diff --git a/themes/vocurations/images/IMG_1091.jpg b/themes/vocurations/images/IMG_1091.jpg new file mode 100644 index 0000000..48e0ecd Binary files /dev/null and b/themes/vocurations/images/IMG_1091.jpg differ diff --git a/tmp/uploaded-files/php9YRTPt b/tmp/uploaded-files/php9YRTPt new file mode 100644 index 0000000..48e0ecd Binary files /dev/null and b/tmp/uploaded-files/php9YRTPt differ diff --git a/tmp/uploaded-files/phpxrhYT9 b/tmp/uploaded-files/phpxrhYT9 new file mode 100644 index 0000000..48e0ecd Binary files /dev/null and b/tmp/uploaded-files/phpxrhYT9 differ diff --git a/user/config/lieux.yaml b/user/config/lieux.yaml index 2a7f431..8487bf6 100644 --- a/user/config/lieux.yaml +++ b/user/config/lieux.yaml @@ -10,3 +10,9 @@ buttons: - text: instagram url: 'https://www.instagram.com/' +icone_partenaire: + themes/vocurations/images/IMG_1091.jpg: + name: IMG_1091.jpg + type: image/jpeg + size: 65956 + path: themes/vocurations/images/IMG_1091.jpg diff --git a/user/config/plugins/imgcaptions.yaml b/user/config/plugins/imgcaptions.yaml new file mode 100644 index 0000000..a152e10 --- /dev/null +++ b/user/config/plugins/imgcaptions.yaml @@ -0,0 +1,2 @@ +enabled: true +mode: html diff --git a/user/config/site.yaml b/user/config/site.yaml index 88a4795..d15573c 100644 --- a/user/config/site.yaml +++ b/user/config/site.yaml @@ -1,4 +1,4 @@ -title: Vocurations +title: 'V.o curations' default_lang: en author: name: 'Zina Vieille' diff --git a/user/config/system.yaml b/user/config/system.yaml index 690b230..cb6d6c4 100644 --- a/user/config/system.yaml +++ b/user/config/system.yaml @@ -24,7 +24,7 @@ pages: by: default dir: asc list: - count: 20 + count: 50 dateformat: short: 'jS M Y' long: 'F jS \a\t g:ia' diff --git a/user/pages/01.home/home.md b/user/pages/01.home/home.md index 94e8449..428a233 100644 --- a/user/pages/01.home/home.md +++ b/user/pages/01.home/home.md @@ -3,6 +3,9 @@ title: Home visible: false content: items: '@self.siblings' + order: + by: date + dir: asc aura: pagetype: website --- diff --git a/user/pages/02.whats-on/01.exhibitions/blog.md b/user/pages/02.whats-on/01.exhibitions/blog.md index e5dcd72..8aa63a9 100644 --- a/user/pages/02.whats-on/01.exhibitions/blog.md +++ b/user/pages/02.whats-on/01.exhibitions/blog.md @@ -8,7 +8,7 @@ content: - '@self.children' limit: 0 order: - by: date + by: title dir: desc pagination: true url_taxonomy_filters: true diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 'Footloose', 2017.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 'Footloose', 2017.jpg new file mode 100644 index 0000000..c1dc1b4 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 'Footloose', 2017.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail of Olivia Bax, Hot Spot, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 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2015.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg new file mode 100644 index 0000000..2310328 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Love Handles, 2017.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Love Handles, 2017.jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Pump, 2016.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Pump, 2016.jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg new file mode 100644 index 0000000..1b2a4fe Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg new file mode 100644 index 0000000..c498376 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md similarity index 86% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/events.md rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md index 5df9f8d..5e71f38 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md @@ -1,8 +1,10 @@ --- -date_start: '01-09-2019 16:04' -date_end: '01-10-2019 16:04' -title: 'OLIVIA BAX at large' -media_order: 'Olivia Bax, Pump, 2016.jpg,Olivia Bax, Footloose, 2017.jpg,Olivia Bax, Love Handles, 2017.jpg' +date: '08-08-2018 18:04' +date_end: '24-08-2018 18:05' +lieux: '93 Baker Street' +title: 'at large,' +artistes: 'Olivia Bax' +media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg' show_sidebar: false aura: pagetype: website @@ -26,6 +28,7 @@ physically leaves the imprint of her hand, her gestures on the surface of her sculptures, but she also uses handles as a recurring motif (Hot Spot, Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and Roar) have a human scale, as if they were based on her own height. + Bax's investigation of material rhythms can be likened to the act of sketching, of which the varying tempo, the drawing and selective retracing of preferred parts, aid in the development of her sculptural pieces. There is @@ -35,8 +38,7 @@ for the visibility of the different processes. The sculptures are activated not only through the revealing of their anatomy and the material dialectic that ensues, but also through their humanistic dimensions. Scale holds a significant role within Bax's oeuvre, evoking both the domestic, and trying -to escape from it by experimenting with site-specific height. The work -Footloose, having been previously installed twice, is now refashioned to +to escape from it by experimenting with site-specific height. The work Footloose, having been previously installed twice, is now refashioned to accommodate the low ceilings of this space while still slightly protruding through the support grid. Bax's work is at large not only through its diversity, resembling a smaller retrospective, but also through the sheer @@ -50,6 +52,7 @@ works such as the aforementioned Footloose, and a three-dimensional framing for Slot & Groove. This seemingly divisive curatorial choice however, conversely facilitates discourse between the sculptures of the ensemble, acting not as a barrier, but rather as an interactional tool. + Bax's work extends beyond the removal of a sculpture from its pedestal as the sole source for immediacy. By imprinting her hands onto the surface of the work and using her height as a unit of measurement, by exposing @@ -58,4 +61,5 @@ of the work itself, and subsequently one within its collective pairing, the artist creates a cycle closed off by the viewer. Within her process of making, Bax activates herself, the space, the works and viewers, whether at a local level or at large. -Smaranda Ciubotaru \ No newline at end of file + +Words by Smaranda Ciubotaru diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/blog.md index 0278df6..4d424bd 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/blog.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -4,7 +4,7 @@ show_sidebar: false content: items: - '@self.children' - limit: 5 + limit: 0 order: by: date dir: desc @@ -13,4 +13,3 @@ content: aura: pagetype: website --- - diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg index 6849626..88584f8 100644 Binary files a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg new file mode 100644 index 0000000..d13b6e8 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When_ and Why_, 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When_ and Why_, 2019.jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg new file mode 100644 index 0000000..c671153 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? and Why?, 2019.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? and Why?, 2019.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md index b7aadaa..dc966d7 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md @@ -1,9 +1,10 @@ --- -date_start: '22-03-2019 16:06' +date: '22-03-2019 16:06' +date_end: '03-05-2019 12:38' lieux: '12th Floor' -title: Cicatrices -artistes: 'Jean-marie appriou, Srijon Chowdhury, John miserendino, Cajsa von zeipel, Adriano amaral, muriel abadie' -media_order: 'Adriano Amaral, Untitled, 2018.jpg,Adriano Amaral, Untitled, 2018(1).jpg,Adriano Amaral, Untitled, 2018(2).jpg,Cajsa von Zeipel, When_ and Why_, 2019.jpg,Cajsa von Zeipel, Why_, 2019, When_, 2019.jpg,Details of Adriano Amaral, Untitled, 2018.jpg,Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg,Installation Isaac Lythgoe and Muriel Abadie.jpg,Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg,Jean-Marie Appriou, Shrimp, 2018.jpg,John Miserendino, L’origine du monde, 2018.jpg,John Miserendino, Mamie and Marco, 2018.jpg,Muriel Abadie, Masked Monkey, 2018.jpg' +title: 'Cicatrices, ' +artistes: ' Muriel Abadie, Adriano Amaral, Jean-marie Appriou, Srijon Chowdhury, Isaac Lythgoe, John Miserendino, Maïa Régis, Cajsa von Zeipel' +media_order: 'Installation Isaac Lythgoe and Muriel Abadie.jpg,Jean-Marie Appriou, Shrimp, 2018.jpg,Muriel Abadie, Masked Monkey, 2018.jpg,John Miserendino, Mamie and Marco, 2018.jpg,Adriano Amaral, Untitled, 2018.jpg,John Miserendino, L’origine du monde, 2018.jpg,Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg,Details of Adriano Amaral, Untitled, 2018.jpg,Adriano Amaral, Untitled, 2018(2).jpg,Casja von Zeipel ''When?'', 2019.jpg,Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg,Details of Cajsa von Zeipel, When? and Why?, 2019.jpg,Cajsa von Zeipel, When? and Why?, 2019.jpg,Adriano Amaral, Untitled, 2018.jpg' show_sidebar: false aura: pagetype: website @@ -23,6 +24,7 @@ birth, of being removed from the womb for, which our mothers bear a caesarean se we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an expulsion of postnatal morbidity? + If we look past the mere a priori and posteriori of the scar we begin its exoneration, its acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, @@ -45,6 +47,7 @@ their material makeup, for glass is made out of sand, such works however, conver emphasize their static adherence to the gallery wall rendering the objet d’art no different to a biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather recognition through a confrontation with artifice. + John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity @@ -54,4 +57,6 @@ Abadie an idea of recollection, of one's personal rather than cultural history s the sketch. Abadie seeks to access a realm of the familiar, to awaken in all of us a forgotten memory that can appear through the visual. Her urge is collective, remembrance as protection against temporal perdition. Within our efforts to heal, perhaps the same can be -said for the cicatrice... \ No newline at end of file +said for the cicatrice. + +Words by Smaranda Ciubotaru diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg new file mode 100644 index 0000000..c8f31a3 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg new file mode 100644 index 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b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Installation 3 'Light Cages', Dillwyn Smith.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md index 4f452a5..c8d0ba2 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -1,8 +1,25 @@ --- -date_one_day: '04-10-2019 20:04' -title: 'Exhibitions Jean marais' +date: '24-10-2019 17:21' +date_end: '22-11-2019 17:21' +lieux: '12th floor' +title: 'Light Cages, ' +artistes: ' Dillwyn Smith' +media_order: 'Installation 1 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Turning Poison into Medicine V'', 2018.jpg,Dillwyn Smith, ''Full Transparency II'', 2019, and ''Light Cage'', 2018.jpg,Dillwyn Smith, ''Sensitised Ground'', 2018.jpg,Installation 2 ''Light Cages'', Dillwyn Smith.jpg,Installation 3 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Full Transparency'', 2018.jpg,Dillwyn Smith, ''Hermit Song'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018, and ''Praise'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018.jpg' show_sidebar: false aura: pagetype: website +date_one_day: '04-10-2019 20:04' --- +Dillwyn Smith has a most unusual technique, he gives us a labour of love, a quiet ease around the stitching of nylon fabrics which gently moves us on to deeper matters. These large new works contain a new light - there is precarious illumination which comes at us layered, striped, watered down, occasionally not of this earth, but subaqueous and reified. Dillwyn has made some new mystic moves and has been ‘a diver in deep seas, and keeps their fallen day about him; he has trafficked for strange webs with Eastern merchants’. + +How important it is that Dillwyn is not English, that he is half Welsh and Half Irish, that he is a genuine Celt? It is very important, it matters because this means that certain things are there in Dillwyn’s work now that the English have no access to. It is, above all else, around colour and light that this delicacy of perception comes home to roost, like a dove brooding upon the waters. It matters because, as Walter Pater insisted: ‘all art’ does indeed ‘aspire to the condition of music’ and Dillwyn’s new work has finally managed the magic metamorphosis into synaesthesia. + +For hours we have been thinking about how the new work is to be shown, to be displayed, to be allowed to perform its fulgent colloquies upon the eyes of those lucky enough to try and see into it and through it? What are these things he now creates? – paintings they are not. They are tricky boxes of colour, wobbly flags with no nation, rat traps for light rays, quilts without beds, aesthetic dirty laundry hung out to dry, lovely textiles shifting in sun and wind, The Colour of Pomegranates comes to mind. They are offcuts from a coat of many subdued colours, a soft coat of arms, the inspired motley this triumphant Harlequin artist has earned the right to parade. + +This work not only moves us, it moves into us, constantly performative it makes its own rhythms. These rhythms of time and of colour exist outside ‘tick tock time’, working time. The fruit of his loom is work that does not ‘clock in’ and ‘clock out’, time works within it and around it now, time and light, mysteriously married. Disciplined lyricism, the unstable stabilized, quicksilver trapped until a common greyness silvers everything, not easy things to pull off. This is work that demands contemplation, not in a grand way, but in a revivifying way, as quiet and necessary as a day-dream. Such work comes about rarely and through intense testing – some parts of the great Russian Icons have it, some of the maroon and burgundy rectangles of late Rothko, and those strange, restrained pages of Capitals from The Book of Kells, they definitely have it. Yes the Irish thing again, in Dillwyn’s new work we approach the poetics of interlacement, a fabricated fluidity, disciplined but organic, beyond the hard geometric trickery of Cubism. +Dillwyn’s fabrics are utilitarian too and embody an artistic commentary upon an entire Kingdom. He told me once that he was working with cloths which are deeply, symbolically, enmeshed and locked into the cultures and social politics of Oman. The fabrics are turned into the traditional Dishdasha worn by men. Many of the colours of these garments carry tribal significations, relating to the identities of ethnic groups. A certain yellow, for example, is exclusive to the people of the deep South in Salalah on the border with Yemen. Other colours relate to social standing and the stratifications of labour. That lovely maroon which so haunted and haunts my gaze is in fact the cloth worn by domestic workers, and so is not only beautiful but burdened with the labour of millions. The white cloths are reserved for administrators and government functionaries. Several of the grays and browns relate to the Oman elite. And so Dillwyn’s work creates a democracy of colour mixing, melding, interlacing the social and ethnic patterns of the tip of the Arabian Peninsula. As he makes those light damasks float Dillwyn creates a celebratory garb, which somehow, by hook or by crook, has made a whole society (embedded in inequality) float, light up, caper in gentle curvature, upon his wooden skeletons. + +Maybe what is most magical about what we now see is that many of the fabrics are nylons, imported to Oman from Japan. He takes flimsy gauzes impregnated with chemical aniline dies, he makes his textile mosaics out of them, and suddenly they can do, they do do, the strangest things before our eyes and to our eyes. Only the great creative magicians perform such Alchemy upon the senses. James Joyce in the Nausicaa chapter of Ulysses took the language of cliché, thrown in saccharine heaps into girl’s romantic magazines, and then transformed the cinders of a dull dead language into Gerty McDowell’s soaring love song. Dillwyn takes garish bolts and bales of nylon, hung about with a grim whiff of the sweat shop, and turns them into geometric kaleidoscopes which albeit briefly can make our ugly little world tumultuously bright. + +Words by Marcus Wood diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Mania Akbari and Douglas White, Electricity Box in the streets of Teheran.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Mania Akbari and Douglas White, Electricity Box in the streets of Teheran.jpg new file mode 100644 index 0000000..1b9d836 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Mania Akbari and Douglas White, Electricity Box in the streets of Teheran.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md new file mode 100644 index 0000000..0038d8c --- /dev/null +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -0,0 +1,17 @@ +--- +date: '27-11-2019 18:26' +date_end: '20-12-2019 18:26' +lieux: '12th floor' +title: '‘Mr. Majidi and the Electricity Box''' +artistes: 'Mania Akbari, Douglas White ' +media_order: 'Mania Akbari and Douglas White, Electricity Box in the streets of Teheran.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +V.O Curations is pleased to announce the upcoming exhibition “Mr. Majidi and the Electricity Box” of collaborative works by Iranian filmmaker Mania Akbari and British sculptor Douglas White. In continuation to their film “A Moon for My Father” (2018), the exhibition features new photographic and sculptural works that reflect on biopolitics and forms of governmental control. Made from found objects and authentic imagery, the disquieting and surreal series focuses on specific instances of censorship, surveillance and control. Akbari and White further invite the audience to contemplate the complex and often invisible connections between state, body and objecthood, through a poignant and personal perspective. + +**Saturday 7th December** to coincide with the exhibition, Mania Akbari and Douglas White have curated the cultural event _Body and Borders_ featuring 10 screenings from contemporary artists whose works explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. A panel discussion, moderated by art critic Nick Hackworth will follow the screenings, featuring Mania Akbari, Johann Arens, Lucy Clout, Miranda Pennell, Margaret Salmon and Douglas White to discuss the Body and its entangled power structures. + +Click here to buy tickets to 'Body and Borders' 7th December. diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg new file mode 100644 index 0000000..0840cdd Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Four Times as Big, Twice as Small, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Four Times as Big, Twice as Small, 2018.jpg new file mode 100644 index 0000000..95369d8 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Four Times as Big, Twice as Small, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Inhabited Props in a Box, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Inhabited Props in a Box, 2018.jpg new file mode 100644 index 0000000..cb941ed Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Inhabited Props in a Box, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Wrong Side of the Table, 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Wrong Side of the Table, 2019.jpg new file mode 100644 index 0000000..49f495a Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Detail of Wrong Side of the Table, 2019.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Four Times as Big, Twice as Small, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Four Times as Big, Twice as Small, 2018.jpg new file mode 100644 index 0000000..39ef49d Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Four Times as Big, Twice as Small, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md index 29f3d2f..48b3525 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -1,8 +1,10 @@ --- -date_start: '05-10-2019 16:27' +date: '05-09-2019 16:27' date_end: '11-10-2019 16:27' -title: 'Nour El Saleh ''Exquisite Farces''' -media_order: 'Inhabited Props in a Box, 2018.jpeg,Wrong Side of the Table, 2019.jpg' +lieux: '12th floor, ' +title: 'Exquisite Farces, ' +artistes: ' Nour El Saleh' +media_order: '(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg,Wrong Side of the Table, 2019.jpg,Detail of Wrong Side of the Table, 2019.jpg,A Grand Jester, 2019.jpeg,Dance Monkey, Dance!, 2019.jpg,Inhabited Props in a Box, 2018.jpeg,Detail of Inhabited Props in a Box, 2018.jpg,Four Times as Big, Twice as Small, 2018.jpg,Detail of Four Times as Big, Twice as Small, 2018.jpg' show_sidebar: false aura: pagetype: website @@ -13,6 +15,7 @@ curatorial and cultural mediation outfit that are helping usher in a new way for inhabit and make use of the rapidly transforming architecture of an austere London. It also marks her first foray into the wider world following on from three-years of study at The Slade School of Fine Art, London. + El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, physicalised and placed impulsively to prompt new narrative possibilities. She has worked towards the creation of a satirical language to communicate an uncanny rendition @@ -21,16 +24,17 @@ impermanent residents, El Saleh’s comfort was in a constant state of flux, and work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with anguish and actors, and through the use of theatrical and comical imagery, the artist reconciles these two forces. -The Puppeteer of Karakas evokes the memory of a man playing with puppets in the street + +_The Puppeteer of Karakas_ evokes the memory of a man playing with puppets in the street where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like world of destitution and depravity is reframed with a sense of homeliness; checkered floor tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems to play with the apparent roles, and who in fact conducts the scene. A mise en abyme -occurs, the Puppeteer of Karakas becomes puppeteered, and equally, the motherly figure +occurs, the _Puppeteer of Karakas_ becomes puppeteered, and equally, the motherly figure of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further -prop in the theatre of El Saleh’s mind. Wrong Side of the Table depicts a juxtaposition +prop in the theatre of El Saleh’s mind. _Wrong Side of the Table_ depicts a juxtaposition between a naked bust-figure, sitting at the table provocatively, acting out for the sake of being rewarded with attention, which is at odds with a heavily cloaked figure under the table, an elderly child, hidden out of view, coaxing attention through her aloofness. @@ -44,4 +48,4 @@ anything untoward; and in this lay the charm of El Saleh’s world. Despite the her depictions, on further inspection there lies a familiarity and intimate feeling of the ‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium and have spectators sit within the composition. In an Artaud-esque manner, actors are -seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. \ No newline at end of file +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Footloose, 2017.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Footloose, 2017.jpg deleted file mode 100644 index 85cd619..0000000 Binary files a/user/pages/02.whats-on/01.exhibitions/current-upcoming/olivia-bax/Olivia Bax, Footloose, 2017.jpg and /dev/null differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg new file mode 100644 index 0000000..94651a8 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg new file mode 100644 index 0000000..492bb92 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..151acb7 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md index 95bb346..1d2a9ba 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -1,11 +1,13 @@ --- -date_start: '23-05-2019 16:33' +date: '23-05-2019 16:33' date_end: '26-07-2019 16:33' -title: '''Parfum d''épines'' PHILLIPS X VO CURATIONS' -media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg' +lieux: Phillips +title: 'Parfum d''épines,' +artistes: ' PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Oda Jaune, Fleurs, 2015.jpg,Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Daiga Grantina, Yolk Bott, 2017.jpg' show_sidebar: false aura: pagetype: website --- -Phillips x VO Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems Les Fleurs du Mal through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. \ No newline at end of file +Phillips Auction and VO Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems _Les Fleurs du Mal_ through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg new file mode 100644 index 0000000..8f1af8d Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md index bb9c617..7e81ea0 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -1,10 +1,13 @@ --- -date_start: '05-08-2019 16:37' +date: '05-08-2019 16:37' date_end: '18-08-2019 16:37' -title: 'PAS DE CORPS Sonya Derviz' +lieux: '93 Baker Street ' +title: 'Pas de Corps, ' +artistes: 'Sonya Derviz' +media_order: 'Sonya Derviz, Dancers II, 2018.jpg' show_sidebar: false aura: pagetype: website --- -There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. \ No newline at end of file +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg rename to user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md index 8b9d62d..825792d 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md @@ -1,18 +1,20 @@ --- -date_one_day: '07-12-2019 16:30' -title: 'SARA BERMAN Matter out of Place' -media_order: 'Installation Sara Berman.jpg,Installation Sara Berman(1).jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Sara Berman, Lint Sweater #38, 2018.jpg,Sara Berman, Lint Sweater #40, 2018.jpg' +date: '03-10-2019 17:49' +date_end: '19-10-2019 17:49' +lieux: '93 Baker Street ' +title: 'Matter out of Place,' +artistes: ' Sara Berman' +media_order: 'Sara Berman, Lint Sweater #40, 2018.jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Installation 1 Sara Berman.jpg,Installation 2 Sara Berman.jpg,Sara Berman, Lint Sweater #38, 2018.jpg' show_sidebar: false aura: pagetype: website +date_one_day: '07-12-2019 16:30' --- "It is something rejected from which one does not part, from which one does not protect oneself as from an object. (...) It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, -system, order." - -- Julia Kristeva +system, order." Julia Kristeva There is an unprecedented struggle for unity and mutuality in this epoch of singularity and individualism. The biblical precedes these secular ideals in @@ -35,7 +37,7 @@ within the gallery space, but in her attempt to generate discourse Berman has created an art object resistant and adhering to any nomenclature, while circumventing any positive or negative valences. The works find themselves in a latent state; perhaps even one of paradox for an initial -reaction might contravene a subsequent one upon finding out the medium. +reaction might contravene a subsequent one upon finding out the medium. From breaking her own dyer at home, to her latter exploration of London drycleaners, from the first attempts of gathering the lint in large bags to then attaching it to furniture, Berman has redacted her process of making @@ -63,4 +65,5 @@ boundary, playing into the idea of domesticity as a percept for belonging and safety while including the nomadic. Berman's inquiry extends into the exterior realm, the question remains, is it art, a handful of hair and lint from the local drycleaners or simply matter... out of place? -Smaranda Ciubotaru \ No newline at end of file + +Words by Smaranda Ciubotaru diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg new file mode 100644 index 0000000..0ca0cd7 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md index 8e7a5f1..623f356 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -1,10 +1,13 @@ --- -date_start: '03-07-2019 16:39' +date: '03-07-2019 16:39' date_end: '13-07-2019 16:40' -title: 'URBAN WAVES Andrei Costache, Richie Culver an­d Morgan Ward' +lieux: '93 Baker Street ' +title: 'URBAN WAVES, ' +artistes: ' Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'Andrei Costache, Tarantula, 2018.jpg' show_sidebar: false aura: pagetype: website --- -The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. \ No newline at end of file +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. diff --git a/user/pages/02.whats-on/01.exhibitions/past/archives.md b/user/pages/02.whats-on/01.exhibitions/past/archives.md index d878ce4..a1e0a97 100644 --- a/user/pages/02.whats-on/01.exhibitions/past/archives.md +++ b/user/pages/02.whats-on/01.exhibitions/past/archives.md @@ -15,3 +15,4 @@ content: pagination: true url_taxonomy_filters: true --- + diff --git a/user/pages/02.whats-on/blog.md b/user/pages/02.whats-on/blog.md index 21bbd6f..4b56649 100644 --- a/user/pages/02.whats-on/blog.md +++ b/user/pages/02.whats-on/blog.md @@ -4,7 +4,7 @@ show_sidebar: true content: items: - '@self.children' - limit: 5 + limit: 0 order: by: date dir: desc @@ -13,4 +13,3 @@ content: aura: pagetype: website --- - diff --git a/user/pages/02.whats-on/events/blog.md b/user/pages/02.whats-on/events/blog.md index 7cd0c75..99237f0 100644 --- a/user/pages/02.whats-on/events/blog.md +++ b/user/pages/02.whats-on/events/blog.md @@ -6,13 +6,12 @@ show_sidebar: false content: items: - '@self.children' - limit: 5 + limit: 0 order: - by: date + by: title dir: desc pagination: true url_taxonomy_filters: true aura: pagetype: website --- - diff --git a/user/pages/02.whats-on/events/current-upcoming/blog.md b/user/pages/02.whats-on/events/current-upcoming/blog.md index 0278df6..8f04092 100644 --- a/user/pages/02.whats-on/events/current-upcoming/blog.md +++ b/user/pages/02.whats-on/events/current-upcoming/blog.md @@ -1,10 +1,10 @@ --- -title: 'Current + upcoming' +title: Upcoming show_sidebar: false content: items: - '@self.children' - limit: 5 + limit: 0 order: by: date dir: desc @@ -13,4 +13,3 @@ content: aura: pagetype: website --- - diff --git a/user/pages/02.whats-on/events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg b/user/pages/02.whats-on/events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg new file mode 100644 index 0000000..493ec00 Binary files /dev/null and b/user/pages/02.whats-on/events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg differ diff --git a/user/pages/02.whats-on/events/current-upcoming/body-and-borders/events.md b/user/pages/02.whats-on/events/current-upcoming/body-and-borders/events.md new file mode 100644 index 0000000..493a459 --- /dev/null +++ b/user/pages/02.whats-on/events/current-upcoming/body-and-borders/events.md @@ -0,0 +1,17 @@ +--- +date: '07-12-2019 18:53' +lieux: '12th floor' +title: '‘Body and Borders''' +artistes: ' screenings + Panel Talk ' +media_order: 'Carlos Motta, The Devil’s Work (2018).jpg' +taxonomy: + category: + - Panel +show_sidebar: false +aura: + pagetype: website +--- + +To accompany the exhibition ‘Mr. Majidi and the Electricity Box’, Iranian filmmaker Mania Akbari and British sculptor Douglas White have curated a cultural programme on 7th December, encompassing further screenings from 10 contemporary artists, who also explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolve, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinlan, Miranda Pennel and Douglas White. + +The screenings will be followed by a panel talk, moderated by art critic Nick Hackworth, featuring Mania Akbari, Douglas White, Miranda Pennell, Lucy Clout and Johann Arens, discussing the body and its entailed power structures. diff --git a/user/pages/02.whats-on/events/past/archives.md b/user/pages/02.whats-on/events/past/archives.md index f3f32a1..a95a82b 100644 --- a/user/pages/02.whats-on/events/past/archives.md +++ b/user/pages/02.whats-on/events/past/archives.md @@ -7,11 +7,10 @@ hero_image: '' show_sidebar: '0' content: items: '- ''@self.children''' - limit: '5' + limit: '0' order: by: date dir: desc pagination: '1' url_taxonomy_filters: '1' --- - diff --git a/user/pages/03.studio-programme/01.formulaire/form.md b/user/pages/03.studio-programme/01.formulaire/form.md index 6b5ec03..391a004 100644 --- a/user/pages/03.studio-programme/01.formulaire/form.md +++ b/user/pages/03.studio-programme/01.formulaire/form.md @@ -13,15 +13,15 @@ form: placeholder: 'Last name' type: text date_of_birth: + type: text placeholder: 'Date of birth' - type: datetime phone_number: placeholder: 'Phone Number' type: text email: - placeholder: E-mail adress - type: email - size: large + placeholder: 'E-mail adress' + type: email + size: large move_in_date: placeholder: 'proposed move-in date' type: text @@ -30,6 +30,7 @@ form: type: text portfolio: label: 'or upload portfolio' + placeholder: 'or upload portfolio' type: file multiple: false destination: user/data/files @@ -39,19 +40,19 @@ form: - image/png - text/plain studio: - type: checkboxes - placeholder: Studio - default: - option1: true - option2: true - option3: true - options: - option1: individua - option2: share - option3: eithe + type: radio + placeholder: Studio + default: + option1: true + option2: true + option3: true + options: + option1: individual + option2: share + option3: eithe notes: - type: textarea - placeholder: notes + type: textarea + placeholder: notes... buttons: - type: submit @@ -72,10 +73,8 @@ form: extension: txt body: '{% include "forms/data.txt.twig" %}' - - message: 'Sent' + message: Sent reset: true --- -Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices. - -On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. +We accept applications of artists from all practices. Our studios can be used individually or shared with others. Applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in *notes* who you wish to share a studio with. Our studio prices are offered inline with the _Greater London authorities affordability guide* (2014, 2019)_ and are inclusive of all utilities (inc. wifi). They are accessible 24/7, with communal areas and shared kitchens available. Please allow us a week to get back to you, you will receive a response over email. Email us at [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or if you would like to visit our facilities. diff --git a/user/pages/03.studio-programme/02.about/VO Curations - 12th Floor.jpg b/user/pages/03.studio-programme/02.about/VO Curations - 12th Floor.jpg new file mode 100644 index 0000000..336e0d0 Binary files /dev/null and b/user/pages/03.studio-programme/02.about/VO Curations - 12th Floor.jpg differ diff --git a/user/pages/03.studio-programme/02.about/default.md b/user/pages/03.studio-programme/02.about/default.md index 02d9cb9..56a038d 100644 --- a/user/pages/03.studio-programme/02.about/default.md +++ b/user/pages/03.studio-programme/02.about/default.md @@ -1,11 +1,13 @@ --- title: About -media_order: 'Sonya Derviz, Dancers I, 2018.jpg' +media_order: 'VO Curations - 12th Floor.jpg' visible: false aura: pagetype: website --- -Cumque pertinacius ut legum gnarus accusatorem flagitaret atque sollemnia, doctus id Caesar libertatemque superbiam ratus tamquam obtrectatorem audacem excarnificari praecepit, qui ita evisceratus ut cruciatibus membra deessent, inplorans caelo iustitiam, torvum renidens fundato pectore mansit inmobilis nec se incusare nec quemquam alium passus et tandem nec confessus nec confutatus cum abiecto consorte poenali est morte multatus. et ducebatur intrepidus temporum iniquitati insultans, imitatus Zenonem illum veterem Stoicum qui ut mentiretur quaedam laceratus diutius, avulsam sedibus linguam suam cum cruento sputamine in oculos interrogantis Cyprii regis inpegit. +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in (Zone 1) Central London, with the view to ease access and visibility for each artist. ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to create new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1 with more upcoming spaces from spring 2020! -### PUBLIC DAYS: 20.04.2020 \ No newline at end of file +_V.O Studios is a not-for-profit initiative launched October 2019._ + +### [OPEN DAYS: 22.02.2020](/whats-on/events/current-upcoming/public-days) \ No newline at end of file diff --git a/user/pages/03.studio-programme/blog.md b/user/pages/03.studio-programme/blog.md index f943c7e..1edbfce 100644 --- a/user/pages/03.studio-programme/blog.md +++ b/user/pages/03.studio-programme/blog.md @@ -7,7 +7,7 @@ content: - '@self.children' limit: 5 order: - by: date + by: title dir: desc pagination: true url_taxonomy_filters: true diff --git a/user/pages/04.residence/01.about/default.md b/user/pages/04.residence/01.about/default.md index 1d77ca8..ffbc326 100644 --- a/user/pages/04.residence/01.about/default.md +++ b/user/pages/04.residence/01.about/default.md @@ -5,6 +5,4 @@ aura: pagetype: website --- -Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices. - -On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. \ No newline at end of file +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time. The programme supports and facilitates artists professional development at all levels of their careers, from emerging to established talents. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident which isn’t mandatory, depending on the artist’s schedule. The residency programme is made public through different types of events and ‘Open Studios’ Days. \ No newline at end of file diff --git a/user/pages/04.residence/02.current-upcoming/blog.md b/user/pages/04.residence/02.current-upcoming/blog.md index a8b7738..db6cc25 100644 --- a/user/pages/04.residence/02.current-upcoming/blog.md +++ b/user/pages/04.residence/02.current-upcoming/blog.md @@ -14,4 +14,3 @@ content: aura: pagetype: website --- - diff --git a/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. von Goetz 2018_09.jpg b/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. von Goetz 2018_09.jpg new file mode 100644 index 0000000..11abf73 Binary files /dev/null and b/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. von Goetz 2018_09.jpg differ diff --git a/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md b/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md new file mode 100644 index 0000000..3f285de --- /dev/null +++ b/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md @@ -0,0 +1,9 @@ +--- +date: '14-11-2019 14:54' +date_end: '14-02-2020 14:54' +title: 'Sola Olulode ' +media_order: 'Sola Olulode. von Goetz 2018_09.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md index 3439b06..75c7563 100644 --- a/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md +++ b/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md @@ -1,5 +1,5 @@ --- -date_start: '23-05-2019 19:43' +date: '23-05-2019 19:43' date_end: '26-07-2019 19:43' title: 'victor man' media_order: 'Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg' @@ -10,4 +10,4 @@ aura: Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices. -On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. \ No newline at end of file +On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. diff --git a/user/pages/04.residence/blog.md b/user/pages/04.residence/blog.md index aacc865..4b6339e 100644 --- a/user/pages/04.residence/blog.md +++ b/user/pages/04.residence/blog.md @@ -7,8 +7,8 @@ content: - '@self.children' limit: 5 order: - by: date - dir: desc + by: title + dir: asc pagination: true url_taxonomy_filters: true aura: diff --git a/user/pages/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100644 index 0000000..7e2045f --- /dev/null +++ b/user/pages/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,10 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_event: '24-04-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'La boutique Archive 18-20 inaugure sa première exposition', Wave FR \ No newline at end of file diff --git a/user/pages/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100644 index 0000000..84adde1 --- /dev/null +++ b/user/pages/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,8 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_event: '23-05-2019 19:30' +aura: + pagetype: website +--- + +‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary \ No newline at end of file diff --git a/user/pages/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100644 index 0000000..a784f80 --- /dev/null +++ b/user/pages/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,8 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_event: '03-09-2019 19:35' +aura: + pagetype: website +--- + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast \ No newline at end of file diff --git a/user/pages/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100644 index 0000000..8276305 --- /dev/null +++ b/user/pages/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,8 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_event: '24-07-2019 19:31' +aura: + pagetype: website +--- + +'Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper \ No newline at end of file diff --git a/user/pages/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100644 index 0000000..566397d --- /dev/null +++ b/user/pages/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,8 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +aura: + pagetype: website +--- + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER \ No newline at end of file diff --git a/user/pages/05.news/01.press/_gallery-baker-street/text.md b/user/pages/05.news/01.press/_gallery-baker-street/text.md new file mode 100644 index 0000000..a74ecf1 --- /dev/null +++ b/user/pages/05.news/01.press/_gallery-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'Gallery Baker Street' +date_event: '18-09-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Gallery Baker Street', Blanc Magazine \ No newline at end of file diff --git a/user/pages/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..5cf540f --- /dev/null +++ b/user/pages/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +aura: + pagetype: website +--- + +'Inside the Twisted World of Nour El Saleh', Mille World \ No newline at end of file diff --git a/user/pages/05.news/01.press/_jean-marie/text.md b/user/pages/05.news/01.press/_jean-marie/text.md new file mode 100644 index 0000000..ad4b448 --- /dev/null +++ b/user/pages/05.news/01.press/_jean-marie/text.md @@ -0,0 +1,7 @@ +--- +title: 'jean ' +date_event: '02-11-2019 16:46' +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100644 index 0000000..d944493 --- /dev/null +++ b/user/pages/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast \ No newline at end of file diff --git a/user/pages/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100644 index 0000000..bb28db3 --- /dev/null +++ b/user/pages/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,8 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +aura: + pagetype: website +--- + +'Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International \ No newline at end of file diff --git a/user/pages/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100644 index 0000000..7f3b940 --- /dev/null +++ b/user/pages/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,8 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +aura: + pagetype: website +--- + +'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine \ No newline at end of file diff --git a/user/pages/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100644 index 0000000..acc6537 --- /dev/null +++ b/user/pages/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,8 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +aura: + pagetype: website +--- + +'Parfum d'Épines Exposition Collective' , One Arty Minute \ No newline at end of file diff --git a/user/pages/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100644 index 0000000..0a797a9 --- /dev/null +++ b/user/pages/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Sam Cornish on Olivia Bax', Instantloveland \ No newline at end of file diff --git a/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md b/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md new file mode 100644 index 0000000..1b4a791 --- /dev/null +++ b/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md @@ -0,0 +1,10 @@ +--- +title: 'Inside the twisted world of nour el saleh' +date_event: '04-11-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Inside the twisted world of nour el saleh', Mille world \ No newline at end of file diff --git a/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/features.md b/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/features.md deleted file mode 100644 index cb81869..0000000 --- a/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/features.md +++ /dev/null @@ -1,8 +0,0 @@ ---- -title: 'The surreal world of nour el saleh' -class: small -aura: - pagetype: website ---- - -Salut The surreal world of nour el saleh \ No newline at end of file diff --git a/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..f2ace2e --- /dev/null +++ b/user/pages/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +aura: + pagetype: website +--- + +'The Surreal World of Nour El Saleh', Jdeed Magazine \ No newline at end of file diff --git a/user/pages/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100644 index 0000000..ff346ba --- /dev/null +++ b/user/pages/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'VO Curations '93 Baker Street'', Outset Contemporary \ No newline at end of file diff --git a/user/pages/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100644 index 0000000..694f31b --- /dev/null +++ b/user/pages/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,8 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +aura: + pagetype: website +--- + +'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine \ No newline at end of file diff --git a/user/pages/05.news/01.press/modular.md b/user/pages/05.news/01.press/modular.md index 793cac6..fdd6694 100644 --- a/user/pages/05.news/01.press/modular.md +++ b/user/pages/05.news/01.press/modular.md @@ -8,3 +8,17 @@ aura: pagetype: website --- +Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International +05/11/2019 + +'The Surreal World of Nour El Saleh', Jdeed Magazine +01/10/2019 + +'Inside the Twisted World of Nour El Saleh', Mille World +04/09/2019 + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast +03/09/2019 + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER +27/08/2019 \ No newline at end of file diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg new file mode 100644 index 0000000..1d6a8f5 Binary files /dev/null and b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg differ diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md new file mode 100644 index 0000000..84cd72d --- /dev/null +++ b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md @@ -0,0 +1,8 @@ +--- +date: '18-09-2019 19:52' +date_end: '05-01-2020 19:52' +title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg new file mode 100644 index 0000000..f779c2e Binary files /dev/null and b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg differ diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md new file mode 100644 index 0000000..242c40f --- /dev/null +++ b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md @@ -0,0 +1,8 @@ +--- +date: '29-11-2019 19:44' +date_end: '12-04-2020 19:44' +title: 'Jean-Marie Appriou, Consortium Museum, Dijon, France' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100644 index 0000000..008e08a Binary files /dev/null and b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md new file mode 100644 index 0000000..d372db8 --- /dev/null +++ b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg 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b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg new file mode 100644 index 0000000..cf24daf Binary files /dev/null and b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg differ diff --git a/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md new file mode 100644 index 0000000..1e80aea --- /dev/null +++ b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -0,0 +1,9 @@ +--- +date: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md b/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md new file mode 100644 index 0000000..4f4e2b1 --- /dev/null +++ b/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md @@ -0,0 +1,8 @@ +--- +date: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +title: 'Pedro Wirz, Et. Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg new file mode 100644 index 0000000..8e90a80 Binary files /dev/null and b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg differ diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100644 index 0000000..fef4266 --- /dev/null +++ b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100644 index 0000000..1a4ab25 --- /dev/null +++ b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. 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Al., _La Plage_, Galleria Zero, Milan, Italy.png' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg new file mode 100644 index 0000000..56162ff Binary files /dev/null and b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg differ diff --git a/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100644 index 0000000..0941897 --- /dev/null +++ b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,8 @@ +--- +date: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100644 index 0000000..878a7c4 Binary files /dev/null and b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100644 index 0000000..0e705e4 --- /dev/null +++ b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,9 @@ +--- +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/modular.md b/user/pages/05.news/02.news/modular.md new file mode 100644 index 0000000..e5abeaa --- /dev/null +++ b/user/pages/05.news/02.news/modular.md @@ -0,0 +1,12 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: 'date' + dir: 'desc' +body_classes: modular +visible: false +aura: + pagetype: website +--- diff --git a/user/pages/05.news/02.news/news-1/news.md b/user/pages/05.news/02.news/news-1/news.md deleted file mode 100644 index f54b21a..0000000 --- a/user/pages/05.news/02.news/news-1/news.md +++ /dev/null @@ -1,11 +0,0 @@ ---- -date_start: '26-10-2019 14:13' -date_end: '21-12-2019 14:13' -title: 'Oda jaune, "beyond gravity'' Galerie templon, paris, france' -media_order: 'Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg' -show_sidebar: false -aura: - pagetype: website ---- - -Salut je suis la news 1 \ No newline at end of file diff --git a/user/pages/05.news/blog.md b/user/pages/05.news/blog.md index 781439c..885ad26 100644 --- a/user/pages/05.news/blog.md +++ b/user/pages/05.news/blog.md @@ -5,7 +5,7 @@ show_sidebar: false content: items: - '@self.children' - limit: 5 + limit: 0 order: by: date dir: desc @@ -15,4 +15,4 @@ aura: pagetype: website --- -Salut, News \ No newline at end of file +Salut, News diff --git a/user/pages/06.about/Install, Daiga Grantina, Robert Brambora1920.jpg b/user/pages/06.about/Install, Daiga Grantina, Robert Brambora1920.jpg deleted file mode 100644 index 959244f..0000000 Binary files a/user/pages/06.about/Install, Daiga Grantina, Robert Brambora1920.jpg and /dev/null differ diff --git a/user/pages/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages/06.about/default.md b/user/pages/06.about/default.md index 4ff1578..ba39ded 100644 --- a/user/pages/06.about/default.md +++ b/user/pages/06.about/default.md @@ -1,6 +1,8 @@ --- title: About -media_order: 'Install, Daiga Grantina, Robert Brambora1920.jpg' +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article hero_classes: '' hero_image: '' show_sidebar: '0' @@ -12,10 +14,6 @@ content: dir: desc pagination: '1' url_taxonomy_filters: '1' -aura: - pagetype: website --- -Founded in 2018, VO Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. VO positions itself at the intersection of artist and institution, providing resourceful and supportive environments, filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions yearly. - -Upcoming this November, VO Curations will unveil a new space, 242 Marylebone Road, becoming the largest studio facility in Central London hosting a total of 70 artists studios. The application for VO’s Studio Programme is open to any London-based artist. To apply to our affordable studio programme visit the ‘Studio Programme’ page > Apply. \ No newline at end of file +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions yearly. Upcoming this November, VO Curations will unveil a new space, 242 Marylebone Road, becoming the largest studio facility in Central London hosting a total of 70 artists studios. The application for VO’s Studio Programme is now open to any London-based artist. To apply to our affordable studio programme visit the ‘Studio Programme’ page > Apply. \ No newline at end of file diff --git a/user/pages/07.visit-us/_Waterloo/map.md b/user/pages/07.visit-us/_Waterloo/map.md new file mode 100644 index 0000000..38c83a1 --- /dev/null +++ b/user/pages/07.visit-us/_Waterloo/map.md @@ -0,0 +1,16 @@ +--- +title: Waterloo +media_order: 'tower building.jpg' +H_open: 'Wednesday - Saturday' +H_time: '11am - 6pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + diff --git a/user/pages/07.visit-us/_Waterloo/text.md b/user/pages/07.visit-us/_Waterloo/text.md deleted file mode 100644 index 10c44b4..0000000 --- a/user/pages/07.visit-us/_Waterloo/text.md +++ /dev/null @@ -1,16 +0,0 @@ ---- -title: Waterloo -media_order: '_15C3864 (1)1920.jpg' -map: true -street: '12th floor, The Tower,11 york Rd, Lamberth' -city: 'London Nw1 6JQ' -x: '51.503971' -'y': '-0.1169142' -aura: - pagetype: website -class: small -image_align: left ---- - -Address: -12th Floor, The Tower, 11 York Rd, Lambeth, London SE1 7NX diff --git a/user/pages/07.visit-us/_Waterloo/tower building.jpg b/user/pages/07.visit-us/_Waterloo/tower building.jpg new file mode 100644 index 0000000..eb49afe Binary files /dev/null and b/user/pages/07.visit-us/_Waterloo/tower building.jpg differ diff --git a/user/pages/07.visit-us/_marylebone/map.md b/user/pages/07.visit-us/_marylebone/map.md new file mode 100644 index 0000000..1f264d4 --- /dev/null +++ b/user/pages/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London Nw1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public only during programmed exhibitions and events. See our **What’s On** section to find out more \ No newline at end of file diff --git a/user/pages/07.visit-us/_marylebone/text.md b/user/pages/07.visit-us/_marylebone/text.md deleted file mode 100644 index ded7a16..0000000 --- a/user/pages/07.visit-us/_marylebone/text.md +++ /dev/null @@ -1,16 +0,0 @@ ---- -title: Marylebone -media_order: 242-Marylebone-Road.jpg -map: true -street: '242 Marylebone Rd, Marylebone,' -city: 'London Nw1 6JQ' -x: '51.521371' -'y': '-0.1660253' -aura: - pagetype: website -class: small -image_align: left ---- - -Address: -242 Marylebone Rd, Marylebone, London NW1 6JQ \ No newline at end of file diff --git a/user/pages/07.visit-us/modular.md b/user/pages/07.visit-us/modular.md index 091e600..5181e12 100644 --- a/user/pages/07.visit-us/modular.md +++ b/user/pages/07.visit-us/modular.md @@ -3,8 +3,8 @@ title: 'Visit us' content: items: '@self.modular' order: - by: date - dir: desc + by: Title + dir: asc limit: '5' pagination: '1' url_taxonomy_filters: '1' diff --git a/user/pages_ori/01.home/home.md b/user/pages_ori/01.home/home.md new file mode 100644 index 0000000..94e8449 --- /dev/null +++ b/user/pages_ori/01.home/home.md @@ -0,0 +1,8 @@ +--- +title: Home +visible: false +content: + items: '@self.siblings' +aura: + pagetype: website +--- diff --git a/user/pages_ori/02.whats-on/01.exhibitions/blog.md b/user/pages_ori/02.whats-on/01.exhibitions/blog.md new file mode 100644 index 0000000..8aa63a9 --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/blog.md @@ -0,0 +1,18 @@ +--- +title: Exhibitions +redirect: whats-on/exhibitions/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/blog.md new file mode 100644 index 0000000..bd8a6a7 --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -0,0 +1,14 @@ +--- +title: 'Current + upcoming' +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true +aura: + pagetype: website +--- diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(1).jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(1).jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(1).jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(1).jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Cajsa von Zeipel, When_ and Why_, 2019.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When_ and Why_, 2019.jpg similarity index 100% rename from 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rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Jean-Marie Appriou, Shrimp, 2018.jpg 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b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md similarity index 95% rename from user/pages/02.whats-on/events/current-upcoming/cicatrices/events.md rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md index e93da8f..62bba8a 100644 --- a/user/pages/02.whats-on/events/current-upcoming/cicatrices/events.md +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md @@ -1,8 +1,9 @@ --- -date_start: '22-03-2019 16:06' -date_end: '03-05-2019 16:07' +date_start: '01-01-2020 16:06' +date_end: '06-02-2020 12:38' lieux: '12th Floor' -title: Cicatrices +title: 'Cicatrices, ' +artistes: 'Jean-marie appriou, Srijon Chowdhury, John miserendino, Cajsa von zeipel, Adriano amaral, muriel abadie' media_order: 'Adriano Amaral, Untitled, 2018.jpg,Adriano Amaral, Untitled, 2018(1).jpg,Adriano Amaral, Untitled, 2018(2).jpg,Cajsa von Zeipel, When_ and Why_, 2019.jpg,Cajsa von Zeipel, Why_, 2019, When_, 2019.jpg,Details of Adriano Amaral, Untitled, 2018.jpg,Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg,Installation Isaac Lythgoe and Muriel Abadie.jpg,Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg,Jean-Marie Appriou, Shrimp, 2018.jpg,John Miserendino, L’origine du monde, 2018.jpg,John Miserendino, Mamie and Marco, 2018.jpg,Muriel Abadie, Masked Monkey, 2018.jpg' show_sidebar: false aura: @@ -23,6 +24,7 @@ birth, of being removed from the womb for, which our mothers bear a caesarean se we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an expulsion of postnatal morbidity? + If we look past the mere a priori and posteriori of the scar we begin its exoneration, its acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, @@ -45,6 +47,7 @@ their material makeup, for glass is made out of sand, such works however, conver emphasize their static adherence to the gallery wall rendering the objet d’art no different to a biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather recognition through a confrontation with artifice. + John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100644 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md new file mode 100644 index 0000000..6636d5e --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -0,0 +1,12 @@ +--- +date_start: '05-05-2020 17:21' +date_end: '11-10-2020 17:21' +title: 'Lght cages, ' +artistes: 'dillwyn smith' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 02.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '04-10-2019 20:04' +--- + diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg new file mode 100644 index 0000000..3dc65eb Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg new file mode 100644 index 0000000..098e360 Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg new file mode 100644 index 0000000..9636852 Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg new file mode 100644 index 0000000..e8b8747 Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md new file mode 100644 index 0000000..29f3d2f --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -0,0 +1,47 @@ +--- +date_start: '05-10-2019 16:27' +date_end: '11-10-2019 16:27' +title: 'Nour El Saleh ''Exquisite Farces''' +media_order: 'Inhabited Props in a Box, 2018.jpeg,Wrong Side of the Table, 2019.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Exquisite Farces is the culmination of Nour El Saleh’s residency at VO Curations, a +curatorial and cultural mediation outfit that are helping usher in a new way for artists to +inhabit and make use of the rapidly transforming architecture of an austere London. It +also marks her first foray into the wider world following on from three-years of study at +The Slade School of Fine Art, London. +El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, +physicalised and placed impulsively to prompt new narrative possibilities. She has +worked towards the creation of a satirical language to communicate an uncanny rendition +of her own experiences. With her childhood spent in the United Arab Emirates, a host for +impermanent residents, El Saleh’s comfort was in a constant state of flux, and through the +work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with +anguish and actors, and through the use of theatrical and comical imagery, the artist +reconciles these two forces. +The Puppeteer of Karakas evokes the memory of a man playing with puppets in the street +where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four +eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like +world of destitution and depravity is reframed with a sense of homeliness; checkered floor +tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. +Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems +to play with the apparent roles, and who in fact conducts the scene. A mise en abyme +occurs, the Puppeteer of Karakas becomes puppeteered, and equally, the motherly figure +of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further +prop in the theatre of El Saleh’s mind. Wrong Side of the Table depicts a juxtaposition +between a naked bust-figure, sitting at the table provocatively, acting out for the sake of +being rewarded with attention, which is at odds with a heavily cloaked figure under the +table, an elderly child, hidden out of view, coaxing attention through her aloofness. +El Saleh’s characters all seem to resemble each other with similar features: prominent +noses, dimpled chins and brown hair, almost to the point of appearing cloned in certain +scenes. All interacting intensely within a domestic interior and little space to roam, +pronounce the collectivistic atmosphere present across the artist’s paintings. This is +echoed by the two hybrid characters that sit aside the central figure in Inhabited Props in +a Box, which although are bickering, at once recall squabbling siblings rather than +anything untoward; and in this lay the charm of El Saleh’s world. Despite the peculiarity of +her depictions, on further inspection there lies a familiarity and intimate feeling of the +‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium +and have spectators sit within the composition. In an Artaud-esque manner, actors are +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. \ No newline at end of file diff --git a/user/pages/05.news/02.news/news-1/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg similarity index 100% rename from user/pages/05.news/02.news/news-1/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg new file mode 100644 index 0000000..50a9c95 Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg differ diff --git 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b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md new file mode 100644 index 0000000..2563ab5 --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -0,0 +1,12 @@ +--- +date_start: '23-05-2019 16:33' +date_end: '26-07-2020 16:33' +title: 'Parfum d''épines' +artistes: 'PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Phillips x VO Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems Les Fleurs du Mal through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. \ No newline at end of file diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md new file mode 100644 index 0000000..6e77a63 --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -0,0 +1,9 @@ +--- +date_start: '05-08-2019 16:37' +title: 'PAS DE CORPS Sonya Derviz' +show_sidebar: false +aura: + pagetype: website +--- + +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. \ No newline at end of file diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg diff --git a/user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md similarity index 100% rename from user/pages/02.whats-on/events/current-upcoming/sara-berman-matter-out-of-place/events.md rename to user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md new file mode 100644 index 0000000..b9dc83e --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -0,0 +1,12 @@ +--- +date_start: '03-07-2019 16:39' +date_end: '13-07-2019 16:40' +title: 'URBAN WAVES ' +artistes: 'Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +show_sidebar: false +aura: + pagetype: website +--- + +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. \ No newline at end of file diff --git a/user/pages_ori/02.whats-on/01.exhibitions/past/archives.md b/user/pages_ori/02.whats-on/01.exhibitions/past/archives.md new file mode 100644 index 0000000..a1e0a97 --- /dev/null +++ b/user/pages_ori/02.whats-on/01.exhibitions/past/archives.md @@ -0,0 +1,18 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: + - '@self.siblings' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +--- + diff --git a/user/pages_ori/02.whats-on/blog.md b/user/pages_ori/02.whats-on/blog.md new file mode 100644 index 0000000..21bbd6f --- /dev/null +++ b/user/pages_ori/02.whats-on/blog.md @@ -0,0 +1,16 @@ +--- +title: 'What''s On' +show_sidebar: true +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori/02.whats-on/events/blog.md b/user/pages_ori/02.whats-on/events/blog.md new file mode 100644 index 0000000..262a9b5 --- /dev/null +++ b/user/pages_ori/02.whats-on/events/blog.md @@ -0,0 +1,18 @@ +--- +title: Events +redirect: /whats-on/events/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori/02.whats-on/events/current-upcoming/blog.md b/user/pages_ori/02.whats-on/events/current-upcoming/blog.md new file mode 100644 index 0000000..77853f9 --- /dev/null +++ b/user/pages_ori/02.whats-on/events/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: Upcoming +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori/02.whats-on/events/current-upcoming/public-days/VO Studios.jpg b/user/pages_ori/02.whats-on/events/current-upcoming/public-days/VO Studios.jpg new file mode 100644 index 0000000..0ac8b19 Binary files /dev/null and b/user/pages_ori/02.whats-on/events/current-upcoming/public-days/VO Studios.jpg differ diff --git a/user/pages_ori/02.whats-on/events/current-upcoming/public-days/events.md b/user/pages_ori/02.whats-on/events/current-upcoming/public-days/events.md new file mode 100644 index 0000000..cb0284d --- /dev/null +++ b/user/pages_ori/02.whats-on/events/current-upcoming/public-days/events.md @@ -0,0 +1,8 @@ +--- +date_start: '20-07-2020 12:44' +title: 'Public days' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100644 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md new file mode 100644 index 0000000..23ce72c --- /dev/null +++ b/user/pages_ori/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -0,0 +1,15 @@ +--- +date_start: '26-07-2020 16:39' +title: 'Julien dupont' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 02.jpg' +taxonomy: + category: + - performance + tag: + - Salut +show_sidebar: false +aura: + pagetype: website +--- + +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. \ No newline at end of file diff --git a/user/pages_ori/02.whats-on/events/past/archives.md b/user/pages_ori/02.whats-on/events/past/archives.md new file mode 100644 index 0000000..f3f32a1 --- /dev/null +++ b/user/pages_ori/02.whats-on/events/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + diff --git a/user/pages_ori/03.studio-programme/01.formulaire/form.md b/user/pages_ori/03.studio-programme/01.formulaire/form.md new file mode 100644 index 0000000..4859bfb --- /dev/null +++ b/user/pages_ori/03.studio-programme/01.formulaire/form.md @@ -0,0 +1,82 @@ +--- +title: Apply +visible: false +aura: + pagetype: website +form: + name: custom_form + fields: + first_name: + type: text + placeholder: 'First name' + last_name: + placeholder: 'Last name' + type: text + date_of_birth: + type: text + placeholder: 'Date of birth' + phone_number: + placeholder: 'Phone Number' + type: text + email: + placeholder: 'E-mail adress' + type: email + size: large + move_in_date: + placeholder: 'proposed move-in date' + type: text + website: + placeholder: 'Website / instagram' + type: text + portfolio: + label: 'or upload portfolio' + placeholder: 'or upload portfolio' + type: file + multiple: false + destination: user/data/files + accept: + - application/pdf + - application/x-pdf + - image/png + - text/plain + studio: + type: radio + placeholder: Studio + default: + option1: true + option2: true + option3: true + options: + option1: individual + option2: share + option3: eithe + notes: + type: textarea + placeholder: notes... + buttons: + - + type: submit + value: Submit + process: + - + email: + from: '{{ config.plugins.email.from }}' + to: '{{ config.plugins.email.to }}' + subject: '[inscriptions-] {{ form.value.name|e }}' + body: '{% include "forms/data.html.twig" %}' + attachments: + - my-file + - + save: + fileprefix: inscriptions- + dateformat: Y-H-u + extension: txt + body: '{% include "forms/data.txt.twig" %}' + - + message: Sent + reset: true +--- + +We accept applications of artists from all practices. Our studios can be used individually or shared with others. Applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in *notes* who you wish to share a studio with. Our studio prices are offered inline with the _Greater London authorities affordability guide* (2014, 2019)_ and are inclusive of all utilities (inc. wifi). They are accessible 24/7, with communal areas and shared kitchens available. Please allow us a week to get back to you, you will receive a response over email. + +Email us at [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or if you would like to visit our facilities. diff --git a/user/pages/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg b/user/pages_ori/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg similarity index 100% rename from user/pages/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg rename to user/pages_ori/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg diff --git a/user/pages_ori/03.studio-programme/02.about/default.md b/user/pages_ori/03.studio-programme/02.about/default.md new file mode 100644 index 0000000..53847b4 --- /dev/null +++ b/user/pages_ori/03.studio-programme/02.about/default.md @@ -0,0 +1,15 @@ +--- +title: About +media_order: 'Sonya Derviz, Dancers I, 2018.jpg' +visible: false +aura: + pagetype: website +--- + +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in Zone 1 Central London, with the view to ease access and visibility for each artist. ~~Various~~ ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to create new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. + +V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1 with more upcoming spaces from spring 2020! + +_V.O Studios is a not-for-profit initiative launched October 2019._ + +### [PUBLIC DAYS: 20.04.2020](/whats-on/events/current-upcoming/public-days) \ No newline at end of file diff --git a/user/pages_ori/03.studio-programme/blog.md b/user/pages_ori/03.studio-programme/blog.md new file mode 100644 index 0000000..1edbfce --- /dev/null +++ b/user/pages_ori/03.studio-programme/blog.md @@ -0,0 +1,17 @@ +--- +title: 'Studio Programme' +redirect: /studio-programme/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori/04.residence/01.about/default.md b/user/pages_ori/04.residence/01.about/default.md new file mode 100644 index 0000000..ffbc326 --- /dev/null +++ b/user/pages_ori/04.residence/01.about/default.md @@ -0,0 +1,8 @@ +--- +title: About +visible: false +aura: + pagetype: website +--- + +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time. The programme supports and facilitates artists professional development at all levels of their careers, from emerging to established talents. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident which isn’t mandatory, depending on the artist’s schedule. The residency programme is made public through different types of events and ‘Open Studios’ Days. \ No newline at end of file diff --git a/user/pages/05.news/02.news/blog.md b/user/pages_ori/04.residence/02.current-upcoming/blog.md similarity index 93% rename from user/pages/05.news/02.news/blog.md rename to user/pages_ori/04.residence/02.current-upcoming/blog.md index fac17cb..a8b7738 100644 --- a/user/pages/05.news/02.news/blog.md +++ b/user/pages_ori/04.residence/02.current-upcoming/blog.md @@ -1,5 +1,5 @@ --- -title: News +title: Current visible: false show_sidebar: false content: diff --git a/user/pages_ori/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100644 index 0000000..da1346f Binary files /dev/null and b/user/pages_ori/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages_ori/04.residence/02.current-upcoming/victor-man/artistes.md new file mode 100644 index 0000000..3439b06 --- /dev/null +++ b/user/pages_ori/04.residence/02.current-upcoming/victor-man/artistes.md @@ -0,0 +1,13 @@ +--- +date_start: '23-05-2019 19:43' +date_end: '26-07-2019 19:43' +title: 'victor man' +media_order: 'Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices. + +On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. \ No newline at end of file diff --git a/user/pages_ori/04.residence/blog.md b/user/pages_ori/04.residence/blog.md new file mode 100644 index 0000000..4b6339e --- /dev/null +++ b/user/pages_ori/04.residence/blog.md @@ -0,0 +1,19 @@ +--- +title: 'In residence' +redirect: /residence/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Residencies form the core of VO Curations’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide our residents with a platform to incubate their ideas and showcase them to their international peers and the general public. +Residents are selected to take part in our programmes for up to three months at a time. They are non-prescriptive and process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. Made public through events and Open Studios, these opportunities encourage interaction and dialogue between international artists and audiences in London. \ No newline at end of file diff --git a/user/pages_ori/04.residence/past/archives.md b/user/pages_ori/04.residence/past/archives.md new file mode 100644 index 0000000..e3399b5 --- /dev/null +++ b/user/pages_ori/04.residence/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages_ori/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100644 index 0000000..4ba48ec --- /dev/null +++ b/user/pages_ori/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,12 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_start: '12-11-2019 18:27' +date_end: '23-11-2019 18:28' +date: '06-11-2019 17:28' +aura: + pagetype: website +date_event: '24-04-2019 17:31' +class: small +--- + +'La boutique Archive 18-20 inaugure sa première exposition', Wave FR \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages_ori/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100644 index 0000000..23e86c8 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,9 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_start: '23-11-2019 18:29' +aura: + pagetype: website +date_event: '23-05-2019 19:30' +--- + +‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages_ori/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100644 index 0000000..820c87a --- /dev/null +++ b/user/pages_ori/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_start: '21-11-2019 18:29' +aura: + pagetype: website +date_event: '03-09-2019 19:35' +--- + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages_ori/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100644 index 0000000..fbbd778 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,9 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_start: '28-11-2019 18:29' +aura: + pagetype: website +date_event: '24-07-2019 19:31' +--- + +'Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages_ori/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100644 index 0000000..566397d --- /dev/null +++ b/user/pages_ori/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,8 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +aura: + pagetype: website +--- + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_gallery-baker-street/text.md b/user/pages_ori/05.news/01.press/_gallery-baker-street/text.md new file mode 100644 index 0000000..a74ecf1 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_gallery-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'Gallery Baker Street' +date_event: '18-09-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Gallery Baker Street', Blanc Magazine \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages_ori/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..5cf540f --- /dev/null +++ b/user/pages_ori/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +aura: + pagetype: website +--- + +'Inside the Twisted World of Nour El Saleh', Mille World \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages_ori/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100644 index 0000000..d944493 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages_ori/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100644 index 0000000..bb28db3 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,8 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +aura: + pagetype: website +--- + +'Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages_ori/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100644 index 0000000..7f3b940 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,8 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +aura: + pagetype: website +--- + +'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages_ori/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100644 index 0000000..acc6537 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,8 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +aura: + pagetype: website +--- + +'Parfum d'Épines Exposition Collective' , One Arty Minute \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages_ori/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100644 index 0000000..0a797a9 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Sam Cornish on Olivia Bax', Instantloveland \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md b/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md new file mode 100644 index 0000000..1b4a791 --- /dev/null +++ b/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md @@ -0,0 +1,10 @@ +--- +title: 'Inside the twisted world of nour el saleh' +date_event: '04-11-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Inside the twisted world of nour el saleh', Mille world \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..f2ace2e --- /dev/null +++ b/user/pages_ori/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +aura: + pagetype: website +--- + +'The Surreal World of Nour El Saleh', Jdeed Magazine \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages_ori/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100644 index 0000000..ff346ba --- /dev/null +++ b/user/pages_ori/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'VO Curations '93 Baker Street'', Outset Contemporary \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages_ori/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100644 index 0000000..694f31b --- /dev/null +++ b/user/pages_ori/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,8 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +aura: + pagetype: website +--- + +'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine \ No newline at end of file diff --git a/user/pages_ori/05.news/01.press/modular.md b/user/pages_ori/05.news/01.press/modular.md new file mode 100644 index 0000000..fdd6694 --- /dev/null +++ b/user/pages_ori/05.news/01.press/modular.md @@ -0,0 +1,24 @@ +--- +title: press +content: + items: '@self.modular' +body_classes: modular +visible: false +aura: + pagetype: website +--- + +Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International +05/11/2019 + +'The Surreal World of Nour El Saleh', Jdeed Magazine +01/10/2019 + +'Inside the Twisted World of Nour El Saleh', Mille World +04/09/2019 + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast +03/09/2019 + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER +27/08/2019 \ No newline at end of file diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg b/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg new file mode 100644 index 0000000..1d6a8f5 Binary files /dev/null and b/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg differ diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md b/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md new file mode 100644 index 0000000..7ef9ae6 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md @@ -0,0 +1,9 @@ +--- +date_start: '18-09-2019 19:52' +date_end: '05-01-2020 19:52' +title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg b/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg new file mode 100644 index 0000000..f779c2e Binary files /dev/null and b/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg differ diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md b/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md new file mode 100644 index 0000000..96e065f --- /dev/null +++ b/user/pages_ori/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md @@ -0,0 +1,9 @@ +--- +date_start: '29-11-2019 19:44' +date_end: '12-04-2020 19:44' +title: 'Jean-Marie Appriou, Consortium Museum, Dijon, France' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100644 index 0000000..008e08a Binary files /dev/null and b/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md new file mode 100644 index 0000000..a1aa477 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -0,0 +1,10 @@ +--- +date_start: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg new file mode 100644 index 0000000..22f0c94 Binary files /dev/null and b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg differ diff --git a/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100644 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg new file mode 100644 index 0000000..cf24daf Binary files /dev/null and b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg differ diff --git a/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md new file mode 100644 index 0000000..5913ea8 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -0,0 +1,10 @@ +--- +date_start: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md b/user/pages_ori/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md new file mode 100644 index 0000000..769774c --- /dev/null +++ b/user/pages_ori/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md @@ -0,0 +1,9 @@ +--- +date_start: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +title: 'Pedro Wirz, Et. Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg b/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg new file mode 100644 index 0000000..8e90a80 Binary files /dev/null and b/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg differ diff --git a/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100644 index 0000000..9cf43a0 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,10 @@ +--- +date_start: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100644 index 0000000..8845e53 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,10 @@ +--- +date_start: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png b/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png new file mode 100644 index 0000000..e254470 Binary files /dev/null and b/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png differ diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md new file mode 100644 index 0000000..4a07792 --- /dev/null +++ b/user/pages_ori/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -0,0 +1,10 @@ +--- +date_start: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' +media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg b/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg new file mode 100644 index 0000000..56162ff Binary files /dev/null and b/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg differ diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100644 index 0000000..ccda3ae --- /dev/null +++ b/user/pages_ori/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,9 @@ +--- +date_start: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100644 index 0000000..878a7c4 Binary files /dev/null and b/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100644 index 0000000..deb14ba --- /dev/null +++ b/user/pages_ori/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,10 @@ +--- +date_start: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori/05.news/02.news/modular.md b/user/pages_ori/05.news/02.news/modular.md new file mode 100644 index 0000000..c5a8005 --- /dev/null +++ b/user/pages_ori/05.news/02.news/modular.md @@ -0,0 +1,18 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: date + dir: desc + limit: '0' + pagination: '1' + url_taxonomy_filters: '1' +visible: false +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/pages_ori/05.news/blog.md b/user/pages_ori/05.news/blog.md new file mode 100644 index 0000000..781439c --- /dev/null +++ b/user/pages_ori/05.news/blog.md @@ -0,0 +1,18 @@ +--- +title: News +redirect: /news/news +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Salut, News \ No newline at end of file diff --git a/user/pages_ori/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages_ori/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages_ori/06.about/default.md b/user/pages_ori/06.about/default.md new file mode 100644 index 0000000..ba39ded --- /dev/null +++ b/user/pages_ori/06.about/default.md @@ -0,0 +1,19 @@ +--- +title: About +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions yearly. Upcoming this November, VO Curations will unveil a new space, 242 Marylebone Road, becoming the largest studio facility in Central London hosting a total of 70 artists studios. The application for VO’s Studio Programme is now open to any London-based artist. To apply to our affordable studio programme visit the ‘Studio Programme’ page > Apply. \ No newline at end of file diff --git a/user/pages/07.visit-us/_Waterloo/_15C3864 (1)1920.jpg b/user/pages_ori/07.visit-us/_Waterloo/_15C3864 (1)1920.jpg similarity index 100% rename from user/pages/07.visit-us/_Waterloo/_15C3864 (1)1920.jpg rename to user/pages_ori/07.visit-us/_Waterloo/_15C3864 (1)1920.jpg diff --git a/user/pages_ori/07.visit-us/_Waterloo/map.md b/user/pages_ori/07.visit-us/_Waterloo/map.md new file mode 100644 index 0000000..adeaa71 --- /dev/null +++ b/user/pages_ori/07.visit-us/_Waterloo/map.md @@ -0,0 +1,16 @@ +--- +title: Waterloo +media_order: '_15C3864 (1)1920.jpg' +H_open: 'Wednesday - Saturday' +H_time: '11am - 6pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + diff --git a/user/pages_ori/07.visit-us/_marylebone/242-Marylebone-Road.jpg b/user/pages_ori/07.visit-us/_marylebone/242-Marylebone-Road.jpg new file mode 100644 index 0000000..23be4aa Binary files /dev/null and b/user/pages_ori/07.visit-us/_marylebone/242-Marylebone-Road.jpg differ diff --git a/user/pages_ori/07.visit-us/_marylebone/map.md b/user/pages_ori/07.visit-us/_marylebone/map.md new file mode 100644 index 0000000..1f264d4 --- /dev/null +++ b/user/pages_ori/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London Nw1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public only during programmed exhibitions and events. See our **What’s On** section to find out more \ No newline at end of file diff --git a/user/pages_ori/07.visit-us/modular.md b/user/pages_ori/07.visit-us/modular.md new file mode 100644 index 0000000..5181e12 --- /dev/null +++ b/user/pages_ori/07.visit-us/modular.md @@ -0,0 +1,17 @@ +--- +title: 'Visit us' +content: + items: '@self.modular' + order: + by: Title + dir: asc + limit: '5' + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/pages_ori2/01.home/home.md b/user/pages_ori2/01.home/home.md new file mode 100644 index 0000000..428a233 --- /dev/null +++ b/user/pages_ori2/01.home/home.md @@ -0,0 +1,11 @@ +--- +title: Home +visible: false +content: + items: '@self.siblings' + order: + by: date + dir: asc +aura: + pagetype: website +--- diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/blog.md b/user/pages_ori2/02.whats-on/01.exhibitions/blog.md new file mode 100644 index 0000000..8aa63a9 --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/blog.md @@ -0,0 +1,18 @@ +--- +title: Exhibitions +redirect: whats-on/exhibitions/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/blog.md new file mode 100644 index 0000000..579c9c8 --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: 'Current + upcoming' +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages/02.whats-on/events/current-upcoming/cicatrices/Adriano Amaral, Untitled, 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b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md new file mode 100644 index 0000000..c5822da --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md @@ -0,0 +1,62 @@ +--- +date: '22-03-2019 16:06' +date_end: '03-05-2019 12:38' +lieux: '12th Floor' +title: 'Cicatrices, ' +artistes: ' Muriel Abadie, Adriano Amaral, Jean-marie Appriou, Srijon Chowdhury, Isaac Lythgoe, John Miserendino, Maïa Régis, Cajsa von Zeipel' +media_order: 'Adriano Amaral, Untitled, 2018.jpg,Adriano Amaral, Untitled, 2018(1).jpg,Adriano Amaral, Untitled, 2018(2).jpg,Cajsa von Zeipel, When_ and Why_, 2019.jpg,Cajsa von Zeipel, Why_, 2019, When_, 2019.jpg,Details of Adriano Amaral, Untitled, 2018.jpg,Details of Cajsa von Zeipel, When_ and Why_, 2019.jpg,Installation Isaac Lythgoe and Muriel Abadie.jpg,Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg,Jean-Marie Appriou, Shrimp, 2018.jpg,John Miserendino, L’origine du monde, 2018.jpg,John Miserendino, Mamie and Marco, 2018.jpg,Muriel Abadie, Masked Monkey, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +On an epithelial level, the scar is simply a mark, a regenerated piece of tissue, a healed lesion +that conventionally follows the infliction of an incision or a burn, either intentional or not. Of +this trace however, we almost instantly find that it does not suffice to regard it as a mere +peculiarity of the dermis, as what is crucial to this fibrous section of tissue is the meta- +cutaneous, its metonymic relationship to a particular event or action. This is the primary trait +of any scar: that it signifies beyond the skin, beyond the biological palimpsest that it has +produced. We are, at first, tempted to associate it with the traumatic, with the remnants of +suffering that make of it a relic of pain, both physical and cognitive, an agonizing recollection +of consumed passions and jagged embraces, flaming within our psyche and manifest with the +illuminated perspex sculptures of Isaac Lythgoe. Yet, is it not a scar that also reminds one of +birth, of being removed from the womb for, which our mothers bear a caesarean section or +we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by +Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an +expulsion of postnatal morbidity? + +If we look past the mere a priori and posteriori of the scar we begin its exoneration, its +acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and +adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, +symbolically branding the epidermis, but performs the function of ritual by subjecting one to +the repeated injection of their beliefs. Such Maia Regis’ effaced protagonist, dog and pistol in +hand, imparts further potency to its all too visceral surroundings via the snake emblem +ascending their torso, the scar given agency. The kissing silicone sculptures of Casja von +Zeipel too recall this piercing and tinting of the skin through selective transparencies and the +emulation of a cracked reptilian dermis undergoing ecdysis (molting), further inscribing their +hyper-visiblity by means of their hybridity. Synthetic and organic, their skin, double-layered or +scaled, appears mechanically superior while still presenting the human characteristic of +retaining traces, or bearing scars. This dualism, the recalling of an organic anterior, further +prompt a focus on DNA, one expressed by Adriano Amaral in his employment of natural +materials such as tree bark and spirulina alongside shapes of contemporary industry. The +ramifications emerging from Amaral’s tubular structures delineate an ecological scarification +inflicted upon flora and fauna rather than the human flesh, proposing the solution of +prosthetics as a method of undoing any damage to the organic. A similar approach lies within +Jean-Marie Appriou’s sculptures of marine creatures. Displaying a hereditary connection to +their material makeup, for glass is made out of sand, such works however, conversely, +emphasize their static adherence to the gallery wall rendering the objet d’art no different to a +biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather +recognition through a confrontation with artifice. + +John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to +uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to +resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity +of material by accentuating surface lesions and vivid chromatic schemes. The notions of +transmission and trace exist not only within such marbles, for through the work of Muriel +Abadie an idea of recollection, of one's personal rather than cultural history surfaces with +the sketch. Abadie seeks to access a realm of the familiar, to awaken in all of us a forgotten +memory that can appear through the visual. Her urge is collective, remembrance as +protection against temporal perdition. Within our efforts to heal, perhaps the same can be +said for the cicatrice... + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg new file mode 100644 index 0000000..12244ae Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Hermit Song', 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Hermit Song', 2018.jpg new file mode 100644 index 0000000..f70838b Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Hermit Song', 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 01.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 01.jpg new file mode 100644 index 0000000..9aae90b Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 01.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 03.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 03.jpg new file mode 100644 index 0000000..3324850 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 03.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 04.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 04.jpg new file mode 100644 index 0000000..b23c8d6 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Light Cages' Install 04.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018, and 'Praise', 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018, and 'Praise', 2018.jpg new file mode 100644 index 0000000..fd40b88 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018, and 'Praise', 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018.jpg new file mode 100644 index 0000000..fe1f29d Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Working Class Hero', 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md new file mode 100644 index 0000000..bb19aab --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -0,0 +1,25 @@ +--- +date: '24-10-2019 17:21' +date_end: '22-11-2019 17:21' +lieux: '12th floor' +title: 'Light Cages, ' +artistes: ' Dillwyn Smith' +media_order: 'Dillwyn Smith, ''Light Cages'' Install 04.jpg,Dillwyn Smith, ''Full Transparency'', 2018.jpg,Dillwyn Smith, ''Light Cages'' Install 01.jpg,Dillwyn Smith, ''Working Class Hero'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018, and ''Praise'', 2018.jpg,Dillwyn Smith, ''Hermit Song'', 2018.jpg,Dillwyn Smith, ''Light Cages'' Install 03.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '04-10-2019 20:04' +--- + +Dillwyn Smith has a most unusual technique, he gives us a labour of love, a quiet ease around the stitching of nylon fabrics which gently moves us on to deeper matters. These large new works contain a new light - there is precarious illumination which comes at us layered, striped, watered down, occasionally not of this earth, but subaqueous and reified. Dillwyn has made some new mystic moves and has been ‘a diver in deep seas, and keeps their fallen day about him; he has trafficked for strange webs with Eastern merchants’. + +How important it is that Dillwyn is not English, that he is half Welsh and Half Irish, that he is a genuine Celt? It is very important, it matters because this means that certain things are there in Dillwyn’s work now that the English have no access to. It is, above all else, around colour and light that this delicacy of perception comes home to roost, like a dove brooding upon the waters. It matters because, as Walter Pater insisted: ‘all art’ does indeed ‘aspire to the condition of music’ and Dillwyn’s new work has finally managed the magic metamorphosis into synaesthesia. + +For hours we have been thinking about how the new work is to be shown, to be displayed, to be allowed to perform its fulgent colloquies upon the eyes of those lucky enough to try and see into it and through it? What are these things he now creates? – paintings they are not. They are tricky boxes of colour, wobbly flags with no nation, rat traps for light rays, quilts without beds, aesthetic dirty laundry hung out to dry, lovely textiles shifting in sun and wind, The Colour of Pomegranates comes to mind. They are offcuts from a coat of many subdued colours, a soft coat of arms, the inspired motley this triumphant Harlequin artist has earned the right to parade. + +This work not only moves us, it moves into us, constantly performative it makes its own rhythms. These rhythms of time and of colour exist outside ‘tick tock time’, working time. The fruit of his loom is work that does not ‘clock in’ and ‘clock out’, time works within it and around it now, time and light, mysteriously married. Disciplined lyricism, the unstable stabilized, quicksilver trapped until a common greyness silvers everything, not easy things to pull off. This is work that demands contemplation, not in a grand way, but in a revivifying way, as quiet and necessary as a day-dream. Such work comes about rarely and through intense testing – some parts of the great Russian Icons have it, some of the maroon and burgundy rectangles of late Rothko, and those strange, restrained pages of Capitals from The Book of Kells, they definitely have it. Yes the Irish thing again, in Dillwyn’s new work we approach the poetics of interlacement, a fabricated fluidity, disciplined but organic, beyond the hard geometric trickery of Cubism. +Dillwyn’s fabrics are utilitarian too and embody an artistic commentary upon an entire Kingdom. He told me once that he was working with cloths which are deeply, symbolically, enmeshed and locked into the cultures and social politics of Oman. The fabrics are turned into the traditional Dishdasha worn by men. Many of the colours of these garments carry tribal significations, relating to the identities of ethnic groups. A certain yellow, for example, is exclusive to the people of the deep South in Salalah on the border with Yemen. Other colours relate to social standing and the stratifications of labour. That lovely maroon which so haunted and haunts my gaze is in fact the cloth worn by domestic workers, and so is not only beautiful but burdened with the labour of millions. The white cloths are reserved for administrators and government functionaries. Several of the grays and browns relate to the Oman elite. And so Dillwyn’s work creates a democracy of colour mixing, melding, interlacing the social and ethnic patterns of the tip of the Arabian Peninsula. As he makes those light damasks float Dillwyn creates a celebratory garb, which somehow, by hook or by crook, has made a whole society (embedded in inequality) float, light up, caper in gentle curvature, upon his wooden skeletons. + +Maybe what is most magical about what we now see is that many of the fabrics are nylons, imported to Oman from Japan. He takes flimsy gauzes impregnated with chemical aniline dies, he makes his textile mosaics out of them, and suddenly they can do, they do do, the strangest things before our eyes and to our eyes. Only the great creative magicians perform such Alchemy upon the senses. James Joyce in the Nausicaa chapter of Ulysses took the language of cliché, thrown in saccharine heaps into girl’s romantic magazines, and then transformed the cinders of a dull dead language into Gerty McDowell’s soaring love song. Dillwyn takes garish bolts and bales of nylon, hung about with a grim whiff of the sweat shop, and turns them into geometric kaleidoscopes which albeit briefly can make our ugly little world tumultuously bright. + +Words by Marcus Wood diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Still_ElectricityBoxes.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Still_ElectricityBoxes.jpg new file mode 100644 index 0000000..1b9d836 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Still_ElectricityBoxes.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md new file mode 100644 index 0000000..a3318dc --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -0,0 +1,13 @@ +--- +date: '27-11-2019 18:26' +date_end: '20-12-2019 18:26' +lieux: '12th floor, ' +title: ' Mr. Majidi and the Electricity Box' +artistes: 'Mania Akbari, Douglas White ' +media_order: Still_ElectricityBoxes.jpg +show_sidebar: false +aura: + pagetype: website +--- + +V.O Curations is pleased to announce “Mr. Majidi and the Electricity Box”, an exhibition of collaborative works by Iranian filmmaker Mania Akbari and British sculptor Douglas White. In continuation to their film “A Moon for My Father” (2018), the exhibition features new photographic and sculptural works that reflect on Biopolitics and forms of governmental control. Made from found objects and authentic imagery, the disquieting and surreal series focuses on specific instances of censorship, surveillance and control. Akbari and White further invite the audience to contemplate the complex and often invisible connections between state, body and objecthood, through a poignant and personal perspective. diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg new file mode 100644 index 0000000..3dc65eb Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg new file mode 100644 index 0000000..098e360 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg new file mode 100644 index 0000000..9636852 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg new file mode 100644 index 0000000..e8b8747 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md new file mode 100644 index 0000000..7d1feb1 --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -0,0 +1,49 @@ +--- +date: '05-10-2019 16:27' +date_end: '11-10-2019 16:27' +lieux: '12th floor, ' +title: 'Exquisite Farces, ' +artistes: ' Nour El Saleh' +media_order: 'Inhabited Props in a Box, 2018.jpeg,Wrong Side of the Table, 2019.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Exquisite Farces is the culmination of Nour El Saleh’s residency at VO Curations, a +curatorial and cultural mediation outfit that are helping usher in a new way for artists to +inhabit and make use of the rapidly transforming architecture of an austere London. It +also marks her first foray into the wider world following on from three-years of study at +The Slade School of Fine Art, London. +El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, +physicalised and placed impulsively to prompt new narrative possibilities. She has +worked towards the creation of a satirical language to communicate an uncanny rendition +of her own experiences. With her childhood spent in the United Arab Emirates, a host for +impermanent residents, El Saleh’s comfort was in a constant state of flux, and through the +work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with +anguish and actors, and through the use of theatrical and comical imagery, the artist +reconciles these two forces. +The Puppeteer of Karakas evokes the memory of a man playing with puppets in the street +where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four +eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like +world of destitution and depravity is reframed with a sense of homeliness; checkered floor +tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. +Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems +to play with the apparent roles, and who in fact conducts the scene. A mise en abyme +occurs, the Puppeteer of Karakas becomes puppeteered, and equally, the motherly figure +of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further +prop in the theatre of El Saleh’s mind. Wrong Side of the Table depicts a juxtaposition +between a naked bust-figure, sitting at the table provocatively, acting out for the sake of +being rewarded with attention, which is at odds with a heavily cloaked figure under the +table, an elderly child, hidden out of view, coaxing attention through her aloofness. +El Saleh’s characters all seem to resemble each other with similar features: prominent +noses, dimpled chins and brown hair, almost to the point of appearing cloned in certain +scenes. All interacting intensely within a domestic interior and little space to roam, +pronounce the collectivistic atmosphere present across the artist’s paintings. This is +echoed by the two hybrid characters that sit aside the central figure in Inhabited Props in +a Box, which although are bickering, at once recall squabbling siblings rather than +anything untoward; and in this lay the charm of El Saleh’s world. Despite the peculiarity of +her depictions, on further inspection there lies a familiarity and intimate feeling of the +‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium +and have spectators sit within the composition. In an Artaud-esque manner, actors are +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..5c45899 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg 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b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100644 index 0000000..da1346f Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md new file mode 100644 index 0000000..287f03b --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -0,0 +1,13 @@ +--- +date: '23-05-2019 16:33' +date_end: '26-07-2019 16:33' +lieux: 'Phillips Auction' +title: 'Parfum d''épines,' +artistes: ' PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Phillips x VO Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems Les Fleurs du Mal through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg new file mode 100644 index 0000000..8fbad26 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers I, 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md new file mode 100644 index 0000000..2963caa --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -0,0 +1,12 @@ +--- +date: '05-08-2019 16:37' +date_end: '18-08-2019 16:37' +lieux: '93 Baker Street ' +title: 'Pas de Corps, ' +artistes: ' Sonya Derviz' +show_sidebar: false +aura: + pagetype: website +--- + +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg new file mode 100644 index 0000000..e616042 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman(1).jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg new file mode 100644 index 0000000..f9f36c9 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation Sara Berman.