diff --git a/.htaccess b/.htaccess index 18b5dd1..2c6318f 100644 --- a/.htaccess +++ b/.htaccess @@ -75,8 +75,8 @@ DirectoryIndex index.php index.html index.htm # End - Prevent Browsing and Set Default Resources -RewriteCond %{HTTP_HOST} !^vocurations\.com$ [NC] -RewriteRule ^(.*)$ https://vocurations.com/$1 [R=301,L] +#RewriteCond %{HTTP_HOST} !^vocurations\.com$ [NC] +#RewriteRule ^(.*)$ https://vocurations.com/$1 [R=301,L] -RewriteCond %{HTTPS} off -RewriteRule (.*) https://%{HTTP_HOST}%{REQUEST_URI} [R,L] +#RewriteCond %{HTTPS} off +#RewriteRule (.*) https://%{HTTP_HOST}%{REQUEST_URI} [R,L] diff --git a/tmp/Grav-5ddd42f28fa5b/simplesearch1.14.2.zip b/tmp/Grav-5ddd42f28fa5b/simplesearch1.14.2.zip deleted file mode 100644 index 2952219..0000000 Binary files a/tmp/Grav-5ddd42f28fa5b/simplesearch1.14.2.zip and /dev/null differ diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/.gitignore b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/.gitignore deleted file mode 100644 index 8828462..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/.gitignore +++ /dev/null @@ -1,2 +0,0 @@ -.DS_Store -/.idea diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/CHANGELOG.md b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/CHANGELOG.md deleted file mode 100644 index 70d5914..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/CHANGELOG.md +++ /dev/null @@ -1,237 +0,0 @@ -# v1.14.2 -## 12/07/2018 - -1. [](#improved) - * Optimize, cleanup and remove typos [#163](https://github.com/getgrav/grav-plugin-simplesearch/pull/163) - * Removed `blog` as default filter [#166](https://github.com/getgrav/grav-plugin-simplesearch/pull/166) - * Polish translation [#144](https://github.com/getgrav/grav-plugin-simplesearch/pull/144) - * Kazakh translation [#153](https://github.com/getgrav/grav-plugin-simplesearch/pull/153) - * Spelling corrections [#145](https://github.com/getgrav/grav-plugin-simplesearch/pull/145) -1. [](#bugfix) - * Fix JS to work with IE11 [#161](https://github.com/getgrav/grav-plugin-simplesearch/pull/161) - * Updated javascript to be compatible with IE11 [#161](https://github.com/getgrav/grav-plugin-simplesearch/pull/161) - * Ensure `$values` is an array to prevent PHP error on implode [#146](https://github.com/getgrav/grav-plugin-simplesearch/pull/146) - -# v1.14.1 -## 01/11/2018 - -1. [](#bugfix) - * Fix for Gantry5 themes - -# v1.14.0 -## 01/08/2018 - -1. [](#new) - * Added Danish translations [#127](https://github.com/getgrav/grav-plugin-simplesearch/pull/127) -1. [](#improved) - * New option to disable built-in JS [#130](https://github.com/getgrav/grav-plugin-simplesearch/pull/130) - * Changed elipsis from `...` to `…` [#133](https://github.com/getgrav/grav-plugin-simplesearch/pull/133) - * Added missing French translations [#136](https://github.com/getgrav/grav-plugin-simplesearch/pull/136) - * Added missing German translations [#128](https://github.com/getgrav/grav-plugin-simplesearch/pull/128) -1. [](#bugfix) - * Escaped `query` in Twig templates for XSS protection - -# v1.13.0 -## 07/26/2017 - -1. [](#improved) - * Support for multiple forms and fields in the same page -1. [](#bugfix) - * Fix typo in `SEARCH_FIELD_MINIUMUM_CHARACTERS` translation string - * Fixed validation and JS submission - * Separated JS from inline to file - * Fixed issue with min query length always enforced. It is now possible to have no minimum length by setting to `false` or `0` - -# v1.12.0 -## 05/31/2017 - -1. [](#new) - * Added option to switch between Rendered HTML and Raw Markdown content searching. Raw Markdown is faster than default. - -# v1.11.0 -## 05/29/2017 - -1. [](#new) - * Allow to use "@none"/"none@" in the "Category filter" in Admin to allow removing the filter - -# v1.10.2 -## 04/19/2017 - -1. [](#bugfix) - * Only check ACL if the Login plugin is installed [#112](https://github.com/getgrav/grav-plugin-simplesearch/pull/112) - -# v1.10.1 -## 04/11/2017 - -1. [](#new) - * Added Portuguese translation - * Add hint when the minimum search field length is not matched -1. [](#bugfix) - * Default `ignore_accented_characters` to false - * Fallback to regular search if searching with `ignore_accented_characters` on an unsupported charset raises an exception [#107](https://github.com/getgrav/grav-plugin-simplesearch/issues/107) - * Check ACL before listing a page in the search results [#102](https://github.com/getgrav/grav-plugin-simplesearch/pull/102) - * Fix with ignoring `min_query_length` when using the button [#99](https://github.com/getgrav/grav-plugin-simplesearch/issues/99) - -# v1.10.0 -## 01/23/2017 - -1. [](#new) - * Added spanish translation - * Added japanese translation - * Added persian translation -1. [](#improved) - * Added option to switch between Rendered HTML and Raw Markdown content searching. Raw Markdown is faster than default. - * Removed jQuery dependency, fixes issue when jQuery is loaded in the footer [#57](https://github.com/getgrav/grav-plugin-simplesearch/pull/57) - * Added option to ignore accents when searching [#89](https://github.com/getgrav/grav-plugin-simplesearch/pull/89) -1. [](#bugfix) - * Remove unpublished and un-routable pages from the result set - * Fixed issue when using @self as route - * Fix overloaded property issue when searching on a page with simplesearch header [#80](https://github.com/getgrav/grav-plugin-simplesearch/issues/80) - * Fix issue with empty string and leading commas [#71](https://github.com/getgrav/grav-plugin-simplesearch/issues/71) - -# v1.9.3 -## 10/19/2016 - -1. [](#bugfix) - * Fixed an issue with invalid syntax in `route: @self` logic - -# v1.9.2 -## 09/19/2016 - -1. [](#bugfix) - * Reverted change in events - causing problems - * Reverted fix for `route: @self`, breaking `filter: @self` (used in getgrav.org) - -# v1.9.1 -## 09/08/2016 - -1. [](#bugfix) - * Fixed logic to use `onPageInitialized` event - -# v1.9.0 -## 09/06/2016 - -1. [](#new) - * Multiple search boxes support [#52](https://github.com/getgrav/grav-plugin-simplesearch/pull/52) - * Added Croatian and Russian translation -1. [](#improved) - * Added support for Grav's autoescape twig setting -1. [](#bugfix) - * Fix searching on `@self
 `[#53](https://github.com/getgrav/grav-plugin-simplesearch/pull/53) - -# v1.8.0 -## 07/14/2016 - -1. [](#new) - * Added dutch and romanian -1. [](#bugfix) - * Fix translating the search input placeholder - -# v1.7.1 -## 05/03/2016 - -1. [](#new) - * Added configurable `min length` option for how many characters needed before you can search - -# v1.7.0 -## 04/30/2016 - -1. [](#new) - * Added support for taxonomy searching in regular searches (not just on-page searches as was the case previously) - * Added support for `route: '@self'` to use the route of the current page without specifying it. - * Added display search button option - #33 - * Refactored code for clarity - -# v1.6.2 -## 01/06/2016 - -1. [](#improved) - * Improved the README instructions on how to save all pages - -# v1.6.1 -## 11/11/2015 - -1. [](#improved) - * Strip HTML tags from title and content before searching - -# v1.6.0 -## 11/11/2015 - -1. [](#new) - * Removing `filter:` from configuration will search **ALL** pages - -# v1.5.1 -## 10/15/2015 - -1. [](#improved) - * Minor performance fix - * Updated README.md with more help -1. [](#bugfix) - * Fix for special character searches - -# v1.5.0 -## 10/07/2015 - -1. [](#new) - * Allow simplesearch to work with on-page collections - -# v1.4.1 -## 08/31/2015 - -1. [](#improved) - * Fixed some blueprint issues - -# v1.4.0 -## 08/25/2015 - -1. [](#improved) - * Added blueprints for Grav Admin plugin - * Added results sorting - -# v1.3.0 -## 07/21/2015 - -1. [](#new) - * Added support for modular pages in results - -# v1.2.7 -## 07/17/2015 - -1. [](#bugfix) - * Fixed "Undefined index: extension" error - -# v1.2.6 -## 07/14/2015 - -1. [](#bugfix) - * Fixed URL issue that showed up with multi-languages - -# v1.2.5 -## 04/24/2015 - -1. [](#bugfix) - * Fixed issue with broken image - -# v1.2.4 -## 02/19/2015 - -2. [](#improved) - * Implemented new `param_sep` variable from Grav 0.9.18 - -# v1.2.3 -## 01/06/2015 - -1. [](#improved) - * Improved `README.md` file with more information - -# v1.2.2 -## 12/21/2014 - -1. [](#bugfix) - * Fix for invalid base_url in some instances - -# v1.2.1 -## 11/30/2014 - -1. [](#new) - * ChangeLog started... diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/LICENSE b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/LICENSE deleted file mode 100644 index 484793a..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/LICENSE +++ /dev/null @@ -1,21 +0,0 @@ -The MIT License (MIT) - -Copyright (c) 2014 Grav - -Permission is hereby granted, free of charge, to any person obtaining a copy -of this software and associated documentation files (the "Software"), to deal -in the Software without restriction, including without limitation the rights -to use, copy, modify, merge, publish, distribute, sublicense, and/or sell -copies of the Software, and to permit persons to whom the Software is -furnished to do so, subject to the following conditions: - -The above copyright notice and this permission notice shall be included in all -copies or substantial portions of the Software. - -THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR -IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, -FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE -AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER -LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, -OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE -SOFTWARE. diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/README.md b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/README.md deleted file mode 100644 index 562a797..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/README.md +++ /dev/null @@ -1,193 +0,0 @@ -# Grav SimpleSearch Plugin - -![SimpleSearch](assets/readme_1.png) - -`SimpleSearch` is a simple, yet very powerful [Grav][grav] plugin that adds search capabilities to your Grav instance. By default it can search Page **Titles**, **Content** and also **Taxonomy**. - -# Installation - -Installing the SimpleSearch plugin can be done in one of two ways. Our GPM (Grav Package Manager) installation method enables you to quickly and easily install the plugin with a simple terminal command, while the manual method enables you to do so via a zip file. - -## GPM Installation (Preferred) - -The simplest way to install this plugin is via the [Grav Package Manager (GPM)](http://learn.getgrav.org/advanced/grav-gpm) through your system's Terminal (also called the command line). From the root of your Grav install type: - - bin/gpm install simplesearch - -This will install the SimpleSearch plugin into your `/user/plugins` directory within Grav. Its files can be found under `/your/site/grav/user/plugins/simplesearch`. - -## Manual Installation - -To install this plugin, just download the zip version of this repository and unzip it under `/your/site/grav/user/plugins`. Then, rename the folder to `simplesearch`. You can find these files either on [GitHub](https://github.com/getgrav/grav-plugin-simplesearch) or via [GetGrav.org](http://getgrav.org/downloads/plugins#extras). - -You should now have all the plugin files under - - /your/site/grav/user/plugins/simplesearch - -> NOTE: This plugin is a modular component for Grav which requires [Grav](http://github.com/getgrav/grav), the [Error](https://github.com/getgrav/grav-plugin-error) and [Problems](https://github.com/getgrav/grav-plugin-problems) plugins, and a theme to be installed in order to operate. - -# Config Options - -To effectively use the plugin, you first need to create an override config. To do so, create the folder `user/config/plugins` (if it doesn't exist already) and copy the [simplesearch.yaml][simplesearch] config file in there. - -``` -enabled: true -built_in_css: true -built_in_js: true -display_button: false -min_query_length: 3 -route: /search -search_content: rendered -template: simplesearch_results -filters: - category: blog -filter_combinator: and -ignore_accented_characters: false -order: - by: date - dir: desc -``` - -By creating the configuration file: `user/config/plugins/simplesearch.yaml` you have effectively created a site-wide configuration for SimpleSearch. However, you may want to have multiple searches. - -> NOTE: If you want to search **ALL PAGES** just keep the `filters` section empty. - -To accomplish multiple search types in a single site, you should use **page-based** configuration. This is simple to do, simply provide any or all of the configuration options under a `simplesearch:` header in your page frontmatter. For example: - -``` -simplesearch: - route: @self - filters: - - @self - - @taxonomy: [tag] - filter_combinator: and -``` - - These page headers will only be taken into account if the search route points to this page. For example: here the route points to `@self` which in turn resolves to `/blog`. You can also specify the route explicitly with `route: /blog` if you so choose. This header is within the `/user/pages/blog/blog.md` file. We will cover this self-controlled form of search handling below. - -# Usage - -There are two approaches to using SimpleSearch. - -## 1. Standalone Search Page - -This is the traditional approach and involves having a searchbox 'somewhere' on your site. When you search you are shown a new page that displays the search results. On this page you will see a summary of the results and be able to click a link to visit each applicable page within your site. Think about how **Google** and other traditional search engines work. - -After installing the SimpleSearch plugin, you can add a simple **searchbox** to your site by including the provided twig template. Or copy it from the plugin to your theme and customize it as you please: - -``` -{% include 'partials/simplesearch_searchbox.html.twig' %} -``` - -By default the **simplesearch_searchbox** Twig template uses the `route` as defined in the configuration. The SimpleSearch plugin uses this route and then appends a `query:` parameter to create the following final URL. - -``` -http://yoursite.com/search/query:something -``` - -1. `/search`: This is the **route** setting and it can be changed -2. `/query:something`: This is the query itself, where `something` is what you are searching for. - -The plugin actively looks for URLs requested that match the configured `route` and if so it intercepts the call and renders the results template as specified by the configuration options, (defaults to `simplesearch_results.html.twig` as provided by the plugin). - -With this approach, the filters control which pages are searched. You can have multiple taxonomy filters here, and can configure the combinator to require **any** match (via `or`) or require **all** conditions to match (via `and`). - -You can also completely customize the look and feel of the results by overriding the template. There are two methods to do this. - -1. Copy the file [templates/simplesearch_results.html.twig][results] under your theme templates `user/themes/_your-theme_/templates/` and customize it. - -2. Create your very own results output. For this you need to change the `template` reference in the config (let's say **mysearch_results**). In your theme you would then create the new template under `user/themes/_your-theme_/templates/mysearch_results.html.twig` and write your customizations. This is how it looks by default: - - ``` - {% extends 'partials/simplesearch_base.html.twig' %} - - {% block content %} -
-

Search Results

-

Query: "{{ query }}" - Found {{ search_results.count }} {{ 'Item'|pluralize(search_results.count) }}

- - {% for page in search_results %} - {% include 'partials/simplesearch_item.html.twig' with {'page':page} %} - {% endfor %} -
