a>, <a href=\"https://profiles.wordpress.org/alexstine/\">alexstine</a>, <a href=\"https://profiles.wordpress.org/algala/\">AlGala</a>, <a href=\"https://profiles.wordpress.org/firewatch/\">allilevine</a>, <a href=\"https://profiles.wordpress.org/almendron/\">almendron</a>, <a href=\"https://profiles.wordpress.org/amandariu/\">Amanda Riu</a>, <a href=\"https://profiles.wordpress.org/anandau14/\">Anand Upadhyay</a>, <a href=\"https://profiles.wordpress.org/nosolosw/\">André</a>, <a href=\"https://profiles.wordpress.org/afercia/\">Andrea Fercia</a>, <a href=\"https://profiles.wordpress.org/andraganescu/\">Andrei Draganescu</a>, <a href=\"https://profiles.wordpress.org/nacin/\">Andrew Nacin</a>, <a href=\"https://profiles.wordpress.org/anevins/\">Andrew Nevins</a>, <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a>, <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a>, <a href=\"https://profiles.wordpress.org/oandregal/\">André</a>, <a href=\"https://profiles.wordpress.org/afragen/\">Andy Fragen</a>, <a href=\"https://profiles.wordpress.org/apeatling/\">Andy Peatling</a>, <a href=\"https://profiles.wordpress.org/andy-schmidt/\">Andy Schmidt</a>, <a href=\"https://profiles.wordpress.org/andynick/\">andynick</a>, <a href=\"https://profiles.wordpress.org/la-geek/\">Angelika Reisiger</a>, <a href=\"https://profiles.wordpress.org/anjanavasan/\">Anjana Vasan</a>, <a href=\"https://profiles.wordpress.org/ankit-k-gupta/\">Ankit K Gupta</a>, <a href=\"https://profiles.wordpress.org/ankitmaru/\">Ankit Panchal</a>, <a href=\"https://profiles.wordpress.org/annezazu/\">Anne McCarthy</a>, <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a>, <a href=\"https://profiles.wordpress.org/anthonyeden/\">Anthony Eden</a>, <a href=\"https://profiles.wordpress.org/paranoia1906/\">Anthony Ledesma</a>, <a href=\"https://profiles.wordpress.org/antonvlasenko/\">Anton Vlasenko</a>, <a href=\"https://profiles.wordpress.org/antonisme/\">Antonis Lilis</a>, <a href=\"https://profiles.wordpress.org/arena/\">arena</a>, <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a>, <a href=\"https://profiles.wordpress.org/arthur791004/\">Arthur Chu</a>, <a href=\"https://profiles.wordpress.org/ashfame/\">Ashfame</a>, <a href=\"https://profiles.wordpress.org/ayeshrajans/\">Ayesh Karunaratne</a>, <a href=\"https://profiles.wordpress.org/baelx/\">baelx</a>, <a href=\"https://profiles.wordpress.org/allerune/\">Bartlomiej</a>, <a href=\"https://profiles.wordpress.org/beafialho/\">Beatriz Fialho</a>, <a href=\"https://profiles.wordpress.org/beaulebens/\">Beau Lebens</a>, <a href=\"https://profiles.wordpress.org/bedas/\">Beda</a>, <a href=\"https://profiles.wordpress.org/utz119/\">Benachi</a>, <a href=\"https://profiles.wordpress.org/benitolopez/\">benitolopez</a>, <a href=\"https://profiles.wordpress.org/rainbowgeek/\">Benjamin Denis</a>, <a href=\"https://profiles.wordpress.org/benjamingosset/\">Benjamin Gosset</a>, <a href=\"https://profiles.wordpress.org/benjaminanakena/\">benjamin.anakena</a>, <a href=\"https://profiles.wordpress.org/bernhard-reiter/\">Bernhard Reiter</a>, <a href=\"https://profiles.wordpress.org/bgardner/\">bgardner</a>, <a href=\"https://profiles.wordpress.org/bijayyadav/\">bijayyadav</a>, <a href=\"https://profiles.wordpress.org/binarykitten/\">BinaryKitten</a>, <a href=\"https://profiles.wordpress.org/birgire/\">Birgir Erlendsson (birgire)</a>, <a href=\"https://profiles.wordpress.org/bobbingwide/\">bobbingwide</a>, <a href=\"https://profiles.wordpress.org/boonebgorges/\">Boone Gorges</a>, <a href=\"https://profiles.wordpress.org/bjorsch/\">Brad Jorsch</a>, <a href=\"https://profiles.wordpress.org/bradparbs/\">Brad Parbs</a>, <a href=\"https://profiles.wordpress.org/bradleyt/\">Bradley Taylor</a>, <a href=\"https://profiles.wordpress.org/kraftbj/\">Brandon Kraft</a>, <a href=\"https://profiles.wordpress.org/bravokeyl/\">bravokeyl</a>, <a href=\"https://profiles.wordpress.org/bgoewert/\">Brennan Goewert</a>, <a href=\"https://profiles.wordpress.org/rzen/\">Brian Richards</a>, <a href=\"https://profiles.wordpress.org/bronsonquick/\">bronsonquick</a>, <a href=\"https://profiles.wordpress.org/ribaricplusplus/\">Bruno Ribaric</a>, <a href=\"https://profiles.wordpress.org/brylie/\">Brylie Christopher Oxley</a>, <a href=\"https://profiles.wordpress.org/icaleb/\">Caleb Burks</a>, <a href=\"https://profiles.wordpress.org/calebwoodbridge/\">calebwoodbridge</a>, <a href=\"https://profiles.wordpress.org/carepsules/\">carepsules</a>, <a href=\"https://profiles.wordpress.org/carike/\">Carike</a>, <a href=\"https://profiles.wordpress.org/cbravobernal/\">Carlos Bravo</a>, <a href=\"https://profiles.wordpress.org/vefusion/\">Carlos Garcia</a>, <a href=\"https://profiles.wordpress.org/poena/\">Carolina Nymark</a>, <a href=\"https://profiles.wordpress.org/cdyerkes/\">cdyerkes</a>, <a href=\"https://profiles.wordpress.org/ceyhun0/\">Ceyhun Ozugur</a>, <a href=\"https://profiles.wordpress.org/shireling/\">Chad</a>, <a href=\"https://profiles.wordpress.org/chiaki/\">Chiaki</a>, <a href=\"https://profiles.wordpress.org/chintan1896/\">Chintan hingrajiya</a>, <a href=\"https://profiles.wordpress.org/chipsnyder/\">Chip Snyder</a>, <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloe Bringmann</a>, <a href=\"https://profiles.wordpress.org/chouby/\">Chouby</a>, <a href=\"https://profiles.wordpress.org/cklosows/\">Chris Klosowski</a>, <a href=\"https://profiles.wordpress.org/chrisvanpatten/\">Chris Van Patten</a>, <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a>, <a href=\"https://profiles.wordpress.org/christianztamayo/\">Christian Tamayo</a>, <a href=\"https://profiles.wordpress.org/amethystanswers/\">Christina Workman</a>, <a href=\"https://profiles.wordpress.org/vimes1984/\">Christopher Churchill</a>, <a href=\"https://profiles.wordpress.org/clucasrowlands/\">clucasrowlands</a>, <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>, <a href=\"https://profiles.wordpress.org/callye/\">Collieth Clarke</a>, <a href=\"https://profiles.wordpress.org/collizo4sky/\">Collins Agbonghama</a>, <a href=\"https://profiles.wordpress.org/copons/\">Copons</a>, <a href=\"https://profiles.wordpress.org/coreyw/\">Corey</a>, <a href=\"https://profiles.wordpress.org/cr0ybot/\">Cory Hughart</a>, <a href=\"https://profiles.wordpress.org/courane01/\">Courtney Robertson</a>, <a href=\"https://profiles.wordpress.org/craigfrancis/\">craigfrancis</a>, <a href=\"https://profiles.wordpress.org/mitogh/\">Crisoforo Gaspar</a>, <a href=\"https://profiles.wordpress.org/critterverse/\">critterverse</a>, <a href=\"https://profiles.wordpress.org/littlebigthing/\">Csaba (LittleBigThings)</a>, <a href=\"https://profiles.wordpress.org/davidszabo/\">Dávid Szabó</a>, <a href=\"https://profiles.wordpress.org/daisyo/\">Daisy Olsen</a>, <a href=\"https://profiles.wordpress.org/colorful-tones/\">Damon Cook</a>, <a href=\"https://profiles.wordpress.org/danfarrow/\">Dan Farrow</a>, <a href=\"https://profiles.wordpress.org/dansoschin/\">Dan Soschin</a>, <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a>, <a href=\"https://profiles.wordpress.org/danielpost/\">Daniel Post</a>, <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>, <a href=\"https://profiles.wordpress.org/chthnc/\">Daniel Shaw</a>, <a href=\"https://profiles.wordpress.org/danieldudzic/\">danieldudzic</a>, <a href=\"https://profiles.wordpress.org/mte90/\">Daniele Scasciafratte</a>, <a href=\"https://profiles.wordpress.org/darerodz/\">darerodz</a>, <a href=\"https://profiles.wordpress.org/dariak/\">Daria</a>, <a href=\"https://profiles.wordpress.org/daschmi/\">Daschmi</a>, <a href=\"https://profiles.wordpress.org/datagutten/\">datagutten</a>, <a href=\"https://profiles.wordpress.org/datainterlock/\">datainterlock</a>, <a href=\"https://profiles.wordpress.org/davecpage/\">Dave Page</a>, <a href=\"https://profiles.wordpress.org/davidanderson/\">David Anderson</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>, <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a>, <a href=\"https://profiles.wordpress.org/dpcalhoun/\">David Calhoun</a>, <a href=\"https://profiles.wordpress.org/dgwyer/\">David Gwyer</a>, <a href=\"https://profiles.wordpress.org/dlh/\">David Herrera</a>, <a href=\"https://profiles.wordpress.org/davidkryzaniak/\">David Kryzaniak</a>, <a href=\"https://profiles.wordpress.org/davidmosterd/\">David Mosterd</a>, <a href=\"https://profiles.wordpress.org/daviedr/\">David Rozando</a>, <a href=\"https://profiles.wordpress.org/dryanpress/\">David Ryan</a>, <a href=\"https://profiles.wordpress.org/get_dave/\">David Smith</a>, <a href=\"https://profiles.wordpress.org/davidwebca/\">davidwebca</a>, <a href=\"https://profiles.wordpress.org/dkarfa/\">Debabrata Karfa</a>, <a href=\"https://profiles.wordpress.org/deepaklalwani/\">Deepak Lalwani</a>, <a href=\"https://profiles.wordpress.org/denisco/\">Denis Yanchevskiy</a>, <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a>, <a href=\"https://profiles.wordpress.org/dhanendran/\">Dhanendran</a>, <a href=\"https://profiles.wordpress.org/dhusakovic/\">dhusakovic</a>, <a href=\"https://profiles.wordpress.org/diedeexterkate/\">DiedeExterkate</a>, <a href=\"https://profiles.wordpress.org/dilipbheda/\">Dilip Bheda</a>, <a href=\"https://profiles.wordpress.org/dingo_d/\">dingo-d</a>, <a href=\"https://profiles.wordpress.org/dd32/\">Dion Hulse</a>, <a href=\"https://profiles.wordpress.org/dlt101/\">dlt101</a>, <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a>, <a href=\"https://profiles.wordpress.org/donmhico/\">donmhico</a>, <a href=\"https://profiles.wordpress.org/codezen8/\">Donna Botti</a>, <a href=\"https://profiles.wordpress.org/dontgo2sleep/\">dontgo2sleep</a>, <a href=\"https://profiles.wordpress.org/dougwollison/\">Doug Wollison</a>, <a href=\"https://profiles.wordpress.org/dpegasusm/\">dpegasusm</a>, <a href=\"https://profiles.wordpress.org/raubvogel/\">Dr. Ronny Harbich</a>, <a href=\"https://profiles.wordpress.org/dratwas/\">dratwas</a>, <a href=\"https://profiles.wordpress.org/drewapicture/\">Drew Jaynes</a>, <a href=\"https://profiles.wordpress.org/drosmog/\">drosmog</a>, <a href=\"https://profiles.wordpress.org/dustinrue/\">dustinrue</a>, <a href=\"https://profiles.wordpress.org/seedsca/\">ecotechie</a>, <a href=\"https://profiles.wordpress.org/ehtis/\">ehtis</a>, <a href=\"https://profiles.wordpress.org/ekojr/\">EkoJR</a>, <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella van Durpe</a>, <a href=\"https://profiles.wordpress.org/manooweb/\">Emmanuel Hesry</a>, <a href=\"https://profiles.wordpress.org/empatogen/\">empatogen</a>, <a href=\"https://profiles.wordpress.org/enchiridion/\">Enchiridion</a>, <a href=\"https://profiles.wordpress.org/enej/\">Enej Bajgorić</a>, <a href=\"https://profiles.wordpress.org/nrqsnchz/\">Enrique Sánchez</a>, <a href=\"https://profiles.wordpress.org/erayalakese/\">erayalakese</a>, <a href=\"https://profiles.wordpress.org/teachlynx/\">Eric Malalel</a>, <a href=\"https://profiles.wordpress.org/ethitter/\">Erick Hitter</a>, <a href=\"https://profiles.wordpress.org/kebbet/\">Erik</a>, <a href=\"https://profiles.wordpress.org/etoledo/\">etoledo</a>, <a href=\"https://profiles.wordpress.org/circlecube/\">Evan Mullins</a>, <a href=\"https://profiles.wordpress.org/fabiankaegy/\">Fabian Kägy</a>, <a href=\"https://profiles.wordpress.org/gaambo/\">Fabian Todt</a>, <a href=\"https://profiles.wordpress.org/faisal03/\">Faisal Alvi</a>, <a href=\"https://profiles.wordpress.org/fedepia/\">fedepia</a>, <a href=\"https://profiles.wordpress.org/felipeelia/\">Felipe Elia</a>, <a href=\"https://profiles.wordpress.org/felipeloureirosantos/\">Felipe Santos</a>, <a href=\"https://profiles.wordpress.org/flixos90/\">Felix Arntz</a>, <a href=\"https://profiles.wordpress.org/mista-flo/\">Florian TIAR</a>, <a href=\"https://profiles.wordpress.org/fpcsjames/\">FPCSJames</a>, <a href=\"https://profiles.wordpress.org/piewp/\">fperdaan</a>, <a href=\"https://profiles.wordpress.org/francina/\">Francesca Marano</a>, <a href=\"https://profiles.wordpress.org/fcolombo/\">Francesco</a>, <a href=\"https://profiles.wordpress.org/fullofcaffeine/\">fullofcaffeine</a>, <a href=\"https://profiles.wordpress.org/galbaras/\">Gal Baras</a>, <a href=\"https://profiles.wordpress.org/garrett-eclipse/\">Garrett Hyder</a>, <a href=\"https://profiles.wordpress.org/garyj/\">Gary Jones</a>, <a href=\"https://profiles.wordpress.org/pento/\">Gary Pendergast</a>, <a href=\"https://profiles.wordpress.org/gazchap/\">gazchap</a>, <a href=\"https://profiles.wordpress.org/generosus/\">generosus</a>, <a href=\"https://profiles.wordpress.org/soulseekah/\">Gennady Kovshenin</a>, <a href=\"https://profiles.wordpress.org/revgeorge/\">George Hotelling</a>, <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/georgestephanis/\">George Stephanis</a>, <a href=\"https://profiles.wordpress.org/geriux/\">Gerardo Pacheco</a>, <a href=\"https://profiles.wordpress.org/gilbitron/\">Gilbert Pellegrom</a>, <a href=\"https://profiles.wordpress.org/glendaviesnz/\">Glen Davies</a>, <a href=\"https://profiles.wordpress.org/goldsounds/\">goldsounds</a>, <a href=\"https://profiles.wordpress.org/gkloveweb/\">Govind</a>, <a href=\"https://profiles.wordpress.org/grantmkin/\">Grant M. Kinney</a>, <a href=\"https://profiles.wordpress.org/gregrickaby/\">Greg Rickaby</a>, <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a>, <a href=\"https://profiles.wordpress.org/guillaumeturpin/\">Guillaume TURPIN</a>, <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a>, <a href=\"https://profiles.wordpress.org/hansjovisyoast/\">Hans-Christiaan Braun</a>, <a href=\"https://profiles.wordpress.org/haosun/\">haosun</a>, <a href=\"https://profiles.wordpress.org/hareesh-pillai/\">Hareesh</a>, <a href=\"https://profiles.wordpress.org/hasanuzzamanshamim/\">Hasanuzzaman</a>, <a href=\"https://profiles.wordpress.org/azhiyadev/\">Hauwa Abashiya</a>, <a href=\"https://profiles.wordpress.org/hazdiego/\">Haz</a>, <a href=\"https://profiles.wordpress.org/henrywright/\">Henry Wright</a>, <a href=\"https://profiles.wordpress.org/herbmiller/\">herbmiller</a>, <a href=\"https://profiles.wordpress.org/hermpheus/\">Herm Martini</a>, <a href=\"https://profiles.wordpress.org/herregroen/\">Herre Groen</a>, <a href=\"https://profiles.wordpress.org/hilayt24/\">hilayt24</a>, <a href=\"https://profiles.wordpress.org/hirofumi2012/\">hirofumi2012</a>, <a href=\"https://profiles.wordpress.org/hitendra-chopda/\">Hitendra Chopda</a>, <a href=\"https://profiles.wordpress.org/h71/\">Hossein Farahani</a>, <a href=\"https://profiles.wordpress.org/htmgarcia/\">htmgarcia</a>, <a href=\"https://profiles.wordpress.org/hudson-atwell/\">Hudson Atwell</a>, <a href=\"https://profiles.wordpress.org/hlashbrooke/\">Hugh Lashbrooke</a>, <a href=\"https://profiles.wordpress.org/hugod/\">hugod</a>, <a href=\"https://profiles.wordpress.org/iandunn/\">Ian Dunn</a>, <a href=\"https://profiles.wordpress.org/ianhayes94/\">ianhayes94</a>, <a href=\"https://profiles.wordpress.org/ianmjones/\">ianmjones</a>, <a href=\"https://profiles.wordpress.org/ignatggeorgiev/\">Ignat Georgiev</a>, <a href=\"https://profiles.wordpress.org/ibenic/\">Igor Benic</a>, <a href=\"https://profiles.wordpress.org/ilovecats7/\">ilovecats7</a>, <a href=\"https://profiles.wordpress.org/infected/\">infected</a>, <a href=\"https://profiles.wordpress.org/ipstenu/\">Ipstenu (Mika Epstein)</a>, <a href=\"https://profiles.wordpress.org/iluy/\">Isaac</a>, <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>, <a href=\"https://profiles.wordpress.org/ismaeld/\">ismaeld</a>, <a href=\"https://profiles.wordpress.org/jdgrimes/\">J.D. Grimes</a>, <a href=\"https://profiles.wordpress.org/jackreichert/\">Jack Reichert</a>, <a href=\"https://profiles.wordpress.org/whyisjake/\">Jake Spurlock</a>, <a href=\"https://profiles.wordpress.org/jakubtyrcha/\">jakub.tyrcha</a>, <a href=\"https://profiles.wordpress.org/mcjambi/\">Jam Viet</a>, <a href=\"https://profiles.wordpress.org/macmanx/\">James Huff</a>, <a href=\"https://profiles.wordpress.org/jameskoster/\">James Koster</a>, <a href=\"https://profiles.wordpress.org/janthiel/\">Jan Thiel</a>, <a href=\"https://profiles.wordpress.org/janwoostendorp/\">janw.oostendorp</a>, <a href=\"https://profiles.wordpress.org/jsnjohnston/\">Jason Johnston</a>, <a href=\"https://profiles.wordpress.org/evermail/\">Jason R. Johnston</a>, <a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a>, <a href=\"https://profiles.wordpress.org/javiercasares/\">Javier Casares</a>, <a href=\"https://profiles.wordpress.org/jayupadhyay01/\">Jay Upadhyay</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jean-Baptiste Audras</a>, <a href=\"https://profiles.wordpress.org/teucrium/\">Jean-Philippe</a>, <a href=\"https://profiles.wordpress.org/jblz/\">Jeff Bowen</a>, <a href=\"https://profiles.wordpress.org/jffng/\">Jeff Ong</a>, <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a>, <a href=\"https://profiles.wordpress.org/jdy68/\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/jeremyfelt/\">Jeremy Felt</a>, <a href=\"https://profiles.wordpress.org/jeherve/\">Jeremy Herve</a>, <a href=\"https://profiles.wordpress.org/jeremyescott/\">Jeremy Scott</a>, <a href=\"https://profiles.wordpress.org/jeremyyip/\">Jeremy Yip</a>, <a href=\"https://profiles.wordpress.org/amieiro/\">Jesús Amieiro</a>, <a href=\"https://profiles.wordpress.org/engelen/\">Jesper van Engelen</a>, <a href=\"https://profiles.wordpress.org/luminuu/\">Jessica Lyschik</a>, <a href=\"https://profiles.wordpress.org/jigneshnakrani/\">Jignesh Nakrani</a>, <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a>, <a href=\"https://profiles.wordpress.org/joemcgill/\">Joe McGill</a>, <a href=\"https://profiles.wordpress.org/joegasper/\">joegasper</a>, <a href=\"https://profiles.wordpress.org/joelcj91/\">Joel James</a>, <a href=\"https://profiles.wordpress.org/joen/\">Joen Asmussen</a>, <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>, <a href=\"https://profiles.wordpress.org/johnillo/\">John Espiritu</a>, <a href=\"https://profiles.wordpress.org/johnny5/\">John Godley</a>, <a href=\"https://profiles.wordpress.org/johnjamesjacoby/\">John James Jacoby</a>, <a href=\"https://profiles.wordpress.org/zenithcity/\">john zenith</a>, <a href=\"https://profiles.wordpress.org/lwangaman/\">JohnRDOrazio (CLPTE)</a>, <a href=\"https://profiles.wordpress.org/psykro/\">Jonathan Bossenger</a>, <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>, <a href=\"https://profiles.wordpress.org/spacedmonkey/\">Jonny Harris</a>, <a href=\"https://profiles.wordpress.org/jonoaldersonwp/\">Jono Alderson</a>, <a href=\"https://profiles.wordpress.org/joostdevalk/\">Joost de Valk</a>, <a href=\"https://profiles.wordpress.org/jorgefilipecosta/\">Jorge Costa</a>, <a href=\"https://profiles.wordpress.org/josklever/\">Jos Klever</a>, <a href=\"https://profiles.wordpress.org/josephdickson/\">Joseph Dickson</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden</a>, <a href=\"https://profiles.wordpress.org/joyously/\">Joy</a>, <a href=\"https://profiles.wordpress.org/jsnajdr/\">jsnajdr</a>, <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a>, <a href=\"https://profiles.wordpress.org/juanruitina/\">juanruitina</a>, <a href=\"https://profiles.wordpress.org/juhise/\">Juhi Saxena</a>, <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a>, <a href=\"https://profiles.wordpress.org/junaidbhura/\">Junaid Bhura</a>, <a href=\"https://profiles.wordpress.org/nukaga/\">Junko Nukaga</a>, <a href=\"https://profiles.wordpress.org/justinahinon/\">Justin Ahinon</a>, <a href=\"https://profiles.wordpress.org/justindocanto/\">Justin DoCanto</a>, <a href=\"https://profiles.wordpress.org/greenshady/\">Justin Tadlock</a>, <a href=\"https://profiles.wordpress.org/kadamwhite/\">K. Adam White</a>, <a href=\"https://profiles.wordpress.org/kafleg/\">KafleG</a>, <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a>, <a href=\"https://profiles.wordpress.org/kallookoo/\">kallookoo</a>, <a href=\"https://profiles.wordpress.org/akabarikalpesh/\">Kalpesh Akabari</a>, <a href=\"https://profiles.wordpress.org/kaneva/\">kaneva</a>, <a href=\"https://profiles.wordpress.org/kapilpaul/\">Kapil Paul</a>, <a href=\"https://profiles.wordpress.org/ryelle/\">Kelly Choyce-Dwan</a>, <a href=\"https://profiles.wordpress.org/kellychoffman/\">Kelly Hoffman</a>, <a href=\"https://profiles.wordpress.org/keoshi/\">keoshi</a>, <a href=\"https://profiles.wordpress.org/sourav926/\">Keramot UL Islam</a>, <a href=\"https://profiles.wordpress.org/kingkero/\">kero</a>, <a href=\"https://profiles.wordpress.org/gwwar/\">Kerry Liu</a>, <a href=\"https://profiles.wordpress.org/kevinfodness/\">Kevin Fodness</a>, <a href=\"https://profiles.wordpress.org/keyur5/\">keyur5</a>, <a href=\"https://profiles.wordpress.org/kharisblank/\">Kharis Sulistiyono</a>, <a href=\"https://profiles.wordpress.org/kjellr/\">Kjell Reigstad</a>, <a href=\"https://profiles.wordpress.org/knutsp/\">Knut Sparhell</a>, <a href=\"https://profiles.wordpress.org/vdwijngaert/\">Koen Van den Wijngaert</a>, <a href=\"https://profiles.wordpress.org/obenland/\">Konstantin Obenland</a>, <a href=\"https://profiles.wordpress.org/xkon/\">Konstantinos Xenos</a>, <a href=\"https://profiles.wordpress.org/kurudrive/\">kurudrive</a>, <a href=\"https://profiles.wordpress.org/kwisatz/\">kwisatz</a>, <a href=\"https://profiles.wordpress.org/devnel/\">Kyle Nel</a>, <a href=\"https://profiles.wordpress.org/kzeni/\">KZeni</a>, <a href=\"https://profiles.wordpress.org/lalitjalandhar/\">lalitjalandhar</a>, <a href=\"https://profiles.wordpress.org/laurelfulford/\">laurelfulford</a>, <a href=\"https://profiles.wordpress.org/laxman-prajapati/\">Laxman Prajapati</a>, <a href=\"https://profiles.wordpress.org/leemon/\">leemon</a>, <a href=\"https://profiles.wordpress.org/leogermani/\">leogermani</a>, <a href=\"https://profiles.wordpress.org/lgladdy/\">Liam Gladdy</a>, <a href=\"https://profiles.wordpress.org/liammitchell/\">liammitchell</a>, <a href=\"https://profiles.wordpress.org/rudlinkon/\">Linkon Miyan</a>, <a href=\"https://profiles.wordpress.org/linux4me2/\">linux4me2</a>, <a href=\"https://profiles.wordpress.org/webaxones/\">Loïc Antignac</a>, <a href=\"https://profiles.wordpress.org/loranrendel/\">Loran A. Rendel</a>, <a href=\"https://profiles.wordpress.org/karpstrucking/\">Lucas Karpiuk</a>, <a href=\"https://profiles.wordpress.org/lucasw89/\">lucasw89</a>, <a href=\"https://profiles.wordpress.org/lucatume/\">lucatume</a>, <a href=\"https://profiles.wordpress.org/zaguiini/\">Luis Felipe Zaguini</a>, <a href=\"https://profiles.wordpress.org/lukecarbis/\">Luke Carbis</a>, <a href=\"https://profiles.wordpress.org/lukecavanagh/\">Luke Cavanagh</a>, <a href=\"https://profiles.wordpress.org/luovalabs/\">luovalabs</a>, <a href=\"https://profiles.wordpress.org/lynk/\">lynk</a>, <a href=\"https://profiles.wordpress.org/asif2bd/\">M Asif Rahman</a>, <a href=\"https://profiles.wordpress.org/gorby31/\">Madalin Gorbanescu</a>, <a href=\"https://profiles.wordpress.org/aetherunbound/\">Madison</a>, <a href=\"https://profiles.wordpress.org/onemaggie/\">Maggie Cabrera</a>, <a href=\"https://profiles.wordpress.org/mai21/\">Mai</a>, <a href=\"https://profiles.wordpress.org/malae/\">Malae</a>, <a href=\"https://profiles.wordpress.org/malthert/\">malthert</a>, <a href=\"https://profiles.wordpress.org/manfcarlo/\">manfcarlo</a>, <a href=\"https://profiles.wordpress.org/manishamakhija/\">Manisha Makhija</a>, <a href=\"https://profiles.wordpress.org/manzoorwanijk/\">Manzoor Wani</a>, <a href=\"https://profiles.wordpress.org/mciampini/\">Marco Ciampini</a>, <a href=\"https://profiles.wordpress.org/mkaz/\">Marcus Kazmierczak</a>, <a href=\"https://profiles.wordpress.org/marekhrabe/\">Marek Hrabe</a>, <a href=\"https://profiles.wordpress.org/tyxla/\">Marin Atanasov</a>, <a href=\"https://profiles.wordpress.org/clorith/\">Marius L. J.</a>, <a href=\"https://profiles.wordpress.org/mark-k/\">Mark-k</a>, <a href=\"https://profiles.wordpress.org/marybaum/\">Mary Baum</a>, <a href=\"https://profiles.wordpress.org/wetah/\">Mateus Machado Luna</a>, <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a>, <a href=\"https://profiles.wordpress.org/mhuntdesign/\">Matt</a>, <a href=\"https://profiles.wordpress.org/mattchowning/\">Matt Chowning</a>, <a href=\"https://profiles.wordpress.org/matt/\">Matt Mullenweg</a>, <a href=\"https://profiles.wordpress.org/mattwiebe/\">Matt Wiebe</a>, <a href=\"https://profiles.wordpress.org/mattoakley/\">mattoakley</a>, <a href=\"https://profiles.wordpress.org/wppunk/\">Max</a>, <a href=\"https://profiles.wordpress.org/max-dayala/\">MaxD</a>, <a href=\"https://profiles.wordpress.org/maximeculea/\">Maxime Culea</a>, <a href=\"https://profiles.wordpress.org/mclaurent/\">mclaurent</a>, <a href=\"https://profiles.wordpress.org/medusor/\">MEDUSOR</a>, <a href=\"https://profiles.wordpress.org/megphillips91/\">Meg Phillips</a>, <a href=\"https://profiles.wordpress.org/meher/\">Meher Bala</a>, <a href=\"https://profiles.wordpress.org/melchoyce/\">Mel Choyce-Dwan</a>, <a href=\"https://profiles.wordpress.org/mgol/\">mgol</a>, <a href=\"https://profiles.wordpress.org/wpscholar/\">Micah Wood</a>, <a href=\"https://profiles.wordpress.org/mdawaffe/\">Michael Adams (mdawaffe)</a>, <a href=\"https://profiles.wordpress.org/tw2113/\">Michael Beckwith</a>, <a href=\"https://profiles.wordpress.org/mburridge/\">Michael Burridge</a>, <a href=\"https://profiles.wordpress.org/mnelson4/\">Michael Nelson</a>, <a href=\"https://profiles.wordpress.org/czapla/\">Michal Czaplinski</a>, <a href=\"https://profiles.wordpress.org/michelwppi/\">Michel &#8211; xiligroup dev</a>, <a href=\"https://profiles.wordpress.org/mcsf/\">Miguel Fonseca</a>, <a href=\"https://profiles.wordpress.org/mikaelmayer/\">mikaelmayer</a>, <a href=\"https://profiles.wordpress.org/mikejolley/\">Mike Jolley (a11n)</a>, <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a>, <a href=\"https://profiles.wordpress.org/dimadin/\">Milan Dinić</a>, <a href=\"https://profiles.wordpress.org/milana_cap/\">Milana Cap</a>, <a href=\"https://profiles.wordpress.org/multidots1896/\">Minal Diwan</a>, <a href=\"https://profiles.wordpress.org/0mirka00/\">mirka</a>, <a href=\"https://profiles.wordpress.org/mjaschen/\">mjaschen</a>, <a href=\"https://profiles.wordpress.org/mjulian7/\">mjulian7</a>, <a href=\"https://profiles.wordpress.org/mmxxi/\">mmxxi</a>, <a href=\"https://profiles.wordpress.org/moch11/\">moch11</a>, <a href=\"https://profiles.wordpress.org/opurockey/\">Mohammad Rockeybul Alam</a>, <a href=\"https://profiles.wordpress.org/mt8biz/\">moto hachi</a>, <a href=\"https://profiles.wordpress.org/computerguru/\">mqudsi</a>, <a href=\"https://profiles.wordpress.org/mreishus/\">mreishus</a>, <a href=\"https://profiles.wordpress.org/mrjoeldean/\">mrjoeldean</a>, <a href=\"https://profiles.wordpress.org/mtoensing/\">mtoensing</a>, <a href=\"https://profiles.wordpress.org/wparslan/\">Muhammad Arslan</a>, <a href=\"https://profiles.wordpress.org/muhammadfaizanhaidar/\">Muhammad Faizan Haidar</a>, <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a>, <a href=\"https://profiles.wordpress.org/musabshakeel/\">Musab Shakeel</a>, <a href=\"https://profiles.wordpress.org/amustaque97/\">Mustaque Ahmed</a>, <a href=\"https://profiles.wordpress.org/assassinateur/\">Nadir Seghir</a>, <a href=\"https://profiles.wordpress.org/nalininonstopnewsuk/\">Nalini Thakor</a>, <a href=\"https://profiles.wordpress.org/namithjawahar/\">Namith Jawahar</a>, <a href=\"https://profiles.wordpress.org/nao/\">Naoko Takano</a>, <a href=\"https://profiles.wordpress.org/natewr/\">NateWr</a>, <a href=\"https://profiles.wordpress.org/greatislander/\">Ned Zimmerman</a>, <a href=\"https://profiles.wordpress.org/nettsite/\">NettSite</a>, <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a>, <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a>, <a href=\"https://profiles.wordpress.org/celloexpressions/\">Nick Halsey</a>, <a href=\"https://profiles.wordpress.org/nickcernis/\">nickcernis</a>, <a href=\"https://profiles.wordpress.org/nico23/\">Nico</a>, <a href=\"https://profiles.wordpress.org/jainnidhi/\">Nidhi Jain</a>, <a href=\"https://profiles.wordpress.org/nielslange/\">Niels Lange</a>, <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a>, <a href=\"https://profiles.wordpress.org/nikschavan/\">Nikhil Chavan</a>, <a href=\"https://profiles.wordpress.org/nlpro/\">nlpro</a>, <a href=\"https://profiles.wordpress.org/ockham/\">ockham</a>, <a href=\"https://profiles.wordpress.org/oglekler/\">Olga Gleckler</a>, <a href=\"https://profiles.wordpress.org/domainsupport/\">Oliver Campion</a>, <a href=\"https://profiles.wordpress.org/alshakero/\">Omar Alshaker</a>, <a href=\"https://profiles.wordpress.org/omarreiss/\">Omar Reiss</a>, <a href=\"https://profiles.wordpress.org/opr18/\">opr18</a>, <a href=\"https://profiles.wordpress.org/ellenbauer/\">Outzen Larkin</a>, <a href=\"https://profiles.wordpress.org/ov3rfly/\">Ov3rfly</a>, <a href=\"https://profiles.wordpress.org/ovann86/\">ovann86</a>, <a href=\"https://profiles.wordpress.org/ovidiul/\">ovidiul</a>, <a href=\"https://profiles.wordpress.org/paaljoachim/\">Paal Joachim Romdahl</a>, <a href=\"https://profiles.wordpress.org/pablohoneyhoney/\">Pablo Honey</a>, <a href=\"https://profiles.wordpress.org/iaaxpage/\">page-carbajal</a>, <a href=\"https://profiles.wordpress.org/palmiak/\">palmiak</a>, <a href=\"https://profiles.wordpress.org/pankajmohale/\">Pankaj Mohale</a>, <a href=\"https://profiles.wordpress.org/swissspidy/\">Pascal Birchler</a>, <a href=\"https://profiles.wordpress.org/patrick-b/\">Patrick B</a>, <a href=\"https://profiles.wordpress.org/pbearne/\">Paul Bearne</a>, <a href=\"https://profiles.wordpress.org/pbiron/\">Paul Biron</a>, <a href=\"https://profiles.wordpress.org/pabline/\">Paul Bunkham</a>, <a href=\"https://profiles.wordpress.org/rixeo/\">Paul Kevin</a>, <a href=\"https://profiles.wordpress.org/paulschreiber/\">Paul Schreiber</a>, <a href=\"https://profiles.wordpress.org/pschrottky/\">Paul Von Schrottky</a>, <a href=\"https://profiles.wordpress.org/psrpinto/\">Paulo Pinto</a>, <a href=\"https://profiles.wordpress.org/pbking/\">pbking</a>, <a href=\"https://profiles.wordpress.org/pedromendonca/\">Pedro Mendonça</a>, <a href=\"https://profiles.wordpress.org/pputzer/\">pepe</a>, <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>, <a href=\"https://profiles.wordpress.org/walbo/\">Petter Walbø Johnsgård</a>, <a href=\"https://profiles.wordpress.org/johnstonphilip/\">Phil Johnston</a>, <a href=\"https://profiles.wordpress.org/philipmjackson/\">Philip Jackson</a>, <a href=\"https://profiles.wordpress.org/pierlo/\">Pierre Gordon</a>, <a href=\"https://profiles.wordpress.org/nekojonez/\">Pieterjan Deneys</a>, <a href=\"https://profiles.wordpress.org/boniu91/\">Piotrek Boniu</a>, <a href=\"https://profiles.wordpress.org/webtechpooja/\">Pooja Derashri</a>, <a href=\"https://profiles.wordpress.org/powerbuoy/\">powerbuoy</a>, <a href=\"https://profiles.wordpress.org/praem90/\">praem90</a>, <a href=\"https://profiles.wordpress.org/promz/\">Pramod Jodhani</a>, <a href=\"https://profiles.wordpress.org/presskopp/\">Presskopp</a>, <a href=\"https://profiles.wordpress.org/presstoke/\">presstoke</a>, <a href=\"https://profiles.wordpress.org/procodewp/\">procodewp</a>, <a href=\"https://profiles.wordpress.org/psealock/\">psealock</a>, <a href=\"https://profiles.wordpress.org/psufan/\">psufan</a>, <a href=\"https://profiles.wordpress.org/pwtyler/\">pwtyler</a>, <a href=\"https://profiles.wordpress.org/rachelbaker/\">Rachel Baker</a>, <a href=\"https://profiles.wordpress.org/radixweb/\">Radixweb</a>, <a href=\"https://profiles.wordpress.org/rtm909/\">Rahul Mehta</a>, <a href=\"https://profiles.wordpress.org/ralucastn/\">ralucastn</a>, <a href=\"https://profiles.wordpress.org/rahmohn/\">Ramon Ahnert</a>, <a href=\"https://profiles.wordpress.org/ramonopoly/\">ramonopoly</a>, <a href=\"https://profiles.wordpress.org/ravipatel/\">ravipatel</a>, <a href=\"https://profiles.wordpress.org/rehanali/\">Rehan Ali</a>, <a href=\"https://profiles.wordpress.org/renathoc/\">Renatho (a11n)</a>, <a href=\"https://profiles.wordpress.org/retrofox/\">retrofox</a>, <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>, <a href=\"https://profiles.wordpress.org/rianrietveld/\">Rian Rietveld</a>, <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a>, <a href=\"https://profiles.wordpress.org/richardfoley/\">Richard Foley</a>, <a href=\"https://profiles.wordpress.org/richards1052/\">richards1052</a>, <a href=\"https://profiles.wordpress.org/rickcurran/\">Rick Curran</a>, <a href=\"https://profiles.wordpress.org/rbrishabh/\">Rishabh Budhiraja</a>, <a href=\"https://profiles.wordpress.org/saju4wordpress/\">Riyadh Ahmed</a>, <a href=\"https://profiles.wordpress.org/rmartinezduque/\">rmartinezduque</a>, <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a>, <a href=\"https://profiles.wordpress.org/robertghetau/\">robertght</a>, <a href=\"https://profiles.wordpress.org/robtarr/\">robtarr</a>, <a href=\"https://profiles.wordpress.org/kreppar/\">Rodrigo Arias</a>, <a href=\"https://profiles.wordpress.org/rohan013/\">Rohan Rawat</a>, <a href=\"https://profiles.wordpress.org/rhnsharma/\">Rohan Sharma</a>, <a href=\"https://profiles.wordpress.org/ronakganatra/\">Ronak Ganatra</a>, <a href=\"https://profiles.wordpress.org/rkohilakis/\">Roxy Kohilakis</a>, <a href=\"https://profiles.wordpress.org/russhylov/\">Ruslan</a>, <a href=\"https://profiles.wordpress.org/rviscomi/\">rviscomi</a>, <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a>, <a href=\"https://profiles.wordpress.org/skierpage/\">S Page</a>, <a href=\"https://profiles.wordpress.org/sebastienserre/\">Sébastien SERRE</a>, <a href=\"https://profiles.wordpress.org/soean/\">Sören Wrede</a>, <a href=\"https://profiles.wordpress.org/sabbirshouvo/\">Sabbir Hasan</a>, <a href=\"https://profiles.wordpress.org/sabrib/\">Sabri Bouchaala</a>, <a href=\"https://profiles.wordpress.org/zeo/\">Safirul Alredha</a>, <a href=\"https://profiles.wordpress.org/solarissmoke/\">Samir Shah</a>, <a href=\"https://profiles.wordpress.org/otto42/\">Samuel Wood (Otto)</a>, <a href=\"https://profiles.wordpress.org/sandipmondal/\">Sandip Mondal &#8211; a11n</a>, <a href=\"https://profiles.wordpress.org/sanketchodavadiya/\">Sanket Chodavadiya</a>, <a href=\"https://profiles.wordpress.org/mikachan/\">Sarah Norris</a>, <a href=\"https://profiles.wordpress.org/sarayourfriend/\">sarayourfriend</a>, <a href=\"https://profiles.wordpress.org/sathyapulse/\">Sathiyamoorthy V</a>, <a href=\"https://profiles.wordpress.org/savicmarko1985/\">savicmarko1985</a>, <a href=\"https://profiles.wordpress.org/sayedulsayem/\">Sayedul Sayem</a>, <a href=\"https://profiles.wordpress.org/swb1192/\">Scott Buscemi</a>, <a href=\"https://profiles.wordpress.org/scribu/\">scribu</a>, <a href=\"https://profiles.wordpress.org/scruffian/\">scruffian</a>, <a href=\"https://profiles.wordpress.org/seanmcmillan/\">Sean McMillan</a>, <a href=\"https://profiles.wordpress.org/sebastianpisula/\">Sebastian Pisula</a>, <a href=\"https://profiles.wordpress.org/omaeyusuke/\">Segayuu</a>, <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a>, <a href=\"https://profiles.wordpress.org/sergiocinos/\">Sergio Cinos</a>, <a href=\"https://profiles.wordpress.org/sergioestevao/\">SergioEstevao</a>, <a href=\"https://profiles.wordpress.org/shaharyar10/\">Shaharyar Afzal</a>, <a href=\"https://profiles.wordpress.org/shaunandrews/\">shaunandrews</a>, <a href=\"https://profiles.wordpress.org/shohag121/\">Shazahanul Islam Shohag</a>, <a href=\"https://profiles.wordpress.org/shimon246/\">shimon246</a>, <a href=\"https://profiles.wordpress.org/shital-patel/\">Shital Marakana</a>, <a href=\"https://profiles.wordpress.org/shivapoudel/\">Shiva Poudel</a>, <a href=\"https://profiles.wordpress.org/rsiddharth/\">siddharth</a>, <a href=\"https://profiles.wordpress.org/nomnom99/\">Siddharth Thevaril</a>, <a href=\"https://profiles.wordpress.org/siliconforks/\">siliconforks</a>, <a href=\"https://profiles.wordpress.org/simonhammes/\">simonhammes</a>, <a href=\"https://profiles.wordpress.org/siobhyb/\">Siobhan</a>, <a href=\"https://profiles.wordpress.org/siobhan/\">Siobhan</a>, <a href=\"https://profiles.wordpress.org/sirreal/\">sirreal</a>, <a href=\"https://profiles.wordpress.org/sjlevy/\">sjlevy</a>, <a href=\"https://profiles.wordpress.org/skunkbad/\">skunkbad</a>, <a href=\"https://profiles.wordpress.org/smit08/\">Smit Rathod</a>, <a href=\"https://profiles.wordpress.org/snapfractalpop/\">snapfractalpop</a>, <a href=\"https://profiles.wordpress.org/sourovroy/\">Sourov Roy</a>, <a href=\"https://profiles.wordpress.org/spytzo/\">spytzo</a>, <a href=\"https://profiles.wordpress.org/ssergei/\">ssergei</a>, <a href=\"https://profiles.wordpress.org/stacimc/\">stacimc</a>, <a href=\"https://profiles.wordpress.org/ryokuhi/\">Stefano Minoia</a>, <a href=\"https://profiles.wordpress.org/hypest/\">Stefanos Togoulidis</a>, <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a>, <a href=\"https://profiles.wordpress.org/netweb/\">Stephen Edgar</a>, <a href=\"https://profiles.wordpress.org/strider72/\">Stephen Rider</a>, <a href=\"https://profiles.wordpress.org/dufresnesteven/\">Steve Dufresne</a>, <a href=\"https://profiles.wordpress.org/stevehenty/\">Steve Henty</a>, <a href=\"https://profiles.wordpress.org/stevegs/\">stevegs</a>, <a href=\"https://profiles.wordpress.org/stormrockwell/\">Storm Rockwell</a>, <a href=\"https://profiles.wordpress.org/cybr/\">Sybre Waaijer</a>, <a href=\"https://profiles.wordpress.org/synchro/\">Synchro</a>, <a href=\"https://profiles.wordpress.org/szaqal21/\">szaqal21</a>, <a href=\"https://profiles.wordpress.org/tacoverdo/\">Taco Verdonschot</a>, <a href=\"https://profiles.wordpress.org/takahashi_fumiki/\">Takahashi Fumiki</a>, <a href=\"https://profiles.wordpress.org/karmatosed/\">Tammie Lister</a>, <a href=\"https://profiles.wordpress.org/sparklingrobots/\">Tara King</a>, <a href=\"https://profiles.wordpress.org/tareiking/\">Tarei King</a>, <a href=\"https://profiles.wordpress.org/tellyworth/\">Tellyworth</a>, <a href=\"https://profiles.wordpress.org/terraling/\">terraling</a>, <a href=\"https://profiles.wordpress.org/terriann/\">Terri Ann</a>, <a href=\"https://profiles.wordpress.org/wildworks/\">Tetsuaki Hamano</a>, <a href=\"https://profiles.wordpress.org/themiked/\">theMikeD</a>, <a href=\"https://profiles.wordpress.org/tweetythierry/\">Thierry Muller</a>, <a href=\"https://profiles.wordpress.org/thulshof/\">Thijs Hulshof</a>, <a href=\"https://profiles.wordpress.org/thimalw/\">Thimal Wickremage</a>, <a href=\"https://profiles.wordpress.org/thisiswilliam/\">thisiswilliam</a>, <a href=\"https://profiles.wordpress.org/thomasplevy/\">Thomas Patrick Levy</a>, <a href=\"https://profiles.wordpress.org/timlappe/\">timlappe</a>, <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a>, <a href=\"https://profiles.wordpress.org/titsmaker/\">titsmaker</a>, <a href=\"https://profiles.wordpress.org/tjcafferkey/\">tjcafferkey</a>, <a href=\"https://profiles.wordpress.org/tmatsuur/\">tmatsuur</a>, <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a>, <a href=\"https://profiles.wordpress.org/tobifjellner/\">tobifjellner (Tor-Bjorn Fjellner)</a>, <a href=\"https://profiles.wordpress.org/tomalec/\">Tomek</a>, <a href=\"https://profiles.wordpress.org/shimotomoki/\">Tomoki Shimomura</a>, <a href=\"https://profiles.wordpress.org/starbuck/\">Tony G</a>, <a href=\"https://profiles.wordpress.org/ttahmouch/\">Tony Tahmouch</a>, <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, <a href=\"https://profiles.wordpress.org/toro_unit/\">Toro_Unit (Hiroshi Urabe)</a>, <a href=\"https://profiles.wordpress.org/zodiac1978/\">Torsten Landsiedel</a>, <a href=\"https://profiles.wordpress.org/sierratr/\">Tracy</a>, <a href=\"https://profiles.wordpress.org/travisnorthcutt/\">Travis Northcutt</a>, <a href=\"https://profiles.wordpress.org/tubys/\">tubys</a>, <a href=\"https://profiles.wordpress.org/dinhtungdu/\">Tung Du</a>, <a href=\"https://profiles.wordpress.org/twstokes/\">twstokes</a>, <a href=\"https://profiles.wordpress.org/desaiuditd/\">Udit Desai</a>, <a href=\"https://profiles.wordpress.org/umesh84/\">umesh84</a>, <a href=\"https://profiles.wordpress.org/devutpol/\">Utpol Deb Nath</a>, <a href=\"https://profiles.wordpress.org/webulous/\">Venkat Raj</a>, <a href=\"https://profiles.wordpress.org/versusbassz/\">versusbassz</a>, <a href=\"https://profiles.wordpress.org/bartoszgrzesik/\">verybg</a>, <a href=\"https://profiles.wordpress.org/vcanales/\">Vicente Canales</a>, <a href=\"https://profiles.wordpress.org/szepeviktor/\">Viktor Szépe</a>, <a href=\"https://profiles.wordpress.org/vishitshah/\">Vishit Shah</a>, <a href=\"https://profiles.wordpress.org/vladytimy/\">Vlad T</a>, <a href=\"https://profiles.wordpress.org/vondelphia/\">Vondelphia.com</a>, <a href=\"https://profiles.wordpress.org/vortfu/\">vortfu</a>, <a href=\"https://profiles.wordpress.org/wb1234/\">wb1234</a>, <a href=\"https://profiles.wordpress.org/webmandesign/\">WebMan Design | Oliver Juhas</a>, <a href=\"https://profiles.wordpress.org/west7/\">Wes Theron</a>, <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a>, <a href=\"https://profiles.wordpress.org/wfmattr/\">WFMattR</a>, <a href=\"https://profiles.wordpress.org/skorasaurus/\">Will Skora</a>, <a href=\"https://profiles.wordpress.org/earnjam/\">William Earnhardt</a>, <a href=\"https://profiles.wordpress.org/williampatton/\">williampatton</a>, <a href=\"https://profiles.wordpress.org/wojsmol/\">wojsmol</a>, <a href=\"https://profiles.wordpress.org/woodyhayday/\">woodyhayday</a>, <a href=\"https://profiles.wordpress.org/wp_kc/\">wp_kc</a>, <a href=\"https://profiles.wordpress.org/wpnomad/\">wpnomad a11n</a>, <a href=\"https://profiles.wordpress.org/wpweaver/\">wpweaver</a>, <a href=\"https://profiles.wordpress.org/yagniksangani/\">Yagnik Sangani</a>, <a href=\"https://profiles.wordpress.org/fierevere/\">Yui</a>, <a href=\"https://profiles.wordpress.org/yvettesonneveld/\">Yvette Sonneveld</a>, <a href=\"https://profiles.wordpress.org/zebulan/\">Zebulan Stanphill</a>, and <a href=\"https://profiles.wordpress.org/zoiec/\">zoiec</a>.</p>\n\n\n\n<p>Lors de la publication de ce communiqué de presse officiel, WordPress 5.9 est déjà disponible dans 71 langues ayant traduit 90&nbsp;% ou plus de la version. Les traductrices et traducteurs de la communauté travaillent dur pour vous permettre d’utiliser WordPress dans votre langue natale.</p>\n\n\n\n<p>Merci en particulier à toutes les personnes qui ont aidé à traduire WordPress 5.9 en français&nbsp;:</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/jdy68\">Jenny Dupuy</a>, <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/fxbenard\">FX Bénard</a>, <a href=\"https://profiles.wordpress.org/wolforg\">Didier Demory</a>, <a href=\"https://profiles.wordpress.org/arpe5\">Arpe5</a>,&nbsp;<a href=\"https://profiles.wordpress.org/btpub\">Bruno Tritsch</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chouby\">Chouby</a>,&nbsp;<a href=\"https://profiles.wordpress.org/clementpolito\">Clément Polito</a>,&nbsp;<a href=\"https://profiles.wordpress.org/eddystile\">Eddy</a>,&nbsp;<a href=\"https://profiles.wordpress.org/emlebrun\">Emilie LEBRUN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/guerneves\">guerneves</a>,&nbsp;<a href=\"https://profiles.wordpress.org/juliobox\">Julio Potier</a>,&nbsp;<a href=\"https://profiles.wordpress.org/webaxones\">Loïc Antignac</a>,&nbsp;<a href=\"https://profiles.wordpress.org/oellin\">Magali</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nuryko\">Marianna</a>,&nbsp;<a href=\"https://profiles.wordpress.org/chaton666\">Marie Comet</a>,&nbsp;<a href=\"https://profiles.wordpress.org/marineevain\">Marine EVAIN</a>,&nbsp;<a href=\"https://profiles.wordpress.org/nicolasricher\">Nicolas Richer</a>,&nbsp;<a href=\"https://profiles.wordpress.org/larrach\">Rachel Peter</a>,&nbsp;<a href=\"https://profiles.wordpress.org/sebastienserre\">Sébastien SERRE</a>,&nbsp;<a href=\"https://profiles.wordpress.org/spaceshipone\">Timothée Brosille</a>,&nbsp;<a href=\"https://profiles.wordpress.org/valer1e\">valer1e</a>,&nbsp;<a href=\"https://profiles.wordpress.org/weartdevelopment\">WeArt Development</a>, et&nbsp;<a href=\"https://profiles.wordpress.org/wplmillet\">wplmillet</a>.</p>\n\n\n\n<p>Merci également aux personnes qui contribuent bénévolement aux <a href=\"https://wordpress.org/support/\">forums de support officiels</a>. Elles répondent aux questions que se posent les gens qui utilisent WordPress partout dans le monde. 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Convaincus que la réussite et la pérennité d&rsquo;un site dépendent en grande partie de son caractère pratique et intuitif pour les contributeurs finaux, nous avons totalement adapté notre méthodologie autour de cet éditeur.</p>\n\n\n\n<p>Et cela implique bien entendu la phase de conception ! C&rsquo;est pourquoi notre équipe a créé Johannes, un <strong>kit</strong> <strong>UX « Gutenberg ready »</strong> qui permet de concevoir simplement et rapidement des wireframes sur WordPress.</p>\n\n\n\n<p><a href=\"https://johannes-wp.com/\">Disponible en open source sur Figma</a>, l’outil fait aujourd&rsquo;hui partie intégrante de notre méthodologie à l&rsquo;agence. Dans cet article, nous revenons sur l’origine du projet et sur l’intégration de Johannes dans notre processus de production.</p>\n\n\n\n<h2 class=\"wp-block-heading\">La genèse: penser Gutenberg dès la phase de conception</h2>\n\n\n\n<p>Été 2021. 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L’équipe de conception s’attèle à la création de ces templates, et la première version de Johannes voit le jour.</p>\n\n\n\n<p><strong>Pourquoi ce type d’outil fait sens ?</strong> Parce que l&rsquo;arrivée de Gutenberg et son principe d&rsquo;atomic design ont complètement transformé la manière de concevoir les sites sur WordPress. Nous sommes passés des gabarits fixes, entièrement personnalisables, à la possibilité de créer des modèles (patterns), d&rsquo;utiliser des blocs natifs présents dans l&rsquo;éditeur et de créer des blocs sur-mesure. En amont de chaque phase de design, nous créons un document appelé « design system », qui regroupe tous les types de blocs qui seront présents et déclinés dans l&rsquo;ensemble du site.</p>\n\n\n\n<p>C’est un peu ce qu’est Johannes: un document de référence ultra complet, que l’on peut dérouler et adapter à chaque projet. Il permet de <strong>créer rapidement et facilement des wireframes propres</strong>, déjà compatibles avec l’éditeur.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Un outil au service de notre méthodologie</h2>\n\n\n\n<p>Chez Be API, concevoir des sites WordPress avec l’éditeur Gutenberg est notre quotidien. De ce fait, la mise en place d’outils tels que Johannes apportent une véritable valeur ajoutée au sein de notre chaîne de production, en nous permettant notamment:</p>\n\n\n\n<ul>\n<li><strong>d’optimiser nos phases de design </strong>&#8211; la base des wireframes existe déjà, prête à être adaptée à chaque projet</li>\n\n\n\n<li><strong>de nous concentrer sur l’essentiel</strong> &#8211; à savoir l’UI, le storytelling et le parcours utilisateur</li>\n</ul>\n\n\n\n<p>En standardisant la conception, nous pouvons guider la direction artistique et créer des maquettes fidèles au rendu final tout en respectant les prérequis techniques. 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Le but est d’intégrer l&rsquo;ensemble des parties prenantes du projet et s’assurer que nous travaillons tous dans la même direction.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Embarquer toute l’équipe dans le même bateau</h2>\n\n\n\n<p>Et pour cause ! Collaborer étroitement reste un élément clé de réussite pour tout projet. En intégrant le principe de blocs et d’atomic design dès la phase de maquettes, nous travaillons avec Gutenberg en conception, mais aussi avec nos clients, dès le commencement du projet.</p>\n\n\n\n<p>Les wireframes « Gutenberg ready » que nous présentons nous permettent d&rsquo;intégrer l&rsquo;interface WordPress dès la phase d&rsquo;UX. Cela nous aide à expliquer le fonctionnement du CMS aux contributeurs finaux et à clarifier les blocs natifs que nous utiliserons, ainsi que les besoins en développement supplémentaires pour créer des blocs sur-mesure.</p>\n\n\n\n<p>Et je pense que tout le monde s’accorde à dire qu’un projet est bien plus agréable et fluide lorsque toutes les parties prenantes parlent la même langue &#8211; et rassurez-vous, pas besoin d’être webmaster pour comprendre la langue de Johannes.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><em>L’utilisation de ces gabarits nous permet de produire une conception plus détaillée et plus compréhensible par tous les acteurs du projet. Côté clients, il y a une vraie valeur ajoutée au niveau de la projection dans la contribution avec Gutenberg et la préparation des contenus dès la phase de maquette.</em></p>\n<cite>Elisabeth, Chef de projet digital</cite></blockquote>\n\n\n\n<p></p>\n\n\n\n<p>En travaillant sur ce kit, nous avons conservé l’ambition de départ qui nous motive chez Be API: créer des projets pratiques et utiles pour les utilisateurs finaux et les contributeurs. <strong>C’est en combinant nos expertises métiers et la puissance de vos contenus que nous créons des expériences digitales pertinentes et durables.</strong></p>\n\n\n\n<p>Nous sommes également heureux de partager cette ressource avec la communauté WordPress, dans un esprit de « giving back ». <a href=\"https://johannes-wp.com/\">Vous retrouverez le kit UX disponible en open source sur Figma ici.</a></p>\n\n\n\n<p>Vous êtes designer ou freelance? N&rsquo;hésitez pas à vous le procurer, à l’utiliser et à nous faire part de vos feedback !</p>\n<p>The post <a rel=\"nofollow\" href=\"https://beapi.fr/blog/optimiser-la-conception-wordpress-avec-johannes/\">Optimiser la conception WordPress avec Johannes</a> appeared first on <a rel=\"nofollow\" href=\"https://beapi.fr\">Be API, agence WordPress</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Alizée Ragoin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://beapi.fr/blog/categories/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BeAPI\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:1;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:123:\"https://wpmarmite.com/refonte-site-wordpress/?utm_source=rss&#038;utm_medium=rss&%23038;utm_campaign=refonte-site-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"Comment effectuer une refonte d’un site WordPress : la checklist ultime\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:123:\"https://wpmarmite.com/refonte-site-wordpress/?utm_source=rss&#038;utm_medium=rss&%23038;utm_campaign=refonte-site-wordpress\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-05-09T09:00:00.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-05-09T09:00:00.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:422:\"Aaah, la refonte d’un site WordPress… Quand on pense aux différentes problématiques que cette mission implique, on a généralement tendance à stresser un peu. 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En effet, c’est par là que Google et les internautes vont découvrir la plupart des pages et URL d’un site internet. Mettre en place une arborescence optimisée vous donnera plus de chances d’être bien positionné en référencement naturel. Dans cet article, vous trouverez donc les meilleurs conseils pour optimiser au mieux votre arborescence web et avoir un référencement Google optimal. Qu’est-ce qu’une arborescence d’un site web ? Tout d’abord, pour introduire le sujet de cet article, nous […]Lire la suite : Arborescence d’un site web : comment bien l’optimiser ?\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:1219:\"\n        <div><img width=\"180\" height=\"101\" src=\"https://www.seomix.fr/wp-content/uploads/2023/04/arborescence-site-web-180x101.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"arborescence site web\"/></div>Il existe plusieurs optimisations SEO à effectuer sur un site web pour avoir de la visibilité dans les moteurs de recherche&#160;: optimisations techniques, optimisations sémantiques, netlinking, maillage interne, mais l’arborescence est un élément central&#160;! En effet, c&#8217;est par là que Google et les internautes vont découvrir la plupart des pages et URL d&#8217;un site internet. 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Tout d’abord, pour introduire le sujet de cet article, nous [&#8230;]<br><strong>Lire la suite : </strong><a href=\"https://www.seomix.fr/optimiser-arborescence-site-web/\">Arborescence d’un site web&#160;: comment bien l&#8217;optimiser&#160;?</a>\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Morgane Voisin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"https://www.seomix.fr/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"SeoMix\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:4;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:127:\"https://wpchannel.com/woocommerce/plugins-woocommerce/configurer-prix-remises-dynamiques-woocommerce-dynamic-pricing-discounts/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"Comment configurer des prix et des remises dynamiques avec WooCommerce Dynamic Pricing &amp; Discounts\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:127:\"https://wpchannel.com/woocommerce/plugins-woocommerce/configurer-prix-remises-dynamiques-woocommerce-dynamic-pricing-discounts/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-04-16T11:20:14.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-04-16T11:20:14.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:152:\"Si vous gérez une boutique en ligne, vous savez que proposer des réductions et des promotions peut être un excellent moyen d’attirer de nouveaux...\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:379:\"\n        <div class=\"post-thumbnail\"><img width=\"1024\" height=\"724\" src=\"https://wpchannel.com/images/2023/04/shop-with-lot-of-products-1024x724.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" //></div>Si vous gérez une boutique en ligne, vous savez que proposer des réductions et des promotions peut être un excellent moyen d&#8217;attirer de nouveaux...\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Aurélien Denis\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"https://wpchannel.com/feed\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"WP channel\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:5;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://jeanbaptisteaudras.com/2023/04/contribution-stats-for-wordpress-6-2-dolphy/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"Contribution Stats for WordPress 6.2 « Dolphy »\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:83:\"https://jeanbaptisteaudras.com/2023/04/contribution-stats-for-wordpress-6-2-dolphy/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-04-01T09:17:30.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-04-01T09:17:30.000+02:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:536:\"L’article Contribution Stats for WordPress 6.2 « Dolphy » provient de Jean-Baptiste Audras - CTO @ Whodunit & WordPress Core Developer\nWordPress 6.2 « Dolphy » was released on March 29, 2023. This version is named « Dolphy », after the American jazzer pianist Eric Allan Dolphy Jr. I was involved in this release as Tech Lead and as a core committer. It was a pleasure to […]\nL’article Contribution Stats for WordPress 6.2 « Dolphy » provient de Jean-Baptiste Audras - CTO @ Whodunit & WordPress Core Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:15867:\"\n        <p>L’article <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com/2023/04/contribution-stats-for-wordpress-6-2-dolphy/\">Contribution Stats for WordPress 6.2 « Dolphy »</a> provient de <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com\">Jean-Baptiste Audras - CTO @ Whodunit &amp; WordPress Core Developer</a></p>\n\n<p>WordPress 6.2 «&nbsp;Dolphy&nbsp;»&nbsp;was released on March 29, 2023. This version is named&nbsp;<em>«&nbsp;Dolphy&nbsp;»</em>, after the American jazzer pianist Eric Allan Dolphy <abbr title=\"Junior\">Jr</abbr>.</p>\n\n\n\n<p>I was involved in this release as <em>Tech Lead</em> and as a <a href=\"https://github.com/WordPress/wordpress-develop/commits?author=audrasjb\">core committer</a>. It was a pleasure to work with the release squad. A big <em>thank you</em> to all the talented people who worked hard to put together WP&nbsp;6.2 <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2764.png\" alt=\"❤\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p>As for previous releases, let’s have a look on a few stats about this release.</p>\n\n\n\n<p>In the past, I already published some contributions stats for versions&nbsp;<a href=\"https://jeanbaptisteaudras.com/en/2019/11/distribution-of-wordpress-5-3-contributors-by-country-2/\">5.3</a>,&nbsp;<a href=\"https://jeanbaptisteaudras.com/en/2020/03/wordpress-5-4-core-contribution-statistics/\">5.4</a>,&nbsp;<a href=\"https://jeanbaptisteaudras.com/en/2020/08/wordpress-5-5-core-stats-contributions-by-country-company/\">5.5</a>,&nbsp;<a href=\"https://jeanbaptisteaudras.com/en/2020/12/wordpress-5-6-core-stats-contributions-by-country-company/\">5.6</a>,&nbsp;<a href=\"https://datastudio.google.com/u/0/reporting/a496c333-7e64-412c-9299-9ea2c84e5d2c/page/j595B\">5.7</a>, <a href=\"https://jeanbaptisteaudras.com/en/2022/01/wordpress-5-9-core-contribution-statistics/\">5.9</a>, <a href=\"https://jeanbaptisteaudras.com/en/2022/05/wp-6-0-arturo-contribution-stats/\">6.0</a> and <a href=\"https://jeanbaptisteaudras.com/en/2022/11/contribution-stats-for-wordpress-6-1-misha/\">6.1</a>. I did it again for WP 6.2, so we can have an eye on the relative « influence » of countries and companies on WordPress Core.</p>\n\n\n\n<p>Before diving into WordPress 6.2 Core contributions stats, I wanted to share a few disclaimers, for better context:</p>\n\n\n\n<ul>\n<li>These stats were generated after the last Release Candidate of WP 6.2. Thanks to <a href=\"https://profiles.wordpress.org/desrosj/\" target=\"_blank\" rel=\"noreferrer noopener\">Jon</a> who collected the props list for the release squad.</li>\n\n\n\n<li>These statistics only relate to Core contributions (= props gained for source code contributions) of WordPress. There is a lot of other types of contributions, not listed here: marketing, communication, translation, testing…</li>\n\n\n\n<li>To get these stats, I parsed the WordPress.org profile page of each contributor to get some public informations about them: country, employer, and wether they already contributed to WordPress Core or not.</li>\n\n\n\n<li>It includes both Core contributions on Trac and Gutenberg pull requests on GitHub.</li>\n\n\n\n<li>Those stats are based on what’s declared in each contributors’s wp.org profile.&nbsp;<strong>Users with empty profile informations are not taken into account.</strong></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading alignwide\">WordPress 6.2 overall stats</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:25%\">\n<p><strong>607</strong>&nbsp;<strong>people</strong>&nbsp;from at least&nbsp;<strong>50 countries</strong>&nbsp;and <strong>145 identified companies</strong> contributed to WordPress&nbsp;6.2.</p>\n\n\n\n<p>Worth noting that&nbsp;<strong>178 people contributed to WordPress Core for the very first time!</strong>&nbsp;That’s&nbsp;around&nbsp;<strong>30%</strong>&nbsp;of the total number of contributors!</p>\n\n\n\n<p>The ratio of new contributors represents quite a great onboarding figure for an open-source project!</p>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:75%\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/evolution-release-wp62.svg\"><img src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/evolution-release-wp62.svg\" alt=\"\" class=\"wp-image-145036\" width=\"783\" height=\"507\" //></a><figcaption class=\"wp-element-caption\">Overall contribution evolution across recent releases</figcaption></figure>\n</div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading alignwide\">Country ranking by number of contributions</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-6\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>It’s interesting to see how much WordPress is a worldwide project. Contributions come from all over the planet <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2665.png\" alt=\"♥\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p><strong>USA</strong>&nbsp;is still number one by far with 803 contributions, and&nbsp;<strong>Russia</strong>&nbsp;comes 2nd with 449 contributions (still led by <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey</a>, the person who made the highest number of individual contributions on this version). <strong>France</strong>&nbsp;follows with 303 contributions, and&nbsp;<strong>Australia</strong>&nbsp;with 241 props.&nbsp;<strong>Bulgaria</strong>, <strong>India</strong>, and <strong>Greece</strong> are following.</p>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-country-contributions.svg\"><img loading=\"lazy\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-country-contributions.svg\" alt=\"\" class=\"wp-image-145037\" width=\"691\" height=\"691\" //></a></figure>\n</div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading alignwide\">Country ranking by number of contributors</h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-9\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-country-contributors.svg\"><img loading=\"lazy\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-country-contributors.svg\" alt=\"\" class=\"wp-image-145039\" width=\"633\" height=\"633\" //></a></figure>\n</div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Still, contributions are not everything. <strong>Let&rsquo;s talk about contributors</strong>. Instead of counting contributions, we can count the individuals who worked on this release (=&nbsp;number of people credited in Trac tickets or GitHub PRs)… and we have the following results&nbsp;:</p>\n\n\n\n<p><strong>USA</strong>&nbsp;is still on the top of the game with 91 people. <strong>Bangladesh</strong> overtakes <strong>India</strong> for the first time with 65 contributors (and 49 for India).</p>\n\n\n\n<p>These countries are followed by <strong>Germany</strong> with 18, then <strong>France</strong> and <strong>United Kingdom</strong> with 14 contributors.</p>\n\n\n\n<p>USA still completely dominates the stats by number of independent contributors, and by number of contributions (props count). Contributors from Bangladesh and India also have a great number of people involved, but not so much props.</p>\n</div>\n</div>\n\n\n\n<h2 class=\"wp-block-heading\">Company ranking by contributions</h2>\n\n\n\n<p><strong>Automattic</strong> is still the most prolific company with employees credited in no less than 1793 contributions (by 82 contributors), and is followed by plugin editor <strong>Yoast</strong> with 712 contributions (by 11 contributors) and <strong>Whodunit</strong> French agency (280 contributions by 4 people). Next, we have the international WP agencies <strong>10up</strong> (244 contributions by 18 people), hosting companies like <strong>GoDaddy</strong> (156 contributions) or <strong>Bluehost</strong> (111), a freelancer <strong>Advies en zo</strong> (130), and <strong>Google</strong> with 110 contributions.</p>\n\n\n\n<p>Worth noting that major stakeholders can still be categorized in three sorts of companies: agencies, plugins/themes editors and hosting companies. And of course, well… Automattic <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f61c.png\" alt=\"😜\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p>\n\n\n\n<p>In the graphic below, you&rsquo;ll see all the company credited in WordPress 6.2 and the number of contributions of their employees.</p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-company-contributions.svg\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-company-contributions.svg\" alt=\"\" class=\"wp-image-145044\" //></a></figure>\n\n\n\n<h2 class=\"wp-block-heading\">Company ranking by contributors</h2>\n\n\n\n<p>Of the 145 identified companies that contributed to WordPress 6.2, <strong>Automattic</strong> had by far the largest number of contributors, with 82 people involved. For the first time, <strong>WPDeveloper</strong> is the second biggest company in terms of contributors, with 35 people. <strong>10up</strong> comes third with 18 people. <strong>AuthLab</strong> and <strong>Yoast</strong> come fourth with 11 people. Then, we have <strong>Multidots</strong> and <strong>rtCamp</strong>, with more than 6 contributors.</p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><a href=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-company-contributors.svg\"><img loading=\"lazy\" width=\"1200\" height=\"1200\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/WP62-company-contributors.svg\" alt=\"\" class=\"wp-image-145047\" //></a></figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" //>\n\n\n\n<figure class=\"wp-block-pullquote is-style-default\"><blockquote><p>Thank you to everyone who helped <br>to release WordPress&nbsp;6.2. <br>Big or small, each of the above company contributes <br>to the <a href=\"https://wordpress.org/five-for-the-future/\"><em>Five for the future</em> initiative</a>&nbsp;<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f499.png\" alt=\"💙\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></p></blockquote></figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" //>\n\n\n\n<h2 class=\"wp-block-heading\">Individuals ranking – WordPress&nbsp;6.2</h2>\n\n\n\n<p>Here is the top 30 of WordPress 6.2 contributors. You can also checkout the full table <a href=\"https://docs.google.com/spreadsheets/d/1snF4iV3ejOKvifix5GYD08ydWHHQsIRCYEZPkLMDFCg/edit?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">on this spreadsheet</a>.</p>\n\n\n\n<figure class=\"wp-block-table alignwide is-style-stripes\"><table class=\"has-fixed-layout\"><thead><tr><th>Contributor</th><th>Contributions</th><th>Country</th><th>Company</th></tr></thead><tbody><tr><td>sergeybiryukov</td><td>448</td><td>Russia</td><td>Yoast</td></tr><tr><td>audrasjb</td><td>277</td><td>France</td><td>Whodunit</td></tr><tr><td>tyxla</td><td>227</td><td>Bulgaria</td><td>Automattic</td></tr><tr><td>costdev</td><td>149</td><td></td><td></td></tr><tr><td>mamaduka</td><td>147</td><td>Georgia</td><td>GoDaddy</td></tr><tr><td>hellofromtonya</td><td>134</td><td>United States</td><td>Automattic</td></tr><tr><td>poena</td><td>130</td><td>Sweden</td><td>Yoast</td></tr><tr><td>jrf</td><td>130</td><td>Netherlands</td><td>Advies en zo</td></tr><tr><td>scruffian</td><td>116</td><td></td><td>Automattic</td></tr><tr><td>desrosj</td><td>111</td><td>United States</td><td>Bluehost</td></tr><tr><td>aristath</td><td>108</td><td>Greece</td><td>Yoast</td></tr><tr><td>mukesh27</td><td>104</td><td>India</td><td>10up</td></tr><tr><td>ntsekouras</td><td>102</td><td>Greece</td><td>Automattic</td></tr><tr><td>peterwilsoncc</td><td>99</td><td>Australia</td><td>10up</td></tr><tr><td>wildworks</td><td>92</td><td>Japan</td><td></td></tr><tr><td>youknowriad</td><td>86</td><td>Algeria</td><td>Automattic</td></tr><tr><td>mciampini</td><td>75</td><td></td><td>Automattic</td></tr><tr><td>justinahinon</td><td>71</td><td>Benin</td><td>WebDevStudios</td></tr><tr><td>flixos90</td><td>69</td><td>United States</td><td>Google</td></tr><tr><td>getdave</td><td>68</td><td></td><td></td></tr><tr><td>spacedmonkey</td><td>66</td><td>United Kingdom</td><td>XWP</td></tr><tr><td>sabernhardt</td><td>61</td><td>United States</td><td></td></tr><tr><td>aaronrobertshaw</td><td>52</td><td></td><td>Automattic</td></tr><tr><td>azaozz</td><td>51</td><td>Canada</td><td>Automattic</td></tr><tr><td>ramonopoly</td><td>50</td><td></td><td></td></tr><tr><td>andraganescu</td><td>50</td><td>Romania</td><td>Automattic</td></tr><tr><td>jsnajdr</td><td>49</td><td></td><td></td></tr><tr><td>jorgefilipecosta</td><td>49</td><td>Portugal</td><td>Automattic</td></tr><tr><td>oandregal</td><td>48</td><td>Spain</td><td>Automattic</td></tr><tr><td>0mirka00</td><td>48</td><td>Japan</td><td>Automattic</td></tr></tbody></table></figure>\n\n\n\n<div class=\"wp-block-group alignfull is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<hr class=\"wp-block-separator has-css-opacity is-style-default\" //>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2019/11/photo-avatar-jb-make-e1598437997298.jpg\" alt=\"Mon texte alternatif\" class=\"wp-image-99017\" width=\"127\" height=\"127\" //></figure></div>\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-style-large alignwide\">\n<p>I hope you liked that post! Comments &amp; shares are welcome&nbsp;<strong><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f60d.png\" alt=\"😍\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></strong></p>\n\n\n\n<p><span style=\"color: inherit;font-family: inherit;letter-spacing: -0.0357143em\">You can also </span><a href=\"https://www.paypal.me/audrasjb\" target=\"_blank\" rel=\"noreferrer noopener\">buy me a beer or a coffee</a><span style=\"color: inherit;font-family: inherit;letter-spacing: -0.0357143em\"> if you want <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f37b.png\" alt=\"🍻\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2615.png\" alt=\"☕\" class=\"wp-smiley\" style=\"height: 1em;max-height: 1em\" //></span></p>\n\n\n\n<p>Feel free to reuse any graphic or data used in this post, without any limitation. The raw data are available <a href=\"https://docs.google.com/spreadsheets/d/1snF4iV3ejOKvifix5GYD08ydWHHQsIRCYEZPkLMDFCg/edit?usp=sharing\">on this spreadsheet</a>.</p>\n\n\n\n<p>Contact me if you have any question.</p>\n</blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-default\" //>\n</div></div>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" width=\"1024\" height=\"401\" src=\"https://jeanbaptisteaudras.com/2019/wp-content/uploads/2023/04/banner-dolphy-wordpress-62-1024x401.png\" alt=\"\" class=\"wp-image-145033\" //></figure>\n<p>L’article <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com/2023/04/contribution-stats-for-wordpress-6-2-dolphy/\">Contribution Stats for WordPress 6.2 « Dolphy »</a> provient de <a rel=\"nofollow\" href=\"https://jeanbaptisteaudras.com\">Jean-Baptiste Audras - CTO @ Whodunit &amp; WordPress Core Developer</a></p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"Jb\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://jeanbaptisteaudras.com/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:6;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://www.whodunit.fr/woa-21-les_intelligences-artidicielles-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"WOA ! #21 Les IAs et WordPress\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:73:\"https://www.whodunit.fr/woa-21-les_intelligences-artidicielles-wordpress/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-02-14T09:06:45.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-02-14T09:06:45.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:332:\"Notre sujet du jour, c\'est l\'émergence des IAs. Comment peuvent-elles nous aider dans la création d\'un site web quelles sont leurs limites. Pour en discuter avec nous, Bastien développeur et passionné par les nouvelles technologies.\nL’article WOA ! #21 Les IAs et WordPress est apparu en premier sur Agence WordPress Whodunit.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:8986:\"\n        \n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:38% auto\" data-block-type=\"core\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https://www.whodunit.fr/wp-content/uploads/2023/02/ap_19057452495410-1500x1000-1-1080x720.jpg);background-position:64% 68%\"><img width=\"1080\" height=\"720\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/02/ap_19057452495410-1500x1000-1-1080x720.jpg\" alt=\"\" class=\"wp-image-75499 size-full\" //></figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-style:italic;font-weight:300\">&#8220;Bienvenue à WOA (WordPress On. Air) numéro 21! <br>Je suis votre co-animateur temporaire, remplaçant Eddy qui est en train de se faire remplacer par une IA plus rapide et plus efficace&#8230; (plaisanterie). <br><br>Je co-anime ce podcast avec JB et Simon. <br>Dans ce podcast, nous allons discuter des dernières nouvelles concernant le monde de WordPress, du plugin du mois et nous allons explorer l&#8217;émergence de l&#8217;Intelligence Artificielle dans notre monde actuel et comment elle peut vous aider dans la création de votre site WordPress. <br><br>Nous allons découvrir comment l&#8217;IA peut faciliter tout, de la rédaction de textes à la gestion d&#8217;images en passant par le code. <br><br>Et pour en parler, nous avons le plaisir d&#8217;accueillir Bastien, développeur de chez Whodunit. <br><br>Alors, restez à l&#8217;écoute pour un épisode passionnant sur les IA et WordPress et comment elles sont en train de changer notre monde&#8230; <br><br>Mais ne vous inquiétez pas Eddy, je suis sûr que vous trouverez toujours un endroit pour vous dans ce monde en constante évolution.&#8221;</p>\n</div></div>\n\n\n\n\n\n\n\n<h2 id=\"h-ecoutez-le-podcast-sur\" data-block-type=\"core\">Ecoutez le podcast sur </h2>\n\n\n\n<div class=\"is-layout-flex wp-container-5 wp-block-columns\" data-block-type=\"core\">\n<div class=\"is-layout-flow wp-block-column\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://podcasts.apple.com/fr/podcast/woa-wordpress-on-air/id1482779414\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/apple-podcasts-e1571142591535.jpg\" alt=\"\" class=\"wp-image-66447\" //></a></figure>\n</div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://open.spotify.com/show/5rEMqG2cyoKYxpTTUAKSPp\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/unknown.png\" alt=\"\" class=\"wp-image-66448\" //></a></figure>\n</div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"https://www.deezer.com/fr/show/586602\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/deezer-1024x196.png\" alt=\"\" class=\"wp-image-66449\" //></a></figure>\n</div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><a href=\"http://podplayer.net/?podId=2447675\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https://www.whodunit.fr/wp-content/uploads/2019/10/podcast-addict-for-windows-pc.jpg\" alt=\"\" class=\"wp-image-66450\" //></a></figure>\n</div>\n</div>\n\n\n\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-89ce919\" data-block-id=\"89ce919\">.stk-89ce919{margin-bottom:0px !important}<figure class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" class=\"stk-img wp-image-75456\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/02/image-6.png\" width=\"1024\" height=\"1024\" //></figure></div>\n\n\n\n<p><em>Image générée sur <a href=\"https://midjourney.com/home/?callbackUrl=%2Fapp%2F\" target=\"_blank\" rel=\"noreferrer noopener\">midjourney</a></em></p>\n\n\n\n<h2 id=\"h-woa-wordpress-on-air-n-21\" data-block-type=\"core\">WOA : WordPress On Air N°21</h2>\n\n\n\n<p>Bonjour à toutes et à tous. <br>Heureux de vous retrouver après une pause un peu longue, on s&#8217;en excuse. <br>Mais on ne revient pas les mains vides, JB a plein d&#8217;infos WordPress à nous partager et Simon nous parle de son extension du mois pour générer des cartes interactives. <br><br>Notre sujet du jour, c&#8217;est l&#8217;émergence des IAs. Comment peuvent-elles nous aider dans la création d&#8217;un site web quelles sont leurs limites. Pour en discuter avec nous, Bastien développeur et passionné par les nouvelles technologies.<br><br>WOA Episode 21, c&#8217;est parti.</p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"></div>\n\n\n\n<h2 id=\"h-sommaire-de-l-emission\" data-block-type=\"core\">Sommaire de l&#8217;émission</h2>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">Revue de presse, infos :</li>\n\n\n\n<li data-block-type=\"core\">Invité du mois\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">Bastien Martinent</li>\n</ul>\n</li>\n\n\n\n<li data-block-type=\"core\">Extension du mois\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">ACF et AmMap</li>\n</ul>\n</li>\n</ul>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"></div>\n\n\n\n<h2 id=\"h-les-liens-de-l-emission\" data-block-type=\"core\">Les liens de l&#8217;émission</h2>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">Revue de presse&nbsp;:\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\"><a href=\"https://make.wordpress.org/core/2023/01/24/proposal-old-tickets-trac-triage-sessions/\">L&#8217;équipe Core de WP s&#8217;attaque au tri des vieux tickets</a></li>\n\n\n\n<li data-block-type=\"core\"><a href=\"https://twitter.com/nickmdiego/status/1616072992122978307\">Le positionnement &#8220;sticky&#8221; s&#8217;invite dans l&#8217;éditeur de WordPress</a></li>\n\n\n\n<li data-block-type=\"core\"><a href=\"https://fr.wordpress.org/plugins/blocks-everywhere/\">L&#8217;extension Blocks Everywhere</a> permet d&#8217;ajouter une version simplifiée de l&#8217;éditeur de blocs sur les commentaires de WP, sur les discussions BuddyPress et sur les forums BBPress</li>\n</ul>\n</li>\n\n\n\n<li data-block-type=\"core\">Extension du mois&nbsp;:\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\"><a href=\"https://wordpress.org/plugins/acf-openstreetmap-field/\">ACF OpenStreetMap Field</a></li>\n\n\n\n<li data-block-type=\"core\"><a href=\"https://www.amcharts.com/docs/v4/chart-types/map/\" target=\"_blank\" rel=\"noreferrer noopener\">AmMap</a></li>\n</ul>\n</li>\n</ul>\n\n\n\n<h2 id=\"h-l-equipe\" data-block-type=\"core\">L&#8217;équipe</h2>\n\n\n\n<p><strong>Simon</strong> est un enfant de <s>la TV</s> Youtube, il s’intéresse à tous les sujets et dévore les podcasts et émissions, que ce soit sur les jeux de société, WordPress, la science ou encore la bière&nbsp;!</p>\n\n\n\n<p><strong>JB</strong> est une encyclopédie sur pattes de son CMS préféré. Devinez ce qu&#8217;il a gravé dans <a href=\"https://twitter.com/AudrasJb/status/1189955528782471169\" target=\"_blank\" rel=\"noreferrer noopener\">sa citrouille</a> pour Halloween&nbsp;?</p>\n\n\n\n<p><strong>Eddy</strong> a goûté au plaisir de la radio pendant plusieurs années, ça le démangeait de reprendre le micro.</p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-6 wp-block-gallery has-nested-images columns-4 is-cropped\" data-block-type=\"core\">\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><img loading=\"lazy\" width=\"425\" height=\"425\" data-id=\"69730\" src=\"https://www.whodunit.fr/wp-content/uploads/2021/05/eddy.jpg\" alt=\"\" class=\"wp-image-69730\" //><figcaption class=\"wp-element-caption\">Eddy</figcaption></figure>\n\n\n\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><img loading=\"lazy\" width=\"425\" height=\"425\" data-id=\"69748\" src=\"https://www.whodunit.fr/wp-content/uploads/2021/05/simon.jpg\" alt=\"\" class=\"wp-image-69748\" //><figcaption class=\"wp-element-caption\">Simon</figcaption></figure>\n\n\n\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><img loading=\"lazy\" width=\"425\" height=\"425\" data-id=\"69738\" src=\"https://www.whodunit.fr/wp-content/uploads/2021/05/jean-baptiste.jpg\" alt=\"\" class=\"wp-image-69738\" //><figcaption class=\"wp-element-caption\">Jb</figcaption></figure>\n</figure>\n\n\n\n<h2 id=\"h-on-attend-vos-retours-avec-impatience\" data-block-type=\"core\">On attend vos retours avec impatience&nbsp;!</h2>\n\n\n\n<p>N&#8217;hésitez pas à laisser un commentaire, ça nous fera plaisir et surtout ça nous aidera à nous améliorer.</p>\n\n\n\n<p>Vous souhaitez intervenir ? Envoyez un mail à eddy@whodunit.fr pour en discuter.</p>\n<p>L’article <a rel=\"nofollow\" href=\"https://www.whodunit.fr/woa-21-les_intelligences-artidicielles-wordpress/\">WOA ! #21 Les IAs et WordPress</a> est apparu en premier sur <a rel=\"nofollow\" href=\"https://www.whodunit.fr\">Agence WordPress Whodunit</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Eddy Boels\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"https://www.whodunit.fr/podcasts/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"Podcast WordPress on Air!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:7;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://www.whodunit.fr/wordpress-le-point-sur-ce-qui-vous-attend-en-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"WordPress : le point sur ce qui vous attend en 2023\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:74:\"https://www.whodunit.fr/wordpress-le-point-sur-ce-qui-vous-attend-en-2023/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-02-07T11:22:37.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-02-07T11:22:37.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:743:\"La sortie en novembre dernier de la version 6.1 de WordPress est l’occasion idéale de faire le point sur le CMS qui a vu le jour en 2003 et qui compte aujourd’hui plus de 60 millions de sites actifs à travers le monde. Il est important voire indispensable d’anticiper les prochaines évolutions de WordPress afin de se poser les bonnes questions, de faire les bons choix techniques, d’informer les clients… Voici pour vous un récapitulatif des nouveautés de WordPress en 2022, une présentation des prochaines fonctionnalités attendues en 2023, le tout agrémenté de quelques spoilers alerts sur le futur de…\nL’article WordPress : le point sur ce qui vous attend en 2023 est apparu en premier sur Agence WordPress Whodunit.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:19809:\"\n        \n<p>La sortie en novembre dernier de la version 6.1 de WordPress est l’occasion idéale de faire le point sur le CMS qui a vu le jour en 2003 et qui compte aujourd’hui plus de 60 millions de sites actifs à travers le monde.</p>\n\n\n\n<p>Il est important voire indispensable d’anticiper les prochaines évolutions de WordPress afin de se poser les bonnes questions, de faire les bons choix techniques, d’informer les clients…</p>\n\n\n\n<p>Voici pour vous un récapitulatif des nouveautés de WordPress en 2022, une présentation des prochaines fonctionnalités attendues en 2023, le tout agrémenté de quelques spoilers alerts sur le futur de WordPress et tout plein de conseils made in Whodunit </p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n\n</div></figure>\n\n\n\n<p><strong>Avec les intervenants : Jean-Baptiste Audras, CTO Whodunit et anciennement représentant Core WordPress et Eddy Boels, Customer Happiness Manager Whodunit </strong></p>\n\n\n\n<figure class=\"wp-block-image size-full\" data-block-type=\"core\"><img loading=\"lazy\" width=\"813\" height=\"472\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/02/evolution-des-parts-de-marche-cms-en-10-ans-1.png\" alt=\"\" class=\"wp-image-75428\" //></figure>\n\n\n\n<h2 id=\"h-l-histoire-de-wordpress-et-son-evolution-au-fil-des-ans\" data-block-type=\"core\">L’histoire de WordPress et son évolution au fil des ans</h2>\n\n\n\n<h3 id=\"h-les-versions-majeures-en-2022\" data-block-type=\"core\">Les versions majeures en 2022</h3>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">La version 5.9 a vu apparaître le full site editing (édition complète du site). Cela offre par exemple la possibilité d’éditer l’entête et le pied de page de son site et différents modèles de pages. Elle représente ainsi une grosse évolution pour le CMS.</li>\n\n\n\n<li data-block-type=\"core\">La version 6.0 : cette “petite” version majeure a servi à fignoler l’expérience d’édition de sites</li>\n\n\n\n<li data-block-type=\"core\">La version 6.0.3 : plus grosse version de sécurité de l’histoire du CMS, elle a contenu 15 correctifs de failles de sécurité remontées par des audits externes et des chercheurs en sécurité.</li>\n\n\n\n<li data-block-type=\"core\">La dernière version 6.1 : version très attendue car elle a implémenté le full site editing de façon encore plus profonde avec l’édition de style et variations de styles. Et un nouveau thème natif <a href=\"https://fr.wordpress.org/themes/twentytwentythree/\">T</a><a href=\"https://fr.wordpress.org/themes/twentytwentythree/\" target=\"_blank\" rel=\"noreferrer noopener\">wenty Twenty-Three</a>, un thème canevas vierge et qui contient tout ce qu’il faut pour réaliser un site accessible. Cette version représente un record en termes de contributeurs et contributrices (1399 personnes dont 656 qui n’avaient jamais contribué au développement de WP avant). Ceci peut s’expliquer en partie par la présence du Javascript moderne utilisé par l’éditeur Gutenberg qui attire de nouveaux développeurs et développeuses.</li>\n</ul>\n\n\n\n<p>La team performance de WordPress a été créée, permettant d’améliorer les performances de 20 à 30% notamment en back office.</p>\n\n\n\n<h3 id=\"h-comment-wordpress-s-est-adapte-aux-changements-technologiques-et-aux-nouvelles-tendances-du-web\" data-block-type=\"core\">Comment WordPress s’est adapté aux changements technologiques et aux nouvelles tendances du web</h3>\n\n\n\n<p>Aujourd&#8217;hui avec WordPress 6.1, il nous est possible de dire que WordPress supporte PHP 8 et 8.1. C’est à dire que vous n’aurez pas d&#8217;erreurs majeures si vous passez votre serveur en php 8.0, ou 8.1. En revanche, ce n’est pas encore forcément le cas de toutes les extensions et de tous les thèmes.</p>\n\n\n\n<p>En effet, il va falloir du temps pour s&#8217;assurer que tous les thèmes et toutes les extensions soient compatibles. D&#8217;ailleurs toutes ne le seront pas, il y a des extensions qui n’ont pas été mises à jour depuis trois ou quatre ans et dans ce cas là on risque d&#8217;avoir des problèmes d&#8217;incompatibilité.</p>\n\n\n\n<p>Il y a un travail en cours du côté de l&#8217;équipe Meta <a href=\"http://WordPress.org\" target=\"_blank\" rel=\"noreferrer noopener\">WordPress.org</a> pour pouvoir ajouter un tag sur les extensions du répertoire et pouvoir identifier facilement les extensions qui sont compatibles ou celles qui ne le sont pas. C’est un travail de test assez complet et assez complexe à mettre en oeuvre mais c&#8217;est quelque chose qui pourrait voir le jour pour 2023.</p>\n\n\n\n<p>On vous a préparé une liste non exhaustive des fonctionnalités qu’on aime sur WP 6.1 :</p>\n\n\n\n<ul data-block-type=\"core\">\n<li data-block-type=\"core\">Les variations de style, en un seul clic on peut changer l&#8217;apparence complète du site, la gestion des styles globaux, les palettes de couleurs, les typos,</li>\n\n\n\n<li data-block-type=\"core\">On trouve désormais dans l’éditeur des modèles de page et donc la possibilité de créer des modèles de page avec différents headers et footers</li>\n\n\n\n<li data-block-type=\"core\">La liste des blocs Gutenberg indispensables</li>\n\n\n\n<li data-block-type=\"core\">La gestion des espaces qui était très attendue (marges internes, externes, espacements…)</li>\n\n\n\n<li data-block-type=\"core\">Les blocs réutilisables ou patterns très importants : on trouve des modèles de composition de blocs tout faits, des bibliothèques très intéressantes qu’il suffit de copier-coller </li>\n</ul>\n\n\n\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><img loading=\"lazy\" width=\"1080\" height=\"748\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/02/capture-decran-2023-01-24-a-09-30-29-1080x748.png\" alt=\"\" class=\"wp-image-75444\" //></figure>\n\n\n\n<p>Il y a eu un gros travail sur la bibliothèque de patterns donc la composition de blocs, un développeur ou une développeuse peut créer ses propres compositions, utiliser celles qui sont natives, celles proposées directement par le thème qu’on aura installé mais on peut aussi aller chercher celles de <a href=\"http://wordpress.org\" target=\"_blank\" rel=\"noreferrer noopener\">wordpress</a><a href=\"http://wordpress.org\">.org</a>.</p>\n\n\n\n<p>L’étape suivante sera de créer ses propres compositions directement dans l&#8217;éditeur et c&#8217;est ainsi que nous en arrivons à ce qui est en cours de développement.</p>\n\n\n\n<h2 id=\"h-etat-des-lieux-de-wordpress\" data-block-type=\"core\">État des lieux de WordPress</h2>\n\n\n\n<h3 id=\"h-l-editeur-gutenberg-s-emancipe\" data-block-type=\"core\">L’éditeur Gutenberg s’émancipe</h3>\n\n\n\n<p>Nous voyons le projet Gutenberg sortir de l’écosystème WordPress lui-même, de sa zone de contenus.</p>\n\n\n\n<p>Il y a quelques semaines, un projet en Sass monté sur <a href=\"https://laravel.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Laravel</a> et qui utilise Gutenberg a été présenté au <a href=\"https://wordpress.org/news/2022/11/state-of-the-word-2022/\" target=\"_blank\" rel=\"noreferrer noopener\">State of the word</a>, la conférence annuelle du cofondateur WordPress.</p>\n\n\n\n<p>On a vu aussi apparaître l’extension <a href=\"https://wordpress.org/plugins/blocks-everywhere/\" target=\"_blank\" rel=\"noreferrer noopener\">blocks everywhere</a> disponible sur <a href=\"http://wordpress.org\" target=\"_blank\" rel=\"noreferrer noopener\">wordpress.org</a>. Comme son nom l&#8217;indique elle permet d&#8217;embarquer l&#8217;éditeur de bloc dans les commentaires par exemple. Elle permet aussi d&#8217;utiliser l&#8217;éditeur, pour ceux qui ont des sites vraiment collaboratifs, dans les extensions buddypress ou bbpress donc des extensions qui permettent de gérer des communautés ou de gérer des forums.</p>\n\n\n\n<p>On sait aussi que ça n’est qu’une question de semaine avant que l&#8217;éditeur puisse être utilisé pour directement éditer une catégorie, la description de catégorie étant quelque chose de très demandé notamment pour des sites de e-commerce.</p>\n\n\n\n<p>Gutenberg est également sorti de WordPress pour être directement implémenté dans Tumblr, une vieille plateforme de blogging et microblogging rachetée il y a maintenant quelques temps par <a href=\"https://automattic.com/\" target=\"_blank\" rel=\"noreferrer noopener\">automattic</a>, l&#8217;entreprise fondée par le co-fondateur de <a href=\"http://wordpress.org\" target=\"_blank\" rel=\"noreferrer noopener\">wordpress.org</a>, <a href=\"https://fr.wikipedia.org/wiki/Matthew_Mullenweg\" target=\"_blank\" rel=\"noreferrer noopener\">Matt Mullenweg</a>.</p>\n\n\n\n<p><mark class=\"has-inline-color has-palette-color-3-color\"><strong>On observe donc que le Projet Gutenberg a tendance à devenir plus gros que WordPress lui-même, l&#8217;objectif visé étant d’en faire un éditeur universel.</strong></mark></p>\n\n\n\n<h3 id=\"h-wp-playground-l-application-qui-permet-de-simuler-wordpress\" data-block-type=\"core\"><a href=\"https://developer.wordpress.org/playground/\" target=\"_blank\" rel=\"noreferrer noopener\">WP Playground</a>, l’application qui permet de simuler WordPress</h3>\n\n\n\n<figure class=\"wp-block-image size-large\" data-block-type=\"core\"><img loading=\"lazy\" width=\"1080\" height=\"341\" src=\"https://www.whodunit.fr/wp-content/uploads/2023/02/capture-decran-2023-01-24-a-11-09-24-1080x341.png\" alt=\"\" class=\"wp-image-75429\" //></figure>\n\n\n\n<p>Cette initiative présentée récemment par <a href=\"https://fr.wikipedia.org/wiki/Matthew_Mullenweg\" target=\"_blank\" rel=\"noreferrer noopener\">Matt Mullenweg</a> est en fait une application qui va se charger directement dans un onglet du navigateur et permettre de simuler un WordPress vierge dans lequel nous pourrons installer des extensions, installer des thèmes, créer du contenu et le publier…</p>\n\n\n\n<p>C&#8217;est bien sûr une installation provisoire c&#8217;est à dire que tout le contenu qui aura été rédigé sera détruit au moment où le navigateur sera fermé mais d’un point de vue pédagogique, la possibilité de pouvoir faire une démonstration de WordPress est grandement appréciée.</p>\n\n\n\n<p>Il y a également une application de WP playground encore en développement qui donnera la possibilité d’avoir ce mini WordPress sur la page du répertoire des extensions et thème.</p>\n\n\n\n<p>En clair, on pourra tester la compatibilité des extensions qui nous intéressent.</p>\n\n\n\n<h3 id=\"h-create-block-theme\" data-block-type=\"core\">Create Block Theme</h3>\n\n\n\n<p><a href=\"https://wordpress.org/plugins/create-block-theme/\" target=\"_blank\" rel=\"noreferrer noopener\">Create Block Theme</a> est vraiment d&#8217;actualité. Créée par les équipes de développement de <a href=\"http://wordpress.org\" target=\"_blank\" rel=\"noreferrer noopener\">wordpress.org</a>, elle permet de paramétrer un thème basé sur des blocs utilisant le full set editing et de le paramétrer entièrement depuis l’administration.</p>\n\n\n\n<p>C’est vraiment un outil no code c&#8217;est à dire que l’on créé un thème directement depuis notre administration sans créer la moindre ligne de code. Ça va vraiment créer les fichiers physiques sur le serveur, on pourra les zipper et les récupérer pour notre site donc c’est une extension très prometteuse !</p>\n\n\n\n<p>Pour en savoir plus, n’hésitez pas à écouter notre <a href=\"https://www.whodunit.fr/woa-20-le-no-code-avec-stephane-menet/\" target=\"_blank\" rel=\"noreferrer noopener\">dernier podcast</a>.</p>\n\n\n\n<h3 id=\"h-openverse\" data-block-type=\"core\">Openverse</h3>\n\n\n\n<p><a href=\"https://wordpress.org/openverse/\" target=\"_blank\" rel=\"noreferrer noopener\">Openverse</a> est un projet qui appartenait à Godzilla mais faute d’équipes pour s’en occuper, c’est <a href=\"http://wordpress.org\" target=\"_blank\" rel=\"noreferrer noopener\">wordpress.org</a> qui a souhaité le récupérer. Il s’agit une bibliothèque de partage de médias libres de droit. Que ce soit des images, des vidéos ou des fichiers audio. Ce qui en fait pour être très clair un concurrent de unsplash par exemple. Openverse est vraiment un projet 100% open source et ici c&#8217;est pas de code dont il est question mais de médias et de création artistique et graphique.</p>\n\n\n\n<h2 id=\"h-roadmap-2023\" data-block-type=\"core\">RoadMap 2023</h2>\n\n\n\n<h3 id=\"h-les-differentes-phases-du-projet-gutenberg\" data-block-type=\"core\">Les différentes phases du projet Gutenberg</h3>\n\n\n\n<p><strong><span style=\"color: var(--paletteColor1, #ff3475)\" class=\"stk-highlight\">Phase 1</span></strong></p>\n\n\n\n<p>Pour rappel c&#8217;était vraiment l&#8217;éditeur de bloc donc l’édition de la zone de contenu d&#8217;une page d&#8217;un article ou de n&#8217;importe quel type de publication avec des blocs</p>\n\n\n\n<p><strong><span style=\"color: var(--paletteColor1, #ff3475)\" class=\"stk-highlight\">Phase 2</span></strong></p>\n\n\n\n<p>C’était le Full Site Editing qui d&#8217;ailleurs a été renommé en Site Editor tout simplement. 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Très utile lorsqu&#8217;on a fait une bêtise&#8230;</p>\n\n\n\n<p>A noter aussi que Gutenberg a désormais la double licence. A la fois <a href=\"https://www.gnu.org/licenses/gpl-3.0.html\">GPL</a> et <a href=\"https://www.mozilla.org/en-US/MPL/\">MPL</a> (Mozilla Public Licence) Cette deuxième licence était obligatoire au Projet Gutenberg pour qu&#8217;il puisse être porté sur de l&#8217;applicatif mobile comme sur les stores Google sur les Apple Store.</p>\n\n\n\n<p><strong><span style=\"color: var(--paletteColor1, #ff3475)\" class=\"stk-highlight\">Phase 4</span></strong></p>\n\n\n\n<p>C&#8217;est le multilingue. Cette phase 4 était censée arriver une fois que la phase 3 serait en place mais en réalité ça va probablement arriver un peu en même temps. 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Ce sujet est très attendu car beaucoup de personnes se plaignent depuis maintenant des années du fait qu&#8217;on ne puisse pas catégoriser les médias, qu&#8217;on puisse pas les ranger dans des dossiers… L’autre souci c’est qu’en voulant insérer une image, Gutenberg va charger la médiathèque qui est lourde et très lente alors que Gutenberg lui est plutôt rapide. On a hâte !</li>\n\n\n\n<li data-block-type=\"core\">D’autres petites choses aussi qui vont être développées en 2023 sont l&#8217;affichage des blocs en fonction du contexte mobile, comptes connectés ou non…</li>\n\n\n\n<li data-block-type=\"core\">On va retrouver l&#8217;éditeur de composition c&#8217;est à dire le fait de pouvoir créer des patterns directement, les exporter et ainsi de suite. 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C’est à la fois un gage de sécurité et un gage de performance parce que c&#8217;est maintenu par les équipes du cœur mais en même temps tout le monde peut y contribuer.</li>\n\n\n\n<li data-block-type=\"core\">On a aussi l’extension <a href=\"https://fr.wordpress.org/plugins/performance-lab/\" target=\"_blank\" rel=\"noreferrer noopener\">performance lab</a> (le laboratoire d’amélioration des performances de WordPress) Toutes ces améliorations sont développées sous la forme d’une extension canonique, certaines fonctionnalités sont portées dans le coeur de WordPress tandis que les autres restent dans l’extension.</li>\n</ul>\n\n\n\n<p>L’idée c’est que ces extensions puissent servir de laboratoire.</p>\n\n\n\n<h3 id=\"h-les-20-ans-de-wordpress\" data-block-type=\"core\">Les 20 ans de WordPress</h3>\n\n\n\n<p>Une équipe travaille sur les festivités des 20 ans de WordPress, on peut s&#8217;attendre à beaucoup de surprises au printemps 2023 !</p>\n\n\n\n<p>Plus de détails à venir ici : <a href=\"https://wp20.wordpress.net/\" target=\"_blank\" rel=\"noreferrer noopener\">WordPress turns 20 in 2023</a></p>\n\n\n\n<p>A noter également que WordPress, qui ne serait rien sans sa communauté, connaît une reprise de ses fameux WordCamps, un WordCamp Paris est d’ailleurs attendu courant 2023. </p>\n<p>L’article <a rel=\"nofollow\" href=\"https://www.whodunit.fr/wordpress-le-point-sur-ce-qui-vous-attend-en-2023/\">WordPress : le point sur ce qui vous attend en 2023</a> est apparu en premier sur <a rel=\"nofollow\" href=\"https://www.whodunit.fr\">Agence WordPress Whodunit</a>.</p>\n\n    \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"author\";a:1:{i:0;a:6:{s:4:\"data\";s:46:\"\n            \n                                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"name\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Gaelle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:6:\"source\";a:1:{i:0;a:6:{s:4:\"data\";s:67:\"\n                    \n                            \n                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:2:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://www.whodunit.fr/wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Whodunit\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}i:8;a:6:{s:4:\"data\";s:70:\"\n    \n    \n    \n    \n    \n    \n    \n            \n                \n    \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:27:\"http://www.w3.org/2005/Atom\";a:9:{s:2:\"id\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"https://vincentdubroeucq.com/10-choses-simples-a-ne-pas-oublier-quand-vous-developpez-vos-themes-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"10 choses simples à ne pas oublier quand vous développez vos thèmes WordPress\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:107:\"https://vincentdubroeucq.com/10-choses-simples-a-ne-pas-oublier-quand-vous-developpez-vos-themes-wordpress/\";s:3:\"rel\";s:9:\"alternate\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"updated\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-01-25T15:39:14.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"published\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"2023-01-25T15:39:14.000+01:00\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"summary\";a:1:{i:0;a:5:{s:4:\"data\";s:660:\"Vous avez reçu une maquette pour un site vitrine simple, et vous devez maintenant développer le thème pour le client. La maquette ne contient que quelques pages (4 ou 5) et vous vous dites donc que ça ne va pas être très long ni très compliqué. Doucement ! Ce n’est pas parce que 5 pages sont maquettées que votre travail s’arrête à ces 5 pages ! Si c’était le cas, vous pourriez livrer 5 pages HTML en dur et ce serait réglé ! Non ? Dans cette article, on va voir ensemble quelques éléments “pièges” qu’on a tendance à oublier […]Lire la suite : 10 choses simples à ne pas oublier quand vous développez vos thèmes WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:5:{s:4:\"data\";s:845:\"\n        Vous avez reçu une maquette pour un site vitrine simple, et vous devez maintenant développer le thème pour le client. La maquette ne contient que quelques pages (4 ou 5) et vous vous dites donc que ça ne va pas être très long ni très compliqué. Doucement ! 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I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p>(Intro continues)</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:00:40]</strong></p>\n\n\n\n<p>Today we&#8217;re gonna spend a little time talking about WP Playground. This is a project that debuted at State of the Word in December 2022, but it was demoed for me about a month prior in November.</p>\n\n\n\n<p>I was, and remain, absolutely floored by the potential future applications, as well as the innovative thinking behind it. So I&#8217;ve invited a couple of excellent WordPress futurists to the show today so that we can listen in on their conversation.</p>\n\n\n\n<p>Welcome guys.</p>\n\n\n\n<p><strong>[Rich Tabor 00:01:07]</strong></p>\n\n\n\n<p>Hey everyone, I&#8217;m Rich Tabor, and I&#8217;m here today with Adam Zielinski to talk about WordPress Playground. So for those of you who don&#8217;t know what WordPress Playground is, can you tell us a little bit more about it, Adam?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:01:18]</strong></p>\n\n\n\n<p>Absolutely. WordPress Playground is WordPress that works in your browser like there&#8217;s no server with PHP or database like there&#8217;s just your browser and JavaScript, and you can run it in so many more places that we’ll all get to. For example, I just came back from WordCamp Gliwice, where on a Contributor Day, a couple of developers got set up with WordPress in just a couple of minutes, whereas normally, it can take hours to do that.</p>\n\n\n\n<p><strong>[Rich Tabor 00:01:44]</strong></p>\n\n\n\n<p>Yeah, that&#8217;s, that&#8217;s pretty impressive. Do you think that, particularly for WordCamps and other demo-type areas, this would be something that&#8217;s very useful? 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So now that&#8217;s, well, maybe a workshop that teaches you how to build a theme, for example, right? Now you can just get started without any setup process. So there&#8217;s both, it&#8217;s very useful for development teams, and it&#8217;s very useful for them to build stuff for the final users.</p>\n\n\n\n<p><strong>[Rich Tabor 00:04:21]</strong></p>\n\n\n\n<p>That&#8217;s great. I know you, and I have probably both been in the same scenario at WordCamps when you&#8217;re trying to get dev environments set up, and it takes, you know, the better half of the workshop to get to step one. So this is really gonna be interesting to see it, especially at WordCamp Europe, and to see it getting into action.</p>\n\n\n\n<p>Are you planning on going to WordCamp Europe this year?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:04:39]</strong></p>\n\n\n\n<p>Absolutely, I will have a table at Contributor Day, a WordPress Playground table. So yeah, everyone&#8217;s invited to come over. I&#8217;ll show you a lot of cool stuff. And then at WP Connect on Saturday at 10:00 AM, there will be a WordPress Playground session where you&#8217;ll be able to learn more and see some cool demos.</p>\n\n\n\n<p>And this will be a conversational format, so we&#8217;ll just have a nice chat.</p>\n\n\n\n<p><strong>[Rich Tabor 00:05:01]</strong></p>\n\n\n\n<p>Super cool. So how else can people find out a little bit more info about Playground and perhaps even get involved and contribute to the project?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:05:08]</strong></p>\n\n\n\n<p>There&#8217;s a developer.WordPress.org/playground website. There&#8217;s a link in a show notes where you&#8217;ll be able, like this is the perfect entry point to the entire rabbit hole of WordPress Playground.</p>\n\n\n\n<p>There&#8217;s a quite a few projects under the WordPress Playground umbrella, and they all live in a single GitHub repository where you can just find any issue that interests if you want to contribute and just start contributing. Also, there&#8217;s a Slack channel in WordPress org space called #meta-playground, and I highly encourage everyone interested in coming over to say hi.</p>\n\n\n\n<p>And probably one of the best places to ask questions and get acquainted with the community.</p>\n\n\n\n<p><strong>[Rich Tabor 00:05:54]</strong></p>\n\n\n\n<p>Oh, that&#8217;s great; I&#8217;m very intrigued about the project overall. I think that there&#8217;s an immense amount of potential, for WordPress Playground. Just last question here, like, where do you see the future of this project going? What is the most interesting application that hasn&#8217;t been done yet, or the things that are really gonna be the next level in unlocking Playground for everyone?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:06:12]</strong></p>\n\n\n\n<p>There&#8217;s quite a few. Imagine being able to go to WordPress.org and have a WordPress demo right then and there without having to download anything. Then you customize it, and you have a button to host your website anywhere or just to download it.</p>\n\n\n\n<p>Imagine having a live preview for all the themes and plugins in the directory and even in WordPress core, but these are sooner than later. Maybe like, let&#8217;s talk more grandiose, shall we? So there&#8217;s this term, 1 billion new users coming online in the next, like in the nearest future, and plenty of them doesn&#8217;t even own a desktop device. Maybe they have a mobile phone, maybe they have a tablet, maybe we&#8217;re talking about a young, prospective developer somewhere. And currently, if you don&#8217;t own a desktop device, you cannot contribute to the WordPress plugin ecosystem at all.</p>\n\n\n\n<p>Like, we&#8217;re seeing more and more of creating themes with no code, which is really exciting. But you cannot build the plugin, really. Well, with WordPress Playground. Suddenly you can do development on a mobile device. So development tools and code editors and just the entire suite of things we use as the developers on our desktop of devices like this may come online and be available in your browser.</p>\n\n\n\n<p>And if you&#8217;re on a train and you just have a phone with you, but you still want to learn, how to build a plugin, well, you&#8217;ll be able to do that. Furthermore, there&#8217;s a lot of exciting opportunities with ChatGPT, as in, well, here&#8217;s a WordPress running entirely on your device. So maybe if that&#8217;s connected to ChatGPT, you&#8217;ll be able to say, well, I like fish, or like, I want two columns and a photo of a racing car on top of it.</p>\n\n\n\n<p>And because ChatGPT can output HTML, we connect the two, and suddenly, you can build a website entirely in your browser using natural language.</p>\n\n\n\n<p><strong>[Rich Tabor 00:08:20]</strong></p>\n\n\n\n<p>Man, that&#8217;s, that&#8217;s really interesting. It really does unlock the next, potentially the next like, wave of innovation in the WordPress experience, especially removing all the complications of getting set up and actually seeing what&#8217;s there. I think that it really could, be huge for users every day.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:08:38]</strong></p>\n\n\n\n<p>Oh, here&#8217;s one more. So, edge computing is big lately, and it&#8217;s going to be bigger in the future. WordPress Playground runs on this new technology called Web Assembly, and it just happened so that a bunch of edge computing providers allows you to run web assembly on their gear. So imagine having WordPress running entirely in edge infrastructure with no centralized server.</p>\n\n\n\n<p>Truly decentralized WordPress. It could be big for a well cost of operating, but also for speed, but also even further down in the future. Imagine downloading the actual, you know, even WordPress around time to your device and having the entire website on your phone. So then you know, you&#8217;re on a train, you enter a tunnel, but you can still browse that WooCommerce store and add things to your cart even though there is no range at all.</p>\n\n\n\n<p><strong>[Rich Tabor 00:09:32]</strong></p>\n\n\n\n<p>Wow, that&#8217;s, that&#8217;s pretty crazy. How far out there do you think something like that is?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:09:37]</strong></p>\n\n\n\n<p>It&#8217;s hard to tell. I mean, technically, it is possible. There are a lot of challenges with regard to privacy, right? And data security for the edge computing case specifically. As for the development tools, there was a Cloud Fest hackathon earlier this year where I was with Daniel Bachhuber, also from Automattic, and we led this exciting project that brought the WordPress development environment into the browser using a couple of editors that are out there, and this is too much of an MVP for actual production use yet, but we got it working, and we build an actual plugin on a phone without internet access.</p>\n\n\n\n<p><strong>[Rich Tabor 00:10:19]</strong></p>\n\n\n\n<p>Wow. And that was just a hackathon, just hacking at it to see what you can get.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:10:23]</strong></p>\n\n\n\n<p>Yeah, it was two and a half days.</p>\n\n\n\n<p><strong>[Rich Tabor 00:10:25]</strong></p>\n\n\n\n<p>Oh, that&#8217;s awesome. That&#8217;s really cool, man. Well, this has been quite a pleasure. Thanks, Adam, for chatting all about WordPress Playground. Folks, just be sure to check out developer.WordPress.org/playground to explore, experiment, and play with WordPress Playground.</p>\n\n\n\n<p>This has been awesome, Adam.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:10:43]</strong></p>\n\n\n\n<p>Thank you so much for having me, Rich.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:10:45]</strong></p>\n\n\n\n<p>What a remarkable new way of working with and experiencing WordPress. I would love to be able to find ways across the project and ecosystem to help folks see what they&#8217;re getting into before they get into it, but also, who knows what the future holds for that project. Keep an eye on it.</p>\n\n\n\n<p>(Musical interlude)</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:11:10]</strong></p>\n\n\n\n<p>That brings us to our small list of big things happening right now in the WordPress project. The first one is that the Kim Parel Memorial Scholarship for WordCamp US 2023 is open, and applications for it are the WordPress Foundation will once again be offering that scholarship for Travel to WordCamp US.</p>\n\n\n\n<p>It is for specifically for women in technology, women in the WordPress space. I&#8217;ll include a link to that in the show notes.</p>\n\n\n\n<p>The second thing is WordPress&#8217; 20th anniversary is still coming, as we heard in the last podcast.</p>\n\n\n\n<p>So we have reached over 100 events that are scheduled on or around May 27th, which is WordPress’ launch date. There is still time to find your closest location and attend one of those events. And probably, there&#8217;s also time to pull together an event of your own. Head on over to wp20.WordPress.net if you would like to see events in your area.</p>\n\n\n\n<p>And the third thing is WordCamp US 2023. I realize WordCamp Europe comes before that, but the programming team actually has a really interesting thing that they&#8217;re doing this year. They have some changes to the way that they are organizing the event and finding speakers for the event. But as always, they are working very hard to make sure it is an attendee-focused event.</p>\n\n\n\n<p>I&#8217;m gonna include a link or two to some announcements that are really worthwhile there. Head on over to the podcast page to see those. And that, my friends, is your small list of big things. Thank you for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy. Thanks again to my guests, and I&#8217;ll see y&#8217;all in a couple of weeks.&nbsp;</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14968\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"WordPress 6.2.2 Security Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 20 May 2023 04:09:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Security\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14974\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"WordPress 6.2.2 is now available!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Jonathan Desrosiers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:5451:\"\n<h2 class=\"wp-block-heading\">WordPress 6.2.2 is now available!</h2>\n\n\n\n<p>The 6.2.2 minor release addresses <a href=\"https://core.trac.wordpress.org/query?milestone=6.2.2&amp;col=id&amp;col=summary&amp;col=status&amp;col=owner&amp;col=type&amp;col=priority&amp;col=milestone&amp;order=priority\">1 bug</a> and 1 security issue. Because this is a security release, it is recommended that you update your sites immediately. All versions since WordPress 5.9 have also been updated.</p>\n\n\n\n<p>WordPress 6.2.2 is a rapid response release to address a regression in 6.2.1 and further patch a vulnerability addressed in 6.2.1. The next major release will be<a href=\"https://make.wordpress.org/core/6-3/\"> version 6.3</a> planned for August 2023.</p>\n\n\n\n<p>The update process will begin automatically if you have sites that support automatic background updates.</p>\n\n\n\n<p>You can <a href=\"https://wordpress.org/wordpress-6.2.2.zip\">download WordPress 6.2.2 from WordPress.org</a> or visit your WordPress Dashboard, click “Updates,” and click “Update Now.”</p>\n\n\n\n<p>For more information on this release, please <a href=\"https://wordpress.org/support/wordpress-version/version-6-2-2\">visit the HelpHub site</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Security updates included in this release</strong></h2>\n\n\n\n<p>The security team would like to thank the following people for responsibly reporting vulnerabilities and allowing them to be fixed in this release.&nbsp;</p>\n\n\n\n<ul>\n<li>Block themes parsing shortcodes in user-generated data; thanks to Liam Gladdy of<a href=\"https://wpengine.com/\"> WP Engine</a> for reporting this issue.</li>\n</ul>\n\n\n\n<p>The issue above was originally patched in the 6.2.1 release, but needed further hardening here in 6.2.2. The Core team is thankful for the community in their response to 6.2.1 and collaboration on finding the best path forward for proper resolution in 6.2.2. The folks who worked on 6.2.2 are especially appreciative for everyone’s understanding while they worked asynchronously to get this out the door as quickly as possible.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Thank you to these WordPress contributors</h2>\n\n\n\n<p>This release was led by <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>.</p>\n\n\n\n<p>WordPress 6.2.2 would not have been possible without the contributions of the following people. Their asynchronous coordination to deliver security fixes into a stable release is a testament to the power and capability of the WordPress community.</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a>, <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a>, <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a>, <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a>, <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a>, <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>, <a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a>, <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a>, <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a>, <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a>, <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>, <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha</a>, <a href=\"https://profiles.wordpress.org/Clorith/\">Marius L. J.</a>, <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a>, <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a>, <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>, <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>, <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a>, <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a>, <a href=\"https://profiles.wordpress.org/Otto42/\">Samuel Wood (Otto)</a>, <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a>, and <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">How to contribute</h2>\n\n\n\n<p>To get involved in WordPress core development, head over to Trac, <a href=\"https://core.trac.wordpress.org/report/6\">pick a ticket</a>, and join the conversation in the <a href=\"https://wordpress.slack.com/archives/C02RQBWTW\">#core</a> and <a href=\"https://wordpress.slack.com/archives/C051Z1SKBDZ\">#6-3-release-leads</a> channels. Need help? Check out the <a href=\"https://make.wordpress.org/core/handbook/\">Core Contributor Handbook</a>.</p>\n\n\n\n<p><em>Thanks to <a href=\'https://profiles.wordpress.org/cbringmann/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>cbringmann</a>, <a href=\'https://profiles.wordpress.org/davidbaumwald/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>davidbaumwald</a>, <a href=\'https://profiles.wordpress.org/chanthaboune/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>chanthaboune</a>, <a href=\'https://profiles.wordpress.org/jeffpaul/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>jeffpaul</a> for proofreading.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14974\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"WordPress 6.2.1 Maintenance &amp; Security Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 18:32:21 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Security\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14955\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:339:\"WordPress 6.2.1 is now available! This minor release features 20 bug fixes in Core and 10 bug fixes for the block editor. You can review a summary of the maintenance updates in this release by reading the Release Candidate announcement. This release also features several security fixes. 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You can review a summary of the maintenance updates in this release by reading the <a href=\"https://make.wordpress.org/core/2023/05/09/wordpress-6-2-1-rc1-is-now-available/\">Release Candidate announcement</a>.</p>\n\n\n\n<p>This release also features several security fixes. Because this is a security release, it is recommended that you update your sites immediately. All versions since WordPress 4.1 have also been updated.</p>\n\n\n\n<p>WordPress 6.2.1 is a short-cycle release. The next major release will be <a href=\"https://make.wordpress.org/core/6-3/\">version 6.3</a> planned for August 2023.</p>\n\n\n\n<p>If you have sites that support automatic background updates, the update process will begin automatically.</p>\n\n\n\n<p>You can <a href=\"https://wordpress.org/wordpress-6.2.1.zip\">download WordPress 6.2.1 from WordPress.org</a>, or visit your WordPress Dashboard, click “Updates”, and then click “Update Now”.</p>\n\n\n\n<p>For more information on this release, please <a href=\"https://wordpress.org/support/wordpress-version/version-6-2-1\">visit the HelpHub site</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Security updates included in this release</h2>\n\n\n\n<p>The security team would like to thank the following people for responsibly reporting vulnerabilities, and allowing them to be fixed in this release.</p>\n\n\n\n<ul>\n<li>Block themes parsing shortcodes in user generated data; thanks to Liam Gladdy of <a href=\"https://wpengine.com/\">WP Engine</a> for reporting this issue</li>\n\n\n\n<li>A CSRF issue updating attachment thumbnails; reported by <a href=\"https://johnblackbourn.com/\">John Blackbourn</a> of the WordPress security team</li>\n\n\n\n<li>A flaw allowing XSS via open embed auto discovery; reported independently by Jakub Żoczek of <a href=\"https://research.securitum.com/\">Securitum</a> and during a third party security audit</li>\n\n\n\n<li>Bypassing of KSES sanitization in block attributes for low privileged users; discovered during a third party security audit.</li>\n\n\n\n<li>A path traversal issue via translation files; reported independently by Ramuel Gall &amp; Matt Rusnak at Wordfence, and during a third party security audit.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Thank you to these WordPress contributors</h2>\n\n\n\n<p>This release was led by <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/SergeyBiryukov\">Sergey Biryukov</a> and <a href=\"https://profiles.wordpress.org/peterwilsoncc\">Peter Wilson</a>.</p>\n\n\n\n<p>WordPress 6.2.1 would not have been possible without the contributions of the following people. Their asynchronous coordination to deliver maintenance and security fixes into a stable release is a testament to the power and capability of the WordPress community.</p>\n\n\n\n<p class=\"is-style-wporg-props-long\"><a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a>, <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a>, <a href=\"https://profiles.wordpress.org/amin7/\">amin</a>, <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a>, <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a>, <a href=\"https://profiles.wordpress.org/oandregal/\">André</a>, <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a>, <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, <a href=\"https://profiles.wordpress.org/chiragrathod103/\">Chirag Rathod</a>, <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>, <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>, <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a>, <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a>, <a href=\"https://profiles.wordpress.org/shagors/\">devshagor</a>, <a href=\"https://profiles.wordpress.org/dhrumilk/\">Dhrumil Kumbhani</a>, <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a>, <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella</a>, <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a>, <a href=\"https://profiles.wordpress.org/joen/\">Joen A.</a>, <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>, <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>, <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a>, <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a>, <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a>, <a href=\"https://profiles.wordpress.org/trepmal/\">Kailey (trepmal)</a>, <a href=\"https://profiles.wordpress.org/mdxfr/\">Marc</a>, <a href=\"https://profiles.wordpress.org/marineevain/\">Marine EVAIN</a>, <a href=\"https://profiles.wordpress.org/mattwiebe/\">Matt Wiebe</a>, <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a>, <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a>, <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a>, <a href=\"https://profiles.wordpress.org/nickpap/\">nickpap</a>, <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a>, <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a>, <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>, <a href=\"https://profiles.wordpress.org/pouicpouic/\">pouicpouic</a>, <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>, <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a>, <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a>, <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a>, <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a>, <a href=\"https://profiles.wordpress.org/tmatsuur/\">tmatsuur</a>, <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a>, <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, <a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a>, <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a>, and <a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">How to contribute</h2>\n\n\n\n<p>To get involved in WordPress core development, head over to Trac, <a href=\"https://core.trac.wordpress.org/report/6\">pick a ticket</a>, and join the conversation in the <a href=\"https://wordpress.slack.com/archives/C02RQBWTW\">#core</a> and <a href=\"https://wordpress.slack.com/archives/C051Z1SKBDZ\">#6-3-release-leads channels</a>. Need help? Check out the <a href=\"https://make.wordpress.org/core/handbook/\">Core Contributor Handbook</a>.</p>\n\n\n\n<p class=\"has-text-align-right\"><em>Thanks to <a href=\'https://profiles.wordpress.org/sergeybiryukov/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>sergeybiryukov</a> for proofreading.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14955\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"WP Briefing: Episode 55: Happy Anniversary, WordPress!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://wordpress.org/news/2023/05/episode-55-happy-anniversary-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 08 May 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=14949\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:217:\"Join WordPress Executive Director Josepha Haden Chomphosy in the 55th episode of the WordPress Briefing as she looks back at the 20 years of WordPress and how the open source community made WordPress what it is today.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:60:\"https://wordpress.org/news/files/2023/05/WP-Briefing-055.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brett McSherry\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15017:\"\n<p>Join WordPress Executive Director Josepha Haden Chomphosy in the 55th episode of the WordPress Briefing as she looks back at the 20 years of WordPress and how the open source community made WordPress what it is today.</p>\n\n\n\n<p><em><strong>Have a question you’d like answered? You can submit them to&nbsp;<a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Editor:&nbsp;<a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br>Logo:&nbsp;<a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br>Production:&nbsp;<a href=\"https://profiles.wordpress.org/bjmcsherry/\">Brett McSherry</a><br>Song: Fearless First by Kevin MacLeod</p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/04/25/the-benefits-of-prioritizing-and-measuring-performance-in-wordpress-6-2/\">The benefits of prioritizing and measuring performance in WordPress 6.2</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/04/14/wordpress-6-3-planning-proposal-call-for-volunteers/\">WordPress 6.3 Planning Proposal &amp; Call for Volunteers</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/04/07/preparing-for-the-next-women-nonbinary-release-squad/\">Preparing for the Next Women &amp; Nonbinary Release Squad</a></li>\n\n\n\n<li>WordCamp Europe: \n<ul>\n<li><a href=\"https://europe.wordcamp.org/2023/call-for-volunteers/\">Call for volunteers</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/04/24/table-leads-needed-for-wceu-2023-contributor-day/\">Table Leads Needed for WCEU 2023 Contributor Day</a></li>\n</ul>\n</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/04/24/defining-the-polyglots-contributor-ladder/\">Defining the Polyglots contributor ladder</a><br></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-14949\"></span>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:00]&nbsp;</p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress Open Source project, some insight into the community that supports it, and get a smallest of big things coming up in the next two weeks.</p>\n\n\n\n<p>I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:40]&nbsp;</p>\n\n\n\n<p>In case you hadn&#8217;t heard yet. WordPress is celebrating its 20th anniversary on May 27th.&nbsp;</p>\n\n\n\n<p>There are a lot of celebrations and parties happening all across the world, hopefully with cake, because we all know that a party without cake is just a meeting and no one wants a year-long meeting about how old you are.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:59]&nbsp;</p>\n\n\n\n<p>But if you&#8217;ve not yet joined the celebrations, there&#8217;s still time to share your favorite WordPress merch, your favorite WordCamp memory, host a whole dang party if you want to, or share a video to post on wp20.wordpress.net. I&#8217;ve got links to everything you need in the show notes. So if you haven&#8217;t done it yet, you can do that while you listen to today&#8217;s episode.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:14]&nbsp;</p>\n\n\n\n<p>I&#8217;ve got links to everything you need in the show notes. So if you haven&#8217;t done it yet, you can do that while you listen to today&#8217;s episode.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:22]&nbsp;</p>\n\n\n\n<p>Today, WordPress is the leading CMS in the market. And according to W3Tech&#8217;s it powers 43% of the web. And that&#8217;s like 35% of the top 10,000 sites that are built using this software. And sometimes, that&#8217;s as a website, sometimes as a framework, but always as a way for people and businesses to find a space on the web to call their own.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:45]&nbsp;</p>\n\n\n\n<p>In 2021. The first-ever study on the WordPress ecosystem gave us an idea of just how large our ecosystem is. We already kind of had a sense that millions of people make a living through WordPress because we know that we are supporting small business owners and freelancers all the way out to agencies and content creators.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:06]&nbsp;</p>\n\n\n\n<p>But according to that study, WordPress at the time was powering 82 million websites and enabled an estimated economy of $597 billion. The success of an economy like this and various other alternative economies hinges on the success of invisible open source software that powers the web, just like WordPress, that has a tonne of growth and a lot of wins since that first Cafe Log fork way back in 2003.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:37]&nbsp;</p>\n\n\n\n<p>And WordPress could just say pencils down, everybody. Good job, team, and just kind of watch what comes next. But I&#8217;ve never met a word processor, emboldened as we are by our belief in open source freedoms, who stepped away from a challenge worth facing the recognition that everyone should have those freedoms whether they know they exist or not. Because I know that no one cares as much about open source freedoms as open source maintainers. But the recognition that everyone has the right to them anyway is built into the foundations of what WordPress is and who WordPress is.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:13]</p>\n\n\n\n<p>There are big plans for WordPress future, many of which are grounded in the promise of a new block editor within WordPress that aims to lower the barriers to entry for people at any point in their learning curve. So let&#8217;s take a look at what this means for WordPress, the software, and follow up about what it means for the WordPress community.&nbsp;</p>\n\n\n\n<p>&nbsp;[Josepha Haden Chomphosy 00:03:31]</p>\n\n\n\n<p>Firstly, the software right at the end of 2018, the Gutenberg editor was merged into WordPress Core. And it&#8217;s subverted the way that people had always managed their content. It brought with it this new concept of site building that focused on blocks as the primary mode of creation. It was modular and required very little code knowledge.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:53]</p>\n\n\n\n<p>Arguably also very little skill with design. Although if you&#8217;ve ever seen me tried to design something with blocks, you will know it takes some skill. But still, the ultimate goal was to make those fundamental user interactions of managing the block and apply them in any place you could manage your site using WordPress.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:53]</p>\n\n\n\n<p>And if you think about the possibility to create media-rich content without having to work with shortcode, without having to know HTML workarounds, it opens the opportunity for many of us in the WordPress community to own our digital presence. In case it wasn&#8217;t already clear, this, my friends, is an audacious project, and it&#8217;s even more so if you remember that we have this existing and massive ecosystem that is enabled and empowered by our software.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:04:42]</p>\n\n\n\n<p>And as we look forward to the third phase of the Gutenberg Project, collaborative editing inside a WordPress installation will soon be a reality, which if you are like me and you never work on a website alone, you&#8217;re probably just dying to have. I say all this not to toot the horn have WordPress or belabor our success but rather to emphasize the importance of what I&#8217;m going to say next, which is how this CMS got to where it is, namely through the work of the community.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:05:12]</p>\n\n\n\n<p>WordPress has survived, and I would dare to say thrived through decades of constant economic, cultural, and technological shifts. And I believe that the thing that keeps us innovating fast enough to stay relevant but slow enough to be ethical, is how the community actively engages with the open source project.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:05:32]</p>\n\n\n\n<p>We know that our strength is directly tied to the resilience of our contributors. And we know that the software we ship is shaped by the people who are willing to tell us what they love, what they hate, and what they hope to see. When the WordPress project started, we mainly had code contributions as a way to give back, but over time, the project has grown to include contributions to learning, community building, and translations, among other things, but all of that exists alongside the CMS-focused contributions.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:06:03]</p>\n\n\n\n<p>Because WordPress as an organization understands that it is an integral part of an ecosystem of 1000s of global companies and millions of individual people who are building careers, starting businesses, learning new skills, and becoming part of something meaningful. I know that I talk just all the time about the greatness of WordPress as a software and community, which makes sense.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:06:29]</p>\n\n\n\n<p>I really do love the work I do with you all. But I am equally in awe of this open-hearted journey of disruption that WordPress represents as an open source project. WordPress and its community is part of a long line of disruptors; blogs made publishing available to everyone, which maybe doesn&#8217;t sound like a big deal right now because you&#8217;ve been around blogging forever.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:06:51]</p>\n\n\n\n<p>You&#8217;ve been able to just put your thoughts on the internet with almost no effort for as long as you have known the internet existed, but WordPress, at the time, was and honestly remains the low code open source CMS of choice. It has been for years. And so, let me backtrack you through the 10,000-foot milestones of our journey here.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:07:14]</p>\n\n\n\n<p>Gutenberg has been around since 2013. It&#8217;s 10 years. I know, don&#8217;t get scared, we&#8217;re celebrating 20 years. So it&#8217;s been around for half of our time as a concept. Open source as a concept was formalized in the 1980s. Though it definitely has been around longer than that as a concept and a way of working.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:07:34]</p>\n\n\n\n<p>And this low-code, no-code movement that we hear about from time to time that has been around since the 1970s, and just because we first became aware of it in the 1970s doesn&#8217;t mean that that&#8217;s when it actually first was discussed or thought about or used. Which means that you are in this moment, decades deep into projects that changed our entire understanding of the web.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:07:59]</p>\n\n\n\n<p>So grab a slice of cake, and raise a glass to 20 great years of WordPress, and I am going to raise a glass to 20 more years of continuing our journey together.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:08:17]</p>\n\n\n\n<p>Which brings us effervescently to the small list of big things. Yeah, I said effervescently.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:08:24]</p>\n\n\n\n<p>So there are a lot of things happening in the WordPress project over the next couple of weeks. There is a lot of testing going on. There are a lot of releases that are getting underway. There are events and things. So here&#8217;s my rundown of stuff you should take a look at.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:08:38]</p>\n\n\n\n<p>So firstly, there is a post out about performance improvements from 6.2. That is just inviting an open discussion so that we can get more of those improvements in better shape to get into the 6.3 release. And speaking of the 6.3 release that is coming, just last week, we announced the release squad that we have.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:08:58]</p>\n\n\n\n<p>It is an extra heavy release squad because we also are working toward the 6.4 release just at the same time. So there&#8217;s the folks who are running the 6.3 release, and they have committed to working openly and in public channels as much as possible so that the 6.4 folks have a chance to really take a look at what goes into a release, the questions that we ask, the philosophies we believe in, and then that 6.4 release oil pick up probably, my guess is August-ish, mid-August or so.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:09:32]</p>\n\n\n\n<p>That 6.4 release is specifically going to be made up entirely of diverse genders. People that we historically see are underrepresented in technology, but as always, we accept contributions from everyone for all releases.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:09:48]</p>\n\n\n\n<p>The third thing is that we have WordCamp Europe coming up, that is June 8 and 10th. So a little bit past the two-week mark.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:09:54]</p>\n\n\n\n<p>However, there is a final call for volunteers for anyone who wants to be able to help at the event. I personally have always enjoyed doing that kind of volunteer work. It helps you get to know your community even a bit better. And I don&#8217;t know; I&#8217;m just kind of an extroverted people person. So, of course, I always want to volunteer, but that call is still open. And they&#8217;re in the last phases of that.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:10:17]</p>\n\n\n\n<p>There is also a team or two that needs some help with getting leads for the contributor day that happens leading up to WordCamp. Europe, I know that the testing team needs a lead for the table, and so if you enjoy the process of triaging or testing or helping people get their environment set up, that is a great opportunity.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:10:37]</p>\n\n\n\n<p>And the final thing on my small, my big small list of big things is that we have a kind of a review of the currently defined contributor ladder for the Polyglots team. There are a number of posts over the years where we talk about the ways that people move through being a contributor.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:10:57]</p>\n\n\n\n<p>One of the things that we know about almost all contributor ladders is that there&#8217;s no time requirement between the steps, but in general, it functions like a ladder. So you do have to have, like, rung one. And then, rung two, if you try to skip from rung one to rung three, you will have a lot of difficulty.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:11:17]</p>\n\n\n\n<p>Not impossible, but it&#8217;s harder than going 1, 2, 3 In the normal sequential order. And so that&#8217;s a whole discussion that&#8217;s happening over there. There&#8217;s a link to all of these things in the show notes.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:11:28]</p>\n\n\n\n<p>And that, my friends, is your small list of big things. Thank you for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy,  and I&#8217;ll see you again in a couple of weeks.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14949\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"2022 Annual Survey Results &amp; Next Steps\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://wordpress.org/news/2023/05/2022-annual-survey-results-next-steps/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 04 May 2023 16:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"General\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:6:\"survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14923\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:373:\"Each year, members of the WordPress community (users, site builders, extenders, and contributors) provide valuable feedback through an annual survey. For 2022, the survey received a comprehensive update, the first in six years. The total number of questions was reduced to 29 from nearly 100, socio-economic questions were mostly removed, and the Likert scale was [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Josepha\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4920:\"\n<p>Each year, members of the WordPress community (users, site builders, extenders, and contributors) provide valuable feedback through an annual survey. For 2022, the survey received a comprehensive update, the first in six years. The total number of questions was reduced to 29 from nearly 100, socio-economic questions were mostly removed, and the Likert scale was introduced. These updates were intended to increase the completion rate of the survey, enable a more efficient and structured analysis of these data, and position the survey to best gauge the topics that matter most to the WordPress community.</p>\n\n\n\n<p>My goal is that the input received via the survey helps inform initiatives and focus areas for WordPress in the near term, along with other signals, such as conversations in the community, the Making WordPress blogs, and events. Such data play a key role in shaping the direction and strategy of the project and measuring progress in focus areas.</p>\n\n\n\n<h1 class=\"wp-block-heading\">2022 Highlights</h1>\n\n\n\n<p>The 2022 edition of the survey experienced a 26% increase in completion rate, however, submissions decreased by 56% to roughly 3400, including about 800 contributors. For the 2023 survey, promotion will be increased, hopefully counteracting the declining submissions.</p>\n\n\n\n<p>Here are some key takeaways:</p>\n\n\n\n<ul>\n<li>The survey shows an increased usage of blocks and the new site editor (versus the classic editor), which shouldn’t come as a surprise since the default theme is now a block theme.&nbsp;</li>\n\n\n\n<li>22% of respondents have only used WordPress for a year or less. Those responding to the survey are also getting a bit older, with fewer responses from those under 40 than in prior years.</li>\n\n\n\n<li>1 in 5 respondents learned about WordPress from a coworker, and about the same percentage from using a search engine.&nbsp;</li>\n\n\n\n<li>In 2022, WordPressers continued to learn about WordPress (68%), taught others about WP (48%), and built sites for others (55%).</li>\n\n\n\n<li>WordPressers choose the CMS platform because it’s open source (62%), flexible (47%), low risk (45%), cost-effective (45%), and has a positive reputation (41%).</li>\n\n\n\n<li>57% of survey participants obtained news and training directly from <a href=\"http://wordpress.org\">WordPress.org</a>. While that is the primary source, other sites remain very important: search engines (46%), YouTube (40%), other WordPress communities (35%), and social media (30%)</li>\n\n\n\n<li>The overwhelming majority of respondents don’t regularly use other CMS platforms, and 21% of respondents use none of the top 20 WordPress plugins.&nbsp;</li>\n\n\n\n<li>Respondents continue to state that “WordPress is as good as or better than other CMS platforms,” with 68% agreeing. Elements that respondents feel are the best aspects of WordPress include “ease of use,” “flexibility,” and/or “plugin options,” all about 30% each. When asked about the most frustrating elements of WordPress, 1 in 5 said, “nothing,” while approximately 30% referenced difficulties with site editing / Gutenberg.</li>\n\n\n\n<li>The overall contributor experience remains positive and something I continue to care about deeply. 64% shared they had a positive experience, and 24% viewed their experience as “neutral.” Contributors also feel welcome at the same percentages (64% agree and 24% are neutral).</li>\n</ul>\n\n\n\n<h1 class=\"wp-block-heading\">What’s Planned for 2023</h1>\n\n\n\n<p>In the next iteration of the survey, the plan is to improve the language options for completing the survey and continue investing in refining the questions and how they are asked. It is important to be mindful that completing a survey takes time, so we want to make sure community members are being asked questions that help WordPress the most.&nbsp;</p>\n\n\n\n<p>The tentative plan is to launch the 2023 edition in August. This will set up an opportunity for the 2023 results and, most importantly, your input to inform planning for 2024’s key initiatives and focus areas. The community’s feedback is vitally important to the success and direction of the project. Moving the survey to earlier in the year can positively affect planning and dialogue.</p>\n\n\n\n<p><a href=\"https://wordpress.org/news/files/2023/05/2022-Annual-Survey-Final.pdf\">View the 2022 Slide Deck</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<p><em>Big thank you to <a href=\'https://profiles.wordpress.org/dansoschin/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>dansoschin</a> for the analysis and editorial support. Thanks also to <a href=\'https://profiles.wordpress.org/angelasjin/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>angelasjin</a>, and <a href=\'https://profiles.wordpress.org/cbringmann/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>cbringmann</a> for their reviews and final edits.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14923\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"The Month in WordPress – April 2023\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/news/2023/05/the-month-in-wordpress-april-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 04 May 2023 10:08:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:18:\"Month in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:18:\"month in wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14926\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:374:\"With preparations for the next major releases already underway, the community is gearing up to celebrate WordPress’ 20th anniversary, which is just around the corner. This month has also seen some major highlights, such as WordPress 6.2’s performance wins and the launch of WP Translation Playground. Read on to find out what&#8217;s new. Forthcoming WordPress [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Reyes Martínez\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15422:\"\n<p>With preparations for the next major releases already underway, the community is gearing up to celebrate WordPress’ 20th anniversary, which is just around the corner. This month has also seen some major highlights, such as WordPress 6.2’s performance wins and the launch of WP Translation Playground. Read on to find out what&#8217;s new.</p>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Forthcoming WordPress releases</h2>\n\n\n\n<p>Following the successful release of <a href=\"https://wordpress.org/news/2023/03/dolphy/\">WordPress 6.2</a> “Dolphy,” which has garnered over <a href=\"https://wordpress.org/download/counter/\">31 million downloads</a> (and counting), contributors across all teams are already planning future major releases, including versions 6.3 and 6.4.</p>\n\n\n\n<p>While WordPress 6.3 will focus on refinements to the site editing experience, <a href=\"https://make.wordpress.org/core/2023/04/07/preparing-for-the-next-women-nonbinary-release-squad/\"><strong>6.4 will reprise the underrepresented gender release initiative</strong></a> introduced in WordPress 5.6 &#8220;Simone.&#8221; If you&#8217;re interested in contributing, now is the perfect time to get involved.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/04/14/wordpress-6-3-planning-proposal-call-for-volunteers/\">Check out the WordPress 6.3 proposed schedule and call for volunteers</a>.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WP20 is just around the corner</h2>\n\n\n\n<p><strong>Mark your calendars for May 27 and join the community for a day filled with exciting parties and activities!</strong></p>\n\n\n\n<p>With a refreshed look, the WP20 website offers a <a href=\"https://wp20.wordpress.net/\">list of events to join</a>, <a href=\"https://mercantile.wordpress.org/product-category/wp20/\">swag to show your WordPress pride</a>, and <a href=\"https://wp20.wordpress.net/download-selfie-props-for-wp20-meetup-celebrations/\">downloadable “selfie props”</a> to add fun to your celebrations.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/05/WP20-Tokyo-3.jpg?resize=1024%2C768&#038;ssl=1\" alt=\"Cake decorated with WordPress anniversary-themed motifs shared at a recent meetup in Tokyo, Japan.