maj de tout

user/config/lieux.yaml

@@ -10,3 +10,9 @@ buttons:
   -
     text: instagram
     url: 'https://www.instagram.com/'
+icone_partenaire:
+  themes/vocurations/images/IMG_1091.jpg:
+    name: IMG_1091.jpg
+    type: image/jpeg
+    size: 65956
+    path: themes/vocurations/images/IMG_1091.jpg

user/config/plugins/imgcaptions.yaml

@@ -0,0 +1,2 @@
+enabled: true
+mode: html

user/config/site.yaml

@@ -1,4 +1,4 @@
-title: Vocurations
+title: 'V.o curations'
 default_lang: en
 author:
   name: 'Zina Vieille'

user/config/system.yaml

@@ -24,7 +24,7 @@ pages:
     by: default
     dir: asc
   list:
-    count: 20
+    count: 50
   dateformat:
     short: 'jS M Y'
     long: 'F jS \a\t g:ia'

user/pages/01.home/home.md

@@ -3,6 +3,9 @@ title: Home
 visible: false
 content:
     items: '@self.siblings'
+    order:
+      by: date
+      dir: asc
 aura:
     pagetype: website
 ---

user/pages/02.whats-on/01.exhibitions/blog.md

@@ -8,7 +8,7 @@ content:
         - '@self.children'
     limit: 0
     order:
-        by: date
+        by: title
         dir: desc
     pagination: true
     url_taxonomy_filters: true

user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/events.md → user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md

@@ -1,8 +1,10 @@
 ---
-date_start: '01-09-2019 16:04'
-date_end: '01-10-2019 16:04'
-title: 'OLIVIA BAX at large'
-media_order: 'Olivia Bax, Pump, 2016.jpg,Olivia Bax, Footloose, 2017.jpg,Olivia Bax, Love Handles, 2017.jpg'
+date: '08-08-2018 18:04'
+date_end: '24-08-2018 18:05'
+lieux: '93 Baker Street'
+title: 'at large,'
+artistes: 'Olivia Bax'
+media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg'
 show_sidebar: false
 aura:
     pagetype: website
@@ -26,6 +28,7 @@ physically leaves the imprint of her hand, her gestures on the surface of her
 sculptures, but she also uses handles as a recurring motif (Hot Spot,
 Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and
 Roar) have a human scale, as if they were based on her own height.
+
 Bax's investigation of material rhythms can be likened to the act of
 sketching, of which the varying tempo, the drawing and selective retracing
 of preferred parts, aid in the development of her sculptural pieces. There is
@@ -35,8 +38,7 @@ for the visibility of the different processes. The sculptures are activated not
 only through the revealing of their anatomy and the material dialectic that
 ensues, but also through their humanistic dimensions. Scale holds a
 significant role within Bax's oeuvre, evoking both the domestic, and trying
-to escape from it by experimenting with site-specific height. The work
-Footloose, having been previously installed twice, is now refashioned to 
+to escape from it by experimenting with site-specific height. The work Footloose, having been previously installed twice, is now refashioned to
 accommodate the low ceilings of this space while still slightly protruding
 through the support grid. Bax's work is at large not only through its
 diversity, resembling a smaller retrospective, but also through the sheer
@@ -50,6 +52,7 @@ works such as the aforementioned Footloose, and a three-dimensional
 framing for Slot & Groove. This seemingly divisive curatorial choice
 however, conversely facilitates discourse between the sculptures of the
 ensemble, acting not as a barrier, but rather as an interactional tool.
+
 Bax's work extends beyond the removal of a sculpture from its pedestal as
 the sole source for immediacy. By imprinting her hands onto the surface of
 the work and using her height as a unit of measurement, by exposing
@@ -58,4 +61,5 @@ of the work itself, and subsequently one within its collective pairing, the
 artist creates a cycle closed off by the viewer. Within her process of
 making, Bax activates herself, the space, the works and viewers, whether
 at a local level or at large.
-Smaranda Ciubotaru
+
+Words by Smaranda Ciubotaru

user/pages/02.whats-on/01.exhibitions/current-upcoming/blog.md

@@ -4,7 +4,7 @@ show_sidebar: false
 content:
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         - '@self.children'
-    limit: 5
+    limit: 0
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@@ -13,4 +13,3 @@ content:
 aura:
     pagetype: website
 ---
-