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg new file mode 100644 index 0000000..fa32199 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg new file mode 100644 index 0000000..2c16928 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg new file mode 100644 index 0000000..96110bb Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg differ diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md new file mode 100644 index 0000000..be427bd --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md @@ -0,0 +1,69 @@ +--- +date: '03-10-2019 17:49' +date_end: '19-10-2019 17:49' +lieux: '93 Baker Street ' +title: 'Matter out of Place,' +artistes: ' Sara Berman' +media_order: 'Installation Sara Berman.jpg,Installation Sara Berman(1).jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Sara Berman, Lint Sweater #38, 2018.jpg,Sara Berman, Lint Sweater #40, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '07-12-2019 16:30' +--- + +"It is something rejected from which one does not part, from which one +does not protect oneself as from an object. (...) It is thus not lack of +cleanliness or health that causes abjection but what disturbs identity, +system, order." Julia Kristeva + +There is an unprecedented struggle for unity and mutuality in this epoch of +singularity and individualism. The biblical precedes these secular ideals in +the myth of Babel, with its human element inevitably failing into disparity, +not just of language but also of socio-cultural context for its collective +ambitions would become its primary sin. Surrounded by divergent, +fluctuating value systems, Sara Berman has selected the lowest common +denominator of mankind as the focal point of her work, as an uncanny, +debased catalyser in her line of artistic inquiry: 'waste'. A propensity for +textiles has perhaps indicated Berman in the direction of lint, of drying +machine filters, which despite her minimal intervention, do not draw one +immediately towards the abject nature of the piece, but rather ensue an +auratic dialogue guided by their anthropomorphic quality and vivid +stratigraphy. This 'matter out of place', waste in the form of the work of +art (the commodity par excellence) comes to embody the term derived from +Mary Douglas's seminal study on dirt, not just literally, but through the +very internal logic of the works. Not only are the fabric remnants +dislocated from their status as superfluous objects, framed and exhibited +within the gallery space, but in her attempt to generate discourse Berman +has created an art object resistant and adhering to any nomenclature, while +circumventing any positive or negative valences. The works find +themselves in a latent state; perhaps even one of paradox for an initial +reaction might contravene a subsequent one upon finding out the medium. +From breaking her own dyer at home, to her latter exploration of London +drycleaners, from the first attempts of gathering the lint in large bags to +then attaching it to furniture, Berman has redacted her process of making +to reduce the infliction of her will upon the work as much as possible. This +however has not created a ready-made, for the immediacy of deskilling is +replaced by a careful subtraction, while the unique makeup of the works +would have them tangential to artisanship. Berman selects the lints from +the filters (very few of which present this distinctive layering) and stiches +them to pieces of linen without seeking precision. There is an +inexhaustible web of socio-economic relations, which each wool fibre or +hair follicle has traversed and can further generate through their +repurposing in the lint figures. It is perhaps not coincidental that some of +these should have a convex, circular geometry, occurring in the inferior +parts evoking thus the maternal or the fertile. The human dimension of the +works would have it operate like an artefact, even more so now that the +pieces are exhibited framed for the first time, an equalizing procedure to +stress their organic, biological aspect. There is only an illusion of +uniformity as each work is entirely distinct in its 'genetic composition' +while any separation occurs as an auxiliary, as our own imposed +estrangement from it. Berman has removed the glass dividing the viewer +from the 'abject', facilitating either confrontation or familiarization, in +either circumstance permitting a direct exchange. The rug outside invites +one into the gallery space while simultaneously deconstructing its +boundary, playing into the idea of domesticity as a percept for belonging +and safety while including the nomadic. Berman's inquiry extends into the +exterior realm, the question remains, is it art, a handful of hair and lint +from the local drycleaners or simply matter... out of place? + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/AC (PREVIEW).jpg b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/AC (PREVIEW).jpg new file mode 100644 index 0000000..a549249 Binary files /dev/null and b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/AC (PREVIEW).jpg differ diff --git a/user/pages/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md similarity index 82% rename from user/pages/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md rename to user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md index 8e7a5f1..a5fbf24 100644 --- a/user/pages/02.whats-on/events/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md +++ b/user/pages_ori2/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -1,10 +1,13 @@ --- -date_start: '03-07-2019 16:39' +date: '03-07-2019 16:39' date_end: '13-07-2019 16:40' -title: 'URBAN WAVES Andrei Costache, Richie Culver an­d Morgan Ward' +lieux: '93 Baker Street ' +title: 'URBAN WAVES, ' +artistes: ' Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'AC (PREVIEW).jpg' show_sidebar: false aura: pagetype: website --- -The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. \ No newline at end of file +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. diff --git a/user/pages_ori2/02.whats-on/01.exhibitions/past/archives.md b/user/pages_ori2/02.whats-on/01.exhibitions/past/archives.md new file mode 100644 index 0000000..6f110db --- /dev/null +++ b/user/pages_ori2/02.whats-on/01.exhibitions/past/archives.md @@ -0,0 +1,14 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: + - '@self.siblings' + limit: 0 + pagination: true + url_taxonomy_filters: true +--- diff --git a/user/pages_ori2/02.whats-on/blog.md b/user/pages_ori2/02.whats-on/blog.md new file mode 100644 index 0000000..4b56649 --- /dev/null +++ b/user/pages_ori2/02.whats-on/blog.md @@ -0,0 +1,15 @@ +--- +title: 'What''s On' +show_sidebar: true +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori2/02.whats-on/events/blog.md b/user/pages_ori2/02.whats-on/events/blog.md new file mode 100644 index 0000000..262a9b5 --- /dev/null +++ b/user/pages_ori2/02.whats-on/events/blog.md @@ -0,0 +1,18 @@ +--- +title: Events +redirect: /whats-on/events/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/02.whats-on/events/current-upcoming/blog.md b/user/pages_ori2/02.whats-on/events/current-upcoming/blog.md new file mode 100644 index 0000000..ffd36e1 --- /dev/null +++ b/user/pages_ori2/02.whats-on/events/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: Upcoming +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/You made me love you (2005)_Miranda_Pennell.jpg b/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/You made me love you (2005)_Miranda_Pennell.jpg new file mode 100644 index 0000000..5f8612c Binary files /dev/null and b/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/You made me love you (2005)_Miranda_Pennell.jpg differ diff --git a/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/events.md b/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/events.md new file mode 100644 index 0000000..87de0c7 --- /dev/null +++ b/user/pages_ori2/02.whats-on/events/current-upcoming/body-and-borders/events.md @@ -0,0 +1,14 @@ +--- +date_start: '07-12-2019 18:53' +lieux: '12th floor, ' +title: '''Body and Borders'',' +artistes: 'Johann Arens, Lucy Clout, A K Dolve, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinlan, Miranda Pennel' +media_order: 'You made me love you (2005)_Miranda_Pennell.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +To accompany the ‘Mr. Majidi and the Electricity Box’ exhibition, Iranian filmmaker Mania Akbari and British sculptor Douglas White have curated a cultural programme on 7th December, encompassing further screenings from 10 contemporary artists, who also explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolve, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinlan, Miranda Pennel and Douglas White. + +The screenings will be followed by a panel talk, moderated by art critic Nick Hackworth, featuring Mania Akbari, Douglas White, Miranda Pennell, Lucy Clout and Johann Arens, discussing the body and its entailed power structures. diff --git a/user/pages_ori2/02.whats-on/events/past/archives.md b/user/pages_ori2/02.whats-on/events/past/archives.md new file mode 100644 index 0000000..f3f32a1 --- /dev/null +++ b/user/pages_ori2/02.whats-on/events/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + diff --git a/user/pages_ori2/03.studio-programme/01.formulaire/form.md b/user/pages_ori2/03.studio-programme/01.formulaire/form.md new file mode 100644 index 0000000..4859bfb --- /dev/null +++ b/user/pages_ori2/03.studio-programme/01.formulaire/form.md @@ -0,0 +1,82 @@ +--- +title: Apply +visible: false +aura: + pagetype: website +form: + name: custom_form + fields: + first_name: + type: text + placeholder: 'First name' + last_name: + placeholder: 'Last name' + type: text + date_of_birth: + type: text + placeholder: 'Date of birth' + phone_number: + placeholder: 'Phone Number' + type: text + email: + placeholder: 'E-mail adress' + type: email + size: large + move_in_date: + placeholder: 'proposed move-in date' + type: text + website: + placeholder: 'Website / instagram' + type: text + portfolio: + label: 'or upload portfolio' + placeholder: 'or upload portfolio' + type: file + multiple: false + destination: user/data/files + accept: + - application/pdf + - application/x-pdf + - image/png + - text/plain + studio: + type: radio + placeholder: Studio + default: + option1: true + option2: true + option3: true + options: + option1: individual + option2: share + option3: eithe + notes: + type: textarea + placeholder: notes... + buttons: + - + type: submit + value: Submit + process: + - + email: + from: '{{ config.plugins.email.from }}' + to: '{{ config.plugins.email.to }}' + subject: '[inscriptions-] {{ form.value.name|e }}' + body: '{% include "forms/data.html.twig" %}' + attachments: + - my-file + - + save: + fileprefix: inscriptions- + dateformat: Y-H-u + extension: txt + body: '{% include "forms/data.txt.twig" %}' + - + message: Sent + reset: true +--- + +We accept applications of artists from all practices. Our studios can be used individually or shared with others. Applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in *notes* who you wish to share a studio with. Our studio prices are offered inline with the _Greater London authorities affordability guide* (2014, 2019)_ and are inclusive of all utilities (inc. wifi). They are accessible 24/7, with communal areas and shared kitchens available. Please allow us a week to get back to you, you will receive a response over email. + +Email us at [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or if you would like to visit our facilities. diff --git a/user/pages_ori2/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg b/user/pages_ori2/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg new file mode 100644 index 0000000..8fbad26 Binary files /dev/null and b/user/pages_ori2/03.studio-programme/02.about/Sonya Derviz, Dancers I, 2018.jpg differ diff --git a/user/pages_ori2/03.studio-programme/02.about/default.md b/user/pages_ori2/03.studio-programme/02.about/default.md new file mode 100644 index 0000000..53847b4 --- /dev/null +++ b/user/pages_ori2/03.studio-programme/02.about/default.md @@ -0,0 +1,15 @@ +--- +title: About +media_order: 'Sonya Derviz, Dancers I, 2018.jpg' +visible: false +aura: + pagetype: website +--- + +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in Zone 1 Central London, with the view to ease access and visibility for each artist. ~~Various~~ ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to create new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. + +V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1 with more upcoming spaces from spring 2020! + +_V.O Studios is a not-for-profit initiative launched October 2019._ + +### [PUBLIC DAYS: 20.04.2020](/whats-on/events/current-upcoming/public-days) \ No newline at end of file diff --git a/user/pages_ori2/03.studio-programme/blog.md b/user/pages_ori2/03.studio-programme/blog.md new file mode 100644 index 0000000..7dbb26f --- /dev/null +++ b/user/pages_ori2/03.studio-programme/blog.md @@ -0,0 +1,17 @@ +--- +title: 'Studio Programme' +redirect: /studio-programme/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/04.residence/01.about/default.md b/user/pages_ori2/04.residence/01.about/default.md new file mode 100644 index 0000000..ffbc326 --- /dev/null +++ b/user/pages_ori2/04.residence/01.about/default.md @@ -0,0 +1,8 @@ +--- +title: About +visible: false +aura: + pagetype: website +--- + +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time. The programme supports and facilitates artists professional development at all levels of their careers, from emerging to established talents. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident which isn’t mandatory, depending on the artist’s schedule. The residency programme is made public through different types of events and ‘Open Studios’ Days. \ No newline at end of file diff --git a/user/pages_ori2/04.residence/02.current-upcoming/blog.md b/user/pages_ori2/04.residence/02.current-upcoming/blog.md new file mode 100644 index 0000000..c42bf02 --- /dev/null +++ b/user/pages_ori2/04.residence/02.current-upcoming/blog.md @@ -0,0 +1,17 @@ +--- +title: Current +visible: false +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori2/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100644 index 0000000..da1346f Binary files /dev/null and b/user/pages_ori2/04.residence/02.current-upcoming/victor-man/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori2/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages_ori2/04.residence/02.current-upcoming/victor-man/artistes.md new file mode 100644 index 0000000..75c7563 --- /dev/null +++ b/user/pages_ori2/04.residence/02.current-upcoming/victor-man/artistes.md @@ -0,0 +1,13 @@ +--- +date: '23-05-2019 19:43' +date_end: '26-07-2019 19:43' +title: 'victor man' +media_order: 'Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices. + +On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition. diff --git a/user/pages_ori2/04.residence/blog.md b/user/pages_ori2/04.residence/blog.md new file mode 100644 index 0000000..9f3dd14 --- /dev/null +++ b/user/pages_ori2/04.residence/blog.md @@ -0,0 +1,19 @@ +--- +title: 'In residence' +redirect: /residence/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Residencies form the core of VO Curations’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide our residents with a platform to incubate their ideas and showcase them to their international peers and the general public. +Residents are selected to take part in our programmes for up to three months at a time. They are non-prescriptive and process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. Made public through events and Open Studios, these opportunities encourage interaction and dialogue between international artists and audiences in London. \ No newline at end of file diff --git a/user/pages_ori2/04.residence/past/archives.md b/user/pages_ori2/04.residence/past/archives.md new file mode 100644 index 0000000..e3399b5 --- /dev/null +++ b/user/pages_ori2/04.residence/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages_ori2/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100644 index 0000000..7e2045f --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,10 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_event: '24-04-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'La boutique Archive 18-20 inaugure sa première exposition', Wave FR \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages_ori2/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100644 index 0000000..84adde1 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,8 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_event: '23-05-2019 19:30' +aura: + pagetype: website +--- + +‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages_ori2/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100644 index 0000000..a784f80 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,8 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_event: '03-09-2019 19:35' +aura: + pagetype: website +--- + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages_ori2/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100644 index 0000000..8276305 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,8 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_event: '24-07-2019 19:31' +aura: + pagetype: website +--- + +'Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages_ori2/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100644 index 0000000..566397d --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,8 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +aura: + pagetype: website +--- + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_gallery-baker-street/text.md b/user/pages_ori2/05.news/01.press/_gallery-baker-street/text.md new file mode 100644 index 0000000..a74ecf1 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_gallery-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'Gallery Baker Street' +date_event: '18-09-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Gallery Baker Street', Blanc Magazine \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages_ori2/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..5cf540f --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +aura: + pagetype: website +--- + +'Inside the Twisted World of Nour El Saleh', Mille World \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_jean-marie/text.md b/user/pages_ori2/05.news/01.press/_jean-marie/text.md new file mode 100644 index 0000000..ad4b448 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_jean-marie/text.md @@ -0,0 +1,7 @@ +--- +title: 'jean ' +date_event: '02-11-2019 16:46' +aura: + pagetype: website +--- + diff --git a/user/pages_ori2/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages_ori2/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100644 index 0000000..d944493 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages_ori2/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100644 index 0000000..bb28db3 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,8 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +aura: + pagetype: website +--- + +'Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages_ori2/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100644 index 0000000..7f3b940 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,8 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +aura: + pagetype: website +--- + +'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages_ori2/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100644 index 0000000..acc6537 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,8 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +aura: + pagetype: website +--- + +'Parfum d'Épines Exposition Collective' , One Arty Minute \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages_ori2/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100644 index 0000000..0a797a9 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Sam Cornish on Olivia Bax', Instantloveland \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md b/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md new file mode 100644 index 0000000..1b4a791 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh-2/text.md @@ -0,0 +1,10 @@ +--- +title: 'Inside the twisted world of nour el saleh' +date_event: '04-11-2019 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'Inside the twisted world of nour el saleh', Mille world \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..f2ace2e --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,8 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +aura: + pagetype: website +--- + +'The Surreal World of Nour El Saleh', Jdeed Magazine \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages_ori2/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100644 index 0000000..ff346ba --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '06-11-2019 17:28' +aura: + pagetype: website +class: small +--- + +'VO Curations '93 Baker Street'', Outset Contemporary \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages_ori2/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100644 index 0000000..694f31b --- /dev/null +++ b/user/pages_ori2/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,8 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +aura: + pagetype: website +--- + +'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine \ No newline at end of file diff --git a/user/pages_ori2/05.news/01.press/modular.md b/user/pages_ori2/05.news/01.press/modular.md new file mode 100644 index 0000000..fdd6694 --- /dev/null +++ b/user/pages_ori2/05.news/01.press/modular.md @@ -0,0 +1,24 @@ +--- +title: press +content: + items: '@self.modular' +body_classes: modular +visible: false +aura: + pagetype: website +--- + +Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International +05/11/2019 + +'The Surreal World of Nour El Saleh', Jdeed Magazine +01/10/2019 + +'Inside the Twisted World of Nour El Saleh', Mille World +04/09/2019 + +'A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast +03/09/2019 + +'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER +27/08/2019 \ No newline at end of file diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg new file mode 100644 index 0000000..1d6a8f5 Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg differ diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md new file mode 100644 index 0000000..84cd72d --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.md @@ -0,0 +1,8 @@ +--- +date: '18-09-2019 19:52' +date_end: '05-01-2020 19:52' +title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg new file mode 100644 index 0000000..f779c2e Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg differ diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md new file mode 100644 index 0000000..242c40f --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md @@ -0,0 +1,8 @@ +--- +date: '29-11-2019 19:44' +date_end: '12-04-2020 19:44' +title: 'Jean-Marie Appriou, Consortium Museum, Dijon, France' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100644 index 0000000..008e08a Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md new file mode 100644 index 0000000..d372db8 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg new file mode 100644 index 0000000..22f0c94 Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg differ diff --git a/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100644 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg new file mode 100644 index 0000000..cf24daf Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg differ diff --git a/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md new file mode 100644 index 0000000..1e80aea --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -0,0 +1,9 @@ +--- +date: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md b/user/pages_ori2/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md new file mode 100644 index 0000000..4f4e2b1 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md @@ -0,0 +1,8 @@ +--- +date: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +title: 'Pedro Wirz, Et. Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg b/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg new file mode 100644 index 0000000..8e90a80 Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg differ diff --git a/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100644 index 0000000..fef4266 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100644 index 0000000..1a4ab25 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png b/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png new file mode 100644 index 0000000..e254470 Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png differ diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md new file mode 100644 index 0000000..ee4d9a3 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -0,0 +1,9 @@ +--- +date: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' +media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg b/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg new file mode 100644 index 0000000..56162ff Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/Victor Man, Et. Al., _Louise Giovanelli_, Manchester Art Gallery, Manchester, UK 06_06_2019 - 19_04_2020 .jpg differ diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100644 index 0000000..0941897 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,8 @@ +--- +date: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100644 index 0000000..878a7c4 Binary files /dev/null and b/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100644 index 0000000..0e705e4 --- /dev/null +++ b/user/pages_ori2/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,9 @@ +--- +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/02.news/modular.md b/user/pages_ori2/05.news/02.news/modular.md new file mode 100644 index 0000000..e5abeaa --- /dev/null +++ b/user/pages_ori2/05.news/02.news/modular.md @@ -0,0 +1,12 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: 'date' + dir: 'desc' +body_classes: modular +visible: false +aura: + pagetype: website +--- diff --git a/user/pages_ori2/05.news/blog.md b/user/pages_ori2/05.news/blog.md new file mode 100644 index 0000000..5fc7935 --- /dev/null +++ b/user/pages_ori2/05.news/blog.md @@ -0,0 +1,18 @@ +--- +title: News +redirect: /news/news +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Salut, News \ No newline at end of file diff --git a/user/pages_ori2/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages_ori2/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori2/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages_ori2/06.about/default.md b/user/pages_ori2/06.about/default.md new file mode 100644 index 0000000..ba39ded --- /dev/null +++ b/user/pages_ori2/06.about/default.md @@ -0,0 +1,19 @@ +--- +title: About +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions yearly. Upcoming this November, VO Curations will unveil a new space, 242 Marylebone Road, becoming the largest studio facility in Central London hosting a total of 70 artists studios. The application for VO’s Studio Programme is now open to any London-based artist. To apply to our affordable studio programme visit the ‘Studio Programme’ page > Apply. \ No newline at end of file diff --git a/user/pages_ori2/07.visit-us/_Waterloo/map.md b/user/pages_ori2/07.visit-us/_Waterloo/map.md new file mode 100644 index 0000000..38c83a1 --- /dev/null +++ b/user/pages_ori2/07.visit-us/_Waterloo/map.md @@ -0,0 +1,16 @@ +--- +title: Waterloo +media_order: 'tower building.jpg' +H_open: 'Wednesday - Saturday' +H_time: '11am - 6pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + diff --git a/user/pages_ori2/07.visit-us/_Waterloo/tower building.jpg b/user/pages_ori2/07.visit-us/_Waterloo/tower building.jpg new file mode 100644 index 0000000..eb49afe Binary files /dev/null and b/user/pages_ori2/07.visit-us/_Waterloo/tower building.jpg differ diff --git a/user/pages_ori2/07.visit-us/_marylebone/242-Marylebone-Road.jpg b/user/pages_ori2/07.visit-us/_marylebone/242-Marylebone-Road.jpg new file mode 100644 index 0000000..23be4aa Binary files /dev/null and b/user/pages_ori2/07.visit-us/_marylebone/242-Marylebone-Road.jpg differ diff --git a/user/pages_ori2/07.visit-us/_marylebone/map.md b/user/pages_ori2/07.visit-us/_marylebone/map.md new file mode 100644 index 0000000..1f264d4 --- /dev/null +++ b/user/pages_ori2/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London Nw1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public only during programmed exhibitions and events. See our **What’s On** section to find out more \ No newline at end of file diff --git a/user/pages_ori2/07.visit-us/modular.md b/user/pages_ori2/07.visit-us/modular.md new file mode 100644 index 0000000..5181e12 --- /dev/null +++ b/user/pages_ori2/07.visit-us/modular.md @@ -0,0 +1,17 @@ +--- +title: 'Visit us' +content: + items: '@self.modular' + order: + by: Title + dir: asc + limit: '5' + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/themes/vocurations/blueprints/about.yaml b/user/themes/vocurations/blueprints/about.yaml deleted file mode 100644 index 3219221..0000000 --- a/user/themes/vocurations/blueprints/about.yaml +++ /dev/null @@ -1,15 +0,0 @@ -extends@: default - -form: - fields: - tabs: - fields: - advanced: - fields: - columns: - fields: - column1: - fields: - header.body_classes: - markdown: true - description: 'Available classes in Quark Theme (space separated):