\" class=\"wp-image-14927\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/05/WP20-Tokyo-3.jpg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/05/WP20-Tokyo-3.jpg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/05/WP20-Tokyo-3.jpg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/05/WP20-Tokyo-3.jpg?w=1280&amp;ssl=1 1280w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\"><em>Cake decorated with WordPress anniversary-themed motifs shared at a recent meetup in Japan.</em></figcaption></figure>\n\n\n\n<p>The Marketing Team has also launched <a href=\"https://make.wordpress.org/marketing/2023/05/02/20-days-to-celebrate-20-years-of-wordpress-from-blogs-to-blocks/\">#WP20 From Blogs to Blocks</a>, a community-focused initiative that encourages you to take a small daily WordPress-focused action for 20 days leading up to the anniversary date.</p>\n\n\n\n<p>On the other hand, details are being finalized for the 20th anniversary commemorative book, <a href=\"https://make.wordpress.org/project/2023/04/13/wordpress-at-20-in-print/\">Building Blocks: The Evolution of WordPress 2013-2023</a>. This volume will span the history and most meaningful moments of the last decade of WordPress.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://wp20.wordpress.net/share-your-favorite-wordpress-swag-youve-collected-over-the-years/\">What’s your favorite WordPress swag</a>? Do you have a <a href=\"https://wp20.wordpress.net/whats-your-favorite-wordpress-moment/\">special memory from a WordCamp or meetup</a>? Share them with the community and join the #WP20 fun on social media.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress 6.2 performance</h2>\n\n\n\n<p>WordPress 6.2 reiterates the platform&#8217;s commitment to optimizing website performance with <a href=\"https://make.wordpress.org/core/2023/04/05/wordpress-6-2-performance-improvements-for-all-themes/\">significant improvements</a>. <strong>Load times are 14 to 18% faster for block themes and 2 to 5% for classic themes</strong>. Server-side performance is also seeing a big boost, with an increase of 17 to 23% for block themes and 3 to 5% for classic themes.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/02/01/core-editor-improvement-strengthening-style-options/\"></a><a href=\"https://make.wordpress.org/core/2023/04/25/the-benefits-of-prioritizing-and-measuring-performance-in-wordpress-6-2/\">Learn more about the performance wins in 6.2</a>, including a retrospective from the Performance Core Team on the efforts that made it happen.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">New in the Gutenberg plugin</h2>\n\n\n\n<p>Two new versions of the Gutenberg plugin have shipped in the last month:</p>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/04/05/whats-new-in-gutenberg-15-5-05-april/\"><strong>Gutenberg 15.5</strong></a><strong> </strong>shipped on April 5, 2023, with many user-facing features to improve the creation experience. Enhancements include caption style customization, theme-defined template patterns when adding a new template, and experimental support for grid layouts in the Group block.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/04/19/whats-new-in-gutenberg-15-6-19-april/\"><strong>Gutenberg 15.6</strong></a> is available for download as of April 19, 2023. This version introduces an experimental Details block to expand and toggle the visibility of hidden content, and more presets for core block spacing and border controls, among other highlights.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/02/01/core-editor-improvement-strengthening-style-options/\"></a>Follow the “<a href=\"https://make.wordpress.org/core/tag/gutenberg-new/\">What’s new in Gutenberg</a>” posts to stay on top of the latest enhancements.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Team updates: WP Translation Playground, WordPress.org redesign next steps, and more </h2>\n\n\n\n<ul>\n<li>The Polyglots Team launched <a href=\"https://make.wordpress.org/polyglots/2023/04/19/wp-translation-playground/\">WP Translation Playground</a>, an innovative tool that combines Local GlotPress with WordPress Playground to translate plugins and themes in context—without having to set up anything.</li>\n\n\n\n<li>Wondering what’s next in the WordPress.org redesign project? <a href=\"https://make.wordpress.org/meta/2023/04/10/wordpress-org-redesign-update-2/\">Learn about the latest updates and how to get involved</a>.</li>\n\n\n\n<li>This Community Team post discusses ways to <a href=\"https://make.wordpress.org/community/2023/04/19/cultivating-more-effective-contributing-on-contributor-days/\">make WordCamp Contributor Days more effective</a>.</li>\n\n\n\n<li>Explore <a href=\"https://make.wordpress.org/updates/2023/05/01/whats-new-on-learn-wordpress-in-april-2023/\">what&#8217;s new on Learn WordPress in April 2023</a>, including the latest content on the platform and the projects the Training Team has been working on.</li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/playground/\">WordPress Playground</a> was used in a hackathon to prototype different ways to build plugins with minimal setup, right in the browser. <a href=\"https://make.wordpress.org/core/2023/04/13/in-browser-wordpress-tech-demos-wordpress-development-with-wordpress-playground/\">See it in action in these tech demos</a>.</li>\n\n\n\n<li>Members of the Marketing Team suggested improvements to submission guidelines to <a href=\"https://make.wordpress.org/marketing/2023/04/19/showcase-submission-guidelines/\">revitalize the WordPress.org Showcase</a>.</li>\n\n\n\n<li>Most of the work to refocus the WordPress mobile app on core features is complete. <a href=\"https://make.wordpress.org/mobile/2023/04/11/contribute-to-the-future-of-the-wordpress-app/\">Find out how to help shape its future</a> with contributions opportunities for developers, writers, translators, and more.</li>\n\n\n\n<li>Keep up with the latest enhancements and development updates you need to build on top of WordPress in last month&#8217;s edition of <a href=\"https://developer.wordpress.org/news/2023/04/whats-new-for-developers-april-2023/\">What’s new for developers?</a></li>\n\n\n\n<li>The latest issue of the <a href=\"https://make.wordpress.org/community/2023/04/20/meetup-organizer-newsletter-april-2023/\">Meetup Organizer Newsletter</a> shares tips and inspiring ideas to help you plan successful community events.</li>\n\n\n\n<li>Find out how WordPress and its global community of contributors positively impacted Monika Rao&#8217;s web career in <a href=\"https://wordpress.org/news/2023/04/people-of-wordpress-monika-rao/\">April&#8217;s edition of People of WordPress</a>.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Join Josepha Haden Chomphosy in <a href=\"https://wordpress.org/news/2023/04/episode-54-open-webs-bill-of-rights/\">Episode 54 of WP Briefing</a> as she explores the concept of the four freedoms of open source and their likeness to today’s Bill of Rights for the open web.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Feedback &amp; testing requests</h2>\n\n\n\n<ul>\n<li>The latest <a href=\"https://make.wordpress.org/test/2023/04/17/fse-program-testing-call-21-front-page-fun/\">Full Site Editing (FSE) Outreach Program testing opportunity</a> invites feedback on the features included in WordPress 6.2 and those remaining in Gutenberg Phase 2. Share your thoughts by May 8, 2023.</li>\n\n\n\n<li>This <a href=\"https://make.wordpress.org/core/2023/04/25/wp-feature-notifications-2023-status-update/\">update on the WP Feature Notifications project</a> explains the progress towards a modern WordPress user notification system and how you can get involved.</li>\n\n\n\n<li>Help test the latest version of the <a href=\"https://make.wordpress.org/core/2023/04/03/preferred-languages-help-test-the-latest-version/\">Preferred Languages feature plugin</a>.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/04/19/mobile-team-update-april-19th-2/\">Version 22.2</a> of the WordPress mobile app for iOS and Android is ready for testing.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/05/02/lets-talk-wordpress-core-artificial-intelligence/\">This discussion post</a> welcomes ideas and questions about how Artificial Intelligence (AI) can be integrated into the WordPress experience.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress events updates</h2>\n\n\n\n<ul>\n<li>WordCamp Europe 2023 is fast approaching! The organizing team introduced the <a href=\"https://europe.wordcamp.org/2023/introducing-our-first-group-of-speakers/\">first confirmed speakers</a>.</li>\n\n\n\n<li>WordCamp US 2023 announced <a href=\"https://us.wordcamp.org/2023/wordcamp-us-2023-programming-team-announcement/\">updates on the programming</a> for the upcoming event, for which <a href=\"https://us.wordcamp.org/2023/tickets-on-sale/\">tickets are now on sale</a>. Organizers are also <a href=\"https://us.wordcamp.org/2023/call-for-sponsors/\">calling for sponsors</a>.</li>\n\n\n\n<li>The 2023 Community Summit will provide a valuable opportunity for in-person discussions across contributor teams. <a href=\"https://communitysummit.wordcamp.org/2023/topics/\">Submit your topics</a> if you haven’t yet.</li>\n\n\n\n<li>Don’t miss these upcoming WordCamps:\n<ul>\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1ea-1f1f8.png\" alt=\"🇪🇸\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://barcelona.wordcamp.org/2023/\">WordCamp Barcelona</a>, Spain on May 5-6, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1fa-1f1f8.png\" alt=\"🇺🇸\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://buffalo.wordcamp.org/2023/\">WordCamp Buffalo</a>, NY, USA on May 6, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1f5-1f1f1.png\" alt=\"🇵🇱\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://gliwice.wordcamp.org/2023/\">WordCamp Gliwice</a>, Poland on May 12-14, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1e7-1f1e9.png\" alt=\"🇧🇩\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://sylhet.wordcamp.org/2023/\">WordCamp Sylhet</a>, Bangladesh on May 19-20, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1f5-1f1f9.png\" alt=\"🇵🇹\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://lisboa.wordcamp.org/2023/\">WordCamp Lisboa</a>, Portugal on May 19-20, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1f7-1f1f8.png\" alt=\"🇷🇸\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://apatin.wordcamp.org/2023/\">WordCamp Apatin</a>, Serbia on May 27-28, 2023</li>\n</ul>\n</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Join #WPDiversity with a free online workshop on <a href=\"https://www.eventbrite.com/e/organizing-diverse-inclusive-wordpress-events-apac-tickets-618469688487\">Organizing Diverse &amp; Inclusive WordPress Events APAC</a> on May 13, 2023.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-light-grey-color has-alpha-channel-opacity has-light-grey-background-color has-background\" />\n\n\n\n<p><strong><em><strong><em><strong><em>Have a story we should include in the next issue of The Month in WordPress? <strong><em>Fill out </em></strong><a href=\"https://make.wordpress.org/community/month-in-wordpress-submissions/\"><strong><em>this quick form</em></strong></a><strong><em> to let us know.</em></strong></em></strong></em></strong></em></strong></p>\n\n\n\n<p><em>The following folks contributed to this Month in WordPress: <a href=\'https://profiles.wordpress.org/sereedmedia/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>sereedmedia</a>, <a href=\'https://profiles.wordpress.org/ninianepress/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>ninianepress</a>, <a href=\'https://profiles.wordpress.org/rmartinezduque/\' class=\'mention\'><span class=\'mentions-prefix\'>@</span>rmartinezduque</a>.</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14926\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:69:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"People of WordPress: Monika Rao\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"https://wordpress.org/news/2023/04/people-of-wordpress-monika-rao/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 30 Apr 2023 21:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:5:{i:0;a:5:{s:4:\"data\";s:8:\"Features\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:7:\"General\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:10:\"Interviews\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:9:\"HeroPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:19:\"People of WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14850\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"People of WordPress features Monika Rao, a product and quality assurance manager in India. \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Abha Thakor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:12799:\"\n<p><strong>This month we feature Monika Rao, a Product and Quality Assurance Manager from India. She finds contributing to the WordPress project a way to deepen her technical skills and further her web career.</strong></p>\n\n\n\n<p><strong>The&nbsp;<em>People of WordPress</em>&nbsp;series shares inspiring stories of how people’s lives can change for the better through WordPress and its global community of contributors.</strong></p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1014\" height=\"627\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/feature-img-monika.jpg?resize=1014%2C627&#038;ssl=1\" alt=\"Monika Rao at a WordCamp\" class=\"wp-image-14842\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/feature-img-monika.jpg?w=1014&amp;ssl=1 1014w, https://i0.wp.com/wordpress.org/news/files/2023/04/feature-img-monika.jpg?resize=300%2C186&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/04/feature-img-monika.jpg?resize=768%2C475&amp;ssl=1 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>Monika was born in Udaipur, in the state of Rajasthan, India. At that time, she recalls, there was some resistance to girls&#8217; education in certain subjects. Thanks to her parents&#8217; support and encouragement, she graduated in Computer Science Engineering. Following graduation, she went on to work for an international firm. However, she felt she wanted to work in her home area and so returned to work for a firm based in Udaipur itself.</p>\n\n\n\n<p>Monika started her career journey with WordPress in 2015, and was fascinated as she learnt more of the technology. A few years later, she moved into a&nbsp; role as a WordPress Quality Analyst, enabling her to dive further into the software. </p>\n\n\n\n<p>“From that moment, I decided to make it an integral part of my ever-learning professional career,” she said.</p>\n\n\n\n<p>The more Monika researched WordPress, the more she found it was not just a tool to simplify website building but also a platform where you could “meet new people, share your thoughts, learn from them and improve yourself through the process.”</p>\n\n\n\n<p>When she first started working with WordPress, she found she had many questions, ranging from what are themes and plugins to what is a WordCamp. As her knowledge grew, she knew one day she wanted to be able to contribute to both the code and the community supporting it.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Becoming part of WordPress</h2>\n\n\n\n<p>Monika started contributing to WordPress in 2015 with Theme Review. In this area, she was able to work alongside WordPress code experts and, at the same time, learn the concepts of theme development. She saw this as a great opportunity to learn and improve her development skills.&nbsp;</p>\n\n\n\n<p>She was also very interested in testing from the beginning, so she started contributing to Core. Her first contribution was to the WordPress 4.7 release in 2016. She remembers the day she first saw her name in the WordPress contributor list. This encouraged her to make more contributions including to core and the community team, and each time she felt more like part of the community.</p>\n\n\n\n<p>Thus inspired, Monika delved into making the software more easily available in her native Hindi language through joining other contributors to the Polyglots team. She went on to become a General Translation Editor for the Hindi language, and has continued to contribute in this area.</p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"902\" height=\"600\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/wp-udaipur-2017.png?resize=902%2C600&#038;ssl=1\" alt=\"Monika as part of a panel at WordCamp Udaipur 2017\" class=\"wp-image-14846\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/wp-udaipur-2017.png?w=902&amp;ssl=1 902w, https://i0.wp.com/wordpress.org/news/files/2023/04/wp-udaipur-2017.png?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/04/wp-udaipur-2017.png?resize=768%2C511&amp;ssl=1 768w\" sizes=\"(max-width: 902px) 100vw, 902px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Monika and other panelists at WordCamp Udaipur 2017</figcaption></figure>\n\n\n\n<p>As she became involved with the WordPress community, she looked for ways of sharing it with others in her home city. In 2017 she was part of the organizing team for <a href=\"https://udaipur.wordcamp.org/2017\">WordCamp Udaipur 2017</a> and there shared her contributing journey with others. This was her first WordCamp, and she describes the experience as ‘superb’. It enabled her to connect to both those new to WordPress and those already working with it. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>“It was a great moment for me speaking in front of hundreds of people and everyone cherished my journey. It inspired me to continue my contribution to other teams too.” </p>\n<cite>Monika Rao</cite></blockquote>\n\n\n\n<p>She went on to be an organizer for <a href=\"https://udaipur.wordcamp.org/2018/\" data-type=\"URL\" data-id=\"https://udaipur.wordcamp.org/2018/\">WordCamp Udaipur 2018</a> and <a href=\"https://india.wordcamp.org/2021/\">WordCamp India 2021</a>. She also contributes to the Meta and Theme review teams. </p>\n\n\n\n<h2 class=\"wp-block-heading\">Contributing to WordPress software releases</h2>\n\n\n\n<p>2019 was a big year for Monika. She got married and joined a new firm where she could work more on WordPress, learning about marketing and design.</p>\n\n\n\n<p>In November 2019, the WordPress Executive Director Josepha Haden put out a call for an all-women and non-binary release squad. Monika said: “I’ve always felt that not enough women take part in WordPress, so I decided to jump in.” She took on the role of Test Lead.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>“It was a wonderful journey— worth every second and this was a proud moment for me when I saw my name on the WordPress Noteworthy list. You feel proud when you see your small contributions in use by 40 per cent of the web.”</p>\n<cite>Monika Rao</cite></blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"660\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/monika-5-6.jpg?resize=1024%2C660&#038;ssl=1\" alt=\"Some of the notable contributors for the WordPress 5.6 release\" class=\"wp-image-14849\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/monika-5-6.jpg?resize=1024%2C660&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/04/monika-5-6.jpg?resize=300%2C193&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/04/monika-5-6.jpg?resize=768%2C495&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/04/monika-5-6.jpg?w=1319&amp;ssl=1 1319w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Monika was part of the notable contributors for the WordPress 5.6 release</figcaption></figure>\n\n\n\n<p>As a Test Lead, her priority was ensuring the release would be stable and, more importantly, ready for production sites. To effectively manage all the testing, test scrubs were run weekly, highlighting the key testing areas to help get the entire team involved. The scrubs also played an important role in picking up tickets needing immediate resolution.<br><br>Monika also continued her role in the WordPress 5.7 release, and focused more on the core software. She believes being part of the Core and Test teams is a good way to watch and learn, as well as take part in the different elements that make up a release.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>“Skills you have will eventually fade away unless you work on them and sharpen them. So don’t underestimate the value of any skill. It will eventually help you somehow in your career.”</p>\n<cite>Monika Rao</cite></blockquote>\n\n\n\n<p>She added: &#8220;I owe my skills and knowledge to WordPress and its lovely community. The best part about this platform is that it is free and provides ample opportunities to improve your skills and build a career. The wider WordPress community is highly supportive, and it provides numerous additional resources, such as online forums, tutorials, and meetups, to help people learn and grow. With the help of WordPress, anyone can learn how to create websites, develop plugins, and contribute to the community.&#8221;</p>\n\n\n\n<p>This route for learning has helped Monika in choosing the direction of her career and in keeping her skills up-to-date. In October 2021, she joined a company specializing in producing WordPress plugins and services for online businesses.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Everyone can contribute to WordPress</h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"675\" height=\"900\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/monika-on-holiday2.jpg?resize=675%2C900&#038;ssl=1\" alt=\"Monika pictured during her travels\" class=\"wp-image-14845\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/monika-on-holiday2.jpg?w=675&amp;ssl=1 675w, https://i0.wp.com/wordpress.org/news/files/2023/04/monika-on-holiday2.jpg?resize=225%2C300&amp;ssl=1 225w\" sizes=\"(max-width: 675px) 100vw, 675px\" data-recalc-dims=\"1\" /><figcaption class=\"wp-element-caption\">Monika pictured during her travels</figcaption></figure>\n\n\n\n<p class=\"has-text-align-left\">Monika is determined more people, especially other women, have opportunities to contribute to open source in general. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p class=\"has-text-align-left\">&#8220;Many people are using WordPress, but they don’t all know about contribution. Therefore, my future goal is to help people, especially women, contribute more to WordPress.”</p>\n<cite>Monika Rao</cite></blockquote>\n\n\n\n<p class=\"has-text-align-left\">&#8220;When I first started contributing to WordPress, I thought that being from a testing background, I may not be able to contribute much. However, I soon realized that there are various different areas where I could easily contribute and develop my skills,&#8221; said Monika.</p>\n\n\n\n<p class=\"has-text-align-left\">&#8220;So, I would encourage anyone who is interested in contributing to WordPress to find their own area of interest, regardless of their background, be it marketing, content writing, designing, or any other field. The WordPress community welcomes contributions from people of all backgrounds and skill-sets. So, don&#8217;t hesitate to dive in and contribute in a way that suits your interests and skills.&#8221;</p>\n\n\n\n<h2 class=\"wp-block-heading\">Share the stories</h2>\n\n\n\n<p>Help share these stories of open source contributors and continue to grow the community.&nbsp;Meet more WordPressers in the&nbsp;<a href=\"https://wordpress.org/news/category/newsletter/interviews/\">People of WordPress series</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Contributors</h2>\n\n\n\n<p>Thanks to Monika Rao (<a href=\"https://profiles.wordpress.org/monikarao/\">@monikarao</a>) for sharing her adventures in open source.</p>\n\n\n\n<p>Thank you to Abha Thakor (<a href=\"https://profiles.wordpress.org/webcommsat/\">@webcommsat</a>) and the late Surendra Thakor (<a href=\"https://profiles.wordpress.org/sthakor/\">@sthakor</a>) for interviews and writing this feature, and to Meher Bala (<a href=\"https://profiles.wordpress.org/meher/\">@meher</a>), Chloe Bringmann (<a href=\"https://profiles.wordpress.org/cbringmann/\">@cbringmann</a>), Mary Baum (<a href=\"https://profiles.wordpress.org/marybaum/\">@marybaum</a>) for work on photographs and review.</p>\n\n\n\n<p>The&nbsp;<em>People of WordPress</em>&nbsp;series thanks Josepha Haden (<a href=\"https://profiles.wordpress.org/chanthaboune/\">@chanthaboune</a>) and Topher DeRosia (<a href=\"https://profiles.wordpress.org/topher1kenobe/\">@topher1kenobe</a>) for their support.</p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:29% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"135\" src=\"https://i0.wp.com/wordpress.org/news/files/2020/03/heropress_logo_180.png?resize=180%2C135&#038;ssl=1\" alt=\"HeroPress logo\" class=\"wp-image-8409 size-full\" data-recalc-dims=\"1\" /></figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><em>This People of WordPress feature is inspired by an essay originally published on </em><a href=\"https://heropress.com/\"><em>HeroPress.com</em></a><em>, a community initiative created by Topher DeRosia. It highlights people in the WordPress community who have overcome barriers and whose stories might otherwise go unheard. </em>#HeroPress </p>\n</div></div>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14850\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"WP Briefing: Episode 54: A Bill of Rights for the Open Web\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://wordpress.org/news/2023/04/episode-54-open-webs-bill-of-rights/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 24 Apr 2023 13:55:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=14836\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:225:\"Join WordPress Executive Director Josepha Haden Chomphosy in the 54th episode of the WordPress Briefing as she explores the concept of the four freedoms of open source and likens it to today\'s Bill of Rights for the open web.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:60:\"https://wordpress.org/news/files/2023/04/WP-Briefing-054.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Chloe Bringmann\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:9150:\"\n<p>Join WordPress Executive Director Josepha Haden Chomphosy in the 54th episode of the WordPress Briefing as she explores the concept of the four freedoms of open source and likens it to today&#8217;s Bill of Rights for the open web.</p>\n\n\n\n<p><em><strong>Have a question you&#8217;d like answered? You can submit them to <a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Editor:&nbsp;<a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br>Logo:&nbsp;<a href=\"https://profiles.wordpress.org/javiarce/\" data-type=\"URL\" data-id=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br>Production:&nbsp;<a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a><br>Song: Fearless First by Kevin MacLeod </p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2021/02/wordpress-is-freedom/\">Episode 2: WordPress is Free(dom)</a></li>\n\n\n\n<li><a href=\"https://openai.com/blog/chatgpt\">OpenAI ChatGPT</a> and <a href=\"https://github.com/features/copilot/\">Github Copilot</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/04/14/wordpress-6-3-planning-proposal-call-for-volunteers/\">WordPress 6.3 Planning Proposal &amp; Call for Volunteers</a></li>\n\n\n\n<li><a href=\"https://wp.me/p2AvED-qS9\">Preparing for the Next Underrepresented Gender-Led Release &#8211; WordPress 6.4</a></li>\n\n\n\n<li><a href=\"https://wp20.wordpress.net/\">WP20 — Celebrating 20 years of WordPress</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-14836\"></span>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:00]&nbsp;</p>\n\n\n\n<p>Hello, everyone! And welcome to the WordPress Briefing: the podcast where you can catch quick explanations of the ideas behind the WordPress open<strong> </strong>source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks.&nbsp;</p>\n\n\n\n<p>I’m your host, Josepha Haden Chomphosy. Here we go!</p>\n\n\n\n<p>&nbsp;[Josepha Haden Chomphosy 00:00:40] Start of Show</p>\n\n\n\n<p>Just over 50 episodes ago, I shared some basic thoughts about the four freedoms of open source. I also talked through the most quoted phrase in open source&nbsp; “free as in free speech, not free as in beer.” And honestly, what podcast about the freedoms of open source would be complete without that? If you haven&#8217;t listened to that episode, I suggest you do, but if you don&#8217;t have time, I&#8217;ll start by reminding us all of the definition of free software, which is most commonly referred to as the four freedoms of open source.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:12]</p>\n\n\n\n<p>So the first thing is the freedom to run the program as you wish for any purpose. The second thing is the freedom to study how the program works and to change it so that it does your computing as you wish. As a side note, access to the source code is a precondition for this.&nbsp;</p>\n\n\n\n<p>The third freedom is the freedom to redistribute copies so that you can help others. And the fourth freedom is the freedom to distribute copies of your modified versions to others. By doing this, you can give the whole community a chance to benefit from your changes, and of course, also access to the source code is a precondition for this.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:47]</p>\n\n\n\n<p>The TLDR version of these freedoms is, essentially, that users have the freedom to run, copy, distribute, study, change, and improve the software. Now, normally when I speak about the freedoms of open source, I&#8217;m talking about it either from a practical or a philosophical standpoint, but I also spend a lot of time thinking about it from a leadership and organizational perspective.</p>\n\n\n\n<p>Every once in a while, you might hear me talk about the effects of “open source at scale,” or you might hear Matt say that the four freedoms are essentially the “Bill of Rghts for the open web.” I almost never really dig into either of those topics because it&#8217;s just really complicated. But for starters, anytime you talk about what someone is entitled to or deserves or expects, there is a feeling of political bias.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:40]</p>\n\n\n\n<p>And while I personally believe that creating software is inherently political or, at a minimum, concerned with the needs of people, that&#8217;s not what convinces anyone to participate in open source, and it&#8217;s certainly not what convinces people to use WordPress. But here&#8217;s the thing, as a leader in a widely used, free, and open source software project, as a leader in WordPress, I also know that every new user to our platform or any other open source platform represents a little more freedom in the world.</p>\n\n\n\n<p>A little more access to tools and jobs that weren&#8217;t available before. A slightly more open door to networks that undergird the success of entrepreneurs across the globe and a little more equity to the world of democratizing publishing.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:28]</p>\n\n\n\n<p>When I look at the four freedoms of open source, this Bill of Rights for the Web, I see not only the freedoms that we should have but also the things that we should have freedom from.&nbsp;</p>\n\n\n\n<p>We should have the freedom to know how our tools work, the freedom to know what information they need from us, and also the freedom to have some way to make that software work specifically for us because that&#8217;s why we have software because we have humans that need it. 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It&#8217;s hard to know how we can make them work for us. So I have to remind us all, as citizens of an open source community, that what protects us from those things we should be free from is directly connected to how active we are in the things we are free to.&nbsp;</p>\n\n\n\n<p>We hear that in a slightly more routine way from folks around open source communities. Basically, the whole concept of open source software is being built by the folks who show up. You can&#8217;t influence the future of anything if you&#8217;re not showing up in the spaces where the influence happens.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:05:35]</p>\n\n\n\n<p>So be an active participant in these new technologies. Learn how GPT works and how it could work for you, even if it&#8217;s just writing better prompts. Learn how Gutenberg can support your needs, not subvert your needs, even if it&#8217;s just learning how to arrange a series of blocks into a pattern or patterns into a page.</p>\n\n\n\n<p>But as with all fast-moving technological advances, I encourage you to leap in feet first, not head first. Get in up to your neck in the &#8220;why&#8221;s and &#8220;how&#8221;s of that new technology you&#8217;ve been worrying about. Be the first to become best at this arcane new thing because that&#8217;s why we open source at all so that you have the freedom to run, copy, distribute, study, change, and improve your software.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:06:33] Small List of Big Things</p>\n\n\n\n<p>That brings me now to my small list of big things. It&#8217;s a very small list, but it is very big, as always. The first thing is that we are gearing up for the remaining major releases of the year, WP 6.3 and 6.4 in an atypical moment for our project. You can volunteer for both simultaneously if you want, and hopefully, you do want.</p>\n\n\n\n<p>Second thing is that there are many ways to celebrate WordPress&#8217;s 20th anniversary on May 27th. But one of the things you can do right now is record a short video or sound clip about a great memory or experience you have had in this community or just generally because of WordPress. Those will be featured on the WP 20 website, and maybe even a lucky few will make it into the second volume of the WordPress history book.</p>\n\n\n\n<p>And that, my friends, is your small list of big things. Thanks for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy, and I&#8217;ll see you again in a couple of weeks.&nbsp;</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14836\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:61:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"WP Briefing: Episode 53: A Look at WordPress 6.2 “Dolphy”\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"https://wordpress.org/news/2023/04/episode-53-a-look-at-wordpress-6-2-dolphy/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 10 Apr 2023 12:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:7:\"Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:11:\"wp-briefing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=14818\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:218:\"Named after the multi-instrumentalist Eric Allan Dolphy Jr., WordPress 6.2 \"Dolphy\"\'s high notes are riffed on by WordPress\'s Executive Director, Josepha Haden Chomphosy, in this 53rd episode of the WordPress Briefing.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"enclosure\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"url\";s:60:\"https://wordpress.org/news/files/2023/04/WP-Briefing-053.mp3\";s:6:\"length\";s:1:\"0\";s:4:\"type\";s:0:\"\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Chloe Bringmann\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:9292:\"\n<p>Named after the multi-instrumentalist Eric Allan Dolphy Jr., WordPress 6.2 &#8220;Dolphy&#8221;&#8216;s high notes are riffed on by WordPress&#8217;s Executive Director, Josepha Haden Chomphosy, in this 53rd episode of the WordPress Briefing.</p>\n\n\n\n<p><em><strong>Have a question you&#8217;d like answered? You can submit them to <a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Editor:&nbsp;<a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br>Logo:&nbsp;<a href=\"https://profiles.wordpress.org/javiarce/\" data-type=\"URL\" data-id=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br>Production:&nbsp;<a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a><br>Song: Fearless First by Kevin MacLeod </p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/03/dolphy/\">WordPress 6.2 &#8220;Dolphy&#8221;</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/03/introducing-the-wordpress-developer-blog/\">Introducing the WordPress Developer Blog</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/?p=251\">WordPress Contributor Mentorship Program</a></li>\n\n\n\n<li><a href=\"https://wp.me/p2U65r-9Nl\">Call for Volunteers: Contributor Working Group</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/design/?p=11037\">Why Jazz</a></li>\n\n\n\n<li>Make Slack channels <a href=\"https://wordpress.slack.com/archives/C04QZCREJ9W\">#kidscamp</a> and <a href=\"https://wordpress.slack.com/archives/C03JNV77Y57\">#sustainability</a> </li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-14818\"></span>\n\n\n\n<p>[Josepha Haden Chomphosy 00:00:00] </p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress Open Source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks.</p>\n\n\n\n<p>I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p>[00:00:28]</p>\n\n\n\n<p>The latest version of WordPress has shipped. WordPress 6.2, which was named after Eric Dolphy, was released on March 29th. And as is the way with software, there&#8217;s already a minor release underway to catch a few errant issues that folks like you have reported to us.</p>\n\n\n\n<p>It&#8217;s a big release that refines a lot of our design tools, but some of the most important changes are actually to the inserter. If you haven&#8217;t had a chance to get in there and play with it yet, here are the three things that I think you should know. </p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:01:08] </p>\n\n\n\n<p>First, the pattern browser. We&#8217;re all aware of the block inserter by now, and a lot of us probably use the quick options, the keyboard shortcuts, or that kind of inline inserter, that little black box that&#8217;s in the middle of your post.</p>\n\n\n\n<p>If you use the main inserter, that&#8217;s a blue square in the top left of the screen. If you use that to add a block, you can still add individual blocks as usual. But there&#8217;s a new way to browse patterns, and in my opinion, it is so much better. It now brings out this drawer that has like thumbnails of patterns that will work with your theme.</p>\n\n\n\n<p>And if you, like me, know what you want your site to look like, but could not in a million years figure out how to build it from scratch out of individual blocks, then this is the area for you. It was like shopping, but you don&#8217;t have to go through a checkout process at the end, and you still have what you want. It&#8217;s great.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:00]&nbsp;</p>\n\n\n\n<p>That&#8217;s also available when you&#8217;re working on templates or template parts, so you can make changes everywhere instead of going page by page. The second thing that I think you should know is about the media browser in that same area where you browse your patterns; you can also now browse for media.</p>\n\n\n\n<p>It lets you look through the images you&#8217;ve already added to your site, but it also lets you search for openly licensed images from Openverse. And if you choose one of those images from Openverse, it inserts the proper attribution for you. You still have to add your own alt text, but that&#8217;s the fun part anyway, right?</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:02:35]&nbsp;</p>\n\n\n\n<p>And number three, a Style Book. So this thing is available in the template editing area, specifically, as is appropriate, given what it actually does. So if you&#8217;re in the template area, toward the top right of the screen is like a half moon day mode, night mode looking icon. If you click on that, you can make changes to things inside your blocks.</p>\n\n\n\n<p>But if you click on the little eyeball icon that&#8217;s just underneath it, it pulls up a style book where you can also see and edit the styles globally. If that didn&#8217;t make sense to you, don&#8217;t worry. I&#8217;ve got you. I&#8217;m about to tell you a bunch of things you can do in here. You can edit the way headings and lists and tables, quotes, and code looks all across the site. You can edit the way images, galleries, files, and videos look using custom CSS.</p>\n\n\n\n<p>Yes. Also, all across the site. And you can edit buttons, separators, and individual blocks. Say it with me &#8212; all across the site. That is not a comprehensive list. There is a ton of stuff. You can see the styles that you have applied across the whole site. You can see them in context, and you can make any changes that you need globally, which means all across the site.</p>\n\n\n\n<p>Yeah. Style Books. What will we think of next? </p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:03:54]&nbsp;</p>\n\n\n\n<p>So those are my three things I think you should know about WordPress right now. As a former WordPress builder who was never really super great with the code, this stuff makes me feel powerful. I just love these changes, and I hope you do too.</p>\n\n\n\n<p> [00:04:07]</p>\n\n\n\n<p>Which brings us now to our small list of big things. First, we just launched the Developer Blog. It&#8217;s over at developer.wordpress.org/news. It has a bunch of content on it that not only is geared specifically toward developers that are using WordPress but especially the folks who are extending WordPress. It gives you kind of an in-depth look at various changes and projects, and implementations and what goes into each one of them.</p>\n\n\n\n<p>So it gives you a bit of like this aspirational overview of stuff that you could do with WordPress and then also gives you an inside look at how you would accomplish it yourself. It&#8217;s very cool. I like it a lot. Head on over there, but we&#8217;ll have a link to the show notes below.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:05:00]&nbsp;</p>\n\n\n\n<p>The second thing is that we have an MVP of our new mentorship program that is underway.</p>\n\n\n\n<p>It should be debuting for essentially testing any day now, a link to the posts detailing that work, just in case you want to join that important initiative. But it is an important thing for me. I think that mentorship is a key element of many of our successful contributors&#8217; onboarding journeys, a part of their story of coming to us.</p>\n\n\n\n<p>And so, creating a mentorship program that is a bit sustainable and looks toward the health of the overall project, I think, is an excellent plan.&nbsp;</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:05:38]&nbsp;</p>\n\n\n\n<p>The third thing on our small list of big things is that Matt put out a nice little post about kind of the history of why jazz has this strong background in the WordPress project. It&#8217;s a brief read. I&#8217;ll put a link to that in the show notes as well. But suffice it to say that he&#8217;s saying that jazz has a little bit of learned processes and rules but that the primary expectation is that you&#8217;re able to make of the jazz what you want. Like you get to make your own thing out of it. You get to be extemporaneous. You get to be very measured, whatever it is, that expresses what you are trying to do and what you are trying to say with it.</p>\n\n\n\n<p>That&#8217;s why he feels like jazz is such an important part of the DNA of the WordPress project. Like I said, it&#8217;s a short read. I&#8217;ll put a link to it in the show notes.</p>\n\n\n\n<p>[Josepha Haden Chomphosy 00:06:30]&nbsp;</p>\n\n\n\n<p>And finally, there are a few working groups that folks can contribute to right now. We don&#8217;t always have working groups. We generally just kind of do stuff inside individual teams. But right now, we&#8217;ve got like the kids camp group, the sustainability group, and of course, that mentorship working group that I mentioned earlier in our list.</p>\n\n\n\n<p>So if you&#8217;re wanting a little change of pace, I&#8217;d drop by their areas in the Making WordPress Slack to see if they have anything that&#8217;s up your alley. </p>\n\n\n\n<p>And that, my friends, is your small list of big things. Thank you for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy, and I&#8217;ll see you again in a couple of weeks.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"14818\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:60:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n					\n										\n					\n		\n		\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"The Month in WordPress – March 2023\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/news/2023/04/the-month-in-wordpress-march-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Apr 2023 10:30:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:18:\"Month in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:18:\"month in wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14780\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:383:\"March saw the arrival of the first major release of 2023, WordPress 6.2 “Dolphy.” Planning for the project&#8217;s 20th anniversary continues with new celebratory updates and commemorative swag. Read on for the latest happenings in the WordPress space. Meet WordPress 6.2 “Dolphy” WordPress 6.2 “Dolphy” was released on March 29, 2023. Named after the acclaimed [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Reyes Martínez\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:15309:\"\n<p>March saw the arrival of the first major release of 2023, WordPress 6.2 “Dolphy.” Planning for the project&#8217;s 20th anniversary continues with new celebratory updates and commemorative swag. Read on for the latest happenings in the WordPress space.</p>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Meet WordPress 6.2 “Dolphy”</h2>\n\n\n\n<p><strong><a href=\"https://wordpress.org/news/2023/03/dolphy/\">WordPress 6.2</a> “Dolphy” was released on March 29, 2023</strong>. Named after the acclaimed jazz multi-instrumentalist and composer<strong> </strong>Eric Allan Dolphy Jr., the latest version of WordPress further enhances the site editing experience with significant updates.</p>\n\n\n\n<p>Highlights include a reimagined Site Editor interface, a more intuitive way to manage menus, and a distraction-free writing mode. A new Block Inserter design adds integration with <a href=\"https://openverse.org/\">Openverse</a>, allowing you to easily browse and insert free, openly-licensed images and audio files into your content.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"581\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=1024%2C581&#038;ssl=1\" alt=\"Feature highlights in WordPress 6.2: Reimagined Site Editor, more ways to manage menus, a more powerful inserter, faster access to media—yours and Openverse\'s, the new Style Book, distraction-free writing, and more.\" class=\"wp-image-14782\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=1024%2C581&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=300%2C170&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=768%2C436&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=1536%2C871&amp;ssl=1 1536w, https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?resize=2048%2C1162&amp;ssl=1 2048w, https://i0.wp.com/wordpress.org/news/files/2023/04/WordPress-6.2-highlight-grid.png?w=3000&amp;ssl=1 3000w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>Whether you&#8217;re a content creator, designer, or developer, WordPress 6.2 has something for you. <a href=\"https://wordpress.org/news/2023/03/dolphy/\"><strong>Check out the full announcement post</strong></a> for an overview of what&#8217;s new and the <a href=\"https://make.wordpress.org/core/2023/03/09/wordpress-6-2-field-guide/\">Field Guide</a> for detailed developer notes.</p>\n\n\n\n<p>WordPress 6.2 is one of the last major releases planned for Phase 2 of the <a href=\"https://wordpress.org/about/roadmap/\">project’s development roadmap</a> and was made possible thanks to more than 600 contributors.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/test/2023/02/07/help-test-wordpress-6-2/\"></a><a href=\"https://wordpress.org/download/\">Download WordPress 6.2 “Dolphy.”</a></p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WP20 swag is here</h2>\n\n\n\n<p>Show your WordPress excitement with <strong>limited edition 20th anniversary merchandise</strong>—now available at the official <a href=\"https://mercantile.wordpress.org/product-category/wp20/\"><strong>WordPress Mercantile store</strong></a>. If you prefer to create your own swag, you can use these <a href=\"https://wp20.wordpress.net/download-the-wp20-commemorative-logos/\">WP20 downloadable assets</a>.</p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=1024%2C576&#038;ssl=1\" alt=\"Blue background with confetti and WordPress 20th anniversary commemorative logo.\" class=\"wp-image-14785\" srcset=\"https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=1536%2C864&amp;ssl=1 1536w, https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?resize=2048%2C1152&amp;ssl=1 2048w, https://i0.wp.com/wordpress.org/news/files/2023/04/digital-banner-1.png?w=3000&amp;ssl=1 3000w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" /></figure>\n\n\n\n<p>The 20th anniversary website <a href=\"https://wp20.wordpress.net/wp20-celebrations/\" data-type=\"URL\" data-id=\"https://wp20.wordpress.net/wp20-celebrations/\">lists celebrations</a> as organizers announce and schedule them. Check back regularly to see if there’s an event in your area to join or <a href=\"https://wordpress.org/news/2023/03/lets-party-organize-your-wp20-celebration/\">help organize one</a> to celebrate this milestone with your local community.</p>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://wp20.wordpress.net/wapuu-coloring-giveaway-style-your-own-party-wapuu/\">Enter the Wapuu Coloring Giveaway</a> by April 17, 2023, for a chance to win some commemorative WP20 swag!</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">New in the Gutenberg plugin</h2>\n\n\n\n<p>Two new versions of the Gutenberg plugin have shipped in the last month:</p>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/03/13/whats-new-in-gutenberg-15-3-13-march/\"><strong>Gutenberg 15.3</strong></a><strong> </strong>was released on March 13, 2023. This version polishes the Site Editor experience, includes a new “Time to Read” block for displaying estimated read time to posts, and enhances the Duotone design tool.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/03/22/whats-new-in-gutenberg-15-4-22-march/\"><strong>Gutenberg 15.4</strong></a> is available for download as of March 22, 2023, and focuses primarily on bug fixes and testing improvements. Other additions include color and layout support for the Cover block, improved descriptions to help you understand the purpose of each template in the Site Editor, and the ability to turn paragraph blocks into columns.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p><a href=\"https://make.wordpress.org/core/2023/02/01/core-editor-improvement-strengthening-style-options/\"></a>Follow the “<a href=\"https://make.wordpress.org/core/tag/gutenberg-new/\">What’s new in Gutenberg</a>” posts to stay on top of the latest enhancements.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Team updates: Phase 3 planning, WordPress Developer Blog launch, and more</h2>\n\n\n\n<ul>\n<li>Gutenberg Lead Architect Matías Ventura <a href=\"https://make.wordpress.org/core/2023/03/24/phase-3-collaboration/\">outlined the focus areas</a> for Phase 3 of the WordPress development roadmap, known as <strong>Collaboration</strong> or <strong>Collaborative Editing</strong>.</li>\n\n\n\n<li>Last month, the <a href=\"https://wordpress.org/news/2023/03/introducing-the-wordpress-developer-blog/\">WordPress Developer Blog</a> officially launched (removing the &#8220;beta&#8221; label). <a href=\"https://developer.wordpress.org/news/#subscribe\">Subscribe</a> to keep up with the latest features, tutorials, and learning resources in the WordPress development space.</li>\n\n\n\n<li>The Documentation Team seeks volunteers to help with <a href=\"https://make.wordpress.org/docs/2023/03/15/call-for-volunteers-to-help-with-6-2-end-user-documentation/\">WordPress 6.2 end user documentation</a>.</li>\n\n\n\n<li>Are you looking to broaden your knowledge and improve your WordPress skills? See <a href=\"https://make.wordpress.org/updates/2023/04/01/whats-new-on-learn-wordpress-in-march-2023/\">what’s new on Learn WordPress in March 2023</a>, including the latest course on <a href=\"https://learn.wordpress.org/course/converting-a-shortcode-to-a-block/\">Converting a Shortcode to a Block</a>.</li>\n\n\n\n<li>A new <a href=\"https://make.wordpress.org/themes/2023/03/03/hallway-hangout-community-themes-initiative/\">Community Themes initiative</a> aims to bring together a group of contributors to collaborate and build block themes.</li>\n\n\n\n<li>The Training Team is looking for assistance in creating content to complete <a href=\"https://make.wordpress.org/training/2023/03/29/introduction-to-wordpress-development-syllabus/\">this WordPress Development syllabus</a>.</li>\n\n\n\n<li>The newly formed Contributor Working Group <a href=\"https://make.wordpress.org/community/2023/03/23/recap-of-contributor-working-group-inaugural-mentorship-chat-on-march-20-2023/\">hosted an inaugural chat</a> to kick off work on the <a href=\"https://make.wordpress.org/project/2023/02/06/proposal-creating-a-wordpress-contributor-mentorship-program/\">WordPress Mentorship Program</a>.</li>\n\n\n\n<li>The Polyglots Team is <a href=\"https://make.wordpress.org/polyglots/2023/03/29/adding-chatgpt-and-deepl-in-the-translation-memory/\">testing AI systems</a> to help with translation work.</li>\n\n\n\n<li>The WordPress.org redesign project has a new dedicated Making WordPress Slack channel to coordinate work: <a href=\"https://wordpress.slack.com/archives/C04U953K77A\">#website-redesign</a>.</li>\n\n\n\n<li>The March 2023 editions of the <a href=\"https://make.wordpress.org/polyglots/2023/03/15/polyglots-monthly-newsletter-march-2023/\">Polyglots monthly newsletter</a> and the <a href=\"https://make.wordpress.org/community/2023/03/21/meetup-organizer-newsletter-march-2023/\">Meetup Organizer newsletter</a> are available for reading.</li>\n\n\n\n<li>The Mobile Team announced a <a href=\"https://make.wordpress.org/mobile/2023/03/28/new-mobile-support-forum/\">new support forum</a> for the WordPress mobile app.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Tune in to <a href=\"https://wordpress.org/news/2023/03/episode-52-phase-three-with-hector-prieto/\">Episode 52 of WP Briefing</a> to learn more about the visioning behind Phase 3, Collaboration.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">Feedback &amp; testing requests</h2>\n\n\n\n<ul>\n<li>A new Full Site Editing (FSE) Program exploration looks into the Site Editor as a design tool in light of the recent WordPress 6.2 release. Participants are asked to create a block theme without coding using the current editor tools. <a href=\"https://make.wordpress.org/test/2023/03/29/fse-program-exploration-build-a-block-theme/\">Share your experience</a> by April 26, 2023.</li>\n\n\n\n<li>A group of Core contributors is working on a new <a href=\"https://make.wordpress.org/core/2023/03/30/proposal-the-interactivity-api-a-better-developer-experience-in-building-interactive-blocks/\">Interactivity API proposal</a> to provide a better developer experience for building interactive blocks.</li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/03/25/mobile-team-update-march-25th/\">Version 22.0</a> of the WordPress mobile app for iOS and Android is ready for testing.</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Members of the Core Team are looking for user experience (UX) feedback on the <a href=\"https://make.wordpress.org/core/2023/03/28/call-for-testing-plugin-dependencies-ux/\">Plugin Dependencies feature plugin</a>.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress events updates</h2>\n\n\n\n<ul>\n<li>WordCamp Asia 2024 is <a href=\"https://asia.wordcamp.org/2024/\">calling for organizers</a>. 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Mark your calendars for the upcoming <a href=\"https://make.wordpress.org/community/handbook/meetup-organizer/event-formats/diversity-speaker-training-workshop/#upcoming-wpdiversity-workshops\">#WPDiversity workshops</a>.</li>\n\n\n\n<li>Four WordCamps are taking place this month:\n<ul>\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1ee-1f1f9.png\" alt=\"🇮🇹\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://torino.wordcamp.org/2023/\">WordCamp Torino</a>, Italy, on April 14-15, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1e6-1f1f9.png\" alt=\"🇦🇹\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://vienna.wordcamp.org/2023/\">Wordcamp Vienna</a>, Austria, on April 15-16, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1eb-1f1f7.png\" alt=\"🇫🇷\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://paris.wordcamp.org/2023/\">WordCamp Paris</a>, France, on April 21, 2023</li>\n\n\n\n<li><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f1e7-1f1ec.png\" alt=\"🇧🇬\" class=\"wp-smiley\" style=\"height: 1em; max-height: 1em;\" /> <a href=\"https://sofia.wordcamp.org/2023/\">WordCamp Sofia</a>, Bulgaria, on April 22-23, 2023</li>\n</ul>\n</li>\n</ul>\n\n\n\n<blockquote class=\"wp-block-quote has-extra-large-font-size\">\n<p>Join WordPress Executive Director Josepha Haden Chomphosy as she discusses <a href=\"https://wordpress.org/news/2023/03/episode-51-is-routine-a-rut/\">the benefits of routine and what role it plays in the WordPress project</a>.</p>\n</blockquote>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"></div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-light-grey-color has-alpha-channel-opacity has-light-grey-background-color has-background\" />\n\n\n\n<p><strong><em><strong><em><strong><em>Have a story we should include in the next issue of The Month in WordPress? 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Did you know this wizardry is currently possible in the Editor?!?<br /><br />Join us on Thursday for the next <a href=\"https://twitter.com/hashtag/WordPress?src=hash&ref_src=twsrc%5Etfw\">#WordPress</a> Hallway Hangout where we\'ll discuss curating the Editor and building block themes for clients. RSVP<img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f447.png\" alt=\"👇\" class=\"wp-smiley\" /><a href=\"https://t.co/DPqrFHVXtT\">https://t.co/DPqrFHVXtT</a> <a href=\"https://t.co/XbZBC97QDu\">pic.twitter.com/XbZBC97QDu</a></p>&mdash; Nick Diego (@nickmdiego) <a href=\"https://twitter.com/nickmdiego/status/1660712789491548160?ref_src=twsrc%5Etfw\">May 22, 2023</a></blockquote>\n</div>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_8f6276-eb\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/accessibility\">Accessibility</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/accessibility/2023/05/22/accessibility-team-meeting-notes-may-19-2023/\">Accessibility Team Meeting Notes: May 19, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https://central.wordcamp.org\">Central</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://central.wordcamp.org/news/2023/05/siteground-joins-the-wordpress-global-community-sponsorship-program-in-2023/\">SiteGround joins the WordPress global community sponsorship program in 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-community\"><a href=\"https://make.wordpress.org/community\">Community</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/community/2023/05/24/idea-generation-next-gen-wordcamps/\">Idea generation: Next Gen WordCamps!</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/20/wordpress-community-team-discussion-9-the-next-generation-of-wordcamps/\">WordPress Community Team Discussion #9: The Next Generation of WordCamps</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/20/recap-of-the-contributor-working-groups-mentorship-chat-on-may-18-2023/\">Recap of the Contributor Working Group’s Mentorship Chat on May 18, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/19/siteground-joins-the-2023-global-sponsorship-program/\">SiteGround Joins the 2023 Global Sponsorship Program</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-core\"><a href=\"https://make.wordpress.org/core\">Core</a> </h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\">WordPress 6.3 Planning Roundup</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">Roadmap to 6.3</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">Command Center: Request for feedback</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/16/proposal-retiring-older-default-themes/\">Proposal: Retiring Older Default Themes</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/22/core-editor-improvement-smoother-site-editing/\">Core Editor Improvement: Smoother Site Editing</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">What’s new in Gutenberg 15.8? (May 17)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/24/a-week-in-core-may-22-2023/\">A Week in Core – May 22, 2023</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-developer-blog\"><a href=\"https://developer.wordpress.org/news/\">Developer Blog</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/news/2023/05/curating-the-editor-experience-with-client-side-filters/\">Curating the Editor experience with client-side filters</a></li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/news/2023/05/useentityrecords-an-easier-way-to-fetch-wordpress-data/\">useEntityRecords: an easier way to fetch WordPress data</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-meetings\">Meetings</h3>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/23/editor-chat-agenda-24-may-2023/\">Editor Chat Agenda: 24 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/23/dev-chat-agenda-may-24-2023/\">Dev Chat Agenda, May 24, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/19/wp-feature-notifications-meeting-notes-2023-05-17/\">WP Feature Notifications Meeting Notes: 2023-05-17</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Design</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/design/2023/05/23/wordcamp-sylhet-2023-contributor-day-recap/\">WordCamp Sylhet 2023: Contributor Day Recap</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/design/2023/05/22/design-share-may-8-may-19/\">Design Share: May 8—May 19</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-docs\"><a href=\"https://make.wordpress.org/docs\">Docs</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/docs/2023/05/22/online-monthly-docs-team-contributor-day-may-23-2023/\">Online monthly Docs Team Contributor Day May 23, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/docs/2023/05/22/summary-for-docs-team-meeting-may-16-2023/\">Summary for Docs Team meeting, May 16, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-hosting\"><a href=\"https://make.wordpress.org/hosting\">Hosting</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/hosting/2023/05/15/is-wordpress-compatible-with-php-8/\">Is WordPress compatible with PHP 8?</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-marketing\"><a href=\"https://make.wordpress.org/marketing\">Marketing</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/24/day-17-wp20-from-blogs-to-blocks/\">Day 17: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/23/day-16-wp20-from-blogs-to-blocks/\">Day 16: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/22/day-15-wp20-from-blogs-to-blocks/\">Day 15: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/21/day-14-wp20-from-blogs-to-blocks/\">Day 14: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/20/day-13-wp20-from-blogs-to-blocks/\">Day 13: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/19/day-12-wp20-from-blogs-to-blocks/\">Day 12: #WP20 From Blogs to Blocks</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-mobile\"><a href=\"https://make.wordpress.org/mobile\">Mobile</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/mobile/2023/04/11/contribute-to-the-future-of-the-wordpress-app/\">Contribute to the Future of the WordPress App</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/18/mobile-team-update-may-17th/\">Mobile Team Update – May 17th</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-openverse\"><a href=\"https://make.wordpress.org/openverse\">Openverse</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/18/catalog-postgres-exploration-effort/\">Catalog Postgres Exploration Effort</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/24/community-meeting-recap-2023-05-22/\">Community Meeting Recap (2023-05-22)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/23/openverse-monthly-priorities-meeting-2023-06-07/\">Openverse Monthly Priorities Meeting 2023-06-07</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/22/last-week-openverse-2023-05-15-2023-05-22/\">A week in Openverse: 2023-05-15 – 2023-05-22</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-performance\"><a href=\"https://make.wordpress.org/performance/\">Performance</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/23/performance-chat-summary-23-may-2023/\">Performance Chat Summary: 23 May 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-plugins\"><a href=\"https://make.wordpress.org/plugins\">Plugins</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/plugins/2023/05/17/plugin-review-team-update/\">Plugin Review Team Update</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/21/use-of-code-generators-must-remain-gpl-compatible/\">Use of Code Generators Must Remain GPL Compatible</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/10/advance-notice-of-retirement/\">Advance Notice of Retirement</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/09/plugin-review-team-update-8-may-2023/\">Plugin Review Team Update: 8 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/15/plugin-review-team-15-may-2023/\">Plugin Review Team: 15 May 2023</a></li>\n</ul>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"h-polyglots\"><a href=\"https://make.wordpress.org/polyglots\">Polyglots</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/24/polyglots-table-contributor-day-at-wordcamp-sylhet-2023/\">Polyglots Table: Contributor Day at WordCamp Sylhet 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/23/agenda-weekly-polyglots-chat-may-24-2023-1300-utc/\">Agenda: Weekly Polyglots Chat – May 24, 2023 (13:00 UTC)</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-project\">Project</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/project/2023/05/17/wordpress-contributor-mentorship-program-pilot-program-proposal/\">WordPress Contributor Mentorship Program: Pilot Program Proposal</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/04/13/wordpress-at-20-in-print/\">Building Blocks: The Evolution of WordPress 2013-2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-test\"><a href=\"https://make.wordpress.org/test\">Test</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/test/2023/05/23/test-chat-summary-23-may-2023/\">Test Chat Summary: 23 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/05/22/xpost-test-team-update-22-may-2023/\">Test Team Update: 22 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/05/18/fse-program-testing-call-23-rapid-revamp/\">FSE Program Testing Call #23: Rapid Revamp</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/22/test-team-update-22-may-2023/\">Test Team Update: 22 May 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-theme\"><a href=\"https://make.wordpress.org/theme\">Theme</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/themes/2023/05/18/hallway-hangout-curating-the-editor-and-building-block-themes-for-clients/\">Hallway Hangout: Curating the editor and building block themes for clients</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/themes/2023/05/17/theme-handbook-overhaul-phase-2-creating-content/\">Theme Handbook Overhaul: Phase 2 (Creating Content)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/16/themes-team-update-may-16-2023/\">Themes team update May 16, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-training\"><a href=\"https://make.wordpress.org/training\">Training</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/training/2023/05/09/brainstorm-wordcamp-europe-2023-contributor-day/\">Brainstorm – WordCamp Europe 2023 Contributor Day</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/24/training-team-meeting-recap-for-may-23rd-2023/\">Training Team Meeting Recap for May 23rd, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/19/training-team-meeting-recap-for-may-16th-2023/\">Training Team Meeting Recap for May 16th, 2023</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-tutorials\"><a href=\"https://learn.wordpress.org/tutorials\">Tutorials</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/tutorial/building-a-page-with-only-patterns/\">Building a page with only patterns</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/how-to-add-a-blog-or-news-page-to-any-wordpress-website/\">How to add a blog or news page to any WordPress website</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/introduction-to-wordpress-multisite-networks/\">Introduction to WordPress Multisite Networks</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/wordpress-editor-modes-for-streamlining-content-creation/\">WordPress editor modes for streamlining content creation</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-online-workshops\">Online Workshops</h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/?meeting=debugging-in-wordpress\">Debugging in WordPress</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme-2\">WP dev livestream: Sendig block theme</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme-3\">WP dev livestream: Sendig block theme</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=the-creative-side-of-blocks-vol-4\">The Creative Side of Blocks, Vol. 4</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=a-brief-history-of-wordpress-3\">A Brief History of WordPress</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-courses\"><a href=\"https://learn.wordpress.org/courses\">Courses</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/course/creating-a-4-page-business-website/\">Creating a 4-page business website</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wp-cli\">WP-CLI</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/cli/2023/04/05/wp-cli-v2-8-0-release-date/\">WP-CLI v2.8.0 release date</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wptv\">WPTV</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.tv/category/year/2022/\">Latest WordPress TV videos</a></li>\n</ul>\n</div>\n</div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-related-news\">Related News:</h2>\n\n\n\n<ul>\n<li><a href=\"https://nodejs.org/en/blog/release/v20.2.0\">Node v20.2.0 released</a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-04-13-1\"><a href=\"https://www.php.net/archive/2023.php#2023-05-11-1\">PHP 8.2.6 Released!</a></a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-05-11-2\">PHP 8.1.19 Released!</a></li>\n\n\n\n<li><a href=\"https://262.ecma-international.org/13.0/\">TC39</a></li>\n\n\n\n<li><a href=\"https://github.com/composer/composer/releases/tag/2.5.5\">Composer 2.5.5</a></li>\n</ul>\n\n\n\n<p class=\"has-theme-palette-7-background-color has-background\">Thanks for reading our WP dot .org roundup! Each week we are highlighting the news and discussions coming from the good folks making WordPress possible. If you or your company create products or services that use WordPress, you need to be engaged with them and their work. Be sure to share this resource with your product and project managers. <br /><br /><strong>Are you interested in giving back and contributing your time and skills to WordPress.org?</strong> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f64f.png\" alt=\"🙏\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/support/article/contributing-to-wordpress/\">Start Here ›</a><br /><br /><strong>Get our weekly WordPress community news digest</strong> — Post Status&#8217; <a href=\"https://poststatus.com/news/week-in-review/\">Week in Review</a> — covering the WP/Woo news plus significant writing and podcasts. It&#8217;s also available in <a href=\"https://poststatus.com/newsletter\">our newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f48c.png\" alt=\"💌\" class=\"wp-smiley\" /></p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile has-background\"><a href=\"https://poststatus.com/\"><img src=\"https://poststatus.com/wp-content/uploads/2021/09/vertical-post-status-logo-250.png\" alt=\"Post Status\" class=\"wp-image-85823 size-full\" /></a><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left has-normal-font-size\" id=\"h-get-ready-for-remote-work\">You — and <a href=\"https://poststatus.com/#Agency\">your whole team</a> can <a href=\"https://poststatus.com/#choose-membership\">Join Post Status</a> too!</p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><strong>Build your network. Learn with others. Find your next job — or your next hire.</strong> Read the <strong>Post Status</strong> <a href=\"https://poststatus.com/newsletter/\">newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2709.png\" alt=\"✉\" class=\"wp-smiley\" /> Listen to <a href=\"https://poststatus.com/podcasts/\">podcasts</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f399.png\" alt=\"🎙\" class=\"wp-smiley\" /> Follow <a href=\"https://twitter.com/post_status/\">@Post_Status</a> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> and <a href=\"https://www.linkedin.com/company/post-status-llc/\">LinkedIn</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4bc.png\" alt=\"💼\" class=\"wp-smiley\" /></p>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 24 May 2023 19:57:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Courtney Robertson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"WPTavern: #77 – Mario Santos and Luis Herranz on What the Interactivity API Is and How You Can Use It\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=145358\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:117:\"https://wptavern.com/podcast/77-mario-santos-and-luis-herranz-on-what-the-interactivity-api-is-and-how-you-can-use-it\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:43138:\"Transcript<div>\n<p>[00:00:00] Nathan Wrigley: Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley.</p>\n\n\n\n<p>Jukebox has a podcast which is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes and in this case, how you can start to make your sites more interactive.</p>\n\n\n\n<p>If you&#8217;d like to subscribe to the podcast, you can do that by searching for WP Tavern in your podcast, player of choice, or by going to WPTavern.com forward slash feed forward slash podcast. And you can copy that URL into most podcast players.</p>\n\n\n\n<p>If you have a topic that you&#8217;d like us to feature on the podcast, I&#8217;m keen to hear from you, and hopefully get you or your idea featured on the show. Head to WPTavern.com forward slash contact forward slash jukebox, and use the form there.</p>\n\n\n\n<p>So on the podcast today, we have Mario Santos and Luis Herranz. They both work for Automattic but are sponsored to work full-time in WordPress.</p>\n\n\n\n<p>The main focus of their work is the block developer experience, and they are part of the group of contributors that worked on the Interactivity API proposal.</p>\n\n\n\n<p>The Interactivity API is the main focus of the podcast today, and if you&#8217;re working with blocks and dynamically displaying data, this is sure to be of interest to you.</p>\n\n\n\n<p>We start out the podcast today with the usual introductions, and get to know Mario and Luis. And then we learn what the Interactivity API is and what it can do.</p>\n\n\n\n<p>The conversation is framed around a blog post written by Mario entitled, The interactivity API, a better developer experience in building interactive blocks.</p>\n\n\n\n<p>In this Mario shows examples of what website interactivity is. In short, it&#8217;s the ability for content to be amended on the fly without a page refresh. Of course, this is nothing new on the web. We&#8217;ve been seeing this for years in WordPress sites and elsewhere. But now you&#8217;re going to be able to create interactivity in a standard way across the different blocks on your site.</p>\n\n\n\n<p>The project hopes to absorb complexity and make the creation of interactive objects fairly trivial. Mario and Luis talk about examples of where the API might be used, and how it can be implemented.</p>\n\n\n\n<p>We also discussed the fact that in the past developers have gone their own way to make their sites interactive. It all works, but it means that no two implementations are the same. This causes issues if the project is taken over by another developer. But it&#8217;s also a drain on resources.</p>\n\n\n\n<p>Mario and Luis make the point that having a standard way of creating interactivity will benefit everyone in the long run. We get into the weeds a little and talk about the approach the team took when building the API. They decided to use directives and we find out why this was, and what benefit it brings over other possible solutions.</p>\n\n\n\n<p>The project is still experimental, and they&#8217;re looking for people to test and report back on what they find to move the interactivity API forwards.</p>\n\n\n\n<p>If you&#8217;re interested in finding out more, you can find all of the links in the show notes by heading to. WPTavern.com forward slash podcast, where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you Mario Santos and Luis Herranz.</p>\n\n\n\n<p>I am joined on the podcast today by Luis Herranz and Mario Santos. Hello.</p>\n\n\n\n<p>[00:04:15] Luis Herranz: Hey, hello Nathan.</p>\n\n\n\n<p>[00:04:16] Mario Santos: Thanks for inviting us.</p>\n\n\n\n<p>[00:04:18] Nathan Wrigley: You&#8217;re so welcome. We had an introduction on Slack from Anne McCarthy, who listeners to the podcast may very well have heard of, and she wanted me to chat to these two about the Interactivity API, so we&#8217;re going to get onto that. It&#8217;s a brand new project. Could be very interesting if you&#8217;re a developer implementing it, but also if you&#8217;re an implementer of WordPress websites and not a developer, you&#8217;ll be interested in the outcomes of it.</p>\n\n\n\n<p>Before we do that, the usual questions at the beginning. I&#8217;m going to go to Luis first, if that&#8217;s all right. Would you mind just giving us your backstory, how you&#8217;ve come to be on a WordPress podcast, how long you&#8217;ve been working with WordPress, who you work for as much or as little as you wish.</p>\n\n\n\n<p>[00:04:57] Luis Herranz: Okay, thank you. I started creating websites with WordPress 2010, I think, maybe nine, I don&#8217;t know, a long time ago. And I wanted to start a company in 2013, with Pablo Postigo. And we thought, okay, we wanted to create native apps for different companies, like services and so on.</p>\n\n\n\n<p>And we knew WordPress, so we basically started with what was later known as headless WordPress, but back in 2013. And since then we iterated, we created a team. We got some investment and we started doing things on top of WordPress. Mostly in headless. First with native applications. Then we moved to just web have applications, but still on headless. Very focused on React.</p>\n\n\n\n<p>And in 2019 we launched a open source framework for headless WordPress, powered by React. So we were very focused on developer experience and performance.</p>\n\n\n\n<p>And in 2021, that company, Frontity was acquired by Automattic, so we could become like full-time contributors and focus on, well, basically what the Interactivity API proposal is today. Bringing some of those user experiences, what are possible with other solutions, to WordPress itself, on top of full site editing, or block themes.</p>\n\n\n\n<p>[00:06:31] Nathan Wrigley: Thank you so much. That&#8217;s really interesting. I appreciate your nice history there. Thank you. And we&#8217;ll ask the same question this time of Mario. So Mario, backstory please.</p>\n\n\n\n<p>[00:06:41] Mario Santos: Thank you. Actually, my story is really similar to Luis. Well first, when I finished the degree, I studied industrial engineer, but I didn&#8217;t want to be an engineer. So I started trying different things, and while I got my first job, I created a store in WordPress with WooCommerce. And then, that is when I started to learn about WordPress and all those things.</p>\n\n\n\n<p>And later, based on that, I joined Frontity. I don&#8217;t remember exactly the year, 2015 maybe. And from there I really learned what was WordPress because we started going to meetups to WordCamps, and we started to, well at least I started to learn from the community.</p>\n\n\n\n<p>From there the story is mostly the same as Luis. We were working on headless mainly. We were working with WordPress. And at some point, we were acquired by Automattic, and now I&#8217;m a sponsored contributor, working full-time. And as Luis said, we are focused on the developer experience, and the Interactivity API that we are going to talk about is part of it.</p>\n\n\n\n<p>[00:07:45] Nathan Wrigley: Thank you so much for that. So the Interactivity API, I&#8217;m going to link in the show notes to a post which you can find. Now the post you&#8217;re going to be looking at is on the make.wordpress.org website. It&#8217;s written by Mario. It was on the 30th of March, 2023 that came out, and it&#8217;s entitled, Proposal, The Interactivity API, A Better Developer Experience in Building Interactive Blocks.</p>\n\n\n\n<p>Now, if at any point during this podcast you become a little bit confused or you wish to have some more background, I would recommend pausing and going and reading what is an incredibly lengthy and detailed post, with actually a boatload of interaction and comments as well. It&#8217;s really heartening to see so many people chipping in, and giving their thoughts on this Interactivity API.</p>\n\n\n\n<p>But I guess the best place to kick this conversation off simply asking, what is it? What is the Interactivity API? What does it do? Why does WordPress need such a thing?</p>\n\n\n\n<p>[00:08:47] Mario Santos: I can start with this one. So, the Interactivity API is what we are proposing. The group of contributors that are working on that. It&#8217;s basically a new standard system to easily add front end interactivity to your blocks. Until now, most of the Gutenberg APIs have been focused on the block editor side, and there was unintentional gap on the front end.</p>\n\n\n\n<p>So block developers could choose whatever they want. They could choose any Javascript framework, or other solutions. And the Interactivity API aims to cover that gap. Creating this standard.</p>\n\n\n\n<p>So imagine functionalities like, like this post or e-commerce functionalities like add to cart, or the checkout, the instant search, page transitions, the comments form, without a page reload. So those are the user experiences that the Interactivity API aims to cover.</p>\n\n\n\n<p>In a way that is real easy to build them, and block developers don&#8217;t have to deal with complex scaffolding or external tools. And it&#8217;s important to note also that it&#8217;s completely familiar and compatible with PHP and the block ecosystem. So overall, that&#8217;s what the Interactivity API is. Basically a standard to easily create any interactive experience that your users want.</p>\n\n\n\n<p>[00:10:06] Nathan Wrigley: Luis, anything to add?</p>\n\n\n\n<p>[00:10:09] Luis Herranz: No, it&#8217;s really filling that gap, or even that opportunity of absorbing as much complexity from the developers. Standardizing everything in a single solution, and making sure that it&#8217;s performant, and so on.</p>\n\n\n\n<p>So yeah, there&#8217;s some advancement in web development in other places, mostly in the Javascript ecosystem and WordPress has never been opinionated in the front end, so this is kind of the first time for WordPress.</p>\n\n\n\n<p>But yeah, we think that it&#8217;s an opportunity as well to absorb a lot of complexity for the developers, and to enable some of the user experiences that were not possible with WordPress before.</p>\n\n\n\n<p>[00:10:52] Nathan Wrigley: Now we have some show notes, and we&#8217;ve got a list of questions that we&#8217;re potentially going to run through, but I&#8217;m going to skip to the end, more or less of the list of our questions. Because one of the things I think to do at the beginning would be to provide listeners concrete examples of how this might be used.</p>\n\n\n\n<p>So do you have any examples that you think would demonstrate clearly the kind of things that the Interactivity API is touching on? I&#8217;ll just mention one. Which is the very first thing you&#8217;re going to see more or less when you open up Mario&#8217;s article, and it&#8217;s a video. It&#8217;s pretty short, two minutes long. And it demonstrates something a little bit like Netflix, where you&#8217;ve got, a view of three or four different video thumbnails. There&#8217;s a bunch of different movies there.</p>\n\n\n\n<p>And the intention is that you would like to preserve your favorites. And so there&#8217;s a little heart icon, which is lodged in the top left of the thumbnails for each video. And as you click on that thumbnail, the heart becomes colored in. It goes from gray to red. But also in a different part of the UI, in the right hand of the view, the menu, traditional place for the menu, there&#8217;s a little total which goes up from two to three to four, and if you remove the hearts, it goes back down to two and so on and so forth.</p>\n\n\n\n<p>So that&#8217;s one example of how you might use this. It&#8217;s able to do things on the page without needing to do page refreshes. And the idea is that this will be a standard way of doing it in blocks. And I wonder if you could give us some other examples. You mentioned WooCommerce and things like that. But let&#8217;s go into that a little bit. Some examples of where this might be useful for developers and end users to know.</p>\n\n\n\n<p>[00:12:35] Mario Santos: Yeah, so basically the use case is anything that is interactive and requires Javascript should be able to be done with the Interactivity API in an easy way. So imagine like a slide show or light boxes in the image. So when you click on it, it zooms, and when you click out or scroll, it goes out. Some models like search, subscription, quizzes, e-commerce integrations, like you just have mentioned.</p>\n\n\n\n<p>And one of the features that is enabled by having a standard is the client site navigation that basically is navigating through different pages of your WordPress site without triggering a page reload.</p>\n\n\n\n<p>It&#8217;s important to know that this is something that is going to be enabled by the Interactivity API, but it&#8217;s going to be completely optional. So if you don&#8217;t need it, you don&#8217;t have to use it. But it powers other features like you can see in the movie, that we are paginating between the different pages. We are in the query loop. You have the pagination block, and you can go through the page one to the page two without page reload.</p>\n\n\n\n<p>And for example, well, in the movies demo, we are showing that you can play the trailer and you can keep navigating and the video doesn&#8217;t stop. So those kind of user experiences that, for example, in this podcast you could be listening to this podcast in WP Tavern, and you could navigate to the articles.</p>\n\n\n\n<p>So, maybe you can be reading an article while you are listening to the podcast in the same way. And the podcast will keep playing. Those kind of user experiences are enabled by client side navigation. And you can also find in the movies the instant search that you start typing and the list of results is automatically updated.</p>\n\n\n\n<p>Infinite scroll could also work. Client size submissions like the comments form right now, in typical WordPress sites, when you submit a new comment, it triggers a page load. So this could be done directly in the client. So those are the kind of user experiences that we are talking about. And yeah, I think it&#8217;s important that this is totally compatible with the current block templating system. So whatever you change in the editor is going to keep working.</p>\n\n\n\n<p>[00:14:54] Nathan Wrigley: That&#8217;s great, yeah. Luis, anything to add?</p>\n\n\n\n<p>[00:14:57] Luis Herranz: I would add that I really like that demo. Because it&#8217;s a demo that we didn&#8217;t come up with. It was a demo that existed before. There is a version of that demo created with all the major Javascript frameworks out there. So there is one for React using Next, Vue using Nuxt, Svelte, Quick, Astro and so on.</p>\n\n\n\n<p>So, you can compare now the WordPress version with the other Javascript frameworks, out there. I&#8217;m super happy to say that it really, in terms of user experience now with Interactivity API, you can provide the same user experience than the others. And this demo was created to show these type of complex or great user experiences.</p>\n\n\n\n<p>With WordPress, now with the Interactivity API, you&#8217;re able to create that type of user experience, but leveraging the server side and the block editor. So the other Javascript frameworks version is 100% code, where this movies demo version of WordPress is done with Gutenberg and everything is a block, and you can go and change wherever you want. Which we think it&#8217;s really powerful.</p>\n\n\n\n<p>And there&#8217;s yet another thing there, in comparing with the other frameworks, and it&#8217;s that if you look at the performance is a top performer there. It&#8217;s only 13 kilobytes of Javascript. Only a new experimental mode of Solid is able to be as performant as that one. So yeah, I&#8217;m really happy about enabling those user experiences, but with full compatibility with the Block editor and block themes, and with such performance.</p>\n\n\n\n<p>[00:16:44] Nathan Wrigley: It&#8217;s true to say, I guess, that if you go to that demo, you will not be seeing anything that you haven&#8217;t seen somewhere else online. You&#8217;ve seen the ability to like things, and you&#8217;ve seen infinite scroll before, and you&#8217;ve seen elsewhere online the ability to paginate without a full page refresh, and you&#8217;ve seen comments being added, again without having to submit a new page and so on and so forth.</p>\n\n\n\n<p>But this is creating a standard inside of WordPress. Why did you feel it was important to do this? Why not just leave developers to do their own thing? Again, we&#8217;ve seen WordPress websites implementing this. You know, I&#8217;ve been to countless WordPress websites where I&#8217;ve seen these features.</p>\n\n\n\n<p>Clearly somebody&#8217;s dealt with it before and implemented it in their own way. I guess you&#8217;re just trying to make it so that everybody can build on top of the work that you are doing, rather than everybody going off in their own way and implementing a completely different solution based upon, well, however they wish to do it?</p>\n\n\n\n<p>[00:17:43] Luis Herranz: Yes. It&#8217;s about absorbing complexity. So, definitely anything you can imagine, it&#8217;s possible with WordPress. The thing is how easy is to do it. And with this kind of standard, our hope is that those user experiences are not only easy, but also working practically out of the box.</p>\n\n\n\n<p>[00:18:05] Nathan Wrigley: I&#8217;m guessing that this standard is going to be something that you are aiming at developers. Presumably the developers will then make it fairly straightforward for end users to interact with blocks and what have you, to make this available to them. But how would the standard actually work? What is going on in the background? How are developers going to implement this?</p>\n\n\n\n<p>[00:18:25] Mario Santos: If I can add one note to the why this standard, is I think it&#8217;s also important to note apart from what Luis says, is that it absorbs a lot of complexity. In an ecosystem like WordPress where there are a lot of plugins interacting with other plugins and those kind of experiences that we have.</p>\n\n\n\n<p>It&#8217;s important that following a standard enables things like block communication. For example, we can see what we were talking about in the demo that you are liking a movie and it&#8217;s updating another block, in another place. So if different blocks, created by different block developers, in different plugins are not using the same approach, it&#8217;s really difficult to be able to communicate those blocks. And having a standard solves that. And yeah, that composability and compatibility to nest the structures of different interactive blocks is possible thanks to a standard.</p>\n\n\n\n<p>[00:19:21] Nathan Wrigley: Right. Okay, so you&#8217;re really opening it up so that any block developer can implement this so that, I don&#8217;t know, a different block developer can hook into the exact same standards so that two completely separate blocks, created by completely separate individuals can have interaction via the Interactivity API, right?</p>\n\n\n\n<p>[00:19:42] Mario Santos: Yeah, that&#8217;s it.</p>\n\n\n\n<p>[00:19:43] Luis Herranz: And they also use this, the same code, the same framework. Because if each block developer starts choosing their own framework, maybe some developers like React, some developers like Vue, some developers like Svelte or whatever comes next. Then WordPress sites could end up loading a lot of unnecessary Javascript.</p>\n\n\n\n<p>So yeah, it&#8217;s important. Now that sites are, are a mix of blocks from different developers, these blocks are like small units. Yeah, it&#8217;s important to agree on a single kind of solution.</p>\n\n\n\n<p>[00:20:17] Nathan Wrigley: Yeah, good point. Okay, so how is it actually going to work then? You mentioned in the article, and I think one of you mentioned it just a moment ago, that you&#8217;re trying to make it so that people are familiar with PHP, don&#8217;t necessarily have to get into the whole space of learning React or what have you. I&#8217;m not entirely clear on what the position is there, but is the intention to make this as simple as possible for people who are steeped in WordPress&#8217;s PHP history.</p>\n\n\n\n<p>[00:20:44] Mario Santos: Yes. We wanted to make it as easy as possible to everyone. So yeah, that&#8217;s included. And yes, we said this is compatible with PHP, and it has been designed to be block first and PHP friendly. So yeah, it&#8217;s should be easy.</p>\n\n\n\n<p>And going back to the question, how this standard work. Basically a system based on directives. I&#8217;m not sure, for those who are not familiar with directives, they are a way to extend HTML. They are custom HTML attributes that tell the Interactivity API to attach a specified behavior to a DOM element, or even transform it. So for those familiar with Alpine. it&#8217;s really similar, but it has been designed to work with WordPress.</p>\n\n\n\n<p>[00:21:32] Nathan Wrigley: I know it&#8217;s potentially a bit on the technical side, but you talked about the CSS nature of things there. I&#8217;m wondering if you can give an example of how that might be implemented. What would you actually be doing, declaring those directives?</p>\n\n\n\n<p>[00:21:47] Mario Santos: Okay, in order to create an interactive block using Interactivity API, you have to add directives to your markup. So you have some HTML, so you add custom attributes that are directives, and they call an action that is defined in Javascript in the view.js file of your block.</p>\n\n\n\n<p>[00:22:06] Nathan Wrigley: What is the benefit of doing it in that way? You mentioned that you want it to be available to everybody. Is this the kind of thing that, obviously experienced developers can probably pick this up in a heartbeat, but are you trying to get people, how do we describe this, who are less experienced say. Is this going to be something that you could pretty quickly learn even if your developer chops are not all that impressive?</p>\n\n\n\n<p>[00:22:29] Luis Herranz: Yes. The initial goal for this proposal is more enabling user experiences for WordPress that were not possible before, or were very difficult to do before. We also have a focus on developer experience, but that&#8217;s something that we think we can also keep improving over time.</p>\n\n\n\n<p>This doesn&#8217;t have to be like the final API of creating blocks. We can work, keep working on simplifying things over time. For example, right now none of these touches like the editor part. So if you are creating a block, the edit is just, is still done in the same way that it is done today using a React component. But maybe in the future we can explore how we can kind of extend these directives also to the editor and if it makes sense to unify and simplify the templating for both use cases. But is not the main goal of this proposal at this moment right now.</p>\n\n\n\n<p>[00:23:32] Nathan Wrigley: When you were making decisions about this, and you decided to go with directives instead of things like using React or something. Was there quite a lot of toing and froing? Was there a lot of soul searching, what the best way to do it was? Or was it just fairly straightforward from the very beginning that using directives was the way you were going to do it? How long did the conversation take before you settled on this? is it fair to say that everybody&#8217;s on board with this? This seems to be the way to do it.</p>\n\n\n\n<p>[00:23:58] Mario Santos: We believe so. I mean, we have researched a lot of alternatives. Actually, as we mentioned, we come from Frontity, that it was a React framework. React was like the first alternative we had in mind, but we defined as a list of requirements and we started researching different possibilities, and at the end we come up with the solution to be the only one that it was the only one fully compatible with WordPress.</p>\n\n\n\n<p>Just to explain this a bit better. As directives are custom attributes that we have in the HTML, we are using the HTML as the templating system. And this comes with many benefits, for example, were not possible with React. As HTML is the templating system, the service rendering is supported by default, for example.</p>\n\n\n\n<p>That is something really important in WordPress, or WordPress, APIs like WordPress hooks, that we are used to WordPress hooks in plugins, to extend some functionality, or translations. Those things, with directives using the HTML as the templating system work out of the box. And we can keep using those APIs to even extend the directives.</p>\n\n\n\n<p>And I think this was one of the main blockers to not use React. This system, the service rendering is supported, and the WordPress API are supportive as well. That using other approaches can get tricky or even impossible, I would say.</p>\n\n\n\n<p>[00:25:32] Luis Herranz: Yes. I think we spent like a year or so researching this. And at first we tried with Javascript, JSX, or even JS templates like Vue or Svelte, and so on. But yeah, I think that that direction, things start getting like super complex. And once we switched to using HTML as the templating language, it was like boom. Like everything works out of the box. Everything is like super simple. Everything is compatible. So yeah, it was like seeing the light a little bit.</p>\n\n\n\n<p>[00:26:04] Nathan Wrigley: if I&#8217;m a current block developer, there&#8217;s obviously now going to be this conflict of, do I carry on with what I&#8217;ve been doing so far? I&#8217;ve got some kind of interactive component in my blocks. Do I carry on with what I&#8217;ve been doing up until this point? Or do I flip over and start using the Interactivity API?</p>\n\n\n\n<p>You&#8217;ve obviously just mentioned some reasons why that could be the case. But I&#8217;m wondering if there is anything else buried in there. In other words, what&#8217;s the use case to switch? There&#8217;ll be a bit of retooling, you might have to rewrite a whole bunch of stuff that you&#8217;ve already rewritten.</p>\n\n\n\n<p>Do you think the benefit&#8217;s going to be in there purely for people who are creating new things? Or do you think there&#8217;s going to be a benefit for people who already have existing things out there in the real world, to go and rewrite what they&#8217;re doing using the Interactivity API?</p>\n\n\n\n<p>[00:26:54] Luis Herranz: Of course, as everything in WordPress, this is optional. Even though we want it to become a standard. It&#8217;s optional. But there&#8217;s going to be some kind of sitewide experiences that can only be enabled if all the blocks use this language, or this standard. So yeah, our hope is that there&#8217;s not going to be any reason for new blocks to not use this.</p>\n\n\n\n<p>Because it absorbs a lot of complexity and it works out the box with all these things. But there&#8217;s also going to be some benefit on migrating existing blocks to this system if you want to make your blocks compatible with these new user experiences. And also, get rid of all the complexity that you have to deal with in terms of bundling and performance and things like that.</p>\n\n\n\n<p>[00:27:42] Mario Santos: And actually it can also improve the user experiences, beause due to this complexity, we have seen many cases of blocks using React in the front end, but having issues with the server side rendering or not having server side rendering at all. So it could be a good approach to migrate to the Interactivity API, because it&#8217;s going to be easier to improve their blocks to support server side rendering, hooks, or other user experiences. There may be cases that they could benefit from that as well.</p>\n\n\n\n<p>[00:28:13] Nathan Wrigley: Yeah, I guess the intention would be for a slow but steady migration over to using the Interactivity API, to the point where it just doesn&#8217;t make sense to use anything else. One of you, I can&#8217;t remember which one of you it was, mentioned performance implications there. I&#8217;m just wondering if you could dwell on that a little bit. Have you, in your testing so far, really noticed this? Has it speeded things up, made less use of resources and so on.</p>\n\n\n\n<p>[00:28:39] Mario Santos: Yes. We&#8217;ve been testing and we want to test everything better and we will keep testing it in real sites. But it&#8217;s something that we had in mind from the beginning, that it has to be as performant as possible. And that&#8217;s why the runtime code is so small. It&#8217;s around 10 kilobytes. And yes, Luis before compared with other Javascript frameworks is performing pretty well.</p>\n\n\n\n<p>I think we did mention this, but it&#8217;s using React under the system. So that&#8217;s why it is so small. And yeah, it is actually performant and we are looking for other ways of optimizing it. For example, we want to only send the directives that are needed by the blocks that are in the page. Or we want to send the scripts so they don&#8217;t block the page rendering.</p>\n\n\n\n<p>Or for example, we are also exploring the possibility of the scripts, so they are only load when they are in the view port. So, yeah, overall I would say it&#8217;s performant. It&#8217;s been designed to be performant. The code is relatively small, and we are still looking for ways to optimize it even more.</p>\n\n\n\n<p>[00:29:51] Luis Herranz: Yeah, I think that&#8217;s important. It&#8217;s not only performant today, but you have the guarantee that it&#8217;s going to be performant in the future, in the terms of you don&#8217;t have to, as a block developer, you don&#8217;t have to deal with performance in that sense anymore. Because that&#8217;s absorbed now by, well will be, hopefully absorbed by WordPress at some point.</p>\n\n\n\n<p>And then if there&#8217;s something new in the web platform that can be leveraged to increase the performance and so on, it will be done in the WordPress side. So your block will just benefit from that, from just adopting this standard.</p>\n\n\n\n<p>[00:30:29] Nathan Wrigley: In the article that you wrote, Mario, the first word is the word proposal. Which implies that this is a work in progress, shall we say. And I&#8217;m just wondering how far down the path of usability you would say you&#8217;ve got. In other words, can developers begin using this out of the box? Have you seen real world examples of people using this?</p>\n\n\n\n<p>And have you had some interest from developers who perhaps haven&#8217;t implemented it, but certainly want to get on board? Because I&#8217;m guessing the more yes&#8217;s we can answer to that question, the more likely it is that other people will say, okay, yeah, let&#8217;s take a, let&#8217;s take a look at this. So, can you use it, and have people been using it?.</p>\n\n\n\n<p>[00:31:08] Mario Santos: I would say, yes, you can use it, but we remind that this is still experimental, although we included the proposal word there. This is still experimental, very likely to change. So the APIs that we are using right now, that are used for example in the movies demo site, we are confident that they work, but maybe the syntax change.</p>\n\n\n\n<p>So we haven&#8217;t promoted it yet to be used too much. There are people experimenting with it and giving feedback. For example, there&#8217;s an ongoing experiment in WooCommerce to replicate some of their blocks using directives. But there&#8217;s nothing in production yet because, as I said, this is still experimental.</p>\n\n\n\n<p>There are some missing functionalities that may break your site, and it doesn&#8217;t have any documentation yet. So, I would say you can use it at your own risk because it&#8217;s experimental. We would love people to test it. To give feedback. We want to understand better if it&#8217;s easy to use the blockers that people may face.</p>\n\n\n\n<p>Just to to clarify. In order to be able to use it, we are working on repository in GitHub. It&#8217;s a plugin that you can install, and from there you can create your own interactive blocks. Or if you prefer, there&#8217;s also the repository for the movies, with some examples that you can take a look and modify or whatever you want to do.</p>\n\n\n\n<p>[00:32:34] Nathan Wrigley: Are those repositories linked from Mario&#8217;s article on make.wordpress.org?</p>\n\n\n\n<p>[00:32:40] Mario Santos: Yes.</p>\n\n\n\n<p>[00:32:41] Nathan Wrigley: Okay, so perfect. So if you want to find those, you can just go to the article, which is going to be in the show notes and you can find them all there. Now you&#8217;re both working at Automattic, and although it was only about 30 minutes ago that you gave me your bio, I wasn&#8217;t quite sure.</p>\n\n\n\n<p>I know that you&#8217;re both sponsored full-time in WordPress. Is this project, the Interactivity API, is this a focus for both of you at the moment? In other words, are you being asked to implement this, full-time, part-time? Are you tasked with making this happen?</p>\n\n\n\n<p>[00:33:12] Luis Herranz: Yes, we are. But we are not the only ones. It&#8217;s a large group of contributors. But yes. It was part of when we stopped developing Frontity the headless framework, and joined Automattic, it was precisely to focus on this. And we thought it made a lot of sense. Yeah, and thanks to Automattic for sponsoring us to be able to work on this for WordPress.</p>\n\n\n\n<p>[00:33:40] Mario Santos: One note on this, as you said, there are more contributors working on this Interactivity API, and yeah, we are part of a bigger group that is working on the whole developer experience of Gutenberg. So this is just a project to improve the front end interactive parts of your blocks, but there are ongoing efforts to improve the whole developer experience.</p>\n\n\n\n<p>[00:34:04] Luis Herranz: Yeah, and maybe it&#8217;s a good moment to say that if anyone is interested in this topic, just come to the repository and so on. And contact us and join us.</p>\n\n\n\n<p>[00:34:15] Nathan Wrigley: Yeah, I was going to ask about exactly that. How open are you to contributions? Presumably any people that you can get interested in this, the more the merrier.</p>\n\n\n\n<p>[00:34:24] Luis Herranz: A hundred percent open. We need people. We need people testing these. We need people using it. We need people giving feedback. Sharing different ideas. The most exposure, the better. How do you say that?</p>\n\n\n\n<p>[00:34:37] Nathan Wrigley: Yeah, exactly that. So I guess really if this podcast serves to do anything, it would be exactly that. It would be to encourage people to go over. Read the post on make.wordpress.org, and if you&#8217;re interested and you think that you can help, then certainly it looks like your help would be most welcome. Testing, getting involved.</p>\n\n\n\n<p>In terms of what&#8217;s coming, you mentioned that there are things which you desire to have. So I guess that&#8217;s a roadmap question. What is on the roadmap? What do you want to have in there that is not in there? Don&#8217;t worry about timeframes. It might be a year off, two years off, six months, doesn&#8217;t really matter. What are you hoping that it will do that it currently is unable to do?</p>\n\n\n\n<p>[00:35:16] Mario Santos: Basically finish the Interactivity API, because it&#8217;s not finished. But, for example, our initial idea is to create the list of core directives that covers, I don&#8217;t know, 90% of the use cases, most of the use cases. Although then developers can create their custom directives.</p>\n\n\n\n<p>So for example, that list is not finished yet. We still have to ensure that the APIs work for most of the use cases. We have to finish. And our idea for this is to, at some point, include it as experimental in Gutenberg. Start testing it in real core blocks, for example. Doing some experiments there.</p>\n\n\n\n<p>Ensure that those user experiences are easy to create with the Interactivity API. Start receiving more feedback. So yeah, the idea is that. Keep experimenting. Keep developing the API. Receive feedback of users using it. And I think that&#8217;s it.</p>\n\n\n\n<p>[00:36:16] Luis Herranz: It&#8217;s going to be important the moment when we add, we added as experimental API in Gutenberg. Because that&#8217;s going to increase the exposure by, I don&#8217;t know, ten fold.</p>\n\n\n\n<p>tenfold.</p>\n\n\n\n<p>[00:36:25] Nathan Wrigley: One of you mentioned before we click record that you are going to be giving a presentation at WordCamp Europe around the Interactivity API. By good coincidence, this podcast episode is going out just prior to that. So it may be that people listening to this are very soon going to be getting in the car train or a plane to head to Athens. Which one of you is giving that talk and what is it that you&#8217;re going to be covering exactly?</p>\n\n\n\n<p>[00:36:51] Luis Herranz: That would be me, Luis. I hope Mario helps.</p>\n\n\n\n<p>[00:36:55] Mario Santos: Yeah, I will help.</p>\n\n\n\n<p>[00:36:57] Luis Herranz: It&#8217;s going to be a workshop. I don&#8217;t know if it&#8217;s a two hour workshop or two hour and a half workshop. It&#8217;s going to be hands-on. A step by step introduction to the Interactivity API and creating some interactive blocks and user experiences.</p>\n\n\n\n<p>[00:37:12] Nathan Wrigley: So very much a hands-on experience. You are going to be teaching people and hopefully getting them to learn in real time. Do you know if any of that gets recorded and put on WordPress TV?</p>\n\n\n\n<p>[00:37:22] Luis Herranz: I don&#8217;t know if workshops are recorded or not. Presentations are, yes. I don&#8217;t know.</p>\n\n\n\n<p>[00:37:27] Nathan Wrigley: Yeah, okay. So you can very much be seen at WordCamp Europe, in Athens. Hopefully both Luis and Mario are going to be there. Head over to the workshop and say hi, and get involved. If people want to reach out to either of you, be that on social media or email or whatever works best. Maybe we can go to Luis first. Can you give us some details of where people could get in touch with you, specifically around this topic?</p>\n\n\n\n<p>[00:37:53] Luis Herranz: Sure. I actually started like, I left Twitter for a while and I&#8217;m back from last week or so. I&#8217;m going to try to answer any question that people may have about the Interactivity API and to share the progress there at my personal account, which is @luisherranz, like my name and surname in Twitter.</p>\n\n\n\n<p>[00:38:11] Nathan Wrigley: Thank you very much, and Mario, where can we reach you?</p>\n\n\n\n<p>[00:38:14] Mario Santos: I would say Twitter as well. I&#8217;m not actively tweeting, but if someone writes to me, I will answer for sure. Handle is @santosguillamot. It&#8217;s a bit difficult, so maybe it&#8217;s better to include the link?</p>\n\n\n\n<p>[00:38:28] Nathan Wrigley: I will link to it in the show notes because yeah, that might be the best way of doing it.</p>\n\n\n\n<p>[00:38:33] Luis Herranz: And probably I would say come by the Block Interactivity Experiments repository. So in GitHub, WordPress slash block interactivity experiments. And then there&#8217;s, open a issue, open a discussion. Yeah.</p>\n\n\n\n<p>[00:38:47] Mario Santos: And if people don&#8217;t use Twitter, I think they can reach both of us also in WordPress Slack, if they prefer to do so.</p>\n\n\n\n<p>[00:38:55] Nathan Wrigley: I will link to both of those things as well. I will include both of your Twitter handles and both of your Slacks, plus all of the links to anything that we mentioned during the course of the podcast. So yeah, an interesting discussion about the Interactivity API. I know it&#8217;s not just the pair of you, but Luis and Mario, much appreciation for taking on this work, which hopefully in the near future will be improving, not only the performance, but the interactivity of our WordPress websites. Thanks very much for joining me today.</p>\n\n\n\n<p>[00:39:21] Mario Santos: Thank you a lot for inviting.</p>\n\n\n\n<p>[00:39:23] Luis Herranz: Thanks, Nathan.</p>\n</div>\n\n\n\n<p>On the podcast today we have <a href=\"https://twitter.com/santosguillamot\">Mario Santos</a> and <a href=\"https://twitter.com/luisherranz\">Luis Herranz</a>. They both work for Automattic, but are sponsored to work full-time in WordPress. The main focus of their work is the block developer experience, and they are part of the group of contributors that worked on the Interactivity API proposal.</p>\n\n\n\n<p>The Interactivity API is the main focus of the podcast today, and if you&#8217;re working with blocks and dynamically displaying data, this is sure to be of interest to you.</p>\n\n\n\n<p>We start out the podcast with the usual introductions and get to know Mario and Luis, and then we learn what the Interactivity API is, and what it can do.</p>\n\n\n\n<p>The conversation is framed around a blog post written by Mario entitled The Interactivity API, a Better Developer Experience in Building Interactive Blocks. In this, Mario shows examples of what website interactivity is. In short, it’s the ability for content to be amended on-the-fly without a page refresh.</p>\n\n\n\n<p>Of course, this is nothing new on the web, we’ve been seeing this for years in WordPress sites and elsewhere, but now you’re going to be able to create interactivity in a standard way across the different blocks on your site. The project hopes to absorb complexity and make the creation of interactive objects fairly trivial. Mario and Luis talk about examples of where the API might be used and how it can be implemented.</p>\n\n\n\n<p>We also discuss the fact that in the past developers have gone their own way to make their sites interactive. It all works, but it means that no two implementations are the same. This causes issues if the project is taken over by another developer, but it’s also a drain on resources. Mario and Luis make the point that having a standard way of creating interactivity will benefit everyone in the long run.</p>\n\n\n\n<p>We get into the weeds a little and talk about the approach the team took when building the API. They decided to use directives, and we find out why this was and what benefit it brings over other possible solutions.</p>\n\n\n\n<p>The project is still experimental, and they’re looking for people to test and report back on what they find to move the Interactivity API forwards.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful links.</h2>\n\n\n\n<p>Frontity</p>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/03/30/proposal-the-interactivity-api-a-better-developer-experience-in-building-interactive-blocks/\">Proposal: The Interactivity API – A better developer experience in building interactive blocks</a></p>\n\n\n\n<p><a href=\"https://github.com/WordPress/block-interactivity-experiments\">Interactivity API GitHib repo</a></p>\n\n\n\n<p><a href=\"https://github.com/wordpress/wp-movies-demo\">Repo for the movies demo</a></p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/building-interactive-blocks-a-step-by-step-workshop/\">Luis&#8217; workshop at WordCamp Europe 2023</a></p>\n\n\n\n<p><a href=\"https://twitter.com/luisherranz\">Luis&#8217; Twitter</a></p>\n\n\n\n<p><a href=\"https://twitter.com/santosguillamot\">Mario&#8217;s Twitter</a></p>\n\n\n\n<p><a href=\"https://github.com/WordPress/block-interactivity-experiments\">Block Interactivity Experiments repo</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 24 May 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"HeroPress: About how WordPress saved my life. – Sobre como WordPress me salvo la vida\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=5574\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:140:\"https://heropress.com/essays/about-how-wordpress-saved-my-life/#utm_source=rss&utm_medium=rss&utm_campaign=about-how-wordpress-saved-my-life\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:15217:\"<img width=\"1024\" height=\"512\" src=\"https://heropress.com/wp-content/uploads/2023/05/052323-2-min.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Pull Quote: The opportunity that the Universe gave me is called WordPress. La oportunidad que me dio el Universo se llama WordPress.\" /><p><a href=\"https://heropress.com/feed/#espanol\">Este ensayo también está disponible en español.</a></p>\n\n\n\n<p>Hello, my name is Rita Robles Loaiza, I am a computer systems engineer and I live in Cartago, Costa Rica. Today I want to tell you a little bit about my story and how WordPress saved my life.&nbsp;</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-about-the-beginnings\"><strong>About the beginnings</strong></h2>\n\n\n\n<p>I am the youngest of 4 siblings, and the one who for many reasons as we say here in Costa Rica &#8220;went out of the basket&#8221;. Since I was a child I had an affinity for technology, I will never forget the first time I used a computer and how my older sister taught me to use Windows 95 back in 1997 or the first time I was able to program a Lego controller in Robotics class at the age of 12. Even with that affinity at 17 years old I said I wanted to be a chef, and I refused the idea of being an engineer. When I left school and the bubble in which I was I could identify that I had a whole world ahead of me and that I had to follow one of the best&nbsp; pieces of advice my mom could have given me: &#8220;Try hard&#8221;.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>About My First Job and Entering the University.</strong></h2>\n\n\n\n<p>In 2013 I had the opportunity to start with my first job, that experience opened my mind and was my school, pure and hard about survival and behavior. This job was as an assistant in a Laboratory of chemical and microbiological analysis, the biggest WOW of my life I lived here, in the middle of test tubes, beakers, Erlenmeyer’s I realized all the potential I had, and that creativity and enthusiasm would be my two great weapons, this without knowing that my main virtue is and will be resilience. In the middle of that job and against my wishes I started to study programming, I really did not feel fulfilled even though I liked technology, the Rita of now believes that in the midst of so many changes that rejection was my defense mechanism to everything that was happening around me.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Leaving the Laboratory and the change of university</strong></h2>\n\n\n\n<p>After 2 years I suffered an extremely unfair dismissal disguised as economic problems in the company, after many years I understood that they did me a favor and that this action gave me the wings I needed to join the world of technology, while that happened to me and in the middle of my search for the true taste for what I was studying, I changed University, what a decision, so far has been the best I have taken in terms of education, thanks to that change I found what I really liked and was a breeding ground to achieve complete engineering. Finally, after all this, I was incorporated in different organizations with various roles focused on technology.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Rita turned to dust and ashes.</strong></h2>\n\n\n\n<p>After a while and finishing my career, I decided to start my own business and entrepreneurship journey with 2 friends. Together we founded a boutique technology and innovation company, in the midst of our business empiricism we managed to meet many people and develop many projects, it was here where I had my first approach with WordPress in a meetup organized by the community of San Jose. At a certain point, my 2 friends abandoned the project and I decided to continue alone (big mistake), the company kept growing, I kept building many more projects, I incorporated more people until everything blew up in my face, it was absolutely unsustainable, and alone, without a job, and without any hope I became dust and ashes believing that I could not get up.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Teaching as a weapon of defense</strong></h2>\n\n\n\n<p>In 2018, the career director of the University where I studied contacted me to offer me the opportunity to be a Database teacher. I refused, believing that I did not have enough skills to assume that role, that thought was a product of everything that was happening with entrepreneurship, my director insisted, and I accepted, and that was how on May 19, 2018 I taught my first university class. From that moment until now, 5 years later, I can say that it was one of the smartest decisions I could make, teaching opened the doors to the possibility of rebirth, rebuilding myself and learning from my students. It was the university that in times of difficulties made me grow and get up from everything that was happening, it was here where I understood that resilience is and will be my greatest virtue.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WordPress before my eyes</strong></h2>\n\n\n\n<p>In 2019, in a meeting of a women&#8217;s collective, I met the person who pushed me the most in this world, my great friend Ericka, she invited me to go to meetups of the WordPress San Jose community, I knew I had to make an extra effort to just limit myself to go to Meetups, so thanks to her and everything she told me about WordPress I took the initiative to look for tutorials and start learning on my own. It was in this year where I developed my first project with WordPress and opened the doors to one of the career paths that have made me feel happy and fulfilled.</p>\n\n\n\n<h2 class=\"wp-block-heading\">WordPress saved my life</h2>\n\n\n\n<p>Excited by that project, I continued studying and getting involved in the community, participating in meetups, and organizing WordCamps, to the point that this year 2023 I had the opportunity to be Lead Organizer of WordCamp San Jose 2023. In 2019 in the midst of so much uncertainty came to me a job ad in GreenGeeks web hosting in the role of WordPress Specialist, without any expectation I sent my resume until I got the pleasant surprise that I was hired in February 2020.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WordPress and the COVID-19 pandemic</strong></h2>\n\n\n\n<p>It was thanks to this opportunity that I fully potentiated my taste and career towards WordPress, managing to get many projects for Foundations and NGOs in which through WordPress we can reach many interested people. It was also in this instance in which I managed to participate for the first time as a speaker at a WordCamp, this nourished my love for WordPress and the desire to continue sharing with all the people who have the same passion.</p>\n\n\n\n<p>WordPress changed my life, put it in order and gave me guidelines to grow personally and professionally, the opportunity that the Universe gave me is called WordPress and all my life I will be grateful for that.</p>\n\n\n\n<div class=\"kb-row-layout-wrap kb-row-layout-id_ade563-ae alignnone kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n\n<div class=\"wp-block-kadence-column kadence-column_d879cf-9a\"><div class=\"kt-inside-inner-col\">\n<h2 id=\"work-environment\" class=\"kt-adv-heading_1e8c32-97 wp-block-kadence-advancedheading\">Rita&#8217;s Work Environment</h2>\n\n\n\n<p>We asked Rita for a view into her development life and this is what she sent! </p>\n\n\n	<div class=\"hotspots-image-container\">\n		<img width=\"2560\" height=\"1144\" src=\"https://heropress.com/wp-content/uploads/2023/05/IMG_5886-scaled-1.jpg\" alt=\"Rita\" class=\"hotspots-image skip-lazy\" />\n	</div>\n\n\n\n\n<p class=\"kt-adv-heading_b61d45-c4 wp-block-kadence-advancedheading has-theme-palette-9-background-color has-background\">HeroPress would like to thank <a href=\"https://wpdrawattention.com/\">Draw Attention</a> for their donation of the plugin to make this interactive image!</p>\n</div></div>\n\n</div></div>\n\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<h1 id=\"espanol\" class=\"kt-adv-heading_96d019-44 wp-block-kadence-advancedheading\"><strong>Sobre como WordPress me salvo la vida</strong></h1>\n\n\n\n\nEscucha el ensayo de Rita con su propia voz\n\n\n\n\n\n\n<p>Hola, mi nombre es Rita Robles Loaiza, soy Ingeniera en sistemas de computación y vivo en Cartago, Costa Rica. Hoy quiero contarles un poco sobre mi historia y como WordPress me salvo la vida.&nbsp;</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sobre los inicios</strong></h2>\n\n\n\n<p>Soy la menor de 4 hermanos, y la que por muchas razones como decimos aquí en Costa Rica se “salió del canasto”. Desde que era niña tuve afinidad por la tecnología, jamás olvidare la primera vez que utilice una computadora y como mi hermana mayor me enseñó a utilizar Windows 95 allá por 1997 o la primera vez que pude programar un controlador de Lego en la clase de Robótica a los 12 años. Aun con esa afinidad a los 17 años decía que quería ser chef, y me negaba a la idea de ser Ingeniera. Cuando Sali del colegio y de la burbuja en la que me encontraba pude identificar que tenía todo un mundo por delante frente a mis ojos y que debía seguir uno de los mejores consejos que mi mamá me ha podido dar: “Esfuérzate”.&nbsp;</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sobre Mi primer trabajo y el ingreso a la Universidad</strong></h2>\n\n\n\n<p>En el 2013 tuve la oportunidad de iniciar con mi primer empleo, definitivamente esa experiencia abrió mi mente y fue mi escuela, pura y dura sobre la sobrevivencia y el comportamiento. Este empleo fue como asistente en un Laboratorio de análisis químicos y microbiológicos, el mayor WOW de mi vida lo viví aquí, en medio de tubos de ensayo, beakers, erlenmeyers me di cuenta de todo el potencial que tenía y que la creatividad y el entusiasmo serian mis dos grandes armas, esto sin saber que mi principal virtud es y será la resiliencia. En medio de ese empleo y contra mis deseos empecé a estudiar programación, en serio no me sentía plena a pesar de que me gustaba la tecnología, la Rita de ahora cree que en medio de tantos cambios ese rechazo era mi mecanismo de defensa ante todo lo que sucedía a mi alrededor.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La Salida del Laboratorio y el cambio de Universidad</strong></h2>\n\n\n\n<p>Después de 2 años sufrí un despido sumamente injusto disfrazado de problemas económicos en la empresa, después de muchos años entendí que me hicieron un favor y que esa acción me dio las alas que necesitaba para incorporarme laboralmente en el mundo de la tecnología, mientras me sucedía eso y en medio de mi búsqueda por el verdadero gusto hacia lo que estaba estudiando, me cambie de Universidad, vaya decisión, al momento ha sido la mejor que he tomado en temas de educación, gracias a ese cambio encontré lo que realmente me gustaba y fue caldo de cultivo para lograr completar la ingeniería. Finalmente, después de todo esto, me fui incorporando en distintas organizaciones con diversos roles enfocados en tecnología.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Rita convertida en polvo y cenizas</strong></h2>\n\n\n\n<p>Después de un tiempo y terminando mi carrera decidí iniciar el viaje al negocio propio y el emprendimiento con 2 amigos. Juntos fundamos una empresa boutique de tecnología e innovación, en medio de nuestro empirismo en negocios logramos conocer a muchas personas y desarrollar muchos proyectos, fue aquí donde tuve mi primer acercamiento con WordPress en un meetup organizado por la comunidad de San José. En un momento determinado, mis 2 amigos abandonaron el proyecto y yo decidí continuar sola (grave error), la empresa siguió creciendo, seguí construyendo muchos más proyectos, incorpore más personas hasta que todo exploto en mi cara, era absolutamente insostenible, y sola, sin empleo, y sin esperanza alguna me convertí en polvo y cenizas creyendo que no podía levantarme.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La docencia como arma de defensa</strong></h2>\n\n\n\n<p>En el 2018, el director de carrera de la Universidad en la cual estudie me contacto para ofrecerme la oportunidad de ser profesora de Bases de Datos. Yo me negué, creyendo que no tenía las habilidades suficientes para asumir ese rol, ese pensamiento era producto de todo lo que estaba sucediendo con el emprendimiento, mi director insistió y yo acepté, y así fue como el 19 de mayo del 2018 impartí mi primera clase universitaria. Desde ese momento hasta ahora, 5 años después, puedo decir que fue una de las decisiones más inteligentes que pude tomar, la docencia me abrió las puertas a la posibilidad de renacer, reconstruirme y aprender de mis estudiantes. Fue la universidad la que en tiempos de dificultades me hizo crecer y levantarme de todo lo que estaba sucediendo, fue aquí donde entendí que la resiliencia es y será mi mayor virtud</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WordPress ante mis ojos</strong></h2>\n\n\n\n<p>En el 2019, en una reunión de un colectivo de mujeres, conocí a la persona que más me impulso en este mundo, mi gran amiga Ericka, ella me invito a ir a meetups de la comunidad de WordPress San José, yo sabía que debía hacer un esfuerzo adicional a solamente limitarme a ir a Meetups, así que gracias a ella y todo lo que me contaba sobre WordPress tome la iniciativa de buscar tutoriales y empezar a aprender por mi cuenta. Fue en este año donde desarrolle mi primer proyecto con WordPress y abrir las puertas a uno de los caminos laborales que más me han hecho sentir feliz y plena.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WordPress salvo mi vida</strong></h2>\n\n\n\n<p>Emocionada por ese proyecto, seguí estudiando e involucrándome en la comunidad, participando en meetups y organizando WordCamps, a tal punto que este año 2023 he tenido la oportunidad de ser Lead Organizer del WordCamp San José 2023. En el 2019 en medio de tanta incertidumbre llego a mi un anuncio de empleo en GreenGeeks web hosting en el rol de WordPress Specialist, sin expectativa alguna envié mi currículo hasta llevarme la grata sorpresa que me contrataron en febrero del 2020.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WordPress y la pandemia del COVID-19</strong></h2>\n\n\n\n<p>Fue gracias a esta oportunidad que potencialice completamente mi gusto y carrera hacia WordPress, logrando conseguir muchos proyectos para Fundaciones y ONG en los cuales por medio de WordPress podemos llegar a muchas personas interesadas. También fue en esta instancia en la cual logre participar por primera vez como speaker en un WordCamp, esto alimento mi cariño hacia WordPress y el deseo de poder seguir compartiendo con todas las personas que tenemos esta misma pasión.</p>\n\n\n\n<p>WordPress cambio mi vida, la puso en orden y me dio pautas para crecer personal y profesionalmente, la oportunidad que me dio el Universo se llama WordPress y toda mi vida estaré agradecida por eso.</p>\n<p>The post <a rel=\"nofollow\" href=\"https://heropress.com/essays/about-how-wordpress-saved-my-life/\">About how WordPress saved my life. &#8211; Sobre como WordPress me salvo la vida</a> appeared first on <a rel=\"nofollow\" href=\"https://heropress.com\">HeroPress</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 24 May 2023 12:30:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Rita Robles Loaiza\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:101:\"WPTavern: Automattic Releases wp-now: A Local Development Environment Powered by WordPress Playground\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145373\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"https://wptavern.com/automattic-releases-wp-now-a-local-development-environment-powered-by-wordpress-playground\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2530:\"<p>Automattic has published a new project called <a href=\"https://twitter.com/AutomatticEng/status/1660997741793927168\">wp-now</a> that creates a local development environment in seconds. The tool is a NodeJS app that is powered by WordPress Playground, an experimental project that uses WebAssembly (WASM) to <a href=\"https://wptavern.com/new-prototype-runs-wordpress-in-the-browser-with-no-php-server\">run WordPress in the browser</a>. </p>\n\n\n\n<p>wp-now allows developers to quickly spin up a new WordPress site with their chosen theme and then open it in the browser automatically logged in as admin without having to enter any credentials. It uses the <a href=\"https://wordpress.org/plugins/sqlite-database-integration\">SQLite Database Integration plugin</a> for its database and developers can quickly swap out versions of PHP and WordPress for testing.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">Five minute install? wp-now launches your local environment in five seconds <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" /><a href=\"https://t.co/cKkUDN8uHE\">https://t.co/cKkUDN8uHE</a> <a href=\"https://t.co/QdgZle5mgw\">pic.twitter.com/QdgZle5mgw</a></p>&mdash; AutomatticEng (@AutomatticEng) <a href=\"https://twitter.com/AutomatticEng/status/1660997741793927168?ref_src=twsrc%5Etfw\">May 23, 2023</a></blockquote>\n</div>\n\n\n\n<p>Automattic software engineer Antonio Sejas explained how it works: </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>When you use <code>wp-now</code> from a directory, we create a php-wasm instance, download the selected WordPress version and mount the necessary directories in a virtual file system (VFS). Then, we initiate a NodeJS express server that listens and proxies all requests to the php-wasm. As a result, <code>wp-now</code> can easily log you into WordPress automatically, activate plugins and themes, and automatically configure your WordPress site.</p>\n</blockquote>\n\n\n\n<p>wp-now can be <a href=\"https://www.npmjs.com/package/@wp-now/wp-now\">installed directly from npm</a>. It works across all platforms (Mac, Linux, and Windows). Although it doesn&#8217;t support custom domains or SSL yet, Automattic has it on the roadmap. wp-now contributors are also looking at auto detecting when a file is modified and automatically refreshing the browser, importing a database from another WordPress site, and adding a deploy feature for SSH/SFTP hosting, among other features.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 24 May 2023 02:48:34 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"Post Status: Launching a WordPress Product in Public: Session 14\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149350\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://poststatus.com/launching-a-wordpress-product-in-public-session-14/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:47211:\"<p><a href=\"https://poststatus.com/planet/feed/#h-transcript\">Transcript</a> ↓</p>\n\n\n\n<p><a href=\"https://twitter.com/coreymaass\">Corey Maass</a> and <a href=\"https://twitter.com/corymiller303\">Cory Miller</a> continue the development of their new WordPress plugin, <a href=\"https://crop.express/\">Crop.Express</a>. They delve into the world of image-generation tools for content marketing. In this insightful conversation, they explore creating customizable templates to generate visually appealing images for blog posts, social media, and other channels. Discover how these tools can help marketers enhance their content, highlight important quotes and summaries, and streamline sharing. Dive into the workflow and envision a future where content creators can effortlessly generate eye-catching images that elevate the presentation and value of their posts.</p>\n\n\n\n<p><strong>Top Takeaways:</strong></p>\n\n\n\n<ul>\n<li><strong>Continuous Learning:</strong> The WordPress ecosystem constantly evolves, so staying updated with the latest trends, technologies, and best practices is crucial. Engage in continuous learning through online resources, forums, and communities, and attend WordPress events and conferences.</li>\n\n\n\n<li><strong>Security Measures:</strong> WordPress security should be a top priority. Implement robust security measures such as using strong passwords, keeping themes and plugins up to date, using reliable security plugins, regularly backing up your website, and staying vigilant against potential vulnerabilities.</li>\n\n\n\n<li><strong>Performance Optimization: </strong>Website speed and performance are essential for user experience and search engine rankings. Optimize your WordPress site using lightweight themes and plugins, optimizing images, leveraging caching techniques, and minimizing HTTP requests. Regularly monitor and optimize your site&#8217;s performance to ensure a smooth and fast user experience.</li>\n</ul>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n\n</div>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-mentioned-in-the-show\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f517.png\" alt=\"🔗\" class=\"wp-smiley\" /> Mentioned in the show:</h3>\n\n\n\n<ul>\n<li><a href=\"https://crop.express/\">Crop.Express</a></li>\n\n\n\n<li><a href=\"https://www.instagram.com/\">Instagram</a></li>\n\n\n\n<li><a href=\"https://thevidabars.com/\">Vida Bars</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-you-can-follow-post-status-and-our-guests-on-twitter\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> You can follow Post Status and our guests on Twitter:</h3>\n\n\n\n<ul class=\"eplus-wrapper\">\n<li><a href=\"http://twitter.com/coreymaass\">Corey Maass</a></li>\n\n\n\n<li><a href=\"https://twitter.com/corymiller303\">Cory Miller</a> (CEO, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n\n\n\n<li><a href=\"https://twitter.com/lemonadecode\">Olivia Bisset</a> (Intern, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n</ul>\n\n\n\n<p class=\"eplus-wrapper has-background\">The <strong>Post Status Draft</strong> podcast is geared toward WordPress professionals, with interviews, news, and deep analysis. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4dd.png\" alt=\"📝\" class=\"wp-smiley\" /><br /><br /><a href=\"https://poststatus.com/category/post-status-podcasts/\" target=\"_blank\" rel=\"noreferrer noopener\">Browse our archives</a>, and don’t forget to subscribe via <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\" target=\"_blank\" rel=\"noreferrer noopener\">iTunes</a>, <a href=\"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS8ySkU5c2M4UA\" target=\"_blank\" rel=\"noreferrer noopener\">Google Podcasts</a>, <a href=\"https://www.youtube.com/c/PostStatus\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\" target=\"_blank\" rel=\"noreferrer noopener\">Stitcher</a>, <a href=\"https://wordpress-post-status-draft-podcast.simplecast.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Simplecast</a>, or <a href=\"https://feeds.simplecast.com/2JE9sc8P\">RSS</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f3a7.png\" alt=\"🎧\" class=\"wp-smiley\" /></p>\n\n\n\n<h2 class=\"wp-block-heading eplus-wrapper\" id=\"h-transcript\">Transcript</h2>\n\n\n\n<h2 class=\"wp-block-heading\">Session 14 Corey &amp; Cory Launch a WordPress Product Live</h2>\n\n\n\n<p>[00:00:00] Dude. Hey.&nbsp;</p>\n\n\n\n<p>[00:00:04] <strong>Cory Miller:</strong> All right. Session 14. I had to go on YouTube and look, but golly, that&#8217;s been. Three months, three and a half months. Been good stuff. Had fun on these, but we have some good things to talk about today. I think you were gonna show me some of that stuff and come up with a punch list of what you&#8217;ve been manically working on.</p>\n\n\n\n<p>Yeah, I&#8217;m meager man. And I know the other part of the agenda is now baton is. Getting handed over to me to really drive marketing and the work of, that I can actually do with your class. Yep, exactly. Genius and insight and feedback. All right, you want to any thoughts or do you want to kick&nbsp;</p>\n\n\n\n<p>[00:00:53] <strong>Corey Maass:</strong> it off and No, lemme share. Which 1:00 AM I sharing? [00:01:00] Share, update, plugin. Let&#8217;s make it smaller. Come on window.</p>\n\n\n\n<p>You see that? Okay? Yep. And hold on just a second. Where is.</p>\n\n\n\n<p>Real life needs and leads of a dog. Must be in the office with me at all times. Okay, go lay down. All right we have a blog WordPress install. I&#8217;ve been testing with Yost, but for the fun of it, we&#8217;ll leave that. Deactivated general settings. Oh, it&#8217;s interesting that didn&#8217;t reset. But anyway, the title of this blog tagline, so this is the description of this blog.</p>\n\n\n\n<p>So I&#8217;m just like, some things I [00:02:00] want to sensible, sensible defaults basically And looking at these variables because they&#8217;ll show up later. If you go, so you have a WordPress install you&#8217;ve just downloaded O M G I M G we need Oh, you have that WorkFlowy document I think I shared with you.</p>\n\n\n\n<p>Yeah. Did. So these are, I&#8217;ll take notes here. Plug in marketing. So it&#8217;s like, what do we call the damn thing? I plugged in. It&#8217;s O M G I M G and all capital letters we decided on, which I love. And then what do we call it? I&#8217;m, so a couple of neat things with this. We, I think we, we touched on it a little bit or I was thinking it earlier today, is we don&#8217;t need, because we&#8217;re not going in the plug-in repo, we don&#8217;t need a readme, we don&#8217;t need there&#8217;s a bunch of SEO [00:03:00] stuff that we don&#8217;t need to worry about, that we were messing around with Crop Express.</p>\n\n\n\n<p>But I think we still want, we still need a description for here. We still need do we just call it O M G I M G? Do we want another word? Image builder, maker, candlestick maker, something in there. So yeah, what do we call it? What should be like, What we see on the plugins page,</p>\n\n\n\n<p>Description name oops. All right. So anyway we activate it. It takes you to a welcome screen. Right now it says, welcome to O M G I M G. Let&#8217;s get you started creating your first image, an open graph image for your site. The first image is the image people see when they share your [00:04:00] sites on socials.</p>\n\n\n\n<p>So we can review all this copy later, but Roger that we just need an icon I&#8217;ve been using, actually let&#8217;s do, if I go to post status, it&#8217;s gonna be the real lit litmus test, right?</p>\n\n\n\n<p>Is there a high res version? Hey, look at that. Holy leash. Nikes. No, that&#8217;s good. It&#8217;s an svg. Okay which we don&#8217;t support currently. We&#8217;re gonna want to I can. I got it. Because we can just go SVG to p and g. It&#8217;s one of my favorite. These are my favorite sites. There&#8217;s this whole series of sites that look just like this.</p>\n\n\n\n<p>It&#8217;s compress P and g. Yeah, compress jpeg, compress All these are my favorite sites. With the elephant. And I contacted this person once and I was like, can I give you money because I use your websites,[00:05:00] every day. And he is no, I make more from ads than you could ever give me.</p>\n\n\n\n<p>Okay. It&#8217;s a good problem to have anyway, so let&#8217;s show.</p>\n\n\n\n<p>Did it really make it that small?</p>\n\n\n\n<p>Oh, no, it really does make it that small.</p>\n\n\n\n<p>Okay. So yes, you should send me a version if you have it.</p>\n\n\n\n<p>I should have asked you for this earlier,</p>\n\n\n\n<p>SVG whole doc. Why not? It really is that small though.&nbsp;</p>\n\n\n\n<p>What size do you need? I&#8217;ve got just as big as possible with the transparent background.</p>\n\n\n\n<p>I&#8217;ve got three 20,&nbsp;</p>\n\n\n\n<p>[00:05:41] <strong>Cory Miller:</strong> about three 20. Let&#8217;s see.</p>\n\n\n\n<p>I had these made for Different social platforms. So they&#8217;re already scaled down.&nbsp;</p>\n\n\n\n<p>Yep. Do you want an eps?&nbsp;</p>\n\n\n\n<p>[00:05:54] <strong>Corey Maass:</strong> I think I&#8217;ve almost got it.</p>\n\n\n\n<p>[00:05:55] <strong>Cory Miller:</strong> We&#8217;re illuminating some of the things that we&#8217;ve talked about,&nbsp;</p>\n\n\n\n<p>[00:05:59] <strong>Corey Maass:</strong> right? [00:06:00] Yeah. Around tight.</p>\n\n\n\n<p>Yep. Yep. This is compelling listening and watching for anybody out there. There we go. I got it. And I&#8217;m being a little pedantic because I want this to be a good demo for you. Oops. Export p and g thousand by a thousand giggles. Heat export. Having fun. Download save. All right, I got it.&nbsp;</p>\n\n\n\n<p>[00:06:39] <strong>Cory Miller:</strong> Here we go.</p>\n\n\n\n<p>LeBron Giggle in their heat map software is probably going, oh my God.&nbsp;</p>\n\n\n\n<p>[00:06:44] <strong>Corey Maass:</strong> Tertiary dancing. All right, I&#8217;m gonna drag in the PS logo, see if this works. Hey, you get a little preview. So there&#8217;s a bug. Go bugs [00:07:00] dropping image shows preview, but placeholder doesn&#8217;t. Disappear.</p>\n\n\n\n<p>Doesn&#8217;t matter though. So you create, so this is going to automatically generate the first one based on I think it&#8217;s the, oh, let&#8217;s find out. And there&#8217;s a fatal error because get options hasn&#8217;t been set site. There&#8217;s a little live coding for you.</p>\n\n\n\n<p>Oh,</p>\n\n\n\n<p>obviously I haven&#8217;t walked through this in a while.</p>\n\n\n\n<p>Oh. Called up there. I see.&nbsp;</p>\n\n\n\n<p>What did happen?</p>\n\n\n\n<p>Oh, I know what I did. Yeah. So change this to until good options. [00:08:00] There we go. Let&#8217;s try that again. Refresh. Grab the PS logo, P and G</p>\n\n\n\n<p>and nothing happens. Okay, skip. Anyway it should have created one, but we&#8217;ll create one. So this is the other workflow, basically the idea being that welcome screen, you drop in a logo and then it just spits one out. Yep. So that you&#8217;re not, so that you&#8217;re, on board you, and obviously we&#8217;ll tweak that.</p>\n\n\n\n<p>But I wanted to get that we had talked about. The experience of it. Essentially you drop an image and it&#8217;s just done and then you&#8217;d click then option to set it as an OG image. But here we&#8217;ll say created open OG image. Right now we&#8217;ve got logo only and then side by side are mostly working.</p>\n\n\n\n<p>Top bottom isn&#8217;t done and simple was the old version I need to clean up, but we&#8217;ll start with logo only. Let&#8217;s see if this works.[00:09:00] We&#8217;re close. Line app, line one 20. Oops. Of course I&#8217;ve been hacking away at this, so lots of errors. I get it. No issue here.</p>\n\n\n\n<p>But anyway okay, so real simple, I just want this to go away. If set.</p>\n\n\n\n<p>There we go. So real simple options here. You&#8217;ve got a background and you&#8217;ve got an image. And so that&#8217;s all the options that you&#8217;ve got here on the left. So you can set a background color. So if we go to Do you know what color the post status orange is? It&#8217;s the,</p>\n\n\n\n<p>like the official&nbsp;</p>\n\n\n\n<p>[00:09:51] <strong>Cory Miller:</strong> I don&#8217;t think it&#8217;s,&nbsp;</p>\n\n\n\n<p>[00:09:53] <strong>Corey Maass:</strong> oops, I spelled you wrong. Post status.com. There we go. [00:10:00] Inspect.</p>\n\n\n\n<p>It&#8217;s that one. Okay, so hypothetically you&#8217;d come in, you&#8217;d say, oh, and I&#8217;ve added global options. So there&#8217;s under settings, you can set a site name if you want it different than the WordPress name, site description, site url. There&#8217;s also going to be Default colors. So it&#8217;s if you create a new one, instead of you having to set the background color every time it&#8217;d import these.