user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md

@@ -1,8 +1,10 @@
 ---
-date_start: '05-10-2019 16:27'
+date: '05-09-2019 16:27'
 date_end: '11-10-2019 16:27'
-title: 'Nour El Saleh ''Exquisite Farces'''
-media_order: 'Inhabited Props in a Box, 2018.jpeg,Wrong Side of the Table, 2019.jpg'
+lieux: '12th floor, '
+title: 'Exquisite Farces, '
+artistes: ' Nour El Saleh'
+media_order: '(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg,Wrong Side of the Table, 2019.jpg,Detail of Wrong Side of the Table, 2019.jpg,A Grand Jester, 2019.jpeg,Dance Monkey, Dance!, 2019.jpg,Inhabited Props in a Box, 2018.jpeg,Detail of Inhabited Props in a Box, 2018.jpg,Four Times as Big, Twice as Small, 2018.jpg,Detail of Four Times as Big, Twice as Small, 2018.jpg'
 show_sidebar: false
 aura:
     pagetype: website
@@ -13,6 +15,7 @@ curatorial and cultural mediation outfit that are helping usher in a new way for
 inhabit and make use of the rapidly transforming architecture of an austere London. It
 also marks her first foray into the wider world following on from three-years of study at
 The Slade School of Fine Art, London.
+
 El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined,
 physicalised and placed impulsively to prompt new narrative possibilities. She has
 worked towards the creation of a satirical language to communicate an uncanny rendition
@@ -21,16 +24,17 @@ impermanent residents, El Saleh’s comfort was in a constant state of flux, and
 work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with
 anguish and actors, and through the use of theatrical and comical imagery, the artist
 reconciles these two forces.
-The Puppeteer of Karakas evokes the memory of a man playing with puppets in the street
+
+_The Puppeteer of Karakas_ evokes the memory of a man playing with puppets in the street
 where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four
 eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like
 world of destitution and depravity is reframed with a sense of homeliness; checkered floor
 tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes.
 Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems
 to play with the apparent roles, and who in fact conducts the scene. A mise en abyme
-occurs, the Puppeteer of Karakas becomes puppeteered, and equally, the motherly figure
+occurs, the _Puppeteer of Karakas_ becomes puppeteered, and equally, the motherly figure
 of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further
-prop in the theatre of El Saleh’s mind. Wrong Side of the Table depicts a juxtaposition
+prop in the theatre of El Saleh’s mind. _Wrong Side of the Table_ depicts a juxtaposition
 between a naked bust-figure, sitting at the table provocatively, acting out for the sake of
 being rewarded with attention, which is at odds with a heavily cloaked figure under the
 table, an elderly child, hidden out of view, coaxing attention through her aloofness.
@@ -44,4 +48,4 @@ anything untoward; and in this lay the charm of El Saleh’s world. Despite the
 her depictions, on further inspection there lies a familiarity and intimate feeling of the
 ‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium
 and have spectators sit within the composition. In an Artaud-esque manner, actors are
-seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set.
+seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set.

user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md

@@ -1,18 +1,20 @@
 ---
-date_one_day: '07-12-2019 16:30'
-title: 'SARA BERMAN Matter out of Place'
-media_order: 'Installation Sara Berman.jpg,Installation Sara Berman(1).jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Sara Berman, Lint Sweater #38, 2018.jpg,Sara Berman, Lint Sweater #40, 2018.jpg'
+date: '03-10-2019 17:49'
+date_end: '19-10-2019 17:49'
+lieux: '93 Baker Street '
+title: 'Matter out of Place,'
+artistes: ' Sara Berman'
+media_order: 'Sara Berman, Lint Sweater #40, 2018.jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Installation 1 Sara Berman.jpg,Installation 2 Sara Berman.jpg,Sara Berman, Lint Sweater #38, 2018.jpg'
 show_sidebar: false
 aura:
     pagetype: website
+date_one_day: '07-12-2019 16:30'
 ---
 
 "It is something rejected from which one does not part, from which one
 does not protect oneself as from an object. (...) It is thus not lack of
 cleanliness or health that causes abjection but what disturbs identity,
-system, order."
-
-- Julia Kristeva
+system, order." Julia Kristeva
 