- {% endblock %} - ``` - -## 2. Self-Controlled Search Page - -This is a new feature of SimpleSearch and it's a very useful and simple way to provide a 'filter' like search of a collection listing page. In this example, we will assume you have a Blog listing page you wish to be able to search and filter based on a search box. - -To accomplish this, you need to use the page-based configuration as described above, and configure multiple filters, `@self` to use the page's content collection: http://learn.getgrav.org/content/headers#collection-headers - -``` -content: - items: @self.children - order: - by: date - dir: desc -``` - -This will mean the search will only search pages that this page already is using for the collection. The Items could be anything the page collections support: - -For further help with the `filters` and `order` settings, please refer to our [Taxonomy][taxonomy] and [Headers][headers] documentation. - -Multiple filters can be provided, and in order to search in the page's **Tag** field you would add `- @taxonomy: [tag]` as shown in the configuration example above. - -The only thing needed to provide this functionality is a search box that points to the current page and appends the `query` parameter. You can again simple include the sample `simplesearch_searchbox.html.twig` file or add your own. Because the route is configured to point to the blog page, and because the blog page already iterates over a collection, SimpleSearch will replace the page collection with the search-filtered collection. No results page is required. - -## Performance - -Simplesearch is not a full-fledged index-powered search engine. It merely iterates over the pages and searches the content and title for matching strings. That's it. This is not going to result in screaming fast searches if your site has lots of content. One way to optimize things a little is to change the `search_content` configuration option from `rendered` to `raw`. This means the `rawMarkdown()` method is used rather than the `content()` method, to retrieve the page content, and in turn means plugin events, markdown processing, image processing, and other time-consuming tasks are not performed. This can often yield adequate search results without the need for all this extra work. - -## Searching Taxonomy - -By default **SimpleSearch** will search in the **Title**, **Content**, and **Taxonomy**. All taxonomy will be searched unless you provide a **taxonomy filter** either in the page, or in the global plugin configuration: - -``` -filters: - - @taxonomy: [tag] -``` - -This will ensure that only **tag** taxonomy types will be searched for the query. - -``` -filters: - - @taxonomy: [tag, author] -``` - -Will ensure that both **tag** and **author** taxonomy types are searched. - -As **all taxonomy types are searched by default**, in order to stop searching into taxonomies completely simply set the filter to false: - -``` -filters: - - '@taxonomy': false -``` - -## Ignoring accented characters - -You can tell Simplesearch to return a positive value when searching for characters that have an accent. So `éè` for example will be both equivalent to `e`. - -To do so, enable _Ignore accented characters_ in Admin, or manually set `ignore_accented_characters` to true in the plugin configuration. -The `en_US` locale must be installed on the server. - -# Updating - -As development for SimpleSearch continues, new versions may become available that add additional features and functionality, improve compatibility with newer Grav releases, and generally provide a better user experience. Updating SimpleSearch is easy, and can be done through Grav's GPM system, as well as manually. - -## GPM Update (Preferred) - -The simplest way to update this plugin is via the [Grav Package Manager (GPM)](http://learn.getgrav.org/advanced/grav-gpm). You can do this with this by navigating to the root directory of your Grav install using your system's Terminal (also called command line) and typing the following: - - bin/gpm update simplesearch - -This command will check your Grav install to see if your SimpleSearch plugin is due for an update. If a newer release is found, you will be asked whether or not you wish to update. To continue, type `y` and hit enter. The plugin will automatically update and clear Grav's cache. - - -> Note: Any changes you have made to any of the files listed under this directory will also be removed and replaced by the new set. Any files located elsewhere (for example a YAML settings file placed in `user/config/plugins`) will remain intact. - -[taxonomy]: http://learn.getgrav.org/content/taxonomy -[headers]: http://learn.getgrav.org/content/headers -[grav]: http://github.com/getgrav/grav -[simplesearch]: simplesearch.yaml -[results]: templates/simplesearch_results.html.twig diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/readme_1.png b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/readme_1.png deleted file mode 100644 index a5156cf..0000000 Binary files a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/readme_1.png and /dev/null differ diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/search.svg b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/search.svg deleted file mode 100644 index 9b1ef06..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/assets/search.svg +++ /dev/null @@ -1,7 +0,0 @@ - - - - - Svg Vector Icons : http://www.onlinewebfonts.com/icon - - \ No newline at end of file diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/blueprints.yaml b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/blueprints.yaml deleted file mode 100644 index 2d9d54d..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/blueprints.yaml +++ /dev/null @@ -1,144 +0,0 @@ -name: SimpleSearch -version: 1.14.2 -description: "Don't be fooled, the **SimpleSearch** plugin provides a **fast** and highly **configurable** way to search your content." -icon: search -author: - name: Team Grav - email: devs@getgrav.org - url: http://getgrav.org -homepage: https://github.com/getgrav/grav-plugin-simplesearch -demo: http://demo.getgrav.org/blog-skeleton -keywords: simplesearch, plugin, search, page, content, find -bugs: https://github.com/getgrav/grav-plugin-simplesearch/issues -license: MIT - -form: - validation: strict - fields: - enabled: - type: toggle - label: PLUGIN_ADMIN.PLUGIN_STATUS - highlight: 1 - default: 0 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - validate: - type: bool - - search_content: - type: select - size: medium - classes: fancy - label: Search Content - default: rendered - options: - rendered: Rendered Content (Slower) - raw: Raw Markdown Content (Faster) - - built_in_css: - type: toggle - label: Use built in CSS - highlight: 1 - default: 1 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - validate: - type: bool - - built_in_js: - type: toggle - label: Use built in JavaScript - highlight: 1 - default: 1 - options: - 1: PLUGIN_ADMIN.ENABLED - 0: PLUGIN_ADMIN.DISABLED - validate: - type: bool - - display_button: - type: toggle - label: Display Search Button - highlight: 0 - default: 0 - options: - 1: Enabled - 0: Disabled - validate: - type: bool - - ignore_accented_characters: - type: toggle - label: Ignore accented characters - help: If enabled, search terms will match accented characters regardless to their diacritics i.e. search results will show up for "cafe" and "café" no matter how you typed it. - highlight: 0 - default: 0 - options: - 1: Enabled - 0: Disabled - validate: - type: bool - - min_query_length: - type: text - size: x-small - label: Minimum query length - help: The mimimum number of characters needed before serach can be submitted - validate: - type: number - min: 0 - - route: - type: text - size: medium - label: Route - default: /random - help: Default route of the simplesearch plugin - - template: - type: text - size: medium - label: Template - default: simplesearch_results - help: Name of the template for the search results - - filters.category: - type: selectize - label: Category filter - help: Comma separated list of category names. Enter "@none" to search in all pages. - validate: - type: commalist - - filter_combinator: - type: select - size: medium - classes: fancy - label: Filter Combinator - default: and - options: - and: And - Boolean && - or: Or - Boolean || - - order.by: - type: select - size: long - classes: fancy - label: PLUGIN_ADMIN.DEFAULT_ORDERING - help: PLUGIN_ADMIN.DEFAULT_ORDERING_HELP - options: - default: PLUGIN_ADMIN.DEFAULT_ORDERING_DEFAULT - folder: PLUGIN_ADMIN.DEFAULT_ORDERING_FOLDER - title: PLUGIN_ADMIN.DEFAULT_ORDERING_TITLE - date: PLUGIN_ADMIN.DEFAULT_ORDERING_DATE - - order.dir: - type: toggle - label: PLUGIN_ADMIN.DEFAULT_ORDER_DIRECTION - highlight: asc - default: desc - help: PLUGIN_ADMIN.DEFAULT_ORDER_DIRECTION_HELP - options: - asc: PLUGIN_ADMIN.ASCENDING - desc: PLUGIN_ADMIN.DESCENDING diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/css/simplesearch.css b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/css/simplesearch.css deleted file mode 100644 index 3d0eba7..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/css/simplesearch.css +++ /dev/null @@ -1,42 +0,0 @@ -.search-wrapper .search-input { - width: 80%; - display: inline-block; -} - -.search-submit { - display: inline-block; - border-radius: 4px; - background: #eee; - border: 1px solid #ccc; - vertical-align: top; -} - -.search-submit img { - width: 20px; - vertical-align: middle; -} - -.search-image { - float: left; -} - -.search-item { - margin-left: 130px; - margin-bottom: 50px; -} - -.search-item p { - margin: 0; -} - -.search-title h3 { - margin: 0; -} - -.search-details { - font-size: 13px; -} - -.search-row:last-child hr { - display: none; -} \ No newline at end of file diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/hebe.json b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/hebe.json deleted file mode 100644 index 521b391..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/hebe.json +++ /dev/null @@ -1,15 +0,0 @@ -{ - "project":"grav-plugin-simplesearch", - "platforms":{ - "grav":{ - "nodes":{ - "plugin":[ - { - "source":"/", - "destination":"/user/plugins/simplesearch" - } - ] - } - } - } -} diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/js/simplesearch.js b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/js/simplesearch.js deleted file mode 100644 index 8664009..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/js/simplesearch.js +++ /dev/null @@ -1,32 +0,0 @@ -((function(){ - if (!Element.prototype.matches) { - Element.prototype.matches = Element.prototype.msMatchesSelector || Element.prototype.webkitMatchesSelector; - } - var findAncestor = function(el, selector) { - while ((el = el.parentElement) && !((el.matches || el.matchesSelector).call(el, selector))) {} - return el; - }; - - var fields = document.querySelectorAll('input[name="searchfield"][data-search-input]'); - Array.prototype.forEach.call(fields, function(field) { - var form = findAncestor(field, 'form[data-simplesearch-form]'), - min = field.getAttribute('min') || false, - location = field.getAttribute('data-search-input'), - separator = field.getAttribute('data-search-separator'); - - if (min) { - var invalid = field.getAttribute('data-search-invalid'); - field.addEventListener('keydown', function() { - field.setCustomValidity(field.value.length >= min ? '' : invalid); - }); - } - - form.addEventListener('submit', function(event) { - event.preventDefault(); - - if (field.checkValidity()) { - window.location.href = location + separator + field.value; - } - }); - }); -})()); diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/languages.yaml b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/languages.yaml deleted file mode 100644 index 959a101..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/languages.yaml +++ /dev/null @@ -1,127 +0,0 @@ -en: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Search …" - SEARCH_RESULTS: "Search Results" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Query: %s found one result" - SEARCH_RESULTS_SUMMARY_PLURAL: "Query: %s found %s results" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Please add at least %s characters" -ro: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Caută …" - SEARCH_RESULTS: "Rezultatele căutării" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Căutarea: %s a găsit un rezultat" - SEARCH_RESULTS_SUMMARY_PLURAL: "Căutarea: %s a găsit %s rezultate" -de: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Suche …" - SEARCH_RESULTS: "Suchergebnisse" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Suche: %s fand ein Ergebnis" - SEARCH_RESULTS_SUMMARY_PLURAL: "Suche: %s fand %s Ergebnisse" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Bitte geben Sie mindestens %s Zeichen ein" - SEARCH_VALUE: 'Suchen' - -fr: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Recherche …" - SEARCH_RESULTS: "Résultats de la recherche" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Recherche : Un résultat trouvé pour %s" - SEARCH_RESULTS_SUMMARY_PLURAL: "Recherche : %2$s résultats trouvés pour %1$s" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Veuillez ajouter au moins %s caractères" - -it: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Cerca …" - SEARCH_RESULTS: "Risultati della ricerca" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Ricerca: %s. Trovato un risultato" - SEARCH_RESULTS_SUMMARY_PLURAL: "Ricerca: %s. Trovati %s risultati" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Inserisci almeno %s caratteri" - -zh: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "搜索 …" - SEARCH_RESULTS: "搜索结果" - SEARCH_RESULTS_SUMMARY_SINGULAR: "查询: %s 找到 1 个结果" - SEARCH_RESULTS_SUMMARY_PLURAL: "查询: %s 找到 %s 个结果" -nl: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Zoeken …" - SEARCH_RESULTS: "Zoek resultaten" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Query: %s is 1 keer gevonden" - SEARCH_RESULTS_SUMMARY_PLURAL: "Query: %s is %s keer gevonden" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Geef minstens %s tekens in" -hr: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Traži …" - SEARCH_RESULTS: "Rezultati pretrage" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Upit: %s je pronašao jedan rezultat" - SEARCH_RESULTS_SUMMARY_PLURAL: "Upit: %s je pronašao %s rezultata" -ru: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Найти …" - SEARCH_RESULTS: "Результат поиска" - SEARCH_RESULTS_SUMMARY_SINGULAR: "По запросу: %s результатов найдено 1" - SEARCH_RESULTS_SUMMARY_PLURAL: "По запросу: %s результатов найдено %s" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Добавьте не менее %s символов" - -es: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Buscar …" - SEARCH_RESULTS: "Resultados de la búsqueda" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Consulta: %s se encontró 1 resultado" - SEARCH_RESULTS_SUMMARY_PLURAL: "Consulta: %s se encontraron %s resultados" -ja: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "検索する …" - SEARCH_RESULTS: "検索結果" - SEARCH_RESULTS_SUMMARY_SINGULAR: "検索 : %s に一つの結果があります。" - SEARCH_RESULTS_SUMMARY_PLURAL: "検索 : %s に %s の結果があります。" -fa: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "جستجو …" - SEARCH_RESULTS: "نتایج جستجو" - SEARCH_RESULTS_SUMMARY_SINGULAR: "جستار: %s یک نتیجه یافت شد" - SEARCH_RESULTS_SUMMARY_PLURAL: "جستار: %s %s نتیجه یافت شد" -cs: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Vyhledat …" - SEARCH_RESULTS: "Výsledky hledání" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Hledání výrazu '%s' našlo jeden výsledek" - SEARCH_RESULTS_SUMMARY_PLURAL: "Hledání výrazu '%s' našlo %s výsledků" - -pt: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "O que você procura?" - SEARCH_RESULTS: "Resultados da pesquisa" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Pesquisa: %s. Foram encontrados 1 resultados" - SEARCH_RESULTS_SUMMARY_PLURAL: "Pesquisa: %s. Foram encontrados %s resultados" - -sv: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Sök …" - SEARCH_RESULTS: "Sökresultat" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Sökning: %s hittade ett resultat" - SEARCH_RESULTS_SUMMARY_PLURAL: "Sökning: %s hittade %s resultat" - -da: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Søg …" - SEARCH_RESULTS: "Søgeresultat" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Søgning: %s fandt et resultat" - SEARCH_RESULTS_SUMMARY_PLURAL: "Søgning: %s fandt %s resultater" - -kk: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "іздеу …" - SEARCH_RESULTS: "Іздеу нәтижесі" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Сұраныс бойынша: %s табылды 1" - SEARCH_RESULTS_SUMMARY_PLURAL: "Сұраныс бойынша: %s табылды %s" - SEARCH_FIELD_MINIMUM_CHARACTERS: "Кемінде %s таңба қосу" - -pl: - PLUGIN_SIMPLESEARCH: - SEARCH_PLACEHOLDER: "Szukaj…" - SEARCH_RESULTS: "Wyniki wyszukiwania" - SEARCH_RESULTS_SUMMARY_SINGULAR: "Znaleziono jeden wynik dla frazy %s." - SEARCH_RESULTS_SUMMARY_PLURAL: "Znaleziono %2$s wyników dla frazy %1$s." - SEARCH_FIELD_MINIMUM_CHARACTERS: "Fraza musi składać się z minimum %s znaków." - diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/pages/simplesearch.md b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/pages/simplesearch.md deleted file mode 100644 index 2f97959..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/pages/simplesearch.md +++ /dev/null @@ -1,7 +0,0 @@ ---- -title: Search Results -order_by: date -order_dir: desc -template: simplesearch_results ---- - diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.php b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.php deleted file mode 100644 index ada55cd..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.php +++ /dev/null @@ -1,370 +0,0 @@ - ['onPluginsInitialized', 0], - 'onTwigTemplatePaths' => ['onTwigTemplatePaths', 0], - 'onGetPageTemplates' => ['onGetPageTemplates', 0], - ]; - } - - /** - * Add page template types. (for Admin plugin) - */ - public function onGetPageTemplates(Event $event) - { - /** @var Types $types */ - $types = $event->types; - $types->scanTemplates('plugins://simplesearch/templates'); - } - - - /** - * Add current directory to twig lookup paths. - */ - public function onTwigTemplatePaths() - { - $this->grav['twig']->twig_paths[] = __DIR__ . '/templates'; - } - - /** - * Enable search only if url matches to the configuration. - */ - public function onPluginsInitialized() - { - if ($this->isAdmin()) { - return; - } - - $this->enable([ - 'onPagesInitialized' => ['onPagesInitialized', 0], - 'onTwigSiteVariables' => ['onTwigSiteVariables', 0] - ]); - } - - - /** - * Build search results. - */ - public function onPagesInitialized() - { - $page = $this->grav['page']; - - $route = null; - if (isset($page->header()->simplesearch['route'])) { - $route = $page->header()->simplesearch['route']; - - // Support `route: '@self'` syntax - if ($route === '@self') { - $route = $page->route(); - $page->header()->simplesearch['route'] = $route; - } - } - - // If a page exists merge the configs - if ($page) { - $this->config->set('plugins.simplesearch', $this->mergeConfig($page)); - } - - /** @var Uri $uri */ - $uri = $this->grav['uri']; - $query = $uri->param('query') ?: $uri->query('query'); - $route = $this->config->get('plugins.simplesearch.route'); - - // performance check for route - if (!($route && $route == $uri->path())) { - return; - } - - // Explode query into multiple strings. Drop empty values - $this->query = array_filter(array_filter(explode(',', $query), 'trim'), 'strlen'); - - /** @var Taxonomy $taxonomy_map */ - $taxonomy_map = $this->grav['taxonomy']; - $taxonomies = []; - $find_taxonomy = []; - - $filters = (array)$this->config->get('plugins.simplesearch.filters'); - $operator = $this->config->get('plugins.simplesearch.filter_combinator', 'and'); - $new_approach = false; - - // if @none found, skip processing taxonomies - $should_process = true; - if (is_array($filters)) { - $the_filter = reset($filters); - - if (is_array($the_filter)) { - if (in_array(reset($the_filter), ['@none', 'none@'])) { - $should_process = false; - } - } - } - - if (!$should_process || !