</p>\n\n\n\n<p>I also think I showed you, I just added or showed a screenshot. I just added support for Google. Fonts a little clunky but is working, which is cool. Ah, okay. So this is what it was supposed to do, is it creates your first project With, here&#8217;s your channel, here&#8217;s your template. So logo only, open graph.</p>\n\n\n\n<p>So anyway, back in the editor, so you changed the [00:11:00] background color to be the post status one, and of course it doesn&#8217;t paste FC 78 15.</p>\n\n\n\n<p>FC 78 15. So there&#8217;s the post status low color. I added an overlay just by default, so if you wanted to add like, A gradient, something to make it a little more dynamic. I&#8217;m gonna add a little toggle for this so you can turn it off all, all together. You can also rotate it so you can make the gradient come from a different direction if you want.</p>\n\n\n\n<p>I guess the hack right now is you would just go in here and make this the same as that orange. Okay.</p>\n\n\n\n<p>Looks like it&#8217;s still adding a gradient, but anyway. But the idea is right now I&#8217;ve added, I&#8217;m basically flushing out. I&#8217;m trying to flush out like one of each option, like a color picker, a or slider, [00:12:00] a bunch of different things. And so we can keep adding these selectors basically. So you can, you&#8217;ll have options all day long.</p>\n\n\n\n<p>You come over here and. So that&#8217;s how you could figure the background, right? And then for the image this should by default, say site logo, which is the thing we uploaded. But I&#8217;ve added support for the media library. So if you wanted to do let&#8217;s grab one of my testing document WordPress.</p>\n\n\n\n<p>Nope. Testing. So I&#8217;ve been using this gear, so you could also select an image from the media library or the default site logo. You set the size, you could rotate it. Rotate it if you want to.</p>\n\n\n\n<p>So dead simple. Save your changes. And it&#8217;s there every time, right? There&#8217;s an option to view it, [00:13:00] full screen. And then there&#8217;s the, you saved say download. I don&#8217;t know if you, I don&#8217;t think you can see that part, but it downloads right now. It&#8217;s a funny name, but we&#8217;ll give it a better name when you download it so you&#8217;ll know what it looks like in the download.</p>\n\n\n\n<p>And then there&#8217;s also the option to save it as your open graph image. And so we don&#8217;t really have a way to demo that, but what it does is it will it&#8217;ll write headers to your, to, to the website so that anytime your website is shared this&#8217;ll be your OG image. Okay. And then also so I think, so it&#8217;s saving it as OG image.</p>\n\n\n\n<p>Yeah. Puts it into your media library and then. And then that&#8217;s what gets shared out. So another bug here or an extra feature we want is to save. In addition, to save as to download, we wanna be able option to save to media Library. [00:14:00] So it&#8217;ll just show up in the media library. And saving is the OG image.</p>\n\n\n\n<p>So when you go back to projects, there&#8217;s a little flag that says this is your OG image, cuz you can only have one obviously. And so it&#8217;s if you set a different one. So here&#8217;s that same menu you can download directly from here. Or save it as the OG image. And then, and this&#8217;ll replace whatever one is the OG image.</p>\n\n\n\n<p>Let&#8217;s create another. Go ahead. Yeah, let&#8217;s create&nbsp;</p>\n\n\n\n<p>[00:14:26] <strong>Cory Miller:</strong> another one. But how did you get the name Project five? Number&nbsp;</p>\n\n\n\n<p>[00:14:29] <strong>Corey Maass:</strong> five. So it&#8217;s, these are just like posts. So if you create A post has an id. So project number five. So yeah, one of the Go&nbsp;</p>\n\n\n\n<p>[00:14:39] <strong>Cory Miller:</strong> ahead default, or we just naming that by default or do they have the&nbsp;</p>\n\n\n\n<p>[00:14:44] <strong>Corey Maass:</strong> What would we name it?</p>\n\n\n\n<p>[00:14:47] <strong>Cory Miller:</strong> No, I was it. Do we, do they have the option to name it&nbsp;</p>\n\n\n\n<p>[00:14:52] <strong>Corey Maass:</strong> something different? Oh, they don&#8217;t yet. So let&#8217;s add that to the list. Custom project [00:15:00] name</p>\n\n\n\n<p>because, yeah, I thought about that too, like that once it gets up to 1,986,426, it&#8217;s like, what&#8217;s, which one are we talking about?&nbsp;</p>\n\n\n\n<p>[00:15:12] <strong>Cory Miller:</strong> I&#8217;m just thinking too, for sorting, like we probably want to say it&#8217;s O N G I M G and then they name it like default homepage or something. And then when we get into the single post pages and stuff, maybe it&#8217;s post ID or post name and number or something like that.</p>\n\n\n\n<p>Just so they, when they see this page, it&#8217;s gonna get pretty filled.&nbsp;</p>\n\n\n\n<p>[00:15:37] <strong>Corey Maass:</strong> Yep. Yeah, the here it says SITEWIDE images. I don&#8217;t think this is working right now because I&#8217;ve made a bunch of changes to the site version. There is a menu option here for O M G I M G per post. Yeah, it&#8217;s totally broken right now.</p>\n\n\n\n<p>But it&#8217;ll, when it&#8217;ll look similar, [00:16:00] but it, but up here it says, Name of post, today&#8217;s specials or whatever, and then it, and then has your images, so you do have context. But yeah under the project number name we&#8217;ll want to come up with some naming convention. The other thing that I, so let&#8217;s do that custom project name, but right off the bat, maybe a date or we could do the name of the template.</p>\n\n\n\n<p>Default project name, using date or template or both because it would be like April 26th. OG image would at least give you some context.&nbsp;</p>\n\n\n\n<p>[00:16:40] <strong>Cory Miller:</strong> Ni picky. But when you say CRI project, that button right there. Yep. C. Could that be create O n G? Im G.&nbsp;</p>\n\n\n\n<p>[00:16:48] <strong>Corey Maass:</strong> Absolutely.</p>\n\n\n\n<p>Not nitpicky. That&#8217;s the kind of stuff I please jump in. Okay. Especially cuz most, most of those changes are small. Yeah. Yeah. I&nbsp;</p>\n\n\n\n<p>[00:16:58] <strong>Cory Miller:</strong> think coming back to the branding, like [00:17:00] that&#8217;s what we&#8217;re doing is M G I M G and that&#8217;s what they&#8217;re getting and I think&nbsp;</p>\n\n\n\n<p>[00:17:04] <strong>Corey Maass:</strong> that&#8217;s good. Yep. Okay. Let&#8217;s do another open graph.</p>\n\n\n\n<p>Actually let&#8217;s do an Instagram and again. So instead of logo only now we get into side by side, so it&#8217;s a bit more complicated.</p>\n\n\n\n<p>So this is a logo on the left and text options on the right. So again, we do a background color. See there&#8217;s a little bug of. That border.&nbsp;</p>\n\n\n\n<p>[00:17:35] <strong>Cory Miller:</strong> You&#8217;re a very daring dev. I always like doing this stuff though, but a lot of devs have worked with her, like they don&#8217;t want to see, they don&#8217;t want you to see some of this. I&#8217;m like,&nbsp;</p>\n\n\n\n<p>[00:17:45] <strong>Corey Maass:</strong> Hey. Oh, I want you to see it as broken as possible. Cuz then it&#8217;s like one, one, it&#8217;s part of the journey and what we&#8217;re trying to illustrate with all of our, everything we, we&#8217;ve been doing in public Mo honestly, most of our conversations have been [00:18:00] public.</p>\n\n\n\n<p>And that&#8217;s I also wanna show, this is as part of our journey. You have barely usable products, but it&#8217;s, then you clean it up. So same thing, overlay color, make it nice and ugly for you. So let&#8217;s just do white and green. With that angle. The image, again, you can choose, that&#8217;s supposed to be site</p>\n\n\n\n<p>site, logo side.</p>\n\n\n\n<p>Just clicking through to see that it all works, so it changes to this other thing. Or you jump back and it&#8217;s the site logo, make it bigger title. So this is the stuff that I&#8217;ve been really working on right now. I&#8217;m, I don&#8217;t have Google fonts enabled. I. But you still get the idea. So we&#8217;ve got some default font families basically.</p>\n\n\n\n<p>So if you wanted handwritten I [00:19:00] don&#8217;t know if bold works. No, I was just doing that this morning. But you will have the option to ignore this input and you will have, but you will have the option to say bolder italics, cuz it&#8217;s I want you to be able to customize the text to your heart&#8217;s content.</p>\n\n\n\n<p>Text color. So you might hear, you might match the orange type of thing, text size,</p>\n\n\n\n<p>but you&#8217;d say, I want this tighter. There&#8217;s line height. If you wanna get, what&#8217;s that tweak to your heart&#8217;s content. Exactly. And again, these are not quite the, like you gave me some comps of the ultimate post status. Social image. And so based on that, I want to give us, give you all the options.</p>\n\n\n\n<p>If you were a customer coming in, you&#8217;d say, okay, I&#8217;d upload my logo here. I might choose a a font that not looks like that. [00:20:00] Like that. I&#8217;d want it bold, I&#8217;d want it all caps. So we want all those options. And then, Be able to make it look good in the context of this template. There&#8217;s the title, then you go to the subtitle.</p>\n\n\n\n<p>And so you&#8217;d have site url, site description. Remember I said, this is where we put in the description of the blog. But it&#8217;s like most likely you&#8217;d want the title of the blog and the url, so you&#8217;d do that, but it&#8217;s, and there&#8217;s a setting for let me save this. So there&#8217;s a setting again. So by default, if you&#8217;re like, our webs, our website is http and www, but we really just want it to be post status.com or if you had a short u r l, po.st or something like that, you could put that in here.</p>\n\n\n\n<p>So let&#8217;s do post status.com. [00:21:00] Save. Go back to here. Oh. So you know, this is what your project screen looks like. So you&#8217;ll see all of your projects. And yeah, we&#8217;re gonna want ability to sort projects by name most recently updated, et cetera. So we&#8217;ll add that to that screen. Jumping back in here, Seesa.</p>\n\n\n\n<p>Now, the, by default it brings in post status.com, but there&#8217;s also an option of custom text. So if you wanted to put in dot, something or post status.com, link to, something specific, a blog, something like that, right? Text color X size, but you get the idea.</p>\n\n\n\n<p>[00:22:00] So yeah, that&#8217;s where we&#8217;re at.</p>\n\n\n\n<p>No problem, dude.&nbsp;</p>\n\n\n\n<p>[00:22:05] <strong>Cory Miller:</strong> So from the premise of the Sitewide OG image probably when I was doing that for, it was so good. Can I show you some stuff&nbsp;</p>\n\n\n\n<p>[00:22:14] <strong>Corey Maass:</strong> real quick? Yeah, absolutely.</p>\n\n\n\n<p>[00:22:16] <strong>Cory Miller:</strong> Okay. So I was playing, this is off topic, but I was playing with some of this, like more into the blog post stuff. So you can see some of these things. I was just like trying to be the client. This is not it. Okay. Where did that play with it?</p>\n\n\n\n<p>It&#8217;s in our.</p>\n\n\n\n<p>Oh, here we go.</p>\n\n\n\n<p>But this side by side image, I think side by side thing is gonna be really great for the in, in just what we need for. Initial stuff. Yep. So I was running around with like logo on top here.&nbsp;</p>\n\n\n\n<p>[00:22:52] <strong>Corey Maass:</strong> Yeah, your number 15 is what I was emulating and then. Once, once I&#8217;ve got all the kinks worked [00:23:00] out, it&#8217;s easy enough to duplicate it to, I called it top and bottom or something.</p>\n\n\n\n<p>So logo above, and so that becomes your like 14 or 13 where it&#8217;s the same elements on the page. Just, up and down instead of left and right. Yeah, I really, as I was&nbsp;</p>\n\n\n\n<p>[00:23:18] <strong>Cory Miller:</strong> doing this just for post, I was like, this is what, this is really what you need. You just need. Logo, brain thing, tagline. And so that was really good for me to go through that experience.</p>\n\n\n\n<p>But yeah, I guess I&#8217;ve got four cards here. Put it on the right, put it on the left, but it above, but it below.&nbsp;</p>\n\n\n\n<p>[00:23:40] <strong>Corey Maass:</strong> Yep. And I, and so actually I&#8217;m now thinking, so maybe I. Like I do the, just an image, cuz that was one of the ones we saw on that gallery. And then, and I think it&#8217;s a really good place to start.</p>\n\n\n\n<p>Basically it&#8217;s the simplest. And then we will, [00:24:00] and then I will adjust the side by side to be, we&#8217;ll call it the, like the default business card. And I will put in little toggles that are like, Because again, it&#8217;s, I&#8217;m trying to flush out potential options, right? And so if there was an option that was like logo left top, right bottom, cuz it&#8217;s all essentially the same.</p>\n\n\n\n<p>All of those cards from our perspective are the same, just reordering of things. But logo, title, U R L. And I just lock that shit down and then we&#8217;re ready to publish, essentially, like I, as you saw, like I wanna, I want to clean up the welcome screen a little bit more cuz I do think that onboarding&#8217;s gonna make a big difference rather than it just being a blank screen when you sign in and it&#8217;s done.</p>\n\n\n\n<p>It was pretty simple to implement. Yeah, I really think, and then,&nbsp;</p>\n\n\n\n<p>[00:24:58] <strong>Cory Miller:</strong> Go ahead. Just go to the experience [00:25:00] is like those five are all we need. Yep. Specifically for the homepage you saw here, just this is for next level step stuff. Yep. But I was like, when you told me I could have a screenshot, I was like, oh yeah.</p>\n\n\n\n<p>[00:25:16] <strong>Corey Maass:</strong> Oh yeah. When once I add that, like that&#8217;s gonna be a lift. Because it&#8217;s, a screenshot within a screenshot kind of thing. But so I&#8217;ll circle back to that. But is, so is this your official, the official font of post status? Yes. And what font is it?</p>\n\n\n\n<p>Go round A round. I believe&nbsp;</p>\n\n\n\n<p>[00:25:40] <strong>Cory Miller:</strong> it&#8217;s a Google font.</p>\n\n\n\n<p>Yes, it is.&nbsp;</p>\n\n\n\n<p>[00:25:43] <strong>Corey Maass:</strong> Okay. And do you make it bold or is it just, is that how it comes? I&nbsp;</p>\n\n\n\n<p>[00:25:49] <strong>Cory Miller:</strong> I did for this stuff. I don&#8217;t know the original, how this is all done, but I was trying to match it and Sure. That won&#8217;t work for me. It is bold.&nbsp;</p>\n\n\n\n<p>[00:25:58] <strong>Corey Maass:</strong> Okay. [00:26:00] So by having Google fonts right now, so there are 1500, I think 1,508 Google fonts, and we, just so you know, right?</p>\n\n\n\n<p>So that we are not, because a plug-in, can&#8217;t call, dial out without permission and you can&#8217;t get Google font information without an API key. We can&#8217;t expect our users to go through all those steps, so you have to enable Google fonts within the plugin. But I set it up so that now I&#8217;m just bragging, but I&#8217;m proud of myself.</p>\n\n\n\n<p>I got us a Google a p i key Once a day we hit the Google Fonts API and get all the information. We store it on omg.co. I created a little API there, and so the plugin, anybody&#8217;s [00:27:00] plugin will hit omg img.co. That meaning our website to get all the font data, and then it&#8217;ll be, and then it&#8217;ll be cashed on in their own website too, but, so it was, The sort of clever way if I do say so myself, not, it&#8217;s not super tricky, but so we, so pretty quick, I was able to pretty quickly add Google font support the without the user having to do much, which is cool.</p>\n\n\n\n<p>However, right now all it does is create a dropdown that has 1,508 names of fonts For you, for now that you can, you would just go, sorry, select Vare around from that dropdown. But we&#8217;re gonna have to add some way to preview all of those fonts, anyway, I wanna make sure that Varela round bold works for you.</p>\n\n\n\n<p>You don&#8217;t do italics, you don&#8217;t rotate anything, but I had fun implementing that [00:28:00] stuff. And for you, it&#8217;s just a white background. Yeah. Oh, so I want to add, toggle the background overlay. So you can just disable it and just say, set a white background. And then that default. Color picker. I couldn&#8217;t, I had to type in the color.</p>\n\n\n\n<p>I couldn&#8217;t paste it in, which was a pain in the ass doesn&#8217;t support pasty. So I think we want a better color picker so that somebody could go copy an eight. Most people are gonna have a hex code color and so they&#8217;re gonna want to paste it in. Yep. Okay. So gimme 20 minutes. Just sit there quietly for 20 minutes and I will have this ready for you.</p>\n\n\n\n<p>Just kidding. Okay. I can&nbsp;</p>\n\n\n\n<p>[00:28:50] <strong>Cory Miller:</strong> be quiet. So then I went a little further into thinking through how we want those, and I came back to this. [00:29:00] Yep. Featured image stuff and going and let you know, just try to present some what we probably want on things. I did show, I did see. Yep. There, I did it. Let&#8217;s see if I can, your&nbsp;</p>\n\n\n\n<p>[00:29:15] <strong>Corey Maass:</strong> hair&#8217;s getting long.</p>\n\n\n\n<p>Huh? Your hair is getting long. In that picture,</p>\n\n\n\n<p>[00:29:21] <strong>Cory Miller:</strong> I showed you that thing. I just saw some from Twitter, but it was just a quote with a person&#8217;s picture on it. I was like, that&#8217;s cool. Cuz a lot of the podcast stuff we&#8217;re doing</p>\n\n\n\n<p>Like something like this where you have the person you&#8217;re interviewing with their little quote. I&#8217;ll keep working on those. Thinking about those, cuz those outputs were really good. Like we do so much audio, video stuff. And really been working with content journey to break those down more and more where you get clips and stuff like that, that then go out on social that are more valuable content on there [00:30:00] than just listen to 45&nbsp;</p>\n\n\n\n<p>[00:30:01] <strong>Corey Maass:</strong> minutes.</p>\n\n\n\n<p>But what you just said more valuable, we were talking earlier about like taglines and concepts and stuff. More valuable images.</p>\n\n\n\n<p>I really like that.</p>\n\n\n\n<p>Okay. Because we were talking like. Making you look more professional, which I bucked at cuz it&#8217;s it implies you don&#8217;t look professional now or as opposed to like we are. And also going back a handful of conversations that we had where it&#8217;s like crop Express was solving a problem.</p>\n\n\n\n<p>We were a wrench, you had a bolt. We could help tighten the bolt faster kind of thing. Whereas this, technically you can live without this, but we are making ev making your website better.&nbsp;</p>\n\n\n\n<p>[00:30:52] <strong>Cory Miller:</strong> It&#8217;s the polish. Yeah. It&#8217;s like you said, the last mile of Polish, yep. Done work doing [00:31:00] the 45 minute thing, doing the thing.</p>\n\n\n\n<p>And then this is that last mile that you said, I&#8217;d like that toughest mile of just polish. Yep. We&#8217;re making that really to display that. When I was thinking through the blog post stuff, I was like, that&#8217;s what I&#8217;d want is, when we shove out a podcast episode that&#8217;s not guy, oh, they did another thing.</p>\n\n\n\n<p>But if we have that quote from somebody in there that really resonates, then it&#8217;s I should go and look more. And what we&#8217;re trying to do on the content side is break those up better and better with transcripts, show notes and stuff like that.&nbsp;</p>\n\n\n\n<p>[00:31:36] <strong>Corey Maass:</strong> Yeah, initially, so I&#8217;ve added that. Basically it&#8217;s a content field, so it&#8217;s like you pull in the title of the website, you&#8217;d pull in whatever, right?</p>\n\n\n\n<p>But that, that the last option was custom text. And the label on the left would say quote, and then you&#8217;d say custom text. And you&#8217;d put in a quote and you&#8217;d have [00:32:00] this saved as a default. So you&#8217;ve got post sta, a white background and the post status logo and U R L in the bottom right print that, that&#8217;s quote number one.</p>\n\n\n\n<p>You&#8217;re now looking at that screen that has all of your projects and you&#8217;d say duplicate post or duplicate project. You change the name to quote number two. You&#8217;d go in paste in the second quote, and now you&#8217;ve got two of those images, same picture of the woman, but two different quotes. So you&#8217;d download one to post on socials on Tuesday and you&#8217;d download the second one to post on socials on Thursday.</p>\n\n\n\n<p>Gosh.&nbsp;</p>\n\n\n\n<p>[00:32:39] <strong>Cory Miller:</strong> So it&#8217;s been a bit a second on this blog post thing. So all those, I gather, you&#8217;re probably setting it up where it&#8217;s set in the front. When you do a post, there could be these options that you could fill in to create all those images. And right there I can do that. So I&#8217;m looking at [00:33:00] the post, oh, that quote there is the template plug and play.</p>\n\n\n\n<p>Like if you saw on this one screen, I was</p>\n\n\n\n<p>Why you get to Drift.</p>\n\n\n\n<p>I think that&#8217;s where we&#8217;re gonna get in. The valuable part is something that looks nice enough and allows me to share those things out.&nbsp;</p>\n\n\n\n<p>[00:33:25] <strong>Corey Maass:</strong> Yeah, and I think, like we&#8217;ve talked about, I. A number of those different templates of, or scenarios, an image that you generate that&#8217;s got a picture of a per, for your interview, you&#8217;ve got their picture on the left, and then you&#8217;ve got a quote and you can make five of those five different quotes, but it&#8217;s essentially the same image.</p>\n\n\n\n<p>And initially, Today, tomorrow, this week, like I&#8217;ll set up that template next week. You&#8217;re using it and you&#8217;re plugging it. You know you&#8217;re gonna have to cr [00:34:00] recreate that template every time. But a week from now, I&#8217;m gonna give you the option to duplicate a template and or save a template. For reuse, essentially.</p>\n\n\n\n<p>So then step two is gonna be okay. It&#8217;s I set it up once for each post and then and then I&#8217;ve gotta manually plug in those quotes and then step three, like basically to verify that, that we are using it this way and that these are loops that we want to close or processes that we wanna make faster.</p>\n\n\n\n<p>It&#8217;s like I&#8217;m picturing a. A screen where essentially you can quick generate, if you&#8217;ve got a bunch of these templates that like, opens up in the sidebar, your, you go and you look at your blog post and you highlight something, and then you select from a dropdown like, plug this, whatever text I&#8217;ve highlighted into this template.</p>\n\n\n\n<p>So it&#8217;s highlight a quote. Generate a quote, image [00:35:00] highlight, quote number two, generate quote, image, highlight bullet points you instead of the quote template, use a, use the bullet point template and you just go bang. Okay, all done. Go back to I M G O M G I M G project screen and there&#8217;s all of those different templates populated, already with your logo, but quote one, quote two, quote three, bullet 0.1, bullet 0.2, bullet 0.3.</p>\n\n\n\n<p>So I think it&#8217;d be&nbsp;</p>\n\n\n\n<p>[00:35:27] <strong>Cory Miller:</strong> okay, let me just make sure we&#8217;re on the same page. And I&#8217;m sorry if I missed this, but, so I was thinking post templates I&#8217;d want for most post ads content. I put down quote and summary slide. It&#8217;s probably the two big ones, just summary slide about what this content is about and then actionable cool quotes on that.</p>\n\n\n\n<p>So I started plugging up MGM G. I could create a template for the post things that would show, then [00:36:00] set there for its to global, and then I&#8217;m in post writing, post and go ready for the OG images, click. Oh, I want to do, I gotta have a summary slide that&#8217;s already in my template over you on the post. And then same thing with quote, I&#8217;d have that option too.</p>\n\n\n\n<p>Those templates would show up</p>\n\n\n\n<p>because right there, from a workflow standpoint, I&#8217;m thought about, I&#8217;ve done the work of thinking about some of the key things that would drive value on the post content summary slide, which is our featured image thought. And then the quote Thing and I&#8217;ll, maybe the bullet point would be the third for me is like we, we talked about these three things, which could be a variation of the summary slide.</p>\n\n\n\n<p>Sure. And if I did that, what that would do for me on my social channel is just talking this out as opposed to as, okay, I&#8217;ve already illuminated in a graphically appealing way what this long form post is about. Then I have those images for [00:37:00] those channels. LinkedIn, Twitter primarily for us at the appropriate sizes and stuff.</p>\n\n\n\n<p>I think we&#8217;re cooking. Yeah.&nbsp;</p>\n\n\n\n<p>[00:37:10] <strong>Corey Maass:</strong> Yep. Yeah, I like we&#8217;ve talked about the baseline is an OG image, ideally auto generated The moment you hit publish, you&#8217;ve based on a template being populated with the title of the post and then down the road with a screenshot of the post, and or the featured image.</p>\n\n\n\n<p>But once you&#8217;ve done kind of what is considered the word press basics, you&#8217;ve added categories, you&#8217;ve added a featured image, you&#8217;ve written your blog post, you&#8217;ve hit publish. Already when you share it, it looks damn good. There&#8217;s maybe a little bit of setup, but if you haven&#8217;t set up an OG image template or an OG image template for a, for that post, [00:38:00] then at least when somebody shares it, they get the sitewide business card, like you&#8217;re describing it.</p>\n\n\n\n<p>But with the next step. Every post that gets created automatically has a business card, but has the title of that post built in. And then step three, you could essentially recreate reuse that same one, let&#8217;s say make it a square for Instagram. And so again, you&#8217;re going, up and out with all these things and it&#8217;s just a matter of how you use it.</p>\n\n\n\n<p>So like at post status, your. You&#8217;re going, okay. Baseline is an OG image, but we also then want and that&#8217;s gonna cover your LinkedIn and Facebook. But you&#8217;re like, but we need a square for Instagram. Copy. Change it to, I didn&#8217;t show you that part. So it&#8217;s like that we select that channel.</p>\n\n\n\n<p>You saw that the second image I created was for Instagram. You can actually change that live. So you could take a rectangle image, you could replicate it, so [00:39:00] now you&#8217;ve got another one. But you could say, now make this square and it&#8217;ll just change. And things might move around on the screen.</p>\n\n\n\n<p>So you might want to go tweak, tweak some of those sliders. But if you&#8217;ve already done the work once, copy change screen size.&nbsp;</p>\n\n\n\n<p>[00:39:14] <strong>Cory Miller:</strong> Okay, let me talk this through. From a marketing customer Perspective. So what I&#8217;ve gathered, cuz I want us to capture this for the market, my marketing work, but I&#8217;m, I need to say that out loud to you.</p>\n\n\n\n<p>So what this has done for me as the content marketer at Post status is it&#8217;s in my workflow. It&#8217;s creating I&#8217;ve said my templates, I&#8217;ve thought these things, o n g has helped me. Do those, think through those these are the basic things you can do to add value to your post.</p>\n\n\n\n<p>So it&#8217;s in my workflow. It&#8217;s great cuz I&#8217;m going to my post. I&#8217;m adding new podcast, new blog posts, whatever. I&#8217;ve already done this initial workflow work to set my templates that are there for me when I need it. It looks nice, [00:40:00] like it doesn&#8217;t look like shit. It looks nice. And then the third is it, this is just direct speed.</p>\n\n\n\n<p>It illuminates the value of the post better. I&#8217;m pulling out the things to showcase what the post actually is, so I&#8217;m enticing people to do that. The fourth I didn&#8217;t add down here though, is making it super easy to go off and share. So for marketing wise, right there, we talk to content marketers first.</p>\n\n\n\n<p>They&#8217;re already doing this work. Yep. It&#8217;s in your workflow. It&#8217;s gonna look nice. It&#8217;s gonna share, showcase the value of the landing page better, and then it&#8217;s easy to share.&nbsp;</p>\n\n\n\n<p>[00:40:43] <strong>Corey Maass:</strong> So that last mile talking about the last mile is the hardest mile. Is also an aspect that I think. Mar like marketers and marketing agencies, it&#8217;s going to make sense to [00:41:00] them that we don&#8217;t close the loop on actually publishing to your average person.</p>\n\n\n\n<p>I th I anticipate this being a discussion. This we&#8217;re gonna have to have over and over again. Corey, with his little music blog. In a perfect world, We would generate images for each channel and then we&#8217;d click a button that would say, push these to these channels. Yep. But it&#8217;s, but that is so a big, messy step.</p>\n\n\n\n<p>Yeah. And there are tools that already do it. And again, from a marketer or an agency is already going to be using a radar, a buffer, a hoot suite to queue up and publish this content.&nbsp;</p>\n\n\n\n<p>[00:41:59] <strong>Cory Miller:</strong> Yeah.[00:42:00] So I was thinking though, like your Instagram, I go, huh, when am I gonna use that? But the Vida bars company, Lindsay has an investment in helps.</p>\n\n\n\n<p>She&#8217;s got shampoo and conditioner bars. She primarily uses Instagram, right? So she&#8217;s creating a post, wants something that then she can download and just upload back to, that publishing option. They&#8217;re great services that do all that. To me, it&#8217;s yeah, we&#8217;ve handed it on the thing, now go use your tools, your workflows.</p>\n\n\n\n<p>Yeah. You&#8217;re already in that workflow. But man I think that&#8217;s awesome. Okay. I&#8217;ve only, sorry, I&#8217;ve only got four more minutes, but here&#8217;s my question to you. What do you think needs to happen for it to be ready for&nbsp;</p>\n\n\n\n<p>[00:42:39] <strong>Corey Maass:</strong> production on Postex? Like I said, I need to clean up some of these bugs and I am now going to, so I&#8217;ve already created options that, that post status based on the template you gave me, I think we&#8217;re [00:43:00] pretty much covered.</p>\n\n\n\n<p>Like we&#8217;ve got Google font support. You can upload a logo, you can pull in a title, and I am going to clean it all up so that it works and you stop seeing errors when you first install it. But I&#8217;ll make sure that essentially the first template covers. The post status template and I need to replicate it.</p>\n\n\n\n<p>Like I said I&#8217;ve been hacking away at the Sitewide version, and so I&#8217;ve done this a couple of times. I just need to copy all my updates over to the post version. And then you&#8217;ll have all the same features on for sitewide images or for post specific images. And then we&#8217;re, and then you can at least start messing around with it.</p>\n\n\n\n<p>Okay.&nbsp;</p>\n\n\n\n<p>[00:43:43] <strong>Cory Miller:</strong> Do I need to do a little bit more work for you, like sh on the post templates, take a podcast or whatever content we have and think through. I&#8217;d want to quote from here. I&#8217;d want the summary slide for here. Do you want me to do a little bit of that work? [00:44:00] Like with live action stuff and Google Slides?</p>\n\n\n\n<p>[00:44:02] <strong>Corey Maass:</strong> Yes. Like the more work you do thinking through these templates, I don&#8217;t think we&#8217;re gonna I&#8217;m not gonna be able to deliver most of it tomorrow, but we can create one, yeah. Or we can create the one that&#8217;s similar to the Sitewide business card that just covers your basics. It&#8217;s got a logo, it&#8217;s got the title.</p>\n\n\n\n<p>So it, and then you like, cuz I wanna get this to you so that you&#8217;re like, you are pub, you publish and you&#8217;re like, Hey Corey, I&#8217;m trying to publish this for tomorrow. I need X, Y, Z. I&#8217;m like, okay, now we have a real world scenario, let me go add that. Here&#8217;s&nbsp;</p>\n\n\n\n<p>[00:44:41] <strong>Cory Miller:</strong> what I&#8217;m gonna do. Then I&#8217;m just gonna think about, I get one featured image template thing.</p>\n\n\n\n<p>Yeah. And to just showcase the value of the post. And and work on a couple of thoughts with, I&#8217;ll take one post and start doing it. Maybe take another [00:45:00] one and start doing it, and then deliver that and go, Hey, I think these are the basics for that one thing. And that gets me huge way into showcasing the value post and everything else.</p>\n\n\n\n<p>Like you said, it&#8217;s crazy. Yep. With that. So I&#8217;ll&nbsp;</p>\n\n\n\n<p>[00:45:14] <strong>Corey Maass:</strong> do that. And then like I said, I mean we&#8217;ve I&#8217;ve set up the technical side of serving, of selling this thing using e D on the website. Yeah. So we need to start thinking about a homepage, cuz we&#8217;re not gonna be selling tomorrow.</p>\n\n\n\n<p>But you and I both know that the first version is 10 versions, in a day, or, in, within a week before we actually let something stay online. Yeah. We wanted you sent over a design you like and then we&#8217;ll but we need some words to start putting on that page. So start thinking about that.</p>\n\n\n\n<p>Okay. So&nbsp;</p>\n\n\n\n<p>[00:45:58] <strong>Cory Miller:</strong> really for me it&#8217;s [00:46:00] homepage and the post template.</p>\n\n\n\n<p>Okay. Can do. Awesome. Love it dude.&nbsp;</p>\n\n\n\n<p>[00:46:08] <strong>Corey Maass:</strong> Thank you. We&#8217;re so close. We&#8217;re so close.&nbsp;</p>\n\n\n\n<p>[00:46:12] <strong>Cory Miller:</strong> Yeah. Too, and I love the way we&#8217;re doing it. It&#8217;s like we have a live action thing that we&#8217;re making it better and I&#8217;m putting on the hat of actual users cuz I am Right. Helping formally, I think that&#8217;s such a good way to do product that sometimes has been a mismatch for me, but I&#8217;ve got the live action, thank you.&nbsp;</p>\n\n\n\n<p>[00:46:31] <strong>Corey Maass:</strong> Great. We&#8217;ll talk soon.</p>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 23 May 2023 20:14:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Cory Miller\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"Do The Woo Community: A Product Deep Dive with Wilson Favre-Delerue\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75190\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://dothewoo.io/sendcloud-shipping-automation/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:399:\"<p>In this episode we take a deeper look at Sendcloud with Wilson and what shipping automation means to a developer or freelancer.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/sendcloud-shipping-automation/\">A Product Deep Dive with Wilson Favre-Delerue</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 23 May 2023 13:38:52 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"WPTavern: Gutenberg 15.8 Adds Pages Menu to Site Editor, Revisions UI to Global Styles\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145332\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"https://wptavern.com/gutenberg-15-8-adds-pages-menu-to-site-editor-revisions-ui-to-global-styles\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2667:\"<p><a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">Gutenberg 15.8</a> was released with some exciting features that were included in the tentative <a href=\"https://wptavern.com/wordpress-6-3-development-kicks-off-to-conclude-gutenberg-phase-2\">WordPress 6.3 roadmap</a>. Users are getting closer to a more unified content editing experience with the addition of the Pages menu to the Site Editor. Clicking on Pages will load the ten most recently updated pages with a link to &#8220;Manage All Pages&#8221; at the bottom of the list. Users can quickly jump into editing content by selecting a page.</p>\n\n\n\n<img />\n\n\n\n<p>The interface also includes a little reminder about the nature of pages in WordPress: &#8220;<em>Pages are static and are not listed by date. Pages do not use tags or categories.</em>&#8221; It will be interesting to see how page editing in the Site Editor is received, whether it is too confusing for users to understand what they are editing, or whether the baseline expectation is that content can be edited anywhere. </p>\n\n\n\n<p>Revisions for design changes have landed in 15.8 with <a href=\"https://github.com/WordPress/gutenberg/pull/50089\">a basic UI inside the Global Styles panel</a>. It shows a timeline of saved changes along with who made the change, so users can easily revert back to previous design changes. This creates an extra cushion or safety net for those who are designing their own sites and should provide a greater level of user confidence when making design changes.</p>\n\n\n\n<img />\n\n\n\n<p>Version 15.8 also introduces <a href=\"https://github.com/WordPress/gutenberg/pull/50030\">theme previews for block themes</a>, a feature that has been sorely missing for early adopters of block themes. This is made possible by a new <code>theme_preview</code> parameter, which allows the user to see what the site would like if a different theme was active.</p>\n\n\n\n<p>A few other noticeable changes in this release include the following: </p>\n\n\n\n<ul>\n<li>Post Featured Image: New design for Replace and Remove buttons. (<a href=\"https://github.com/WordPress/gutenberg/pull/50269\">50269</a>)</li>\n\n\n\n<li>More intuitive Details block with summary and innerBlocks content. (<a href=\"https://github.com/WordPress/gutenberg/pull/49808\">49808</a>)</li>\n\n\n\n<li>List View: Allow dragging to all levels of the block hierarchy. (<a href=\"https://github.com/WordPress/gutenberg/pull/49742\">49742</a>)</li>\n</ul>\n\n\n\n<p>Check out the full <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">changelog</a> for all the details on enhancements and bug fixes in 15.8.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 23 May 2023 01:53:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"WPTavern: Shufflehound Releases Free Lemmony Child Theme for Agencies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145111\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wptavern.com/shufflehound-releases-free-lemmony-child-theme-for-agencies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3032:\"<p><a href=\"https://shufflehound.com/\">Shufflehound</a> made a big splash in March when it <a href=\"https://wptavern.com/lemmony-a-free-wordpress-block-theme-with-30-patterns\">released Lemmony</a>, a free WordPress block theme with more than 30 patterns. This was the company&#8217;s first block theme on WordPress.org and it is already active on more than 1,000 websites. Building on the success of this theme, Shufflehound has created a child theme for agencies.</p>\n\n\n\n<p>Lemmony Agency bears a strong resemblance to its parent theme but with more agency-specific patterns. This theme ships with 25 new custom block patterns, on top of the ones already included in Lemmony, for a total of more than 50 patterns.</p>\n\n\n\n<img />\n\n\n\n<p>The patterns unique to this theme suit agencies but would also work well for non-profits, advocacy, portfolios, or businesses of any kind. These include a hero with services, accordions for things like FAQ, counters, more pricing tables, services with icons or images, a blockified sidebar, testimonials, and more.</p>\n\n\n\n<img />\n\n\n\n<p>The theme&#8217;s creators have done an excellent job in organizing all the patterns available to users. Inside the pattern explorer/inserter, they have been separated into different panels for the patterns specific to the Lemmony Agency theme, the Lemmony patterns, and the Lemmony full-page patterns. This makes it easier to build pages, since users won&#8217;t have to hunt through all the patterns lumped together.</p>\n\n\n\n<img />\n\n\n\n<p>The Lemmony Companion plugin, recommended when users install the theme, adds a handful of custom blocks that some of the patterns rely on to work. It includes blocks for a counter, icon, post featured image caption, typing text, hero auto-slider, and accordion. </p>\n\n\n\n<img />\n\n\n\n<p>This might be the best way to ensure these features are styled exactly to match the theme and give users more creative control inside these particular blocks. Sometimes using third-party plugins to add sliders or icons can look like it&#8217;s bolted onto the design in an unsightly way. A companion plugin designated specifically for this theme makes sense in this instance.</p>\n\n\n\n<p>Shufflehound made an interesting choice creating Lemmony Agency as a child theme of what is already a very flexible multi-purpose theme. This certainly could have been shipped as full-page pattern but it would have also greatly expanded the patterns packaged with the parent theme. In these early days of block theming, it&#8217;s not yet clear what users might consider &#8220;pattern bloat&#8221; or too many patterns, especially since they can easily be categorized under various panels inside the explorer. </p>\n\n\n\n<p><a href=\"https://wordpress.org/themes/lemmony-agency/\">Lemmony Agency</a> is a solid option for building websites that need to showcase their services, display pricing, or simply maintain an informational web presence. It&#8217;s available for free from WordPress.org and will auto-install the parent theme at the same time.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 22 May 2023 20:35:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"WordCamp Central: SiteGround joins the WordPress global community sponsorship program in 2023\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://central.wordcamp.org/?p=3165350\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:118:\"https://central.wordcamp.org/news/2023/05/siteground-joins-the-wordpress-global-community-sponsorship-program-in-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2491:\"<p>Please join us in welcoming <a href=\"https://siteground.com/wordpress-hosting.htm\">SiteGround</a> to the&nbsp;<a href=\"https://central.wordcamp.org/sponsor-multiple-wordcamps/\">2023 WordPress global community sponsorship program</a>! SiteGround’s pledge to sponsor all official WordPress community events (WordCamps, Meetups, and more) all around the world provides support and stability to our hardworking crew of volunteer event organizers. Thanks for everything, SiteGround!</p>\n\n\n<div class=\"wp-block-image\">\n<a href=\"https://central.wordcamp.org/files/2023/05/siteground-logo-black-transparent-400x81-2.png\"><img /></a></div>\n\n\n<p><a href=\"https://siteground.com/wordpress-hosting.htm\">SiteGround</a>&#8216;s hosting services are crafted to make managing websites easy, whether you&#8217;re building a site for yourself, your small business, or your clients.</p>\n\n\n\n<p>We host over 2.8 Million domain names on a powerful Google Cloud Platform infrastructure, optimized with an array of in-house tools for seamless, faster and more secure WordPress performance:</p>\n\n\n\n<p></p>\n\n\n\n<ul>\n<li>Fast: Choose from multiple data centers across USA, Europe, Asia, and Australia, complemented by over 170 CDN edge network locations with our free CDN to improve website performance. Powerful built-in Caching, custom PHP setup, and SiteGround Optimizer plugin for WordPress to make your sites up to 5 times faster right out of the box.</li>\n\n\n\n<li>Secure: Advanced security on server, website, and application level with a free SSL, advanced built-in Web Application Firewall, SiteGround Security plugin, in-house antispam protection and AI-powered anti-bot system to keep your websites safe.</li>\n\n\n\n<li>Easy to manage: Build or transfer WordPress projects in a few clicks with our WordPress Starter and Automatic website and Email Migrators. Manage multiple sites in one place hassle-free, get automatic core and plugin updates, add team collaborators, ship sites to clients, manage white-label hosting, and many more handy features to keep all the control, but spare you the hassle of website management.</li>\n</ul>\n\n\n\n<p>Our long-term expertise in helping WordPress users succeed online extends into our award-winning <a href=\"https://www.siteground.com/wordpress-plugins/siteground-optimizer\">SiteGround Optimizer</a> and <a href=\"https://www.siteground.com/wordpress-plugins/siteground-security\">SiteGround Security</a>; plugins, free to download and install on any hosting platform.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 22 May 2023 16:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Isotta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:84:\"WordPress.org blog: WP Briefing: Episode 56: What to Know About WordPress Playground\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/news/?post_type=podcast&p=14968\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://wordpress.org/news/2023/05/episode-56-what-to-know-about-wordpress-playground/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:16989:\"<p>Join guest host Rich Tabor and WordPress Playground innovator Adam Zielinski as they discuss the capabilities and promise of WP Playground in episode 56 of the WordPress Briefing. Stay tuned for your small list of big things coming up in the next two weeks.</p>\n\n\n\n<p><em><strong>Have a question you’d like answered? You can submit them to&nbsp;<a href=\"mailto:wpbriefing@wordpress.org\">wpbriefing@wordpress.org</a>, either written or as a voice recording.</strong></em></p>\n\n\n\n<h2 class=\"wp-block-heading\">Credits</h2>\n\n\n\n<p>Host: <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha Haden Chomphosy</a><br />Guests: <a href=\"https://profiles.wordpress.org/richtabor/\">Rich Tabor</a> and <a href=\"https://profiles.wordpress.org/zieladam/\">Adam Zielinski</a><br />Editor:&nbsp;<a href=\"https://profiles.wordpress.org/dustinhartzler/\">Dustin Hartzler</a><br />Logo:&nbsp;<a href=\"https://profiles.wordpress.org/javiarce/\">Javier Arce</a><br />Production:&nbsp;<a href=\"https://profiles.wordpress.org/bjmcsherry/\">Brett McSherry</a> and <a href=\"https://profiles.wordpress.org/eidolonnight/\">Nicholas Garofalo</a><br />Song: Fearless First by Kevin MacLeod</p>\n\n\n\n<h2 class=\"wp-block-heading\">Show Notes</h2>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/playground/\">WordPress Playground</a> and the <a href=\"https://github.com/WordPress/wordpress-playground\">Playground Github repo</a></li>\n\n\n\n<li><a href=\"https://gliwice.wordcamp.org/2023/\">WordCamp Gliwice</a> </li>\n\n\n\n<li><a href=\"https://europe.wordcamp.org/2023/\">WordCamp Europe 2023</a>, <a href=\"https://europe.wordcamp.org/2023/contributor-day/\">Contributor Day,</a> and <a href=\"https://europe.wordcamp.org/2023/presenting-wp-connect/\">WP Connect</a></li>\n\n\n\n<li><a href=\"https://wordpress.slack.com/archives/C04EWKGDJ0K\">#meta-playground</a> in the <a href=\"https://make.wordpress.org/chat/\">Making WordPress Slack</a></li>\n\n\n\n<li><a href=\"https://chat.openai.com/\">ChatGPT</a></li>\n\n\n\n<li><a href=\"https://woocommerce.com/\">WooCommerce</a></li>\n\n\n\n<li><a href=\"https://www.cloudfest.com/\">CloudFest</a> and <a href=\"https://profiles.wordpress.org/danielbachhuber/\">Daniel Bachhuber</a></li>\n\n\n\n<li>The <a href=\"https://wordpress.org/news/feed/blank\">Kim Parsell Memorial Scholarship</a> for travel to WordCamp US 2023</li>\n\n\n\n<li>Find your closest location for a <a href=\"https://wp20.wordpress.net/\">WordPress 20th Anniversary celebration</a></li>\n\n\n\n<li><a href=\"https://us.wordcamp.org/2023/wordcamp-us-2023-programming-team-announcement/\">Changes to the WCUS event for 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Transcript</h2>\n\n\n\n<span id=\"more-14968\"></span>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:00:00]</strong></p>\n\n\n\n<p>(Intro music)</p>\n\n\n\n<p>Hello everyone, and welcome to the WordPress Briefing, the podcast where you can catch quick explanations of the ideas behind the WordPress Open Source project, some insight into the community that supports it, and get a small list of big things coming up in the next two weeks. I&#8217;m your host, Josepha Haden Chomphosy. Here we go.</p>\n\n\n\n<p>(Intro continues)</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:00:40]</strong></p>\n\n\n\n<p>Today we&#8217;re gonna spend a little time talking about WP Playground. This is a project that debuted at State of the Word in December 2022, but it was demoed for me about a month prior in November.</p>\n\n\n\n<p>I was, and remain, absolutely floored by the potential future applications, as well as the innovative thinking behind it. So I&#8217;ve invited a couple of excellent WordPress futurists to the show today so that we can listen in on their conversation.</p>\n\n\n\n<p>Welcome guys.</p>\n\n\n\n<p><strong>[Rich Tabor 00:01:07]</strong></p>\n\n\n\n<p>Hey everyone, I&#8217;m Rich Tabor, and I&#8217;m here today with Adam Zielinski to talk about WordPress Playground. So for those of you who don&#8217;t know what WordPress Playground is, can you tell us a little bit more about it, Adam?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:01:18]</strong></p>\n\n\n\n<p>Absolutely. WordPress Playground is WordPress that works in your browser like there&#8217;s no server with PHP or database like there&#8217;s just your browser and JavaScript, and you can run it in so many more places that we’ll all get to. For example, I just came back from WordCamp Gliwice, where on a Contributor Day, a couple of developers got set up with WordPress in just a couple of minutes, whereas normally, it can take hours to do that.</p>\n\n\n\n<p><strong>[Rich Tabor 00:01:44]</strong></p>\n\n\n\n<p>Yeah, that&#8217;s, that&#8217;s pretty impressive. Do you think that, particularly for WordCamps and other demo-type areas, this would be something that&#8217;s very useful? Or what do you think would be the other problems that could be solved with WordPress Playground?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:01:55]</strong></p>\n\n\n\n<p>Playground solves one primary problem, and that is WordPress is pretty difficult to get started with. I&#8217;m not even talking about creating your website, but let&#8217;s say, someone told you there&#8217;s this WordPress thing that you should try. Well, you Google for it, and you find installation instructions, and there&#8217;s like three hours of work for you there.</p>\n\n\n\n<p>So then maybe you&#8217;ll find a hosting company, and you have to pay some money. So with WordPress Playground, you can actually try it for free because there&#8217;s no cost to run it. It just runs on your device. If you&#8217;re a developer, and you want to start learning WordPress, normally you have to go through quite an extensive setup process, and there are some tools to make it easier, but maybe there&#8217;s still friction like you have to even own a computer, like a PC device or a Mac. Playground can run on your phone, and it can power interactive tutorials that you can use and just start learning there and there with zero setup.</p>\n\n\n\n<p>Like if you work on a product team and someone asks you to test a code change, with Playground you can just click a link and test it with no infrastructure behind it. And if you&#8217;re a company creating a plugin, you can just show your plugin in a live demo to people. And this isn&#8217;t something many plugins are doing because it&#8217;s quite hard to get a live demo set up.</p>\n\n\n\n<p><strong>[Rich Tabor 00:03:12]</strong></p>\n\n\n\n<p>Ah, that&#8217;s pretty impressive. So, you know, amongst like tutorials, code changes for developer environments, the mobile application running, do you think that, since there&#8217;s such a wide brevity of ideas that WordPress Playground can kind of plug into, would this be more of a developer tool?</p>\n\n\n\n<p>Is that right? Or is Playground more of a like a click and play-type application that can run anywhere and demo anything?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:03:36]</strong></p>\n\n\n\n<p>I&#8217;d say it&#8217;s both, but it&#8217;s more transparent for the users. So there are a whole lot of things you can do with Playground as a developer, as I just mentioned. But who are you doing these things for? Well, some of them are for the users, as in live demos, or there&#8217;s a WordCamp Europe coming, and I know some people are doing workshops there. They are going to use Playground to get everyone set up. So now that&#8217;s, well, maybe a workshop that teaches you how to build a theme, for example, right? Now you can just get started without any setup process. So there&#8217;s both, it&#8217;s very useful for development teams, and it&#8217;s very useful for them to build stuff for the final users.</p>\n\n\n\n<p><strong>[Rich Tabor 00:04:21]</strong></p>\n\n\n\n<p>That&#8217;s great. I know you, and I have probably both been in the same scenario at WordCamps when you&#8217;re trying to get dev environments set up, and it takes, you know, the better half of the workshop to get to step one. So this is really gonna be interesting to see it, especially at WordCamp Europe, and to see it getting into action.</p>\n\n\n\n<p>Are you planning on going to WordCamp Europe this year?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:04:39]</strong></p>\n\n\n\n<p>Absolutely, I will have a table at Contributor Day, a WordPress Playground table. So yeah, everyone&#8217;s invited to come over. I&#8217;ll show you a lot of cool stuff. And then at WP Connect on Saturday at 10:00 AM, there will be a WordPress Playground session where you&#8217;ll be able to learn more and see some cool demos.</p>\n\n\n\n<p>And this will be a conversational format, so we&#8217;ll just have a nice chat.</p>\n\n\n\n<p><strong>[Rich Tabor 00:05:01]</strong></p>\n\n\n\n<p>Super cool. So how else can people find out a little bit more info about Playground and perhaps even get involved and contribute to the project?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:05:08]</strong></p>\n\n\n\n<p>There&#8217;s a developer.WordPress.org/playground website. There&#8217;s a link in a show notes where you&#8217;ll be able, like this is the perfect entry point to the entire rabbit hole of WordPress Playground.</p>\n\n\n\n<p>There&#8217;s a quite a few projects under the WordPress Playground umbrella, and they all live in a single GitHub repository where you can just find any issue that interests if you want to contribute and just start contributing. Also, there&#8217;s a Slack channel in WordPress org space called #meta-playground, and I highly encourage everyone interested in coming over to say hi.</p>\n\n\n\n<p>And probably one of the best places to ask questions and get acquainted with the community.</p>\n\n\n\n<p><strong>[Rich Tabor 00:05:54]</strong></p>\n\n\n\n<p>Oh, that&#8217;s great; I&#8217;m very intrigued about the project overall. I think that there&#8217;s an immense amount of potential, for WordPress Playground. Just last question here, like, where do you see the future of this project going? What is the most interesting application that hasn&#8217;t been done yet, or the things that are really gonna be the next level in unlocking Playground for everyone?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:06:12]</strong></p>\n\n\n\n<p>There&#8217;s quite a few. Imagine being able to go to WordPress.org and have a WordPress demo right then and there without having to download anything. Then you customize it, and you have a button to host your website anywhere or just to download it.</p>\n\n\n\n<p>Imagine having a live preview for all the themes and plugins in the directory and even in WordPress core, but these are sooner than later. Maybe like, let&#8217;s talk more grandiose, shall we? So there&#8217;s this term, 1 billion new users coming online in the next, like in the nearest future, and plenty of them doesn&#8217;t even own a desktop device. Maybe they have a mobile phone, maybe they have a tablet, maybe we&#8217;re talking about a young, prospective developer somewhere. And currently, if you don&#8217;t own a desktop device, you cannot contribute to the WordPress plugin ecosystem at all.</p>\n\n\n\n<p>Like, we&#8217;re seeing more and more of creating themes with no code, which is really exciting. But you cannot build the plugin, really. Well, with WordPress Playground. Suddenly you can do development on a mobile device. So development tools and code editors and just the entire suite of things we use as the developers on our desktop of devices like this may come online and be available in your browser.</p>\n\n\n\n<p>And if you&#8217;re on a train and you just have a phone with you, but you still want to learn, how to build a plugin, well, you&#8217;ll be able to do that. Furthermore, there&#8217;s a lot of exciting opportunities with ChatGPT, as in, well, here&#8217;s a WordPress running entirely on your device. So maybe if that&#8217;s connected to ChatGPT, you&#8217;ll be able to say, well, I like fish, or like, I want two columns and a photo of a racing car on top of it.</p>\n\n\n\n<p>And because ChatGPT can output HTML, we connect the two, and suddenly, you can build a website entirely in your browser using natural language.</p>\n\n\n\n<p><strong>[Rich Tabor 00:08:20]</strong></p>\n\n\n\n<p>Man, that&#8217;s, that&#8217;s really interesting. It really does unlock the next, potentially the next like, wave of innovation in the WordPress experience, especially removing all the complications of getting set up and actually seeing what&#8217;s there. I think that it really could, be huge for users every day.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:08:38]</strong></p>\n\n\n\n<p>Oh, here&#8217;s one more. So, edge computing is big lately, and it&#8217;s going to be bigger in the future. WordPress Playground runs on this new technology called Web Assembly, and it just happened so that a bunch of edge computing providers allows you to run web assembly on their gear. So imagine having WordPress running entirely in edge infrastructure with no centralized server.</p>\n\n\n\n<p>Truly decentralized WordPress. It could be big for a well cost of operating, but also for speed, but also even further down in the future. Imagine downloading the actual, you know, even WordPress around time to your device and having the entire website on your phone. So then you know, you&#8217;re on a train, you enter a tunnel, but you can still browse that WooCommerce store and add things to your cart even though there is no range at all.</p>\n\n\n\n<p><strong>[Rich Tabor 00:09:32]</strong></p>\n\n\n\n<p>Wow, that&#8217;s, that&#8217;s pretty crazy. How far out there do you think something like that is?</p>\n\n\n\n<p><strong>[Adam Zielinski 00:09:37]</strong></p>\n\n\n\n<p>It&#8217;s hard to tell. I mean, technically, it is possible. There are a lot of challenges with regard to privacy, right? And data security for the edge computing case specifically. As for the development tools, there was a Cloud Fest hackathon earlier this year where I was with Daniel Bachhuber, also from Automattic, and we led this exciting project that brought the WordPress development environment into the browser using a couple of editors that are out there, and this is too much of an MVP for actual production use yet, but we got it working, and we build an actual plugin on a phone without internet access.</p>\n\n\n\n<p><strong>[Rich Tabor 00:10:19]</strong></p>\n\n\n\n<p>Wow. And that was just a hackathon, just hacking at it to see what you can get.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:10:23]</strong></p>\n\n\n\n<p>Yeah, it was two and a half days.</p>\n\n\n\n<p><strong>[Rich Tabor 00:10:25]</strong></p>\n\n\n\n<p>Oh, that&#8217;s awesome. That&#8217;s really cool, man. Well, this has been quite a pleasure. Thanks, Adam, for chatting all about WordPress Playground. Folks, just be sure to check out developer.WordPress.org/playground to explore, experiment, and play with WordPress Playground.</p>\n\n\n\n<p>This has been awesome, Adam.</p>\n\n\n\n<p><strong>[Adam Zielinski 00:10:43]</strong></p>\n\n\n\n<p>Thank you so much for having me, Rich.</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:10:45]</strong></p>\n\n\n\n<p>What a remarkable new way of working with and experiencing WordPress. I would love to be able to find ways across the project and ecosystem to help folks see what they&#8217;re getting into before they get into it, but also, who knows what the future holds for that project. Keep an eye on it.</p>\n\n\n\n<p>(Musical interlude)</p>\n\n\n\n<p><strong>[Josepha Haden Chomphosy 00:11:10]</strong></p>\n\n\n\n<p>That brings us to our small list of big things happening right now in the WordPress project. The first one is that the Kim Parel Memorial Scholarship for WordCamp US 2023 is open, and applications for it are the WordPress Foundation will once again be offering that scholarship for Travel to WordCamp US.</p>\n\n\n\n<p>It is for specifically for women in technology, women in the WordPress space. I&#8217;ll include a link to that in the show notes.</p>\n\n\n\n<p>The second thing is WordPress&#8217; 20th anniversary is still coming, as we heard in the last podcast.</p>\n\n\n\n<p>So we have reached over 100 events that are scheduled on or around May 27th, which is WordPress’ launch date. There is still time to find your closest location and attend one of those events. And probably, there&#8217;s also time to pull together an event of your own. Head on over to wp20.WordPress.net if you would like to see events in your area.</p>\n\n\n\n<p>And the third thing is WordCamp US 2023. I realize WordCamp Europe comes before that, but the programming team actually has a really interesting thing that they&#8217;re doing this year. They have some changes to the way that they are organizing the event and finding speakers for the event. But as always, they are working very hard to make sure it is an attendee-focused event.</p>\n\n\n\n<p>I&#8217;m gonna include a link or two to some announcements that are really worthwhile there. Head on over to the podcast page to see those. And that, my friends, is your small list of big things. Thank you for tuning in today for the WordPress Briefing. I&#8217;m your host, Josepha Haden Chomphosy. Thanks again to my guests, and I&#8217;ll see y&#8217;all in a couple of weeks.&nbsp;</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 22 May 2023 12:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Nicholas Garofalo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"Gutenberg Times: Gutenberg Changelog #83 – WordPress 6.2.1, Gutenberg 15.7, 15.8 and experiments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://gutenbergtimes.com/?post_type=podcast&p=24228\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"https://gutenbergtimes.com/podcast/gutenberg-changelog-83-wordpress-gutenberg-experiments/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:64666:\"<p>Fabian Kägy and Birgit Pauli-Haack discuss the new enhancements in Gutenberg plugin releases 15.7 and 15.8 as well as the Experiments available in the plugin.</p>\n\n\n\n<p><a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-83-wordpress-gutenberg-experiments#shownotes\">Show Notes</a> / <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-83-wordpress-gutenberg-experiments/#transcript\">Transcript</a></p>\n\n\n\n<ul>\n<li>Music:&nbsp;<a href=\"https://soundcloud.com/xirclebox\">Homer Gaines</a></li>\n\n\n\n<li>Editor:&nbsp;<a href=\"https://www.linkedin.com/in/sandy-reed/\">Sandy Reed</a></li>\n\n\n\n<li>Logo:&nbsp;<a href=\"https://markuraine.com/\">Mark Uraine</a></li>\n\n\n\n<li>Production:&nbsp;<a href=\"https://icodeforapurpose.com\">Birgit Pauli-Haack</a></li>\n</ul>\n\n\n\n<p class=\"has-larger-font-size\"></p>\n\n\n\n<h2 class=\"wp-block-heading\">Special Guest: Fabian Kägy </h2>\n\n\n\n<ul>\n<li>Twitter: <a href=\"https://twitter.com/fabiankaegy\">@fabianjaegy</a></li>\n\n\n\n<li>WordPress Profile: <a href=\"https://profiles.wordpress.org/fabiankaegy/\">@fabiankaegy</a></li>\n\n\n\n<li>Personal website: <a href=\"https://fabian-kaegy.com/\">fabian-kaegy.com</a></li>\n\n\n\n<li><a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-59-extensibility-of-the-block-editor/\">Gutenberg Changelog #59 – Gutenberg 12.4, Developer Hours, Extensibility of the Block Editor and more</a></li>\n\n\n\n<li><a href=\"https://gutenberg.10up.com/\">10up Gutenberg Best Practices!</a></li>\n\n\n\n<li><a href=\"https://www.npmjs.com/package/@10up/block-components\">10up Block Components</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Announcements</h2>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/news/2023/05/whats-new-for-developers-may-2023/\">What’s new for developers? (May 2023)</a></li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/news/2023/04/how-webpack-and-wordpress-packages-interact/\">How webpack and WordPress packages interact</a></li>\n\n\n\n<li><a href=\"https://developer.wordpress.org/news/2023/04/per-block-css-with-theme-json/\">Per-block CSS with theme.json</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/05/04/fse-program-build-a-block-theme-summary/\">FSE Program Build a Block Theme Summary</a><a href=\"https://make.wordpress.org/test/2023/05/11/fse-program-front-page-fun-summary/\">FSE Program Front Page Fun Summary</a></li>\n\n\n\n<li><a href=\"https://wptavern.com/wordpress-themes-team-releases-stacks-a-community-theme-for-building-slide-decks\">WordPress Themes Team Releases Stacks: A Community Theme for Building Slide Decks</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">What&#8217;s released</h2>\n\n\n\n<h3 class=\"wp-block-heading\">WordPress 6.2.1 + 6.2.2</h3>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\">WordPress 6.2.1 Maintenance &amp; Security Release</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\">WordPress 6.2.2 Security Release</a></li>\n\n\n\n<li><a href=\"https://wptavern.com/wordpress-6-2-2-restores-shortcode-support-in-block-templates-fixes-security-issue\">WordPress 6.2.2 Restores Shortcode Support in Block Templates, Fixes Security Issue</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Gutenberg 15.7</h3>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/04/whats-new-in-gutenberg-15-7-03-may/\">What’s new in Gutenberg 15.7? (03 May)</a></li>\n\n\n\n<li><a href=\"https://wptavern.com/gutenberg-15-7-adds-site-logo-upload-to-inspector-controls\">Gutenberg 15.7 Adds Site Logo Upload to Inspector Controls</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\">Gutenberg 15.8</h3>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">What’s new in Gutenberg 15.8? (May 17)</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">Experiments in Gutenberg</h2>\n\n\n\n<table><tbody><tr><th>Zoomed out view</th><td>&nbsp;Test a new zoomed out view on the site editor (Warning: The new feature is not ready. You may experience UX issues that are being addressed) (<a href=\"https://github.com/WordPress/gutenberg/pull/41156\">#41156</a>)</td></tr><tr><th>Color randomizer</th><td>&nbsp;Test the Global Styles color randomizer; a utility that lets you mix the current color palette pseudo-randomly. (<a href=\"https://github.com/WordPress/gutenberg/pull/40988\">#40988</a>)</td></tr><tr><th>Command center</th><td>Test the command center; Open it using cmd + k in the site or post editors. (<a href=\"https://github.com/WordPress/gutenberg/pull/50128\">#50128</a>)</td></tr><tr><th>Grid variation for Group block</th><td>&nbsp;Test the Grid layout type as a new variation of Group block. (<a href=\"https://github.com/WordPress/gutenberg/pull/49018\">#49018</a>)</td></tr><tr><th>Details block</th><td>&nbsp;Test the Details block (<a href=\"https://github.com/WordPress/gutenberg/pull/49808\">#49808</a>)</td></tr><tr><th>Block Theme Previews</th><td>&nbsp;Enable Block Theme Previews (<a href=\"https://github.com/WordPress/gutenberg/pull/50030\">#50030</a>)</td></tr><tr><th>Navigation block</th><td>&nbsp;Test the Navigation block using the Interactivity API (<a href=\"https://github.com/WordPress/gutenberg/pull/50041\">#50041</a>)</td></tr></tbody></table>\n\n\n\n<p class=\"has-large-font-size\">Stay in Touch</p>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul>\n<li>Did you like this episode? <a href=\"https://lovethepodcast.com/gutenbergchangelog\"><strong>Please write us a review </strong></a></li>\n\n\n\n<li>Ping us on Twitter or send DMs with questions. <a href=\"https://twitter.com/gutenbergtimes\">@gutenbergtimes </a>and <a href=\"https://twitter.com/bph\">@bph</a>.</li>\n\n\n\n<li><em>If you have questions or suggestions, or news you want us to include, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a>. </em></li>\n\n\n\n<li><em>Please write us a review on iTunes! <a href=\"https://gutenbergtimes.com/itunes/\">(Click here to learn how)</a></em></li>\n</ul>\n</div></div>\n\n\n\n<p class=\"has-large-font-size\" id=\"transcript\">Transcript </p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Hello and welcome to our 83rd episode of the Gutenberg Changelog Podcast. In today&#8217;s episode, we will talk about WordPress Point Release, 6.2.1, Gutenberg 15.8, and of course the previous one, Gutenberg 15.7 as well, and some of the experiments featured hiding in the Gutenberg plugin. I&#8217;m your host, Birgit Pauli-Haack, curator of the Gutenberg Times and WordPress developer advocate, and a full-time core contributor for the WordPress Open Source project.&nbsp;</p>\n\n\n\n<p>I&#8217;m so happy to have, again, Fabian Kägy back on the show. It&#8217;s been a while since we talked and so much happened. We just found out, it was the episode 59 and it was in February 2022, well, it&#8217;s a whole world happened in between. So for our new listeners, Fabian Kägy is the Associate Director of Editorial Engineering at 10up and a core contributor to the Gutenberg project since 2017, I think. So welcome back on the show, Fabian. How are you today?</p>\n\n\n\n<p><em>Fabian Kägy</em>: Thank you so much for having me. I&#8217;m excited to be back on this.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I&#8217;m glad you&#8217;re here. So I have to ask, editorial engineering, what does that entail at the agency 10up?</p>\n\n\n\n<p><em>Fabian Kägy</em>: So that is a special, in quotation marks, &#8220;made up role&#8221;, where I started down the path of a front end engineer and over time became more and more passionate about all things editorial experience. So that is now a special role where I get to focus part of my time on actually coming up with best practices and solutions for working with a block editor and helping the entire team level up and carved out my niche.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: That&#8217;s awesome, especially because in view of the next phase of Gutenberg where it is actually all about collaboration on an editorial team, so making that a smooth experience is definitely something we all will be working on for when 6.3 come out, I think. Your input will be invaluable for your clients, as well as for the team, I think.</p>\n\n\n\n<p><em>Fabian Kägy</em>: Yes. I&#8217;m very, very excited about all the things that are lined up for all of us to work on and to explore, and it&#8217;ll be fun.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: So with the developer blog, I&#8217;m part of the editorial team that does reviews and works with writers. Once in a while, we start out with Google Docs and have everybody comment on it. Some writers say, &#8220;Well, I&#8217;m waiting for that moment where I don&#8217;t have to use Google Docs anymore to collaborate with people on a post and not have to copy/paste it over.&#8221; So we are very much looking forward to that collaboration and we will be eating the Gutenberg dog food, so to speak, on the developer blog.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Announcements</strong></h3>\n\n\n\n<p>Speaking of the developer blog, Justin Tadlock just published the What&#8217;s New for Developers in May 2023 on the developer blog, and that&#8217;s a series of roundup posts that were started in February, where we look at all the publications that come out throughout the month, what&#8217;s new in core, the Gutenberg plugin, the keeping up with Gutenberg index page, and so much more, and just pick those things that are relevant for developers not to teach them how to use them, but more like, &#8220;Watch out, this is coming,&#8221; and prepare them for an X release pretty much.&nbsp;</p>\n\n\n\n<p>The main one has quite a few items in there that are highlighted there. One is the Block Selectors API, which has definitely the markup of a larger tutorial, but it got quite a few developers excited about CSS and their blocks and being more in control of it. Another one as we will also talk about it is the first community theme and all things. So it&#8217;s pretty much a roundup of a lot of things that are interesting for extenders like plugins, developers, theme developers, and also agency developers.</p>\n\n\n\n<p>So we share the latest blog post link in the show notes, but if you haven&#8217;t looked at those yet, and if you&#8217;re a developer, subscribe to the feed of the developer blog or just for the roundup post so you get a heads up on many things.</p>\n\n\n\n<p><em>Fabian Kägy</em>: I would highly encourage everybody to take a look at those because they&#8217;re super valuable, just quick shares of what&#8217;s going on, what are the things to look out for, and even if you&#8217;re not developing for the actual experimental Gutenberg plugin, it is something. It makes it so much easier when the next big WordPress update comes around to know what&#8217;s in the pipeline, what are the things that are being talked about and already have some grasp of just what&#8217;s coming.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Well, thank you so much. Justin does a great job in putting it all together and also shares some resources that are available on Learn WordPress. Then there were two new posts since we had the last show. There was one on how Webpack and WordPress packages interact by Ryan Welcher. That really gets you a little bit more theory around how WordPress and Webpack work together. For those that are not like me, I trust the things &#8230; I trust in God. I trust in things that if I put an NPM, run something, that it&#8217;s all going to work out, but some people want to really dive into Webpack some more and this gives them a great introduction to that. How are you doing with Webpack? Are you manipulating Webpack for your own development?</p>\n\n\n\n<p><em>Fabian Kägy</em>: So I used to do it a lot, especially in the early days of the WordPress Scripts package. There were so many things that were not yet a part of it, and I was very actively adding hacky solutions to add post CSS and all of those SaaS things to WordPress Scripts. That was my introduction to actually working with Webpack. Now, WordPress Scripts takes care of most of our needs or for some of the things, we have a similar tool at 10up that is a helper so we don&#8217;t have to deal with custom Webpack configurations.</p>\n\n\n\n<p>I read through that post from Ryan about how that interacts, and it&#8217;s a really solid deep dive. If you want to understand the areas, the inner workings of how some of these Webpack plugins interact, which you don&#8217;t need to, but if you want to, that is very, very useful.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Then the other blog post was the per-block CSS with theme.json. The per-block CSS came out out of feedback from the community that custom CSS were not available anymore to put in custom CMS for the block themes and for sites, and it was introduced with 6.2, but it also needs some additional handle. Justin wrote a blog post about it, how best to think about per-block CSS with theme.json without getting too deep into the weeds and how that&#8217;s offered to the user. So definitely read up about it.&nbsp;</p>\n\n\n\n<p>For the FSE program, Anne published two summary posts and you make your part of coffee first because they&#8217;re both very long but also very detailed from the latest testing calls. One was Build Your Block Theme with the great block theme plugin and the other one was the testing call 21 for the FSE program for the front page fund summary. There will be a new testing call coming out of the FSE program.</p>\n\n\n\n<p>So if you are into block themes and users use them and all that, it&#8217;s definitely a good overview on what are the pain points, what are the team working on because Anne is very, very thorough in adding to all pain points or discussion points, also the PRs or the issue that is on GitHub about that particular topic. So you can chime in with your opinions, with your experiences, and with your testing, and it would really help if you chime in and be encouraged to actually be part of the testing project. That&#8217;s it.&nbsp;</p>\n\n\n\n<p>Of course, we share all the links in the show notes for this episode.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Community Contributions</strong></h3>\n\n\n\n<p>Another great announcement and community contribution is the first theme coming out of the community theme project where community members and team members are working together on creating block themes and the first one is called Stacks. It&#8217;s a theme with which you can build slide decks. It&#8217;s a very interesting approach to a website that is more a slide deck rather than have navigation from page to page to page. It&#8217;s more like a guided tool that you can use it or you can use it for your next presentation, but you don&#8217;t have to use a third-party tool for that if you want to spin up a website and just use it for your presentation.&nbsp;</p>\n\n\n\n<p>It&#8217;s quite interesting to see how that comes together. The code is certainly available on GitHub and we share both the announcement post, as well as the write up by Sarah Gooding on the WP Tavern for you.</p>\n\n\n\n<p><em>Fabian Kägy</em>: These explorations and these themes and plugins that allow you to build your slide deck in the block editor, I&#8217;m always amazed when I see that. I think a couple of years ago, Ella was maybe one of the first ones who did talk at a React conference and blew my mind in the end when they revealed, &#8220;Hey, and all of this was created in the block editor and these slides are powered by it.&#8221; I think Nick Diego also did it at WordCamp US or at WordCamp and it&#8217;s always pretty cool to see.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: You&#8217;re right. Nick Diego did it at WordCamp US for his talk, Build A Block in 15 minutes, and he built actually that slide back there as well. It&#8217;s very interesting how this can be used on your own website. Yes, Ella had a slide. It was actually a block that she added. I think it was the same for Nick Diego and now we have a theme for it. So it&#8217;s really cool.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>What’s Released</strong></h3>\n\n\n\n<p>All right. That brings us into what&#8217;s released and, of course, let&#8217;s start with the minor release for WordPress, the 6.2.1 Point Release that just came out this week and there were a few hiccups there. Do you want to talk about this and what&#8217;s happening there?</p>\n\n\n\n<p><em>Fabian Kägy</em>: Sure. So 6.2.1 was released, I believe it was at some point early this week. One thing, there was a security issue that the security team took care of and made sure that that gets resolved as quickly as possible, but that security issue essentially resulted in short codes no longer working in block templates. So in a block-based theme, if you have a short code inside a block template, that will no longer actually get converted to the dynamic data. That has caused some issues for folks, especially around auto updates because it&#8217;s just a minor patch release, but it is breaking some existing sites, which as always, it is a very difficult choice to make and a very unfortunate thing when that has to happen because of security thing.&nbsp;</p>\n\n\n\n<p>There is an open issue in track where a lot of this is getting discussed right now, and it was discussed in the core chat yesterday, where essentially, it is very unfortunate when something like that has to happen. From my perspective, I think the team, if there is a security issue, that is the only thing that can be done. The only thing that I think we as a community can try to be a little better at is communicating those types of things ahead so folks are more aware of that, &#8220;Hey, we needed to make a difficult decision here. Beware, you should make this update, but here are some things that you can do instead to help your site still be up there,&#8221; because the communication around the issue could have been a little better.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I don&#8217;t think there&#8217;s no maybe about it, but it was a little obscure in the change log and it wasn&#8217;t saying, &#8220;Okay. It&#8217;s going to break sites,&#8221; but I think it&#8217;s really hard to also suggest a solution right now. So Jean Baptist Audras was one of the release leads together with George Mamadoshvilli, and he wrote in the core dev chat on Wednesday night, &#8220;The release itself went pretty well. Thanks everyone for your patience. However, as you may know, one security fix led to the important issues with the short codes used in templates, but it was not templates per se, but block templates in block themes. So the issue is currently actively discussed in the security editor team and some hypotheses have been made to sort this out in a quick followup release. No schedule is available right now because the discussions haven&#8217;t been finished yet, but it will depend on the followup patch currently discussed by the editor team.&#8221;</p>\n\n\n\n<p>So to just point out, and Paul Byron had actually &#8230; All the solutions on how to deal with it right now in the emergency situation when you see dozens or even hundreds of page breaks, one is to roll back to 6.2 with a core rollback plugin, use the short code, and put them in template parts. That seems to be working in the block themes that you put the short code in a template part and add that template part to the template or have &#8230; In the ticket that you mentioned, Fabian, there were also a code example on how to introduce making the shortcuts work again, but all three of them introduced the security issue again.&nbsp;</p>\n\n\n\n<p>So I&#8217;m not sure quite how to advise people to work, but there are no good choices right now because you are caught between you want your client&#8217;s side to work, but you also don&#8217;t want their security issue to be out there too long. So the core editor team is definitely working on a solution to fix the security fix, but all, what I just said, is actually just introducing back the security issue into your sites.&nbsp;</p>\n\n\n\n<p>So there are also opinions that short codes might be a legacy way of dealing with things. Maybe it&#8217;s a good call for converting the most important short codes to blocks and use them for the block editor instead of &#8230; but not everybody has the capacity for it, not everybody has the time for it or they&#8217;re just not there yet, but the plugins that they use are also not converting the shortcuts to blocks. So it&#8217;s the nature of the beast. I don&#8217;t think the shortcuts will ever go away, but there&#8217;s a better way to handle that.</p>\n\n\n\n<p><em>Fabian Kägy</em>: Yeah, definitely. In regards to the various options that we have right now, rolling back and that plugin that exists and that code that you can add to your theme, those all add back the vulnerability, like you said. I wasn&#8217;t sure from my understanding whether putting the short code in the template part actually caused any issues. I thought that that was the best proposed solution even though it&#8217;s clunky to have to deal with template parts for those areas individually, but from my understanding, that was the best outcome where you&#8217;re not really introducing the security vulnerability, but also can retain your feature or the look of your site. So I think that is the best option right now, but yeah, it is a little opaque.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Good point. Thank you for pointing that out again. Okay. The rest of 6.2.1, quite a few bug fixes for core, as well as for the editor that were found during the release of 6.2 and didn&#8217;t make it into 6.2, but that&#8217;s why the followup release was really on the schedule relatively to the 6.2 release. We will also share the changelog for the release in the show notes, as well as the tickets for the discussion. Paul Byron also added that solution with the template parts to the ticket so you have it all in one place to look up for if you want to follow up on that.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Gutenberg 15.7</strong></h3>\n\n\n\n<p>All right. Next one up was Gutenberg 15.7 and it had quite a few enhancements. One is that as group and media texts have now allowed blocks attributes that can be passed to the inner block props, so to speak, that means that you can control which blocks can be added to a certain group or a media text block if you wanted to.</p>\n\n\n\n<p><em>Fabian Kägy</em>: That is a really useful thing for extenders or theme builders or if you create a pattern that is meant to be a certain thing, you&#8217;re now able to restrict which other blocks can be used within that area, which can be super useful when you build a call to action and have some styling around that and don&#8217;t want to support a table to be in that call to action, for example. This is so useful to be able to do that. So we don&#8217;t have to build the custom block for it, but instead we can create a pattern and have all those options and can curate that editorial experience to really, the level that we want to curate it to. With the template and template block, we were able to do some things, but now with the allowed blocks, we have most of the controls of an actual inner block area also exposed for these blocks that support inner blocks, which is very useful, I think.&nbsp;</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Excellent.&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: Next up, we have the site logo added a replacement flow that allows you to change out the actual logo using the inspector control. That is just an addition, an alternative way that you can deal with the site logo essentially. You can still use the inline controls, but while you are in the sidebar tweaking your spacing or any other visual controls, you can also quickly swap out the media there, which I think is an interesting approach to this.</p>\n\n\n\n<p>For this one in particular, I&#8217;m interested to see the feedback around it because for the most part, we&#8217;ve been very strict about there should be direct manipulation of content right in the editor canvas and not many controls should live in the inspector controls. It&#8217;s not removing it from the inline, but it&#8217;s also adding that secondary way of manipulating it to the inspector controls. I&#8217;m very curious to see how that will play out and how that may affect just how we use this.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: So inspector controls is just another way to say sidebar, just make sure where those tools are when you first encounter them. I think it comes more like we want to be a parity with a customizer. That&#8217;s one more step. Then in the inspector in the sidebar, when you replace the media, you are going right directly to the media library and select that. So you don&#8217;t have to &#8230; It seems to be a slightly different workflow than it is from the toolbar.&nbsp;</p>\n\n\n\n<p>So the next feature is actually a really cool addition or enhancement of the fluid typography. So when the fluid typography was introduced first in 6.1, it still had the problem that if you have very large fonts, they wouldn&#8217;t go small enough for the mobile version because the calculations would stop and it would still be too big. This feature introduces a logarithmic scale factor to calculate the minimum font size and now the font adopts to all screen sizes. Even if you have a 68 or 102 pixel font, it will scale down to a mobile version and not stop at 50 or something like that.&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: The next thing on the list here is the behavior of the top toolbar has been changed, and that is for a long time now you&#8217;ve been able to using that user settings menu in the upright corner change the behavior of the block toolbar to no longer be attached to the actual block, but instead always be fixed at the top of the editor. The behavior of that has been changed so that you can collapse that toolbar and still have it available there, but because the space in that top toolbar is quite sparse, that allows for just some more flexibility with how things are getting laid out there.&nbsp;</p>\n\n\n\n<p>There are a couple more things that we&#8217;ll talk about later that were changed about the overall layout of that tool toolbar. Actually, I like it very much the way that it&#8217;s coming together and with some of the explorations happening there. I really like the direction where a lot of this is going right now.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: It also fixed &#8230; One particular thing that was still missing is that you now have access to the parent block, which on the block toolbar you were always able to select the parent toolbar and then the sidebar changed and everything. When you had the toolbar fixed on the top, you wouldn&#8217;t have that particular icon available to click on to manipulate the parent block. That has changed too, and it came in with that particular feature there.&nbsp;</p>\n\n\n\n<p>I was always 50/50. Some weeks I like having the block toolbar right on the block, especially when I&#8217;m further down on the block page, and sometimes I just want it on the top and I&#8217;m changing it all the time. I don&#8217;t know how you do it. So I have not tested this new toolbar fixed setting yet, but I definitely will. I read through the comments and there are some discussions. So please add your feedback and your experiences to it and what you think about it to make it the best it can be.</p>\n\n\n\n<p>The next is that the image block now also displays &#8230; No, it&#8217;s not the image block, it&#8217;s when an image is in a block or in a template, it now also displays the borders on the placeholder. So if you have a template that gives you all the series of blocks and each block you want the feature image there, you will also see now in the placeholder the color of the borders, including the color of it. So it makes your choices of images maybe even smoother. It&#8217;s very subtle, but it&#8217;s definitely a live quality enhancement that I definitely like because sometimes you just need to have a picture that does not clash with your borders if you had a design option that image has borders.</p>\n\n\n\n<p><em>Fabian Kägy</em>: It just makes your life a lot easier when you&#8217;re creating a template and you don&#8217;t &#8230; Before this when there was a placeholder where no actual image was selected for the post, it was just difficult to gauge, &#8220;Hey, how do these border controls actually affect this?&#8221; Having the placeholder resemble the actual image much closer and retain all of those border controls is just a very good thing.&nbsp;</p>\n\n\n\n<p>Next up, we have a change in experiment for the actual pattern insertion modal, which I am really excited about. When you use the pattern instruction modal, you know that all of the various patterns are displayed in a grid, and that grid can look a little weird sometimes because it&#8217;s very staggered how these &#8230; Some patterns are very tall, and then the next one is very narrow, very short. There&#8217;s a lot of white space in that modal. This option here tries a masonry layout where they actually &#8230; If you&#8217;ve ever used Pinterest, it&#8217;s essentially that type of layout where it just fills all that white space and it&#8217;s showing all of those, I think, in a more elegant fashion and it just makes that look a little more refined. I&#8217;m very happy to see that.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: It&#8217;s definitely a more natural look for the pattern modal. The next feature is that duotone block controls are now added to the sidebar. They were hidden before in the block toolbar and you had to know that they are there and the icon was a little bit obscure. Then the options when you do it in the block toolbar is it feels like you are in the wrong place to make those decisions, and now you can make them from the sidebar. I really like that. It&#8217;s a clear adoption to the interfaces that we saw from other design tools.</p>\n\n\n\n<p><em>Fabian Kägy</em>: Next up, in the accessibility section, there are some refactors of how the ARIA attributes for the list view have been modified, which makes it much easier and much more accessible to navigate through the list view. It&#8217;s always good to see those enhancements over time.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Those ARIA levels, there were quite a few in the list view, so there was a major overhaul of the display of the list view. I think Alex Stein did some great work there to make it happen and put it over the finish line.</p>\n\n\n\n<p>So I&#8217;m scrolling a little bit further down to the changelog and I have the feeling we are done with 15.7. It was a smaller release, but it had definitely some great features in there.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Gutenberg 15.8</strong></h3>\n\n\n\n<p>We are now coming up with 15.8. Fabian, you were the release lead on that. Do you want to kind of kick it off and let us know what&#8217;s in there?</p>\n\n\n\n<p><em>Fabian Kägy</em>: Sure. So there were a couple of major features which get their introduction here, which is always fun. One of them is the addition of a command center. There actually is &#8230; There was a post on the make blog from Riad that I&#8217;m sure will get added to the release note or to the podcast notes here that explains a little bit more in depth what this command center actually is. Right now, it is an experiment, but it essentially like spotlights on a Mac, for example, or some of these launchers. You have a quick keyboard command. In this case, it&#8217;s command K, to launch essentially, an open prompt field where you can put in your prompts and jump to different places of the editor or create new pages or just perform quick actions.&nbsp;</p>\n\n\n\n<p>It&#8217;s also meant to be extendable and meant to be something that plugin developers can hook into and allow users to actually quickly navigate their site and perform actions. I&#8217;m really excited to see if this comes to life and explore how this ships out in the future. With this feature, I&#8217;m so here for it, I&#8217;m so excited about it. I cannot wait for the day where this gets expanded outside of the editor view and is just available in all of the screens of WordPress because right now, it is limited to the editor screens, but I think in the future, this will be available in all of the pages of the admin of WordPress. I&#8217;m so looking forward to that.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Riad&#8217;s post on the Make Core Blog &#8230; Blog and block, sometimes I get it mixed up, but I did it right this time. It&#8217;s the Make Core Blog. It&#8217;s called Command Center and Request for Feedback. So he explains what the prototype is. There&#8217;s also a small little video that quickly shows you how it works and then explains the API and the static commands and also what dynamic commands are, definitely, and the contextual commands. So there are three commands that you can have it use, but it&#8217;s also the extendability in mind for plugin developers.&nbsp;</p>\n\n\n\n<p>I think it also triggered a few things. If you want to employ an AI to use within the block editor, having a standard interface that can call AI commands is certainly beneficial to the editor. So as Fabian said, I will share the post in the show notes so you can chime in and see what you think about it and how it works. It&#8217;s really hard to describe on a podcast, audio podcast, for that reason.</p>\n\n\n\n<p><em>Fabian Kägy</em>: As somebody who has championed extensibility and plugability in the editor for such a long time, I&#8217;m so happy to see how this feature is getting rolled out and how it is built with that extendability and plugability from the very beginning. So I&#8217;m really excited about this.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: If you want to try it, it&#8217;s still behind the experiment flag. You need to go to install the plugin 15.8 and then go to the Gutenberg menu on your WP admin and then there&#8217;s an experiments page and you need to check the mark for the command center to actually be able to test it.&nbsp;</p>\n\n\n\n<p>The next item on the list is a new feature as well, and the first version of the revisions UI for the global styles, so all the talk about global styles and new features and new options to change things. Some people want to try just something out and then revert to the previous version and there was no revision available for the global styles. Now, there is, and it has actually some nice features. When you have the site editor style, the style site open and click on the revisions, it will show you a history of the revisions, and when you click on the items, it will show you a version of it on the canvas and you can also compare versions.&nbsp;</p>\n\n\n\n<p>So I think it&#8217;s getting there. It definitely needs some more refinement in terms of what information will be there, how many revisions are we showing, and all that. So that&#8217;s a really interesting progression on this global styles editing.</p>\n\n\n\n<p><em>Fabian Kägy</em>: If you&#8217;ve ever used revisions of a standard post or a page since the block editor was introduced, this is a great feature for global styles and I think it&#8217;s the right thing to roll it out for this first, but the live preview of a revision in a rich preview makes me so excited for a future where we can eventually get rid of the existing code view of revisions for standard post content stuff and actually show rich previews of that because, especially since the introduction of blocks, the revisions UI is just really, really difficult for non-technical people and even technical people to really manage because you just get a code view and are trying to figure out what changed.&nbsp;</p>\n\n\n\n<p>This year is a visual preview of what revisions look like for global styles and it&#8217;s making me so excited about what&#8217;s to come for more other visuals or revisions in the future.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I totally agree that revisions for the posts and pages are on the board for the collaboration project, the phase three of Gutenberg and making revisions be aware is definitely something we are all looking forward to.&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: Next up, we have the inspector panel. So again we&#8217;re talking about that right-hand sidebar of the global styles panel is now getting or got a refactor to make it work and look more similar to how it works on the standard post. I think that for a long time had been an area of confusion for me where if you wanted to change the typography options or color options in the global styles, the interface was just structured completely differently to how it is structured when you just select a paragraph block, for example, in the standard editor. This is unifying those two experiences to be alike and that just lifts a whole bunch of cognitive load that you have to think about and just makes it work the same way in both of those areas.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Excellent. In the same way, there is now a details block. We talked about it on the show before. That is in experiments and it now has been enhanced to be able to use InnerBlocks in the details of the spoiler alert block. I call it spoiler alert because the detailed summary that&#8217;s as broad idea that some people don&#8217;t know what we&#8217;re talking about, but you have a sentence or just a headline, and then you get an arrow and then it reveals additional content. You can use it to talk about spoilers in your book review or in your film review or you can hide details that only a certain amount of readers will need about a technical thing or so. In the earlier versions, you only could add a paragraph to those details or only paragraph blocks and now you can add images, you can add quotes and all that. So this is definitely an enrichment of the details block. Also an experiment though.</p>\n\n\n\n<p><em>Fabian Kägy</em>: That is really something &#8230; I know I have been involved with those conversations of the details block for way too long already, but I&#8217;m really looking forward to getting the community feedback of just what&#8217;s available there. It&#8217;s a very difficult thing because the detailed summary is essentially an accordion, but there are some accessibility issues that make it not the best use case for an accordion. So with these changes, just I&#8217;m interested in the feedback of the community of how they&#8217;re able to use all of the design tools to make it function the way they want to or whether there are struggles because this changes a little bit of what was there before and there were some more design options that you had with that earlier approach, but it also was a little less intuitive because it had more levels of nesting and the summary element was its own block and was just more complicated, and this is a much simpler implementation of that block. Also, it therefore removes some of the options that you have available. I&#8217;m really interested to see how that plays out and what people will think about it.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Many, many, almost all block collections that came out when the block editor first was released had an accordion block in there. A lot of people liked it for FAQs and for how-tos and all that, but it was interesting, I really didn&#8217;t really know why there wasn&#8217;t an accordion block in core until I read through the discussions about the details and summary. Some people will make it work as an accordion, but what the accordion does, it knows about the other block. So you have an accordion. The first is the tab on top and then you have details and then you have another tab and then the details and each accordion knows about the other one being open or not open. That&#8217;s very hard to replicate in a model way how the block editor works.&nbsp;</p>\n\n\n\n<p>I tested the details in summary block that&#8217;s in the experiment right now with 15.8 and I didn&#8217;t find it particularly easy to navigate because it had some hiccups. I don&#8217;t know how to get out of it. Normally, if you have a list block, when you hit enter twice, you&#8217;re out of it and then you can add additional blocks to it. There are no visual cues when you are in the block writing or adding additional blocks. There are no visual cues, are you still in the details section or are you not? The summary, there is no way to get from the summary to the details block per keyboard. You need to change controls on it.&nbsp;</p>\n\n\n\n<p>So there are a few things, but that&#8217;s why it&#8217;s behind the experimental flag and not yet completely released. So do as a favor and enable that test, that experiment so you can also test it. As Fabian said, community input is wanted and necessary.&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: Next up, there is another addition to the site editor and that is in the main sidebar of the site editor. There now is a new menu item called Pages that allows you to view the 10 most latest edited pages of your site and directly jump in and edit them. That is one step of actually making content editing in the site editor more possible. Again, that was one of the features that was there in earlier revisions of the site editor but then got taken out before it got released in I believe it was 6.1. These are explorations of slowly adding that content editability back into the site editor. It&#8217;s really interesting to see how that works. It is so difficult how to best communicate with the user when you&#8217;re editing parts of a template versus when you&#8217;re editing parts of the actual content of a page.&nbsp;</p>\n\n\n\n<p>I think that that will still be the most difficult issue to solve for here, but this is slowly introducing that back into the site editor and it is really cool to see just having all of those things in there.&nbsp;</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Look at the menu item on the left-hand side, as other people say the dark side of the site editor, but it&#8217;s there. So the next item or feature that got introduced makes Fabian really, really happy and it&#8217;s the introduction of the plugin template settings panel slot, which means on the sidebar, there is now a way for plugin developers to extend the feature set that&#8217;s displayed to the user. Have you tried it out yet? Have you looked at that feature?</p>\n\n\n\n<p><em>Fabian Kägy</em>: I&#8217;ve not yet had a chance to play with it, but yeah, more slots and more places for extenders to add to the experience and showcase custom settings and those types of things always make me happy, especially when they&#8217;re done right, and this seems pretty cool.&nbsp;</p>\n\n\n\n<p>Next up, we have an update that is very useful for extenders again. It consolidates and adds some more documentations to the storybook. If you&#8217;re not familiar with the storybook, that is actually something when you go to the GitHub repository of the Gutenberg plugin, in the right-hand sidebar there is, I think it&#8217;s called pages or deployments. You can actually jump to that storybook right from GitHub and view it. The storybook essentially is showcasing all of the various React components that were built as part of the Gutenberg plugin and are available in WordPress core and is showing live previews of them with some controls. You can tweak some of the settings right there visually and also have some of the documentation there. This consolidates and changes a little bit of just how that is structured and how that appears. Just in general, the storybook that has been there for a long time is a super valuable and great tool and it&#8217;s always nice to see additional enhancements for that.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I definitely want to point that out that at WordCamp Asia, I heard from a few people that were at the contributor day and working with the core editor table there, they were really surprised that many developers that came and wanted to work on things did not know about the storybook. I think we have not done a good job in explaining what it is and pointing people to it. I think it&#8217;s part of the documentation that is in the components, but it&#8217;s not referred to &#8230; Most of the time, it&#8217;s not referred to in the documentation on the developer site in the block editor handbook. We are going to change that a little bit and add more links to the storybook for the various components because it&#8217;s such a rich developer experience where you can change things and then you click on a button and it gives you the code for it for the changes that you made and you can immediately reuse it in your own code base. Definitely, I take any chance when I can talk about the storybook now.</p>\n\n\n\n<p>The next part is a feature for the block editor that is talking about the dimension controls and it&#8217;s not always visible. So now, it&#8217;s an attempt to show all the dimensions control at the beginning and not hide them so much where you had to open them and then decide do you want to see the padding, do you want to see the margin. It&#8217;s now easily available so you don&#8217;t have to look for it, what padding and margins is, because we all talk about padding and margins, but we never talk about dimension controls. So when the words appear on the screen, you don&#8217;t as easily recognize that that&#8217;s what you&#8217;re talking about.</p>\n\n\n\n<p><em>Fabian Kägy</em>: This, again, is also something where it is just difficult and interesting. The vertical space that we have available in the sidebar is very limited and it&#8217;s always an interesting balance to strike of how much do we show by default versus how much do we hide behind the setting so it&#8217;s not overwhelming for somebody that is new to the editor, but also makes it discoverable for somebody. So it is not changing any of the features that are available, but it is trying to show some more by default. I&#8217;m very interested to see how folks will react to that, whether it feels overwhelming or whether it makes it more approachable. The only real way to find that out is by actually testing that. So I&#8217;m glad to see those explorations happening in the plugin.&nbsp;</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: It might go away again or will be tweaked later on. So your comments are certainly wanted and necessary. We share in the show notes the release post for 15.7, the release post for 15.8. By the time you listen to this, Fabian will have published it, and I&#8217;m sure also, Sarah Gooding will talk about both releases or already has on 15.7 and 15.8.&nbsp;</p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>What’s in Active Development or Discussed</strong></h3>\n\n\n\n<p>or I just wanted to at the end of it &#8230; So those were all the releases and we are now talking about what&#8217;s in active development or discussed. We have right now the largest number of experiments in the block editor since the beginning. I think there are now seven experiments hiding on the experiments page for the plugin. So let&#8217;s talk about them. Some of them we already talked about. So it starts out with a zoomed out view and it&#8217;s test a new zoomed out view on the site editor. So I&#8217;m reading from the page now and it also has a warning attached to it, &#8220;The new feature is not ready. You may experience UX issues that are being addressed.&#8221; UX means user experience, just to clarify that. Did you test that before?</p>\n\n\n\n<p><em>Fabian Kägy</em>: Yeah. So the zoomed out view essentially means that you can more quickly navigate through or get a more holistic view of your page and not appearing in the same size as you would always see it, but instead, it zooms out and shows you more of your entire page smaller in the canvas. That is very useful when you want to make changes to your global styles and just want to see how it affects your site more holistically or when you tweak those things. Especially when you switch between block theme variations, that is just useful to see how it will not just affect that very small area of the site that you see in your viewport, but instead see it more broadly for an entire page.&nbsp;</p>\n\n\n\n<p>So I think this is a great thing to work on. Right now, as the warning says, there are some issues that are being worked on. Especially for working with global styles, having that more zoomed out view is very useful.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: So if you tested it and you have an idea how to make it better, definitely air those on GitHub and filing an issue of that. So the second one, it says color randomizer, test the global styles color randomizer, a utility that lets you mix the current color palette pseudo- randomly. I think it&#8217;s one of those features where it said, &#8220;Okay. It&#8217;s cool to have and cool to test things out, but it&#8217;s not something that a lot of people would think they needed.&#8221; Do you have any thoughts on it?&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: It is one of those features where from my perspective as somebody who works a lot in the large agency space, that is not a feature I would&#8217;ve ever come up with, but I can see how, especially if you&#8217;re somebody who&#8217;s just playing around in the editor trying to build a new design, it can be a useful partner to give you some inspiration of maybe you&#8217;re not the best with color theory and coming up with an accessible color palette yourself, and that can be a great way to get some inspiration for just showing you different variations of what your site could look like with different colors and spark some of that imagination, but it is one of those features that I know for a client site that has a design guide with strict color I would want to disable that feature and would not want to expose certain clients to that feature. So it&#8217;s definitely one of those where I can see it being useful for some, but also rather distracting for others. So I&#8217;m interested to see how that will actually get rolled out.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: It might also be part of the explorations, but the design team does in figuring out is there a way to include different palettes that are on third-party sites that can come in and you can choose from, but I think it&#8217;s not a high priority right now for the team. That&#8217;s why it&#8217;s all still in the experimental phase and it hasn&#8217;t gone that route yet. I heard Matt Mullenweg and one of his state of the word talking about making color palettes that are out in the universe interesting, available to site builders or site owners in some way or shape.&nbsp;</p>\n\n\n\n<p>The third test item on the page is the command center, a test of command center, open it up using command K in the site of post editor. We talked about it. I don&#8217;t think we need to elaborate some more, but that&#8217;s where you find it.&nbsp;</p>\n\n\n\n<p>The fourth one is the grid variation for a group block, test the grid layout type as a new variation for the group block. Right now, that only works on the site editor because it&#8217;s actually a template or site design approach to the grid. Grid, it&#8217;s actually a CSS feature. So this tries to explore how you can make templates that adhere to a certain grid layout, but I&#8217;m not as knowledgeable about design to be able to use that. I think I need a little pre-beginner&#8217;s tutorial for that.&nbsp;</p>\n\n\n\n<p><em>Fabian Kägy</em>: It is. I am really happy to see this exploration being done right now. In the last couple of years, we got that row and stack variation of the group block, which essentially as a developer, that is my flex box. Flex box allows you to layout content in one direction, so either horizontally, the row, or vertically with the stack. The grid, you can achieve some of those grid layouts with the columns block, but the columns block, it is very difficult for it to wrap around. So if you wanted to, let&#8217;s say, have a three column grid that is not just one free column layout, but instead has two rows of those two columns, that is not really or is technically possible, but it is not ideal. That is where grid layouts come into play and are, I think, so much more powerful.</p>\n\n\n\n<p>I think there also is an exploration that is not listed here of adding an actual grid layout or using CSS grid layout for the grid in the query block. We weren&#8217;t able to use grid when the editor first came out because it was too new of a CSS feature and we needed to support more older browsers, but that browser support has changed so much in the last couple of years that we&#8217;re now able to use grid in the editor. It just opens up so many new design possibilities and makes it so much easier.&nbsp;</p>\n\n\n\n<p>I&#8217;ll say on the custom development side, grid block is one of the first things that we build on one or a grid block is one of the first things we build on many custom sites because it is just much more powerful than the columns block and also easier to use in a way. So I&#8217;m excited for these explorations.&nbsp;</p>\n\n\n\n<p>I will say though, a couple of releases ago, the group block changed to show that variation picker when you first insert it where you have to pick between the variations. I&#8217;m not yet sure I&#8217;m in love with that approach of &#8230; I like the various variations of the group block, but when I add a new group, it always pauses me a little too much because I need to step back and, &#8220;Hey, I just want to start with a default grid or a default group and then continue with it.&#8221; So I&#8217;m happy for more of these variations of the group block and for more of those layout controls. I&#8217;m not quite sure we have found the best way to expose them.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: I hear you. Making the decision to use a group block now becomes also a decision of what kind of flow you want and you are not there yet. When you get the group block, I understand that, but I&#8217;m also excited for the grid layout in terms of it is a feature that was requested quite a bit in the early days of the block editor layout site editing things, and it&#8217;s still missing. So now, certain plug-ins and block collections and theme collections have stepped in and allowed that already. So core is a little bit behind on that, but of course, core has a different outlook for the site editor than plugin developers have.&nbsp;</p>\n\n\n\n<p>The fifth experiment in the experiments page is the details block with the detailed summary block. We talked about it. It&#8217;s there for you to test out.</p>\n\n\n\n<p>The sixth one is the block theme previews, and it enables block theme previews. That&#8217;s not much of an explanation, but what it allows you is on your site &#8230; So the customizer had the live preview of themes that were already installed on your site so you can see how your site would need to change to when a theme would be activated. It&#8217;s more a decision making tool rather than a good design tool.&nbsp;</p>\n\n\n\n<p>So with many, many block themes coming online, we are now beyond 300 in the directory. I think the largest number is 306. I think it helps with the decision if you want to change your theme out to have a better preview, and the customers that preview doesn&#8217;t work with it. This is the first iteration. I ran that through themes through the preview and it was a great experience, so much better than the original one to review certain parts of an existing site.</p>\n\n\n\n<p>It also revealed that not all block themes are alike. There are significant differences, and having a tool to actually explore those differences or even notice them is invaluable, definitely. Not every theme behaves with this live preview feature in it, so if you are working on themes and either you have a starting theme in an agency or you use a collection of themes to build your sites to choose from, you might want to test them with this theme preview so you can turn on and off features and showcase a few things that are available in the preview.&nbsp;</p>\n\n\n\n<p>Also, please, please comment on the issues or file issues on GitHub after your tests. I already found one that when I look for style variation and I want to see how a page changed the style variation, I don&#8217;t have a way to do this because the page that is linked, the link doesn&#8217;t go to the preview, it goes to the page in the template editor, and all of a sudden, I&#8217;m out of my mindset on a preview, but all of a sudden it gets me into the editor. So that&#8217;s common for things that are in testing, but it also needs to be pointed out that that&#8217;s a major stumbling point for someone who uses the feature for the first time.&nbsp;</p>\n\n\n\n<p>The last one of the tests has just come in. It&#8217;s a navigation block that uses the still in Experiment interactivity API, and I have not used it. Did you look at that, Fabian?</p>\n\n\n\n<p><em>Fabian Kägy</em>: I looked at it briefly, but the summary of it is if you&#8217;re using it and you notice a difference that worked before, there&#8217;s a bug because this essentially swaps out the engine, but you should notice it as an end user. It changes how the front end JavaScript of the site works to use that interactivity API, but instead of some custom JavaScript that was purposefully written for this, using that interactivity API to make it more declarative, but as an end user, toggling that setting should not change anything about it works. Yeah, it may produce the actual bundle size, therefore make your site a little bit faster, but usability wise, there should be no difference and there should be full-on feature parity with how the navigation works today before or after you switch that setting.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Good to know. So if you don&#8217;t notice anything, it&#8217;s okay. Excellent. So this brings us to the end of the show today. Well, I think we talked a lot about all the new things that come to block editor and to WordPress. Thank you so much for joining me today. Fabian, is there anything that you want our listeners to know about the block editor, about WordPress, about 10up? Now is the chance to talk about it and we&#8217;ll add links to the show notes. I just wanted to say about 10up, you have a wonderful educational site about the block editor with quite a few white papers and tutorials. How did that come about? Is it your work or…?</p>\n\n\n\n<p><em>Fabian Kägy</em>: Yeah. The <a href=\"https://gutenberg.10up.com/\">gutenberg.10up.com</a> website, our block editor best practice site has been my baby for the last year and a half or so, where I got to spend a lot of time actually writing down how we as an agency approach working with the block editor and setting up the best practices for how to do that in the agency setting for that special type of client. Whereas the main documentation of core is more geared to end users, which is the right thing, but because of that, we decided that there is space for an additional resource to focus on the things that are important for those very curated experience for big clients and so forth.&nbsp;</p>\n\n\n\n<p>So that is one thing that I would mention, just taking a look at that <a href=\"https://gutenberg.10up.com/\">gutenberg.10up.com</a> website, and if you have any feedback on that, feel free to reach out anywhere on the Make Slack or on Twitter or Masévon or Blue Sky or wherever you can find me pretty much always talking about block editor stuff.&nbsp;</p>\n\n\n\n<p>Then the other thing that I will just mention is the 10up block components NPM package, which is my passion project and has been for the last three years or so, which essentially is a collection of React components that work like all of the WordPress packages, the WordPress components, WordPress block editor components. It is a collection of additional components that are adding sometimes very complex, sometimes easy functionality for you to build. If you build custom blocks, making that a whole lot easier so you have to write less code and know that it&#8217;s tested and is working with the way that it should, and doing that in a way that feels 100% like it is just core WordPress. I&#8217;m very happy and proud of that project. If you find it useful or if you have questions or feedback about that, always happy to chat.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Well, thank you so much. There&#8217;s some great resources. You mentioned custom blocks. There has been discussion around static block with this dynamic blocks. Where do you land?</p>\n\n\n\n<p><em>Fabian Kägy</em>: The way I think about it, if I&#8217;m building a plugin that is meant for the official directory where I as a developer do not have access to the site where the code is running on, I would go with a static block unless I need to show dynamic data. If I as the developer can access and have maintenance over the site I built dynamic blocks, and that means in the agency context where we&#8217;re often changing designs, making quick iterations, we are, for the most part, only building dynamic blocks because of that because we cannot spend the time to deal with deprecations and all of those things.&nbsp;</p>\n\n\n\n<p>It really comes down to that where if you have &#8230; The thing that you should ask yourself is, &#8220;What should happen when I need to change something about this block on a code level? Should all of the old instances that maybe were published three years ago, should they also get those updates automatically or should I not &#8230; Should that historical content stay untouched and just stay the way that it was?&#8221; If it should stay in touch, static blocks is your right answer. That is the way to go. If it should update in all instances or if you need to modify the block structure very often and have access to the maintenance there, dynamic blocks are much easier to deal with and are &#8230; So I&#8217;m coming down most of the time on the dynamic side.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: Dynamic blocks side. All right. So well, thank you for answering these quick questions and having some insight in how you work as a longtime block editor adopter and in the agencies. It was a great pleasure talking to you, Fabian. We will share all the links that you mentioned, of course, in the show notes. Before we end the show, oh, what&#8217;s your Twitter handle, Fabian?</p>\n\n\n\n<p><em>Fabian Kägy</em>: My full name spelled out, so F-A-B-I-A-N-K-A-E-G-Y, just all spelled together. You should be able to search for it and it should come up.</p>\n\n\n\n<p><em>Birgit Pauli-Haack</em>: That&#8217;s just for the people who don&#8217;t go through the show notes. We, of course, have all the links in the show notes. As always, the show notes will be published on gutenbergtimes.com/podcast. This is episode 83. If you have questions, suggestions, and news that you want us to include in the next show, please send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a>. That&#8217;s c<a href=\"mailto:hangelog@gutenbergtimes.com\">hangelog@gutenbergtimes.com</a>. Thank you all for listening. Thank you for being here, Fabian. This is goodbye and I wish you a wonderful weekend.</p>\n\n\n\n<p><em>Fabian Kägy</em>: Thank you so much for having me.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 21 May 2023 08:18:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Gutenberg Changelog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"WPTavern: WordPress 6.2.2 Restores Shortcode Support in Block Templates, Fixes Security Issue\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145264\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"https://wptavern.com/wordpress-6-2-2-restores-shortcode-support-in-block-templates-fixes-security-issue\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1593:\"<p><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\">WordPress 6.2.2</a> was released early this morning as a rapid follow-up to 6.2.1, which introduced a bug that <a href=\"https://wptavern.com/wordpress-6-2-1-update-breaks-shortcode-support-in-block-templates\">broke shortcode support in block templates</a>. Version 6.2.1 was also an important security release, but due to the catastrophic breakage for those using shortcodes in block templates, some users were implementing insecure workarounds or simply downgrading to 6.2 to keep critical functionality working on their websites.</p>\n\n\n\n<p>WordPress contributors worked quickly over the weekend to ensure that users can now update to 6.2.2 with their shortcodes intact. The release post identified the removal of shorcode support in the previous release as &#8220;a regression&#8221; and a bug. This is an important recognition, as shortcodes are still a tool that users frequently rely on to insert functionality from plugins that haven&#8217;t made it available as a block, as well as a necessity for things that won&#8217;t work without inline shortcodes.  </p>\n\n\n\n<p>Version 6.2.2 is also a security release, as core contributor Jonathan Desrosiers said that the issue patched in 6.2.1 &#8220;needed further hardening&#8221; in this update.</p>\n\n\n\n<p>Users are advised to update immediately and automatic updates are rolling out. Many reported having turned automatic background updates off for core after 6.2.1 broke their websites. Users who did so will need to manually update as soon as possible. </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 20 May 2023 21:38:08 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:118:\"Gutenberg Times: WordPress 6.3 roadmap and release squad, WPCampus schedule, Wayfinder and more—Weekend Edition #254\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://gutenbergtimes.com/?p=24143\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:124:\"https://gutenbergtimes.com/wordpress-6-3-roadmap-and-release-squad-wpcampus-schedule-wayfinder-and-more-weekend-edition-254/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:24428:\"<p>Howdy, </p>\n\n\n\n<p>Hubby and I are almost settled in our new apartment, except we are still missing our furniture. They are scheduled to arrive on June 1, which would make it exactly 74 days, since they all got packed up in Sarasota. Yesterday we measured all the rooms, so we can decide where we can place the big items, and how to organize our offices. So, when I write &#8220;settled&#8221;, I mean getting accustomed to living in our neighborhood, organizing our infrastructure of daily life and using all the transportation choices, rather than being settled in the apartment. </p>\n\n\n\n<p>WordCamp Europe is coming up fast. There are a ton of Gutenberg talks on the roster this year. <a href=\"https://gutenbergtimes.com/wordcamp-europe-2023-block-editor-talks-meet-greet-contributor-day-and-more/\">I collected them all in a separate post.</a> And if you are going in person, make sure we connect and have a chat. You can <a href=\"https://twitter.com/bph\">DM me on Twitter</a>, s<a href=\"mailto:pauli@gutenbergtimes.com\">end an email </a>or just pick a <a href=\"https://calendly.com/pauli-haack/wordcamp-europe?month=2023-06\">slot from the public calendar.</a> </p>\n\n\n\n<p>I am excited about exploring the city a couple of days prior to Contributor Day. </p>\n\n\n\n<p>This Weekend edition is again full of updates on the open-source projects, tutorials, and videos. Hope y&#8217;all enjoy it. </p>\n\n\n\n<p>Have a lovely weekend! </p>\n\n\n\n<p>Yours, 💕<br /><em>Birgit</em></p>\n\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p><strong>Table of Contents</strong></p>\n\n\n\n<div class=\"wp-block-sortabrilliant-guidepost\"><ul><li><a href=\"https://gutenbergtimes.com/feed/#0-word-press-release-information\">Developing Gutenberg and WordPress</a></li><li><a href=\"https://gutenbergtimes.com/feed/#0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</a></li><li><a href=\"https://gutenbergtimes.com/feed/#2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</a></li><li><a href=\"https://gutenbergtimes.com/feed/#3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </a></li></ul></div>\n</div></div>\n\n\n\n\n\n<div class=\"ngl-articles colored ngl-articles-30_70 ngl-articles-frontend\">\n\n	\n	<div class=\"ngl-articles-wrap ngl-articles-webview\">\n	\n						\n			<div class=\"ngl-article-mobile\">\n				<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n					<tr>\n						<td valign=\"top\">\n							<div class=\"ngl-article-mob-wrap\">\n							<div class=\"ngl-article-featured\"><a href=\"https://gutenbergtimes.com/wordcamp-europe-2023-block-editor-talks-meet-greet-contributor-day-and-more/\" target=\"_self\" rel=\"\"><img src=\"https://i0.wp.com/gutenbergtimes.com/wp-content/uploads/2023/05/Guiseppe-Milo-Athens-Greece-web.jpg?w=652&ssl=1\" /></a></div><div class=\"ngl-article-title\"><a href=\"https://gutenbergtimes.com/wordcamp-europe-2023-block-editor-talks-meet-greet-contributor-day-and-more/\" target=\"_self\" rel=\"\"><span>WordCamp Europe 2023 &#8211; Block editor talks, meet &#038; greet, Contributor Day and more</span></a></div><div class=\"ngl-article-excerpt\">WordCamp Europe is less than four weeks away, the speakers and sessions have been announced, and the schedule is now available. Time to make plans. <a href=\"https://gutenbergtimes.com/wordcamp-europe-2023-block-editor-talks-meet-greet-contributor-day-and-more/\" class=\"ngl-article-read-more\" target=\"_self\">Read more.</a></div>							</div>\n						</td>\n					</tr>\n				</table>\n			</div>\n			\n			\n			\n\n		\n		\n		</div>\n\n</div>\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-word-press-release-information\">Developing Gutenberg and WordPress</h2>\n\n\n\n<p><a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\"><strong>The Roadmap for the WordPress 6.3 release</strong></a> has been published. Anne McCarthy identified three focus areas for this release: </p>\n\n\n\n<ul>\n<li>Polishing the Site Editor,</li>\n\n\n\n<li>Iterating on blocks, </li>\n\n\n\n<li>Expanding patterns</li>\n\n\n\n<li>Stabilizing usability and prioritizing refinement,</li>\n\n\n\n<li>Enhancing design tools,</li>\n\n\n\n<li>Leveling up APIs,</li>\n\n\n\n<li>Addressing&nbsp;PHP&nbsp;items (8.x compatibility), and </li>\n\n\n\n<li>Performance</li>\n</ul>\n\n\n\n<p>For each focus area, she described the scope and listed GitHub issues and PRs of the work in progress. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>On the heals for the Roadmap, <strong>Hector Prieto</strong> published an update on the <a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\"><strong>WordPress 6.3 Planning Roundup</strong></a>, confirming the release scheduled as it was proposed earlier and announcing Matias Ventura as the release lead and all other members of the release squad. </p>\n\n\n\n<ul>\n<li>Beta 1 will be on June 27, 2023</li>\n\n\n\n<li>Release Candidate 1 + Dev Notes are scheduled for July 18th, 2023</li>\n\n\n\n<li>General release aimed for August 8th, 2023. </li>\n</ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>During the latest Hallway Hangout, contributors discussed what is in the works for the Site Editor and what can be expected for WordPress 6.3. Anne McCarty posted a summary and shared the video recording in <strong> <a href=\"https://make.wordpress.org/test/2023/05/11/hallway-hangout-lets-chat-about-the-site-editor-6-3/\">Hallway Hangout: Let’s chat about the Site Editor &amp; 6.3</a></strong>. </p>\n\n\n\n<p><strong>The next Hallway Hangout is scheduled for May 25, 2023 &#8211; 17:00 UTC. Nick Diego and Justin Tadlock will be discussing <a href=\"https://make.wordpress.org/themes/2023/05/18/hallway-hangout-curating-the-editor-and-building-block-themes-for-clients/\">Curating the editor and building block themes for clients</a>. </strong>Don&#8217;t miss it. <a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/293612715/\">RSVP via Meetup.com</a></p>\n\n\n\n<a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/293612715/\"><img /></a>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his <a href=\"https://make.wordpress.org/design/2023/05/08/design-share-apr-24-may-5/\"><strong>Design Share: Apr 24–May 5</strong></a>, Joen Asmussen shared what the WordPress design team has been working on the last two weeks. He lists quite a few avenues with their respective GitHub PR/Issue links, so you can follow along and chime in. </p>\n\n\n\n<ul>\n<li>Document title &#8211; as part of the re-introduction content editing to the site editor, a short video shows the switch in the UI for either editing the template or the single page, that is using the template</li>\n\n\n\n<li>Revision History Management &#8211; explores a potential future side by side page comparison</li>\n\n\n\n<li>Vertical Text as a new design tool introduced to certain blocks</li>\n\n\n\n<li>Featured Image improvements &#8211; show a more compact and streamlined interface to handle feature images settings</li>\n</ul>\n\n\n\n<img />\n\n\n\n<p><strong>Justin Tadlock</strong> published the monthly roundup <a href=\"https://developer.wordpress.org/news/2023/05/whats-new-for-developers-may-2023/\"><strong>What’s new for developers? (May 2023)</strong></a> on the developer blog. It&#8217;s again full of focused notes about changes in the WordPress worlds relevant for extenders, plugin and theme builders and agency or freelance developers building sites for others.  </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Anne McCarthy </strong>published the next <strong><a href=\"https://make.wordpress.org/test/2023/05/18/fse-program-testing-call-23-rapid-revamp/\">FSE Program Testing Call #23: Rapid Revamp</a>.</strong> &#8220;With the&nbsp;<a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">roadmap to 6.3 published</a>&nbsp;and another version of&nbsp;Gutenberg&nbsp;out in the wild, it’s time to test some of the upcoming features that are in the works to upgrade and polish the experience of using the Site Editor:&#8221; she wrote and listed all eight of them. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Led by <strong>Fabian Kägy</strong>, <strong>Gutenberg 15.8</strong> was released on May 18th, 2023. The number of PRs merged for this release was considerably higher than for 15.7 and it&#8217;s expected to rise with the urgency of the upcoming WordPress 6.3 release. There are only three Gutenberg plugins releases left until Beta 1 on June 27. </p>\n\n\n\n<ul>\n<li>15.9 scheduled for May 31</li>\n\n\n\n<li>16.0 to be released on Jun 14 (after WordCamp Europe) </li>\n\n\n\n<li>16.1 RC 1 to be release on June 21</li>\n</ul>\n\n\n\n<p>In his release post <a href=\"https://make.wordpress.org/core/2023/05/20/whats-new-in-gutenberg-15-8-may-17/\">What’s new in Gutenberg 15.8? (May 17)</a>, Kägy highlight three new features that need testing from Gutenberg plugin users: </p>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/17/whats-new-in-gutenberg-15-8-may-17/#add-the-pages-menu-to-the-site-editor-50463\">Add the pages menu to the site editor</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/17/whats-new-in-gutenberg-15-8-may-17/#add-revisions-ui-50089\">Add revisions UI to the global styles interface</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/17/whats-new-in-gutenberg-15-8-may-17/#add-theme-previews-for-block-themes-50030\">Add Theme Previews for block themes</a></li>\n\n\n\n<li>One feature is now still listed in experiments. It will come out next Gutenberg plugin release: The Command Center AKA Wayfinder. (See Riad Benguella&#8217;s post. )</li>\n</ul>\n\n\n\n<p>It&#8217;s always a great pleasure to connect with <strong>Fabian Kägy</strong>. We had a great time geeking out over the blog editor while recording episode 83 of the Gutenberg Changelog. We discussed Gutenberg 15.7, 15.8 the feature available on the Experiments page and 6.2.1, Gutenberg Storybook and 10up tools. The episode  is at the editor now, and it will arrive in your favorite podcast app over the weekend. </p>\n\n\n\n<img />\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<p><strong>🎙️ </strong> New episode:  <a href=\"https://gutenbergtimes.com/podcast/gutenberg-changelog-82-gutenberg-15-6-and-proposed-schedule-for-wordpress-6-3/\">Gutenberg Changelog #82 – Gutenberg 15.6 and proposed schedule for WordPress 6.3</a> with Birgit Pauli-Haack and special guest Nick Diego</p>\n</div></div>\n\n\n\n<p><strong><a href=\"https://twitter.com/riadbenguella\">Riad Benguella</a></strong> published the post <a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\"><strong>C</strong></a><strong><a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">ommand Center: Request for feedback</a> </strong>asking for testing and review of a new feature that will come out of the experimental phase for Gutenberg 15.9, for now called the Command Center, and the Marketing team is probably recommending a new name: The<strong> Wayfinder. </strong></p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-p\">Plugins, Themes, and Tools for #nocode site builders and owners</h2>\n\n\n\n<p><strong>Caroline Nymark</strong> published an <a href=\"https://fullsiteediting.com/site-creators/introduction-to-the-site-editor/\"><strong>Introduction to the Site Editor for creators</strong>.</a> This tutorial is meant for Beginners and no-code creators and covers everything available since WordPress 6.2 and Gutenberg 15.7. Although it&#8217;s title Introduction, it is quite comprehensive and covers the Site Editor, Navigation, Styles, Templates and Template parts. Then she dives deeper into the Design Tools via the Styles menu item. You will be creating or modifying themes in no time! </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><a href=\"https://wordpress.org/plugins/maxi-blocks/\"><strong>Maxi Blocks</strong></a> – a template library for site builders using  WordPress Block editor. It came recently out of beta and offers developers a whole range of design tools in an interface that has been built on top of Gutenberg, yet using custom components to offer additional design features. The plugin comes with hundreds of icons, patterns, templates and sixteen custom blocks. The Pro version is available at <a href=\"https://maxiblocks.com/\">MaxiBlocks.com</a>. It&#8217;s meant for designers looking for all the tools, not so much for beginners or site owners. There will be a learning curve due to the additional UI components. </p>\n\n\n\n<img />\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong><a href=\"https://twitter.com/mahdiali_\">MahdiAli Khanusiya</a> </strong>built the plugin<strong> </strong><a href=\"https://wordpress.org/plugins/patternswp/\"><strong>PatternWP</strong></a> &#8211; a pattern block library for WordPress. The first version offers patterns on many categories. for the busy site owner. The plan is to be adding new patterns and templates on a consistent basis. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"2-word-press-6-0-1-and-6-1-scheduled\">Theme Development for Full Site Editing and Blocks</h2>\n\n\n\n<p>Lots of feedback has been provided during the Call for Exploration. <strong>Anne McCarthy </strong>published <a href=\"https://make.wordpress.org/test/2023/05/04/fse-program-build-a-block-theme-summary/\"><strong>FSE Program Build a Block Theme Summary</strong></a>. The TL;DR: &#8220;Using the Site Editor alongside the Create Block Theme plugin supercharges the experience, mainly by filling in gaps around font management and offering more nuanced creating/exporting options. With these added features, the Site Editor is both left to shine as a theme building tool and the current known pain points impacting regular site building come to the surface, like needing more clarity around where layers of styles are coming from. In general, feedback fell into three categories: Create Block Theme plugin pain points, missing options in the Site Editor (font management, synced patterns, desire for more styling options with certain blocks), and UX considerations for the Site Editor that match the site building experience. &#8221; she wrote. The videos shared from the contributors are certainly eye-opening. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong><a href=\"https://twitter.com/mikemcalister\">Mike McAlister</a></strong> explains in his article how <a href=\"https://olliewp.com/a-native-and-iterative-approach-to-responsive-control-in-wordress/\"><strong>a native and iterative approach to responsive control in WordPress</strong></a> could bridge the gap between the goals to rely on <a href=\"https://developer.wordpress.org/news/2023/02/intrinsic-design-theming-and-rethinking-how-to-design-with-wordpress/\">i<em>ntrinsic design</em></a> and still be able to handle edge cases for viewpoint-driven responsiveness of a site. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his video, <a href=\"https://www.youtube.com/watch?v=Zh0ANsYgoN0\"><strong>WordPress Gutenberg Product Manager explains what&#8217;s next for Responsive Websites and Block Themes</strong></a>,  <strong>Jamie Marsland</strong> interviewed <strong>Rich Tabor</strong> on intrinsic design, what a theme product might look like for theme creators and what the next wave of block building inspiration might arrive at the WordPress shores. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong><a href=\"https://twitter.com/jkoussertari\">James Koussertari</a></strong> explained <a href=\"https://gutenbergmarket.com/news/using-layout-sizes-in-themejson\"><strong>Using Layout Sizes in theme.json</strong></a>. &#8220;The layout setting in theme.json is great for developers, as they can set default container sizes for their design system, easily in one place. It also means that content editors do not have to think about which container sizes to set manually each time they add a block.&#8221; he wrote on the blog of the Gutenberg Market</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>The latest call for testing ended last week, too and <strong>Anne McCarthy</strong> recounts the feedback: <a href=\"https://make.wordpress.org/test/2023/05/11/fse-program-front-page-fun-summary/\"><strong>FSE Program Front Page Fun Summary</strong></a>. The high-level feedback revealed: &#8220;In general, the call for testing was relatively tame bug wise, with only a few obvious ones found, mainly in the Navigation block. The usability feedback related to many ongoing projects in the Site Editor underscoring the impact of solving these consistent problems, in particular the clarification of the content &lt;> template relationship and confusion around the overall experience of managing pieces of navigation. &#8221; and &#8220;While the new Grid layout type was the primary focus of the testing call, feedback on it was limited to suggestions for consolidating the various options between the grid layout, Columns block, Gallery block, and Table block.&#8221; McCarthy wrote. </p>\n\n\n\n\n<p><strong>&nbsp;<a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Keeping up with Gutenberg &#8211; Index 2022&#8221;</a>&nbsp;</strong><br />A chronological list of the WordPress Make Blog posts from various teams involved in Gutenberg development: Design, Theme Review Team, Core Editor, Core JS, Core CSS, Test and Meta team from Jan. 2021 on. Updated by yours truly.  <a href=\"https://make.wordpress.org/core/handbook/references/keeping-up-with-gutenberg-index/keeping-up-with-gutenberg-index-2020/\"><em>The index 2020 is here</em></a></p>\n\n\n\n\n<h2 class=\"wp-block-heading\" id=\"3-building-themes-for-fse-and-word-press\">Building Blocks and Tools for the Block editor. </h2>\n\n\n\n<p><strong><a href=\"https://twitter.com/3LPU4S\">Alfredo Navas</a></strong>, WebDevStudios was <a href=\"https://webdevstudios.com/2023/05/16/query-loop-block/\"><strong>Having Fun with Query Loop Block</strong></a> and published a post to tell you all about it. He takes you along to explore the usefulness of the Query Loop block and learn how to extend its capabilities.</p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>In his latest post for the Developer Blog, <strong>Michael Burridge</strong> created a tutorial on  <a href=\"https://developer.wordpress.org/news/2023/05/useentityrecords-an-easier-way-to-fetch-wordpress-data/\"><strong>useEntityRecords: an easier way to fetch WordPress data</strong></a>. If you have simple data fetching requirements and don’t need additional customization or resolution checks, the <code>useEntityRecords</code> function can be a straightforward choice. Burridge shows  how it simplifies data handling in contrast to useSelect + getEntityRecords. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p>Don&#8217;t miss next week&#8217;s <strong>Developer Hours</strong> about the new WordPress tool called Playground. <strong>Adam Zieliński</strong> will introduce the app and demo some great use cases for it. There are two events, so all timezones get a chance to participate live. </p>\n\n\n\n<ul>\n<li><a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/293196462/\">May 23, 2023, at 17:00 UTC (11 am EDT)</a></li>\n\n\n\n<li><a href=\"https://www.meetup.com/learn-wordpress-online-workshops/events/293196452/\">May 24, 2023, at 8 am UTC </a></li>\n</ul>\n\n\n\n<img />\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<p><strong>WPCampus </strong>will take place from July 12 to the 14th, 2023 in New Orleans. The organizing team released their <a href=\"https://2023.wpcampus.org/schedule/\">schedule.</a> WPCampus 2023 is a hybrid event. <strong><a href=\"https://2023.wpcampus.org/tickets/\">Join in-person or online</a>.</strong></p>\n\n\n\n<p>I spotted Nick Diego on the roster with his 3-hour Workshop: <a href=\"https://2023.wpcampus.org/schedule/workshops/modern-wordpress-building-techniques-full-site-editing-in-higher-ed/\"><strong>Modern WordPress Building Techniques: Full Site Editing in Higher Ed</strong></a>. </p>\n\n\n\n<p>But there is more: </p>\n\n\n\n<ul>\n<li>Daniel Tyger and Tom O&#8217;Donnell from the University of Maine will share their Journey <a href=\"https://2023.wpcampus.org/schedule/from-classic-to-blocks-in-90-days/\"><strong>From Classic to Blocks in 90 Days</strong></a>?