`header-fixed`, `header-animated`, `header-dark`, `header-transparent`, `sticky-footer`' \ No newline at end of file diff --git a/user/themes/vocurations/blueprints/events.yaml b/user/themes/vocurations/blueprints/events.yaml index a74d06c..dba6a44 100644 --- a/user/themes/vocurations/blueprints/events.yaml +++ b/user/themes/vocurations/blueprints/events.yaml @@ -14,10 +14,12 @@ form: ordering@: 1 fields: - header.date_start: + header.date: + replace@: true type: datetime label: Start toggleable: true + help: PLUGIN_ADMIN.DATE_HELP header.date_end: type: datetime diff --git a/user/themes/vocurations/blueprints/item.yaml b/user/themes/vocurations/blueprints/item.yaml deleted file mode 100644 index 751bdc8..0000000 --- a/user/themes/vocurations/blueprints/item.yaml +++ /dev/null @@ -1,133 +0,0 @@ -extends@: default - -form: - fields: - tabs: - - fields: - content: - fields: - header.date_one_day: - type: datetime - label: Day event - toggleable: true - ordering@: -5 - - header.date_start: - type: datetime - label: Start event - toggleable: true - ordering@: -4 - - header.date_end: - type: datetime - label: Start end - toggleable: true - ordering@: -3 - - blog: - type: tab - title: Blog Item - - fields: - - header_options: - type: section - title: Header Options - underline: true - - header.continue_link: - type: toggle - toggleable: true - label: DF Style Link - help: Daring Fireball style title link - highlight: 1 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - validate: - type: bool - - header.header_image: - type: toggle - toggleable: true - label: Display Header Image - help: Enabled displaying of a header image - highlight: 1 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - - header.header_image_file: - type: text - toggleable: true - label: Image File - help: image filename that exists in the page folder. If not provided, will use the first image found. - placeholder: "For example: myimage.jpg" - - header.header_image_width: - type: text - toggleable: true - label: Image Width - size: small - help: Header width in px - placeholder: Default is 900 - validate: - type: int - min: 0 - max: 5000 - - header.header_image_height: - type: text - toggleable: true - label: Image Height - size: small - help: Header height in px - placeholder: Default is 300 - validate: - type: int - min: 0 - max: 5000 - - summary: - type: section - title: Summary - underline: true - - header.summary.enabled: - type: toggle - toggleable: true - label: Summary - highlight: 1 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - - header.summary.format: - type: select - toggleable: true - label: Format - classes: fancy - options: - 'short': 'Use the first occurence of delimiter or size' - 'long': 'Summary delimiter will be ignored' - - header.summary.size: - type: text - toggleable: true - label: Size - classes: large - placeholder: 300 - validate: - type: int - min: 1 - - header.summary.delimiter: - type: text - toggleable: true - label: Summary delimiter - classes: large - placeholder: === - - import@: - type: partials/blog-bits diff --git a/user/themes/vocurations/blueprints/modular/map.yaml b/user/themes/vocurations/blueprints/modular/map.yaml new file mode 100644 index 0000000..cea329e --- /dev/null +++ b/user/themes/vocurations/blueprints/modular/map.yaml @@ -0,0 +1,81 @@ +title: Text +'@extends': default + + +form: + fields: + tabs: + fields: + content: + fields: + horaire: + type: section + title: Horaire + + fields: + header.H_open: + type: text + label: Days + + header.H_time: + type: text + label: Times + + header.media_order: + label: Page Media (first one will be displayed next to your content) + map: + type: tab + title: Map + ordering@: -2 + + fields: + header.map: + type: toggle + label: Map + highlight: 1 + default: 1 + options: + 1: 'Yes' + 0: 'No' + validate: + type: bool + + adress: + type: section + title: Adress + underline: true + + fields: + header.street: + name: street + type: text + label: Street + size : large + style: vertical + + header.city: + name: city + type: text + label: City + size : medium + style: vertical + + coordinated: + type: section + title: Coordinated + underline: true + + fields: + header.x: + name: x + type: text + label: Longitude + size : medium + style: vertical + + header.y: + name: y + type: text + label: Latitude + size : medium + style: vertical diff --git a/user/themes/vocurations/blueprints/modular/news.yaml b/user/themes/vocurations/blueprints/modular/news.yaml new file mode 100644 index 0000000..77a9a7e --- /dev/null +++ b/user/themes/vocurations/blueprints/modular/news.yaml @@ -0,0 +1,23 @@ +title: News +'@extends': default + + +form: + fields: + tabs: + fields: + content: + fields: + header.date: + replace@: true + type: datetime + label: Start + toggleable: true + help: PLUGIN_ADMIN.DATE_HELP + + header.date_end: + type: datetime + label: End + toggleable: true + header.media_order: + label: Page Media (first one will be displayed next to your content) diff --git a/user/themes/vocurations/blueprints/modular/text.yaml b/user/themes/vocurations/blueprints/modular/text.yaml index 18b28cf..d2ce805 100644 --- a/user/themes/vocurations/blueprints/modular/text.yaml +++ b/user/themes/vocurations/blueprints/modular/text.yaml @@ -8,61 +8,10 @@ form: fields: content: fields: + header.date_event: + type: datetime + label: Start + toggleable: true + header.media_order: label: Page Media (first one will be displayed next to your content) - map: - type: tab - title: Map - ordering@: -2 - - fields: - header.map: - type: toggle - label: Map - highlight: 1 - default: 1 - options: - 1: 'Yes' - 0: 'No' - validate: - type: bool - - adress: - type: section - title: Adress - underline: true - - fields: - header.street: - name: street - type: text - label: Street - size : large - style: vertical - - header.city: - name: city - type: text - label: City - size : medium - style: vertical - - coordinated: - type: section - title: Coordinated - underline: true - - fields: - header.x: - name: x - type: text - label: Longitude - size : medium - style: vertical - - header.y: - name: y - type: text - label: Latitude - size : medium - style: vertical diff --git a/user/themes/vocurations/blueprints/news.yaml b/user/themes/vocurations/blueprints/news.yaml index da09a1a..c14feb1 100644 --- a/user/themes/vocurations/blueprints/news.yaml +++ b/user/themes/vocurations/blueprints/news.yaml @@ -14,10 +14,13 @@ form: ordering@: 1 fields: - header.date_start: + header.date: + replace@: true type: datetime label: Start toggleable: true + help: PLUGIN_ADMIN.DATE_HELP + header.date_end: type: datetime diff --git a/user/themes/vocurations/css-compiled/theme.css b/user/themes/vocurations/css-compiled/theme.css index 6aef5cb..0f4f66b 100644 --- a/user/themes/vocurations/css-compiled/theme.css +++ b/user/themes/vocurations/css-compiled/theme.css @@ -1,250 +1,17 @@ -html { height: 100%; } +@font-face { font-family: "Regular"; src: url("../fonts/FKGrotesk/FKGrotesk-Regular.eot"); src: url("../fonts/FKGrotesk/FKGrotesk-Regular.eot?#iefix") format("embedded-opentype"), url("../fonts/FKGrotesk/FKGrotesk-Regular.woff") format("woff"), url("../fonts/FKGrotesk/FKGrotesk-Regular.woff2") format("woff2"); } -#body-wrapper .container { padding: 2rem 0 2rem; } +@font-face { font-family: "ItalicB"; src: url("../fonts/FKGrotesk/FKGrotesk-ItalicB.eot"); src: url("../fonts/FKGrotesk/FKGrotesk-ItalicB.eot?#iefix") format("embedded-opentype"), url("../fonts/FKGrotesk/FKGrotesk-ItalicB.woff") format("woff"), url("../fonts/FKGrotesk/FKGrotesk-ItalicB.woff2") format("woff2"); } -.header-fixed #body-wrapper { padding-top: 4rem; } +@font-face { font-family: "Bold"; src: url("../fonts/FKGrotesk/FKGrotesk-Bold.eot"); src: url("../fonts/FKGrotesk/FKGrotesk-Bold.eot?#iefix") format("embedded-opentype"), url("../fonts/FKGrotesk/FKGrotesk-Bold.woff") format("woff"), url("../fonts/FKGrotesk/FKGrotesk-Bold.woff2") format("woff2"); } -.header-fixed .hero + #start > #body-wrapper { padding-top: 0; } +@font-face { font-family: "BoldItalicB"; src: url("../fonts/FKGrotesk/FKGrotesk-BoldItalicB.eot"); src: url("../fonts/FKGrotesk/FKGrotesk-BoldItalicB.eot?#iefix") format("embedded-opentype"), url("../fonts/FKGrotesk/FKGrotesk-BoldItalicB.woff") format("woff"), url("../fonts/FKGrotesk/FKGrotesk-BoldItalicB.woff2") format("woff2"); } -section.section { padding-left: 1rem; padding-right: 1rem; position: relative; } - -.overlay-light, .overlay-dark, .overlay-light-gradient, .overlay-dark-gradient { z-index: 0; } - -.hero { display: -ms-flexbox; display: flex; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; padding-top: 6rem; padding-bottom: 7rem; background-size: cover; background-position: center; } - -.hero h1 { color: #242931; font-size: 4rem; } - -.hero h2 { color: rgba(36, 41, 49, 0.8); font-size: 2.5rem; } - -.hero.hero-fullscreen { min-height: 100vh; } - -.hero.hero-large { min-height: 500px; } - -.hero.hero-medium { min-height: 400px; } - -.hero.hero-small { min-height: 110px; } - -.hero.hero-tiny { min-height: 8rem; } - -.header-fixed .hero { background-position: 50% 0; } - -@media (max-width: 840px) { .hero h1 { font-size: 3rem; } - .hero h2 { font-size: 1.75rem; } } - -@media (max-width: 600px) { .hero h1 { font-size: 2rem; } - .hero h2 { font-size: 1.25rem; } } - -.hero.text-light h1 { color: #fff; } - -.hero.text-light h2 { color: rgba(255, 255, 255, 0.8); } - -.hero p { font-size: .9rem; font-weight: 300; } - -.hero #to-start { display: inline-block; position: absolute; bottom: 10px; font-size: 2rem; cursor: pointer; } - -.image-overlay { position: absolute; top: 0; bottom: 0; left: 0; right: 0; z-index: -1; } - -.overlay-light .image-overlay { background: rgba(255, 255, 255, 0.4); } - -.overlay-light-gradient .image-overlay { background: linear-gradient(to bottom, rgba(255, 255, 255, 0.5), rgba(255, 255, 255, 0.2)); } - -.overlay-dark .image-overlay { background: rgba(0, 0, 0, 0.4); } - -.overlay-dark-gradient .image-overlay { background: linear-gradient(to bottom, rgba(0, 0, 0, 0.5), rgba(0, 0, 0, 0.2)); } - -html { font-size: 16px; } - -@media screen and (min-width: 480px) { html { font-size: calc(16px + 4 * ((100vw - 480px) / 800)); } } - -@media screen and (min-width: 1280px) { html { font-size: 20px; } } - -h1, h2, h3, h4, h5, h6 { margin-top: 2rem; font-family: -apple-system, system-ui, BlinkMacSystemFont, "Segoe UI", Roboto, "Helvetica Neue", sans-serif; color: #3a414e; } - -h1, .h1 { font-size: 3rem; } - -h2, .h2 { font-size: 1.8rem; } - -h6, .h6 { font-weight: 400; } - -.title-center h1, .title-center h2 { text-align: center; } - -.title-h1h2 h1 { font-weight: 100; margin-bottom: 0; line-height: 1.1; } - -.title-h1h2 h1 strong, .title-h1h2 h1 bold { font-weight: 400; } - -.title-h1h2 h1 + h2 { line-height: 1.1; margin-top: 0; } - -.title-h1h2 h1 + h2, .title-center h1 + h2 { margin-bottom: 50px; font-weight: 700; } - -a:focus { outline: none !important; box-shadow: none !important; } - -img { max-width: 100%; } - -.table > table { border-spacing: 0; border-collapse: collapse; width: 100%; } - -pre code, pre.xdebug-var-dump { background: #fafafa; display: block; padding: 1rem !important; line-height: 1.5; color: inherit; border-radius: 2px; overflow-x: auto; } - -pre[class*="language-"] code { border-radius: inherit; padding: 0 !important; overflow-x: initial; } - -pre code:not(.hljs):not([class*="language-"]) { background: #f8f8f8; } - -i.fa.fa-heart.pulse, i.fa.fa-heart-o.pulse { color: #920; } - -b, strong { font-weight: 700; } - -.heavy { font-weight: 700; } - -.light { font-weight: 200; } - -.text-light { color: rgba(255, 255, 255, 0.8); } - -.text-light h1, .text-light h2, .text-light h3, .text-light h4, .text-light h5, .text-light h6 { color: rgba(255, 255, 255, 0.9); } - -#error { text-align: center; position: relative; margin-top: 5rem; } - -#error .icon { font-size: 50px; } - -#messages { margin-bottom: 1rem; } - -#messages .icon { font-size: 1rem; } - -ul, ol { margin-left: 1.6rem; } - -ul ul, ul ol, ol ul, ol ol { margin-left: 1.6rem; } - -ul { list-style: disc outside; } - -ol { list-style: decimal outside; } - -.notices { margin: 1.5rem 0; } - -.notices p { margin: 1rem 0; } - -form { /** Reset some defaults for Quark Theme **/ } - -form .button-wrapper { margin-top: 0.75rem; margin-bottom: 1rem; } - -form span.required { color: #e85600; font-weight: 700; font-size: 1.2rem; } - -form .form-input[type=range] { -webkit-appearance: slider-horizontal; -moz-appearance: slider-horizontal; appearance: slider-horizontal; } - -form .form-input[type=range]:focus { box-shadow: none; border: none; } - -form .form-group:not(.form-field-toggleable) .checkboxes { display: inherit; } - -form .form-group:not(.form-field-toggleable) .checkboxes label { display: inherit; padding: 0.1rem 0.4rem 0.1rem 1.2rem; margin: inherit; } - -form .form-group:not(.form-field-toggleable) .checkboxes label:before { display: none; } - -#grav-login > form { margin: 2rem auto 0; max-width: 350px; } - -#grav-login .form-label { display: none; } - -#grav-login .form-data { margin: 1rem 0; } - -#grav-login .form-input { text-align: center; } - -#grav-login .button-wrapper { text-align: right; } - -#grav-login .button-wrapper .form-data.rememberme { margin: 0; float: left; } - -#grav-login .login-form button[type="submit"] { background: #3085EE; border-color: #227ded; color: #fff; } - -#grav-login .login-form button[type="submit"]:focus, #grav-login .login-form button[type="submit"]:hover { background: #1877ec; border-color: #1370e3; color: #fff; } - -#grav-login .login-form button[type="submit"]:active, #grav-login .login-form button[type="submit"].active { background: #1372e7; border-color: #126bd9; color: #fff; } - -#grav-login .twofa-form button[type="submit"]:first-child { background: #3085EE; border-color: #227ded; color: #fff; float: right; margin-left: 4px; } - -#grav-login .twofa-form button[type="submit"]:first-child:focus, #grav-login .twofa-form button[type="submit"]:first-child:hover { background: #1877ec; border-color: #1370e3; color: #fff; } - -#grav-login .twofa-form button[type="submit"]:first-child:active, #grav-login .twofa-form button[type="submit"]:first-child.active { background: #1372e7; border-color: #126bd9; color: #fff; } - -.mobile-container { position: absolute; top: 40%; left: 0; margin: 0 auto; z-index: 2; } - -.mobile-logo svg, .mobile-logo img { height: 42px; margin-top: .7rem; margin-left: 1.4rem; } - -.mobile-logo svg path, .mobile-logo img path { fill: #fff; } - -.mobile-menu { display: none; top: 0; right: 0; z-index: 3; } - -.header-fixed .mobile-menu { position: fixed; } - -@media (max-width: 840px) { .mobile-menu { display: block; } } - -.mobile-menu .button_container { position: absolute; top: 1.3rem; right: 1rem; height: 24px; width: 28px; cursor: pointer; z-index: 100; transition: opacity .25s ease, top 0.5s ease; } - -.mobile-menu .button_container:hover { opacity: .7; } - -.mobile-menu .button_container.active { position: fixed; } - -.mobile-menu .button_container.active .top { transform: translateY(8px) translateX(0) rotate(45deg); background: #FFF; } - -.mobile-menu .button_container.active .middle { opacity: 0; background: #FFF; } - -.mobile-menu .button_container.active .bottom { transform: translateY(-8px) translateX(0) rotate(-45deg); background: #FFF; } - -.mobile-menu .button_container span { background: #3085EE; border: none; height: 4px; width: 100%; position: absolute; top: 0; left: 0; transition: all .35s ease; cursor: pointer; } - -.mobile-menu .button_container span:nth-of-type(2) { top: 8px; } - -.mobile-menu .button_container span:nth-of-type(3) { top: 16px; } - -.overlay { position: fixed; background: #000; top: 0; left: 0; width: 100%; height: 0%; opacity: 0; visibility: hidden; transition: opacity .35s, visibility .35s, height .35s; } - -.overlay.open { opacity: .95; visibility: visible; height: 100%; } - -.overlay nav { position: relative; margin: 0 auto; text-align: center; } - -.overlay-menu { height: calc(100% - 90px); overflow-y: scroll; } - -.overlay-menu > .tree { text-align: left; } - -.treemenu.treemenu-root { margin: 1rem; } - -.treemenu li { list-style: none; margin: 0 0 1px; padding: 5px 0; line-height: 1.2rem; background: rgba(102, 113, 137, 0.1); } - -.treemenu li a { display: block; margin-left: 1.2rem; font-size: 1rem; } - -.treemenu li a:hover, .treemenu li a:focus, .treemenu li a.active { color: #3e8def !important; text-decoration: none; } - -.treemenu ul { margin: 0 0 0 1rem; } - -.treemenu .toggler { cursor: pointer; vertical-align: top; font-size: 1.1rem; line-height: 1rem; padding-left: 5px; float: left; } - -.treemenu .toggler:before { display: inline-block; margin-right: 2pt; } - -.treemenu li.tree-empty > .toggler { opacity: 0.3; cursor: default; } - -.treemenu li.tree-empty > .toggler:before { content: "\2022"; } - -.treemenu li.tree-closed > .toggler:before { content: "+"; } - -.treemenu li.tree-opened > .toggler:before { content: "\2212"; } - -.mobile-nav-open { overflow-y: hidden; } - -.default-animation, #header, #header .navbar-section, #header .logo svg, #header .logo img, .modular-features.small .feature-icon i, .modular-features .feature-icon { transition: all 0.5s ease; } - -.pulse { animation-name: pulse_animation; animation-duration: 2000ms; transform-origin: 70% 70%; animation-iteration-count: infinite; animation-timing-function: linear; } - -@keyframes pulse_animation { 0% { transform: scale(1); } - 30% { transform: scale(1); } - 40% { transform: scale(1.08); } - 50% { transform: scale(1); } - 60% { transform: scale(1); } - 70% { transform: scale(1.05); } - 80% { transform: scale(1); } - 100% { transform: scale(1); } } +@font-face { font-family: "Mono-Regular"; src: url("../fonts/FKGrotesk/FKGroteskMono-Regular.eot"); src: url("../fonts/FKGrotesk/FKGroteskMono-Regular.eot?#iefix") format("embedded-opentype"), url("../fonts/FKGrotesk/FKGroteskMono-Regular.woff") format("woff"), url("../fonts/FKGrotesk/FKGroteskMono-Regular.woff2") format("woff2"); } /*! normalize.css v8.0.1 | MIT License | github.com/necolas/normalize.css */ /* Document ========================================================================== */ /** 1. Correct the line height in all browsers. 2. Prevent adjustments of font size after orientation changes in iOS. */ -.map { height: 500px; } - -.bx-viewport { max-height: 70vh !important; width: auto !important; } - -.slider img { width: auto !important; height: 100%; max-height: 70vh; margin: auto; } +* { box-sizing: border-box; } html { margin: 0; padding: 0; line-height: 1.15; /* 1 */ -webkit-text-size-adjust: 100%; /* 2 */ font-size: 16px; } @@ -296,7 +63,7 @@ sup { top: -0.5em; } /* Embedded content ========================================================================== */ /** Remove the border on images inside links in IE 10. */ -img { border-style: none; width: 100%; height: 100%; vertical-align: bottom; } +img { border-style: none; width: 100%; height: auto; vertical-align: bottom; } /* Forms ========================================================================== */ /** 1. Change the font styles in all browsers. 2. Remove the margin in Firefox and Safari. */ @@ -358,170 +125,447 @@ template { display: none; } /** Add the correct display in IE 10. */ [hidden] { display: none; } -#header { width: 100%; height: 4rem; border-bottom: 1px solid rgba(172, 179, 194, 0.2); font-size: 0.7rem; font-weight: 700; background: #fff; color: #454d5d; } +header a { font-family: "Bold"; font-weight: normal; text-transform: uppercase; font-size: 1.5rem; line-height: 1.5rem; } -#header a { color: #454d5d; } +h2 { font-family: "Bold"; font-size: 5rem; font-weight: normal; text-transform: uppercase; line-height: 5rem; margin: 0; } -#header .logo svg path { fill: #222; } +h2 span { margin-right: 1rem; } -.header-dark #header:not(.scrolled) { background: #222; color: #fff; } +h3 { font-family: "Bold"; font-size: 2.5rem; line-height: 2.7rem; font-weight: normal; } -.header-dark #header:not(.scrolled) a { color: rgba(255, 255, 255, 0.7) !important; } +h5 { font-family: "Bold"; font-size: 1.5rem; line-height: 1.2rem; text-transform: uppercase; font-weight: normal; } -.header-dark #header:not(.scrolled) a.active { color: #fff !important; } +.card-date time { font-family: "Bold"; font-size: 1.5rem; line-height: 1.7rem; text-transform: uppercase; font-weight: normal; } -.header-dark #header:not(.scrolled) .dropmenu ul ul a { color: #454d5d !important; } +p { font-family: "Bold"; font-weight: normal; font-size: 1.6rem; line-height: 1.9rem; margin: 1rem 0; } -.header-dark #header:not(.scrolled) .logo svg path { fill: #fff; } +.card-cat { font-family: "Bold"; font-weight: normal; text-transform: uppercase; font-size: 1.5rem; line-height: 1.7rem; } -.header-dark.header-transparent #header:not(.scrolled) { background: rgba(0, 0, 0, 0.05); } +.card-lieux { font-family: "Bold"; font-weight: normal; font-size: 1.5rem; text-transform: uppercase; } -.header-transparent #header:not(.scrolled) { background: rgba(255, 255, 255, 0.05); } +.content-item .date { font-size: 2.5rem; font-family: "Bold"; font-weight: normal; } -#header .navbar-section { height: 4rem; } +.caption { margin-top: 10px; font-size: 1.5rem; font-family: "Bold"; font-weight: normal; color: #A7A7A7; } -@media (max-width: 840px) { #header .navbar-section { margin-right: 2rem; } } +.home .card:nth-child(5n+1), .blog .card:nth-child(5n+1) { width: calc((100% / 12) * 9); } -@media (max-width: 840px) { #header .navbar-section.desktop-menu { display: none; } } +.home .card:nth-child(5n+1) .card-header h5, .blog .card:nth-child(5n+1) .card-header h5 { font-size: 5rem; line-height: 5rem; } -#header .logo svg, #header .logo img { height: 42px; display: inherit; } +.home .card:nth-child(5n+1) .card-date time, .blog .card:nth-child(5n+1) .card-date time { font-size: 5rem; line-height: 5rem; } -.header-fixed #header { position: fixed; top: 0; z-index: 2; } +.home .card:not(:nth-child(5n+1)) .card-header h5, .blog .card:not(:nth-child(5n+1)) .card-header h5 { font-size: 2.5rem; line-height: 2.7rem; } -body.header-fixed.header-animated #header.scrolled { height: 2.3rem; } +.home .card:not(:nth-child(5n+1)) .card-date time, .blog .card:not(:nth-child(5n+1)) .card-date time { font-size: 2.5rem; line-height: 2.7rem; } -body.header-fixed.header-animated #header.scrolled .navbar-section { height: 2.3rem; } +.news h5 a { font-size: 1.5rem !important; line-height: 1.5rem !important; } -body.header-fixed.header-animated #header.scrolled .logo svg, body.header-fixed.header-animated #header.scrolled .logo img { height: 28px; } +.news .card-subtitle span { font-size: 1.5rem !important; line-height: 1.5rem !important; } -body.header-fixed.header-animated #header.scrolled ~ .mobile-menu .button_container { top: 0.5rem; } +.item .item_title { margin-bottom: 3rem; } -.login-status-wrapper { white-space: nowrap; } +.item .item_content { width: calc((100% / 12) * 10); } -body.sticky-footer { height: 100%; min-height: 100vh; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; } +.item .item_date { font-family: "Bold"; font-size: 2.5rem; line-height: 1.7rem; text-transform: uppercase; font-weight: normal; } -body.sticky-footer #page-wrapper { -ms-flex: 1 0 auto; flex: 1 0 auto; } +.archives .card .card-header h5, .news .card .card-header h5 { font-size: 1.5rem !important; line-height: 1.5rem !important; } -#footer { color: #acb3c2; padding: 1rem 1rem 0; text-align: center; } +.archives .card .card-date time, .news .card .card-date time { font-size: 1.5rem !important; line-height: 1.5rem !important; } -@media (max-width: 840px) { .dropmenu { display: none; } } +.modular .visit-us p { text-transform: none !important; color: #A7A7A7; } -.dropmenu ul { white-space: nowrap; margin: 0; display: -ms-flexbox; display: flex; } +.modular .visit-us span { text-transform: none !important; } -.dropmenu ul li { position: relative; margin: 0; } +.modular .visit-us .open { text-transform: none !important; margin-top: 1rem; font-size: 1.5rem; font-family: "Bold"; font-weight: normal; color: black; margin-bottom: 1rem; } -.dropmenu ul li a { text-decoration: none; padding: 7px 30px 7px 20px; display: block; } +.modular .visit-us .open time:nth-child(1) { margin-right: 4rem; } -.dropmenu ul li a:hover, .dropmenu ul li a:focus, .dropmenu ul li a.active { color: #3085EE !important; } +.modular #body-wrapper { text-transform: uppercase; width: calc((100% / 12) * 9); } -.dropmenu ul li a:before { content: '\f107'; font-family: 'FontAwesome'; display: inline-block; vertical-align: middle; float: right; margin-right: -20px; } +.modular #body-wrapper span { font-family: "Bold"; font-size: 1.5rem; line-height: 1.7rem; } -.dropmenu ul li a:only-child { padding-right: 20px; } +.form #custom-form { font-family: "Bold"; text-transform: uppercase; font-size: 1.5rem; } -.dropmenu ul li a:only-child:before { content: ''; } +.form #custom-form .form-label { color: #cbcbcb; } -.dropmenu ul li:hover > ul { display: block; visibility: visible; } +.form #custom-form label { color: #cbcbcb; } -.dropmenu ul ul li a:before { content: '\f105'; } +.form #custom-form .form-data input { text-transform: uppercase; color: #A7A7A7; } -.dropmenu ul ul { position: absolute; top: 100%; list-style: none; background: #fff; box-shadow: 0 3px 5px rgba(0, 0, 0, 0.1); visibility: hidden; } +.form #custom-form .form-data textarea { font-size: 1.5rem; text-transform: uppercase; color: #A7A7A7; } -.dropmenu ul ul ul { position: absolute; left: 100%; top: 0; } +.form #custom-form button { font-size: 1.5rem; text-transform: uppercase; } -.dropmenu > ul > li { display: inline-block; } +.form #custom-form button:hover { cursor: pointer; } -.dropmenu.animated ul li { transition: background .7s, color 0.5s; } +.form #custom-form .toast-success { text-transform: capitalize; } -.dropmenu.animated ul li:hover > ul { opacity: 1; transform: translateY(0); } +footer { font-family: "Bold"; font-weight: normal; text-transform: uppercase; font-size: 1.5rem; color: #A7A7A7; } -.dropmenu.animated ul ul { transition: transform .3s, opacity .5s; opacity: 0; transform: translateY(-10px); } +footer a { color: #A7A7A7; } -/** Extra columns spacing **/ -.extra-spacing:not(.col-12), :not(.col12) > .e-content { padding-right: 1rem; } +.form section#body-wrapper #custom-form { margin-top: 3rem; display: grid; grid-template-columns: 20% 20% 20% 20% 20%; grid-gap: 1.4rem; grid-auto-rows: minmax(3.2rem, 3.2rem); justify-items: stretch; } -@media (max-width: 840px) { .extra-spacing:not(.col-12), :not(.col12) > .e-content { padding-right: 0; } } +.form section#body-wrapper #custom-form .form-field { -ms-flex-item-align: center; align-self: center; } -/** Breadcrumbs styling **/ -#breadcrumbs { padding-left: 0; display: -ms-flexbox; display: flex; -ms-flex-align: center; align-items: center; margin-top: -1rem; margin-bottom: 1rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(1) { grid-column: 1 / 3; grid-row: 1; } -#breadcrumbs i { display: none; } +.form section#body-wrapper #custom-form .form-field:nth-child(2) { grid-column: 3 / 5; grid-row: 1; } -#breadcrumbs span, #breadcrumbs a { padding: 0 0.5rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(3) { grid-column: 5 / 5; grid-row: 1; } -#breadcrumbs span:first-child, #breadcrumbs a:first-child { padding-left: 0; } +.form section#body-wrapper #custom-form .form-field:nth-child(4) { grid-column: 1 / 3; grid-row: 2; } -#breadcrumbs span:not(:first-child)::before, #breadcrumbs a:not(:first-child)::before { color: #e7e9ed; content: "/"; padding-right: 1rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(5) { grid-column: 3 / 6; grid-row: 2; } -/** Blog Listing **/ -.blog-listing .bricklayer-column { padding-left: 0px; padding-right: 25px; } +.form section#body-wrapper #custom-form .form-field:nth-child(6) { grid-column: 1 / 3; grid-row: 3; } -.blog-listing .card { margin-bottom: 25px; border: 0; box-shadow: 0 10px 45px -9px rgba(0, 0, 0, 0.1); } +.form section#body-wrapper #custom-form .form-field:nth-child(7) { grid-column: 3 / 5; grid-row: 3; } -.blog-listing .card-footer { text-align: right; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) { grid-column: 5 / 5; grid-row: 3; display: -ms-flexbox; display: flex; position: relative; } -.blog-listing .blog-date { font-size: 13px; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone { min-height: auto; border: none; width: 100%; position: absolute; left: 0; background: transparent; } -/** Blog Item **/ -.content-title { margin-bottom: 2rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone ::before { position: absolute; display: inline-block; width: 1.2rem; height: 1.2rem; content: ' '; background: url("/user/themes/vocurations/images/Upload.svg"); background-position: center; background-repeat: no-repeat; background-size: cover; right: -0px; top: 0; margin-top: -0.4rem; } -.content-title h2 { margin-bottom: 0.5rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview { width: 100%; position: absolute; left: 0; margin: 0; top: -22px; background: white; } -.label { font-size: 12px; text-transform: uppercase; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-image { width: 100%; height: auto; background: white; } -/** Pagination **/ -ul.pagination { -ms-flex-pack: center; justify-content: center; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-remove { position: absolute; z-index: 999; right: 0; } -.prev-next { margin-top: 4rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-success-mark path { fill: green; } -/** Sidebar specific tweaks **/ -#sidebar ul.related-pages { box-shadow: none; padding: 0; z-index: 1; } +.form section#body-wrapper #custom-form .form-field:nth-child(8) .dz-default span { display: none; } -#sidebar ul.related-pages li { border-bottom: 1px solid #e7e9ed; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) { grid-column: 1 / 9; grid-row: 4; display: -ms-flexbox; display: flex; -ms-flex-align: center; align-items: center; } -#sidebar ul.related-pages li:last-child { border-bottom: 0; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-label { margin-right: 1rem; } -#sidebar ul.archives { list-style: none; margin-left: 0; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } -#sidebar ul.archives .label { vertical-align: text-top; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio { margin-right: 1rem; } -.modular-hero #to-start { bottom: 3.5rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; -ms-flex-wrap: nowrap !important; flex-wrap: nowrap !important; -ms-flex-align: center; align-items: center; } -.modular-features { text-align: center; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input { margin-right: 10px; border: 1px solid black; position: relative; -webkit-appearance: none; -moz-appearance: none; appearance: none; font-size: inherit; width: 20px; height: 20px; margin: 0; color: inherit; outline: none; transition: 300ms ease-out; vertical-align: baseline; } -.modular-features.offset-box .frame-box { margin: -3rem -1.4rem 3rem; padding: 1rem 1rem; background: #fff; box-shadow: 0 0 75px 0 rgba(69, 77, 93, 0.1); } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input::after { content: ' '; display: block; text-align: center; width: 18px; height: 18px; } -.modular-features.small .columns { margin-top: -1rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input:active { transform: scale(0.6); } -.modular-features.small .column:hover .feature-icon i { color: #3085EE; } +.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input[type=radio]:checked::after { background: black; } -.modular-features.small .feature-icon { display: block; -ms-flex-pack: left; justify-content: left; } +.form section#body-wrapper #custom-form .form-field:nth-child(10) { grid-column: 1 / 6; grid-row: 5/7; align-self: stretch; } -.modular-features.small .feature-icon i { position: relative; display: inherit; font-size: 70px; margin: 0 auto 1rem; transform: none; left: auto; top: auto; color: #acb3c2; } +.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-label { display: none; } -.modular-features.small .feature-icon h6 { text-transform: none; } +.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-data { height: 100%; } -.modular-features .frame-box { padding: 3rem 0; } +.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-textarea-wrapper { height: 100%; } -.modular-features .frame-box > p { max-width: 600px; margin-left: auto; margin-right: auto; } +.form section#body-wrapper #custom-form .form-field:nth-child(10) textarea { padding: 0.5rem; border: 1px solid black; width: 100%; height: 100%; resize: none; } -.modular-features .column { padding: 1rem; } +.form section#body-wrapper #custom-form .form-field:nth-child(-n+7) .form-label { display: none; } -.modular-features .column:hover .feature-icon { color: #acb3c2; } +.form section#body-wrapper #custom-form .form-field .form-data input { border: none; border-bottom: 1px solid black; width: 100%; } -.modular-features .column:hover .feature-icon h6 { color: #3085EE; } +.form section#body-wrapper #custom-form .form-field .form-data textarea:focus, .form section#body-wrapper #custom-form .form-field .form-data input:focus { color: black; } -.modular-features .column:hover .feature-content { color: #667189; } +.form section#body-wrapper #custom-form .buttons { grid-column: 1 / 1; grid-row: 7; align-self: center; } -.modular-features .feature-icon { font-size: 130px; height: 100px; color: #e7e9ed; display: -ms-flexbox; display: flex; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; position: relative; margin: 1rem 0; } +.form section#body-wrapper #custom-form .buttons button { border: none; background: white; } -.modular-features .feature-icon i { position: absolute; left: 50%; top: 50%; transform: translateX(-50%) translateY(-50%); } +.form .toast-success { font-family: "Regular"; display: inline-block; margin-left: 1rem; } -.modular-features .feature-icon h6 { background: #fff; line-height: 1; z-index: 1; text-transform: uppercase; font-weight: 600; margin: 0; display: block; color: #667189; } +@media screen and (max-width: 1024px) { html .archives section#body-wrapper, html .news section#body-wrapper { width: calc( 100% + (0.7rem * 2)); } + html .modular section#body-wrapper { width: 100%; } + html .modular section#body-wrapper section.insitu .content-warp > div.image .img { height: 350px !important; min-height: 350px !important; } + html .modular section#body-wrapper section.insitu .leaflet-container { height: 350px !important; } } -.modular-features .feature-content { color: #acb3c2; } +@media screen and (max-width: 768px) { html .archives section#body-wrapper, html .news section#body-wrapper { width: calc(100% + (0.7rem * 2)); } + html .modular section#body-wrapper { width: 100%; } + html .modular section#body-wrapper section.insitu .content-warp > div.image .img { height: 250px !important; min-height: 250px !important; } + html .modular section#body-wrapper section.insitu .leaflet-container { height: 250px !important; } } -.modular-text { padding-top: 4rem; padding-bottom: 4rem; } +@media screen and (max-width: 440px) { body { margin: 0 0.7rem !important; } + body header#header { position: fixed !important; z-index: 999; } + body header#header .logo { left: 0.7rem !important; top: 1rem !important; width: 100%; transform: translate(0) rotate(0deg) !important; } + body header#header .logo a { width: 80%; display: block; } + body header#header .logo a img { width: 15rem; } + body header#header .desktop-menu { display: none; } + body header#header .desktop-menu .dropmenu > ul > li:hover > ul { position: relative !important; } + body .mobile-menu { display: block !important; z-index: 999; position: fixed; right: 0.7rem; top: 1rem; } + body .mobile-menu .close { display: none; } + body .mobile-menu .open { display: block; } + body.mobile-nav-open header .desktop-menu { display: block !important; position: fixed; top: 0; left: 0; width: 100%; height: 100%; background: white; } + body.mobile-nav-open header .desktop-menu .dropmenu { margin: 6rem auto 0 1.4rem; } + body.mobile-nav-open header .desktop-menu ul { display: block !important; } + body.mobile-nav-open header .desktop-menu ul li a { font-size: 2rem; line-height: 4rem; } + body.mobile-nav-open .mobile-menu .open { display: none; } + body.mobile-nav-open .mobile-menu .close { display: block; } + #start #body-wrapper { margin-top: 2rem; padding-top: 0rem !important; } + #start #body-wrapper #item .card { width: 100% !important; padding-right: 0 !important; padding-left: 0 !important; } + #start #body-wrapper #item .card .card-header .card-title h5 a { font-size: 2.3rem !important; line-height: 2.5rem !important; } + #start #body-wrapper #item .card .card-header .card-date { font-size: 2.4rem !important; line-height: 2.5rem !important; } + .events #start { margin-top: 8rem; } + .content-item { width: 100% !important; } + .content-item h2 { font-size: 2.3rem; line-height: 2.5rem; } + .content-item .slider { margin-left: -0.7rem; width: 100vw; } + .content-item .slider .caption { margin-left: 0.7rem; } + .content-item .e-content { width: 100% !important; } + #start { margin-top: 4rem; } + #start.home { margin-top: 8rem; } + .default #start section#body-wrapper { margin-top: 4rem; width: 100% !important; } + .default #start section#body-wrapper h2 { font-size: 2.3rem; line-height: 2.5rem; } + .default #start section#body-wrapper p { width: 100%; } + .archives section#body-wrapper, .news section#body-wrapper { width: 100% !important; } + .archives section#body-wrapper #item, .news section#body-wrapper #item { margin-left: 0 !important; } + .modular #body-wrapper.blog-listing { margin-top: 8rem !important; } + .modular #body-wrapper.blog-listing #item { -ms-flex-direction: column; flex-direction: column; } + .modular #body-wrapper.blog-listing #item .content-warp { -ms-flex-direction: column; flex-direction: column; } + .modular #body-wrapper.blog-listing #item .content-warp > div { width: 100% !important; padding: 0 !important; margin-bottom: 2rem; } + .modular h2 { font-size: 2.3rem; } + .modular #start #body-wrapper .list_press { width: 100% !important; -ms-flex-direction: column; flex-direction: column; } + .modular #start #body-wrapper .list_press .date { margin-bottom: 0.5rem; } + .form section#body-wrapper { width: 100% !important; } + .form section#body-wrapper #custom-form { display: block; } + .form section#body-wrapper #custom-form .form-field { margin-bottom: 2rem; } + .form section#body-wrapper #custom-form .form-field:nth-child(10) textarea { min-height: 200px; } + footer { -ms-flex-direction: column; flex-direction: column; } + footer > div { margin-bottom: 1rem; } } -.modular-text .columns.left { -ms-flex-direction: row-reverse; flex-direction: row-reverse; } +.slider { margin-bottom: 3rem; width: 90%; } -/*# sourceMappingURL=data:application/json;charset=utf8;base64,{"version":3,"file":"theme.css","sources":["theme.scss","theme/_variables.scss","spectre/_variables.scss","spectre/_mixins.scss","spectre/mixins/_avatar.scss","spectre/mixins/_button.scss","spectre/mixins/_clearfix.scss","spectre/mixins/_color.scss","spectre/mixins/_label.scss","spectre/mixins/_position.scss","spectre/mixins/_shadow.scss","spectre/mixins/_text.scss","spectre/mixins/_toast.scss","theme/_fonts.scss","theme/_mixins.scss","theme/_framework.scss","theme/_typography.scss","theme/_forms.scss","theme/_mobile.scss","theme/_animation.scss","theme/_reset.scss","theme/_header.scss","theme/_footer.scss","theme/_menu.scss","theme/_blog.scss","theme/_onepage.scss"],"sourcesContent":["// Core variables and mixins\n@import 