$filters || $query === false || (count($filters) == 1 && !reset($filters))) { - /** @var \Grav\Common\Page\Pages $pages */ - $pages = $this->grav['pages']; - $this->collection = $pages->all(); - } else { - - foreach ($filters as $key => $filter) { - // flatten item if it's wrapped in an array - if (is_int($key)) { - if (is_array($filter)) { - $key = key($filter); - $filter = $filter[$key]; - } else { - $key = $filter; - } - } - - // see if the filter uses the new 'items-type' syntax - if ($key === '@self' || $key === 'self@') { - $new_approach = true; - } elseif ($key === '@taxonomy' || $key === 'taxonomy@') { - $taxonomies = $filter === false ? false : array_merge($taxonomies, (array)$filter); - } else { - $find_taxonomy[$key] = $filter; - } - } - - if ($new_approach) { - $params = $page->header()->content; - $params['query'] = $this->config->get('plugins.simplesearch.query'); - $this->collection = $page->collection($params, false); - } else { - $this->collection = new Collection(); - $this->collection->append($taxonomy_map->findTaxonomy($find_taxonomy, $operator)->toArray()); - } - } - - //Drop unpublished and unroutable pages - $this->collection->published()->routable(); - - //Check if user has permission to view page - if ($this->grav['config']->get('plugins.login.enabled')) { - $this->collection = $this->checkForPermissions($this->collection); - } - $extras = []; - - if ($query) { - foreach ($this->collection as $cpage) { - foreach ($this->query as $query) { - $query = trim($query); - - if ($this->notFound($query, $cpage, $taxonomies)) { - $this->collection->remove($cpage); - continue; - } - - if ($cpage->modular()) { - $this->collection->remove($cpage); - $parent = $cpage->parent(); - $extras[$parent->path()] = ['slug' => $parent->slug()]; - } - - } - } - } - - if (!empty($extras)) { - $this->collection->append($extras); - } - - // use a configured sorting order if not already done - if (!$new_approach) { - $this->collection = $this->collection->order( - $this->config->get('plugins.simplesearch.order.by'), - $this->config->get('plugins.simplesearch.order.dir') - ); - } - - // if page doesn't have settings set, create a page - if (!isset($page->header()->simplesearch)) { - // create the search page - $page = new Page; - $page->init(new \SplFileInfo(__DIR__ . '/pages/simplesearch.md')); - - // override the template is set in the config - $template_override = $this->config->get('plugins.simplesearch.template'); - if ($template_override) { - $page->template($template_override); - } - - // fix RuntimeException: Cannot override frozen service "page" issue - unset($this->grav['page']); - - $this->grav['page'] = $page; - } - } - - /** - * Filter the pages, and return only the pages the user has access to. - * Implementation based on Login Plugin authorizePage() function. - */ - public function checkForPermissions($collection) - { - $user = $this->grav['user']; - $returnCollection = new Collection(); - foreach ($collection as $page) { - - $header = $page->header(); - $rules = isset($header->access) ? (array)$header->access : []; - - if ($this->config->get('plugins.login.parent_acl')) { - // If page has no ACL rules, use its parent's rules - if (!$rules) { - $parent = $page->parent(); - while (!$rules and $parent) { - $header = $parent->header(); - $rules = isset($header->access) ? (array)$header->access : []; - $parent = $parent->parent(); - } - } - } - - // Continue to the page if it has no ACL rules. - if (!$rules) { - $returnCollection[$page->path()] = ['slug' => $page->slug()]; - } else { - // Continue to the page if user is authorized to access the page. - foreach ($rules as $rule => $value) { - if (is_array($value)) { - foreach ($value as $nested_rule => $nested_value) { - if ($user->authorize($rule . '.' . $nested_rule) == $nested_value) { - $returnCollection[$page->path()] = ['slug' => $page->slug()]; - break; - } - } - } else { - if ($user->authorize($rule) == $value) { - $returnCollection[$page->path()] = ['slug' => $page->slug()]; - break; - } - } - } - } - } - return $returnCollection; - } - - /** - * @param $query - * @param Page $page - * @param $taxonomies - * @return bool - */ - private function notFound($query, $page, $taxonomies) - { - $searchable_types = ['title', 'content', 'taxonomy']; - $results = true; - $search_content = $this->config->get('plugins.simplesearch.search_content'); - - foreach ($searchable_types as $type) { - if ($type === 'title') { - $result = $this->matchText(strip_tags($page->title()), $query) === false; - } elseif ($type === 'taxonomy') { - if ($taxonomies === false) { - continue; - } - $page_taxonomies = $page->taxonomy(); - $taxonomy_match = false; - foreach ((array)$page_taxonomies as $taxonomy => $values) { - // if taxonomies filter set, make sure taxonomy filter is valid - if (!is_array($values) || (is_array($taxonomies) && !empty($taxonomies) && !in_array($taxonomy, $taxonomies))) { - continue; - } - - $taxonomy_values = implode('|', $values); - if ($this->matchText($taxonomy_values, $query) !== false) { - $taxonomy_match = true; - break; - } - } - $result = !$taxonomy_match; - } else { - if ($search_content == 'raw') { - $content = $page->rawMarkdown(); - } else { - $content = $page->content(); - } - $result = $this->matchText(strip_tags($content), $query) === false; - } - $results = $results && $result; - if ($results === false) { - break; - } - } - return $results; - } - - private function matchText($haystack, $needle) - { - if ($this->config->get('plugins.simplesearch.ignore_accented_characters')) { - setlocale(LC_ALL, 'en_US'); - try { - $result = mb_stripos(iconv('UTF-8', 'ASCII//TRANSLIT//IGNORE', $haystack), iconv('UTF-8', 'ASCII//TRANSLIT//IGNORE', $needle)); - } catch (\Exception $e) { - $result = mb_stripos($haystack, $needle); - } - setlocale(LC_ALL, ''); - return $result; - } else { - return mb_stripos($haystack, $needle); - } - } - - /** - * Set needed variables to display the search results. - */ - public function onTwigSiteVariables() - { - $twig = $this->grav['twig']; - - if ($this->query) { - $twig->twig_vars['query'] = implode(', ', $this->query); - $twig->twig_vars['search_results'] = $this->collection; - } - - if ($this->config->get('plugins.simplesearch.built_in_css')) { - $this->grav['assets']->add('plugin://simplesearch/css/simplesearch.css'); - } - - if ($this->config->get('plugins.simplesearch.built_in_js')) { - $this->grav['assets']->addJs('plugin://simplesearch/js/simplesearch.js', ['group' => 'bottom']); - } - } -} diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.yaml b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.yaml deleted file mode 100644 index 794d3fc..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/simplesearch.yaml +++ /dev/null @@ -1,15 +0,0 @@ -enabled: true -built_in_css: true -built_in_js: true -display_button: false -min_query_length: 3 -route: /search -search_content: rendered -template: simplesearch_results -filters: - category: -filter_combinator: and -ignore_accented_characters: false -order: - by: date - dir: desc diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_base.html.twig b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_base.html.twig deleted file mode 100644 index 2ee42a2..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_base.html.twig +++ /dev/null @@ -1 +0,0 @@ -{% extends 'partials/base.html.twig' %} diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_item.html.twig b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_item.html.twig deleted file mode 100644 index feab4a6..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_item.html.twig +++ /dev/null @@ -1,23 +0,0 @@ -
- - {% set banner = page.media.images|first %} - - {% if banner %} -
- {{ banner.cropZoom(100,100).html|raw }} -
- {% endif %} -
-
-

{{ page.title }}

-
- -
- {{ page.date|date(config.system.pages.dateformat.short) }} -
- -

{{ page.summary|raw }}

- -
-
-
diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_searchbox.html.twig b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_searchbox.html.twig deleted file mode 100644 index c0fbd39..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/partials/simplesearch_searchbox.html.twig +++ /dev/null @@ -1,22 +0,0 @@ -{% set min_chars = config.get('plugins.simplesearch.min_query_length', 3) %} -
-
- 0 %} min="{{- min_chars -}}" {% endif %} - required - placeholder="{{"PLUGIN_SIMPLESEARCH.SEARCH_PLACEHOLDER"|t}}" - value="{{ query|e }}" - data-search-invalid="{{ "PLUGIN_SIMPLESEARCH.SEARCH_FIELD_MINIMUM_CHARACTERS"|t(min_chars)|raw }}" - data-search-separator="{{ config.system.param_sep }}" - data-search-input="{{ base_url }}{{ config.plugins.simplesearch.route == '@self' ? '' : (config.plugins.simplesearch.route == '/' ? '' : config.plugins.simplesearch.route) }}/query" - /> - {% if config.plugins.simplesearch.display_button %} - - {% endif %} -
-
diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.html.twig b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.html.twig deleted file mode 100644 index 539a1d7..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.html.twig +++ /dev/null @@ -1,23 +0,0 @@ -{% extends 'partials/simplesearch_base.html.twig' %} - -{% block content %} -
-

{{ "PLUGIN_SIMPLESEARCH.SEARCH_RESULTS"|t }}

-
- {% include 'partials/simplesearch_searchbox.html.twig' %} -
-

- {% if query %} - {% set count = search_results ? search_results.count : 0 %} - {% if count is same as( 1 ) %} - {{ "PLUGIN_SIMPLESEARCH.SEARCH_RESULTS_SUMMARY_SINGULAR"|t(query|e)|raw }} - {% else %} - {{ "PLUGIN_SIMPLESEARCH.SEARCH_RESULTS_SUMMARY_PLURAL"|t(query|e, count)|raw }} - {% endif %} - {% endif %} -

- {% for page in search_results %} - {% include 'partials/simplesearch_item.html.twig' with {'page': page} %} - {% endfor %} -
-{% endblock %} diff --git a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.json.twig b/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.json.twig deleted file mode 100644 index d62f502..0000000 --- a/tmp/Grav-5ddd42f29cf60/getgrav-grav-plugin-simplesearch-b12ddb5/templates/simplesearch_results.json.twig +++ /dev/null @@ -1,5 +0,0 @@ -{"results":[ -{%- for search_result in search_results -%} -{{- search_result.route|json_encode -}}{{ not loop.last ? ',' }} -{%- endfor -%} -]} diff --git a/tmp/forms/3726c3cc1a0aeef70ef576c9bcfd926c/nmkstfiidw3gqvw8y0ur/index.yaml b/tmp/forms/3726c3cc1a0aeef70ef576c9bcfd926c/nmkstfiidw3gqvw8y0ur/index.yaml deleted file mode 100644 index a22690a..0000000 --- a/tmp/forms/3726c3cc1a0aeef70ef576c9bcfd926c/nmkstfiidw3gqvw8y0ur/index.yaml +++ /dev/null @@ -1,13 +0,0 @@ -form: custom_form -unique_id: nmkstfiidw3gqvw8y0ur -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574953420 - updated: 1574953425 -data: null -files: - portfolio: - Utopie_logiciel_libre__Broca__Le_passager_clandestin.pdf: null - portfolio/original: - Utopie_logiciel_libre__Broca__Le_passager_clandestin.pdf: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/index.yaml deleted file mode 100644 index 6d07218..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: 26c5vgkhyx9e7naquaid -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574692884 - updated: 1574692884 -data: null -files: - portfolio: - test_upload.pdf: - name: test_upload.pdf - type: application/pdf - tmp_name: phpoLRnf0 - size: 1035 - path: user/data/files/test_upload.pdf - portfolio/original: - test_upload.pdf: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/phpoLRnf0 b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/phpoLRnf0 deleted file mode 100644 index a4421f1..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/26c5vgkhyx9e7naquaid/phpoLRnf0 and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/index.yaml deleted file mode 100644 index 99f490e..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: 4xoyculrmns8igjeetac -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574693921 - updated: 1574693921 -data: null -files: - portfolio: - Screenshot_20191113_234226.png: - name: Screenshot_20191113_234226.png - type: image/png - tmp_name: phpSmq5oe - size: 1662053 - path: user/data/files/Screenshot_20191113_234226.png - portfolio/original: - Screenshot_20191113_234226.png: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/phpSmq5oe b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/phpSmq5oe deleted file mode 100644 index aab6a38..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/4xoyculrmns8igjeetac/phpSmq5oe and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/index.yaml deleted file mode 100644 index e568510..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: 5rpzbmlhyxjvg0firet4 -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694191 - updated: 1574694191 -data: null -files: - portfolio: - Screenshot_20191113_234226.png: - name: Screenshot_20191113_234226.png - type: image/png - tmp_name: phpoHsb8t - size: 1662053 - path: user/data/files/Screenshot_20191113_234226.png - portfolio/original: - Screenshot_20191113_234226.png: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/phpoHsb8t b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/phpoHsb8t deleted file mode 100644 index aab6a38..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/5rpzbmlhyxjvg0firet4/phpoHsb8t and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/68nr3jcai01gtcpetxxh/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/68nr3jcai01gtcpetxxh/index.yaml deleted file mode 100644 index c37f219..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/68nr3jcai01gtcpetxxh/index.yaml +++ /dev/null @@ -1,15 +0,0 @@ -form: custom_form -unique_id: 68nr3jcai01gtcpetxxh -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694667 - updated: 1574694678 -data: null -files: - portfolio: - test_upload.pdf: null - elements_client.pdf: null - portfolio/original: - test_upload.pdf: null - elements_client.pdf: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/index.yaml deleted file mode 100644 index 3af9093..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: adfhehrxmkr36goucw2m -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694302 - updated: 1574694302 -data: null -files: - portfolio: - Screenshot_20191113_234204.png: - name: Screenshot_20191113_234204.png - type: image/png - tmp_name: phpub4agk - size: 1166517 - path: user/data/files/Screenshot_20191113_234204.png - portfolio/original: - Screenshot_20191113_234204.png: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/phpub4agk b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/phpub4agk deleted file mode 100644 index 7a277ba..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/adfhehrxmkr36goucw2m/phpub4agk and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/index.yaml deleted file mode 100644 index d53a824..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: ciqaoxobfztwrxjzmgi4 -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694964 - updated: 1574694964 -data: null -files: - portfolio: - Screenshot_20191113_234204.png: - name: Screenshot_20191113_234204.png - type: image/png - tmp_name: phpEh6g4p - size: 1166517 - path: user/data/files/Screenshot_20191113_234204.png - portfolio/original: - Screenshot_20191113_234204.png: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/phpEh6g4p b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/phpEh6g4p deleted file mode 100644 index 7a277ba..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ciqaoxobfztwrxjzmgi4/phpEh6g4p and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/index.yaml deleted file mode 100644 index 7bb4e3e..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: cs8pzowvx1rqehkz7knu -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574695187 - updated: 1574695187 -data: null -files: - portfolio: - test_upload.pdf: - name: test_upload.pdf - type: application/pdf - tmp_name: phpQ4M8d5 - size: 1035 - path: user/data/files/test_upload.pdf - portfolio/original: - test_upload.pdf: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/phpQ4M8d5 b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/phpQ4M8d5 deleted file mode 100644 index a4421f1..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/cs8pzowvx1rqehkz7knu/phpQ4M8d5 and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/index.yaml deleted file mode 100644 index 5430fda..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: ft7jqy0tlwyei1cxvcdn -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574693493 - updated: 1574693493 -data: null -files: - portfolio: - test_upload.pdf: - name: test_upload.pdf - type: application/pdf - tmp_name: phpw7RXmA - size: 1035 - path: user/data/files/test_upload.pdf - portfolio/original: - test_upload.pdf: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/phpw7RXmA b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/phpw7RXmA deleted file mode 100644 index a4421f1..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/ft7jqy0tlwyei1cxvcdn/phpw7RXmA and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/index.yaml deleted file mode 100644 index 5553c46..