</li>\n\n\n\n<li>Joni Halabi will present on <a href=\"https://2023.wpcampus.org/schedule/make-it-your-own-integrating-twig-templates-with-your-wordpress-block-theme/\"><strong>Make it your own: Integrating Twig templates with your WordPress block theme</strong></a></li>\n\n\n\n<li><a href=\"https://2023.wpcampus.org/schedule/development-of-a-no-code-theme-for-teaching-full-site-editing-to-beginning-wordpress-students/\"><strong>Development of a No-Code Theme for Teaching Full Site Editing to Beginning WordPress Students</strong></a> with Drake Gómez</li>\n\n\n\n<li><a href=\"https://2023.wpcampus.org/schedule/destination-full-site-editing-all-the-steps-monmouth-university-took-to-prepare-the-future-of-wordpress/\"><strong>Destination Full-Site Editing: All the Steps Monmouth University Took to Prepare the Future of WordPress</strong></a> with <strong>Steve Graboski</strong></li>\n\n\n\n<li><a href=\"https://2023.wpcampus.org/schedule/55330/\"><strong>Developing a design system within the block editor</strong></a> with <strong>Nick Novak</strong></li>\n\n\n\n<li></li>\n</ul>\n\n\n\n\n<p><strong><a href=\"https://gutenbergtimes.com/need-a-zip-from-master/\">Need a plugin .zip from Gutenberg&#8217;s master branch?</a></strong><br />Gutenberg Times provides daily build for testing and review. <br />Have you been using it? Hit reply and let me know.</p>\n\n\n\n<p><img alt=\"GitHub all releases\" src=\"https://img.shields.io/github/downloads/bph/gutenberg/total?style=for-the-badge\" /></p>\n\n\n\n\n<p class=\"has-text-align-right has-small-font-size\"><em>Questions? Suggestions? Ideas? Don&#8217;t hesitate to send <a href=\"mailto:pauli@gutenbergtimes.com\">them via email</a> or send me a message on WordPress Slack or Twitter @bph</em>. </p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">For questions to be answered on the <a href=\"http://gutenbergtimes.com/podcast\">Gutenberg Changelog</a>, send them to <a href=\"mailto:changelog@gutenbergtimes.com\">changelog@gutenbergtimes.com</a></p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n\n<p>Featured Image: Colorful Duplo blocks by Maruska, <a href=\"https://wordpress.org/photos/photo/2206266bbc/\">found on WordPress Photos site.</a></p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\n\n\n\n<p class=\"has-text-align-left\"><strong>Don&#8217;t want to miss the next Weekend Edition? </strong></p>\n\n\n\n<form class=\"wp-block-newsletterglue-form ngl-form ngl-portrait\" action=\"https://gutenbergtimes.com/feed/\" method=\"post\"><div class=\"ngl-form-container\"><div class=\"ngl-form-field\"><label class=\"ngl-form-label\" for=\"ngl_email\"><br />Type in your Email address to subscribe.</label><div class=\"ngl-form-input\"><input type=\"email\" class=\"ngl-form-input-text\" name=\"ngl_email\" id=\"ngl_email\" /></div></div><button type=\"submit\" class=\"ngl-form-button\">Subscribe</button><p class=\"ngl-form-text\">We hate spam, too and won&#8217;t give your email address to anyone except Mailchimp to send out our Weekend Edition</p></div><div class=\"ngl-message-overlay\"><div class=\"ngl-message-svg-wrap\"></div><div class=\"ngl-message-overlay-text\">Thanks for subscribing.</div></div><input type=\"hidden\" name=\"ngl_list_id\" id=\"ngl_list_id\" value=\"26f81bd8ae\" /><input type=\"hidden\" name=\"ngl_double_optin\" id=\"ngl_double_optin\" value=\"yes\" /></form>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 20 May 2023 13:00:34 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Birgit Pauli-Haack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"WordPress.org blog: WordPress 6.2.2 Security Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14974\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2023/05/wordpress-6-2-2-security-release/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5417:\"<h2 class=\"wp-block-heading\">WordPress 6.2.2 is now available!</h2>\n\n\n\n<p>The 6.2.2 minor release addresses <a href=\"https://core.trac.wordpress.org/query?milestone=6.2.2&col=id&col=summary&col=status&col=owner&col=type&col=priority&col=milestone&order=priority\">1 bug</a> and 1 security issue. Because this is a security release, it is recommended that you update your sites immediately. All versions since WordPress 5.9 have also been updated.</p>\n\n\n\n<p>WordPress 6.2.2 is a rapid response release to address a regression in 6.2.1 and further patch a vulnerability addressed in 6.2.1. The next major release will be<a href=\"https://make.wordpress.org/core/6-3/\"> version 6.3</a> planned for August 2023.</p>\n\n\n\n<p>The update process will begin automatically if you have sites that support automatic background updates.</p>\n\n\n\n<p>You can <a href=\"https://wordpress.org/wordpress-6.2.2.zip\">download WordPress 6.2.2 from WordPress.org</a> or visit your WordPress Dashboard, click “Updates,” and click “Update Now.”</p>\n\n\n\n<p>For more information on this release, please <a href=\"https://wordpress.org/support/wordpress-version/version-6-2-2\">visit the HelpHub site</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Security updates included in this release</strong></h2>\n\n\n\n<p>The security team would like to thank the following people for responsibly reporting vulnerabilities and allowing them to be fixed in this release.&nbsp;</p>\n\n\n\n<ul>\n<li>Block themes parsing shortcodes in user-generated data; thanks to Liam Gladdy of<a href=\"https://wpengine.com/\"> WP Engine</a> for reporting this issue.</li>\n</ul>\n\n\n\n<p>The issue above was originally patched in the 6.2.1 release, but needed further hardening here in 6.2.2. The Core team is thankful for the community in their response to 6.2.1 and collaboration on finding the best path forward for proper resolution in 6.2.2. The folks who worked on 6.2.2 are especially appreciative for everyone’s understanding while they worked asynchronously to get this out the door as quickly as possible.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Thank you to these WordPress contributors</h2>\n\n\n\n<p>This release was led by <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>.</p>\n\n\n\n<p>WordPress 6.2.2 would not have been possible without the contributions of the following people. Their asynchronous coordination to deliver security fixes into a stable release is a testament to the power and capability of the WordPress community.</p>\n\n\n\n<p><a href=\"https://profiles.wordpress.org/jorbin/\">Aaron Jorbin</a>, <a href=\"https://profiles.wordpress.org/xknown/\">Alex Concha</a>, <a href=\"https://profiles.wordpress.org/antpb/\">Anthony Burchell</a>, <a href=\"https://profiles.wordpress.org/cbringmann/\">Chloé Bringmann</a>, <a href=\"https://profiles.wordpress.org/chriscct7/\">chriscct7</a>, <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>, <a href=\"https://profiles.wordpress.org/ehtis/\">Ehtisham S.</a>, <a href=\"https://profiles.wordpress.org/gziolo/\">Greg Ziółkowski</a>, <a href=\"https://profiles.wordpress.org/priethor/\">Héctor Prieto</a>, <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/jeffpaul/\">Jeffrey Paul</a>, <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>, <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\">Josepha</a>, <a href=\"https://profiles.wordpress.org/Clorith/\">Marius L. J.</a>, <a href=\"https://profiles.wordpress.org/matveb/\">Matias Ventura</a>, <a href=\"https://profiles.wordpress.org/mikeschroder/\">Mike Schroder</a>, <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>, <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>, <a href=\"https://profiles.wordpress.org/noisysocks/\">Robert Anderson</a>, <a href=\"https://profiles.wordpress.org/rmccue/\">Ryan McCue</a>, <a href=\"https://profiles.wordpress.org/Otto42/\">Samuel Wood (Otto)</a>, <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a>, and <a href=\"https://profiles.wordpress.org/timothyblynjacobs/\">Timothy Jacobs</a></p>\n\n\n\n<h2 class=\"wp-block-heading\">How to contribute</h2>\n\n\n\n<p>To get involved in WordPress core development, head over to Trac, <a href=\"https://core.trac.wordpress.org/report/6\">pick a ticket</a>, and join the conversation in the <a href=\"https://wordpress.slack.com/archives/C02RQBWTW\">#core</a> and <a href=\"https://wordpress.slack.com/archives/C051Z1SKBDZ\">#6-3-release-leads</a> channels. Need help? Check out the <a href=\"https://make.wordpress.org/core/handbook/\">Core Contributor Handbook</a>.</p>\n\n\n\n<p><em>Thanks to <a href=\"https://profiles.wordpress.org/cbringmann/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>cbringmann</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>davidbaumwald</a>, <a href=\"https://profiles.wordpress.org/chanthaboune/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>chanthaboune</a>, <a href=\"https://profiles.wordpress.org/jeffpaul/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>jeffpaul</a> for proofreading.</em></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 20 May 2023 04:09:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Jonathan Desrosiers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"WPTavern: WordPress 6.3 Development Kicks Off to Conclude Gutenberg Phase 2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145206\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"https://wptavern.com/wordpress-6-3-development-kicks-off-to-conclude-gutenberg-phase-2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3694:\"<p>The WordPress 6.3 development cycle has begun and work is already underway  on an ambitious list of features that will debut in the upcoming major release. It will <a href=\"https://make.wordpress.org/core/2023/02/04/phase-2-finale/\">cap off Phase 2</a> of the Gutenberg project, with an emphasis on polishing customization features and making them easier to use.</p>\n\n\n\n<p>WordPress 6.3 Editor Triage co-lead Anne McCarthy published a <a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">roadmap to 6.3</a> this week, which summarizes what users can expect:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>This release aims to make it easier for users to edit pages, manage navigation, and adjust styles all directly in the Site Editor. It also seeks to provide detailed, relevant information when exploring different parts of the site, such as showing the number of posts per page when viewing relevant blog templates. </p>\n</blockquote>\n\n\n\n<p>In addition to polishing and wrapping up phase 2, McCarthy&#8217;s post outlines the new features that are coming. Here are a few of the highlights: </p>\n\n\n\n<ul>\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/44461\">Introduce content editing</a>, including clarifying the relationship between templates and content.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/50396\">Add a Navigation section to the Site Editor</a>&nbsp;with nuanced options depending on the number of menus and complexity of each.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/pull/50463\">Add a Pages section to the Site Editor</a>.&nbsp;</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/pull/49014\">Add a Styles section to the Site Editor.</a>&nbsp;</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/49601\">Expose revisions (styles, templates, and template parts)</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/48457\">Add a command center tool</a> for easily accessing different parts of your site. <a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">More information here</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/pull/50030\">Add Theme Previews for block themes</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/38990\">Surface aspect ratio tooling</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/49175\">Consider adding distraction free mode to Site Editor</a>.&nbsp;</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/25071\">Keep custom templates and template parts across themes</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/45271\">Add an interface for font management</a>.</li>\n\n\n\n<li><a href=\"https://github.com/WordPress/gutenberg/issues/50397#top\">Explore a path towards “library” management with reusable blocks and template parts</a>.</li>\n</ul>\n\n\n\n<p>This is a tentative glimpse at some of the user-facing features that may be coming in WordPress 6.3, but the <a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">roadmap</a> includes many more items, screenshots, and quick demos.</p>\n\n\n\n<p>&#8220;As always, what’s shared here is being actively pursued, but doesn’t necessarily mean each will make it into the final release of WordPress 6.3,&#8221; McCarthy said.</p>\n\n\n\n<p>Gutenberg Lead Architect Matías Ventura will be <a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\">leading WordPress 6.3</a>. Beta 1 is expected in a little more than a month on June 27, 2023, with RC 1 on July 18, and the general release scheduled for August 8.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 19 May 2023 22:13:07 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"WPTavern: WCEU 2023 Publishes Schedule, Reaffirms Commitment to Diversity\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145217\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://wptavern.com/wceu-2023-publishes-schedule-reaffirms-commitment-to-diversity\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3577:\"<p><a href=\"https://europe.wordcamp.org/2023/\">WordCamp Europe</a> 2023 is just under three weeks away from happening in Athens on June 8-10. More than 2,700 <a href=\"https://europe.wordcamp.org/2023/tickets/\">tickets</a> have been purchased and 527 remain, along with 49 micro-sponsor tickets. </p>\n\n\n\n<p>Speaker announcements have concluded and the official <a href=\"https://europe.wordcamp.org/2023/schedule/\">schedule</a> was published today. WCEU will be running three tracks of presentations and two tracks for workshops. Organizers have also announced a <a href=\"https://europe.wordcamp.org/2023/welness-track-activities/\">Wellness Track</a> that will feature different activities throughout the day, including a Yoga class, a Tai Chi class, and a group hike.</p>\n\n\n\n<p>&#8220;The Wellness Track is an important addition to WordCamp Europe because we need to find a balance and be more focused on taking care of our minds and bodies, taking care of the whole community and in turn the one world we have to live in,&#8221; organizer Ohia Thompson said. </p>\n\n\n\n<p>&#8220;This means seeing our interconnectedness and moving forward with a focus on wellbeing, diversity, and sustainability. The Wellness Track this year is just the beginning of a more intentional future for everyone connected to WordPress.”</p>\n\n\n\n<p>Last year the team hosting the event in Porto was <a href=\"https://europe.wordcamp.org/2022/diversity-at-wceu/\">called out for a lack of diversity on the organizing team</a>, which performs critical tasks like selecting speakers and managing a speaker support program. 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Thanks.</p>&mdash; Sjoerd Blom (@sjblom) <a href=\"https://twitter.com/sjblom/status/1656015637641043968?ref_src=twsrc%5Etfw\">May 9, 2023</a></blockquote>\n</div>\n\n\n\n<p>Blom has since publicly apologized for his response to the criticism this week, reiterating that diversity matters to the team, but only after WCEU received overwhelmingly negative feedback regarding the incident.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">In past weeks, <a href=\"https://twitter.com/michelleames?ref_src=twsrc%5Etfw\">@michelleames</a> highlighted the lack of diversity in WCEU’s speaker line up. I’m truly sorry for the offense I caused, especially in using the word ‘prejudiced’. <a href=\"https://twitter.com/hashtag/WCEU?src=hash&ref_src=twsrc%5Etfw\">#WCEU</a> and I know that diversity matters, and we will be sharing more about what happened in coming days.</p>&mdash; Sjoerd Blom (@sjblom) <a href=\"https://twitter.com/sjblom/status/1659236811456086016?ref_src=twsrc%5Etfw\">May 18, 2023</a></blockquote>\n</div>\n\n\n\n<p>WordCamp Europe has not yet published anything to mitigate the effects of this public altercation but damage control measures are likely in the works, as Blom indicated a more official response will be coming from the team.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 19 May 2023 17:23:12 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"Do The Woo Community: Do the Woo Friday Show with Michelle Frechette\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75166\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://dothewoo.io/do-the-woo-friday-show-with-michelle-frechette/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:390:\"<p>We have a great conversation of tips and experiences when it comes to speaking at WordPress events. </p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/do-the-woo-friday-show-with-michelle-frechette/\">Do the Woo Friday Show with Michelle Frechette</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 19 May 2023 08:01:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:106:\"Post Status: WP 6.2.1 • PHP8 Compatibility • Translation Playground • Contributor Mentorship Program\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149361\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"https://poststatus.com/wp-6-2-1-php8-compatibility-translation-playground-contributor-mentorship-program/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:18457:\"<h2 class=\"wp-block-heading\" id=\"h-this-week-at-wordpress-org-april-3-2023\">This Week at WordPress.org (May 14, 2023)</h2>\n\n\n<div class=\"has-background has-theme-palette-8-background-color wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">It&#8217;s time to update your WordPress websites now. This week&#8217;s release breaks shortcodes used in Block Themes on Templates, but is related to a security issue. <br /><br />Is WordPress, and the plugin and theme ecosystem around it, ready for PHP 8? Earlier versions of PHP, such as 7.4, are now considered End of Life, and hosts are eager to deploy supported versions. But first, Core compatibility needs additional testing to come out of beta compatibility.<br /><br />Translating WordPress just got a little bit easier for contributors with the WP Translation Playground. <br /><br />A Community team working group announces a pilot proposal for a Contributor Mentorship Program, helping all contributors onboard. </p></div>\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-kadence-infobox kt-info-box_94d1bd-77\"><div class=\"kt-blocks-info-box-link-wrap kt-blocks-info-box-media-align-left kt-info-halign-left\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-icon-container kt-info-icon-animate-none\"><div class=\"kadence-info-box-icon-inner-container\"><span class=\"kb-svg-icon-wrap kb-svg-icon-ic_people kt-info-svg-icon\"></span></div></div></div></div><div class=\"kt-infobox-textcontent\"><h2 class=\"kt-blocks-info-box-title\">WP 6.2.1, PHP8, Translation Playground, Mentorship Program</h2><p class=\"kt-blocks-info-box-text\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\">WordPress 6.2.1 Maintenance &amp; Security Release</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f418.png\" alt=\"🐘\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/hosting/2023/05/15/is-wordpress-compatible-with-php-8/\">Is WordPress compatible with PHP 8?</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f5e3.png\" alt=\"🗣\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/polyglots/2023/04/19/wp-translation-playground/\">WP Translation Playground</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f469-1f3fb-200d-1f3eb.png\" alt=\"👩🏻‍🏫\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/project/2023/05/17/wordpress-contributor-mentorship-program-pilot-program-proposal/\">WordPress Contributor Mentorship Program: Pilot Program Proposal</a><br /><br /> </p></div></div></div>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_b57166-6e\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-news\"><a href=\"https://wordpress.org/news\">News</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\">WordPress 6.2.1 Maintenance &amp; Security Release</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/2022-annual-survey-results-next-steps/\">2022 Annual Survey Results &amp; Next Steps</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/the-month-in-wordpress-april-2023/\">The Month in WordPress – April 2023</a></li>\n\n\n\n<li><a href=\"https://wordpressfoundation.org/news/2023/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">Kim Parsell Memorial Scholarship for WordCamp US 2023</a></li>\n</ul>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_8f6276-eb\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-6\">\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\"><a href=\"https://make.wordpress.org/accessibility\">Accessibility</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/accessibility/2023/05/18/accessibility-team-meeting-agenda-may-19-2023/\">Accessibility Team Meeting Agenda: May 19, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-community\"><a href=\"https://make.wordpress.org/community\">Community</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/community/2023/05/18/meetup-organizer-newsletter-may-2023/\">Meetup Organizer Newsletter: May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/18/announcement-increasing-meetup-venue-support-funds/\">Announcement: Increasing Meetup Venue Support Funds</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/10/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">Kim Parsell Memorial Scholarship for WordCamp US 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/\">The Next Generation of WordCamps</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/15/contributor-working-group-mentorship-chat-agenda-may-18th-0700-utc-apac-emea-and-1600-utc-amer/\">Contributor Working Group: Mentorship Chat Agenda | May 18th 07:00 UTC (APAC/EMEA) and 16:00 UTC (AMER)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/11/recap-of-the-diverse-speaker-training-group-wpdiversity-amer-emea-on-may-10-2023/\">Recap of the Diverse Speaker Training group (#WPDiversity) AMER/EMEA on May 10, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-core\"><a href=\"https://make.wordpress.org/core\">Core</a> </h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/wordpress-6-3-planning-roundup/\">WordPress 6.3 Planning Roundup</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/18/roadmap-to-6-3/\">Roadmap to 6.3</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">Command Center: Request for feedback</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/16/proposal-retiring-older-default-themes/\">Proposal: Retiring Older Default Themes</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-developer-blog\"><a href=\"https://developer.wordpress.org/news/\">Developer Blog</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/news/2023/05/whats-new-for-developers-may-2023/\">What’s new for developers? (May 2023)</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-meetings\">Meetings</h3>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/16/dev-chat-agenda-may-17-2023/\">Dev Chat Agenda, May 17, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/16/editor-chat-agenda-may-17th-2023/\">Editor Chat Agenda: May 17th 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Design</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/design/2023/05/08/design-share-apr-24-may-5/\">Design Share: Apr 24–May 5</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-docs\"><a href=\"https://make.wordpress.org/docs\">Docs</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/docs/2023/05/16/agenda-for-docs-team-bi-weekly-meeting-may-16-2023/\">Agenda for Docs Team bi-weekly meeting May 16, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/docs/2023/05/16/summary-for-docs-team-meeting-may-2-2023/\">Summary for Docs Team meeting, May 2, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-hosting\"><a href=\"https://make.wordpress.org/hosting\">Hosting</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/hosting/2023/05/17/hosting-team-meeting-agenda-2023-05-17/\">Hosting Team meeting agenda 2023-05-17</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/hosting/2023/05/15/is-wordpress-compatible-with-php-8/\">Is WordPress compatible with PHP 8?</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-marketing\"><a href=\"https://make.wordpress.org/marketing\">Marketing</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/16/notes-global-marketing-team-meeting-9-may-2023/\">Notes: Global Marketing Team meeting, 9 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/17/day-10-wp20-from-blogs-to-blocks/\">Day 10: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/15/day-9-wp20-from-blogs-to-blocks/\">Day 9: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/15/day-8-wp20-from-blogs-to-blocks/\">Day 8: #WP20 From Blogs to Blocks</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-meta\"><a href=\"https://make.wordpress.org/meta\">Meta</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/meta/2023/05/04/matrix-chat-summary-may-4-2023/\">Matrix chat Summary – May 4, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-mobile\"><a href=\"https://make.wordpress.org/mobile\">Mobile</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/mobile/2023/04/11/contribute-to-the-future-of-the-wordpress-app/\">Contribute to the Future of the WordPress App</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-openverse\"><a href=\"https://make.wordpress.org/openverse\">Openverse</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/18/catalog-postgres-exploration-effort/\">Catalog Postgres Exploration Effort</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/15/last-week-openverse-2023-05-08-2023-05-15/\">A week in Openverse: 2023-05-08 – 2023-05-15</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-performance\"><a href=\"https://make.wordpress.org/performance/\">Performance</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/16/performance-chat-summary-16-may-2023/\">Performance Chat Summary: 16 May 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-plugins\"><a href=\"https://make.wordpress.org/plugins\">Plugins</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/21/use-of-code-generators-must-remain-gpl-compatible/\">Use of Code Generators Must Remain GPL Compatible</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/10/advance-notice-of-retirement/\">Advance Notice of Retirement</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/09/plugin-review-team-update-8-may-2023/\">Plugin Review Team Update: 8 May 2023</a></li>\n</ul>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"h-polyglots\"><a href=\"https://make.wordpress.org/polyglots\">Polyglots</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/2023/04/19/wp-translation-playground/\">WP Translation Playground</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/17/agenda-weekly-polyglots-chat-may-17-2023-0700-utc/\">Agenda: Weekly Polyglots Chat – May 17, 2023 (07:00 UTC)</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-project\">Project</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/project/2023/05/17/wordpress-contributor-mentorship-program-pilot-program-proposal/\">WordPress Contributor Mentorship Program: Pilot Program Proposal</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/04/13/wordpress-at-20-in-print/\">Building Blocks: The Evolution of WordPress 2013-2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/04/19/showcase-content-moderation/\">Revitalizing the Showcase</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-support\"><a href=\"https://make.wordpress.org/support\">Support</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/support/2023/05/agenda-for-may-18th-support-meeting-2/\">Agenda for May 18th Support Meeting</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-test\"><a href=\"https://make.wordpress.org/test\">Test</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/test/2023/05/12/test-chat-summary-9-may-2023/\">Test Chat Summary: 9 May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/05/11/fse-program-front-page-fun-summary/\">FSE Program Front Page Fun Summary</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-theme\">Theme</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/themes/2023/05/18/hallway-hangout-curating-the-editor-and-building-block-themes-for-clients/\">Hallway Hangout: Curating the editor and building block themes for clients</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/themes/2023/05/17/theme-handbook-overhaul-phase-2-creating-content/\">Theme Handbook Overhaul: Phase 2 (Creating Content)</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-training\"><a href=\"https://make.wordpress.org/training\">Training</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/training/2023/05/09/brainstorm-wordcamp-europe-2023-contributor-day/\">Brainstorm – WordCamp Europe 2023 Contributor Day</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/09/training-team-meeting-recap-for-may-2nd-2023/\">Training Team Meeting Recap for May 2nd, 2023</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-tutorials\"><a href=\"https://learn.wordpress.org/tutorials\">Tutorials</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/tutorial/introduction-to-wordpress-multisite-networks/\">Introduction to WordPress Multisite Networks</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/wordpress-editor-modes-for-streamlining-content-creation/\">WordPress editor modes for streamlining content creation</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/exploring-category-templates-with-block-themes/\">Exploring category templates with block themes</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-online-workshops\">Online Workshops</h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/?meeting=nesting-blocks-and-advanced-block-layouts\">Nesting blocks and advanced block layouts</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=developer-hours-wordpress-playground-2\">Developer Hours – WordPress Playground</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=developer-hours-wordpress-playground\">Developer Hours – WordPress Playground</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=create-a-four-page-wordpress-website-2-5-footers\">Create a four page WordPress website #2.5: Footers</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme-2\">WP dev livestream: Sendig block theme</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-courses\"><a href=\"https://learn.wordpress.org/courses\">Courses</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/course/converting-a-shortcode-to-a-block/\">Converting a Shortcode to a Block</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wp-cli\">WP-CLI</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/cli/2023/04/05/wp-cli-v2-8-0-release-date/\">WP-CLI v2.8.0 release date</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wptv\">WPTV</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.tv/category/year/2022/\">Latest WordPress TV videos</a></li>\n</ul>\n</div>\n</div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-related-news\">Related News:</h2>\n\n\n\n<ul>\n<li><a href=\"https://nodejs.org/en/blog/release/v20.2.0\">Node v20.2.0 released</a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-04-13-1\"><a href=\"https://www.php.net/archive/2023.php#2023-05-11-1\">PHP 8.2.6 Released!</a></a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-05-11-2\">PHP 8.1.19 Released!</a></li>\n\n\n\n<li><a href=\"https://262.ecma-international.org/13.0/\">TC39</a></li>\n\n\n\n<li><a href=\"https://github.com/composer/composer/releases/tag/2.5.5\">Composer 2.5.5</a></li>\n</ul>\n\n\n\n<p class=\"has-theme-palette-7-background-color has-background\">Thanks for reading our WP dot .org roundup! Each week we are highlighting the news and discussions coming from the good folks making WordPress possible. If you or your company create products or services that use WordPress, you need to be engaged with them and their work. Be sure to share this resource with your product and project managers. <br /><br /><strong>Are you interested in giving back and contributing your time and skills to WordPress.org?</strong> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f64f.png\" alt=\"🙏\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/support/article/contributing-to-wordpress/\">Start Here ›</a><br /><br /><strong>Get our weekly WordPress community news digest</strong> — Post Status&#8217; <a href=\"https://poststatus.com/news/week-in-review/\">Week in Review</a> — covering the WP/Woo news plus significant writing and podcasts. It&#8217;s also available in <a href=\"https://poststatus.com/newsletter\">our newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f48c.png\" alt=\"💌\" class=\"wp-smiley\" /></p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile has-background\"><a href=\"https://poststatus.com/\"><img src=\"https://poststatus.com/wp-content/uploads/2021/09/vertical-post-status-logo-250.png\" alt=\"Post Status\" class=\"wp-image-85823 size-full\" /></a><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left has-normal-font-size\" id=\"h-get-ready-for-remote-work\">You — and <a href=\"https://poststatus.com/#Agency\">your whole team</a> can <a href=\"https://poststatus.com/#choose-membership\">Join Post Status</a> too!</p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><strong>Build your network. Learn with others. Find your next job — or your next hire.</strong> Read the <strong>Post Status</strong> <a href=\"https://poststatus.com/newsletter/\">newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2709.png\" alt=\"✉\" class=\"wp-smiley\" /> Listen to <a href=\"https://poststatus.com/podcasts/\">podcasts</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f399.png\" alt=\"🎙\" class=\"wp-smiley\" /> Follow <a href=\"https://twitter.com/post_status/\">@Post_Status</a> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> and <a href=\"https://www.linkedin.com/company/post-status-llc/\">LinkedIn</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4bc.png\" alt=\"💼\" class=\"wp-smiley\" /></p>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 18 May 2023 21:20:16 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Courtney Robertson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"WPTavern: WordPress Is Developing a Command Center for Quick Search and Navigation Inside the Admin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145170\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:110:\"https://wptavern.com/wordpress-is-developing-a-command-center-for-quick-search-and-navigation-inside-the-admin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4455:\"<p>WordPress may soon be getting a Command Center, which would function as a quick search component for navigating to other areas of the admin, and would also be capable of running commands. The feature was <a href=\"https://wptavern.com/gutenberg-15-6-introduces-experimental-details-block-and-command-center-for-site-editor\">introduced in Gutenberg 15.6</a> under the Experimental flag and currently has limited use in the Site Editor context while navigating and editing templates. </p>\n\n\n\n<p>The Command Center project is intended to be expanded to the whole of wp-admin in an extensible way so plugin developers can register their own commands. This would also allow for AI-powered extensions to expedite design, content, and layout creation. </p>\n\n\n\n<p>&#8220;One aspect worth highlighting is the proposed API to interact with the command center,&#8221; Gutenberg engineer Riad Benguella said in <a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">a post requesting feedback on the project</a>. &#8220;The command center has been developed as an independent <code>@wordpress/commands</code> package. It offers APIs to render and register commands dynamically. These extension points allow plugins to inject any commands of their liking and opens the door for interactions with LLMs.&#8221;</p>\n\n\n\n<p>Benguella shared a video of the prototype navigating between templates and template parts in the Site Editor:</p>\n\n\n\n\n\n\n\n<p>Feedback so far had been generally positive, but contributors on the project will have the challenge of providing real examples of the Command Center&#8217;s benefits in order for some to fully realize the vision for this feature as more than just a fancy shortcut for power users.</p>\n\n\n\n<p>&#8220;Neat, but I’m unclear what practical problem this actually solves?&#8221; WordPress developer Jon Brown said.</p>\n\n\n\n<p>&#8220;Currently there is a clear easy to find and use drop down at the top center of the editor. Are people really having problems using that? This seems to complicate things where users have to know the names of the items to type them in. Does the average user know to type in &#8216;post meta&#8217; to edit that?</p>\n\n\n\n<p>&#8220;There are couple plugins that have done this admin wide, which again while neat, seems better aimed at power users that already know what they’re looking for.&#8221;</p>\n\n\n\n<p>Benguella responded that the Command Center is being developed as &#8220;a complementary UI tailored specifically for average and power users,&#8221; and that users would not be required to remember technical terms in order to use it.</p>\n\n\n\n<p>Other participants in the conversation asked that contributors consider not releasing the Command Center in WordPress until it can serve contexts beyond just the Site Editor.</p>\n\n\n\n<p>&#8220;Initially we’ve added the command center to both post and site editors but I expect that we’ll be adding to all WP-Admin once we’ve proved its behavior and APIs,&#8221; Benguella responded. The API is currently still in the experimental stage in Gutenberg and it&#8217;s not yet known if expansion to wp-admin would be added before or after the Command Center lands in the next version of WordPress.</p>\n\n\n\n<p>&#8220;Love the concept, hate that it’s limited to the Editor,&#8221; WordPress developer Dovid Levine said.</p>\n\n\n\n<p>&#8220;This would ideally be implemented holistically – either as part of a push to modernize the long-neglected dashboard or API efforts to interact with GB data outside of the Editor. We’ve seen how slow developer adoption is when done the other way (GB first/only) – and worse, how painful it is for the early adopters/advocates if/when considerations beyond the Editor are finally taken into account.&#8221;</p>\n\n\n\n<p>The first milestone, powering quick search for content and templates in the editor, is <a href=\"https://github.com/WordPress/gutenberg/issues/48457\">outlined on GitHub</a> where contributors can track the progress. The Command Center will also be tested in the future as part of the FSE Outreach Program. Benguella is <a href=\"https://make.wordpress.org/core/2023/05/17/command-center-request-for-feedback/\">requesting feedback</a> on the feature and its API on the post published to the core dev blog, specifically regarding the user experience and whether the APIs detailed in the post are capable enough to address third-party use cases.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 18 May 2023 21:13:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:133:\"WPTavern: WordPress’ 20th Anniversary, a Mini Series. Episode 1 With Sarah Gooding, Aurooba Ahmed, Masestro Stevens and Jess Frick.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=145021\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:144:\"https://wptavern.com/podcast/wordpress-20th-anniversary-a-mini-series-episode-1-with-sarah-gooding-aurooba-ahmed-masestro-stevens-and-jess-frick\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:102000:\"Transcript<div>\n<p>Nathan Wrigley: Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley.</p>\n\n\n\n<p>Jukebox is a podcast which is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes, and in this case the 20th anniversary of WordPress.</p>\n\n\n\n<p>Today is a little bit of a departure for the podcast. It&#8217;s an episode all about the last 20 years of WordPress.</p>\n\n\n\n<p>You&#8217;re going to hear a round table discussion with four WordPressers talking about their thoughts on the last 20 years. It features Sarah Gooding, Aurooba Ahmed, Masestro Stevens and Jess Frick, with David Bisset as the discussion moderator.</p>\n\n\n\n<p>They cover many topics, and it&#8217;s great to hear so many varied opinions about what&#8217;s been of importance in the evolution of WordPress.</p>\n\n\n\n<p>If you&#8217;re interested in finding out more, you can find all of the links in the show notes by heading to WPTavern.com forward slash podcast, where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you, David Bisset, Sarah Gooding, Aurooba Ahmed, Masestro Stevens, and Jess Frick. </p>\n\n\n\n<p>David Bisset: Well, welcome everyone. Uh, thanks for coming. This is the one of a few podcasts to celebrate the 20th anniversary birthday, christening, whatever it is you want to call it, of WordPress. Uh, yes. 20 years old. That&#8217;s it&#8217;s, it&#8217;s just barely attending college at this point. Isn&#8217;t that great? We have four sweet people with me here that I wanna introduce tonight.</p>\n\n\n\n<p>We are going to do a, kind of like a news draft. So we are going to pick the favorite WordPress moments of a couple of categories, and we are going to pick them so that if, um, So if somebody picks something that, that, that the another person had on their list, that person that comes after them is gonna pick something different.</p>\n\n\n\n<p>So you&#8217;re gonna hear unique things coming out of every one of our guests this evening. So let&#8217;s, let&#8217;s start our introductions. By the way, random.org picked our, picked the order. This is going in so that I am not playing favorites. Aruba, you are first on our panel. Tell us about yourself. Hi everyone.</p>\n\n\n\n<p>Aurooba Ahmed: I&#8217;m excited to be here with all these lovely people.</p>\n\n\n\n<p>I&#8217;m Aruba, I&#8217;m a WordPress developer. I build plug-ins, websites, all that kind of good stuff. And I&#8217;m up here in, uh, by the Rockies in Calgary, Canada,</p>\n\n\n\n<p>David Bisset: the Rockies. All right. Next on our list is Sarah Gooding. Hello, Sarah. How you doing?</p>\n\n\n\n<p>Sarah Gooding: Hi, David. Thanks for inviting me. Um, I&#8217;m Sarah Gooding. I&#8217;m the editor at WP Tavern.</p>\n\n\n\n<p>I&#8217;ve been there, it will be 10 years in September. Um, I live in Florida. I moved there two years ago, um, during the pandemic when my husband&#8217;s job changed and we moved down here and yeah, still love WordPress. After 20 years</p>\n\n\n\n<p>David Bisset: you&#8217;re well working. Yeah. You know what, um, Aruba, how long, when did you first, uh, get into WordPress?</p>\n\n\n\n<p>Aurooba Ahmed: Um, I would, I think it was 20, it was 2008 or 2009.</p>\n\n\n\n<p>David Bisset: Okay. So about, about the same time as me. So I don&#8217;t know, somebody will do the math in the second. Sarah, how about you?</p>\n\n\n\n<p>Sarah Gooding: I think it was around 2006 for me, but that was maybe just like trying it out. Okay. So like, um, when I started working in WordPress, it was 2008, 2009, so that&#8217;s when I started in years.</p>\n\n\n\n<p>Yeah. Making websites for clients and. Things like that.</p>\n\n\n\n<p>David Bisset: So, uh, yeah. So like, so Jess, you are up next. Can you tell us in your introduction to how long, at the end, how long you&#8217;ve been with WordPress? Absolutely.</p>\n\n\n\n<p>Jess Frick: Uh, I&#8217;m Jess Frick. Thank you for having me, David. Um, I am director of operations for Pressable, and I have been playing with WordPress since 2008, working professionally in it since 2010.</p>\n\n\n\n<p>David Bisset: Wow. It&#8217;s 2010, so we are, so it&#8217;s the oldest I, I&#8217;m per, well, I&#8217;ll introduce myself a second. Maestro. Yeah, you&#8217;re up, you&#8217;re, you&#8217;re, you&#8217;re fourth, uh, in the order. It&#8217;s chosen by random.org. So why don&#8217;t you introduce yourself, sir.</p>\n\n\n\n<p>Maestro Stevens: This is random.org that you keep pointing to.</p>\n\n\n\n<p>David Bisset: Yes, I am not. Thank you, David.</p>\n\n\n\n<p>Maestro Stevens: Yeah. Uh, my name is Maro Stevens. Um, I guess I am the preemie, the youngest person on this panel when it comes to WordPress. I started my, um, Uh, WordPress Journal in 2018.</p>\n\n\n\n<p>David Bisset: Maestro, can you put yourself a little bit closer to the mic?</p>\n\n\n\n<p>Can you hear me? Can you hear me better now?</p>\n\n\n\n<p>A little bit better, right? Guys?</p>\n\n\n\n<p>Girls? Mm-hmm. People. Humans. Yes. Okay, go ahead, Maestro. I&#8217;m sorry. So, yes,</p>\n\n\n\n<p>Maestro Stevens: I started in 2018. Um, so I guess I&#8217;m the youngest person on the panel when it comes to WordPress and uh, I&#8217;m an agency owner of the Iconic Expressions.</p>\n\n\n\n<p>David Bisset: Great. Well, yes, young, young Whippers now, but, but that, that does give us a perspective though, cuz us old timers like to, like, to remember the, the good old days.</p>\n\n\n\n<p>So we need, we need some young blood. Um, so let, oh, that makes me fifth in the, in the rotation. In case you don&#8217;t know me, um, consider yourself very fortunate, but for those who may want to learn more about me, I&#8217;m David Bisset um, I&#8217;ve been worth, I think I&#8217;ve been with WordPress since about 2006 or 2007 ish.</p>\n\n\n\n<p>Um, 2008 is when I founded with some help. Where? Camp Miami. So I was with about WordPress for about a year and a half prior to that. So that&#8217;s kind of like how I do the math. Uh, I currently work at Awesome Automotive. I currently had a project, uh, WP Charitable, um, which was required by Awesome Automotive last year, but it&#8217;s a, but for the longest time I have been a freelancer.</p>\n\n\n\n<p>I&#8217;ve been a employee, uh, employee and owner of a number of companies. Um, also a member of, uh, uh, post status. So I&#8217;ve been doing, I do, I&#8217;ve done a whole bunch of things. So that is our panel for this evening. Um, so why don&#8217;t we get started? And again, we are looking at the last 20 years of WordPress. So when, so that is certainly a lot of history to cover.</p>\n\n\n\n<p>And of course some of you are gonna be aiming for certain years and others will be aiming for others. So I&#8217;m gonna be very surprised tonight if any of us snags someone else&#8217;s picks in terms of news. And what we have this evening is that we actually have three categories that we are going to try to cover this evening.</p>\n\n\n\n<p>And, um, I kind of, I usually don&#8217;t like to give categories or, or, or themes per round. If we have time after these three, we&#8217;re gonna do arou, uh, I&#8217;ll bring out your dead or, or, or whatever is left in our pockets type of a thing. But I thought with 20 years of WordPress, That is so, um, that is so broad to cover that I, it was almost impossible probably to, I wanted to make it a little bit competitive, so I kind of narrowed little things down to at least three categories.</p>\n\n\n\n<p>So the first category that we&#8217;re gonna cover is a, a memorable WordPress release or something within a WordPress release, any WordPress release. Then that was our first thing that we wanted to cover. So, Aruba, let&#8217;s start with you, um, category WordPress releases. So what, what was your pick for your memorable WordPress release in the last 20 years?</p>\n\n\n\n<p>Aurooba Ahmed: That would be Thelonious WordPress 3.0, which was really the first WordPress release that I paid attention to when I first started using WordPress. And it made a big splash in the world of blogging. I remember there was this really big blog called A Beautiful Mess. They came out with this course called Blog Love Design, and it was all about like using the new 2010 theme, which is when those, you know, 2010, those style of theming for default themes started.</p>\n\n\n\n<p>Oh. And using that to customize it and uh, create something really cool and you could now create custom menus for the very first time. And multi-site was merged. I mean, it was a really, really intense release that paved the way for a lot of what we think of WordPress, like core default. Of course WordPress has this sort of features, you know, but before that it didn&#8217;t have them.</p>\n\n\n\n<p>David Bisset: I totally forgot about multi, uh, multi-site. Um, and I, and I didn&#8217;t know that three cuz remember prior to that, um, it was two separate products, which was kind of weird. Yeah. Right. If you wanted WordPress, it&#8217;s weird, you wanted to download WordPress, fine. But if you wanted to download WordPress M U.</p>\n\n\n\n<p>That was a separate download</p>\n\n\n\n<p>Aurooba Ahmed: and it was like a whole thing to try to set it up. And with WordPress 3.0 it became a lot easier to make the switch if you ever wanted to turn a single site installation. It&#8217;s, it was still a process, but way easier with WordPress 3.0.</p>\n\n\n\n<p>David Bisset: Who remembers, who remembers WordPress when that came out?</p>\n\n\n\n<p>Jess?</p>\n\n\n\n<p>Jess Frick: Oh yeah. Aruba skunked me on the first one.</p>\n\n\n\n<p>David Bisset: Oh really? Yes. You got sniped. Really? You were gonna pick three? Pick 3.0 Wow.</p>\n\n\n\n<p>Jess Frick: It&#8217;s literally the first one on my list.</p>\n\n\n\n<p>Aurooba Ahmed: Oh. Milestone release. Yes.</p>\n\n\n\n<p>Jess Frick: Incredible taste</p>\n\n\n\n<p>David Bisset: and, and a nice round number too, which for WordPress you can&#8217;t always guarantee. Right now there&#8217;s another round number that I&#8217;m not gonna talk about that, that&#8217;s probably pretty significant too, but, okay.</p>\n\n\n\n<p>So Aruba Robot, WordPress 3.0 is your, is your first pick what in a snipe right out of the gate. So congratulations on that. Alright, so Sarah, you&#8217;re up next, me and, um, your memorable WordPress release.</p>\n\n\n\n<p>Sarah Gooding: I think probably one of the most memorable ones for me was 5.0</p>\n\n\n\n<p>David Bisset: and that&#8217;s the other one.</p>\n\n\n\n<p>Sarah Gooding: Yeah. Um, 5.0 is such a, a big release.</p>\n\n\n\n<p>Um, Especially leading up to it, all the agencies and freelancers are trying to get their themes and plugins ready so that they&#8217;d be ready to go with the, you know, with the latest and greatest that WordPress had to offer. And it was such a, it was a big leap. Um, and then the, the timing of the release was like right at WordCamp us, and I think it missed some of its, its dates and so they had previously identified, um, like, if we missed this date, we&#8217;re gonna push it to January so that we&#8217;re not doing the release while everyone&#8217;s traveling.</p>\n\n\n\n<p>But then, um, Matt switched it, I guess at the last minute. He&#8217;s like, no, we&#8217;re going for it. And yeah, there was this up, there was just, you know, a, a huge outcry with, you know, people who were frustrated and they&#8217;re like, why do we have to push it so hard? And it was just, it was like, It was like giving birth.</p>\n\n\n\n<p>I think, you know, it was, you&#8217;re, you&#8217;re just going through this process and it was, of course, it&#8217;s gonna be difficult at times. And, you know, eventually everybody&#8217;s on board and everyone&#8217;s working together, um, releasing their tutorials, their open source stuff to help people, you know, get on board with the block editor because it was, it&#8217;s probably the, the largest technical leap that our communities had to navigate of, of all time, I think I would say.</p>\n\n\n\n<p>And, um, it was an exci, it was really exciting time. I mean, I was, every day there was, there were articles to write about what people were thinking and feeling at the time, and there was a lot of frustration, but also it was, uh, it was just something that needed to happen because our editor had been, had been looking dated for so long and we needed to make that big jump.</p>\n\n\n\n<p>So I think that&#8217;s probably one of the most reme memorable ones for me in, in recent memory.</p>\n\n\n\n<p>David Bisset: Yeah. I&#8217;m gonna go on, on a limb. For me personally, say that was probably the most controversial WordPress release. Period. Yes. I, I worked for a plug-in company at the time and I was literally making changes to our plug-ins release to get into the repo in the ho in my hotel room.</p>\n\n\n\n<p>So I&#8217;ll just kinda leave it at that in terms of how much stress that, uh, and I think a lot of people were doing pretty much the same thing. So I have to say that I think, uh, the number one most stressful word press release was for me, 5.0. Uh, I can&#8217;t imagine it was probably stressful for Matt and everyone else too.</p>\n\n\n\n<p>Most controversial though, I think, at the very least for, for that. And I think it&#8217;s still 5.0 down to this day. You just remember the, the nu the version numbers just branded into the My brain, so 5.0. All right. Great. So now it&#8217;s gonna get interesting. Sarah. Swipe my number two. So Jess, um, can you think of a enough it literal second one.</p>\n\n\n\n<p>Poor Jess.</p>\n\n\n\n<p>Jess Frick: I just wanna say though, for, you know, WordPress three, what was cool was the, the editor changed. Mm-hmm. And that was what made me go full-time and WordPress. That&#8217;s when it started to be pretty enough for me to play with it. Purdy. And then it was pretty though, and it got prettier. Um, I have a note here that it was 3.7 when WordPress became the most popular CMS in the world,</p>\n\n\n\n<p>David Bisset: huh? Accord, according to Matt,</p>\n\n\n\n<p>Jess Frick: uh, according to WordPress history.</p>\n\n\n\n<p>David Bisset: Okay, that&#8217;s fine.</p>\n\n\n\n<p>Jess Frick: Um, I think it was built with, it was through, built with. I&#8217;ll take</p>\n\n\n\n<p>David Bisset: their word for it.</p>\n\n\n\n<p>Jess Frick: I&#8217;ll find the link for you for the show notes. But yeah, that, I thought that was significant because that was just when I feel like the entire editing experience changed.</p>\n\n\n\n<p>Um, But then also agreed for WordPress five. Um, I remember, uh, WP 1 0 1 was one of the big sponsors, and they pulled out of the show because they had to redo all their videos.</p>\n\n\n\n<p>Sarah Gooding: It was, it was chaos.</p>\n\n\n\n<p>David Bisset: So, to be clear though, yes. Are you picking which WordPress version are you picking? Or have you</p>\n\n\n\n<p>Jess Frick: Well, they, those were my two.</p>\n\n\n\n<p>David Bisset: Oh, those were you too. Okay. I&#8217;m sorry.</p>\n\n\n\n<p>Jess Frick: Talking points, but since I can&#8217;t pick either of those, I&#8217;m gonna say the first all women and non-binary release of 5.6. Ah,</p>\n\n\n\n<p>David Bisset: okay.</p>\n\n\n\n<p>Jess Frick: That I feel like we&#8217;ve got another one coming up too.</p>\n\n\n\n<p>David Bisset: Mm-hmm. Yes. We can&#8217;t talk about the future.</p>\n\n\n\n<p>Jess Frick: That&#8217;s, I know we&#8217;re, we&#8217;re looking</p>\n\n\n\n<p>back right now.</p>\n\n\n\n<p>We&#8217;re just looking back.</p>\n\n\n\n<p>David Bisset: Yeah. So WordPress 5.5 0.6 was a major milestone too. In terms of, in terms of that. And I think it&#8217;s set, set pretty much a, an example of how those are going to roll in the future. Like we have a second one coming up. Um, did anybody here participate in that? No. Okay. Kind of, well, we kind, we were rooting for the side, but there was, there was so much diversity in that release.</p>\n\n\n\n<p>I was, I was very glad to see that, not, not purely from a diversity angle, but as much as just there was excitement and contribution in general because of that. Yeah. And the more that you can expose contribution in general, I think the better off the WordPress project is even when we quote unquote went back to, after that, we went back to, I, for lack of a better word, a normal release or a, a standard release theme, which is no theme at all.</p>\n\n\n\n<p>It&#8217;s, it&#8217;s basically, I went say hand. So Jess 5.6, excellent choice. Maestro, we come down to you. I, I I, I w I&#8217;m very interested to hear what your pick&#8217;s gonna be cuz this, these were the top three I could think of off the top of my head. But, uh, go ahead. I haven&#8217;t been sniped officially, but, uh, because I knew there were gonna be people that picked it anyway.</p>\n\n\n\n<p>But Maestro, what is your favorite, or what is the most memorable WordPress release for you?</p>\n\n\n\n<p>Maestro Stevens: I feel like I just got sniped right now. Um, two times. Uh, Jessica hit one on the head, um, and you kind of was alluding to one, but I&#8217;m gonna go with 5.5. If we gonna go with points. Let&#8217;s go with the point system.</p>\n\n\n\n<p>I&#8217;m going with 5.5.</p>\n\n\n\n<p>David Bisset: Okay. Um, that, that&#8217;s a, that&#8217;s a release. Points of releases.</p>\n\n\n\n<p>Maestro Stevens: Points of releases, right? The point of release. Yeah. So, oh, I&#8217;m gonna take a different direction and go with 5.5 because it was, it was a release that I felt affected a lot of people&#8217;s reason for, you know, being, uh, hired or paid for maintenance because it involved auto updates and once that came out it screwed up a whole bunch of people&#8217;s, you know, um, source of income or reasoning or opportunities because I know there was a lot of resistance and pushback when people were saying, well, I don&#8217;t need you anymore cuz I can auto update my own site.</p>\n\n\n\n<p>So, um, that&#8217;s what I would say was one of the biggest ones for me.</p>\n\n\n\n<p>David Bisset: I, I actually had someone who went along that same path, but fortunately they used, they used bad plugins, so they&#8217;re, so they turned those auto updates off pretty quick. It actually reminded me, and I don&#8217;t know what version to this is off the top of my head, but I remember when auto updating WordPress itself was a big controversy.</p>\n\n\n\n<p>Um, and I don&#8217;t, I&#8217;ll figure it out what the version that was, but I remember na for you, for those of you who may remember Nathan, he&#8217;s still with us. He&#8217;s just not with the WordPress project anymore. Directly for over like a year and a half explaining the concept of WordPress auto updating on major versions.</p>\n\n\n\n<p>There was a lot of. Controversy, um, pushback a little bit in terms of do we want to auto update this much of the web? So I, so I can understand that for plugins, right? You know, I, you know, it&#8217;s, I think it&#8217;s taken time because people paid for WordPress updates too. Like, they&#8217;ll just say, Hey, can you just update?</p>\n\n\n\n<p>And, you know, they would probably update the plugins at the same time. So, yeah. But you know what, I think in this day and age, there comes a time to evolve. I don&#8217;t think, I think auto updates aren&#8217;t on many sites for very good reasons, especially probably governmental and educational sites. But 5.6 auto updates did cause a blip in the timeline, right?</p>\n\n\n\n<p>So that&#8217;s a good choice. I think that&#8217;s pretty good. And I totally actually forgot about that.</p>\n\n\n\n<p>Aurooba Ahmed: So I, it was WordPress 3.7 when WordPress could auto update.</p>\n\n\n\n<p>David Bisset: See that? That to me would&#8217;ve been my second choice because it&#8217;s now, now, now it&#8217;s, I guess it comes down to me, my turn. Um, that would&#8217;ve been my second choice because I remember going to so many conferences going to the conference in Arizona, that name, now I&#8217;ve Page Lee conference and I&#8217;m forgetting in the loop.</p>\n\n\n\n<p>No, no, it&#8217;s, although they think they talked about it there as well, but, um, yeah, I&#8217;ll think of it in a second. I&#8217;m just drawing a blank. Uh, it&#8217;s, it was PressNomics. PressNomics. There you go. Um, I think it was PressNomics, but I do remember attending a couple of conferences and Nas was there on stage or something, trying to explain how they have been talking to a whole bunch of people about WordPress updates and auto updates and people were scared, so, uh, not scared, concerned, whatever word you wanna throw at it.</p>\n\n\n\n<p>And everything&#8217;s fine now. So the plugin thing is gonna stray now, but, Because remember, I&#8217;ve been with WordPress a long time. I noticed no one went back to the one point WordPress releases. So I&#8217;m going to pick WordPress 1.5, which which came out in February, 2005. That release came with pages, comment, moderation, tools, and Kubrick.</p>\n\n\n\n<p>Does anybody remember Kubrick? Maestro? You probably don&#8217;t. That&#8217;s okay. But Kubrick.</p>\n\n\n\n<p>Maestro Stevens: Stanley Kubrick. Stanley Kubrick, or</p>\n\n\n\n<p>David Bisset: the theme was named after him, but Google Kubrick and turn on Google images and you&#8217;ll see a blue. What the internet basically looked like in terms of blogs for like, for like seven years, cuz everybody was using Kubrick.</p>\n\n\n\n<p>Um, when WordPress came out, this was before like the two thou, the, the, the year themes came out. You&#8217;ll see it, you&#8217;ll see it. Um, it, not only that, but it also came with a new theme system. That&#8217;s when WordPress themes came out in WordPress, 4.1 0.5. And Matt announced themes with these words. And I quote in WordPress 1.5, we&#8217;ve created an incredibly flexible theme system that adapts to you rather than you expecting to adapt from it.</p>\n\n\n\n<p>You can have your entire web log. Remember those words, run through a single file just like before, or you can literally have a different template for every single different category. How far we have come from a site editor today, from to February, 2005 when WordPress 1.5 came out. I mean, for me, Paige&#8217;s was.</p>\n\n\n\n<p>The biggest deal, um, because I, and this is the version by the way, that I actually jumped on board WordPress full-time with, was WordPress 1.5. Um, coincidentally because I think prior to that I was trying, I was just at the point when trying out other brow browsers, it was movable type. There was PHP, nuke, I forget what else was out there, but like, I needed something, but I didn&#8217;t need a blog.</p>\n\n\n\n<p>I needed something to build a client&#8217;s website with. And you really couldn&#8217;t do that without pages. So when 1.5 came out, pages was the chef&#8217;s kiss back then, really young chef&#8217;s kiss back then. So anyway, my pick is WordPress 1.5, so that was round one. A little bit of more, uh, sniping than I thought was was gonna happen.</p>\n\n\n\n<p>But let&#8217;s go ahead and just not waste time and moved around. Two, our round two category that, uh, we picked out was, um, I think most memorable WordCamp. So just to clarify this for the audience, um, this could have been a work camp experience or it could have been the, the work camp itself. Maybe, maybe the atmosphere around it, the community around it, whatever.</p>\n\n\n\n<p>Um, as long as it was a memorable, your, your most favorite WordCamp. Memorable experience. So, Aruba, we&#8217;re gonna start with you on this. Sure. And if anybody gets sniped on this, I&#8217;ll be blown away. But go ahead, Ruba. You go ahead. Start.</p>\n\n\n\n<p>Aurooba Ahmed: Okay. I&#8217;m not sniping anyone with this one. I&#8217;m pretty sure. No, I&#8217;m like a hundred percent sure it would be word pit.</p>\n\n\n\n<p>WordCamp Calgary. So my hometown&#8217;s WordCamp in 2016, which was the very first time I spoke at a WordCamp. And it was also the first time I realized that WordPress was more than just software. There was this whole community around it. And the vibe was, I. Like it was more about more than just code. There was a lot more going on underneath the surface that you might not know unless you are participating in these kind of community events.</p>\n\n\n\n<p>Um, and I feel like, and it could just be because that&#8217;s when I entered the time, but that&#8217;s when community efforts really started to become more of a thing in WordPress world. You know? Uh, I think work, the first WordCamp US was just like a year before that and, you know, things were starting to gain steam.</p>\n\n\n\n<p>So for me that was a very, very memorable time, very personally. And if it wasn&#8217;t for that WordCamp, I don&#8217;t even know if I would be here in on this podcast. So yeah.</p>\n\n\n\n<p>David Bisset: I&#8217;m looking at the 2016. It&#8217;s, the theme was make period WordPress, period. It&#8217;s sing period. That was the theme of the camp. Mm-hmm.</p>\n\n\n\n<p>Aurooba Ahmed: Because our Calgary theme for that year was music.</p>\n\n\n\n<p>Okay. We had a city theme going on that year for a lot of stuff. And so the WordCamp, um, sort of theme sort of fed into that as well.</p>\n\n\n\n<p>David Bisset: Make sure to include all, make sure when you provide me the links for all your items to include the mm-hmm. URL to the work camps. I&#8217;m assuming that, assuming that there&#8217;s still exist, this one does, uh, work camp, work camp, uh, websites were so, so straightforward and simple back in 2016, which Oh yes, is really, to me, that&#8217;s not that far.</p>\n\n\n\n<p>That&#8217;s not that far ago. I&#8217;m getting old. It was a two day event on May 28th and May 29th, 2016. And this was your first, I didn&#8217;t even have a avatar.</p>\n\n\n\n<p>Aurooba Ahmed: I didn&#8217;t even have a avatar at the time.</p>\n\n\n\n<p>David Bisset: Do you remember your talk? They don&#8217;t have your gra Yeah. Your avatars missing. Yeah. Do you remember your talk?</p>\n\n\n\n<p>Aurooba Ahmed: Yeah.</p>\n\n\n\n<p>At the time, uh, it was, I think it was on theme development using Git. So like how to push your theme from your local environment to your hosting environment. But with just git, you know, deployment was not like a very sophisticated thing in the WordPress land at that time. Um, and I was using get hooks to create this sort of custom workflow so you could like push everything up.</p>\n\n\n\n<p>And that&#8217;s what I did my little talk on.</p>\n\n\n\n<p>David Bisset: Yes. It took a while to find it because shame on them. They&#8217;re schedules are graphics on the WordCamp website, so I couldn&#8217;t search through text. They&#8217;re JPEGs, so yes. Shame on you. Yes, they&#8217;re shame on you. All right, so hey, we were learning, we were learning. Moving, moving, moving on here before anything Sarah.</p>\n\n\n\n<p>So what is your, Sarah, what is your. Best or most memorable Word, camp moment or work workout? No.</p>\n\n\n\n<p>Sarah Gooding: Does this, this include, does this include WordCamp announcements or just like major announcements that were done at WordCamps? Or does, or is it just meant to be your favorite?</p>\n\n\n\n<p>David Bisset: Most memorable. Most memorable to you.</p>\n\n\n\n<p>And some people can take that is, I was there when this historic thing happened, or, you know, something personal to you. Now keep in mind our, what our next round will be, which I won&#8217;t spoil. So if it&#8217;s more closely related to that, then that&#8217;s the only thing maybe. But you know, I&#8217;m putting you on the spot here, I realize.</p>\n\n\n\n<p>So just go ahead and share. As long as it&#8217;s, um, legit, legit work camp event. I, uh, event of some sort.</p>\n\n\n\n<p>Sarah Gooding: My first WordCamp was WordCamp Vancouver in I think 2012. And I was a speaker there. It was a, it was also a buddy camp. And so I was speaking about Buddy Press and I think I talked about like how you could add little jQuery animations to make it cooler.</p>\n\n\n\n<p>And I hardly, I can hardly remember because I was so hungover. Um, oh,</p>\n\n\n\n<p>David Bisset: I just, oh, what year was this? What was the year was this year? This was 2012. Oh, so this was before the ch before the child.</p>\n\n\n\n<p>Sarah Gooding: Oh yeah, before I had kids. And then I think the next year was Buddy Camp Miami or was that 2014?</p>\n\n\n\n<p>David Bisset: Oh, don&#8217;t, don&#8217;t even get me started.</p>\n\n\n\n<p>Sarah Gooding: And I brought my dog to that WordCamp and it was my first time in Miami and somebody offered me like a hundred thousand dollars from my dog, or they offered my husband and he wanted to say yes and, but he knew that I&#8217;d be so angry.</p>\n\n\n\n<p>David Bisset: Um, I can see why that one came in second place though.</p>\n\n\n\n<p>Sarah Gooding: Yes, buddy Camps were my first entrance into Ward Camps and those were the ones that I tried to make it do and, um, really enjoyed the most.</p>\n\n\n\n<p>Meeting all the people I&#8217;d met through, uh, buddy Press and in the forums and contributing and I miss. And, uh, those were very memorable for me.</p>\n\n\n\n<p>David Bisset: I miss Buddy Camps, so if anybody who doesn&#8217;t know what a Buddy Camp is, is basically like a conference within a conference for Buddy Press. If you don&#8217;t know what Buddy Press is, go to buddy press.org.</p>\n\n\n\n<p>But it&#8217;s software that&#8217;s still maintained by, officially by Automatic. It is a social platform. It is the sister project. I, I&#8217;ve always considered it&#8217;s sister project of BB Press, which is a form plugin, but we don&#8217;t go into that. But yes, we did. I forget we had for one or two years Buddy Camps in Miami too, but Vancouver 2012 where Sarah gave her first talk, can&#8217;t remember it cuz the brain cells are destroyed, so she&#8217;ll, we&#8217;ll have to take her word for it.</p>\n\n\n\n<p>That&#8217;s great. That&#8217;s, I always like it. What was, what was your favorite WordCamp? The one I can&#8217;t remember. Dude, well, I</p>\n\n\n\n<p>Sarah Gooding: remember, I</p>\n\n\n\n<p>David Bisset: remember it, but alcohol poisoning here.</p>\n\n\n\n<p>Sarah Gooding: I met so many people there for the first time I met Matt Mullenweg, j Tripp, and you know, like there were a bunch of lead developers there just back then, like not, you know, the work camps weren&#8217;t huge.</p>\n\n\n\n<p>They were really small and it was exciting to, you know, meet the people who were working on WordPress. For real.</p>\n\n\n\n<p>David Bisset: Yeah. Back then, the WordCamps were so few and far between when you went to one, chances are most of the core contributors we&#8217;d be there. You know, it was because we had to travel. Um, and the website is just as does still exist, October 13th, 2012, 8:00 AM to 5:00 PM at a, at Barnaby campus, Bernabee campus.</p>\n\n\n\n<p>However, and by the way, when, when, if you&#8217;re listening to this, go look at these, um, old work camp websites, links that we&#8217;re sharing because you want, I&#8217;ll, you&#8217;ll get a kick of the people that we&#8217;re sponsoring them too. And their logos, if they still exist today, you get to see their old logos and if they don&#8217;t exist, you get to see who was uh, sponsoring work camps back in 2012.</p>\n\n\n\n<p>So, Sarah. Yeah. Work Camp Vancouver gets my thumbs up because it&#8217;s got a buddy camp attached with it. Eventually we will get to a work camp in the us. So Jess Jessica, is that gonna be you? It&#8217;s gonna be me. Okay. We&#8217;re, what were camp is most memorable to you.</p>\n\n\n\n<p>Jess Frick: So I actually went outside the box on this cuz I didn&#8217;t know how it was gonna play out.</p>\n\n\n\n<p>And so I&#8217;m coming at it from a different side. Favorite themes and the swag that got away. Favorite themes? Hmm. Favorite themes. I absolutely loved WordCamp Orlando. I&#8217;m a fellow Florida in here, Uhhuh. Um, I absolutely loved WordCamp Orlando 2015, which was Harry Potter.</p>\n\n\n\n<p>And then 2018 was space with nasa.</p>\n\n\n\n<p>Cool. So, yeah, definitely my favorite word, camp themes. But then the swag that got away, I wanna honor you, David. It was those WordCamp Miami lunch boxes.</p>\n\n\n\n<p>David Bisset: Oh, wait a minute. Wait a minute.</p>\n\n\n\n<p>Jess Frick: Oh no, you&#8217;re gonna tease me with it.</p>\n\n\n\n<p>David Bisset: I&#8217;m telling, find it in a second now. You see, I&#8217;ll find it in a</p>\n\n\n\n<p>Jess Frick: second. All the cool swag everybody has.</p>\n\n\n\n<p>And those were the ones that I was like,</p>\n\n\n\n<p>Aurooba Ahmed: oh, I don&#8217;t know where,</p>\n\n\n\n<p>David Bisset: where they&#8217;re within or where somewhere. Yeah, I, I will put a link, I&#8217;ll put a link in the show notes, but I&#8217;ll send it to you. I, we actually have a, um, I have a picture of them on my old blog. Um, so if anybody&#8217;s wasn&#8217;t aware, so I&#8217;m, I&#8217;m confused.</p>\n\n\n\n<p>So the Harry Potter one is the, is the one you want, right? Is is your pick. Right. But you&#8217;re</p>\n\n\n\n<p>Jess Frick: Well for theme,</p>\n\n\n\n<p>David Bisset: for themed. Oh.</p>\n\n\n\n<p>Jess Frick: For theme the way that you, you know, cuz most of the WordCamps will have like a cool theme. And so obviously I&#8217;ve gotta stick with my hometown glory and go, you know, Harry Potter versus NASA Thai.</p>\n\n\n\n<p>Um, but for the swag that got away, definitely WordCamp Miami.</p>\n\n\n\n<p>David Bisset: We had an eighties theme that year. That&#8217;s why the lunch boxes Yes. It back you. I&#8217;ll see it, I&#8217;ll see it in a second.</p>\n\n\n\n<p>Jess Frick: Um, it was like a Miami Vice thing, right?</p>\n\n\n\n<p>David Bisset: Yes. There were multiple lunch boxes, so it depended on what you saw. We, we kind of put a lot of, um, not to turn this into Work Camp Miami discussion, but we put a lot of Easter eggs into our work camps.</p>\n\n\n\n<p>So if we have a theme, it&#8217;s like, if you didn&#8217;t see the one sponsored poster of the Breakfast Club, then you. Didn&#8217;t you, you wouldn&#8217;t have known about it, and it was just special for that. But yes, so I, you know, we can only pick one. So I&#8217;m putting you down for Orlando 2015, but I&#8217;m very honored that your, that your backup, that your second place was WordCamp Miami. I&#8217;m, ooh, where? Camp Miami. What year was that? I like to say it was 2018. It was 2018 was it? I think for our 10th year. Um, yeah, but I was supposed to be there and I wasn&#8217;t. All right. Well, Maestro, uh, so far nobody&#8217;s hopefully taken your picks. So, um, what would, what WordCamp would you put up as your, as the one that you, uh, remember fondly of?</p>\n\n\n\n<p>Oh, wait, we can&#8217;t hear you.</p>\n\n\n\n<p>Maestro Stevens: Since I never technically attended a WordCamp. Um,</p>\n\n\n\n<p>David Bisset: not even virtually.</p>\n\n\n\n<p>Maestro Stevens: So I spoke at Work camps virtually in 2021, but I didn&#8217;t attend work camp as a attendee.</p>\n\n\n\n<p>David Bisset: Were you a ghost?</p>\n\n\n\n<p>Maestro Stevens: But I&#8217;m gonna take it to the left a little bit. Um, I would say no, I was not a ghost.</p>\n\n\n\n<p>David Bisset: Okay. But you attend if you spoke, you attended?</p>\n\n\n\n<p>Yeah. You just didn&#8217;t physically attend?</p>\n\n\n\n<p>Maestro Stevens: I didn&#8217;t physically attend cuz that was the year that we had to virtually attend. So, um, yeah, uh, it</p>\n\n\n\n<p>David Bisset: was north. Oh, so it&#8217;s a seance you attended, I mean, you, you were there?</p>\n\n\n\n<p>Maestro Stevens: Yes. Yeah. Yes. Uh, attended, um, Northeast Ohio work camp in 2021. So, and what I mean by attendance, I&#8217;m talking about like, I didn&#8217;t just go there to go or attend, I was speaking, so that was the big part of my attendance versus just going to a world camp as an attendee, if that makes sense.</p>\n\n\n\n<p>David Bisset: So that&#8217;s the one who stood out. What was your talk on?</p>\n\n\n\n<p>Maestro Stevens: Uh, my talk for 2021 was, um, five. Look at my notes here. It was, uh, about modern marketing for, uh, minority and underrepresented businesses using WordPress.</p>\n\n\n\n<p>David Bisset: And was that the first one you physically attended? The one you spoke on? Virtually? Virtually.</p>\n\n\n\n<p>I&#8217;m sorry. Virtually, yes. I&#8217;m sorry. I&#8217;m getting my, see, that&#8217;s why my blood sugar&#8217;s low. I&#8217;m, I&#8217;m, I&#8217;m fasting right now and my doctor said as it wasn&#8217;t a good idea to come on a podcast while that was going on, so forgive me, but how did you speak at any virtually, have you spoken virtually before at anything before that?</p>\n\n\n\n<p>Maestro Stevens: Never. Never a WordPress specific, uh, topic based scenario, but other things I had, yes.</p>\n\n\n\n<p>David Bisset: Okay, so you did, so it wasn&#8217;t your first real, it wasn&#8217;t your first rodeo. Just a just a little bit different speaking in front of a different audience though.</p>\n\n\n\n<p>Maestro Stevens: So prior to then, so I&#8217;m 36 years old. I feel like I gotta put this out here.</p>\n\n\n\n<p>I feel like I don&#8217;t judge, I&#8217;m real young here. Like you, you try to call me out with the Stanley Cooper thing. So I&#8217;m saying I&#8217;m 36. My, uh, I, you&#8217;re</p>\n\n\n\n<p>David Bisset: younger than me, sir. So you take, well, I&#8217;m, you take the ball and</p>\n\n\n\n<p>Maestro Stevens: run with it. I&#8217;m saying this to say, um, I, I started the WordPress late, so I didn&#8217;t even know WordCamps existed prior to 2018, which all of you were well endowed into the WordCamp WordPress system.</p>\n\n\n\n<p>So thank you. It was totally new for me at that time.</p>\n\n\n\n<p>David Bisset: Well, are you looking, are you planning on tending another one?</p>\n\n\n\n<p>Maestro Stevens: Do you want me to drop a secret?</p>\n\n\n\n<p>David Bisset: Oh, yes, yes. I need the ratings.</p>\n\n\n\n<p>Maestro Stevens: So, um, hope, I don&#8217;t know when this is gonna air, but, um, I actually am hosting a workshop at Work Camp Europe. Athens. Greece.</p>\n\n\n\n<p>David Bisset: Well, there you go. Wow. That is a Well, that escalated quickly. That&#8217;s what, that&#8217;s amazing. Well, congratulations. Don&#8217;t, don&#8217;t say anymore cuz we don&#8217;t want to get you in trouble. So you are going to be, have you ever spoken out of the country before? No. Oh, so it&#8217;s gonna be, wow. I&#8217;m gonna watch the, uh, cam, I&#8217;ll, I&#8217;ll have to find someone to point a camera at you cuz get, get, get you in your most nervous moment.</p>\n\n\n\n<p>Tune into an animated gift because my therapist says that&#8217;s what works best for me and my condition. So, very good. Very well done, sir. Okay. Well, northwest Ohio, they need some representation. So, Northeast, excuse me. Northeast. No, we don&#8217;t wanna, no,</p>\n\n\n\n<p>Maestro Stevens: they&#8217;re, we&#8217;re serious about that now. N eo</p>\n\n\n\n<p>David Bisset: now we serious about that.</p>\n\n\n\n<p>We don&#8217;t wanna represent the northwest. Those sons of motherless goats, those people. This, that&#8217;s a, I can&#8217;t swear on this. All right. Northeast Ohio 2021. It is. And welcome to the, welcome to the 2020s. So, Uh, work camps on our list. So last ends with me. I&#8217;m gonna go with, uh, I I I didn&#8217;t wanna pick, uh, any work camp Miamis.</p>\n\n\n\n<p>Um, I think that would&#8217;ve been way too easy if, if, uh, cuz I, I, I&#8217;ve been involved in the organization of that for a decade. I will say though, that work Camp Miami, I think Pat we already mentioned 2018. I, if I had to pick one of that, if I had to pick a second place, that would&#8217;ve been it. We had a thousand people at the FIU campus.</p>\n\n\n\n<p>That was also the same year. The bridge collapsed. There was a bridge collapse at, at the, um, at the campus. Uh, there was some in like a day before the conference, a bridge spanning over a highway collapse that connected the school with the parking lot. And it was major pana. It was, they had to close the school.</p>\n\n\n\n<p>Um, fortunately we were able to keep open. It was just pure madness. Uh, we had to coordinate with the. With the WordCamp committee to, to, to make sure things were okay. And communication got out and people were, it was, it was just a, for the first day it was really a big mess. And it was very sa It was a sad occasion too on top of it, cuz some people did, did lose their lives.</p>\n\n\n\n<p>But on the, on the, uh, what helped, what helped deal with that is that we had over a, still over 1,011 hundred people attend that conference, which was the largest work camp Miami in one of the largest non regional work camps up to that time. We think that&#8217;s the one with the, where we did have our 80 eighties theme.</p>\n\n\n\n<p>We had people dressed like, uh, various eighties stars giving, giving talks. So we asked, we kind of had a costume contest at the same time, um, and the swag. But since I can&#8217;t pick a work camp Miami, I&#8217;m gonna go ahead and pick work Camp West 2016. Just, I just, this is, um, I&#8217;m kind of cheating a little bit by going with the, um, Go.</p>\n\n\n\n<p>Well, let&#8217;s see. Going with the, sorry, I&#8217;m just doing, I&#8217;m gonna have to edit this out.</p>\n\n\n\n<p>It was the very first one, right? Actually, I got my picks mixed up. I got my, oh, I got my picks mixed up. So anyway, um, don&#8217;t worry, I&#8217;ll edit that part out. But we&#8217;re the, actually the work Camp Miami 20th 10th anniversary was my pick. I will find a way to edit this to make it sound coherent, but yes. Work Camp Miami 10th anniversary.</p>\n\n\n\n<p>I got to pick my own work Camp Miami as my most memorable moment. And just to repeat myself, because I&#8217;m gonna edit out the part, I&#8217;m gonna delete the last part. Um, I got my work camps mixed in. So like I said, there was an 80 theme. We had over a thousand people come. There was that. That was that unfortunate incident.</p>\n\n\n\n<p>The bridge collapsed. Um, so we got off to our rough start, but everybody, we, we couldn&#8217;t, we didn&#8217;t have our pre-party because of that incident, um, at the work Camp Miami. But Friday our workshops went off with a good start. Um, we had three workshops, I think like a couple hundred people came to those. Um, we had Matt show up for Work Camp Miami for the 10th anniversary.</p>\n\n\n\n<p>Uh, he was in the neighborhood. He decided to drop by and we had at the very end, one of the most attended closing remarks, um, ever. We have a really great picture of it. I&#8217;ll, I&#8217;ll try to remember to put it in show notes. It&#8217;s a really good PR picture for any work camp, but especially for us. We also had like a two day kids club and anytime someone says, um, like, like what&#8217;s a good example for a kids club?</p>\n\n\n\n<p>And for me personally, it was that two day kids club that we had at Work Camp Miami. And it, it really, like a lot of good things happened at that work camp from an organizer that I&#8217;m very proud of. But I will always look fondly at that 10th anniversary. The kids, the kids&#8217; club or the kids&#8217;, um, workshops were the highlight because they, we had, we actually split it up between young, young kids between, I don&#8217;t know, between five and 10 or five and 12 or six and 12.</p>\n\n\n\n<p>But we had one for the teenagers, the high schoolers, and the first day on a Saturday, they actually learned how to use WordPress. But on the second day we taught &#8216;EM marketing. So not only do they learning how to build WordPress websites, e-commerce websites, specifically on day one, but on day two they were taught how to market those websites.</p>\n\n\n\n<p>Um, And that to me is a model for the getting the younger people more interested in the word in WordPress going forward. It&#8217;s not just, this is how you blog or this is how you move a block. Yes. But you really, these days especially need to teach the young people how it really applies to them when they, when young people, I&#8217;m gonna throw out some young kids&#8217;, kids&#8217; terms here when they&#8217;re on the tos, when they&#8217;re on the tu toots, whatever, over in the Instagrams, like for, they&#8217;re not very hard concepts or networks.</p>\n\n\n\n<p>Right? But, but even more so is like, how can I use this platform either to entertain myself or how to make money or how to get myself popular? Which hopefully when you get old enough, eventually it turns into how can I make a living off of this? Or how can I use this to my advantage? And the technology comes second to those priorities, right?</p>\n\n\n\n<p>So, Our kids camp. That was the whole point of teaching kids, okay, this is how you build something. But tomorrow we&#8217;re gonna show you how you can market this and sell. If you wanna make any e-commerce story, this is how you market it. This is how you get into the search engines, or this is how you use these plugins.</p>\n\n\n\n<p>This is how you create a business plan, which was actually part of the course. So anyway, work Camp Miami 10th anniversary, the eighties theme just ruled. Um, I wish I had a poster, um, but I&#8217;ll share the link in the show notes to a lot of the posters we took, like we had a back to the future theme for our sponsor posters.</p>\n\n\n\n<p>It was just a really great time. So anyway, I digress. Hopefully I&#8217;ve covered over some of my mistakes and now you know what my next gonna be, but we Camp Miami 10th anniversary 2018 was my, was my pick on that. Alright, so now we&#8217;re in round three. Thank and this is why we didn&#8217;t do it live people. Round three last category, Aruba.</p>\n\n\n\n<p>We are going to cover now the state of the word announcements. So you didn&#8217;t have to be there in person. Just to clarify, you didn&#8217;t have to be there in person. You didn&#8217;t even have to be into WordPress at the time, technically speaking. But if there&#8217;s anything historic, anything that stands out to you. Um, the favorite, Matt Moway, so this is Matt.</p>\n\n\n\n<p>Matt was giving these in person up until Covid. So I believe his last in-person WordCamp, uh, state of the word was 2019. And I don&#8217;t think he&#8217;s done in-person state of the word since. Sarah could probably back me up on this probably, but I think he&#8217;s done virtual ones ever since, starting in 2020. And uh,</p>\n\n\n\n<p>Sarah Gooding: I think he did, didn&#8217;t he do one in New York City or one or two?</p>\n\n\n\n<p>He did in New York City with a small audience. It wasn&#8217;t like at a WordCamp, but it was like, yeah, yeah, you&#8217;re right. You&#8217;re technically, but, um, yeah, it wasn&#8217;t attached to a WordCamp.</p>\n\n\n\n<p>David Bisset: You&#8217;re right. I, I misspoke. So not attached to WordCamp. Not a WordCamp. Yes. Used to be a U WordCamp Us. Um, Tradition.</p>\n\n\n\n<p>Exclusive. Yeah, yeah. Tradition at the end, everybody would line up, get into the room, get into this big room, and people would approach the mics. Um, some infamous people would&#8217;ve questions every year. Um, and if you, sometimes you, sometimes you couldn&#8217;t answer, sometimes you couldn&#8217;t get to all the questions.</p>\n\n\n\n<p>So, and then in 2020, I know he did a couple of virtual ones every year, and then I&#8217;m gonna guess 2021, he probably started, um, having them in the Tumblr office. I could be wrong on that. Mm-hmm. But it was a small audience. But ever since then, they, they were disconnected from WordCamps in 2019. Now your favorite, um, this is the announcement.</p>\n\n\n\n<p>So you can pick, you can you all pick and pick the same state of the word, but you can&#8217;t pick the same announcement during the state of the word. So that&#8217;s, so that&#8217;s that, those are the rules. So Aruba, in case any of that made sense, What would you like to tell us would be your best, your, your, your favorite, most memorable state of the word announcement or a state of the anything mentioned at State of the Word, I should say.</p>\n\n\n\n<p>Mm-hmm.</p>\n\n\n\n<p>Aurooba Ahmed: So the very first WordCamp I went to, that wasn&#8217;t WordCamp Calgary was WordCamp US 2019. And that was very memorable for me. So it was the very first time I also saw a state of the word in person and the thing that really I still remember to this day. And it really drove home for me. What we are now doing with WordPress was when Matt told us that the slides were all made inside Gutenberg.</p>\n\n\n\n<p>Wow. That every single one was using and they had just sort of finished live coding it. You know, Ella, one of the core contributors, she had built this plugin and it lets you basically use reveal js and have this block. And so each slide was just a block in this single document where Gutenberg page and it was full screen and it had like really lovely design, even had a little bit of animation and it was like, wow, you know, this, this is, it was such a clear demonstration of what we were capable of, what we were trying to aim for.</p>\n\n\n\n<p>With the block editor and I just, it was, it was, it was a core or a press memory for me for sure.</p>\n\n\n\n<p>David Bisset: I&#8217;ll try if, if you, when you send your links, if you, um, you people have done so much work enough, I really appreciate it. If you can, if you can find the video and find that timestamp to that mm-hmm. When you made that announcement, that would be great.</p>\n\n\n\n<p>I almost wanted it that point to have WordPress be a slide maker. I&#8217;m surprised no one has really come out with the plugin for that since, or maybe they have, but that must be There is a plugin. Oh. To make slides out of</p>\n\n\n\n<p>Aurooba Ahmed: the original plugin is in the repo and since then there have been multiple other plug-in plugins that, you know, let you create slides with WordPress that are out there.</p>\n\n\n\n<p>Yeah. Well that&#8217;s, I&#8217;ve done it for a presentation myself. It&#8217;s really cool. Lots of fun.</p>\n\n\n\n<p>David Bisset: Okay, so that was work Camp US 2019, right? Yeah, that&#8217;s right. The last in person one I, I remember. Mm-hmm. I remember. Mm-hmm. Being in the audience. I can&#8217;t remember that specifically cuz I was probably tweeting too fast.</p>\n\n\n\n<p>Okay. Well great. That&#8217;s fantastic. So we still, we have the Gutenberg. Hey, turns out these are slides announcement from Work Camp US 2019. So Sarah, so you I&#8217;m sure covered a lot of state of the words at the tavern over the years. What was the one that stood out to you? Or what announcement or something brought in the state, in a state of a word, stood out to you the most?</p>\n\n\n\n<p>Sarah Gooding: Yeah, I usually do a writeup every, every year for the state of the word. And, uh, 2014, um, in, at Ward Camp San Francisco. It was the last ward camp San Francisco. And Matt announced this is the last time we&#8217;re gonna be here and, uh, we&#8217;re next year we&#8217;re gonna continue with Ward Camp us. So that was like a, a major change.</p>\n\n\n\n<p>Um, And it was kind of like WordPress was stepping into its global destiny, I felt like, because, um, he also at that time announced that it was a big turning point for the project because, um, the number of non-English downloads surpassed the number of English downloads of WordPress. Yeah. So the software was just getting more of a global user base.</p>\n\n\n\n<p>And, um, he announced that basically they&#8217;d outgrown their flagship WordCamp and we&#8217;re moving it to a whole, a bigger one. And, um, we out, we outgrew I R C and we moved to Slack that year. So that was kind of a big thing. It was a major change for the project&#8217;s, communication tools. Um, and at that time, I think Fiber, the future had just started.</p>\n\n\n\n<p>So he, he said during that address, this is what&#8217;s gonna take us from 23% to 30% or 40%, 23%. And it was so ambitious at the time. It was, I mean, who, who could imagine at that time that, that WordPress would be 40% of the web? And um, it was just an exciting time to be a part. I was, I was there at the WordCamp, um, but there was so much energy because WordPress was growing so fast and it was every year you&#8217;re gonna expect it&#8217;s gonna grow and grow and outpace all its competitors.</p>\n\n\n\n<p>And uh, it was a great, it was just a great time to start getting involved because um, the energy was, was so good at that time.</p>\n\n\n\n<p>David Bisset: Yeah, I remember the excitement about award camp us cuz it definitely, there wasn&#8217;t anything beyond a city level at that time. Maybe, maybe, maybe a few regionals, maybe, you know, along those lines.</p>\n\n\n\n<p>But it was nothing on a continent. Well it&#8217;s not a continent, David, you gotta go back to school on a country.</p>\n\n\n\n<p>Sarah Gooding: I think they might have, they might have done WordCamp Europe by then, I&#8217;m</p>\n\n\n\n<p>David Bisset: not sure. Was Work Camp Europe first. I think it, yes, I think it was so,</p>\n\n\n\n<p>Sarah Gooding: and there was kind of a rivalry for a while.</p>\n\n\n\n<p>Seemed like, you know, WordCamp Europe is bigger, or WordCamp US is bigger. And then remember just back and forth every year.</p>\n\n\n\n<p>David Bisset: Remember I remember WordCamp, I remember Matt saying that he wanted WordCamp us to be bigger than that. I, I didn&#8217;t think that, I didn&#8217;t think that was gonna be possible cuz just on geography alone, um, just because Europe is just so much bigger in terms of, in terms of that than a, than a US would, would, would be able to.</p>\n\n\n\n<p>But yeah, so we did have Work Camp Europe, but, but really regardless of size work, camp US is a, is the flagship event of all the work camps, at least in my mind. And it&#8217;s not just because of size, it&#8217;s just because it was, I, I think because of that. Day in 2014 where it&#8217;s like, and I guess maybe, maybe it is a, maybe it is a United States centric thing for me, cuz I live in the US but it was kind of along the lines.</p>\n\n\n\n<p>I&#8217;ve seemed like that was Matt&#8217;s home WordCamp. And as WordCamp US kind of progressed, taken two cities every year. Was it? It was, yeah, it was the same city two years in a row. Move on to a different city. Matt just seemed to embrace the, remember the boot on stage in Memphis. Um, he just seemed to embrace the, I mean, where Campy West was Matt, and it&#8217;s not, it was, it was not it, you know, the two seemed pretty closely linked together and although he did attend work Camp Europe, um, I don&#8217;t remember him giving a state of the word at work Camp Europe either moving forward.</p>\n\n\n\n<p>He always did it in San Francisco and then kind of did it at us, um, for a while. So that to me was always like the home work camp because Matt was always. They&#8217;re doing his state of the word. That was, that was the, that was the central thing. And of cor of course, Europe was, was bigger, but it was, it was the WordCampy west that always seemed to be a special home for that.</p>\n\n\n\n<p>So I, I guess that, does anybody ever, did anybody ever attend the last one in San Francisco in 2014? I, I was there. Yeah, I was, I was there too. I think that was the one where they had the fire alarm or the medical emergency or something too. Mm-hmm. And, uh, yeah, it was very tightly packed in there. Um, the state, when Matt did his state of the word, people were sitting, like, I, I was, I had, I had to get like there an hour before just to be in the front row and super glue myself to the seat.</p>\n\n\n\n<p>Which was embarrassing because I didn&#8217;t bring a change of pants. So anyway, that&#8217;s a different story. I so work camps San Francisco 2014 when we announced work camp us among all the other things that Sarah mentioned too. So that is a very memorable war camp and what I can appreciate cuz I was there. All right, Jess, keep this train going along here.</p>\n\n\n\n<p>What work camp, or excuse me, what state of the word announcement sticks out in your mind?</p>\n\n\n\n<p>Jess Frick: Also exciting, but in a different way. 2018</p>\n\n\n\n<p>David Bisset: WordCamp US 2018. Yes. It</p>\n\n\n\n<p>Jess Frick: was as if the entire stage was surrounded by gasoline and half the audience had pitchforks, like the tension was palpable in the room. And everybody&#8217;s like, oh my God, what is he gonna say when he gets on the stage?</p>\n\n\n\n<p>And he starts with this video of people just talking about how crappy the interface was on the old WordPress. And we&#8217;re like, yeah, actually he&#8217;s, he&#8217;s not wrong. And then they show. Guttenberg. That was when Morton got up and brought up some really reasonable questions about transparency, and I think that was the first time a lot of people really started thinking about, you know, how much transparency is there for contributors?</p>\n\n\n\n<p>And, you know, what do you have a say in? And honestly, like, I don&#8217;t wanna turn this into like a Matt Fangirl moment, but honestly that was one of the times where I most admired Matt&#8217;s leadership of the project because I felt like he really stood in front of the team and took the bullets and then said, Hey, I hear you.</p>\n\n\n\n<p>I feel you. Feel free to get involved and make, you know, informed opinions in our dev meetings and we&#8217;d love to have you, but otherwise maybe just hang out. Um, I, I feel, and that&#8217;s of course me cribbing it, but I thought that he handled it with. Grace and elegance. And I thought that at the end of it, people were a lot more, I feel like the vibe was a lot more relaxed and excited about the go forward.</p>\n\n\n\n<p>You know, most of the WordCamp had, you know, built up this tension and it definitely felt a release after that. Um, yeah, I, I had been to other state of the words, but none really shined quite like that for me. Um, now Matt&#8217;s, Matt&#8217;s a great leader and I&#8217;m not just saying that because he&#8217;s, you know, essentially my boss, um, but also because he is my boss.</p>\n\n\n\n<p>Um, but it really was a really great moment, I think, for the WordPress project. And that was when I really wanted to get involved into contributing. Um, cause you know, if you&#8217;re gonna cry for transparency, you should probably do something with it.</p>\n\n\n\n<p>David Bisset: It took a lot of guts to probably get up there because like you said, this was the same event.</p>\n\n\n\n<p>Where a couple of days before people were in their hotel rooms coordinating with teams to get their stuff ready for Gutenberg. Right. Um, controversy going forward and like, wait, I, the amount of discussion, because remember, you know, this was before where camp started, so once I think, I think when I think we got out of that mode of rush, rush, rush, rush, like updates happening every, you know, probably on Twitter we were just monitoring the, the entire.org forms was, was just nuts.</p>\n\n\n\n<p>And, um, slack was nuts. Um, I think it was, it was Slack then I think, right? Yeah. It was whatever form we were communicating with, it was, it was, it was nuts. And then work camp started and then you had that. Like he&#8217;s taught, like that wasn&#8217;t the fir, that was the last thing at work camp us. Right? So you had hallway was, I remember having hallway conversations about the, and I won&#8217;t, I won&#8217;t go into it.</p>\n\n\n\n<p>I mean, it was, it was more just nervousness than negativity, but it was just like, you know, people were on edge. And for Matt to have that state of the word and like in that kind of, um, I, it, it took a lot, it took a lot of guts to, for anybody to do that and, um, for anybody to ask questions. And that did lead to conversations with Morton and then from thereafter about transparency.</p>\n\n\n\n<p>Does any, does anybody remember, um, that particular feeling in the community at that time?</p>\n\n\n\n<p>See, seeing some nods there? Yeah, that&#8217;s, that&#8217;s okay. I wouldn&#8217;t have answered that question either vocally and been on the record. That&#8217;s fine. Uh, there&#8217;s too much, uh, uh, I, I think people forget. Like how hectic it was then. And I think because of the way Matt handled that, even with probably looking back on it, I think some things maybe could have been handled better in hindsight.</p>\n\n\n\n<p>But, but you know what, what, when you look back on something, what&#8217;s, how does that differ from anything, anything else in terms of how you can handle anything better? I did make a notable, he did make a notable comment about more transparency. Yeah. Um, because honestly, up to that point in time, the reason why things weren&#8217;t so hectic is because it&#8217;s not as transparent as things are today.</p>\n\n\n\n<p>And that&#8217;s, that&#8217;s how I looked at it. If everybody feel free to, you know, jump into here, I&#8217;m, but now that with especially Josepha, um, over the years being more transparent, the things on.org, I think a lot of that transparency would&#8217;ve taken us over time, a lot slower to evolve if it wasn&#8217;t for. How Matt handled that and the people asking him questions deserve as much credit as that.</p>\n\n\n\n<p>But that was a very difficult time too, because the media, there was a lot of media attention on that state of the word outside of WordPress too. And I&#8217;m not sure if people remember that, but, um, I remember like news organizations and I, I don&#8217;t remember the, the ones that existed then probably don&#8217;t exist now.</p>\n\n\n\n<p>So I don&#8217;t know what, but a lot of news organizations, this was in the news, is that the one where the mayor came on stage? I can&#8217;t remember. But this was on, this was in the news. This was, um, this was big news to the, to the entire internet that WordPress, whatever market share hold the time has launched This Gutenberg editor and Matt Longway was in the news was, was on lot of tech websites that were not WordPress related.</p>\n\n\n\n<p>It was a big deal. So that probably was the most media attention, media focused. Hectic nervous ball of nerves type of state of the word that probably I can ever, ever think of. So that was definitely one for the history book. So where camp u s 2018 in Gutenberg.</p>\n\n\n\n<p>Sarah Gooding: I think all that, that controversy was so healthy though, because you had all these really high profile contributors and business people who were like, no, this isn&#8217;t ready to ship yet and you&#8217;re giving us three days notice.</p>\n\n\n\n<p>And it was, it was, it was a discussion. And, and Matt was very present there. He was in the dev meetings and he, he was back and forth and, and you gotta remember like all these people really grew up together in their careers. I mean, this is, some of these people have a 20 year history together. Yeah. You know, at least 10 or 15 years for a lot of the people who own the, these big businesses or have been contributing a long time.</p>\n\n\n\n<p>And you know, some of &#8217;em are real brave to speak up and be like, Hey, this isn&#8217;t cool. We don&#8217;t want releases like this in the future. And, um, You know, the, it&#8217;s amazing to see how the project, the project has changed over the years, and especially Josepha has been just amazing. But, but they, all these people have grown up together and they&#8217;ve, they&#8217;ve matured together and the project has matured and it&#8217;s, it&#8217;s really a cool thing to watch.</p>\n\n\n\n<p>And, uh, I think controversies like that are, are good because it means that people feel free to talk to each other still. It&#8217;s not just some, some cold corporation style thing that the, you know, it&#8217;s a family and people are gonna speak their minds and, and it&#8217;s healthy and it, and I like that. It was an exciting time.</p>\n\n\n\n<p>David Bisset: I&#8217;d be honest. I mean, to me, I think some people stuck I, the further away we get from that moment, which is, it was 2018, so that&#8217;s like what, five years from, it&#8217;s, it&#8217;s a distant memory now, but I know some people look back and instill with a bit of anxiety. Uh, so</p>\n\n\n\n<p>Jess Frick: I don&#8217;t think 2020 and 2021 were real. So it really was just like two years ago.</p>\n\n\n\n<p>David Bisset: Whenever some, i I, this will always be a word can, well, it&#8217;ll always be a time where somebody&#8217;s gonna say, well, you know what, back then this happened and it wasn&#8217;t great and blah, blah, blah. But it, it kind of like, it was definitely a, like a growing up point in terms for the whole community. It&#8217;s time to put our big person pants on.</p>\n\n\n\n<p>And yeah, some Matt admitted some things were not, were his decision, but they weren&#8217;t, they weren&#8217;t right. But they were his decision. They took responsibility from &#8217;em. And we have some of the things today. We have the trans, we have the transparency today and things today because of the conversations that came from that.</p>\n\n\n\n<p>So, Um,</p>\n\n\n\n<p>Aurooba Ahmed: we also have more contributors now because of it. I mean, I&#8217;m one of those people who was affected before that. I had never contributed to WordPress before 2018. You know, uh, the, the merging of Gutenberg decor was not just a moment of like a chapter change for the software or even for the folks who were growing up.</p>\n\n\n\n<p>It was also a moment of it created space for new blood, which I don&#8217;t think really existed before. And I still think that, you know, we&#8217;re also doing work to make contr, uh, contributor stuff easier for everyone. But that was for me, a really big, like milestone. Like looking at it from, as in just coming into that community at that time.</p>\n\n\n\n<p>Like, oh, okay, I, I could actually do something here too. You know? I don&#8217;t have to just wait for all these other people who&#8217;ve been here for the last, like, many years, these, uh, the legacy folks and, uh, and wait for them to do something. I could maybe do something too. So, and you&#8217;re walking. That&#8217;s something.</p>\n\n\n\n<p>That&#8217;s how I remember looking into it.</p>\n\n\n\n<p>David Bisset: Yeah. And you&#8217;re walking in brand new, like, why is everybody so nervous?</p>\n\n\n\n<p>Aurooba Ahmed: Well, it was still nerve-wracking, right? Like it was also one of those things that affected, it was an economic. Problem because it affected people&#8217;s livelihoods in a very deep and impactful way that other updates didn&#8217;t necessarily do, or other updates before They did create that impact, but it was almost always a little bit positive.</p>\n\n\n\n<p>But this one was like, it could be positive, it could be negative. It&#8217;s like a, like we took something that was like this and we said, oh, okay. It&#8217;s like this now. Like, what, what&#8217;s going on? Took a leap. So it&#8217;s different.</p>\n\n\n\n<p>David Bisset: Yeah. And there was also the four phases of Gutenberg and very, mm-hmm. And then which, which, which kind of laid out the entire plan, which we are still going, we&#8217;re entering phase three as we speak.</p>\n\n\n\n<p>So anyway, Maestro, we want to get to you, um, state of the word announcement or anything you want to tackle there.</p>\n\n\n\n<p>Maestro Stevens: I&#8217;ll segue the, um, the phases of Gutenberg. I think that for myself and then with Aruba, what you were saying as far as the, uh, contributing to like bridge them together. I think it, I don&#8217;t know if it was 2020 or 2021, so anybody can help me out.</p>\n\n\n\n<p>But I got really excited when Matt started talking about the collaboration. Um, that was something that, it was just super cool bringing Google Docs type features, you know, um, to WordPress. And for me, um, as a new contributor, that was, uh, in essence, um, I would say a part of, um, how I feel like other people can contribute that aren&#8217;t really WordPress savvy by being able to at least collaborate with other word pressers.</p>\n\n\n\n<p>Um, that was awesome. I believe it was 2020 when he was, if I&#8217;m not mistaken, the, uh, instead of the word, um, when he had mentioned it. Cause I started watching them after they were, uh, they weren&#8217;t, you know, attributed to the WordCamps themselves.</p>\n\n\n\n<p>David Bisset: Yeah. Collaboration&#8217;s big. Uh, we&#8217;ll find the, we&#8217;ll we&#8217;ll see if we can find the time set.</p>\n\n\n\n<p>I honestly can&#8217;t remember. Like the four phases were always laid out and collaboration was always phase three, but I can, but there was very little detail in the very beginning, like 2018, what those phases were actually gonna be. So 2020 sounds about right cuz I, um, I remember sitting virtually getting more information about the collaboration stuff and over, over the years it&#8217;s gotten a little bit more detailed, but what about, well, Maestro, since uh, I, since you&#8217;ve been, you&#8217;ve been humbly listening to all of us Jabber about our old days.</p>\n\n\n\n<p>What specifically about the collaboration stuff stood out to you the most? Why, why would you be excited about that particular phase? Why did that stick out in your mind?</p>\n\n\n\n<p>Maestro Stevens: Well, I felt for a while it was kind of annoying, um, having to</p>\n\n\n\n<p>get permission or kick somebody out. Of being able to edit the page. Ah, and that would like that, that hurt a lot of production time. Um, it made people have to communicate a lot more. It made you have to wait, um, if you are patient or not patient. It made you have to practice patience. Like you got kids. Um,</p>\n\n\n\n<p>David Bisset: I kicked them out of their blogs all the time.</p>\n\n\n\n<p>Maestro Stevens: Yeah, right. You know, so it was, it was, uh, for, for, for me and for some people that I knew, it was definitely a great, uh, aspect of them being able to work alongside. And so that was different for, um, me working with a designer and a developer. The fact that they can both, like if they can both be in, when he announced that if they can both be on the same page at the same time along with myself and we&#8217;re all kind of doing our own thing, we just have to wait for each other.</p>\n\n\n\n<p>That to me was just invaluable. Cause I&#8217;ve been using Google Docs forever and I think a lot of people have, um, have, have gotten used to being able to like edit things in real time. And it was the real time factor that I thought was so cool. I had no idea. Word Press. Was going to do or could do?</p>\n\n\n\n<p>David Bisset: Do you think that could be the next wow factor in terms of Gutenberg?</p>\n\n\n\n<p>I mean the, I mean, we, full side editing is big, but to the outside world, I don&#8217;t think it has been as revolutionary because well, side editing exists, right, exists outside of WordPress. But I, correct me if I&#8217;m, I&#8217;m this, hopefully we get this out in a video form, but I, in case you&#8217;re listening to the audio, everybody&#8217;s nodding their head yes.</p>\n\n\n\n<p>I just want to let that, I just wanna make that clear. Uh, but I&#8217;m imagining the collaboration more than just editing a Google Doc type of a thing. I, I&#8217;m hoping, I&#8217;m hoping that collaboration also means I&#8217;m seeing someone drag a block here while I&#8217;m dragging a block over there on the page. Big, my like.</p>\n\n\n\n<p>Yeah, that&#8217;s the level. Like we think of collaboration as Google Docs, which is fine cuz we&#8217;ve grown up with that. Google has nailed that functionality and over the years other people have caught up. Even, you know, apple and other people took a while for them to polish that out. That wasn&#8217;t their strength.</p>\n\n\n\n<p>But now, but now it&#8217;s, you know, like that&#8217;s table stakes now in terms of if, if you&#8217;re collaborating, if there&#8217;s any collaboration at all. Like unless you&#8217;re a journal app that is just you or the author, there has to be some sort of sharing or collabora, you know, live, you&#8217;re seeing someone else&#8217;s cursor on your screen, right?</p>\n\n\n\n<p>It was built into Apple&#8217;s os later on. But Google pretty much set the, set, the standard moving forward. But you know, so that is a standard. So if that is done in WordPress, editing a document, editing text, uh, I&#8217;m hoping there&#8217;s more and I hope WordPress gets that, that wow feature factor. Kind of back, which is difficult to do when you do open source, cuz it&#8217;s not like you&#8217;ve kept, you can&#8217;t keep something hidden.</p>\n\n\n\n<p>Right. And then release it, because that&#8217;s not, you&#8217;re not gonna get open source con contributors doing that. It&#8217;s all gonna be out in the open. So it&#8217;s not gonna be a surprise to us. But I&#8217;m hoping that you can start dragging blocks and building pages, like seeing things being built in front of you and just like, um, I think it was, was it was, was it, I forgot.</p>\n\n\n\n<p>I&#8217;m sorry. What? Who was who? Who was com Uh, I think Jess said, I think it was you about like when go, that video started that guttenberg about all these people complaining by the editor and then you saw the new editor. I want to see a video like that when, when the, when the collaboration tools come and you just see live on a video or even live like this is, this is this whole, how about the slides were, somebody should just like, you know that that meme with the dog and the, and the, and the railroad tracks from a walls and grot.</p>\n\n\n\n<p>Yeah. Yeah. Um, you know how he&#8217;s putting down the railroad tracks really fast. There&#8217;s a tr as he&#8217;s building it as the train goes. I would like to see that in slide form, in WordCamp, state of the word maybe,  or something along those lines. Some live demo or live presentation or really slick video of really cool collaboration tools.</p>\n\n\n\n<p>So I think,</p>\n\n\n\n<p>Aurooba Ahmed: I think if you put collaboration and multilingual together in one video, it&#8217;s like p</p>\n\n\n\n<p>David Bisset: yeah. It&#8217;s, I can understand multilingual and I understand people&#8217;s, like, why don&#8217;t you put multilingual before that? Because we really need it. We really need it. I can understand why it&#8217;s the last one because I think that&#8217;s the most complex part.</p>\n\n\n\n<p>I think that could be the most complex of all, everything. And you, you wanna map your things out probably before you start breaking things up in terms of translations. But yeah, just imagine esp uh, I don&#8217;t want to get too ahead of ourselves, but like, I, I, I&#8217;ll, I did like a what would be a, um, ooh, there, there&#8217;s a good question.</p>\n\n\n\n<p>We could, we could probably end on real quick. Um, a spot on question, um, for me, Just real quick, um, my state of the word, um, was basically, uh, 2016 state of the word Matt. Matt, um, was featuring, uh, the year before 2015 was, and I can&#8217;t believe anybody picked this, but I&#8217;m not picking it, but he did say learn JavaScript deeply, I believe in 2015 and then tw in 2016.</p>\n\n\n\n<p>He, and that&#8217;s probably his most quoted phrase of any state of the word, was learn JavaScript deeply in 2015. That&#8217;s why no one picked it. Yes, all of you, all of you should be proud of yourselves, but that&#8217;s not the one I&#8217;m picking in 2016, what happened was after I heard that in 2015 where Camp Miami was like four months away.</p>\n\n\n\n<p>So I came back as one of the organizers and I got with the team and we made a learn JavaScript deeply track at Work Camp Miami based upon what he said because back then there was not a lot of focus on JavaScript and we needed to get up to speak to it real quick. And that&#8217;s what we did through that track.</p>\n\n\n\n<p>But then the following work, uh, after that at Miami in 2016, Unknown to me. He, he put like in one of his slides, like a, um, let&#8217;s see, hold on a second here.</p>\n\n\n\n<p>I&#8217;m gonna put it in our chat so you can take a look. He took a screenshot of the, yeah, thanks. You can s if you&#8217;re gonna laugh, okay. Mute yourself. Thank you. Everybody right now is, God, I hate you all. That&#8217;s a lot of hair gel. David. The sad part is it&#8217;s not hair gel. The, the point is, is that he took a schedule of where Camp Miami and he put it up there, which was fine cuz he wanted to feature p you know, us getting into JavaScript and listening to his advice every year earlier.</p>\n\n\n\n<p>But that he found the worst possible picture of me and put it next to it. Now that&#8217;s bad for two reasons. One, because that&#8217;s not, I don&#8217;t think a representative of War Camp Miami cuz it wasn&#8217;t just me. Um. Other organizers were involved, but two, that was just a bad picture. And I remember you look so happy.</p>\n\n\n\n<p>Well, I was young and I, I don&#8217;t know if I had kids back then, but the point is, the point is, is that I was in the audience and I saw it and I was live tweeting at the time and like, you know, I almost had to change my pants. It was, it was just the moment. And I c it was just the, probably the most embarrassing.</p>\n\n\n\n<p>And I had people looking at me going like, man, you, you look just as just like that guy. And I&#8217;m going, yeah, that&#8217;s me. And uh, but so I got to be on a slide, just, you know, next time, you know, I wish my PR people would, would&#8217;ve coordinated with his PR people. So anyway, I&#8217;ll include a link to that picture in the show notes.</p>\n\n\n\n<p>But that was probably like the work camp 2016 I got on a slide and I don&#8217;t think that&#8217;s gonna happen twice. So that&#8217;ll be etched in history. I&#8217;ll never get a better picture. Yeah, I look better. You know, we could use another slide. But anyway, that&#8217;s, that was my story. All right. So we went from us. We, so we, we went from 2019.</p>\n\n\n\n<p>All of these were work camp uss, of course, except for San Francisco in 2014. So I think that&#8217;s not a surprise there. Um, actually 2020 was virtual, so not, not work camp us. So anyway, that was, that was fun. Now as we wrap things up here, is there, I&#8217;m gonna go in order one last time or one last time. If there&#8217;s anything real quick you wanna bring up, just like we can&#8217;t be as detailed as we were before.</p>\n\n\n\n<p>There&#8217;s gonna be rapid fires. Is there anything that we didn&#8217;t bring up one or two quick memories that didn&#8217;t fit into these categories? Aruba, we&#8217;ll start with you.</p>\n\n\n\n<p>Aurooba Ahmed: Hmm. I can&#8217;t think of anything. I am very happy to not have gotten sniped and got all my memories in.</p>\n\n\n\n<p>David Bisset: Okay, that&#8217;s fine. If, if you&#8217;ve got, if, if you&#8217;re happy, I&#8217;m happy.</p>\n\n\n\n<p>Sarah, is there anything that, that&#8217;s, that, uh, you. That didn&#8217;t fit into those categories you&#8217;ve covered over the years that,</p>\n\n\n\n<p>Sarah Gooding: uh, I have more that do fit into the categories, but, um, nothing outside categories. Uh, I had a couple other links that I thought were interesting, um, that were, that actually happened at WordCamp Europe.</p>\n\n\n\n<p>Um, in 2017 in, in Paris. Matt announced that the Gutenberg plugin was ready for testing. And I thought it was kind of, kind of cool because he hadn&#8217;t been doing big announcements at WordCamp Europe. I mean, he was, he would usually save all the big announcements for WordCamp us. So that was like a major thing that the European WordPress community got to be first in on, or, you know, they got to hear the news first.</p>\n\n\n\n<p>And then in, um, the next year, like one year later, I think it was June, 2018 when he unveiled the roadmap for how Gutenberg was getting into core. And it was just like months away, which started like every, all the people, um, were just scrambling to get ready at that point because he was like, okay, here it comes, we&#8217;re gonna go for it in 5.0.</p>\n\n\n\n<p>And um, and that was an exciting time. I remember I contacted probably like 10 or 15 different people who had freelance businesses or agencies, and I said, what, what are y&#8217;all doing to get ready? And then I, I wrote this post about morphine. You know, some of, some people were like, I&#8217;m just gonna wait and see and I&#8217;ll see if anyone likes this block editor or not, and then maybe I&#8217;ll update.</p>\n\n\n\n<p>David Bisset: Some people are still doing that.</p>\n\n\n\n<p>Sarah Gooding: And then, you know, and then there are others who were like, oh, we&#8217;ve already dedicated an entire team to get us ready for Gutenberg. And we&#8217;re, we&#8217;re already, you know, they&#8217;re giving a very good, uh, just very good PR as far as their readiness for it. And, uh, that was a fun time.</p>\n\n\n\n<p>So I thought that was cool that he saved, he had given both of those big announcements at WordCamp Europe years later. Once that was just, it was established as just, I think it was the biggest WordCamp for a long time.</p>\n\n\n\n<p>David Bisset: Yeah. Agreed. Agreed. So, Jess, Jess, anything we missed?</p>\n\n\n\n<p>Jess Frick: This might, this is probably gonna sound way cheesy when I say it than it is in</p>\n\n\n\n<p>David Bisset: my head.</p>\n\n\n\n<p>You&#8217;re on a panel with me. You&#8217;re safe because I&#8217;ll Okay, cool. Standing next to me, you are the opposite of cheese. What?</p>\n\n\n\n<p>Jess Frick: So, you know, uh, Mr. Rogers, you know, he&#8217;s quoted as saying, you know, when he was afraid his mom would tell him to look for the helpers. And when I think about the history of WordPress, I think about the people in the community and the countless, you know, GoFundMe and somebody gets sick and they can&#8217;t work, or their kid gets hurt, or, you know, during C O V I D when so many different things were upside down.</p>\n\n\n\n<p>And, you know, we&#8217;ve talked a lot about the really cool, about the really technology, but what&#8217;s been amazing to me is to see people that have come together over the years and all the cool things that they&#8217;re doing, um, to support one another. Um, even as recently as like last week, everybody was pitching in to help somebody who somehow found themselves homeless.</p>\n\n\n\n<p>You know, it&#8217;s, it&#8217;s been really, really cool to see so many good people join together under the umbrella and all the good that we do for open source and personal. I told you it was gonna sound kind of cheesy. Uh, but I mean it,</p>\n\n\n\n<p>David Bisset: Well, I, there&#8217;s so many different aspects of the WordPress community that could fit into, um, Kim Parsons is, do I have that name right?</p>\n\n\n\n<p>Yes. Okay. Sh not the first ex, not the first example of, of a member of the community passing away, but I bel But it was, it was, she was well known by a lot of people and which started the, um, the WordCamp Scholarship. Scholarship. Right. I&#8217;m sorry. Thanks. Mm-hmm. Thanks. So, but she is just one example of so many, like we have scholarships for, for, for diversities now, now for other people.</p>\n\n\n\n<p>There was, um, the, I can think of a half a dozen people that have passed away over the years too, that have gotten there every year. We remember them. Um, and that&#8217;s very kind of, Very unique for a community for to do something like that even on, um, regardless of the scale. So yeah, the community really kind of pitches together.</p>\n\n\n\n<p>And we also kinda have fun too. We, we, we do podcasts like this, um, you know, you know, of our own free will except for that one person and blackmailing to be on this panel today. But other than that, we&#8217;re doing this because we are a tight-knit community. So, yeah, I think that&#8217;s great. I think that&#8217;s a great thing to keep in mind over the past 20 years, you know, and there&#8217;s, there&#8217;s, there&#8217;s drama, but I mean, it&#8217;s, it&#8217;s, we&#8217;re we&#8217;re still a collective group for the most part.</p>\n\n\n\n<p>Um, so finally, uh, my</p>\n\n\n\n<p>Jess Frick: Sarah mentioned earlier. People are growing up together.</p>\n\n\n\n<p>David Bisset: Yeah. Bringing ki bringing their own kids to work camps. Right. Somebody, some, somebody supposedly conceived one at work camp I am at don&#8217;t that, so that&#8217;s not at the event. I meant during the weekend. Okay, we&#8217;re gonna have to edit that one out.</p>\n\n\n\n<p>All right, moving on.</p>\n\n\n\n<p>Aurooba Ahmed: Wait, wait. I take it back. There is one like length thing that I wanted to talk about</p>\n\n\n\n<p>David Bisset: Uhoh, and that was when her eyes lit up. When soon as I started talking about conceiving children at work camps, her eyes lit up. You&#8217;re gonna have to go. Go ahead. Go ahead. You&#8217;ll ahead Back over.</p>\n\n\n\n<p>Yeah.</p>\n\n\n\n<p>Aurooba Ahmed: Yeah. Um, that was when Woo Commerce joined WordPress. That was a moment. Oh, it was a big moment, right? Because Woo. Commerce like woo themes, they were doing so well and they had become fast, become the fast, like the most popular e-commerce system in. Like e everywhere on the web and then automatic, uh, it was like the one, like a really big notable acquisition from Automatic before that there, I don&#8217;t know, I have no idea actually if they had done any other acquisitions before then.</p>\n\n\n\n<p>But that one was like, it started the train of acquisitions a little bit and it was like, oh, we were Democrat democratizing publishing and now we&#8217;re democratizing e-commerce. And now it&#8217;s like democratizing like all kinds of other things, social media, et cetera. Right. But WooCommerce really, really began that sort of, um, moment in time.</p>\n\n\n\n<p>Right. For automatic and like how it affected all of us in the WordPress community,</p>\n\n\n\n<p>David Bisset: uh, au Speaking of acquisitions, I, you can&#8217;t go with 20 years of WordPress without talking about the acquisitions that&#8217;ve made in the last decade. Right. We saw the first decade of all these people that were starting companies like, um, like, um, Saed, Saed Automotive, but also Pippin and mm-hmm.</p>\n\n\n\n<p>Uh, like all these people who I&#8217;m drawing punks on right now, the first 10 years you would see them at the work camps and then most of them have moved on or sold their businesses or become acquired. And who&#8217;s, you know, the last, especially the last five or six years, so many WordPress companies that we saw give birth in the early part of the WordPress days now are more mature or they&#8217;ve been absorbed into larger companies and people that were working out of their basements are now like managing like dozens of people at height level companies, um, and, and the hosting companies too.</p>\n\n\n\n<p>Right? Remember when hosting was so immature in the 20, uh, in the early days? Oh, yeah. And, uh, acquisitions. I, when you, when you said that I remember, um, I think it&#8217;s more recent, but in August of 2019, Tumblr Joint Automatic, which was huge. And yes, I think we still have to see the ultimate fruits of that labor because we&#8217;re starting to see Gutenberg and Tumblr now.</p>\n\n\n\n<p>Mm-hmm.</p>\n\n\n\n<p>Aurooba Ahmed: And in day one, which was in the news pretty recently as well, the journaling app.</p>\n\n\n\n<p>David Bisset: Yeah. So, and then I think that if anything is going to outlive, like what Matt said, if anything&#8217;s gonna outlive WordPress, it&#8217;s gonna be Gutenberg. Right. That&#8217;s, that&#8217;s, that&#8217;s the ultimate. So it&#8217;s so exciting to see how automatic is automatic&#8217;s non WordPress business.</p>\n\n\n\n<p>Not directly. We used to think of word of automatic as wordpress.com, but over the years with its acquisitions, it&#8217;s, it&#8217;s now, it&#8217;s now so much more, but it&#8217;s affecting WordPress in ways that we never, I didn&#8217;t think we are, would realize, uh, 10 or 15 years ago. So, Micra, are you with us?</p>\n\n\n\n<p>Maestro Stevens: I am back. Sorry about that.</p>\n\n\n\n<p>My computer is freezing, so I had to restart it.</p>\n\n\n\n<p>David Bisset: No problem, sir.</p>\n\n\n\n<p>Maestro Stevens: It&#8217;s overheating.</p>\n\n\n\n<p>David Bisset: Oh yeah, you&#8217;re, you&#8217;re, you&#8217;re just too hot. All right. So, Hmm. Okay. I&#8217;m gonna have to, I wanna, wanna bet with my wife just now. Just thought I&#8217;d let you know. Um, said something like that. All right. So maestro, uh, bring it home for us.</p>\n\n\n\n<p>Is there anything about, uh, that we may not have, uh, touched on tonight in terms of your, of, of terms, of things in the WordPress history, especially from your perspective?</p>\n\n\n\n<p>Maestro Stevens: I can&#8217;t think of anything. I think that we&#8217;ve touched on mostly everything I would say for me specifically, uh, back in 2020 when I was introduced to, um, o one of one of the plugins, themes and, and, uh, block plugins that I use in cadence, it was a very, um, revolutionary experience for me.</p>\n\n\n\n<p>To say the least. I was using Elementor, I was using a page builder before then. People were talking a lot of crap about Gutenberg, a lot of controversy. I&#8217;m just keeping it real with you. Um, people were saying it was ready, it wasn&#8217;t ready. And then, um, you know, after testing a whole bunch of different, um, plug-ins and themes and they&#8217;re all, you know, a whole bunch of are, are so great.</p>\n\n\n\n<p>But if I wanted to invest into an ecosystem, kind of like Apple, unfortunately, I thought my investment with Apple kind of suck right now. Cause I&#8217;m like, I got this expensive computer that just overheated, but I digressed. Um, uh, it was keep blowing. That changed everything.</p>\n\n\n\n<p>David Bisset: Well, thanks. Okay.</p>\n\n\n\n<p>Maestro Stevens: Yeah. That changed everything for me.</p>\n\n\n\n<p>David Bisset: Well, that&#8217;s fantastic. Well, I mean, I think you&#8217;re, I I think we have a very good representation here and, and you especially because you&#8217;re coming in on the last couple of years and seeing it from that kind of different perspective with those kinds of eyes. Um, Is kind of, kind of now in 20 years, we&#8217;ll, we&#8217;ll be able to get from your point of view in like the mid midterm, you know, like the, the golden years, not the golden years.</p>\n\n\n\n<p>The, uh, kind of a golden age we&#8217;re entering into, uh, WordPress right now. So very, very excited to have you back along with everyone else in a few years and see, and see if your MacBook survives so we can talk to you a little bit more. So I wanted to, I What&#8217;s that?</p>\n\n\n\n<p>Maestro Stevens: Just, um, just to touch on what you just said real quick, I think that, um, based on what everybody has talked about, cause you just made a good point.</p>\n\n\n\n<p>So if I can give any context, like I&#8217;m not an old schooler here, so I&#8217;m really trying to help with different type of, um, generation and new type of people. I&#8217;m just keeping them 100% honest with you. That&#8217;s the way, reason why I&#8217;m, I&#8217;m, I coin myself and I&#8217;m called the fresh Prince of WordPress because I&#8217;m trying to give a fresh perspective.</p>\n\n\n\n<p>Oh, a lot people have no idea.</p>\n\n\n\n<p>David Bisset: Does that make me the, um, Carlton I.</p>\n\n\n\n<p>Maestro Stevens: Uh, that was a good one. I see where you&#8217;re going with that one. I know Will Smith here. I don&#8217;t slap people. Alright. Um, but still, uh, the whole point was is that people don&#8217;t know that it has evolved a lot and there is a lot of people trying to enter into, uh, WordPress without that understanding that it&#8217;s not what it used to be.</p>\n\n\n\n<p>So I love having conversations with people like you all, cause I get both perspectives. I get people who have been there for 10, 20 years. Like if you have never heard of it trying to get it in and they&#8217;re like, I can&#8217;t do all that development stuff and all that code stuff and all that, and I have to teach them.</p>\n\n\n\n<p>Like, it&#8217;s not that it&#8217;s not the same, you have that opportunity, but it&#8217;s not that. So I think that this is fun.</p>\n\n\n\n<p>David Bisset: Yeah. And I, I. Maister and I, this is the first time we&#8217;ve been face-to-face. I, he actually reached out to an invitation that I left on Black Press, which again is one of the many examples of how the community is trying to address, um, all the different aspects of that it, that it can in terms of diversity and outreach and finding new people, young, old, whatever.</p>\n\n\n\n<p>And I really appreciate you reaching out to me through there. Um, It&#8217;s, it&#8217;s great to have all these different kinds of channels. Um, at least it it, because not everybody is on post status. Not everybody is on Twitter. Not everybody is here for various reasons. We can only, we can only be in so many channels at once.</p>\n\n\n\n<p>Right. And it&#8217;s personal to us. So, you know, I&#8217;m in my channels because it mean, you know, it&#8217;s because of me. My, my livelihood, my background. I&#8217;m in these certain places. I can&#8217;t be everywhere. And everybody else is different. But we overlap in such ways that finding you in finding you in that area was, was, was a very, very, very thankful that you reached out.</p>\n\n\n\n<p>Um, cuz otherwise we wouldn&#8217;t have that kind of perspective and viewpoint from from, from that. So, anyway, I&#8217;m gonna go around and we&#8217;re just gonna close out. It was great having you all. And I want you, you can mention where people can find you on social or, you know, or, or, or whatever you wanna mention to bring up.</p>\n\n\n\n<p>We&#8217;ll, we&#8217;ll start with Rupa first.</p>\n\n\n\n<p>Aurooba Ahmed: All right. Well, I&#8217;m at Aruba pretty much everywhere, including a website, aruba.com. I&#8217;m also the co-host of a fun dev focused, uh, podcast called View Source, if you wanna check that out. View source.fm. And that&#8217;s me,</p>\n\n\n\n<p>David Bisset: Sarah. Uh, it&#8217;s nice to meet you. I appreciate you Ruba coming on.</p>\n\n\n\n<p>And I, I don&#8217;t mean to rush. I&#8217;m just, you get nervous when, when things close down and, um, you know that my kids are still locked in that closet and I, cuz and I really do need to feed them. So I&#8217;m, I&#8217;m not, I&#8217;m not pushing this along, uh, um, by, on purpose, but, you know, I&#8217;m getting a little nervous. Um, Sarah, I don&#8217;t know where, where people can find you.</p>\n\n\n\n<p>Can you help me out on that?</p>\n\n\n\n<p>Sarah Gooding: Uh, you can always find me at the tavern wp tavern.com and I&#8217;m on Twitter at Poly Plummer. I&#8217;m on Mastodon, Facebook, Strava. I&#8217;m on almost every social network, so get ahold of me any way you want. Slack. Um, I&#8217;m on post status and then the WordPress</p>\n\n\n\n<p>David Bisset: Slack. Yes, I&#8217;m on a lot too.</p>\n\n\n\n<p>Anything that doesn&#8217;t have my family, I&#8217;m there. I just wanna also say too special call out to WP Tavern. As far as l i when, I don&#8217;t know when it, I forget when it was established, but it was so early on. I think it&#8217;s, I think WP 2009, it is practically part of WordPress history. It should be put on a podium in terms of, of WordPress history media.</p>\n\n\n\n<p>I think the tavern is, is top of that list. So I really, Sarah, you, we all the WordPress community kind of owes you a debt of gratitude. I know it&#8217;s not an easy job, believe me, I know Jeff was the one who, who started, we&#8217;re gonna have &#8217;em on, on, on the other, on the other podcast. But you have been so instrumental over the years.</p>\n\n\n\n<p>The entire publication has been instrumental over the years, covering the highs and the lows and the detail for the articles. You did a, did a terrific job. I&#8217;ll think Jeff on the other one. But I wanted to thank you personally here. You&#8217;ve been so much a part of the WordPress history just as much as the community and WordPress has.</p>\n\n\n\n<p>Sarah Gooding: So thank you David. I appreciate that.</p>\n\n\n\n<p>David Bisset: Thanks for that. Um, Jess, where people can find you. Oh God, I&#8217;m starting to sound like Yoda. That was barely a sentence.</p>\n\n\n\n<p>Jess Frick: It was great.</p>\n\n\n\n<p>David Bisset: Where people find you bee,</p>\n\n\n\n<p>Jess Frick: where people find me bee, pressable.com, uh, pressable.com for work. Um, you can find me on the socials at renew.</p>\n\n\n\n<p>Be, and I dunno, like, like the other ladies, I&#8217;m pretty much everywhere, so not hard to find. Okay. Not too many Jessica Fricks running around in WordPress. Oh, well that&#8217;s, that probab not too many Fricks in general, but</p>\n\n\n\n<p>David Bisset: if, if I had enough energy, I could comment on that. Maestro. I know, Maestro,</p>\n\n\n\n<p>Jess Frick: I tune it up for you.</p>\n\n\n\n<p>David Bisset: Thank you. And I missed as usual, Maestro, where can people find you?</p>\n\n\n\n<p>Maestro Stevens: I&#8217;ll piggyback off of Jessica. There&#8217;s not many people with the name Maestro Stevens. So if you Google me, I&#8217;m the one and only, um, and if you wanna find me, just look for me on LinkedIn.</p>\n\n\n\n<p>David Bisset: Okay, that&#8217;s fine. Fantastic. You&#8217;re avoiding most of the socials like I should be doing right now.</p>\n\n\n\n<p>I, and, um, I, if anybody wants to find me, um, as long as you&#8217;re not delivering papers to me, my, uh, you can find me, um, at david bi.com or David bi.social. Um, that&#8217;s where I pull all my social media into one WordPress website. So in case. Certain social media websites cease to exist, at least my post will be there.</p>\n\n\n\n<p>You can also find me on post status and, um, I am doing a little, uh, news website called WP front.page. So, uh, with WordPress News with my daughter as we experiment. A little bit of that, if that&#8217;s, you may be able to, that still might be around by the time you listen to this, so go ahead and check that out.</p>\n\n\n\n<p>Again, I want to thank my, my panelists. You&#8217;ve been great sports. We&#8217;re gonna have links to everything they talked about in the show notes for this. Um, and thanks again everybody. Thank you. All right, you have fun.</p>\n</div>\n\n\n\n<p>Today is a little bit of a departure for the podcast. It&#8217;s an episode all about the last 20 years of WordPress.</p>\n\n\n\n<p>You&#8217;re going to hear a round table discussion with four WordPressers talking about their thoughts on the last 20 years. It features Sarah Gooding, Aurooba Ahmed, Masestro Stevens and Jess Frick, with David Bisset as the discussion moderator.</p>\n\n\n\n<p>They cover many topics, and it&#8217;s great to hear so many varied opinions about what&#8217;s been of importance in the evolution of WordPress.</p>\n\n\n\n<p><strong>Notes from David Bisset:</strong></p>\n\n\n\n<p>To honor WordPress’s 20th anniversary I sit down with four community members to talk about some highlights in its history.</p>\n\n\n\n<p>Primary topics include: </p>\n\n\n\n<ul>\n<li>Memorial WordPress Release</li>\n\n\n\n<li>A WordCamp or WordCamp Experience</li>\n\n\n\n<li>The most notable State of the Word Announcement</li>\n</ul>\n\n\n\n<p>Guests also share other moments that stood out to them and what the future might hold.</p>\n\n\n\n<h3 class=\"wp-block-heading\">Discussion subjects and links:</h3>\n\n\n\n<h4 class=\"wp-block-heading\">Sarah Gooding</h4>\n\n\n\n<p><a href=\"https://wptavern.com/matt-mullenwegs-state-of-the-word-highlights-internationalization-mobile-and-new-tools-for-wordpress-contributors\">https://wptavern.com/matt-mullenwegs-state-of-the-word-highlights-internationalization-mobile-and-new-tools-for-wordpress-contributors</a></p>\n\n\n\n<p><a href=\"https://wptavern.com/wordpress-5-0-targeted-for-december-6-prompting-widespread-outcry-ahead-of-wordcamp-us\">https://wptavern.com/wordpress-5-0-targeted-for-december-6-prompting-widespread-outcry-ahead-of-wordcamp-us</a></p>\n\n\n\n<p><a href=\"https://vancouver.wordcamp.org/2012/\">https://vancouver.wordcamp.org/2012/</a></p>\n\n\n\n<h4 class=\"wp-block-heading\">Aurooba Ahmed</h4>\n\n\n\n<p>Memorable WordPress release:<br /><a href=\"https://wordpress.org/documentation/wordpress-version/version-3-0/\">https://wordpress.org/documentation/wordpress-version/version-3-0/</a></p>\n\n\n\n<p>Memorable WordCamp:<br /><a href=\"https://calgary.wordcamp.org/2016/\">https://calgary.wordcamp.org/2016/</a></p>\n\n\n\n<p>Memorable SOW:<br /><a href=\"https://wordpress.org/news/2019/12/state-of-the-word-the-story-of-the-slides/\">https://wordpress.org/news/2019/12/state-of-the-word-the-story-of-the-slides/</a></p>\n\n\n\n<p>Presentation was made in Gutenberg:<br /><a href=\"https://videopress.com/v/0uD813PN?at=2398\">https://videopress.com/v/0uD813PN?at=2398</a></p>\n\n\n\n<p>The WooCommerce acquisition:<br /><a href=\"https://ma.tt/2015/05/woomattic/\">https://ma.tt/2015/05/woomattic/</a></p>\n\n\n\n<p>Sarah’s talk at BuddyCamp:<br /><a href=\"https://twitter.com/buddycampyvr/status/251181980731985920\">https://twitter.com/buddycampyvr/status/251181980731985920</a></p>\n\n\n\n<p>Phase 3 deets in SOW:<br /><a href=\"https://www.youtube.com/live/QI3qCoiuG3w?feature=share&t=297\">https://www.youtube.com/live/QI3qCoiuG3w?feature=share&amp;t=297</a></p>\n\n\n\n<h4 class=\"wp-block-heading\">Jess Frick</h4>\n\n\n\n<p>WP 5.6 all-women and non-binary identifying release squad:<br /><a href=\"https://wordpress.org/news/2020/12/simone/\">https://wordpress.org/news/2020/12/simone/</a></p>\n\n\n\n<p>Orlando WordCamp 2015:<br /><a href=\"https://orlando.wordcamp.org/2015/\">https://orlando.wordcamp.org/2015/</a></p>\n\n\n\n<p>Orlando WordCamp 2018:<br /><a href=\"https://orlando.wordcamp.org/2018/\">https://orlando.wordcamp.org/2018/</a></p>\n\n\n\n<p>State of the Word 2018:<br /><a href=\"https://wptavern.com/state-of-the-word-2018-wordpress-embraces-the-block-editor\">https://wptavern.com/state-of-the-word-2018-wordpress-embraces-the-block-editor</a></p>\n\n\n\n<h4 class=\"wp-block-heading\">Masestro Stevens</h4>\n\n\n\n<p>WordPress Marketing Problem:<br /><a href=\"https://youtube.com/watch?v=7x74kWqWMDY&t=2545\">https://youtube.com/watch?v=7x74kWqWMDY&amp;t=2545</a></p>\n\n\n\n<p>Modern marketing with WordPress for minority-owned businesses:<br /><a href=\"https://wordpress.tv/2021/05/28/maestro-stevens-modern-marketing-with-wordpress-for-minority-owned-businesses/\">https://wordpress.tv/2021/05/28/maestro-stevens-modern-marketing-with-wordpress-for-minority-owned-businesses/</a></p>\n\n\n\n<p>How Savvy Entrepreneurs Automate WordPress Maintenance Tasks with Maestro Stevens:<br /><a href=\"https://www.youtube.com/watch?v=0_rft3t-HMM&pp=ygUYbWFlc3RybyBzdGV2ZW5zIHdvcmRjYW1w\">https://www.youtube.com/watch?v=0_rft3t-HMM&amp;pp=ygUYbWFlc3RybyBzdGV2ZW5zIHdvcmRjYW1w</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 18 May 2023 14:56:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"Do The Woo Community: Woo AgencyChat with Krešimir Končić from Neuralab\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75157\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"https://dothewoo.io/woo-agencychat-with-kresimir-koncic-from-neuralab/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:437:\"<p>For our first Woo AgencyChat, Krešimir brings some really cool insights and experiences working with enterprise clients with WooCommerce.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/woo-agencychat-with-kresimir-koncic-from-neuralab/\">Woo AgencyChat with Krešimir Končić from Neuralab</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 18 May 2023 08:08:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: WordPress 6.2.1 Update Breaks Shortcode Support in Block Templates\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145145\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"https://wptavern.com/wordpress-6-2-1-update-breaks-shortcode-support-in-block-templates\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5412:\"<p>WordPress 6.2.1 was released yesterday and rolled out to sites with automatic background updates enabled. The update included five important security fixes. Ordinarily, a maintenance and security release can be trusted not to break a website, but many users are struggling after 6.2.1 <a href=\"https://core.trac.wordpress.org/changeset/55766\">removed shortcode support from block templates</a>.</p>\n\n\n\n<p>A <a href=\"https://wordpress.org/support/topic/wordpress-v6-2-1-breaks-the-shortcode-block-in-templates/\">support forum thread</a> tracking the broken shortcodes issue shows that this change impacts how plugins display things like breadcrumbs, newsletter signup forms, WPForms, Metaslider, bbPress content, and more. The problem affects template blocks, not sites that are using non-FSE themes.</p>\n\n\n\n<p>&#8220;It’s absolutely insane to me that shortcodes have been removed by design!&#8221; <a href=\"https://profiles.wordpress.org/camknight/\">@camknight</a> said in the support forum discussion. &#8220;Every single one of our agency’s FSE sites uses the shortcode block in templates for everything: filters, search, ACF &amp; plugin integrations. This is chaos!!&#8221;</p>\n\n\n\n<p>Another user, <a href=\"https://profiles.wordpress.org/asjl\">@asjl</a>, reports having this update break hundreds of pages.</p>\n\n\n\n<p>&#8220;I’ve got the same problem on over 600 pages which use five or six different templates with shortcodes in each template on one site and similar things on several others,&#8221; <a href=\"https://profiles.wordpress.org/asjl\">@asjl</a> said.</p>\n\n\n\n<p>&#8220;I’m looking forward to editing each of those pages to get the shortcode back in place. Or backtracking to 6.2 and turning off updates.&#8221;</p>\n\n\n\n<p>It&#8217;s not clear why shortcode blocks that are in block theme template parts still work, but this is one workaround that has been suggested to users. In a trac <a href=\"https://core.trac.wordpress.org/ticket/58333\">ticket</a> for the issue others have suggested adding a PHP file for a plugin called &#8220;Shortcode Fix&#8221; to the plugins folder, but <a href=\"https://core.trac.wordpress.org/timeline?from=2023-05-17T00%3A42%3A41Z&precision=second\">this workaround</a> reintroduces the security issue.</p>\n\n\n\n<p>Other users are being forced to revert to previous insecure versions of WordPress in order to keep critical functionality on their sites working. WordPress developer Oliver Campion commented on the Trac ticket with more details about how sites are currently using shortcodes in templates:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>This update has been nothing short of a disaster. I cannot understand how there was no warning of such a destructive, automatic roll out!</p>\n\n\n\n<p>We have managed to rollback affected sites to v6.2 and block automatic core updates until there is a suitable solution, which we hope is imminent due to the reported security issues!</p>\n\n\n\n<p>Shortcode Blocks, in our opinion, are absolutely essential to the design process when using Block Themes.</p>\n\n\n\n<p>We use them to inject classic menus that can have dynamic menu items (such as sign out), dynamic header content, specialized loops and footer content that’s as simple as showing the current year in the copyright statement to showing a contact form or other such dynamic content. And that’s just what I can think of from the top of my head.</p>\n</blockquote>\n\n\n\n<p>An unfortunate consequence of this update is that it has destroyed many users&#8217; confidence in WordPress&#8217; automatic updates. This kind of breaking change should never happen in a release that auto installs overnight. </p>\n\n\n\n<p>Even if it&#8217;s absolutely necessary to avoid a zero-day vulnerability on WordPress sites, discontinued shortcode support in block templates should have been accompanied with more information to help affected users find a solution.</p>\n\n\n\n<p>The only communication users received about this was a short, inadequate note on the vulnerability in the 6.2.1 release post  &#8220;Block themes parsing shortcodes in user generated data.&#8221;</p>\n\n\n\n<p>Fixing all of these shortcode uses on websites that heavily rely on them would already have been a challenge for many, even with advance notice. Shipping this breaking change in an automatic update, without a proper explanation of how it impacts users, only served to twist the knife.  </p>\n\n\n\n<p>During today&#8217;s core dev meeting, WordPress 6.2.1 co-release lead Jb Audras <a href=\"https://wordpress.slack.com/archives/C02RQBWTW/p1684354239647849\">said</a> this issue may prompt a quick 6.2.2 release but the details are not yet available.</p>\n\n\n\n<p>&#8220;As you may know, one security fix led to an important issue with shortcodes used in templates,&#8221; Audras said. &#8220;The issue is currently actively discussed in the Security Editor team, and some hypothesis have been made to sort this out in a quick follow-up release.</p>\n\n\n\n<p>&#8220;No schedule available for now &#8211; it will depend on the follow-up patch currently discussed by the Editor team.&#8221;</p>\n\n\n\n<p>In the meantime, those who cannot employ a workaround and are looking to rollback to 6.2 can can use the <a href=\"https://wordpress.org/plugins/wp-downgrade/\">WP Downgrade</a> plugin as a temporary fix, with the knowledge that this leaves the site vulnerable until a permanent solution can be put in place.