'theme/variables';\n@import 'spectre/variables';\n@import 'spectre/mixins';\n\n@import 'theme/fonts';\n@import 'theme/mixins';\n@import 'theme/framework';\n@import 'theme/typography';\n@import 'theme/forms';\n@import 'theme/mobile';\n@import 'theme/animation';\n@import 'theme/reset';\n\n@import 'theme/header';\n@import 'theme/footer';\n@import 'theme/menu';\n\n// Extra Skeleton Styling\n@import 'theme/blog';\n@import 'theme/onepage';\n","// Spectre Overrides\n$primary-color: #3085EE !default;\n$dark-color: #454d5d !default;\n$light-color: #fff !default;\n$gray-color: lighten($dark-color, 40%) !default;\n$gray-color-dark: darken($gray-color, 25%) !default;\n$border-color: lighten($dark-color, 60%) !default;\n$bg-color: lighten($dark-color, 66%) !default;\n$body-font-color: lighten($dark-color, 5%) !default;\n\n// Layout\n$horiz-padding: 1rem;\n$vert-padding: 2rem 0 2rem;\n\n// Fonts\n$min-responsive-font-size: 16px;\n\n// Header\n$header-height-large: 4rem;\n$header-height-small: 2.3rem;\n$header-color-dark: #222;\n$header-text-light: $light-color;\n$header-text-dark: darken($dark-color, 15%);\n\n// Dropdown Menu\n$dropmenu-bg: $light-color;\n$dropmenu-hover-text: $primary-color;\n$dropmenu-horiz-padding: 20px;\n$dropmenu-vert-padding: 7px;\n$dropmenu-child-padding: 10px;\n$dropmenu-shadow: 0 3px 5px rgba(0, 0, 0, 0.1);\n\n// Mobile Menu\n$mobile-color-main: $primary-color;\n$mobile-color-active: #FFF;\n$mobile-color-link: #FFF;\n$mobile-button-height: 24px;\n$mobile-button-width: 28px;","// Core variables\n$version: \"0.5.8\";\n\n// Core features\n$rtl: false !default;\n\n// Core colors\n$primary-color: #5755d9 !default;\n$primary-color-dark: darken($primary-color, 3%) !default;\n$primary-color-light: lighten($primary-color, 3%) !default;\n$secondary-color: lighten($primary-color, 37.5%) !default;\n$secondary-color-dark: darken($secondary-color, 3%) !default;\n$secondary-color-light: lighten($secondary-color, 3%) !default;\n\n// Gray colors\n$dark-color: #303742 !default;\n$light-color: #fff !default;\n$gray-color: lighten($dark-color, 55%) !default;\n$gray-color-dark: darken($gray-color, 30%) !default;\n$gray-color-light: lighten($gray-color, 20%) !default;\n\n$border-color: lighten($dark-color, 65%) !default;\n$border-color-dark: darken($border-color, 10%) !default;\n$border-color-light: lighten($border-color, 8%) !default;\n$bg-color: lighten($dark-color, 75%) !default;\n$bg-color-dark: darken($bg-color, 3%) !default;\n$bg-color-light: $light-color !default;\n\n// Control colors\n$success-color: #32b643 !default;\n$warning-color: #ffb700 !default;\n$error-color: #e85600 !default;\n\n// Other colors\n$code-color: #d73e48 !default;\n$highlight-color: #ffe9b3 !default;\n$body-bg: $bg-color-light !default;\n$body-font-color: lighten($dark-color, 5%) !default;\n$link-color: $primary-color !default;\n$link-color-dark: darken($link-color, 10%) !default;\n$link-color-light: lighten($link-color, 10%) !default;\n\n// Fonts\n// Credit: https://www.smashingmagazine.com/2015/11/using-system-ui-fonts-practical-guide/\n$base-font-family: -apple-system, system-ui, BlinkMacSystemFont, \"Segoe UI\", Roboto !default;\n$mono-font-family: \"SF Mono\", \"Segoe UI Mono\", \"Roboto Mono\", Menlo, Courier, monospace !default;\n$fallback-font-family: \"Helvetica Neue\", sans-serif !default;\n$cjk-zh-hans-font-family: $base-font-family, \"PingFang SC\", \"Hiragino Sans GB\", \"Microsoft YaHei\", $fallback-font-family !default;\n$cjk-zh-hant-font-family: $base-font-family, \"PingFang TC\", \"Hiragino Sans CNS\", \"Microsoft JhengHei\", $fallback-font-family !default;\n$cjk-jp-font-family: $base-font-family, \"Hiragino Sans\", \"Hiragino Kaku Gothic Pro\", \"Yu Gothic\", YuGothic, Meiryo, $fallback-font-family !default;\n$cjk-ko-font-family: $base-font-family, \"Malgun Gothic\", $fallback-font-family !default;\n$body-font-family: $base-font-family, $fallback-font-family !default;\n\n// Unit sizes\n$unit-o: .05rem !default;\n$unit-h: .1rem !default;\n$unit-1: .2rem !default;\n$unit-2: .4rem !default;\n$unit-3: .6rem !default;\n$unit-4: .8rem !default;\n$unit-5: 1rem !default;\n$unit-6: 1.2rem !default;\n$unit-7: 1.4rem !default;\n$unit-8: 1.6rem !default;\n$unit-9: 1.8rem !default;\n$unit-10: 2rem !default;\n$unit-12: 2.4rem !default;\n$unit-16: 3.2rem !default;\n\n// Font sizes\n$html-font-size: 20px !default;\n$html-line-height: 1.5 !default;\n$font-size: .8rem !default;\n$font-size-sm: .7rem !default;\n$font-size-lg: .9rem !default;\n$line-height: 1.2rem !default;\n\n// Sizes\n$layout-spacing: $unit-2 !default;\n$layout-spacing-sm: $unit-1 !default;\n$layout-spacing-lg: $unit-4 !default;\n$border-radius: $unit-h !default;\n$border-width: $unit-o !default;\n$border-width-lg: $unit-h !default;\n$control-size: $unit-9 !default;\n$control-size-sm: $unit-7 !default;\n$control-size-lg: $unit-10 !default;\n$control-padding-x: $unit-2 !default;\n$control-padding-x-sm: $unit-2 * .75 !default;\n$control-padding-x-lg: $unit-2 * 1.5 !default;\n$control-padding-y: ($control-size - $line-height) / 2 - $border-width !default;\n$control-padding-y-sm: ($control-size-sm - $line-height) / 2 - $border-width !default;\n$control-padding-y-lg: ($control-size-lg - $line-height) / 2 - $border-width !default;\n$control-icon-size: .8rem !default;\n\n$control-width-xs: 180px !default;\n$control-width-sm: 320px !default;\n$control-width-md: 640px !default;\n$control-width-lg: 960px !default;\n$control-width-xl: 1280px !default;\n\n// Responsive breakpoints\n$size-xs: 480px !default;\n$size-sm: 600px !default;\n$size-md: 840px !default;\n$size-lg: 960px !default;\n$size-xl: 1280px !default;\n$size-2x: 1440px !default;\n\n$responsive-breakpoint: $size-xs !default;\n\n// Z-index\n$zindex-0: 1 !default;\n$zindex-1: 100 !default;\n$zindex-2: 200 !default;\n$zindex-3: 300 !default;\n$zindex-4: 400 !default;\n","// Mixins\n@import \"mixins/avatar\";\n@import \"mixins/button\";\n@import \"mixins/clearfix\";\n@import \"mixins/color\";\n@import \"mixins/label\";\n@import \"mixins/position\";\n@import \"mixins/shadow\";\n@import \"mixins/text\";\n@import \"mixins/toast\";","// Avatar mixin\n@mixin avatar-base($size: $unit-8) {\n  font-size: $size / 2;\n  height: $size;\n  width: $size;\n}\n","// Button variant mixin\n@mixin button-variant($color: $primary-color) {\n  background: $color;\n  border-color: darken($color, 3%);\n  color: $light-color;\n  &:focus {\n    @include control-shadow($color);\n  }\n  &:focus,\n  &:hover {\n    background: darken($color, 2%);\n    border-color: darken($color, 5%);\n    color: $light-color;\n  }\n  &:active,\n  &.active {\n    background: darken($color, 7%);\n    border-color: darken($color, 10%);\n    color: $light-color;\n  }\n  &.loading {\n    &::after {\n      border-bottom-color: $light-color;\n      border-left-color: $light-color;\n    }\n  }\n}\n\n@mixin button-outline-variant($color: $primary-color) {\n  background: $light-color;\n  border-color: $color;\n  color: $color;\n  &:focus {\n    @include control-shadow($color);\n  }\n  &:focus,\n  &:hover {\n    background: lighten($color, 50%);\n    border-color: darken($color, 2%);\n    color: $color;\n  }\n  &:active,\n  &.active {\n    background: $color;\n    border-color: darken($color, 5%);\n    color: $light-color;\n  }\n  &.loading {\n    &::after {\n      border-bottom-color: $color;\n      border-left-color: $color;\n    }\n  }\n}\n","// Clearfix mixin\n@mixin clearfix() {\n  &::after {\n    clear: both;\n    content: \"\";\n    display: table;\n  }\n}\n","// Background color utility mixin\n@mixin bg-color-variant($name: \".bg-primary\", $color: $primary-color) {\n  #{$name} {\n    background: $color !important;\n\n    @if (lightness($color) < 60) {\n      color: $light-color;\n    }\n  }\n}\n\n// Text color utility mixin\n@mixin text-color-variant($name: \".text-primary\", $color: $primary-color) {\n  #{$name} {\n    color: $color !important;\n  }\n\n  a#{$name} {\n    &:focus,\n    &:hover {\n      color: darken($color, 5%);\n    }\n    &:visited {\n      color: lighten($color, 5%);\n    }\n  }\n}\n","// Label base style\n@mixin label-base() {\n  border-radius: $border-radius;\n  line-height: 1.25;\n  padding: .1rem .2rem;\n}\n\n@mixin label-variant($color: $light-color, $bg-color: $primary-color) {\n  background: $bg-color;\n  color: $color;\n}\n","// Margin utility mixin\n@mixin margin-variant($id: 1, $size: $unit-1) {\n  .m-#{$id} {\n    margin: $size !important;\n  }\n\n  .mb-#{$id} {\n    margin-bottom: $size !important;\n  }\n\n  .ml-#{$id} {\n    margin-left: $size !important;\n  }\n\n  .mr-#{$id} {\n    margin-right: $size !important;\n  }\n\n  .mt-#{$id} {\n    margin-top: $size !important;\n  }\n\n  .mx-#{$id} {\n    margin-left: $size !important;\n    margin-right: $size !important;\n  }\n\n  .my-#{$id} {\n    margin-bottom: $size !important;\n    margin-top: $size !important;\n  }\n}\n\n// Padding utility mixin\n@mixin padding-variant($id: 1, $size: $unit-1) {\n  .p-#{$id} {\n    padding: $size !important;\n  }\n\n  .pb-#{$id} {\n    padding-bottom: $size !important;\n  }\n\n  .pl-#{$id} {\n    padding-left: $size !important;\n  }\n\n  .pr-#{$id} {\n    padding-right: $size !important;\n  }\n\n  .pt-#{$id} {\n    padding-top: $size !important;\n  }\n\n  .px-#{$id} {\n    padding-left: $size !important;\n    padding-right: $size !important;\n  }\n  \n  .py-#{$id} {\n    padding-bottom: $size !important;\n    padding-top: $size !important;\n  }\n}\n","// Component focus shadow\n@mixin control-shadow($color: $primary-color) {\n  box-shadow: 0 0 0 .1rem rgba($color, .2);\n}\n\n// Shadow mixin\n@mixin shadow-variant($offset) {\n  box-shadow: 0 $offset ($offset + .05rem) * 2 rgba($dark-color, .3);\n}\n","// Text Ellipsis\n@mixin text-ellipsis() {\n  overflow: hidden;\n  text-overflow: ellipsis;\n  white-space: nowrap;\n}\n","// Toast variant mixin\n@mixin toast-variant($color: $dark-color) {\n  background: rgba($color, .95);\n  border-color: $color;\n}\n","$title-font-family: $base-font-family, $fallback-font-family !default;","@mixin breakpoint($point) {\n  @if $point == 2x {\n    @media (min-width:$size-2x) {\n      @content;\n    }\n  } @else if $point == xl {\n    @media (max-width: $size-xl) {\n      @content;\n    }\n\n  } @else if $point == lg {\n    @media (max-width: $size-lg) {\n      @content;\n    }\n  } @else if $point == md {\n    @media (max-width: $size-md) {\n      @content;\n    }\n  } @else if $point == sm {\n    @media (max-width: $size-sm) {\n      @content;\n    }\n  } @else if $point == xs {\n    @media (max-width: $size-xs) {\n      @content;\n    }\n  }  @else {\n    @warn \"Breakpoint mixin supports: xs, sm, md, lg, xl, 2x\";\n  }\n}\n\n@mixin vertical-align($position: relative) {\n  position: $position;\n  top: 50%;\n  transform: translateY(-50%);\n}\n\n@mixin button-primary() {\n  background: $primary-color;\n  border-color: $primary-color-dark;\n  color: $light-color;\n  &:focus,\n  &:hover {\n    background: darken($primary-color-dark, 2%);\n    border-color: darken($primary-color-dark, 5%);\n    color: $light-color;\n  }\n  &:active,\n  &.active {\n    background: darken($primary-color-dark, 4%);\n    border-color: darken($primary-color-dark, 7%);\n    color: $light-color;\n  }\n}\n\n@function strip-unit($value) {\n  @return $value / ($value * 0 + 1);\n}\n\n@mixin fluid-type($min-vw, $max-vw, $min-font-size, $max-font-size) {\n  $u1: unit($min-vw);\n  $u2: unit($max-vw);\n  $u3: unit($min-font-size);\n  $u4: unit($max-font-size);\n\n  @if $u1 == $u2 and $u1 == $u3 and $u1 == $u4 {\n    & {\n      font-size: $min-font-size;\n      @media screen and (min-width: $min-vw) {\n        font-size: calc(#{$min-font-size} + #{strip-unit($max-font-size - $min-font-size)} * ((100vw - #{$min-vw}) / #{strip-unit($max-vw - $min-vw)}));\n      }\n      @media screen and (min-width: $max-vw) {\n        font-size: $max-font-size;\n      }\n    }\n  }\n}\n","html {\n  height: 100%;\n}\n\n#body-wrapper {\n  .container {\n    padding: $vert-padding;\n  }\n\n  // Fixed Header solution\n  .header-fixed & {\n    padding-top: $header-height-large;\n  }\n}\n\n.header-fixed {\n  .hero + #start > #body-wrapper {\n    padding-top: 0;\n  }\n}\n\nsection.section {\n  padding-left: $horiz-padding;\n  padding-right: $horiz-padding;\n  position: relative;\n}\n\n.overlay-light, .overlay-dark, .overlay-light-gradient, .overlay-dark-gradient {\n  z-index: 0;\n}\n\n// Hero\n.hero {\n  display: flex;\n  align-items: center;\n  justify-content: center;\n\n  padding-top: 6rem;\n  padding-bottom: 7rem;\n  background-size: cover;\n  background-position: center;\n\n  h1 {\n    color: $header-text-dark;\n    font-size: 4rem;\n  }\n\n  h2 {\n    color: rgba($header-text-dark, 0.8);\n    font-size: 2.5rem;\n  }\n\n  &.hero-fullscreen {\n    min-height: 100vh;\n  }\n\n  &.hero-large {\n    min-height: 500px;\n  }\n\n  &.hero-medium {\n    min-height: 400px;\n  }\n\n  &.hero-small {\n    min-height: 110px;\n  }\n\n  &.hero-tiny {\n    min-height: 8rem;\n  }\n  \n  .header-fixed & {\n    background-position: 50% 0;\n  }\n\n  //&.parallax {\n  //  background-attachment: fixed;\n  //}\n\n  @include breakpoint(md) {\n    h1 {\n      font-size: 3rem;\n    }\n    h2 {\n      font-size: 1.75rem;\n    }\n  }\n\n  @include breakpoint(sm) {\n    h1 {\n      font-size: 2rem;\n    }\n    h2 {\n      font-size: 1.25rem;\n    }\n  }\n\n\n  &.text-light {\n    h1 {\n      color: $header-text-light;\n    }\n    h2 {\n      color: rgba($header-text-light, 0.8);\n    }\n  }\n\n  p {\n    font-size: .9rem;\n    font-weight: 300;\n  }\n\n  #to-start {\n    display: inline-block;\n    position: absolute;\n    bottom: 10px;\n    font-size: 2rem;\n    cursor: pointer;\n  }\n}\n\n// Overlay\n.image-overlay {\n  position: absolute;\n  top: 0;\n  bottom: 0;\n  left: 0;\n  right: 0;\n  z-index: -1;\n\n  .overlay-light & {\n    background: rgba(#fff, 0.4);\n  }\n\n  .overlay-light-gradient & {\n    background: linear-gradient(to bottom, rgba(#fff,0.5), rgba(#fff,0.2));\n  }\n\n  .overlay-dark & {\n    background: rgba(#000, 0.4);\n  }\n\n  .overlay-dark-gradient & {\n    background: linear-gradient(to bottom, rgba(#000,0.5), rgba(#000,0.2));\n  }\n}\n\n\n\n\n\n\n\n\n\n","html {\n  @include fluid-type($size-xs, $size-xl, $min-responsive-font-size, $html-font-size);\n}\n\n// Header Overrides\nh1, h2, h3, h4, h5, h6 {\n  margin-top: 2rem;\n  font-family: $title-font-family;\n  color: darken($body-font-color, 10%);\n}\n\nh1, .h1 {\n  font-size: 3rem;\n}\n\nh2, .h2 {\n  font-size: 1.8rem;\n}\n\nh6, .h6 {\n  font-weight: 400;\n}\n\n.title-center {\n  h1, h2 {\n    text-align: center;\n  }\n}\n\n.title-h1h2 {\n  h1  {\n    font-weight: 100;\n    margin-bottom: 0;\n    line-height: 1.1;\n\n    strong, bold {\n      font-weight: 400;\n    }\n  }\n  h1 + h2 {\n    line-height: 1.1;\n    margin-top: 0;\n  }\n\n}\n\n// Typography Hints\n.title-h1h2, .title-center {\n  h1 + h2 {\n    margin-bottom: 50px;\n    font-weight: 700;\n  }\n}\n\na:focus {\n  outline: none !important;\n  box-shadow: none !important;\n}\n\nimg {\n  max-width: 100%;\n}\n\n// Tables\n.table > table {\n  border-spacing: 0;\n  border-collapse: collapse;\n  width: 100%;\n}\n\n\n// Codeblocks\npre code, pre.xdebug-var-dump{\n  background: #fafafa;\n  display: block;\n  padding: 1rem !important;\n  line-height: 1.5;\n  color: inherit;\n  border-radius: 2px;\n  overflow-x: auto;\n}\n\npre[class*=\"language-\"] {\n  code {\n    border-radius: inherit;\n    padding: 0 !important;\n    overflow-x: initial;\n  }\n}\n\npre {\n  code:not(.hljs):not([class*=\"language-\"]) {\n    background: #f8f8f8;\n  }\n}\n\n// Icon Tweaks\ni.fa {\n\n\n  &.fa-heart, &.fa-heart-o {\n    &.pulse {\n      color: #920\n    }\n  }\n}\n\n// Font Weights\nb,\nstrong {\n  font-weight: 700;\n}\n\n.heavy {\n  font-weight: 700;\n}\n\n.light {\n  font-weight: 200;\n}\n\n// Colors\n.text-light {\n  color: rgba($light-color, 0.8);\n\n  h1, h2, h3, h4, h5, h6 {\n    color: rgba($light-color, 0.9);\n  }\n}\n\n// Error configuration\n#error {\n  text-align: center;\n  position: relative;\n  margin-top: 5rem;\n\n  .icon {\n    font-size: 50px;\n  }\n}\n\n// Messages\n#messages {\n  margin-bottom: 1rem;\n\n  .icon {\n    font-size: 1rem;\n  }\n}\n\n// Lists\nul,\nol {\n  margin-left: $unit-8;\n\n  ul,\n  ol {\n    margin-left: $unit-8;\n  }\n}\n\nul {\n  list-style: disc outside;\n}\n\nol {\n  list-style: decimal outside;\n}\n\n// Notices\n.notices {\n  margin: 1.5rem 0;\n  p {\n    margin: 1rem 0;\n  }\n}\n\n\n","form {\n  .button-wrapper {\n    margin-top: 0.75rem;\n    margin-bottom: 1rem;\n  }\n\n  span.required {\n    color: $error-color;\n    font-weight: 700;\n    font-size: 1.2rem;\n  }\n\n  .form-input[type=range] {\n    appearance: slider-horizontal;\n    &:focus {\n      box-shadow: none;\n      border: none;\n    }\n  }\n\n  /** Reset some defaults for Quark Theme **/\n  .form-group:not(.form-field-toggleable) {\n    .checkboxes {\n      display: inherit;\n\n      label {\n        display: inherit;\n        padding: (($control-size-sm - $line-height) / 2) $control-padding-x (($control-size-sm - $line-height) / 2) ($control-icon-size + $control-padding-x);\n        margin: inherit;\n\n        &:before {\n          display: none;\n        }\n      }\n    }\n  }\n\n}\n\n#grav-login {\n\n  > form {\n    margin: 2rem auto 0;\n    max-width: 350px;\n  }\n  .form-label {\n    display: none;\n  }\n  .form-data {\n    margin: 1rem 0;\n  }\n  .form-input {\n    text-align: center;\n  }\n  .button-wrapper {\n    text-align: right;\n\n    .form-data.rememberme {\n      margin: 0;\n      float: left;\n    }\n  }\n\n  .login-form {\n    button[type=\"submit\"] {\n      @include button-primary;\n    }\n  }\n\n  .twofa-form {\n    button[type=\"submit\"]:first-child {\n      @include button-primary;\n      float: right;\n      margin-left: 4px;\n    }\n  }\n}\n",".mobile-container {\n  position: absolute;\n  //width: 100%;\n  //height: 100%;\n  top: 40%;\n  left: 0;\n  margin:  0 auto;\n  z-index: 2;\n}\n\n.mobile-logo {\n  svg, img {\n    height: 42px;\n    margin-top: .7rem;\n    margin-left: 1.4rem;\n\n    path {\n      fill: $light-color;\n    }\n\n  }\n}\n\n// Hamburger Menu\n.mobile-menu {\n\n  display: none;\n  top: 0;\n  right: 0;\n  z-index: 3;\n\n  .header-fixed & {\n    position: fixed;\n  }\n\n  @include breakpoint(md) {\n    display: block;\n  }\n\n  .button_container {\n    position: absolute;\n    top: 1.3rem;\n    right: $horiz-padding;\n    height: $mobile-button-height;\n    width: $mobile-button-width;\n    cursor: pointer;\n    z-index: 100;\n    transition: opacity .25s ease, top 0.5s ease;\n\n    $bar-offset: $mobile-button-height / 3;\n\n    &:hover {\n      opacity: .7;\n    }\n\n    &.active {\n      position: fixed;\n\n      .top {\n        transform: translateY($bar-offset) translateX(0) rotate(45deg);\n        background: $mobile-color-active;\n      }\n      .middle {\n        opacity: 0;\n        background: $mobile-color-active;\n      }\n\n      .bottom {\n        transform: translateY(-($bar-offset)) translateX(0) rotate(-45deg);\n        background: $mobile-color-active;\n      }\n    }\n\n    span {\n      background: $mobile-color-main;\n      border: none;\n      height: 4px;\n      width: 100%;\n      position: absolute;\n      top: 0;\n      left: 0;\n      transition:  all .35s ease;\n      cursor: pointer;\n\n      &:nth-of-type(2) {\n        top: $bar-offset;\n      }\n\n      &:nth-of-type(3) {\n        top: $bar-offset * 2;\n      }\n    }\n  }\n}\n\n.overlay {\n  position: fixed;\n  background: #000;\n  top: 0;\n  left: 0;\n  width: 100%;\n  height: 0%;\n  opacity: 0;\n  visibility: hidden;\n  transition: opacity .35s, visibility .35s, height .35s;\n\n  &.open {\n    opacity: .95;\n    visibility: visible;\n    height: 100%;\n\n  }\n  nav {\n\n    position: relative;\n    margin: 0 auto;\n    text-align: center;\n  }\n}\n\n.overlay-menu {\n  height: calc(100% - 90px);\n  overflow-y: scroll;\n\n  & > .tree {\n    text-align: left;\n  }\n}\n\n\n.treemenu {\n\n  &.treemenu-root {\n    margin: 1rem;\n  }\n\n  li {\n    list-style: none;\n    margin: 0 0 1px;\n    padding: 5px 0;\n    line-height: 1.2rem;\n\n    background: rgba($gray-color-dark,0.1);\n\n    a {\n      display: block;\n      margin-left: 1.2rem;\n      font-size: 1rem;\n\n      &:hover, &:focus, &.active {\n        color: $primary-color-light !important;\n        text-decoration: none;\n      }\n    }\n  }\n\n  ul {\n    margin: 0 0 0 1rem;\n  }\n\n  .toggler {\n    cursor: pointer;\n    vertical-align: top;\n    font-size: 1.1rem;\n    line-height: 1rem;\n    padding-left: 5px;\n    float: left;\n\n    &:before {\n      display: inline-block; margin-right: 2pt;\n    }\n  }\n\n  li.tree-empty  > .toggler {\n    opacity: 0.3; cursor: default;\n\n    &:before {\n      content: \"\\2022\";\n    }\n  }\n\n  li.tree-closed > .toggler:before {\n    content: \"+\";\n  }\n\n  li.tree-opened > .toggler:before {\n    content: \"\\2212\";\n  }\n}\n\n.mobile-nav-open {\n  overflow-y: hidden;\n}\n",".default-animation {\n  transition: all 0.5s ease;\n}\n\n// Pulse Animation\n.pulse {\n  animation-name: pulse_animation;\n  animation-duration: 2000ms;\n  transform-origin:70% 70%;\n  animation-iteration-count: infinite;\n  animation-timing-function: linear;\n}\n\n@keyframes pulse_animation {\n  0% { transform: scale(1); }\n  30% { transform: scale(1); }\n  40% { transform: scale(1.08); }\n  50% { transform: scale(1); }\n  60% { transform: scale(1); }\n  70% { transform: scale(1.05); }\n  80% { transform: scale(1); }\n  100% { transform: scale(1); }\n}\n","/*! normalize.css v8.0.1 | MIT License | github.com/necolas/normalize.css */\n\n/* Document\n   ========================================================================== */\n\n/**\n * 1. Correct the line height in all browsers.\n * 2. Prevent adjustments of font size after orientation changes in iOS.\n */\n // .bx-wrapper, .bx-viewport {\n //     height: 200px !important; //provide height of slider\n // }\n\n.map { height:500px; }\n\n .bx-viewport {\n   max-height: 70vh!important;\n   width: auto!important;\n }\n\n .slider{\n   img{\n     width: auto!important;\n     height: 100%;\n     max-height: 70vh;\n     margin: auto;\n   }\n }\n\nhtml {\n  margin: 0;\n  padding: 0;\n  line-height: 1.15; /* 1 */\n  -webkit-text-size-adjust: 100%; /* 2 */\n  font-size: 16px;\n}\n\n/* Sections\n   ========================================================================== */\n\n/**\n * Remove the margin in all browsers.\n */\n\nbody {\n  margin: 0;\n  padding: 0;\n}\n\n/**\n * Render the `main` element consistently in IE.\n */\n\nmain {\n  display: block;\n}\n\n/**\n * Correct the font size and margin on `h1` elements within `section` and\n * `article` contexts in Chrome, Firefox, and Safari.\n */\n\nh1 {\n  font-size: auto;\n  margin:0;\n}\n\n/* Grouping content\n   ========================================================================== */\n\n/**\n * 1. Add the correct box sizing in Firefox.\n * 2. Show the overflow in Edge and IE.\n */\n\nhr {\n  -webkit-box-sizing: content-box;\n          box-sizing: content-box; /* 1 */\n  height: 0; /* 1 */\n  overflow: visible; /* 2 */\n}\n\n/**\n * 1. Correct the inheritance and scaling of font size in all browsers.\n * 2. Correct the odd `em` font sizing in all browsers.\n */\n\npre {\n  font-family: monospace, monospace; /* 1 */\n  font-size: 1em; /* 2 */\n}\n\n/* Text-level semantics\n   ========================================================================== */\n\n/**\n * Remove the gray background on active links in IE 10.\n */\np{\n margin: 0;\n}\n\nul{\n  list-style: none;\n}\nul,li{\n  margin: 0;\n  padding: 0;\n}\n\na {\n  background-color: transparent;\n  color: black;\n  text-decoration: none;\n}\n\n/**\n * 1. Remove the bottom border in Chrome 57-\n * 2. Add the correct text decoration in Chrome, Edge, IE, Opera, and Safari.\n */\n\nabbr[title] {\n  border-bottom: none; /* 1 */\n  text-decoration: underline; /* 2 */\n  -webkit-text-decoration: underline dotted;\n          text-decoration: underline dotted; /* 2 */\n}\n\n/**\n * Add the correct font weight in Chrome, Edge, and Safari.\n */\n\nb,\nstrong {\n  font-weight: bolder;\n}\n\n/**\n * 1. Correct the inheritance and scaling of font size in all browsers.\n * 2. Correct the odd `em` font sizing in all browsers.\n */\n\ncode,\nkbd,\nsamp {\n  font-family: monospace, monospace; /* 1 */\n  font-size: 1em; /* 2 */\n}\n\n/**\n * Add the correct font size in all browsers.\n */\n\nsmall {\n  font-size: 80%;\n}\n\n/**\n * Prevent `sub` and `sup` elements from affecting the line height in\n * all browsers.\n */\n\nsub,\nsup {\n  font-size: 75%;\n  line-height: 0;\n  position: relative;\n  vertical-align: baseline;\n}\n\nsub {\n  bottom: -0.25em;\n}\n\nsup {\n  top: -0.5em;\n}\n\n/* Embedded content\n   ========================================================================== */\n\n/**\n * Remove the border on images inside links in IE 10.\n */\n\nimg {\n  border-style: none;\n  width: 100%;\n  height: 100%;\n  vertical-align: bottom;\n}\n\n/* Forms\n   ========================================================================== */\n\n/**\n * 1. Change the font styles in all browsers.\n * 2. Remove the margin in Firefox and Safari.\n */\n\nbutton,\ninput,\noptgroup,\nselect,\ntextarea {\n  font-family: inherit; /* 1 */\n  font-size: 100%; /* 1 */\n  line-height: 1.15; /* 1 */\n  margin: 0; /* 2 */\n}\n\n/**\n * Show the overflow in IE.\n * 1. Show the overflow in Edge.\n */\n\nbutton,\ninput { /* 1 */\n  overflow: visible;\n}\n\n/**\n * Remove the inheritance of text transform in Edge, Firefox, and IE.\n * 1. 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*/ +.slider > div > img { width: auto; height: auto; max-width: 100%; max-height: 95vh; } + +.slider .slick-list { padding: 0 !important; } + +.slider .slick-list .slick-track .slick-slide { position: relative; } + +.slider .slick-list .slick-track .slick-slide div { width: 100% !important; max-height: calc(95vh); } + +.slider .slick-list .slick-track .slick-slide div img { max-width: 100%; width: auto; max-height: calc(95vh); padding-bottom: 2rem; margin: auto; } + +.slider .slick-list .slick-track .slick-slide div .caption { width: 100%; text-align: center; position: absolute; height: auto; margin-top: -1.5rem; } + +.slider .slick-list .slick-track .slick-slide.slick-center { transition: 0.2s opacity 0.3s; } + +.slider button { z-index: 999; position: absolute; width: 2rem; font-size: 0; height: 100%; background: transparent; border: none; top: 0; opacity: 0; } + +.slider button::after { display: block; position: absolute; width: 0.6rem; height: 1.2rem; top: 50%; content: " "; margin-top: -0.6rem; } + +.slider button.slick-prev { left: 1.2rem; } + +.slider button.slick-prev::after { left: 2.5px; background-position: center; background-repeat: no-repeat; background-size: cover; background: url("/user/themes/vocurations/images/arrow_left.svg"); } + +.slider button.slick-next { right: 1.2rem; } + +.slider button.slick-next::after { right: 2.5px; background-position: center; background-repeat: no-repeat; background-size: cover; background: url("/user/themes/vocurations/images/arrow_right.svg"); } + +#page-wrapper .mobile-menu { display: none; } + +#page-wrapper > header { z-index: 999; padding-top: 1.4rem; } + +#page-wrapper > header .logo { z-index: 999; width: 20rem; position: fixed; right: 0px; top: 0; transform: translate(-25%, 19rem) rotate(90deg); transform-origin: bottom right; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li { margin-right: 1.2rem; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li > ul { position: absolute; top: -100px; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li > ul a { transition: 0.3s color ease; color: white; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li:hover > ul { position: absolute; top: auto; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li:hover > ul a { transition: 0.3s color ease; color: #A7A7A7; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li:hover > ul a.active { color: black; } + +#page-wrapper > header .desktop-menu > nav.dropmenu > ul > li:hover > ul > li:hover a { color: black; } + +#page-wrapper #start header.sous_nav { padding-top: 4rem; } + +#page-wrapper #start header.sous_nav ul { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } + +#page-wrapper #start header.sous_nav ul li { margin-right: 1rem; } + +#page-wrapper #start header.sous_nav ul li a { color: #A7A7A7; } + +#page-wrapper #start header.sous_nav ul li a.active { color: black; } + +footer { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; margin-bottom: 1rem; margin-top: 6rem; } + +footer > div { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-direction: column; flex-direction: column; width: calc(100% / 3); margin-bottom: 10px; min-width: 400px; } + +footer > div.adress span:nth-child(1) { display: block; } + +footer > div.adress .align { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } + +footer > div.adress .align span { margin-right: 1rem; } + +footer > div.partenair { -ms-flex-pack: center; justify-content: center; } + +footer > div.partenair .logo { height: 20px; } + +footer > div.partenair .logo img { width: auto; height: 100%; vertical-align: baseline !important; } + +footer > div.newsletter p { text-decoration: underline; } + +footer > div > span { margin-right: 1rem; } + +footer > div > a { margin-right: 1rem; } + +body { margin: 0 1.4rem; } + +h1, h2, h3, h4, h5 { margin: 0; padding: 0; } + +body, html { height: 100%; } + +body #page-wrapper, html #page-wrapper { min-height: 90%; } + +body #body-wrapper, html #body-wrapper { margin-top: 4rem; } + +.home #item .card, .blog #item .card { margin-bottom: 6rem; } + +.home #item .card:nth-child(5n+1), .blog #item .card:nth-child(5n+1) { width: calc((100% / 12) * 9); } + +.home #item .card:nth-child(5n+1) .card-header, .blog #item .card:nth-child(5n+1) .card-header { margin-bottom: 3rem; } + +.home #item .card:nth-child(5n+1) .card-image, .blog #item .card:nth-child(5n+1) .card-image { display: -ms-flexbox; display: flex; width: auto; overflow: hidden; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; max-height: 800px; width: 100%; } + +.home #item .card:not(:nth-child(5n+1)), .blog #item .card:not(:nth-child(5n+1)) { width: calc((100% / 12) * 6); } + +.home #item .card:not(:nth-child(5n+1)) .card-header, .blog #item .card:not(:nth-child(5n+1)) .card-header { margin-bottom: 1.5rem; } + +.home #item .card:not(:nth-child(5n+1)) .card-image, .blog #item .card:not(:nth-child(5n+1)) .card-image { display: -ms-flexbox; display: flex; height: auto; width: 100%; overflow: hidden; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; } + +.home #item .card .card-header span, .blog #item .card .card-header span { margin-right: 1rem; } + +.home #item .card .card-cat, .blog #item .card .card-cat { margin-bottom: 0.6rem; } + +.archives #body-wrapper, .news #body-wrapper { width: calc((100% / 12) * 10.5); margin-bottom: 2rem; } + +.archives #body-wrapper #item, .news #body-wrapper #item { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } + +.archives #body-wrapper #item .card, .news #body-wrapper #item .card { width: calc((100% / 3) - 1.4rem); margin-bottom: 5rem !important; padding: 0 !important; } + +.archives #body-wrapper #item .card:nth-child(3n+2), .news #body-wrapper #item .card:nth-child(3n+2) { margin: 0 1.4rem; } + +.archives #body-wrapper #item .card .card-header, .news #body-wrapper #item .card .card-header { margin-bottom: 0.5rem; } + +.archives #body-wrapper #item .card .card-image, .news #body-wrapper #item .card .card-image { display: -ms-flexbox; display: flex; width: 100%; overflow: hidden; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; } + +.item { margin-bottom: 6rem; width: calc((100% / 12) * 9); } + +.item .item_content h3 { margin: 2rem 0; } + +.item .item_title { margin-bottom: 3rem; } + +.item .item_img { margin-bottom: 3rem; } + +.item .item_date { margin-bottom: 1.5rem; } + +.events #body-wrapper .item .item_title, .default #body-wrapper .item .item_title { margin-bottom: 3rem; } + +.events #body-wrapper .item .item_img, .default #body-wrapper .item .item_img { margin-bottom: 3rem; } + +.events #body-wrapper .item .item_content, .default #body-wrapper .item .item_content { width: calc((100% / 12) * 10); } + +.events #body-wrapper .item .item_date, .default #body-wrapper .item .item_date { margin-bottom: 1.5rem; } + +.default .item_content { margin-bottom: 3rem; } + +#start #body-wrapper #item { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; -ms-flex-align: end; align-items: flex-end; } + +.home #item .card.hidden { display: none; } + +.home #item .card.visible { display: block; } + +.home #item .more { width: 100%; text-align: center; } + +.home #item .more a { font-family: "Bold"; font-size: 1.2rem; text-transform: uppercase; } + +.home .card:nth-child(5n+2), .blog .card:nth-child(5n+2), .current-upcoming .card:nth-child(5n+2) { padding-right: 0.7rem; } + +.home .card:nth-child(5n+3), .blog .card:nth-child(5n+3), .current-upcoming .card:nth-child(5n+3) { padding-left: 0.7rem; } + +.home .card:nth-child(5n+4), .blog .card:nth-child(5n+4), .current-upcoming .card:nth-child(5n+4) { padding-right: 0.7rem; } + +.home .card:nth-child(5n+5), .blog .card:nth-child(5n+5), .current-upcoming .card:nth-child(5n+5) { padding-left: 0.7rem; } + +.modular #item { margin-bottom: 6rem; } + +.modular .press #body-wrapper { width: calc((100% / 12) * 9); } + +.modular .press #body-wrapper #item .card { display: -ms-inline-flexbox; display: inline-flex; margin-bottom: 1rem; } + +.modular .press #body-wrapper #item .card .date { min-width: 200px; } + +.modular .press #body-wrapper #item .card .content p { margin: 0; } + +.modular .visit-us section { width: 100%; } + +.modular .visit-us section:not(:nth-last-child(1)) { margin-bottom: 6rem; } + +.modular .visit-us section .map_header { margin-bottom: 3rem; } + +.modular .visit-us section .map_content { display: -ms-inline-flexbox; display: inline-flex; } + +.modular .visit-us section .map_content .image { width: 50%; margin-right: 0.7rem; } + +.modular .visit-us section .map_content .image .img { height: 500px; overflow: hidden; display: -ms-flexbox; display: flex; -ms-flex-align: center; align-items: center; -ms-flex-pack: center; justify-content: center; } + +.modular .visit-us section .map_content .image .img img { width: auto !important; height: 100%; } + +.modular .visit-us section .map_content .maps { width: 50%; } + +.modular .visit-us section .map_content .maps > .map { height: 500px; } + +.modular .visit-us section .map_content .maps .adress { margin-top: 1rem; } + +.modular .visit-us section .map_content .maps .adress span { line-height: 1.5rem; } + +.modular #start.visit-us header { display: none; } + +.modular #start #body-wrapper .list_press { display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; -ms-flex-align: baseline; align-items: baseline; -ms-flex-wrap: nowrap; flex-wrap: nowrap; margin-bottom: 0.8rem; } + +.modular #start #body-wrapper .list_press .date { margin-right: 3rem; } + +.modular #start #body-wrapper section.insitu { width: 100%; margin-bottom: 3.2rem; } + +.modular #start #body-wrapper section.insitu .header { margin-bottom: 1rem; } + +.modular #start #body-wrapper section.insitu .content-warp { width: 100%; display: -ms-inline-flexbox; display: inline-flex; -ms-flex-wrap: wrap; flex-wrap: wrap; width: 100%; } + +.modular #start #body-wrapper section.insitu .content-warp > div { width: 50%; } + +.modular #start #body-wrapper section.insitu .content-warp > div.image { padding-right: 1rem; } + +.modular #start #body-wrapper section.insitu .content-warp > div.image .img { overflow: hidden; min-height: 500px; display: -ms-flexbox; display: flex; width: auto; height: 500px; } + +.modular #start #body-wrapper section.insitu .content-warp > div.image .img img { width: auto; height: 100%; margin: auto; } + +.modular #start #body-wrapper section.insitu .content-warp > div.image .content { margin-top: 1rem; text-transform: none; color: #A7A7A7; } + +.modular #start #body-wrapper section.insitu .content-warp > div.image .content p { line-height: 1.2rem; } + +.modular #start #body-wrapper section.insitu .leaflet-container { width: 100%; height: 500px; } + +.modular #start #body-wrapper section.insitu .maps .adress { margin-top: 1rem; text-transform: none; } + +.modular #start #body-wrapper section.insitu .maps .adress span { display: block; } + +.modular .news .card .card-image { display: -ms-flexbox; display: flex; width: 100%; overflow: hidden; -ms-flex-align: center; align-items: center; } + +.content-item { width: calc((100% / 12) * 9); } + +.content-item h2 { margin-bottom: 1.6rem; } + +.content-item .date { margin: 1.2rem 0; } + +.content-item .e-content { width: calc((100% / 12) * 9); } + +.content-item .e-content p { margin-bottom: 1.2rem; } + +/*# sourceMappingURL=data:application/json;charset=utf8;base64,{"version":3,"file":"theme.css","sources":["theme.scss","configurations/_fonts.scss","configurations/_variables.scss","theme/_reset.scss","theme/_mixins.scss","theme/_framework.scss","theme/_typography.scss","theme/_forms.scss","theme/_mobile.scss","theme/_animation.scss","theme/_extensions.scss","theme/_header.scss","theme/_footer.scss","theme/_menu.scss","theme/_blog.scss","theme/_onepage.scss"],"sourcesContent":["// Core variables and mixins\n@import 'configurations/fonts';\n@import 'configurations/variables';\n\n@import 'theme/reset';\n@import 'theme/mixins';\n@import 'theme/framework';\n@import 'theme/typography';\n@import 'theme/forms';\n@import 'theme/mobile';\n@import 'theme/animation';\n@import 'theme/extensions';\n\n@import 'theme/header';\n@import 'theme/footer';\n@import 'theme/menu';\n\n// Extra Skeleton Styling\n@import 'theme/blog';\n@import 'theme/onepage';\n","// Font Family\n$font-family-default:  \t\t\t\"Raleway\", \"Helvetica\", \"Tahoma\", \"Geneva\", \"Arial\", sans-serif;\n$font-family-header:  \t\t\t\"Montserrat\", \"Helvetica\", \"Tahoma\", \"Geneva\", \"Arial\", sans-serif;\n$font-family-mono: \t\t\t\t\"Inconsolata\", monospace;\n$font-family-serif:\t\t\t\t\"Georgia\", \"Times\", \"Times New Roman\", serif;\n// @font-face\n\n$typo: \"FKGrotesk\";\n$category: \"sans-serif\";\n// secuela regular\n\n$file: \"FKGrotesk-Regular\"; \n$Regular: \"Regular\";\n@mixin font-face($Regular, $file, $typo, $category:\"\") {\n    $filepath: \"../fonts/\" + $typo + \"/\" + $file;\n    @font-face {\n        font-family: \"#{$Regular}\";\n        src: url($filepath + \".eot\");\n        src: url($filepath + \".eot?