 There is an unprecedented struggle for unity and mutuality in this epoch of
 singularity and individualism. The biblical precedes these secular ideals in
@@ -35,7 +37,7 @@ within the gallery space, but in her attempt to generate discourse Berman
 has created an art object resistant and adhering to any nomenclature, while
 circumventing any positive or negative valences. The works find
 themselves in a latent state; perhaps even one of paradox for an initial
-reaction might contravene a subsequent one upon finding out the medium. 
+reaction might contravene a subsequent one upon finding out the medium.
 From breaking her own dyer at home, to her latter exploration of London
 drycleaners, from the first attempts of gathering the lint in large bags to
 then attaching it to furniture, Berman has redacted her process of making
@@ -63,4 +65,5 @@ boundary, playing into the idea of domesticity as a percept for belonging
 and safety while including the nomadic. Berman's inquiry extends into the
 exterior realm, the question remains, is it art, a handful of hair and lint
 from the local drycleaners or simply matter... out of place?
-Smaranda Ciubotaru
+
+Words by Smaranda Ciubotaru

user/pages/02.whats-on/01.exhibitions/past/archives.md

@@ -15,3 +15,4 @@ content:
     pagination: true
     url_taxonomy_filters: true
 ---
+

user/pages/02.whats-on/blog.md

@@ -4,7 +4,7 @@ show_sidebar: true
 content:
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-    limit: 5
+    limit: 0
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@@ -13,4 +13,3 @@ content:
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-

user/pages/02.whats-on/events/blog.md

@@ -6,13 +6,12 @@ show_sidebar: false
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-    limit: 5
+    limit: 0
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 aura:
     pagetype: website
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-

user/pages/02.whats-on/events/current-upcoming/blog.md

@@ -1,10 +1,10 @@
 ---
-title: 'Current + upcoming'
+title: Upcoming
 show_sidebar: false
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-    limit: 5
+    limit: 0
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@@ -13,4 +13,3 @@ content:
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user/pages/02.whats-on/events/past/archives.md

@@ -7,11 +7,10 @@ hero_image: ''
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user/pages/03.studio-programme/blog.md

@@ -7,7 +7,7 @@ content:
         - '@self.children'
     limit: 5
     order:
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+        by: title
         dir: desc
     pagination: true
     url_taxonomy_filters: true

user/pages/04.residence/02.current-upcoming/blog.md

@@ -14,4 +14,3 @@ content:
 aura:
     pagetype: website
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-

user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md

@@ -0,0 +1,9 @@
+---
+date: '14-11-2019 14:54'
+date_end: '14-02-2020 14:54'
+title: 'Sola Olulode '
+media_order: 'Sola Olulode. von Goetz 2018_09.jpg'
+show_sidebar: false
+aura:
+    pagetype: website
+---

user/pages/04.residence/blog.md

@@ -7,8 +7,8 @@ content:
         - '@self.children'
     limit: 5
     order:
-        by: date
-        dir: desc
+        by: title
+        dir: asc
     pagination: true
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 aura:

user/pages/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md

@@ -0,0 +1,10 @@
+---
+title: 'La boutique Archive 18-20 inaugure sa première exposition'
+date_event: '24-04-2019 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'La boutique Archive 18-20 inaugure sa première exposition', Wave FR

user/pages/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md

@@ -0,0 +1,8 @@
+---
+title: '‘Phillips x VO Curations Presents Perfume Of Thorns’'
+date_event: '23-05-2019 19:30'
+aura:
+    pagetype: website
+---
+
+‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary

user/pages/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md

@@ -0,0 +1,8 @@
+---
+title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations'
+date_event: '03-09-2019 19:35'
+aura:
+    pagetype: website
+---
+
+'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast

user/pages/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md

@@ -0,0 +1,8 @@
+---
+title: 'Baudelaire vu par l’art contemporain chez Phillips'
+date_event: '24-07-2019 19:31'
+aura:
+    pagetype: website
+---
+
+'Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper

user/pages/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md

@@ -0,0 +1,8 @@
+---
+title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER'
+date_event: '27-08-2019 19:34'
+aura:
+    pagetype: website
+---
+
+'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER

user/pages/05.news/01.press/_gallery-baker-street/text.md

@@ -0,0 +1,10 @@
+---
+title: 'Gallery Baker Street'
+date_event: '18-09-2018 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'Gallery Baker Street', Blanc Magazine