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 17 May 2023 21:13:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:84:\"WPTavern: #76 – Alex Standiford on How WordPress and the Fediverse Can Be Combined\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=145065\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"https://wptavern.com/podcast/76-alex-standiford-on-how-wordpress-and-the-fediverse-can-be-combined\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:58465:\"Transcript<div>\n<p>[00:00:00] Nathan Wrigley: Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley.</p>\n\n\n\n<p>Jukebox is a podcast which is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes, and in this case how the Fediverse can be integrated with your WordPress website.</p>\n\n\n\n<p>If you&#8217;d like to subscribe to the podcast, you can do that by searching for WP Tavern in your podcast, player of choice. Or by going to WPTavern.com forward slash feed forward slash podcast. And you can copy that URL into most podcast players.</p>\n\n\n\n<p>If you have a topic that you&#8217;d like us to feature on the show, I&#8217;m very keen to hear from you and hopefully get you all your idea featured soon.</p>\n\n\n\n<p>Head over to WPTavern.com forward slash contact forward slash jute box and use the form there.</p>\n\n\n\n<p>So on the podcast today we have Alex Standiford. He&#8217;s a web developer originally from Dover, Ohio, and has been tinkering with web technologies for years, but started his career as a web developer in 2015. He&#8217;s a digital nomad, living in a camper with his family for the last three years.</p>\n\n\n\n<p>Alex has built WordPress plugins, websites and web applications, and is an active contributor to the WordPress community, making updates to documentation errors and participating in the organization of WordCamps.</p>\n\n\n\n<p>If you&#8217;re a user of social media, it&#8217;s likely that at some point you&#8217;ve signed up for platforms like Twitter, Facebook, and possibly one of the many other options out there. These platforms enable you to post content and have it seen by people all over the world. In effect, this is what your WordPress website does. But we all know that social media has managed to replace the traditional blog for many people. The notion of writing a blog post can seem like a lengthy enterprise. Whereas a social media post is often quicker to write and gets pushed to the platforms users automatically.</p>\n\n\n\n<p>In the podcast, Alex explains how he&#8217;s noticed the shift over time in his own content creation. He&#8217;s put less effort into his WordPress site and has posted most of his ideas on social platforms.</p>\n\n\n\n<p>This however is something that Alex has decided to stop doing. For a variety of reasons, he wants to take back control of his own content and make his website the centerpiece of his endeavors.</p>\n\n\n\n<p>Recently, Alex stumbled upon Mastodon. It&#8217;s an open source platform which is built on top of the ActivityPub protocol. ActivityPub allows anyone to create their own social networking software, which can interact with any other software using ActivityPub. This is what Mastodon on is, but as you&#8217;ll hear, it&#8217;s not the only software. There are many flavors of ActivityPub, which can all communicate with one another. And this ecosystem is broadly called the Fediverse.</p>\n\n\n\n<p>Alex talks about why he&#8217;s decided to delete many of his old social media accounts in favor of open solutions. And how he&#8217;s using plugins and his own coding skills to make it possible for crossposting of posts and comments between Mastodon on and his WordPress site.</p>\n\n\n\n<p>It&#8217;s a really interesting conversation about the recent surge in popularity of these distributed social networks, and how WordPress can become a first class citizen in your digital life; so much more than just a website.</p>\n\n\n\n<p>If you&#8217;re interested in finding out more, you can find all of the links in the show notes by heading to WPTavern.com forward slash podcast. Where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you Alex Standiford.</p>\n\n\n\n<p>I am joined on the podcast today by Alex Standiford. How are you doing, Alex?</p>\n\n\n\n<p>[00:04:33] Alex Standiford: I&#8217;m great, Nathan, thanks.</p>\n\n\n\n<p>[00:04:35] Nathan Wrigley: This is going to be a conversation which is really up my street. It may be a new project for you if you are listening to this, but it may be something that you are familiar with but haven&#8217;t really dug into.</p>\n\n\n\n<p>Over the last six months or so, I&#8217;m going to say, there&#8217;s been a real interest in Mastodon as an alternative social network to Twitter. For a variety of reasons people have brought into question in their own minds whether or not they want to migrate to a different platform. And Mastodon, as we&#8217;re going to find out, is one such platform.</p>\n\n\n\n<p>Alex has been doing an awful lot of thinking about how this may work, and combining all of that work with WordPress. But before we get stuck into the weeds of that, Alex, I wonder if you wouldn&#8217;t mind giving us a few moments just to orientate people. Tell us who you are. What company you work for. What projects you&#8217;ve been on. How are you in any way related to WordPress.</p>\n\n\n\n<p>[00:05:34] Alex Standiford: Sure. My name&#8217;s Alex. I&#8217;ve been a WordPress developer since 2014. A WordPress user since 2009. I travel full-time with my family and a camper. We go all over the country. We&#8217;ve been doing it for about three years now. And I work for GoDaddy full-time, and then every once in a while I&#8217;ll take on fun little freelance gigs, I call snacks. But aside from that, it&#8217;s mostly just full-time working for GoDaddy and traveling the country, the United States that is. And, you know, thinking about the Fediverse.</p>\n\n\n\n<p>[00:06:03] Nathan Wrigley: Do you want to just encapsulate what the Fediverse is because, I think many people, this may be a new term. It really doesn&#8217;t encapsulate particularly well what it is. So, first question I guess is what is the Fediverse?</p>\n\n\n\n<p>[00:06:17] Alex Standiford: I kind of wonder if in 10 years they&#8217;re going to look at it, that phrase, in the same way that we looked at the phrase blogosphere, right? Blogosphere, like a while back. It&#8217;s similar to that in a lot of ways. So basically it&#8217;s just where people are, connecting and able to talk to each other socially. Similar to the way that, back then, with a blog post would work. Where you write a blog post and you add an RSS feed and those feeds would integrate with each other and they would like aggregate on different aggregator sites and things like that. Like it was all a part of this way to share content, right?</p>\n\n\n\n<p>Today, there&#8217;s this newer approach that has the same goal as that, but instead of it using aggregators and RSS feeds, it&#8217;s using a specific protocol that allows all of these different social media platforms to communicate with each other. So you can be on a social media platform that kind of looks like Twitter and you can publish something. And somebody who prefers to use a social media platform that works kind of like Instagram can still see it and interact with it completely.</p>\n\n\n\n<p>And there&#8217;s been a lot of push, and interest in this. Actually Automattic just bought a plugin that would allow WordPress to actually integrate and become a part of this system too. So it would basically align with that protocol, and make it possible to allow a WordPress post to be seen natively on anybody&#8217;s social media account, as long as they&#8217;re a part of, as long as whatever system they&#8217;re using uses that protocol.</p>\n\n\n\n<p>So again, if I publish something on WordPress, somebody who&#8217;s using a Twitter like experience for social media, could see that post. Respond to it through their app, through their social media account, and it would actually read as a reply on that blog post as a comment. And that if you responded to it, it would then turn around and go back to that person&#8217;s post and send them a response. So it allows you to kind of integrate these different ways of publishing content all together with a single cohesive approach.</p>\n\n\n\n<p>[00:08:16] Nathan Wrigley: So I guess Fedi is short for Federation, and the idea is that you can combine multiple different outlets, multiple different sources, and have them all communicating with each other. Now, it&#8217;s interesting, you mentioned Twitter a couple of times there. You said Twitter like, and I guess that&#8217;s an important distinction to draw.</p>\n\n\n\n<p>If we were to rewind the clock, let&#8217;s say 15 years, I think it&#8217;s fairly likely that many of us, if we were into technology and into the internet, our reach there probably would&#8217;ve been our own website, our own blog. And we would&#8217;ve written content there. And that worked. And as you said, there were ways of connecting your content with other people&#8217;s content, but it was log into website, click publish, and you&#8217;re done.</p>\n\n\n\n<p>But slowly the march of convenience and what became known as social media, really, I think for many people, made that something that they didn&#8217;t want to bother in. Because all of a sudden they discovered that all of their friends, relations, colleagues, everybody, were beginning to talk about these proprietary platforms.</p>\n\n\n\n<p>We may talk about Facebook or Twitter, but everybody moved over there and the convenience was, well, everybody&#8217;s there. So you can post things and it can be seen by your friends, colleagues, relations, but it can also be seen by complete strangers. So you have that capability.</p>\n\n\n\n<p>But this seems to be a reaction to that. Now, it may not be, it may be that this technology, the Fediverse and what underpins it, it is just as old. I don&#8217;t know, hopefully you can answer that. But it does seem to be a reaction to that because it has certain different characteristics and features which may be of interest to people who are getting, for want of a better word, fed up with traditional social media. So, I don&#8217;t know if you&#8217;ve got anything to add to that?</p>\n\n\n\n<p>[00:10:06] Alex Standiford: Yeah, so that&#8217;s pretty much right. So the ActivityPub protocol, it&#8217;s not as old, it&#8217;s newer. But it&#8217;s still several years old. But it&#8217;s relatively new compared to the other technologies you&#8217;re talking about there. A lot of the reason why it was created was exactly that.</p>\n\n\n\n<p>The fact that people don&#8217;t want to be isolated and in these individual silos. They want to be able to break out of that and talk to each other. And we kind of lost that between 2007 and 2012, right? Like right at that time where Facebook and Twitter and this true sense of social media really exploded was right at the same time as WordPress blogging was exploding.</p>\n\n\n\n<p>And they were all kind of feeding off of each other. And WordPress was, and always has been very open-minded and open focused. It wants to integrate. It wants to be a part of the party. But it doesn&#8217;t necessarily want to take over. And then you had all these other social media platforms that we&#8217;re doing the opposite of that. They want to take over and they did, right.</p>\n\n\n\n<p>So eventually it got to the point to where, you know, you&#8217;re not even publishing content on your blog anymore, you&#8217;re just publishing it directly on Twitter or something like that. Because a tweet doesn&#8217;t make sense. If you think about it, the original, one of the original intents of a tweet was for it to be this ephemeral, quick little update.</p>\n\n\n\n<p>It wasn&#8217;t really of any serious significant consequence. It was just a little update to let people know, to be in support of blog posts or something that was a longer form that you would write, like an essay or something related to things. Say you&#8217;re going on a trip somewhere and you&#8217;re publishing tweets, right? I call them micro posts now because I&#8217;ve generalized the term.</p>\n\n\n\n<p>And you&#8217;re sending out four or five tweets throughout the day, as you&#8217;re doing things and having this experience. It&#8217;s almost like you&#8217;re micro blogging, right? That&#8217;s literally what it was called. But the idea was that you would then come back and take all that stuff and put it on your blog as a single cohesive complete blog post. But people just stopped doing that. They just skipped that step, right?</p>\n\n\n\n<p>So they would just publish these little tweets, and then all of a sudden WordPress became more of a marketing tool than it did a personal tool to be able to provide personal updates. And that&#8217;s kind of a big thing that I&#8217;ve been thinking about lately is like, how can we make WordPress personal again?</p>\n\n\n\n<p>Because a lot of the people who are using it now are companies, right, businesses. And that&#8217;s great. That&#8217;s an amazing facet of it. But if you look at just WordPress, if you just install WordPress and you just use it as a publishing platform for yourself, it is truly delightful.</p>\n\n\n\n<p>Even the block editor and everything about it. If you just take everything away and, you know, you&#8217;re not trying to install WooCommerce, or Yoast SEO or all these other fancy plugins or anything, anything at all. You&#8217;re just installing WordPress and you&#8217;re just using it to publish content.</p>\n\n\n\n<p>It is actually really awesome. And we&#8217;ve gotten away from that a lot, and I think that this social media stuff and being able to change how we look at our blog can allow us to, not only make more use of our own personal site, but it&#8217;ll also allow us to be able to prioritize the content on our site as well.</p>\n\n\n\n<p>[00:13:01] Nathan Wrigley: Yeah, we&#8217;ll come to all of those different pieces. But one of the things that occurs to me, when people talk about WordPress and building websites on top of WordPress, one of the things that is often touted is, you need to own your content. It needs to be yours. You don&#8217;t want to be behind some sort of gatekeeper who you have no control over. So in the event that that website or that service is shut down, then all of your content disappears.</p>\n\n\n\n<p>And although we&#8217;ve seemed to have settled down, there&#8217;s three or four different rival proprietary social networks out there, which have seemed to have got to the point where they&#8217;re economically sustainable In that journey, I must have signed up to a dozen or more social networks, in air quotes, that just collapsed. You know, they didn&#8217;t make it, and any content that I put there disappeared.</p>\n\n\n\n<p>So there&#8217;s that. But I totally get the point that you make about the fact that people have stopped using, or stopped thinking about using their WordPress website as the centerpiece of all of their content.</p>\n\n\n\n<p>After all, why not just go to Facebook, Twitter, et cetera, and post it there because the audience is already ready made. All of the people are there. But the piece in the jigsaw, which I feel is the clincher for many people who enjoy the Fediverse is the desire to shun the algorithm which is now in existence on those platforms.</p>\n\n\n\n<p>So if you went to the original Facebook and the original Twitter, you had a very different experience to the one that you have now. Now it&#8217;s, there&#8217;s a very complicated algorithm, which in all honesty, I doubt many people understand. But it&#8217;s able to put content in front of you, and I guess some people begin to question, well, why that piece of content? Is it because I&#8217;m really likely to be genuinely interested in that?</p>\n\n\n\n<p>Or is it because that piece of content is likely to engage me further, suck me in further, and make me stay here for a bit longer? And certainly in my life, I&#8217;ve noticed that you get to the end of the day and you analyze what you&#8217;ve achieved that day. And many, many times I&#8217;ve thought to myself, well, I probably spent quite a lot of that day scrolling through things that ultimately I didn&#8217;t want to see, but the algorithm is so sublimely good, that I&#8217;ve ended up staying there.</p>\n\n\n\n<p>So there&#8217;s that piece as well. There&#8217;s that piece, that wish to get away from the algorithm. And so the Fediverse, or at least the technology behind the Fediverse that I&#8217;ve seen thus far, really pushes away the algorithm. It&#8217;s not that. It&#8217;s a linear feed of content and it comprises only of the people that you follow.</p>\n\n\n\n<p>There&#8217;s no clever system trying to game your attention. It&#8217;s just here&#8217;s what you&#8217;ve subscribed to follow. If you unfollow people, you see nothing. And if you follow people, you see their things.</p>\n\n\n\n<p>[00:15:46] Alex Standiford: Right. I heard somebody refer to Twitter as a content refinery. Or not just Twitter, but all the major ones. So Twitter, Facebook, TikTok, all these, as a content refinery. They&#8217;re not necessarily there to give you the content you want. They&#8217;re there to just give you content. And sometimes that&#8217;s not a bad thing.</p>\n\n\n\n<p>I think Chris Coyier, he posted something not long ago that was a really good, I thought it was a really good perspective on it. He said that sometimes he wants the intentional read. He wants the intentional RSS feed and the non algorithmic approach, right? Where it&#8217;s like, this is what I want to look at. I want to be intentional with my choices here. But it&#8217;s a more high energy take on consumption.</p>\n\n\n\n<p>And then he said, but there&#8217;s also times where I&#8217;m like, I&#8217;ve worked all day. I&#8217;m exhausted. And I want to just sit down and chill and watch some funny epic fails on Instagram and scroll for 45 minutes or so. It&#8217;s like low energy. It&#8217;s like, I&#8217;m letting the algorithm just entertain me, right?</p>\n\n\n\n<p>And that&#8217;s not any different than channel surfing or anything like that from the past. But I think it has a place, and I think it&#8217;s separate from where you read your newspaper. They&#8217;re two different things. So, I&#8217;m not necessarily opposed to the idea of an algorithm in Mastodon even. I just don&#8217;t think, I don&#8217;t like that it&#8217;s black box. I want to know how it works. I want to be able to control it and customize it to suit my needs. It should be a tool, not a thing that shoved on me.</p>\n\n\n\n<p>[00:17:08] Nathan Wrigley: Yeah. It is interesting because I imagine there&#8217;s a proportion of people listening to this who will not have heard of the Fediverse and think, oh, that&#8217;s curious. Okay, I&#8217;m interested in exploring that. And equally, there&#8217;ll be a whole bunch of people who say, well, I&#8217;m very happy with the way that Twitter and Facebook and so on serve me content at the moment. It works to my needs and, there&#8217;s no sense of pushing one thing over another, but I guess the impetus of this episode is to explain a little bit about how all that works.</p>\n\n\n\n<p>Which leads perfectly to that question. How does this technology work? What is underpinning it? You mentioned ActivityPub, but also I suppose we should get into the whole disparate nature of it. The fact that this is not one thing. It&#8217;s a bunch of people owning servers independently who connect together. So, if you could get into the how it works piece, that would be good.</p>\n\n\n\n<p>[00:17:56] Alex Standiford: Sure. So, like I said earlier, all of these different social media, pieces of social media software, right? So a Twitter like experience, Instagram like experience, a Facebook like experience, a Medium even, just Medium actually, but different places. They all ultimately integrate with a protocol called ActivityPub.</p>\n\n\n\n<p>And basically to put it really simple, it&#8217;s a standardized way to be able to communicate between these things. So it&#8217;s kind of like REST API, but also on top of that, there&#8217;s this very specific set of ways to describe content. It&#8217;s kinda like RSS. A lot like RSS in that way where, you know, an RSS feed it has a content tag and a title tag and an author tag. Everybody can use these however you see fit. Whatever fits best for you. Whatever your content is in that spot, put it there.</p>\n\n\n\n<p>And it works in that same way, but it also, on top of the consumption perspective, it also works with the ability to be able to interact as well. So it&#8217;s a better version of that. So you end up with other standardized things to be able to like describe a response to this and describe what the content is, and the body and all those other details. I could get into the, more of the complexities of it beyond that, but that&#8217;s the gist.</p>\n\n\n\n<p>So you have this protocol and then Mastodon, which is the Twitter like experience, uses this platform to be able to just talk to the other platforms. Pixelfed, for example, for an Instagram like experience. Or PeerTube even for YouTube.</p>\n\n\n\n<p>So you have all these different ones and then, each one of these, that&#8217;s just the software, right? So if you think about it like WordPress, because even WordPress can fit into this category too, of different pieces of software that work with the ActivityPub. But you still need hosting. You still need to be able to host it, right?</p>\n\n\n\n<p>So some of these software, they&#8217;re built to work like Twitter or Instagram, where it&#8217;s one server and it&#8217;s hosting thousands of people. And obviously it&#8217;s impractical. One server can&#8217;t hold the entirety of Twitter&#8217;s accounts. To be able to do this in a way that doesn&#8217;t require ads and allows people to be able to volunteer and donate and support it, is they break it down into smaller servers.</p>\n\n\n\n<p>So instead of it being one single piece of Mastodon software runs Mastodon for everybody, it&#8217;s several thousand servers are all running the Mastodon software and they&#8217;re all talking to each other, exactly like they would as if using the ActivityPub protocol.</p>\n\n\n\n<p>So, you&#8217;ve got Mastodon that has all these servers and they&#8217;re all talking to each other through what&#8217;s called Federation, right. Through this protocol, back and forth. And then they&#8217;re also able to talk with other servers that are running different software. Because they don&#8217;t really care what the software is. All they care about is the protocol, and they&#8217;re all able to just connect with each other and talk. And that&#8217;s really what the Fediverse is, in the technical sense.</p>\n\n\n\n<p>[00:20:53] Nathan Wrigley: I feel that one of the difficulties that I&#8217;ve experienced anyway, with people trying to get on board the Fediverse, is they have this notion that because Facebook&#8217;s a platform and you are always going to facebook.com to log in. And the same for Twitter. It&#8217;s a little bit of a, there&#8217;s a bit of cognitive dissonance going on when you realize, well, I can&#8217;t go to mastodon.com and sign up for an account over there. I need to go to some other smaller entity. But that&#8217;s the point. There&#8217;s loads of them, thousands of them, as you described. They all talk to each other.</p>\n\n\n\n<p>But you&#8217;ve got to, you&#8217;ve got to pick a place to begin. But one of the things that you can do is you can port your account, you can move it from a particular server to another server. But also, because of the free and open source nature of the software, certain servers can decide rules for themselves, which may be exactly what you want to hear. It may be music to your ears that this particular server, allows this kind of content, but not this kind of content.</p>\n\n\n\n<p>This particular server will communicate with this one, but we&#8217;ve made a decision for various reasons that the content that&#8217;s being created over on that server is something that we don&#8217;t want to see. So it adds all that complexity, but with that complexity comes some wonderful benefits I feel as well.</p>\n\n\n\n<p>[00:22:11] Alex Standiford: For sure. And also, and then if you end up with a bunch of bad actors who spin up a server and they&#8217;re trying to like, cause some kind of problem. Cause some drama or spread false information or something through the Fediverse. All the different servers, they can look at that one and say, this server is full of people who are not doing anything but causing problems for my server. I&#8217;m blocking this server. This server can no longer communicate with my server at all.</p>\n\n\n\n<p>And they call it fedi locking. So, what&#8217;s happened a couple of times, this is before me, I&#8217;m still relatively new to all this, but they&#8217;ve had a few scenarios where that exact scenario has happened. Where somebody spun up a server and they were publishing a whole bunch of just garbage, and all the other servers talked to each other, not automatically, but like literally the administrators and everybody were just communicating about the content that was flowing from that place. And said, yeah, this is a problem, we&#8217;ve got to block it. So everybody just blocked it at once and it just completely shut that server down. And it&#8217;s like a fire, you know what I mean? You smother it and it just dies and it goes away.</p>\n\n\n\n<p>[00:23:12] Nathan Wrigley: Yeah. I guess it&#8217;s important to emphasize there that each server is run by an administrator, several administrators, it depends. So it&#8217;s on the server level that that blocking takes place. It&#8217;s not like this cabal of people got together and said, Mastodon, ActivityPub will block this server. No, they&#8217;re blocking it on their own server, the one that they&#8217;re in charge of.</p>\n\n\n\n<p>[00:23:36] Alex Standiford: Right. So if you liked that content for whatever reason, you can be on a server that doesn&#8217;t block it. But the thing I really want to talk about today is the idea of taking this a little bit further and owning your content again, right? Bringing it all back to WordPress.</p>\n\n\n\n<p>Publishing on social media is fantastic. It&#8217;s been an amazing change for me at least. I&#8217;m sure it has been for you, like, it&#8217;s been transformative in how I approach being able to talk to people. I&#8217;ve met so many people as a result of it. It&#8217;s been so good for my career and everything.</p>\n\n\n\n<p>But, the problem is that I, like I said, I stopped publishing on my blog and I stopped doing that because I was putting my blog on a pedestal. I would say this content isn&#8217;t good enough for my blog. This is just a little 25 word post with a picture. This is a small update about me. This isn&#8217;t good enough for my blog. I&#8217;m just going to go throw this on Twitter.</p>\n\n\n\n<p>And what ended up happening was I would publish something on my site once every six months or so. Granted, it&#8217;s polished. It&#8217;s a great article and I&#8217;m proud of everything I&#8217;ve written, well, proud of most things that I&#8217;ve written. But it was so infrequent, right?</p>\n\n\n\n<p>So my site no longer was the singular place where I would send people. I got to the point to where I was basically sending people to my Twitter account instead of my personal site. You know, it makes sense because I am inadvertently creating and publishing the most authentic version of myself on Twitter. On social media. Which is just crazy when I say it out loud.</p>\n\n\n\n<p>If 13 year old me knew that I was capable of building a website and building my own cool little space that was just mine, and didn&#8217;t belong to anybody else, and I wasn&#8217;t publishing absolutely every dang thing that I ever published about myself anywhere but there first, I would&#8217;ve been mad at myself.</p>\n\n\n\n<p>When I was 13, I had a, it was like a, I don&#8217;t know, it was one of those frost fire sites or something. I can&#8217;t remember. It was like a self-hosted. It wasn&#8217;t even self-hosted. It was like you go there, you sign up and you have like frostfire.com/service, or Alex or something. Anyway, it was crazy, right? It had GIFs of like clouds in the background and there was music playing on it. It was terrible because I was a kid and I didn&#8217;t know anything about web design, but I loved it.</p>\n\n\n\n<p>I would go to that all the time and I would check it out and I was like, this is mine. I&#8217;m doing this for me, and I want you to see it, but this is mine. I feel like I&#8217;ve gotten away from that over the years where now I&#8217;m, well not now, but up to recently, I was looking at my site and saying, this is a brand, this is a product. This is for me to be able to put the best stuff on and nothing else.</p>\n\n\n\n<p>And, it wasn&#8217;t an overly personal site. It wasn&#8217;t a, it was just a site that felt inauthentic. It wasn&#8217;t me. And it really bothered me whenever I made that realization.</p>\n\n\n\n<p>[00:26:31] Nathan Wrigley: So in the future that you are imagining, and some of the pieces of this puzzle probably exist already, but some of the pieces of the puzzle that we are going to lay out, have still yet to be created. But the Fediverse allows you to choose to have WordPress as the fulcrum, the centerpiece of Alex&#8217;s digital life.</p>\n\n\n\n<p>And you are imagining a scenario where you could publish things on WordPress. Obviously WordPress has a commenting system. But that content could then be sent to other platforms. Let&#8217;s imagine Mastodon, for example. It could be read over there. But equally, any commentary that happened over on Mastodon would come back and be reflected on your website. And so in this way, the website becomes the centerpiece of it all.</p>\n\n\n\n<p>[00:27:24] Alex Standiford: Yeah, exactly. You publish on your site and it syndicates everywhere else. And that&#8217;s where I&#8217;ve come to, right? So I had a design of my site prior to this one, my current one. It was just a single React site that I built that, all it did was it grabbed content I published from all the different blogs that I publish on. And it pulled them in and it put them on a single feed.</p>\n\n\n\n<p>The idea was I wanted this site to be as easy to maintain as possible. I don&#8217;t want to mess with it. I want it to just be automatic where I publish content. Wherever I publish it, I want it to show up on my site. And I&#8217;ve realized that that&#8217;s kind of backwards, and I want to flip that and get to the point to where I&#8217;m publishing content from my site, and then having it go out.</p>\n\n\n\n<p>Now, the reason why I didn&#8217;t pursue that, and I instead was focused on ingesting that content, bringing it into my site, was because platforms like Twitter and Facebook and Instagram make it very difficult to integrate with them in a way that allows you to be able to obtain that public data, right.</p>\n\n\n\n<p>I&#8217;m publishing a tweet. It&#8217;s public. It&#8217;s available to the public, and yet I can&#8217;t publicly access that stuff via a REST API or an RSS feed or anything like that. Because one, they&#8217;re trying to manage their integrations and trying to maintain their servers to make sure that it doesn&#8217;t get abused.</p>\n\n\n\n<p>But really what it is, is they just don&#8217;t want you to do that. You know what I mean? They don&#8217;t want you to be able to have that. They want you on their platform. They want you looking at ads. They want you there. And for a couple of years now, because I actually hadn&#8217;t even heard of the Fediverse. I&#8217;d been thinking about all this stuff. I hadn&#8217;t heard about any of this, and I was like, man, I really hate this.</p>\n\n\n\n<p>Like, I want to publish on my site first. It was bugging me, driving me nuts, right. And then the Elon Musk, the purchase rather, last year happened and I literally tweeted, because I still even at this moment, didn&#8217;t know about the Fediverse at all. I was like, hey, we&#8217;re developers. Why don&#8217;t we fix this? I&#8217;ve been thinking about this for a long time. I would love to be able to fix this specific problem where I&#8217;m not publishing on my site. I don&#8217;t want to be on Twitter anymore. How can we fix this?</p>\n\n\n\n<p>And somebody was like, well, why don&#8217;t you just use Mastodon? I looked it up and I looked into it, and it was over. That instant, literally that day I switched over. I made an, my entire day was lost. I switched over, I made account. I deleted all my tweets. I exported everything. I deleted all my tweets. I changed my profile name to my Mastodon handle, and added a description and said, I&#8217;ve moved, I haven&#8217;t looked back.</p>\n\n\n\n<p>I haven&#8217;t missed it. I don&#8217;t want it. That&#8217;s not what I want to be. I want my content to come from my website, and I knew that that requires open protocols, open source software, and staying away from these siloed, closed source places like Twitter and Facebook.</p>\n\n\n\n<p>And if I&#8217;m being honest, as a open source WordPress developer, as a person who believes in WordPress and believes in the promise that publishing content should be available for everybody, and things like that. And being able to access and work with that data should be open and, all the fundamental open source values. I have to be on Mastodon.</p>\n\n\n\n<p>It&#8217;s not even a choice, right? Because it&#8217;s simply either you do, you mean it, right? You mean that. You believe this and support this. Or you don&#8217;t. Because if you&#8217;re on Twitter, you don&#8217;t. I just don&#8217;t think you do, because you&#8217;re using a closed source platform to be able to publish content.</p>\n\n\n\n<p>You may be telling yourself that you&#8217;re not, but ultimately you are. And it is completely contrary to WordPress. It doesn&#8217;t want WordPress to exist. It only allows it to exist because it has to and it can&#8217;t get rid of it. Whereas open source things, they want it. They invite it. They welcome this as a part of the whole.</p>\n\n\n\n<p>Even from an identity perspective, that&#8217;s where it hit me. It hit me all the way down to like my very identity on social media. And I was like, I can&#8217;t be on Twitter now that I know this exists. I literally can&#8217;t be. It&#8217;s not even a matter of what&#8217;s better or not. I just can&#8217;t do it.</p>\n\n\n\n<p>[00:31:22] Nathan Wrigley: If we were to try and implement some of the bits and pieces that you&#8217;ve just described, this kind of bidirectional relationship with the Fediverse, Mastodon or Pixelfed or whatever it be. And so you, can push content from WordPress out there, but also that you can consume content from the Fediverse back into, let&#8217;s say, a commenting system on a WordPress post.</p>\n\n\n\n<p>How is that achieved? Now, I know that the goalposts here are moving all the time. It seems like there&#8217;s a whole tranche of developers who are really interested in this and are proposing different things, and there&#8217;s different plugins that are trying to tackle this. Given that we&#8217;re recording this towards the latter part of the beginning of 2023, and caveat emptor, who knows what the state of play will be when anybody listens this.</p>\n\n\n\n<p>Given all of that, what are the plugins that are spiking your interest? It may not be plugins, it may be something else. What are the solutions that you can point people towards to make this possible in a WordPress site?</p>\n\n\n\n<p>[00:32:20] Alex Standiford: You can do it today with the ActivityPub plugin, and that&#8217;s the one that Automattic just purchased recently. They hired a person full-time to be able to take it on and maintain it. Well, actually they hired the developer, the person who built it and just said, going to hire you and you&#8217;re just going to work on this, right.</p>\n\n\n\n<p>It will do those things you&#8217;re talking about. The problem with that plugin, at least today, and I know that this is something that they want to improve. But at least today, the problem is you can&#8217;t actually build a social media feed from it. And what I mean by that is, your blog will have an account, right?</p>\n\n\n\n<p>So anybody can follow your blog account, your website&#8217;s account. Just by going to your address which is basically your username at your account, your website.com, right? But they can access it and they can see the content and they can follow it, they can comment on it, they can boost it, they can do all the things that you can normally do with it on the Fediverse. And you can interact with the comments and how people respond to it. But you personally can&#8217;t follow other people and view their content using your website right now. That to me is kind of the killer limitation that has stopped me from doing that today.</p>\n\n\n\n<p>[00:33:34] Nathan Wrigley: It&#8217;s around the content creation process, not the exploration of what other people are producing. It&#8217;s about you producing and receiving commentary, but not exploring what everybody else is producing, right?</p>\n\n\n\n<p>[00:33:46] Alex Standiford: Right, as I understand it, there&#8217;s a hope that we can get to the point to where both sides of that, both the discovery and the writing side can all happen in a single, cohesive place. But it doesn&#8217;t quite exist yet. That&#8217;s kind of the big, for me personally, that&#8217;s the big limiting factor.</p>\n\n\n\n<p>A lot of people get around it by having a social media account and then manually boosting everything they publish after they publish it. I think that defeats the purpose. But I am doing something that&#8217;s not terribly different, to be honest. The conclusion that I ended up coming to was, I&#8217;m publishing everything on my site, including social media posts and everything.</p>\n\n\n\n<p>And I&#8217;m using a plugin, I can&#8217;t remember the name right now. Let me find it real quick. It&#8217;s called Share on Mastodon. That was pretty easy. So there&#8217;s a plugin called Share on Mastodon that allows you to automatically cross publish content that you publish on your site onto Mastodon.</p>\n\n\n\n<p>And of course, these things exist or existed for Twitter and Instagram and all those other ones. But again, on a closed platform, they&#8217;re kind of difficult to work with and they can just go away at any time. But that&#8217;s neither here nor there.</p>\n\n\n\n<p>The Share on Mastodon plugin will automatically cross publish content you post on your site onto Mastodon. You can filter it. You can customize how the content is published. What format it is, and all that stuff through the plugin via a filter, or several filters really. It&#8217;ll even scan the content and grab the images from the content and attach them in the posts and things like that.</p>\n\n\n\n<p>That&#8217;s been my solution. As of right now, I am active on Mastodon and that&#8217;s it. I don&#8217;t plan on being active anywhere else anytime soon. If I do, it&#8217;ll be on another platform on the Fediverse. But to be honest, there&#8217;s not a huge reason to do it. Once you pick the software you like, the feed can ultimately be the same people. You know what I mean? I&#8217;m not there yet. I&#8217;m finding plenty of people coming to the Mastodon. I&#8217;m good with that.</p>\n\n\n\n<p>I&#8217;ve got my site personally set up to do that. It&#8217;ll auto publish content. But then the other challenge that I ran into with this is the mobile experience, right. Because I&#8217;m not going to open up my website through my phone, open up a post, click add post, and like go through this whole process to be able to publish a micro post, a social media post, right? It&#8217;s supposed to be this small quick thing that just takes a second. I mean, Twitter, originally you were literally texting a phone number, right?</p>\n\n\n\n<p>That&#8217;s why the character counts exist. Limits existed originally and stuff. It was a technical reason. It was because you were just texting a phone number and that added a tweet. So it&#8217;s always supposed to be this quick, you whip out your pocket, something out of your pocket and you send a text message and it should be that quick.</p>\n\n\n\n<p>So to have to go through all of that, I already know that&#8217;s a non-starter. If I have to do that, this is never going to work. So I actually had to design my site around the limitations of the WordPress app today. Which to me, I think is getting that better is as important as getting the connections and everything to the Fediverse setup. Because it&#8217;s very limited on what it can do.</p>\n\n\n\n<p>You can use posts. It supports the block editor, and it&#8217;s fantastic. Don&#8217;t get me wrong. The editing experience is great, but it&#8217;s limited. I can&#8217;t customize that app at all. So whatever that app has in it are the tools that I can use inside a WordPress, to be able to solve my problems.</p>\n\n\n\n<p>That means I can&#8217;t use custom post types. That means I can&#8217;t use custom blocks. I can&#8217;t use custom sidebar widgets inside of the block editor to be able to organize or change my content. I can use categories. I can use tags. And weirdly enough I can use post formats. And that&#8217;s it.</p>\n\n\n\n<p>So, I designed my site to support those, to use those. I&#8217;m actually using post formats on my site. It is the weirdest thing. I don&#8217;t love it. I&#8217;m okay with it, it&#8217;s fine. But I would much rather have a custom post type with a block editor template, right? So that I could create like a image post type and be able to click on it. It&#8217;ll just be a fixed template with an image and a paragraph for me to be able to add text. Like, I would like to lock it down like that, but I can&#8217;t do any of that stuff because I&#8217;m limited by what the WordPress app allows me to do.</p>\n\n\n\n<p>So with those two things, basically now I am whipping out my phone, opening up the WordPress app, tapping on post, clicking, add new posts, typing in my content. And then I&#8217;m setting the post format to aside and adding my tags and hitting publish. And I have a little action that runs in the background that automatically, with that plugin, Share to Mastodon plugin, I&#8217;m hooked into that.</p>\n\n\n\n<p>So whenever my content publishes, if the post format&#8217;s aside, if it&#8217;s a micro post, it automatically shares the body, all of the content in that post. And then it&#8217;ll automatically parse the tags as hashtags. And then it also shares a link to the original posts, as well. So that happens. But then if it&#8217;s an actual blog post, right, it&#8217;ll just take the excerpt and it&#8217;ll do the same thing, but it&#8217;ll take the excerpt instead. Share a link to the original post and the hashtags.</p>\n\n\n\n<p>[00:38:46] Nathan Wrigley: So, being a developer, you&#8217;ve been able to conjure up ingenious, by the sounds of it, ways of overcoming the problems of sharing different types of content. But it feels like that solution is something which you would desire, well, maybe to build yourself, I don&#8217;t know.</p>\n\n\n\n<p>[00:39:03] Alex Standiford: Yeah. The spirit is willing, but the time, there&#8217;s only so many hours. The problem with this is that my theme that I&#8217;m using, it&#8217;s a custom theme. Now, it&#8217;s not a crazy, I mean, okay, yeah, it&#8217;s a pretty crazy setup. It&#8217;s way beyond what a typical person should be expected to use and set up.</p>\n\n\n\n<p>It is mine, 13 year old me, right? This is mine. It&#8217;s for me. I&#8217;m having fun with it. I&#8217;m going to put all kinds of crazy stuff in this. I&#8217;m going to overbuild the crap out of it just because I can, and I want to. But, just a more practical look at this. The big problem with what I just said is the post formats because very few themes, if any themes at all, support post formats today. Because they were marked as, they basically killed them off, right, in favor of custom post types.</p>\n\n\n\n<p>But then they never actually added support for custom post types in the app. So here we are. So you&#8217;re kind of in this weird catch 22 where if you want to do this, you have to figure out how to allow your blog, your website, to be able to actually support post formats again. Which, that isn&#8217;t hard. Actually just telling it, hey, I want to use post formats on posts. That&#8217;s not a big deal. That&#8217;s like four lines of code, no big deal. The problem is the theme support, right? The actual, whenever you&#8217;re going through the loop, actually setting it up to be able to recognize those different post formats and to display them appropriately is a challenge, right? Actually integrating it with the actual content.</p>\n\n\n\n<p>[00:40:30] Nathan Wrigley: It feels at the moment as if, whilst it&#8217;s a lot of fun, you are also saying, it&#8217;s a lot of fun for somebody like me. In the sense that, you know, you&#8217;re a developer, you can overcome these problems. Given all of that, is there still right at this point in time, is there still a benefit do you think, in just throwing on the plugins that are freely available at the moment and going for it, and just working with the limitations?</p>\n\n\n\n<p>Because, again I think if I cast my mind back to the beginning of Twitter. Twitter was nothing like what it is now. It took years and years and years for people to figure out what Twitter would be. For Twitter to figure out what Twitter would be. Facebook the same. It went through this iterative process.</p>\n\n\n\n<p>I remember the Twitter fail whale. It was just a hot mess. 50% of the time, everything I tried to do just died. And so maybe it needs to be viewed with that approach. Yes, you may wish to be a part of the Fediverse, but we&#8217;re at the beginning of the evolution. We haven&#8217;t fully conceived of what that might be. And in the year 2023, 2024, that will become a little bit more solidified. But jump in, have a go with what&#8217;s available right now, developer or no.</p>\n\n\n\n<p>[00:41:36] Alex Standiford: Yeah, I think so. If for no other reason than this. I always told myself that I didn&#8217;t care about the content I was posting on Twitter. Like I didn&#8217;t care a lot about it. I was just posting it because it was easy to post things there. I cared about being a part of a conversation. I treated it like a Slack chat, right? Where it&#8217;s, truly this thing that&#8217;s just going to go away. I don&#8217;t really care if I never see it again, that&#8217;s fine. But Twitter&#8217;s not that, it&#8217;s not. Content never goes away as we&#8217;ve seen, right?</p>\n\n\n\n<p>So, I found that I was, this became especially true whenever we started traveling in the camper because, I was posting all these cool things. These cool like little moments that would happen. Like, I&#8217;ll give you an example. I had a, I was in Taos last summer, and it was like three in the morning, and these donkeys woke us up. And we&#8217;re at my door, and I was like, what are these donkeys doing here? It&#8217;s three in the morning. And I whipped out my phone. I recorded a video. I published a tweet. Didn&#8217;t think anything of it.</p>\n\n\n\n<p>Well, of course that tweet became something that I was linking back to and referencing all the dang time. I didn&#8217;t think anything of that at the time. It didn&#8217;t matter. But then I decided I didn&#8217;t want to be on Twitter and I wanted to leave, and all of a sudden I&#8217;m deciding I&#8217;m deleting all my tweets. And I&#8217;m losing all that. Right, I gave up all that.</p>\n\n\n\n<p>Now I have all that stuff and I hope to someday maybe be able to put it back on my site. But the point is, I wasn&#8217;t owning my content. I wasn&#8217;t doing it right. I wasn&#8217;t doing it well enough. I thought I was, because I was saving the super shiny, amazing blog posts, but I wasn&#8217;t sharing my most authentic self on my site. I wasn&#8217;t even sharing all of my content that I clearly cared about, right?</p>\n\n\n\n<p>Because I thought I didn&#8217;t care about it because I thought that Twitter was just a place for me to chat with people. But it proved to be very much not the case. So now, if nothing else, even if you&#8217;re manually, I mean, for weeks I was manually publishing on WordPress and then turning around and posting it on Mastodon.</p>\n\n\n\n<p>I was doing this manually, and if you literally just hide, you could add a filter onto a theme that doesn&#8217;t support it, and just hide all of the posts that aren&#8217;t, like your aside post type. So, if it&#8217;s a micro post, maybe it literally just doesn&#8217;t show up on your site today. You could still do it, and it would just look funny because it wouldn&#8217;t have a title, but some themes it might look fine. You never know, maybe a couple CSS tweaks and it looks great. But, I think it&#8217;s worth it for no other reason other than owning your content and being true to that fact, right? And truly believing and knowing that you have your stuff and it&#8217;s yours, right?</p>\n\n\n\n<p>For example, my family doesn&#8217;t follow me on Twitter, right? So I had this really cool moment the other day where I shared a personal update about my son and, my site is set up to where my WordPress site happens to also be set up to where it&#8217;s a single WordPress website, but it&#8217;s actually. three different websites that are on the front end. So it&#8217;s actually managing, casualweirdness.life, alexstandiford.com and eventually it&#8217;ll also be managing, WP Dev Academy. So all three of these sites are running through this single site, and it&#8217;s just querying the data based on what site it needs to be.</p>\n\n\n\n<p>So with that, I&#8217;m actually able to not only publish content across the Fediverse, but I&#8217;m also able to publish this personal update. And since it&#8217;s a personal update and it&#8217;s detected that it is, because it&#8217;s using a specific tag, it also automatically just shows up on the feed on casual awareness&#8217; site too, which is a more personal lifestyle blog of my family and me, compared to alexstandiford.com, which is a more holistic look.</p>\n\n\n\n<p>But it was really cool because I had this post, right, I published it, and I was able to send it and just share from alexstandiford.com, this is a post from me about me, that I want to share with you and it&#8217;s got a video on it. I know that seems silly, but there was just something really cool about being able to just share something on a personal level with my family, because I&#8217;ve never done that.</p>\n\n\n\n<p>It&#8217;s always been the blog is the business, right? The blog is buttoned up. I&#8217;m not sharing this content with my family because nobody gives a crap about WordPress until they suddenly decide they want to start a business. So, to be able to just use my site beyond networking needs, and be able to just share it, something like that with my family was really cool. It was this like first moment where I really felt that my site was like an intimate, personal thing, not just a tool.</p>\n\n\n\n<p>[00:45:48] Nathan Wrigley: You really have gone into the weeds of this, haven&#8217;t you? It&#8217;s fascinating listening to all of this, and all of the different ways you&#8217;ve got of consuming the content from three different websites and I would encourage anybody who likes UI and UX, to go and click the little clock icon on the top right of Alex&#8217;s website. You&#8217;re in for a surprise.</p>\n\n\n\n<p>[00:46:05] Alex Standiford: Yeah.</p>\n\n\n\n<p>[00:46:07] Nathan Wrigley: That is something else, bravo. That&#8217;s fun.</p>\n\n\n\n<p>[00:46:09] Alex Standiford: Thank you. Thank you.</p>\n\n\n\n<p>[00:46:11] Nathan Wrigley: One of the things that I suppose people get onto social media for, is for reach. And for that content that they&#8217;re producing to be seen by a bunch of people. How do we feel that&#8217;s going on the Fediverse? For my part, the graph just keeps going up. The user base keeps growing up. Is it logarithmic? No. It&#8217;s more of a linear growth, but it&#8217;s growth nevertheless. What&#8217;s your feeling on that? Because I feel that some people think, well, I can&#8217;t let go of Twitter because I have this business. I&#8217;ve built up a reputation there. I don&#8217;t want to lose all of that. Do you see people moving over slowly? Is that a trend?</p>\n\n\n\n<p>[00:46:43] Alex Standiford: So to answer your question first off, I see more. I see a lot more. Honestly, I saw a lot more in December. It was just almost instantaneous. And maybe it&#8217;s because I found the right server and the right people when I was talking about the right subjects. I&#8217;m not sure.</p>\n\n\n\n<p>It could also just be simply because I joined right at the same time as everybody, a lot of other people who were joining, who were excited about it, and we were all talking about it together. But even now, now that things have calmed down, relatively speaking. I don&#8217;t even notice a difference in terms of engagement, but I can tell you that for a while, I was cross-posting both on Mastodon and Twitter at the same time for a few weeks.</p>\n\n\n\n<p>And every post on Mastodon was consistently getting more engagement than it was on Twitter. And I have half the followers on Mastodon as I do on Twitter. So it&#8217;s definitely more for me. I have like 1800 followers on Twitter, and I think last time I checked I had somewhere around 700 on Mastodon. And it was still, two to three times as much engagement.</p>\n\n\n\n<p>[00:47:37] Nathan Wrigley: Yeah, that&#8217;s amazing. It definitely seems to be growing. We&#8217;ll have to see how this whole Fediverse thing pans out, but it&#8217;s, for the moment at least, it&#8217;s very, very exciting. I do like the idea of creating some system where WordPress sits at the center of all of that, and the ability to create content over there and see it, see the impact of it inside of your WordPress website. Even though the impact, the commentary or whatever, was happening elsewhere.</p>\n\n\n\n<p>If people are interested in this, Alex, and they want to reach out to you because it can be confusing. There&#8217;s a lot of strange pitfalls along the way. What are the best places to reach out to you? Don&#8217;t say Twitter.</p>\n\n\n\n<p>[00:48:16] Alex Standiford: alexstandiford.com of course, is my personal site. So, I&#8217;ve got several blog posts I&#8217;ve written. You&#8217;re invited to ask questions as a comment on there. You can also just reach out to me on the Fediverse on Mastadon. I am @alexstandiford@fosstodon.org. That&#8217;s, you know, a perfectly fine spot to message me to. I check that pretty often. Of course, I&#8217;m on Slack on several different channels like Post Status, so I&#8217;m on Make WordPress as well. You can just message me directly on there too.</p>\n\n\n\n<p>[00:48:42] Nathan Wrigley: Alex, I hope that we&#8217;ll be able to say when 2024 rolls around that this has taken off. Let&#8217;s see how it all lies in a year&#8217;s time. Thank you so much for chatting to us about the Fediverse today. I really appreciate it.</p>\n\n\n\n<p>[00:48:55] Alex Standiford: Yeah, no problem. I appreciate your time. Thanks.</p>\n</div>\n\n\n\n<p>On the podcast today we have <a href=\"https://alexstandiford.com/\">Alex Standiford</a>.</p>\n\n\n\n<p>He’s a web developer originally from Dover, Ohio, and has been tinkering with web technologies for years, but started his career as a web developer in 2015. He’s a digital nomad, living in a camper with his family for the last three years.</p>\n\n\n\n<p>Alex has built WordPress plugins, websites, and web applications, and is an active contributor to the WordPress community, making updates to documentation errors, and participating in the organisation of WordCamps.</p>\n\n\n\n<p>If you are a user of social media, it’s likely that at some point you’ve signed up for platforms like Twitter, Facebook and possibly one of the many other options out there.</p>\n\n\n\n<p>These platforms enable you to post content and have it seen by people all over the world. In effect, this is what your WordPress website does, but we all know that social media has managed to replace the traditional blog for many people. The notion of writing a blog post can seem like a lengthy enterprise, whereas a social media post is often quicker to write and gets pushed to the platform&#8217;s users automatically.</p>\n\n\n\n<p>In the podcast Alex explains how he’s noticed this shift over time in his own content creation. He’s put less effort into his WordPress site and has posted most of his ideas on social platforms. This however is something that Alex has decided to stop doing. For a variety of reasons he wants to take back control of his own content and make his website the centrepiece of his endeavours.</p>\n\n\n\n<p>Recently Alex stumbled upon the Mastodon. It’s an open source platform which is built on top of the ActivityPub protocol. ActivityPub allows anyone to create their own social networking software which can interact with any other software using ActivityPub. This is what Mastodon is, but as you’ll hear, it’s not the only software; there’s many flavours of ActivityPub which can all communicate with one another, and this ecosystem is broadly called the Fediverse.</p>\n\n\n\n<p>Alex talks about why he decided to delete many of his old social media accounts in favour of open solutions, and how he’s using plugins and his own coding skills to make it possible for cross posting of posts and comments between Mastodon and his WordPress site.</p>\n\n\n\n<p>It’s a really interesting conversation about the recent surge in popularity of these distributed social networks and how WordPress can become a first class citizen in your digital life; so much more than just a website.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful links.</h2>\n\n\n\n<p><a href=\"https://www.w3.org/TR/activitypub/\">ActivityPub protocol</a></p>\n\n\n\n<p><a href=\"https://joinmastodon.org/\">Mastodon</a></p>\n\n\n\n<p><a href=\"https://pixelfed.org/\">Pixelfed</a></p>\n\n\n\n<p><a href=\"https://joinpeertube.org/\">PeerTube</a></p>\n\n\n\n<p><a href=\"https://wordpress.org/plugins/activitypub/\">ActivityPub WordPress plugin</a></p>\n\n\n\n<p><a href=\"https://wordpress.org/plugins/share-on-mastodon/\">Share on Mastodon WordPress plugin</a></p>\n\n\n\n<p>Alex&#8217;s <a href=\"https://casualweirdness.life/\">Casual Weirdness website</a></p>\n\n\n\n<p>Alex&#8217;s <a href=\"https://alexstandiford.com/\">personal website</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 17 May 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"HeroPress: Exploring the Essence of Community – Explorando la esencia de la comunidad\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=5535\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:142:\"https://heropress.com/essays/exploring-the-essence-of-community/#utm_source=rss&utm_medium=rss&utm_campaign=exploring-the-essence-of-community\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:19351:\"<img width=\"1024\" height=\"512\" src=\"https://heropress.com/wp-content/uploads/2024/05/051623-min.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Pullquote: This journey through WordPress continues to grow, making me stronger and filling my heart with joy. - En definitiva, mi viaje en WordPress sigue en constante evolución, haciéndome cada vez más fuerte y llenando mi corazón de alegría.\" /><p><a href=\"https://heropress.com/feed/#espanol\">Este ensayo también está disponible en español.</a></p>\n\n\n\n<p>Hi, I&#8217;m Ericka Barboza, I&#8217;m a computer engineer, I was born in Costa Rica and it&#8217;s been my home since always. I love nature, plants and bird watching. I enjoy hiking and love going to the beach.</p>\n\n\n\n<p>When I look back and realize that 7 years have passed since I started this journey with WordPress and its community. I realize that time is fleeting.</p>\n\n\n\n<h2 class=\"kt-adv-heading_4ec00a-62 wp-block-kadence-advancedheading\"><strong>How I found the WordPress Community</strong></h2>\n\n\n\n<p>I discovered WordPress in 2006, when I was working as a Web Developer for a digital production services company in Costa Rica. At that time, I created my first blog and as part of my job I had to make modifications to websites made with WordPress. I found it very easy to use.</p>\n\n\n\n<p>However, life took me in a different direction and I followed another career path. I started working in other companies, I worked for a bank and a consulting company, both jobs were not related to WordPress.</p>\n\n\n\n<p>In 2014, I made the decision to become a freelance worker as a web developer in the area of web development and design. I have always been passionate about this field, so I decided to leave my stable job to follow my dream. I wanted to have a better quality of life and more free time to enjoy the days, away from the four walls of an office.</p>\n\n\n\n<p>In that same year, I started working on projects in Drupal, which is another CMS. I also got to know this lovely community and began participating as a volunteer in Drupal Camps. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>I loved the idea of belonging to a community of people with common interests and a desire to help others.</p>\n</blockquote>\n\n\n\n<p>In 2016, I heard that the first WordCamp San Jose Costa Rica was going to be held. So, I approached the group of organizers to offer my help. I felt that I had the experience to contribute to the organization of the event because I had already participated as a volunteer in Drupal Camps, and I thought it was a great idea to collaborate with this amazing community as well.</p>\n\n\n\n<p>And that&#8217;s how my journey in the WordPress Community began. I have been an organizer of 4 WordCamps in my country, Costa Rica (2016-2017-2018-2019) in different roles, including Lead Organizer in 2018. And this year, 2023, I joined the organizing team again and I am very excited about it.</p>\n\n\n\n<p>Being an organizer of a WordCamp was one of the most beautiful experiences I have ever had. It&#8217;s a job where you not only volunteer your time to make sure everything goes well, also you put all your heart into the community.</p>\n\n\n\n<p>Once I joined the WordPress Community, there was no turning back. I became more and more involved, and as I learned more, I realized that I wanted to know even more. Being a volunteer in this beautiful community has been one of the best things that has happened to me in my professional journey.</p>\n\n\n\n<h2 class=\"kt-adv-heading_9f961b-2e wp-block-kadence-advancedheading\"><strong>What I love most about WordPress – Community</strong></h2>\n\n\n\n<p>I always tell people that what I love the most about WordPress is its community. From day one, I have found friendly and helpful people who are always willing to share their knowledge and experience. Being part of this community has allowed me to learn new things and tips, and I feel a great sense of belonging to a group of like-minded people with common interests and goals.</p>\n\n\n\n<p>Since 2016, I have not only been an organizer, but also an enthusiastic volunteer in the WordPress Community. As a result, I have had the privilege of volunteering at some international WordCamps.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>I have to admit, one of my favorite things about WordCamps is the afterparties.</p>\n</blockquote>\n\n\n\n<p>It&#8217;s that moment when we all come together to network, relax, and even sing karaoke. During the pandemic, I missed the hugs and connections with both old and new friends I made at these events. I am so happy that they are coming back!</p>\n\n\n\n<p>In 2017, I attended my first WordCamp abroad, WordCamp Managua in Nicaragua. I had never been to Nicaragua before and I thought it would be a great opportunity to explore its natural beauty while attending the event. There, I met friendly members of the Nicaragua WordPress Community. I still keep in touch with them and I deeply admire.</p>\n\n\n\n<p>The following year, in 2018, I had a dream of traveling to another WordCamp, but this time even further away from my home country and in a different language. I wanted to experience the global WordPress Community and see for myself how it operated. That&#8217;s why I decided to purchase a ticket and travel to WordCamp Miami 2018. It quickly became one of my favorite camps and holds a special place in my heart.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>WordCamp Miami showed me the other side of the WordPress Community, one that extended far beyond my country&#8217;s borders. </p>\n</blockquote>\n\n\n\n<p>I learned that there were many more people around the world who were doing wonderful work for the community, and that they possessed great talents and expertise to share. There is a whole world out there waiting to be explored.</p>\n\n\n\n<p>During WordCamp Miami, I also had the opportunity to meet companies that sponsored the event, and that&#8217;s where I met GreenGeeks Web Hosting. I now work for them as part of the marketing team. Thanks to my job, I have been able to attend many WordCamps around the world, not only as a sponsor, but also as a volunteer and speaker.</p>\n\n\n\n<p>I am also passionate about being a volunteer at KidsCamp, which is like a camp just for kids that takes place as part of WordCamps. In 2019, I participated as an organizer for the KidsCamp at WordCamp San Jose Costa Rica.&nbsp;</p>\n\n\n\n<p>It was a wonderful experience seeing all those smiling faces of the kids, and I was able to bring my own nephews to participate, which is something I will never forget and will always treasure in my heart.</p>\n\n\n\n<p>Before everything fell apart with the pandemic in 2020, I had the opportunity to attend WordCamp Miami 2020 as a KidsCamp volunteer and Team Leader. I loved the opportunity to volunteer in another country and learned so much from the kids. It was the last thing that the WordPress community gave me before entering the pandemic, and I would do it all over again.</p>\n\n\n\n<a href=\"https://heropress.com/wp-content/uploads/2023/05/image.png\"><img /></a><em>KidsCamp – WordCamp San Jose Costa Rica 2019</em>\n\n\n\n<h2 class=\"kt-adv-heading_a4150f-8f wp-block-kadence-advancedheading\"><strong>I keep growing with WordPress</strong></h2>\n\n\n\n<p>I am grateful to WordPress and the community for all the professional growth I have acquired in almost 7 years and still counting.</p>\n\n\n\n<p>My job at GreenGeeks has allowed me to travel to different WordCamps around the world, which has given me the opportunity to meet wonderful people and discover new opportunities.</p>\n\n\n\n<p>If it weren&#8217;t for my active involvement in the community and my attendance at events outside of my country, I wouldn&#8217;t have had the opportunity to know this great company, which also shares the love for WordPress and its community. I am excited to continue growing alongside this community and see what new challenges and opportunities arise in the future.</p>\n\n\n\n<p>In the last few years, since 2020, I&#8217;ve been dedicated to running workshops for underrepresented groups in the WordPress community. Together with Jill Binder, Leader of the Diverse Speaker Training group and #WPDiversity, we have run workshops in Latin America specifically for women in the WordPress Community.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>This initiative has been incredibly motivating for me, as my goal is to support more women becoming speakers at WordCamps and becoming visible in the world of WordPress and technology as a whole.&nbsp;</p>\n</blockquote>\n\n\n\n<p>It drives me even more to reach women in other communities in different countries and languages, and thanks to the translation of documentation into Spanish, we&#8217;ve taken an important step forward. Working alongside Jill on this project has been one of the best things I&#8217;ve found in this wonderful community.</p>\n\n\n\n<a href=\"https://heropress.com/wp-content/uploads/2023/05/image-1.png\"><img /></a><em>WordPress Speaker Workshop for Women Voices in Latin America – Costa Rica 2022</em>\n\n\n\n<p>This journey through WordPress continues to grow, making me stronger and filling my heart with joy.<br /><br />I would like to express my gratitude to Topher for giving me the opportunity to share my story. Writing this has allowed me to relive&nbsp; many moments and I appreciate all those who took the time to read it.</p>\n\n\n\n<p>Until next time!</p>\n\n\n\n<h1 id=\"espanol\" class=\"kt-adv-heading_00d1d6-2d wp-block-kadence-advancedheading\"><strong>Explorando la esencia de la comunidad</strong></h1>\n\n\n\n<p>¡Hola! Soy Ericka Barboza y soy Ingeniera Informática. Nací en Costa Rica, y este ha sido mi hogar desde siempre. Me apasiona la naturaleza, especialmente las plantas y observar las aves. Disfruto mucho caminar por la montaña y me encanta ir a la playa.</p>\n\n\n\n<p>Cuando miro atrás y caigo en cuenta que han pasado 7 años desde que comencé este viaje por WordPress y su comunidad, me hace consciente de lo fugaz que puede ser el tiempo.</p>\n\n\n\n<h2 class=\"kt-adv-heading_4b6b6d-73 wp-block-kadence-advancedheading\"><strong>Cómo encontré a la Comunidad de WordPress</strong></h2>\n\n\n\n<p>Descubrí WordPress en el año 2006 cuando trabajaba como Desarrolladora Web para una empresa de servicios de producción digital en Costa Rica, en ese entonces, creé mi primer blog y como parte de mi trabajo tenía que hacer modificaciones a sitios web hechos con WordPress, me pareció muy fácil de usar.</p>\n\n\n\n<p>Luego, por cosas de la vida, seguí otro camino profesional y comencé a trabajar como Analista en Sistemas en otras empresas, trabajé para un banco y en una empresa de consultoría, en las cuales ninguna tenía nada ver con WordPress.</p>\n\n\n\n<p>En el año 2014, tomé la decisión de convertirme en trabajador independiente como Web Developer en el área de desarrollo y diseño web, siempre me ha apasionado este mundo, por lo que decidí dejar mi empleo estable para seguir mi sueño. </p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Quería tener una mejor calidad de vida y más tiempo libre para disfrutar de los días, lejos de las cuatro paredes de una oficina.</p>\n</blockquote>\n\n\n\n<p>En ese mismo año, comencé a realizar proyectos en Drupal, otro CMS. Tuve la oportunidad de conocer su bonita comunidad. Comencé a participar en los Drupal Camp como voluntaria y me gustó mucho la idea de pertenecer a una comunidad con personas con intereses en común y deseos de ayudar a los demás.</p>\n\n\n\n<p>Para el año 2016, escuché que se iba a realizar el WordCamp San Jose Costa Rica por primera vez, y fue donde me acerqué al grupo de organizadores para ofrecerles mi ayuda, sentía que tenía la experiencia para contribuir con la organización del evento porque ya había participado como voluntaria en los Drupal Camp, y pensé que era muy buena idea también colaborar con esta gran comunidad.</p>\n\n\n\n<p>Fue así como comenzó mi viaje por la comunidad de WordPress. He sido organizadora de 4 WordCamps en mi país Costa Rica (2016-2017-2018-2019) en distintos roles, en el año 2018 como Lead Organizer. Y este año, 2023, me volví a unir al equipo de organización y estoy muy emocionada.</p>\n\n\n\n<p>Ser organizadora de un WordCamp, ha sido una de las experiencias más bonitas que he vivido, es un trabajo en el cual no solo pones tu tiempo de forma voluntaria para que todo salga de maravilla, sino que también le pones todo tu corazón hacia la comunidad.</p>\n\n\n\n<p>Una vez que entré a la comunidad de WordPress, ya no pude dar vuelta atrás, cada vez me involucraba más, estaba enamorada y entre más conocía me daba cuenta que quería saber más. Ser voluntaria en esta bella comunidad ha sido una de las mejores cosas que me ha pasado en mi camino profesional.</p>\n\n\n\n<h2 class=\"kt-adv-heading_ca697c-7d wp-block-kadence-advancedheading\"><strong>Lo que más amo de WordPress – Comunidad</strong></h2>\n\n\n\n<p>Todo el tiempo le digo a las personas que lo que más me gusta de WordPress, es su comunidad, siempre encuentras personas amigables con deseos de ayudarte, aprendes cosas nuevas y tips del mundo de WordPress, me encanta el significado de comunidad, el sentido de pertenencia a un grupo con intereses y propósitos en común.</p>\n\n\n\n<p>Desde el año 2016, además de ser organizadora siempre he amado contribuir como voluntaria y es por eso que también he tenido el privilegio de ser voluntaria en varios WordCamp internacionales.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Debo confesar que también me gustan mucho los afterparty de los WordCamp, ese momento donde todos hacemos networking, nos relajamos y hasta cantamos Karaoke, esa es una de las partes que más extrañaba con la pandemia, los abrazos, la conexión con los viejos y los nuevos amigos que haces en estos eventos, ¡me alegra mucho que regresarán!</p>\n</blockquote>\n\n\n\n<p>Mi primer WordCamp en el exterior fue el WordCamp Managua 2017, que se realizó en Nicaragua, nunca había estado en Nicaragua, a pesar de ser nuestro país vecino, así que me dije, porque no ir y conocer de paso ese país con su gran belleza natural.</p>\n\n\n\n<p>Conocí a amigables personas de la comunidad de WordPress Nicaragua, con los cuales conservo la comunicación y a los cuales les tengo también mucha admiración.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>En el año 2018, mi sueño era poder viajar a otro WordCamp pero más lejos todavía de mi país y en otro idioma, quería vivir esa experiencia, quería ver cómo era la comunidad global de WordPress, y por eso decidí comprar mi boleto e ir rumbo al WordCamp Miami 2018.</p>\n</blockquote>\n\n\n\n<p>Sin duda, WordCamp Miami es por mucho de mis camps preferidos y al cual le tengo un cariño muy especial, porque fue el camp que me mostró la otra cara de la comunidad de WordPress, la de saber que esa comunidad no solo existe en mi país, sino que hay muchas más personas alrededor del mundo que hacen un trabajo maravilloso por la comunidad, esas personas con gran talento y capacidad para transmitir mucho de su conocimiento, hay todo un mundo allá fuera esperando ser explorado.</p>\n\n\n\n<p>En ese camp, también tuve la oportunidad de conocer a empresas que patrocinaban el &nbsp; evento y fue ahí donde conocí a GreenGeeks Web Hosting, la empresa para la cual trabajo como parte del equipo de Marketing.</p>\n\n\n\n<p>Gracias a mi trabajo en GreenGeeks he podido asistir a muchos WordCamp alrededor del mundo, no solo como patrocinadora en los eventos, sino también he podido coloborar como voluntaria y expositora también.</p>\n\n\n\n<p>Otra de las cosas que me apasiona es ser voluntaria del KidsCamp, que es como un campamento solo para niños que se realiza dentro de los WordCamp. En el 2019 participé como organizadora del KidsCamp en el WordCamp de San José Costa Rica, fue una experiencia maravillosa, ver las caras sonrientes de todos esos niños es algo que te llena el corazón y también pude llevar a mis sobrinos a participar y es algo que nunca olvidaré, lo atesoraré en mi corazón.</p>\n\n\n\n<p>En el año 2020, antes de que todo se derrumbara con la pandemia, tuve la oportunidad de asistir al WordCamp Miami 2020, como voluntaria del KidsCamp, como líder de equipo, amé la oportunidad de ser voluntaria en otro país, aprendí muchísimo de los niños y lo volvería a hacer, fue lo último que me dejó la comunidad antes de entrar en pandemia.</p>\n\n\n\n<a href=\"https://heropress.com/wp-content/uploads/2023/05/image-2.png\"><img /></a><em>KidsCamp – WordCamp San Jose Costa Rica 2019</em>\n\n\n\n<h2 class=\"kt-adv-heading_a4b68c-f6 wp-block-kadence-advancedheading\"><strong>Continúo creciendo con WordPress</strong></h2>\n\n\n\n<p>Agradezco a WordPress y a la Comunidad por todo el crecimiento profesional y espiritual que he adquirido en estos 7 años y sigo contando.</p>\n\n\n\n<p>Gracias a WordPress y su comunidad, mi vida profesional y personal ha mejorado significativamente en estos 7 años. Mi trabajo en GreenGeeks me ha permitido viajar a diferentes WordCamps alrededor del mundo, lo que me ha dado la oportunidad de conocer personas maravillosas y descubrir nuevas oportunidades.&nbsp;</p>\n\n\n\n<p>Si no hubiera sido por mi participación activa en la comunidad y mi asistencia a eventos fuera de mi país, no habría tenido la oportunidad de conocer esta gran compañía, que también comparte el amor por WordPress y su comunidad. Estoy emocionada por seguir creciendo junto a esta comunidad y ver qué nuevos retos y oportunidades se presentan en el futuro.</p>\n\n\n\n<p>En los últimos años, desde el 2020 en adelante, me he comprometido en la realización de talleres para grupos poco representados en la comunidad de WordPress. Junto con Jill Binder, líder del Grupo de Formación de Oradores Diversos y #WPDiversity.</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>Hemos llevado a cabo varios talleres en Latinoamérica, específicamente para mujeres de la comunidad de WordPress. Esta iniciativa me ha motivado muchísimo, ya que mi objetivo es apoyar a que más mujeres sean expositoras en los WordCamp y Meetups de la comunidad y que se visibilicen en el mundo de WordPress y la tecnología en general.&nbsp;</p>\n</blockquote>\n\n\n\n<p>Me impulsa aún más poder alcanzar a mujeres en otras comunidades de diferentes países e idiomas, y gracias a la traducción de la documentación a español, hemos dado un paso importante. Trabajar junto a Jill en este proyecto ha sido una de las mejores cosas que he encontrado en esta maravillosa comunidad.</p>\n\n\n\n<a href=\"https://heropress.com/wp-content/uploads/2023/05/image-1.png\"><img /></a>WordPress Speaker Workshop for Women Voices in Latin America – Costa Rica 2022\n\n\n\n<p>En definitiva, mi viaje en WordPress sigue en constante evolución, haciéndome cada vez más fuerte y llenando mi corazón de alegría.</p>\n\n\n\n<p>Quiero expresar mi agradecimiento a Topher por brindarme la oportunidad de compartir mi historia, ya que me ha permitido revivir muchos momentos al escribirla. También, agradezco a todos aquellos que han tomado el tiempo para leerla.</p>\n\n\n\n<p>¡Nos vemos!</p>\n<p>The post <a rel=\"nofollow\" href=\"https://heropress.com/essays/exploring-the-essence-of-community/\">Exploring the Essence of Community &#8211; Explorando la esencia de la comunidad</a> appeared first on <a rel=\"nofollow\" href=\"https://heropress.com\">HeroPress</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 17 May 2023 12:25:46 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Ericka Barboza\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: WordPress 6.2.1 Released with Fixes for 5 Security Vulnerabilities\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145117\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"https://wptavern.com/wordpress-6-2-1-released-with-fixes-for-5-security-vulnerabilities\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1195:\"<p><a href=\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\">WordPress 6.2.1</a> was released today. Those with automatic background updates enabled should see a notice in their email, as updates rolled out earlier today.</p>\n\n\n\n<p>This is a maintenance and security release that includes important fixes for five security vulnerabilities outlined by core contributor and release co-lead Jb Audras: </p>\n\n\n\n<ul>\n<li>Block themes parsing shortcodes in user generated data</li>\n\n\n\n<li>A CSRF issue updating attachment thumbnails</li>\n\n\n\n<li>A flaw allowing XSS via open embed auto discovery</li>\n\n\n\n<li>Bypassing of KSES sanitization in block attributes for low privileged users</li>\n\n\n\n<li>A path traversal issue via translation files</li>\n</ul>\n\n\n\n<p>The patches were backported to WordPress 4.1. Now that these vulnerabilities are public, it&#8217;s recommended that users update immediately. </p>\n\n\n\n<p>WordPress 6.2.1 also includes 20 core bug fixes and 10 fixes for the block editor, all detailed with ticket numbers in the <a href=\"https://make.wordpress.org/core/2023/05/09/wordpress-6-2-1-rc1-is-now-available/\">release candidate post</a>.</p>\n\n\n\n<p> </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 17 May 2023 03:07:17 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"Post Status: Launching a WordPress Product in Public: Session 13\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149345\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://poststatus.com/launching-a-wordpress-product-in-public-session-13/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:30042:\"<p><a href=\"https://poststatus.com/planet/feed/#h-transcript\">Transcript</a> ↓</p>\n\n\n\n<p>In this episode, <a href=\"https://twitter.com/corymiller303\">Cory Miller</a> and <a href=\"https://twitter.com/coreymaass\">Corey Maass</a> discuss the importance of OG (Open Graph) images for social media sharing and branding in WordPress. They highlight the benefits of using OG image templates to create visually appealing and professional content. They also emphasize the need for WordPress professionals to offer variety and customization options to cater to different client needs. Cory and Corey suggest considering pricing models and beta-testing strategies to determine market value and gather feedback. This episode provides valuable insights for WordPress professionals seeking to enhance their services and deliver impactful OG image solutions.</p>\n\n\n\n<p><strong>Top Takeaways:</strong></p>\n\n\n\n<ul>\n<li><strong>Explore OG image templates:</strong> OG (Open Graph) images are essential for social media sharing and branding. WordPress professionals should consider incorporating OG image templates into their projects to enhance their content&#8217;s visual appeal and professionalism. This could involve adding a logo, screenshots, or other relevant images within browser frames or mobile device mockups. Professionals can easily create engaging OG images that align with their clients&#8217; branding and marketing strategies by utilizing templates.</li>\n\n\n\n<li><strong>Embrace variety and customization:</strong> With the availability of different OG image templates and design options, WordPress professionals should strive to offer their clients a diverse range of choices. By understanding common patterns and elements used in OG images, professionals can create customized templates that cater to various needs, such as showcasing logos, headlines, taglines, or even incorporating screenshots of website pages. The ability to provide personalized options and adapt to different social media platforms will greatly enhance the value of their services.</li>\n\n\n\n<li><strong>Consider pricing and beta testing: </strong>As WordPress professionals develop their OG image solutions, it&#8217;s crucial to think about pricing models and beta testing strategies. Offering a base product with well-defined features and functionality can serve as an entry point for clients. Professionals should assess the market value and determine appropriate pricing that reflects the benefits and customization options provided. Beta testing can be a valuable step to gather feedback, refine the product, and generate initial user testimonials or case studies. These efforts contribute to building credibility and attracting future customers.</li>\n</ul>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n\n</div>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-mentioned-in-the-show\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f517.png\" alt=\"🔗\" class=\"wp-smiley\" /> Mentioned in the show:</h3>\n\n\n\n<ul>\n<li><a href=\"https://crop.express/\">Crop.Express</a></li>\n\n\n\n<li><a href=\"https://www.canva.com/\">Canva</a></li>\n\n\n\n<li><a href=\"https://chat.openai.com/\">Chat GPT</a></li>\n\n\n\n<li><a href=\"https://slack.com/\">Slack</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-you-can-follow-post-status-and-our-guests-on-twitter\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> You can follow Post Status and our guests on Twitter:</h3>\n\n\n\n<ul class=\"eplus-wrapper\">\n<li><a href=\"http://twitter.com/coreymaass\">Corey Maass</a></li>\n\n\n\n<li><a href=\"https://twitter.com/corymiller303\">Cory Miller</a> (CEO, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n\n\n\n<li><a href=\"https://twitter.com/lemonadecode\">Olivia Bisset</a> (Intern, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n</ul>\n\n\n\n<p class=\"eplus-wrapper has-background\">The <strong>Post Status Draft</strong> podcast is geared toward WordPress professionals, with interviews, news, and deep analysis. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4dd.png\" alt=\"📝\" class=\"wp-smiley\" /><br /><br /><a href=\"https://poststatus.com/category/post-status-podcasts/\" target=\"_blank\" rel=\"noreferrer noopener\">Browse our archives</a>, and don’t forget to subscribe via <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\" target=\"_blank\" rel=\"noreferrer noopener\">iTunes</a>, <a href=\"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS8ySkU5c2M4UA\" target=\"_blank\" rel=\"noreferrer noopener\">Google Podcasts</a>, <a href=\"https://www.youtube.com/c/PostStatus\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\" target=\"_blank\" rel=\"noreferrer noopener\">Stitcher</a>, <a href=\"https://wordpress-post-status-draft-podcast.simplecast.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Simplecast</a>, or <a href=\"https://feeds.simplecast.com/2JE9sc8P\">RSS</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f3a7.png\" alt=\"🎧\" class=\"wp-smiley\" /></p>\n\n\n\n<h2 class=\"wp-block-heading eplus-wrapper\" id=\"h-transcript\">Transcript</h2>\n\n\n\n<h2 class=\"wp-block-heading\">Session 13 Corey &amp; Cory Launch a WordPress Product Live</h2>\n\n\n\n<p>[00:00:00] <strong>Corey Maass:</strong> It&#8217;s just so much work. I was like, it doesn&#8217;t have to be&nbsp;</p>\n\n\n\n<p>[00:00:06] <strong>Cory Miller:</strong> initial stuff. I&#8217;ve been doing this so long, to fine tune some stuff, get your workflow,&nbsp;</p>\n\n\n\n<p>[00:00:11] <strong>Corey Maass:</strong> but it&#8217;s just so much work. I was like, it doesn&#8217;t have, but now I&#8217;m like, I prefer this. Yeah. Yeah. There&#8217;s stuff that I want to be very polished and professional, but then there&#8217;s also turn it on and go.</p>\n\n\n\n<p>We&#8217;re turning on and go. We&#8217;re on now. Like specifically. I gotta turn my lights on. I just realized&nbsp;</p>\n\n\n\n<p>[00:00:34] <strong>Cory Miller:</strong> Corey&#8217;s doing that. Hey everybody, welcome back. This is session 13, I think. Corey and Corey launched the WordPress product live. We&#8217;ve got some cool updates. We&#8217;ve been working on some stuff and when I say working on some stuff, Corey, you&#8217;ve been like on this huge manic state of getting stuff done and yep,&nbsp;</p>\n\n\n\n<p>[00:00:53] <strong>Corey Maass:</strong> I&#8217;m pumped about it.</p>\n\n\n\n<p>I I built a hundred feet of fencing. Yeah I, last [00:01:00] week my client, main clients were outta town for a week, so I was like, all right, I&#8217;m gonna take a couple of days off and. Take advantage of the weather, finally getting nice and so built big, beautiful fences which has prompted the promise of an O M G I M G hackathon where Corey is gonna fly me out to his house and I&#8217;m gonna help him build a fence.</p>\n\n\n\n<p>But it also meant that I was. Hacking at our plug-in new product for a couple of hours every morning and every night. And over the weekend. So yeah, the, I just this morning zipped up. I have a little script that I used to zip all my plug-ins for distribution and uploaded it to a testing website and it broke.</p>\n\n\n\n<p>But then a couple minutes later it worked. So pretty amazing. Yeah, we&#8217;ve now got a plugin that installs. It&#8217;s[00:02:00] tied into e d D. Oh, good idea. Thank you. Yes. We should stand for this proud moment. But yeah I got as far as incorporating the licensing with e D D. So that&#8217;s now tied into the OMG img.co website.</p>\n\n\n\n<p>That has a, just a placeholder logo on it. We need to put the signup form coming soon on that website. I keep forgetting. But it&#8217;s got the basics. The plugin itself has the basics of, so you can install it, it takes you to a welcome screen. You add a logo and it creates your first image, which is the logo on the left and the title of the site on the right.</p>\n\n\n\n<p>Like we talked about, in, in a few clicks and in a few seconds you&#8217;ve got at least the most basic OG image and I found what I needed to. If you don&#8217;t have Yost or something else [00:03:00] Installed. Then this will show as the OG image. We need to test that a bit more, but is working on my WordPress installs.</p>\n\n\n\n<p>And then I also found the hook for Yost. So if Yost is installed regardless of the OG image you have, Plugged into Yost hours will show if you&#8217;ve selected one. And then, and so that&#8217;s Sitewide. And then we have most of the functionality for host specific images as well. And so right now you.</p>\n\n\n\n<p>Associated with a post, you can create images and you can set those as a featured image, and that works. What I haven&#8217;t finished yet is setting an individual OG image per post. So if you share your homepage, it&#8217;ll show the sitewide [00:04:00] OG image, but if you share a specific post, it should show the OG image for that post.</p>\n\n\n\n<p>And if there isn&#8217;t one specified then should show the sitewide one. So we need to test that, but all the functionality is there. And then the only other, I mean there&#8217;s, there&#8217;s a few little bugs and things here and there and we need to do a lot of testing on different browsers and stuff like that.</p>\n\n\n\n<p>But the, so the OG image per post is the one big thing missing. And. Yeah. And then I think we&#8217;re, we&#8217;re pretty close. We need better templates, which you&#8217;ve been working on. And yeah, again there&#8217;s, I&#8217;m to the point where the, the framework works. We need to pick a couple of templates and just start messing around with them.</p>\n\n\n\n<p>And so it&#8217;s the like as we&#8217;re going, oh, we really need this over here. And I&#8217;ll go, oh, it doesn&#8217;t support that yet. Let me quick go at it. We&#8217;ll get into that development loop. But that&#8217;s where we&#8217;re at. We&#8217;re pretty far along.&nbsp;</p>\n\n\n\n<p>[00:04:59] <strong>Cory Miller:</strong> That&#8217;s [00:05:00] awesome to hear. Awesome news. Oh, keep building fences cause.</p>\n\n\n\n<p>Focus two, you got your physical outlet and then you got your mental digital outlet. That&#8217;s all great news. I think my biggest question is when do you think by end of day our part like beta client site is post has by end of day our, we should be switched over to our new hosting environment.</p>\n\n\n\n<p>And things should be a lot better for the website that have been lingering.&nbsp;</p>\n\n\n\n<p>[00:05:34] <strong>Corey Maass:</strong> Congrats&nbsp;</p>\n\n\n\n<p>[00:05:37] <strong>Cory Miller:</strong> by tomorrow. It should be ready to available, I should say to install the plugin if you wanted to. Great. Okay, that&#8217;s all good news. And on that note for, to recap for others that haven&#8217;t seen previous episodes, where we&#8217;re at now is.</p>\n\n\n\n<p>You just heard Corey&#8217;s product update, great progress on what we had talked about [00:06:00] the past couple of weeks, about an easy way to show your website professionally on the web through open graph. So posts being our kind of default list lists. Not just iron out the dev kinks, but also how we want that to look cuz that&#8217;s very important.</p>\n\n\n\n<p>Both of us have interest in design. So on that note, using that post as the test, I started working in Canva. I also, my update to you would be also, as I mentioned in Slack I submitted the design request for the templates posts to start to flush out how we want this to look. I do know we do have the nuts and bolts of what we need for just templates.</p>\n\n\n\n<p>So I still need to do more of that work. But I wanted to show you this. Along that kind of research and work from my side, I found this og [00:07:00] image gallery, og image com. Oh, nice. Yep. Wow. This is what I needed. Yeah. I love some of these things. So I took, and I&#8217;m not a professional designer, I&#8217;m just a hobby designer.</p>\n\n\n\n<p>Yeah. But I was like, this is really inspiring for the general. Default website, business card. So just looking through here there&#8217;s just such good stuff. So I was like riffed on something like this with that, and I&#8217;ll have to get this to our designer. But all of that, just thinking about how to offer a really good template option and what is in there.</p>\n\n\n\n<p>So I was like, okay. I got the dimensions like we had talked about and just started like going, okay, what were the business cards? Funny going in Chem Camba. When I put in the ratio, I pulled up a business card template. I was like, that was cool to see some of those. And I just started like riffing something that I could at least.</p>\n\n\n\n<p>Flesh out my thoughts a little bit to get [00:08:00] back to the designer based on some of these other gallery options. So that&#8217;s what I was working on when I didn&#8217;t realize you were here and I was still working. But just for the general website, the thoughts we had were logo, some treatment.</p>\n\n\n\n<p>What I liked about these images over here is like you have a big title. Yep. A small logo. I like how Mix Panel threw in some kind of graphic that linked what Mix panel. Mix panel is.&nbsp;</p>\n\n\n\n<p>[00:08:31] <strong>Corey Maass:</strong> So the technology we&#8217;re using is still technically a screenshot. And so seeing this version one, 1.1 or whatever so in my mind, the first.</p>\n\n\n\n<p>OG image template that we want is logo on the left, title on the right, dead simple, a background, color, whatever. But there&#8217;s [00:09:00] no reason. And, and as the rabbit hole you started going down on our last call that I poked fun at you for was that you kept moving the logo from the left to the center, left, to the right, to the center.</p>\n\n\n\n<p>And it&#8217;s we don&#8217;t, the beauty of this is we don&#8217;t have to choose. We can if it, we can, there are two things we can do. One is. I can offer an option that says, do you want the logo on the left or center? The other thing is we can have multi, almost infinite templates.</p>\n\n\n\n<p>And I don&#8217;t think we want to have too many. Templates that are too similar, but, looking at that, that gallery you were just looking at, like a lot of these have, you look at the patterns, right? So you&#8217;ve got a logo top left for a lot of them, or you&#8217;ve, and an image on the right.</p>\n\n\n\n<p>Or you&#8217;ve got a logo top and then a text underneath or the one you were just showing me, which is what made me start, made me interrupt you. The mix panel, right? Is. Again, version [00:10:00] 1.1. I wonder that our best template isn&#8217;t actually going to be we can we could actually take a screenshot of their homepage and then automatically suck it in to a template.</p>\n\n\n\n<p>And with one click, like we would go take, essentially take a picture of the homepage and then put it in a template. They&#8217;ve uploaded a logo, we have the title, and we&#8217;ve essentially recreated that mix panel template in one go. I hadn&#8217;t thought of that cuz we&#8217;re talk, it&#8217;s the what&#8217;s the movie Inception we&#8217;ve got.</p>\n\n\n\n<p>Screenshots of screenshots, but but we can certainly do that. We can say, I hadn&#8217;t thought of this before, like talking about creating a template for each blog post, pulling in the title, pulling in the featured image. We could actually take a screenshot of the blog post and then inject it at, in lieu of a [00:11:00] featured image into.</p>\n\n\n\n<p>An OG image, so you&#8217;ve got an actual picture of the website in that, that mix panel style. That&#8217;s really cool. I hadn&#8217;t thought of that. That&#8217;s&nbsp;</p>\n\n\n\n<p>[00:11:13] <strong>Cory Miller:</strong> so good. I&#8217;m trying to record some of these as we see &#8217;em. Yeah. So I can direct them. But I know what you&#8217;re doing with them too is you see this and go, okay, that means centered left.</p>\n\n\n\n<p>This one is in the middle. There&#8217;s another le you&#8217;re right, top left. Seems like I love that idea though of the screenshot cuz like I was having a hard time with the post status one. Just showing my workflow. I was like, okay, trying to create this, what would I want? And I like the examples where they have some image something there and I was like, oh man, here it, so I found a camera like this little browser&nbsp;</p>\n\n\n\n<p>[00:11:53] <strong>Corey Maass:</strong> frame.</p>\n\n\n\n<p>Yep. That&#8217;s what I was the, it tickled my brain when you showed me this. I&#8217;m like, go take [00:12:00] a screenshot of the post status homepage at, at these proportions and then drag that in here. And that&#8217;s, in l in lieu of that, fake browser, a placeholder. You could actually have a picture of the website cuz that&#8217;s it, that kind of.</p>\n\n\n\n<p>True. And with a drop shadow. And so it&#8217;s like all of these things we can do, but it&#8217;s also, it&#8217;s that kind of thing that adds a little more legitimacy. It&#8217;s the, just as you brought up, I think last time, the, those generators of, books, book cover, so it or fake software, so it looks like.</p>\n\n\n\n<p>It&#8217;s like when people were writing eBooks or, have downloadable software. There were these templates you&#8217;d upload the cover and it would spit out an image, a 3D generated image that looked like the box that you&#8217;d see on the shelf at Staples. That&#8217;s what we were talking about a couple of weeks ago.</p>\n\n\n\n<p>Doing similar here, where it&#8217;s okay, either upload a screenshot or we can take a screenshot of the actual blog post. So [00:13:00] you&#8217;re, you&#8217;ve got a picture of the website, it&#8217;s gonna lend this sense of legitimacy even more than, a stylized title or whatever. That&#8217;s really slick. But</p>\n\n\n\n<p>In the, I&#8217;m not hearing you. Something happened to your audio. Oh, that screenshot.&nbsp;</p>\n\n\n\n<p>[00:13:18] <strong>Cory Miller:</strong> Oh, there we go. Okay. That screenshot thing, I was just trying to make sure I got it down. Yep. Just trying to make sure I had that&nbsp;</p>\n\n\n\n<p>[00:13:26] <strong>Corey Maass:</strong> vision of what we&#8217;re talking about, but I wonder that we don&#8217;t, either. We basically, we need to start a Pinterest board of all of the great ones we find you&#8217;ve got, you&#8217;ve found this gallery that gives us a head start and I feel like we, at some point, you or we should spend 10 minutes just going through a bunch of them recog, noticing some of these patterns okay.</p>\n\n\n\n<p>20% of them have a little logo in a screenshot. 20% of [00:14:00] them are, 50 50, 20% of them are logo top title bottom and just call those our first three templates or something like that. Incorporating, like you said, with post status being our testing, ground first, testing ground When the designer comes back with your new template, let&#8217;s make sure that&#8217;s accounted for.</p>\n\n\n\n<p>And then those are like the first four that we go live with. Because that&#8217;ll, again if we&#8217;ve, if we identify these sort of, not 80 20, but 20, 20 20, 20 20, people are gonna wanna do wild, crazy things. And like I said I&#8217;ve built the plugin in a way that people can pretty easily create their own.</p>\n\n\n\n<p>They&#8217;re gonna need to be developers, but, Can still, add their own treatments and stuff like that. But if we&#8217;ve covered most of the bases, at least for OG images, then, when we publish, cuz again, EDDs all set up, I&#8217;ve added Stripe and all that kind of stuff. Like, all we&#8217;ve gotta do is [00:15:00] Go live, essentially.</p>\n\n\n\n<p>But, and obviously we want to do that with actual templates that work and after some testing. But, we&#8217;re pretty close. We just need to offer the, a actual, it&#8217;s like we&#8217;ve worked out the engine, we&#8217;ve worked out the wheels. We just now need the what is it, the. The Civic, the Acura, the, s u v and the truck or whatever, but the underlying stuff is all is, has all worked out.</p>\n\n\n\n<p>[00:15:27] <strong>Cory Miller:</strong> Love it. Just trying to get, capture this for, got it.</p>\n\n\n\n<p>Yeah, because like up here we talked about doing some of these things, but like pulling in a little screenshot, I think that&#8217;d be really awesome. Okay, so here&#8217;s my big question. I&#8217;m scared to ask. Can this be a fr framed in like a browser button? That browser thing, Nick? Oh, for sure. Wherever it was.</p>\n\n\n\n<p>[00:15:56] <strong>Corey Maass:</strong> Okay. Yeah. Like things we need to work, all stuff [00:16:00] to work out. But absolutely the easy one is, yep. The easy one is just adding a drop shadow. The one that we just need to find essentially the right yeah, the right size, basically either P and g or there are. Browsers or mobile phones, all done in css, which means they will, stretch, right?</p>\n\n\n\n<p>So we could actually take screenshots. There&#8217;s one on your screen. Bottom right? Like that phone yeah, the, on the right. Yep. That one. We could essentially recreate that. Go take a screenshot of your homepage, stick it in a phone. And then take a picture of the og, put, create an OG image out of that.</p>\n\n\n\n<p>So it&#8217;s if you are a mobile app or something, like we could do that kind of thing. And then we this totally might be a pipe dream, but we can start looking into actually like. Doing skewing type of stuff, meaning we can like some of those OG [00:17:00] images to make it more dynamic.</p>\n\n\n\n<p>They&#8217;ve, instead of just a flat screenshot, they&#8217;ve tilted it on its side. We can start looking into that kind of stuff too. I&#8217;m not, I don&#8217;t know yet if we can do it or not, but it&#8217;s not, it&#8217;s certainly not hard to test it. Let&#8217;s see.&nbsp;</p>\n\n\n\n<p>[00:17:16] <strong>Cory Miller:</strong> Just thinking about frames for it like that I think is really cool.</p>\n\n\n\n<p>I&#8217;d want that on Post stuff. Yep. But just a way to frame it in any way. Yeah. The image that you&#8217;re doing I think is interesting. Okay. So I&#8217;m looking at these templates, like that&#8217;s gonna give me another thought for the post status one. Seeing what they come back. I bet you&#8217;ll get something by tomorrow on that.</p>\n\n\n\n<p>Great.</p>\n\n\n\n<p>Get that in here.</p>\n\n\n\n<p>Product. Yep.</p>\n\n\n\n<p>Magazine would be in there. Magazine. Oh&nbsp;</p>\n\n\n\n<p>[00:17:49] <strong>Corey Maass:</strong> yeah. That&#8217;s one of your clients? Yeah. Yeah, exactly. Okay. [00:18:00]&nbsp;</p>\n\n\n\n<p>[00:18:01] <strong>Cory Miller:</strong> Yeah. I really like that because for the screenshot for the post it just shows like this is the blog post and there&#8217;s some rendering of it that goes, when I click through, this is what I&#8217;m gonna get and expect to get.</p>\n\n\n\n<p>Yeah.&nbsp;</p>\n\n\n\n<p>[00:18:15] <strong>Corey Maass:</strong> Yeah, that&#8217;s, yeah, I think that&#8217;s, that takes it to a, to another level, like not there. And it&#8217;s there&#8217;s different times and places too. It&#8217;s some, if you share on Facebook, you get, you get the full image like this, right? But if you share on Twitter, it&#8217;s like this.</p>\n\n\n\n<p>Or if you share in Slack, it&#8217;s like this. And so there&#8217;s time we can&#8217;t. I don&#8217;t think we can control which version gets delivered where, but depending on your preferred, if you&#8217;re mostly promoting to Facebook, then having an image that has a lot of detail, meaning a screenshot, totally works.</p>\n\n\n\n<p>Whereas if you are sharing look, in the you that [00:19:00] wise one, if you scroll down if you&#8217;re sharing somewhere that it always shows up small, you&#8217;re like all we want is the name of our website as big as possible Then, and so essentially we&#8217;re giving you lots of options.</p>\n\n\n\n<p>The one just kitty Corner down memory. That one? Yeah, there&#8217;s your screenshot right there. So it&#8217;s, a fake browser frame around a screenshot of something. And again at an angle, I know we can do rotate. I&#8217;ve already done rotate him in one of my test templates. So that&#8217;s the, that&#8217;s something we could emulate pretty readily.</p>\n\n\n\n<p>But this is the</p>\n\n\n\n<p>trap, the loop that I&#8217;m stuck in right, is I&#8217;m. I ha I have a tool and I don&#8217;t, I have a solution, but I don&#8217;t have the problem yet. And so I&#8217;ve just been testing like crazy, all the different neat things we can do. But I haven&#8217;t actually sat down and said, okay, let me try to recreate one of these OG [00:20:00] images with our new system, or let me call this template number one.</p>\n\n\n\n<p>And here&#8217;s the elements that it needs. So this is great. I think, like you said if you get back the new ones for post status in the next couple of days and we pick a couple of these based on the list you just created, then you know, we&#8217;re good to go.</p>\n\n\n\n<p>Okay. Yeah. There&#8217;s&nbsp;</p>\n\n\n\n<p>[00:20:24] <strong>Cory Miller:</strong> a lot of, yeah. Logo, left image, which is what we got here. Logo, top head logo, smaller headline here.</p>\n\n\n\n<p>Same.&nbsp;</p>\n\n\n\n<p>[00:20:38] <strong>Corey Maass:</strong> Okay.</p>\n\n\n\n<p>Yeah, I&#8217;m seeing a lot of patterns and so again, I think we just pick a few.</p>\n\n\n\n<p>And of course you have our entire marketing strategy done already, right? Yeah. Me and my&nbsp;</p>\n\n\n\n<p>[00:20:50] <strong>Cory Miller:</strong> buddy Chap, G P t.</p>\n\n\n\n<p>Plus he&#8217;s at while I have &#8217;em. So when I ask the designer to work on some of those, cuz I&#8217;d probably take a lot of these. And say [00:21:00] do this for post status is our test case. Yep. The podcast is gonna be a little tricky I think.</p>\n\n\n\n<p>Cuz you want to host probably, but what if you have two hosts? Yep. What if, and you always have a guest I always have a guest. But we&#8217;ll cross that bridge later on. Okay. Logo only. I like that. Logo is screenshot of homepage. See logo and tagline only.</p>\n\n\n\n<p>[00:21:30] <strong>Corey Maass:</strong> So I, I think you should using that og, that image gallery, like for each of these go take, go find one that&#8217;s close to what you want and just like you did a minute ago. Yeah. Like that slide number five, capture one of each. So that it&#8217;s okay, this is, just one big logo that&#8217;s wise, logo and tagline.</p>\n\n\n\n<p>That&#8217;s, one of those other ones. And it&#8217;s if we have all of those [00:22:00] captured here forever then that&#8217;s what we start with. And we, and we have a designer actually figure out the proportions, make it look proper. But then we&#8217;ve, we&#8217;re. Like you said we&#8217;re covering the bases.</p>\n\n\n\n<p>Okay.</p>\n\n\n\n<p>Can do.</p>\n\n\n\n<p>Yeah. We&#8217;re close. I&#8217;m excited. And I&#8217;ve set up, like I said, I&#8217;ve set up most of the basics we need just to get it out the door. At some point we need to have a conversation about pricing. And a logo, but I&#8217;m very, I&#8217;m excited that we are very close to having something that we can, you can be using on post status.</p>\n\n\n\n<p>I can ha put on my client websites. And essentially we&#8217;re, we might even maybe in post status Slack let&#8217;s see if we can put together a beta. Beta list, beta testers, 10, 50, a hundred, and roll it out to some people, because with e d.[00:23:00] So for anybody who&#8217;s not familiar, that&#8217;s the shopping cart checkout mechanism that has, that&#8217;s really specifically good for selling software licenses.</p>\n\n\n\n<p>And so we can essentially give a, give away a free version of the plugin. And it doesn&#8217;t and anybody we give it to won&#8217;t, can&#8217;t update. As we release updates unless they buy or unless we give them a copy. Cuz in WordPress that&#8217;s really what you&#8217;re selling is access to the next version. Cuz everything is open sourced.</p>\n\n\n\n<p>But so we, I, it makes it very easy to distribute something like this. Like I have no problem giving away the first version to, generally you, trusted colleagues kind of thing. But if it gets leaked, I don&#8217;t care because, we&#8217;re gonna be cranking out new versions, daily, weekly early on as new features and bugs and stuff like that get un get added, fixed.</p>\n\n\n\n<p>[00:24:00] And it&#8217;s, people will have an early beta, but will want to buy in order to get those updates. Okay. I think in,&nbsp;</p>\n\n\n\n<p>[00:24:09] <strong>Cory Miller:</strong> so I&#8217;ve got pricing logo templates, pricing logo,&nbsp;</p>\n\n\n\n<p>[00:24:14] <strong>Corey Maass:</strong> beta testers. Yeah, that seems like we&#8217;re. We&#8217;re ready for all that.</p>\n\n\n\n<p>Okay.&nbsp;</p>\n\n\n\n<p>[00:24:22] <strong>Cory Miller:</strong> I wanted going with templates so we could have something to like really inform what we&#8217;re doing. Yep. But after we get the first round, I&#8217;ll submit another request for the logo. Yep. And then pricing. I think we&#8217;ll get a I&#8217;ll for our part, get a better view of it when we get it in action.</p>\n\n\n\n<p>Show it going. And then, but I think some of the rough pricing talks we had were right on par. Get something, a base product that does something well.&nbsp;</p>\n\n\n\n<p>[00:24:51] <strong>Corey Maass:</strong> Yeah. That helps people look better.&nbsp;</p>\n\n\n\n<p>[00:24:53] <strong>Cory Miller:</strong> And then yeah, when we&#8217;re ready for&nbsp;</p>\n\n\n\n<p>[00:24:55] <strong>Corey Maass:</strong> beta test, which we&#8217;ll just ask you had a hard stop at [00:25:00] the top of the hour.</p>\n\n\n\n<p>So let&#8217;s wrap up today. Sorry about being late. No worries. And yeah, we&#8217;ll reconvene soon. I feel like things are starting to speed up. This is great.&nbsp;</p>\n\n\n\n<p>[00:25:10] <strong>Cory Miller:</strong> That&#8217;s awesome. Yeah,&nbsp;</p>\n\n\n\n<p>[00:25:12] <strong>Corey Maass:</strong> I&#8217;ll&nbsp;</p>\n\n\n\n<p>[00:25:12] <strong>Cory Miller:</strong> try to keep up with you.</p>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 23:15:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Cory Miller\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"WPTavern: New Proposal Looks to Retire Older WordPress Default Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145067\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wptavern.com/new-proposal-looks-to-retire-older-wordpress-default-themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4259:\"<p>WordPress is approaching its 20th anniversary, and for the majority of those years, contributors have cranked out a new default theme. Even though the structure and supported features of default themes have drastically changed over the years, contributors are still actively maintaining all 13 of the &#8220;Twenty&#8221; themes.</p>\n\n\n\n<p>A new <a href=\"https://make.wordpress.org/core/2023/05/16/proposal-retiring-older-default-themes/\">proposal</a> on WordPress.org recommends winding down active maintenance on older themes and implementing a new system of requirements for retiring them.</p>\n\n\n\n<p>&#8220;The level of effort to support 13 themes is not insignificant, especially in the times of the rapidly evolving block editor,&#8221; Bluehost-sponsored core contributor Jonathan Desrosiers said. &#8220;The burden of maintaining these themes has historically fallen on the Core team to ensure they continue to receive any needed updates.&#8221; These tasks include things like ensuring compatibility with newer PHP versions, fixing bugs, updates and deprecations of dependencies, security updates, and much more.</p>\n\n\n\n<p>&#8220;Because there are so many, it’s not uncommon for it to take several months before older default themes properly support newer features added in WordPress Core,&#8221; Desrosiers said. &#8220;Additionally, themes created prior to the existence of certain APIs are often unable to fully take advantage of these new features (global styles, block patterns, etc.).&#8221;</p>\n\n\n\n<p>Desrosiers contends that reducing the support burden on contributors will allow them to focus on ensuring the most modern block-based themes deliver the best experience.</p>\n\n\n\n<p>&#8220;It also helps clear the path for work on new block theme-focused experiments and initiatives (such as the <a href=\"https://make.wordpress.org/themes/2023/03/03/hallway-hangout-community-themes-initiative/\">Community Themes Initiative</a>) attempting to refine the role that themes will have in the block editor era,&#8221; he said.</p>\n\n\n\n<p>Themes released through the WordPress.org account via the Community Themes Initiative, like the <a href=\"https://wptavern.com/wordpress-themes-team-releases-stacks-a-community-theme-for-building-slide-decks\">recent Stacks slide deck theme</a>, will be officially supported, adding to the load. These themes, however, have the benefit of working with the Site Editor and all the latest features WordPress offers. When dealing with limited volunteer resources, supporting older default themes doesn&#8217;t have as much upside as spending these efforts the more modern themes.</p>\n\n\n\n<p>WordPress bundles the three most recent default themes in the latest download. This proposal seeks to retire older themes after a minimum of five years of support and when usage falls to less than 1% of all WordPress sites as determined by WordPress.org data. Using this criteria the default themes Twenty Ten through Twenty Sixteen would be retired and only receive security updates. Desrosiers suggests a yearly assessment of usage data to determine which themes would be retired.</p>\n\n\n\n<p>The three most recent WordPress default themes would be actively maintained and contributors would continue maintaining the following themes with bug fixes, compatibility updates, and security fixes:</p>\n\n\n\n<ul>\n<li>Twenty Seventeen</li>\n\n\n\n<li>Twenty Nineteen</li>\n\n\n\n<li>Twenty Twenty</li>\n</ul>\n\n\n\n<p>The proposal has multiple benefits, in addition to reducing the number of actively supported themes from 13 to 6, but also has the drawback of affecting an estimated 730,000 users who will no longer receive maintenance on their themes.</p>\n\n\n\n<p>General reception to the proposal has been positive, as those using very old themes are usually looking for as few changes to their website as possible. With security updates still available to retired themes, these users would not be forced to update to a newer theme.</p>\n\n\n\n<p>The proposal was developed based on feedback and recommendations from a group of contributors. It is now awaiting feedback from the larger community. Unless the proposal needs to be significantly modified, contributors will soon move on to the practical tasks associated with retiring themes.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 20:56:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"WordPress.org blog: WordPress 6.2.1 Maintenance &amp; Security Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://wordpress.org/news/?p=14955\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wordpress.org/news/2023/05/wordpress-6-2-1-maintenance-security-release/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7562:\"<h2 class=\"wp-block-heading\">WordPress 6.2.1 is now available!</h2>\n\n\n\n<p>This minor release features <a href=\"https://core.trac.wordpress.org/query?milestone=6.2.1&group=component&col=id&col=summary&col=status&col=owner&col=type&col=priority&col=milestone&order=priority\">20 bug fixes in Core</a> and <a href=\"https://github.com/orgs/WordPress/projects/88\">10 bug fixes for the block editor</a>. You can review a summary of the maintenance updates in this release by reading the <a href=\"https://make.wordpress.org/core/2023/05/09/wordpress-6-2-1-rc1-is-now-available/\">Release Candidate announcement</a>.</p>\n\n\n\n<p>This release also features several security fixes. Because this is a security release, it is recommended that you update your sites immediately. All versions since WordPress 4.1 have also been updated.</p>\n\n\n\n<p>WordPress 6.2.1 is a short-cycle release. The next major release will be <a href=\"https://make.wordpress.org/core/6-3/\">version 6.3</a> planned for August 2023.</p>\n\n\n\n<p>If you have sites that support automatic background updates, the update process will begin automatically.</p>\n\n\n\n<p>You can <a href=\"https://wordpress.org/wordpress-6.2.1.zip\">download WordPress 6.2.1 from WordPress.org</a>, or visit your WordPress Dashboard, click “Updates”, and then click “Update Now”.</p>\n\n\n\n<p>For more information on this release, please <a href=\"https://wordpress.org/support/wordpress-version/version-6-2-1\">visit the HelpHub site</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">Security updates included in this release</h2>\n\n\n\n<p>The security team would like to thank the following people for responsibly reporting vulnerabilities, and allowing them to be fixed in this release.</p>\n\n\n\n<ul>\n<li>Block themes parsing shortcodes in user generated data; thanks to Liam Gladdy of <a href=\"https://wpengine.com/\">WP Engine</a> for reporting this issue</li>\n\n\n\n<li>A CSRF issue updating attachment thumbnails; reported by <a href=\"https://johnblackbourn.com/\">John Blackbourn</a> of the WordPress security team</li>\n\n\n\n<li>A flaw allowing XSS via open embed auto discovery; reported independently by Jakub Żoczek of <a href=\"https://research.securitum.com/\">Securitum</a> and during a third party security audit</li>\n\n\n\n<li>Bypassing of KSES sanitization in block attributes for low privileged users; discovered during a third party security audit.</li>\n\n\n\n<li>A path traversal issue via translation files; reported independently by Ramuel Gall &amp; Matt Rusnak at Wordfence, and during a third party security audit.</li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Thank you to these WordPress contributors</h2>\n\n\n\n<p>This release was led by <a href=\"https://profiles.wordpress.org/audrasjb\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/SergeyBiryukov\">Sergey Biryukov</a> and <a href=\"https://profiles.wordpress.org/peterwilsoncc\">Peter Wilson</a>.</p>\n\n\n\n<p>WordPress 6.2.1 would not have been possible without the contributions of the following people. Their asynchronous coordination to deliver maintenance and security fixes into a stable release is a testament to the power and capability of the WordPress community.</p>\n\n\n\n<p class=\"is-style-wporg-props-long\"><a href=\"https://profiles.wordpress.org/adamsilverstein/\">Adam Silverstein</a>, <a href=\"https://profiles.wordpress.org/wildworks/\">Aki Hamano</a>, <a href=\"https://profiles.wordpress.org/amin7/\">amin</a>, <a href=\"https://profiles.wordpress.org/azaozz/\">Andrew Ozz</a>, <a href=\"https://profiles.wordpress.org/andrewserong/\">Andrew Serong</a>, <a href=\"https://profiles.wordpress.org/oandregal/\">André</a>, <a href=\"https://profiles.wordpress.org/aristath/\">Ari Stathopoulos</a>, <a href=\"https://profiles.wordpress.org/bph/\">Birgit Pauli-Haack</a>, <a href=\"https://profiles.wordpress.org/chiragrathod103/\">Chirag Rathod</a>, <a href=\"https://profiles.wordpress.org/costdev/\">Colin Stewart</a>, <a href=\"https://profiles.wordpress.org/talldanwp/\">Daniel Richards</a>, <a href=\"https://profiles.wordpress.org/davidbaumwald/\">David Baumwald</a>, <a href=\"https://profiles.wordpress.org/davidbinda/\">David Biňovec</a>, <a href=\"https://profiles.wordpress.org/dmsnell/\">Dennis Snell</a>, <a href=\"https://profiles.wordpress.org/shagors/\">devshagor</a>, <a href=\"https://profiles.wordpress.org/dhrumilk/\">Dhrumil Kumbhani</a>, <a href=\"https://profiles.wordpress.org/ocean90/\">Dominik Schilling</a>, <a href=\"https://profiles.wordpress.org/ellatrix/\">Ella</a>, <a href=\"https://profiles.wordpress.org/mamaduka/\">George Mamadashvili</a>, <a href=\"https://profiles.wordpress.org/isabel_brison/\">Isabel Brison</a>, <a href=\"https://profiles.wordpress.org/audrasjb/\">Jb Audras</a>, <a href=\"https://profiles.wordpress.org/joedolson/\">Joe Dolson</a>, <a href=\"https://profiles.wordpress.org/joen/\">Joen A.</a>, <a href=\"https://profiles.wordpress.org/johnbillion/\">John Blackbourn</a>, <a href=\"https://profiles.wordpress.org/desrosj/\">Jonathan Desrosiers</a>, <a href=\"https://profiles.wordpress.org/juanmaguitar/\">JuanMa Garrido</a>, <a href=\"https://profiles.wordpress.org/jrf/\">Juliette Reinders Folmer</a>, <a href=\"https://profiles.wordpress.org/kevin940726/\">Kai Hao</a>, <a href=\"https://profiles.wordpress.org/trepmal/\">Kailey (trepmal)</a>, <a href=\"https://profiles.wordpress.org/mdxfr/\">Marc</a>, <a href=\"https://profiles.wordpress.org/marineevain/\">Marine EVAIN</a>, <a href=\"https://profiles.wordpress.org/mattwiebe/\">Matt Wiebe</a>, <a href=\"https://profiles.wordpress.org/mukesh27/\">Mukesh Panchal</a>, <a href=\"https://profiles.wordpress.org/nendeb55/\">nendeb</a>, <a href=\"https://profiles.wordpress.org/ndiego/\">Nick Diego</a>, <a href=\"https://profiles.wordpress.org/nickpap/\">nickpap</a>, <a href=\"https://profiles.wordpress.org/ntsekouras/\">Nik Tsekouras</a>, <a href=\"https://profiles.wordpress.org/pavanpatil1/\">Pavan Patil</a>, <a href=\"https://profiles.wordpress.org/peterwilsoncc/\">Peter Wilson</a>, <a href=\"https://profiles.wordpress.org/pouicpouic/\">pouicpouic</a>, <a href=\"https://profiles.wordpress.org/youknowriad/\">Riad Benguella</a>, <a href=\"https://profiles.wordpress.org/welcher/\">Ryan Welcher</a>, <a href=\"https://profiles.wordpress.org/coffee2code/\">Scott Reilly</a>, <a href=\"https://profiles.wordpress.org/sergeybiryukov/\">Sergey Biryukov</a>, <a href=\"https://profiles.wordpress.org/sabernhardt/\">Stephen Bernhardt</a>, <a href=\"https://profiles.wordpress.org/tmatsuur/\">tmatsuur</a>, <a href=\"https://profiles.wordpress.org/tobiasbg/\">TobiasBg</a>, <a href=\"https://profiles.wordpress.org/hellofromtonya/\">Tonya Mork</a>, <a href=\"https://profiles.wordpress.org/ugyensupport/\">Ugyen Dorji</a>, <a href=\"https://profiles.wordpress.org/westonruter/\">Weston Ruter</a>, and <a href=\"https://profiles.wordpress.org/zieladam/\">zieladam</a>.</p>\n\n\n\n<h2 class=\"wp-block-heading\">How to contribute</h2>\n\n\n\n<p>To get involved in WordPress core development, head over to Trac, <a href=\"https://core.trac.wordpress.org/report/6\">pick a ticket</a>, and join the conversation in the <a href=\"https://wordpress.slack.com/archives/C02RQBWTW\">#core</a> and <a href=\"https://wordpress.slack.com/archives/C051Z1SKBDZ\">#6-3-release-leads channels</a>. Need help? Check out the <a href=\"https://make.wordpress.org/core/handbook/\">Core Contributor Handbook</a>.</p>\n\n\n\n<p class=\"has-text-align-right\"><em>Thanks to <a href=\"https://profiles.wordpress.org/sergeybiryukov/\" class=\"mention\"><span class=\"mentions-prefix\">@</span>sergeybiryukov</a> for proofreading.</em></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 18:32:21 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Jb Audras\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:30;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"Do The Woo Community: 20 Years of Hosting with Bryan Muthig\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75142\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://dothewoo.io/20-years-of-hosting-with-bryan-muthig/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:395:\"<p>Bryan finds A2 Hosting celebrating their 20th alongside WordPress. And that is 20 years of hosting stories and experience. </p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/20-years-of-hosting-with-bryan-muthig/\">20 Years of Hosting with Bryan Muthig</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 11:25:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:31;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:117:\"WPTavern: ACF Plugin’s Reflected XSS Vulnerability Attracts Exploit Attempts Within 24 Hours of Public Announcement\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=145031\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:125:\"https://wptavern.com/acf-plugins-reflected-xss-vulnerability-attracts-exploit-attempts-within-24-hours-of-public-announcement\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3091:\"<p>On May 5, Patchstack published a security advisory about a high severity <a href=\"https://wptavern.com/advanced-custom-fields-plugin-patches-reflected-xss-vulnerability\">reflected cross-site scripting (XSS) vulnerability in ACF</a> (Advanced Custom Fields), potentially affecting more than 4.5 million users. WP Engine patched the vulnerability on May 4, but the Akamai Security Intelligence Group (SIG)  is <a href=\"https://www.akamai.com/blog/security-research/attackers-leverage-sample-exploit-wordpress-plugin\">reporting</a> that attackers began attempting to exploit it within 24 hours of Patchstack&#8217;s publication.</p>\n\n\n\n<p>&#8220;Once exploit vector details are publicly released, scanning and exploitation attempts rapidly increase,&#8221; Akamai Principal Security Researcher Ryan Barnett said. &#8220;It is common for security researchers, hobbyists, and companies searching for their risk profile to examine new vulnerabilities upon release. However, the volume is increasing, and the amount of time between release and said growth is drastically decreasing. The Akamai SIG analyzed XSS attack data and identified <em><strong>attacks starting within 24 hours of the exploit PoC being made public.</strong></em></p>\n\n\n\n<p>&#8220;What is particularly interesting about this is the query itself: The threat actor copied and used the Patchstack sample code from the write-up<strong>.</strong>&#8220;</p>\n\n\n\n<p>Patchstack&#8217;s security <a href=\"https://patchstack.com/articles/reflected-xss-in-advanced-custom-fields-plugins-affecting-2-million-sites/\">advisory</a> includes a breakdown of the vulnerability, sample payload, and details of the patch. </p>\n\n\n\n<p>Although the vulnerability, assigned <a rel=\"noreferrer noopener\" href=\"https://cve.mitre.org/cgi-bin/cvename.cgi?name=CVE-2023-30777\" target=\"_blank\">CVE-2023-30777</a>, was promptly patched, and WP Engine <a href=\"https://www.advancedcustomfields.com/blog/acf-6-1-6/\">alerted</a> its users the same day, site owners have been slow to update to the latest, patched version of the plugin (6.1.6). Only 31.5% of the plugin&#8217;s user base are running version 6.1+, leaving a significant portion still vulnerable unless they are protected by additional security measures like virtual patches.</p>\n\n\n\n<img />\n\n\n\n<p>&#8220;Exploitation of this leads to a reflected XSS attack in which a threat actor can inject malicious scripts, redirects, ads, and other forms of URL manipulation into a victim site,&#8221; Barnett said. &#8220;This would, in turn, push those illegitimate scripts to visitors of that affected site. This manipulation is essentially blind to the site owner, making these threats even more dangerous.&#8221;</p>\n\n\n\n<p>Barnett noted that attackers using the sample code from Patchstack indicates these are not sophisticated attempts, but the comprehensive security advisory makes vulnerable sites easy to target.</p>\n\n\n\n<p>&#8220;This highlights that the response time for attackers is rapidly decreasing, increasing the need for vigorous and prompt patch management,&#8221; Barnett said.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2023 02:40:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:32;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"Akismet: How ConvertKit is using AI to protect the creator economy from spam\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"http://akismet455732288.wordpress.com/?p=3452\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://akismet.com/blog/convertkit-customerstory/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:16545:\"<div class=\"wp-block-group alignfull is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<h4 class=\"wp-block-heading\">TL;DR</h4>\n\n\n\n<p>The stakes are always high when it comes to spam prevention. But especially for a platform like ConvertKit, which offers contact forms, email marketing automation, and e-commerce tools for over 428,000 creators &#8211; the stakes were higher.<br /><br />Their billing model, the email reputation of its customers, and ConvertKit&#8217;s own reputation were on the line. They implemented Akismet, an advanced AI that intelligently filters out spam, to automate spam prevention.<br /><br />Long story, short &#8211; the plan paid off. In this case study, we sit down with Jon Lunsford and Romane Dagain from the ConvertKit team, who oversaw the implementation of Akismet.<br /></p>\n</div></div>\n</div></div>\n\n\n\n<div class=\"wp-block-group alignwide has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-columns is-style-aks-design-block_03 has-white-color has-text-color is-layout-flex wp-container-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-style-aks-design-block_03_left is-style-aks-design-block_03_content is-layout-flow wp-block-column-is-layout-flow\">\n<h1 class=\"wp-block-heading\">428k +<br />Creators</h1>\n\n\n\n<p>Served by ConvertKit</p>\n</div>\n\n\n\n<div class=\"wp-block-column is-style-aks-design-block_03_right is-style-aks-design-block_03_content is-layout-flow wp-block-column-is-layout-flow\">\n<h1 class=\"wp-block-heading\">20h saved<br />monthly</h1>\n\n\n\n<p>Per customer, by using Akismet</p>\n</div>\n</div>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p>We deep dive into what it takes to protect your company and your customers from spam at scale, and how you can follow a similar playbook to find the same peace of mind that ConvertKit now enjoys.<br /><br />You can expect to learn:<br /></p>\n\n\n\n<ol>\n<li>We deep dive into what it takes to protect your company and your customers from spam at scale, and how you can follow a similar playbook to find the same peace of mind that ConvertKit now enjoys.</li>\n\n\n\n<li>The process ConvertKit went through to implement Akismet as a solution to its spam problem.</li>\n\n\n\n<li>The benefits of using Akismet for ConvertKit, include time savings through automation, improved reputation, and zero-friction contact forms for the end-user.</li>\n\n\n\n<li>The results of using Akismet, include increased customer satisfaction, increased conversion rates by removing friction, and the ability to focus on delivering better features for customers.<br /><br /><br /></li>\n</ol>\n</div></div>\n\n\n\n<div class=\"wp-block-group alignfull has-white-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<h3 class=\"wp-block-heading\">Full Case Study</h3>\n\n\n\n<p>ConvertKit is the go-to marketing hub for the creator economy. Authors, musicians, podcasters, coaches, and many other creators choose ConvertKit to:<br /></p>\n\n\n\n<ul>\n<li>Grow an audience of email subscribers.</li>\n\n\n\n<li>Automate email marketing and turn that audience into fans.</li>\n\n\n\n<li>Sell digital products to those engaged fans.<br /></li>\n</ul>\n\n\n\n<p>And so far it’s going pretty well, I’d say. Over 428,000 creators are using ConvertKit to connect with over 565 million fans online. It’s widely known as the go-to platform for creators to build an audience, connect with them, and ultimately make a living online.</p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<h3 class=\"wp-block-heading\">The Problem</h3>\n\n\n\n<p>“It’s me, hi, I’m the problem, it’s me.” &#8211; Spam<br />Spam ruins everything, doesn’t it?<br /><br />Spammers want attention, and the ability to reach a large audience of people quickly and easily. This is why platforms like ConvertKit are a target for spammers. Think about it &#8211; contact forms, email automation, e-commerce &#8211; there are opportunities for spam everywhere.<br /><br />In ConvertKit’s case, the “cost of doing nothing” was far too high. The effects of spam, especially if not properly addressed, would trickle down to nearly every part of their business.</p>\n</div></div>\n</div></div>\n\n\n\n<blockquote class=\"wp-block-quote is-style-large is-style-full-width-quote version-2\">\n<p>If we allow form submissions just wide open, what will happen is eventually a bunch of fake subscribers or email addresses will end up in customers accounts. And that has pretty significant downstream effects.”</p>\n<cite><strong>John Lunsford</strong>, Senior Engineer at ConvertKit</cite></blockquote>\n\n\n\n<div class=\"wp-block-group alignfull has-white-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<table><tbody><tr><td><strong>Billing</strong></td><td>“It affects our customers &#8211; our billing model is based on the size of the account. And we don’t want to bill them for garbage. We only want to bill them for real subscribers, so it’s a significant factor.”</td></tr><tr><td><strong>Creator&#8217;s Email Reputation</strong></td><td>“Another downstream effect is they’re sending to these email lists. And if the list isn’t great (includes fake/spam subscribers) then their send reputation goes down. And the deliverability reputation is huge. It has huge ramifications for the business”</td></tr><tr><td><strong>ConvertKit&#8217;s Reputation</strong></td><td>&#8220;If our customer&#8217;s send reputation goes down (because of spam), ConverKit&#8217;s reputation goes down as well. So there are some pretty significant effects that would happen if we didn&#8217;t do anything.&#8221;</td></tr><tr><td><strong>Little Fires Everywhere</strong></td><td>&#8220;We were sort of putting out fires. All of a sudden some IP addresses of ours were not delivering well and customers noticed. They see their emails landing in spam, which is horrible for them. That&#8217;s when we&#8217;d catch it &#8211; after the damage had been done. And there was a period of time when that was happening more than we liked. So that&#8217;s when we started implementing Akismet.&#8221;</td></tr></tbody></table>\n\n\n\n<div class=\"wp-block-group is-style-aks-enterprise-plan version-2-2 has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-columns alignwide is-style-aks-enterprise-plan_image_container is-layout-flex wp-container-12 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-style-aks-enterprise-plan_image_container_left_content is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"large-text-3\">Curious about pricing?</p>\n\n\n\n<p class=\"is-style-aks-enterprise-plan_image_container_left_content_short_desc\">Whether you need spam protection for large networks, multisite installations, or something more custom, our team of experts is happy to help. We&#8217;ll learn more about your needs and come up with a no-pressure recommendation.</p>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-10 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button talk-to-our-team\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://akismet.com/talk-to-sales/\">Contact our enterprise team</a></div>\n</div>\n</div>\n</div>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<h3 class=\"wp-block-heading\">The Solution</h3>\n\n\n\n<p>*Spoiler &#8211; it’s Akismet<br />Akismet has been blocking spam since spam was in diapers. That was 2005, to be clear. In that time, Akismet has blocked over 500 billion pieces of spam at a staggering 99.99% accuracy rate. How? Akismet gets smarter with each site that’s protected, and its advanced AI has learned from over 100 million sites.<br /><br />It was also built by Automattic, the team behind WordPress, WooCommerce, Tumblr, and many other tools that <strong><span>make the web a better place.</span></strong><br /><br />But accuracy and reliability weren’t the only factors for ConvertKit when looking for a solution. Considering the audience they serve, preserving conversion rates on forms was of utmost importance as well.<br /><br /><strong>Nobody Likes A Captcha<br /></strong>Adding Captchas to their customers’ forms would mean adding friction, and thus lower conversion rates. And that’s not what ConvertKit stands for. They want their creators to have access to forms with the highest conversion rates, while also being free from spam. Compromising one for the other just wasn’t an option.</p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<img src=\"https://akismet455732288.files.wordpress.com/2023/02/30398-3d.png?w=852&h=1024\" alt=\"\" class=\"wp-image-3017\" width=\"385\" height=\"462\" />\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>“To click or not to click?”</p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/02/c7a89-mask-group.png\" alt=\"\" class=\"wp-image-3018\" />\n</div>\n</div>\n\n\n\n<p>Romane Dagain, Senior Product Manager, explains, &#8220;What we&#8217;re trying to do is really to have this solution that takes care of all of that. So when you think about it, the creators value conversion here.&#8221;</p>\n\n\n\n<p>ConvertKit needed a solution that blocked spam without blocking conversions for their customers. Something that intelligently worked behind the scenes and wouldn’t add friction or make for a frustrating user experience.</p>\n</div></div>\n</div></div>\n\n\n\n<blockquote class=\"wp-block-quote is-style-large is-style-full-width-quote version-2\">\n<p>”Um…using a Captcha is not ideal. And I think everyone here agrees with that.”</p>\n<cite><strong>Romane Dagain, Senior Product Manager</strong></cite></blockquote>\n\n\n\n<div class=\"wp-block-group alignfull has-white-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<p><strong>One Solution For All</strong><br />Because ConvertKit&#8217;s audience is very diverse, they needed a solution that worked for everyone &#8211; not just their highest-paying customers. Romane explains, &#8220;We&#8217;ve got a very wide, wide range of people. We&#8217;ve got people who will be very tech-savvy. You&#8217;ve got people who are just starting. You&#8217;ve got people who have a very small email list, and you have really big stars. So we need to have something that is easy to use for all of them and is safe to do so. And I think for us, adaptability and reputation are very much like a competitive asset.&#8221;</p>\n\n\n\n<h3 class=\"wp-block-heading\">The Results</h3>\n\n\n\n<p>“We don’t worry about spam anymore.”<br />ConvertKit went from &#8220;putting out fires&#8221; left by frequent spam attacks to the peace of mind of a solution that keeps them one step ahead of the spammers. And it was all possible using Akismet&#8217;s advanced AI to intelligently find and filter out spam.</p>\n</div></div>\n</div></div>\n\n\n\n<blockquote class=\"wp-block-quote is-style-large is-style-full-width-quote version-2\">\n<p>”With Akismet, we don’t really have to think about spam prevention, which allows us to work on other things. It allows us to work on delivering better features for our customers that they care about – and that are visible to them. And we’re able to do that because of what Akismet is doing behind the scenes.”</p>\n<cite><strong>John Lunsford,</strong> Senior Engineer at ConvertKit</cite></blockquote>\n\n\n\n<div class=\"wp-block-group alignfull has-white-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<p><strong>Automation</strong><br />The average Akismet customer saves 20 hours per month in time they used to spend manually sifting through user-submitted text. Set it and forget it, as they say.<br /><br />Jon says, “We moved from a place of putting out fires to now things are automated. We&#8217;re tracking stuff, we&#8217;re alerting on stuff. So now we know across our whole surface area if we have bot attacks. &#8220;<br /></p>\n\n\n\n<img src=\"https://akismet455732288.files.wordpress.com/2023/02/65d6e-frame-2596.png?w=1024&h=519\" alt=\"\" class=\"wp-image-2959\" />\n\n\n\n<p> </p>\n\n\n\n<p><strong>The ConvertKit Package</strong><br />By far the biggest benefit Akismet has brought to ConvertKit is embedded into their product offering. They want to provide a platform where anyone can easily make a living online, and adding Akismet has allowed them to provide just that.<br /><br />Romane explains, &#8220;We&#8217;ve gotten to a place now where we&#8217;re really proud of where we stand and we&#8217;re trying to maintain that. So I think Akismet is now part of essentially just &#8216;The Convert Kit package&#8217;, it just comes with the idea that it&#8217;s safe to use. Our customers know we look after you, we take care of this stuff. You don&#8217;t even have to think about it. All you have to think about is write your content, send your emails, we&#8217;ll get it delivered and we&#8217;ll make sure it gets delivered to the right people.&#8221;<br /><br /><strong>“We Just Do This For You”</strong><br />If only every company looked after its customer base the way that ConvertKit does, there&#8217;d be a lot more happy customers. They needed to protect their customers from spam, but in a way that didn&#8217;t disrupt what their customers are trying to build for themselves. And by adding Akismet, ConvertKit now has a product offering that allows creators to build, engage, and make a living online &#8211; without ever seeing any downstream effects from spam. ConvertKit is protected by Akismet, and so are their customers.<br /><br />Jon puts it best, “From ConvertKit’s perspective, we&#8217;re able to confidently tell our customers by default, like, ‘we just do this for you’. There&#8217;s no additional cost. There&#8217;s nothing that you need to do. Just by default, there’s spam prevention going on in your forms.”<br /></p>\n</div></div>\n</div></div>\n\n\n\n<div class=\"wp-block-group alignfull is-style-aks-enterprise-plan version-2-2 has-background is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-columns alignwide is-style-aks-enterprise-plan_image_container is-layout-flex wp-container-25 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-style-aks-enterprise-plan_image_container_left_content is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"large-text-3\">Curious about pricing?</p>\n\n\n\n<p class=\"is-style-aks-enterprise-plan_image_container_left_content_short_desc\">Whether you need spam protection for large networks, multisite installations, or something more custom, our team of experts is happy to help. We&#8217;ll learn more about your needs and come up with a no-pressure recommendation.</p>\n\n\n\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-23 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button talk-to-our-team\"><a class=\"wp-block-button__link wp-element-button\" href=\"https://akismet.com/talk-to-sales/\">Contact our enterprise team</a></div>\n</div>\n</div>\n</div>\n</div></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 15 May 2023 23:15:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Drew Breaux\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:33;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"Gutenberg Times: WordCamp Europe 2023 – Block editor talks, meet &amp; greet, Contributor Day and more\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"https://gutenbergtimes.com/?p=24102\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"https://gutenbergtimes.com/wordcamp-europe-2023-block-editor-talks-meet-greet-contributor-day-and-more/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:9143:\"<div class=\"wp-block-image\">\n<img /></div>\n\n\n<p>WordCamp Europe is less than four weeks away, the speakers and sessions have been announced, and it&#8217;s time to make plans. Below you&#8217;ll find a list of the sessions and workshops that focus around the Block Editor, Block themes, and adoption. Not all sessions and speakers were announced, I&#8217;ll update the post if necessary. </p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" />\n\n\n\n<p><strong>Updated May 20th, 2023</strong>: Added the WPConnect sessions.  <a href=\"https://europe.wordcamp.org/2023/wp-connect/\">The full list of sessions is available here</a>, I also added a Table of contents, rearranged things a bit and added subheaders. </p>\n\n\n\n<p><strong>Updated May 19th, 2023:</strong> Michael Burridge&#8217;s workshop is now officially announced. <a href=\"https://europe.wordcamp.org/2023/schedule/\">The schedule is published</a>. Now we&#8217;ll know when those great talks will take place in-person or on the Livestream. Ponder this for a moment, too: 60 speakers were announced. Ratio: 68.3% male, 31.7% female, 11.6% non-white. The diversity is not quite balanced. Representation matters. </p>\n\n\n\n<p><strong>Updated May 18th, 2023:</strong> I  added the talks with Jonathan Bossenger, Luigi Teschio and Pedro Crespo </p>\n\n\n\n<p><strong>Updated on May 15, 2023:</strong>  I added the From Shortcode to Block workshop and Niels Lange to the WooCommerce Talk</p>\n\n\n\n<div class=\"wp-block-group has-light-background-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p><strong>Table of. Contents</strong></p>\n\n\n\n<div class=\"wp-block-sortabrilliant-guidepost\"><ul><li><a href=\"https://gutenbergtimes.com/feed/#0-lets-connect\">Let&#8217;s connect</a></li><li><a href=\"https://gutenbergtimes.com/feed/#1-contributer-day\">Contributor Day</a></li><li><a href=\"https://gutenbergtimes.com/feed/#list-of-gutenberg-talks-and-workshops-at-wordcamp-europe\">List of Gutenberg Talks and Workshops at WordCamp Europe</a><ul><li><a href=\"https://gutenbergtimes.com/feed/#site-editor-and-block-themes\">Site editor and block themes</a></li><li><a href=\"https://gutenbergtimes.com/feed/#building-blocks\">Building blocks</a></li><li><a href=\"https://gutenbergtimes.com/feed/#workshops\">Workshops</a></li></ul></li><li><a href=\"https://gutenbergtimes.com/feed/#6-p\">Pre-WordCamp event</a></li><li><a href=\"https://gutenbergtimes.com/feed/#wpconnect\">WPConnect</a></li></ul></div>\n</div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"0-lets-connect\">Let&#8217;s connect</h2>\n\n\n<div class=\"wp-block-image\">\n<img /></div>\n\n\n<p>If you want to <strong>meet with me</strong> at WordCamp Europe, <a href=\"https://calendly.com/pauli-haack/wordcamp-europe?month=2023-06\">feel free to pick a time slot from my public calendar.</a> I would love to meet you and discuss WordPress, products and strategies around Gutenberg. Or just meet more readers of the Gutenberg Times. </p>\n\n\n\n<p>If the calendar thingy is too formal for your taste, feel free to <a href=\"https://twitter.com/bph\">DM me on Twitter</a> or <a href=\"mailto:pauli@gutenbergtimes.com\">email me</a> to coordinate a chance encounter 🙃</p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"1-contributer-day\">Contributor Day</h2>\n\n\n\n<p><strong>June 8th is Contributor Day</strong>. Will you be there? You&#8217;ll probably find me at the Documentation table again or at the table for the Test team. <a href=\"https://europe.wordcamp.org/2023/contributor-day/\">If you haven&#8217;t registered yet, do it now. </a></p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"list-of-gutenberg-talks-and-workshops-at-wordcamp-europe\">List of Gutenberg Talks and Workshops at WordCamp Europe</h2>\n\n\n\n<p><strong><a href=\"https://europe.wordcamp.org/2023/session/gutenberg-collaborative-editing-experience-why-how-and-when/\">Gutenberg collaborative editing experience. Why, how and when?</a> </strong>with <a href=\"https://europe.wordcamp.org/2023/speaker/dawid-urbanski/\">Dawid Urbański</a></p>\n\n\n\n<p><strong><a href=\"https://europe.wordcamp.org/2023/session/how-can-any-website-benefit-from-wordpresss-editing-experience-thanks-to-gutenberg/\">How can any website benefit from WordPress’s editing experience thanks to Gutenberg?</a></strong> with <a href=\"https://europe.wordcamp.org/2023/speaker/ivan-popov/\">Ivan Popov</a></p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"site-editor-and-block-themes\">Site editor and block themes</h3>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/fresh-off-the-block-transform-wordpress-with-templates/\"><strong>Fresh Off The Block: Transform WordPress With Templates</strong></a> with <a href=\"https://europe.wordcamp.org/2023/speaker/maestro-stevens/\">Maestro Stevens</a></p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/create-a-theme-using-the-site-editor-without-coding/\"><strong>Create a theme using the site editor – without coding!