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: hfjngg6h4cblzplya20c -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694149 - updated: 1574694149 -data: null -files: - portfolio: - Screenshot_20191113_234226.png: - name: Screenshot_20191113_234226.png - type: image/png - tmp_name: phpyJkAfo - size: 1662053 - path: user/data/files/Screenshot_20191113_234226.png - portfolio/original: - Screenshot_20191113_234226.png: null diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/phpyJkAfo b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/phpyJkAfo deleted file mode 100644 index aab6a38..0000000 Binary files a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hfjngg6h4cblzplya20c/phpyJkAfo and /dev/null differ diff --git a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hw7ki2p8qduutbxf9hm1/index.yaml b/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hw7ki2p8qduutbxf9hm1/index.yaml deleted file mode 100644 index 9075c34..0000000 --- a/tmp/forms/47d88df1cb02751cf86038a6afe7f33f/hw7ki2p8qduutbxf9hm1/index.yaml +++ /dev/null @@ -1,18 +0,0 @@ -form: custom_form -unique_id: hw7ki2p8qduutbxf9hm1 -url: 'http://127.0.0.1/studio-programme/formulaire' -user: null -timestamps: - created: 1574694270 - updated: 1574694270 -data: null -files: - portfolio: - Screenshot_20191113_234226.png: - name: Screenshot_20191113_234226.png - type: image/png - tmp_name: phpovqIP9 - size: 1662053 - path: 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show_sidebar: false aura: pagetype: website diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md index a38174f..f43b5b3 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -1,5 +1,5 @@ --- -topH: true +topH: false date: '24-10-2019 17:21' date_end: '22-11-2019 17:21' lieux: '12th floor' diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg new file mode 100644 index 0000000..4581516 Binary files /dev/null and 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b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md index 68bd52f..4dda0fa 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -1,18 +1,31 @@ --- topH: false -date: '27-11-2019 18:26' -date_end: '20-12-2019 18:26' +date: '27-11-2019 00:00' +date_end: '20-12-2019 00:00' +display_time: false lieux: '12th floor' artistes: 'Mania Akbari, Douglas White ' -title: '‘Mr. Majidi and the Electricity Box''' -media_order: 'Installation_Mania_Akbari_and_Douglas_White_II.jpg,Installation_Mania_Akbari_and_Douglas_White_I.jpg,Detail_Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019_I.jpg,Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg,Installation_Mania_Akbari_and_Douglas_White_III.jpg,House_of_Sin_I_Mania_Akbari_and_Douglas_White_2019.jpg,Lubion_Mania_Akbari_and_Douglas_White_2019_II.jpg,Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019.jpg,Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg,Mania_Akbari_and_Douglas_White_Electricity_Box_in_the_streets_of_Teheran.jpg,Lubion_Mania_Akbari_and_Douglas_White_2019_I.jpg,House_of_Sin_II_Mania_Akbari_and_Douglas_White_2019.jpg,Mr. Majidi_series_and_House_of_Sin_I_Mania_Akbari_and_Douglas_White_2019.jpg,Geometric_Resistance_Mania_Akbari_and_Douglas_White_2019.jpg,House_of_Sin_III_Mania_Akbari_and_Douglas_White_2019.jpg,Detail_Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019_II.jpg' +title: '‘Mr. Majidi and the Electricity Box'' ' +media_order: 'Installation Mania Akbari and Douglas White I.jpg,Geometric Resistance, Mania Akbari and Douglas White, 2019.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 I.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 II.jpg,Mr. Majidi series and House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin II, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White II.jpg,House of Sin III, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White III.jpg,Mr. Majidi series, Mania Akbari and Douglas White, 2019.jpg,Lubion, Mania Akbari and Douglas White, 2019 I.jpg,Lubion, Mania Akbari and Douglas White, 2019 II.jpg,Lubion box, Mania Akbari and Douglas White, 2019.jpg,Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg' show_sidebar: false aura: pagetype: website --- -V.O Curations is pleased to announce the upcoming exhibition “Mr. Majidi and the Electricity Box” of collaborative works by Iranian filmmaker Mania Akbari and British sculptor Douglas White. In continuation to their film “A Moon for My Father” (2018), the exhibition features new photographic and sculptural works that reflect on biopolitics and forms of governmental control. Made from found objects and authentic imagery, the disquieting and surreal series focuses on specific instances of censorship, surveillance and control. Akbari and White further invite the audience to contemplate the complex and often invisible connections between state, body and objecthood, through a poignant and personal perspective. +V.O Curations is pleased to present ‘Mr. Majidi and the Electricity Box’, a collaborative exhibition from Iranian filmmaker Mania Akbari and British sculptor Douglas White. The show features a series of new photographic and sculptural works, in which the artists interrogate the relationship between instances of censorship, surveillance, and the aesthetics of authoritarian power, inviting the audience to contemplate the complex and often invisible connections between the state, the body, and objecthood. + +‘Geometric Resistance’ is a contemporary example of how an ordinary urban object transforms into a political volume, a powerful symbol of resistance with a dense memory carrying sociological history. Assembled by the artists, ‘Geometric Resistance’ is the sculptural replica of the electricity box located on Enghelab Street, Tehran, that the activist Vida Movahed infamously stood upon to protest the obligatory wearing of the hijab in Iran in December 2017. Movahed’s action motivated other activists to do the same, and so the government decided to weld angled metal covers onto the boxes in response to prevent standing. Following this occurrence, an underground artist group responded by designing wooden platforms to cover these constructions and released the designs online, titling the resource ‘Geometric Resistance’. Initiated in the virtual world, these plywood constructions quickly began appearing in the real world. The protests atop common electrical boxes immediately elevated these simple forms into discreet symbols of revolt, entering the political realm. The resulting architectural designs became an inadvertent collaboration between authority and rebellion. Jane Bennett highlights that objects that go beyond their objecthood and become independent from human interaction are the genuine creators of history. The assembled electricity box becomes a trace, the presence of an absence. The peculiarity of its assemblage, in comparison to common electricity boxes, allude directly to the bodies standing upon them, giving them political significance. + +Through the lens of rusted architectural elements, one can notice the photographic series ‘House of Sin’, which also emerge through the interplay of authority and rebellion. The photographs comprise images taken from mobile phones seized by the Iranian police, and used as evidence at government trials to make a case for supposed morally corrupt behaviour. Doctored and blurred by authorities, they transition from private space to public, rendering intimate settings, everybodys’. Blurring the photographs generalises the agents they contain, and further the blurred bodies become a trace. They transform into symbols, used as examples and threats. Akbari and White re-present these affects as a way of leaning into their visual peculiarity, exaggerating the unsettling, idiosyncratic aesthetic of authoritarian power. They are displayed as transparencies on makeshift lightboxes held on rusted steel structures, alluding to their original provenance on mobile phones. The artists’ subversive and imaginative recycling and reuse signifies how they can also represent the site of potential rupture and protest. The works become indicative of artistic gestures that can counter these notions of political and personal subjection through expressions of resistance and activism. + +Standing in the middle of the exhibition space, the ‘Mr Majidi’ series of sculptures derives from the manipulation of a single found object, a discarded water butt, found near the artists’ current home in London. In this object the artists’ felt they recognised a figure that was familiar to them. Mr. Majidi relates to Akbari’s direct experience of the Iranian operative of the Revolutionary Guard, who is responsible for the surveillance and control of the nation’s filmmakers and, ultimately, responsible for her own exile. Operating under this mysterious name, this authoritative figure was invasively present in Akbari’s life and career, and took on perverse roles of a charming confidant, as well as an abusive commander. The staggered and serial presentation of the sculptures suggests the character’s multiplicity of facets. Free of his control, yet still affected by his memory, Akbari and White explore the ongoing psychological shadow cast over their lives by presenting the sculptures as animated marionettes, dismantled, inside out, standstill and upside down. The scene communicates violence with the playfulness of a cartoon, which the exhibition title further alludes to through reference to the ‘Mr. Men’ series of children books. + +Playing in loop, the artists’ latest film ‘Lubion’ (2019) rises through the form of a hallucinatory landscape, a vivid response to the psychological and corporeal effects caused by Akbari’s IVF hormone treatment. As the ‘Lubion’ drug is delivered by injection, reality mixes with a chimeric techno-natural vision of inner and outer worlds. As traces of the body inhabit the entire exhibition, this piece concurrently introduces the body directly in its most honest and visceral form. The psychological and physical manipulation of the body that each piece of the exhibition explores, is met with a consenting scientific manipulation that Akbari agonisingly puts herself through. The traces of this brutal experience remain in a box opposite the projection, where all the syringes of previous Lubion treatments, rest in peace. **Saturday 7th December** to coincide with the exhibition, Mania Akbari and Douglas White have curated the cultural event _Body and Borders_ featuring 10 screenings from contemporary artists whose works explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. A panel discussion, moderated by art critic Nick Hackworth will follow the screenings, featuring Mania Akbari, Johann Arens, Lucy Clout, Miranda Pennell, Margaret Salmon and Douglas White to discuss the Body and its entangled power structures. [Click here to buy tickets to 'Body and Borders' 7th December.](https://body-and-borders.eventbrite.co.uk) + +Supported by Outset Contemporary Art Fund. + + diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md index 9eaa4a1..b9edcf1 100644 --- a/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -2,8 +2,8 @@ date: '05-08-2018 16:37' date_end: '18-08-2018 16:37' lieux: '93 Baker Street ' +artistes: ' Sonya Derviz' title: 'Pas de Corps, ' -artistes: 'Sonya Derviz' media_order: 'Sonya Derviz, Dancers II, 2018.jpg' show_sidebar: false aura: diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg new file mode 100644 index 0000000..280cfd5 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md b/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md new file mode 100644 index 0000000..b7a5300 --- /dev/null +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md @@ -0,0 +1,13 @@ +--- +topH: true +date: '13-02-2020 10:31' +date_end: '28-03-2020 10:31' +lieux: '12th floor' +artistes: 'Sola Olulode' +title: '‘Where The Ocean Meets The Beach'' ' +show_sidebar: false +aura: + pagetype: website +--- + +Sola Olulode's end of residency solo show ‘_Where the Ocean Meets the Beach_' will take place at our 12th floor gallery from 13th February until 28th March. Olulode has been working on a new series of paintings in which narratives of queer and Black identity culminate in the representation of romantic relationships an their complexities. Taken from artist Travis Alabanza's poem _The Sea_, the exhibition title refers to Alabanza’s feeling on gender fluidity as a boundless place similar to 'where the ocean meets the beach'. Analogously to Alabanza’s sentiment, Olulode renders the fluidity of emotions that chronicle the falling in love. \ No newline at end of file diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Dig #7 2019.jpeg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Dig #7 2019.jpeg new file mode 100644 index 0000000..b518509 Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Dig #7 2019.jpeg differ diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Through (detail) 2020.jpeg b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Through (detail) 2020.jpeg new file mode 100644 index 0000000..798748d Binary files /dev/null and b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Alexandre Canonico Through (detail) 2020.jpeg differ diff 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b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/events.md new file mode 100644 index 0000000..3580318 --- /dev/null +++ b/user/pages/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/events.md @@ -0,0 +1,14 @@ +--- +topH: true +date: '09-01-2020 17:50' +date_end: '01-02-2020 17:50' +lieux: '12th floor' +artistes: 'Frances Gibson, Alexandre Canonico, André Figueiredo da Silva, Josephine Baker' +title: '''Wreck Or Ruin''' +media_order: 'Josephine Baker and Alexandré Canonico.jpeg,Alexandre Canonico Through 2020.jpeg,Alexandre Canonico Through (detail) 2020.jpeg,Josephine Baker Abrasion Coast 2020.jpeg,Josephine Baker Abrasion Coast (detail) 2020.jpeg,Josephine Baker Waterfall 2020.jpeg,Josephine Baker Waterfall (detail) 2020.jpeg,Installation Frances Gibson Alexandre Canonico André Figueiredo da Silva.jpeg,Frances Gibson A Pound of Flower 2020.jpeg,Frances Gibson 40 Elephants 2020.jpeg,Alexandre Canonico Dig #7 2019.jpeg,André Figueiredo da Silva Pinning Down 2020.jpeg,André Figueiredo da Silva Pinning Down (detail) 2020.jpeg' +show_sidebar: false +aura: + pagetype: website +--- + +We are thrilled to host ‘Wreck or Ruin’, a collaborative project of sculptural works that has organically developed between André Figueiredo da Silva, Alexandre Canonico, Josephine Baker and Frances Gibson at 12th floor, reflecting upon the impending demolition of Tower Building. \ No newline at end of file diff --git a/user/pages/02.whats-on/02.events/current-upcoming/body-and-borders/events.md b/user/pages/02.whats-on/02.events/current-upcoming/body-and-borders/events.md new file mode 100644 index 0000000..a494179 --- /dev/null +++ b/user/pages/02.whats-on/02.events/current-upcoming/body-and-borders/events.md @@ -0,0 +1,22 @@ +--- +topH: false +date: '07-12-2019 18:53' +lieux: '12th floor' +artistes: 'screenings + Panel Talk 3:00-6:30pm' +title: '‘Body and Borders'':' +media_order: 'Carlos Motta, The Devil’s Work (2018).jpg' +buy: true +url: 'https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg' +taxonomy: + category: + - Panel +show_sidebar: false +aura: + pagetype: website +--- + +[Saturday 7 December from 15:00-18:30pm](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) to accompany the exhibition ‘Mr. Majidi and the Electricity Box’, Iranian filmmaker Mania Akbari and British sculptor Douglas White have curated a cultural programme, encompassing further screenings from 10 contemporary artists, who also explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. + +The screenings will be followed by a panel talk, moderated by art critic Nick Hackworth, featuring Mania Akbari, Douglas White, Miranda Pennell, Lucy Clout and Johann Arens, discussing the body and its entailed power structures. + +[Buy tickets here](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) \ No newline at end of file diff --git a/user/pages/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg b/user/pages/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg new file mode 100644 index 0000000..7f5f5b3 Binary files /dev/null and b/user/pages/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg differ diff --git a/user/pages/02.whats-on/02.events/current-upcoming/translucent/events.md b/user/pages/02.whats-on/02.events/current-upcoming/translucent/events.md new file mode 100644 index 0000000..e8f31e3 --- /dev/null +++ b/user/pages/02.whats-on/02.events/current-upcoming/translucent/events.md @@ -0,0 +1,28 @@ +--- +date: '08-08-2019 15:16' +lieux: '12th floor' +title: Translucent +media_order: 'Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +We are delighted to announce our collaboration with Translucent for an artist-led immersive evening of performances at 12th Floor on 8 August, 6:30 - 10 pm. + +Translucent is a platform for trans, non-binary and gender non-conforming artists which has as starting point the experience of a non-normative gender identity. It expands to themes of love, desire, anxiety, social structures, planetary issues, boundaries (physical and mental), ways of living, survival, the now and the future, and so on. Works shown seek to communicate with audiences at an emotional, conceptual, political or spiritual level. + +Artist line up: +Monika Blaszczak & Gisou Golshani | Soliloquy Reimagined 08.08.2019 +Joseph Morgan Schofield | the pink sky reflects the bloody earth +Orlando Myxx | The fabric of a relationship +Niya B | I was once the snake woman + + +Video Art by: +Andreia Afonso +Leigh Hedd +Ishita +Orlando Myxx +Kate Shields +Niko Wearden \ No newline at end of file diff --git a/user/pages/03.studio-programme/01.apply/form.md b/user/pages/03.studio-programme/01.apply/form.md new file mode 100644 index 0000000..c7cadd3 --- /dev/null +++ b/user/pages/03.studio-programme/01.apply/form.md @@ -0,0 +1,88 @@ +--- +title: Apply +visible: false +aura: + pagetype: website +form: + name: custom_form + fields: + first_name: + type: text + placeholder: 'First name' + validate: + required: true + last_name: + placeholder: 'Last name' + type: text + validate: + required: true + date_of_birth: + type: text + placeholder: 'Date of birth' + validate: + required: true + phone_number: + placeholder: 'Phone Number' + type: text + validate: + required: true + email: + placeholder: 'E-mail adress' + type: email + size: large + validate: + required: true + move_in_date: + placeholder: 'proposed move-in date' + type: text + validate: + required: true + website: + placeholder: 'Website / instagram' + type: text + validate: + required: true + portfolio: + label: 'upload portfolio' + placeholder: 'upload portfolio' + type: file + multiple: false + destination: user/data/files + accept: + - application/pdf + - application/x-pdf + - image/png + - text/plain + studio: + type: radio + placeholder: Studio + default: + individual: true + Shared: true + Either: true + options: + individual: individual + Shared: Shared + Either: Either + notes: + type: textarea + placeholder: notes... + buttons: + - + type: submit + value: Submit + process: + - + save: + fileprefix: '{{"now"|date("Y-m-d_h-i-s")}}-{{ form.value.first_name|hyphenize }}-{{ form.value.last_name|hyphenize }}-' + dateformat: 'Y' + extension: txt + body: '{% include "forms/data.txt.twig" %}' + - + message: Sent + reset: true +--- + +We accept applications of artists from all practices. Our studios can be used individually or shared with others; applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in _notes_ who you wish to share with. Our studio prices start from £100pm and are offered inline with _Greater London Authority's affordability guide (2014, 2019)_. All prices are inclusive of utilities (inc. wifi). Facilities are accessible 24/7 with communal areas and shared kitchens available. + +Please allow us a week to get back to you, you will receive a response via email. Feel free to contact [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or to organise a site visit! diff --git a/user/pages/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg b/user/pages/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg new file mode 100644 index 0000000..55db037 Binary files /dev/null and b/user/pages/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg differ diff --git a/user/pages/04.residence/02.current-upcoming/emma-prempeh/artistes.md b/user/pages/04.residence/02.current-upcoming/emma-prempeh/artistes.md new file mode 100644 index 0000000..5772025 --- /dev/null +++ b/user/pages/04.residence/02.current-upcoming/emma-prempeh/artistes.md @@ -0,0 +1,13 @@ +--- +residence: true +date: '12-12-2019 13:22' +date_end: '27-02-2020 13:22' +title: 'Emma Prempeh ' +media_order: 20190611_090033694_iOS.jpg +published: true +show_sidebar: false +aura: + pagetype: website +--- + +Recent graduate from Goldsmiths University, Emma Prempeh is currently an artist-in-residence at V.O Curations, completing a new series of work which will be exhibited with V.O Curations in Spring 2020. \ No newline at end of file diff --git a/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG b/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG new file mode 100644 index 0000000..b1c12bc Binary files /dev/null and b/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG differ diff --git a/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md b/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md index af16039..f9ecedc 100644 --- a/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md +++ b/user/pages/04.residence/02.current-upcoming/sola-olulode/artistes.md @@ -1,10 +1,12 @@ --- -date_start: '14-11-2019 10:46' +date: '14-11-2019 14:54' date_end: '14-02-2020 14:54' title: 'Sola Olulode ' -date: '14-11-2019 14:54' +media_order: 'Sola Olulode at V.O Curations.JPG' show_sidebar: false aura: pagetype: website +date_start: '14-11-2019 10:46' --- +British-Nigerian artist Sola Olulode is currently completing a three-month residency at V.O Curations working on a new series of paintings where narratives of queer and Black identity culminate in the representation of romantic relationships and their complexities. The artist's end of residency solo show 'Where the ocean meets the beach' will take place at V.O's 12th floor gallery from 13 February to 28 March. \ No newline at end of file diff --git a/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md new file mode 100644 index 0000000..cb8101a --- /dev/null +++ b/user/pages/04.residence/02.current-upcoming/victor-man/artistes.md @@ -0,0 +1,11 @@ +--- +date_start: '05-06-2019 11:05' +date_end: '05-09-2019 19:43' +title: 'Nour El Saleh' +media_order: 'Nour El Saleh, Detail ''Four Times as Big, Twice as Small'' 2018.jpeg' +date: '05-06-2019 19:43' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/01.press/paintings-by-sola-olulode-explore-the-honeymoon-phase-of-romance/default.md b/user/pages/05.news/01.press/paintings-by-sola-olulode-explore-the-honeymoon-phase-of-romance/default.md new file mode 100644 index 0000000..f4649ea --- /dev/null +++ b/user/pages/05.news/01.press/paintings-by-sola-olulode-explore-the-honeymoon-phase-of-romance/default.md @@ -0,0 +1,9 @@ +--- +title: 'Paintings by Sola Olulode explore the ''honeymoon'' phase of romance' +date_event: '16-01-2020 15:38' +date: '16-01-2020 15:38' +aura: + pagetype: website +--- + +['Paintings by Sola Olulode explore the ''honeymoon'' phase of romance', Creative Boom](https://www.creativeboom.com/inspiration/paintings-by-sola-olulode-explore-the-honeymoon-phase-of-romance/) \ No newline at end of file diff --git a/user/pages/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg b/user/pages/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg new file mode 100644 index 0000000..f7527f6 Binary files /dev/null and b/user/pages/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg differ diff --git a/user/pages/05.news/02.news/_242-marylebone/news.md b/user/pages/05.news/02.news/_242-marylebone/news.md new file mode 100644 index 0000000..97f0020 --- /dev/null +++ b/user/pages/05.news/02.news/_242-marylebone/news.md @@ -0,0 +1,9 @@ +--- +title: 'OPENING: 242 Marylebone ' +media_order: 242-Marylebone-Road_1-1024x769.jpg +date: '30-11-2019 13:54' +date_end: '31-12-2021 19:53' +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg b/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..b69bc28 Binary files /dev/null and b/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md b/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md new file mode 100644 index 0000000..c69b348 --- /dev/null +++ b/user/pages/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Adriano Amaral, Et Al., ''Euphoria'', Tick Tack, Antwerpen, Belgium' +media_order: 'Adriano Amaral, Untitled, 2018.jpg' +date: '09-11-2019 14:49' +date_end: '21-12-2019 14:50' +url_news: 'https://www.ticktack.be/exhibitions/euphoria-curated-by-domenico-de-chirico' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png b/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png new file mode 100644 index 0000000..6f6be8d Binary files /dev/null and b/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png differ diff --git a/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md b/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md new file mode 100644 index 0000000..1829175 --- /dev/null +++ b/user/pages/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Daiga Grantina, ''What Eats Around Itself'', New Museum, New York, USA' +media_order: 'Daiga Grantina, ''What Eats Around Itself'', New Museum.png' +date: '21-01-2020 14:41' +date_end: '05-09-2020 14:41' +url_news: 'https://www.newmuseum.org/exhibitions/view/daiga-grantina-what-eats-around-itself' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png b/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png new file mode 100644 index 0000000..bdcadea Binary files /dev/null and b/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png differ diff --git a/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md b/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md new file mode 100644 index 0000000..ae14905 --- /dev/null +++ b/user/pages/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md @@ -0,0 +1,11 @@ +--- +title: 'Frédéric Platéus, Et Al., ''Mixed Pickles 6'' Ruttowski, Cologne, Germany' +media_order: 'Frédéric Platéus.png' +date: '15-12-2019 14:16' +date_end: '12-01-2020 14:16' +url_news: 'https://www.ruttkowski68.com/exhibition/mixed-pickles-6/' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg b/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg new file mode 100644 index 0000000..f873afa Binary files /dev/null and b/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg differ diff --git a/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md b/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md new file mode 100644 index 0000000..3e6de9d --- /dev/null +++ b/user/pages/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md @@ -0,0 +1,11 @@ +--- +title: 'Isaac Lythgoe, ''Railway Spine'', Super Dakota, Brussels, Belgium' +media_order: 'Isaac Lythgoe ''Railway Spine''.jpg' +date: '09-01-2020 14:20' +date_end: '25-02-2020 14:21' +url_news: 'http://www.superdakota.com/exhibitions/isaac-lythgoe-railway-spine' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md new file mode 100644 index 0000000..ef8264f --- /dev/null +++ b/user/pages/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France' +date: '18-09-2019 19:52' +date_end: '05-01-2020 19:52' +url_news: 'https://www.biennaledelyon.com/en/artistes/jean-marie-appriou-2/' +published: true +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md index bd7cb36..96bd488 100644 --- a/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md +++ b/user/pages/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md @@ -1,10 +1,9 @@ --- -title: 'Jean-Marie Appriou, Consortium Museum, Dijon, France' +title: 'Jean-Marie Appriou, ''Seabed'', Consortium Museum, Dijon, France' date: '29-11-2019 19:44' date_end: '12-04-2020 19:44' -url_news: 'https://kevintessier.net' -recaptchacontact: - enabled: false +url_news: 'https://www.leconsortium.fr/en/jean-marie-appriou' +published: false aura: pagetype: website show_sidebar: false diff --git a/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md index d372db8..2664b37 100644 --- a/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md +++ b/user/pages/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -1,9 +1,12 @@ --- -date: '11-09-2019 19:55' -date_end: '15-12-2020 19:55' title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' -show_sidebar: false +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +url_news: 'https://www.publicartfund.org/view/exhibitions/6708_jean-marie_appriou_the_horses' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md index 1e80aea..6a10e7f 100644 --- a/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md +++ b/user/pages/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -1,9 +1,12 @@ --- -date: '26-10-2019 19:50' -date_end: '21-12-2019 19:50' title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' -show_sidebar: false +date: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +url_news: 'https://www.templon.com/new/exhibition.php?la=en&show_id=657' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg b/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg new file mode 100644 index 0000000..f12b644 Binary files /dev/null and b/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg differ diff --git a/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md b/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md new file mode 100644 index 0000000..2242c44 --- /dev/null +++ b/user/pages/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md @@ -0,0 +1,11 @@ +--- +title: 'Olivia Bax, Ben Edmunds, Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger, Cologne, Germany' +media_order: 'Olivia Bax Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger.jpg' +date: '22-11-2019 14:36' +date_end: '16-02-2020 14:36' +url_news: 'http://www.choiandlager.com/pressrelease.php?exb_id=62' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg b/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg new file mode 100644 index 0000000..17e698b Binary files /dev/null and b/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg differ diff --git a/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md b/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md new file mode 100644 index 0000000..243531f --- /dev/null +++ b/user/pages/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md @@ -0,0 +1,10 @@ +--- +title: 'Olivia Bax, ''Chute'', Ribot, Milan, Italy' +date: '20-11-2019 14:27' +date_end: '08-02-2020 14:27' +url_news: 'https://www.ribotgallery.com/copia-di-olivia-bax' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md b/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md index 9cfd737..ba05f11 100644 --- a/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md +++ b/user/pages/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md @@ -3,6 +3,8 @@ title: 'Pedro Wirz, Et. Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' media_order: 'PW_Entsprechung V_2019_1wide.jpg' date: '01-09-2019 19:57' date_end: '05-01-2020 19:57' +url_news: 'https://www.aargauerkunsthaus.ch/en/exhibitions/2019/?cHash=f867964c062f766bfe5162ff98365282&showUid=524' +published: false aura: pagetype: website show_sidebar: false diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg new file mode 100644 index 0000000..9fb1e5d Binary files /dev/null and b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg differ diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md index fef4266..a907317 100644 --- a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md +++ b/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -1,9 +1,12 @@ --- +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi.jpg' date: '02-11-2019 19:48' date_end: '14-12-2019 19:48' -title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' -media_order: 'Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg' -show_sidebar: false +url_news: 'https://anatebgi.com/cpt_exhibitions/solo-exhibition/' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png b/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png new file mode 100644 index 0000000..be67299 Binary files /dev/null and b/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png differ diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md b/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md new file mode 100644 index 0000000..b315aaa --- /dev/null +++ b/user/pages/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md @@ -0,0 +1,11 @@ +--- +title: 'Srijon Chowdhury, Foxy Production, New York, USA' +media_order: 'Srijon Chowdhury.png' +date: '06-03-2020 14:23' +date_end: '19-04-2020 14:23' +url_news: 'https://www.foxyproduction.com/exhibitions/1741/pr' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md index 1a4ab25..fdbb011 100644 --- a/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md +++ b/user/pages/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -1,9 +1,12 @@ --- -date: '11-09-2019 19:54' -date_end: '15-12-2019 19:54' title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' -show_sidebar: false +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +url_news: 'https://www.schinkelpavillon.de/exhibition/claude-mirrors/' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md index ee4d9a3..e4ffeb2 100644 --- a/user/pages/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md +++ b/user/pages/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -1,9 +1,12 @@ --- -date: '07-11-2019 19:47' -date_end: '18-01-2020 19:47' title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' -show_sidebar: false +date: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +url_news: 'https://www.galleriazero.it/' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md index c2f9325..dbf619a 100644 --- a/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md +++ b/user/pages/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -3,6 +3,8 @@ title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manc media_order: T14776_9.jpg date: '06-06-2019 19:59' date_end: '19-04-2020 19:59' +url_news: 'http://manchesterartgallery.org/exhibitions-and-events/exhibition/louise-giovanelli/' +published: false aura: pagetype: website show_sidebar: false diff --git a/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md index 0e705e4..607d41e 100644 --- a/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md +++ b/user/pages/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -1,9 +1,12 @@ --- -date: '17-10-2019 19:51' -date_end: '08-03-2020 19:51' title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' -show_sidebar: false +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +url_news: 'https://www.maxxi.art/en/events/della-materia-spirituale-dell-arte/' +published: false aura: pagetype: website +show_sidebar: false --- + diff --git a/user/pages/06.about/default.md b/user/pages/06.about/default.md index aa74929..f50c2fc 100644 --- a/user/pages/06.about/default.md +++ b/user/pages/06.about/default.md @@ -16,4 +16,4 @@ content: url_taxonomy_filters: '1' --- -Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions throughout the year. Upcoming this November, V.O Studios will unveil a new space, 242 Marylebone Road, becoming one of the largest studio facilities in Central London hosting up to 100 artists. To apply to V.O's affordable studio programme, visit the ‘Studio Programme’ page > Apply. \ No newline at end of file +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions throughout the year. V.O Studios’ new facility, 242 Marylebone Road, has recently launched as one of Central London’s largest artist facilities, hosting up to 100 artists. diff --git a/user/pages/07.visit-us/_Waterloo/map.md b/user/pages/07.visit-us/_Waterloo/map.md index bc98708..3e515f0 100644 --- a/user/pages/07.visit-us/_Waterloo/map.md +++ b/user/pages/07.visit-us/_Waterloo/map.md @@ -2,7 +2,7 @@ title: Waterloo media_order: 'tower building.jpg' H_open: 'Wednesday — Saturday' -H_time: '11am — 6pm' +H_time: '11am — 5pm' map: true street: '12th Floor, The Tower Building, 11 York Rd,' city: 'SE1 7NX London' @@ -14,3 +14,4 @@ class: small image_align: left --- +info@vocurations.com \ No newline at end of file diff --git a/user/pages/07.visit-us/_marylebone/map.md b/user/pages/07.visit-us/_marylebone/map.md index 311f1bf..1fb2f3a 100644 --- a/user/pages/07.visit-us/_marylebone/map.md +++ b/user/pages/07.visit-us/_marylebone/map.md @@ -13,4 +13,4 @@ H_close: '09-11-2019 18:00' image_align: left --- -Open to the public during programmed exhibitions and events. See [_What’s On_](https://vocurations.com/whats-on/exhibitions/current-upcoming) to find out more \ No newline at end of file +Open to the public during programmed exhibitions and events. See [_What’s On_](https://vocurations.com/whats-on/exhibitions/current-upcoming) to find out more diff --git a/user/pages_ori4/01.home/home.md b/user/pages_ori4/01.home/home.md new file mode 100644 index 0000000..428a233 --- /dev/null +++ b/user/pages_ori4/01.home/home.md @@ -0,0 +1,11 @@ +--- +title: Home +visible: false +content: + items: '@self.siblings' + order: + by: date + dir: asc +aura: + pagetype: website +--- diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/blog.md b/user/pages_ori4/02.whats-on/01.exhibitions/blog.md new file mode 100644 index 0000000..dcd1211 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/blog.md @@ -0,0 +1,18 @@ +--- +title: Exhibitions +redirect: whats-on/exhibitions/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: article +--- + diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg new file mode 100644 index 0000000..ea19360 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Olivia Bax, Hot Spot, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Olivia Bax, Hot Spot, 2018.jpg new file mode 100644 index 0000000..92eeac9 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/Olivia Bax, Hot Spot, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 'Footloose', 2017.