#iefix\") format('embedded-opentype'),\n              url($filepath + \".woff\") format('woff'),\n              url($filepath + \".woff2\") format('woff2'),\n    }\n\n    %#{$Regular} {\n        font: {\n            @if $category != \"\" {\n                family: \"#{$Regular}\", #{$category};\n                weight: normal;\n            }\n            @else {\n                family: \"#{$Regular}\";\n                weight: normal;\n            }\n        }\n    }\n}\n\n\n$file2: \"FKGrotesk-ItalicB\";\n$Italic: \"ItalicB\";\n@mixin font-face($Italic, $file2, $typo, $category:\"\") {\n    $filepath: \"../fonts/\" + $typo + \"/\" + $file2;\n    @font-face {\n        font-family: \"#{$Italic}\";\n        src: url($filepath + \".eot\");\n        src: url($filepath + \".eot?#iefix\") format('embedded-opentype'),\n              url($filepath + \".woff\") format('woff'),\n              url($filepath + \".woff2\") format('woff2'),\n    }\n\n    %#{$Italic} {\n        font: {\n            @if $category != \"\" {\n                family: \"#{$Italic}\", #{$category};\n                weight: normal;\n            }\n            @else {\n                family: \"#{$Italic}\";\n                weight: normal;\n            }\n        }\n    }\n}\n\n$file3: \"FKGrotesk-Bold\";\n$Bold: \"Bold\";\n@mixin font-face($Bold, $file3, $typo, $category:\"\") {\n    $filepath: \"../fonts/\" + $typo + \"/\" + $file;\n    @font-face {\n        font-family: \"#{$Bold}\";\n        src: url($filepath + \".eot\");\n        src: url($filepath + \".eot?#iefix\") format('embedded-opentype'),\n              url($filepath + \".woff\") format('woff'),\n              url($filepath + \".woff2\") format('woff2'),\n    }\n\n    %#{$Bold} {\n        font: {\n            @if $category != \"\" {\n                family: \"#{$Bold}\", #{$category};\n                weight: normal;\n            }\n            @else {\n                family: \"#{$Bold}\";\n                weight: normal;\n            }\n        }\n    }\n}\n\n$file4: \"FKGrotesk-BoldItalicB\";\n$BoldItalicB: \"BoldItalicB\";\n@mixin font-face($BoldItalicB, $file4, $typo, $category:\"\") {\n    $filepath: \"../fonts/\" + $typo + \"/\" + $file4;\n    @font-face {\n        font-family: \"#{$BoldItalicB}\";\n        src: url($filepath + \".eot\");\n        src: url($filepath + \".eot?#iefix\") format('embedded-opentype'),\n              url($filepath + \".woff\") format('woff'),\n              url($filepath + \".woff2\") format('woff2'),\n    }\n\n    %#{$BoldItalicB} {\n        font: {\n            @if $category != \"\" {\n                family: \"#{$BoldItalicB}\", #{$category};\n                weight: normal;\n            }\n            @else {\n                family: \"#{$BoldItalicB}\";\n                weight: normal;\n            }\n        }\n    }\n}\n\n\n$file5: \"FKGroteskMono-Regular\";\n$Mono-Regular: \"Mono-Regular\";\n@mixin font-face($Mono-Regular, $file5, $typo, $category:\"\") {\n    $filepath: \"../fonts/\" + $typo + \"/\" + $file5;\n    @font-face {\n        font-family: \"#{$Mono-Regular}\";\n        src: url($filepath + \".eot\");\n        src: url($filepath + \".eot?#iefix\") format('embedded-opentype'),\n              url($filepath + \".woff\") format('woff'),\n              url($filepath + \".woff2\") format('woff2'),\n    }\n\n    %#{$Mono-Regular} {\n        font: {\n            @if $category != \"\" {\n                family: \"#{$Mono-Regular}\", #{$category};\n                weight: normal;\n            }\n            @else {\n                family: \"#{$Mono-Regular}\";\n                weight: normal;\n            }\n        }\n    }\n}\n","// fonts\n@include font-face($Regular, $file, $typo, $category);//1\n@include font-face($Italic, $file2, $typo, $category);//1\n@include font-face($Bold, $file3, $typo, $category);//1\n@include font-face($BoldItalicB, $file4, $typo, $category);//1\n@include font-face($Mono-Regular, $file5, $typo, $category);//1\n\n$nbr_col: 12;\n$width: 100%;\n\n$W33: calc(#{$width} / 3);\n\n// Ordinateur\n// Titre : 90pt\n// Sous-titre : 50pt\n// Texte courant : 25pt\n\n// Smartphone\n// Titre : 32pt\n// Sous-titre : 25pt\n// Texte courant : 14pt\n\n// font-size 25r\n$Fcourant: 1.5rem;\n$Ftitle: 5rem;\n$Fsub-title: 2.5rem;\n\n// interline\n$Lcourant: 1.7rem;\n$Ltitle: 5rem;\n$Lsub-title: 2.7rem;\n\n//interlettre\n\n// color\n\n// Header\n$Header_mr: 1.5rem;\n\n// card\n$first_card: calc((#{$width} / #{$nbr_col}) * 9);\n$all_card: calc((#{$width} / #{$nbr_col}) * 6);\n$arch_card: calc((#{$width} / #{$nbr_col}) * 4);\n$content_arch: calc((#{$width} / #{$nbr_col}) * 10.5);\n$item_content: calc((#{$width} / #{$nbr_col}) * 10);\n\n\n$HeaderC_mr: 1rem;\n$MargCard: 6rem;\n$paddingCard: 1rem;\n\n// color\n$grey: #A7A7A7;\n\n// marg & padd\n","/*! normalize.css v8.0.1 | MIT License | github.com/necolas/normalize.css */\n\n/* Document\n   ========================================================================== */\n\n/**\n * 1. Correct the line height in all browsers.\n * 2. Prevent adjustments of font size after orientation changes in iOS.\n */\n\n*{\n box-sizing: border-box;\n}\n\nhtml {\n  margin: 0;\n  padding: 0;\n  line-height: 1.15; /* 1 */\n  -webkit-text-size-adjust: 100%; /* 2 */\n  font-size: 16px;\n}\n\n/* Sections\n   ========================================================================== */\n\n/**\n * Remove the margin in all browsers.\n */\n\nbody {\n  margin: 0;\n  padding: 0;\n}\n\n/**\n * Render the `main` element consistently in IE.\n */\n\nmain {\n  display: block;\n}\n\n/**\n * Correct the font size and margin on `h1` elements within `section` and\n * `article` contexts in Chrome, Firefox, and Safari.\n */\n\nh1 {\n  font-size: auto;\n  margin:0;\n}\n\n/* Grouping content\n   ========================================================================== */\n\n/**\n * 1. Add the correct box sizing in Firefox.\n * 2. Show the overflow in Edge and IE.\n */\n\nhr {\n  -webkit-box-sizing: content-box;\n          box-sizing: content-box; /* 1 */\n  height: 0; /* 1 */\n  overflow: visible; /* 2 */\n}\n\n/**\n * 1. Correct the inheritance and scaling of font size in all browsers.\n * 2. Correct the odd `em` font sizing in all browsers.\n */\n\npre {\n  font-family: monospace, monospace; /* 1 */\n  font-size: 1em; /* 2 */\n}\n\n/* Text-level semantics\n   ========================================================================== */\n\n/**\n * Remove the gray background on active links in IE 10.\n */\np{\n margin: 0;\n}\n\nul{\n  list-style: none;\n}\nul,li{\n  margin: 0;\n  padding: 0;\n}\n\na {\n  background-color: transparent;\n  color: black;\n  text-decoration: none;\n}\n\n/**\n * 1. Remove the bottom border in Chrome 57-\n * 2. Add the correct text decoration in Chrome, Edge, IE, Opera, and Safari.\n */\n\nabbr[title] {\n  border-bottom: none; /* 1 */\n  text-decoration: underline; /* 2 */\n  -webkit-text-decoration: underline dotted;\n          text-decoration: underline dotted; /* 2 */\n}\n\n/**\n * Add the correct font weight in Chrome, Edge, and Safari.\n */\n\nb,\nstrong {\n  font-weight: bolder;\n}\n\n/**\n * 1. Correct the inheritance and scaling of font size in all browsers.\n * 2. Correct the odd `em` font sizing in all browsers.\n */\n\ncode,\nkbd,\nsamp {\n  font-family: monospace, monospace; /* 1 */\n  font-size: 1em; /* 2 */\n}\n\n/**\n * Add the correct font size in all browsers.\n */\n\nsmall {\n  font-size: 80%;\n}\n\n/**\n * Prevent `sub` and `sup` elements from affecting the line height in\n * all browsers.\n */\n\nsub,\nsup {\n  font-size: 75%;\n  line-height: 0;\n  position: relative;\n  vertical-align: baseline;\n}\n\nsub {\n  bottom: -0.25em;\n}\n\nsup {\n  top: -0.5em;\n}\n\n/* Embedded content\n   ========================================================================== */\n\n/**\n * Remove the border on images inside links in IE 10.\n */\n\nimg {\n  border-style: none;\n  width: 100%;\n  height: auto;\n  vertical-align: bottom;\n}\n\n/* Forms\n   ========================================================================== */\n\n/**\n * 1. Change the font styles in all browsers.\n * 2. Remove the margin in Firefox and Safari.\n */\n\nbutton,\ninput,\noptgroup,\nselect,\ntextarea {\n  font-family: inherit; /* 1 */\n  font-size: 100%; /* 1 */\n  line-height: 1.15; /* 1 */\n  margin: 0; /* 2 */\n}\n\n/**\n * Show the overflow in IE.\n * 1. Show the overflow in Edge.\n */\n\nbutton,\ninput { /* 1 */\n  overflow: visible;\n}\n\n/**\n * Remove the inheritance of text transform in Edge, Firefox, and IE.\n * 1. Remove the inheritance of text transform in Firefox.\n */\n\nbutton,\nselect { /* 1 */\n  text-transform: none;\n}\n\n/**\n * Correct the inability to style clickable types in iOS and Safari.\n */\n\nbutton,\n[type=\"button\"],\n[type=\"reset\"],\n[type=\"submit\"] {\n  -webkit-appearance: button;\n}\n\n/**\n * Remove the inner border and padding in Firefox.\n */\n\nbutton::-moz-focus-inner,\n[type=\"button\"]::-moz-focus-inner,\n[type=\"reset\"]::-moz-focus-inner,\n[type=\"submit\"]::-moz-focus-inner {\n  border-style: none;\n  padding: 0;\n}\n\n/**\n * Restore the focus styles unset by the previous rule.\n */\n\nbutton:-moz-focusring,\n[type=\"button\"]:-moz-focusring,\n[type=\"reset\"]:-moz-focusring,\n[type=\"submit\"]:-moz-focusring {\n  outline: 1px dotted ButtonText;\n}\n\n/**\n * Correct the padding in Firefox.\n */\n\nfieldset {\n  padding: 0.35em 0.75em 0.625em;\n}\n\n/**\n * 1. Correct the text wrapping in Edge and IE.\n * 2. Correct the color inheritance from `fieldset` elements in IE.\n * 3. Remove the padding so developers are not caught out when they zero out\n *    `fieldset` elements in all browsers.\n */\n\nlegend {\n  -webkit-box-sizing: border-box;\n          box-sizing: border-box; /* 1 */\n  color: inherit; /* 2 */\n  display: table; /* 1 */\n  max-width: 100%; /* 1 */\n  padding: 0; /* 3 */\n  white-space: normal; /* 1 */\n}\n\n/**\n * Add the correct vertical alignment in Chrome, Firefox, and Opera.\n */\n\nprogress {\n  vertical-align: baseline;\n}\n\n/**\n * Remove the default vertical scrollbar in IE 10+.\n */\n\ntextarea {\n  overflow: auto;\n}\n\n/**\n * 1. Add the correct box sizing in IE 10.\n * 2. Remove the padding in IE 10.\n */\n\n[type=\"checkbox\"],\n[type=\"radio\"] {\n  -webkit-box-sizing: border-box;\n          box-sizing: border-box; /* 1 */\n  padding: 0; /* 2 */\n}\n\n/**\n * Correct the cursor style of increment and decrement buttons in Chrome.\n */\n\n[type=\"number\"]::-webkit-inner-spin-button,\n[type=\"number\"]::-webkit-outer-spin-button {\n  height: auto;\n}\n\n/**\n * 1. Correct the odd appearance in Chrome and Safari.\n * 2. Correct the outline style in Safari.\n */\n\n[type=\"search\"] {\n  -webkit-appearance: textfield; /* 1 */\n  outline-offset: -2px; /* 2 */\n}\n\n/**\n * Remove the inner padding in Chrome and Safari on macOS.\n */\n\n[type=\"search\"]::-webkit-search-decoration {\n  -webkit-appearance: none;\n}\n\n/**\n * 1. Correct the inability to style clickable types in iOS and Safari.\n * 2. Change font properties to `inherit` in Safari.\n */\n\n::-webkit-file-upload-button {\n  -webkit-appearance: button; /* 1 */\n  font: inherit; /* 2 */\n}\n\n/* Interactive\n   ========================================================================== */\n\n/*\n * Add the correct display in Edge, IE 10+, and Firefox.\n */\n\ndetails {\n  display: block;\n}\n\n/*\n * Add the correct display in all browsers.\n */\n\nsummary {\n  display: list-item;\n}\n\n/* Misc\n   ========================================================================== */\n\n/**\n * Add the correct display in IE 10+.\n */\n\ntemplate {\n  display: none;\n}\n\n/**\n * Add the correct display in IE 10.\n */\n\n[hidden] {\n  display: none;\n}\n","@mixin flexbox {\n  display: inline-flex;\n  flex-wrap: wrap;\n  width: 100%;\n}\n\n@mixin space-between {\n  @include flexbox;\n  justify-content: space-between;\n}\n\n@mixin grilles{\n  display: grid;\n  grid-template-columns: 20% 20% 20% 20% 20%;\n  grid-gap: 1.4rem;\n  grid-auto-rows: minmax(3.2rem, 3.2rem);\n  justify-items: stretch;\n}\n\n\n@mixin card($size) {\n  @if $size == 'small' {\n    .card-header{\n      h5{\n        font-size: $Fsub-title;\n        line-height: $Lsub-title;\n      }\n    }\n    .card-date{\n      time{\n        font-size: $Fsub-title;\n        line-height: $Lsub-title;\n      }\n    }\n  } @else if $size == 'big' {\n    width: $first_card;\n    .card-header{\n      h5{\n        font-size: $Ftitle;\n        line-height: $Ltitle;\n      }\n    }\n    .card-date{\n      time{\n        font-size: $Ftitle;\n        line-height: $Ltitle;\n      }\n    }\n  }\n}\n","","header{\n  a{\n    font-family: $Bold;\n    font-weight: normal;\n    text-transform: uppercase;\n    font-size: $Fcourant;\n    line-height: $Fcourant;\n  }\n}\n\nh2{\n  font-family: $Bold;\n  font-size: $Ftitle;\n  font-weight: normal;\n  text-transform: uppercase;\n  line-height: $Ltitle;\n  margin: 0;\n  span{\n    margin-right: 1rem;\n  }\n}\n\nh3{\n  font-family: $Bold;\n  font-size: $Fsub-title;\n  line-height: $Lsub-title;\n  font-weight: normal;\n}\n\nh5{\n  font-family: $Bold;\n  font-size: $Fcourant;\n  line-height: 1.2rem;\n  text-transform: uppercase;\n  font-weight: normal;\n}\n\n.card-date{\n  time{\n    font-family: $Bold;\n    font-size: $Fcourant;\n    line-height: $Lcourant;\n    text-transform: uppercase;\n    font-weight: normal;\n  }\n}\n\np{\n  font-family: $Bold;\n  font-weight: normal;\n  font-size: 1.6rem;\n  line-height: 1.9rem;\n  margin: 1rem 0;\n}\n\n.card-cat{\n  font-family: $Bold;\n  font-weight: normal;\n  text-transform: uppercase;\n  font-size: $Fcourant;\n  line-height: $Lcourant;\n}\n\n.card-lieux{\n  font-family: $Bold;\n  font-weight: normal;\n  font-size: $Fcourant;\n  text-transform: uppercase;\n}\n\n.content-item{\n  .date{\n    font-size: $Fsub-title;\n    font-family: $Bold;\n    font-weight: normal;\n  }\n}\n\n.caption{\n  margin-top: 10px;\n  font-size: $Fcourant;\n  font-family: $Bold;\n  font-weight: normal;\n  color: $grey;\n}\n\n.home, .blog{\n  .card{\n    &:nth-child(5n+1){\n      @include card(big);\n    }\n    &:not(:nth-child(5n+1)){\n      @include card(small);\n    }\n  }\n}\n\n.news{\n  h5{\n    a{\n      font-size: $Fcourant!important;\n      line-height: $Fcourant!important;\n    }\n  }\n  .card-subtitle{\n    span{\n      font-size: $Fcourant!important;\n      line-height: $Fcourant!important;\n    }\n  }\n}\n\n.item{\n  .item_title{\n    margin-bottom: 3rem;\n  }\n  .item_content{\n    width: $item_content;\n  }\n  .item_date{\n    font-family: $Bold;\n    font-size: $Fsub-title;\n    line-height: $Lcourant;\n    text-transform: uppercase;\n    font-weight: normal;\n  }\n}\n\n.archives, .news{\n  .card{\n    .card-header{\n      h5{\n        font-size: $Fcourant!important;\n        line-height: $Fcourant!important;\n      }\n    }\n    .card-date{\n      time{\n        font-size: $Fcourant!important;\n        line-height: $Fcourant!important;\n      }\n    }\n  }\n}\n\n.modular{\n  .visit-us{\n    p{\n      text-transform: none!important;\n      color: $grey\n    }\n    span{\n      text-transform: none!important;\n    }\n    .open{\n      text-transform: none!important;\n      margin-top: 1rem;\n      font-size: $Fcourant;\n      font-family: $Bold;\n      font-weight: normal;\n      color: black;\n      margin-bottom: 1rem;\n      time{\n        &:nth-child(1){\n          margin-right: 4rem;\n        }\n      }\n    }\n\n  }\n  #body-wrapper{\n    text-transform: uppercase;\n    width: $first_card;\n    span{\n      font-family: $Bold;\n      font-size: $Fcourant;\n      line-height: $Lcourant;\n    }\n  }\n}\n\n.form{\n  #custom-form{\n    font-family: $Bold;\n    text-transform: uppercase;\n    font-size: $Fcourant;\n    .form-label{\n      color: #cbcbcb;\n    }\n    label{\n      color: #cbcbcb;\n    }\n    .form-data{\n      input{\n        text-transform: uppercase;\n        color: $grey;\n      }\n      textarea{\n        font-size: $Fcourant;\n        text-transform: uppercase;\n        color: $grey;\n      }\n    }\n    button{\n      font-size: $Fcourant;\n      text-transform: uppercase;\n      &:hover{\n        cursor: pointer;\n      }\n    }\n    .toast-success{\n      text-transform: capitalize;\n    }\n  }\n}\n\nfooter{\n  font-family: $Bold;\n  font-weight: normal;\n  text-transform: uppercase;\n  font-size: $Fcourant;\n  color: $grey;\n  a{\n    color: $grey;\n  }\n}\n",".form{\n  section{\n    &#body-wrapper{\n      #custom-form{\n        margin-top: 3rem;\n        @include grilles;\n        .form-field{\n            align-self: center;\n          &:nth-child(1){\n            grid-column: 1 / 3;\n            grid-row: 1;\n          }\n          &:nth-child(2){\n            grid-column: 3 / 5;\n            grid-row: 1;\n          }\n          &:nth-child(3){\n            grid-column: 5 / 5;\n            grid-row: 1;\n          }\n          &:nth-child(4){\n            grid-column: 1 / 3;\n            grid-row: 2;\n          }\n          &:nth-child(5){\n            grid-column: 3 / 6;\n            grid-row: 2;\n          }\n          &:nth-child(6){\n            grid-column: 1 / 3;\n            grid-row: 3;\n          }\n          &:nth-child(7){\n            grid-column: 3 / 5;\n            grid-row: 3;\n          }\n          &:nth-child(8){\n            grid-column: 5 / 5;\n            grid-row: 3;\n            display: flex;\n            position: relative;\n            .form-data{\n              .dropzone{\n                min-height: auto;\n                border:none;\n                width: 100%;\n                position: absolute;\n                left: 0;\n                background: transparent;\n                ::before{\n                  position: absolute;\n                  display: inline-block;\n                  width: 1.2rem;\n                  height: 1.2rem;\n                  content: ' ';\n                  background: url('/user/themes/vocurations/images/Upload.svg');\n                  background-position: center;\n                  background-repeat: no-repeat;\n                  background-size: cover;\n                  right: -0px;\n                  top: 0;\n                  margin-top: -0.4rem;\n                }\n                .dz-preview {\n                  width: 100%;\n                  position: absolute;\n                  left: 0;\n                  margin: 0;\n                  top: -22px;\n                  background: white;\n                  .dz-image{\n                    width: 100%;\n                    height: auto;\n                    background: white;\n                  }\n                  .dz-remove{\n                    position: absolute;\n                    z-index: 999;\n                    right: 0;\n                  }\n                  .dz-success-mark{\n                    path{\n                      fill:green;\n                    }\n\n                  }\n                }\n              }\n            }\n            .dz-default{\n              span{\n                display: none;\n              }\n            }\n          }\n          &:nth-child(9){\n            grid-column: 1 / 9;\n            grid-row: 4;\n            display: flex;\n            align-items: center;\n            .form-label{\n              margin-right: 1rem;\n            }\n            .form-data{\n              @include flexbox;\n              .radio{\n                  margin-right: 1rem;\n                  label{\n                    @include flexbox;\n                    flex-wrap: nowrap!important;\n                    align-items: center;\n                    input{\n                      margin-right: 10px;\n                      border: 1px solid black;\n                      position: relative;\n                      appearance: none;\n                      font-size: inherit;\n                      width: 20px;\n                      height: 20px;\n                      margin: 0;\n                      color: inherit;\n                      outline: none;\n                      transition: 300ms ease-out;\n                      vertical-align: baseline;\n                      &::after {\n                        content: ' ';\n                        display: block;\n                        text-align: center;\n                        width: 18px;\n                        height: 18px;\n                      }\n                      &:active {\n                        transform: scale(.6);\n                      }\n                    }\n                    input[type=radio]:checked::after {\n                      background: black;\n                    }\n                  }\n              }\n            }\n          }\n          &:nth-child(10){\n            grid-column: 1 / 6;\n            grid-row: 5/7;\n              align-self: stretch;\n            .form-label {\n              display: none;\n            }\n            .form-data{\n              height: 100%;\n            }\n            .form-textarea-wrapper {\n              height: 100%;\n            }\n            textarea{\n              padding: 0.5rem;\n              border : 1px solid black;\n              width: 100%;\n              height: 100%;\n              resize: none;\n            }\n          }\n          &:nth-child(-n+7){\n            .form-label{\n              display:none\n            }\n          }\n          .form-data{\n            input{\n              border: none;\n              border-bottom: 1px solid black;\n              width: 100%;\n            }\n            textarea:focus, input:focus {\n                color: black;\n            }\n\n          }\n        }\n        .buttons{\n          grid-column: 1 / 1;\n          grid-row: 7;\n          align-self: center;\n          button{\n            border: none;\n            background: white;\n          }\n        }\n      }\n    }\n  }\n  .toast-success{\n    font-family: $Regular;\n    display: inline-block;\n    margin-left: 1rem;\n  }\n}\n","@media screen and (max-width: 1024px) {\n  html{\n    .archives section#body-wrapper, .news section#body-wrapper {\n      width: calc( 100% + (0.7rem * 2));\n    }\n    .modular section#body-wrapper{\n      width: 100%;\n      section.insitu{\n        .content-warp{\n          & >div.image .img{\n            height: 350px!important;\n            min-height: 350px!important;\n          }\n        }\n        .leaflet-container  {\n          height: 350px!important;\n        }\n      }\n    }\n  }\n}\n\n@media screen and (max-width: 768px) {\n  html{\n    .archives section#body-wrapper, .news section#body-wrapper {\n      width: calc(100% + (0.7rem * 2));\n    }\n    .modular section#body-wrapper{\n      width: 100%;\n      section.insitu{\n        .content-warp{\n          & > div.image .img{\n            height: 250px!important;\n            min-height: 250px!important;\n          }\n        }\n        .leaflet-container  {\n          height: 250px!important;\n        }\n      }\n    }\n  }\n}\n\n@media screen and (max-width: 440px) {\n  body{\n    margin: 0 0.7rem!important;\n    header#header{\n      position: fixed!important;\n      z-index: 999;\n      .logo{\n        left: 0.7rem!important;\n        top: 1rem!important;\n        width: 100%;\n        transform: translate(0) rotate(0deg)!important;\n        a{\n          width: 80%;\n          display: block;\n          img{\n            width: 15rem;\n          }\n        }\n      }\n      .desktop-menu{\n        display:none;\n        .dropmenu{\n          & > ul {\n            & > li {\n              &:hover{\n                & > ul{\n                  position: relative!important;\n                }\n              }\n            }\n          }\n        }\n      }\n    }\n    .mobile-menu{\n      display: block!important;\n      z-index: 999;\n      position: fixed;\n      right: 0.7rem;\n      top: 1rem;\n      .close{\n        display:none;\n      }\n      .open{\n        display: block;\n      }\n    }\n    &.mobile-nav-open{\n      header{\n        .desktop-menu{\n          display: block!important;\n          position: fixed;\n          top: 0;\n          left: 0;\n          width: 100%;\n          height: 100%;\n          background: white;\n          .dropmenu{\n            margin: 6rem auto 0 1.4rem;\n          }\n          ul{\n            display: block!important;\n            li{\n              a{\n                font-size: 2rem;\n                line-height: 4rem;\n              }\n            }\n          }\n        }\n      }\n      .mobile-menu{\n        .open{\n          display:none;\n        }\n        .close{\n          display:block;\n        }\n      }\n    }\n  }\n  #start{\n    #body-wrapper{\n      margin-top: 2rem;\n      padding-top: 0rem!important;\n      #item{\n        .card{\n          width: 100%!important;\n          padding-right: 0!important;\n          padding-left: 0!important;\n          .card-header{\n            .card-title{\n              h5{\n                a{\n                  font-size: 2.3rem!important;\n                  line-height: 2.5rem!important;\n                }\n              }\n            }\n            .card-date{\n              font-size: 2.4rem!important;\n              line-height: 2.5rem!important;\n            }\n          }\n        }\n\n      }\n    }\n  }\n  .events{\n    #start{\n      margin-top: 8rem;\n    }\n  }\n  .content-item{\n    width: 100%!important;\n    h2{\n      font-size: 2.3rem;\n      line-height: 2.5rem;\n    }\n    .slider{\n      margin-left: -0.7rem;\n      width: 100vw;\n      .caption{\n        margin-left: 0.7rem;\n      }\n    }\n    .e-content{\n      width: 100%!important;\n    }\n  }\n\n  #start{\n    &.home{\n      margin-top: 8rem;\n    }\n    margin-top: 4rem;\n    #body-wrapper{\n\n    }\n  }\n\n  .default{\n     #start{\n       section{\n         &#body-wrapper{\n           margin-top: 4rem;\n           h2{\n             font-size: 2.3rem;\n             line-height: 2.5rem;\n           }\n           width: 100%!important;\n           p{\n             width: 100%;\n           }\n         }\n       }\n     }\n   }\n\n  .archives section#body-wrapper, .news section#body-wrapper{\n    width: 100%!important;\n    #item{\n      margin-left: 0!important;\n    }\n  }\n\n  .modular{\n    #body-wrapper.blog-listing{\n      margin-top: 8rem!important;\n      #item{\n        flex-direction: column;\n        .content-warp{\n          flex-direction: column;\n          & > div{\n            width: 100%!important;\n            padding: 0!important;\n            margin-bottom: 2rem;\n          }\n        }\n      }\n    }\n    h2{\n      font-size: 2.3rem;\n    }\n    #start #body-wrapper .list_press{\n      width: 100%!important;\n      flex-direction: column;\n      .date{\n        margin-bottom: 0.5rem;\n      }\n    }\n  }\n\n  .form section#body-wrapper{\n    width: 100%!important;\n    #custom-form{\n      display: block;\n      .form-field{\n        margin-bottom: 2rem;\n      }\n      .form-field:nth-child(10) textarea{\n        min-height: 200px;\n      }\n    }\n  }\n\n  footer{\n      flex-direction: column;\n      & > div{\n        margin-bottom: 1rem;\n      }\n  }\n}\n","",".slider{\n  margin-bottom: 3rem;\n  width: 90%;\n  & > div{\n    & > img{\n      width: auto;\n      height: auto;\n      max-width: 100%;\n      max-height: 95vh;\n    }\n  }\n  .slick-list{\n    // max-height: 90vh!important;\n    padding: 0!important;\n    .slick-track{\n      .slick-slide{\n        // opacity: 0;\n        position: relative;\n        div{\n          width: 100%!important;\n          max-height: calc(95vh);\n          img{\n            max-width: 100%;\n            width: auto;\n            max-height: calc(95vh);\n            padding-bottom: 2rem;\n            margin: auto;\n          }\n          .caption{\n            width: 100%;\n            text-align: center;\n            position: absolute;\n            height: auto;\n            // width: auto!important;\n            margin-top: -1.5rem;\n          }\n        }\n        &.slick-center{\n          transition: 0.2s opacity 0.3s;\n        }\n      }\n    }\n  }\n  button{\n    z-index: 999;\n    position: absolute;\n    width: 2rem;\n    font-size: 0;\n    height: 100%;\n    background: transparent;\n    border: none;\n    top: 0;\n    opacity: 0;\n    &::after{\n      display: block;\n      position: absolute;\n      width: 0.6rem;\n      height: 1.2rem;\n      top: 50%;\n      content: \" \";\n      margin-top: -0.6rem;\n    }\n    &.slick-prev{\n      left: 1.2rem;\n      &::after{\n        left: 2.5px;\n        background-position: center;\n        background-repeat: no-repeat;\n        background-size: cover;\n        background: url('/user/themes/vocurations/images/arrow_left.svg');\n      }\n    }\n    &.slick-next{\n      right: 1.2rem;\n      &::after{\n        right: 2.5px;\n        background-position: center;\n        background-repeat: no-repeat;\n        background-size: cover;\n        background: url('/user/themes/vocurations/images/arrow_right.svg');\n      }\n    }\n  }\n}\n\n// .bx-wrapper{\n//   max-height: 90vh!important;\n//   .bx-viewport{\n//     height: 90vh!important;\n//     width: auto!important;\n//     .slider{\n//       height: inherit;\n//       & > div {\n//         width: auto!important;\n//         height: inherit;\n//         img{\n//           width: auto!important;\n//           max-height: inherit;\n//         }\n//       }\n//     }\n//   }\n// }\n\n// .bx-wrapper{\n//   border: none;\n//   box-shadow: none;\n//   // height: 90vh!important;\n//   .bx-viewport{\n//     overflow: auto;\n//     // height: 90vh!important;\n//   }\n//   .bx-controls-direction{\n//     a{\n//       width: 50%;\n//       height: calc(100% - 45px);\n//       z-index: 999;\n//       top: 0;\n//       margin: 0;\n//       &::before{\n//         position: absolute;\n//         display: block;\n//         width: 30px;\n//         height: 30px;\n//         top: 50%;\n//         content: \" \";\n//         margin-top: -15px;\n//       }\n//       &.bx-prev{\n//         left: 0;\n//         &::before{\n//           left: 10px;\n//         }\n//       }\n//       &.bx-next{\n//         right: 0;\n//         &::before{\n//           right: 10px;\n//         }\n//       }\n//       &:hover{\n//         &.bx-next{\n//           &::before{\n//             background-position: center;\n//             background-repeat: no-repeat;\n//             background-size: cover;\n//             background: url('/user/themes/vocurations/images/arrow_right.svg');\n//           }\n//         }\n//         &.bx-prev{\n//           &::before{\n//             background-position: center;\n//             background-repeat: no-repeat;\n//             background-size: cover;\n//             background: url('/user/themes/vocurations/images/arrow_left.svg');\n//           }\n//         }\n//       }\n//     }\n//   }\n//   .bx-caption{\n//     background: white;\n//     position: relative;\n//     span{\n//       color: $grey;\n//       font-family: $Bold;\n//       padding-left: 0;\n//       font-size: $Fcourant;\n//     }\n//   }\n// }\n","#page-wrapper{\n  .mobile-menu{\n    display: none;\n  }\n  & > header{\n    z-index: 999;\n    padding-top: 1.4rem;\n    .logo{\n      z-index: 999;\n      width: 20rem;\n      position: fixed;\n      right: 0px;\n      top: 0;\n      transform: translate(-25%, 19rem) rotate(90deg);\n      transform-origin: bottom right;\n    }\n    .desktop-menu{\n      & > nav.dropmenu{\n        & > ul{\n          @include flexbox;\n          & > li{\n            margin-right: 1.2rem;\n            & > ul{\n              position: absolute;\n              top: -100px;\n              a{\n                transition: 0.3s color ease;\n                color: white;\n              }\n            }\n            &:hover{\n              & > ul{\n                position: absolute;\n                top: auto;\n                a{\n                  &.active{\n                    color: black;\n                  }\n                  transition: 0.3s color ease;\n                  color: $grey;\n                }\n                & > li{\n                  &:hover{\n                    a{\n                      color: black;\n                    }\n                  }\n                }\n              }\n            }\n          }\n        }\n      }\n    }\n  }\n  #start{\n    header.sous_nav{\n      padding-top: 4rem;\n      ul{\n        @include flexbox;\n        li{\n          margin-right: 1rem;\n          a{\n            color: $grey;\n            &.active{\n              color: black;\n            }\n          }\n        }\n      }\n    }\n  }\n}\n","footer{\n  @include flexbox;\n  margin-bottom: 1rem;\n  margin-top: 6rem;\n  & > div{\n    display: inline-flex;\n    flex-direction: column;\n    width: calc(100% / 3);\n    margin-bottom: 10px;\n    min-width: 400px;\n    &.adress{\n      span:nth-child(1){\n        display: block\n      }\n      .align{\n        @include flexbox;\n        span{\n          margin-right: 1rem;\n        }\n      }\n    }\n    &.partenair{\n      justify-content: center;\n      .logo{\n        height: 20px;\n          img{\n            width: auto;\n            height: 100%;\n            vertical-align: baseline!important;\n          }\n      }\n    }\n    &.newsletter{\n      p{\n        text-decoration: underline;\n      }\n    }\n    &.rs{\n    }\n    & > span{\n      margin-right: 1rem;\n    }\n    & > a {\n      margin-right: 1rem;\n    }\n  }\n}\n","","body{\n  margin: 0 1.4rem;\n}\n\nh1,h2,h3,h4,h5{\n  margin: 0;\n  padding: 0;\n}\n\nbody, html {\n  height: 100%;\n  #page-wrapper{\n    min-height: 90%;\n  }\n  #body-wrapper{\n    margin-top: 4rem;\n  }\n}\n\n.home, .blog{\n  #item{\n    .card{\n      margin-bottom: 6rem;\n      &:nth-child(5n+1){\n        width: $first_card;\n        .card-header{\n          margin-bottom: 3rem;\n        }\n        .card-image{\n          display: flex;\n          width: auto;\n          overflow: hidden;\n          align-items: center;\n          justify-content: center;\n          max-height: 800px;\n          width: 100%;\n        }\n      }\n      &:not(:nth-child(5n+1)){\n        width: $all_card;\n        .card-header{\n          margin-bottom: 1.5rem;\n        }\n        .card-image{\n          display: flex;\n          // min-height: 600px;\n          height: auto;\n          width: 100%;\n          overflow: hidden;\n          align-items: center;\n          justify-content: center;\n        }\n      }\n      .card-header{\n        span{\n          margin-right: 1rem;\n        }\n      }\n      .card-cat{\n        margin-bottom:0.6rem;\n      }\n    }\n  }\n}\n\n\n.archives, .news{\n  #body-wrapper{\n    width: 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.visit-us span{text-transform:none!important}.modular .visit-us .open{font-family:Bold;font-size:1.5rem;font-weight:400;margin-top:1rem;margin-bottom:1rem;text-transform:none!important;color:#000}.modular .visit-us .open time:nth-child(1){margin-right:4rem}.modular #body-wrapper{width:calc((100% / 12) * 9);text-transform:uppercase}.modular #body-wrapper span{font-family:Bold;font-size:1.5rem;line-height:1.7rem}.form #custom-form{font-family:Bold;font-size:1.5rem;text-transform:uppercase}.form #custom-form .form-label{color:#cbcbcb}.form #custom-form label{color:#cbcbcb}.form #custom-form .form-data input{text-transform:uppercase;color:#a7a7a7}.form #custom-form .form-data textarea{font-size:1.5rem;text-transform:uppercase;color:#a7a7a7}.form #custom-form button{font-size:1.5rem;text-transform:uppercase}.form #custom-form button:hover{cursor:pointer}.form #custom-form .toast-success{text-transform:capitalize}footer{font-family:Bold;font-size:1.5rem;font-weight:400;text-transform:uppercase;color:#a7a7a7}footer a{color:#a7a7a7}.form section#body-wrapper #custom-form{display:grid;margin-top:3rem;grid-template-columns:20% 20% 20% 20% 20%;grid-gap:1.4rem;grid-auto-rows:minmax(3.2rem,3.2rem);justify-items:stretch}.form section#body-wrapper #custom-form .form-field{-ms-flex-item-align:center;align-self:center}.form section#body-wrapper #custom-form .form-field:nth-child(1){grid-column:1/3;grid-row:1}.form section#body-wrapper #custom-form .form-field:nth-child(2){grid-column:3/5;grid-row:1}.form section#body-wrapper #custom-form .form-field:nth-child(3){grid-column:5/5;grid-row:1}.form section#body-wrapper #custom-form .form-field:nth-child(4){grid-column:1/3;grid-row:2}.form section#body-wrapper #custom-form .form-field:nth-child(5){grid-column:3/6;grid-row:2}.form section#body-wrapper #custom-form .form-field:nth-child(6){grid-column:1/3;grid-row:3}.form section#body-wrapper #custom-form .form-field:nth-child(7){grid-column:3/5;grid-row:3}.form section#body-wrapper #custom-form .form-field:nth-child(8){position:relative;display:-ms-flexbox;display:flex;grid-column:5/5;grid-row:3}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone{position:absolute;left:0;width:100%;min-height:auto;border:none;background:0 0}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone ::before{position:absolute;top:0;right:0;display:inline-block;width:1.2rem;height:1.2rem;margin-top:-.4rem;content:' ';background:url(/user/themes/vocurations/images/Upload.svg);background-repeat:no-repeat;background-position:center;background-size:cover}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview{position:absolute;top:-22px;left:0;width:100%;margin:0;background:#fff}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-image{width:100%;height:auto;background:#fff}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-remove{position:absolute;z-index:999;right:0}.form section#body-wrapper #custom-form .form-field:nth-child(8) .form-data .dropzone .dz-preview .dz-success-mark path{fill:green}.form section#body-wrapper #custom-form .form-field:nth-child(8) .dz-default span{display:none}.form section#body-wrapper #custom-form .form-field:nth-child(9){display:-ms-flexbox;display:flex;grid-column:1/9;grid-row:4;-ms-flex-align:center;align-items:center}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-label{margin-right:1rem}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio{margin-right:1rem}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap;-ms-flex-wrap:nowrap!important;flex-wrap:nowrap!important;-ms-flex-align:center;align-items:center}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input{font-size:inherit;position:relative;width:20px;height:20px;margin:0;margin-right:10px;transition:.3s ease-out;vertical-align:baseline;color:inherit;border:1px solid #000;outline:0;-webkit-appearance:none;-moz-appearance:none;appearance:none}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input::after{display:block;width:18px;height:18px;content:' ';text-align:center}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input:active{transform:scale(.6)}.form section#body-wrapper #custom-form .form-field:nth-child(9) .form-data .radio label input[type=radio]:checked::after{background:#000}.form section#body-wrapper #custom-form .form-field:nth-child(10){grid-column:1/6;grid-row:5/7;align-self:stretch}.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-label{display:none}.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-data{height:100%}.form section#body-wrapper #custom-form .form-field:nth-child(10) .form-textarea-wrapper{height:100%}.form section#body-wrapper #custom-form .form-field:nth-child(10) textarea{width:100%;height:100%;padding:.5rem;resize:none;border:1px solid #000}.form section#body-wrapper #custom-form .form-field:nth-child(-n+7) .form-label{display:none}.form section#body-wrapper #custom-form .form-field .form-data input{width:100%;border:none;border-bottom:1px solid #000}.form section#body-wrapper #custom-form .form-field .form-data input:focus,.form section#body-wrapper #custom-form .form-field .form-data textarea:focus{color:#000}.form section#body-wrapper #custom-form .buttons{grid-column:1/1;grid-row:7;align-self:center}.form section#body-wrapper #custom-form .buttons button{border:none;background:#fff}.form .toast-success{font-family:Regular;display:inline-block;margin-left:1rem}@media screen and (max-width:1024px){html .archives section#body-wrapper,html .news section#body-wrapper{width:calc(100% + (.7rem * 2))}html .modular section#body-wrapper{width:100%}html .modular section#body-wrapper section.insitu .content-warp>div.image .img{height:350px!important;min-height:350px!important}html .modular section#body-wrapper section.insitu .leaflet-container{height:350px!important}}@media screen and (max-width:768px){html .archives section#body-wrapper,html .news section#body-wrapper{width:calc(100% + (.7rem * 2))}html .modular section#body-wrapper{width:100%}html .modular section#body-wrapper section.insitu .content-warp>div.image .img{height:250px!important;min-height:250px!important}html .modular section#body-wrapper section.insitu .leaflet-container{height:250px!important}}@media screen and (max-width:440px){body{margin:0 .7rem!important}body header#header{position:fixed!important;z-index:999}body header#header .logo{top:1rem!important;left:.7rem!important;width:100%;transform:translate(0) rotate(0)!important}body header#header .logo a{display:block;width:80%}body header#header .logo a img{width:15rem}body header#header .desktop-menu{display:none}body header#header .desktop-menu .dropmenu>ul>li:hover>ul{position:relative!important}body .mobile-menu{position:fixed;z-index:999;top:1rem;right:.7rem;display:block!important}body .mobile-menu .close{display:none}body .mobile-menu .open{display:block}body.mobile-nav-open header .desktop-menu{position:fixed;top:0;left:0;display:block!important;width:100%;height:100%;background:#fff}body.mobile-nav-open header .desktop-menu .dropmenu{margin:6rem auto 0 1.4rem}body.mobile-nav-open header .desktop-menu ul{display:block!important}body.mobile-nav-open header .desktop-menu ul li a{font-size:2rem;line-height:4rem}body.mobile-nav-open .mobile-menu .open{display:none}body.mobile-nav-open .mobile-menu .close{display:block}#start #body-wrapper{margin-top:2rem;padding-top:0!important}#start #body-wrapper #item .card{width:100%!important;padding-right:0!important;padding-left:0!important}#start #body-wrapper #item .card .card-header .card-title h5 a{font-size:2.3rem!important;line-height:2.5rem!important}#start #body-wrapper #item .card .card-header .card-date{font-size:2.4rem!important;line-height:2.5rem!important}.events #start{margin-top:8rem}.content-item{width:100%!important}.content-item h2{font-size:2.3rem;line-height:2.5rem}.content-item .slider{width:100vw;margin-left:-.7rem}.content-item .slider .caption{margin-left:.7rem}.content-item .e-content{width:100%!important}#start{margin-top:4rem}#start.home{margin-top:8rem}.default #start section#body-wrapper{width:100%!important;margin-top:4rem}.default #start section#body-wrapper h2{font-size:2.3rem;line-height:2.5rem}.default #start section#body-wrapper p{width:100%}.archives section#body-wrapper,.news section#body-wrapper{width:100%!important}.archives section#body-wrapper #item,.news section#body-wrapper #item{margin-left:0!important}.modular #body-wrapper.blog-listing{margin-top:8rem!important}.modular #body-wrapper.blog-listing #item{flex-direction:column;-ms-flex-direction:column}.modular #body-wrapper.blog-listing #item .content-warp{flex-direction:column;-ms-flex-direction:column}.modular #body-wrapper.blog-listing #item .content-warp>div{width:100%!important;margin-bottom:2rem;padding:0!important}.modular h2{font-size:2.3rem}.modular #start #body-wrapper .list_press{flex-direction:column;width:100%!important;-ms-flex-direction:column}.modular #start #body-wrapper .list_press .date{margin-bottom:.5rem}.form section#body-wrapper{width:100%!important}.form section#body-wrapper #custom-form{display:block}.form section#body-wrapper #custom-form .form-field{margin-bottom:2rem}.form section#body-wrapper #custom-form .form-field:nth-child(10) textarea{min-height:200px}footer{flex-direction:column;-ms-flex-direction:column}footer>div{margin-bottom:1rem}}.slider{width:90%;margin-bottom:3rem}.slider>div>img{width:auto;max-width:100%;height:auto;max-height:95vh}.slider .slick-list{padding:0!important}.slider .slick-list .slick-track .slick-slide{position:relative}.slider .slick-list .slick-track .slick-slide div{width:100%!important;max-height:calc(95vh)}.slider .slick-list .slick-track .slick-slide div img{width:auto;max-width:100%;max-height:calc(95vh);margin:auto;padding-bottom:2rem}.slider .slick-list .slick-track .slick-slide div .caption{position:absolute;width:100%;height:auto;margin-top:-1.5rem;text-align:center}.slider .slick-list .slick-track .slick-slide.slick-center{transition:.2s opacity .3s}.slider button{font-size:0;position:absolute;z-index:999;top:0;width:2rem;height:100%;opacity:0;border:none;background:0 0}.slider button::after{position:absolute;top:50%;display:block;width:.6rem;height:1.2rem;margin-top:-.6rem;content:' '}.slider button.slick-prev{left:1.2rem}.slider button.slick-prev::after{left:2.5px;background:url(/user/themes/vocurations/images/arrow_left.svg);background-repeat:no-repeat;background-position:center;background-size:cover}.slider button.slick-next{right:1.2rem}.slider button.slick-next::after{right:2.5px;background:url(/user/themes/vocurations/images/arrow_right.svg);background-repeat:no-repeat;background-position:center;background-size:cover}#page-wrapper .mobile-menu{display:none}#page-wrapper>header{z-index:999;padding-top:1.4rem}#page-wrapper>header .logo{position:fixed;z-index:999;top:0;right:0;width:20rem;transform:translate(-25%,19rem) rotate(90deg);transform-origin:bottom right}#page-wrapper>header .desktop-menu>nav.dropmenu>ul{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li{margin-right:1.2rem}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li>ul{position:absolute;top:-100px}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li>ul a{transition:.3s color ease;color:#fff}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li:hover>ul{position:absolute;top:auto}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li:hover>ul a{transition:.3s color ease;color:#a7a7a7}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li:hover>ul a.active{color:#000}#page-wrapper>header .desktop-menu>nav.dropmenu>ul>li:hover>ul>li:hover a{color:#000}#page-wrapper #start header.sous_nav{padding-top:4rem}#page-wrapper #start header.sous_nav ul{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}#page-wrapper #start header.sous_nav ul li{margin-right:1rem}#page-wrapper #start header.sous_nav ul li a{color:#a7a7a7}#page-wrapper #start header.sous_nav ul li a.active{color:#000}footer{display:-ms-inline-flexbox;display:inline-flex;width:100%;margin-top:6rem;margin-bottom:1rem;-ms-flex-wrap:wrap;flex-wrap:wrap}footer>div{display:-ms-inline-flexbox;display:inline-flex;flex-direction:column;width:calc(100% / 3);min-width:400px;margin-bottom:10px;-ms-flex-direction:column}footer>div.adress span:nth-child(1){display:block}footer>div.adress .align{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}footer>div.adress .align span{margin-right:1rem}footer>div.partenair{-ms-flex-pack:center;justify-content:center}footer>div.partenair .logo{height:20px}footer>div.partenair .logo img{width:auto;height:100%;vertical-align:baseline!important}footer>div.newsletter p{text-decoration:underline}footer>div>span{margin-right:1rem}footer>div>a{margin-right:1rem}body{margin:0 1.4rem}h1,h2,h3,h4,h5{margin:0;padding:0}body,html{height:100%}body #page-wrapper,html #page-wrapper{min-height:90%}body #body-wrapper,html #body-wrapper{margin-top:4rem}.blog #item .card,.home #item .card{margin-bottom:6rem}.blog #item .card:nth-child(5n+1),.home #item .card:nth-child(5n+1){width:calc((100% / 12) * 9)}.blog #item .card:nth-child(5n+1) .card-header,.home #item .card:nth-child(5n+1) .card-header{margin-bottom:3rem}.blog #item .card:nth-child(5n+1) .card-image,.home #item .card:nth-child(5n+1) .card-image{display:-ms-flexbox;display:flex;overflow:hidden;width:auto;width:100%;max-height:800px;-ms-flex-align:center;align-items:center;-ms-flex-pack:center;justify-content:center}.blog #item .card:not(:nth-child(5n+1)),.home #item .card:not(:nth-child(5n+1)){width:calc((100% / 12) * 6)}.blog #item .card:not(:nth-child(5n+1)) .card-header,.home #item .card:not(:nth-child(5n+1)) .card-header{margin-bottom:1.5rem}.blog #item .card:not(:nth-child(5n+1)) .card-image,.home #item .card:not(:nth-child(5n+1)) .card-image{display:-ms-flexbox;display:flex;overflow:hidden;width:100%;height:auto;-ms-flex-align:center;align-items:center;-ms-flex-pack:center;justify-content:center}.blog #item .card .card-header span,.home #item .card .card-header span{margin-right:1rem}.blog #item .card .card-cat,.home #item .card .card-cat{margin-bottom:.6rem}.archives #body-wrapper,.news #body-wrapper{width:calc((100% / 12) * 10.5);margin-bottom:2rem}.archives #body-wrapper #item,.news #body-wrapper #item{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}.archives #body-wrapper #item .card,.news #body-wrapper #item .card{width:calc((100% / 3) - 1.4rem);margin-bottom:5rem!important;padding:0!important}.archives #body-wrapper #item .card:nth-child(3n+2),.news #body-wrapper #item .card:nth-child(3n+2){margin:0 1.4rem}.archives #body-wrapper #item .card .card-header,.news #body-wrapper #item .card .card-header{margin-bottom:.5rem}.archives #body-wrapper #item .card .card-image,.news #body-wrapper #item .card .card-image{display:-ms-flexbox;display:flex;overflow:hidden;width:100%;-ms-flex-align:center;align-items:center;-ms-flex-pack:center;justify-content:center}.item{width:calc((100% / 12) * 9);margin-bottom:6rem}.item .item_content h3{margin:2rem 0}.item .item_title{margin-bottom:3rem}.item .item_img{margin-bottom:3rem}.item .item_date{margin-bottom:1.5rem}.default #body-wrapper .item .item_title,.events #body-wrapper .item .item_title{margin-bottom:3rem}.default #body-wrapper .item .item_img,.events #body-wrapper .item .item_img{margin-bottom:3rem}.default #body-wrapper .item .item_content,.events #body-wrapper .item .item_content{width:calc((100% / 12) * 10)}.default #body-wrapper .item .item_date,.events #body-wrapper .item .item_date{margin-bottom:1.5rem}.default .item_content{margin-bottom:3rem}#start #body-wrapper #item{display:-ms-inline-flexbox;display:inline-flex;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap;-ms-flex-align:end;align-items:flex-end}.home #item .card.hidden{display:none}.home #item .card.visible{display:block}.home #item .more{width:100%;text-align:center}.home #item .more a{font-family:Bold;font-size:1.2rem;text-transform:uppercase}.blog .card:nth-child(5n+2),.current-upcoming .card:nth-child(5n+2),.home .card:nth-child(5n+2){padding-right:.7rem}.blog .card:nth-child(5n+3),.current-upcoming .card:nth-child(5n+3),.home .card:nth-child(5n+3){padding-left:.7rem}.blog .card:nth-child(5n+4),.current-upcoming .card:nth-child(5n+4),.home .card:nth-child(5n+4){padding-right:.7rem}.blog .card:nth-child(5n+5),.current-upcoming .card:nth-child(5n+5),.home .card:nth-child(5n+5){padding-left:.7rem}.modular #item{margin-bottom:6rem}.modular .press #body-wrapper{width:calc((100% / 12) * 9)}.modular .press #body-wrapper #item .card{display:-ms-inline-flexbox;display:inline-flex;margin-bottom:1rem}.modular .press #body-wrapper #item .card .date{min-width:200px}.modular .press #body-wrapper #item .card .content p{margin:0}.modular .visit-us section{width:100%}.modular .visit-us section:not(:nth-last-child(1)){margin-bottom:6rem}.modular .visit-us section .map_header{margin-bottom:3rem}.modular .visit-us section .map_content{display:-ms-inline-flexbox;display:inline-flex}.modular .visit-us section .map_content .image{width:50%;margin-right:.7rem}.modular .visit-us section .map_content .image .img{display:-ms-flexbox;display:flex;overflow:hidden;height:500px;-ms-flex-align:center;align-items:center;-ms-flex-pack:center;justify-content:center}.modular .visit-us section .map_content .image .img img{width:auto!important;height:100%}.modular .visit-us section .map_content .maps{width:50%}.modular .visit-us section .map_content .maps>.map{height:500px}.modular .visit-us section .map_content .maps .adress{margin-top:1rem}.modular .visit-us section .map_content .maps .adress span{line-height:1.5rem}.modular #start.visit-us header{display:none}.modular #start #body-wrapper .list_press{display:-ms-inline-flexbox;display:inline-flex;width:100%;margin-bottom:.8rem;-ms-flex-wrap:wrap;flex-wrap:wrap;-ms-flex-align:baseline;align-items:baseline;-ms-flex-wrap:nowrap;flex-wrap:nowrap}.modular #start #body-wrapper .list_press .date{margin-right:3rem}.modular #start #body-wrapper section.insitu{width:100%;margin-bottom:3.2rem}.modular #start #body-wrapper section.insitu .header{margin-bottom:1rem}.modular #start #body-wrapper section.insitu .content-warp{display:-ms-inline-flexbox;display:inline-flex;width:100%;width:100%;-ms-flex-wrap:wrap;flex-wrap:wrap}.modular #start #body-wrapper section.insitu .content-warp>div{width:50%}.modular #start #body-wrapper section.insitu .content-warp>div.image{padding-right:1rem}.modular #start #body-wrapper section.insitu .content-warp>div.image .img{display:-ms-flexbox;display:flex;overflow:hidden;width:auto;height:500px;min-height:500px}.modular #start #body-wrapper section.insitu .content-warp>div.image .img img{width:auto;height:100%;margin:auto}.modular #start #body-wrapper section.insitu .content-warp>div.image .content{margin-top:1rem;text-transform:none;color:#a7a7a7}.modular #start #body-wrapper section.insitu .content-warp>div.image .content p{line-height:1.2rem}.modular #start #body-wrapper section.insitu .leaflet-container{width:100%;height:500px}.modular #start #body-wrapper section.insitu .maps .adress{margin-top:1rem;text-transform:none}.modular #start #body-wrapper section.insitu .maps .adress span{display:block}.modular .news .card .card-image{display:-ms-flexbox;display:flex;overflow:hidden;width:100%;-ms-flex-align:center;align-items:center}.content-item{width:calc((100% / 12) * 9)}.content-item h2{margin-bottom:1.6rem}.content-item .date{margin:1.2rem 0}.content-item .e-content{width:calc((100% / 12) * 9)}.content-item .e-content p{margin-bottom:1.2rem} \ No newline at end of file diff --git a/user/themes/vocurations/css/slick-theme.css b/user/themes/vocurations/css/slick-theme.css new file mode 100644 index 0000000..1232fca --- /dev/null +++ b/user/themes/vocurations/css/slick-theme.css @@ -0,0 +1,204 @@ +@charset 'UTF-8'; +/* Slider */ +.slick-loading .slick-list +{ + background: #fff url('./ajax-loader.gif') center center no-repeat; +} + +/* Icons */ +@font-face +{ + font-family: 'slick'; + font-weight: normal; + font-style: normal; + + src: url('./fonts/slick.eot'); + src: url('./fonts/slick.eot?#iefix') format('embedded-opentype'), url('./fonts/slick.woff') format('woff'), url('./fonts/slick.ttf') format('truetype'), url('./fonts/slick.svg#slick') format('svg'); +} +/* Arrows */ +.slick-prev, +.slick-next +{ + font-size: 0; + line-height: 0; + + position: absolute; + top: 50%; + + display: block; + + width: 20px; + height: 20px; + padding: 0; + -webkit-transform: translate(0, -50%); + -ms-transform: translate(0, -50%); + transform: translate(0, -50%); + + cursor: pointer; + + color: transparent; + border: none; + outline: none; + background: transparent; +} +.slick-prev:hover, +.slick-prev:focus, +.slick-next:hover, +.slick-next:focus +{ + color: transparent; + outline: none; + background: transparent; +} +.slick-prev:hover:before, +.slick-prev:focus:before, +.slick-next:hover:before, +.slick-next:focus:before +{ + opacity: 1; +} +.slick-prev.slick-disabled:before, +.slick-next.slick-disabled:before +{ + opacity: .25; +} + +.slick-prev:before, +.slick-next:before +{ + font-family: 'slick'; + font-size: 20px; + line-height: 1; + + opacity: .75; + color: white; + + -webkit-font-smoothing: antialiased; + -moz-osx-font-smoothing: grayscale; +} + +.slick-prev +{ + left: -25px; +} +[dir='rtl'] .slick-prev +{ + right: -25px; + left: auto; +} +.slick-prev:before +{ + content: '←'; +} +[dir='rtl'] .slick-prev:before +{ + content: '→'; +} + +.slick-next +{ + right: -25px; +} +[dir='rtl'] .slick-next +{ + right: auto; + left: -25px; +} +.slick-next:before +{ + content: '→'; +} +[dir='rtl'] .slick-next:before +{ + content: '←'; +} + +/* Dots */ +.slick-dotted.slick-slider +{ + margin-bottom: 30px; +} + +.slick-dots +{ + position: absolute; + bottom: -25px; + + display: block; + + width: 100%; + padding: 0; + margin: 0; + + list-style: none; + + text-align: center; +} +.slick-dots li +{ + position: relative; + + display: inline-block; + + width: 20px; + height: 20px; + margin: 0 5px; + padding: 0; + + cursor: pointer; +} +.slick-dots li button +{ + font-size: 0; + line-height: 0; + + display: block; + + width: 20px; + height: 20px; + padding: 5px; + + cursor: pointer; + + color: transparent; + border: 0; + outline: none; + background: transparent; +} +.slick-dots li button:hover, +.slick-dots li button:focus +{ + outline: none; +} +.slick-dots li button:hover:before, +.slick-dots li button:focus:before +{ + opacity: 1; +} +.slick-dots li button:before +{ + font-family: 'slick'; + font-size: 6px; + line-height: 20px; + + position: absolute; + top: 0; + left: 0; + + width: 20px; + height: 20px; + + content: '•'; + text-align: center; + + opacity: .25; + color: black; + + -webkit-font-smoothing: antialiased; + -moz-osx-font-smoothing: grayscale; +} +.slick-dots li.slick-active button:before +{ + opacity: .75; + color: black; +} diff --git a/user/themes/vocurations/css/slick.css b/user/themes/vocurations/css/slick.css new file mode 100644 index 0000000..57477e8 --- /dev/null +++ b/user/themes/vocurations/css/slick.css @@ -0,0 +1,119 @@ +/* Slider */ +.slick-slider +{ + position: relative; + + display: block; + box-sizing: border-box; + + -webkit-user-select: none; + -moz-user-select: none; + -ms-user-select: none; + user-select: none; + + -webkit-touch-callout: none; + -khtml-user-select: none; + -ms-touch-action: pan-y; + touch-action: pan-y; + -webkit-tap-highlight-color: transparent; +} + +.slick-list +{ + position: relative; + + display: block; + overflow: hidden; + + margin: 0; + padding: 0; +} +.slick-list:focus +{ + outline: none; +} +.slick-list.dragging +{ + cursor: pointer; + cursor: hand; +} + +.slick-slider .slick-track, +.slick-slider .slick-list +{ + -webkit-transform: translate3d(0, 0, 0); + -moz-transform: translate3d(0, 0, 0); + -ms-transform: translate3d(0, 0, 0); + -o-transform: translate3d(0, 0, 0); + transform: translate3d(0, 0, 0); +} + +.slick-track +{ + position: relative; + top: 0; + left: 0; + + display: block; + margin-left: auto; + margin-right: auto; +} +.slick-track:before, +.slick-track:after +{ + display: table; + + content: ''; +} +.slick-track:after +{ + clear: both; +} +.slick-loading .slick-track +{ + visibility: hidden; +} + +.slick-slide +{ + display: none; + float: left; + + height: 100%; + min-height: 1px; +} +[dir='rtl'] .slick-slide +{ + float: right; +} +.slick-slide img +{ + display: block; +} +.slick-slide.slick-loading img +{ + display: none; +} +.slick-slide.dragging img +{ + pointer-events: none; +} +.slick-initialized .slick-slide +{ + display: block; +} +.slick-loading .slick-slide +{ + visibility: hidden; +} +.slick-vertical .slick-slide +{ + display: block; + + height: auto; + + border: 1px solid transparent; +} +.slick-arrow.slick-hidden { + display: none; +} diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff new file mode 100644 index 0000000..931204a Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff2 b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff2 new file mode 100644 index 0000000..e14e385 Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Bold.woff2 differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-BoldItalicB.woff 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/dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-ItalicB.woff2 differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff new file mode 100644 index 0000000..c8e7308 Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff2 b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff2 new file mode 100644 index 0000000..497559c Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGrotesk-Regular.woff2 differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff b/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff new file mode 100644 index 0000000..2ad40cc Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff differ diff --git a/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff2 b/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff2 new file mode 100644 index 0000000..ebd6c18 Binary files /dev/null and b/user/themes/vocurations/fonts/FKGrotesk/FKGroteskMono-Regular.woff2 differ diff --git a/user/themes/vocurations/images/CROIX.png b/user/themes/vocurations/images/CROIX.png new file mode 100644 index 0000000..40f76c5 Binary files /dev/null and b/user/themes/vocurations/images/CROIX.png differ diff --git a/user/themes/vocurations/images/IMG_1091.jpg b/user/themes/vocurations/images/IMG_1091.jpg new file mode 100644 index 0000000..48e0ecd Binary files /dev/null and b/user/themes/vocurations/images/IMG_1091.jpg differ diff --git a/user/themes/vocurations/images/Upload.svg b/user/themes/vocurations/images/Upload.svg new file mode 100644 index 0000000..adce7f3 --- /dev/null +++ b/user/themes/vocurations/images/Upload.svg @@ -0,0 +1,7 @@ + + + + + + + diff --git a/user/themes/vocurations/images/arrow_left.svg b/user/themes/vocurations/images/arrow_left.svg new file mode 100644 index 0000000..10c5227 --- /dev/null +++ b/user/themes/vocurations/images/arrow_left.svg @@ -0,0 +1,5 @@ + + + + + diff --git a/user/themes/vocurations/images/arrow_right.svg b/user/themes/vocurations/images/arrow_right.svg new file mode 100644 index 0000000..12944de --- /dev/null +++ b/user/themes/vocurations/images/arrow_right.svg @@ -0,0 +1,5 @@ + + + + + diff --git a/user/themes/vocurations/images/menu_burger.png b/user/themes/vocurations/images/menu_burger.png new file mode 100644 index 0000000..2dad6bc Binary files /dev/null and b/user/themes/vocurations/images/menu_burger.png differ diff --git a/user/themes/vocurations/images/point.svg b/user/themes/vocurations/images/point.svg new file mode 100644 index 0000000..d0bcbe3 --- /dev/null +++ b/user/themes/vocurations/images/point.svg @@ -0,0 +1,68 @@ + + + + + + + + + + image/svg+xml + + + + + + + + + + + diff --git a/user/themes/vocurations/js/item.js b/user/themes/vocurations/js/item.js index c2aed40..798e110 100644 --- a/user/themes/vocurations/js/item.js +++ b/user/themes/vocurations/js/item.js @@ -1,11 +1,69 @@ -function bxslider() { - $('.slider').bxSlider({ - mode: 'horizontal', - captions: true, - shrinkItems:true, +function slick() { + $('.slider').slick({ + // infinite: true, + // // speed: 300, + // centerMode: true, + // adaptiveHeight: true + // variableWidth: true, + + dots: true, + infinite: true, + speed: 300, + slidesToShow: 1, + // variableWidth: true, + // centerMode: true, + adaptiveHeight: true }); + } -$(document).ready(function(){ - bxslider(); +function hover_slide() { + + var $Wslide = $('.slider').width(); + var halfSlide = $Wslide / 2 ; + var $button = $('.slider button'); + + console.log("halfSlide",halfSlide); + + + $button.css( "display" , "block" ); + + $('.slider').hover(function() { + $('.slider').mousemove(function(event) { + + var $eventX = event.pageX; + + if ($eventX < halfSlide) { + $('button.slick-prev').css("opacity","1"); + $('button.slick-next').css("opacity","0"); + } else if( $eventX > halfSlide ){ + $('button.slick-next').css("opacity","1"); + $('button.slick-prev').css("opacity","0"); + } + }); + }), + + $( ".slider" ).mouseleave(function() { + $('button.slick-prev').css("opacity","0"); + $('button.slick-next').css("opacity","0"); + }); + +} + +var resizeTimer; + +$(window).on('resize', function(e) { + + clearTimeout(resizeTimer); + resizeTimer = setTimeout(function() { + + hover_slide(); + + }, 250); + +}); + +$(document).ready(function(){ + hover_slide(); + slick(); }); diff --git a/user/themes/vocurations/js/map.js b/user/themes/vocurations/js/map.js index 647034d..e3d425f 100644 --- a/user/themes/vocurations/js/map.js +++ b/user/themes/vocurations/js/map.js @@ -3,12 +3,21 @@ function leaflet(id) { $(this).attr('id'); }); + for (var i = 0; i < id.length; i++) { console.log(id[i]); for (var i = 0; i < coord_data.x.length; i++) { for (var i = 0; i < coord_data.y.length; i++) { + var LeafIcon = L.Icon.extend({ + options: { + iconSize: [25, 35], + iconAnchor: [25, 35], + } + }); + + var greenIcon = new LeafIcon({iconUrl: '/user/themes/vocurations/images/point.svg'}); console.log(coord_data.x[i]); console.log(coord_data.y[i]); @@ -24,6 +33,7 @@ function leaflet(id) { zoom: 15, layers: [grayscale] }); + L.marker([coord_data.x[i], coord_data.y[i]], {icon: greenIcon}).bindPopup(id[i]).addTo(map); } } } @@ -31,6 +41,5 @@ function leaflet(id) { } $(document).ready(function(){ - leaflet(); }); diff --git a/user/themes/vocurations/js/site.js b/user/themes/vocurations/js/site.js index 02915ae..079e778 100644 --- a/user/themes/vocurations/js/site.js +++ b/user/themes/vocurations/js/site.js @@ -57,3 +57,58 @@ jQuery(document).ready(function($){ $(".tree").treemenu({delay:300}); }); + + +function more() { + + var countHome = 8, + countBlog = 3; + countNews = 6; + + var $main = $('main#start'); + var $wrapper = $('#body-wrapper > #item'); + var countCard = $wrapper.find('.card').length; + + if ($main.hasClass("home")) { + var countCard = 8; + + } if($main.hasClass("news")) { + var countCard = 6; + + } else { + + } + console.log(countCard); + + var $card = $('#body-wrapper > #item .card:lt('+ countCard +')'); + $card.addClass('visible'); + + var $cardV = $('.home #item .card:lt(8)'); + $cardV.addClass('visible'); + + var $cardH = $('.home #item .card:gt(7)'); + $cardH.addClass('hidden'); + + var countCard = $cardV.length; + + if (countCard == 8) { + console.log('true'); + var $Homcard = $('#item'); + $Homcard.append( "
More
"); + } + + $('.more').on('click', function(e) { + var $cardV2 = $('.home #item .hidden:lt(8)'); + e.preventDefault(); + $cardV2.addClass('visible').removeClass('hidden'); + var $card = $('.home #item .hidden'); + if ($card.length == 0) { + $('.more').remove(); + } + }); +} + + +$(document).ready(function(){ + more(); +}); diff --git a/user/themes/vocurations/js/slick.js b/user/themes/vocurations/js/slick.js new file mode 100644 index 0000000..6a2a099 --- /dev/null +++ b/user/themes/vocurations/js/slick.js @@ -0,0 +1,3011 @@ +/* + _ _ _ _ + ___| (_) ___| | __ (_)___ +/ __| | |/ __| |/ / | / __| +\__ \ | | (__| < _ | \__ \ +|___/_|_|\___|_|\_(_)/ |___/ + |__/ + + Version: 1.8.0 + Author: Ken Wheeler + Website: http://kenwheeler.github.io + Docs: http://kenwheeler.github.io/slick + Repo: http://github.com/kenwheeler/slick + Issues: http://github.com/kenwheeler/slick/issues + + */ +/* global window, document, define, jQuery, setInterval, clearInterval */ +;(function(factory) { + 'use strict'; + if (typeof define === 'function' && define.amd) { + define(['jquery'], factory); + } else if (typeof exports !== 'undefined') { + module.exports = factory(require('jquery')); + } else { + factory(jQuery); + } + +}(function($) { + 'use strict'; + var Slick = window.Slick || {}; + + Slick = (function() { + + var instanceUid = 0; + + function Slick(element, settings) { + + var _ = this, dataSettings; + + _.defaults = { + accessibility: true, + adaptiveHeight: false, + appendArrows: $(element), + appendDots: $(element), + arrows: true, + asNavFor: null, + prevArrow: '', + nextArrow: '', + autoplay: false, + autoplaySpeed: 3000, + centerMode: false, + centerPadding: '50px', + cssEase: 'ease', + customPaging: function(slider, i) { + return $('