</strong></a> with <a href=\"https://europe.wordcamp.org/2023/speaker/carolina-nymark/\">Carolina Nymark</a></p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/how-the-site-editor-can-transform-your-ecommerce-experience/\"><strong>How the Site Editor can transform your ecommerce experience</strong></a> with <a href=\"https://europe.wordcamp.org/2023/speaker/luigi-teschio/\">Luigi Teschio</a></p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"building-blocks\">Building blocks</h3>\n\n\n\n<p><strong><a href=\"https://europe.wordcamp.org/2023/session/code-techniques-for-handling-dynamic-data-in-the-newish-world-of-blocks/\">Code Techniques for Handling Dynamic Data in the New(ish) World of Blocks</a> </strong>with <a href=\"https://europe.wordcamp.org/2023/speaker/robert-richardson/\">Robert Richardson</a></p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/build-a-not-at-home-shipping-extension-in-the-woocommerce-checkout-block/\"><strong>Build a “not at home” shipping extension in the WooCommerce Checkout Block</strong></a> with <a href=\"https://europe.wordcamp.org/2023/speaker/thomas-roberts/\">Thomas Roberts</a> and Niels Lange</p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/building-interactive-blocks-a-step-by-step-workshop/\"><strong>Building Interactive Blocks: a step-by-step workshop</strong></a> with <a href=\"https://europe.wordcamp.org/2023/speaker/luis-herranz/\">Luis Herranz</a></p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/developing-wordpress-blocks-using-plain-javascript/\"><strong>Developing WordPress Blocks using plain JavaScript</strong></a> with Jonathan Bossenger</p>\n\n\n\n<p><a href=\"https://europe.wordcamp.org/2023/session/learn-how-to-create-gutenberg-blocks-from-scratch/\"><strong>Learn how to create Gutenberg blocks from scratch</strong></a> with Pedro Crespo</p>\n\n\n\n<p>So far, the list of talks. </p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"workshops\">Workshops</h3>\n\n\n\n<p>Through the grapevine, I heard there will be a workshop on <strong>From Shortcode to Block</strong> on Friday June 9th, 2023, at 14:00 in Workshop room 2. &#8211; &#8220;A workshop on converting a shortcodes based plugin to a custom block. Participants will learn how to create a dynamic block that renders the same content that the Shortcode does.&#8221; </p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"wpconnect\">WPConnect</h2>\n\n\n\n<p><strong>WPConnect</strong> is the new name of the WPCafe, an informal gathering of people to discuss the assigned topic away from presentation and livestreams. </p>\n\n\n\n<p>Saturday&#8217;s morning session are of great interest to me and I will most likely attend: </p>\n\n\n\n<ul>\n<li>10:00-10:45 – Open discussion: <br /><strong>Developer Relations / Developer Advocacy in Open Source hosted by </strong><a href=\"https://profiles.wordpress.org/mburridge/\"><strong>Michael Burridge</strong></a></li>\n\n\n\n<li>11:00-11:45 – Demo: <br /><strong>WordPress</strong> <strong>Playground hosted by </strong><a href=\"https://profiles.wordpress.org/zieladam/\"><strong>Adam Zieliński</strong></a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"6-p\">Pre-WordCamp event</h2>\n\n\n\n<p>If you are already in town on <strong>June 7th, 2023</strong> you might be interested in The <a href=\"https://xwp.co/wordpress-enterprise-gap-wceu-2023/\"><strong>WordPress Enterprise Gap Meetup at WordCamp Europe 2023</strong></a> world. The event is organized by XWP in collaboration with HumanMade, Ipsyde, Crowd Favorite, and The CodeCo. There will be lightning talks, panel discussions, and some incredible speakers who are making waves in the enterprise WordPress world. Afterward there will be networking opportunities, too. It will take place from 18:00 to 21.30 local time, at <a href=\"https://goo.gl/maps/P4fs8hCBxuzTwtvf7\">The Cube</a>, in Athens. <a href=\"https://lu.ma/ahmqxw1e\"><strong>You can registered via Luma</strong></a></p>\n\n\n\n<p>There will be other events happening around the meeting, mostly sponsor parties and get together. The content team at WordCamp Europe is always very good at publishing a list of those events, closer to the event. </p>\n\n\n\n<p>So stay tuned. I am excited to meeting every one in Athens! </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 14 May 2023 15:38:52 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Birgit Pauli-Haack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:34;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"WPTavern: Themeum Acquires Kirki Customizer Framework Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144951\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://wptavern.com/themeum-acquires-kirki-customizer-framework-plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3573:\"<p><a href=\"https://www.themeum.com/\">Themeum</a>, a WordPress theme and plugin company founded in 2013, has acquired the <a href=\"https://wordpress.org/plugins/kirki/\">Kirki Customizer Framework</a> plugin from its former developer, David Vongries. In April 2023, Vongries <a href=\"https://wptavern.com/kirki-plugin-up-for-sale-development-discontinued\">announced he was sunsetting the product</a> and discontinuing development. He put the plugin up for sale for $30K and sold it for just under the asking price.</p>\n\n\n\n<p>&#8220;I met the Themeum team at WordCamp Europe in 2019 and have fond memories of our encounter,&#8221; Vongries said. &#8220;They reached out to me immediately after the blog post was published on the Tavern, where I expressed my search for a new home for Kirki.</p>\n\n\n\n<p>&#8220;Themeum is a major player in the WordPress world and I truly believe they&#8217;ll be a fantastic fit for Kirki. They have the resources to take the plugin to the next level and give it the attention it deserves.&#8221;</p>\n\n\n\n<p>Rayhan Arif, Assistant Vice President of Business Development at Themeum, is expecting the Kirki plugin to come under <a rel=\"noreferrer noopener\" href=\"https://profiles.wordpress.org/themeum/\" target=\"_blank\">the profile of Themeum on WordPress org</a> shortly. Themeum is the company behind <a href=\"https://www.themeum.com/product/tutor-lms/\">Tutor LMS</a>, <a href=\"https://wordpress.org/plugins/qubely/\">Qubely &#8211; Advanced Gutenberg Blocks</a>, and nearly a dozen other smaller plugins.</p>\n\n\n\n<p>&#8220;Since 2012, we have been deeply involved in creating a similar product on another platform,&#8221; Arif said. &#8220;Our past experiences have equipped us with the necessary skills and knowledge that we believe will greatly enhance the value of this plugin. With this improvement, developers will find it easier to add customization options to their WordPress themes. In a sense, this feels like a homecoming product for us.&#8221;</p>\n\n\n\n<p>Vongries reported that support on the plugin was &#8220;basically zero,&#8221; despite there being more than 600,000 active installs. This makes sense as it is a framework geared towards developers. The majority of the plugin&#8217;s users have installed the free version from WordPress.org.</p>\n\n\n\n<p>&#8220;There are only a hand full of Kirki PRO customers,&#8221; Vongries said, although some had grown <a href=\"https://wptavern.com/kirki-plugin-up-for-sale-development-discontinued#comment-438934\">unhappy with Kirki&#8217;s lack of development</a> before the acquisition.</p>\n\n\n\n<p>Themeum does not have any block-based theme products at this time, so this Customizer-dependent plugin fits in with the company&#8217;s catalog.</p>\n\n\n\n<p>&#8220;Our initial focus will be on enhancing the plugin, after which we will undoubtedly proceed with integrating it into our themes,&#8221; Arif said.</p>\n\n\n\n<p>&#8220;We are considering making certain adjustments to our pricing or business model, all with the intention of benefiting both existing and future customers. For example, we might substantially decrease the price.&#8221;</p>\n\n\n\n<p>Existing users may be concerned about the product changing hands, but Arif said it&#8217;s unlikely they will experience significant changes.</p>\n\n\n\n<p>&#8220;The acquisition is unlikely to bring about any negative implications for users,&#8221; he said. &#8220;The only perceptible change will be that product maintenance will now be handled by a professional team, well-versed in technology and carrying a wealth of experience.&#8221;</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 13 May 2023 00:48:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:35;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"WPTavern: ACF Launches New Annual Survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144955\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wptavern.com/acf-launches-new-annual-survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2828:\"<p>WP Engine has launched an <a href=\"https://www.advancedcustomfields.com/annual-survey/\">annual survey</a> for Advanced Custom Fields (<a href=\"https://wordpress.org/plugins/advanced-custom-fields/\">ACF</a>), one of the plugins it <a href=\"https://wptavern.com/wp-engine-acquires-5-plugins-from-delicious-brains\">acquired from Delicious Brains</a> in 2022. ACF reports more than 4.5 million active users, including PRO site installs, and WP Engine Product Manager Iain Poulson reports that the plugin is &#8220;growing in every way since the acquisition.&#8221; ACF has added more users, features, and releases, along with community building efforts like <a href=\"https://www.advancedcustomfields.com/blog/tag/acf-chat-fridays/\">bi-weekly office hours</a>.</p>\n\n\n\n<p>This is the first time ACF has surveyed its user base about how they are building sites with WordPress and what can be improved. The survey starts with questions about the contexts in which professionals are using ACF and the volume and types of sites they are building. Respondents are asked about how they edit their sites, the type of license they are using, how often the reach for ACF in their toolbox, and which ACF features they use most often (i.e. REST API, ACF Blocks, Options pages, ACF Forms, Post Types Registration, etc.).</p>\n\n\n\n<p>The survey is on the lengthier side with an estimated 15 minutes to complete. As ACF is a critical and indispensable part of many WordPress developers&#8217; workflow, helping to shape its future development may be worth the time. WP Engine has also added a few questions that may only be tangentially related to ACF, such as where users are hosting their WordPress sites and what they use for local development. </p>\n\n\n\n<p>&#8220;It&#8217;s our primary method for gathering insights and feedback from the WP community on what they would like to see in ACF,&#8221; WP Engine Product Marketing Manager Rob Stinson said. He also related the importance of previous customer feedback that helped ACF&#8217;s team plan and implement features like registering CPTs and Taxonomies (v6.1).</p>\n\n\n\n<p>&#8220;In the near term, we’re working on bringing a UI to register Options Pages which is a PRO plugin feature, some long requested features like bi-directional relationship fields and improvements to conditional logic rules for taxonomy fields,&#8221; Poulson said. &#8220;We will also be focussing a release on more ACF Blocks features and improvements. The survey won’t likely change those planned features, and the initial results are validating our planned work on ACF Blocks.&#8221;</p>\n\n\n\n<p>The <a href=\"https://www.advancedcustomfields.com/annual-survey/\">survey</a> ends May 19, 2023, and WP Engine plans to publish an aggregated and anonymized version of the results soon after the data is collected.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 12 May 2023 20:38:12 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:36;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"Post Status: The WP Agency Journey with Bet Hannon of AccessiCart-Post Status Draft\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149300\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"https://poststatus.com/the-wp-agency-journey-with-bet-hannon-of-accessicart-post-status-draft/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:50834:\"<p><a href=\"https://poststatus.com/planet/feed/#h-transcript\">Transcript</a> ↓</p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">This episode features <a href=\"https://twitter.com/bethannon?lang=en\">Bet Hannon</a>, agency owner of <a href=\"https://accessicart.com/\">AccessiCart</a>, which specializes in accessibility for websites, particularly e-commerce sites. Bet talks with <a href=\"https://twitter.com/corymiller303\">Cory Miller</a> about the significance of accessibility, the agency&#8217;s focus and niche, and tips for starting a business. Bet shares their journey in starting their business and how they became interested in accessibility. This interview emphasizes the importance of considering accessibility as a crucial aspect of user experience optimization and the benefits of providing transcripts for videos and podcasts. AccessiCart is currently experimenting with productized services for accessibility and remediation.</p>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"><strong>Top Takeaways:</strong></p>\n\n\n\n<ul type=\"video\" class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<li><strong>Embrace Accessibility: </strong>Accessibility is crucial in web design and development. Prioritizing making websites accessible to all users, including those with disabilities, is critical. It&#8217;s important to consider different user personas and their needs and continuously work on improving the accessibility of websites.</li>\n\n\n\n<li><strong>Continuously Evolve and Optimize: </strong>The field of e-commerce and web development is constantly evolving. As WordPress professionals, we should be willing to adapt, experiment, and continuously optimize our websites and services. This includes staying informed about new tools, technologies, and strategies for improving user experience, conversion rates, and accessibility. Continuous learning and professional development are key to providing high-quality services and staying competitive in the industry.</li>\n\n\n\n<li><strong>User Experience Optimization:</strong> Accessibility and user experience go hand in hand. We should focus on optimizing the user experience of websites by considering factors like intuitive navigation, clear content presentation, fast loading times, and mobile responsiveness. A seamless and enjoyable user experience leads to better engagement, higher conversions, and increased customer satisfaction.</li>\n</ul>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n\n</div>\n\n\n\n<div class=\"wp-block-columns has-theme-palette-8-background-color has-background is-layout-flex wp-container-9\">\n<div class=\"wp-block-column is-layout-flow\">\n<h3 class=\"wp-block-heading\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f64f.png\" alt=\"🙏\" class=\"wp-smiley\" /> Sponsor: <a href=\"https://poststat.us/a2-hosting\">A2 Hosting</a></h3>\n\n\n\n\n\n<p>A2Hosting offers solutions for WordPress and WooCommerce that are both blazing fast and ultra-reliable. WordPress can be easily deployed on ANY web hosting plan from A2: Shared, VPS, or Dedicated. A2 also offers Managed WordPress and WooCommerce Hosting. Take a look at a2hosting.com today!</p>\n</div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow\">\n<img width=\"752\" height=\"470\" src=\"https://poststatus.com/wp-content/uploads/2022/08/imageedit_1_6433774706-752x470.png\" alt=\"A2 Hosting\" class=\"wp-image-104073\" />A2 Hosting\n</div>\n</div>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-mentioned-in-the-show\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f517.png\" alt=\"🔗\" class=\"wp-smiley\" /> Mentioned in the show<strong>:</strong></h3>\n\n\n\n<ul>\n<li><a href=\"https://ithemes.com/\">iThemes</a></li>\n\n\n\n<li><a href=\"https://twitter.com/nathaningram?lang=en\">Nathan Ingram</a></li>\n\n\n\n<li><a href=\"http://www.artisteer.com/\">Artisteer</a></li>\n\n\n\n<li><a href=\"https://twitter.com/benjaminbradley?lang=en\">Benjamin Bradley&nbsp;</a></li>\n\n\n\n<li><a href=\"https://ithemes.com/backupbuddy/\">BackupBuddy</a></li>\n\n\n\n<li><a href=\"https://accessicart.com/\">AccessiCart</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading eplus-wrapper\" id=\"h-you-can-follow-post-status-and-our-guests-on-twitter\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> You can follow Post Status and our guests on Twitter:</h3>\n\n\n\n<ul class=\"eplus-wrapper\">\n<li><a href=\"https://twitter.com/bethannon?lang=en\">Bet Hannon</a> (CEO of <a href=\"https://twitter.com/AccessiCart\">AccessiCart</a>)</li>\n\n\n\n<li><a href=\"https://twitter.com/corymiller303\">Cory Miller</a> (CEO, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n\n\n\n<li><a href=\"https://twitter.com/lemonadecode\">Olivia Bisset</a> (Intern, <a href=\"https://twitter.com/post_status\">Post Status</a>)</li>\n</ul>\n\n\n\n<p class=\"eplus-wrapper has-background\">The <strong>Post Status Draft</strong> podcast is geared toward WordPress professionals, with interviews, news, and deep analysis. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4dd.png\" alt=\"📝\" class=\"wp-smiley\" /><br /><br /><a href=\"https://poststatus.com/category/post-status-podcasts/\" target=\"_blank\" rel=\"noreferrer noopener\">Browse our archives</a>, and don’t forget to subscribe via <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\" target=\"_blank\" rel=\"noreferrer noopener\">iTunes</a>, <a href=\"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS8ySkU5c2M4UA\" target=\"_blank\" rel=\"noreferrer noopener\">Google Podcasts</a>, <a href=\"https://www.youtube.com/c/PostStatus\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\" target=\"_blank\" rel=\"noreferrer noopener\">Stitcher</a>, <a href=\"https://wordpress-post-status-draft-podcast.simplecast.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Simplecast</a>, or <a href=\"https://feeds.simplecast.com/2JE9sc8P\">RSS</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f3a7.png\" alt=\"🎧\" class=\"wp-smiley\" /></p>\n\n\n\n<h2 class=\"wp-block-heading eplus-wrapper\" id=\"h-transcript\">Transcript</h2>\n\n\n\n<p>Cory Miller (00:01:33) &#8211; Hey everybody, this is post status draft, and this is another interview in our series on agency owners at post status. And I&#8217;ve got a long time friend here Bet Hannon. And I&#8217;m gonna let her share a little bit more about what you, uh, do in our world called WordPress bet. But I&#8217;m excited about this interview because bet&#8217;s very active in the WordPress community overall, very passionate about this key subject called accessibility and runs a great agency. So bet. Would you share a little bit about who you are, what your, what your agency does today?</p>\n\n\n\n<p>Bet Hannon (00:02:06) &#8211; Yep. So our agency is Accessi Cart, and we&#8217;re focused around accessibility, as you mentioned, and in particular, um, trying to do a little nicheing toward, um, e-commerce. Uh, e e-commerce, uh, sites tend to be the most, um, frequently sued around a d a in the United States, and then there are increasing regulations in other places in the world too. So we&#8217;re, um, we&#8217;re trying to do that. It&#8217;s, uh, focus on more high interaction sites, so not necessarily just e-commerce, but membership or, uh, so, you know, um, l m s sites, those kinds of things. Anything that has a checkout form. So that&#8217;s what we work on.</p>\n\n\n\n<p>Cory Miller (00:02:45) &#8211; Absolutely. Key one is, um, as we talked here before on the podcast, one is like accessibility is doing the right thing, um, by all people. Uh, but also I think there&#8217;s a, we don&#8217;t need anything past that, but if we did, we&#8217;d say there&#8217;s a huge part of the population that can&#8217;t access websites like a lot of us. And being able to do those things on your website, potentially, if you just need a business reason for a second, it&#8217;s like, that&#8217;s a whole big crowd there.</p>\n\n\n\n<p>Bet Hannon (00:03:14) &#8211; 25%, 2020 to 25% of all adults around the world need some accommodation. So that includes everybody. I mean, when you, when, when I think when people think about that, they&#8217;re surprised by that number because they don&#8217;t think it, they think it&#8217;s, uh, this very tiny little percentage, right? So, um, but it includes, uh, people who are, uh, blind or have vision impairments, people who have mobility impairments, and not just that they&#8217;re paralyzed, but that maybe they have a palsy and they can&#8217;t quite hit your tiny buttons, um, to things like people who are colorblind, people who have reading disabilities. So when you start e even we work on some things around, um, um, being sure you&#8217;re, um, around anxiety and depression as a kind of a fact, a user, uh, scenario. Because if you&#8217;re sign up or checkout processes super long and complicated, people just give up, right?</p>\n\n\n\n<p>Bet Hannon (00:04:09) &#8211; So when you start optimizing and making things accessible, you can increase your audience by, you know, potentially 25%, which is huge. I mean, most, it&#8217;s, it&#8217;s probably the biggest, um, optimization rate that you can get. Uh, you know, conversion rate optimizations and those kinds of things are aiming at, you know, 2% would be awesome, right? Mm-hmm. , you could, that you could really blow it up by 25% would be amazing, right? And people sometimes say, well, people, people who are blind don&#8217;t come to my site. And I was like, you know, , you would be surprised, right?</p>\n\n\n\n<p>Cory Miller (00:04:45) &#8211; They might be trying but not going because that&#8217;s not ready for &#8217;em. Exactly.</p>\n\n\n\n<p>Bet Hannon (00:04:49) &#8211; And why wouldn&#8217;t you want that competitive advantage? Right? Exactly. If your side is accessible and your competitors isn&#8217;t, then you get those people, right? So</p>\n\n\n\n<p>Cory Miller (00:04:58) &#8211; By doing the right thing, you also get that. Yeah, exactly. You have to say, we&#8217;re doing the right thing. Um, and I don&#8217;t know, a business leader or owner, if you said you can increase your market share, there&#8217;s 25% sitting out there, wouldn&#8217;t get, wouldn&#8217;t drool wouldn&#8217;t go, whoa, tell me more. And it&#8217;s sitting right here in plain sight,</p>\n\n\n\n<p>Bet Hannon (00:05:14) &#8211; 485 billion in, uh, in million in, um, I&#8217;m sorry, 485 million in, uh, disposable income. Mm-hmm. Right? That you&#8217;re just leaving on the table, right? Yeah. So, I mean, it&#8217;s, that sounds kind of, uh, you know, like you, they&#8217;re, they&#8217;re out there to be sort of, uh,&nbsp; to, but, you know, when you serve, uh, this is the great part about what we get to do as an agency, right? We get to help make online shopping l m s membership sites better for people with disabilities, but then we also get to make that, you know, he help business owners, uh, reach out to those communities more effectively. And, and, um, yeah, yeah, it&#8217;s a win-win all around. That&#8217;s, I love what we do.</p>\n\n\n\n<p>Cory Miller (00:05:57) &#8211; And I think just like any other community with particular passions and needs, it&#8217;s gonna talk about that too. So if you&#8217;re, it&#8217;s a way to really stand out and get great raving fans doing the right thing.</p>\n\n\n\n<p>Bet Hannon (00:06:09) &#8211; Yeah, exactly. Exactly.</p>\n\n\n\n<p>Cory Miller (00:06:11) &#8211; Okay. So thank you for that. Uh, and let me digress a little bit into accessibility and thinking of it as conversion rate too. And market size is very compelling. I mean, one right thing second that, but tell me, tell me about your team now. Um, what else about you that&#8217;s your focus and what you all do, uh, in WordPress, but</p>\n\n\n\n<p>Bet Hannon (00:06:29) &#8211; Yeah, so we&#8217;re intentionally fairly small. Um, we have, um, three of us full-time, a couple part-time, and then, you know, contractors around the edges for specializations as needed, um, or pulling folks in when we need some extra help. Um, so, um, I really like having us not be super hu I mean, lots of peace that you get to choose as the agency owner, right? You know, uh, you know, there are people that just really wanna grow and scale it and have it be 30 or 40 or 80 people or more, but that&#8217;s not me. Uh, I prefer to work in a smaller group. And so that&#8217;s what we&#8217;re doing. That&#8217;s a piece of why we ended up, um, kind of nicheing around accessibility and e-commerce or, or sites, is that in terms of accessibility work, um, you know, a lot of the contracts, uh, over the last 10 years have gone to, um, higher education or government. And those two folks really want bigger, bigger agencies with a deeper bench to do the fulfillment pieces. And so we don&#8217;t get to be a player for those kind of audiences. Um, and at the same time, you know, we can make a, we can have an outsized impact in terms of folks in their e-commerce work. So,</p>\n\n\n\n<p>Cory Miller (00:07:42) &#8211; Absolutely. So what type of clients does that typically shake out to? Um, what, who do you all work best with?</p>\n\n\n\n<p>Bet Hannon (00:07:50) &#8211; Yeah. Um, so we&#8217;re, uh, well it&#8217;s, uh, it&#8217;s, it&#8217;s kind of interesting cuz you know, I thought when we went back a bit, when we said, okay, we&#8217;re gonna focus on accessibility, that that was gonna be the, the niche. And then, you know, the further you get, the more you realize, oh, okay, accessibility and e-commerce. And then it&#8217;s like, oh, okay. And now you gotta think more, even more. You can kind of keep refining that a little bit. Um, I would say, um, we still do, um, development and re you know, testing and, and stuff for stuff that&#8217;s not e-commerce, but folks that need to have accessibility. So we&#8217;ve done, um, you know, we&#8217;re finishing up projects now for sites that are, um, you know, large nonprofits that are wanting, needing, wanting, needing to be accessible. Um, we&#8217;re starting a thing, uh, marketing site for a bank, right?</p>\n\n\n\n<p>Bet Hannon (00:08:43) &#8211; So they have to be accessible. Um, so, so we&#8217;re still doing some of that. Um, I, I would say the, the places where we&#8217;re, we&#8217;re, we kind of do a couple different things. And so at different levels, right? So if it&#8217;s a s a relatively smaller e-commerce site in terms of not, well if it&#8217;s, if it&#8217;s too small, they can&#8217;t really afford to probably make this work. But, but if they&#8217;re not, if they don&#8217;t have their own in-house development team, for example, they&#8217;re in WooCommerce, but they&#8217;re comfortable having us go in and do some of those, um, remediations for them working with them, there&#8217;s a level of that work that we do. And then at, at, uh, larger sites or larger merchants that where they are, um, they might be in WooCommerce, but they might also be in Shopify or Magenta, um, the testing that we can do, the auditing and uh, testing for them is on the front end of the site.</p>\n\n\n\n<p>Bet Hannon (00:09:39) &#8211; So we don&#8217;t have to be experts in Shopify to be able to say to them, you have a problem here. This needs to get fixed. Right? And so we&#8217;re doing that level of consulting back and forth, and I&#8217;ve tried, and I, I, I think maybe we&#8217;re just a little early on it, um, in terms of trying to find, um, working with other agencies to have them just contract us with us for, you know, a bucket of hours where we&#8217;re gonna just, they&#8217;ll just line up some testing pieces for us. I think it&#8217;s more effective when we can work around a particular site and then produce documentation for them, for them to do the fulfillment. So we, um, we, in some of the work that we&#8217;ve done, we&#8217;re averaging like three to five hours of billable label for that agency when they have us do an hour of testing.</p>\n\n\n\n<p>Bet Hannon (00:10:34) &#8211; So as we&#8217;re putting that all together and doing the documentation and handing that off to them to get the approval from the client to do the remediation, you know, that, that, uh, we can have a win-win. Uh, as a, as a part of that, we just haven&#8217;t gotten very much track. And that sounds really good. And agency owners are, are interested, but we just haven&#8217;t gotten much traction yet. And I think it&#8217;s because the client, you know, the, the site owners just haven&#8217;t quite gotten to the point where they&#8217;re feeling the urgency about accessibility. And that may come, there&#8217;s some big changes in the EU coming up in another year or two year and a half or so. And, um, so we&#8217;ll see if that moves us.</p>\n\n\n\n<p>Cory Miller (00:11:15) &#8211; Yeah. Whether, um, you want it or not, it&#8217;s coming. And, um, you know, so the need is gonna be pressed. Those that aren&#8217;t up to speed as they should be, are gonna be forced to be up to speed very quickly.</p>\n\n\n\n<p>Bet Hannon (00:11:29) &#8211; Yeah. You, you&#8217;re going to pay for accessibility one way or another, you know, and the que and the question is, uh, you, you know, e either you get suit or fined or you take it, you know, you, you invest in making accessible mm-hmm. . And the question is, do you wanna do it on your own terms at your own speed or do you wanna be kind of compelled to do it by some external authority? So</p>\n\n\n\n<p>Cory Miller (00:11:52) &#8211; Well said, . Well, okay. Thank you for all that. So that&#8217;s where you are today. Um, I&#8217;m really curious to know how you got here, you know, how did you get started with one, you know, web, web development, um, WordPress, how your agency grew to where it is today? So can you walk me back there on the journey that you&#8217;ve taken? Yeah. Cuz</p>\n\n\n\n<p>Bet Hannon (00:12:14) &#8211; You&#8217;re a part of that journey. Um, so I had, my first career was in nonprofit management and um, I was doing near the end of that more and more technical things. So we were doing drag and drop websites, we were doing email newsletters, we were doing, um, social media wasn&#8217;t there yet, but we were doing that. So in 2008 at the very beginning of the financial crisis, then my organization terminated my position, just kind of downsized my position. And I kind of stumbled into freelancing a little bit. I had no idea that people would pay you to do, you know, uh, email newsletters and&nbsp; websites and stuff. It just had never occurred to me. I don&#8217;t know why, but it just never had. Um, and I stumbled into doing that and I was, um, I told a friend of mine who&#8217;s an iOS app developer, uh, what I was doing, and he said, oh, you should be doing those work, those sites in WordPress.</p>\n\n\n\n<p>Bet Hannon (00:13:12) &#8211; And I said, I have no idea what you&#8217;re talking about. And um, so we went, uh, he lived in the Bay Area, I lived in Fresno and we went home and the next week we got this like, you know, before you could do Zoom set, we both got on the phone and then we both logged into the backend of his WordPress website. And he walked me through what it was like, and it was sort of like my mind was blown. I was like, oh my gosh, this would be amazing. And so I started building sites for people. Uh, and then as we needed to do more customization, I started doing, um, initially for a few sites, I used, uh, a theme generator called Artist Steer. Maybe people remember that I do, to get, to get the customizations, you had to start learning a little bit of css.</p>\n\n\n\n<p>Bet Hannon (00:13:53) &#8211; So I was there, but pretty quickly I found iThemes Builder and um, we went there and the support team at Ithe was awesome in terms of not just telling you how to fix. When I, when you had a question about how to customize something, they would not just tell you how to do it, but they would point you through it, walk you through it in such a way that I was learning. I was like, oh, CS, I see that CSS too. I see what that&#8217;s doing. And, and I started learning more and more and more, um, C s s and H T M L and P H P and uh, and then I, them started offering the, the courses, the classes and, uh, Benjamin Bradley and Nathan Ingram and some of those other folks were doing courses, not just on the technical pieces, but on some of the business stuff as well.</p>\n\n\n\n<p>Bet Hannon (00:14:41) &#8211; And, um, along that way I had picked up, uh, part-time folks to kind of start helping out with things. And, um, we grew, um, yeah, just kind of grew quite a bit cuz we were offering, you know, one of the things I&#8217;d learned in those workshops was, you know, figuring out the mailbox money. I think that was, that was, that was Benjamin the mailbox. Yeah, yeah, the Benjamin and, uh, the mailbox money and figuring out offering managed hosting. And uh, you know, at one time we had grown, we probably were offering managed hosting to about 175 cl um, sites. Um, initially, uh, did that in multi-site cuz that was the only way to manage the, all the updates. And then of course we figured out how to do that and how to spin them all apart with, uh, with backup buddy eventually. And, uh, you know, it was, uh, I had fun learning all of that stuff.</p>\n\n\n\n<p>Bet Hannon (00:15:30) &#8211; And, uh, and then, uh, we had a client in, uh, that came to us in about 2016 who is, uh, and they&#8217;re still a client today. They&#8217;re a large agricultural water district in California. So they don&#8217;t give water to consumers. They&#8217;re delivering to farmers and they&#8217;re a part of the, they&#8217;re a kind of a special district or a part of the state of California system. So they became aware in 2016 that they had to become accessible. So we, um, we said, well, let&#8217;s, let&#8217;s call, let, let&#8217;s refer you to somebody. And they said, well, that&#8217;s all fine, but we want you all to be the people that are gonna help us manage this day to day. Which was a huge investment in our team. And we got involved, we got, you know, we had heard a little bit about accessibility, I guess at Word camps and, but not much.</p>\n\n\n\n<p>Bet Hannon (00:16:18) &#8211; And when we dived in and caught a vision of what, how, how, how broad accessibility is, it&#8217;s not just about making something work for people who are blind, but this whole much broader kind of, um, in being inclusive and the difference that it can make for people in terms of being able to access things and, uh, and almost all of us on the team have somebody in our lives that it would, would benefit from making a website accessible. And it, it was just really this sort of aha moment for us. And we, we kind of began to do more and more and more with, with accessibility. Um, I, I think, uh, we&#8217;ve been spinning down and, and as we did, you know, that all of that managed hosting that we were offering at a very low rate, you know, those folks, um, yeah, we just couldn&#8217;t keep doing that business wise.</p>\n\n\n\n<p>Bet Hannon (00:17:17) &#8211; And so, so some of my evolution has really been kind of figuring out, oh, that&#8217;s, I&#8217;m really not making money , you know, I&#8217;m not really, uh, making a living for all of us doing that. And so we began to, I think, uh, three years ago, strategically churn some of those folks in terms of raising our pricing, um, up, um, quite a bit. And, uh, and then began to, especially as our experience level, just sort of went through the roof in terms of what we can do, what we can can offer, um, charge charging more for the work that we do. And, um, feeling like we&#8217;re, um, you know, we&#8217;re still in process. Cuz once you kind of get 170, you know, we&#8217;re down to under a hun around a hundred now I think. But, you know, um, even then, I, I don&#8217;t think all those people will stick with us in the long run, but we have served them well I think.</p>\n\n\n\n<p>Bet Hannon (00:18:11) &#8211; And so, uh, and we&#8217;re sending them, you know, handing them off in ways that are, I think gonna be helpful for them too. It&#8217;s just not a good fit anymore. But, um, yeah, we&#8217;ve been, um, and then I would say we started to do more and more with accessibility and then over the last, um, it was about a year ago we realized, hey, you know, the opportunity we&#8217;re, we&#8217;re missing those government and higher ed opportunities cuz we&#8217;re not big enough and we need to find a way to communicate. Um, we had been using, um, my name in the agency and I began over time, began to realize that was problematic cuz it really didn&#8217;t convey what our focus was and it didn&#8217;t help people. Um, it helped people think that we were small, they thought I was freelancing mm-hmm. . And so kind of a, a confluence of those factors led us to rebrand as Accessi Cartt about a year ago. Um, and it took, you know, doing re it takes a while to do all of that, right? It took, it was not until summer last year that we really kind of got all that together. And, uh, and we&#8217;ve had a great response to that. And that&#8217;s been, yeah, been awesome. So</p>\n\n\n\n<p>Cory Miller (00:19:21) &#8211; I always enjoy these stories because it&#8217;s very serendipitous. You use the word stumble and I go same, same stumbling. I really did stumble and walk back into WordPress. Um, and thank you for sharing the connection too. I knew you had been an ithe customer, but I didn&#8217;t know at at what depth. And so I appreciate that and that&#8217;s exciting. It&#8217;s fulfilling to know that we had a, we had a help in what you&#8217;re doing. Um, but like how Okay, you know, downsizing from the nonprofit spurred the start of you this great agency that you now run and then a client approaching you about the need for accessibility. And it&#8217;s funny because what I know of you today is a huge champion for accessibility, particularly in WordPress Yeah. For all the things you do. And I don&#8217;t even know all the things you do, but I I know you are a continued to keep the conversation around accessibility within the WordPress community, and it&#8217;s so beneficial to have passionate people, but to see where the start and now you live and breathe it, uh, is really exciting. Yeah.</p>\n\n\n\n<p>Bet Hannon (00:20:25) &#8211; And I&#8217;m not even the most technical person about accessibility on our team. Right? I, I&#8217;m, I&#8217;m, I I I, I, I know conceptually how important it is. I&#8217;m super passionate about it, but, but those like nitty gritty technical details of implementing this thing or that thing, um, are, are really not my wheelhouse. That, which is why we have great people on our team for that sort of stuff, right? Yeah. Um, I can be the, um, more of the, in, in terms of the agency, more of the, the advocate, the out front, the per the cheerleader, the, uh, the lead swinging along, but . But every once in a while I&#8217;ll be somewhere someone will ask this highly technical question and I&#8217;m like, uh, yeah, you I gotta call in. That&#8217;s why you</p>\n\n\n\n<p>Cory Miller (00:21:06) &#8211; Have a great team. That&#8217;s</p>\n\n\n\n<p>Bet Hannon (00:21:07) &#8211; Exactly right. That&#8217;s exactly right. And I don&#8217;t feel bad about that. It&#8217;s, uh, and, and I&#8217;m super upfront about that because I think, um, that&#8217;s, that&#8217;s probably true no matter what your specialization is, right? Mm-hmm.&nbsp; at a certain level. I mean, you have enough commitment and you understand, uh, and you understand what that commitment entails so that you&#8217;re, you don&#8217;t, but you don&#8217;t have to be in the deep down trenches of it so much that you, um, you know what I mean? It&#8217;s kind of like, um, in fact, the more you spend there, the less you&#8217;re spending time on the business. And so we actually continue to have that piece where I wear so many hats where I&#8217;m still, there&#8217;s still some technical things that only I do, only I&#8217;m the one that deals with all the D Ns stuff, right? So that&#8217;s like, so we&#8217;re still, because we&#8217;re still small, we all wear those hats, but figuring out how we can, um, continue to manage that, you know, the growth and those, those projects and pieces mm-hmm.&nbsp; where, um, we still have time for me to work on the business and not just in the business. Right.</p>\n\n\n\n<p>Cory Miller (00:22:18) &#8211; Exactly. And I think this is such a technical subject too that is always evolving, always to be remiss. And I love the authenticity and openness of, like, I don&#8217;t, that&#8217;s why I have these specialists that know these things, because that&#8217;s one thing I have learned about accessibility is there is so much nuance to it that it is constantly evolving. Like even knowing that there&#8217;s an EU thing coming out in the next year and a half, I mean, there&#8217;s so much new nuance to this, and that&#8217;s why having great agency partners like Access card is key because you&#8217;re managing those details. Your team is keeping up with those things. And I, and I love that. Yeah. I was talking to one of our fellow agency owners that, you know, and the, the, the evolving significance of the website in any organization has really evolved from back in the days we&#8217;re talking about. It was kind of an afterthought, you know? And now it&#8217;s like, especially through pandemic, have seen the value of the website, and then you go, there&#8217;s a, there&#8217;s nuances here that you need to pay attention to, like accessibility. So. Yep.</p>\n\n\n\n<p>Bet Hannon (00:23:24) &#8211; Absolutely. And even then, you know, the more we&#8217;ve gotten involved in doing stuff around e-commerce, there are, you know, I, I think you&#8217;re right. I think, you know, like when we were first starting out, it was really sort of an afterthought digital brochure Yep. For the most part. Yep. Yep. And then folks grasped, uh, and we did a ton of coaching with folks about how to use the blog functionality for all your dated content so that you&#8217;re simple. Like you&#8217;re simplifying some of that management of piece. People did get a bigger idea during the pandemic, but you know, when you start diving into e-commerce, I if, if an e e-commerce or even an l m s site or a big membership site, if they&#8217;re, if they&#8217;re really paying attention and really working on these things, they&#8217;re starting to deal with levels of detail around conversion rate optimizations, and how do you place things on the page to, uh, you know, help help, um, you know, convince the reluctant customer to try your product, right?</p>\n\n\n\n<p>Bet Hannon (00:24:24) &#8211; Or, uh, uh, try a trial membership or whatever those kind of pieces are. But that level, uh, getting down into that level of beginning to think about, it&#8217;s not just throwing stuff up on the page and trusting that people will read this wall of content or what, you know, you have to be thoughtful about how you&#8217;re putting things all together. And I think people are coming partway. I think accessibility will be an increasing part of that for folks, is really figuring out. They, and, and I find as I talk to agency owners and other folks in the WordPress space, the agency folks know it&#8217;s there. They, they, uh, I think in some cases they think their folks have a handle on it, when maybe they have a kind of a, you know, a, a, a very, um, base level understanding. And that&#8217;s okay. But, um, just understand.</p>\n\n\n\n<p>Bet Hannon (00:25:19) &#8211; And a lot of folks I think are just scared mm-hmm. , and they don&#8217;t feel like there&#8217;s, um, they, they&#8217;re, they may not, fearful is the right word, but they&#8217;re reluctant to get involved with accessibility until they start hearing from clients that the clients want it. Mm-hmm. , they don&#8217;t feel like, because they feel like it might be just the latest new thing. I get that. Right. And so how do they begin to, you know, is it, is it gonna be really worthwhile to invest some time and energy and people in, um, and I, I&#8217;d say I think this is a little different than some of the other fads that may have come across. And so,</p>\n\n\n\n<p>Cory Miller (00:25:57) &#8211; Well, I wanna switch gears for a moment. Um, we&#8217;ve talked about accessibility, but the work you do with e-commerce and l m s, meaning courses mm-hmm. , the ability to create courses. And curious what you&#8217;re seeing in those two, those the broader e-commerce space. Um, we&#8217;ve talked about the, you know, we, we had the digital brochure days, now it&#8217;s realizing, oh, I can grow my business online and through WordPress, particularly as the best tool that I know of for sure to do all that. But I&#8217;m curious what you&#8217;re seeing, like, it seems like there&#8217;s signals of, like, when you get into L m s, this is a specialized part of the e-commerce broad brand. Um, what are you seeing in, in those, the bigger e-commerce and then the l m s space in regards to clients and how they think and are using websites and e-commerce and l m s to power and grow their organizations?</p>\n\n\n\n<p>Bet Hannon (00:26:51) &#8211; Um, well, I think, um, you know, there&#8217;s, there certainly are folks that are doing that. And I think there are folks that a, at least have an inkling that there is more, that they could always be kind of tweaking a little bit more. And one of the, uh, advantages that people are discovering is that there are communities out there of folks where they can connect and learn from one another. So, um, you know, you can get involved in, um, you know, e e-commerce communities, uh, that are maybe some of them even platform agnostic that can begin to talk about, well, what are some of the third party integrations that you might wanna look at? What are the, what are some of the strategies for having your own site and site content, but also doing Amazon or also doing Walmart or other, some of these other platform pieces, right?</p>\n\n\n\n<p>Bet Hannon (00:27:41) &#8211; So, and what are, what are the strategies for pulling those all together? Um, so just kind of finding ways to, uh, you know, and WordPress has always been really great about that sense of community and, and helping one another. And that&#8217;s what post status really is in a way, right? As kind of a, a community of folks where we can kind of bounce ideas off one another, can learn from one another, um, um, get those ideas going. And so I, I think I see, I do see that happening and I see that happening around accessibility. Some as well as just more generally about how do we begin to, um, how do we begin to keep, keep raising the bar a little bit, right? You know, as you start your site and you, you, you get it going and, and there&#8217;s a kind of, there you gotta pay attention to all those really super base level kinds of things.</p>\n\n\n\n<p>Bet Hannon (00:28:30) &#8211; And then when you get, uh, I think a lot, a lot of times people starting out think, oh, I&#8217;ll, I&#8217;ll have it made when I get, you know mm-hmm. , these, this little list of things done. And then, you know, you realize, oh, no, there&#8217;s some more things I need to do, or now I need to tackle this next thing. And that it&#8217;s always gonna be that way. It&#8217;s kind of like, it&#8217;s always gonna be a little bit more that you need to do in terms of optimizing it. And I think business owners are starting to realize that even just about their non eCommerce sites, that, that ideally there&#8217;s, there&#8217;s, you can&#8217;t make it the focus of everything, right. But that it&#8217;s not something, it&#8217;s not, uh, you know, we still work with clients once in a while. Like, I just need a website. And then it&#8217;s just like, when it&#8217;s done, it&#8217;s done, and it&#8217;s gonna sit over there for another five years and then I&#8217;ll come back to it. And that&#8217;s just not the way websites work, um, anymore. For sure. So,</p>\n\n\n\n<p>Cory Miller (00:29:21) &#8211; Yeah. Well, if you&#8217;re only thinking about that, you&#8217;re thinking very small and leaving a lot of opportunity on the table, right? Where you nowadays, if you have a business or organization like a nonprofit, you got to, it&#8217;s, it&#8217;s par for the course. But I love that you have background and still work with nonprofits too. Mm-hmm. , I mean, that&#8217;s a different type of e-commerce, right?</p>\n\n\n\n<p>Bet Hannon (00:29:43) &#8211; Oh my gosh, yes. And, um, we just finished and launched a couple weeks ago, uh, a site for, uh,&nbsp; the, uh, and, and when they first came to us, I mean, this is part as an agency under two, it&#8217;s was, uh, uh, one thing that I had learned along the way was like, sometimes you get approached and the, you know, based on the name or the, what the organization does, you think, oh, that&#8217;s a small budget group, , they&#8217;re, they&#8217;re looking for a $500 website, right? Um, so when we were first approached by the, uh, can I, can I say clients? Yeah,</p>\n\n\n\n<p>Cory Miller (00:30:15) &#8211; Absolutely. You</p>\n\n\n\n<p>Bet Hannon (00:30:16) &#8211; Can. When I was first approached by the transgender law sender, I thought, oh yeah, that&#8217;s, that&#8217;s gonna be fairly small. Oh no, they have a $5 million a year budget. I don&#8217;t know, there&#8217;s some funding piece. And they are very sophisticated in all this fundraising that they do, and they&#8217;re using all these different like, enterprise level fundraising tools. And what they, they approached us was about, because they have a significant outreach to people with disabilities, and they had become aware that their own website was not accessible. And so they, uh, pursued actually a pretty, uh, one, one of the larger projects that we&#8217;ve done in terms of, it was, uh, a 13 year old WordPress website and had had dozens and dozens of content creators over the years. And so part of what we did was clean a lot of that up, but do lots of accessibility improvements and things like, you know, we discovered hundreds of PDFs that were not accessible.</p>\n\n\n\n<p>Bet Hannon (00:31:12) &#8211; And so we came in, you have to take the content out of the pdf, put it on the page, and then say, well, you can download this here, but here&#8217;s the accessible content that&#8217;s on the page surface. Mm-hmm. . And we did, you know, we had multiple, multiple people working on all of that for a long time. But Yeah. And, and made it, uh, you know, I think they were a little afraid, you know, there&#8217;s this stereotype that if it&#8217;s accessible, it&#8217;s ugly. And, uh, you know, we went to , uh, you should look at it cuz we, uh, we created a really stunning, I think our fo not me, uh, not, they don&#8217;t let me near the design tools, but the, the design people created just this amazing site that is, you know, that with a vastly improved accessibility. No site is a hundred percent accessible, but, you know, the improvements here were quite significant. And, and it was nice to work with clients that their, their motivation was not avoiding getting sued. Their motivation was, we have people in our organization who can&#8217;t access this stuff. So, uh, it was great. It was great to work with them.</p>\n\n\n\n<p>Cory Miller (00:32:22) &#8211; So let me sidebar a second. You said no side is a hundred percent accessible. Great. Tell me more.</p>\n\n\n\n<p>Bet Hannon (00:32:29) &#8211; So I think that is also a misconception a lot of times that if we just go to the, you know, the website content accessibility guidelines, if we just make everything according to the guidelines, then we&#8217;re kind of bulletproof and there&#8217;s no such thing, right? Because a lot, first of all, a lot of accessibility is contextual. So it depends on what you&#8217;re trying to do with a particular image, with a particular layout, um, what the flow of the content is. A lot of that contextual stuff is important. Um, so it&#8217;s not like, it&#8217;s not like accessibility stuff is hard and fast rules, right? And so, um, it&#8217;s, it&#8217;s more an art than a science in some, in some ways, right? Hmm. Um, so that&#8217;s one and two accessibility, um, strategies are changing a lot. And you really, I think it&#8217;s more effective to think about accessibility as a form of user experience optimization.</p>\n\n\n\n<p>Bet Hannon (00:33:24) &#8211; Mm-hmm. . So you&#8217;re not, you&#8217;re, you&#8217;re really just broadening the user personas and thinking about user experience mm-hmm. . And so it doesn&#8217;t make any sense to say your site is a hundred percent on user experience, something, you know, it, that, that doesn&#8217;t make any sense at all. But you can certainly, I mean, certainly there&#8217;s a lot of low hanging fruit that you&#8217;re gonna do, just like for user experience, right? And in terms of making, improving that. And so rather than talk about, you know, sort of being accessible, you wanna say working on accessibility or improving accessibility, right? And, and, um, it&#8217;s kind of like SEO in that way, right, too, right? Yep. You know, it&#8217;s, there&#8217;s a lot of basic best practices that everybody should do. There are some things definitely you can do that are shooting yourself in the foot with SEO or, or accessibility. But, you know, once you deal with those base level pieces, then it&#8217;s really about continuing to think about that experience to listen to your users when they give you feedback about something that isn&#8217;t accessible.</p>\n\n\n\n<p>Cory Miller (00:34:28) &#8211; Oh, that&#8217;s good. Absolutely. From the user experience, if you think about that, that you reset us there, or me, I go absolutely. It&#8217;s another avatar to persona to be thinking about as you want people to come to your site and float through and take an action. Yeah. But</p>\n\n\n\n<p>Bet Hannon (00:34:43) &#8211; It&#8217;s not one, one avatar though. But it&#8217;s</p>\n\n\n\n<p>Cory Miller (00:34:45) &#8211; Exactly many, many</p>\n\n\n\n<p>Bet Hannon (00:34:47) &#8211; Avatars, right? So the colorblind person, the person mm-hmm.&nbsp; own vision, the person who&#8217;s completely blind, the person who has no, uh, can&#8217;t use a mouse, right? So you get all of these various avatars and there are, I would say, you know, there, there&#8217;s certainly a person who&#8217;s deaf, right? So you get, you get some avatars that are there that you begin to work with, and then, you know, it, it&#8217;s just sort of human nature. We say, oh, we&#8217;ve completely forgot about the person with reading disabilities, right? So now we gotta come back and, uh, begin to think about, uh, did we, did we take that into account? So</p>\n\n\n\n<p>Cory Miller (00:35:22) &#8211; Here&#8217;s a quick sidebar cuz you mentioned death. And I go, I, in the initial list I was waiting for you to say, um, hearing impaired or, or deaf. And I go, I, I, six years ago got hearing aids and um, it&#8217;s amazing they&#8217;re Bluetooth enabled, but it&#8217;s, yep. This is maybe a nuance off the, off the trail of a second, but they&#8217;re Bluetooth to my phone. Yep. And so I&#8217;ll be looking at the web, and all of a sudden, I can always tell when a site has something, um, like there&#8217;s no audio video on the page necessarily, but my Bluetooth kicks in for my hearing aids. And I go, now this is the skeptical, you know, hat and me going, wh why are they accessing my microphone in some way? It&#8217;s really interesting, but I pay attention to the fact that now I need these, I rely on them every day, you know? Absolutely. And so how important that is to, to me, and I can just see those that I do have hearing without hearing aids, however significantly enhance with hearing aids, like I can actually, I don&#8217;t know, function. Um Yep. It, it brings that more empathetic to me to know, oh, can I, could you even imagine someone with ocular, for instance, implants and like that the, the need for ex accessibility just kind of even becomes more aware to me. Yep,</p>\n\n\n\n<p>Bet Hannon (00:36:42) &#8211; Yep. And you know, the, the, the number of people that bring disabilities with them as their, their users increases with age. Right? We all right? Yep. Uh, things, things like hearing like you and, you know, I got hearing aids within the last year too, and so, uh, congrats. But also thank you. Um, also things like color perception changes as you age, right? Mm-hmm. , so, so some of those as the lens of your eye yellows, right? So, uh, there&#8217;s kind of a, a biological piece, right? But, but it&#8217;s also, you know, any of us, any of us are just one illness or accident away from a disability, right? And so, um, there&#8217;s, there&#8217;s that piece of, you know, making it, uh, thinking about including accessibility that kind of sensitizes you to that. But when you think about you&#8217;re improving, you&#8217;re improving the user experience of people with disabilities, when you do that, you actually improve the user experience for everybody. And so I usually say it&#8217;s kind of like those curb cuts in the sidewalk, right? They&#8217;re made for wheelchairs, but like, when I&#8217;m dragging my luggage, I&#8217;m really grateful for those, right? So, yep. Uh, it&#8217;s, all of those kinds of improvements will help the user experience across the board for everyone. Mm-hmm. .</p>\n\n\n\n<p>Cory Miller (00:38:00) &#8211; Yeah. You watch</p>\n\n\n\n<p>Bet Hannon (00:38:01) &#8211; Stuff with captions on</p>\n\n\n\n<p>Cory Miller (00:38:02) &#8211; All the time. I have for probably 10 years.</p>\n\n\n\n<p>Bet Hannon (00:38:06) &#8211; I started doing it, yeah. About 10 years ago when we were watching British crime shows and I couldn&#8217;t understand people&#8217;s accents sometimes. And we watch it with all the time with stuff now. And, um, they say that, um, uh, on social media, people who are watching videos with the sound off of those people, 80% of them have no hearing impairment.</p>\n\n\n\n<p>Cory Miller (00:38:33) &#8211; I, so, well, I obviously needed hearing aids, but I did it because I read much faster than I can follow. Absolutely. This, in fact, zoom has the feature with ca closed captioning. Sometimes if it&#8217;s a heavier accent, I&#8217;ll do it there too, but I&#8217;m like, I find myself going, I&#8217;m not watching, I&#8217;m reading , you know, so often that that&#8217;s how I get the story. But yeah. And I don&#8217;t like to have my volume on social media, so I&#8217;m really glad that accessibility is a thing, um, because I&#8217;m like, I don&#8217;t wanna listen to it. I wanna read it, you know? Yep, yep. Um, I actually get offput sometimes when everything is video. Cause I go, even though I&#8217;m doing video now, it&#8217;s because I wanna read read the Captains. So,</p>\n\n\n\n<p>Bet Hannon (00:39:15) &#8211; Yeah. But you know, there&#8217;s, um, if you put the, like if people are doing a piece like this and then you can get it, there are services to get it automatically converted to a transcript mm-hmm. , but when you provide the transcript in addition to the closed captions, right? If you provide the transcript, then I can remember, oh, Corey and I talked about this one thing, and I&#8217;m gonna go back to that. Now I can search through the transcript Yeah. And find it and not have to listen to the whole thing. People do that a lot. People tell us all the time that they do that. So</p>\n\n\n\n<p>Cory Miller (00:39:43) &#8211; I do, I&#8217;m glad YouTube now has that part of it, um, because I wanna get the content, but I wanna scan down and read. And sometimes I&#8217;ll play it and just watch the transcript scroll, you know, so, and then we do transcripts, everything we do here, um, yeah,</p>\n\n\n\n<p>Bet Hannon (00:39:57) &#8211; Yeah,</p>\n\n\n\n<p>Cory Miller (00:39:58) &#8211; Probably one for my own, like, I, I like to do that, but also to make him available in different formats, so yeah. Awesome. Well bet. Thank you for this. Um, what, uh, I&#8217;m curious, what exciting things do you have going now? What are you doing that you&#8217;re excited about? Um, next steps, anything you&#8217;re focusing on that you wanna share with our audience?</p>\n\n\n\n<p>Bet Hannon (00:40:20) &#8211; Yeah, I&#8217;m, I&#8217;ve, I&#8217;ve been trying to, to, you know, part of, part of uh, part of running an agency is being a bit of an entrepreneur, right? And you&#8217;re always tr uh, at least for me, I&#8217;m always trying things and pu focusing on things or just, you know, trying experiments. Sometimes they&#8217;re just thought experiments and sometimes, you know, you&#8217;re actually kind of build &#8217;em out a little bit and see if they stick. It&#8217;s kinda like, you know, throw throwing the proverbial pasta against the wall to see if it sticks. So I&#8217;ve been playing with, um, would having productized services be an interesting thing for accessibility and remediation? So I&#8217;ve cut it out there. I&#8217;m kind of trying to, you know, talking with people who do these things or, and they look at what we&#8217;ve got up there and oh, it&#8217;s a little confusing. How do you pick a package? Oh, okay. Yeah. So figuring out some of those, so that&#8217;s what I&#8217;m playing with right now is kind of like, um, does that really make sense? It makes more sense for a site owner. Um, maybe not it for an agency, but um, although they could contract it out I suppose. But yeah, just trying to sort through that and play a little bit more with some productized services around accessibility and remediation, auditing and remediation stuff.</p>\n\n\n\n<p>Cory Miller (00:41:35) &#8211; Yeah. That&#8217;s awesome. Well bet. Tell us where we can find more about yourself and your agency.</p>\n\n\n\n<p>Bet Hannon (00:41:42) &#8211; Yeah, so our website is accessi cart.com and uh, you can contact me there. I&#8217;m still on Twitter some, although it just feels a more and more like a ghost town there. Um, and we&#8217;re on LinkedIn, of course, uh, excessive cart and then also Bet Hannon. So love to, and I&#8217;m in the slack for post status, so that&#8217;s a great place to reach me.</p>\n\n\n\n<p>Cory Miller (00:42:04) &#8211; Fantastic bet, Hannon, thanks so much for sharing your journey and what your agency is doing in our world, particularly with the e-commerce and accessibility. Keep doing what you&#8217;re doing. But thank you for being on today for post status draft.</p>\n\n\n\n<p>Bet Hannon (00:42:18) &#8211; Thank you, Ebra fun. Great time.</p>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 12 May 2023 17:11:17 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Cory Miller\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:37;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"Akismet: Changing the Landscape: Akismet’s New Partnership with Arwen.ai\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"http://akismet.com/?p=8895\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"https://akismet.com/blog/arwenpartnership/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3159:\"<img src=\"https://akismet455732288.files.wordpress.com/2023/05/akismet-and-arwen-feature.png?w=1024\" alt=\"\" class=\"wp-image-8897\" />\n\n\n\n<p>Imagine if the web was a city. A bustling metropolis, teeming with people, conversations, and ideas. Now imagine if this city had no litter, no misplaced graffiti, no danger lurking around the corner. Imagine if every corner of this city was a safe, inviting space for people to interact, to engage, to learn, to grow.</p>\n\n\n\n<p>Well, that&#8217;s the vision we at <a href=\"https://akismet.com/\">Akismet</a> have for the web. And this week, we&#8217;re taking a significant step in realizing that vision. We&#8217;re thrilled to announce our partnership with <a href=\"https://www.arwen.ai/\">Arwen.ai</a>, a like-minded ally that shares our vision for a better, kinder web.</p>\n\n\n\n<span id=\"more-8895\"></span>\n\n\n\n<p>Arwen is an AI tool that has been a shining beacon of hope in the realm of social media, swiftly removing harmful and unwanted comments before they can cause any damage. Brands that use Arwen are able to keep their channels free from toxicity, bullying, racism, and the other forms of “graffiti” that too often pollute social media.</p>\n\n\n\n<p>This collaboration couldn&#8217;t have come at a better time, coinciding with Mental Health Awareness Month. Together, we&#8217;re striving to make the web a kinder, safer place for everyone.</p>\n\n\n\n<p>This strategic alliance isn&#8217;t just about us, though. It&#8217;s about providing top-notch security and moderation solutions to some of the world&#8217;s most influential companies and personalities, from tech powerhouses like ConvertKit, Netlify, and Bluehost, to Formula One teams like Red Bull, Alpine, and Mercedes, to media giants like ITV and Overtime.tv, and superstar drivers like Lewis Hamilton and George Russell.</p>\n\n\n\n<p>This partnership is a testament to the belief that the web can be a more welcoming place, a place where interactions are meaningful, where engagement is encouraged, and where every voice matters. It&#8217;s a commitment to ensure brand safety, to promote inclusive spaces, and to foster collaboration.</p>\n\n\n\n<p>Our leaders echo this sentiment. David Schwister, Jetpack&#8217;s Vice President of Strategic Partnerships and Global Head of Enterprise Sales at Automattic, said, &#8220;We are thrilled to be partnering with the Arwen team. We believe Arwen&#8217;s technology will be of tremendous value not only to our existing and new Akismet clients&#8217; social channels, but also provide Arwen&#8217;s current and prospective customers the ability to protect all comments, forms, and chat systems from spam on their owned and operated sites using the power of Akismet – keeping the web a safer place.&#8221;</p>\n\n\n\n<p>Matthew McGrory, CEO and Co-founder of Arwen, says, &#8220;It&#8217;s great to be working with Akismet to bring a full-stack solution to our clients across all their digital assets to enhance engagement and ensure brand safety for them and their customers.&#8221;</p>\n\n\n\n<p>Here&#8217;s to a cleaner, safer web, one free of spam and toxicity &#8211; and filled with meaningful interactions.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 12 May 2023 15:12:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Drew Breaux\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:38;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"Do The Woo Community: Do the Woo Friday Show with Adam Weeks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75114\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"https://dothewoo.io/do-the-woo-friday-show-with-adam-weeks/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:456:\"<p>In this show we talk about the challenges of finding a good resource to help you choose a hosting company and Adam\'s new venture that will help support the WordPress media ecosystem.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/do-the-woo-friday-show-with-adam-weeks/\">Do the Woo Friday Show with Adam Weeks</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 12 May 2023 12:48:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:39;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"WPTavern: Essential Addons for Elementor Patches Critical Privilege Escalation Vulnerability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144929\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"https://wptavern.com/essential-addons-for-elementor-patches-critical-privilege-escalation-vulnerability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1942:\"<p><a href=\"https://wordpress.org/plugins/essential-addons-for-elementor-lite/\">Essential Addons for Elementor</a>, a plugin with more than a million active installs,  has patched an unauthenticated privilege escalation vulnerability in version 5.7.2. The vulnerability was discovered on May 8, 2023, and reported by Patchstack researcher Rafie Muhammad. It was given a 9.8 (Critical severity) CVSS 3.1 score and is not yet known to have been exploited.</p>\n\n\n\n<p>Muhammad outlined the vulnerability in a <a href=\"https://patchstack.com/articles/critical-privilege-escalation-in-essential-addons-for-elementor-plugin-affecting-1-million-sites/\">security advisory</a> published today:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>This plugin suffers from an unauthenticated privilege escalation vulnerability and allows any unauthenticated user to escalate their privilege to that of any user on the WordPress site.</p>\n\n\n\n<p>It is possible to reset the password of any user as long as we know their username thus being able to reset the password of the administrator and login on their account. This vulnerability occurs because this password reset function does not validate a password reset key and instead directly changes the password of the given user.&nbsp;</p>\n</blockquote>\n\n\n\n<p>The plugin&#8217;s authors published the patch today, on May 11, with the following note in the changelog:</p>\n\n\n\n<p><em>5.7.2 – 11/05/2023<br />Improved: EA Login/Register Form for Security Enhancement<br />Few minor bug fixes &amp; improvements</em></p>\n\n\n\n<p>The vulnerability affects sites using versions 5.4.0 to 5.7.1 of Essential Addons for Elementor. Users are advised to update to the latest version 5.7.2 immediately now that Patchstack has <a href=\"https://patchstack.com/articles/critical-privilege-escalation-in-essential-addons-for-elementor-plugin-affecting-1-million-sites/\">published</a> the proof of concept for exploiting it.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 12 May 2023 00:34:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:40;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:115:\"WPTavern: MasterWP Launches 2023 WordCamp US Travel Program with $10K in Grants for Underrepresented Speaker Groups\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144909\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:125:\"https://wptavern.com/masterwp-launches-2023-wordcamp-us-travel-program-with-10k-in-grants-for-underrepresented-speaker-groups\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4590:\"<p>WordCamp US 2023, which is being held <a rel=\"noreferrer noopener\" href=\"https://us.wordcamp.org/2023/\" target=\"_blank\">August 23-25 in National Harbor</a>, has opened its <a href=\"https://us.wordcamp.org/2023/apply-to-speak-at-wordcamp-us-2023/\">call for speaker applications</a>. If financial considerations are preventing anyone from applying, there are scholarships and grants available to help cover travel expenses. WCUS is now accepting applications for the <a href=\"https://us.wordcamp.org/2023/apply-now-for-the-kim-parsell-memorial-scholarship/\">Kim Parsell Memorial Scholarship</a> for travel. This particular scholarship applies to anyone who is a WordPress contributor, identifies as a women, has never attended WCUS, and requires financial assistance to attend.</p>\n\n\n\n<p>In the interest of promoting a more diverse pool of speakers, MasterWP has launched its travel grant program for WCUS that will support a larger number of applicants. The program will provide more than $10,000 in grants for members of underrepresented groups who are accepted to speak at the event. Those who are selected will receive at least $1,000 towards their travel expenses.</p>\n\n\n\n<p>In 2022, the program paid for seven speakers and organizers from underrepresented groups attending WCUS in San Diego. This year MasterWP is aiming to support more speakers and has already received contributions from AccessiCart, Nexcess, Paid Memberships Pro, The WP Minute, and UnlimitedWP towards the fund. They are still <a href=\"https://masterwp.com/travel-grants-for-wordcamp-us-2023/#companies\">accepting corporate grant partners</a> and 100% of funds contributed go directly to the grant recipients.</p>\n\n\n\n<p>In recent years, flagship WordCamps have stepped up their work towards diversifying their speaker lineups, as the community has held organizers&#8217; feet to the fire when events failed to recruit a diverse selection.  WordCamp Europe has come under scrutiny once again this year for its response to <a href=\"https://twitter.com/michelleames/status/1655970579248193536\">criticism about the lack of diversity</a> in its early speaker announcements. The event has a <a href=\"https://europe.wordcamp.org/2023/speaker-support-program/\">speaker support program</a> that connects speakers to companies for financial support but is not involved in the selection process.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">So far only 25% of the speakers announced for <a href=\"https://twitter.com/hashtag/WCEU?src=hash&ref_src=twsrc%5Etfw\">#WCEU</a> are women (by name/photo), and only three appear to be non-white. Hoping to see some more inclusion in the next few rounds of announcements.</p>&mdash; Michelle Frechette (@michelleames) <a href=\"https://twitter.com/michelleames/status/1655970579248193536?ref_src=twsrc%5Etfw\">May 9, 2023</a></blockquote>\n</div>\n\n\n\n<p>&#8220;If we want to build WordPress for the next generation, we need to be inclusive,&#8221; StellarWP director of community engagement and <a href=\"https://wptavern.com/new-wp-speakers-website-helps-event-organizers-find-speakers\">WP Speakers</a> project creator Michelle Frechette <a href=\"https://twitter.com/michelleames/status/1656027661632765955\">said</a>.</p>\n\n\n\n<p>&#8220;The next generation is already demanding it. Inclusion is the future. Without it we are irrelevant.&#8221;</p>\n\n\n\n<p>MasterWP&#8217;s travel grant program was created as an independent initiative and is not affiliated with WordCamp or The WordPress Foundation. A growing dissatisfaction with speaker diversity at WordCamps has led WordPress companies to create their own means of supporting the diversity they hope to see at events.</p>\n\n\n\n<p>&#8220;My conversations with leaders at several major companies led me to believe that many well-meaning, friendly and progressive people simply do not understand that some people cannot afford to participate in the career-growth opportunity of attending a major WordCamp – a similar dynamic to <a rel=\"noreferrer noopener\" href=\"https://news.climate.columbia.edu/2022/03/21/unpaid-internships-are-unethical-and-wrong/\" target=\"_blank\">the unfairness of unpaid internships</a>,&#8221; MasterWP publisher Rob Howard said in a <a href=\"https://masterwp.com/our-wordcamp-travel-program-stats-recap-and-the-future/\">recap of the 2022 program</a>.</p>\n\n\n\n<p>&#8220;Since diversity is fundamentally an economic issue, improving it requires economic change. The travel sponsorship is a small economic change that has already made a big impact.&#8221; </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 11 May 2023 21:29:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:41;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"Post Status: WP 6.2.1 RC1 • Annual Survey Results • WCUS Scholarship Fund\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://poststatus.com/?p=149286\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://poststatus.com/wp-6-2-1-rc1-annual-survey-results-wcus-scholarship-fund/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:19387:\"<h2 class=\"wp-block-heading\" id=\"h-this-week-at-wordpress-org-april-3-2023\">This Week at WordPress.org (May 8, 2023)</h2>\n\n\n<div class=\"has-background has-theme-palette-8-background-color wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">WordPress 6.2.1 RC1 is now available for testing, and planning is underway for the 6.3 AND 6.4 release squad members. Head over to the Core team website for more information. <br /><br />Each year the WordPress community has an opportunity to participate in the annual survey. The results from 2022 are now available. <br /><br />Contributors that are a self-identifying female, have a financial need and have never attended WordCamp US are encouraged to apply by June 12, 2023, 11:00 pm Eastern time </p></div>\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-kadence-infobox kt-info-box_94d1bd-77\"><div class=\"kt-blocks-info-box-link-wrap kt-blocks-info-box-media-align-left kt-info-halign-left\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-icon-container kt-info-icon-animate-none\"><div class=\"kadence-info-box-icon-inner-container\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_rocket kt-info-svg-icon\"></span></div></div></div></div><div class=\"kt-infobox-textcontent\"><h2 class=\"kt-blocks-info-box-title\">WP 6.2.1, Survey Results, WCUS Scholarship</h2><p class=\"kt-blocks-info-box-text\"><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" /> <a href=\"https://make.wordpress.org/core/2023/05/09/wordpress-6-2-1-rc1-is-now-available/\">WordPress 6.2.1 RC1 is now available</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f50e.png\" alt=\"🔎\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/news/2023/05/2022-annual-survey-results-next-steps/\">2022 Annual Survey Results &amp; Next Steps</a><br /><br /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4b5.png\" alt=\"💵\" class=\"wp-smiley\" /> <a href=\"https://wordpressfoundation.org/news/2023/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">Kim Parsell Memorial Scholarship for WordCamp US 2023</a></p></div></div></div>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_b57166-6e\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-news\"><a href=\"https://wordpress.org/news\">News</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.org/news/2023/05/episode-55-happy-anniversary-wordpress/\">WP Briefing: Episode 55: Happy Anniversary, WordPress!</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/2022-annual-survey-results-next-steps/\">2022 Annual Survey Results &amp; Next Steps</a></li>\n\n\n\n<li><a href=\"https://wordpress.org/news/2023/05/the-month-in-wordpress-april-2023/\">The Month in WordPress – April 2023</a></li>\n\n\n\n<li><a href=\"https://wordpressfoundation.org/news/2023/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">Kim Parsell Memorial Scholarship for WordCamp US 2023</a></li>\n</ul>\n\n\n\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-_8f6276-eb\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\" /></div></div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-12\">\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"h-community\"><a href=\"https://make.wordpress.org/community\">Community</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/community/2023/05/10/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\">Kim Parsell Memorial Scholarship for WordCamp US 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/\">The Next Generation of WordCamps</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/community/2023/05/03/community-team-training-8-boosting-wordpress-meetup-engagement-with-meetup-com/\">Community Team Training #8: Boosting WordPress Meetup engagement with Meetup.com</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-core\"><a href=\"https://make.wordpress.org/core\">Core</a> </h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/09/wordpress-6-2-1-rc1-is-now-available/\">WordPress&nbsp;6.2.1&nbsp;RC1 is now available</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/09/a-week-in-core-may-8-2023/\">A Week in Core – May 8, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/04/whats-new-in-gutenberg-15-7-03-may/\">What’s new in Gutenberg 15.7? (03 May)</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/03/wordpress-6-2-1-planning/\">WordPress 6.2.1 Planning</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-developer-blog\"><a href=\"https://developer.wordpress.org/news/\">Developer Blog</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://developer.wordpress.org/news/2023/05/whats-new-for-developers-may-2023/\">What’s new for developers? (May 2023)</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-meetings\">Meetings</h3>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/11/developer-blog-meeting-summary-may-4-2023/\">Developer blog meeting summary: May 4, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/core/2023/05/09/dev-chat-agenda-may-10-2023/\">Dev Chat agenda, May 10, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\">Design</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/design/2023/05/08/design-share-apr-24-may-5/\">Design Share: Apr 24–May 5</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-docs\"><a href=\"https://make.wordpress.org/docs\">Docs</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/updates/2023/05/08/documentation-team-update-may-8-2023/\">Documentation Team Update – May 8, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-hosting\"><a href=\"https://make.wordpress.org/hosting\">Hosting</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/hosting/2023/05/10/hosting-team-meeting-agenda-2023-05-10/\">Hosting Team meeting agenda 2023-05-10</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-marketing\"><a href=\"https://make.wordpress.org/marketing\">Marketing</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/10/day-3-wp20-from-blogs-to-blocks/\">Day 3: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/09/day-2-wp20-from-blogs-to-blocks/\">Day 2: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/08/day-1-wp20-from-blogs-to-blocks/\">Day 1: #WP20 From Blogs to Blocks</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/08/faq-for-the-wp20-from-blogs-to-blocks-campaign/\">FAQ for the #WP20 From Blogs to Blocks Campaign</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/marketing/2023/05/02/20-days-to-celebrate-20-years-of-wordpress-from-blogs-to-blocks/\">20 Days to Celebrate 20 Years of WordPress, From Blogs to Blocks</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-meta\"><a href=\"https://make.wordpress.org/meta\">Meta</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/meta/2023/05/04/matrix-chat-summary-may-4-2023/\">Matrix chat Summary – May 4, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-mobile\"><a href=\"https://make.wordpress.org/mobile\">Mobile</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/mobile/2023/04/11/contribute-to-the-future-of-the-wordpress-app/\">Contribute to the Future of the WordPress App</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/04/mobile-team-update-may-3rd-3/\">Mobile Team Update – May 3rd</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-openverse\"><a href=\"https://make.wordpress.org/openverse\">Openverse</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/08/last-week-openverse-2023-05-01-2023-05-08/\">A week in Openverse: 2023-05-01 – 2023-05-08</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/openverse/2023/05/03/priorities-meeting-recap-2023-05-03/\">Priorities Meeting Recap 2023-05-03</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-performance\"><a href=\"https://make.wordpress.org/performance/\">Performance</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/core/2023/05/10/performance-chat-summary-09-may-2023/\">Performance Chat Summary: 9 May 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-plugins\"><a href=\"https://make.wordpress.org/plugins\">Plugins</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/21/use-of-code-generators-must-remain-gpl-compatible/\">Use of Code Generators Must Remain GPL Compatible</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/plugins/2023/03/10/advance-notice-of-retirement/\">Advance Notice of Retirement</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/09/plugin-review-team-update-8-may-2023/\">Plugin Review Team Update: 8 May 2023</a></li>\n</ul>\n</div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"h-polyglots\"><a href=\"https://make.wordpress.org/polyglots\">Polyglots</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/polyglots/2023/05/10/polyglots-monthly-newsletter-may-2023/\">Polyglots Monthly Newsletter: May 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/04/24/defining-the-polyglots-contributor-ladder/\">Defining the Polyglots contributor ladder</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/polyglots/2023/04/13/idea-translate-wordpress-org-tour/\">Idea: translate.wordpress.org tour</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-project\">Project</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/project/2023/04/13/wordpress-at-20-in-print/\">Building Blocks: The Evolution of WordPress 2013-2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/project/2023/04/19/showcase-content-moderation/\">Revitalizing the Showcase</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-support\"><a href=\"https://make.wordpress.org/support\">Support</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/support/2023/05/agenda-for-may-11th-support-meeting-2/\">Agenda for May 11th Support Meeting</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/support/2023/04/request-for-input-support-stats/\">Request for input: Support Stats</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-test\"><a href=\"https://make.wordpress.org/test\">Test</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/test/2023/05/04/fse-program-build-a-block-theme-summary/\">FSE Program Build a Block Theme Summary</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/test/2023/04/17/fse-program-testing-call-21-front-page-fun/\">FSE Program Testing Call #21: Front Page Fun</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-theme\">Theme</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/themes/2023/05/08/themes-team-meeting-agenda-for-may-09-2023/\">Themes team meeting agenda for May 09, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/themes/2023/05/04/stacks-the-first-community-theme/\">Stacks: The first community theme</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/updates/2023/05/09/themes-team-update-may-09-2023/\">Themes team update May 09, 2023</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-training\"><a href=\"https://make.wordpress.org/training\">Training</a></h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/training/2023/05/09/brainstorm-wordcamp-europe-2023-contributor-day/\">Brainstorm – WordCamp Europe 2023 Contributor Day</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/09/training-team-meeting-recap-for-may-2nd-2023/\">Training Team Meeting Recap for May 2nd, 2023</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/05/proposal-creating-github-project-boards-for-smes-and-translators/\">Proposal: Creating GitHub project boards for SMEs and&nbsp;Translators</a></li>\n\n\n\n<li><a href=\"https://make.wordpress.org/training/2023/05/04/training-team-meeting-recap-for-april-25th-2023/\">Training Team Meeting Recap for April 25th 2023</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/learn-wordpress-may-2023-newsletter/\">Learn WordPress May 2023 Newsletter</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https://learn.wordpress.org/lesson-plans\">Lesson Plans</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/lesson-plan/it-choosing-and-installing-plugins/\">Scegliere e installare i plugin</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/lesson-plan/fr-setting-a-static-page-as-your-homepage/\">Définir une page statique comme page d’accueil</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-tutorials\"><a href=\"https://learn.wordpress.org/tutorials\">Tutorials</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/tutorial/wordpress-editor-modes-for-streamlining-content-creation/\">WordPress editor modes for streamlining content creation</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/exploring-category-templates-with-block-themes/\">Exploring category templates with block themes</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/tutorial/the-wordpress-request-lifecycle/\">The WordPress request lifecycle</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-online-workshops\">Online Workshops</h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/?meeting=working-with-version-control\">Working with Version Control</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=how-to-translate-content-for-learn-wordpress-org\">How to translate content for Learn.WordPress.org</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=%E3%82%AD%E3%83%A3%E3%83%83%E3%82%B7%E3%83%A5%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A6%E7%9F%A5%E3%82%8D%E3%81%86%EF%BC%81-wordpress-%E3%82%B5%E3%82%A4%E3%83%88%E3%81%AE-cache-%E8%A8%AD%E5%AE%9A-2\">キャッシュについて知ろう！ ~ WordPress サイトの Cache 設定 ~</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=%E3%82%AD%E3%83%A3%E3%83%83%E3%82%B7%E3%83%A5%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A6%E7%9F%A5%E3%82%8D%E3%81%86%EF%BC%81-wordpress-%E3%82%B5%E3%82%A4%E3%83%88%E3%81%AE-cache-%E8%A8%AD%E5%AE%9A\">キャッシュについて知ろう！ ~ WordPress サイトの Cache 設定 ~</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=lets-set-up-a-new-header-and-footer-block-theme\">Let’s set up a new header and footer (block theme)</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=testing-plugins-for-php-8\">Testing plugins for PHP 8</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=wp-dev-livestream-sendig-block-theme\">WP dev livestream: Sendig block theme</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=create-a-four-page-wordpress-website-4-design-templates\">Create a four page WordPress website #4: Design templates</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=series-create-a-four-page-wordpress-website-3-creating-effective-pages\">[Series] Create a four page WordPress website #3: Creating effective pages</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=series-create-a-four-page-wordpress-website-2-themes-fonts-styles\">[Series] Create a four page WordPress website #2: Headers &amp; footers</a></li>\n\n\n\n<li><a href=\"https://learn.wordpress.org/?meeting=series-create-a-four-page-wordpress-website-1-themes-fonts-styles\">[Series] Create a four page WordPress website #1: Themes, fonts, &amp; styles</a></li>\n</ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-courses\"><a href=\"https://learn.wordpress.org/courses\">Courses</a></h3>\n\n\n\n<ul>\n<li><a href=\"https://learn.wordpress.org/course/converting-a-shortcode-to-a-block/\">Converting a Shortcode to a Block</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wp-cli\">WP-CLI</h2>\n\n\n\n<ul>\n<li><a href=\"https://make.wordpress.org/cli/2023/04/05/wp-cli-v2-8-0-release-date/\">WP-CLI v2.8.0 release date</a></li>\n</ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-wptv\">WPTV</h2>\n\n\n\n<ul>\n<li><a href=\"https://wordpress.tv/category/year/2022/\">Latest WordPress TV videos</a></li>\n</ul>\n</div>\n</div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-related-news\">Related News:</h2>\n\n\n\n<ul>\n<li><a href=\"https://www.php.net/archive/2023.php#2023-04-13-1\">PHP 8.2.5 Released!</a></li>\n\n\n\n<li><a href=\"https://www.php.net/archive/2023.php#2023-04-13-2\">PHP 8.1.18 Released!</a></li>\n\n\n\n<li><a href=\"https://262.ecma-international.org/13.0/\">TC39</a></li>\n\n\n\n<li><a href=\"https://github.com/composer/composer/releases/tag/2.5.5\">Composer 2.5.5</a></li>\n</ul>\n\n\n\n<p class=\"has-theme-palette-7-background-color has-background\">Thanks for reading our WP dot .org roundup! Each week we are highlighting the news and discussions coming from the good folks making WordPress possible. If you or your company create products or services that use WordPress, you need to be engaged with them and their work. Be sure to share this resource with your product and project managers. <br /><br /><strong>Are you interested in giving back and contributing your time and skills to WordPress.org?</strong> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f64f.png\" alt=\"🙏\" class=\"wp-smiley\" /> <a href=\"https://wordpress.org/support/article/contributing-to-wordpress/\">Start Here ›</a><br /><br /><strong>Get our weekly WordPress community news digest</strong> — Post Status&#8217; <a href=\"https://poststatus.com/news/week-in-review/\">Week in Review</a> — covering the WP/Woo news plus significant writing and podcasts. It&#8217;s also available in <a href=\"https://poststatus.com/newsletter\">our newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f48c.png\" alt=\"💌\" class=\"wp-smiley\" /></p>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile has-background\"><a href=\"https://poststatus.com/\"><img src=\"https://poststatus.com/wp-content/uploads/2021/09/vertical-post-status-logo-250.png\" alt=\"Post Status\" class=\"wp-image-85823 size-full\" /></a><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left has-normal-font-size\" id=\"h-get-ready-for-remote-work\">You — and <a href=\"https://poststatus.com/#Agency\">your whole team</a> can <a href=\"https://poststatus.com/#choose-membership\">Join Post Status</a> too!</p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><strong>Build your network. Learn with others. Find your next job — or your next hire.</strong> Read the <strong>Post Status</strong> <a href=\"https://poststatus.com/newsletter/\">newsletter</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2709.png\" alt=\"✉\" class=\"wp-smiley\" /> Listen to <a href=\"https://poststatus.com/podcasts/\">podcasts</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f399.png\" alt=\"🎙\" class=\"wp-smiley\" /> Follow <a href=\"https://twitter.com/post_status/\">@Post_Status</a> <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f426.png\" alt=\"🐦\" class=\"wp-smiley\" /> and <a href=\"https://www.linkedin.com/company/post-status-llc/\">LinkedIn</a>. <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f4bc.png\" alt=\"💼\" class=\"wp-smiley\" /></p>\n</div></div>\n\n\n\n<div class=\"wp-block-spacer\"></div>\n<p>This article was published at Post Status — the community for WordPress professionals.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 11 May 2023 15:51:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Courtney Robertson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:42;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"Do The Woo Community: Woo DevChat, Building Products with James Kemp and Ross Morsali\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75100\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://dothewoo.io/woo-devchat-building-products-with-james-kemp-and-ross-morsali/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:455:\"<p>Our guest hosts James and Ross dive into what they are working on, the products they have built, and some other great dev insights. </p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/woo-devchat-building-products-with-james-kemp-and-ross-morsali/\">Woo DevChat, Building Products with James Kemp and Ross Morsali</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 11 May 2023 11:37:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:43;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"WPTavern: WP Engine Releases Frost, A Free Block Theme for Website Builders\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144600\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"https://wptavern.com/wp-engine-releases-frost-a-free-block-theme-for-website-builders\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3635:\"<p>The WordPress Themes Directory is now hosting more than <a href=\"https://wordpress.org/themes/tags/full-site-editing/\">300 block themes</a>, a milestone for the dedicated theme developers who have persevered through the growing pains and evolution of block theming. WP Engine is one of the newest theme authors who helped put the directory over the 300 mark with its submission of <a href=\"https://wordpress.org/themes/frost/\">Frost</a>.</p>\n\n\n\n<p>With its clean, minimal design, 36 patterns, and impeccable attention to detail on block styles, Frost is positioned to quickly become another blockbuster multipurpose theme. It already has more than 1,000 users as it has been in testing for awhile before landing in the official directory.</p>\n\n\n\n<img />\n\n\n\n<p>Frost&#8217;s typography features <a href=\"https://fonts.google.com/specimen/Outfit/about\">Outfit</a>, a geometric sans-serif font, for both header and paragraph text.</p>\n\n\n\n<p>The default color scheme is black and white with a vibrant blue accent color but Frost comes with eight different style variations. Frost designer Brian Gardner showcases a few in the tweet below, with Gutenberg&#8217;s full-screen previews for styles.</p>\n\n\n\n<div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">Feast your eyes on the latest Style Variations setting in the Site Editor, now with full-screen previews. It\'s currently in Gutenberg and will likely make its grand entrance in <a href=\"https://twitter.com/hashtag/WordPress?src=hash&ref_src=twsrc%5Etfw\">#WordPress</a> 6.3! <img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/1f680.png\" alt=\"🚀\" class=\"wp-smiley\" /><img src=\"https://s.w.org/images/core/emoji/14.0.0/72x72/2728.png\" alt=\"✨\" class=\"wp-smiley\" /> <a href=\"https://t.co/r7r20GjcdS\">pic.twitter.com/r7r20GjcdS</a></p>&mdash; Brian Gardner (@bgardner) <a href=\"https://twitter.com/bgardner/status/1654472586619658242?ref_src=twsrc%5Etfw\">May 5, 2023</a></blockquote>\n</div>\n\n\n\n<p>When first installing the theme on a new WordPress site, clicking Customize takes the user to the Site Editor with the homepage template pre-filled so there&#8217;s no guesswork involved. Users can immediately start customizing any of the included templates. Frost packages all the usual ones &#8211; 404, archive, home, index, page, search, and single, but also includes a blank template and a &#8220;no title&#8221; template to help users with content that works better without the requirement of a title.</p>\n\n\n\n<img />\n\n\n\n<p>Frost includes 36 patterns for building everything from pricing tables to portfolios, calls-to-action, testimonials, a grid of team members, various heroes, feature boxes, and more. Many of them have dark and light variations. </p>\n\n\n\n<img />\n\n\n\n<p>There are also four full-page layouts that users can insert to build pages and launch websites faster, including About, Pricing, Home, and Links pages. </p>\n\n\n\n<p>Frost could easily be used for building agency websites, portfolios, business sites, and more. It&#8217;s easy to see developers using it as a starter for multiple projects given its minimal design. If website builders are looking for an even more minimalist starting point, Gardner&#8217;s <a href=\"https://wordpress.org/themes/powder/\">Powder</a> theme is a stripped down fork of Frost.</p>\n\n\n\n<p>Check out the Frost theme on its own website at <a href=\"https://frostwp.com/\">frostwp.com</a>, which includes examples of all the patterns, layouts, styles, documentation, and more. <a href=\"https://wordpress.org/themes/frost/\">Frost</a> is available to download for free from WordPress.org. </p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 11 May 2023 02:30:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:44;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"WPTavern: WooCommerce 7.7.0 Brings Multichannel Marketing Out of Beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144860\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"https://wptavern.com/woocommerce-7-7-0-brings-multichannel-marketing-out-of-beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2356:\"<p><a href=\"https://developer.woocommerce.com/2023/05/10/woocommerce-7-7-released/\">WooCommerce 7.7.0</a> was released this week with Multichannel Marketing now out of beta. This is the first thing store owners see when they visit the Marketing page in the dashboard. It allows users to connect additional sales channels, such as Google, Amazon, and eBay, and automatically manage inventory across storefronts. </p>\n\n\n\n<p>This addition makes WooCommerce more competitive with platforms like Shopify Plus. Merchants can connect different channels to the store by installing plugins. WooCommerce has <a href=\"https://woocommerce.com/document/multichannel-for-woocommerce-google-amazon-ebay-walmart-integration/\">documentation</a>, including a quick start guide, for configuring Multichannel Marketing. </p>\n\n\n\n<img />\n\n\n\n<p>Version 7.7.0 also introduces updated shopper notices with new, more consistent styles for <a href=\"https://github.com/woocommerce/woocommerce-blocks/blob/313a259798a665a7329fd02e25cd129778e8fd4f/assets/js/base/components/snackbar-list/README.md\">Snackbar lists</a> and <a href=\"https://github.com/woocommerce/woocommerce-blocks/pull/8659#:~:text=and%20new%20styles.-,Docs,-SnackbarList\">Notice banners</a>. More details on targeting the new CSS selectors is in the release post.</p>\n\n\n\n<p>A few other highlights in this release include the following:</p>\n\n\n\n<ul>\n<li>Expanded styling options for<em>Product SKU</em>, <em>Product Price</em>, and <em>Product Image</em></li>\n\n\n\n<li>New Product Reviews block that can be inserted on the Single Product template</li>\n\n\n\n<li>More customization options for Add to Cart button</li>\n\n\n\n<li>Expanded Mini Cart block customization options</li>\n\n\n\n<li>New option to “Upgrade to Blockified Single Product template” from a classic template</li>\n</ul>\n\n\n\n<p>Check out the <a href=\"https://developer.woocommerce.com/2023/05/10/woocommerce-7-7-released/\">7.7.0 release post</a> to see all the new filters and template changes. </p>\n\n\n\n<p>WooCommerce is also running its <a href=\"https://developer.woocommerce.com/2023/05/08/developer-survey-2023-help-us-make-woo-better/\">2023 twice yearly Developer Survey</a>. The survey was designed to capture confidential feedback from developers who build on the WooCommerce platform in order to better understand their needs and make improvements.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 10 May 2023 20:31:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:45;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"WPTavern: #75 – Mark Westguard on Launching a Plugin Into an Already Competitive Market\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wptavern.com/?post_type=podcast&p=144812\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"https://wptavern.com/podcast/75-mark-westguard-on-launching-a-plugin-into-an-already-competitive-market\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:54725:\"Transcript<div>\n<p>[00:00:00] Nathan Wrigley: Welcome to the Jukebox podcast from WP Tavern. My name is Nathan Wrigley.</p>\n\n\n\n<p>Jukebox is a podcast which is dedicated to all things WordPress. The people, the events, the plugins, the blocks, the themes, and in this case launching a plugin into an already competitive market.</p>\n\n\n\n<p>If you&#8217;d like to subscribe to the podcast, you can do that by searching for WP Tavern in your podcast player of choice. Or by going to WPTavern.com forward slash feed forward slash podcast. And you can copy that URL into most podcast players.</p>\n\n\n\n<p>If you have a topic that you&#8217;d like us to feature on the podcast, I&#8217;m very keen to hear from you, and hopefully you get you or your idea featured on the show. Head to WPTavern.com forward slash contact forward slash jukebox and use the form there.</p>\n\n\n\n<p>So on the podcast today we have Mark Westguard. Mark is an agency owner and developer behind the WS Form plugin. And he&#8217;s on the podcast to chart his journey in the WordPress space, and the different ways he&#8217;s explored to grow the reach of the plugin.</p>\n\n\n\n<p>First up, we talk about why mark started to use WordPress. As you&#8217;ll hear he already had a successful agency, but he could see that the path to profitability was becoming harder each year. WordPress plugins offered the chance of recurring revenue, which was appealing.</p>\n\n\n\n<p>Users of WordPress will know that there are many form solutions. Both free and paid plugins are available, and can handle almost any scenario you might imagine.</p>\n\n\n\n<p>We get into what made Mark pick this as an area to invest in. Surely it would have been easier to work on something brand new? Mark does not think so. He could see gaps in the market and built his solution to cater to those. This involved plenty of market research and analysis of where to put his development efforts.</p>\n\n\n\n<p>We then move onto the subject of turning a well-developed plugin into a viable business. It&#8217;s one thing to build a product, but if you&#8217;re going to make it commercial, much of the work will revolve around ensuring that the world knows about it. Marketing is a relentless enterprise, and one that you should not ignore or underestimate.</p>\n\n\n\n<p>This might mean getting yourself out into the community to meet with other WordPressers, appearing on podcasts, or sponsoring WordPress events. There&#8217;s no perfect answer. Just run with what works and try out new things all the time.</p>\n\n\n\n<p>After that comes support. Mark&#8217;s pretty clear your product will succeed or fail based on how you handle support requests. He thinks that the development of a plugin inevitably leads to support tickets, and this needs to be factored in right from the start.</p>\n\n\n\n<p>We also get into the subject of pricing, and what Mark feels was the right price to pitch his plugin. Is the WordPress ecosystem guilty of expecting a lot from plugins at prices which are realistic? How much of the functionality, if any, should be given away in a free version? And how did he decide which features to charge for?</p>\n\n\n\n<p>Towards the end of the podcast we stray into the plugins use of AI, and how Mark was an early mover in this area. What can be done with forms and AI, and does he see AI as a technology which is going to grow in the future?</p>\n\n\n\n<p>If you&#8217;re interested in finding out more, you can find all of the links in the show notes by heading to WPTavern.com forward slash podcast, where you&#8217;ll find all the other episodes as well.</p>\n\n\n\n<p>And so without further delay, I bring you Mark Westguard.</p>\n\n\n\n<p>I am joined on the podcast today by Mark Westguard. Hello, Mark.</p>\n\n\n\n<p>[00:04:34] Mark Westguard: Hey Nathan, how are you?</p>\n\n\n\n<p>[00:04:35] Nathan Wrigley: Very good, thank you. Mark is joining us today. We&#8217;re going to have a chat all about, well, I guess building plugins in what is a competitive marketplace. Marketing, launching, creating, having an idea for what plugin you&#8217;re going to decide to create. But before we do that Mark, I wonder if you wouldn&#8217;t mind spending just a few minutes, give us a potted history of yourself. Who you are. How come you&#8217;ve ended up developing on top of WordPress. All of that good stuff.</p>\n\n\n\n<p>[00:05:04] Mark Westguard: Yeah. About 26, 27 years ago out of university, I decided I was going to start a web agency. Back when we had to teach companies what the web was. Nowadays everybody knows what the internet is. Back then, we were trying to convince companies that they needed a website. And started an agency. We were quite successful. We were the UK&#8217;s second fastest growing web agency at the time. And went through the whole dot com boom and bust, and have been in the web industry ever since.</p>\n\n\n\n<p>And about, I want to say about 14 years ago, I actually got into the licensing game. I was marrying my wife and, I&#8217;m not a US citizen, my wife is. So we had a bit of an international wedding and we needed to RSVP guests from both countries. So I built an RSVP system, and I thought, oh, other people may want to use this. And I actually licensed it and ended up licensing that to a company called Condé Nast, which people may be familiar with.</p>\n\n\n\n<p>They produced Vanity Fair Magazine and also Brides Magazine. I White labeled it to them. And that was kind of my entry into the licensing world. And that company went on for about six, seven years. I had that company for about six, seven years. And then I got back into the web agency game again, and that&#8217;s when I started using WordPress.</p>\n\n\n\n<p>So that was around about, I want to say, probably about 10 years ago now. We were back in the agency game, building websites and sat down one day with my wife and I said, look, I&#8217;m building all these wonderful things for people, great websites, but also software development and apps and things like that. And decided I want to get back into the licensing game and building a plugin seemed to be a good way of doing that.</p>\n\n\n\n<p>And sat down with my team at the time and said, look, what do you not like about WordPress? What is, you know, a challenge for you when we&#8217;re building websites. And forms came up, and we thought, okay, let&#8217;s try and tackle the form problem. And that&#8217;s basically what started WS Form, and where I am now.</p>\n\n\n\n<p>So really it came from a lot of experience in the web industry, just trying to tackle an issue that we come across personally as a company and wanted to improve on. And that&#8217;s where WS Form was born.</p>\n\n\n\n<p>[00:07:15] Nathan Wrigley: Do you have a relationship with WordPress going back years and years? Or in your case, did you pick WordPress because you knew you wanted to create some sort of solution that you could sell into the market, and WordPress at the time was the dominant force, so that&#8217;s where you ended up? Or have you been building websites with it for many, many years?</p>\n\n\n\n<p>[00:07:34] Mark Westguard: We had been building websites with it, yeah, for quite a long time. I was not the one that introduced my company to it. It was actually one of my employees who went to a WordCamp. Really liked the WordPress product, was very keen about it. It took me, I&#8217;ll be honest, it took me a while to warm up to it because we were originally building websites from scratch. Literally from scratch, and building the admin things for them.</p>\n\n\n\n<p>So the idea of having a pre-built content management system was quite new to me at the time. So, it&#8217;s something that we&#8217;ve been using for at least 10 years. We&#8217;re not by any means like some other companies that have been there for the full 20 years. But yeah, 10 years of building websites, and then more recently getting very much more involved in the community and building plugins.</p>\n\n\n\n<p>[00:08:17] Nathan Wrigley: So the desire was to build a plugin, to sell something into the marketplace, give away a free version as well. And you&#8217;re casting around and you&#8217;re thinking, okay, what thing could we build?</p>\n\n\n\n<p>[00:08:29] Mark Westguard: Right.</p>\n\n\n\n<p>[00:08:29] Nathan Wrigley: Why forms? Of all the things it feels that in the last 10 years even, or more, there have been some incumbent players. I mean, some players have come, some players have gone. But there&#8217;s been some solid competition, some rivals in that space. What on earth were you thinking there? Launching into a marketplace which you could have already described as possibly saturated.</p>\n\n\n\n<p>[00:08:54] Mark Westguard: Partially madness I think. I think that we saw a genuine gap in the market there. There were some frustrations that we had and that other people had as well. You&#8217;re right, it was a very saturated area. It&#8217;s a very well established part of WordPress.</p>\n\n\n\n<p>Every website needs a form. We don&#8217;t particularly like building them. Without a form, you&#8217;re not going to get any feedback from your customers or from potential customers or whoever&#8217;s using your website. We saw that there were better ways that we could do certain things that were lacking in some of these form plugins.</p>\n\n\n\n<p>For example, mobile responsiveness, actually being able to build a fully responsive form with break points. We weren&#8217;t very happy with the number of plugins you had to add to get a form plugin to do what we wanted it to do. There were performance issues. There were styling issues. So all these things were things that we could improve upon. And so we embarked on that journey.</p>\n\n\n\n<p>We thought it was going to take, five, six months and four years later we&#8217;re still here building more and more for it. So it&#8217;s certainly been a big challenge. So basically we just saw a genuine need there and thought we&#8217;d go ahead and tackle it.</p>\n\n\n\n<p>[00:10:03] Nathan Wrigley: I wonder if you&#8217;d, if you had done any market research in the WordPress space, aside from forms? You know, whether you&#8217;d thought about building, oh, I don&#8217;t know, a page builder or a caching plugin. You know, all these other things where there&#8217;s lots of scope, there&#8217;s a lot of ways to differentiate yourself and so on.</p>\n\n\n\n<p>So the question really is, what kind of market research did you do inside the WordPress space, if any, to figure actually forms is it? You mentioned that you found a need and you described all of the different things that you felt were lacking. I wondered if you&#8217;d ruled out other types of plugins?</p>\n\n\n\n<p>[00:10:36] Mark Westguard: We did, we looked at other plugins in the space that we were using as well. I think the thing that attracted me to it personally is probably my programming background and my desire to integrate one thing with the other. Which has been a big part of WS Form. Before I had my agency, I was working for a company called Sequin, who are now owned by IBM and I worked in their communications team, and I worked on networking.</p>\n\n\n\n<p>So we would integrate one machine with another. The challenge of making that integration process easy with WS Form was something that attracted me as well. One very simple example, a lot of form plugins you have to go off, get an API key or set an app up. It was a very long process just to get your website connected to a third party platform. And I saw that a lot of these platforms we&#8217;re now using OAuth, which is a very simple way for users to be able to connect their platform well from one platform to another.</p>\n\n\n\n<p>And so I wanted to incorporate that into WS Form, which is one of the things that we&#8217;ve done. I think it was looking around at where we saw that there was a gap in the market. Granted, a small gap in the market because it was a saturated area. But also just a desire to build something that would interest me as well.</p>\n\n\n\n<p>[00:11:46] Nathan Wrigley: I&#8217;m wondering if there were people listening to this podcast who have a desire to get into WordPress plugin development. Let&#8217;s stick with plugins, particularly. I know there&#8217;s a whole range of different marketplaces, themes and so on. But if we just stick with plugins, I wonder what your opinion is of the marketplace. Whether or not the growth of WordPress, which inexorably seems to go up.</p>\n\n\n\n<p>It&#8217;s the low forties at the moment. I don&#8217;t know where it&#8217;ll be the next time we hear that figure. But it does seem to just sort of keep edging up. So the audience is growing, but equally the number of players getting in, developing plugins, it feels like there&#8217;s not just a plugin for that, but there&#8217;s often multiple plugins for that.</p>\n\n\n\n<p>And so speaking to people who are considering this as a career, do you have any pearls of wisdom? Any advice for people in that space? Is WordPress still a land of bounty, or is it more, as you might imagine everywhere else, a story of hard work, trial and error, occasional failure and so on?</p>\n\n\n\n<p>[00:12:55] Mark Westguard: I think that there are two distinct types of developers in the WordPress space. You&#8217;ve got people that just genuinely just want to build a bit of software that&#8217;s open source, and want to support the community that way. And they&#8217;re not necessarily interested in monetizing it. Those that do want to monetize it, you&#8217;ve really got to run that business like any other bricks and mortar business. Don&#8217;t think that you can just write a plugin, put it in the repo, and suddenly start making huge amounts of money from it, because it just doesn&#8217;t work that way.</p>\n\n\n\n<p>You&#8217;ve really got to market it properly. You&#8217;ve got to be, in my opinion, if you want to be successful in the WordPress space, you&#8217;ve got to be part of the community. And that means giving back. If you want to be successful, but also respected in the industry, you&#8217;ve got to give back in the community and be part of it.</p>\n\n\n\n<p>In terms of other advice I would give would be, and we can talk about this later, but marketing. And different things that I&#8217;ve tried with marketing that have worked and haven&#8217;t worked. It&#8217;s very easy to pump a lot of money into marketing and get nowhere with it.</p>\n\n\n\n<p>I&#8217;ve found that the whole WordPress ecosystem is a very different way of marketing. There&#8217;s a lot of established brands there. Be it people like yourself, Nathan, with podcasts. Or people in the hosting industry that they&#8217;ve got a big customer base there and you need to be in with those people.</p>\n\n\n\n<p>But you know, you don&#8217;t just approach them and say, hey, here&#8217;s my product. You&#8217;ve got to build genuine relationships with people. The WordPress community is just a wonderful group of people that all want to help each other and all want to respect each other. And you&#8217;ve got to be part of that. You&#8217;ve got to be respectful and you&#8217;ve got to be friendly and get on with these people and build genuine friendships and relationships with them in order to grow.</p>\n\n\n\n<p>[00:14:33] Nathan Wrigley: Let me just rewind a little bit, but I will come back to marketing that we&#8217;ve just mentioned, but you mentioned the community and how you thought being involved in the community was a good way to figure out the path that you want to take, but also to get some, I&#8217;ll use the word credibility in the WordPress space.</p>\n\n\n\n<p>What do you mean? What things have you done in the community which you feel have either given back, so that&#8217;s in one direction, but also have benefited you, so that&#8217;s other direction. What things have you undertaken? What events have you been to? Things have you sponsored, whatever it may be.</p>\n\n\n\n<p>[00:15:08] Mark Westguard: Yeah, I think in terms of relationships with people, that can certainly help you get exposure of a product. So maybe contributing to a podcast or something. It&#8217;s only small amounts The thing that I&#8217;ve found is there&#8217;s no single channel in the WordPress space where you can say, hey, here&#8217;s my product, and expect thousands of people to learn about it.</p>\n\n\n\n<p>It&#8217;s a very distributed community of lots of small channels. And you need to be involved with all those different channels to get a bigger voice. So, yeah, contributing to say podcasts. Just getting people using the product that enjoy using the product and those people can become almost brand advocates naturally because they like using the product.</p>\n\n\n\n<p>I mean, obviously you&#8217;ve got to have a good product in the first place. And that&#8217;s someone we can talk about. What product do you decide that you want to build in the first place? I think that, going back and then I&#8217;ll come back to your point, is there&#8217;s a lot of plugins out there that can be done better. There&#8217;s plenty of scope out there for improvement. You don&#8217;t have to become the next big thing that no one&#8217;s thought about. So I think that&#8217;s an important thing to consider.</p>\n\n\n\n<p>So, WordPress has like five for the future, for example. And I know that&#8217;s not very well defined at the moment. They&#8217;re still trying to work out other ways to say, hey, you know, you&#8217;ve done that. We&#8217;d like to recognize that as part of that five for the future. But doing WordCamps is one of the biggest things I spend money on.</p>\n\n\n\n<p>Primarily it&#8217;s to meet new customers. Demo the product. But it&#8217;s also building genuine relationships at these events, which has been really great for me. So, meeting people in all walks of life form hosting companies to other plugin companies. I&#8217;ve met people at other plugin companies at WordPress events, like WordCamp, and we&#8217;ve built an integration between us and then you&#8217;ve got co-marketing going on there.</p>\n\n\n\n<p>So anywhere where you can identify a business that has an existing customer base that you could potentially plug into by developing something that will genuinely help those customers is a good way of increasing your of sphere of influence.</p>\n\n\n\n<p>And it&#8217;s also just doing things like giving back to things like Big Orange Heart, for example. And we&#8217;re also doing something right now with GiveWP where they&#8217;re going to be giving away three websites to three nonprofits. And we try to donate licenses wherever we can to help out with that. That in turn, WS Form will appear on something, and it may only be seen by a handful of people, but the more and more you do of that, the more brand awareness you get.</p>\n\n\n\n<p>And I&#8217;m about doing that type of community work rather than trying to pump money into Google AdWords or a Facebook ad or you know, an Instagram ad or whatever it may be. Really you are pushing your product in people&#8217;s faces. I find that if people are recommending your product, you&#8217;ve got a much higher conversion rate, and really word of mouth business is the best business you can get.</p>\n\n\n\n<p>[00:18:04] Nathan Wrigley: You mentioned that you&#8217;ve been in different lines of work in the past, and I don&#8217;t know if in those lines of work you were customer facing. In other words, if you were selling directly into that market. So you may able to answer this question. But, in the round, broadly speaking, how easy or difficult has it been, in your estimation, to get a product to the point where it&#8217;s self sustaining. It justifies itself.</p>\n\n\n\n<p>It&#8217;s no longer a pet project. Something you do at the weekends and in the evenings. It&#8217;s now your actual core business. I wonder how easy that&#8217;s been or if it&#8217;s been surprisingly difficult. If there&#8217;s any challenges come your way and you&#8217;ve thrown your arms in the air and said, oh, wish I&#8217;d never got into this in the first place.</p>\n\n\n\n<p>[00:18:45] Mark Westguard: Yeah, it&#8217;s been a big challenge. And it&#8217;s been very different from a business model that I&#8217;ve been used to. I used to be a web development agency where I would get in the car, go to a meeting, meet a company and sell a website to them. Or I would join an RFP process, you know, and pitch myself against two or three other companies and hopefully win the business.</p>\n\n\n\n<p>With this, it&#8217;s been very, very difficult. I&#8217;m sure there are some plugins out there that come out that people have jumped on and have been very successful. But building a sustainable subscription-based business is a challenge. We are selling high volume, low price products. Our base price is $59, which doesn&#8217;t go a long way to pay the bills. So you need a lot of those in order to start building a sustainable business.</p>\n\n\n\n<p>The nice thing about it is when you get to the point where you&#8217;ve got that critical mass and you&#8217;ve got enough people renewing their licenses, and fortunately we have a very good license renewal rate, it starts to become a sustainable business and it starts to, in effect, snowball.</p>\n\n\n\n<p>But it&#8217;s taken us a good, I&#8217;d say three, four years to get to where I&#8217;d say that we&#8217;re in the clear, we&#8217;re profitable, we&#8217;re doing great. I actually went to a Post Status event, in Oklahoma a few years ago, and I met some other plugin developers there. It&#8217;s actually one of the first times I&#8217;d sat down and had the chance to have a beer with somebody about their WordPress business.</p>\n\n\n\n<p>And it was really interesting sitting and talking to them. And gauging from them where they are in their business. They were saying after year two, three, if you&#8217;re starting to make good profit then, then you&#8217;re on the right path. So it certainly wasn&#8217;t an overnight success, and I wasn&#8217;t expecting that. I expected this to be a much more long slog to get to where we are.</p>\n\n\n\n<p>And really, I guess it depends on your business model. There are other people in the industry, you know, take for example Newsletter Glue, a newsletter plugin for WordPress. They changed their business model from lots of small customers to much bigger customers and less of them. Which I think is really interesting and quite brave of them to do.</p>\n\n\n\n<p>But that seems to be working well for them. I guess it just depends on what plugin you&#8217;re developing and what your price point is and as to how long it&#8217;s going to take. But it&#8217;s certainly taken a lot longer than I expected it to.</p>\n\n\n\n<p>[00:20:57] Nathan Wrigley: But I guess you, having had those chats in the past, you were prepared for that. Let&#8217;s say two year slog. Where it wasn&#8217;t necessarily going to be a case of, okay, I&#8217;ll just toss this into the marketplace and by this time next year it&#8217;ll all be ticking over. There was hard work. Support to be done. We&#8217;ll get to that, but all of these things, continual development and so on.</p>\n\n\n\n<p>A takeaway from that would be, yeah, don&#8217;t expect riches quickly. Address the problem of the next couple of years, and I guess in your case, you had other work, other lines of work which you could rely on and develop this at the same time?</p>\n\n\n\n<p>[00:21:34] Mark Westguard: Yeah. This was very much a career change for me because I was in the agency space building websites. Which I love doing, but the web development space has changed significantly in the past five, six years. And that&#8217;s something I recognized early on. Another reason I wanted to get back into licensing.</p>\n\n\n\n<p>We had the likes of Wix. We had the likes of Squarespace, and to an extent now even WordPress making websites so easy to build. I mean, I&#8217;ve actually built a website for a friend yesterday. I used Kadence and I had something whipped up in an hour. 10 years ago that would&#8217;ve taken us three weeks and a team of five people to do it.</p>\n\n\n\n<p>So, my industry was dwindling in terms of the revenue that I could create from it, and that&#8217;s why I, you know, I moved to this space. But I think, going back to your point, there&#8217;s a lot of hurdles with building a plugin. You&#8217;ve got to find the good plugin that you want to build. You&#8217;ve got a development period to actually build that product, which can be a considerable investment.</p>\n\n\n\n<p>Then you&#8217;ve got a period of time where you&#8217;ve got to build that customer base up. Where you&#8217;ve not got the income coming in. So for me, I was looking at three, four years before I was breaking even. And I was very fortunate that I had my agency to fall back on. So I was running those in parallel. For some people that may be a need to get some investment. A loan or whatever to get through that period, and actually build the product.</p>\n\n\n\n<p>[00:22:53] Nathan Wrigley: Let&#8217;s get to the pricing piece before we return to the marketing, because I always think this is a curious conversation. On the one hand, you&#8217;ve got a really interesting crowd of people in the free open source software space. A large amount of things which are literally free as in beer. You don&#8217;t pay anything. You can use it how you like.</p>\n\n\n\n<p>And, then you&#8217;ve got obviously people like yourself who are developers and need secure an income and so, there&#8217;s this tension, this conflict between price high to ensure that you can survive and you don&#8217;t need to go through thousands of users in a year. You can do it with a modest amount of sales.</p>\n\n\n\n<p>And then there&#8217;s this constant pressure to drive down prices and make licensing as cheap as possible. A, because everybody likes things that are as cheap as possible, but also you&#8217;re in competition with other people and that slightly skewed marketplace, which free open source software, like WordPress, has. There&#8217;s definitely a little bit of tension in pricing created there.</p>\n\n\n\n<p>How did you decide on the pricing? You know, did you have that pang of, okay, I&#8217;ve got to go in low because that&#8217;s what the market can take. I&#8217;ve got price against what all of these other plugins are doing. I&#8217;m curious about how you make those decisions.</p>\n\n\n\n<p>[00:24:11] Mark Westguard: Looking at competitors in the space was a big part of that. Looking at what they were pricing themselves at. Because at the end of the day, somebody looking for a form plugin is maybe going to shop around at the, maybe the top four or five that they find online, right? And if my price was way over the others, they would&#8217;ve just chosen one of the other companies.</p>\n\n\n\n<p>Back then, it was harder for me to differentiate myself against those other plugin companies. That&#8217;s changed over time. I&#8217;ve really found a niche more in the kind of enterprise, developer level, form development. That price sensitivity, I saw it in Facebook groups, in even tweets and things like that. People saying, well, this is, you know, even $10 more than the other customer.</p>\n\n\n\n<p>So it&#8217;s a very price sensitive area, in all of the plugins that are out there. You&#8217;ll find that they&#8217;re very, they all have very similar prices. I am told constantly that I am too cheap, and that I should put my prices up. But I feel like I found a sweet spot and I&#8217;m happy with it right now. So I don&#8217;t really want to rock that boat and change things.</p>\n\n\n\n<p>The other thing to consider is what is your pricing model? There&#8217;s a lot of talk around lifetime deals and annual subscriptions, and I have stuck adamantly with annual subscriptions because I wanted to build a sustainable business. And I&#8217;ve seen far too many plugins, some of them fail, because of offering lifetime deals.</p>\n\n\n\n<p>They&#8217;ve got a critical mass of lifetime deal customers, and then there&#8217;s no additional income coming in. They&#8217;ve got to constantly find new customers to stay alive. Whereas having the annual subscription, that enables me to reinvest that money in the business. Enables me to continue providing good support to those customers on an ongoing basis. And it builds a firmer business. You&#8217;ve got that annual recurring payments coming in, which helps keep the business afloat.</p>\n\n\n\n<p>So, yeah, it was a combination of getting the pricing right, and also getting the actual business model correct. And also the products that you offer. So we have three different versions. We have a personal, which is $59, all the way up to an agency, which gives you everything for 249 currently. And getting those prices right across those different product levels was important too. But I think we&#8217;ve got a pretty good sweet spot now, and I&#8217;ve got no plans to rock the boat.</p>\n\n\n\n<p>[00:26:25] Nathan Wrigley: But it was a journey. You&#8217;ve arrived at this model over time.</p>\n\n\n\n<p>[00:26:30] Mark Westguard: Yeah, even the naming of the product types was a challenge as well. You know, what do we called it? And we decided with agency in the end, that seemed to fit quite nicely with the customers that we were working with.</p>\n\n\n\n<p>[00:26:42] Nathan Wrigley: Given the market that you&#8217;re selling into, and we talked about it just moments ago in terms of the pricing and, I don&#8217;t really know how to describe this, but the community that gathers around open source software, I think there is a slight difference to that community. And obviously WordPress is just dominated by that flavour</p>\n\n\n\n<p>Coming from commercial, enterprise clients, that kind of thing. I&#8217;m just wondering if your marketing had to shift. If there&#8217;s any sort of subtle difference or advice that you would give to anybody? Do you go in for the hard sell? Do you go big on Black Friday? Do you modify your language in a certain way that seems to be appealing to the WordPress community? It&#8217;s hard to encapsulate what that question means, but I hope you&#8217;re getting a flavour of what I&#8217;m trying to say.</p>\n\n\n\n<p>[00:27:24] Mark Westguard: It was interesting when we did our first WordCamp that in order to be at WordCamp, we weren&#8217;t allowed to say that we were the best form plugin out there, or that we were the ultimate form plugin out there. There&#8217;s always a tendency with businesses to say that isn&#8217;t there? To say, yeah, we&#8217;re the best.</p>\n\n\n\n<p>And I usually, if I ever see that, I&#8217;m like, okay, well then you&#8217;re not the best. But, that was interesting to me. We actually changed our slogan to just say, build better forms, rather than the best form plugin out there. That started me on a journey with WordPress in terms of being very careful about what we said as a product.</p>\n\n\n\n<p>And it also started me on the journey, obviously with WordCamps, about being very respectful of the WordPress industry. Being very respectful of the WordPress community, and finding out very soon on that they don&#8217;t like being told that you are the best product. They want to hear that from respected names in the industry.</p>\n\n\n\n<p>They want to hear that from other users that are in the community, or people that they work with. So I found that the best way for us to grow was genuinely to do two things. Build a good product, that worked well and did better than other products. And secondly, offering exceptional support. And that&#8217;s something that we&#8217;ve really, really focused on.</p>\n\n\n\n<p>So, support for us is our number one focus. And good support results in good word of mouth about your product. It results in good reviews. And it results in people wanting to talk about your product, and spreading the word about the product in the WordPress community.</p>\n\n\n\n<p>That in itself has made the process of getting the name of WS Form out there, a much longer process. But I feel that at the end of it, we&#8217;ve got a stronger brand name out there and we&#8217;ve got a stronger product.</p>\n\n\n\n<p>[00:29:14] Nathan Wrigley: You mentioned there good support, and obviously if I&#8217;m a purchaser of a plugin, nobody thinks that&#8217;s a bad idea. So on my side, customer, good support, great. On your side, supplier, good support, well, presumably that is a lot of hard work. It would be interesting to explore that message for people who may be wanting to launch a plugin.</p>\n\n\n\n<p>Is support a question of, you know, occasionally logging into your email and dispatching a few emails once or twice a week. Or is it more than that? I&#8217;m guessing that support is essentially, well, I&#8217;m going to make up a figure. Half time might be spent on it?</p>\n\n\n\n<p>[00:29:52] Mark Westguard: If you are building any type of plugin, any kind of significant plugin in WordPress. Know that in about two, three years, you&#8217;re going to be running a support business. That&#8217;s a very big primary function of what you&#8217;re doing. So I think you&#8217;re right. We&#8217;re probably about half the time developing the product, and probably half of the resources goes towards supporting the product.</p>\n\n\n\n<p>If you are not providing good support, I personally believe we provide exceptional support. We bend over backwards for customers to really try and help them out. We very much steer our products based upon the support that we&#8217;ve received from people and feedback that we get from customers. It&#8217;s a critical part of the business and, yes, ongoing development is a very important part of that.</p>\n\n\n\n<p>Every time you develop something else for your product, it&#8217;s something else you&#8217;ve got to support. So you&#8217;re constantly improving the product and causing more support for yourself.</p>\n\n\n\n<p>I think it&#8217;s important as a plugin developer to ensure that you provide as much front end content as possible to cut down those support requests, and make it easier for the customer to find what they want. So, for example, we have an extensive knowledge base. We also analyze what people type in when they&#8217;re making a support request to us, and we will fire back suggested articles back to them, to help them get to the information they want without having to raise a support ticket and wait for us to reply.</p>\n\n\n\n<p>So yeah, support is a critical part of the business, and will be a large part of what you do if you are in a similar space to what we are.</p>\n\n\n\n<p>[00:31:21] Nathan Wrigley: I suppose in a sense, if you are running a subscription business, an annual subscription business, where you are hoping that people when the renewal for the license comes up, you&#8217;re hoping that they happily walk through that process and, sign up for another year. So the support in a sense is about just maintaining that, isn&#8217;t it?</p>\n\n\n\n<p>If you secure the initial sale and then the support is lousy. You really are not giving yourself a fighting chance on next year&#8217;s set of scheduled payments.</p>\n\n\n\n<p>[00:31:51] Mark Westguard: Yeah. I always remember when I was at university and I did a year out in industry, and they had something written on the wall, and it&#8217;s always stuck with me. And it just said, easy to do business with, was one of their terms that they&#8217;d like to use with their staff.</p>\n\n\n\n<p>And that stuck with me. And I think if you are easy to do business with, which means providing good support, providing a good product. These people will renew, and they will continue to use you. I can say hand on heart, when we lose a customer, it is usually because, maybe an agency is no longer working with a customer anymore. Or they&#8217;ve had a website redesign or something like that.</p>\n\n\n\n<p>We don&#8217;t have people saying, don&#8217;t like the product, don&#8217;t like your support. And that is testament to the hard work that we&#8217;ve put in to building the product. And, you know, having the passion to provide that good customer service. So I think yeah, you know, in answer to your point, having that good customer service will absolutely bring people back, and keep them using your product.</p>\n\n\n\n<p>[00:32:44] Nathan Wrigley: Developing the plugin itself, that&#8217;s on your schedule, isn&#8217;t it? You can decide, right, I&#8217;m going to allocate this amount of time. But the support stuff, that just comes in when it comes in. You&#8217;ve got no control over that. I am genuinely curious what that does to your work-life balance.</p>\n\n\n\n<p>Now, I don&#8217;t know if you&#8217;ve got a support team, or if you handle all of that yourself. But how that is for you. Because it sounds like a large part of this podcast is really trying to speak to people who may be wanting to go into this, and this seems like a good rabbit hole to go down. It sounds like that&#8217;s a big burden, right? And you&#8217;ve got to be available during holiday time, weekends, all sorts.</p>\n\n\n\n<p>[00:33:21] Mark Westguard: Yeah, I think my personality doesn&#8217;t help either. If I see a support ticket, I want to help that person as quickly as I can. It&#8217;s weird, some days you can maybe get two support tickets. Other days there could be a huge flurry of 20, 30 tickets. There&#8217;s no average that happens every day.</p>\n\n\n\n<p>And when you get that big flurry, I like to clear our support queue every day. And that can sometimes mean late nights to get that. And being a small business, that&#8217;s what you do. You&#8217;ll have those late nights of helping people out with stuff, particularly if something maybe is a bug in the software that you really want to get fixed and make sure that that doesn&#8217;t affect anybody else.</p>\n\n\n\n<p>So, yeah, some days can be quiet. It&#8217;s funny because I have a lot of European customers. By the time I wake up in the US I can usually gauge how busy the day&#8217;s going to be, based upon the number of support tickets that I&#8217;ve got. But fortunately the vast majority of the tickets that we get are, how do I do this? And I can point them in the direction of a knowledge base article that we have. So those are easy to fix.</p>\n\n\n\n<p>If I find that we are getting one or two of the same question, I will write a knowledge base article and refer them to that, in the hope that that will then cut down that particular question in the future as well.</p>\n\n\n\n<p>So, support and building knowledge bases or help documentation is a massive undertaking. It&#8217;s taken a lot of time to get all that content put together and built. And that&#8217;s another thing that plugin developers should certainly take into account is, as well as building your product you&#8217;ve got to document it.</p>\n\n\n\n<p>Even on the small plugin, you know, some of these. WS Forms are huge plugin. It is tens of thousands of lines of code. There are much simpler plugins out there. But even though smaller plugins need maybe a good page documentation to make sure people understand how to use it.</p>\n\n\n\n<p>[00:35:05] Nathan Wrigley: You have got a lite version in the WordPress repository. So just to be clear, for anybody who&#8217;s listening to this podcast. There&#8217;s a paid version. You can go to Mark&#8217;s website, we&#8217;ll link in the show notes, but you can also go and download a free version. I&#8217;m always curious as to how you make the decision of what to, well, I&#8217;m going to say strip out. Maybe that&#8217;s completely the wrong way around.</p>\n\n\n\n<p>Maybe it&#8217;s more, okay, this is what we&#8217;re going to build for the repository and then we&#8217;ll add on other things. But forgive my language there. How do you come to decide that, okay, this is free. This is not free. What is the process that&#8217;s going on there? Because obviously you want to, in some way entice people. But you don&#8217;t want to make free version utterly useless otherwise, well, nobody&#8217;s ever going to dream of heading in the pro direction.</p>\n\n\n\n<p>[00:35:56] Mark Westguard: Yeah, and some plugin developers do make their plugins almost useless, so that you have to pay for the pro edition. We actually wanted to provide a lite edition that was fully usable. So for example, there are some plugins out there that won&#8217;t actually store the submissions so that you can view them in the WordPress admin.</p>\n\n\n\n<p>And I thought, well, that&#8217;s a bit mean. It&#8217;s a form plugin. You need to be able to see your submissions and have them as a backup in the database. So we gave a little bit back. We gave back a little bit more than maybe some of the other form plugins do, really to contribute again to the community. To enable people to use the product for free.</p>\n\n\n\n<p>And you can build a perfectly usable contact us form, or inquiry form, using our lite edition. And then it was really more of the technical, more advanced features, that we cut out. So things like conditional logic, e-commerce. Some of the field types that were a little bit more advanced, like Google address and things like that.</p>\n\n\n\n<p>Obviously we want people to upgrade to the pro edition because that&#8217;s how we pay the bills. But we wanted the lite edition to be usable and useful to a lot of people that just want to use a free product. So, you know, that&#8217;s another contribution that we give back. We don&#8217;t throw up huge admin notices that say, hey, upgrade.</p>\n\n\n\n<p>We&#8217;ve got very, very subtle things in the product that encourage people to upgrade. So we&#8217;ve tried not to be, you know, there&#8217;s a lot of plugins out there, a little bit over the top on the notifications on the admin panel. So we&#8217;ve tried to cut that down and be a bit more reasonable. We hope that people enjoy using the lite edition for that reason.</p>\n\n\n\n<p>[00:37:27] Nathan Wrigley: Although this isn&#8217;t directly related to the plugin necessarily. AI at the minute is all the hotness. And I did notice that you had taken the time to build an integration with OpenAI for your form plugin. And I&#8217;m curious, what was the thinking there? Because when I approach a form, I&#8217;m always thinking, okay, there&#8217;s blank fields. I just them out and click return, and obviously wait for a response to come back and so on. What thing does OpenAI or AI in general bring to a form?</p>\n\n\n\n<p>[00:37:59] Mark Westguard: Two things for us. So, first of all, from a purely commercial side of it, we like to integrate in with new systems because it opens up a new audience for us. And also OpenAI had a lot of marketing going on in the industry. People were very interested in it. I was as well, I was curious about it.</p>\n\n\n\n<p>I researched OpenAI and I found out that they have a moderation endpoint in their API, which means I can send it some content and it will tell me whether or not that content has bad language in it or bad words, or is it violent content or whatever. And I thought, hey, wouldn&#8217;t that be great for WordPress spam protection?</p>\n\n\n\n<p>So I looked into it more and I was able to integrate in that moderation piece, so that when a form is submitted, it analyzes what the person&#8217;s typed in. If there&#8217;s anything to do with violence or whatever in there, it will then reject that form submission. Then I looked at the other endpoints such as the image generator. So people may be familiar with that, with DALL-E. Where you can type in, you know, make a boat floating on the moon, or whatever crazy thing you want to create an image about.</p>\n\n\n\n<p>And I was able to pull that into a file upload field, and I thought, well, that&#8217;ll be great for creating an avatar for a new user or an image for a blog. So that got incorporated. And then I thought, well look, all these other endpoints that OpenAI offer or actually have a use case, on a form. So we use the, what they call a completion, which is where you type in a question and it will then give you a response.</p>\n\n\n\n<p>That has actually been very useful for our customers that have a supporting environment. You can actually tell OpenAI what your business is, where your support page is, et cetera, and it will actually respond almost as if they&#8217;re an employee of the company. And we&#8217;ve had some people using that application. So, after researching it, found it had quite a lot of application in the form industry.</p>\n\n\n\n<p>So that&#8217;s why we had the OpenAI integration. And we&#8217;ve just launched it with GPT-4. Which at the time is the latest model that they&#8217;ve released. So, it&#8217;s actually been a very popular feature. And that add-on incidentally is free of charge whilst OpenAI is still effectively in beta. We&#8217;ve got that add-on free of charge.</p>\n\n\n\n<p>[00:40:12] Nathan Wrigley: Yeah, it&#8217;s really curious. I&#8217;m fascinated by the whole AI debate. This is not necessarily related to the whole AI debate, but ever since the web came around, essentially we&#8217;ve been presenting pictures and words to people, and the only way to really respond to that is through some kind of form interface. That&#8217;s what you&#8217;ve got.</p>\n\n\n\n<p>But a few years ago, along come these devices which sit in the home, which you can talk to. And I just wondered what, it&#8217;s a really bizarre question. A bit of a random question. I wondered what your thoughts are about that kind of technology. Getting into the whole, speaking to the internet instead of filling out forms and, perhaps even putting on goggles and all of that kind of stuff. Whether or not you feel that this is something that you need to be mindful of. Do you have any sense that the world is moving more towards voice?</p>\n\n\n\n<p>I feel that, certainly from my perspective, I found that to be an interesting technology for a period of time, and now the interest in that has completely waned and those voice devices in my home really only get used for starting and stopping songs, that kind of thing.</p>\n\n\n\n<p>[00:41:19] Mark Westguard: It&#8217;s funny isn&#8217;t it? Because computers, as we know it, have been around for, what, 50, 60 years now. A keyboard and a computer. And I&#8217;ve still got a keyboard in front of me. I still like typing on a keyboard. I don&#8217;t like talking to computers.</p>\n\n\n\n<p>My children are very different. They like talking to computers. I think it&#8217;s a generation thing to a certain degree. To your point about keeping up with this technology. That&#8217;s very much another reason why we had the OpenAI add-on. I wanted to be familiar with that technology. It is changing the way that we are doing things. People are writing code with it now.</p>\n\n\n\n<p>They&#8217;re generating images with it. Like it or hate it, it&#8217;s changing the way that we&#8217;re doing things. It&#8217;s being incorporated into products. We are actually working on another AI integration into WS Form, which would almost enable you to develop a form based upon what you type in.</p>\n\n\n\n<p>They have a code model for OpenAI, and we&#8217;ve been able to take a prompt and actually build a form from what you&#8217;ve typed in. So you can say, build me a form for a doctor&#8217;s office for booking an appointment, and it will build a form for you. So something that we&#8217;ve got to be on top of and we&#8217;ve got to adapt and work around it and take advantage of it.</p>\n\n\n\n<p>[00:42:39] Nathan Wrigley: That&#8217;s so fascinating because in a way it doesn&#8217;t in any way cut out the need for a form solution. It merely creates that templating system. So I know that your form solution, for example, when you create a form, you&#8217;ve got loads of different templates for different scenarios, and you can click on a button and so that job&#8217;s done.