user/pages/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md

@@ -0,0 +1,8 @@
+---
+title: 'Inside the Twisted World of Nour El Saleh'
+date_event: '04-09-2019 19:36'
+aura:
+    pagetype: website
+---
+
+'Inside the Twisted World of Nour El Saleh', Mille World

user/pages/05.news/01.press/_jean-marie/text.md

@@ -0,0 +1,7 @@
+---
+title: 'jean '
+date_event: '02-11-2019 16:46'
+aura:
+    pagetype: website
+---
+

user/pages/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md

@@ -0,0 +1,10 @@
+---
+title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain'
+date_event: '24-04-2019 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast

user/pages/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md

@@ -0,0 +1,8 @@
+---
+title: 'Light Cages - Dillwyn Smith at V.O. Curations'
+date_event: '05-11-2019 19:38'
+aura:
+    pagetype: website
+---
+
+'Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International

user/pages/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md

@@ -0,0 +1,8 @@
+---
+title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar'
+date_event: '27-08-2019 19:32'
+aura:
+    pagetype: website
+---
+
+'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine

user/pages/05.news/01.press/_parfum-depines-exposition-collective/text.md

@@ -0,0 +1,8 @@
+---
+title: '''Parfum d''Épines Exposition Collective'''
+date_event: '16-07-2019 19:30'
+aura:
+    pagetype: website
+---
+
+'Parfum d'Épines Exposition Collective' , One Arty Minute

user/pages/05.news/01.press/_sam-cornish-on-olivia-bax/text.md

@@ -0,0 +1,10 @@
+---
+title: 'Sam Cornish on Olivia Bax'
+date_event: '16-08-2018 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'Sam Cornish on Olivia Bax', Instantloveland

user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md

@@ -0,0 +1,10 @@
+---
+title: 'Inside the twisted world of nour el saleh'
+date_event: '04-11-2019 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'Inside the twisted world of nour el saleh', Mille world

user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/features.md

@@ -1,8 +0,0 @@
----
-title: 'The surreal world of nour el saleh'
-class: small
-aura:
-    pagetype: website
----
-
-Salut The surreal world of nour el saleh

user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md

@@ -0,0 +1,8 @@
+---
+title: 'the Surreal World of Nour El Saleh'
+date_event: '01-10-2019 19:37'
+aura:
+    pagetype: website
+---
+
+'The Surreal World of Nour El Saleh', Jdeed Magazine

user/pages/05.news/01.press/_vo-curations-93-baker-street/text.md

@@ -0,0 +1,10 @@
+---
+title: 'VO Curations ''93 Baker Street'
+date_event: '20-10-2018 17:31'
+date: '06-11-2019 17:28'
+aura:
+    pagetype: website
+class: small
+---
+
+'VO Curations '93 Baker Street'', Outset Contemporary

user/pages/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md

@@ -0,0 +1,8 @@
+---
+title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene'
+date_event: '20-05-2019 19:29'
+aura:
+    pagetype: website
+---
+
+'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine

user/pages/05.news/01.press/modular.md

@@ -8,3 +8,17 @@ aura:
     pagetype: website
 ---
 
+Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International
+05/11/2019
+
+'The Surreal World of Nour El Saleh', Jdeed Magazine
+01/10/2019
+
+'Inside the Twisted World of Nour El Saleh', Mille World
+04/09/2019
+
+'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast
+03/09/2019
+
+'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER
+27/08/2019

user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md

@@ -0,0 +1,8 @@
+---
+date: '18-09-2019 19:52'
+date_end: '05-01-2020 19:52'
+title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France'
+show_sidebar: false
+aura:
+    pagetype: website
+---

user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md

@@ -0,0 +1,8 @@
+---
+date: '29-11-2019 19:44'
+date_end: '12-04-2020 19:44'
+title: 'Jean-Marie Appriou, Consortium Museum, Dijon, France'
+show_sidebar: false
+aura:
+    pagetype: website
+---

user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md

@@ -0,0 +1,9 @@
+---
+date: '11-09-2019 19:55'
+date_end: '15-12-2020 19:55'
+title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA'
+media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg'
+show_sidebar: false
+aura:
+    pagetype: website
+---