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Detail 'Footloose', 2017.jpg new file mode 100644 index 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a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Boulder (with handle), 2015.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Boulder (with handle), 2015.jpg new file mode 100644 index 0000000..69993ad Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Boulder (with handle), 2015.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg new file mode 100644 index 0000000..8f064b9 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg new file mode 100644 index 0000000..d913c5c Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg new file mode 100644 index 0000000..702204d Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg new file mode 100644 index 0000000..7b93049 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg new file mode 100644 index 0000000..a8efb46 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md new file mode 100644 index 0000000..bdaf289 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md @@ -0,0 +1,68 @@ +--- +topH: false +date: '08-08-2018 18:04' +date_end: '24-08-2018 18:05' +lieux: '93 Baker Street' +artistes: 'Olivia Bax' +title: 'at large,' +media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg' +taxonomy: + category: '' +show_sidebar: false +aura: + pagetype: website +--- + +An awareness of materials is crucial in pursuing any artistic endeavour. +The capacity of the artist to resonate with their medium while grasping its +true potential occurs through careful observation, during which a full +understanding of its chemical properties, durability, and texture proceeds. +For the painter or the etcher, the mental is translated into the physical +realm predominately with the aid of utensils. The sculptor however relies +less on this mediating process, for it is the tactile, his very own hand which +possesses the knowledge to manipulate and assemble substance. It comes +as no surprise that the greatest innovations in sculpture of the past century +resulted from an increasing immediacy towards the generative process +manifest through methods such as direct casting (Medardo Rosso) and +carving (Constantin Brâncuşi) or the collection of novel, unconventional +materials for further assembly (Iza Genzken). Olivia Bax's work is a +distinct example of this aesthetic manu propria, for Bax not only +physically leaves the imprint of her hand, her gestures on the surface of her +sculptures, but she also uses handles as a recurring motif (Hot Spot, +Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and +Roar) have a human scale, as if they were based on her own height. + +Bax's investigation of material rhythms can be likened to the act of +sketching, of which the varying tempo, the drawing and selective retracing +of preferred parts, aid in the development of her sculptural pieces. There is +an unprecedented fascination with the armature of her pieces, which she +does not completely conceal with the malleable paper pulp, opting rather +for the visibility of the different processes. The sculptures are activated not +only through the revealing of their anatomy and the material dialectic that +ensues, but also through their humanistic dimensions. Scale holds a +significant role within Bax's oeuvre, evoking both the domestic, and trying +to escape from it by experimenting with site-specific height. The work Footloose, having been previously installed twice, is now refashioned to +accommodate the low ceilings of this space while still slightly protruding +through the support grid. Bax's work is at large not only through its +diversity, resembling a smaller retrospective, but also through the sheer +dimension of the space (the largest space she has exhibited in thus far), +which allows for the sculptures to escape confinement. There is sufficient +expanse within the gallery for the works to exist as individual entities, +while simultaneously undergoing a mutual, collective activation. Palisade, +the blue fence-like structure suggests a tripartite segmentation of the +sculptural environment while similarly acting as a chromatic backdrop for +works such as the aforementioned Footloose, and a three-dimensional +framing for Slot & Groove. This seemingly divisive curatorial choice +however, conversely facilitates discourse between the sculptures of the +ensemble, acting not as a barrier, but rather as an interactional tool. + +Bax's work extends beyond the removal of a sculpture from its pedestal as +the sole source for immediacy. By imprinting her hands onto the surface of +the work and using her height as a unit of measurement, by exposing +diverse layers of materials causing thus an interaction within the anatomy +of the work itself, and subsequently one within its collective pairing, the +artist creates a cycle closed off by the viewer. Within her process of +making, Bax activates herself, the space, the works and viewers, whether +at a local level or at large. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/blog.md new file mode 100644 index 0000000..10bc042 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: 'Current + upcoming' +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg new file mode 100644 index 0000000..cea8aae Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..fd9fbbf Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg new file mode 100644 index 0000000..55e47d3 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg new file mode 100644 index 0000000..74a055b Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg new file mode 100644 index 0000000..1a3d260 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..424d869 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? and Why?, 2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? and Why?, 2019.jpg new file mode 100644 index 0000000..bdfe3d3 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? and Why?, 2019.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg new file mode 100644 index 0000000..e2c3ecc Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Installation Isaac Lythgoe and Muriel Abadie.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg new file mode 100644 index 0000000..9dcb028 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Jean-Marie Appriou, Shrimp, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Jean-Marie Appriou, Shrimp, 2018.jpg new file mode 100644 index 0000000..4b0e063 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Jean-Marie Appriou, Shrimp, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, L’origine du monde, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, L’origine du monde, 2018.jpg new file mode 100644 index 0000000..cfb38e3 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, L’origine du monde, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg new file mode 100644 index 0000000..7400f13 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/John Miserendino, Mamie and Marco, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg new file mode 100644 index 0000000..901de4d Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Muriel Abadie, Masked Monkey, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md new file mode 100644 index 0000000..dc966d7 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/cicatrices/events.md @@ -0,0 +1,62 @@ +--- +date: '22-03-2019 16:06' +date_end: '03-05-2019 12:38' +lieux: '12th Floor' +title: 'Cicatrices, ' +artistes: ' Muriel Abadie, Adriano Amaral, Jean-marie Appriou, Srijon Chowdhury, Isaac Lythgoe, John Miserendino, Maïa Régis, Cajsa von Zeipel' +media_order: 'Installation Isaac Lythgoe and Muriel Abadie.jpg,Jean-Marie Appriou, Shrimp, 2018.jpg,Muriel Abadie, Masked Monkey, 2018.jpg,John Miserendino, Mamie and Marco, 2018.jpg,Adriano Amaral, Untitled, 2018.jpg,John Miserendino, L’origine du monde, 2018.jpg,Isaac Lythgoe, grip the wheel, look straight ahead, 2016.jpg,Details of Adriano Amaral, Untitled, 2018.jpg,Adriano Amaral, Untitled, 2018(2).jpg,Casja von Zeipel ''When?'', 2019.jpg,Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg,Details of Cajsa von Zeipel, When? and Why?, 2019.jpg,Cajsa von Zeipel, When? and Why?, 2019.jpg,Adriano Amaral, Untitled, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +On an epithelial level, the scar is simply a mark, a regenerated piece of tissue, a healed lesion +that conventionally follows the infliction of an incision or a burn, either intentional or not. Of +this trace however, we almost instantly find that it does not suffice to regard it as a mere +peculiarity of the dermis, as what is crucial to this fibrous section of tissue is the meta- +cutaneous, its metonymic relationship to a particular event or action. This is the primary trait +of any scar: that it signifies beyond the skin, beyond the biological palimpsest that it has +produced. We are, at first, tempted to associate it with the traumatic, with the remnants of +suffering that make of it a relic of pain, both physical and cognitive, an agonizing recollection +of consumed passions and jagged embraces, flaming within our psyche and manifest with the +illuminated perspex sculptures of Isaac Lythgoe. Yet, is it not a scar that also reminds one of +birth, of being removed from the womb for, which our mothers bear a caesarean section or +we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by +Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an +expulsion of postnatal morbidity? + +If we look past the mere a priori and posteriori of the scar we begin its exoneration, its +acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and +adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, +symbolically branding the epidermis, but performs the function of ritual by subjecting one to +the repeated injection of their beliefs. Such Maia Regis’ effaced protagonist, dog and pistol in +hand, imparts further potency to its all too visceral surroundings via the snake emblem +ascending their torso, the scar given agency. The kissing silicone sculptures of Casja von +Zeipel too recall this piercing and tinting of the skin through selective transparencies and the +emulation of a cracked reptilian dermis undergoing ecdysis (molting), further inscribing their +hyper-visiblity by means of their hybridity. Synthetic and organic, their skin, double-layered or +scaled, appears mechanically superior while still presenting the human characteristic of +retaining traces, or bearing scars. This dualism, the recalling of an organic anterior, further +prompt a focus on DNA, one expressed by Adriano Amaral in his employment of natural +materials such as tree bark and spirulina alongside shapes of contemporary industry. The +ramifications emerging from Amaral’s tubular structures delineate an ecological scarification +inflicted upon flora and fauna rather than the human flesh, proposing the solution of +prosthetics as a method of undoing any damage to the organic. A similar approach lies within +Jean-Marie Appriou’s sculptures of marine creatures. Displaying a hereditary connection to +their material makeup, for glass is made out of sand, such works however, conversely, +emphasize their static adherence to the gallery wall rendering the objet d’art no different to a +biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather +recognition through a confrontation with artifice. + +John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to +uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to +resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity +of material by accentuating surface lesions and vivid chromatic schemes. The notions of +transmission and trace exist not only within such marbles, for through the work of Muriel +Abadie an idea of recollection, of one's personal rather than cultural history surfaces with +the sketch. Abadie seeks to access a realm of the familiar, to awaken in all of us a forgotten +memory that can appear through the visual. Her urge is collective, remembrance as +protection against temporal perdition. Within our efforts to heal, perhaps the same can be +said for the cicatrice. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg new file mode 100644 index 0000000..2ff4ca4 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg new file mode 100644 index 0000000..2418645 Binary files 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Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Installation 3 'Light Cages', Dillwyn Smith.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md new file mode 100644 index 0000000..a38174f --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -0,0 +1,26 @@ +--- +topH: true +date: '24-10-2019 17:21' +date_end: '22-11-2019 17:21' +lieux: '12th floor' +artistes: ' Dillwyn Smith' +title: 'Light Cages, ' +media_order: 'Installation 1 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Turning Poison into Medicine V'', 2018.jpg,Dillwyn Smith, ''Full Transparency II'', 2019, and ''Light Cage'', 2018.jpg,Dillwyn Smith, ''Sensitised Ground'', 2018.jpg,Installation 2 ''Light Cages'', Dillwyn Smith.jpg,Installation 3 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Full Transparency'', 2018.jpg,Dillwyn Smith, ''Hermit Song'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018, and ''Praise'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '04-10-2019 20:04' +--- + +Dillwyn Smith has a most unusual technique, he gives us a labour of love, a quiet ease around the stitching of nylon fabrics which gently moves us on to deeper matters. These large new works contain a new light - there is precarious illumination which comes at us layered, striped, watered down, occasionally not of this earth, but subaqueous and reified. Dillwyn has made some new mystic moves and has been ‘a diver in deep seas, and keeps their fallen day about him; he has trafficked for strange webs with Eastern merchants’. + +How important it is that Dillwyn is not English, that he is half Welsh and Half Irish, that he is a genuine Celt? It is very important, it matters because this means that certain things are there in Dillwyn’s work now that the English have no access to. It is, above all else, around colour and light that this delicacy of perception comes home to roost, like a dove brooding upon the waters. It matters because, as Walter Pater insisted: ‘all art’ does indeed ‘aspire to the condition of music’ and Dillwyn’s new work has finally managed the magic metamorphosis into synaesthesia. + +For hours we have been thinking about how the new work is to be shown, to be displayed, to be allowed to perform its fulgent colloquies upon the eyes of those lucky enough to try and see into it and through it? What are these things he now creates? – paintings they are not. They are tricky boxes of colour, wobbly flags with no nation, rat traps for light rays, quilts without beds, aesthetic dirty laundry hung out to dry, lovely textiles shifting in sun and wind, The Colour of Pomegranates comes to mind. They are offcuts from a coat of many subdued colours, a soft coat of arms, the inspired motley this triumphant Harlequin artist has earned the right to parade. + +This work not only moves us, it moves into us, constantly performative it makes its own rhythms. These rhythms of time and of colour exist outside ‘tick tock time’, working time. The fruit of his loom is work that does not ‘clock in’ and ‘clock out’, time works within it and around it now, time and light, mysteriously married. Disciplined lyricism, the unstable stabilized, quicksilver trapped until a common greyness silvers everything, not easy things to pull off. This is work that demands contemplation, not in a grand way, but in a revivifying way, as quiet and necessary as a day-dream. Such work comes about rarely and through intense testing – some parts of the great Russian Icons have it, some of the maroon and burgundy rectangles of late Rothko, and those strange, restrained pages of Capitals from The Book of Kells, they definitely have it. Yes the Irish thing again, in Dillwyn’s new work we approach the poetics of interlacement, a fabricated fluidity, disciplined but organic, beyond the hard geometric trickery of Cubism. +Dillwyn’s fabrics are utilitarian too and embody an artistic commentary upon an entire Kingdom. He told me once that he was working with cloths which are deeply, symbolically, enmeshed and locked into the cultures and social politics of Oman. The fabrics are turned into the traditional Dishdasha worn by men. Many of the colours of these garments carry tribal significations, relating to the identities of ethnic groups. A