</p>\n\n\n\n<p>In this case, you would be able to fill that out by just writing in plain text. So, I would like a form with three fields. It&#8217;s for my kid&#8217;s birthday party. And it&#8217;s highly unlikely that you&#8217;ll have got a template for whatever scenario I can contrive. But this potentially purports to do that and create a custom form based upon what you tell it. That&#8217;s fascinating.</p>\n\n\n\n<p>[00:43:19] Mark Westguard: At least a foundation for that. And then on the other side of it, the OpenAI add-on that we have can turn your form into an interactive component where they get an immediate response. And that&#8217;s done through prompt engineering with OpenAI. So prompt engineering is where behind the scenes you are giving OpenAI a little bit more context about the question, and then incorporating the question from the user into that particular prompt that you&#8217;re sending to them.</p>\n\n\n\n<p>And that kind of comes back to that customer support aspect I was talking about earlier on. So I can configure it, and if they ask a question, it can be asked as if it&#8217;s your company. So just for an a very quick example, you could say, hey, I am hosting company X, and then the customer may ask, please tell me what your hosting packages are.</p>\n\n\n\n<p>OpenAI will then use its knowledge of your business to respond to that and give you a list of the packages they have, directly in that form. Rather than them having to submit the form and wait for a response from a human. It can be used very much to compliment existing forms that you&#8217;ve got on your website, to make them more user friendly, and to give customers a quicker response. And if we didn&#8217;t have that OpenAI component, we would not be on that bandwagon. So I&#8217;m glad that we have that.</p>\n\n\n\n<p>[00:44:34] Nathan Wrigley: So it&#8217;s almost like a chatbot creation. Whereas at the moment chatbots are very much the realms of SaaS, you are saying that some of this technology can be pulled in. So obviously there is a SaaS side if you like, and it&#8217;s OpenAI. But you can bind that to a form and the form can then become much more interactive than it currently could ever be.</p>\n\n\n\n<p>[00:44:55] Mark Westguard: Correct. Yeah. It&#8217;s funny because people have said to us, can we use your form for a chat interface? This opens that up. This enables it to be a chat. Granted it&#8217;s an AI response, but tuned properly it can be very effective. It&#8217;s quite scary what you can get back from it.</p>\n\n\n\n<p>[00:45:12] Nathan Wrigley: The future is either bright or scary, depending on which side of the fence you sit there. Mark, we&#8217;ve probably used up the time that we&#8217;ve got available, so just before we pass it over to the audience. I&#8217;d like you to, to tell us where you can be found. That could be a social media platform or your website address. Whatever you like. Just tell us where we can find you.</p>\n\n\n\n<p>[00:45:32] Mark Westguard: Yeah, so the main website is wsform.com. You can find me on Twitter. I am at Westguard, that&#8217;s w e s t g u a r d. And for WS Form, it is w s _ f o r m.</p>\n\n\n\n<p>[00:45:46] Nathan Wrigley: Somebody had WS Form. Did they?</p>\n\n\n\n<p>[00:45:48] Mark Westguard: They did and they&#8217;ve done nothing with it.</p>\n\n\n\n<p>[00:45:51] Nathan Wrigley: Well, Mark an absolute pleasure chatting to you. Thanks for talking to us about your plugin development journey, and growing your business, and forms in general. I really appreciate it.</p>\n\n\n\n<p>[00:46:00] Mark Westguard: Yeah. Well, thank you for having me on the show. I appreciate it.</p>\n</div>\n\n\n\n<p>On the podcast today we have <a href=\"https://twitter.com/westguard\">Mark Westguard</a>.</p>\n\n\n\n<p>Mark is an agency owner and the developer behind the WS Form plugin, and he’s on the podcast to chart his journey in the WordPress space and the different ways he’s explored to grow the reach of the plugin.</p>\n\n\n\n<p>First up, we talk about why Mark started to use WordPress. As you’ll hear, he already had a successful agency, but he could see that the path to profitability was becoming harder each year. WordPress plugins offered the chance of recurring revenue, which was appealing.</p>\n\n\n\n<p>Users of WordPress will know that there are many form solutions. Both free and paid plugins are available and can handle almost any scenario you might imagine. We get into what made Mark pick this as an area to invest in. Surely it would have been easier to work on something brand new? Mark does not think so. He could see gaps in the market, and built his solution to cater to those. This involved plenty of market research and analysis of where to put his development efforts.</p>\n\n\n\n<p>We then move onto the subject of turning a well-developed plugin into a viable business. It’s one thing to build a product, but if you’re going to make it commercial, much of the work will revolve around ensuring that the world knows about it. Marketing is a relentless enterprise and one that you should not ignore or underestimate. This might mean getting yourself out into the community to meet with other WordPressers, appearing on podcasts, or sponsoring WordPress events. There’s no perfect answer. Just run with what works and try out new things all the time.</p>\n\n\n\n<p>After that comes support. Mark’s pretty clear, your product will succeed or fail based upon how you handle support requests. He thinks that the development of a plugin inevitably leads to support tickets, and this needs to be factored in right from the start.</p>\n\n\n\n<p>We also get into the subject of pricing, and what Mark felt was the right place to pitch his plugin. Is the WordPress ecosystem guilty of expecting a lot from plugins at prices which are realistic? How much of the functionality, if any, should be given away in a free version, and how did he decide which features to charge for?</p>\n\n\n\n<p>Towards the end of the podcast, we stray into the plugin’s use of AI, and how Mark was an early mover in this area. What can be done with forms and AI, and does he see AI as a technology which is going to grow in the future?</p>\n\n\n\n<h2 class=\"wp-block-heading\">Useful links.</h2>\n\n\n\n<p><a href=\"https://wordpress.org/plugins/ws-form/\">WS Form LITE</a> on the WordPress repo</p>\n\n\n\n<p><a href=\"https://wsform.com\">WS Form</a> website</p>\n\n\n\n<p><a href=\"https://oauth.net\">OAuth</a></p>\n\n\n\n<p><a href=\"https://www.bigorangeheart.org\">Big Orange Heart</a></p>\n\n\n\n<p><a href=\"https://givewp.com\">GiveWP</a></p>\n\n\n\n<p><a href=\"https://newsletterglue.com\">Newsletter Glue</a></p>\n\n\n\n<p><a href=\"https://www.kadencewp.com\">KadenceWP</a></p>\n\n\n\n<p><a href=\"https://openai.com\">OpenAI</a></p>\n\n\n\n<p><a href=\"https://openai.com/research/dall-e\">DALL-E</a></p>\n\n\n\n<p><a href=\"https://openai.com/product/gpt-4\">GPT-4</a></p>\n\n\n\n<p><a href=\"https://twitter.com/ws_form\">WS Form Twitter</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 10 May 2023 14:00:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Nathan Wrigley\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:46;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:122:\"WPTavern: WordPress Community Team Evolves WordCamp Format to Promote Adoption, Training, and Networking for Professionals\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144827\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"https://wptavern.com/wordpress-community-team-evolves-wordcamp-format-to-promote-adoption-training-and-networking-for-professionals\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6127:\"<p>WordPress&#8217; Community Team hailed a new era of WordCamps in its recent <a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/\">announcement</a> outlining a significant shift in the purpose for the events. </p>\n\n\n\n<p>In the past, WordCamps have had a mostly predictable format of presenting inspirational talks on exciting things people are doing with WordPress, business topics, and the latest trends, with short networking opportunities and a contributor day appended to the event. </p>\n\n\n\n<p>&#8220;Connection, inspiration, and contribution are undeniably important to WordPressers,&#8221; Automattic-sponsored WordPress community organizer Angela Jin said. &#8220;However, as events have returned, communities see that people are much more selective about what events they attend and want to know what they will gain by participating.&#8221; </p>\n\n\n\n<p>After the pandemic, the number of WordCamps dwindled to a fraction of what they had been, as different areas of the world grappled with their own unique public health situations. The Community Team had loosened some of the requirements for WordCamps in order to foster a more welcoming environment for people to want to host in-person events.</p>\n\n\n\n<p>In an effort to modernize these gatherings moving forward, the team has proposed the following update to the purpose of WordPress events:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>WordPress events spark innovation and adoption by way of accessible training and networking for users, builders, designers, and extenders. We celebrate community by accelerating 21st-century skills, professional opportunities, and partnerships for WordPressers of today and tomorrow.</p>\n</blockquote>\n\n\n\n<p>Jin said she hopes a &#8220;period of innovation and experimentation will follow this critical shift in the purpose of our events&#8221; where events will be curated for more narrow audiences and have a focus on a specific type of content or topic. </p>\n\n\n\n<p>This shift also opens the door for more varied event formats, such as workshops, unconferences, job fairs, and pure networking events &#8211; which would have definitively been outside the traditional WordCamps of old and not officially supported by the project.</p>\n\n\n\n<p>Jin emphasized that WordPress will continue encouraging local meetups. Currently planned WordCamps (there are currently 14 on the <a href=\"https://central.wordcamp.org/schedule/\">schedule</a> for 2023) can continue as before but new WordCamp applicants will be encouraged to experiment with new formats.</p>\n\n\n\n<p>&#8220;Flagships (<a href=\"https://us.wordcamp.org/2023/\">WordCamp US</a>, <a href=\"https://europe.wordcamp.org/2023/\">WordCamp Europe</a>, <a href=\"https://asia.wordcamp.org/2024/\">WordCamp Asia</a>): These will remain our largest, broadest event that fully capitalizes on the energy of a large crowd,&#8221; Jin said. &#8220;They will be the place to highlight the latest, greatest, and coolest in WordPress and where we are going.&#8221; </p>\n\n\n\n<p> Reactions to the change in the purpose of WordCamp have been mostly positive but the community has some questions about how it will work. David Bisset, who helped run WordCamp Miami for over a decade, asks how this will impact smaller communities:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>I certainly would love to see more formats being tried, more standout content, etc. However, I’m trying to view this from a local and smaller WordCamp organizer mindset – what if I have a varied community and therefore a varied audience? Will having a particular audience in mind in setting content and promoting local WordCamps unknowingly not attract a more diverse audience? Many people come to conferences and WordCamps for certain talks and speakers and stay around for the rest.</p>\n</blockquote>\n\n\n\n<p>WordPress plugin developer David McCan <a href=\"https://make.wordpress.org/community/2023/05/08/the-next-generation-of-wordcamps/#comment-30874\">commented</a> that the new purpose statement reads more like educating and preparing a workforce in contrast to how WordCamps previously leaned towards empowering volunteers. </p>\n\n\n\n<p>Participants in the discussion are heavily in favor of giving more freedom to event organizers, but many have had irreplaceable experiences at WordCamps in their current format that they are reluctant to see it go. WordPress developer and contributor Ross Wintle commented that he hoped the change in purpose would not diminish the diversity at WordCamps.</p>\n\n\n\n<p>&#8220;While I think there’s some value in focussing on an audience, please don’t throw out the current WordCamps,&#8221; Wintle said. &#8220;I genuinely believe that one of the best things about these events is that I get to experience the diversity of the WordPress community and see the many, many different ways that WordPress is used, extended and developed for, and I get to meet the many, many talented people from across the spectrum of contribution who possess ideas, skills and experiences that I do not.</p>\n\n\n\n<p>&#8220;I’ve met so many amazing people who have different roles in WordPress, and I think the value of this is far higher than sitting in my bubble with the people that do the same things as me.&#8221;</p>\n\n\n\n<p>Marketing contributor Sé Reed asked Jin what team meeting, GitHub issue, or other documented discussion was available to follow the decision-making process for this major change to WordCamps, as no discussions were linked in the announcement. </p>\n\n\n\n<p>&#8220;To my mind, this kind of change (affecting the entire WordPress community and apparently effective immediately) is something that would make sense to discuss at the Community Summit,&#8221; Reed said. &#8220;As that ship has sailed, I’d like to at least see the discussion that led to it.&#8221;</p>\n\n\n\n<p>Jin has not yet responded to these questions but said in the announcement that as event organizers experiment with different formats for WordCamps, &#8220;the community team can reevaluate our full events program and how events coexist happily.&#8221;</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 10 May 2023 01:55:21 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"WordPress Foundation: Kim Parsell Memorial Scholarship for WordCamp US 2023\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"https://wordpressfoundation.org/?p=456908\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"https://wordpressfoundation.org/news/2023/kim-parsell-memorial-scholarship-for-wordcamp-us-2023/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1530:\"<p>The WordPress Foundation will once again offer the Kim Parsell Memorial Scholarship for travel to <a href=\"https://us.wordcamp.org/2023/\">WordCamp US 2023</a>.</p>\n\n\n\n<p>At each in-person WordCamp US, the WordPress Foundation honors Kim’s commitment and valuable contributions to the WordPress open source project. The Foundation’s goal is to further the efforts of contributors who demonstrate Kim’s spirit, by helping to ease the financial burden of travel to WordCamp US.</p>\n\n\n\n<p><strong>This scholarship is awarded to someone who:</strong></p>\n\n\n\n<ul>\n<li>Identifies as a woman</li>\n\n\n\n<li>Is a WordPress contributor</li>\n\n\n\n<li>Has never attended WordCamp US before</li>\n\n\n\n<li>Requires financial assistance to attend</li>\n</ul>\n\n\n\n<p>This scholarship provides financial assistance so that the recipient can attend WordCamp US, including travel from the recipient’s home city, hotel stay for the duration of the event, and a ticket to WordCamp US.</p>\n\n\n\n<p>If you meet these requirements and would like to be considered, please <strong>apply no later than Monday, June 12, 2023</strong> at 11:00 pm Eastern Time. All applicants will be notified by June 29, 2023.</p>\n\n\n\n<p>For more details, please visit the WordPress Foundation’s <a href=\"https://wordpressfoundation.org/projects/kim-parsell-memorial-scholarship/\">About the Kim Parsell Memorial Scholarship</a> page.</p>\n\n\n\n<p><a href=\"https://wordcampcentral.survey.fm/wcus-2023-kim-parsell-scholarship-application\">Apply for the scholarship today.</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 10 May 2023 00:17:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Julia Golomb\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"Do The Woo Community: Innovations in AI and WordPress with Joe Hoyle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://dothewoo.io/?p=75086\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://dothewoo.io/innovations-in-ai-and-wordpress-with-joe-hoyle/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:441:\"<p>Joe has been building some very interesting prototypes in WordPress and AI, digging into several tools and wrapping his brain around the possibilities.</p>\n<p>&gt;&gt; The post <a rel=\"nofollow\" href=\"https://dothewoo.io/innovations-in-ai-and-wordpress-with-joe-hoyle/\">Innovations in AI and WordPress with Joe Hoyle</a> appeared first on <a rel=\"nofollow\" href=\"https://dothewoo.io\">Do the Woo - a WooCommerce Builder Community</a>	.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 09 May 2023 12:22:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"BobWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:49;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: WordPress Contributors Discuss How Core Can Better Enable AI Innovation\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"https://wptavern.com/?p=144642\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"https://wptavern.com/wordpress-contributors-discuss-how-core-can-better-enable-ai-innovation\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6668:\"<p>As AI-powered technology is rapidly evolving to exponentially extend human capabilities, WordPress contributors do not want the platform to get left behind. AI-powered website creation could even become a threat to its existence, more than a competing CMS, if WordPress doesn&#8217;t ensure the platform is easily pluggable for AI-powered extensions. 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She asked three questions of contributors: </p>\n\n\n\n<ul>\n<li>How would you want to see Core updated so it can be extended in ways accessible to AI technologies?</li>\n\n\n\n<li>For those&nbsp; building, or trying to build, with AI today, how does Core currently enable or hinder this effort?</li>\n\n\n\n<li>Are there any concerns that you think the community should be aware of as this space is explored?</li>\n</ul>\n\n\n\n<p>WordPress co-founder Matt Mullenweg is optimistic about the prospect of further integrating AI into open source development.</p>\n\n\n\n<p>&#8220;In 2015 I told you to learn Javascript deeply,&#8221; Mullenweg <a href=\"https://poststatus.slack.com/archives/CHNM7Q7T8/p1680473547032499\">said</a> last month in the Post Status Slack. &#8220;I don&#8217;t have a catchy phrase yet, but my message for 2023 will be to spend as much time leveraging AI as possible. The boosts to productivity and capability are <em>amazing</em>. This is not a web3/crypto/widgets hype cycle. It&#8217;s real.&#8221; </p>\n\n\n\n<p>Mullenweg also encouraged WordPress professionals to consider how AI and open source can work together.</p>\n\n\n\n<p>&#8220;Open source and AI are the two mega-trends of the next 30 years,&#8221; he said. &#8220;They complement each other, and you should think deeply about how. ChatGPT can&#8217;t ready Shopify&#8217;s code.&#8221;</p>\n\n\n\n<p>StellarWP-sponsored contributor Matt Cromwell <a href=\"https://make.wordpress.org/core/2023/05/02/lets-talk-wordpress-core-artificial-intelligence/#comment-44809\">commented</a> on the latest core discussion, suggesting that AI innovation is better left to plugin developers. </p>\n\n\n\n<p>&#8220;All AI options currently require integration with a 3rd party system, some sort of pricing and authentication, this feels to me to clearly be plugin territory,&#8221; Cromwell said.</p>\n\n\n\n<p>&#8220;The other concern here is that the current Core roadmap is very full. At what cost would the project chase an AI integration? At the expense of multi-editing collaboration features? At the expense of multi-lingual features? I find it hard to imagine pursuing the current roadmap with excellence and stability AND adding a huge AI integration as well.&#8221;</p>\n\n\n\n<p>Bluehost-sponsored contributor Jonathan Desrosiers, one of the reviewers of the post, clarified that the intention was to &#8220;fuel discussion around what AI looks like in the WordPress ecosystem and how that may be blocked currently.&#8221; </p>\n\n\n\n<p>&#8220;As you said, the roadmap is definitely full and adding new things should not be done unless there are extremely compelling reasons,&#8221; Desrosiers said. &#8220;But, if there are small “paper cut” changes that can be made in Core (new filter or action hooks, etc.) to allow plugins to better experiment and flesh out AI integrations in the WordPress world, I think that we certainly should consider these.&#8221;</p>\n\n\n\n<p>Cromwell suggested WordPress could add a settings panel for integrating various API&#8217;s, such as payment gateways and OpenAI API keys, to prevent conflicts and streamline API usage across multiple plugins.</p>\n\n\n\n<p>Rob Glidden proposed that contributors consider the possibility of having AI chatbots as a user type for the future collaboration workflow inside WordPress:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>I would suggest looking at AI chatbots as (“just another”) user type in the upcoming Phase 3 of collaboration/workflow.</p>\n\n\n\n<p>I for one want an AI chatbot on my multiuser collaboration team in a phase 3 WordPress.</p>\n\n\n\n<p>In the multiuser collaborative workflows already described in “<a href=\"https://make.wordpress.org/core/2023/03/24/phase-3-collaboration/\">Phase 3 Collaboration</a>” it seems like basically the same infrastructure should work for both human users and AI “users”.</p>\n\n\n\n<p>Indeed, it is not a huge stretch in reading that document to think of “users”, “collaborators”, and “creators” as also being bot-ish users, assigned and performing tasks within a workflow.</p>\n</blockquote>\n\n\n\n<p>CodeWP-sponsored contributor James LePage echoed Cromwell&#8217;s concerns that focusing too much on integrating AI might make WordPress less competitive on the features that have already been identified for Gutenberg&#8217;s Phase 3 roadmap:</p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p>As some others said here, as a WP&nbsp;<em>user</em>, I’d much prefer a really strong focus on the existing Phase 3 roadmap items as I think it would make our CMS a lot more valuable and competitive to other tools out there, as opposed to integrating AI somehow.</p>\n\n\n\n<p>One other thing is that there aren’t really any standards here. 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(32457,4947,'BandeSon','Id.'),
(32458,4947,'_product_image_gallery',''),
(32459,4948,'_pingme','1'),
(32460,4948,'_encloseme','1'),
(32461,4948,'Index','70'),
(32462,4948,'Minutage','0’26'),
(32463,4948,'Images','Noir'),
(32464,4948,'BandeSon','Id.'),
(32465,4948,'Ecrits','Les maîtres du m Devraient se méf Précisément parc'),
(32466,4948,'_product_image_gallery',''),
(32467,4949,'_pingme','1'),
(32468,4949,'_encloseme','1'),
(32469,4949,'Index','80'),
(32470,4949,'Minutage','0’30’’'),
(32471,4949,'Images','Noir'),
(32472,4949,'BandeSon','Id.'),
(32473,4949,'Ecrits','s du monde Se méfier de Bécassine, Parce qu’elle se tait. Citation de Georges Bernanos, Les enfants humiliés (1949)'),
(32474,4949,'_product_image_gallery',''),
(32475,4950,'_pingme','1'),
(32476,4950,'_encloseme','1'),
(32477,4950,'Index','90'),
(32478,4950,'Minutage','0’35'),
(32479,4950,'Images','Noir'),
(32480,4950,'BandeSon','Id.'),
(32481,4950,'_product_image_gallery',''),
(32482,4951,'_pingme','1'),
(32483,4951,'_encloseme','1'),
(32484,4951,'Index','100'),
(32485,4951,'Minutage','0’41'),
(32486,4951,'Images','Mains de Jean-Luc Godard, au travail à la table de montage, avec une pellicule. King Lear, Jean-Luc Godard (1987)'),
(32487,4951,'VoixOffIn','Il y a les 5 doigts, les 5 sens, les 5 parties du monde, oui les 5 doigts de la fée. Mais tous ensemble ils composent la main.'),
(32488,4951,'BandeSon','Id.'),
(32489,4951,'_product_image_gallery',''),
(32490,4952,'_pingme','1'),
(32491,4952,'_encloseme','1'),
(32492,4952,'Index','110'),
(32493,4952,'Minutage','01’04'),
(32494,4952,'Images','Main écrivant au tableau « Un ruisseau d’ombres / A brook of shadows ». Closed Vision, Marc\'O\n(1953)'),
(32495,4952,'VoixOffIn','Et la vraie condition de l’homme c’est de penser avec ses mains. Denis de Rougemont, Penser avec les mains (1936) (Jean-Luc Godard)'),
(32496,4952,'BandeSon','Id.'),
(32497,4952,'_product_image_gallery',''),
(32498,4953,'_pingme','1'),
(32499,4953,'_encloseme','1'),
(32500,4953,'Index','120'),
(32501,4953,'Minutage','01’17'),
(32502,4953,'Images','Détail de La Main, Alberto Giacometti (1947) allant vers le haut. Histoire(s) du cinéma 1b, (1988-98) de Jean-Luc Godard'),
(32503,4953,'BandeSon','Id. et début du Quintette avec piano, Op. 18 - I., Myscyslav Weimberg (1944).'),
(32504,4953,'Ecrits','L’image'),
(32505,4953,'_product_image_gallery',''),
(32506,4954,'_pingme','1'),
(32507,4954,'_encloseme','1'),
(32508,4954,'Index','130'),
(32509,4954,'Minutage','01’23'),
(32510,4954,'Images','Mains de personne enchaînée allant vers le bas et touchant le sol. Le Procès de Jeanne d’Arc, Robert Bresson (1961). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(32511,4954,'BandeSon','Id.'),
(32512,4954,'Ecrits','viendra'),
(32513,4954,'_product_image_gallery',''),
(32514,4955,'_pingme','1'),
(32515,4955,'_encloseme','1'),
(32516,4955,'Index','140'),
(32517,4955,'Minutage','01’29'),
(32518,4955,'Images','Main levée vers le haut. Gare Centrale, Youssef Chahine(1958).'),
(32519,4955,'BandeSon','Id.'),
(32520,4955,'Ecrits','Oh ! Temps'),
(32521,4955,'_product_image_gallery',''),
(32522,4956,'_pingme','1'),
(32523,4956,'_encloseme','1'),
(32524,4956,'Index','150'),
(32525,4956,'Minutage','01’40'),
(32526,4956,'Images','Personne coupant en deux les yeux d’une dame avec un rasoir. Un chien andalou (1929), Luis Bunuel.'),
(32527,4956,'BandeSon','Silence'),
(32528,4956,'_product_image_gallery',''),
(32529,4957,'_pingme','1'),
(32530,4957,'_encloseme','1'),
(32531,4957,'Index','160'),
(32532,4957,'Minutage','01’43'),
(32533,4957,'Images','Noir'),
(32534,4957,'BandeSon','Id.'),
(32535,4957,'Ecrits','Archive s et morale.\nPhrase citée dans Histoire(s) du cinéma,  Jean-Luc Godard (1988-98).'),
(32536,4957,'_product_image_gallery',''),
(32537,4958,'_pingme','1'),
(32538,4958,'_encloseme','1'),
(32539,4958,'Index','170'),
(32540,4958,'Minutage','01’48'),
(32541,4958,'Images','Saturé : maisons avec des arbres. Détail d’un tableau d’André Derain.'),
(32542,4958,'BandeSon','Quintette avec piano, Op. 18 - I, Myscyslav Weimberg (1944).'),
(32543,4958,'Ecrits','Casa Azul Films'),
(32544,4958,'_product_image_gallery',''),
(32545,4959,'_pingme','1'),
(32546,4959,'_encloseme','1'),
(32547,4959,'Index','180'),
(32548,4959,'Minutage','01’53'),
(32549,4959,'Images','Noir'),
(32550,4959,'BandeSon','Id.'),
(32551,4959,'Ecrits','Ecran noir production En surimpression, écrit à la main: Mitra Farahani (présidente de la société)'),
(32552,4959,'_product_image_gallery',''),
(32553,4960,'_pingme','1'),
(32554,4960,'_encloseme','1'),
(32555,4960,'Index','190'),
(32556,4960,'Minutage','01’55'),
(32557,4960,'Images','Saturé et surexposé : fragments de pellicule sur fond blanc. Histoire(s) du cinéma 1a, Jean-Luc Godard (1988-98).'),
(32558,4960,'BandeSon','Id.'),
(32559,4960,'_product_image_gallery',''),
(32560,4961,'_pingme','1'),
(32561,4961,'_encloseme','1'),
(32562,4961,'Index','200'),
(32563,4961,'Minutage','01’58'),
(32564,4961,'Images','Tableau avec femmes dans la rue entre des maisons.'),
(32565,4961,'BandeSon','Id.'),
(32566,4961,'_product_image_gallery',''),
(32567,4962,'_pingme','1'),
(32568,4962,'_encloseme','1'),
(32569,4962,'Index','210'),
(32570,4962,'Minutage','02’00'),
(32571,4962,'Images','“Le Livre d’” écrit à la main à la peinture à l’huile rouge, et \"image\" écrit en blanc sur fond noir et bleu foncé, toujours coloré à la peinture à l’huile, avec une applique de couleur épaisse et très visible.'),
(32572,4962,'VoixOffIn','Bon, va me chercher les livres. On va jeter un coup d\'œil.'),
(32573,4962,'BandeSon','Silence'),
(32574,4962,'Ecrits','C\'est que pour ne pas faire caca, il aurait fallu. Extrait de Pour en finir avec le jugement de Dieu, Antonin Artaud (1948).'),
(32575,4962,'_product_image_gallery',''),
(32576,4963,'_pingme','1'),
(32577,4963,'_encloseme','1'),
(32578,4963,'Index','220'),
(32579,4963,'Minutage','02’06'),
(32580,4963,'Images','Noir'),
(32581,4963,'BandeSon','Id.'),
(32582,4963,'_product_image_gallery',''),
(32583,4964,'_pingme','1'),
(32584,4964,'_encloseme','1'),
(32585,4964,'Index','230'),
(32586,4964,'Minutage','02’08'),
(32587,4964,'Images','Noir'),
(32588,4964,'BandeSon','Id.'),
(32589,4964,'Ecrits','Image et Parole'),
(32590,4964,'_product_image_gallery',''),
(32591,4965,'_pingme','1'),
(32592,4965,'_encloseme','1'),
(32593,4965,'Index','240'),
(32594,4965,'Minutage','02’11'),
(32595,4965,'Images','Surexposé et saturé : pellicule entraînée par une bobine en rotation. Notre caméra analytique, Yervant Gianikian et Angela Ricci Lucchi (2015).'),
(32596,4965,'VoixOffIn','Scott Walker in 2006, Orpheus has returned from the underworld. What happened on his long long journey? Who is this man?\nScott Walker: 30th Century Man, Stephen Kijak  (2007).'),
(32597,4965,'BandeSon','Cossacks Are, Scott Walker (2006).'),
(32598,4965,'_product_image_gallery',''),
(32599,4966,'_pingme','1'),
(32600,4966,'_encloseme','1'),
(32601,4966,'Index','250'),
(32602,4966,'Minutage','02’31'),
(32603,4966,'Images','Noir'),
(32604,4966,'VoixOffIn','C’est que pour ne pas faire caca'),
(32605,4966,'BandeSon','Silence'),
(32606,4966,'_product_image_gallery',''),
(32607,4967,'_pingme','1'),
(32608,4967,'_encloseme','1'),
(32609,4967,'Index','260'),
(32610,4967,'Minutage','02’34'),
(32611,4967,'Images','Homme (avec une casquette de marin) visant dans une caméra (probablement photographie de Friedrich Wilhelm Murnau).\nHistoire(s) du cinéma, 1b, Jean-Luc Godard (1988-98).'),
(32612,4967,'VoixOffIn','il aurait fallu qu\'on. Pour en finir avec le jugement de Dieu, Antonin Artaud (1948).'),
(32613,4967,'BandeSon','Cossacks Are, Scott Walker (2006).'),
(32614,4967,'Ecrits','Tabou'),
(32615,4967,'_product_image_gallery',''),
(32616,4968,'_pingme','1'),
(32617,4968,'_encloseme','1'),
(32618,4968,'Index','270'),
(32619,4968,'Minutage','02’38'),
(32620,4968,'Images','Couverture du livre de C.F. Ramuz, Les signes parmi nous.'),
(32621,4968,'BandeSon','Silence'),
(32622,4968,'_product_image_gallery',''),
(32623,4969,'_pingme','1'),
(32624,4969,'_encloseme','1'),
(32625,4969,'Index','280'),
(32626,4969,'Minutage','02’42'),
(32627,4969,'Images','Noir'),
(32628,4969,'BandeSon','Cue, Scott Walker (2006)'),
(32629,4969,'Ecrits','Les prophètes'),
(32630,4969,'_product_image_gallery',''),
(32631,4970,'_pingme','1'),
(32632,4970,'_encloseme','1'),
(32633,4970,'Index','290'),
(32634,4970,'Minutage','02’46'),
(32635,4970,'Images','Homme sautant une épée à la main sur un autre homme. Hamlet, Grigori Kozintsev (1964).'),
(32636,4970,'BandeSon','Id.'),
(32637,4970,'_product_image_gallery',''),
(32638,4971,'_pingme','1'),
(32639,4971,'_encloseme','1'),
(32640,4971,'Index','300'),
(32641,4971,'Minutage','02’47'),
(32642,4971,'Images','Noir'),
(32643,4971,'BandeSon','Id.'),
(32644,4971,'_product_image_gallery',''),
(32645,4972,'_pingme','1'),
(32646,4972,'_encloseme','1'),
(32647,4972,'Index','310'),
(32648,4972,'Minutage','02’48'),
(32649,4972,'Images','Homme en assassinant un autre à coups d’épée, puis sautant d’un mur, imitant un oiseau.\nHamlet, Laurence Olivier (1948).'),
(32650,4972,'BandeSon','Cri du coq. (Logo de Pathé)'),
(32651,4972,'_product_image_gallery',''),
(32652,4973,'_pingme','1'),
(32653,4973,'_encloseme','1'),
(32654,4973,'Index','320'),
(32655,4973,'Minutage','02’51'),
(32656,4973,'Images','Petite enfant à la tête levée et aux mains ouvertes. Miracle en Alabama, Arthur Penn (1962). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(32657,4973,'BandeSon','Silence'),
(32658,4973,'_product_image_gallery',''),
(32659,4974,'_pingme','1'),
(32660,4974,'_encloseme','1'),
(32661,4974,'Index','330'),
(32662,4974,'Minutage','02’55'),
(32663,4974,'Images','Noir'),
(32664,4974,'VoixOffIn',' '),
(32665,4974,'BandeSon','Piano Quintet, Op. 18 - IV. Largo, Mieczysław Weinberg (1944).'),
(32666,4974,'Ecrits','1\n REMAKES'),
(32667,4974,'_product_image_gallery',''),
(32668,4975,'_pingme','1'),
(32669,4975,'_encloseme','1'),
(32670,4975,'Index','340'),
(32671,4975,'Minutage','03’00'),
(32672,4975,'Images','Explosion d’une bombe atomique.'),
(32673,4975,'VoixOffIn','écrit dans une nuit d’orage'),
(32674,4975,'BandeSon','Id.'),
(32675,4975,'_product_image_gallery',''),
(32676,4976,'_pingme','1'),
(32677,4976,'_encloseme','1'),
(32678,4976,'Index','350'),
(32679,4976,'Minutage','03’04'),
(32680,4976,'Images','Femme aidant un homme à s’éloigner d’une maison. En quatrième vitesse [Kiss Me Deadly] Robert Aldrich (1955).'),
(32681,4976,'VoixOffIn','les affaires spéciales de police  marchent de front avec'),
(32682,4976,'BandeSon','Id.'),
(32683,4976,'_product_image_gallery',''),
(32684,4977,'_pingme','1'),
(32685,4977,'_encloseme','1'),
(32686,4977,'Index','360'),
(32687,4977,'Minutage','03’08'),
(32688,4977,'Images','Logo représentant un atome.'),
(32689,4977,'VoixOffIn','les mesures les plus générales de la politique.'),
(32690,4977,'BandeSon','Id.'),
(32691,4977,'_product_image_gallery',''),
(32692,4978,'_pingme','1'),
(32693,4978,'_encloseme','1'),
(32694,4978,'Index','370'),
(32695,4978,'Minutage','03’12'),
(32696,4978,'Images','Femme aidant un homme à s’éloigner d’une maison sur une plage. En quatrième vitesse [Kiss Me Deadly] Robert Aldrich (1955).'),
(32697,4978,'VoixOffIn','Les fautes morales s’y confondent avec les crimes d’État. Histoire de la Révolution française, Jules Michelet (1893-98).\n'),
(32698,4978,'BandeSon','Id.'),
(32699,4978,'_product_image_gallery',''),
(32700,4979,'_pingme','1'),
(32701,4979,'_encloseme','1'),
(32702,4979,'Index','380'),
(32703,4979,'Minutage','03’17'),
(32704,4979,'Images','Vassili Semionovitch Grossman écrivant au tableau.'),
(32705,4979,'VoixOffIn','C’est évidemment là, et évidemment le coloris aussi que les peintres en tiraient. La forme, le dessin, les gros axes, les cadrages, les directions, le mouvement (Pierre Guyotat).'),
(32706,4979,'BandeSon','Silence'),
(32707,4979,'_product_image_gallery',''),
(32708,4980,'_pingme','1'),
(32709,4980,'_encloseme','1'),
(32710,4980,'Index','390'),
(32711,4980,'Minutage','03’24'),
(32712,4980,'Images','Noir'),
(32713,4980,'VoixOffIn','On accomplirait l’acte rédempteur, si l’on pourrait conduire la critique jusqu’à la mort volontaire, sagement désespérée, de notre penser / parler. Le langage, Fritz Mauthner (1906).'),
(32714,4980,'BandeSon','Id.'),
(32715,4980,'_product_image_gallery',''),
(32716,4981,'_pingme','1'),
(32717,4981,'_encloseme','1'),
(32718,4981,'Index','400'),
(32719,4981,'Minutage','03’37'),
(32720,4981,'Images','Noir'),
(32721,4981,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).'),
(32722,4981,'Ecrits','1 Remakes'),
(32723,4981,'_product_image_gallery',''),
(32724,4982,'_pingme','1'),
(32725,4982,'_encloseme','1'),
(32726,4982,'Index','410'),
(32727,4982,'Minutage','03’42'),
(32728,4982,'Images','Femmes sortant d’un taxi ouvert par un concierge, homme lisant un papier. Allemagne neuf zéro, Jean-Luc Godard (1997).'),
(32729,4982,'VoixOffIn','garder l’apparence de la vie(Godard) Comme le cinéma aussi, il faut que tout soit,'),
(32730,4982,'BandeSon','Id. e Cue, Scott Walker (2006).'),
(32731,4982,'_product_image_gallery',''),
(32732,4983,'_pingme','1'),
(32733,4983,'_encloseme','1'),
(32734,4983,'Index','420'),
(32735,4983,'Minutage','04’04'),
(32736,4983,'Images','Au ralenti, et plus tard accéléré : deux dames accompagnées à une voiture par un concierge sous un parapluie. Le dernier des hommes, Friedrich Wilhelm Murnau (1924).'),
(32737,4983,'VoixOffIn','il faut que tout parle. (Pierre Guyotat).'),
(32738,4983,'BandeSon','Silence, puis moteur de voiture, et pas sur le sol accompagnés de rires de femmes. Jacqueline Gozland, Mon histoire n’est pas encore écrite (2017).'),
(32739,4983,'_product_image_gallery',''),
(32740,4984,'_pingme','1'),
(32741,4984,'_encloseme','1'),
(32742,4984,'Index','430'),
(32743,4984,'Minutage','04’27'),
(32744,4984,'Images','Noir'),
(32745,4984,'BandeSon','Silence'),
(32746,4984,'_product_image_gallery',''),
(32747,4985,'_pingme','1'),
(32748,4985,'_encloseme','1'),
(32749,4985,'Index','440'),
(32750,4985,'Minutage','04’29'),
(32751,4985,'Images','Homme parlant avec une femme. Johnny Guitar, Nicholas Ray (1954).'),
(32752,4985,'VoixOffIn','Johnny : Don’t go away.\nVienna : I haven’t moved.\n'),
(32753,4985,'BandeSon','Bande son de Johnny Guitar, Nicholas Ray (1954).'),
(32754,4985,'_product_image_gallery',''),
(32755,4986,'_pingme','1'),
(32756,4986,'_encloseme','1'),
(32757,4986,'Index','450'),
(32758,4986,'Minutage','04’36'),
(32759,4986,'Images','Noir'),
(32760,4986,'VoixOffIn','Johnny : Tell me something nice.\nVienna : Sure, what do you want to hear ?\nJohnny : Lie to me. Tell me all these years you’ve waited'),
(32761,4986,'BandeSon','Id.'),
(32762,4986,'_product_image_gallery',''),
(32763,4987,'_pingme','1'),
(32764,4987,'_encloseme','1'),
(32765,4987,'Index','460'),
(32766,4987,'Minutage','04’48'),
(32767,4987,'Images','Homme parlant avec une femme. Johnny Guitar, Nicholas Ray (1954).'),
(32768,4987,'VoixOffIn','Vienna : All those years I’ve waited…\nJohnny : Tell me you would have died if I hadn’t come back.\nVienna : I would\'ve died if you hadn’t come back.\nJohnny : Tell me you still love me like I love you.\nVienna : I still..'),
(32769,4987,'BandeSon','Id.'),
(32770,4987,'_product_image_gallery',''),
(32771,4988,'_pingme','1'),
(32772,4988,'_encloseme','1'),
(32773,4988,'Index','470'),
(32774,4988,'Minutage','05’05'),
(32775,4988,'Images','Noir'),
(32776,4988,'VoixOffIn','- Dites des mensonges.'),
(32777,4988,'BandeSon','Silence'),
(32778,4988,'_product_image_gallery',''),
(32779,4989,'_pingme','1'),
(32780,4989,'_encloseme','1'),
(32781,4989,'Index','480'),
(32782,4989,'Minutage','05’10'),
(32783,4989,'Images','Homme parlant avec une femme. Le petit soldat, Jean-Luc Godard (1947).'),
(32784,4989,'VoixOffIn','que vous n’êtes pas triste que je parte. -Je ne suis pas triste que vous partiez. Je ne suis pas amoureuse de vous. Je ne vous rejoindrai pas au Brésil, je ne vous embrasse pas tendrement.'),
(32785,4989,'BandeSon','Id. et piano.'),
(32786,4989,'_product_image_gallery',''),
(32787,4990,'_pingme','1'),
(32788,4990,'_encloseme','1'),
(32789,4990,'Index','490'),
(32790,4990,'Minutage','05’38'),
(32791,4990,'Images','Noir'),
(32792,4990,'VoixOffIn','Je ne vous embrasse pas tendrement.'),
(32793,4990,'BandeSon','Id.'),
(32794,4990,'_product_image_gallery',''),
(32795,4991,'_pingme','1'),
(32796,4991,'_encloseme','1'),
(32797,4991,'Index','500'),
(32798,4991,'Minutage','05’45'),
(32799,4991,'Images','Homme parlant avec une femme. Le petit soldat, Jean-Luc Godard (1947).'),
(32800,4991,'BandeSon','Id.'),
(32801,4991,'_product_image_gallery',''),
(32802,4992,'_pingme','1'),
(32803,4992,'_encloseme','1'),
(32804,4992,'Index','510'),
(32805,4992,'Minutage','05’50'),
(32806,4992,'Images','Noir'),
(32807,4992,'BandeSon','Silence'),
(32808,4992,'_product_image_gallery',''),
(32809,4993,'_pingme','1'),
(32810,4993,'_encloseme','1'),
(32811,4993,'Index','520'),
(32812,4993,'Minutage','05’55'),
(32813,4993,'Images','Adolescents faisant des exercices militaires sous la supervision de soldats. Liban, guerres et hommes, Frédéric Laffont (1975).'),
(32814,4993,'BandeSon','Id.'),
(32815,4993,'_product_image_gallery',''),
(32816,4994,'_pingme','1'),
(32817,4994,'_encloseme','1'),
(32818,4994,'Index','530'),
(32819,4994,'Minutage','05’59'),
(32820,4994,'Images','Noir'),
(32821,4994,'BandeSon','Id.'),
(32822,4994,'_product_image_gallery',''),
(32823,4995,'_pingme','1'),
(32824,4995,'_encloseme','1'),
(32825,4995,'Index','540'),
(32826,4995,'Minutage','06’00'),
(32827,4995,'Images','Adolescents faisant des exercices militaires sous la supervision de soldats. Liban, guerres et hommes, Frédéric Laffont (1975).'),
(32828,4995,'BandeSon','Id.'),
(32829,4995,'_product_image_gallery',''),
(32830,4996,'_pingme','1'),
(32831,4996,'_encloseme','1'),
(32832,4996,'Index','550'),
(32833,4996,'Minutage','06’03'),
(32834,4996,'Images','Militaires en rang observés par un commandant. Liban, guerres et hommes, Frédéric Laffont (1975).'),
(32835,4996,'BandeSon','Id.'),
(32836,4996,'_product_image_gallery',''),
(32837,4997,'_pingme','1'),
(32838,4997,'_encloseme','1'),
(32839,4997,'Index','560'),
(32840,4997,'Minutage','06’07'),
(32841,4997,'Images','Jeunes gens marchant à la manière de chiens, entourés de soldats les nourrissant. Salò o le centoventi giornate di Sodoma, Pier Paolo Pasolini (1976).'),
(32842,4997,'BandeSon','Aboiements et halètements de chiens.'),
(32843,4997,'_product_image_gallery',''),
(32844,4998,'_pingme','1'),
(32845,4998,'_encloseme','1'),
(32846,4998,'Index','570'),
(32847,4998,'Minutage','06’17'),
(32848,4998,'Images','Noir'),
(32849,4998,'VoixOffIn','- Mangia, sù!'),
(32850,4998,'BandeSon','Silence'),
(32851,4998,'_product_image_gallery',''),
(32852,4999,'_pingme','1'),
(32853,4999,'_encloseme','1'),
(32854,4999,'Index','580'),
(32855,4999,'Minutage','06’28'),
(32856,4999,'Images','Noir'),
(32857,4999,'BandeSon','Id.'),
(32858,4999,'Ecrits','1 Remakes'),
(32859,4999,'_product_image_gallery',''),
(32860,5000,'_pingme','1'),
(32861,5000,'_encloseme','1'),
(32862,5000,'Index','590'),
(32863,5000,'Minutage','06’31'),
(32864,5000,'Images','Soldats djihadistes tirant à la mitraillette. Timbuktu, Abderrahmane Sissako (2014).'),
(32865,5000,'BandeSon','Mitraillette.'),
(32866,5000,'_product_image_gallery',''),
(32867,5001,'_pingme','1'),
(32868,5001,'_encloseme','1'),
(32869,5001,'Index','600'),
(32870,5001,'Minutage','06’33'),
(32871,5001,'Images','Blanc'),
(32872,5001,'BandeSon','Silence'),
(32873,5001,'_product_image_gallery',''),
(32874,5002,'_pingme','1'),
(32875,5002,'_encloseme','1'),
(32876,5002,'Index','610'),
(32877,5002,'Minutage','06’37'),
(32878,5002,'Images','Soldats djihadistes tirant à la mitraillette. Timbuktu, Abderrahmane Sissako (2014).'),
(32879,5002,'VoixOffIn','Bruit de manipulation d\'une arme.'),
(32880,5002,'BandeSon','Id.'),
(32881,5002,'_product_image_gallery',''),
(32882,5003,'_pingme','1'),
(32883,5003,'_encloseme','1'),
(32884,5003,'Index','620'),
(32885,5003,'Minutage','06’44'),
(32886,5003,'Images','Soldats déplaçant des cadavres et soignant des femmes torturées. Vrai faux passeport, Jean-Luc Godard (2006).'),
(32887,5003,'VoixOffIn','Les américains s’efforcent de réanimer cette combattante'),
(32888,5003,'BandeSon','Bande son de Vrai faux passeport, Jean-Luc Godard (2006).'),
(32889,5003,'_product_image_gallery',''),
(32890,5004,'_pingme','1'),
(32891,5004,'_encloseme','1'),
(32892,5004,'Index','630'),
(32893,5004,'Minutage','07’05'),
(32894,5004,'Images','Noir'),
(32895,5004,'BandeSon','Id.'),
(32896,5004,'_product_image_gallery',''),
(32897,5005,'_pingme','1'),
(32898,5005,'_encloseme','1'),
(32899,5005,'Index','640'),
(32900,5005,'Minutage','07’08'),
(32901,5005,'Images','Hélicoptère. La Chute du faucon noir, Ridley Scott (2001).'),
(32902,5005,'VoixOffIn','pour sans doute l’interroger. Qu’en tireront-ils ? (fois 2)'),
(32903,5005,'BandeSon','Id.'),
(32904,5005,'_product_image_gallery',''),
(32905,5006,'_pingme','1'),
(32906,5006,'_encloseme','1'),
(32907,5006,'Index','650'),
(32908,5006,'Minutage','07’13'),
(32909,5006,'Images','Soldats déplaçant des cadavres et soignant des femmes torturées. Vrai faux passeport, Jean-Luc Godard (2006).'),
(32910,5006,'VoixOffIn',' Des insultes, des chants communistes ou simplement des cris de douleur.'),
(32911,5006,'BandeSon','Id.'),
(32912,5006,'Ecrits','Patrie'),
(32913,5006,'_product_image_gallery',''),
(32914,5007,'_pingme','1'),
(32915,5007,'_encloseme','1'),
(32916,5007,'Index','660'),
(32917,5007,'Minutage','07’17'),
(32918,5007,'Images','Soldat menaçant une femme et un enfant avec une carabine. Les carabiniers, Jean-Luc Godard (1963).'),
(32919,5007,'VoixOffIn','Faites la partir. Pas dans la cuisine. Mettez-vous sur la chaise ! Tournez-vous !'),
(32920,5007,'BandeSon','Silence'),
(32921,5007,'_product_image_gallery',''),
(32922,5008,'_pingme','1'),
(32923,5008,'_encloseme','1'),
(32924,5008,'Index','670'),
(32925,5008,'Minutage','07’43'),
(32926,5008,'Images','Noir'),
(32927,5008,'BandeSon','Id.'),
(32928,5008,'_product_image_gallery',''),
(32929,5009,'_pingme','1'),
(32930,5009,'_encloseme','1'),
(32931,5009,'Index','680'),
(32932,5009,'Minutage','07’44'),
(32933,5009,'Images','Enfant sur une pelouse écoutant de la musique. Homme apprenant à nager à une femme. Les hommes les dimanches , Robert Siodmak et Edgar George Ulmer (1930).'),
(32934,5009,'BandeSon','Bande son de Les hommes les dimanches, Robert Siodmak et Edgar George Ulmer (1930).'),
(32935,5009,'_product_image_gallery',''),
(32936,5010,'_pingme','1'),
(32937,5010,'_encloseme','1'),
(32938,5010,'Index','690'),
(32939,5010,'Minutage','07’51'),
(32940,5010,'Images','Deux hommes avec un scooter suivant deux femmes qui se promenant dans la rue. Blue jeans, Jacques Rozier (1957).'),
(32941,5010,'VoixOffIn','Alors on se promène ? Vous n’avez pas peur toutes seules ? Vous habitez chez vos parents ? Alors vous habitez chez papa et maman ?'),
(32942,5010,'BandeSon','Silence'),
(32943,5010,'_product_image_gallery',''),
(32944,5011,'_pingme','1'),
(32945,5011,'_encloseme','1'),
(32946,5011,'Index','700'),
(32947,5011,'Minutage','08’09'),
(32948,5011,'Images','Noir'),
(32949,5011,'VoixOffIn','Chez papa et maman ?'),
(32950,5011,'BandeSon','Id.'),
(32951,5011,'_product_image_gallery',''),
(32952,5012,'_pingme','1'),
(32953,5012,'_encloseme','1'),
(32954,5012,'Index','710'),
(32955,5012,'Minutage','08’12'),
(32956,5012,'Images','Avion de guerre\norné d’un dessin de dents. Documentaire de la guerre civile en Chine.'),
(32957,5012,'BandeSon','Id.'),
(32958,5012,'_product_image_gallery',''),
(32959,5013,'_pingme','1'),
(32960,5013,'_encloseme','1'),
(32961,5013,'Index','720'),
(32962,5013,'Minutage','08’13'),
(32963,5013,'Images','Requin émergeant de l\'eau, la gueule grande ouverte. Les dents de la mer, Steven Spielberg (1975).'),
(32964,5013,'BandeSon','Id.'),
(32965,5013,'_product_image_gallery',''),
(32966,5014,'_pingme','1'),
(32967,5014,'_encloseme','1'),
(32968,5014,'Index','730'),
(32969,5014,'Minutage','08’14'),
(32970,5014,'Images','Noir'),
(32971,5014,'BandeSon','Id.'),
(32972,5014,'_product_image_gallery',''),
(32973,5015,'_pingme','1'),
(32974,5015,'_encloseme','1'),
(32975,5015,'Index','740'),
(32976,5015,'Minutage','08’16'),
(32977,5015,'Images','Empilement de cadavres. Nuit et brouillard, Alain Resnais (1956).'),
(32978,5015,'BandeSon','Id.'),
(32979,5015,'_product_image_gallery',''),
(32980,5016,'_pingme','1'),
(32981,5016,'_encloseme','1'),
(32982,5016,'Index','750'),
(32983,5016,'Minutage','08’19'),
(32984,5016,'Images','Homme tuant un cheval. Le sang des bêtes, Georges Franju, (1949).'),
(32985,5016,'VoixOffIn','Il est presque impossible d’abolir'),
(32986,5016,'BandeSon','Id.'),
(32987,5016,'_product_image_gallery',''),
(32988,5017,'_pingme','1'),
(32989,5017,'_encloseme','1'),
(32990,5017,'Index','760'),
(32991,5017,'Minutage','08’24'),
(32992,5017,'Images','Noir'),
(32993,5017,'VoixOffIn','la réciprocité entre les hommes. La violence est une forme.(René Girard, La violence et le sacré, 1972)'),
(32994,5017,'BandeSon','Id. e Cue, Scott Walker (2006).'),
(32995,5017,'Ecrits','L’une part la décision et\ndécision, c’est : se tenir\nêtre et le non-être ; et il y\nde l’être, le primat incor\n(Vladimir Ilitch Lénine)'),
(32996,5017,'_product_image_gallery',''),
(32997,5018,'_pingme','1'),
(32998,5018,'_encloseme','1'),
(32999,5018,'Index','770'),
(33000,5018,'Minutage','08’31'),
(33001,5018,'Images','Hibou, fondu avec un homme battant des paupières et les frottant successivement. La Grève, Sergueï Eisenstein  (1925). Histoire(s) du cinéma 1a, Jean-Luc Godard (1988-98).'),
(33002,5018,'BandeSon','Cue, Scott Walker (2006).'),
(33003,5018,'_product_image_gallery',''),
(33004,5019,'_pingme','1'),
(33005,5019,'_encloseme','1'),
(33006,5019,'Index','780'),
(33007,5019,'Minutage','08’36'),
(33008,5019,'Images','Noir'),
(33009,5019,'BandeSon','Id.'),
(33010,5019,'_product_image_gallery',''),
(33011,5020,'_pingme','1'),
(33012,5020,'_encloseme','1'),
(33013,5020,'Index','790'),
(33014,5020,'Minutage','08’43'),
(33015,5020,'Images','Hommes essayant de prendre la fuite et se faisant tirer dessus. Certains meurent. Hommes lançant dans la mer des prisonniers attachés. Paisà, Roberto Rossellini (1946).'),
(33016,5020,'VoixOffIn','Accadeva nell’inverno del 1944. All’inizio della primavera la guerra era finita.\n'),
(33017,5020,'BandeSon','Mitraillette, personnes tombant dans l\'eau.'),
(33018,5020,'_product_image_gallery',''),
(33019,5021,'_pingme','1'),
(33020,5021,'_encloseme','1'),
(33021,5021,'Index','800'),
(33022,5021,'Minutage','09’06'),
(33023,5021,'Images','Surexposé : djihadistes tirant sur des hommes, et les lançant à la mer.'),
(33024,5021,'BandeSon','Silence'),
(33025,5021,'_product_image_gallery',''),
(33026,5022,'_pingme','1'),
(33027,5022,'_encloseme','1'),
(33028,5022,'Index','810'),
(33029,5022,'Minutage','09’13'),
(33030,5022,'Images','Surexposé et saturé en tons rouges : mer.'),
(33031,5022,'BandeSon','Id.'),
(33032,5022,'_product_image_gallery',''),
(33033,5023,'_pingme','1'),
(33034,5023,'_encloseme','1'),
(33035,5023,'Index','820'),
(33036,5023,'Minutage','09’15'),
(33037,5023,'Images','Un homme et une femme traversant en courant le corridor de Vasari à Florence, Paisà, Roberto Rossellini (1946). En surimpression, La belle et la bête, Jean Cocteau (1946).'),
(33038,5023,'VoixOffIn','S’il vous plaît (fois 7)'),
(33039,5023,'BandeSon','Ressac de vagues.'),
(33040,5023,'_product_image_gallery',''),
(33041,5024,'_pingme','1'),
(33042,5024,'_encloseme','1'),
(33043,5024,'Index','830'),
(33044,5024,'Minutage','09’23'),
(33045,5024,'Images','Noir'),
(33046,5024,'VoixOffIn','Devenir immortelle ne vous intéresse vraiment pas ?'),
(33047,5024,'BandeSon','Id.'),
(33048,5024,'Ecrits','RIM(AK)ES'),
(33049,5024,'_product_image_gallery',''),
(33050,5025,'_pingme','1'),
(33051,5025,'_encloseme','1'),
(33052,5025,'Index','840'),
(33053,5025,'Minutage','09’27'),
(33054,5025,'Images','Homme se jettant à la mer pour sauver une femme voulant se suicider. Vertigo, Alfred Hitchcock (1958).'),
(33055,5025,'VoixOffIn','-Immortelle, quoi ça sert ?\n-On m’a dit que tout le monde en avait envie.\n-Qu’est ce que je vais devenir si je meurs pas ? La vie va s’arrêter\n'),
(33056,5025,'BandeSon','Id.'),
(33057,5025,'_product_image_gallery',''),
(33058,5026,'_pingme','1'),
(33059,5026,'_encloseme','1'),
(33060,5026,'Index','850'),
(33061,5026,'Minutage','09’44'),
(33062,5026,'Images','Noir'),
(33063,5026,'VoixOffIn',' je ne suis pas comme vous.'),
(33064,5026,'BandeSon','Id.'),
(33065,5026,'_product_image_gallery',''),
(33066,5027,'_pingme','1'),
(33067,5027,'_encloseme','1'),
(33068,5027,'Index','860'),
(33069,5027,'Minutage','09’47'),
(33070,5027,'Images','Surexposé et au ralenti : homme transportant le corps d’une femme ayant risqué de se noyer. Vertigo, Alfred Hitchcock (1958).'),
(33071,5027,'VoixOffIn','-Fière, et orgueilleuse avec ça.\n'),
(33072,5027,'BandeSon','Id.'),
(33073,5027,'_product_image_gallery',''),
(33074,5028,'_pingme','1'),
(33075,5028,'_encloseme','1'),
(33076,5028,'Index','870'),
(33077,5028,'Minutage','09’49'),
(33078,5028,'Images','Femme à la plage et homme naigeant dans la mer. Femme au corbeau, Frank Borzage (1929).'),
(33079,5028,'VoixOffIn','- Oui, fière, si je me compare.'),
(33080,5028,'BandeSon','Id.'),
(33081,5028,'_product_image_gallery',''),
(33082,5029,'_pingme','1'),
(33083,5029,'_encloseme','1'),
(33084,5029,'Index','880'),
(33085,5029,'Minutage','09’56'),
(33086,5029,'Images','Caméraman assis sur une dolly.  Silence! On tourne, Youssef Chahine (2001).'),
(33087,5029,'BandeSon','Id.'),
(33088,5029,'_product_image_gallery',''),
(33089,5030,'_pingme','1'),
(33090,5030,'_encloseme','1'),
(33091,5030,'Index','890'),
(33092,5030,'Minutage','09’58'),
(33093,5030,'Images','Visage d’une femme de L’Atalante, Jean Vigo (1934), au ralenti et superposé à l’image d’un homme.'),
(33094,5030,'VoixOffIn','Et humble, si je me considère.\n- Vous me l\'avez déjà dit.\n- Oui, mais je ne savais pas que c\'était vous. Je croyais que c\'était Simon qui était là.'),
(33095,5030,'BandeSon','Id.'),
(33096,5030,'_product_image_gallery',''),
(33097,5031,'_pingme','1'),
(33098,5031,'_encloseme','1'),
(33099,5031,'Index','900'),
(33100,5031,'Minutage','10’12'),
(33101,5031,'Images','Homme déposant une femme par terre au bord d’un lac. Hélas pour moi, Jean-Luc Godard (1993).'),
(33102,5031,'VoixOffIn','C’est notre première dispute, et je t’aime.\nHélas pour moi, Jean-Luc Godard (1993).'),
(33103,5031,'BandeSon','Id.'),
(33104,5031,'_product_image_gallery',''),
(33105,5032,'_pingme','1'),
(33106,5032,'_encloseme','1'),
(33107,5032,'Index','910'),
(33108,5032,'Minutage','10’19'),
(33109,5032,'Images','Deux personnes marchant à quatre pattes sur le sol au milieu de l\'eau. La furie du désir [Ruby Gentry], King Vidor (1952).'),
(33110,5032,'BandeSon','Silence'),
(33111,5032,'_product_image_gallery',''),
(33112,5033,'_pingme','1'),
(33113,5033,'_encloseme','1'),
(33114,5033,'Index','920'),
(33115,5033,'Minutage','10’25'),
(33116,5033,'Images','Noir'),
(33117,5033,'BandeSon','Quintette avec piano, Op. 18 - I, Myscyslav Weimberg (1944).'),
(33118,5033,'_product_image_gallery',''),
(33119,5034,'_pingme','1'),
(33120,5034,'_encloseme','1'),
(33121,5034,'Index','930'),
(33122,5034,'Minutage','10’27'),
(33123,5034,'Images','Images d’archives : signature de l\'armistice de la Seconde Guerre mondiale le 8 mai 1945. En noir et blanc, puis en couleurs.'),
(33124,5034,'BandeSon','Quintette avec piano, Op. 18 - I, Myscyslav Weimberg (1944).'),
(33125,5034,'_product_image_gallery',''),
(33126,5035,'_pingme','1'),
(33127,5035,'_encloseme','1'),
(33128,5035,'Index','940'),
(33129,5035,'Minutage','10’37'),
(33130,5035,'Images','Noir'),
(33131,5035,'BandeSon','Id.'),
(33132,5035,'_product_image_gallery',''),
(33133,5036,'_pingme','1'),
(33134,5036,'_encloseme','1'),
(33135,5036,'Index','950'),
(33136,5036,'Minutage','10’39'),
(33137,5036,'Images','Images d’archives de la chaîne de television francaise Planète : folle fêtant, drapeau Etatsunien à la main.'),
(33138,5036,'BandeSon','Id. et silence.'),
(33139,5036,'_product_image_gallery',''),
(33140,5037,'_pingme','1'),
(33141,5037,'_encloseme','1'),
(33142,5037,'Index','960'),
(33143,5037,'Minutage','10’41'),
(33144,5037,'Images','Assignat de 25 sols. (Papier monnaie fiduciaire d’échange, instaurée sous la Révolution française par la loi du 4 janvier 1792).'),
(33145,5037,'VoixOffIn','On a signé, ah signé, assigné, assigné, assignats. (Jean-Luc Godard)'),
(33146,5037,'BandeSon','Silence'),
(33147,5037,'_product_image_gallery',''),
(33148,5038,'_pingme','1'),
(33149,5038,'_encloseme','1'),
(33150,5038,'Index','970'),
(33151,5038,'Minutage','10’55'),
(33152,5038,'Images','Noir'),
(33153,5038,'VoixOffIn','Vous vous souvenez de José . républicain espagnol ? Avec les communistes j\'irai jusqu\'à la mort.'),
(33154,5038,'BandeSon','Id.'),
(33155,5038,'_product_image_gallery',''),
(33156,5039,'_pingme','1'),
(33157,5039,'_encloseme','1'),
(33158,5039,'Index','980'),
(33159,5039,'Minutage','11’00'),
(33160,5039,'Images','Hommes posant un livre sur la tête d’un homme allongé et plaçant le bout de l\'index et du majeur sur sa couverture, Ivan le terrible, Sergej Ejzenstejn (1944). Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(33161,5039,'VoixOffIn','Avec les communistes j\'irai jusqu\'à la mort mais je ne ferai pas un pas de plus.\n(André Malraux, L’Espoir, 1937)'),
(33162,5039,'BandeSon','Id.'),
(33163,5039,'_product_image_gallery',''),
(33164,5040,'_pingme','1'),
(33165,5040,'_encloseme','1'),
(33166,5040,'Index','990'),
(33167,5040,'Minutage','11’21'),
(33168,5040,'Images','Enfants jouant du violon. Les enfants jouent à la Russie, Jean-Luc Godard (1993).'),
(33169,5040,'BandeSon','Orchestre.'),
(33170,5040,'_product_image_gallery',''),
(33171,5041,'_pingme','1'),
(33172,5041,'_encloseme','1'),
(33173,5041,'Index','1000'),
(33174,5041,'Minutage','11’26'),
(33175,5041,'Images','Photographie d’Inès Armand, femme politique communiste.'),
(33176,5041,'BandeSon','Silence'),
(33177,5041,'_product_image_gallery',''),
(33178,5042,'_pingme','1'),
(33179,5042,'_encloseme','1'),
(33180,5042,'Index','1010'),
(33181,5042,'Minutage','11’30'),
(33182,5042,'Images','Avec des couleurs surexposées et saturées : groupe de personnes avec drapeaux et armes. La liberté guidant le peuple, Eugène Delacroix (1830).'),
(33183,5042,'BandeSon','Id.'),
(33184,5042,'_product_image_gallery',''),
(33185,5043,'_pingme','1'),
(33186,5043,'_encloseme','1'),
(33187,5043,'Index','1020'),
(33188,5043,'Minutage','11’32'),
(33189,5043,'Images','En noir et blanc et surexposé : groupe de personnes avec drapeaux et armes. La liberté guidant le peuple, Eugène Delacroix (1830).'),
(33190,5043,'VoixOffIn','Les aventures. Encore un rouge. Dernier, le rouge.\n\n'),
(33191,5043,'BandeSon','Id.'),
(33192,5043,'_product_image_gallery',''),
(33193,5044,'_pingme','1'),
(33194,5044,'_encloseme','1'),
(33195,5044,'Index','1030'),
(33196,5044,'Minutage','11’35'),
(33197,5044,'Images','Alternance en clignotant de photos en couleur d’Hitler, et d’une dame marchant, un enfant dans les bras. Angèle, Ma rcel Pagnol (1934).'),
(33198,5044,'VoixOffIn','-C’est lui qui a commencé, et c’est la vérité.  '),
(33199,5044,'BandeSon','Id.'),
(33200,5044,'_product_image_gallery',''),
(33201,5045,'_pingme','1'),
(33202,5045,'_encloseme','1'),
(33203,5045,'Index','1040'),
(33204,5045,'Minutage','11’40'),
(33205,5045,'Images','Noir'),
(33206,5045,'VoixOffIn','Tais-toi Cassandre!'),
(33207,5045,'BandeSon','Id.'),
(33208,5045,'_product_image_gallery',''),
(33209,5046,'_pingme','1'),
(33210,5046,'_encloseme','1'),
(33211,5046,'Index','1050'),
(33212,5046,'Minutage','11’42'),
(33213,5046,'Images','Femme pleurant. Les larmes de Freya, Anne-Marie Zylberman (1900).'),
(33214,5046,'BandeSon','Id.'),
(33215,5046,'_product_image_gallery',''),
(33216,5047,'_pingme','1'),
(33217,5047,'_encloseme','1'),
(33218,5047,'Index','1060'),
(33219,5047,'Minutage','11’45'),
(33220,5047,'Images','Mains tournées vers la lumière. Fragment de tableau de l’école de Fontainebleau, 1588, une main sous un sein, une autre main joignant l’index au pouce. Histoire(s) du cinéma 4a, Jean-Luc Godard, (1988-98).'),
(33221,5047,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).'),
(33222,5047,'_product_image_gallery',''),
(33223,5048,'_pingme','1'),
(33224,5048,'_encloseme','1'),
(33225,5048,'Index','1070'),
(33226,5048,'Minutage','11’48'),
(33227,5048,'Images','Noir'),
(33228,5048,'BandeSon','Id.'),
(33229,5048,'Ecrits','2\nLES SOIRÉES DE\nST. PÉTERSBOURG (, 1821)'),
(33230,5048,'_product_image_gallery',''),
(33231,5049,'_pingme','1'),
(33232,5049,'_encloseme','1'),
(33233,5049,'Index','1080'),
(33234,5049,'Minutage','11’53'),
(33235,5049,'Images','Jeune fille dansant à un bal. , Sergueï Bondartchouk (1967).'),
(33236,5049,'BandeSon','Instruments à cordes : bande son de Guerre et paix, Sergueï Bondartchouk (1967).'),
(33237,5049,'_product_image_gallery',''),
(33238,5050,'_pingme','1'),
(33239,5050,'_encloseme','1'),
(33240,5050,'Index','1090'),
(33241,5050,'Minutage','11’55'),
(33242,5050,'Images','Soldats à cheval, pendant une bataille. , Sergueï Bondartchouk (1967).'),
(33243,5050,'BandeSon','Silence et Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).'),
(33244,5050,'_product_image_gallery',''),
(33245,5051,'_pingme','1'),
(33246,5051,'_encloseme','1'),
(33247,5051,'Index','1100'),
(33248,5051,'Minutage','12’06'),
(33249,5051,'Images','Surexposé, puis perturbé par des scintillements, des taches noires ou des taches blanches surexposées : nobles entrant dans une salle de bal. Guerre et paix, Sergueï Bondartchouk (1967).'),
(33250,5051,'BandeSon','Entrance of Tsar Alexander(Polonaise) : bande son du film Guerre et paix, Sergueï Bondartchouk (1967).'),
(33251,5051,'_product_image_gallery',''),
(33252,5052,'_pingme','1'),
(33253,5052,'_encloseme','1'),
(33254,5052,'Index','1110'),
(33255,5052,'Minutage','12’45'),
(33256,5052,'Images','Noir'),
(33257,5052,'BandeSon','Silence'),
(33258,5052,'_product_image_gallery',''),
(33259,5053,'_pingme','1'),
(33260,5053,'_encloseme','1'),
(33261,5053,'Index','1120'),
(33262,5053,'Minutage','12’47'),
(33263,5053,'Images','Enfants luttant à coups de bâton. Les enfants de la guerre, Jocelyne Saab (1976).'),
(33264,5053,'VoixOffIn','La guerre est là. (Jean-Luc Godard)'),
(33265,5053,'BandeSon','Id.'),
(33266,5053,'_product_image_gallery',''),
(33267,5054,'_pingme','1'),
(33268,5054,'_encloseme','1'),
(33269,5054,'Index','1130'),
(33270,5054,'Minutage','13’03'),
(33271,5054,'Images','Femme allongée sur le dos devant un homme regardant la mer. Notre musique, Jean-Luc Godard (2004).'),
(33272,5054,'VoixOffIn','La voyez-vous, Péguy, dit-elle. (Il n’y a pas de morts.)\nRien n’est aussi commode qu\'un texte. (Il y a seulement) Et rien n’est aussi commode qu\'un mot dans un texte.'),
(33273,5054,'BandeSon','Ressac de vagues.'),
(33274,5054,'_product_image_gallery',''),
(33275,5055,'_pingme','1'),
(33276,5055,'_encloseme','1'),
(33277,5055,'Index','1140'),
(33278,5055,'Minutage','13’13'),
(33279,5055,'Images','Noir'),
(33280,5055,'VoixOffIn','Nous n\'avions que du livre à mettre dans du livre.'),
(33281,5055,'BandeSon','Silence'),
(33282,5055,'_product_image_gallery',''),
(33283,5056,'_pingme','1'),
(33284,5056,'_encloseme','1'),
(33285,5056,'Index','1150'),
(33286,5056,'Minutage','13’17'),
(33287,5056,'Images','Surexposé : bateaux naviguant en mer.'),
(33288,5056,'VoixOffIn','Que serait-ce quand il faut dans un livre, dans du livre, mettre de la réalité ? Et au deuxième degré quand il faut, dans la réalité,'),
(33289,5056,'BandeSon','Id.'),
(33290,5056,'_product_image_gallery',''),
(33291,5057,'_pingme','1'),
(33292,5057,'_encloseme','1'),
(33293,5057,'Index','1160'),
(33294,5057,'Minutage','13’29'),
(33295,5057,'Images','Cannon visant une voiture. De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(33296,5057,'VoixOffIn',' mettre de la réalité.'),
(33297,5057,'BandeSon','Id.'),
(33298,5057,'_product_image_gallery',''),
(33299,5058,'_pingme','1'),
(33300,5058,'_encloseme','1'),
(33301,5058,'Index','1170'),
(33302,5058,'Minutage','13’31'),
(33303,5058,'Images','Femme se posant la main sur la tête  Le silence de la mer, Jean-Pierre Melville (1949). En alternance :  canon visant une voiture. De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(33304,5058,'VoixOffIn','Qu\'arrive-t-il toujours mon ami ?'),
(33305,5058,'BandeSon','Piano.'),
(33306,5058,'_product_image_gallery',''),
(33307,5059,'_pingme','1'),
(33308,5059,'_encloseme','1'),
(33309,5059,'Index','1180'),
(33310,5059,'Minutage','13’34'),
(33311,5059,'Images','Voiture militaire passant devant une folle.'),
(33312,5059,'VoixOffIn','\n'),
(33313,5059,'BandeSon','Id.'),
(33314,5059,'_product_image_gallery',''),
(33315,5060,'_pingme','1'),
(33316,5060,'_encloseme','1'),
(33317,5060,'Index','1190'),
(33318,5060,'Minutage','13’36'),
(33319,5060,'Images','Noir. En alternance : femme se posant la main sur la tête. Le silence de la mer, Jean-Pierre Melville (1949).'),
(33320,5060,'VoixOffIn','Le soir tombe, les vacances finissent.'),
(33321,5060,'BandeSon','Id.'),
(33322,5060,'_product_image_gallery',''),
(33323,5061,'_pingme','1'),
(33324,5061,'_encloseme','1'),
(33325,5061,'Index','1200'),
(33326,5061,'Minutage','13’43'),
(33327,5061,'Images','Homme torturé au chalumeau. Roma città aperta, Roberto Rossellini (1945).'),
(33328,5061,'VoixOffIn','Il me faut une journée pour faire l\'histoire d\'une seconde.'),
(33329,5061,'BandeSon','Id.'),
(33330,5061,'_product_image_gallery',''),
(33331,5062,'_pingme','1'),
(33332,5062,'_encloseme','1'),
(33333,5062,'Index','1210'),
(33334,5062,'Minutage','13’46'),
(33335,5062,'Images','Noir'),
(33336,5062,'BandeSon','Id.'),
(33337,5062,'_product_image_gallery',''),
(33338,5063,'_pingme','1'),
(33339,5063,'_encloseme','1'),
(33340,5063,'Index','1220'),
(33341,5063,'Minutage','13’51'),
(33342,5063,'Images','Détail surexposé : Reporter, et ombre d’un soldat au fusil.'),
(33343,5063,'VoixOffIn','Il me faut une année pour faire l\'histoire d\'une minute.'),
(33344,5063,'BandeSon','Id.'),
(33345,5063,'_product_image_gallery',''),
(33346,5064,'_pingme','1'),
(33347,5064,'_encloseme','1'),
(33348,5064,'Index','1230'),
(33349,5064,'Minutage','13’57'),
(33350,5064,'Images','Reporter, et ombre d’un soldat au fusil.'),
(33351,5064,'VoixOffIn','Il me faut une vie pour faire l\'histoire d\'une heure.'),
(33352,5064,'BandeSon','Id.'),
(33353,5064,'_product_image_gallery',''),
(33354,5065,'_pingme','1'),
(33355,5065,'_encloseme','1'),
(33356,5065,'Index','1240'),
(33357,5065,'Minutage','14’05'),
(33358,5065,'Images','Noir'),
(33359,5065,'VoixOffIn','Il me faut une éternité pour faire l\'histoire d\'un jour. (Julie Delpy) Clio, dialogue de l’histoire et de l’âme païenne, Charles Péguy (1912).'),
(33360,5065,'BandeSon','Id.'),
(33361,5065,'_product_image_gallery',''),
(33362,5066,'_pingme','1'),
(33363,5066,'_encloseme','1'),
(33364,5066,'Index','1250'),
(33365,5066,'Minutage','14’08'),
(33366,5066,'Images','Hélas pour moi, Jean-Luc Godard (1993).'),
(33367,5066,'VoixOffIn','-Au revoir Ludovic, vous allez à la guerre ?\n-Oui madame Donadieu.'),
(33368,5066,'BandeSon','Au violon : bande son d’Hélas pour moi, Jean-Luc Godard (1993).'),
(33369,5066,'_product_image_gallery',''),
(33370,5067,'_pingme','1'),
(33371,5067,'_encloseme','1'),
(33372,5067,'Index','1260'),
(33373,5067,'Minutage','14’25'),
(33374,5067,'Images','Noir'),
(33375,5067,'BandeSon','Id.'),
(33376,5067,'_product_image_gallery',''),
(33377,5068,'_pingme','1'),
(33378,5068,'_encloseme','1'),
(33379,5068,'Index','1270'),
(33380,5068,'Minutage','14’28'),
(33381,5068,'Images','Homme lançant une lance dans le dos d\'un autre homme. Les Nibelungen. La mort de Siegfried, Fritz Lang (1924).'),
(33382,5068,'BandeSon','Id. puis silence.'),
(33383,5068,'_product_image_gallery',''),
(33384,5069,'_pingme','1'),
(33385,5069,'_encloseme','1'),
(33386,5069,'Index','1280'),
(33387,5069,'Minutage','14’32'),
(33388,5069,'Images','Djihadistes tuant d’une une voiture des gens dans la rue. Ici et ailleurs, Jean-Luc Godard (1976).'),
(33389,5069,'BandeSon','Silence'),
(33390,5069,'_product_image_gallery',''),
(33391,5070,'_pingme','1'),
(33392,5070,'_encloseme','1'),
(33393,5070,'Index','1290'),
(33394,5070,'Minutage','14’35'),
(33395,5070,'Images','Homme transpercé par un javelot. Le testament d\'Orphée, Jean Cocteau (1960).'),
(33396,5070,'VoixOffIn','Quel horreur (fois 3)'),
(33397,5070,'BandeSon','Mitraillette, voitures.'),
(33398,5070,'_product_image_gallery',''),
(33399,5071,'_pingme','1'),
(33400,5071,'_encloseme','1'),
(33401,5071,'Index','1300'),
(33402,5071,'Minutage','14’42'),
(33403,5071,'Images','Noir'),
(33404,5071,'BandeSon','Silence'),
(33405,5071,'_product_image_gallery',''),
(33406,5072,'_pingme','1'),
(33407,5072,'_encloseme','1'),
(33408,5072,'Index','1310'),
(33409,5072,'Minutage','14’45'),
(33410,5072,'Images','Maison en flammes.'),
(33411,5072,'VoixOffIn','C\'est à Saint Petersburg'),
(33412,5072,'BandeSon','Violon.'),
(33413,5072,'_product_image_gallery',''),
(33414,5073,'_pingme','1'),
(33415,5073,'_encloseme','1'),
(33416,5073,'Index','1320'),
(33417,5073,'Minutage','14’51'),
(33418,5073,'Images','Nobles habillés pour une fête de carnaval. Guerre et paix, Sergueï Bondartchouk (1967).'),
(33419,5073,'VoixOffIn','que de Maistre écrivait les soirées.. A la veille de la bataille de la Moskova, il écrivait : “Les fléaux, les malheurs, les divisions, les tortures sont la punition de la méchanceté de l’homme corrompu par le péché. Le bourreau est la pierre angulaire de la société ; l’exécuteur de l’expiation divine.'),
(33420,5073,'BandeSon','Id.'),
(33421,5073,'_product_image_gallery',''),
(33422,5074,'_pingme','1'),
(33423,5074,'_encloseme','1'),
(33424,5074,'Index','1330'),
(33425,5074,'Minutage','15’17'),
(33426,5074,'Images','Photo d’une voiture avec militaires.'),
(33427,5074,'VoixOffIn','C\'est lui'),
(33428,5074,'BandeSon','Id.'),
(33429,5074,'_product_image_gallery',''),
(33430,5075,'_pingme','1'),
(33431,5075,'_encloseme','1'),
(33432,5075,'Index','1340'),
(33433,5075,'Minutage','15’19'),
(33434,5075,'Images','Montage en surimpression : photo d’une comtesse. My Official Wife, Paul L. Stein (1926).'),
(33435,5075,'VoixOffIn','qui nous renvoie à notre juge naturel.. Sa mission est sacrée.'),
(33436,5075,'BandeSon','Id.'),
(33437,5075,'_product_image_gallery',''),
(33438,5076,'_pingme','1'),
(33439,5076,'_encloseme','1'),
(33440,5076,'Index','1350'),
(33441,5076,'Minutage','15’22'),
(33442,5076,'Images','Noir'),
(33443,5076,'BandeSon','Id.'),
(33444,5076,'_product_image_gallery',''),
(33445,5077,'_pingme','1'),
(33446,5077,'_encloseme','1'),
(33447,5077,'Index','1360'),
(33448,5077,'Minutage','15’26'),
(33449,5077,'Images','Militaires sur un champ de bataille, explosions. Guerre et paix, King Vidor (1956).'),
(33450,5077,'VoixOffIn','Le ciel ne peut être apaisé que par le sang. L’innocent peut payer pour le coupable”.\nJoseph de Maistre, Les soirées de Saint-Pétersbourg (1821). (Jean Luc Godard).'),
(33451,5077,'BandeSon','Id. et batterie'),
(33452,5077,'_product_image_gallery',''),
(33453,5078,'_pingme','1'),
(33454,5078,'_encloseme','1'),
(33455,5078,'Index','1370'),
(33456,5078,'Minutage','15’33'),
(33457,5078,'Images','En noir et blanc : homme trainant un chargement. Les paumés de la mendicité [Ladoni], Artur Aristakisyan (1994).'),
(33458,5078,'BandeSon','Silence, puis Concerto pour Violoncelle et cordes : part II. Longing, Dobrinka Tabakova (2008).'),
(33459,5078,'_product_image_gallery',''),
(33460,5079,'_pingme','1'),
(33461,5079,'_encloseme','1'),
(33462,5079,'Index','1380'),
(33463,5079,'Minutage','16’02'),
(33464,5079,'Images','Photo du tombeau de Rosa Luxemburg.'),
(33465,5079,'BandeSon','Concerto pour Violoncelle et cordes : part II. Longing, Dobrinka Tabakova (2008).'),
(33466,5079,'_product_image_gallery',''),
(33467,5080,'_pingme','1'),
(33468,5080,'_encloseme','1'),
(33469,5080,'Index','1390'),
(33470,5080,'Minutage','16’09'),
(33471,5080,'Images','En superposition : soldats tirant une femme à la bouche ouverte. La Chanteuse de café (ou au gant), Edgar Degas (1878). Histoire(s) du cinéma 1a, Jean-Luc Godard, (1988-98).'),
(33472,5080,'BandeSon','Silence'),
(33473,5080,'_product_image_gallery',''),
(33474,5081,'_pingme','1'),
(33475,5081,'_encloseme','1'),
(33476,5081,'Index','1400'),
(33477,5081,'Minutage','16’12'),
(33478,5081,'Images','Cheval dans un cimetière. Documentaire Shoah, les oubliés de l’histoire de la chaîne de télévision Histoire.'),
(33479,5081,'BandeSon','Id.'),
(33480,5081,'_product_image_gallery',''),
(33481,5082,'_pingme','1'),
(33482,5082,'_encloseme','1'),
(33483,5082,'Index','1420'),
(33484,5082,'Minutage','16’18'),
(33485,5082,'Images','Surexposé : femme gisant sur le dos, devant un homme regardant la mer. Notre musique, Jean-Luc Godard (2004).'),
(33486,5082,'BandeSon','Id.'),
(33487,5082,'_product_image_gallery',''),
(33488,5082,'VoixOffIn','They are not men of the world. They told me I was everything. It is a lie.\nShe is gone forever. She is gone.\nI know when one is dead, when one leaves. (fois 3) (Jean-Luc Godard et Anne-Marie Miéville).\nKing Lear, Acte IV Scène 6, William Shakespeare, avec modifications de Jean-Luc Godard.'),
(33489,5084,'_pingme','1'),
(33490,5084,'_encloseme','1'),
(33491,5084,'Index','1430'),
(33492,5084,'Minutage','16’50'),
(33493,5084,'Images','Noir'),
(33494,5084,'BandeSon','Id.'),
(33495,5084,'_product_image_gallery',''),
(33496,5085,'_pingme','1'),
(33497,5085,'_encloseme','1'),
(33498,5085,'Index','1440'),
(33499,5085,'Minutage','16’54'),
(33500,5085,'Images','Détail saturé et surexposée : photographie d’une femme à terre,  blessée, un chien mort à ses côtés. Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(33501,5085,'BandeSon','Id.'),
(33502,5085,'_product_image_gallery',''),
(33503,5086,'_pingme','1'),
(33504,5086,'_encloseme','1'),
(33505,5086,'Index','1450'),
(33506,5086,'Minutage','16’56'),
(33507,5086,'Images','Saturé, puis pris depuis le toit d\'un réservoir : soldats traversant une rivière, les armes au-dessus de la tête.'),
(33508,5086,'BandeSon','Id.'),
(33509,5086,'_product_image_gallery',''),
(33510,5087,'_pingme','1'),
(33511,5087,'_encloseme','1'),
(33512,5087,'Index','1460'),
(33513,5087,'Minutage','17’05'),
(33514,5087,'Images','Noir'),
(33515,5087,'BandeSon','Id.'),
(33516,5087,'_product_image_gallery',''),
(33517,5088,'_pingme','1'),
(33518,5088,'_encloseme','1'),
(33519,5088,'Index','1470'),
(33520,5088,'Minutage','17’08'),
(33521,5088,'Images','Tableau représentant Joseph de Maistre, père de la philosophie contre-révolutionnaire, et critique important des idées des Lumières.'),
(33522,5088,'VoixOffIn','Au cours de la soirée, le comte Joseph de Maistre grand croix de l\'ordre de saint Maurice et de Lazare, continua '),
(33523,5088,'BandeSon','Id.'),
(33524,5088,'_product_image_gallery',''),
(33525,5089,'_pingme','1'),
(33526,5089,'_encloseme','1'),
(33527,5089,'Index','1480'),
(33528,5089,'Minutage','17’16'),
(33529,5089,'Images','Saturé : bombardements aériens.'),
(33530,5089,'BandeSon','Explosions et avions.'),
(33531,5089,'_product_image_gallery',''),
(33532,5090,'_pingme','1'),
(33533,5090,'_encloseme','1'),
(33534,5090,'Index','1490'),
(33535,5090,'Minutage','17’27'),
(33536,5090,'Images','Voyage dans la steppe à l’arrière d’un camion : une femme et un enfant, la tête recouverte d’un foulard ; sur la route poussiéreuse, l’ombre d’autres camions passant dans la perpendiculaire à l’horizon. Alenka, Boris Barnet (1961).  Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(33537,5090,'BandeSon','Concerto pour Violoncelle et cordes : part II. Longing, Dobrinka Tabakova (2008).'),
(33538,5090,'Ecrits','La terre'),
(33539,5090,'_product_image_gallery',''),
(33540,5091,'_pingme','1'),
(33541,5091,'_encloseme','1'),
(33542,5091,'Index','1500'),
(33543,5091,'Minutage','17’33'),
(33544,5091,'Images','Femme poursuivie et attaquée par un groupe d\'hommes. Les Contes de la lune vague après la pluie, Kenji Mizoguchi (1953).'),
(33545,5091,'VoixOffIn','continua ses phrases les plus folles. “Ainsi s’accomplit sans cesse la grande loi de la destruction des êtres vivants. La terre entière continuellement imbibée de sang n’est qu’un autel immense où tout ce qui vit'),
(33546,5091,'BandeSon','Silence'),
(33547,5091,'_product_image_gallery',''),
(33548,5092,'_pingme','1'),
(33549,5092,'_encloseme','1'),
(33550,5092,'Index','1520'),
(33551,5092,'Minutage','17’56'),
(33552,5092,'Images','Saturé de jaune : id.'),
(33553,5092,'VoixOffIn',' doit être immolé, sans fin, sans mesure ;'),
(33554,5092,'BandeSon','Id.'),
(33555,5092,'_product_image_gallery',''),
(33556,5094,'_pingme','1'),
(33557,5094,'_encloseme','1'),
(33558,5094,'Index','1530'),
(33559,5094,'Minutage','18’02'),
(33560,5094,'Images','En couleur : femme au bord d\'une route, le visage défiguré par des coups. Ici et ailleurs, Jean-Luc Godard (1976).'),
(33561,5094,'VoixOffIn','Où tout ce qui vit doit être immolé, sans fin, sans mesure, sans relâche jusqu\'à la consommation des choses, jusqu\'à l\'extinction du mal.”'),
(33562,5094,'BandeSon','Id.'),
(33563,5094,'_product_image_gallery',''),
(33564,5095,'_pingme','1'),
(33565,5095,'_encloseme','1'),
(33566,5095,'Index','1540'),
(33567,5095,'Minutage','18’15'),
(33568,5095,'Images','Voitures de police djihadistes défilant dans les rues, avec des drapeaux noirs.'),
(33569,5095,'VoixOffIn','D’ici un mois, les brigades allaient devoir quitter le pays. Une fois de plus, nous comprîmes à quel point'),
(33570,5095,'BandeSon','Id.'),
(33571,5095,'_product_image_gallery',''),
(33572,5096,'_pingme','1'),
(33573,5096,'_encloseme','1'),
(33574,5096,'Index','1550'),
(33575,5096,'Minutage','18’19'),
(33576,5096,'Images','Voiture avec des soldats armés de fusils passant au milieu d\'une rue avec des gens autour.'),
(33577,5096,'VoixOffIn','nous n’avions pu imaginer que la guerre finisse sans que nous remportions la victoire. La guerre est donc divine en elle-même.\n\nSoldat (traduction de l’arabe): Le volontariat dans la brigade. La vie est une prise de position...'),
(33578,5096,'BandeSon','Id.'),
(33579,5096,'_product_image_gallery',''),
(33580,5097,'_pingme','1'),
(33581,5097,'_encloseme','1'),
(33582,5097,'Index','1560'),
(33583,5097,'Minutage','18’28'),
(33584,5097,'Images','Noir'),
(33585,5097,'VoixOffIn','La guerre, la guerre est donc divine en elle-même, parce que c\'est une loi du monde. '),
(33586,5097,'BandeSon','Id.'),
(33587,5097,'Ecrits','Délivrance'),
(33588,5097,'_product_image_gallery',''),
(33589,5098,'_pingme','1'),
(33590,5098,'_encloseme','1'),
(33591,5098,'Index','1570'),
(33592,5098,'Minutage','18’35'),
(33593,5098,'Images','Photos d\'avions de chasse en vol.'),
(33594,5098,'BandeSon','Id.'),
(33595,5098,'_product_image_gallery',''),
(33596,5099,'_pingme','1'),
(33597,5099,'_encloseme','1'),
(33598,5099,'Index','1580'),
(33599,5099,'Minutage','18’37'),
(33600,5099,'Images','Saturé : bombes et explosions.'),
(33601,5099,'VoixOffIn','Qui pourrait douter que la mort trouvée dans les combats n’est de grand privilège et qui pourrait croire que les victimes de cet épouvantable'),
(33602,5099,'BandeSon','Id.'),
(33603,5099,'_product_image_gallery',''),
(33604,5100,'_pingme','1'),
(33605,5100,'_encloseme','1'),
(33606,5100,'Index','1590'),
(33607,5100,'Minutage','18’47'),
(33608,5100,'Images','Photo d\'une petite fille demandant désespérément de l\'aide à un soldat.'),
(33609,5100,'VoixOffIn','jugement aient versé leur sang en vain. La guerre est donc divine dans la gloire mystérieuse qui l\'environne, et dans l\'attrait non moins '),
(33610,5100,'BandeSon','Id.'),
(33611,5100,'_product_image_gallery',''),
(33612,5101,'_pingme','1'),
(33613,5101,'_encloseme','1'),
(33614,5101,'Index','1600'),
(33615,5101,'Minutage','19’07'),
(33616,5101,'Images','Noir'),
(33617,5101,'VoixOffIn','inexplicable qui nous y porte.'),
(33618,5101,'BandeSon','Id.'),
(33619,5101,'_product_image_gallery',''),
(33620,5102,'_pingme','1'),
(33621,5102,'_encloseme','1'),
(33622,5102,'Index','1610'),
(33623,5102,'Minutage','19’11'),
(33624,5102,'Images','Enfants jouant à la guerre.'),
(33625,5102,'BandeSon','Id.'),
(33626,5102,'_product_image_gallery',''),
(33627,5103,'_pingme','1'),
(33628,5103,'_encloseme','1'),
(33629,5103,'Index','1620'),
(33630,5103,'Minutage','19’21'),
(33631,5103,'Images','Saturé : voiture passant avec un drapeau étasunien.'),
(33632,5103,'BandeSon','Id.'),
(33633,5103,'_product_image_gallery',''),
(33634,5104,'_pingme','1'),
(33635,5104,'_encloseme','1'),
(33636,5104,'Index','1630'),
(33637,5104,'Minutage','19’24'),
(33638,5104,'Images','Noir'),
(33639,5104,'BandeSon','Id.'),
(33640,5104,'_product_image_gallery',''),
(33641,5105,'_pingme','1'),
(33642,5105,'_encloseme','1'),
(33643,5105,'Index','1640'),
(33644,5105,'Minutage','19’26'),
(33645,5105,'Images','Femme militaire. La chute de Berlin, Mikhaïl Tchiaoureli (1950).'),
(33646,5105,'VoixOffIn','En fin de soirée, encore ces mots de représentants de la diplomatie française'),
(33647,5105,'BandeSon','Id.'),
(33648,5105,'_product_image_gallery',''),
(33649,5106,'_pingme','1'),
(33650,5106,'_encloseme','1'),
(33651,5106,'Index','1650'),
(33652,5106,'Minutage','19’33'),
(33653,5106,'Images','Noir'),
(33654,5106,'VoixOffIn','à Saint-Petersburg. '),
(33655,5106,'BandeSon','Id.'),
(33656,5106,'_product_image_gallery',''),
(33657,5107,'_pingme','1'),
(33658,5107,'_encloseme','1'),
(33659,5107,'Index','1660'),
(33660,5107,'Minutage','19’36'),
(33661,5107,'Images','Au ralenti : politiciens débattant dans une assemblée. Napoléon, Abel Gance (1927).'),
(33662,5107,'VoixOffIn','En fin de soirée, encore ces mots de la diplomatie française à Saint-Petersburg.'),
(33663,5107,'BandeSon','Id.'),
(33664,5107,'_product_image_gallery',''),
(33665,5108,'_pingme','1'),
(33666,5108,'_encloseme','1'),
(33667,5108,'Index','1670'),
(33668,5108,'Minutage','19’43'),
(33669,5108,'Images','Détail : homme et femme pleurant. Adam et Ève chassés du paradis, Masaccio (1424-1425).'),
(33670,5108,'VoixOffIn','Mais c’est précisément parce que la révolution qui s’y passe est le comble de l’absurdité et de la corruption morale ... Soirées de Saint-Pétersbourg, Joseph de Maistre (1821).(Jean-Luc Godard)'),
(33671,5108,'BandeSon','Id.'),
(33672,5108,'_product_image_gallery',''),
(33673,5109,'_pingme','1'),
(33674,5109,'_encloseme','1'),
(33675,5109,'Index','1680'),
(33676,5109,'Minutage','19’49'),
(33677,5109,'Images','Chien. Adieu au langage, Jean-Luc Godard (2014).'),
(33678,5109,'BandeSon','Id.'),
(33679,5109,'_product_image_gallery',''),
(33680,5110,'_pingme','1'),
(33681,5110,'_encloseme','1'),
(33682,5110,'Index','1690'),
(33683,5110,'Minutage','19’57'),
(33684,5110,'Images','Homme en voiture roulant très vite. Dr. Mabuse, le joueur, Fritz Lang (1922).'),
(33685,5110,'VoixOffIn','et Malraux dira plus simplement transformer notre apocalypse en armée ou crever, c’est tout. (Jean-Luc Godard)'),
(33686,5110,'BandeSon','Id.'),
(33687,5110,'_product_image_gallery',''),
(33688,5111,'_pingme','1'),
(33689,5111,'_encloseme','1'),
(33690,5111,'Index','1700'),
(33691,5111,'Minutage','20’07'),
(33692,5111,'Images','Noir'),
(33693,5111,'VoixOffIn','Transformer notre apocalypse en armée'),
(33694,5111,'BandeSon','Id.'),
(33695,5111,'_product_image_gallery',''),
(33696,5112,'_pingme','1'),
(33697,5112,'_encloseme','1'),
(33698,5112,'Index','1710'),
(33699,5112,'Minutage','20’09'),
(33700,5112,'Images','Saturé et en tons verts et jaunes : canard attaqué par un crocodile, et tentant de s\'échapper.'),
(33701,5112,'VoixOffIn','ou crever, c’est tout. L’espoir, André Malraux (1937).'),
(33702,5112,'BandeSon','Id.'),
(33703,5112,'_product_image_gallery',''),
(33704,5113,'_pingme','1'),
(33705,5113,'_encloseme','1'),
(33706,5113,'Index','1720'),
(33707,5113,'Minutage','20’13'),
(33708,5113,'Images','Lapin touché par un coup de feu. La règle du jeu, Jean Renoir (1939).'),
(33709,5113,'BandeSon','Coup de feu.'),
(33710,5113,'_product_image_gallery',''),
(33711,5114,'_pingme','1'),
(33712,5114,'_encloseme','1'),
(33713,5114,'Index','1730'),
(33714,5114,'Minutage','20’21'),
(33715,5114,'Images','Photos de trois indiens à cheval au bord d\'une rivière, dans un quartier industrialisé. Notre musique, Jean-Luc Godard (2004).'),
(33716,5114,'VoixOffIn','Laissez-moi seul. Tout seul, vous entendez ? Je ne demande rien à personne moi.\nAllô Berlin ? Ici Paris !, Julien Duvivier (1931).'),
(33717,5114,'BandeSon','Silence'),
(33718,5114,'_product_image_gallery',''),
(33719,5115,'_pingme','1'),
(33720,5115,'_encloseme','1'),
(33721,5115,'Index','1740'),
(33722,5115,'Minutage','20’26'),
(33723,5115,'Images','Rangée de personnes pendues ensemble. Shoah, les oubliés de l’histoire, chaîne de télévision Histoire.'),
(33724,5115,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(33725,5115,'_product_image_gallery',''),
(33726,5116,'_pingme','1'),
(33727,5116,'_encloseme','1'),
(33728,5116,'Index','1750'),
(33729,5116,'Minutage','20’28'),
(33730,5116,'Images','Noir'),
(33731,5116,'BandeSon','Id.'),
(33732,5116,'Ecrits','3.\nCES FLEURS ENTRE LES RAILS,\nDANS LE VENT CONFUS\nDES VOYAGES\n\n(Joseph Maria Rilke)'),
(33733,5116,'_product_image_gallery',''),
(33734,5117,'_pingme','1'),
(33735,5117,'_encloseme','1'),
(33736,5117,'Index','1760'),
(33737,5117,'Minutage','20’41'),
(33738,5117,'Images','Petite fille sur le quai regardant le passage d\'un train. Madeline + Train = Sheer Delight, Vidéo sur youtube .'),
(33739,5117,'BandeSon','Piano.'),
(33740,5117,'_product_image_gallery',''),
(33741,5118,'_pingme','1'),
(33742,5118,'_encloseme','1'),
(33743,5118,'Index','1770'),
(33744,5118,'Minutage','20’42'),
(33745,5118,'Images','En négatif et passé en noir et blanc : train à vapeur passant. Visual essays: origins of film, Al Razutis (1983).'),
(33746,5118,'VoixOffIn','-What’s coming ?\n-A train.\n'),
(33747,5118,'BandeSon','Id.'),
(33748,5118,'_product_image_gallery',''),
(33749,5119,'_pingme','1'),
(33750,5119,'_encloseme','1'),
(33751,5119,'Index','1780'),
(33752,5119,'Minutage','20’45'),
(33753,5119,'Images','Images du 19ème siècle : passagers montant dans un train.'),
(33754,5119,'VoixOffIn','- Oh is gonna arrive the train ?\n-Yeah'),
(33755,5119,'BandeSon','Id.'),
(33756,5119,'_product_image_gallery',''),
(33757,5120,'_pingme','1'),
(33758,5120,'_encloseme','1'),
(33759,5120,'Index','1790'),
(33760,5120,'Minutage','20’59'),
(33761,5120,'Images','Noir'),
(33762,5120,'VoixOffIn','-Here he comes!\n-We are gonna be safe, let\'s go back'),
(33763,5120,'BandeSon','Id.'),
(33764,5120,'_product_image_gallery',''),
(33765,5121,'_pingme','1'),
(33766,5121,'_encloseme','1'),
(33767,5121,'Index','1800'),
(33768,5121,'Minutage','21’03'),
(33769,5121,'Images','En négatif, passé en noir et blanc, clignotant sur les images originales : train à vapeur passant. The edge, Alexei Uchitel (2010).'),
(33770,5121,'BandeSon','Train en approche.'),
(33771,5121,'_product_image_gallery',''),
(33772,5122,'_pingme','1'),
(33773,5122,'_encloseme','1'),
(33774,5122,'Index','1810'),
(33775,5122,'Minutage','21’05'),
(33776,5122,'Images','Noir'),
(33777,5122,'VoixOffIn','-Oooh\nMadeline + Train = Sheer Delight, Vidéo sur youtube .'),
(33778,5122,'BandeSon','Id.'),
(33779,5122,'_product_image_gallery',''),
(33780,5123,'_pingme','1'),
(33781,5123,'_encloseme','1'),
(33782,5123,'Index','1820'),
(33783,5123,'Minutage','21’07'),
(33784,5123,'Images','Saturé : fleurs.'),
(33785,5123,'BandeSon','Silence'),
(33786,5123,'_product_image_gallery',''),
(33787,5124,'_pingme','1'),
(33788,5124,'_encloseme','1'),
(33789,5124,'Index','1830'),
(33790,5124,'Minutage','21’09'),
(33791,5124,'Images','Hommes jetant des pierres sur un train venant de passer. Hélas pour moi, Jean-Luc Godard (1993).'),
(33792,5124,'VoixOffIn','- lui jette la première pierre!'),
(33793,5124,'BandeSon','Id.'),
(33794,5124,'_product_image_gallery',''),
(33795,5125,'_pingme','1'),
(33796,5125,'_encloseme','1'),
(33797,5125,'Index','1840'),
(33798,5125,'Minutage','21’14'),
(33799,5125,'Images','Noir'),
(33800,5125,'BandeSon','Id.'),
(33801,5125,'_product_image_gallery',''),
(33802,5126,'_pingme','1'),
(33803,5126,'_encloseme','1'),
(33804,5126,'Index','1850'),
(33805,5126,'Minutage','21’19'),
(33806,5126,'Images','Passagers d\'un train s\'installant dans leurs cabines avant le départ. Berlin express, Jacques Tourneur (1948).'),
(33807,5126,'VoixOffIn','Compartment B, Lucienne Mirbeau, birthplace Lyon France, occupation secretary. Compartment C, Herr Otto Franzen, birthplace, Frankfurt, Germany. Once a German industrialist, now a dealer in scrap iron. Compartment D, unoccupied, but being held for a person of importance. Compartment E, James Sterling of Liverpool, former occupation, soldier, present occupation, school teacher. Lieutenant Maxim Kiroshilov, birthplace Moskow, defender of Stalingrad, now military aide, Russian occupation authorities. Compartment F, Hneu Perrault, Paris, once a member of the French Underground, now a man of commerce.   \nCompartment G, Hans Schmidt, birthplace Munich, occupation'),
(33808,5126,'BandeSon','Id.'),
(33809,5126,'_product_image_gallery',''),
(33810,5127,'_pingme','1'),
(33811,5127,'_encloseme','1'),
(33812,5127,'Index','1860'),
(33813,5127,'Minutage','22’27'),
(33814,5127,'Images','Noir'),
(33815,5127,'BandeSon','Id.'),
(33816,5127,'_product_image_gallery',''),
(33817,5128,'_pingme','1'),
(33818,5128,'_encloseme','1'),
(33819,5128,'Index','1870'),
(33820,5128,'Minutage','22’30'),
(33821,5128,'Images','Train à vapeur en approche traversant un bois sous la neige. The edge, Alexei Uchitel (2010).'),
(33822,5128,'VoixOffIn','Il était environ neuf heures du matin'),
(33823,5128,'BandeSon','Id.'),
(33824,5128,'_product_image_gallery',''),
(33825,5129,'_pingme','1'),
(33826,5129,'_encloseme','1'),
(33827,5129,'Index','1880'),
(33828,5129,'Minutage','22’38'),
(33829,5129,'Images','En couleurs : gens poursuivant  un train en partance. The edge, Alexei Uchitel (2010).'),
(33830,5129,'VoixOffIn','c’était à la fin de novembre, par un temps de dégel. Le train de Varsovie filait à toute vapeur vers Petersburg.'),
(33831,5129,'BandeSon','Id.'),
(33832,5129,'_product_image_gallery',''),
(33833,5130,'_pingme','1'),
(33834,5130,'_encloseme','1'),
(33835,5130,'Index','1890'),
(33836,5130,'Minutage','22’42'),
(33837,5130,'Images','Suresposé et passé en noir et blanc : Femmes nues au sauna. The edge, Alexei Uchitel (2010).'),
(33838,5130,'VoixOffIn','L’humidité et la brume étaient telles que le jour avait peine à percer.'),
(33839,5130,'BandeSon','Id.'),
(33840,5130,'_product_image_gallery',''),
(33841,5131,'_pingme','1'),
(33842,5131,'_encloseme','1'),
(33843,5131,'Index','1900'),
(33844,5131,'Minutage','22’51'),
(33845,5131,'Images','Deux enfants devant un train en partance. Paysage dans le brouillard. Theo Angelopoulos (1988).'),
(33846,5131,'VoixOffIn','A dix pas à droite et à gauche de la voie, on distinguait malaisément quoi que ce fût par les fenêtres du wagon. L’idiot, Fiodor Dostoïevski (1962) (Jean Luc Godard).'),
(33847,5131,'BandeSon','Id. puis trains et foule dans une gare.'),
(33848,5131,'_product_image_gallery',''),
(33849,5132,'_pingme','1'),
(33850,5132,'_encloseme','1'),
(33851,5132,'Index','1910'),
(33852,5132,'Minutage','23’23'),
(33853,5132,'Images','Noir'),
(33854,5132,'VoixOffIn','Quand un siècle'),
(33855,5132,'BandeSon','Silence'),
(33856,5132,'_product_image_gallery',''),
(33857,5133,'_pingme','1'),
(33858,5133,'_encloseme','1'),
(33859,5133,'Index','1920'),
(33860,5133,'Minutage','23’28'),
(33861,5133,'Images','Photo d\'une femme en robe rose.'),
(33862,5133,'VoixOffIn','se dissout lentement dans le siècle suivant'),
(33863,5133,'BandeSon','Id.'),
(33864,5133,'_product_image_gallery',''),
(33865,5134,'_pingme','1'),
(33866,5134,'_encloseme','1'),
(33867,5134,'Index','1930'),
(33868,5134,'Minutage','23’34'),
(33869,5134,'Images','Enfants photographiant un canard. Histoires du cinéma 4b, Jean-Luc Godard (1988-98).'),
(33870,5134,'VoixOffIn','quelques individus transforment les moyens de survie anciens en moyens nouveaux. Ce sont ces derniers que nous appelons arts.'),
(33871,5134,'BandeSon','Id.'),
(33872,5134,'_product_image_gallery',''),
(33873,5135,'_pingme','1'),
(33874,5135,'_encloseme','1'),
(33875,5135,'Index','1940'),
(33876,5135,'Minutage','23’44'),
(33877,5135,'Images','Photo de Louis-Ferdinand Céline.'),
(33878,5135,'VoixOffIn','La seule chose qui survit à une époque'),
(33879,5135,'BandeSon','Id.'),
(33880,5135,'_product_image_gallery',''),
(33881,5136,'_pingme','1'),
(33882,5136,'_encloseme','1'),
(33883,5136,'Index','1950'),
(33884,5136,'Minutage','23’50'),
(33885,5136,'Images','Surexposé : maisons blanches cubiques.'),
(33886,5136,'VoixOffIn','c\'est la forme d\'art qu\'elle s\'est créée. Aucune activité ne deviendra un art'),
(33887,5136,'BandeSon','Id.'),
(33888,5136,'_product_image_gallery',''),
(33889,5137,'_pingme','1'),
(33890,5137,'_encloseme','1'),
(33891,5137,'Index','1960'),
(33892,5137,'Minutage','23’56'),
(33893,5137,'Images','Saturé : personnes assises à des tables en terrasse d\'un bar.'),
(33894,5137,'VoixOffIn','avant que son époque ne soit terminée. Ensuite'),
(33895,5137,'BandeSon','Id.'),
(33896,5137,'_product_image_gallery',''),
(33897,5138,'_pingme','1'),
(33898,5138,'_encloseme','1'),
(33899,5138,'Index','1970'),
(33900,5138,'Minutage','24’00'),
(33901,5138,'Images','Fragment surexposé. Louis IX, dit Saint Louis, Roi de France, Emile Signol (1844).'),
(33902,5138,'VoixOffIn','cet art disparaîtra. Hollis Frampton, « Pour une métahistoire du film », Trafic, n°21, printemps 1997 (Jean Luc Godard)'),
(33903,5138,'BandeSon','Id.'),
(33904,5138,'Ecrits','Le roi Saint Louis'),
(33905,5138,'_product_image_gallery',''),
(33906,5139,'_pingme','1'),
(33907,5139,'_encloseme','1'),
(33908,5139,'Index','1980'),
(33909,5139,'Minutage','24’05'),
(33910,5139,'Images','Femme traversant un train bondé. Manon, Henri-Georges Clouzot (1949).'),
(33911,5139,'VoixOffIn','-C’est pire que dans le métro.\n-Pardon, laissez passer.\n-Merde alors, vous pouvez pas rester à votre place non ?'),
(33912,5139,'BandeSon','Das Buch der Klange I-XII, V, Hans Otte (1999).'),
(33913,5139,'_product_image_gallery',''),
(33914,5140,'_pingme','1'),
(33915,5140,'_encloseme','1'),
(33916,5140,'Index','1990'),
(33917,5140,'Minutage','24’46'),
(33918,5140,'Images','Train prenant un virage.'),
(33919,5140,'VoixOffIn','-Suivez-moi Monsieur.\n-Décidément vous dormez\n-Oui, oui je dors. C’est très curieux.\n-Enfin madame, mais expliquerez-vous ?\n'),
(33920,5140,'BandeSon','Silence'),
(33921,5140,'_product_image_gallery',''),
(33922,5141,'_pingme','1'),
(33923,5141,'_encloseme','1'),
(33924,5141,'Index','2000'),
(33925,5141,'Minutage','25’02'),
(33926,5141,'Images','Cadavres le long de voies ferrées. Nuit et Brouillard, Alain Resnais (1956).'),
(33927,5141,'VoixOffIn','- Rien. Si vous dormez, si vous rêvez, acceptez vos rêves. C\'est le rôle du dormeur.\n Orphée, Jean Cocteau (1950).\n'),
(33928,5141,'BandeSon','Id.'),
(33929,5141,'_product_image_gallery',''),
(33930,5142,'_pingme','1'),
(33931,5142,'_encloseme','1'),
(33932,5142,'Index','2010'),
(33933,5142,'Minutage','25’08'),
(33934,5142,'Images','Couple dans un train regardant par la fenêtre. Film socialisme, Jean-Luc Godard (2010).'),
(33935,5142,'VoixOffIn','Elle était devenue terrible, la langue de Goethe, quand on l\'entendait dans la nuit des petites gares russes. (Jean Luc Godard). Vie et destin, Vasiliĭ Semenovich Grossman (1930).\n\nFemme (traduction du dialecte tunisien):\nOn la décrit toujours comme quelque chose de surnaturel. Mais c\'est quelque chose qui ne se ressent pas. Une fois, je me suis heurté à une voiture de police. Après une explosion. J\'ai couru, je suis tombée. J\'ai senti ma tête se cogner contre le sol. J\'ai eu un malaise. Je n\'ai pas pensé à la mort. Non. Moi. C\'est MOI qui est en train de mourir.\n\nHomme (traduction du dialecte tunisien):\nJe te souhaite la sûreté.'),
(33936,5142,'BandeSon','Id.'),
(33937,5142,'_product_image_gallery',''),
(33938,5143,'_pingme','1'),
(33939,5143,'_encloseme','1'),
(33940,5143,'Index','2020'),
(33941,5143,'Minutage','25’53'),
(33942,5143,'Images','Femme marchant et trébuchant parmi des soldats campant par terre après une catastrophe ferroviaire en Inde. La Croisée des destins [Bhowani Junction], George Cukor (1956).'),
(33943,5143,'BandeSon','Nombreuses personnes parlant et criant.'),
(33944,5143,'_product_image_gallery',''),
(33945,5144,'_pingme','1'),
(33946,5144,'_encloseme','1'),
(33947,5144,'Index','2030'),
(33948,5144,'Minutage','26’00'),
(33949,5144,'Images','Homme aidant une femme à sortir par la fenêtre d\'un wagon de train. Le Mecano de la General, Buster Keaton (1927).'),
(33950,5144,'VoixOffIn','Nous voulons voyager, sans vapeur, et sans voile, faites, pour égayer l’ennui de nos prisons, passer sur nos esprits tendus comme une toile, vos souvenirs avec leur cadre d’horizon.   « Le voyage », Les Fleurs du mal, Charles Baudelaire, 1857.\nHistoires du cinéma 2a, Jean-Luc Godard (1989-1999). (Julie Delphy).'),
(33951,5144,'BandeSon','Silence et Le Clavier bien tempéré 1, BWV 846-869, Johan Sebastian Bach (1722).'),
(33952,5144,'_product_image_gallery',''),
(33953,5145,'_pingme','1'),
(33954,5145,'_encloseme','1'),
(33955,5145,'Index','2040'),
(33956,5145,'Minutage','26’30'),
(33957,5145,'Images','Train en Afrique avec autour des femmes et hommes vendant des fruits et  vêtements dans un marché. Enfants suivant un train qui s’éloigne. Les routes de l’impossible, Tony Comiti, France 5 (2007).'),
(33958,5145,'BandeSon','Personnes parlant et criant. En arrière-plan sonore : tambours.'),
(33959,5145,'_product_image_gallery',''),
(33960,5146,'_pingme','1'),
(33961,5146,'_encloseme','1'),
(33962,5146,'Index','2050'),
(33963,5146,'Minutage','26’46'),
(33964,5146,'Images','Homme et femme mangeant assis sur les sièges d\'un train. Manon, Henri-Georges Clouzot (1949).'),
(33965,5146,'BandeSon','Silence'),
(33966,5146,'_product_image_gallery',''),
(33967,5147,'_pingme','1'),
(33968,5147,'_encloseme','1'),
(33969,5147,'Index','2060'),
(33970,5147,'Minutage','26’48'),
(33971,5147,'Images','Passagers dans un wagon. Manon, Henri-Georges Clouzot (1949).'),
(33972,5147,'BandeSon','Accordéon.'),
(33973,5147,'_product_image_gallery',''),
(33974,5148,'_pingme','1'),
(33975,5148,'_encloseme','1'),
(33976,5148,'Index','2070'),
(33977,5148,'Minutage','26’50'),
(33978,5148,'Images','Homme parlant de manière animée à une femme dans un train. Manon, Henri-Georges Clouzot (1949).'),
(33979,5148,'BandeSon','Sifflement de la vapeur s\'échappant d\'un train.'),
(33980,5148,'_product_image_gallery',''),
(33981,5149,'_pingme','1'),
(33982,5149,'_encloseme','1'),
(33983,5149,'Index','2080'),
(33984,5149,'Minutage','26’53'),
(33985,5149,'Images','Passagers à l\'intérieur d\'une voiture. Manon, Henri-Georges Clouzot (1949).'),
(33986,5149,'BandeSon','Accordéon, voix de personnes qui discutent.'),
(33987,5149,'_product_image_gallery',''),
(33988,5150,'_pingme','1'),
(33989,5150,'_encloseme','1'),
(33990,5150,'Index','2090'),
(33991,5150,'Minutage','26’55'),
(33992,5150,'Images','Groupe de personnes à l\'intérieur d\'une voiture, jouant de l\'accordéon. Manon, Henri-Georges Clouzot (1949).'),
(33993,5150,'BandeSon','Id.'),
(33994,5150,'_product_image_gallery',''),
(33995,5151,'_pingme','1'),
(33996,5151,'_encloseme','1'),
(33997,5151,'Index','2100'),
(33998,5151,'Minutage','26’56'),
(33999,5151,'Images','Noir '),
(34000,5151,'VoixOffIn','Les voix de la séquence précédente continuent'),
(34001,5151,'BandeSon','Id.'),
(34002,5151,'_product_image_gallery',''),
(34003,5152,'_pingme','1'),
(34004,5152,'_encloseme','1'),
(34005,5152,'Index','2110'),
(34006,5152,'Minutage','27’00'),
(34007,5152,'Images','Train passant au ralenti avec un drapeau nazi.'),
(34008,5152,'BandeSon','Silence et train passant.'),
(34009,5152,'_product_image_gallery',''),
(34010,5153,'_pingme','1'),
(34011,5153,'_encloseme','1'),
(34012,5153,'Index','2120'),
(34013,5153,'Minutage','27’05'),
(34014,5153,'Images','Train traversant lentement un marché en Chine. Shanghai Express, Josef von Sternberg, (1932).'),
(34015,5153,'BandeSon','Silence'),
(34016,5153,'_product_image_gallery',''),
(34017,5154,'_pingme','1'),
(34018,5154,'_encloseme','1'),
(34019,5154,'Index','2130'),
(34020,5154,'Minutage','27’07'),
(34021,5154,'Images','Saturé : fleurs.'),
(34022,5154,'BandeSon','Rising Grace, Wolfgang Muthspiel (2016).'),
(34023,5154,'_product_image_gallery',''),
(34024,5155,'_pingme','1'),
(34025,5155,'_encloseme','1'),
(34026,5155,'Index','2140'),
(34027,5155,'Minutage','27’17'),
(34028,5155,'Images','Noir'),
(34029,5155,'BandeSon','Silence'),
(34030,5155,'Ecrits','Sous les yeux de l’occident. Joseph Conrad, Under Western Eyes (1911).'),
(34031,5155,'_product_image_gallery',''),
(34032,5156,'_pingme','1'),
(34033,5156,'_encloseme','1'),
(34034,5156,'Index','2150'),
(34035,5156,'Minutage','27’19'),
(34036,5156,'Images','Personne en tuant une autre dans un train. Shanghai Express, Josef von Sternberg, (1932).'),
(34037,5156,'BandeSon','Vapeur s\'échappant d\'un train.'),
(34038,5156,'_product_image_gallery',''),
(34039,5157,'_pingme','1'),
(34040,5157,'_encloseme','1'),
(34041,5157,'Index','2160'),
(34042,5157,'Minutage','27’23'),
(34043,5157,'Images','Soldat tirant sur d\'autres soldats, au-delà d\'une barricade.'),
(34044,5157,'BandeSon','Tirs de pistolets et mitraillettes.'),
(34045,5157,'_product_image_gallery',''),
(34046,5158,'_pingme','1'),
(34047,5158,'_encloseme','1'),
(34048,5158,'Index','2170'),
(34049,5158,'Minutage','27’25'),
(34050,5158,'Images','Au ralenti : homme et femme passant dans le couloir d\'un train.Terror by night, Roy William Neill (1946).'),
(34051,5158,'VoixOffIn','Mais enfin dites-moi pourquoi vous avez fait de l’espionnage ?\n-J\'en sais rien.\n-Vous avez accepté ?'),
(34052,5158,'BandeSon','Silence'),
(34053,5158,'_product_image_gallery',''),
(34054,5159,'_pingme','1'),
(34055,5159,'_encloseme','1'),
(34056,5159,'Index','2180'),
(34057,5159,'Minutage','27’36'),
(34058,5159,'Images','Noir'),
(34059,5159,'VoixOffIn','- D’entrer dans son organisation ? Non Michel.\nMais même chez les communistes l’agent compte plus que tout le reste.'),
(34060,5159,'BandeSon','Id.'),
(34061,5159,'_product_image_gallery',''),
(34062,5160,'_pingme','1'),
(34063,5160,'_encloseme','1'),
(34064,5160,'Index','2190'),
(34065,5160,'Minutage','27’45'),
(34066,5160,'Images','Vapeur sortant d\'un train prenant un virage. Terror by night, Roy William Neill (1946).'),
(34067,5160,'BandeSon','Sifflet, puis passage d\'un train.'),
(34068,5160,'_product_image_gallery',''),
(34069,5161,'_pingme','1'),
(34070,5161,'_encloseme','1'),
(34071,5161,'Index','2200'),
(34072,5161,'Minutage','27’50'),
(34073,5161,'Images','Homme regardant une femme boire, au restaurant d\'un train. Terror by night, Roy William Neill (1946).'),
(34074,5161,'VoixOffIn','Deux discours prononcés par George Steiner et Cornelius Castoriadis se chevauchent :\nSteiner : Il fera exactement la même chose que les autres, ce que les autres lui ont appris.'),
(34075,5161,'BandeSon','Silence'),
(34076,5161,'_product_image_gallery',''),
(34077,5162,'_pingme','1'),
(34078,5162,'_encloseme','1'),
(34079,5162,'Index','2210'),
(34080,5162,'Minutage','27’54'),
(34081,5162,'Images','Enfant regardant par la fenêtre d\'un train des wagons militaires transportant des réservoirs. Le silence, Ingmar Bergman (1963).'),
(34082,5162,'VoixOffIn','Pour qu\'il y ait vraiment des individus, il faut que la collectivité bouge, et pour que la collectivité bouge il fera exactement la même chose que les autres, ce que les autres\nCastoriadis : Quelque chose a surgi de barbare. Quelque chose d’immense lumière qui a accentué les beaux mystères de la vie\n'),
(34083,5162,'BandeSon','Id.'),
(34084,5162,'_product_image_gallery',''),
(34085,5163,'_pingme','1'),
(34086,5163,'_encloseme','1'),
(34087,5163,'Index','2220'),
(34088,5163,'Minutage','28’11'),
(34089,5163,'Images','Au ralenti : femme dans le vagons d’un train. Terror by night, Roy William Neill (1946).'),
(34090,5163,'VoixOffIn','-Come va a New York ? Va bene?\n- Non ci si arricchisce\n- Che importa questo? Si può star bene senza arricchire'),
(34091,5163,'BandeSon','Train.'),
(34092,5163,'_product_image_gallery',''),
(34093,5164,'_pingme','1'),
(34094,5164,'_encloseme','1'),
(34095,5164,'Index','2230'),
(34096,5164,'Minutage','28’14'),
(34097,5164,'Images','Hommes parlant en regardant par la fenêtre d\'un train. Sicilia ! Jean-Marie Straub et Danièle Huillet (1998).'),
(34098,5164,'VoixOffIn','- Non avresti fatto che il tuo dovere.\n-Naturalmente!\n-I tipi così sono sempre da fermare.\n-Effettivamente, non si sa mai.\n-Ogni morto di fame è un uomo pericoloso.\n-Come no, capace di tutto.\n-Di rubare.\n-Questo va da sé.'),
(34099,5164,'BandeSon','Id.'),
(34100,5164,'_product_image_gallery',''),
(34101,5165,'_pingme','1'),
(34102,5165,'_encloseme','1'),
(34103,5165,'Index','2240'),
(34104,5165,'Minutage','28’35'),
(34105,5165,'Images','Femme entrant dans un wagon de train, hommes se retournant pour la regarder. Johnny Guitar, Nicholas Ray (1954).'),
(34106,5165,'BandeSon','Image The Fog Dirappearing, Tord Gustavsen (2016).'),
(34107,5165,'_product_image_gallery',''),
(34108,5166,'_pingme','1'),
(34109,5166,'_encloseme','1'),
(34110,5166,'Index','2250'),
(34111,5166,'Minutage','29’03'),
(34112,5166,'Images','Noir'),
(34113,5166,'BandeSon','Id.'),
(34114,5166,'_product_image_gallery',''),
(34115,5167,'_pingme','1'),
(34116,5167,'_encloseme','1'),
(34117,5167,'Index','2260'),
(34118,5167,'Minutage','29’07'),
(34119,5167,'Images','Cheval et cavalier au galop, derrière un train. Turksib, Viktor Alexandrovitch Turin (1921).\n'),
(34120,5167,'BandeSon','Id.'),
(34121,5167,'_product_image_gallery',''),
(34122,5168,'_pingme','1'),
(34123,5168,'_encloseme','1'),
(34124,5168,'Index','2270'),
(34125,5168,'Minutage','29’10'),
(34126,5168,'Images','Homme passant la main sur un vinyle et écoutant la musique qui s\'en dégage. L’Atalante, Jean Vigo (1934).'),
(34127,5168,'BandeSon','Silence et Concerto Grosso No. 4, Alfred Schnittke 1988.'),
(34128,5168,'_product_image_gallery',''),
(34129,5169,'_pingme','1'),
(34130,5169,'_encloseme','1'),
(34131,5169,'Index','2280'),
(34132,5169,'Minutage','29’16'),
(34133,5169,'Images','Cheval et cavalier au galop, le long d’un train. Turksib, Viktor Alexandrovitch Turin (1921).\n'),
(34134,5169,'BandeSon','Id.'),
(34135,5169,'_product_image_gallery',''),
(34136,5170,'_pingme','1'),
(34137,5170,'_encloseme','1'),
(34138,5170,'Index','2290'),
(34139,5170,'Minutage','29’22'),
(34140,5170,'Images','Noir'),
(34141,5170,'BandeSon','Silence'),
(34142,5170,'_product_image_gallery',''),
(34143,5171,'_pingme','1'),
(34144,5171,'_encloseme','1'),
(34145,5171,'Index','2300'),
(34146,5171,'Minutage','29’24'),
(34147,5171,'Images','Chameau reniflant les rails d\'un train, train traversant une prairie déserte. Turksib, Viktor Alexandrovitch Turin (1921).'),
(34148,5171,'BandeSon','Image The Fog Dirappearing, Tord Gustavsen (2016).'),
(34149,5171,'_product_image_gallery',''),
(34150,5172,'_pingme','1'),
(34151,5172,'_encloseme','1'),
(34152,5172,'Index','2310'),
(34153,5172,'Minutage','29’31'),
(34154,5172,'Images','Paysage vu d\'un train.  '),
(34155,5172,'VoixOffIn','j\'avoue qu\'avant d\'embarquer à bord'),
(34156,5172,'BandeSon','Voix masculine accompagnée au piano.'),
(34157,5172,'_product_image_gallery',''),
(34158,5173,'_pingme','1'),
(34159,5173,'_encloseme','1'),
(34160,5173,'Index','2320'),
(34161,5173,'Minutage','29’36'),
(34162,5173,'Images','Saturé et surexposé : train avançant.'),
(34163,5173,'VoixOffIn','de ce vieux\n piano'),
(34164,5173,'BandeSon','Id.'),
(34165,5173,'_product_image_gallery',''),
(34166,5174,'_pingme','1'),
(34167,5174,'_encloseme','1'),
(34168,5174,'Index','2330'),
(34169,5174,'Minutage','29’39'),
(34170,5174,'Images','Montage en superposition : rose.  Allemagne 90 neuf zéro. Jean-Luc Godard (1991).'),
(34171,5174,'VoixOffIn',' j\'ai scruté la météo'),
(34172,5174,'BandeSon','Id.'),
(34173,5174,'_product_image_gallery',''),
(34174,5175,'_pingme','1'),
(34175,5175,'_encloseme','1'),
(34176,5175,'Index','2340'),
(34177,5175,'Minutage','29’42'),
(34178,5175,'Images','Passage du métro. Superposé : femme semblant avoir été heurtée par un train. Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(34179,5175,'VoixOffIn',' j\'ai longtemps flâné\n'),
(34180,5175,'BandeSon','Id. et silence.'),
(34181,5175,'_product_image_gallery',''),
(34182,5176,'_pingme','1'),
(34183,5176,'_encloseme','1'),
(34184,5176,'Index','2350'),
(34185,5176,'Minutage','29’45'),
(34186,5176,'Images','Dessin : femme vue de dos. Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(34187,5176,'BandeSon','Silence'),
(34188,5176,'_product_image_gallery',''),
(34189,5177,'_pingme','1'),
(34190,5177,'_encloseme','1'),
(34191,5177,'Index','2360'),
(34192,5177,'Minutage','29’50'),
(34193,5177,'Images','Noir'),
(34194,5177,'VoixOffIn','Eux tous'),
(34195,5177,'BandeSon','Fratres pour 12 violoncelles, Arvo Pärt (1977).'),
(34196,5177,'_product_image_gallery',''),
(34197,5178,'_pingme','1'),
(34198,5178,'_encloseme','1'),
(34199,5178,'Index','2370'),
(34200,5178,'Minutage','29’53'),
(34201,5178,'Images','Hommes saluant joyeusement des deux mains, depuis un train. Les Deux Fedor,  (9).'),
(34202,5178,'VoixOffIn','enfilés sur le fond'),
(34203,5178,'BandeSon','Id.'),
(34204,5178,'_product_image_gallery',''),
(34205,5179,'_pingme','1'),
(34206,5179,'_encloseme','1'),
(34207,5179,'Index','2380'),
(34208,5179,'Minutage','29’57'),
(34209,5179,'Images','Femmes courant. Les Deux Fedor,  (1959).'),
(34210,5179,'VoixOffIn','Du vert luxuriant.'),
(34211,5179,'BandeSon','Id.'),
(34212,5179,'_product_image_gallery',''),
(34213,5180,'_pingme','1'),
(34214,5180,'_encloseme','1'),
(34215,5180,'Index','2390'),
(34216,5180,'Minutage','30’00'),
(34217,5180,'Images','Saturé : paysage vu depuis la fenêtre d’un train.'),
(34218,5180,'VoixOffIn','De l’été.'),
(34219,5180,'BandeSon','Id.'),
(34220,5180,'_product_image_gallery',''),
(34221,5181,'_pingme','1'),
(34222,5181,'_encloseme','1'),
(34223,5181,'Index','2400'),
(34224,5181,'Minutage','30’03'),
(34225,5181,'Images','Noir'),
(34226,5181,'BandeSon','Id.'),
(34227,5181,'_product_image_gallery',''),
(34228,5182,'_pingme','1'),
(34229,5182,'_encloseme','1'),
(34230,5182,'Index','2410'),
(34231,5182,'Minutage','30’04'),
(34232,5182,'Images','Homme courant le long d\'un train. Wild boys on the road, William A. Wellman (1933). Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(34233,5182,'VoixOffIn','Et l’embrasement'),
(34234,5182,'BandeSon','Id.'),
(34235,5182,'_product_image_gallery',''),
(34236,5183,'_pingme','1'),
(34237,5183,'_encloseme','1'),
(34238,5183,'Index','2420'),
(34239,5183,'Minutage','30’06'),
(34240,5183,'Images','Au ralenti : homme  s\'approchant d\'une femme assise dans une grange devant un brasier. Wild boys on the road, William A. Wellman (1933).'),
(34241,5183,'BandeSon','Id.'),
(34242,5183,'_product_image_gallery',''),
(34243,5184,'_pingme','1'),
(34244,5184,'_encloseme','1'),
(34245,5184,'Index','2430'),
(34246,5184,'Minutage','30’07'),
(34247,5184,'Images','Foule d\'hommes se pressant pour monter dans un train. Wild boys on the road, William A. Wellman (1933).'),
(34248,5184,'VoixOffIn','Royal'),
(34249,5184,'BandeSon','Id.'),
(34250,5184,'_product_image_gallery',''),
(34251,5185,'_pingme','1'),
(34252,5185,'_encloseme','1'),
(34253,5185,'Index','2440'),
(34254,5185,'Minutage','30’10'),
(34255,5185,'Images','Saturé : trains miniatures passant sur une ligne de chemin de fer. Toccata for Toy Trains, Charles and Ray Eames (1957).'),
(34256,5185,'VoixOffIn','de l\'automne.\n- Et la ruine de l’hiver'),
(34257,5185,'BandeSon','Id.'),
(34258,5185,'_product_image_gallery',''),
(34259,5186,'_pingme','1'),
(34260,5186,'_encloseme','1'),
(34261,5186,'Index','2450'),
(34262,5186,'Minutage','30’15'),
(34263,5186,'Images','Noir'),
(34264,5186,'VoixOffIn','avant que ne fleurisse'),
(34265,5186,'BandeSon','Id.'),
(34266,5186,'_product_image_gallery',''),
(34267,5187,'_pingme','1'),
(34268,5187,'_encloseme','1'),
(34269,5187,'Index','2460'),
(34270,5187,'Minutage','30’19'),
(34271,5187,'Images','Fille faisant de l\'escrime devant un projecteur montrant une cathédrale gothique. En montage clignotant : cameraman sur un dolly.'),
(34272,5187,'VoixOffIn','à nouveau\nle printemps,\nsalit maintenant\nun peu noirci'),
(34273,5187,'BandeSon','Id.'),
(34274,5187,'_product_image_gallery',''),
(34275,5188,'_pingme','1'),
(34276,5188,'_encloseme','1'),
(34277,5188,'Index','2470'),
(34278,5188,'Minutage','30’30'),
(34279,5188,'Images','Homme se traînant le long d\'une voie ferrée. Wild boys on the road, William A. Wellman (1933)'),
(34280,5188,'BandeSon','Train en approche.'),
(34281,5188,'_product_image_gallery',''),
(34282,5189,'_pingme','1'),
(34283,5189,'_encloseme','1'),
(34284,5189,'Index','2480'),
(34285,5189,'Minutage','30’33'),
(34286,5189,'Images','Noir'),
(34287,5189,'BandeSon','Id.'),
(34288,5189,'_product_image_gallery',''),
(34289,5190,'_pingme','1'),
(34290,5190,'_encloseme','1'),
(34291,5190,'Index','2490'),
(34292,5190,'Minutage','30’36'),
(34293,5190,'Images','Homme se traînant le long d\'une voie ferrée, et essayant de ne pas être écrasé par un train en approche. Wild boys on the road, William A. Wellman (1933)'),
(34294,5190,'BandeSon','Id.'),
(34295,5190,'_product_image_gallery',''),
(34296,5191,'_pingme','1'),
(34297,5191,'_encloseme','1'),
(34298,5191,'Index','2500'),
(34299,5191,'Minutage','30’39'),
(34300,5191,'Images','Noir'),
(34301,5191,'VoixOffIn','par le temps.'),
(34302,5191,'BandeSon','Fratres pour 12 violoncelles, Arvo Pärt (1977).'),
(34303,5191,'_product_image_gallery',''),
(34304,5192,'_pingme','1'),
(34305,5192,'_encloseme','1'),
(34306,5192,'Index','2510'),
(34307,5192,'Minutage','30’41'),
(34308,5192,'Images','Homme évanoui et écrasé par un train. Wild boys on the road, William A. Wellman (1933)'),
(34309,5192,'VoixOffIn','\nToujours serein'),
(34310,5192,'BandeSon','Train en approche, cris.'),
(34311,5192,'_product_image_gallery',''),
(34312,5193,'_pingme','1'),
(34313,5193,'_encloseme','1'),
(34314,5193,'Index','2520'),
(34315,5193,'Minutage','30’45'),
(34316,5193,'Images','Noir'),
(34317,5193,'BandeSon','Id et silence.'),
(34318,5193,'_product_image_gallery',''),
(34319,5194,'_pingme','1'),
(34320,5194,'_encloseme','1'),
(34321,5194,'Index','2530'),
(34322,5194,'Minutage','30’47'),
(34323,5194,'Images','Femme arrachant ses boucles d\'oreilles en perle, horrifiée. Au bord de la mer bleue, Boris Barnet (1937).'),
(34324,5194,'VoixOffIn','… des sentinelles. Non.\n-Comme s\'ils défendaient'),
(34325,5194,'BandeSon','Id.'),
(34326,5194,'_product_image_gallery',''),
(34327,5195,'_pingme','1'),
(34328,5195,'_encloseme','1'),
(34329,5195,'Index','2540'),
(34330,5195,'Minutage','31’01'),
(34331,5195,'Images','Perles tombant. Au bord de la mer bleue, Boris Barnet (1937).Enchaînement avec un montage clignotant : cadavres le long d\'une voie ferrée. Nuit et brouillard, Alain Resnais (1956).'),
(34332,5195,'VoixOffIn','de leurs énormes et monolithiques'),
(34333,5195,'BandeSon','Fratres pour 12 violoncelles, Arvo Pärt (1977).'),
(34334,5195,'_product_image_gallery',''),
(34335,5196,'_pingme','1'),
(34336,5196,'_encloseme','1'),
(34337,5196,'Index','2550'),
(34338,5196,'Minutage','31’09'),
(34339,5196,'Images','Montage clignotant :   sous des cadavres longant les rails d\'un train, folle dans une église du tableau L\'église Ludwigskirche à Munich, Wassily Kandinsky (1908).'),
(34340,5196,'VoixOffIn','Les vivants contre les morts.'),
(34341,5196,'BandeSon','Id.'),
(34342,5196,'_product_image_gallery',''),
(34343,5197,'_pingme','1'),
(34344,5197,'_encloseme','1'),
(34345,5197,'Index','2560'),
(34346,5197,'Minutage','31’18'),
(34347,5197,'Images','Noir'),
(34348,5197,'VoixOffIn','Tous.\nLes ossements.'),
(34349,5197,'BandeSon','Id.'),
(34350,5197,'_product_image_gallery',''),
(34351,5198,'_pingme','1'),
(34352,5198,'_encloseme','1'),
(34353,5198,'Index','2570'),
(34354,5198,'Minutage','31’21'),
(34355,5198,'Images','Femmes et hommes autour d\'une table, plaçant leurs mains en cercle lors d\'une séance de spiritisme. Anna Karenine, Julien Duvivier (1948).'),
(34356,5198,'VoixOffIn','Avant que ne fleurissent'),
(34357,5198,'BandeSon','Id.'),
(34358,5198,'_product_image_gallery',''),
(34359,5199,'_pingme','1'),
(34360,5199,'_encloseme','1'),
(34361,5199,'Index','2580'),
(34362,5199,'Minutage','31’26'),
(34363,5199,'Images','Noir'),
(34364,5199,'VoixOffIn','à nouveau le printemps'),
(34365,5199,'BandeSon','Id.'),
(34366,5199,'_product_image_gallery',''),
(34367,5200,'_pingme','1'),
(34368,5200,'_encloseme','1'),
(34369,5200,'Index','2590'),
(34370,5200,'Minutage','31’28'),
(34371,5200,'Images','Train passant dans le blizzard et personnes marchant sous la neige et dans le vent. Anna Karenine, Julien Duvivier (1948).\n'),
(34372,5200,'BandeSon','Id. et train passant.'),
(34373,5200,'_product_image_gallery',''),
(34374,5201,'_pingme','1'),
(34375,5201,'_encloseme','1'),
(34376,5201,'Index','2600'),
(34377,5201,'Minutage','31’43'),
(34378,5201,'Images','En superposition, et en alternance : dessin d\'un mort (Les désastres de la guerre, Francisco Goya, 1815-20) puis montage clignotant : personne levant un fusil vers le ciel, femme juive.'),
(34379,5201,'VoixOffIn','Eux tous, profilés sur le fond du vert luxuriant de l’été, et l\'embrasement royal de l’automne, et la ruine de l’hiver,'),
(34380,5201,'BandeSon','Fratres pour 12 violoncelles, Arvo Pärt (1977) et silence.'),
(34381,5201,'Ecrits',' '),
(34382,5201,'_product_image_gallery',''),
(34383,5202,'_pingme','1'),
(34384,5202,'_encloseme','1'),
(34385,5202,'Index','2610'),
(34386,5202,'Minutage','32’09'),
(34387,5202,'Images','Au ralenti, saturé : voie ferrée parcourue par un train. Après le feu, Jacques Perconte (2010).'),
(34388,5202,'VoixOffIn',' avant que ne fleurisse à nouveau le printemps. Eux tous.  Sépulture Sud, in Idylle au désert et autres nouvelles, William Faulkner (1985). Grandeur et décadence d\'un petit commerce de cinéma, Jean-Luc Godard (1986).'),
(34389,5202,'BandeSon','Silence'),
(34390,5202,'_product_image_gallery',''),
(34391,5203,'_pingme','1'),
(34392,5203,'_encloseme','1'),
(34393,5203,'Index','2620'),
(34394,5203,'Minutage','32’23'),
(34395,5203,'Images','Homme saluant une femme le regardant par la fenêtre d\'un train, et poursuvant le train qui s’éloigne.  Le plaisir, Max Ophüls (1938).'),
(34396,5203,'BandeSon','Silence et Das Buch der Klange I-XII, V, Hans Otte (1999).'),
(34397,5203,'_product_image_gallery',''),
(34398,5204,'_pingme','1'),
(34399,5204,'_encloseme','1'),
(34400,5204,'Index','2630'),
(34401,5204,'Minutage','32’51'),
(34402,5204,'Images','Pellicule passant dans un projecteur. Deux fois cinquante ans de cinéma français, Jean-Luc Godard (1995).'),
(34403,5204,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(34404,5204,'_product_image_gallery',''),
(34405,5205,'_pingme','1'),
(34406,5205,'_encloseme','1'),
(34407,5205,'Index','2640'),
(34408,5205,'Minutage','33’02'),
(34409,5205,'Images','Noir'),
(34410,5205,'BandeSon','Id.\n'),
(34411,5205,'_product_image_gallery',''),
(34412,5206,'_pingme','1'),
(34413,5206,'_encloseme','1'),
(34414,5206,'Index','2650'),
(34415,5206,'Minutage','33’05'),
(34416,5206,'Images','Noir'),
(34417,5206,'BandeSon','Id.'),
(34418,5206,'Ecrits','4\nL’ESPRIT DES LOIS'),
(34419,5206,'_product_image_gallery',''),
(34420,5207,'_pingme','1'),
(34421,5207,'_encloseme','1'),
(34422,5207,'Index','2660'),
(34423,5207,'Minutage','33’08'),
(34424,5207,'Images','Acteurs incarnant au théâtre des soldats intimant à la population qui manifeste de se disperser. Soldats déposant les armes et s\'unissant au peuple. La Commune (Paris, 1971), Peter Watkins (2000).'),
(34425,5207,'VoixOffIn','Écartez-vous. Première sommation, nous allons faire usage de la force. Deuxième et dernière sommation, nous allons faire usage de la force. Dispersez-vous.'),
(34426,5207,'BandeSon','Personnes protestala cont et criant. Three Little Nocturnes, II Allegro appassionata, Hans Abrahamsen (2005).'),
(34427,5207,'_product_image_gallery',''),
(34428,5208,'_pingme','1'),
(34429,5208,'_encloseme','1'),
(34430,5208,'Index','2670'),
(34431,5208,'Minutage','34’08'),
(34432,5208,'Images','Hommes derrière une barricade attaqués par des soldats. Vendémiaire Louis Feuillade, 1918\nHistoire(s) du cinéma 3b, Jean-Luc Godard (1988-98).'),
(34433,5208,'VoixOffIn','- La situation de tous, dans cette heure fatale et dans ce lieu inexorable, avait comme résultat et comme sommet. Les Misérables, Victor Hugo (1862)\n-Le drapeau\n'),
(34434,5208,'BandeSon','Breit-sehr frisch und straff, Paul Hindemith (1939).'),
(34435,5208,'_product_image_gallery',''),
(34436,5209,'_pingme','1'),
(34437,5209,'_encloseme','1'),
(34438,5209,'Index','2680'),
(34439,5209,'Minutage','34’20'),
(34440,5209,'Images','Photographie d’Arthur Rimbaud.'),
(34441,5209,'VoixOffIn','- la mélancolie suprême d’Enjolras. Les Misérables, Victor Hugo (1862).\n-Le drapeau va au paysage infâme'),
(34442,5209,'BandeSon','Silence'),
(34443,5209,'_product_image_gallery',''),
(34444,5210,'_pingme','1'),
(34445,5210,'_encloseme','1'),
(34446,5210,'Index','2690'),
(34447,5210,'Minutage','34’30'),
(34448,5210,'Images','Femme tout en blanc se dirigeant vers un écran puis reculant de peur, les mains en l\'air. Le Mystère des roches de Kador, Léonce Perret (1912). Histoire(s) du cinéma 2a, Jean-Luc Godard (1988-89).'),
(34449,5210,'VoixOffIn','et notre patois étouffe le\ntambour. Arthur Rimbaud,'),
(34450,5210,'BandeSon','Id.'),
(34451,5210,'_product_image_gallery',''),
(34452,5211,'_pingme','1'),
(34453,5211,'_encloseme','1'),
(34454,5211,'Index','2700'),
(34455,5211,'Minutage','34’36'),
(34456,5211,'Images','Noir'),
(34457,5211,'VoixOffIn','démocratie. Les Illuminations. Démocratie, Arthur Rimbaud (1854) (Jean Luc Godard).'),
(34458,5211,'BandeSon','Id.'),
(34459,5211,'Ecrits','TERRORISM CONSIDERED\nas one of the\nFINE ARTS'),
(34460,5211,'_product_image_gallery',''),
(34461,5212,'_pingme','1'),
(34462,5212,'_encloseme','1'),
(34463,5212,'Index','2710'),
(34464,5212,'Minutage','34’38'),
(34465,5212,'Images','Noir'),
(34466,5212,'BandeSon','Id.'),
(34467,5212,'Ecrits','Dissonance Films'),
(34468,5212,'_product_image_gallery',''),
(34469,5213,'_pingme','1'),
(34470,5213,'_encloseme','1'),
(34471,5213,'Index','2720'),
(34472,5213,'Minutage','34’41'),
(34473,5213,'Images','Femme supliant un homme jettant un bébé par la fenêtre. Histoire(s) du cinéma.'),
(34474,5213,'VoixOffIn','Après une révolution dans la révolution (Philippe Sollers).'),
(34475,5213,'BandeSon','Id.'),
(34476,5213,'Ecrits','End Lo Sung'),
(34477,5213,'_product_image_gallery',''),
(34478,5214,'_pingme','1'),
(34479,5214,'_encloseme','1'),
(34480,5214,'Index','2730'),
(34481,5214,'Minutage','34’44'),
(34482,5214,'Images','Noir'),
(34483,5214,'BandeSon','Au violon'),
(34484,5214,'_product_image_gallery',''),
(34485,5215,'_pingme','1'),
(34486,5215,'_encloseme','1'),
(34487,5215,'Index','2740'),
(34488,5215,'Minutage','34’48'),
(34489,5215,'Images','Saturé : torero transperçant un taureau à coups d’épée.'),
(34490,5215,'BandeSon','Silence'),
(34491,5215,'_product_image_gallery',''),
(34492,5216,'_pingme','1'),
(34493,5216,'_encloseme','1'),
(34494,5216,'Index','2750'),
(34495,5216,'Minutage','34’49'),
(34496,5216,'Images','Au ralenti : homme courant et criant en faisant claquer ses poignets ensemble. La terre, Alexandre Dovjenko (1930). Histoire(s) du cinéma 2a, Jean-Luc Godard (1988-98).'),
(34497,5216,'BandeSon','Voix masculine, accompagnée à la guitare : chant russe. La chasse aux loups, Vladimir Vissotsky (1977).'),
(34498,5216,'_product_image_gallery',''),
(34499,5217,'_pingme','1'),
(34500,5217,'_encloseme','1'),
(34501,5217,'Index','2760'),
(34502,5217,'Minutage','35’12'),
(34503,5217,'Images','Noir'),
(34504,5217,'BandeSon','Silence'),
(34505,5217,'_product_image_gallery',''),
(34506,5218,'_pingme','1'),
(34507,5218,'_encloseme','1'),
(34508,5218,'Index','2770'),
(34509,5218,'Minutage','35’14'),
(34510,5218,'Images','Surexposé : photographie d’un buste de Montesquieu.'),
(34511,5218,'VoixOffIn','Si je pouvais faire en sorte que ceux qui commandent augmentassent leur connaissances sur ce qu’ils doivent prescrire, et que ceux qui obéissent trouvassent un nouveau plaisir à obéir. L’esprit des lois, Montesquieu, (1748)'),
(34512,5218,'BandeSon','Id.'),
(34513,5218,'_product_image_gallery',''),
(34514,5219,'_pingme','1'),
(34515,5219,'_encloseme','1'),
(34516,5219,'Index','2780'),
(34517,5219,'Minutage','35’26'),
(34518,5219,'Images','Enfants en Asie faisant un exercice militaire.'),
(34519,5219,'BandeSon','Voix d\'enfants chantant et criant ensemble.'),
(34520,5219,'_product_image_gallery',''),
(34521,5220,'_pingme','1'),
(34522,5220,'_encloseme','1'),
(34523,5220,'Index','2790'),
(34524,5220,'Minutage','35’31'),
(34525,5220,'Images','Surexposé : personnes marchant courbées et vacillantes le long d\'un couloir. Alphaville, Jean-Luc Godard (1965).'),
(34526,5220,'VoixOffIn','Je me croirais le plus heureux des hommes.'),
(34527,5220,'BandeSon','Silence'),
(34528,5220,'_product_image_gallery',''),
(34529,5221,'_pingme','1'),
(34530,5221,'_encloseme','1'),
(34531,5221,'Index','2800'),
(34532,5221,'Minutage','35’37'),
(34533,5221,'Images','Noir'),
(34534,5221,'VoixOffIn','Je me croirais le plus heureux des mortels.'),
(34535,5221,'BandeSon','Id.'),
(34536,5221,'_product_image_gallery',''),
(34537,5222,'_pingme','1'),
(34538,5222,'_encloseme','1'),
(34539,5222,'Index','2810'),
(34540,5222,'Minutage','35’40'),
(34541,5222,'Images','Saturé et surexposé : pellicule d’aspect usée et déchirée.  Notre caméra analytique, Yervant Gianikian et Angela Ricci Lucchi (2015).'),
(34542,5222,'VoixOffIn','Je me croirais le plus heureux des mortels, si je pouvais faire que les hommes'),
(34543,5222,'BandeSon','Id.'),
(34544,5222,'_product_image_gallery',''),
(34545,5223,'_pingme','1'),
(34546,5223,'_encloseme','1'),
(34547,5223,'Index','2820'),
(34548,5223,'Minutage','35’50'),
(34549,5223,'Images','Couverture des volumes de l\'Esprit des lois de Montesquieu.'),
(34550,5223,'VoixOffIn','pussent se guérir de leurs préjugés.\nL’esprit des lois, Montesquieu, (1748)'),
(34551,5223,'BandeSon','Id.'),
(34552,5223,'_product_image_gallery',''),
(34553,5224,'_pingme','1'),
(34554,5224,'_encloseme','1'),
(34555,5224,'Index','2830'),
(34556,5224,'Minutage','35’54'),
(34557,5224,'Images','Saturé : visage d’un homme de profil allumant une cigarette. Détective, Jean-Luc Godard (1985). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(34558,5224,'VoixOffIn','J\'appelle ici préjugés,'),
(34559,5224,'BandeSon','Id.'),
(34560,5224,'_product_image_gallery',''),
(34561,5225,'_pingme','1'),
(34562,5225,'_encloseme','1'),
(34563,5225,'Index','2840'),
(34564,5225,'Minutage','35’56'),
(34565,5225,'Images','Montage superposé : main tenant une bougie. Ivan le terrible, Sergueï Eisenstein (1944-46). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(34566,5225,'VoixOffIn','non pas'),
(34567,5225,'BandeSon','Id.'),
(34568,5225,'_product_image_gallery',''),
(34569,5226,'_pingme','1'),
(34570,5226,'_encloseme','1'),
(34571,5226,'Index','2850'),
(34572,5226,'Minutage','35’59'),
(34573,5226,'Images','Noir'),
(34574,5226,'VoixOffIn','ce qui fait qu\'on ignore de certaines choses,'),
(34575,5226,'BandeSon','Id.'),
(34576,5226,'_product_image_gallery',''),
(34577,5227,'_pingme','1'),
(34578,5227,'_encloseme','1'),
(34579,5227,'Index','2860'),
(34580,5227,'Minutage','36’00'),
(34581,5227,'Images','Surexposé : buste de Montesquieu.'),
(34582,5227,'VoixOffIn','mais ce qui fait qu\'on s\'ignore soi-même\nL’esprit des lois, Montesquieu, (1748) (Jean Luc Godard)'),
(34583,5227,'BandeSon','Id.'),
(34584,5227,'_product_image_gallery',''),
(34585,5228,'_pingme','1'),
(34586,5228,'_encloseme','1'),
(34587,5228,'Index','2870'),
(34588,5228,'Minutage','36’02'),
(34589,5228,'Images','Couteau planté sur une surface noire. Au cœur de l\'orage, Jean-Paul Le Chanois (1948).'),
(34590,5228,'VoixOffIn',' E arrivato Zampanò ! è arrivato Zampanò !'),
(34591,5228,'BandeSon','Tambours.'),
(34592,5228,'_product_image_gallery',''),
(34593,5229,'_pingme','1'),
(34594,5229,'_encloseme','1'),
(34595,5229,'Index','2880'),
(34596,5229,'Minutage','36’13'),
(34597,5229,'Images','Au ralenti : deux clowns parmi une foule de gens. La Strada, Federico Fellini (1954).'),
(34598,5229,'BandeSon','Silence'),
(34599,5229,'_product_image_gallery',''),
(34600,5230,'_pingme','1'),
(34601,5230,'_encloseme','1'),
(34602,5230,'Index','2890'),
(34603,5230,'Minutage','36’18'),
(34604,5230,'Images','Femme au bord d\'une rivière, Pastorales Tahitiennes, Paul Gauguin (1893). Alternant, en montage clignotant : homme l’observant à travers une vitre. Le Pré de Béjine, Sergueï Eisenstein (1935-37). En alternance :femme en blanc des Pastorales tahitiennes, Paul Gauguin (1892).'),
(34605,5230,'BandeSon','Id.'),
(34606,5230,'_product_image_gallery',''),
(34607,5231,'_pingme','1'),
(34608,5231,'_encloseme','1'),
(34609,5231,'Index','2900'),
(34610,5231,'Minutage','36’22'),
(34611,5231,'Images','Saturé : homme et femme marchant entre des voitures en feu. Weekend, Jean-Luc Godard (1967).'),
(34612,5231,'VoixOffIn','C’est qu’il n’est pas\n'),
(34613,5231,'BandeSon','Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »), Johann Sebastian Bach (1704).'),
(34614,5231,'_product_image_gallery',''),
(34615,5232,'_pingme','1'),
(34616,5232,'_encloseme','1'),
(34617,5232,'Index','2910'),
(34618,5232,'Minutage','36’27'),
(34619,5232,'Images','Noir'),
(34620,5232,'VoixOffIn','plus permis à un gouvernement\nqu’à un individu d’être un assassin. C’est que l’Europe est solidaire'),
(34621,5232,'BandeSon','Id.'),
(34622,5232,'_product_image_gallery',''),
(34623,5233,'_pingme','1'),
(34624,5233,'_encloseme','1'),
(34625,5233,'Index','2920'),
(34626,5233,'Minutage','36’32'),
(34627,5233,'Images','Femmes décapitant un homme. Judith tranchant la tête d’Holopherne, Artemisia Gentileschi (1620).'),
(34628,5233,'VoixOffIn','c’est que tout ce qui se fait en Europe\nest fait par l’Europe'),
(34629,5233,'BandeSon','Id.'),
(34630,5233,'_product_image_gallery',''),
(34631,5234,'_pingme','1'),
(34632,5234,'_encloseme','1'),
(34633,5234,'Index','2930'),
(34634,5234,'Minutage','35’34'),
(34635,5234,'Images','Homme pillant un cadavre.'),
(34636,5234,'VoixOffIn','c’est que\ns’il existe un gouvernement\nde bêtes fauves\nil doit être traité'),
(34637,5234,'BandeSon','Id.'),
(34638,5234,'_product_image_gallery',''),
(34639,5235,'_pingme','1'),
(34640,5235,'_encloseme','1'),
(34641,5235,'Index','2940'),
(34642,5235,'Minutage','36’41'),
(34643,5235,'Images','Homme regardant à travers une caméra. En superposition : cadavre d’homme dans la rue.'),
(34644,5235,'VoixOffIn','en bête fauve'),
(34645,5235,'BandeSon','Id.'),
(34646,5235,'_product_image_gallery',''),
(34647,5236,'_pingme','1'),
(34648,5236,'_encloseme','1'),
(34649,5236,'Index','2950'),
(34650,5236,'Minutage','36’44'),
(34651,5236,'Images','Homme conduisant une voiture à toute vitesse, Dr. Mabuse, le joueur, Fritz Lang (1922). En superposition : dessin d\'homme. Combats, Ernst Ludwig Kirchner, (1915). Histoire(s) du cinéma 3a, Jean-Luc Godard, (1988-98).'),
(34652,5236,'VoixOffIn','c’est qu’à l’heure qu’il est, tout près de nous là, sous nos yeux on massacre\non incendie\non pille\non extermine\n'),
(34653,5236,'BandeSon','Id.'),
(34654,5236,'_product_image_gallery',''),
(34655,5237,'_pingme','1'),
(34656,5237,'_encloseme','1'),
(34657,5237,'Index','2960'),
(34658,5237,'Minutage','36’49'),
(34659,5237,'Images','Noir'),
(34660,5237,'VoixOffIn','on égorge les pères et les mères\non vend les petites filles et les petits garçons'),
(34661,5237,'BandeSon','Id.'),
(34662,5237,'_product_image_gallery',''),
(34663,5238,'_pingme','1'),
(34664,5238,'_encloseme','1'),
(34665,5238,'Index','2970'),
(34666,5238,'Minutage','36’52\n'),
(34667,5238,'Images','Femme avec une tache rouge à la place de son sexe se trouvant situé à la hauteur de la bouche d’un Saturne dont le croquis se superpose au  dessin en clignotement léger comme une flamme qui va s’éteindre, avec une femme portant une torche et au bras levé. Lady Macbeth somnambule, Füsli, (1781-84). Histoire(s) du cinéma 3a, Jean-Luc Godard (1889-99)'),
(34668,5238,'VoixOffIn','on vend les petites filles et les petits garçons\n'),
(34669,5238,'BandeSon','Id.'),
(34670,5238,'_product_image_gallery',''),
(34671,5239,'_pingme','1'),
(34672,5239,'_encloseme','1'),
(34673,5239,'Index','2980'),
(34674,5239,'Minutage','36’55'),
(34675,5239,'Images','Lady Macbeth id. clignotement id. avec deux corps pendus à un arbre, des taches rouges à la place du sexe et l’un en morceaux accrochés à l’arbre : des bras tranchés et attachés d’une corde à une branche, le corps pendu par les jambes et la tête plantée dans une branche. Bel exploit, avec des morts (dans la série des  Désastres de la guerre, pl. 39, Francisco de Goya, (entre 1810 et 1815). Histoire(s) du cinéma 3a, Jean-Luc Godard (1889-99)'),
(34676,5239,'VoixOffIn','c’est que les enfants trop petits\npour être vendus\non les fend d’un coup de sabre\n'),
(34677,5239,'BandeSon','Id.'),
(34678,5239,'_product_image_gallery',''),
(34679,5240,'_pingme','1'),
(34680,5240,'_encloseme','1'),
(34681,5240,'Index','2990'),
(34682,5240,'Minutage','36’58'),
(34683,5240,'Images','Goya id. Clignotant : enfant errant dans une ville. Allemagne année zéro. Roberto Rossellini (1948).'),
(34684,5240,'VoixOffIn','c’est qu’on brûle les familles dans les maisons'),
(34685,5240,'BandeSon','Id.'),
(34686,5240,'_product_image_gallery',''),
(34687,5241,'_pingme','1'),
(34688,5241,'_encloseme','1'),
(34689,5241,'Index','3000'),
(34690,5241,'Minutage','37’03'),
(34691,5241,'Images','Enfant errant dans une ville. Allemagne année zéro. Roberto Rossellini (1948).'),
(34692,5241,'BandeSon','Silence'),
(34693,5241,'_product_image_gallery',''),
(34694,5242,'_pingme','1'),
(34695,5242,'_encloseme','1'),
(34696,5242,'Index','3010'),
(34697,5242,'Minutage','37’09'),
(34698,5242,'Images','Id. Rossellini. En surimpression : homme avec une tête au bout d’un pique. Gravure des Disparates, Francisco de Goya, (1821-24). Histoire(s) du cinéma 3a, Jean-Luc Godard (1889-99).'),
(34699,5242,'VoixOffIn','de sorte qu’aux vivants qui leur ont envoyé le carnage\nles morts envoient la peste, ce qui est bien fait\nnous apprenons aux gouvernements d’Europe\nceci:\nc’est qu’on ouvre les femmes grosses\npour leur tuer les enfants dans les entrailles'),
(34700,5242,'BandeSon','Choral pour orgue, BWV 721 (« Aie pitié de moi Seigneur »), Johann Sebastian Bach (1704).'),
(34701,5242,'Ecrits','Les signes parmi nous'),
(34702,5242,'_product_image_gallery',''),
(34703,5243,'_pingme','1'),
(34704,5243,'_encloseme','1'),
(34705,5243,'Index','3020'),
(34706,5243,'Minutage','37’25'),
(34707,5243,'Images','Noir'),
(34708,5243,'VoixOffIn','c’est qu’il y a dans les places publiques\ndes tas de squelettes. Pour la Serbie, Victor Hugo (1876)'),
(34709,5243,'BandeSon','Id.'),
(34710,5243,'_product_image_gallery',''),
(34711,5244,'_pingme','1'),
(34712,5244,'_encloseme','1'),
(34713,5244,'Index','3030'),
(34714,5244,'Minutage','37’27'),
(34715,5244,'Images','Chat noir descendant les escaliers au ralenti. De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(34716,5244,'VoixOffIn','Le sort de la France'),
(34717,5244,'BandeSon','Silence'),
(34718,5244,'_product_image_gallery',''),
(34719,5245,'_pingme','1'),
(34720,5245,'_encloseme','1'),
(34721,5245,'Index','3040'),
(34722,5245,'Minutage','37’29'),
(34723,5245,'Images','Surexposé : homme se traînant péniblement vers une chaise. Docteur Jerry et Mister Love, Jerry Lewis (1963).'),
(34724,5245,'VoixOffIn','Suivait celui de l’Amérique. Comme dans les contes romantiques allemandes, le chat'),
(34725,5245,'BandeSon','Id.'),
(34726,5245,'_product_image_gallery',''),
(34727,5246,'_pingme','1'),
(34728,5246,'_encloseme','1'),
(34729,5246,'Index','3050'),
(34730,5246,'Minutage','37’37'),
(34731,5246,'Images','Noir'),
(34732,5246,'VoixOffIn','qui éprouve à son tour les amours'),
(34733,5246,'BandeSon','Id.'),
(34734,5246,'_product_image_gallery',''),
(34735,5247,'_pingme','1'),
(34736,5247,'_encloseme','1'),
(34737,5247,'Index','3060'),
(34738,5247,'Minutage','37’42'),
(34739,5247,'Images','Pieds marchant au milieu de l\'eau. La couleur de la grenade, Sergei Parajanov (1968).'),
(34740,5247,'VoixOffIn','et les ambitions de son maître et les rend dérisoires.'),
(34741,5247,'BandeSon','Id.'),
(34742,5247,'_product_image_gallery',''),
(34743,5248,'_pingme','1'),
(34744,5248,'_encloseme','1'),
(34745,5248,'Index','3070'),
(34746,5248,'Minutage','37’44'),
(34747,5248,'Images','Pieds marchant dans la rue. Les Olvidados, Luis Buñuel (1950).'),
(34748,5248,'BandeSon','Cloche d’enterrement.'),
(34749,5248,'_product_image_gallery',''),
(34750,5249,'_pingme','1'),
(34751,5249,'_encloseme','1'),
(34752,5249,'Index','3080'),
(34753,5249,'Minutage','37’46'),
(34754,5249,'Images','Photographie de Marilyn Monroe. Histoire(s) du cinéma 4b, Jean-Luc Godard (1988-98).'),
(34755,5249,'BandeSon','Silence'),
(34756,5249,'_product_image_gallery',''),
(34757,5250,'_pingme','1'),
(34758,5250,'_encloseme','1'),
(34759,5250,'Index','3090'),
(34760,5250,'Minutage','37’47'),
(34761,5250,'Images','Homme et jeune femme sous la pluie. Le premier maître, Andreï Kontchalovski (1965). De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(34762,5250,'BandeSon','Id.'),
(34763,5250,'_product_image_gallery',''),
(34764,5251,'_pingme','1'),
(34765,5251,'_encloseme','1'),
(34766,5251,'Index','3100'),
(34767,5251,'Minutage','37’50'),
(34768,5251,'Images','Visage de femme aux mains jointes dans un geste de prière.En tons rouges :\ndétail de la fresque de la coupole à San Antonio de la Florida, Goya (1798). Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(34769,5251,'BandeSon','Id.'),
(34770,5251,'_product_image_gallery',''),
(34771,5252,'_pingme','1'),
(34772,5252,'_encloseme','1'),
(34773,5252,'Index','3110'),
(34774,5252,'Minutage','37’51'),
(34775,5252,'Images','Jean-Luc Godard posant les mains sur un exemplaire de De la certitude, Ludwig Wittgenstein, (1951), puis les retirant. En dessous, un autre livre de la Pléiade. Sur un bureau, clés et marqueurs. A côté, JLG/JLG, Jean-Luc Godard (1995). Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(34776,5252,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(34777,5252,'_product_image_gallery',''),
(34778,5253,'_pingme','1'),
(34779,5253,'_encloseme','1'),
(34780,5253,'Index','3120'),
(34781,5253,'Minutage','37’59'),
(34782,5253,'Images','Iris : détail, un visage. Judith et Holopherne, Francisco de Goya, (1820-23). Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(34783,5253,'VoixOffIn','- Pourquoi Sarajevo ?\n- On dit deux cents villages brûlés\nil n’y en a que quatre vingt dix neuf\nce que vous appelez la peste\nn’est que le typhus\ntoutes les femmes n’ont pas été violées\n'),
(34784,5253,'BandeSon','Cloche d’enterrement et silence.'),
(34785,5253,'Ecrits','Des tenèbres'),
(34786,5253,'_product_image_gallery',''),
(34787,5254,'_pingme','1'),
(34788,5254,'_encloseme','1'),
(34789,5254,'Index','3130'),
(34790,5254,'Minutage','38’10'),
(34791,5254,'Images','Noir'),
(34792,5254,'VoixOffIn','toutes les filles n’ont pas été vendues\nquelques-unes ont échappé\non a châtré les prisonniers'),
(34793,5254,'BandeSon','Id.'),
(34794,5254,'_product_image_gallery',''),
(34795,5255,'_pingme','1'),
(34796,5255,'_encloseme','1'),
(34797,5255,'Index','3140'),
(34798,5255,'Minutage','38’15'),
(34799,5255,'Images','Détail du visage d\'une femme.  Balcon, Edouard Manet (1868). Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(34800,5255,'VoixOffIn','mais on leur a aussi coupé la tête…\n-Parce que la Palestine\n- ..à la pointe d’une baïonnette.\nPour la Serbie, Victor Hugo (1876) (Jean-Luc Godard)'),
(34801,5255,'BandeSon','Id.'),
(34802,5255,'Ecrits','Je sais à quoi tu penses'),
(34803,5255,'_product_image_gallery',''),
(34804,5256,'_pingme','1'),
(34805,5256,'_encloseme','1'),
(34806,5256,'Index','3150'),
(34807,5256,'Minutage','38’27'),
(34808,5256,'Images','Noir'),
(34809,5256,'VoixOffIn','Et cetera, et cetera. (Jean-Luc Godard)'),
(34810,5256,'BandeSon','Silence'),
(34811,5256,'_product_image_gallery',''),
(34812,5257,'_pingme','1'),
(34813,5257,'_encloseme','1'),
(34814,5257,'Index','3160'),
(34815,5257,'Minutage','38’31'),
(34816,5257,'Images','Quatrièmes de couverture des exemplaires des volumes de l\'Esprit des lois, Montesquieu.'),
(34817,5257,'VoixOffIn','C\'est en cherchant à instruire les hommes, que l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous. L\'homme..\nque l\'on peut pratiquer cette vertu générale qui comprend l\'amour de tous.'),
(34818,5257,'BandeSon','Id.'),
(34819,5257,'_product_image_gallery',''),
(34820,5258,'_pingme','1'),
(34821,5258,'_encloseme','1'),
(34822,5258,'Index','3170'),
(34823,5258,'Minutage','38’58'),
(34824,5258,'Images','Hommes encagoulés de blanc sur le toit d\'une voiture avec une croix en bois sur le coffre.'),
(34825,5258,'VoixOffIn','L\'homme, l’homme'),
(34826,5258,'BandeSon','Id.'),
(34827,5258,'_product_image_gallery',''),
(34828,5259,'_pingme','1'),
(34829,5259,'_encloseme','1'),
(34830,5259,'Index','3180'),
(34831,5259,'Minutage','39’00'),
(34832,5259,'Images','Au ralenti : homme ouvrant un canif avec sa main. M le maudit, Fritz Lang (1931). Histoire(s) du cinéma 1a, Jean-Luc Godard (1988-98).'),
(34833,5259,'VoixOffIn','cet être flexible, se pliant dans la société'),
(34834,5259,'BandeSon','Id.'),
(34835,5259,'_product_image_gallery',''),
(34836,5260,'_pingme','1'),
(34837,5260,'_encloseme','1'),
(34838,5260,'Index','3190'),
(34839,5260,'Minutage','39’07'),
(34840,5260,'Images','Homme tenant un appareil photo.'),
(34841,5260,'VoixOffIn','aux pensées'),
(34842,5260,'BandeSon','Id.'),
(34843,5260,'_product_image_gallery',''),
(34844,5261,'_pingme','1'),
(34845,5261,'_encloseme','1'),
(34846,5261,'Index','3200'),
(34847,5261,'Minutage','39’09'),
(34848,5261,'Images','Femme mourant dans les bras d\'un homme et s\'effondrant sur le sol.'),
(34849,5261,'VoixOffIn','et aux impressions des autres, est également capable de comprendre sa propre nature. lorsqu\'on la lui montre, et d\'en perdre jusqu\'au sentiment lorsqu\'on la lui dérobe. \nL’esprit des lois, Montesquieu, (1748) (JLG)'),
(34850,5261,'BandeSon','Id.'),
(34851,5261,'_product_image_gallery',''),
(34852,5262,'_pingme','1'),
(34853,5262,'_encloseme','1'),
(34854,5262,'Index','3210'),
(34855,5262,'Minutage','39’30'),
(34856,5262,'Images','Homme poussant un autre homme au sol. Francesco, giullare di dio, Roberto Rossellini (1950).'),
(34857,5262,'BandeSon','Id.'),
(34858,5262,'_product_image_gallery',''),
(34859,5263,'_pingme','1'),
(34860,5263,'_encloseme','1'),
(34861,5263,'Index','3220'),
(34862,5263,'Minutage','39’39'),
(34863,5263,'Images','Photographie d\'un réalisateur regardant à travers une caméra'),
(34864,5263,'BandeSon','Id.'),
(34865,5263,'_product_image_gallery',''),
(34866,5264,'_pingme','1'),
(34867,5264,'_encloseme','1'),
(34868,5264,'Index','3230'),
(34869,5264,'Minutage','39’46'),
(34870,5264,'Images','Saturé et ouverture iris entourée de noir : mains d\'une femme avec des ciseaux coupant une pellicule.'),
(34871,5264,'VoixOffIn','-Books?\n-Yeah, in the last barrel\n-Books\n'),
(34872,5264,'BandeSon','Id.'),
(34873,5264,'_product_image_gallery',''),
(34874,5265,'_pingme','1'),
(34875,5265,'_encloseme','1'),
(34876,5265,'Index','3240'),
(34877,5265,'Minutage','39’48'),
(34878,5265,'Images','Homme trouvant un livre et le lisant, pendant que d\'autres enfants et adultes l\'entourent avec intérêt. Vers sa destinée, John Ford (1939).'),
(34879,5265,'VoixOffIn','- That\'s law.\n- Law, I know that book was about somethin’.\n-Hardly a thumb mark on it either.\n-No sir. We took mighty good care of it. Reckon you can read it, sir?\n-I expect I could make heads or tails out of it, if I set my mind to it.\n'),
(34880,5265,'BandeSon','Id.'),
(34881,5265,'_product_image_gallery',''),
(34882,5266,'_pingme','1'),
(34883,5266,'_encloseme','1'),
(34884,5266,'Index','3250'),
(34885,5266,'Minutage','40’07'),
(34886,5266,'Images','Noir'),
(34887,5266,'BandeSon','Id.'),
(34888,5266,'_product_image_gallery',''),
(34889,5267,'_pingme','1'),
(34890,5267,'_encloseme','1'),
(34891,5267,'Index','3260'),
(34892,5267,'Minutage','40’10'),
(34893,5267,'Images','Homme allongé, les jambes contre un arbre, un livre à la main. Vers sa destinée, John Ford (1939).'),
(34894,5267,'VoixOffIn','A bas le roi !\nIl a dix femmes dans son lit pour y passer de folles nuits. A Bas le roi !\nVive la loi ! Vive la loi !\nVive le roi ! Peut contenter d’une traite. A bas la loi !\nChanson paillarde républicaine.'),
(34895,5267,'BandeSon','Accordéon, voix féminine.'),
(34896,5267,'_product_image_gallery',''),
(34897,5268,'_pingme','1'),
(34898,5268,'_encloseme','1'),
(34899,5268,'Index','3270'),
(34900,5268,'Minutage','40’32'),
(34901,5268,'Images','Homme en menaçant et poussant un autre dans des escaliers. Le Chaos, Youssef Chahine (2007).'),
(34902,5268,'BandeSon','Silence'),
(34903,5268,'_product_image_gallery',''),
(34904,5269,'_pingme','1'),
(34905,5269,'_encloseme','1'),
(34906,5269,'Index','3280'),
(34907,5269,'Minutage','40’36'),
(34908,5269,'Images','Noir'),
(34909,5269,'BandeSon','Id.'),
(34910,5269,'_product_image_gallery',''),
(34911,5270,'_pingme','1'),
(34912,5270,'_encloseme','1'),
(34913,5270,'Index','3290'),
(34914,5270,'Minutage','40’39'),
(34915,5270,'Images','Au ralenti : homme souriant, les dents découvertes. Freaks,  (1939). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(34916,5270,'BandeSon','Id.'),
(34917,5270,'_product_image_gallery',''),
(34918,5271,'_pingme','1'),
(34919,5271,'_encloseme','1'),
(34920,5271,'Index','3300'),
(34921,5271,'Minutage','40’44'),
(34922,5271,'Images','Femme nue, homme lui lèchant l’anus.\nExtrait d’un film pornographique. Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(34923,5271,'BandeSon','Id.'),
(34924,5271,'_product_image_gallery',''),
(34925,5272,'_pingme','1'),
(34926,5272,'_encloseme','1'),
(34927,5272,'Index','3310'),
(34928,5272,'Minutage','40’51\n\n'),
(34929,5272,'Images','Homme riant, et se couvrant la bouche avec la main. Freaks,  (1939). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(34930,5272,'BandeSon','Id. et Arcadiana, Op. 12: IV. Et… (tango mortale), Thomas Adès (1994).'),
(34931,5272,'_product_image_gallery',''),
(34932,5273,'_pingme','1'),
(34933,5273,'_encloseme','1'),
(34934,5273,'Index','3320'),
(34935,5273,'Minutage','40’57'),
(34936,5273,'Images','Surexposé, en noir et blanc :  François Truffaut.'),
(34937,5273,'BandeSon','Arcadiana, Op. 12: IV. Et… (tango mortale), Thomas Adès (1994).'),
(34938,5273,'_product_image_gallery',''),
(34939,5274,'_pingme','1'),
(34940,5274,'_encloseme','1'),
(34941,5274,'Index','3330'),
(34942,5274,'Minutage','41’00'),
(34943,5274,'Images','Surexposé, en noir et blanc : Jacques Rivette.'),
(34944,5274,'BandeSon','Id.'),
(34945,5274,'_product_image_gallery',''),
(34946,5275,'_pingme','1'),
(34947,5275,'_encloseme','1'),
(34948,5275,'Index','3340'),
(34949,5275,'Minutage','41’04'),
(34950,5275,'Images','Surexposé, en noir et blanc :  Eric Rohmer.'),
(34951,5275,'VoixOffIn','On sent que l’on tombera. Doit tomber.\nVa tomber.'),
(34952,5275,'BandeSon','Id.'),
(34953,5275,'_product_image_gallery',''),
(34954,5276,'_pingme','1'),
(34955,5276,'_encloseme','1'),
(34956,5276,'Index','3350'),
(34957,5276,'Minutage','41’08'),
(34958,5276,'Images','Noir'),
(34959,5276,'BandeSon','Id.'),
(34960,5276,'Ecrits','le secret et la loi'),
(34961,5276,'_product_image_gallery',''),
(34962,5277,'_pingme','1'),
(34963,5277,'_encloseme','1'),
(34964,5277,'Index','3360'),
(34965,5277,'Minutage','41’16'),
(34966,5277,'Images','Saturé : femme attachée à un poteau, et brûlée vive. Jeanne au bûcher  Roberto Rossellini (1954). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(34967,5277,'BandeSon','Id.'),
(34968,5277,'_product_image_gallery',''),
(34969,5278,'_pingme','1'),
(34970,5278,'_encloseme','1'),
(34971,5278,'Index','3370'),
(34972,5278,'Minutage','41’30'),
(34973,5278,'Images','Noir'),
(34974,5278,'BandeSon','Id.'),
(34975,5278,'_product_image_gallery',''),
(34976,5279,'_pingme','1'),
(34977,5279,'_encloseme','1'),
(34978,5279,'Index','3380'),
(34979,5279,'Minutage','41’32'),
(34980,5279,'Images','Homme marchant sous un arbre.'),
(34981,5279,'VoixOffIn','“Qu’est-ce que cela fait ? Tout est grâce.” Je crois qu’il est mort presque aussitôt. Journal d\'un curé de campagne, Robert Bresson (1951) (JLG)\n'),
(34982,5279,'BandeSon','Id.'),
(34983,5279,'_product_image_gallery',''),
(34984,5280,'_pingme','1'),
(34985,5280,'_encloseme','1'),
(34986,5280,'Index','3390'),
(34987,5280,'Minutage','41’37'),
(34988,5280,'Images','Chars traversant une forêt.'),
(34989,5280,'BandeSon','Id.'),
(34990,5280,'_product_image_gallery',''),
(34991,5281,'_pingme','1'),
(34992,5281,'_encloseme','1'),
(34993,5281,'Index','3400'),
(34994,5281,'Minutage','41’41'),
(34995,5281,'Images','Noir'),
(34996,5281,'BandeSon','Silence'),
(34997,5281,'_product_image_gallery',''),
(34998,5282,'_pingme','1'),
(34999,5282,'_encloseme','1'),
(35000,5282,'Index','3410'),
(35001,5282,'Minutage','41’43'),
(35002,5282,'Images','Hommes courbés à genoux ponçant un parquet. Les Raboteurs de parquet,  (1875).'),
(35003,5282,'VoixOffIn','Un homme que la justice a retranché du nombre des vivants'),
(35004,5282,'BandeSon','Id.'),
(35005,5282,'_product_image_gallery',''),
(35006,5283,'_pingme','1'),
(35007,5283,'_encloseme','1'),
(35008,5283,'Index','3420'),
(35009,5283,'Minutage','41’47'),
(35010,5283,'Images','Homme marchant derrière les barreaux d\'une prison, La faux coupable, Alfred Hitchcock (1956).'),
(35011,5283,'VoixOffIn','appartient au Parquet. Le Parquet est souverain ;'),
(35012,5283,'BandeSon','Id.'),
(35013,5283,'_product_image_gallery',''),
(35014,5284,'_pingme','1'),
(35015,5284,'_encloseme','1'),
(35016,5284,'Index','3430'),
(35017,5284,'Minutage','41’54'),
(35018,5284,'Images','Noir'),
(35019,5284,'VoixOffIn','il ne dépend de personne, il ne relève que de sa conscience.'),
(35020,5284,'BandeSon','Id.'),
(35021,5284,'_product_image_gallery',''),
(35022,5285,'_pingme','1'),
(35023,5285,'_encloseme','1'),
(35024,5285,'Index','3440'),
(35025,5285,'Minutage','42’00'),
(35026,5285,'Images','Homme serrant les poings. Le faux coupable, Alfred Hitchcock (1956).'),
(35027,5285,'VoixOffIn','La prison appartient au Parquet'),
(35028,5285,'BandeSon','Id.'),
(35029,5285,'_product_image_gallery',''),
(35030,5286,'_pingme','1'),
(35031,5286,'_encloseme','1'),
(35032,5286,'Index','3450'),
(35033,5286,'Minutage','42’03'),
(35034,5286,'Images','Noir'),
(35035,5286,'VoixOffIn','il en est'),
(35036,5286,'BandeSon','Id.'),
(35037,5286,'_product_image_gallery',''),
(35038,5287,'_pingme','1'),
(35039,5287,'_encloseme','1'),
(35040,5287,'Index','3460'),
(35041,5287,'Minutage','42’06'),
(35042,5287,'Images','Juge enjoinant à une femme de garder le silence. Jour de colère,  ().'),
(35043,5287,'VoixOffIn','le maître absolu.\nScènes de la vie parisienne, Honoré Balzac (1820) (JLG)'),
(35044,5287,'BandeSon','Id.'),
(35045,5287,'_product_image_gallery',''),
(35046,5288,'_pingme','1'),
(35047,5288,'_encloseme','1'),
(35048,5288,'Index','3470'),
(35049,5288,'Minutage','42’10'),
(35050,5288,'Images','Homme marchant dans un long couloir obscure. La dame de Shanghai, Orson Welles (1948). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35051,5288,'VoixOffIn','- Ils ont vite été relâchés dans la nature.\n- Les Clanton et les Mclaury ont payé leur caution. C’est la loi. C’est la même pour eux que pour toi ou moi.\n- Alors il y a quelque chose qui cloche dans la loi.\nWyatt Earp, Lawrence Kasdan (1994).'),
