fix
This commit is contained in:
@@ -6,9 +6,9 @@ lieux: '93 Baker Street'
|
||||
artistes: ' Olivia Bax'
|
||||
title: '‘at large'', '
|
||||
media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg'
|
||||
show_sidebar: false
|
||||
aura:
|
||||
pagetype: website
|
||||
show_sidebar: false
|
||||
---
|
||||
|
||||
An awareness of materials is crucial in pursuing any artistic endeavour.
|
||||
@@ -27,7 +27,7 @@ materials for further assembly (Iza Genzken). Olivia Bax's work is a
|
||||
distinct example of this aesthetic manu propria, for Bax not only
|
||||
physically leaves the imprint of her hand, her gestures on the surface of her
|
||||
sculptures, but she also uses handles as a recurring motif (Hot Spot,
|
||||
Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and
|
||||
Boulder (**with handle) and Pump). Her stand-alone pieces (Rumble** and
|
||||
Roar) have a human scale, as if they were based on her own height.
|
||||
|
||||
Bax's investigation of material rhythms can be likened to the act of
|
||||
|
||||
Reference in New Issue
Block a user