(35052,5288,'BandeSon','Id.'),
(35053,5288,'Ecrits','-Tais toi !'),
(35054,5288,'_product_image_gallery',''),
(35055,5289,'_pingme','1'),
(35056,5289,'_encloseme','1'),
(35057,5289,'Index','3480'),
(35058,5289,'Minutage','42’22'),
(35059,5289,'Images','Noir'),
(35060,5289,'BandeSon','Insight, Dobrinka Tabakova (2002).'),
(35061,5289,'_product_image_gallery',''),
(35062,5290,'_pingme','1'),
(35063,5290,'_encloseme','1'),
(35064,5290,'Index','3490'),
(35065,5290,'Minutage','42’23'),
(35066,5290,'Images','Saturé : hommes marchant en rang, les mains au-dessus de la tête. En arrière-plan : fumée d’incendie. Tout va bien, Jean Luc Godard (1972).'),
(35067,5290,'BandeSon','Id.'),
(35068,5290,'_product_image_gallery',''),
(35069,5291,'_pingme','1'),
(35070,5291,'_encloseme','1'),
(35071,5291,'Index','3500'),
(35072,5291,'Minutage','42’32'),
(35073,5291,'Images','Au ralenti : homme désignant de la main un point hors-champ. Alexandre Nevski, Sergueï Eisenstein et Dmitri Vassiliev (1938).'),
(35074,5291,'BandeSon','Id.'),
(35075,5291,'_product_image_gallery',''),
(35076,5292,'_pingme','1'),
(35077,5292,'_encloseme','1'),
(35078,5292,'Index','3510'),
(35079,5292,'Minutage','42’39'),
(35080,5292,'Images','Noir'),
(35081,5292,'BandeSon','Id.'),
(35082,5292,'_product_image_gallery',''),
(35083,5293,'_pingme','1'),
(35084,5293,'_encloseme','1'),
(35085,5293,'Index','3520'),
(35086,5293,'Minutage','42’44'),
(35087,5293,'Images','Prisonnier nu, assis et recroquevillé. Eau argentée, Syrie autoportrait,  et  (2014).'),
(35088,5293,'BandeSon','Id.'),
(35089,5293,'_product_image_gallery',''),
(35090,5294,'_pingme','1'),
(35091,5294,'_encloseme','1'),
(35092,5294,'Index','3530'),
(35093,5294,'Minutage','42’52'),
(35094,5294,'Images','Femme avec un foulard autour de la bouche et du nez regardant à travers les barreaux. Tout va bien, Jean Luc Godard (1972). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(35095,5294,'BandeSon','Id.'),
(35096,5294,'_product_image_gallery',''),
(35097,5295,'_pingme','1'),
(35098,5295,'_encloseme','1'),
(35099,5295,'Index','3540'),
(35100,5295,'Minutage','42’57'),
(35101,5295,'Images','Prisonnier d\'un camp de concentration regardant à travers la fenêtre d’un train.\nNuit et brouillard, Alain Resnais (1956). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(35102,5295,'BandeSon','Id.'),
(35103,5295,'_product_image_gallery',''),
(35104,5296,'_pingme','1'),
(35105,5296,'_encloseme','1'),
(35106,5296,'Index','3550'),
(35107,5296,'Minutage','42’59'),
(35108,5296,'Images','Soldats.'),
(35109,5296,'BandeSon','Id.'),
(35110,5296,'_product_image_gallery',''),
(35111,5297,'_pingme','1'),
(35112,5297,'_encloseme','1'),
(35113,5297,'Index','3560'),
(35114,5297,'Minutage','43’00'),
(35115,5297,'Images','Manifestation appelant à la grève générale diffusée par la programme télévisé français C\'est dans l\'air.'),
(35116,5297,'VoixOffIn','Grève générale,\nJusqu’au retrait total. (2x)\n'),
(35117,5297,'BandeSon','Id.'),
(35118,5297,'_product_image_gallery',''),
(35119,5298,'_pingme','1'),
(35120,5298,'_encloseme','1'),
(35121,5298,'Index','3570'),
(35122,5298,'Minutage','43’04'),
(35123,5298,'Images','Homme dans l\'obscurité, le menton appuyé sur la paume de la main.\nFantômas, Louis Feuillade (1913). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35124,5298,'VoixOffIn','- Et toujours le même slogan, et la même connerie.\n\nTous ensemble, tous ensemble !'),
(35125,5298,'BandeSon','Id.'),
(35126,5298,'_product_image_gallery',''),
(35127,5299,'_pingme','1'),
(35128,5299,'_encloseme','1'),
(35129,5299,'Index','3580'),
(35130,5299,'Minutage','43’13'),
(35131,5299,'Images','Blanc'),
(35132,5299,'VoixOffIn','Grève générale !\nTous ensemble, tous ensemble !\nIl faut que ça continue, il faut que ça continue pour faire céder ce gouvernement. (Discours de François Ruffin)'),
(35133,5299,'BandeSon','Id.'),
(35134,5299,'Ecrits','la société\nest fondée\nsur un crime\nen commun\n(René Girard, La violence et le sacré, Editions Bernard Grasset, 1972)'),
(35135,5299,'_product_image_gallery',''),
(35136,5300,'_pingme','1'),
(35137,5300,'_encloseme','1'),
(35138,5300,'Index','3590'),
(35139,5300,'Minutage','43’20'),
(35140,5300,'Images','Homme recourbé, la tête posée sur un bloc de bois, condamné à mort, puis décapité. Le procès de Charles I, Guy Levertisseur (1963).'),
(35141,5300,'VoixOffIn','Souvenez-vous ! (Sigmund Freud)'),
(35142,5300,'BandeSon','Id.'),
(35143,5300,'_product_image_gallery',''),
(35144,5301,'_pingme','1'),
(35145,5301,'_encloseme','1'),
(35146,5301,'Index','3600'),
(35147,5301,'Minutage','43’35'),
(35148,5301,'Images','Au ralenti : personnes dans le procès de Nuremberg (1945-46).'),
(35149,5301,'BandeSon','Silence'),
(35150,5301,'_product_image_gallery',''),
(35151,5302,'_pingme','1'),
(35152,5302,'_encloseme','1'),
(35153,5302,'Index','3610'),
(35154,5302,'Minutage','43’46'),
(35155,5302,'Images','Noir'),
(35156,5302,'BandeSon','Insight, Dobrinka Tabakova (2002).'),
(35157,5302,'_product_image_gallery',''),
(35158,5303,'_pingme','1'),
(35159,5303,'_encloseme','1'),
(35160,5303,'Index','3620'),
(35161,5303,'Minutage','43’50'),
(35162,5303,'Images','Saturé et surexposé : femme et fleurs géantes. La Fée Libellule, Georges Méliès (1908). Histoire(s) du cinéma 2a, Jean-Luc Godard (1988-98).'),
(35163,5303,'BandeSon','Id.'),
(35164,5303,'_product_image_gallery',''),
(35165,5304,'_pingme','1'),
(35166,5304,'_encloseme','1'),
(35167,5304,'Index','3630'),
(35168,5304,'Minutage','44’04'),
(35169,5304,'Images','Photographie de  Marilyne Monroe. Iris et clignotant : corbeaux s’envolant. Les Oiseaux, Alfred Hitchcock (1963). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35170,5304,'VoixOffIn','Devenue adulte, la jeune femme se méfiant de la liberté exagérée, dont le mot souvent répété pourrait faire craindre les excès, tout comme elle sera hostile à la république'),
(35171,5304,'BandeSon','Id.'),
(35172,5304,'_product_image_gallery',''),
(35173,5305,'_pingme','1'),
(35174,5305,'_encloseme','1'),
(35175,5305,'Index','3640'),
(35176,5305,'Minutage','44’12'),
(35177,5305,'Images','Noir'),
(35178,5305,'BandeSon','Id.'),
(35179,5305,'_product_image_gallery',''),
(35180,5306,'_pingme','1'),
(35181,5306,'_encloseme','1'),
(35182,5306,'Index','3650'),
(35183,5306,'Minutage','44’13'),
(35184,5306,'Images','Banc de montage. Puis en surimpression : détail de Gabrielle d\'Estrées et une de ses sœurs, Anonyme, Ecole Française\n(1594). La bobine est aussi grande que le buste de la femme et sa pointe ressemble presque à celle du sein de la femme. Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(35185,5306,'VoixOffIn','non par principe, mais parce que l\'Europe'),
(35186,5306,'BandeSon','Id. et silence'),
(35187,5306,'_product_image_gallery',''),
(35188,5307,'_pingme','1'),
(35189,5307,'_encloseme','1'),
(35190,5307,'Index','3660'),
(35191,5307,'Minutage','44’16'),
(35192,5307,'Images','Hommes prononçant un discours devant une foule, à la  fin du XVII siècle.'),
(35193,5307,'VoixOffIn','n\'a pas les vertus nécessaires. (Jean-Luc Godard) Biographie de Hortense de Beauharnais).'),
(35194,5307,'BandeSon','Silence'),
(35195,5307,'_product_image_gallery',''),
(35196,5308,'_pingme','1'),
(35197,5308,'_encloseme','1'),
(35198,5308,'Index','3670'),
(35199,5308,'Minutage','44’21'),
(35200,5308,'Images','Plusieurs personnes dansant dans une salle. This Country\'s Going to War, Duck soup, Leo McCarey (1933).'),
(35201,5308,'BandeSon','Bande son de This Country\'s Going to War, Duck soup, Leo McCarey (1933). Et voix qui chantent.'),
(35202,5308,'_product_image_gallery',''),
(35203,5309,'_pingme','1'),
(35204,5309,'_encloseme','1'),
(35205,5309,'Index','3680'),
(35206,5309,'Minutage','44’24'),
(35207,5309,'Images','Noir'),
(35208,5309,'VoixOffIn','Les rebels, c’est vous ? Vous vous insurgez contre l’ordre'),
(35209,5309,'BandeSon','Silence'),
(35210,5309,'Ecrits','t'),
(35211,5309,'_product_image_gallery',''),
(35212,5310,'_pingme','1'),
(35213,5310,'_encloseme','1'),
(35214,5310,'Index','3690'),
(35215,5310,'Minutage','44’28'),
(35216,5310,'Images','Chat se retournant, l’air terrifié. Cartoon de Tex Avery. En surimpression : texte. Histoire(s) du cinéma 4b, Jean-Luc Godard (1988-98).'),
(35217,5310,'VoixOffIn','-Non, contre les privilèges !\n\n'),
(35218,5310,'BandeSon','Id.'),
(35219,5310,'Ecrits','montage\ninter\ndit /\npar\nandré\nbazin'),
(35220,5310,'_product_image_gallery',''),
(35221,5311,'_pingme','1'),
(35222,5311,'_encloseme','1'),
(35223,5311,'Index','3700'),
(35224,5311,'Minutage','44’34'),
(35225,5311,'Images','Adolescent parlant à une caméra, habillé en soldat avec un foulard sur la tête.'),
(35226,5311,'VoixOffIn','Devant nous de la République\nL\'étendard…\n(réécriture de La Marseillaise, paroles de l’Abbé René Charles de Lusson)'),
(35227,5311,'BandeSon','Voix masculine chantant La Marseillaise.'),
(35228,5311,'Ecrits','Et je vous invite à égorger les mécréants'),
(35229,5311,'_product_image_gallery',''),
(35230,5312,'_pingme','1'),
(35231,5312,'_encloseme','1'),
(35232,5312,'Index','3710'),
(35233,5312,'Minutage','44’37'),
(35234,5312,'Images','Adolescent tirant avec une arme à feu sur un autre dans les couloirs d\'une école. Elephant, Gus Vant Sant (2003).'),
(35235,5312,'VoixOffIn','la sensation mentale qu’il éprouvait depuis quelques temps, se transforma en un tourbillon de ténèbres'),
(35236,5312,'BandeSon','Coup de mitraillette.'),
(35237,5312,'_product_image_gallery',''),
(35238,5313,'_pingme','1'),
(35239,5313,'_encloseme','1'),
(35240,5313,'Index','3720'),
(35241,5313,'Minutage','44’41'),
(35242,5313,'Images','Noir'),
(35243,5313,'VoixOffIn','Les pauvres gens, ceux pour qui j’avais'),
(35244,5313,'BandeSon','Silence'),
(35245,5313,'_product_image_gallery',''),
(35246,5314,'_pingme','1'),
(35247,5314,'_encloseme','1'),
(35248,5314,'Index','3730'),
(35249,5314,'Minutage','44’44'),
(35250,5314,'Images','Au ralenti : femme grimpant dans un wagon de marchandises d\'un train du documentaire Shoah, les oubliés de l’histoire par la chaîne de télévision Histoire.'),
(35251,5314,'VoixOffIn','Je les préfère [les pauvres]'),
(35252,5314,'BandeSon','Id.'),
(35253,5314,'_product_image_gallery',''),
(35254,5315,'_pingme','1'),
(35255,5315,'_encloseme','1'),
(35256,5315,'Index','3740'),
(35257,5315,'Minutage','44’50'),
(35258,5315,'Images','Dessin : femme, homme et deux enfants manipulant une lanterne magique. Histoire(s) du cinéma 3b, Jean-Luc Godard (1988-98).'),
(35259,5315,'VoixOffIn','mais uniquement parce qu\'ils sont les vaincus.\n Les Conquérants, André Malraux (1928) (JLG)'),
(35260,5315,'BandeSon','Id.'),
(35261,5315,'_product_image_gallery',''),
(35262,5316,'_pingme','1'),
(35263,5316,'_encloseme','1'),
(35264,5316,'Index','3750'),
(35265,5316,'Minutage','44’55'),
(35266,5316,'Images','Gris'),
(35267,5316,'BandeSon','Id.'),
(35268,5316,'_product_image_gallery',''),
(35269,5317,'_pingme','1'),
(35270,5317,'_encloseme','1'),
(35271,5317,'Index','3760'),
(35272,5317,'Minutage','44’56'),
(35273,5317,'Images','Homme avec un chapeau mexicain et une moustache, l\'air en colère. Viva Villa! Jack Conway (1934).'),
(35274,5317,'_product_image_gallery',''),
(35275,5318,'_pingme','1'),
(35276,5318,'_encloseme','1'),
(35277,5318,'Index','3770'),
(35278,5318,'Minutage','44’58'),
(35279,5318,'Images','Au ralenti : Cavaliers passant au-dessus d’un jeune homme enterré jusqu’aux épaules. Que Viva Mexico ! Sergueï Eisenstein, (1931-1979).'),
(35280,5318,'VoixOffIn','[Bruit d\'une voiture qui freine et accélère]\nEt bien des fois abandonné cet ouvrage'),
(35281,5318,'BandeSon','Freinage et accélération de la voiture.'),
(35282,5318,'_product_image_gallery',''),
(35283,5319,'_pingme','1'),
(35284,5319,'_encloseme','1'),
(35285,5319,'Index','3780'),
(35286,5319,'Minutage','45’06'),
(35287,5319,'Images','Homme passant la main à travers le feu d’une cheminée. Les visiteurs du soir, Marcel Carné (1942).'),
(35288,5319,'VoixOffIn','Je suivais mon objet sans former de dessein ; je ne connaissais ni les règles'),
(35289,5319,'BandeSon','Silence'),
(35290,5319,'_product_image_gallery',''),
(35291,5320,'_pingme','1'),
(35292,5320,'_encloseme','1'),
(35293,5320,'Index','3790'),
(35294,5320,'Minutage','45’15'),
(35295,5320,'Images','Noir'),
(35296,5320,'VoixOffIn','ni les exceptions.'),
(35297,5320,'BandeSon','Id.'),
(35298,5320,'_product_image_gallery',''),
(35299,5321,'_pingme','1'),
(35300,5321,'_encloseme','1'),
(35301,5321,'Index','3800'),
(35302,5321,'Minutage','45’16'),
(35303,5321,'Images','Paysage de jour, paisible. JLG/JLG, Jean-Luc Godard (1995). En alternance : homme à cheval semblant mort, battu par le vent. Nan of the Music Mountain, G. H. Melford (1917). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35304,5321,'VoixOffIn','Je ne trouvais la vérité que pour la perdre. (Jean-Luc Godard). L’Esprit des lois, Montesquieu (1887).\n'),
(35305,5321,'BandeSon','Id.'),
(35306,5321,'_product_image_gallery',''),
(35307,5322,'_pingme','1'),
(35308,5322,'_encloseme','1'),
(35309,5322,'Index','3810'),
(35310,5322,'Minutage','45’19'),
(35311,5322,'Images','Noir'),
(35312,5322,'VoixOffIn','Il n’y a que de traits noir.\nElie Faure, Histoire de l’art, « l’art moderne »,  I, (1921).\nHistoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35313,5322,'BandeSon','Id.'),
(35314,5322,'_product_image_gallery',''),
(35315,5323,'_pingme','1'),
(35316,5323,'_encloseme','1'),
(35317,5323,'Index','3820'),
(35318,5323,'Minutage','45’21'),
(35319,5323,'Images','Saturé et surexposé en tons rouges : flammes et fumée s\'élevant à l\'horizon.'),
(35320,5323,'BandeSon','Violons. Sergei Sergeyevich Prokofiev.'),
(35321,5323,'_product_image_gallery',''),
(35322,5324,'_pingme','1'),
(35323,5324,'_encloseme','1'),
(35324,5324,'Index','3830'),
(35325,5324,'Minutage','45’28'),
(35326,5324,'Images','Noir'),
(35327,5324,'BandeSon','Id.'),
(35328,5324,'_product_image_gallery',''),
(35329,5325,'_pingme','1'),
(35330,5325,'_encloseme','1'),
(35331,5325,'Index','3840'),
(35332,5325,'Minutage','45’30'),
(35333,5325,'Images','Couverture du livre de science-fiction La fin du A, A. E. Van Vogt (1984).'),
(35334,5325,'BandeSon','Id.'),
(35335,5325,'_product_image_gallery',''),
(35336,5326,'_pingme','1'),
(35337,5326,'_encloseme','1'),
(35338,5326,'Index','3850'),
(35339,5326,'Minutage','45’37'),
(35340,5326,'Images','Ecoliers aux bras croisés, l\'air sérieux. Luis Buñuel, Las Hurdes (1932). Liberté et Patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(35341,5326,'VoixOffIn','- Vous êtes un drôle de pistolet, c\'est ça que vous vouliez dire à la tribune, pourquoi vous ne l’avez pas dit ?'),
(35342,5326,'BandeSon','Id.'),
(35343,5326,'_product_image_gallery',''),
(35344,5327,'_pingme','1'),
(35345,5327,'_encloseme','1'),
(35346,5327,'Index','3860'),
(35347,5327,'Minutage','45’46'),
(35348,5327,'Images','Fragment de texte.'),
(35349,5327,'VoixOffIn','- Je l\'ai dit mais je n\'ai pas su me faire entendre.\n\nEn même temps : Ce qui joue ici, ce n\'est pas seulement cette vision rétrospective des choses qui considère tout le passé comme préparant le fait accompli.'),
(35350,5327,'BandeSon','Silence'),
(35351,5327,'Ecrits','plus la pein la la\ndans la boue j\nplus soif la lang\nse referme elle\ndroite à présent c’\nl’image\n\n[je souris encore ce n\'est plus la peine depuis longtemps ce n\'est plus la peine la langue ressort va dans la boue je reste comme ça plus soif la langue rentre la bouche se referme elle doit faire une ligne droite à présent c\'est fait j\'ai fait l\'image], Image, Samuel Beckett (1950). Histoire(s) du cinéma 1a, Jean-Luc Godard (1988-98).'),
(35352,5327,'_product_image_gallery',''),
(35353,5328,'_pingme','1'),
(35354,5328,'_encloseme','1'),
(35355,5328,'Index','3870'),
(35356,5328,'Minutage','45’51'),
(35357,5328,'Images','Au ralenti : foule se pressant et tendant les mains. Metropolis, Fritz Lang (1927). Histoire(s) du cinéma 4b, Jean-Luc Godard (1988-98).'),
(35358,5328,'VoixOffIn','C’est également une certaine interférence des événements qui embrouille tout. (Jean-Luc Godard). Guerre et Paix, Léon Tolstoï (1867).\n \nLes phares, éteignez les phares!\nNuit du carrefour, Jean Renoir (1932).'),
(35359,5328,'BandeSon','Id.'),
(35360,5328,'_product_image_gallery',''),
(35361,5329,'_pingme','1'),
(35362,5329,'_encloseme','1'),
(35363,5329,'Index','3880'),
(35364,5329,'Minutage','46’00'),
(35365,5329,'Images','Noir'),
(35366,5329,'BandeSon','Id.'),
(35367,5329,'_product_image_gallery',''),
(35368,5330,'_pingme','1'),
(35369,5330,'_encloseme','1'),
(35370,5330,'Index','3890'),
(35371,5330,'Minutage','46’02'),
(35372,5330,'Images','Femme au nez en sang se faisant pousser par des policiers et juge parlant animeusement. Vladimir et Rosa, Jean-Luc Godard (1971).'),
(35373,5330,'VoixOffIn','Politique, ça veut dire quoi politique?!'),
(35374,5330,'BandeSon','Id.'),
(35375,5330,'_product_image_gallery',''),
(35376,5331,'_pingme','1'),
(35377,5331,'_encloseme','1'),
(35378,5331,'Index','3900'),
(35379,5331,'Minutage','46’03'),
(35380,5331,'Images','Juge parlant animeusement. Vent d’est, Jean-Luc Godard et Jean-Pierre Gorin (1969).'),
(35381,5331,'BandeSon','Id.'),
(35382,5331,'_product_image_gallery',''),
(35383,5332,'_pingme','1'),
(35384,5332,'_encloseme','1'),
(35385,5332,'Index','3910'),
(35386,5332,'Minutage','46’06'),
(35387,5332,'Images','Juge en hauteur, derrière le banc, dans une salle d\'audience.\nLa terreur et la vertu, Stellio Lorenzi (1964).'),
(35388,5332,'VoixOffIn','Deux discours solennels prononcés par un homme se chevauchent.\n\nLe dieu des prêtres est différent de l’être suprême. Le véritable prêtre de l’être suprême c’est la nature, son temple, l’univers, son culte, la vertu, ses fêtes, la joie d’un grand peuple rassemblé sous ses yeux pour resserrer les doux nœuds de la fraternité universelle et pour lui présenter l’hommage des cœurs sensibles et pures. Sur le rapport des idées religieuses et morales avec les principes républicains et sur les fêtes nationales, Maximilien de Robespierre (1866).  \n\n-Vous devez savoir, si le ressort du gouvernement populaire dans la paix est la vertu. En temps de guerre, le ressort du gouvernement populaire est par nécessité la terreur, mais toujours la vertu,  \ncar la vertu sans la terreur est impuissante, mais la terreur sans la vertue est funeste.  Sur les principes de morale politique qui doivent guider la Convention nationale dans l’administration intérieure de la République, Maximilien de Robespierre (1794).\n-Tout cela est bel et bon\n'),
(35389,5332,'BandeSon','Applaudissements.'),
(35390,5332,'_product_image_gallery',''),
(35391,5333,'_pingme','1'),
(35392,5333,'_encloseme','1'),
(35393,5333,'Index','3920'),
(35394,5333,'Minutage','46’24'),
(35395,5333,'Images','Couverture d’un exemplaire de De l’Esprit des Lois, Montesquieu (1748).'),
(35396,5333,'BandeSon','Applaudissements.'),
(35397,5333,'_product_image_gallery',''),
(35398,5334,'_pingme','1'),
(35399,5334,'_encloseme','1'),
(35400,5334,'Index','3930'),
(35401,5334,'Minutage','46’27'),
(35402,5334,'Images','Surexposé et saturé en tons rouge : photographie des manifestations en Grèce, Alkis Konstantinidis (2015).'),
(35403,5334,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(35404,5334,'_product_image_gallery',''),
(35405,5335,'_pingme','1'),
(35406,5335,'_encloseme','1'),
(35407,5335,'Index','3940'),
(35408,5335,'Minutage','46’42'),
(35409,5335,'Images','Surexposée et saturé  en tons rouges et jaunes : presque illisible.'),
(35410,5335,'VoixOffIn','- Qu’est-ce qu’elle dit ? J’entends rien !\n'),
(35411,5335,'BandeSon','Id. et vagues'),
(35412,5335,'_product_image_gallery',''),
(35413,5336,'_pingme','1'),
(35414,5336,'_encloseme','1'),
(35415,5336,'Index','3950'),
(35416,5336,'Minutage','46’52'),
(35417,5336,'Images','En surimpression :  défilement d’une pellicule dans un iris. Couple au projecteur de La Prison, Ingmar Bergman (1949). Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(35418,5336,'VoixOffIn','- Elle dit que les pauvres sauveront le monde \nNotre Musique, Jean-Luc Godard (2004).'),
(35419,5336,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(35420,5336,'_product_image_gallery',''),
(35421,5337,'_pingme','1'),
(35422,5337,'_encloseme','1'),
(35423,5337,'Index','3960'),
(35424,5337,'Minutage','46’59'),
(35425,5337,'Images','Noir'),
(35426,5337,'BandeSon','Id.'),
(35427,5337,'_product_image_gallery',''),
(35428,5338,'_pingme','1'),
(35429,5338,'_encloseme','1'),
(35430,5338,'Index','3970'),
(35431,5338,'Minutage','47’01'),
(35432,5338,'Images','Femme mourant dans les bras d\'une autre femme essayant de parler à un homme devant elle répétant à haute voix ce qu\'il entend. Notre Musique, Jean-Luc Godard (2004).'),
(35433,5338,'VoixOffIn','Ils ne demanderont rien en échange. Ils ne savent pas le prix du service rendu. Ils feront cette colossale affaire.\n'),
(35434,5338,'BandeSon','Brusquement : silence.'),
(35435,5338,'_product_image_gallery',''),
(35436,5339,'_pingme','1'),
(35437,5339,'_encloseme','1'),
(35438,5339,'Index','3980'),
(35439,5339,'Minutage','47’46'),
(35440,5339,'Images','Noir'),
(35441,5339,'VoixOffIn','Et…'),
(35442,5339,'BandeSon','Id.'),
(35443,5339,'_product_image_gallery',''),
(35444,5340,'_pingme','1'),
(35445,5340,'_encloseme','1'),
(35446,5340,'Index','3990'),
(35447,5340,'Minutage','47’50'),
(35448,5340,'Images','Femme effrayée à la vue d\'un monstre, puis s’évanuissant. La belle et la bête, Jean Cocteau (1946). Histoire(s) du cinéma 2b, Jean-Luc Godard (1988-98).'),
(35449,5340,'VoixOffIn','Où allez-vous ?'),
(35450,5340,'BandeSon','Bande son du film La belle et la bête, Jean Cocteau (1946).'),
(35451,5340,'_product_image_gallery',''),
(35452,5341,'_pingme','1'),
(35453,5341,'_encloseme','1'),
(35454,5341,'Index','4000'),
(35455,5341,'Minutage','47’58'),
(35456,5341,'Images','Femme avec bâton à la main et policier avec un chapeau saluant le publique. Un drame chez les fantoches (1908), Emile Cohl.'),
(35457,5341,'BandeSon','Silence'),
(35458,5341,'_product_image_gallery',''),
(35459,5342,'_pingme','1'),
(35460,5342,'_encloseme','1'),
(35461,5342,'Index','4010'),
(35462,5342,'Minutage','48’00'),
(35463,5342,'Images','Noir'),
(35464,5342,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(35465,5342,'_product_image_gallery',''),
(35466,5343,'_pingme','1'),
(35467,5343,'_encloseme','1'),
(35468,5343,'Index','4020'),
(35469,5343,'Minutage','48’02'),
(35470,5343,'Images','Noir'),
(35471,5343,'BandeSon','Id.'),
(35472,5343,'Ecrits','5\nLA RÉGION CENTRALE\n(Michael Snow, 1971)'),
(35473,5343,'_product_image_gallery',''),
(35474,5344,'_pingme','1'),
(35475,5344,'_encloseme','1'),
(35476,5344,'Index','4030'),
(35477,5344,'Minutage','48’16'),
(35478,5344,'Images','Saturé et au ralenti: chemin avec des pierres. La Région Centrale, Michael Snow(1971).'),
(35479,5344,'VoixOffIn','C’est une brève histoire, que celle de l’extinction en masse des espèces.\nEn bref, le plus gros des dégradations environnementales d’aujourd’hui est le fait de deux groupes. Le milliard le plus riche et le milliard le plus pauvre. Les plus riches détruisent l’environnement global par leur surconsommation rapide des ressources et leur production de déchets. Tandis que les plus pauvres détruisent leurs ressources par nécessité et par absence de choix.\nUne brève histoire de l\'extinction en masse des espèces, Franz J.\nBroswimmer (2010).'),
(35480,5344,'BandeSon','Silence'),
(35481,5344,'_product_image_gallery',''),
(35482,5345,'_pingme','1'),
(35483,5345,'_encloseme','1'),
(35484,5345,'Index','4040'),
(35485,5345,'Minutage','48’58'),
(35486,5345,'Images','Saturé et surexposé en tons rouges et jaunes : homme assis.'),
(35487,5345,'BandeSon','Id.'),
(35488,5345,'_product_image_gallery',''),
(35489,5346,'_pingme','1'),
(35490,5346,'_encloseme','1'),
(35491,5346,'Index','4050'),
(35492,5346,'Minutage','49’00'),
(35493,5346,'Images','Saturé et surexposé en tons bleus : presque illisible.'),
(35494,5346,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(35495,5346,'_product_image_gallery',''),
(35496,5347,'_pingme','1'),
(35497,5347,'_encloseme','1'),
(35498,5347,'Index','4060'),
(35499,5347,'Minutage','49’03'),
(35500,5347,'Images','Homme portant un chapeau haut de forme et tenant une loupe devant son œil. Dossier Secret [Mr Arkadin], Orson Welles, (1955).'),
(35501,5347,'BandeSon','Bande son de Dossier Secret [Mr Arkadin], Orson Welles, (1955).'),
(35502,5347,'_product_image_gallery',''),
(35503,5348,'_pingme','1'),
(35504,5348,'_encloseme','1'),
(35505,5348,'Index','4070'),
(35506,5348,'Minutage','49’15'),
(35507,5348,'Images','Noir'),
(35508,5348,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(35509,5348,'Ecrits','Hommage\nA la Catalogne'),
(35510,5348,'_product_image_gallery',''),
(35511,5349,'_pingme','1'),
(35512,5349,'_encloseme','1'),
(35513,5349,'Index','4080'),
(35514,5349,'Minutage','49’18'),
(35515,5349,'Images','Noir'),
(35516,5349,'BandeSon','Id.'),
(35517,5349,'_product_image_gallery',''),
(35518,5350,'_pingme','1'),
(35519,5350,'_encloseme','1'),
(35520,5350,'Index','4090'),
(35521,5350,'Minutage','49’24'),
(35522,5350,'Images','Homme tenant d\'une main le revers de sa veste, remonté jusqu\'au cou.  La terre, Alexandre Dovjenko (1930).\nLiberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(35523,5350,'VoixOffIn','Et pourtant aimer ceux qui sont capable de faire cela. Etre aimé d\'eux peut-être. Qu\'attendre de plus de l\'amour ? Quelle rage de leur demander encore des comptes. Mais lui aussi parlait lentement. Cet amour ne t\'empêchait pas de coucher avec ce type, alors que tu pensais « si nous étions vivants ».'),
(35524,5350,'BandeSon','Id.'),
(35525,5350,'_product_image_gallery',''),
(35526,5351,'_pingme','1'),
(35527,5351,'_encloseme','1'),
(35528,5351,'Index','4100'),
(35529,5351,'Minutage','50’03'),
(35530,5351,'Images','Femme se tenant la main devant la bouche, l\'air perdu et pensif. La terre, Alexandre Dovjenko (1930). Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(35531,5351,'VoixOffIn','Mais nous sommes vivants ! » – « Vous m\'interrogez avec quelque chose qui n\'est pas vivant en vous et qui cherche en moi quelque chose qui ne peux pas vivre. Cela c’est une souffrance, c\'est l\'angoisse, c\'est l\'attente, lorsque le temps est toujours de trop et que toutefois le temps manque au temps... Dans l’attente le temps qui permet d’attendre se perd pour mieux répondre à l’attente. Et l’attente qui a lieu dans le temps ouvre le temps à l’absence de temps où il n’y a pas lieu d’attendre.\nL’attente, l’oubli , Maurice Blanchot (1962). (Jean-Luc Godard).'),
(35532,5351,'BandeSon','Silence'),
(35533,5351,'_product_image_gallery',''),
(35534,5352,'_pingme','1'),
(35535,5352,'_encloseme','1'),
(35536,5352,'Index','4110'),
(35537,5352,'Minutage','50’58'),
(35538,5352,'Images','Noir'),
(35539,5352,'VoixOffIn','He oui Ninon, c’est une fille'),
(35540,5352,'BandeSon','Id.'),
(35541,5352,'_product_image_gallery',''),
(35542,5353,'_pingme','1'),
(35543,5353,'_encloseme','1'),
(35544,5353,'Index','4120'),
(35545,5353,'Minutage','51’00'),
(35546,5353,'Images','Mains d\'un vieil homme tournées vers le haut. Histoire(s) du cinéma 1b/4b, Jean-Luc Godard (1988-98).'),
(35547,5353,'VoixOffIn','Il y a les cinq doigts. On accomplirait l’acte rédempteur.\nLa main. (Jean-Luc Godard).'),
(35548,5353,'BandeSon','Id.'),
(35549,5353,'_product_image_gallery',''),
(35550,5354,'_pingme','1'),
(35551,5354,'_encloseme','1'),
(35552,5354,'Index','4130'),
(35553,5354,'Minutage','51’09'),
(35554,5354,'Images','Dessin de main tournée vers le bas. Liberté et patrie, Jean-Luc Godard et Anne-Marie Miéville (2002).'),
(35555,5354,'VoixOffIn',' '),
(35556,5354,'BandeSon','Id.'),
(35557,5354,'_product_image_gallery',''),
(35558,5355,'_pingme','1'),
(35559,5355,'_encloseme','1'),
(35560,5355,'Index','4140'),
(35561,5355,'Minutage','51’12'),
(35562,5355,'Images','Main d\'homme reposant sur une main de femme. La main de femme repose sur une épaule.'),
(35563,5355,'BandeSon','Id.'),
(35564,5355,'_product_image_gallery',''),
(35565,5356,'_pingme','1'),
(35566,5356,'_encloseme','1'),
(35567,5356,'Index','4150'),
(35568,5356,'Minutage','51’16'),
(35569,5356,'Images','Noir'),
(35570,5356,'VoixOffIn','Et un long moment après'),
(35571,5356,'BandeSon','Id.'),
(35572,5356,'_product_image_gallery',''),
(35573,5357,'_pingme','1'),
(35574,5357,'_encloseme','1'),
(35575,5357,'Index','4160'),
(35576,5357,'Minutage','51’20'),
(35577,5357,'Images','Dessin de Bécassine. Caumery et Pinchon.'),
(35578,5357,'VoixOffIn','Parce que les histoires que l\'on raconte vont moins vite que les actions'),
(35579,5357,'BandeSon','Id.'),
(35580,5357,'_product_image_gallery',''),
(35581,5358,'_pingme','1'),
(35582,5358,'_encloseme','1'),
(35583,5358,'Index','4170'),
(35584,5358,'Minutage','51’29'),
(35585,5358,'Images','Noir'),
(35586,5358,'VoixOffIn','ne s\'accomplissent (Jean-Luc Godard).'),
(35587,5358,'BandeSon','Id.'),
(35588,5358,'_product_image_gallery',''),
(35589,5359,'_pingme','1'),
(35590,5359,'_encloseme','1'),
(35591,5359,'Index','4180'),
(35592,5359,'Minutage','51’32'),
(35593,5359,'Images','Noir'),
(35594,5359,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(35595,5359,'_product_image_gallery',''),
(35596,5360,'_pingme','1'),
(35597,5360,'_encloseme','1'),
(35598,5360,'Index','4190'),
(35599,5360,'Minutage','51’35'),
(35600,5360,'Images','Femme tenant un trousseau de clés à la main et touchant une clé sur laquelle est écrit « unica ». Les Enchaînés, (Notorious), Alfred Hitchcock (1946). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35601,5360,'BandeSon','Id.'),
(35602,5360,'_product_image_gallery',''),
(35603,5361,'_pingme','1'),
(35604,5361,'_encloseme','1'),
(35605,5361,'Index','4200'),
(35606,5361,'Minutage','51’51'),
(35607,5361,'Images','La femme serrant dans ses bras un homme et, derrière sa tête, dérobant une clé d’un trousseau. Les Enchaînés, [Notorious], Alfred Hitchcock (1946). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(35608,5361,'BandeSon','Id.'),
(35609,5361,'_product_image_gallery',''),
(35610,5362,'_pingme','1'),
(35611,5362,'_encloseme','1'),
(35612,5362,'Index','4210'),
(35613,5362,'Minutage','51’57'),
(35614,5362,'Images','Noir'),
(35615,5362,'BandeSon','Silence'),
(35616,5362,'Ecrits','SOUS LES YEUX\nDE L’OCCIDENT'),
(35617,5362,'_product_image_gallery',''),
(35618,5363,'_pingme','1'),
(35619,5363,'_encloseme','1'),
(35620,5363,'Index','4220'),
(35621,5363,'Minutage','51’59'),
(35622,5363,'Images','Homme poussé les mains derrière le dos par d\'autres hommes. Images retransmises dans le documentaire Shoah, les oubliés de l’histoire par la chaîne de télévision Histoire.'),
(35623,5363,'BandeSon','Cris'),
(35624,5363,'_product_image_gallery',''),
(35625,5364,'_pingme','1'),
(35626,5364,'_encloseme','1'),
(35627,5364,'Index','4230'),
(35628,5364,'Minutage','52’01'),
(35629,5364,'Images','Petite fille portant un nourrisson sur l\'épaule et, à côté d\'elle, trois autres enfants, habillés de haillons. De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(35630,5364,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).'),
(35631,5364,'_product_image_gallery',''),
(35632,5365,'_pingme','1'),
(35633,5365,'_encloseme','1'),
(35634,5365,'Index','4240'),
(35635,5365,'Minutage','52’06'),
(35636,5365,'Images','Noir'),
(35637,5365,'BandeSon','Id.'),
(35638,5365,'_product_image_gallery',''),
(35639,5366,'_pingme','1'),
(35640,5366,'_encloseme','1'),
(35641,5366,'Index','4250'),
(35642,5366,'Minutage','52’08'),
(35643,5366,'Images','Noir'),
(35644,5366,'VoixOffIn','Dans un roman,'),
(35645,5366,'BandeSon','Arpèges à la guitare. Raf Raf, Anouar Brahem (1991).'),
(35646,5366,'Ecrits','HEUREUSE ARABIE\nL\'Arabie heureuse : souvenirs de voyages en Afrique et en Asie, Alexandre Dumas (1860).'),
(35647,5366,'_product_image_gallery',''),
(35648,5367,'_pingme','1'),
(35649,5367,'_encloseme','1'),
(35650,5367,'Index','4260'),
(35651,5367,'Minutage','52’10'),
(35652,5367,'Images','Saturé : enfant sur le toit d\'une maison, vu de dos, regardant le reste de la ville.'),
(35653,5367,'VoixOffIn','Dans un roman l\'intérêt, dans le pire des cas, vient du fait que'),
(35654,5367,'BandeSon','Klavierquintett, Op. 18, Moderato con moto, Mieczysław Weinberg (1946).'),
(35655,5367,'_product_image_gallery',''),
(35656,5368,'_pingme','1'),
(35657,5368,'_encloseme','1'),
(35658,5368,'Index','4270'),
(35659,5368,'Minutage','52’21'),
(35660,5368,'Images','Noir'),
(35661,5368,'VoixOffIn','très souvent les situations quelconques'),
(35662,5368,'BandeSon','Id.'),
(35663,5368,'_product_image_gallery',''),
(35664,5369,'_pingme','1'),
(35665,5369,'_encloseme','1'),
(35666,5369,'Index','4280'),
(35667,5369,'Minutage','52’23'),
(35668,5369,'Images','Femme tenant à la main une clé. Meshes of afternoon, Maya Deren,  (1943).'),
(35669,5369,'VoixOffIn','ont un comportement assez'),
(35670,5369,'BandeSon','Id.'),
(35671,5369,'_product_image_gallery',''),
(35672,5370,'_pingme','1'),
(35673,5370,'_encloseme','1'),
(35674,5370,'Index','4290'),
(35675,5370,'Minutage','52’26'),
(35676,5370,'Images','Noir'),
(35677,5370,'VoixOffIn','proche du pire des cas.\n(Jean-Luc Godard)'),
(35678,5370,'BandeSon','Silence'),
(35679,5370,'Ecrits','LES\nPARADIS\nPERDUS'),
(35680,5370,'_product_image_gallery',''),
(35681,5371,'_pingme','1'),
(35682,5371,'_encloseme','1'),
(35683,5371,'Index','4300'),
(35684,5371,'Minutage','52’33'),
(35685,5371,'Images','Dessin de soldat avec une épée et un bouclier orné d\'un croissant et d’une étoile.'),
(35686,5371,'BandeSon','Voix féminine chantant en arabe.'),
(35687,5371,'_product_image_gallery',''),
(35688,5372,'_pingme','1'),
(35689,5372,'_encloseme','1'),
(35690,5372,'Index','4310'),
(35691,5372,'Minutage','52’35'),
(35692,5372,'Images','Armée avec des lances, des épées et des boucliers en marche. Constantinople, , (2012).'),
(35693,5372,'BandeSon','Taabani Nibniou, Hedi Jouini (1993).'),
(35694,5372,'_product_image_gallery',''),
(35695,5373,'_pingme','1'),
(35696,5373,'_encloseme','1'),
(35697,5373,'Index','4320'),
(35698,5373,'Minutage','52’41'),
(35699,5373,'Images','Saturé en tons rouge : homme agenouillé avec un drapeau à la main. Le visage de Dieu, Bahram Aloui (2014).'),
(35700,5373,'BandeSon','Id.'),
(35701,5373,'_product_image_gallery',''),
(35702,5374,'_pingme','1'),
(35703,5374,'_encloseme','1'),
(35704,5374,'Index','4330'),
(35705,5374,'Minutage','52’45'),
(35706,5374,'Images','Tourné en noir et blanc et surexposé : photographie de Hosni Moubarak, ancien .'),
(35707,5374,'VoixOffIn','Je peux mourir tranquille\n(Albert Cossery)'),
(35708,5374,'BandeSon','Silence'),
(35709,5374,'_product_image_gallery',''),
(35710,5375,'_pingme','1'),
(35711,5375,'_encloseme','1'),
(35712,5375,'Index','4340'),
(35713,5375,'Minutage','52’47'),
(35714,5375,'Images','Homme parlant à une femme vêtue d\'une tenue traditionnelle arabe. La bandera, Julien Duvivier (1935).'),
(35715,5375,'VoixOffIn','Te souviens-tu encore comment nous entraînions autrefois notre pensée. Le plus souvent nous partions d\'un rêve. (Jean-Luc Godard)'),
(35716,5375,'BandeSon','Id.'),
(35717,5375,'_product_image_gallery',''),
(35718,5376,'_pingme','1'),
(35719,5376,'_encloseme','1'),
(35720,5376,'Index','4350'),
(35721,5376,'Minutage','52’54'),
(35722,5376,'Images','Jeune homme dormant avec un keffieh. En surimpression : femmes agées dansant et jouant cérémonieusement de la musique autour d\'une jeune femme à la poitrine nue.'),
(35723,5376,'VoixOffIn','Je me sens toujours très bien les mains dans les poches même si j’ai pas un sou.'),
(35724,5376,'BandeSon','Id.'),
(35725,5376,'_product_image_gallery',''),
(35726,5377,'_pingme','1'),
(35727,5377,'_encloseme','1'),
(35728,5377,'Index','4360'),
(35729,5377,'Minutage','52’58'),
(35730,5377,'Images','Photographie en noir et blanc d’un homme âgé assis avec à côté de lui un âne portant une télévision sur son dos.'),
(35731,5377,'VoixOffIn','Je me suis toujours senti un fils de roi.'),
(35732,5377,'BandeSon','Id.'),
(35733,5377,'_product_image_gallery',''),
(35734,5378,'_pingme','1'),
(35735,5378,'_encloseme','1'),
(35736,5378,'Index','4370'),
(35737,5378,'Minutage','53’01'),
(35738,5378,'Images','Homme âgé assis avec à côté de lui un âne portant une télévision sur son dos.'),
(35739,5378,'VoixOffIn','Mais tous les égyptiens se sentent un peu fils de roi.'),
(35740,5378,'BandeSon','Id.'),
(35741,5378,'_product_image_gallery',''),
(35742,5379,'_pingme','1'),
(35743,5379,'_encloseme','1'),
(35744,5379,'Index','4380'),
(35745,5379,'Minutage','53’04'),
(35746,5379,'Images','Saturé en tous rouge : désert. The Thief of Baghdad, Cline Donner (1978).'),
(35747,5379,'BandeSon','Au violon : musique traditionnelle arabe. Personnes discutant.'),
(35748,5379,'_product_image_gallery',''),
(35749,5380,'_pingme','1'),
(35750,5380,'_encloseme','1'),
(35751,5380,'Index','4390'),
(35752,5380,'Minutage','53’07'),
(35753,5380,'Images','Saturé en tons rouge : homme portant de l’encens fumant. Aladdin\'s magic lamp, Boris Rytsarev (1967).'),
(35754,5380,'VoixOffIn','L’orient est plus philosophe que l’occident,'),
(35755,5380,'BandeSon','Id.'),
(35756,5380,'_product_image_gallery',''),
(35757,5381,'_pingme','1'),
(35758,5381,'_encloseme','1'),
(35759,5381,'Index','4400'),
(35760,5381,'Minutage','53’15'),
(35761,5381,'Images','Jeune homme et jeune femme ayant des rapports sexuels la nuit dans une chambre. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(35762,5381,'VoixOffIn','et le moindre vanupieds vous dira de choses extraordinaires'),
(35763,5381,'BandeSon','Id.'),
(35764,5381,'_product_image_gallery',''),
(35765,5382,'_pingme','1'),
(35766,5382,'_encloseme','1'),
(35767,5382,'Index','4410'),
(35768,5382,'Minutage','53’18'),
(35769,5382,'Images','Noir'),
(35770,5382,'VoixOffIn','Sur la vie, sur le monde. Et vous entendez chacun est philosophe'),
(35771,5382,'BandeSon','Id.'),
(35772,5382,'_product_image_gallery',''),
(35773,5383,'_pingme','1'),
(35774,5383,'_encloseme','1'),
(35775,5383,'Index','4420'),
(35776,5383,'Minutage','53’26'),
(35777,5383,'Images','Trois personnes sur un tapis volant. Le voleur de Bagdad, Raoul Walsh (1924).'),
(35778,5383,'VoixOffIn','Parce que il a le temps de réfléchir, de penser, de voir le monde passer'),
(35779,5383,'BandeSon','Id.'),
(35780,5383,'_product_image_gallery',''),
(35781,5384,'_pingme','1'),
(35782,5384,'_encloseme','1'),
(35783,5384,'Index','4430'),
(35784,5384,'Minutage','53’29'),
(35785,5384,'Images','Armée romaine devant les murs d\'une ville du Moyen-Orient. Il Messia, Roberto Rossellini (1975).'),
(35786,5384,'VoixOffIn','En occident\n(Albert Cossery)'),
(35787,5384,'BandeSon','Id.'),
(35788,5384,'_product_image_gallery',''),
(35789,5385,'_pingme','1'),
(35790,5385,'_encloseme','1'),
(35791,5385,'Index','4440'),
(35792,5385,'Minutage','53’33'),
(35793,5385,'Images','Croisés à cheval avec des armures et des drapeaux passant sous les acclamations de la foule. The Crusades, Cecil B DeMille (1935).'),
(35794,5385,'BandeSon','Silence, puis cris d’acclamation.'),
(35795,5385,'_product_image_gallery',''),
(35796,5386,'_pingme','1'),
(35797,5386,'_encloseme','1'),
(35798,5386,'Index','4450'),
(35799,5386,'Minutage','53’38'),
(35800,5386,'Images','Noir'),
(35801,5386,'BandeSon','Id.'),
(35802,5386,'_product_image_gallery',''),
(35803,5387,'_pingme','1'),
(35804,5387,'_encloseme','1'),
(35805,5387,'Index','4460'),
(35806,5387,'Minutage','53’41'),
(35807,5387,'Images','Saturé :  soldats en guerre. Adieu Bonaparte, Youssef Chahine (1985).'),
(35808,5387,'VoixOffIn','Arrêtez ! Oh le con.\n- Vous ne savez pas qui vous êtes, vous voyez bien. Le christianisme, c’est le refus de se connaître, c’est la mort du langage. Détective, Jean-Luc Godard (1985).'),
(35809,5387,'BandeSon','Tirs au pistolet, puis klaxon.'),
(35810,5387,'_product_image_gallery',''),
(35811,5388,'_pingme','1'),
(35812,5388,'_encloseme','1'),
(35813,5388,'Index','4470'),
(35814,5388,'Minutage','53’57'),
(35815,5388,'Images','Inscriptions en arabe sur fond noir du film Socialisme, Jean-Luc Godard (2010).'),
(35816,5388,'VoixOffIn','Silence je vous ai dit.'),
(35817,5388,'BandeSon','Silence'),
(35818,5388,'_product_image_gallery',''),
(35819,5389,'_pingme','1'),
(35820,5389,'_encloseme','1'),
(35821,5389,'Index','4480'),
(35822,5389,'Minutage','54’03'),
(35823,5389,'Images','Au ralenti : femme se précipitant pour ramasser un tissu et s’en couvrant jusqu\'au nez.'),
(35824,5389,'VoixOffIn','Tout à coup, il aperçut à l’horizon derrière Tunis, comme des brouillards légers, qui se traînaient contre le sol ;'),
(35825,5389,'BandeSon','Id.'),
(35826,5389,'_product_image_gallery',''),
(35827,5390,'_pingme','1'),
(35828,5390,'_encloseme','1'),
(35829,5390,'Index','4490'),
(35830,5390,'Minutage','54’15'),
(35831,5390,'Images','Saturé et surexposé : personnages presque invisibles.'),
(35832,5390,'VoixOffIn','puis ce fut un grand rideau de poudre grise perpendiculairement étalé, et, dans les tourbillons'),
(35833,5390,'BandeSon','Id.'),
(35834,5390,'_product_image_gallery',''),
(35835,5391,'_pingme','1'),
(35836,5391,'_encloseme','1'),
(35837,5391,'Index','4500'),
(35838,5391,'Minutage',' 54’24'),
(35839,5391,'Images','Surexposé, et saturé en tons bleu clair, rouges et verts : navire voguant dans la mer et drapeaux qui flottent dans le vent.'),
(35840,5391,'VoixOffIn','de cette masse nombreuse,\ndes têtes de dromadaires, des lances,  '),
(35841,5391,'BandeSon','Id.'),
(35842,5391,'_product_image_gallery',''),
(35843,5392,'_pingme','1'),
(35844,5392,'_encloseme','1'),
(35845,5392,'Index','4510'),
(35846,5392,'Minutage','54’30'),
(35847,5392,'Images','Surexposé, en noir et blanc : mer avec de la vapeur flottant au loin dans l’air.'),
(35848,5392,'VoixOffIn','des boucliers parurent. C’était l’armée des Barbares qui s’avançait sur Carthage.'),
(35849,5392,'BandeSon','Id.'),
(35850,5392,'_product_image_gallery',''),
(35851,5393,'_pingme','1'),
(35852,5393,'_encloseme','1'),
(35853,5393,'Index','4520'),
(35854,5393,'Minutage','54’37'),
(35855,5393,'Images','Caravane dans le désert. Il Messia, Roberto Rossellini (1975).'),
(35856,5393,'VoixOffIn','Oh Salammbô.(Jean-Luc Godard). Salammbô, Gustave Flaubert (1862) .'),
(35857,5393,'BandeSon','Aube rouge à Grozny,  , (2000).'),
(35858,5393,'_product_image_gallery',''),
(35859,5394,'_pingme','1'),
(35860,5394,'_encloseme','1'),
(35861,5394,'Index','4530'),
(35862,5394,'Minutage','55’07'),
(35863,5394,'Images','Noir'),
(35864,5394,'BandeSon','Id.'),
(35865,5394,'_product_image_gallery',''),
(35866,5395,'_pingme','1'),
(35867,5395,'_encloseme','1'),
(35868,5395,'Index','4540'),
(35869,5395,'Minutage','55’11'),
(35870,5395,'Images','Saturé, au ralenti : deux mains déboutonnant une robe bleue. Méditerranée, Jean Daniel Pollet (1963).'),
(35871,5395,'BandeSon','Id.'),
(35872,5395,'_product_image_gallery',''),
(35873,5396,'_pingme','1'),
(35874,5396,'_encloseme','1'),
(35875,5396,'Index','4550'),
(35876,5396,'Minutage','55’33'),
(35877,5396,'Images','Noir'),
(35878,5396,'VoixOffIn','Dans l’ombre de l’Occident.\n'),
(35879,5396,'BandeSon','Id.'),
(35880,5396,'Ecrits','CES FLEURS\n                        PERDUES\nDANS LE VENT'),
(35881,5396,'_product_image_gallery',''),
(35882,5397,'_pingme','1'),
(35883,5397,'_encloseme','1'),
(35884,5397,'Index','4560'),
(35885,5397,'Minutage','55’35'),
(35886,5397,'Images','Saturé en tons jaunes et rouges : hommes creusant avec des pelles dans le desert. Groupe d\'arabophones essayant d\'embarquer sur un bateau en plein désert. Les Baliseurs du désert, Nacer Khémis (1984)'),
(35887,5397,'VoixOffIn','Il est certain que la représentation, plus particulièrement l’acte de représenter (et donc de réduire) implique presque toujours'),
(35888,5397,'BandeSon','Id.'),
(35889,5397,'_product_image_gallery',''),
(35890,5398,'_pingme','1'),
(35891,5398,'_encloseme','1'),
(35892,5398,'Index','4570'),
(35893,5398,'Minutage','55’59'),
(35894,5398,'Images','Femme nue dans dans une réplique miniature de ville du Moyen-Orient, puis capturée par un homme à cheval déguisé en soldat croisé. Passion, Jean-Luc Godard (1982).'),
(35895,5398,'VoixOffIn','implique presque toujours une violence envers le sujet de la représentation. (Jean-Luc Godard). Dans l\'ombre de l\'Occident ; les Arabes peuvent-ils parler ?, Edward W. Said et Seloua Luste Boulbina (2014).'),
(35896,5398,'BandeSon','Id.'),
(35897,5398,'_product_image_gallery',''),
(35898,5399,'_pingme','1'),
(35899,5399,'_encloseme','1'),
(35900,5399,'Index','4580'),
(35901,5399,'Minutage','56’02'),
(35902,5399,'Images','Au ralenti, saturé de bleu : croisé levant l’épée pour frapper. Passion, Jean-Luc Godard (1982).'),
(35903,5399,'VoixOffIn','Il y a'),
(35904,5399,'BandeSon','Id.'),
(35905,5399,'_product_image_gallery',''),
(35906,5400,'_pingme','1'),
(35907,5400,'_encloseme','1'),
(35908,5400,'Index','4590'),
(35909,5400,'Minutage','56’10'),
(35910,5400,'Images','Noir'),
(35911,5400,'VoixOffIn','un réel contraste entre la violence de l’acte de représenter et le calme intérieur de la représentation elle-même. (Jean-Luc Godard). Dans l\'ombre de l\'Occident ; les Arabes peuvent-ils parler ?, Edward W. Said et Seloua Luste Boulbina (2014).'),
(35912,5400,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(35913,5400,'_product_image_gallery',''),
(35914,5401,'_pingme','1'),
(35915,5401,'_encloseme','1'),
(35916,5401,'Index','4600'),
(35917,5401,'Minutage','56’22'),
(35918,5401,'Images','Saturé : film en couleur pris avec une petite caméra numérique en 2016 d’une ville de bord de mer avec un homme à vélo. Au ralenti :  deux enfants cherchant quelque chose entre les rochers, les pieds dans la mer.'),
(35919,5401,'BandeSon','Silence, et vagues.'),
(35920,5401,'_product_image_gallery',''),
(35921,5402,'_pingme','1'),
(35922,5402,'_encloseme','1'),
(35923,5402,'Index','4610'),
(35924,5402,'Minutage','56’40'),
(35925,5402,'Images','Foule de personnes se bousculant dans la rue. De l’origine du XX siècle, Jean.Luc Godard (2000).'),
(35926,5402,'VoixOffIn','Ils sont pris entre “salamalecs” et “charabia”, et les Arabes n\'intéressent pas “le monde”. Les musulmans non plus. Si l\'islam retient politiquement l\'attention, le “monde arabe” est d’abord décor et paysage.'),
(35927,5402,'BandeSon','Silence'),
(35928,5402,'_product_image_gallery',''),
(35929,5403,'_pingme','1'),
(35930,5403,'_encloseme','1'),
(35931,5403,'Index','4620'),
(35932,5403,'Minutage','57’09'),
(35933,5403,'Images','Deux soldats intimant à une personne de lever les mains et de faire face au mur.'),
(35934,5403,'VoixOffIn','Le monde arabe s\'il existe en tant que monde n\'est jamais regardé en tant que tel.'),
(35935,5403,'BandeSon','Id.'),
(35936,5403,'_product_image_gallery',''),
(35937,5404,'_pingme','1'),
(35938,5404,'_encloseme','1'),
(35939,5404,'Index','4630'),
(35940,5404,'Minutage','57’17'),
(35941,5404,'Images','De nouveau, petite fille portant un bébé sur les épaules, trois autres enfants habillés de haillons à ses côtés. De l’origine du XXI siècle, Jean-Luc Godard (2000).'),
(35942,5404,'VoixOffIn','Il est toujours examiné comme un ensemble relativement à un pays du moyen-orient. Dans l\'ombre de l\'Occident ; les Arabes peuvent-ils parler ?, Edward W. Said et Seloua Luste Boulbina (2014).'),
(35943,5404,'BandeSon','Id.'),
(35944,5404,'_product_image_gallery',''),
(35945,5405,'_pingme','1'),
(35946,5405,'_encloseme','1'),
(35947,5405,'Index','4640'),
(35948,5405,'Minutage','57’19'),
(35949,5405,'Images','Noir'),
(35950,5405,'BandeSon','Id.'),
(35951,5405,'_product_image_gallery',''),
(35952,5406,'_pingme','1'),
(35953,5406,'_encloseme','1'),
(35954,5406,'Index','4650'),
(35955,5406,'Minutage','57’23'),
(35956,5406,'Images','Jeune femme ramant sur un lac, aidée par un jeune homme assis derrière elle. Les Dernières vacances (Roger Leenhardt (1947). Histoire(s) du cinéma 4b, Jean-Luc Godard (1988-98).'),
(35957,5406,'VoixOffIn','Ces citoyens, ces amants de la patrie, dans l’excès de leur passion, auraient voulu mourir pour elle'),
(35958,5406,'BandeSon','Id.'),
(35959,5406,'_product_image_gallery',''),
(35960,5407,'_pingme','1'),
(35961,5407,'_encloseme','1'),
(35962,5407,'Index','4660'),
(35963,5407,'Minutage','57’33'),
(35964,5407,'Images','Saturé en tons bleus : homme à cheval au milieu d\'un paysage vallonné. Paysage et cavalier, aquarelle réalisée au cours du trajet Tanger-Meknès, Eugène Delacroix, (1832).'),
(35965,5407,'VoixOffIn','et ils allaient la tuer.\nHistoire de la Révolution française, Michelet.\n\nLes défauts\n\n'),
(35966,5407,'BandeSon','Id.'),
(35967,5407,'_product_image_gallery',''),
(35968,5408,'_pingme','1'),
(35969,5408,'_encloseme','1'),
(35970,5408,'Index','4670'),
(35971,5408,'Minutage','57’39'),
(35972,5408,'Images','Surexposé : autre aquarelle d’homme au turban à cheval. Eugène Delacroix, (1832)'),
(35973,5408,'VoixOffIn','Et les enjeux'),
(35974,5408,'BandeSon','Id.'),
(35975,5408,'_product_image_gallery',''),
(35976,5409,'_pingme','1'),
(35977,5409,'_encloseme','1'),
(35978,5409,'Index','4680'),
(35979,5409,'Minutage','57’42\n\n'),
(35980,5409,'Images','Femme étendant du linge, autre femme se lavant au bord d\'un ruisseau. Femme qui se lave et sa servante Maures, \nPeinture, (1854).'),
(35981,5409,'VoixOffIn','Les arabes, les arabes peuvent-ils parler. (Jean-Luc Godard). Dans l\'ombre de l\'Occident ; les Arabes peuvent-ils parler ?, Edward W. Said et Seloua Luste Boulbina (2014).'),
(35982,5409,'BandeSon','Id.'),
(35983,5409,'_product_image_gallery',''),
(35984,5410,'_pingme','1'),
(35985,5410,'_encloseme','1'),
(35986,5410,'Index','4690'),
(35987,5410,'Minutage','57’52\n'),
(35988,5410,'Images','Femme interpellée bruyamment alors qu\'elle traverse une rue dans une ville du Moyen-Orient, puis se retournant. Djamila, Youssef Chahine (1958).'),
(35989,5410,'VoixOffIn','Djamila, Djamila!'),
(35990,5410,'BandeSon','Id.'),
(35991,5410,'_product_image_gallery',''),
(35992,5411,'_pingme','1'),
(35993,5411,'_encloseme','1'),
(35994,5411,'Index','4700'),
(35995,5411,'Minutage','57’58'),
(35996,5411,'Images','Jeune homme levant les mains et montrant les paumes, puis plaçant d’un geste lent la main droite sur la paume gauche.\nLes Baliseurs du désert, Nacer Khémis (1984), cité dans Voyage à Tunis, Bruno Moll (2007).\n'),
(35997,5411,'VoixOffIn','Les arabes peuvent-ils parler. (Jean-Luc Godard). Dans l\'ombre de l\'Occident ; les Arabes peuvent-ils parler ?, Edward W. Said et Seloua Luste Boulbina (2014).\n\nÀ demi-voix, d’une voix douce et faible disant de grandes choses : d’importantes, d’étonnantes, de profondes et justes choses,'),
(35998,5411,'BandeSon','Id.'),
(35999,5411,'_product_image_gallery',''),
(36000,5412,'_pingme','1'),
(36001,5412,'_encloseme','1'),
(36002,5412,'Index','4710'),
(36003,5412,'Minutage','58’16'),
(36004,5412,'Images','Homme attrapant une colombe et la sortant de sa petite maison accrochée au mur. Le collier perdu de la colombe, Nacer Khémir (1991).\n'),
(36005,5412,'VoixOffIn','d’une voix douce et faible. La menace du tonnerre, la présence d’absolus dans une voix de rougegorge'),
(36006,5412,'BandeSon','Id.'),
(36007,5412,'_product_image_gallery',''),
(36008,5413,'_pingme','1'),
(36009,5413,'_encloseme','1'),
(36010,5413,'Index','4720'),
(36011,5413,'Minutage','58’27'),
(36012,5413,'Images','Saturé : homme et enfant marchant dans le désert. Bab\'Aziz, le prince qui contemplait son âme, Nacer Khémir (2005) cité dans Voyage à Tunis, Bruno Moll (2007).'),
(36013,5413,'VoixOffIn','dans le détail fin d’une flûte, et la délicatesse du son pur. Tout le soleil suggérait, au moyen d’un demi-sourire demie voix.. '),
(36014,5413,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).'),
(36015,5413,'_product_image_gallery',''),
(36016,5414,'_pingme','1'),
(36017,5414,'_encloseme','1'),
(36018,5414,'Index','4730'),
(36019,5414,'Minutage','58’36'),
(36020,5414,'Images','Homme se jetant sur une robe posée sur le toit d\'une maison de terre cuite dans une ville du Moyen-Orient. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(36021,5414,'BandeSon','Id.'),
(36022,5414,'_product_image_gallery',''),
(36023,5415,'_pingme','1'),
(36024,5415,'_encloseme','1'),
(36025,5415,'Index','4740'),
(36026,5415,'Minutage','58’44'),
(36027,5415,'Images','Saturé : maisons se reflétant dans l\'eau.'),
(36028,5415,'VoixOffIn','Et d’une sorte de murmure en français infiniment pur.'),
(36029,5415,'BandeSon','Id.'),
(36030,5415,'_product_image_gallery',''),
(36031,5416,'_pingme','1'),
(36032,5416,'_encloseme','1'),
(36033,5416,'Index','4750'),
(36034,5416,'Minutage','58’55\n'),
(36035,5416,'Images','Au ralenti : enfant poussant une roue de voiture.'),
(36036,5416,'VoixOffIn','Qui n’eût saisi les mots, qui l’eût ouï à quelque distance, aurait cru qu’il disait des riens. Et c’étaient des riens pour l’oreille, rassurée. (Julie Delpy). A propos de Stéphane Mallarmé. A demi-voix, Paul Valery (1939).\n'),
(36037,5416,'BandeSon','Id.'),
(36038,5416,'_product_image_gallery',''),
(36039,5417,'_pingme','1'),
(36040,5417,'_encloseme','1'),
(36041,5417,'Index','4760'),
(36042,5417,'Minutage','59’04'),
(36043,5417,'Images','Tremblant de droite à gauche : ville en ruines avec des soldats cachés, armes à la main.'),
(36044,5417,'BandeSon','Id.'),
(36045,5417,'_product_image_gallery',''),
(36046,5418,'_pingme','1'),
(36047,5418,'_encloseme','1'),
(36048,5418,'Index','4770'),
(36049,5418,'Minutage','59’10'),
(36050,5418,'Images','Surexposé : pinceau projetant de l\'aquarelle sur une feuille de papier.'),
(36051,5418,'VoixOffIn','Mais ce contraste et cette musique cette voix ridant l’air à peine cette puissance chuchotée ces perspectives,'),
(36052,5418,'BandeSon','Id.'),
(36053,5418,'_product_image_gallery',''),
(36054,5419,'_pingme','1'),
(36055,5419,'_encloseme','1'),
(36056,5419,'Index','4780'),
(36057,5419,'Minutage','59’22'),
(36058,5419,'Images','Enfants jouant dans la rue, autres enfants avec un scooter et un chat.'),
(36059,5419,'VoixOffIn','ces découvertes, ces abîmes et ces manœuvres devinées ce sourire congédiant l’univers Psaume sur une voix, Autres Rhumbs, Paul Valéry (1927). Histoires du cinéma 4a, Jean-Luc Godard, (1989-99).'),
(36060,5419,'BandeSon','Voix d’enfants.'),
(36061,5419,'_product_image_gallery',''),
(36062,5420,'_pingme','1'),
(36063,5420,'_encloseme','1'),
(36064,5420,'Index','4790'),
(36065,5420,'Minutage','59’36'),
(36066,5420,'Images','Jeune femme parlant au téléphone en arabe, observée par un homme au chapeau de prière musulman situé derrière la vitre d’une cabine téléphonique.\nGare Centrale, Youssef Chahine (1958).'),
(36067,5420,'VoixOffIn','Jeune femme (traduction du dialecte égyptien):\nIl faut que je vois. Il faut que je te vois, tu as été absent pendant quatre ans. Je m\'en fiche. Dis leur n\'importe quoi. Je t\'attendrai à la gare. Mon chéri...'),
(36068,5420,'BandeSon','Silence'),
(36069,5420,'_product_image_gallery',''),
(36070,5421,'_pingme','1'),
(36071,5421,'_encloseme','1'),
(36072,5421,'Index','4800'),
(36073,5421,'Minutage','59’57'),
(36074,5421,'Images','Noir'),
(36075,5421,'VoixOffIn','Voix d\'un enfant criant (traduction du dialecte palestinien):\nMonsieur le juge, la guerre a brulé mes livres !\nHistoires du cinéma 4b, Jean-Luc Godard, (1989-99)\n\nVoix d’homme recitant un poème du poète palestinien Mahmoud Darwich en arabe (traduction de l’arabe classique):\nJe t\'ai donné un instant. Et j\'ai passé un moment. Mais ton visage n\'est pas ... et ton kohl (un maquillage similaire au mascara) est devenu ciment. Et les fusils. J\'ai eu peur de la mort mais j\'ai souris. J\'ai porté la blessure des blessés pour un instant. Oh mon dieu... Je t\'ai cherché sous le palmier. On l\'a traîné...'),
(36076,5421,'BandeSon','Id.'),
(36077,5421,'_product_image_gallery',''),
(36078,5422,'_pingme','1'),
(36079,5422,'_encloseme','1'),
(36080,5422,'Index','4810'),
(36081,5422,'Minutage','1h00’03'),
(36082,5422,'Images','Noir'),
(36083,5422,'BandeSon','Id.'),
(36084,5422,'Ecrits','Peut-être\nQue\nDans\nMille et un\nJours\n\nRacontera\ncela'),
(36085,5422,'_product_image_gallery',''),
(36086,5423,'_pingme','1'),
(36087,5423,'_encloseme','1'),
(36088,5423,'Index','4820'),
(36089,5423,'Minutage','1h00’04'),
(36090,5423,'Images','Clignotant : deux nouveaux mots s’ajoutent au texte précédemment affiché.\nIci et ailleurs, Jean-Luc Godard/Groupe Dziga Vertov (1976).'),
(36091,5423,'BandeSon','Id.'),
(36092,5423,'Ecrits','Peut-être\nQue\nDans\nMille et un\nJours\nScheherazade\nRacontera\nCela\nautrement'),
(36093,5423,'_product_image_gallery',''),
(36094,5424,'_pingme','1'),
(36095,5424,'_encloseme','1'),
(36096,5424,'Index','4830'),
(36097,5424,'Minutage','1h00’09'),
(36098,5424,'Images','Photographie d\'une personne morte et défigurée, au crâne fendu. Ici et ailleurs, Jean-Luc Godard/Groupe Dziga Vertov (1976).'),
(36099,5424,'BandeSon','Id.'),
(36100,5424,'_product_image_gallery',''),
(36101,5425,'_pingme','1'),
(36102,5425,'_encloseme','1'),
(36103,5425,'Index','4840'),
(36104,5425,'Minutage','1h00’13'),
(36105,5425,'Images','Femme parlant devant un brasier. Main d\'une autre personne s\'approchant et posant l\'index sur sa lèvre inférieure. Les silences du passé, Moufida Tlatli (1994).'),
(36106,5425,'VoixOffIn','Voix d\'un homme parlant en arabe. Ici et ailleurs, Jean-Luc Godard/Groupe Dziga Vertov (1976).'),
(36107,5425,'BandeSon','Coups de mitraillette. Ici et ailleurs, Jean-Luc Godard/Groupe Dziga Vertov (1976).'),
(36108,5425,'_product_image_gallery',''),
(36109,5426,'_pingme','1'),
(36110,5426,'_encloseme','1'),
(36111,5426,'Index','4850'),
(36112,5426,'Minutage','1h00’22'),
(36113,5426,'Images','De nouveau, personne morte et défigurée au crâne fendu. Ici et ailleurs, Jean-Luc Godard/Groupe Dziga Vertov (1976).'),
(36114,5426,'VoixOffIn','Id.'),
(36115,5426,'BandeSon','Id.'),
(36116,5426,'_product_image_gallery',''),
(36117,5427,'_pingme','1'),
(36118,5427,'_encloseme','1'),
(36119,5427,'Index','4860'),
(36120,5427,'Minutage','1h00’31'),
(36121,5427,'Images','Saturé : cadavres dans un paysage désertique.'),
(36122,5427,'VoixOffIn','Id.'),
(36123,5427,'BandeSon','Id.'),
(36124,5427,'_product_image_gallery',''),
(36125,5428,'_pingme','1'),
(36126,5428,'_encloseme','1'),
(36127,5428,'Index','4870'),
(36128,5428,'Minutage','1h00’41'),
(36129,5428,'Images','Saturé en tons bleus : personne nageant  dans l\'eau.'),
(36130,5428,'VoixOffIn','Id.'),
(36131,5428,'BandeSon','Id.'),
(36132,5428,'_product_image_gallery',''),
(36133,5429,'_pingme','1'),
(36134,5429,'_encloseme','1'),
(36135,5429,'Index','4880'),
(36136,5429,'Minutage','1h00’47'),
(36137,5429,'Images','Saturée en tons verts et rouges : femmes habillées plongeant dans un fleuve. La saison des hommes, Moufida Tlatli (2002).'),
(36138,5429,'VoixOffIn','Id.'),
(36139,5429,'BandeSon','Id.'),
(36140,5429,'_product_image_gallery',''),
(36141,5430,'_pingme','1'),
(36142,5430,'_encloseme','1'),
(36143,5430,'Index','4890'),
(36144,5430,'Minutage','1h00’54'),
(36145,5430,'Images','Livre feuilleté L\'Arabie heureuse. Souvenirs de voyages en Afrique et en Asie, Hadji-Abd-El-Hamid Bey, publié par d\'Alexandre Dumas.'),
(36146,5430,'VoixOffIn','Que n’a-t-on pas écrit la nuit ? pourtant de ce qui fut écrit à partir de ces visions par Holderlin, Rimbaud.  \n\n'),
(36147,5430,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(36148,5430,'_product_image_gallery',''),
(36149,5431,'_pingme','1'),
(36150,5431,'_encloseme','1'),
(36151,5431,'Index','4900'),
(36152,5431,'Minutage','1h01’06'),
(36153,5431,'Images','Noir'),
(36154,5431,'VoixOffIn','Nous parlions de ce qu’on voit dans un rêve\nNous nous demandions comment, dans l’obscurité totale peuvent surgir parmi nous'),
(36155,5431,'BandeSon','Voix masculine d’un muezzin, en arabe.\nPuis, après à la guitare. Thimar, 6. Und Anouar Brahem, John Surman, Dave Holland (1998)'),
(36156,5431,'_product_image_gallery',''),
(36157,5432,'_pingme','1'),
(36158,5432,'_encloseme','1'),
(36159,5432,'Index','4910'),
(36160,5432,'Minutage','1h01’18  '),
(36161,5432,'Images','Saturé : aquarelle représentant un homme marchant entre des maisons. Vue dans une ruelle. August Macke (1914).'),
(36162,5432,'VoixOffIn','de couleurs de telle intensité'),
(36163,5432,'BandeSon','Id.'),
(36164,5432,'_product_image_gallery',''),
(36165,5433,'_pingme','1'),
(36166,5433,'_encloseme','1'),
(36167,5433,'Index','4920'),
(36168,5433,'Minutage','1h01’20'),
(36169,5433,'Images','Mains de Godard feuilletant des images, dont un dessin stylisé d’une femme en robe bleue. Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(36170,5433,'VoixOffIn','Elles sont le produit de notre savoir'),
(36171,5433,'BandeSon','Id.'),
(36172,5433,'_product_image_gallery',''),
(36173,5434,'_pingme','1'),
(36174,5434,'_encloseme','1'),
(36175,5434,'Index','4930'),
(36176,5434,'Minutage','1h01’23'),
(36177,5434,'Images','Aquarelle de femme en robe. Histoire(s) du cinéma 1b, Jean-Luc Godard (1988-98).'),
(36178,5434,'VoixOffIn','concernant la lumière'),
(36179,5434,'BandeSon','Id.'),
(36180,5434,'_product_image_gallery',''),
(36181,5435,'_pingme','1'),
(36182,5435,'_encloseme','1'),
(36183,5435,'Index','4940'),
(36184,5435,'Minutage','1h01’25'),
(36185,5435,'Images','Homme allongé sur un lit regardant au plafond où des images semblent être projetées.'),
(36186,5435,'VoixOffIn','Le savoir voit !\n\nLe contrepoint est une discipline de la superposition des lignes mélodiques.'),
(36187,5435,'BandeSon','Concerto pour violon no 2 en , Op. 64 ( O 14), Félix Mendelssohn, (1844).'),
(36188,5435,'Ecrits','PASSEPORT\nVERS\n     LE REEL'),
(36189,5435,'_product_image_gallery',''),
(36190,5436,'_pingme','1'),
(36191,5436,'_encloseme','1'),
(36192,5436,'Index','4950'),
(36193,5436,'Minutage','1h01’35'),
(36194,5436,'Images','Noir'),
(36195,5436,'VoixOffIn','Les mélodies n’ont pas besoin d’être identiques'),
(36196,5436,'BandeSon','Id.'),
(36197,5436,'_product_image_gallery',''),
(36198,5437,'_pingme','1'),
(36199,5437,'_encloseme','1'),
(36200,5437,'Index','4960'),
(36201,5437,'Minutage','1h01’44'),
(36202,5437,'Images','Aquarelle d\'un âne au milieu des maisons. Vue sur une mosquée, August Macke (1914).'),
(36203,5437,'VoixOffIn','non plus que parentes,  étrangères l\'une à l\'autre. Elles ne font pas obstacle à la composition'),
(36204,5437,'BandeSon','Id.'),
(36205,5437,'_product_image_gallery',''),
(36206,5438,'_pingme','1'),
(36207,5438,'_encloseme','1'),
(36208,5438,'Index','4970'),
(36209,5438,'Minutage','1h01’49'),
(36210,5438,'Images','Noir'),
(36211,5438,'VoixOffIn','mais il faut les tenir'),
(36212,5438,'BandeSon','Id.'),
(36213,5438,'_product_image_gallery',''),
(36214,5439,'_pingme','1'),
(36215,5439,'_encloseme','1'),
(36216,5439,'Index','4980'),
(36217,5439,'Minutage','1h01’53'),
(36218,5439,'Images','Photographie d\'un pinceau posé sur une feuille peinte.'),
(36219,5439,'VoixOffIn','toutes les deux ensemble et en même temps. Dans l\'harmonie les accords produisent les mélodies.'),
(36220,5439,'BandeSon','Id. et silence.'),
(36221,5439,'_product_image_gallery',''),
(36222,5440,'_pingme','1'),
(36223,5440,'_encloseme','1'),
(36224,5440,'Index','4990'),
(36225,5440,'Minutage','1h02’07'),
(36226,5440,'Images','Surexposé et en tons jaunes : trois femmes faisant la vaisselle dans des bacs de fer posés à même le sol. Tamaout, Marc’o (1970).'),
(36227,5440,'VoixOffIn','Dans le contrepoint ce sont des mélodies elles-mêmes dont dont à l\'inverse résultent les accords. (Jean- Luc Godard).'),
(36228,5440,'BandeSon','Id.'),
(36229,5440,'_product_image_gallery',''),
(36230,5441,'_pingme','1'),
(36231,5441,'_encloseme','1'),
(36232,5441,'Index','5000'),
(36233,5441,'Minutage','1h02’16'),
(36234,5441,'Images','Noir'),
(36235,5441,'BandeSon','Klavierquintett, Op. 18, Moderato con moto Mieczysław Weinberg (1946).'),
(36236,5441,'_product_image_gallery',''),
(36237,5442,'_pingme','1'),
(36238,5442,'_encloseme','1'),
(36239,5442,'Index','5010'),
(36240,5442,'Minutage','1h02’21'),
(36241,5442,'Images','Trois filles et un garçon jouant dans une piscine. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(36242,5442,'BandeSon','Id.'),
(36243,5442,'_product_image_gallery',''),
(36244,5443,'_pingme','1'),
(36245,5443,'_encloseme','1'),
(36246,5443,'Index','5020'),
(36247,5443,'Minutage','1h02’39'),
(36248,5443,'Images','Saturé : soleil couchant sur la mer.'),
(36249,5443,'BandeSon','Id.'),
(36250,5443,'_product_image_gallery',''),
(36251,5444,'_pingme','1'),
(36252,5444,'_encloseme','1'),
(36253,5444,'Index','5030'),
(36254,5444,'Minutage','1h02’48'),
(36255,5444,'Images','Noir'),
(36256,5444,'BandeSon','Piano Quintet, Op. 18 - 4. Largo, Mieczysław Weinberg (1944).\n'),
(36257,5444,'Ecrits','HEUREUSE\nARABIE\n\nHasards de l\'Arabie heureuse, Frederic Prokosch (2005).'),
(36258,5444,'_product_image_gallery',''),
(36259,5445,'_pingme','1'),
(36260,5445,'_encloseme','1'),
(36261,5445,'Index','5040'),
(36262,5445,'Minutage','1h02’55'),
(36263,5445,'Images','Saturé et surexposé : bateau au milieu de la mer et pêcheurs.'),
(36264,5445,'BandeSon','Id.'),
(36265,5445,'_product_image_gallery',''),
(36266,5446,'_pingme','1'),
(36267,5446,'_encloseme','1'),
(36268,5446,'Index','5050'),
(36269,5446,'Minutage','1h03’08'),
(36270,5446,'Images','Femme se peingnant les mains de symboles géométriques.'),
(36271,5446,'BandeSon','Id.'),
(36272,5446,'_product_image_gallery',''),
(36273,5447,'_pingme','1'),
(36274,5447,'_encloseme','1'),
(36275,5447,'Index','5060'),
(36276,5447,'Minutage','1h03’09'),
(36277,5447,'Images','Saturé : mer ondulante vue d\'un golfe.'),
(36278,5447,'BandeSon','Silence, puis vagues.'),
(36279,5447,'_product_image_gallery',''),
(36280,5448,'_pingme','1'),
(36281,5448,'_encloseme','1'),
(36282,5448,'Index','5070'),
(36283,5448,'Minutage','1h03’41'),
(36284,5448,'Images','Noir'),
(36285,5448,'BandeSon','Id. et silence.'),
(36286,5448,'_product_image_gallery',''),
(36287,5449,'_pingme','1'),
(36288,5449,'_encloseme','1'),
(36289,5449,'Index','5080'),
(36290,5449,'Minutage','1h03’47'),
(36291,5449,'Images','Jeune femme pleurant sur une plage, hommes chantant en arabe en arrière-plan. La fièvre, Safia Benhaïm (2014).'),
(36292,5449,'BandeSon','Voix masculines accompagnées d’instruments à percussions.'),
(36293,5449,'_product_image_gallery',''),
(36294,5450,'_pingme','1'),
(36295,5450,'_encloseme','1'),
(36296,5450,'Index','5090'),
(36297,5450,'Minutage','1h03’57'),
(36298,5450,'Images','Noir'),
(36299,5450,'BandeSon','Id.'),
(36300,5450,'_product_image_gallery',''),
(36301,5451,'_pingme','1'),
(36302,5451,'_encloseme','1'),
(36303,5451,'Index','5100'),
(36304,5451,'Minutage','1h03’58'),
(36305,5451,'Images','En noir et blanc : bris de vitres de voitures. Djamila, Youssef Chahine (1958).'),
(36306,5451,'BandeSon','Explosion et vitres cassées.'),
(36307,5451,'_product_image_gallery',''),
(36308,5452,'_pingme','1'),
(36309,5452,'_encloseme','1'),
(36310,5452,'Index','5110'),
(36311,5452,'Minutage','1h04’00'),
(36312,5452,'Images','Femme nue s’alongeant sur un homme nu sur un lit. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(36313,5452,'BandeSon','Silence'),
(36314,5452,'_product_image_gallery',''),
(36315,5453,'_pingme','1'),
(36316,5453,'_encloseme','1'),
(36317,5453,'Index','5120'),
(36318,5453,'Minutage','1h04’05'),
(36319,5453,'Images','Femme embrassant les pieds d\'un homme.'),
(36320,5453,'BandeSon','Id.'),
(36321,5453,'_product_image_gallery',''),
(36322,5454,'_pingme','1'),
(36323,5454,'_encloseme','1'),
(36324,5454,'Index','5130'),
(36325,5454,'Minutage','1h04’07'),
(36326,5454,'Images','Homme marchant sur des toits de maisons au moyen-orient. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(36327,5454,'VoixOffIn','Très loin, très bas, l’océan … cent millions de vagues.\nElles rampaient vers les côtes invisibles de Dofa,'),
(36328,5454,'BandeSon','Id. puis coups de mitraillette.'),
(36329,5454,'_product_image_gallery',''),
(36330,5455,'_pingme','1'),
(36331,5455,'_encloseme','1'),
(36332,5455,'Index','5140'),
(36333,5455,'Minutage','1h04’24'),
(36334,5455,'Images','Lac et ciel entourés de montagnes.'),
(36335,5455,'VoixOffIn','si lentes que, vues d’en haut, d’en plein ciel en ciel, elles ne donnaient qu’à peine l’impression de bouger'),
(36336,5455,'BandeSon','Silence.'),
(36337,5455,'_product_image_gallery',''),
(36338,5456,'_pingme','1'),
(36339,5456,'_encloseme','1'),
(36340,5456,'Index','5150'),
(36341,5456,'Minutage','1h04’35'),
(36342,5456,'Images','Saturé : hommes et femmes sur une plage, bateau.'),
(36343,5456,'VoixOffIn','Elles glissaient sur la mer avec l’indolente précision d\'un dessin de Damas'),
(36344,5456,'BandeSon','Id.'),
(36345,5456,'_product_image_gallery',''),
(36346,5457,'_pingme','1'),
(36347,5457,'_encloseme','1'),
(36348,5457,'Index','5160'),
(36349,5457,'Minutage','1h04’42'),
(36350,5457,'Images','Noir'),
(36351,5457,'VoixOffIn','qui semble comme un grand réseau blanc sur une feuille'),
(36352,5457,'BandeSon','Arpèges à la guitare. Raf Raf, Anouar Brahem (1991).'),
(36353,5457,'Ecrits','ARCHÉOLOGIE\nET       PIRATES'),
(36354,5457,'_product_image_gallery',''),
(36355,5458,'_pingme','1'),
(36356,5458,'_encloseme','1'),
(36357,5458,'Index','5170'),
(36358,5458,'Minutage','1h04’45'),
(36359,5458,'Images','Surexposé et saturé : quatre enfants au milieu de la mer.'),
(36360,5458,'VoixOffIn','de verre bleu. De place en place,'),
(36361,5458,'BandeSon','Id.'),
(36362,5458,'_product_image_gallery',''),
(36363,5459,'_pingme','1'),
(36364,5459,'_encloseme','1'),
(36365,5459,'Index','5180'),
(36366,5459,'Minutage','1h04’52'),
(36367,5459,'Images','Photo d\'un coucher de soleil sur la mer.'),
(36368,5459,'VoixOffIn','dans cette transparence, la forme d\'un poisson frémissait puis s\'éclipsait, raie géant peut-être,'),
(36369,5459,'BandeSon','Id.'),
(36370,5459,'_product_image_gallery',''),
(36371,5460,'_pingme','1'),
(36372,5460,'_encloseme','1'),
(36373,5460,'Index','5190'),
(36374,5460,'Minutage','1h05’00'),
(36375,5460,'Images','Coucher de soleil sur la mer.'),
(36376,5460,'VoixOffIn','où requin sur la voie d\'eau plus froide. Vers le nord. S’aplatissait un archipel'),
(36377,5460,'BandeSon','Id.'),
(36378,5460,'_product_image_gallery',''),
(36379,5461,'_pingme','1'),
(36380,5461,'_encloseme','1'),
(36381,5461,'Index','5200'),
(36382,5461,'Minutage','1h05’09'),
(36383,5461,'Images','Zoomé : coucher de soleil sur la mer.'),
(36384,5461,'VoixOffIn','cortège de crocodiles,'),
(36385,5461,'BandeSon','Silence'),
(36386,5461,'_product_image_gallery',''),
(36387,5462,'_pingme','1'),
(36388,5462,'_encloseme','1'),
(36389,5462,'Index','5210'),
(36390,5462,'Minutage','1h05’16'),
(36391,5462,'Images','Surexposé : hommes dans un bateau.'),
(36392,5462,'VoixOffIn','vers les jardins du sud, vers le nord. Les pirogues s\'aplatissaient. Un archipel posé sur la plaque de verre comme'),
(36393,5462,'BandeSon','Id.'),
(36394,5462,'_product_image_gallery',''),
(36395,5463,'_pingme','1'),
(36396,5463,'_encloseme','1'),
(36397,5463,'Index','5220'),
(36398,5463,'Minutage','1h05’26'),
(36399,5463,'Images','Noir'),
(36400,5463,'VoixOffIn','des moustiques. Une ambition dans le désert,   ().'),
(36401,5463,'BandeSon','Id.'),
(36402,5463,'_product_image_gallery',''),
(36403,5464,'_pingme','1'),
(36404,5464,'_encloseme','1'),
(36405,5464,'Index','5230'),
(36406,5464,'Minutage','1h05’27'),
(36407,5464,'Images','Saturé en tons rouge : désert, dunes.'),
(36408,5464,'BandeSon','Id.'),
(36409,5464,'_product_image_gallery',''),
(36410,5465,'_pingme','1'),
(36411,5465,'_encloseme','1'),
(36412,5465,'Index','5240'),
(36413,5465,'Minutage','1h05’30'),
(36414,5465,'Images','Vieil homme soufflant sur des braises placées sur une brique, et posant une cafetière dessus.'),
(36415,5465,'BandeSon','Id.'),
(36416,5465,'_product_image_gallery',''),
(36417,5466,'_pingme','1'),
(36418,5466,'_encloseme','1'),
(36419,5466,'Index','5250'),
(36420,5466,'Minutage','1h05’36'),
(36421,5466,'Images','Palmiers secoués par un vent fort.'),
(36422,5466,'BandeSon','Vent'),
(36423,5466,'_product_image_gallery',''),
(36424,5467,'_pingme','1'),
(36425,5467,'_encloseme','1'),
(36426,5467,'Index','5260'),
(36427,5467,'Minutage','1h05’41'),
(36428,5467,'Images','Rue bruyante d\'une ville du Moyen Orient vue d’un balcon.'),
(36429,5467,'BandeSon','Chanson en arabe provenant d’une radio résonnant dans la ville.'),
(36430,5467,'_product_image_gallery',''),
(36431,5468,'_pingme','1'),
(36432,5468,'_encloseme','1'),
(36433,5468,'Index','5270'),
(36434,5468,'Minutage','1h05’45'),
(36435,5468,'Images','Surexposé et déformé : masque d’aigle sur un homme dont on voit les mains au bas du cadre, Judex (Franju, 1964).'),
(36436,5468,'BandeSon','Silence'),
(36437,5468,'_product_image_gallery',''),
(36438,5469,'_pingme','1'),
(36439,5469,'_encloseme','1'),
(36440,5469,'Index','5280'),
(36441,5469,'Minutage','1h05’52'),
(36442,5469,'Images','Au ralenti : femme au balcon vue de dos, se retournant. La mome vert de gris, Bernard borderie (1953).'),
(36443,5469,'BandeSon','Id.'),
(36444,5469,'_product_image_gallery',''),
(36445,5470,'_pingme','1'),
(36446,5470,'_encloseme','1'),
(36447,5470,'Index','5290'),
(36448,5470,'Minutage','1h05’55'),
(36449,5470,'Images','Femme dansant en regardant la caméra.\nLa bandera, Julien Duvivier (1935).'),
(36450,5470,'BandeSon','Id.'),
(36451,5470,'_product_image_gallery',''),
(36452,5471,'_pingme','1'),
(36453,5471,'_encloseme','1'),
(36454,5471,'Index','5300'),
(36455,5471,'Minutage','1h06’00'),
(36456,5471,'Images','Photo d\'une rue d’une ville prise avec un téléphone portable depuis un balcon.'),
(36457,5471,'BandeSon','Explosions et cris.'),
(36458,5471,'_product_image_gallery',''),
(36459,5472,'_pingme','1'),
(36460,5472,'_encloseme','1'),
(36461,5472,'Index','5310'),
(36462,5472,'Minutage','1h06’06'),
(36463,5472,'Images','Au ralenti : homme enflammé courant.'),
(36464,5472,'BandeSon','Id.'),
(36465,5472,'_product_image_gallery',''),
(36466,5473,'_pingme','1'),
(36467,5473,'_encloseme','1'),
(36468,5473,'Index','5320'),
(36469,5473,'Minutage','1h06’12'),
(36470,5473,'Images','Deux hommes lisant le Coran et priant.'),
(36471,5473,'VoixOffIn','Le livre. Les religions du livre ont forgé nos sociétés'),
(36472,5473,'BandeSon','Silence'),
(36473,5473,'_product_image_gallery',''),
(36474,5474,'_pingme','1'),
(36475,5474,'_encloseme','1'),
(36476,5474,'Index','5330'),
(36477,5474,'Minutage','1h06’19'),
(36478,5474,'Images','Homme sortant d\'une maison en pierre et en saluant d’autres en leur tendant la main. Il fiore delle mille e una notte, Pier Paolo Pasolini (1974).'),
(36479,5474,'VoixOffIn','et nous avons sacralisé les textes.\nTables de la lois, dix commencements, rouleaux de la  Torah, Bible, Coran etc.'),
(36480,5474,'BandeSon','Id.'),
(36481,5474,'_product_image_gallery',''),
(36482,5475,'_pingme','1'),
(36483,5475,'_encloseme','1'),
(36484,5475,'Index','5340'),
(36485,5475,'Minutage','1h06’36'),
(36486,5475,'Images','Noir'),
(36487,5475,'VoixOffIn','Il fallait (Jean-Luc Godard)'),
(36488,5475,'BandeSon','Id.'),
(36489,5475,'_product_image_gallery',''),
(36490,5476,'_pingme','1'),
(36491,5476,'_encloseme','1'),
(36492,5476,'Index','5350'),
(36493,5476,'Minutage','1h06’38'),
(36494,5476,'Images','Peinte à la main sur un fond noir : « Le Livre d’\' » écrit en rouge et « Image » écrit en blanc.'),
(36495,5476,'BandeSon','Id.'),
(36496,5476,'_product_image_gallery',''),
(36497,5477,'_pingme','1'),
(36498,5477,'_encloseme','1'),
(36499,5477,'Index','5360'),
(36500,5477,'Minutage','1h06’41'),
(36501,5477,'Images','Saturé : vidéo prise du sommet d\'une montagne, montrant la mer. Le bruit du vent perturbe le microphone.'),
(36502,5477,'BandeSon','Vent.'),
(36503,5477,'_product_image_gallery',''),
(36504,5478,'_pingme','1'),
(36505,5478,'_encloseme','1'),
(36506,5478,'Index','5370'),
(36507,5478,'Minutage','1h06’50'),
(36508,5478,'Images','En noir et blanc : femme dansant tandis que des hommes et des femmes assis à table la regardent. La mome vert de gris, Bernard borderie (1953).'),
(36509,5478,'VoixOffIn','Ici, à Dofa, la capitale de l\'Émirat, il était inconcevable qu’un mouvement subversif se soit constitué'),
(36510,5478,'BandeSon','Silence'),
(36511,5478,'_product_image_gallery',''),
(36512,5479,'_pingme','1'),
(36513,5479,'_encloseme','1'),
(36514,5479,'Index','5380'),
(36515,5479,'Minutage','1h06’55'),
(36516,5479,'Images','Homme et enfant entrant dans une pièce remplie de fumée de cigarette, où de nombreux hommes sont assis à table tout en regardant un écran, se plaignant de la main, et à haute-voix. Ils s’asseyent à table et commandent de la nourriture à un serveur.'),
(36517,5479,'VoixOffIn','Vous êtes conscients je suppose que toutes les histoires racontées se montrent partie.\n\nquelque rumeur autre que les explosions'),
(36518,5479,'BandeSon','Id. puis voix humaines.'),
(36519,5479,'_product_image_gallery',''),
(36520,5480,'_pingme','1'),
(36521,5480,'_encloseme','1'),
(36522,5480,'Index','5390'),
(36523,5480,'Minutage','1h07’28'),
(36524,5480,'Images','Saturé en tons jaunes et rouges, et sous-exposé : puit de pétrole en flammes.'),
(36525,5480,'VoixOffIn','En effet la grande puissance impérialiste qui étendait son emprise politique sur tous les états du Golfe ne s’intéressait plus à Dofa depuis qu’il était clair que son sous sol ne renfermait pas de pétrole /\nEn superposition la voix de [Godard : un gouvernement assez puissant pour donner aux gens tout ce qu\'ils veulent,'),
(36526,5480,'BandeSon','Silence.'),
(36527,5480,'_product_image_gallery',''),
(36528,5481,'_pingme','1'),
(36529,5481,'_encloseme','1'),
(36530,5481,'Index','5400'),
(36531,5481,'Minutage','1h07’50'),
(36532,5481,'Images','Homme tirant de nuit sur des fêtards réunis autour d\'un feu. Fêtards s\'enfuyant à la vue de l\'homme.'),
(36533,5481,'VoixOffIn','assez puissant pour leur prendre tout ce qu’ils ont.]\n\nLes frondeurs irréductibles de l’ordre établi avaient depuis longtemps renoncé à toute action brutale'),
(36534,5481,'BandeSon','Id. puis chants, coups de fusil et cris.'),
(36535,5481,'_product_image_gallery',''),
(36536,5482,'_pingme','1'),
(36537,5482,'_encloseme','1'),
(36538,5482,'Index','5410'),
(36539,5482,'Minutage','1h08’13'),
(36540,5482,'Images','Sous-exposé, en noir et blanc : personnes autour d\'un feu.'),
(36541,5482,'VoixOffIn','la considérant comme inadéquate dans cet oasis misérable'),
(36542,5482,'BandeSon','Silence'),
(36543,5482,'_product_image_gallery',''),
(36544,5483,'_pingme','1'),
(36545,5483,'_encloseme','1'),
(36546,5483,'Index','5420'),
(36547,5483,'Minutage','1h08’21'),
(36548,5483,'Images','Noir'),
(36549,5483,'VoixOffIn','mais où régnait une paix souveraine'),
(36550,5483,'BandeSon','Id.'),
(36551,5483,'_product_image_gallery',''),
(36552,5484,'_pingme','1'),
(36553,5484,'_encloseme','1'),
(36554,5484,'Index','5430'),
(36555,5484,'Minutage','1h08’24'),
(36556,5484,'Images','Paysage semi désert, vu d\'une route.'),
(36557,5484,'VoixOffIn','car, là où il n\'y a rien, même les scélérats se résignent à l\'indigence. (Jean-Luc Godard). Une ambition dans le désert,   ().'),
(36558,5484,'BandeSon','Id.'),
(36559,5484,'_product_image_gallery',''),
(36560,5485,'_pingme','1'),
(36561,5485,'_encloseme','1'),
(36562,5485,'Index','5440'),
(36563,5485,'Minutage','1h08’32'),
(36564,5485,'Images','Noir'),
(36565,5485,'BandeSon','Id.'),
(36566,5485,'_product_image_gallery',''),
(36567,5486,'_pingme','1'),
(36568,5486,'_encloseme','1'),
(36569,5486,'Index','5450'),
(36570,5486,'Minutage','1h08’36'),
(36571,5486,'Images','Haut et bas de l’écran noircis pour imiter la vision d’une personne portant une burka. Au milieu de l’écran, à travers la fente :  femmes marchant couvertes d’une burka.'),
(36572,5486,'BandeSon','A la guitare : arpèges.'),
(36573,5486,'_product_image_gallery',''),
(36574,5487,'_pingme','1'),
(36575,5487,'_encloseme','1'),
(36576,5487,'Index','5460'),
(36577,5487,'Minutage','1h08’52'),
(36578,5487,'Images','Noir'),
(36579,5487,'BandeSon','Id.'),
(36580,5487,'_product_image_gallery',''),
(36581,5488,'_pingme','1'),
(36582,5488,'_encloseme','1'),
(36583,5488,'Index','5470'),
(36584,5488,'Minutage','1h08’55'),
(36585,5488,'Images','Visage d\'une femme chantant en arabe.'),
(36586,5488,'BandeSon','Voix féminine, en arabe.'),
(36587,5488,'_product_image_gallery',''),
(36588,5489,'_pingme','1'),
(36589,5489,'_encloseme','1'),
(36590,5489,'Index','5480'),
(36591,5489,'Minutage','1h08’59'),
(36592,5489,'Images','Saturé en tons oranges et jaunes : match de football à la télévision aaccompagné des mots d’un commentateur sportif et photographie en couleur seppia de deux footballers.'),
(36593,5489,'BandeSon','Id.'),
(36594,5489,'_product_image_gallery',''),
(36595,5490,'_pingme','1'),
(36596,5490,'_encloseme','1'),
(36597,5490,'Index','5490'),
(36598,5490,'Minutage','1h09’11'),
(36599,5490,'Images','Noir'),
(36600,5490,'BandeSon','Id.'),
(36601,5490,'_product_image_gallery',''),
(36602,5491,'_pingme','1'),
(36603,5491,'_encloseme','1'),
(36604,5491,'Index','5500'),
(36605,5491,'Minutage','1h09’12'),
(36606,5491,'Images','Homme et femme regardant la télévision.'),
(36607,5491,'VoixOffIn','On ne pouvait cependant oublier leur aptitude à se surpasser dans l\'abjection'),
(36608,5491,'BandeSon','Silence'),
(36609,5491,'_product_image_gallery',''),
(36610,5492,'_pingme','1'),
(36611,5492,'_encloseme','1'),
(36612,5492,'Index','5510'),
(36613,5492,'Minutage','1h09’23'),
(36614,5492,'Images','Mains d\'un homme enchaîné. Al-lail, Mohamed Malas (1992).'),
(36615,5492,'VoixOffIn','lorsqu\'ils sont soutenus'),
(36616,5492,'BandeSon','Id.'),
(36617,5492,'_product_image_gallery',''),
(36618,5493,'_pingme','1'),
(36619,5493,'_encloseme','1'),
(36620,5493,'Index','5520'),
(36621,5493,'Minutage','1h09’26'),
(36622,5493,'Images','Petit enfant marchant dans une rue à la lumière du soleil sur laquelle se découpent les ombres des pales d\'un moulin.\nA côté de lui, homme enchaîné et gardé par trois autres hommes. Al-lail, Mohamed Malas (1992).'),
(36623,5493,'VoixOffIn','et conseillés par des criminels d\'une plus grande envergure venus de l\'extérieur.'),
(36624,5493,'BandeSon','Id.'),
(36625,5493,'_product_image_gallery',''),
(36626,5494,'_pingme','1'),
(36627,5494,'_encloseme','1'),
(36628,5494,'Index','5530'),
(36629,5494,'Minutage','1h09’38'),
(36630,5494,'Images','Noir'),
(36631,5494,'VoixOffIn','Samantar'),
(36632,5494,'BandeSon','Id.'),
(36633,5494,'_product_image_gallery',''),
(36634,5495,'_pingme','1'),
(36635,5495,'_encloseme','1'),
(36636,5495,'Index','5540'),
(36637,5495,'Minutage','1h09’44'),
(36638,5495,'Images','Visage d\'un jeune homme appuyant sur une vitre reflétant son image.'),
(36639,5495,'VoixOffIn','était convaincu que la pauvreté d’un pays était sa seule sauvegarde contre les rapaces armés ou non.'),
(36640,5495,'BandeSon','Id.'),
(36641,5495,'_product_image_gallery',''),
(36642,5496,'_pingme','1'),
(36643,5496,'_encloseme','1'),
(36644,5496,'Index','5550'),
(36645,5496,'Minutage','1h09’58'),
(36646,5496,'Images','Deux petites filles au foulard sur la tête. Mains de personnes applaudissant.'),
(36647,5496,'VoixOffIn','qui n\'attendaient qu\'une promesse de profit pour venir le conquérir,'),
(36648,5496,'BandeSon','Id.'),
(36649,5496,'_product_image_gallery',''),
(36650,5497,'_pingme','1'),
(36651,5497,'_encloseme','1'),
(36652,5497,'Index','5560'),
(36653,5497,'Minutage','1h10’01'),
(36654,5497,'Images','Surexposé et saturé : chameaux et hommes marchant en file dans le désert.'),
(36655,5497,'VoixOffIn','le détruire et le pourrir'),
(36656,5497,'BandeSon','Id.'),
(36657,5497,'_product_image_gallery',''),
(36658,5498,'_pingme','1'),
(36659,5498,'_encloseme','1'),
(36660,5498,'Index','5570'),
(36661,5498,'Minutage','1h10’05'),
(36662,5498,'Images','Femme vue de dos, regardant un âne.'),
(36663,5498,'VoixOffIn','Et Samantar remerciait le ciel d\'être né sur cette'),
(36664,5498,'BandeSon','Id.'),
(36665,5498,'_product_image_gallery',''),
(36666,5499,'_pingme','1'),
(36667,5499,'_encloseme','1'),
(36668,5499,'Index','5580'),
(36669,5499,'Minutage','1h10’14'),
(36670,5499,'Images','Au ralenti, en noir et blanc : homme marchant dans une rue, une arme à la main.'),
(36671,5499,'VoixOffIn','terre désertique démunie de toute matière première et assez ingrate pour décourager les marchés.'),
(36672,5499,'BandeSon','Id.'),
(36673,5499,'_product_image_gallery',''),
(36674,5500,'_pingme','1'),
(36675,5500,'_encloseme','1'),
(36676,5500,'Index','5590'),
(36677,5500,'Minutage','1h10’26'),
(36678,5500,'Images','Noir'),
(36679,5500,'VoixOffIn','Le plus stupéfiant dans cette affaire'),
(36680,5500,'BandeSon','Id.'),
(36681,5500,'_product_image_gallery',''),
(36682,5501,'_pingme','1'),
(36683,5501,'_encloseme','1'),
(36684,5501,'Index','5600'),
(36685,5501,'Minutage','1h10’31'),
(36686,5501,'Images','Rue et marché en plein air dans une ville du Moyen-Orient. La fièvre, Safia Benhaïm (2014).'),
(36687,5501,'VoixOffIn','était que les attentats étaient revendiqués par une soi-disant'),
(36688,5501,'BandeSon','Id.'),
(36689,5501,'_product_image_gallery',''),
(36690,5502,'_pingme','1'),
(36691,5502,'_encloseme','1'),
(36692,5502,'Index','5610'),
(36693,5502,'Minutage','1h10’38'),
(36694,5502,'Images','Saturé : trois personnes sur une plage rocheuse au bord d\'une mer.'),
(36695,5502,'VoixOffIn','force de libération du golfe totalement inconnue et dont les tracts mal imprimés se targuaient d\'un vocabulaire révolutionnaire depuis longtemps dépassé. (Jean-Luc Godard). Une ambition dans le désert,  Albert Cossery ().'),
(36696,5502,'BandeSon','Id. puis vent.'),
(36697,5502,'_product_image_gallery',''),
(36698,5503,'_pingme','1'),
(36699,5503,'_encloseme','1'),
(36700,5503,'Index','5620'),
(36701,5503,'Minutage','1h11’30'),
(36702,5503,'Images','Noir'),
(36703,5503,'BandeSon','Id.'),
(36704,5503,'_product_image_gallery',''),
(36705,5504,'_pingme','1'),
(36706,5504,'_encloseme','1'),
(36707,5504,'Index','5630'),
(36708,5504,'Minutage','1h11’32'),
(36709,5504,'Images','Surexposé et saturé : deux hommes debout dans une voiture au toit ouvert, et criant des phrases en arabe.  Al-lail, Mohamed Malas (1992).'),
(36710,5504,'BandeSon','Id.'),
(36711,5504,'_product_image_gallery',''),
(36712,5505,'_pingme','1'),
(36713,5505,'_encloseme','1'),
(36714,5505,'Index','5640'),
(36715,5505,'Minutage','1h11’35'),
(36716,5505,'Images','Noir'),
(36717,5505,'VoixOffIn','Ni l\'importance du territoire de Dofa,'),
(36718,5505,'BandeSon','Id.'),
(36719,5505,'_product_image_gallery',''),
(36720,5506,'_pingme','1'),
(36721,5506,'_encloseme','1'),
(36722,5506,'Index','5650'),
(36723,5506,'Minutage','1h11’40'),
(36724,5506,'Images','Sous-exposée : homme se déplaçant dans l\'ombre. Al-lail, Mohamed Malas (1992).'),
(36725,5506,'BandeSon','Id.'),
(36726,5506,'_product_image_gallery',''),
(36727,5507,'_pingme','1'),
(36728,5507,'_encloseme','1'),
(36729,5507,'Index','5660'),
(36730,5507,'Minutage','1h11’46'),
(36731,5507,'Images','Ralenti et sous exposé : main glissant trois doigts dans l’ouverture d\'une porte, pour l\'ouvrir. Al-lail, Mohamed Malas (1992).'),
(36732,5507,'VoixOffIn','Journal télévisé (traduction de l’arabe classique) :\nNous ne savons pas jusqu\'à présent jusqu\'où pourra aller la riposte russe mais le climat ambiant laisse à penser que l\'attaque ne ...\n\nVoix d’homme :\nni la conjoncture politique dans la région n\'avaient\n\nresté jusqu\'ici en dehors de l\'éclatante prospérité'),
(36733,5507,'BandeSon','Id.'),
(36734,5507,'_product_image_gallery',''),
(36735,5508,'_pingme','1'),
(36736,5508,'_encloseme','1'),
(36737,5508,'Index','5670'),
(36738,5508,'Minutage','1h12’00'),
(36739,5508,'Images','Surexposé et saturé,  au ralenti : rangée de personnes vêtues de blanc se tenant les mains, et les déplaçant vers l\'arrière. Puis pieds en tongs dansant.'),
(36740,5508,'VoixOffIn','des émirats voisins pouvait d\'un jour à l\'autre devenir un enfer.'),
(36741,5508,'BandeSon','Voix masculines chantant  un chant soufi (mystique) d\'Afrique du Nord (Hadhra en Tunisie ou Aissaoua en Algérie), accompagné de percussions. (Chant d\'invocation où l’on dit que il n\'y a de dieu que Dieu et que Mohamed est son prophète. Éloges de Dieu et du prophète Mohamed. Éloges d\'un saint patron qui est censé nous protéger).'),
(36742,5508,'_product_image_gallery',''),
(36743,5509,'_pingme','1'),
(36744,5509,'_encloseme','1'),
(36745,5509,'Index','5680'),
(36746,5509,'Minutage','1h12’24'),
(36747,5509,'Images','Noir'),
(36748,5509,'BandeSon','Id.'),
(36749,5509,'_product_image_gallery',''),
(36750,5510,'_pingme','1'),
(36751,5510,'_encloseme','1'),
(36752,5510,'Index','5690'),
(36753,5510,'Minutage','1h12’28'),
(36754,5510,'Images','De nouveau, groupe d\'hommes courant dans la rue et se pressant contre la porte d\'un appartement.'),
(36755,5510,'BandeSon','Id.'),
(36756,5510,'_product_image_gallery',''),
(36757,5511,'_pingme','1'),
(36758,5511,'_encloseme','1'),
(36759,5511,'Index','5700'),
(36760,5511,'Minutage','1h12’34'),
(36761,5511,'Images','Saturé : hommes en tenue militaire officielle, et commandants. Al-lail, Mohamed Malas (1992).'),
(36762,5511,'VoixOffIn','Ce qui tourmentait le Cheick El Kadem, le premier ministre du royaume, c\'était une vue de l\'esprit '),
(36763,5511,'BandeSon','Trompettes de fanfare militaire.'),
(36764,5511,'_product_image_gallery',''),
(36765,5512,'_pingme','1'),
(36766,5512,'_encloseme','1'),
(36767,5512,'Index','5710'),
(36768,5512,'Minutage','1h12’47'),
(36769,5512,'Images','Saturé, sortant à droite et réapparaissant à gauche de l\'écran comme s\'il était projeté sur l\'écran d\'une télévision cassée : libellé du film « Le Livre d\'Image » .'),
(36770,5512,'VoixOffIn','car il rêvait de soumettre à sa domination, l\'ensemble des pays du golfe.'),
(36771,5512,'BandeSon','Id. et puis silence.'),
(36772,5512,'_product_image_gallery',''),
(36773,5513,'_pingme','1'),
(36774,5513,'_encloseme','1'),
(36775,5513,'Index','5720'),
(36776,5513,'Minutage','1h12’57'),
(36777,5513,'Images','Saturé : maison en ruine sur une plage de roche en bord de mer.'),
(36778,5513,'VoixOffIn','Il était vrai que sur cette bande de terre aride,'),
(36779,5513,'BandeSon','Silence'),
(36780,5513,'_product_image_gallery',''),
(36781,5514,'_pingme','1'),
(36782,5514,'_encloseme','1'),
(36783,5514,'Index','5730'),
(36784,5514,'Minutage','1h13’08'),
(36785,5514,'Images','Manifestation avec de nombreuses personnes dans la rue portant des pancartes écrites en arabe. Images de documentaire Shoah, les oubliés de l’histoire par la chaîne de télévision Histoire..'),
(36786,5514,'VoixOffIn','Il était le maître incontesté'),
(36787,5514,'BandeSon','A la guitare : arpèges.'),
(36788,5514,'_product_image_gallery',''),
(36789,5515,'_pingme','1'),
(36790,5515,'_encloseme','1'),
(36791,5515,'Index','5740'),
(36792,5515,'Minutage','1h13’15'),
(36793,5515,'Images','Surexposé : sultan avec une femme à ses côtés. The Thief of Baghdad, Cline Donner (1978).'),
(36794,5515,'VoixOffIn','puisque le vieil émir régnant, croupissant dans son harem, ne prenait plus la peine de lui donner des ordres.'),
(36795,5515,'BandeSon','Id.'),
(36796,5515,'_product_image_gallery',''),
(36797,5516,'_pingme','1'),
(36798,5516,'_encloseme','1'),
(36799,5516,'Index','5750'),
(36800,5516,'Minutage','1h13’21'),
(36801,5516,'Images','Noir'),
(36802,5516,'VoixOffIn','Et la passion'),
(36803,5516,'BandeSon','Silence'),
(36804,5516,'_product_image_gallery',''),
(36805,5517,'_pingme','1'),
(36806,5517,'_encloseme','1'),
(36807,5517,'Index','5760'),
(36808,5517,'Minutage','1h13’24'),
(36809,5517,'Images','Homme au fez rouge sortant d\'une voiture dont le conducteur ouvre la porte.\nAl-lail, Mohamed Malas (1992).'),
(36810,5517,'VoixOffIn','pour le pouvoir, Ben Kadem l\'avait ressentie depuis son enfance et maintenant à 42 ans elle le dévorait avec encore plus de densité.'),
(36811,5517,'BandeSon','Id.'),
(36812,5517,'_product_image_gallery',''),
(36813,5518,'_pingme','1'),
(36814,5518,'_encloseme','1'),
(36815,5518,'Index','5770'),
(36816,5518,'Minutage','1h13’37'),
(36817,5518,'Images','Groupe de personnes marchant de nuit dans les dunes d\'un désert.\nBab\'Aziz, le prince qui contemplait son âme, Nacer Khémir (2005).'),
(36818,5518,'VoixOffIn','Mais malheureusement le monde n\'était pas aussi simple que son rêve d\'enfant. L\'irruption du pétrole dans la péninsule sauf ici à Dofa avait détruit l\'espoir de réaliser ses ambitions.'),
(36819,5518,'BandeSon','Id.'),
(36820,5518,'_product_image_gallery',''),
(36821,5519,'_pingme','1'),
(36822,5519,'_encloseme','1'),
(36823,5519,'Index','5780'),
(36824,5519,'Minutage','1h14’00'),
(36825,5519,'Images','Palmier enflammé dans le désert de nuit.\nBab\'Aziz, le prince qui contemplait son âme, Nacer Khémir (2005).'),
(36826,5519,'BandeSon',' A la guitare : arpèges.'),
(36827,5519,'_product_image_gallery',''),
(36828,5520,'_pingme','1'),
(36829,5520,'_encloseme','1'),
(36830,5520,'Index','5790'),
(36831,5520,'Minutage','1h14’11'),
(36832,5520,'Images','Femmes riant dans un harem. Arabian nights, John Rawlins (1942).'),
(36833,5520,'VoixOffIn','Chose étrange,'),
(36834,5520,'BandeSon','Silence'),
(36835,5520,'_product_image_gallery',''),
(36836,5521,'_pingme','1'),
(36837,5521,'_encloseme','1'),
(36838,5521,'Index','5800'),
(36839,5521,'Minutage','1h14’16'),
(36840,5521,'Images','Noir'),
(36841,5521,'VoixOffIn','le seul homme avec lequel Ben Kadem pouvait parler franchement de son ambition'),
(36842,5521,'BandeSon','Id.'),
(36843,5521,'_product_image_gallery',''),
(36844,5522,'_pingme','1'),
(36845,5522,'_encloseme','1'),
(36846,5522,'Index','5810'),
(36847,5522,'Minutage','1h14’24'),
(36848,5522,'Images','Palmiers secoués par un vent fort.'),
(36849,5522,'VoixOffIn','c’était celui là même qui trouvait cette ambition dérisoire : son jeune cousin Samantar.'),
(36850,5522,'BandeSon','Vent.'),
(36851,5522,'_product_image_gallery',''),
(36852,5523,'_pingme','1'),
(36853,5523,'_encloseme','1'),
(36854,5523,'Index','5820'),
(36855,5523,'Minutage','1h14’33'),
(36856,5523,'Images','Noir'),
(36857,5523,'BandeSon','Silence'),
(36858,5523,'_product_image_gallery',''),
(36859,5524,'_pingme','1'),
(36860,5524,'_encloseme','1'),
(36861,5524,'Index','5830'),
(36862,5524,'Minutage','1h14’36'),
(36863,5524,'Images','Déplacement de gauche à droite : photo d\'un restaurant appelé \"Les coquillages\" et d’une rue d’une ville de bord de mer.'),
(36864,5524,'VoixOffIn','n’avait pas uniquement pour objet d’approfondir sa vision sur le jeu sanglant des grandes puissances. (Jean-Luc Godard). Une ambition dans le désert,   ().'),
(36865,5524,'BandeSon','Explosions.\n'),
(36866,5524,'_product_image_gallery',''),
(36867,5525,'_pingme','1'),
(36868,5525,'_encloseme','1'),
(36869,5525,'Index','5840'),
(36870,5525,'Minutage','1h14’53'),
(36871,5525,'Images','Photo de Barack Obama aux côtés de l\' du Koweït  Cheikh Sabah al-Ahmad al-Jaber al-Sabah.'),
(36872,5525,'BandeSon','Silence'),
(36873,5525,'_product_image_gallery',''),
(36874,5526,'_pingme','1'),
(36875,5526,'_encloseme','1'),
(36876,5526,'Index','5850'),
(36877,5526,'Minutage','1h14’57'),
(36878,5526,'Images','Homme au fez s\'approchant d\'une grille d\'entrée et frappant avec son bâton contre la grille. Al-lail, Mohamed Malas (1992).'),
(36879,5526,'VoixOffIn','Il était d\'une importance capitale de savoir l\'opinion de Samantar sur les derniers événements survenus.'),
(36880,5526,'BandeSon','Id.'),
(36881,5526,'_product_image_gallery',''),
(36882,5527,'_pingme','1'),
(36883,5527,'_encloseme','1'),
(36884,5527,'Index','5860'),
(36885,5527,'Minutage','1h15’07'),
(36886,5527,'Images','Noir'),
(36887,5527,'VoixOffIn','Le début d’une ère révolutionnaire à Dofa'),
(36888,5527,'BandeSon','Id.'),
(36889,5527,'_product_image_gallery',''),
(36890,5528,'_pingme','1'),
(36891,5528,'_encloseme','1'),
(36892,5528,'Index','5870'),
(36893,5528,'Minutage','1h15’12'),
(36894,5528,'Images','Visage d\'un homme plongé dans l\'obscurité, puis émergeant à la lumière éclairant ses lèvres et son nez.'),
(36895,5528,'VoixOffIn','était une négation totale de la possible d’une action armée dans la péninsule. (Jean-Luc Godard). Une ambition dans le désert,  Albert Cossery ().\n\n'),
(36896,5528,'BandeSon','Id.'),
(36897,5528,'_product_image_gallery',''),
(36898,5529,'_pingme','1'),
(36899,5529,'_encloseme','1'),
(36900,5529,'Index','5880'),
(36901,5529,'Minutage','1h15’24'),
(36902,5529,'Images','Saturé en tons bleus et rouges : personnes ballottées par une mer agitée.'),
(36903,5529,'BandeSon','Vagues.'),
(36904,5529,'_product_image_gallery',''),
(36905,5530,'_pingme','1'),
(36906,5530,'_encloseme','1'),
(36907,5530,'Index','5890'),
(36908,5530,'Minutage','1h15’28'),
(36909,5530,'Images','Personne au foulard palestinien nué autour de la tête, se traînant avec un bras sur le sable, tenant de l’autre un fusil. Ici et ailleurs, Jean-Luc Godard (1975).'),
(36910,5530,'VoixOffIn','-Tu es seul ?\n-Oui je suis seul.\n-Je ne te dérange pas ?'),
(36911,5530,'BandeSon','Silence'),
(36912,5530,'_product_image_gallery',''),
(36913,5531,'_pingme','1'),
(36914,5531,'_encloseme','1'),
(36915,5531,'Index','5900'),
(36916,5531,'Minutage','1h15’36'),
(36917,5531,'Images','Au ralenti, saturé en tons bleus : foule de personnes manifestant. Sexe, salafistes, prientemps arabe, Paul Moreira (2012).'),
(36918,5531,'VoixOffIn','-Je suis toujours ravi de te voir.'),
(36919,5531,'BandeSon','Id.'),
(36920,5531,'_product_image_gallery',''),
(36921,5532,'_pingme','1'),
(36922,5532,'_encloseme','1'),
(36923,5532,'Index','5910'),
(36924,5532,'Minutage','1h15’43'),
(36925,5532,'Images','Sous-exposé et tourné en noir et blanc : personnes dansant au milieu de la fumée. Silence! On tourne, Youssef Chahine (2001).'),
(36926,5532,'VoixOffIn','-Un tel bonheur m\'est rarement accordé, excellence. -Tu te détaches de moi.'),
(36927,5532,'BandeSon','Id.'),
(36928,5532,'_product_image_gallery',''),
(36929,5533,'_pingme','1'),
(36930,5533,'_encloseme','1'),
(36931,5533,'Index','5920'),
(36932,5533,'Minutage','1h15’51'),
(36933,5533,'Images','Femme portant une écharpe à pois rouges et blancs et courant les mains en l\'air. À propos d\'Elly, Asghar Farhadi (2009).\n'),
(36934,5533,'VoixOffIn','-Je vois que tu n\'es toujours pas prêt à ce sacrifice.'),
(36935,5533,'BandeSon','A la guitare : arpèges.'),
(36936,5533,'_product_image_gallery',''),
(36937,5534,'_pingme','1'),
(36938,5534,'_encloseme','1'),
(36939,5534,'Index','5930'),
(36940,5534,'Minutage','1h15’57'),
(36941,5534,'Images','Saturé : groupe d\'hommes armés sur le toit d\'une voiture, observés par un homme vu de dos se cachant derrière un mur. Au ralenti : hommes descendant  de la voiture. Al-lail, Mohamed Malas (1992).'),
(36942,5534,'VoixOffIn','-C\'est l\'excuse de toute ambition politique que de prétendre se sacrifier pour le bonheur du peuple. Mais le peuple ne t\'a rien demandé, il veut simplement vivre en paix.'),
(36943,5534,'BandeSon','Id et silence.'),
(36944,5534,'_product_image_gallery',''),
(36945,5535,'_pingme','1'),
(36946,5535,'_encloseme','1'),
(36947,5535,'Index','5940'),
(36948,5535,'Minutage','1h16’15'),
(36949,5535,'Images','En noir et blanc, basculé de 180° : visage d\'un homme la tête en bas, plongé dans l\'obscurité.'),
(36950,5535,'VoixOffIn','-Pendant que nous vivons en paix, le monde bouge. (Avec écho)'),
(36951,5535,'BandeSon','Silence'),
(36952,5535,'_product_image_gallery',''),
(36953,5536,'_pingme','1'),
(36954,5536,'_encloseme','1'),
(36955,5536,'Index','5950'),
(36956,5536,'Minutage','1h16’23'),
(36957,5536,'Images','Tremblements, et déplacement de droite à gauche :  enfant écrivant sur une feuille de papier, observée de dos par un autre enfant.'),
(36958,5536,'VoixOffIn','-Que nous importe ce monde qui bouge. (Avec écho)'),
(36959,5536,'BandeSon','Id.'),
(36960,5536,'_product_image_gallery',''),
(36961,5537,'_pingme','1'),
(36962,5537,'_encloseme','1'),
(36963,5537,'Index','5960'),
(36964,5537,'Minutage','1h16’25'),
(36965,5537,'Images','Saturé en tons rouges : visage de femme aux mains jointes en prière. Détail de la fresque de la coupole de San Antonio de la Florida (Goya, 1798). Histoire(s) du cinéma 3a, Jean-Luc Godard (1988-98).'),
(36966,5537,'VoixOffIn','Ce sont tous des canailles, tous complices de l’imposture universelle.'),
(36967,5537,'BandeSon','Id.'),
(36968,5537,'_product_image_gallery',''),
(36969,5538,'_pingme','1'),
(36970,5538,'_encloseme','1'),
(36971,5538,'Index','5970'),
(36972,5538,'Minutage','1h16’33'),
(36973,5538,'Images','Noir'),
(36974,5538,'VoixOffIn','-La révolution a commencé dans le royaume mais tu le sais déjà sans doute. '),
(36975,5538,'BandeSon','Id.'),
(36976,5538,'_product_image_gallery',''),
(36977,5539,'_pingme','1'),
(36978,5539,'_encloseme','1'),
(36979,5539,'Index','5980'),
(36980,5539,'Minutage','1h16’40'),
(36981,5539,'Images','En noir et blanc, basculé de 180° : visage courroucé d\'un homme plongé dans l\'obscurité.'),
(36982,5539,'VoixOffIn','- Je le reconnaîtrais volontiers s’il s’agissait d’une vraie révolution, mais j’en doute.\n\n\n'),
(36983,5539,'BandeSon','Id.'),
(36984,5539,'_product_image_gallery',''),
(36985,5540,'_pingme','1'),
(36986,5540,'_encloseme','1'),
(36987,5540,'Index','5990'),
(36988,5540,'Minutage','1h16’49'),
(36989,5540,'Images','Saturé : tissu rouge traîné sur la plage par le vent. Fissures, Hicham Ayouch (2009).'),
(36990,5540,'VoixOffIn','On a arrêté quelque type\n\n'),
(36991,5540,'BandeSon','Id.'),
(36992,5540,'_product_image_gallery',''),
(36993,5541,'_pingme','1'),
(36994,5541,'_encloseme','1'),
(36995,5541,'Index','6000'),
(36996,5541,'Minutage','1h16’51'),
(36997,5541,'Images','Noir'),
(36998,5541,'VoixOffIn','connu de nos services  '),
(36999,5541,'BandeSon','Id.'),
(37000,5541,'_product_image_gallery',''),
(37001,5542,'_pingme','1'),
(37002,5542,'_encloseme','1'),
(37003,5542,'Index','6010'),
(37004,5542,'Minutage','1h16’54'),
(37005,5542,'Images','Saturé : enfants jouant avec une femme portant une burka.'),
(37006,5542,'VoixOffIn','mais ils prétendent ne rien savoir.'),
(37007,5542,'BandeSon','Id.'),
(37008,5542,'_product_image_gallery',''),
(37009,5543,'_pingme','1'),
(37010,5543,'_encloseme','1'),
(37011,5543,'Index','6020'),
(37012,5543,'Minutage','1h16’55\n\n'),
(37013,5543,'Images','Noir'),
(37014,5543,'VoixOffIn','Ils demandent même de quelle bombe il s’agit car'),
(37015,5543,'BandeSon','Id.'),
(37016,5543,'_product_image_gallery',''),
(37017,5544,'_pingme','1'),
(37018,5544,'_encloseme','1'),
(37019,5544,'Index','6030'),
(37020,5544,'Minutage','1h16’56\n\n'),
(37021,5544,'Images','Femme et homme vus à contre jour, se faisant face dans un couloir.'),
(37022,5544,'VoixOffIn','ils n’ont rien entendu. (Jean-Luc Godard).\nUne ambition dans le désert,   ().'),
(37023,5544,'BandeSon','De nouveau, à la guitare : arpèges.'),
(37024,5544,'_product_image_gallery',''),
(37025,5545,'_pingme','1'),
(37026,5545,'_encloseme','1'),
(37027,5545,'Index','6040'),
(37028,5545,'Minutage','1h17’02'),
(37029,5545,'Images','Saturé : homme portant un voile et homme marchant dans une rue.'),
(37030,5545,'BandeSon','Voitures, et personnes marchant et parlant.'),
(37031,5545,'_product_image_gallery',''),
(37032,5546,'_pingme','1'),
(37033,5546,'_encloseme','1'),
(37034,5546,'Index','6050'),
(37035,5546,'Minutage','1h17’07'),
(37036,5546,'Images','Rue de nuit, éclairée par des lampadaires, avec des gens parlant et faisant du bruit.'),
(37037,5546,'BandeSon','Id.'),
(37038,5546,'_product_image_gallery',''),
(37039,5547,'_pingme','1'),
(37040,5547,'_encloseme','1'),
(37041,5547,'Index','6060'),
(37042,5547,'Minutage','1h17’25'),
(37043,5547,'Images','Femmes voilées et hommes marchant dans la rue.'),
(37044,5547,'BandeSon','Id. et en arrière-plan, annonces de service d\'une gare.'),
(37045,5547,'_product_image_gallery',''),
(37046,5548,'_pingme','1'),
(37047,5548,'_encloseme','1'),
(37048,5548,'Index','6070'),
(37049,5548,'Minutage','1h17’31'),
(37050,5548,'Images','Côte montagneuse surplombant la mer. Groupe de personnes marchant sur la plage.'),
(37051,5548,'VoixOffIn','Ici, à Dofa, que des gens'),
(37052,5548,'BandeSon','Silence'),
(37053,5548,'_product_image_gallery',''),
(37054,5549,'_pingme','1'),
(37055,5549,'_encloseme','1'),
(37056,5549,'Index','6080'),
(37057,5549,'Minutage','1h17’40'),
(37058,5549,'Images','Noir'),
(37059,5549,'VoixOffIn','lancent des bombes un peu partout cela me parait normal'),
(37060,5549,'BandeSon','Id.'),
(37061,5549,'Ecrits','HICHAM\nPeople throwing bombs'),
(37062,5549,'_product_image_gallery',''),
(37063,5550,'_pingme','1'),
(37064,5550,'_encloseme','1'),
(37065,5550,'Index','6090'),
(37066,5550,'Minutage','1h17’44'),
(37067,5550,'Images','Homme touareg vêtu de blanc, assis au pied d\'un palmier dans le désert, caressant une antilope. Bab\'Aziz, le prince qui contemplait son âme, Nacer Khémir (2005)'),
(37068,5550,'VoixOffIn','que pourraient-ils faire d\'autre ? C\'est leur seule manière d\'exprimer leur révolte devant la férocité des moyens employés par le gouvernement. Quelle autre attitude serait valable ? Pour ma part, je serai toujours du côté des bombes. '),
(37069,5550,'BandeSon','De nouveau, à la guitare : arpèges. Silence.'),
(37070,5550,'_product_image_gallery',''),
(37071,5551,'_pingme','1'),
(37072,5551,'_encloseme','1'),
(37073,5551,'Index','6100'),
(37074,5551,'Minutage','1h18’13'),
(37075,5551,'Images','Noir'),
(37076,5551,'VoixOffIn','La révolution,'),
(37077,5551,'BandeSon','Silence'),
(37078,5551,'Ecrits','TAREK'),
(37079,5551,'_product_image_gallery',''),
(37080,5552,'_pingme','1'),
(37081,5552,'_encloseme','1'),
(37082,5552,'Index','6110'),
(37083,5552,'Minutage','1h18’18'),
(37084,5552,'Images','Surexposé, en noir et blanc : hommes touareg sous des palmiers avec des ânes à leurs côtés.'),
(37085,5552,'BandeSon','Id.'),
(37086,5552,'_product_image_gallery',''),
(37087,5553,'_pingme','1'),
(37088,5553,'_encloseme','1'),
(37089,5553,'Index','6120'),
(37090,5553,'Minutage','1h18’21'),
(37091,5553,'Images','Saturé en tons rouges : explosion et flammes.'),
(37092,5553,'VoixOffIn','cela ne me paraît pas vital dans cette région.'),
(37093,5553,'BandeSon','Id.'),
(37094,5553,'_product_image_gallery',''),
(37095,5554,'_pingme','1'),
(37096,5554,'_encloseme','1'),
(37097,5554,'Index','6130'),
(37098,5554,'Minutage','1h18’26'),
(37099,5554,'Images','Homme courant.'),
(37100,5554,'VoixOffIn','Il est vrai qu\'à notre époque'),
(37101,5554,'BandeSon','Id.'),
(37102,5554,'_product_image_gallery',''),
(37103,5555,'_pingme','1'),
(37104,5555,'_encloseme','1'),
(37105,5555,'Index','6140'),
(37106,5555,'Minutage','1h18’32'),
(37107,5555,'Images','Saturé : enfants et personnes courant en tous sens et semblant regarder quelque chose hors champ. Les Baliseurs du désert, Nacer Khémir (1984), cité dans Voyage à Tunis, Bruno Moll (2007).'),
(37108,5555,'VoixOffIn','tout est possible'),
(37109,5555,'BandeSon','Id.'),
(37110,5555,'_product_image_gallery',''),
(37111,5556,'_pingme','1'),
(37112,5556,'_encloseme','1'),
(37113,5556,'Index','6150'),
(37114,5556,'Minutage','1h18’37'),
(37115,5556,'Images','Saturé : missile tiré sur une voiture explosant. 13 hours. The Secret Soldiers of Benghazi,Michael Bay (2016).'),
(37116,5556,'VoixOffIn','crois-tu que les hommes'),
(37117,5556,'BandeSon','Explosions et cris.'),
(37118,5556,'_product_image_gallery',''),
(37119,5557,'_pingme','1'),
(37120,5557,'_encloseme','1'),
(37121,5557,'Index','6160'),
(37122,5557,'Minutage','1h18’40'),
(37123,5557,'Images','Noir'),
(37124,5557,'BandeSon','Id.'),
(37125,5557,'_product_image_gallery',''),
(37126,5558,'_pingme','1'),
(37127,5558,'_encloseme','1'),
(37128,5558,'Index','6170'),
(37129,5558,'Minutage','1h18’41'),
(37130,5558,'Images','Saturé et sous-exposé : explosion, avec un hélicoptère en feu à l\'arrière-plan. Homme tombant au sol en gémissant après avoir été touché par un missile. 13 hours. The Secret Soldiers of Benghazi,Michael Bay (2016).'),
(37131,5558,'BandeSon','Id.'),
(37132,5558,'_product_image_gallery',''),
(37133,5559,'_pingme','1'),
(37134,5559,'_encloseme','1'),
(37135,5559,'Index','6180'),
(37136,5559,'Minutage','1h18’43'),
(37137,5559,'Images','Noir'),
(37138,5559,'VoixOffIn','crois-tu que les hommes au pouvoir aujourd\'hui'),
(37139,5559,'BandeSon','Silence'),
(37140,5559,'_product_image_gallery',''),
(37141,5560,'_pingme','1'),
(37142,5560,'_encloseme','1'),
(37143,5560,'Index','6190'),
(37144,5560,'Minutage','1h18’47'),
(37145,5560,'Images','Hommes vêtus de manière formelle, avec un fez sur la tête, parlant entre eux. Al-lail, Mohamed Malas (1992).'),
(37146,5560,'VoixOffIn','dans le monde soient autre chose  '),
(37147,5560,'BandeSon','Id.'),
(37148,5560,'_product_image_gallery',''),
(37149,5561,'_pingme','1'),
(37150,5561,'_encloseme','1'),
(37151,5561,'Index','6200'),
(37152,5561,'Minutage','1h18’53'),
(37153,5561,'Images','Saturé et au ralenti : homme courant dans une rue, avec à ses côtés une explosion. Karbala, 4 jour en enfer, Krzysztof Łukaszewicz (2015).'),
(37154,5561,'VoixOffIn','que des débiles sanguinaires ?\n(Jean-Luc Godard). Une ambition dans le désert,   (). (Jean- Luc Godard).'),
(37155,5561,'BandeSon','Id.'),
(37156,5561,'_product_image_gallery',''),
(37157,5562,'_pingme','1'),
(37158,5562,'_encloseme','1'),
(37159,5562,'Index','6210'),
(37160,5562,'Minutage','1h18’55'),
(37161,5562,'Images','Noir'),
(37162,5562,'VoixOffIn',' C’était peu de rêver d’être roi'),
(37163,5562,'BandeSon','Id.'),
(37164,5562,'_product_image_gallery',''),
(37165,5563,'_pingme','1'),
(37166,5563,'_encloseme','1'),
(37167,5563,'Index','6220'),
(37168,5563,'Minutage','1h18’57'),
(37169,5563,'Images','Sous-exposé et saturé et puis surexposé : Homme visant avec un bazooka à l’épaule. Karbala, 4 jour en enfer, Krzysztof Łukaszewicz (2015).'),
(37170,5563,'VoixOffIn','quand on pouvait rêver d\'être Faust.'),
(37171,5563,'BandeSon','Id.'),
(37172,5563,'_product_image_gallery',''),
(37173,5564,'_pingme','1'),
(37174,5564,'_encloseme','1'),
(37175,5564,'Index','6230'),
(37176,5564,'Minutage','1h19’00'),
(37177,5564,'Images','Noir'),
(37178,5564,'VoixOffIn','Mais nul, mais nul,'),
(37179,5564,'BandeSon','Id.'),
(37180,5564,'_product_image_gallery',''),
(37181,5565,'_pingme','1'),
(37182,5565,'_encloseme','1'),
(37183,5565,'Index','6240'),
(37184,5565,'Minutage','1h19’03'),
(37185,5565,'Images','Personne morte gisant sur le sol.\nKarbala, 4 jour en enfer, Krzysztof Łukaszewicz (2015).'),
(37186,5565,'VoixOffIn','ne rêvait plus d\'être Faust'),
(37187,5565,'BandeSon','Id.'),
(37188,5565,'_product_image_gallery',''),
(37189,5566,'_pingme','1'),
(37190,5566,'_encloseme','1'),
(37191,5566,'Index','6250'),
(37192,5566,'Minutage','1h19’05'),
(37193,5566,'Images','Noir'),
(37194,5566,'VoixOffIn','et chacun rêvait d\'être roi. (Jean-Luc Godard). Air de Méphistophélès, Damnation de Faust, Hector Berlioz (1846).'),
(37195,5566,'BandeSon','Id.'),
(37196,5566,'_product_image_gallery',''),
(37197,5567,'_pingme','1'),
(37198,5567,'_encloseme','1'),
(37199,5567,'Index','6260'),
(37200,5567,'Minutage','1h19’10'),
(37201,5567,'Images','Enfant jetant des pierres sur un chien dans une rue.'),
(37202,5567,'BandeSon','Id.'),
(37203,5567,'_product_image_gallery',''),
(37204,5568,'_pingme','1'),
(37205,5568,'_encloseme','1'),
(37206,5568,'Index','6270'),
(37207,5568,'Minutage','1h19’16'),
(37208,5568,'Images','Personne écrivant en arabe sur une feuille de papier.'),
(37209,5568,'BandeSon','Cloud, Tomasz Stanko New York Quartet (2017).'),
(37210,5568,'_product_image_gallery',''),
(37211,5569,'_pingme','1'),
(37212,5569,'_encloseme','1'),
(37213,5569,'Index','6280'),
(37214,5569,'Minutage','1h19’20'),
(37215,5569,'Images','Aquarelle d\'un homme vêtu de blanc assis sur le sol.'),
(37216,5569,'BandeSon','Id.'),
(37217,5569,'_product_image_gallery',''),
(37218,5570,'_pingme','1'),
(37219,5570,'_encloseme','1'),
(37220,5570,'Index','6290'),
(37221,5570,'Minutage','1h19’28'),
(37222,5570,'Images','Saturé en tons bleus : lac entouré d\'arbres.'),
(37223,5570,'VoixOffIn','A Dofa, le rêve de Cheikh ben Kadem fit naufrage. La mort de son jeune amant dissipa l’ambition de soumettre à sa domination l\'ensemble'),
(37224,5570,'BandeSon','Silence'),
(37225,5570,'_product_image_gallery',''),
(37226,5571,'_pingme','1'),
(37227,5571,'_encloseme','1'),
(37228,5571,'Index','6300'),
(37229,5571,'Minutage','1h19’43'),
(37230,5571,'Images','Voiture longeant une route suivie de personnes marchant derrière elle. Les terrasses, Merzak Allouache (2013).'),
(37231,5571,'VoixOffIn','des pays du golfe. Ben Kadem s\'en vint alors confesser ses erreurs politiques'),
(37232,5571,'BandeSon','Id.'),
(37233,5571,'_product_image_gallery',''),
(37234,5572,'_pingme','1'),
(37235,5572,'_encloseme','1'),
(37236,5572,'Index','6310'),
(37237,5572,'Minutage','1h19’51'),
(37238,5572,'Images','De nouveau, photo en noir et blanc d\'un homme au visage courroucé.'),
(37239,5572,'VoixOffIn','à Samantar et puis il s\'enfuit et se refugia.'),
(37240,5572,'BandeSon','Id.'),
(37241,5572,'_product_image_gallery',''),
(37242,5573,'_pingme','1'),
(37243,5573,'_encloseme','1'),
(37244,5573,'Index','6320'),
(37245,5573,'Minutage','1h19’58'),
(37246,5573,'Images','Noir'),
(37247,5573,'VoixOffIn','Samantar heureux et  tranquillisé'),
(37248,5573,'BandeSon','Id.'),
(37249,5573,'_product_image_gallery',''),
(37250,5574,'_pingme','1'),
(37251,5574,'_encloseme','1'),
(37252,5574,'Index','6330'),
(37253,5574,'Minutage','1h20’01'),
(37254,5574,'Images','Saturé : maison en ruine entourée d\'antennes de télévision et d\'internet.'),
(37255,5574,'VoixOffIn','par ce dénouement, sortit de sa misérable cahute.\n'),
(37256,5574,'BandeSon','De nouveau, à la guitare : arpèges.'),
(37257,5574,'_product_image_gallery',''),
(37258,5575,'_pingme','1'),
(37259,5575,'_encloseme','1'),
(37260,5575,'Index','6340'),
(37261,5575,'Minutage','1h20’07'),
(37262,5575,'Images','Homme souriant. Les terrasses, Merzak Allouache (2013).'),
(37263,5575,'BandeSon','Id.'),
(37264,5575,'_product_image_gallery',''),
(37265,5576,'_pingme','1'),
(37266,5576,'_encloseme','1'),
(37267,5576,'Index','6350'),
(37268,5576,'Minutage','1h20’11'),
(37269,5576,'Images','Surexposé : Photographie d\'une file d\'hommes vêtus de jeans et de lunettes de soleil marchant.'),
(37270,5576,'BandeSon','Id.'),
(37271,5576,'_product_image_gallery',''),
(37272,5577,'_pingme','1'),
(37273,5577,'_encloseme','1'),
(37274,5577,'Index','6360'),
(37275,5577,'Minutage','1h20’18'),
(37276,5577,'Images','Noir'),
(37277,5577,'BandeSon','Id.'),
(37278,5577,'_product_image_gallery',''),
(37279,5578,'_pingme','1'),
(37280,5578,'_encloseme','1'),
(37281,5578,'Index','6370'),
(37282,5578,'Minutage','1h20’20'),
(37283,5578,'Images','Saturé : cheval tirant une calèche passant dans une rue.'),
(37284,5578,'VoixOffIn','Ce n\'est que quelques mois plus tard que Samantar rencontra Tarek le long de la mer'),
(37285,5578,'BandeSon','Silence'),
(37286,5578,'_product_image_gallery',''),
(37287,5579,'_pingme','1'),
(37288,5579,'_encloseme','1'),
(37289,5579,'Index','6380'),
(37290,5579,'Minutage','1h20’27'),
(37291,5579,'Images','Jeune homme au turban accompagnant un homme âgé dans une prairie près d\'un ruisseau et s’asseyant sur un rocher.'),
(37292,5579,'VoixOffIn','et apprit la vérité de la fausse révolution fomentée par l\'ancien premier ministre.\nUne ambition dans le désert,   (1984). (Jean- Luc Godard).\n\nCe que je fais avec les enfants dit le fou c\'est une sorte de contre-révolution.'),
(37293,5579,'BandeSon','Id.'),
(37294,5579,'_product_image_gallery',''),
(37295,5580,'_pingme','1'),
(37296,5580,'_encloseme','1'),
(37297,5580,'Index','6390'),
(37298,5580,'Minutage','1h20’43'),
(37299,5580,'Images','Surexposé : groupe d\'enfants jouant et courant. Les mille mois, Faouzi Bensaïdi, (2003).'),
(37300,5580,'VoixOffIn','Un fou peut aller partout, il a une liberté totale de mouvement, et de parole. Avec l\'aide des enfants j\'ai fait sauter la banque et l\'agence d\'import export'),
(37301,5580,'BandeSon','Id.'),
(37302,5580,'_product_image_gallery',''),
(37303,5581,'_pingme','1'),
(37304,5581,'_encloseme','1'),
(37305,5581,'Index','6400'),
(37306,5581,'Minutage','1h21’01'),
(37307,5581,'Images','Homme écrivant sur une feuille de papier, et enfant regardant ce qu\'il écrit, debout devant lui, dans une maison du Moyen Orient avec des tapis, des coussins et des rideaux devant les fenêtres.'),
(37308,5581,'VoixOffIn','les deux signes de l\'ignominie capitaliste.'),
(37309,5581,'BandeSon','Id.'),
(37310,5581,'_product_image_gallery',''),
(37311,5582,'_pingme','1'),
(37312,5582,'_encloseme','1'),
(37313,5582,'Index','6410'),
(37314,5582,'Minutage','1h21’02'),
(37315,5582,'Images','Saturé en tons rouges et bleus, et basculé de 90 degrés : coucher du soleil et puits de pétrole.'),
(37316,5582,'VoixOffIn','Mais comment as-tu pu te procurer les explosifs ? Ils ont été repérés'),
(37317,5582,'BandeSon','Id.'),
(37318,5582,'_product_image_gallery',''),
(37319,5583,'_pingme','1'),
(37320,5583,'_encloseme','1'),
(37321,5583,'Index','6420'),
(37322,5583,'Minutage','1h21’09'),
(37323,5583,'Images','Enfants courant derrière la caméra. Enfant portant une chemise blanche trop longue et marchant en trébuchant sur le tissu.'),
(37324,5583,'VoixOffIn','par les enfants dans un vieux derrick abandonné par les étrangers quand ils cherchaient en vain du pétrole.'),
(37325,5583,'BandeSon','Id.'),
(37326,5583,'_product_image_gallery',''),
(37327,5584,'_pingme','1'),
(37328,5584,'_encloseme','1'),
(37329,5584,'Index','6430'),
(37330,5584,'Minutage','1h21’18'),
(37331,5584,'Images','Enfant sur une route faisant tourner de la main une bobine rouge en s’aidant d’une pellicule. Reel-Unreel, Francis Alÿs (2011).'),
(37332,5584,'VoixOffIn','Je te remercie. Discuter avec un fou est un privilège'),
(37333,5584,'BandeSon','Id.'),
(37334,5584,'_product_image_gallery',''),
(37335,5585,'_pingme','1'),
(37336,5585,'_encloseme','1'),
(37337,5585,'Index','6440'),
(37338,5585,'Minutage','1h21’25'),
(37339,5585,'Images','Couverture d’un exemplaire d’Images en parole, d\'Anne-Marie Miéville (2003). L’exemplaire est feuilleté.'),
(37340,5585,'VoixOffIn','inestimable, crois moi. (Jean-Luc Godard).'),
(37341,5585,'BandeSon','Id.'),
(37342,5585,'_product_image_gallery',''),
(37343,5586,'_pingme','1'),
(37344,5586,'_encloseme','1'),
(37345,5586,'Index','6460'),
(37346,5586,'Minutage','1h21’32'),
(37347,5586,'Images','Derrière le visage de Bécassine en gros plan, saturé :  pinceau et livre ouvert.'),
(37348,5586,'VoixOffIn','Crois moi'),
(37349,5586,'BandeSon','Id.'),
(37350,5586,'_product_image_gallery',''),
(37351,5588,'_pingme','1'),
(37352,5588,'_encloseme','1'),
(37353,5588,'Index','6470'),
(37354,5588,'Minutage','1h21’38'),
(37355,5588,'Images','Saturé : pinceau et livre ouvert.'),
(37356,5588,'BandeSon','Id.'),
(37357,5588,'_product_image_gallery',''),
(37358,5589,'_pingme','1'),
(37359,5589,'_encloseme','1'),
(37360,5589,'Index','6480'),
(37361,5589,'Minutage','1h21’41'),
(37362,5589,'Images','Saturé : photographie d\'un grand pinceau et d\'un crayon.'),
(37363,5589,'VoixOffIn','On n\'est jamais suffisamment triste pour que le monde soit meilleur.'),
(37364,5589,'BandeSon','Id.'),
(37365,5589,'_product_image_gallery',''),
(37366,5590,'_pingme','1'),
(37367,5590,'_encloseme','1'),
(37368,5590,'Index','6490'),
(37369,5590,'Minutage','1h21’53'),
(37370,5590,'Images','Saturé :  de nouveau, plage de roche en bord de mer, enfants y jouant au football.'),
(37371,5590,'VoixOffIn','la terre abandonnée, la terre abandonnée, surchargée de lettres de l\'alphabet, étouffée sous les connaissances et'),
(37372,5590,'BandeSon','Id.'),
(37373,5590,'_product_image_gallery',''),
(37374,5591,'_pingme','1'),
(37375,5591,'_encloseme','1'),
(37376,5591,'Index','6500'),
(37377,5591,'Minutage','1h22’10'),
(37378,5591,'Images','Noir'),
(37379,5591,'VoixOffIn','plus guère d\'oreilles qui soient à l\'écoute.(Anne-Marie Miéville). Le territoire de l’homme, Elias Canetti (1978).'),
(37380,5591,'BandeSon','Id.'),
(37381,5591,'_product_image_gallery',''),
(37382,5592,'_pingme','1'),
(37383,5592,'_encloseme','1'),
(37384,5592,'Index','6510'),
(37385,5592,'Minutage','1h22’14'),
(37386,5592,'Images','Surexposé et en négatif : de nouveau, petite fille aux yeux fermés, le visage levé vers le ciel et les mains tendues devant elle. Miracle en Alabama, Arthur Penn (1962). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).\n'),
(37387,5592,'BandeSon','Klavierquintett, Op. 18, Moderato con moto Mieczysław Weinberg (1946).'),
(37388,5592,'_product_image_gallery',''),
(37389,5593,'_pingme','1'),
(37390,5593,'_encloseme','1'),
(37391,5593,'Index','6520'),
(37392,5593,'Minutage','1h22’20'),
(37393,5593,'Images','Détail de son visage et de sa main gauche.'),
(37394,5593,'BandeSon','Silence'),
(37395,5593,'_product_image_gallery',''),
(37396,5594,'_pingme','1'),
(37397,5594,'_encloseme','1'),
(37398,5594,'Index','6530'),
(37399,5594,'Minutage','1h22’26'),
(37400,5594,'Images','En tons bleus : détail de son visage.'),
(37401,5594,'BandeSon','Id.'),
(37402,5594,'_product_image_gallery',''),
(37403,5595,'_pingme','1'),
(37404,5595,'_encloseme','1'),
(37405,5595,'Index','6540'),
(37406,5595,'Minutage','1h22’32'),
(37407,5595,'Images','Détail de sa main.'),
(37408,5595,'VoixOffIn','Voici les roses de cette nuit écloses. La Damnation de Faust,  Berlioz Hector (1946).'),
(37409,5595,'BandeSon','La Damnation de Faust, Berlioz Hector (1946).'),
(37410,5595,'_product_image_gallery',''),
(37411,5596,'_pingme','1'),
(37412,5596,'_encloseme','1'),
(37413,5596,'Index','6550'),
(37414,5596,'Minutage','1h22’43'),
(37415,5596,'Images','En blanc sur fond noir : inscription manuscrites.'),
(37416,5596,'BandeSon','Id.'),
(37417,5596,'Ecrits','Godard\nBattaggia\nAragno\nBrenez'),
(37418,5596,'_product_image_gallery',''),
(37419,5597,'_pingme','1'),
(37420,5597,'_encloseme','1'),
(37421,5597,'Index','6560'),
(37422,5597,'Minutage','1h22’49'),
(37423,5597,'Images','Noir'),
(37424,5597,'BandeSon','Id.'),
(37425,5597,'_product_image_gallery',''),
(37426,5598,'_pingme','1'),
(37427,5598,'_encloseme','1'),
(37428,5598,'Index','6570'),
(37429,5598,'Minutage','1h22’54'),
(37430,5598,'Images','Noir'),
(37431,5598,'VoixOffIn',' Silenzio, si gira.'),
(37432,5598,'BandeSon','Id.'),
(37433,5598,'Ecrits','De Vinci, Bernanos, King Lear, Closed vision, Weinberg, Giacometti, Jeanne d\'arc, Chahine, Chien andalou, Histoire(s) du cinéma, Derain, Caméra analytique, S. Walker, Artaud, Murnau, Ramuz, Hamlet, Gaumont, Miracle en Alabama, J Michelet, Histoire, Kiss me Deadly, V.  Grossman'),
(37434,5598,'_product_image_gallery',''),
(37435,5599,'_pingme','1'),
(37436,5599,'_encloseme','1'),
(37437,5599,'Index','6580'),
(37438,5599,'Minutage','1h22’58'),
(37439,5599,'Images','Noir'),
(37440,5599,'VoixOffIn','Silenzio. Camera, moteur, motore'),
(37441,5599,'BandeSon','Id.'),
(37442,5599,'Ecrits','D. Guyotat, Allemagne année neuf zéro, Le dernier des hommes, J. Gozland, Johny Guitar, petit soldat, M Leroux, Liban Guerres et hommes, Salo, A Sokourov, Timbuktu, Vrai faux passeport, chute faucon noir, les carabiniers, hommes du dimanche, Blue jean, guerre de chine, les dents de la mer, Le sang des bêtes, R. Girard, V Illitch, La grève, Païsa'),
(37443,5599,'_product_image_gallery',''),
(37444,5600,'_pingme','1'),
(37445,5600,'_encloseme','1'),
(37446,5600,'Index','6590'),
(37447,5600,'Minutage','1h23’03'),
(37448,5600,'Images','Noir'),
(37449,5600,'VoixOffIn','partito, ciak, Odissea 14702 prima. Le Mépris, Jean-Luc Godard (1963).'),
(37450,5600,'BandeSon','Id.'),
(37451,5600,'Ecrits',' Vertigo, femme au corbeau, l\'Atalante, au bord de la mer bleue, hélas pour moi, Ruby gentry, planète, 8 mai 1945, les enfants jouent à la Russie, Delacroix, Angèle, Zylberman, JLG JLG, Guerre et paix, Péguy, Les enfants de la guerre, Stalingrad, l\'espoir, Inessa Armand, le silence de la mer'),
(37452,5600,'_product_image_gallery',''),
(37453,5601,'_pingme','1'),
(37454,5601,'_encloseme','1'),
(37455,5601,'Index','6610'),
(37456,5601,'Minutage','1h23’08'),
(37457,5601,'Images','Noir'),
(37458,5601,'BandeSon','Id.'),
(37459,5601,'_product_image_gallery',''),
(37460,5601,'Ecrits','Rome ville ouverte, reporters sans frontière, Silence on tourne, Siegfried, le testament d\'Orphée, J de Maistre, Paumés de la mendicité, Dobrinka Tabakova, les oubliés de l\'histoire, Shakespeare, Beethoven, la chute de Berlin, Delivrance, B. Barnett, Notre musique, Napoléon, Masaccio, DR Mabuse, La règle du jeu, Allo Berlin ici Paris'),
(37461,5603,'_pingme','1'),
(37462,5603,'_encloseme','1'),
(37463,5603,'Index','6620'),
(37464,5603,'Minutage','1h23’10'),
(37465,5603,'Images','En gras, s’ajoutant à la liste précédente : \"TEXTES\".\nLa liste disparaît.'),
(37466,5603,'BandeSon','Id.'),
(37467,5603,'Ecrits','\nTEXTES'),
(37468,5603,'_product_image_gallery',''),
(37469,5604,'_pingme','1'),
(37470,5604,'_encloseme','1'),
(37471,5604,'Index','6630'),
(37472,5604,'Minutage','1h23’14'),
(37473,5604,'Images','Noir'),
(37474,5604,'BandeSon','Id.'),
(37475,5604,'Ecrits','Google, Al razutis, RM Rilke, Berlin express, l\'affrontement, paysage dans le brouillard, Dostoïevski, Hollis Frampton, L.F. Celine, P de Villiers, Hans Otte, Manon, Orphée, croisée des destins, mécano de la générale, route de l\'impossible, Baudelaire, Hegel, D. Vertov, terror by night, G Steiner, castoriadis, le silence'),
(37476,5604,'_product_image_gallery',''),
(37477,5605,'_pingme','1'),
(37478,5605,'_encloseme','1'),
(37479,5605,'Index','6640'),
(37480,5605,'Minutage','1h23’19'),
(37481,5605,'Images','Noir'),
(37482,5605,'BandeSon','Id.'),
(37483,5605,'Ecrits','Shanghai express, A Brehem, E Vittorini T Gustavsen, Turksib, A. Schnittke, Trigon films, Liberté et patrie, P. Val, W. Faulkner, grandeur et décadence, les 2 Fédor, Wild boys on the road, Toccata for toy trains, Arvo part, Au bord d ela mer bleue, Anna Karenine, Medvekine, Apres le feu, le plaisir, deux fois cinquante ans, la commune, Arditti quartet, ECM records, V. Hugo, vendémiaire'),
(37484,5605,'_product_image_gallery',''),
(37485,5606,'_pingme','1'),
(37486,5606,'_encloseme','1'),
(37487,5606,'Index','6650'),
(37488,5606,'Minutage','1h23’20'),
(37489,5606,'Images','En gras, s’ajoutant à la liste précédente : \"FILMS\".\nLa liste disparaît.'),
(37490,5606,'VoixOffIn','Mais la langue ne sera jamais'),
(37491,5606,'BandeSon','Silence'),
(37492,5606,'Ecrits','FILMS'),
(37493,5606,'_product_image_gallery',''),
(37494,5607,'_pingme','1'),
(37495,5607,'_encloseme','1'),
(37496,5607,'Index','6660'),
(37497,5607,'Minutage','1h23’25'),
(37498,5607,'Images','Noir'),
(37499,5607,'VoixOffIn','le langage'),
(37500,5607,'BandeSon','Id.'),
(37501,5607,'Ecrits','A. Rimbaud, terrorism considered, Sollers, V. Visotsky, Montesquieu, le faux coupable, Grèce 2013, Au cœur de l\'orage, La Strada, J.-S. Bach, Les chouans, Mister love, Sayat nova, Los Olvidados, Marilyn, Le premier maître, les onze fioretti, Youngmister Lincoln, Monsieur de Charette, Le chaos, Fraeks, Porno, danish string quartet, For ever Mozart'),
(37502,5607,'_product_image_gallery',''),
(37503,5608,'_pingme','1'),
(37504,5608,'_encloseme','1'),
(37505,5608,'Index','6670'),
(37506,5608,'Minutage','1h23’30'),
(37507,5608,'Images','Noir'),
(37508,5608,'BandeSon','Id.'),
(37509,5608,'Ecrits','Caillebotte, Balzac, Jacques rivette, Dies irae, Wyatt Earp, Tout va bien, Alexandre Newski, Eau argentée, C dans l\'air, Fantômas, Freud, procès de Charles 1er, Nuremberg, Méliès, Hortense de Beauharnais, école de Fontainebleau, Duck soup, René Charles de Lusson, Elephant, Week-end, Viva Villa, Que viva mexico, les visiteurs du soir, Elie Faure, S. Prokofiev, La fin du A'),
(37510,5608,'_product_image_gallery',''),
(37511,5609,'_pingme','1'),
(37512,5609,'_encloseme','1'),
(37513,5609,'Index','6680'),
(37514,5609,'Minutage','1h23’31'),
(37515,5609,'Images','En gras, s’ajoutant à la liste précédente : \"TABLEAUX\".\nLa liste disparaît.'),
(37516,5609,'BandeSon','Coq chantant.'),
(37517,5609,'Ecrits','TABLEAUX'),
(37518,5609,'_product_image_gallery',''),
(37519,5610,'_pingme','1'),
(37520,5610,'_encloseme','1'),
(37521,5610,'Index','6690'),
(37522,5610,'Minutage','1h23’35'),
(37523,5610,'Images','Noir'),
(37524,5610,'BandeSon','Vom Winde Beweint - 1 Largo Molto, Giya Kancheli (1990).'),
(37525,5610,'Ecrits','las Hurdes, Beckett, metropolis, Nuit du carrefour, M. Blanchot, Vladimir et Rosa, terreur et vertu, l\'esprit des lois, La dame de Shanghai, Un feu, la belle et la Bête, Emile Cohl, la région centrale, Photo Libération, Bécassine, Broswimmer, Notorius, Moubarak, Origine du XXIe siècle, A. Cossery, le visage de Dieu, Meshes of afternoon, Les 1001 nuits, Constantinople, Détective, Film socialisme, Voleur de Bagdad (R. Walsh)'),
(37526,5610,'_product_image_gallery',''),
(37527,5611,'_pingme','1'),
(37528,5611,'_encloseme','1'),
(37529,5611,'Index','6700'),
(37530,5611,'Minutage','1h23’40'),
(37531,5611,'Images','Noir'),
(37532,5611,'BandeSon','Id.'),
(37533,5611,'Ecrits','Aladin magic lamp, le Messie, The crusades, Bonaparte, frères de guerre, Salammbô, Méditerranée, E. Saïd, S. Luste Boulbina, M. Koldenitzky, Nous, les dernières vacances, Djamila, Voyage à Tunis, Collier perdu de la colombe, Kanchelli, Khalled abou Khalled, gare centrale, Ici et ailleurs, la saison des hommes, Alexandre Dumas, Muezzin, P Mizraki, Mendelssohn, A. Macke, Tamaout, Détention secrète'),
(37534,5611,'_product_image_gallery',''),
(37535,5612,'_pingme','1'),
(37536,5612,'_encloseme','1'),
(37537,5612,'Index','6710'),
(37538,5612,'Minutage','1h23’41'),
(37539,5612,'Images','En gras, s’ajoutant à la liste précédente : \"MUSIQUE\".\nLa liste disparaît.'),
(37540,5612,'BandeSon','Id.'),
(37541,5612,'Ecrits','MUSIQUE'),
(37542,5612,'_product_image_gallery',''),
(37543,5613,'_pingme','1'),
(37544,5613,'_encloseme','1'),
(37545,5613,'Index','6720'),
(37546,5613,'Minutage','1h23’45'),
(37547,5613,'Images','Noir'),
(37548,5613,'BandeSon','Id.'),
(37549,5613,'Ecrits',' F. Prokosch, Judex, la Bandera, Syriana, D. Sibony, La môme vert de gris, Mille mois, Premiers chanteurs des Bilad Al Sham, les silences du palais, Al leil, La fièvre, About Elly, Tunisie, Voleur de Bagdad (C. Donner), Bab\' Aziz\', Arabian nights, Fissures, Salafistes sexe, Maghreb, 13 hours, kerbala, Tomasz Stanko, les terrasses, 2 films inconnus, Reel unreel, La recupart, Elias Canetti, P. Weiss'),
(37550,5613,'_product_image_gallery',''),
(37551,5614,'_pingme','1'),
(37552,5614,'_encloseme','1'),
(37553,5614,'Index','6730'),
(37554,5614,'Minutage','1h23’49'),
(37555,5614,'Images','Noir'),
(37556,5614,'BandeSon','Id.'),
(37557,5614,'Ecrits','EUX TOUS'),
(37558,5614,'_product_image_gallery',''),
(37559,5615,'_pingme','1'),
(37560,5615,'_encloseme','1'),
(37561,5615,'Index','6740'),
(37562,5615,'Minutage','1h23’51'),
(37563,5615,'Images','Surexposé, en noir et blanc : photo d\'un enfant mangeant assis.'),
(37564,5615,'BandeSon','Id.'),
(37565,5615,'_product_image_gallery',''),
(37566,5616,'_pingme','1'),
(37567,5616,'_encloseme','1'),
(37568,5616,'Index','6750'),
(37569,5616,'Minutage','1h23’54'),
(37570,5616,'Images','Noir. Lettres latines rouges s’y superposant à des lettres arabes blanches.'),
(37571,5616,'BandeSon','Id.'),
(37572,5616,'Ecrits','HAMIDREZA\nPEJMAN'),
(37573,5616,'_product_image_gallery',''),
(37574,5617,'_pingme','1'),
(37575,5617,'_encloseme','1'),
(37576,5617,'Index','6760'),
(37577,5617,'Minutage','1h23’56'),
(37578,5617,'Images','Noir. Lettres latines rouges s’y superposant à des lettres arabes blanches.'),
(37579,5617,'BandeSon','Id.'),
(37580,5617,'Ecrits','GEORGES\nSCHOUCAIR'),
(37581,5617,'_product_image_gallery',''),
(37582,5618,'_pingme','1'),
(37583,5618,'_encloseme','1'),
(37584,5618,'Index','6770'),
(37585,5618,'Minutage','1h23’59'),
(37586,5618,'Images','Noir'),
(37587,5618,'BandeSon','Silence'),
(37588,5618,'Ecrits','NADER\nMOBARGHA'),
(37589,5618,'_product_image_gallery',''),
(37590,5619,'_pingme','1'),
(37591,5619,'_encloseme','1'),
(37592,5619,'Index','6780'),
(37593,5619,'Minutage','1h24’00'),
(37594,5619,'Images','En noir et blanc : grillage avec une pancarte indiquant : \"NO TRESPASSING\".'),
(37595,5619,'BandeSon','Id.'),
(37596,5619,'_product_image_gallery',''),
(37597,5620,'_pingme','1'),
(37598,5620,'_encloseme','1'),
(37599,5620,'Index','6790'),
(37600,5620,'Minutage','1h24’04'),
(37601,5620,'Images','En couleur : photo d’un grillage avec une pancarte indiquant : “DÉFENSE D’ENTRER\nPROPRIÉTÉ DE L’ETAT”.'),
(37602,5620,'VoixOffIn','En réalité, disait Brecht,'),
(37603,5620,'BandeSon','Id.'),
(37604,5620,'_product_image_gallery',''),
(37605,5621,'_pingme','1'),
(37606,5621,'_encloseme','1'),
(37607,5621,'Index','6800'),
(37608,5621,'Minutage','1h24’09'),
(37609,5621,'Images','Inscription manuscrite :\n“Film immatriculé\nAu Registre public de la\nCinématographie\net visé à la censure\nsous N932 15/2/46”.'),
(37610,5621,'VoixOffIn','seul le fragment'),
(37611,5621,'BandeSon','Id.'),
(37612,5621,'_product_image_gallery',''),
(37613,5622,'_pingme','1'),
(37614,5622,'_encloseme','1'),
(37615,5622,'Index','6810'),
(37616,5622,'Minutage','1h24’14'),
(37617,5622,'Images','Au ralenti et en noir et blanc : jeunes esclaves vénérant un roi sur un trône.'),
(37618,5622,'VoixOffIn','porte la marque de l\'authenticité parce qu’il est le plus proche de la fonction la plus intérieure de l’acte de production. De production qui correspond à la respiration, au simple fait d’exister tout juste vécu par la conscience. (Jean-Luc Godard).\n\nDeux voix de Godard continuent de parler en se chevauchant:\n\nMarx et Engels. A leurs yeux\nEugène Sue était un aveugle,\nun solitaire, pour qui la vie pleine de vie était une abstraction. Ils admirent, il vrai, que la représentation d’une civilisation tombée dans la dépravation d’un état où les droits civils n’étaient pas respectés, où l’inégalité régnait, contenait … critique.'),
(37619,5622,'BandeSon','Id.'),
(37620,5622,'_product_image_gallery',''),
(37621,5623,'_pingme','1'),
(37622,5623,'_encloseme','1'),
(37623,5623,'Index','6820'),
(37624,5623,'Minutage','1h24’41'),
(37625,5623,'Images','En noir et blanc : détail de la main du San Giovanni Battista, Leonardo da Vinci (1508-1513).'),
(37626,5623,'VoixOffIn','Mais'),
(37627,5623,'BandeSon','Id.'),
(37628,5623,'_product_image_gallery',''),
(37629,5624,'_pingme','1'),
(37630,5624,'_encloseme','1'),
(37631,5624,'Index','6830'),
(37632,5624,'Minutage','1h24’44'),
(37633,5624,'Images','Surexposé et saturé : pellicule tirée d\'une bobine en rotation.'),
(37634,5624,'VoixOffIn','au contraire de Balzac,'),
(37635,5624,'BandeSon','Id.'),
(37636,5624,'_product_image_gallery',''),
(37637,5625,'_pingme','1'),
(37638,5625,'_encloseme','1'),
(37639,5625,'Index','6840'),
(37640,5625,'Minutage','1h24’45'),
(37641,5625,'Images','Surexposé, en noir et blanc : de nouveau, photographie d\'un enfant mangeant assis.'),
(37642,5625,'VoixOffIn','il ne faisait que satisfaire son penchant effréné pour l’homme\n\n\n'),
(37643,5625,'BandeSon','Id.'),
(37644,5625,'_product_image_gallery',''),
(37645,5626,'_pingme','1'),
(37646,5626,'_encloseme','1'),
(37647,5626,'Index','6850'),
(37648,5626,'Minutage','1h24’48'),
(37649,5626,'Images','Soldats courant à travers des explosions.'),
(37650,5626,'VoixOffIn','s’humiliant lui-même.'),
(37651,5626,'BandeSon','Id.'),
(37652,5626,'_product_image_gallery',''),
(37653,5627,'_pingme','1'),
(37654,5627,'_encloseme','1'),
(37655,5627,'Index','6860'),
(37656,5627,'Minutage','1h24’50'),
(37657,5627,'Images','Photographie de Louis-Ferdinand Céline.'),
(37658,5627,'BandeSon','Id.'),
(37659,5627,'_product_image_gallery',''),
(37660,5628,'_pingme','1'),
(37661,5628,'_encloseme','1'),
(37662,5628,'Index','6870'),
(37663,5628,'Minutage','1h24’51'),
(37664,5628,'Images','De nouveau, femme s’évanouissant avec les mains en l\'air devant un écran. Deux fois cinquante ans de cinéma français, Jean-Luc Godard (1995).'),
(37665,5628,'VoixOffIn','Qu’il n’utilisait le remords et l’expiation'),
(37666,5628,'BandeSon','Id.'),
(37667,5628,'_product_image_gallery',''),
(37668,5629,'_pingme','1'),
(37669,5629,'_encloseme','1'),
(37670,5629,'Index','6880'),
(37671,5629,'Minutage','1h24’53'),
(37672,5629,'Images','De nouveau, femme au micro parlant lors d\'une manifestation.'),
(37673,5629,'VoixOffIn','d’actes d’une brutalité inouïe'),
(37674,5629,'BandeSon','Id.'),
(37675,5629,'_product_image_gallery',''),
(37676,5630,'_pingme','1'),
(37677,5630,'_encloseme','1'),
(37678,5630,'Index','6890'),
(37679,5630,'Minutage','1h24’54'),
(37680,5630,'Images','En négatif : de nouveau, homme caché dans l\'ombre, le menton posé sur la main gauche. Fantômas, Louis Feuillade (1913). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(37681,5630,'BandeSon','Id.'),
(37682,5630,'_product_image_gallery',''),
(37683,5631,'_pingme','1'),
(37684,5631,'_encloseme','1'),
(37685,5631,'Index','6900'),
(37686,5631,'Minutage','1h24’56'),
(37687,5631,'Images','De nouveau, photographie de  Marilyne Monroe. Iris et clignotement : corbeaux s’envolant. Les Oiseaux, Alfred Hitchcock (1963). Histoire(s) du cinéma 4a, Jean-Luc Godard (1988-98).'),
(37688,5631,'BandeSon','Id.'),
(37689,5631,'_product_image_gallery',''),
(37690,5632,'_pingme','1'),
(37691,5632,'_encloseme','1'),
(37692,5632,'Index','6910'),
(37693,5632,'Minutage','1h25’00'),
(37694,5632,'Images','De nouveau, Bécassine avec l\'index de la main gauche levé.'),
(37695,5632,'VoixOffIn','que pour faire miroiter le lieu'),
(37696,5632,'BandeSon','Id.'),
(37697,5632,'_product_image_gallery',''),
(37698,5633,'_pingme','1'),
(37699,5633,'_encloseme','1'),
(37700,5633,'Index','6920'),
(37701,5633,'Minutage','1h25’01'),
(37702,5633,'Images','Surexposé, saturé en tons bleus : presque indistinguable.'),
(37703,5633,'VoixOffIn','d’une transformation de'),
(37704,5633,'BandeSon','Id.'),
(37705,5633,'_product_image_gallery',''),
(37706,5634,'_pingme','1'),
(37707,5634,'_encloseme','1'),
(37708,5634,'Index','6930'),
(37709,5634,'Minutage','1h25’04'),
(37710,5634,'Images','De nouveau, personne portant un turban, montrant les paumes et plaçant une main sur la paume de l\'autre d’un mouvement lent. Bab\'Aziz, le prince qui contemplait son âme,  (2005).'),
(37711,5634,'VoixOffIn','la réalité. (Jean-Luc Godard)'),
(37712,5634,'BandeSon','Id.'),
(37713,5634,'_product_image_gallery',''),
(37714,5635,'_pingme','1'),
(37715,5635,'_encloseme','1'),
(37716,5635,'Index','6940'),
(37717,5635,'Minutage','1h25’10'),
(37718,5635,'Images','De nouveau, visage d\'un homme appuyé contre une vitre reflétant son image.'),
(37719,5635,'BandeSon','Id.'),
(37720,5635,'_product_image_gallery',''),
(37721,5636,'_pingme','1'),
(37722,5636,'_encloseme','1'),
(37723,5636,'Index','6950'),
(37724,5636,'Minutage','1h25’13'),
(37725,5636,'Images','De nouveau, plage de roche surplombant la mer, avec une maison en ruine à côté. Deux hommes marchant entre des bateaux échoués sur la plage.'),
(37726,5636,'BandeSon','Id.'),
(37727,5636,'_product_image_gallery',''),
(37728,5637,'_pingme','1'),
(37729,5637,'_encloseme','1'),
(37730,5637,'Index','6960'),
(37731,5637,'Minutage','1h25’17'),
(37732,5637,'Images','De nouveau, groupe d\'hommes courant dans la rue, puis faisant irruption à travers la porte d\'une maison située dans une ruelle.'),
(37733,5637,'BandeSon','Id.'),
(37734,5637,'_product_image_gallery',''),
(37735,5638,'_pingme','1'),
(37736,5638,'_encloseme','1'),
(37737,5638,'Index','6970'),
(37738,5638,'Minutage','1h25’22'),
(37739,5638,'Images','De nouveau, enfant sur une route poussant d\'une main une bobine rouge avec une pellicule. Reel-Unreel, Francis Alÿs (2011).'),
(37740,5638,'VoixOffIn','Il doit y avoir une révolution. (Jean-Luc Godard)'),
(37741,5638,'BandeSon','Id.'),
(37742,5638,'_product_image_gallery',''),
(37743,5639,'_pingme','1'),
(37744,5639,'_encloseme','1'),
(37745,5639,'Index','6980'),
(37746,5639,'Minutage','1h25’29'),
(37747,5639,'Images','Noir, avec l\'inscription « Parole et Image »\napparaissant. En traces de détrempe bleue et bleu clair, « Parole » et « Image », en rouge « et ».'),
(37748,5639,'BandeSon','The River I, Ketil Bjornstad & David Darling (1997).'),
(37749,5639,'_product_image_gallery',''),
(37750,5640,'_pingme','1'),
(37751,5640,'_encloseme','1'),
(37752,5640,'Index','6990'),
(37753,5640,'Minutage','1h25’32'),
(37754,5640,'Images','Homme en pleurs soulevant un cadavre du sol.'),
(37755,5640,'BandeSon','Id.'),
(37756,5640,'_product_image_gallery',''),
(37757,5641,'_pingme','1'),
(37758,5641,'_encloseme','1'),
(37759,5641,'Index','7000'),
(37760,5641,'Minutage','1h25’36'),
(37761,5641,'Images','Photographie d\'une statue représentant probablement le Christ.'),
(37762,5641,'BandeSon','Id.'),
(37763,5641,'_product_image_gallery',''),
(37764,5642,'_pingme','1'),
(37765,5642,'_encloseme','1'),
(37766,5642,'Index','7010'),
(37767,5642,'Minutage','1h25’37'),
(37768,5642,'Images','Noir'),
(37769,5642,'VoixOffIn','Lorsque je me parle à moi même, je parle la parole d\'un autre. Que je me parle à moi-même. D\'un autre. Que je me parle à moi-même. (Anne Marie Miéville).\n\nGodard, avec une voix d’outre tombe :\nEt si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien à nos espérances. Les espérances resteraient, l\'utopie serait nécessaire. Plus tard aussi les espérances s’embraseraient de nombreuses fois, étouffées par l\'ennemi plus fort, et elles se réveilleraient sans cesse. Et le domaine des espérances serait plus vaste que de notre temps. Il s\'étendrait sur tous les continents : le besoin de contradiction, de résistance ne diminuera jamais, de même que le passé était immutable, de même les espérances resteraient immuables, et ceux qui un jour alors que nous étions jeunes avaient nourri l’[toux] ardent espoir. Et si même rien ne devait être comme nous l\'avions espéré, cela ne changerait rien aux espérances.\nL’Esthétique de la résistance, Peter Weiss (1978-81).'),
(37770,5642,'BandeSon','Id. et puis silence.'),
(37771,5642,'_product_image_gallery',''),
(37772,5643,'_pingme','1'),
(37773,5643,'_encloseme','1'),
(37774,5643,'Index','7020'),
(37775,5643,'Minutage','1h26’58'),
(37776,5643,'Images','Entrée du danseur cachant sa vieillesse sous un masque, et dansant jusqu\'à en mourir. Le masque, Le Plaisir, Max  Ophüls (1952).'),
(37777,5643,'BandeSon','Das Buch der Klange I-XII, I, Hans Otte (1999).'),
(37778,5643,'_product_image_gallery',''),
(37779,5644,'_pingme','1'),
(37780,5644,'_encloseme','1'),
(37781,5644,'Index','7030'),
(37782,5644,'Minutage','1h27’58'),
(37783,5644,'Images','Noir'),
(37784,5644,'BandeSon','Silence'),
(37785,5644,'_product_image_gallery',''),
(37786,5645,'_pingme','1'),
(37787,5645,'_encloseme','1'),
(37788,5645,'Index','7040'),
(37789,5645,'Minutage','1h28’03'),
(37790,5645,'Images','Noir'),
(37791,5645,'BandeSon','Das Buch der Klange I-XII, V, Hans Otte (1999).'),
(37792,5645,'Ecrits','C 2018 CASA AZUL FILMS\nC 2015 ECRAN NOIR productions'),
(37793,5645,'_product_image_gallery',''),
(37794,5646,'_pingme','1'),
(37795,5646,'_encloseme','1'),
(37796,5646,'Index','7050'),
(37797,5646,'Minutage','1h28’08'),
(37798,5646,'Images','Noir'),
(37799,5646,'BandeSon','Brusquement : silence.'),
(37800,5646,'Ecrits','Wild Bunch\nVentes internationales'),
(37801,5646,'_product_image_gallery',''),
(37802,5647,'_pingme','1'),
(37803,5647,'_encloseme','1'),
(37804,5647,'Index','7060'),
(37805,5647,'Minutage','1h28’15'),
(37806,5647,'Images','Logos des distributeurs :\nArte, RTS, CINEFORUM, Loterie Romande, FONDATION JAN MICHALSKI POUR L\'ÉCRITURE ET LA LITTÉRATURE,\nSNAP ORAZ VE REIN,\nConfédération suisse, Département fédéral de l\'intérieur DFI, Office fédéral de la culture OFC'),
(37807,5647,'BandeSon','Silence'),
(37808,5647,'_product_image_gallery',''),
(37809,5646,'_edit_lock','1686577257:1'),
(37810,4942,'_edit_lock','1686578352:1'),
(37811,4942,'isMainPart','Introduction'),
(37812,4974,'_edit_lock','1686578547:1'),
(37813,4974,'isMainPart','Première Partie'),
(37814,4974,'isSubPart','1.Remakes'),
(37815,5048,'_edit_lock','1686578769:1'),
(37816,5041,'_edit_lock','1686578027:1'),
(37817,5048,'isSubPart','2. Les soirées de Saint-Pétersbourg'),
(37818,5116,'_edit_lock','1686578671:1'),
(37819,5116,'isSubPart','3. Ces fleurs entre les rails dans le vent confus des voyages'),
(37820,5205,'_edit_lock','1686578754:1'),
(37821,5205,'isSubPart','4. L\'Esprit des Lois'),
(37822,5344,'_edit_lock','1686578856:1'),
(37823,5344,'isSubPart','La région centrale'),
(37824,5362,'_edit_lock','1686579148:1'),
(37825,5362,'isMainPart','Deuxième Partie'),
(37826,5362,'isSubPart','1. Sous les yeux de l’occident'),
(37827,5396,'_edit_lock','1686579069:1'),
(37828,5396,'isSubPart','2. Ces fleures perdues dans le vent'),
(37829,5457,'_edit_lock','1686579137:1'),
(37830,5457,'isSubPart','3. Archéologie et pirates'),
(37831,5549,'_edit_lock','1686579171:1'),
(37832,5549,'isSubPart','4. Hicham'),
(37833,5551,'_edit_lock','1686579239:1'),
(37834,5551,'isSubPart','5. Tarek'),
(37835,5596,'_edit_lock','1686579285:1'),
(37836,5596,'isMainPart','Crédits'),
(37837,5619,'_edit_lock','1686579326:1'),
(37838,5619,'isMainPart','Postface');
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(2,1,'2023-05-15 04:26:03','2023-05-15 02:26:03','<!-- wp:paragraph -->\n<p>Ceci est une page d’exemple. C’est différent d’un article de blog parce qu’elle restera au même endroit et apparaîtra dans la navigation de votre site (dans la plupart des thèmes). La plupart des gens commencent par une page « À propos » qui les présente aux personnes visitant le site. Cela pourrait ressembler à quelque chose comme cela :</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:quote -->\n<blockquote class=\"wp-block-quote\"><p>Bonjour ! Je suis un mécanicien qui aspire à devenir acteur, et voici mon site. J’habite à Bordeaux, j’ai un super chien baptisé Russell, et j’aime la vodka (ainsi qu’être surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).</p></blockquote>\n<!-- /wp:quote -->\n\n<!-- wp:paragraph -->\n<p>…ou quelque chose comme cela :</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:quote -->\n<blockquote class=\"wp-block-quote\"><p>La société 123 Machin Truc a été créée en 1971, et n’a cessé de proposer au public des machins-trucs de qualité depuis lors. Située à Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules supers pour la communauté bouzemontoise.</p></blockquote>\n<!-- /wp:quote -->\n\n<!-- wp:paragraph -->\n<p>En tant que nouvel utilisateur ou utilisatrice de WordPress, vous devriez vous rendre sur <a href=\"https://localhost/wp/wp-admin/\">votre tableau de bord</a> pour supprimer cette page et créer de nouvelles pages pour votre contenu. Amusez-vous bien !</p>\n<!-- /wp:paragraph -->','Page d’exemple','','publish','closed','open','','page-d-exemple','','','2023-05-15 04:26:03','2023-05-15 02:26:03','',0,'https://localhost/?page_id=2',0,'page','',0),
(3,1,'2023-05-15 04:26:03','2023-05-15 02:26:03','<!-- wp:heading --><h2>Qui sommes-nous ?</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>L’adresse de notre site est : https://localhost.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Commentaires</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Quand vous laissez un commentaire sur notre site, les données inscrites dans le formulaire de commentaire, ainsi que votre adresse IP et l’agent utilisateur de votre navigateur sont collectés pour nous aider à la détection des commentaires indésirables.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>Une chaîne anonymisée créée à partir de votre adresse e-mail (également appelée hash) peut être envoyée au service Gravatar pour vérifier si vous utilisez ce dernier. Les clauses de confidentialité du service Gravatar sont disponibles ici : https://automattic.com/privacy/. Après validation de votre commentaire, votre photo de profil sera visible publiquement à coté de votre commentaire.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Médias</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Si vous téléversez des images sur le site, nous vous conseillons d’éviter de téléverser des images contenant des données EXIF de coordonnées GPS. Les personnes visitant votre site peuvent télécharger et extraire des données de localisation depuis ces images.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Cookies</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Si vous déposez un commentaire sur notre site, il vous sera proposé d’enregistrer votre nom, adresse e-mail et site dans des cookies. C’est uniquement pour votre confort afin de ne pas avoir à saisir ces informations si vous déposez un autre commentaire plus tard. Ces cookies expirent au bout d’un an.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>Si vous vous rendez sur la page de connexion, un cookie temporaire sera créé afin de déterminer si votre navigateur accepte les cookies. Il ne contient pas de données personnelles et sera supprimé automatiquement à la fermeture de votre navigateur.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>Lorsque vous vous connecterez, nous mettrons en place un certain nombre de cookies pour enregistrer vos informations de connexion et vos préférences d’écran. La durée de vie d’un cookie de connexion est de deux jours, celle d’un cookie d’option d’écran est d’un an. Si vous cochez « Se souvenir de moi », votre cookie de connexion sera conservé pendant deux semaines. Si vous vous déconnectez de votre compte, le cookie de connexion sera effacé.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>En modifiant ou en publiant une publication, un cookie supplémentaire sera enregistré dans votre navigateur. Ce cookie ne comprend aucune donnée personnelle. Il indique simplement l’ID de la publication que vous venez de modifier. Il expire au bout d’un jour.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Contenu embarqué depuis d’autres sites</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Les articles de ce site peuvent inclure des contenus intégrés (par exemple des vidéos, images, articles…). Le contenu intégré depuis d’autres sites se comporte de la même manière que si le visiteur se rendait sur cet autre site.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>Ces sites web pourraient collecter des données sur vous, utiliser des cookies, embarquer des outils de suivis tiers, suivre vos interactions avec ces contenus embarqués si vous disposez d’un compte connecté sur leur site web.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Utilisation et transmission de vos données personnelles</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Si vous demandez une réinitialisation de votre mot de passe, votre adresse IP sera incluse dans l’e-mail de réinitialisation.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Durées de stockage de vos données</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Texte suggéré : </strong>Si vous laissez un commentaire, le commentaire et ses métadonnées sont conservés indéfiniment. 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