certain yellow, for example, is exclusive to the people of the deep South in Salalah on the border with Yemen. Other colours relate to social standing and the stratifications of labour. That lovely maroon which so haunted and haunts my gaze is in fact the cloth worn by domestic workers, and so is not only beautiful but burdened with the labour of millions. The white cloths are reserved for administrators and government functionaries. Several of the grays and browns relate to the Oman elite. And so Dillwyn’s work creates a democracy of colour mixing, melding, interlacing the social and ethnic patterns of the tip of the Arabian Peninsula. As he makes those light damasks float Dillwyn creates a celebratory garb, which somehow, by hook or by crook, has made a whole society (embedded in inequality) float, light up, caper in gentle curvature, upon his wooden skeletons. + +Maybe what is most magical about what we now see is that many of the fabrics are nylons, imported to Oman from Japan. He takes flimsy gauzes impregnated with chemical aniline dies, he makes his textile mosaics out of them, and suddenly they can do, they do do, the strangest things before our eyes and to our eyes. Only the great creative magicians perform such Alchemy upon the senses. James Joyce in the Nausicaa chapter of Ulysses took the language of cliché, thrown in saccharine heaps into girl’s romantic magazines, and then transformed the cinders of a dull dead language into Gerty McDowell’s soaring love song. Dillwyn takes garish bolts and bales of nylon, hung about with a grim whiff of the sweat shop, and turns them into geometric kaleidoscopes which albeit briefly can make our ugly little world tumultuously bright. + +Words by Marcus Wood diff --git a/user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg similarity index 100% rename from user/pages/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg rename to user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg diff --git 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b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -0,0 +1,18 @@ +--- +topH: false +date: '27-11-2019 18:26' +date_end: '20-12-2019 18:26' +lieux: '12th floor' +artistes: 'Mania Akbari, Douglas White ' +title: '‘Mr. Majidi and the Electricity Box''' +media_order: 'Installation_Mania_Akbari_and_Douglas_White_II.jpg,Installation_Mania_Akbari_and_Douglas_White_I.jpg,Detail_Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019_I.jpg,Detail_Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg,Installation_Mania_Akbari_and_Douglas_White_III.jpg,House_of_Sin_I_Mania_Akbari_and_Douglas_White_2019.jpg,Lubion_Mania_Akbari_and_Douglas_White_2019_II.jpg,Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019.jpg,Lubion_box_Mania_Akbari_and_Douglas_White_2019.jpg,Mania_Akbari_and_Douglas_White_Electricity_Box_in_the_streets_of_Teheran.jpg,Lubion_Mania_Akbari_and_Douglas_White_2019_I.jpg,House_of_Sin_II_Mania_Akbari_and_Douglas_White_2019.jpg,Mr. Majidi_series_and_House_of_Sin_I_Mania_Akbari_and_Douglas_White_2019.jpg,Geometric_Resistance_Mania_Akbari_and_Douglas_White_2019.jpg,House_of_Sin_III_Mania_Akbari_and_Douglas_White_2019.jpg,Detail_Mr._Majidi_series_Mania_Akbari_and_Douglas_White_2019_II.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +V.O Curations is pleased to announce the upcoming exhibition “Mr. Majidi and the Electricity Box” of collaborative works by Iranian filmmaker Mania Akbari and British sculptor Douglas White. In continuation to their film “A Moon for My Father” (2018), the exhibition features new photographic and sculptural works that reflect on biopolitics and forms of governmental control. Made from found objects and authentic imagery, the disquieting and surreal series focuses on specific instances of censorship, surveillance and control. Akbari and White further invite the audience to contemplate the complex and often invisible connections between state, body and objecthood, through a poignant and personal perspective. + +**Saturday 7th December** to coincide with the exhibition, Mania Akbari and Douglas White have curated the cultural event _Body and Borders_ featuring 10 screenings from contemporary artists whose works explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. A panel discussion, moderated by art critic Nick Hackworth will follow the screenings, featuring Mania Akbari, Johann Arens, Lucy Clout, Miranda Pennell, Margaret Salmon and Douglas White to discuss the Body and its entangled power structures. + +[Click here to buy tickets to 'Body and Borders' 7th December.](https://body-and-borders.eventbrite.co.uk) diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg new file mode 100644 index 0000000..7ac9225 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg new file mode 100644 index 0000000..7367ac1 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/A Grand Jester, 2019.jpeg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg new file mode 100644 index 0000000..10476cd Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Dance Monkey, Dance!, 2019.jpg differ diff --git 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Small, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg new file mode 100644 index 0000000..ba1b830 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg new file mode 100644 index 0000000..95df2af Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md new file mode 100644 index 0000000..f5f7e1a --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -0,0 +1,51 @@ +--- +date: '05-09-2019 16:27' +date_end: '11-10-2019 16:27' +lieux: '12th floor' +artistes: ' Nour El Saleh' +title: 'Exquisite Farces, ' +media_order: '(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg,Wrong Side of the Table, 2019.jpg,Detail of Wrong Side of the Table, 2019.jpg,A Grand Jester, 2019.jpeg,Dance Monkey, Dance!, 2019.jpg,Inhabited Props in a Box, 2018.jpeg,Detail of Inhabited Props in a Box, 2018.jpg,Four Times as Big, Twice as Small, 2018.jpg,Detail of Four Times as Big, Twice as Small, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Exquisite Farces is the culmination of Nour El Saleh’s residency at VO Curations, a +curatorial and cultural mediation outfit that are helping usher in a new way for artists to +inhabit and make use of the rapidly transforming architecture of an austere London. It +also marks her first foray into the wider world following on from three-years of study at +The Slade School of Fine Art, London. + +El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, +physicalised and placed impulsively to prompt new narrative possibilities. She has +worked towards the creation of a satirical language to communicate an uncanny rendition +of her own experiences. With her childhood spent in the United Arab Emirates, a host for +impermanent residents, El Saleh’s comfort was in a constant state of flux, and through the +work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with +anguish and actors, and through the use of theatrical and comical imagery, the artist +reconciles these two forces. + +_The Puppeteer of Karakas_ evokes the memory of a man playing with puppets in the street +where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four +eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like +world of destitution and depravity is reframed with a sense of homeliness; checkered floor +tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. +Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems +to play with the apparent roles, and who in fact conducts the scene. A mise en abyme +occurs, the _Puppeteer of Karakas_ becomes puppeteered, and equally, the motherly figure +of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further +prop in the theatre of El Saleh’s mind. _Wrong Side of the Table_ depicts a juxtaposition +between a naked bust-figure, sitting at the table provocatively, acting out for the sake of +being rewarded with attention, which is at odds with a heavily cloaked figure under the +table, an elderly child, hidden out of view, coaxing attention through her aloofness. +El Saleh’s characters all seem to resemble each other with similar features: prominent +noses, dimpled chins and brown hair, almost to the point of appearing cloned in certain +scenes. All interacting intensely within a domestic interior and little space to roam, +pronounce the collectivistic atmosphere present across the artist’s paintings. This is +echoed by the two hybrid characters that sit aside the central figure in Inhabited Props in +a Box, which although are bickering, at once recall squabbling siblings rather than +anything untoward; and in this lay the charm of El Saleh’s world. Despite the peculiarity of +her depictions, on further inspection there lies a familiarity and intimate feeling of the +‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium +and have spectators sit within the composition. In an Artaud-esque manner, actors are +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..5f956ac Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg 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2015.jpg new file mode 100644 index 0000000..470df53 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100644 index 0000000..d57aa78 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..97242eb Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md new file mode 100644 index 0000000..9d9a6bb --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -0,0 +1,13 @@ +--- +date: '23-05-2019 16:33' +date_end: '26-07-2019 16:33' +lieux: Phillips +title: 'Parfum d''épines,' +artistes: ' PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Oda Jaune, Fleurs, 2015.jpg,Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Daiga Grantina, Yolk Bott, 2017.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Phillips Auction House and V.O Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems _Les Fleurs du Mal_ through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg new file mode 100644 index 0000000..7dfb9e2 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md new file mode 100644 index 0000000..9eaa4a1 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -0,0 +1,13 @@ +--- +date: '05-08-2018 16:37' +date_end: '18-08-2018 16:37' +lieux: '93 Baker Street ' +title: 'Pas de Corps, ' +artistes: 'Sonya Derviz' +media_order: 'Sonya Derviz, Dancers II, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg new file mode 100644 index 0000000..2fd2e24 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg new file mode 100644 index 0000000..0dcd74d Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg new file mode 100644 index 0000000..be64e5b Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg new file mode 100644 index 0000000..0245dde Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg new file mode 100644 index 0000000..303e850 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md new file mode 100644 index 0000000..57f9822 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md @@ -0,0 +1,69 @@ +--- +date: '03-10-2018 17:49' +date_end: '19-10-2018 17:49' +lieux: '93 Baker Street ' +artistes: ' Sara Berman' +title: 'Matter out of Place,' +media_order: 'Sara Berman, Lint Sweater #40, 2018.jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Installation 1 Sara Berman.jpg,Installation 2 Sara Berman.jpg,Sara Berman, Lint Sweater #38, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '07-12-2019 16:30' +--- + +"It is something rejected from which one does not part, from which one +does not protect oneself as from an object. (...) It is thus not lack of +cleanliness or health that causes abjection but what disturbs identity, +system, order." Julia Kristeva + +There is an unprecedented struggle for unity and mutuality in this epoch of +singularity and individualism. The biblical precedes these secular ideals in +the myth of Babel, with its human element inevitably failing into disparity, +not just of language but also of socio-cultural context for its collective +ambitions would become its primary sin. Surrounded by divergent, +fluctuating value systems, Sara Berman has selected the lowest common +denominator of mankind as the focal point of her work, as an uncanny, +debased catalyser in her line of artistic inquiry: 'waste'. A propensity for +textiles has perhaps indicated Berman in the direction of lint, of drying +machine filters, which despite her minimal intervention, do not draw one +immediately towards the abject nature of the piece, but rather ensue an +auratic dialogue guided by their anthropomorphic quality and vivid +stratigraphy. This 'matter out of place', waste in the form of the work of +art (the commodity par excellence) comes to embody the term derived from +Mary Douglas's seminal study on dirt, not just literally, but through the +very internal logic of the works. Not only are the fabric remnants +dislocated from their status as superfluous objects, framed and exhibited +within the gallery space, but in her attempt to generate discourse Berman +has created an art object resistant and adhering to any nomenclature, while +circumventing any positive or negative valences. The works find +themselves in a latent state; perhaps even one of paradox for an initial +reaction might contravene a subsequent one upon finding out the medium. +From breaking her own dyer at home, to her latter exploration of London +drycleaners, from the first attempts of gathering the lint in large bags to +then attaching it to furniture, Berman has redacted her process of making +to reduce the infliction of her will upon the work as much as possible. This +however has not created a ready-made, for the immediacy of deskilling is +replaced by a careful subtraction, while the unique makeup of the works +would have them tangential to artisanship. Berman selects the lints from +the filters (very few of which present this distinctive layering) and stiches +them to pieces of linen without seeking precision. There is an +inexhaustible web of socio-economic relations, which each wool fibre or +hair follicle has traversed and can further generate through their +repurposing in the lint figures. It is perhaps not coincidental that some of +these should have a convex, circular geometry, occurring in the inferior +parts evoking thus the maternal or the fertile. The human dimension of the +works would have it operate like an artefact, even more so now that the +pieces are exhibited framed for the first time, an equalizing procedure to +stress their organic, biological aspect. There is only an illusion of +uniformity as each work is entirely distinct in its 'genetic composition' +while any separation occurs as an auxiliary, as our own imposed +estrangement from it. Berman has removed the glass dividing the viewer +from the 'abject', facilitating either confrontation or familiarization, in +either circumstance permitting a direct exchange. The rug outside invites +one into the gallery space while simultaneously deconstructing its +boundary, playing into the idea of domesticity as a percept for belonging +and safety while including the nomadic. Berman's inquiry extends into the +exterior realm, the question remains, is it art, a handful of hair and lint +from the local drycleaners or simply matter... out of place? + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg new file mode 100644 index 0000000..01d84a7 Binary files /dev/null and b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg differ diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md new file mode 100644 index 0000000..b6e9c3c --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -0,0 +1,13 @@ +--- +date: '03-07-2018 16:39' +date_end: '13-07-2018 16:40' +lieux: '93 Baker Street ' +title: 'URBAN WAVES, ' +artistes: ' Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'Andrei Costache, Tarantula, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. diff --git a/user/pages_ori4/02.whats-on/01.exhibitions/past/archives.md b/user/pages_ori4/02.whats-on/01.exhibitions/past/archives.md new file mode 100644 index 0000000..f99a486 --- /dev/null +++ b/user/pages_ori4/02.whats-on/01.exhibitions/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +--- + diff --git a/user/pages_ori4/02.whats-on/02.events/blog.md b/user/pages_ori4/02.whats-on/02.events/blog.md new file mode 100644 index 0000000..0027e48 --- /dev/null +++ b/user/pages_ori4/02.whats-on/02.events/blog.md @@ -0,0 +1,18 @@ +--- +title: Events +redirect: /whats-on/events/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori4/02.whats-on/02.events/current-upcoming/blog.md b/user/pages_ori4/02.whats-on/02.events/current-upcoming/blog.md new file mode 100644 index 0000000..8f04092 --- /dev/null +++ b/user/pages_ori4/02.whats-on/02.events/current-upcoming/blog.md @@ -0,0 +1,15 @@ +--- +title: Upcoming +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori4/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg b/user/pages_ori4/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg new file mode 100644 index 0000000..493ec00 Binary files /dev/null and b/user/pages_ori4/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg differ diff --git a/user/pages/02.whats-on/02.events/current-upcoming/body-and-borders/events.en.md b/user/pages_ori4/02.whats-on/02.events/current-upcoming/body-and-borders/events.en.md similarity index 100% rename from user/pages/02.whats-on/02.events/current-upcoming/body-and-borders/events.en.md rename to user/pages_ori4/02.whats-on/02.events/current-upcoming/body-and-borders/events.en.md diff --git a/user/pages_ori4/02.whats-on/02.events/past/archives.md b/user/pages_ori4/02.whats-on/02.events/past/archives.md new file mode 100644 index 0000000..1c5227f --- /dev/null +++ b/user/pages_ori4/02.whats-on/02.events/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '0' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + diff --git a/user/pages_ori4/02.whats-on/blog.md b/user/pages_ori4/02.whats-on/blog.md new file mode 100644 index 0000000..26e09f5 --- /dev/null +++ b/user/pages_ori4/02.whats-on/blog.md @@ -0,0 +1,17 @@ +--- +title: 'What''s On' +redirect: / +show_sidebar: true +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages/03.studio-programme/01.formulaire/form.md b/user/pages_ori4/03.studio-programme/01.formulaire/form.md similarity index 93% rename from user/pages/03.studio-programme/01.formulaire/form.md rename to user/pages_ori4/03.studio-programme/01.formulaire/form.md index e385557..fc6bd74 100644 --- a/user/pages/03.studio-programme/01.formulaire/form.md +++ b/user/pages_ori4/03.studio-programme/01.formulaire/form.md @@ -76,14 +76,14 @@ form: email: from: '{{ config.plugins.email.from }}' to: '{{ config.plugins.email.to }}' - subject: 'Artist Candidature''{{ form.value.first_name|e }}-{{ form.value.last_name|e }}''' + subject: 'Artist-Candidature''{{ form.value.first_name|e }}-{{ form.value.last_name|e }}''' body: '{% include ''forms/data.html.twig'' %}' attachments: - portfolio - save: - fileprefix: 'Artist Candidature-''{{ form.value.first_name|e }}-{{ form.value.last_name|e }}''-' - dateformat: Y-m-d-h-i-s + fileprefix: 'Artist-Candidature-{{ form.value.first_name|hyphenize }}-{{ form.value.last_name|hyphenize }}-' + dateformat: Y-m-d_h-i-s extension: txt body: '{% include "forms/data.txt.twig" %}' - diff --git a/user/pages_ori4/03.studio-programme/02.about/VO Curations - 12th Floor.jpg b/user/pages_ori4/03.studio-programme/02.about/VO Curations - 12th Floor.jpg new file mode 100644 index 0000000..336e0d0 Binary files /dev/null and b/user/pages_ori4/03.studio-programme/02.about/VO Curations - 12th Floor.jpg differ diff --git a/user/pages_ori4/03.studio-programme/02.about/default.md b/user/pages_ori4/03.studio-programme/02.about/default.md new file mode 100644 index 0000000..04bf779 --- /dev/null +++ b/user/pages_ori4/03.studio-programme/02.about/default.md @@ -0,0 +1,11 @@ +--- +title: About +media_order: 'VO Curations - 12th Floor.jpg' +visible: false +aura: + pagetype: website +--- + +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in Zone 1 Central London, with the view to ease access and visibility for each artist. ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to explore new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1, with more upcoming spaces from spring 2020! +_V.O Studios is a not-for-profit initiative launched October 2019._ + diff --git a/user/pages_ori4/03.studio-programme/blog.md b/user/pages_ori4/03.studio-programme/blog.md new file mode 100644 index 0000000..1edbfce --- /dev/null +++ b/user/pages_ori4/03.studio-programme/blog.md @@ -0,0 +1,17 @@ +--- +title: 'Studio Programme' +redirect: /studio-programme/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori4/04.residence/01.about/default.md b/user/pages_ori4/04.residence/01.about/default.md new file mode 100644 index 0000000..58b8bd6 --- /dev/null +++ b/user/pages_ori4/04.residence/01.about/default.md @@ -0,0 +1,8 @@ +--- +title: About +visible: false +aura: + pagetype: website +--- + +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time, where V.O supports and facilitates the artists' professional development at all levels of their careers, whether emerging or established. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident, which is not mandatory and depends on the artist’s schedule. The residency programme is made public through various types of events and ‘Open Studio’ Days. \ No newline at end of file diff --git a/user/pages_ori4/04.residence/02.current-upcoming/blog.md b/user/pages_ori4/04.residence/02.current-upcoming/blog.md new file mode 100644 index 0000000..db6cc25 --- /dev/null +++ b/user/pages_ori4/04.residence/02.current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: Current +visible: false +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. Courtesy of von Goetz, 2018.jpg b/user/pages_ori4/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. Courtesy of von Goetz, 2018.jpg similarity index 100% rename from user/pages/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. Courtesy of von Goetz, 2018.jpg rename to user/pages_ori4/04.residence/02.current-upcoming/sola-olulode/Sola Olulode. Courtesy of von Goetz, 2018.jpg diff --git a/user/pages_ori4/04.residence/02.current-upcoming/sola-olulode/artistes.md b/user/pages_ori4/04.residence/02.current-upcoming/sola-olulode/artistes.md new file mode 100644 index 0000000..af16039 --- /dev/null +++ b/user/pages_ori4/04.residence/02.current-upcoming/sola-olulode/artistes.md @@ -0,0 +1,10 @@ +--- +date_start: '14-11-2019 10:46' +date_end: '14-02-2020 14:54' +title: 'Sola Olulode ' +date: '14-11-2019 14:54' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages/04.residence/02.current-upcoming/testt-artiste/artistes.en.md b/user/pages_ori4/04.residence/02.current-upcoming/testt-artiste/artistes.en.md similarity index 100% rename from user/pages/04.residence/02.current-upcoming/testt-artiste/artistes.en.md rename to user/pages_ori4/04.residence/02.current-upcoming/testt-artiste/artistes.en.md diff --git a/user/pages/04.residence/02.current-upcoming/testt-artiste/les ateliers numériques.jpg b/user/pages_ori4/04.residence/02.current-upcoming/testt-artiste/les ateliers numériques.jpg similarity index 100% rename from user/pages/04.residence/02.current-upcoming/testt-artiste/les ateliers numériques.jpg rename to user/pages_ori4/04.residence/02.current-upcoming/testt-artiste/les ateliers numériques.jpg diff --git a/user/pages_ori4/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg b/user/pages_ori4/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg new file mode 100644 index 0000000..c4f8cab Binary files /dev/null and b/user/pages_ori4/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg differ diff --git a/user/pages/04.residence/02.current-upcoming/victor-man/artistes.en.md b/user/pages_ori4/04.residence/02.current-upcoming/victor-man/artistes.en.md similarity index 100% rename from user/pages/04.residence/02.current-upcoming/victor-man/artistes.en.md rename to user/pages_ori4/04.residence/02.current-upcoming/victor-man/artistes.en.md diff --git a/user/pages_ori4/04.residence/blog.md b/user/pages_ori4/04.residence/blog.md new file mode 100644 index 0000000..4b6339e --- /dev/null +++ b/user/pages_ori4/04.residence/blog.md @@ -0,0 +1,19 @@ +--- +title: 'In residence' +redirect: /residence/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Residencies form the core of VO Curations’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide our residents with a platform to incubate their ideas and showcase them to their international peers and the general public. +Residents are selected to take part in our programmes for up to three months at a time. They are non-prescriptive and process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. Made public through events and Open Studios, these opportunities encourage interaction and dialogue between international artists and audiences in London. \ No newline at end of file diff --git a/user/pages_ori4/04.residence/past/archives.md b/user/pages_ori4/04.residence/past/archives.md new file mode 100644 index 0000000..e3399b5 --- /dev/null +++ b/user/pages_ori4/04.residence/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +--- + diff --git a/user/pages_ori4/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages_ori4/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100644 index 0000000..9d1f4a8 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,10 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['La boutique Archive 18-20 inaugure sa première exposition', Wave FR](https://wave.fr/en/the-parisian-shop-archive-18-20-opens-its-first-exhibition-239668) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages_ori4/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100644 index 0000000..ab4be0e --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,9 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_event: '23-05-2019 19:30' +date: '23-05-2019 19:30' +aura: + pagetype: website +--- + +[‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary](https://outset.org.uk/supported-projects/phillips-x-vo-curations-presents-perfume-of-thorns/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages_ori4/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100644 index 0000000..435e7f8 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_event: '03-09-2019 19:35' +date: '03-09-2019 19:35' +aura: + pagetype: website +--- + +['A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast](https://hypebeast.com/2019/9/nour-el-saleh-exquisite-farces-vo-gallery-info) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages_ori4/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100644 index 0000000..c0606f5 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,9 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_event: '24-07-2019 19:31' +date: '24-07-2019 19:31' +aura: + pagetype: website +--- + +['Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper](https://daily.artnewspaper.fr/articles/baudelaire-vu-par-lart-contemporain-chez-phillips) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages_ori4/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100644 index 0000000..76b6dd1 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,9 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +date: '27-08-2019 19:34' +aura: + pagetype: website +--- + +['Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER](https://www.hungertv.com/editorial/dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages_ori4/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..17e6505 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +date: '04-09-2019 19:36' +aura: + pagetype: website +--- + +['Inside the Twisted World of Nour El Saleh', Mille World](https://www.milleworld.com/inside-the-world-of-artist-nour-saleh/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages_ori4/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100644 index 0000000..118becf --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast](https://hypebeast.com/fr/2019/4/exposition-paris-archives-18-20-alfie-kungu-frederic-plateus) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages_ori4/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100644 index 0000000..797ff5f --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +date: '05-11-2019 19:38' +aura: + pagetype: website +--- + +['Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International](https://wsimag.com/art/58618-light-cages) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages_ori4/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100644 index 0000000..2306827 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,9 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +date: '27-08-2019 19:32' +aura: + pagetype: website +--- + +['Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine](https://fadmagazine.com/2019/08/27/nour-el-salehs-exquisite-farces-to-kick-off-vo-curations-new-calendar/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages_ori4/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100644 index 0000000..f8cab22 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,9 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +date: '16-07-2019 19:30' +aura: + pagetype: website +--- + +['Parfum d'Épines Exposition Collective' , One Arty Minute](https://oneartyminute.com/agenda/parfum-depines.html) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages_ori4/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100644 index 0000000..b48f56f --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '16-08-2018 17:31' +aura: + pagetype: website +class: small +--- + +['Sam Cornish on Olivia Bax', Instantloveland](https://instantloveland.com/wp/2018/08/16/sam-cornish-on-olivia-bax/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages_ori4/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..fba2743 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +date: '01-10-2019 19:37' +aura: + pagetype: website +--- + +['The Surreal World of Nour El Saleh', Jdeed Magazine](http://jdeedmagazine.com/the-surreal-world-of-nour-el-saleh/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages_ori4/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100644 index 0000000..a174c30 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '20-10-2018 17:31' +aura: + pagetype: website +class: small +--- + +['VO Curations '93 Baker Street'', Outset Contemporary](https://outset.org.uk/supported-projects/vo-curations-93-baker-street/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages_ori4/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100644 index 0000000..5775f51 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,9 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +date: '20-05-2019 19:29' +aura: + pagetype: website +--- + +['VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine](https://fadmagazine.com/2019/05/20/vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/) \ No newline at end of file diff --git a/user/pages_ori4/05.news/01.press/modular.md b/user/pages_ori4/05.news/01.press/modular.md new file mode 100644 index 0000000..7075705 --- /dev/null +++ b/user/pages_ori4/05.news/01.press/modular.md @@ -0,0 +1,13 @@ +--- +title: press +content: + items: '@self.modular' + order: + by: date + dir: desc +body_classes: modular +visible: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori4/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie 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a/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100644 index 0000000..008e08a Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md new file mode 100644 index 0000000..d372db8 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg b/user/pages_ori4/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg new file mode 100644 index 0000000..22f0c94 Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg differ diff --git a/user/pages_ori4/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori4/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, 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Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +media_order: 'PW_Entsprechung V_2019_1wide.jpg' +date: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg b/user/pages_ori4/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg similarity index 100% rename from user/pages/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg rename to user/pages_ori4/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg diff --git a/user/pages_ori4/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages_ori4/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100644 index 0000000..fef4266 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,9 @@ +--- +date: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, A Divine Dance, Anat Ebgi.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100644 index 0000000..1a4ab25 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,9 @@ +--- +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png b/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png new file mode 100644 index 0000000..e254470 Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png differ diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md new file mode 100644 index 0000000..ee4d9a3 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -0,0 +1,9 @@ +--- +date: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' +media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg b/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg new file mode 100644 index 0000000..431c609 Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg differ diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100644 index 0000000..c2f9325 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,10 @@ +--- +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +media_order: T14776_9.jpg +date: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100644 index 0000000..878a7c4 Binary files /dev/null and b/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100644 index 0000000..0e705e4 --- /dev/null +++ b/user/pages_ori4/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,9 @@ +--- +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +show_sidebar: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/02.news/modular.md b/user/pages_ori4/05.news/02.news/modular.md new file mode 100644 index 0000000..e5abeaa --- /dev/null +++ b/user/pages_ori4/05.news/02.news/modular.md @@ -0,0 +1,12 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: 'date' + dir: 'desc' +body_classes: modular +visible: false +aura: + pagetype: website +--- diff --git a/user/pages_ori4/05.news/blog.md b/user/pages_ori4/05.news/blog.md new file mode 100644 index 0000000..885ad26 --- /dev/null +++ b/user/pages_ori4/05.news/blog.md @@ -0,0 +1,18 @@ +--- +title: News +redirect: /news/news +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Salut, News diff --git a/user/pages_ori4/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages_ori4/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori4/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages_ori4/06.about/default.md b/user/pages_ori4/06.about/default.md new file mode 100644 index 0000000..aa74929 --- /dev/null +++ b/user/pages_ori4/06.about/default.md @@ -0,0 +1,19 @@ +--- +title: About +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions throughout the year. Upcoming this November, V.O Studios will unveil a new space, 242 Marylebone Road, becoming one of the largest studio facilities in Central London hosting up to 100 artists. To apply to V.O's affordable studio programme, visit the ‘Studio Programme’ page > Apply. \ No newline at end of file diff --git a/user/pages_ori4/07.visit-us/_Waterloo/map.md b/user/pages_ori4/07.visit-us/_Waterloo/map.md new file mode 100644 index 0000000..bc98708 --- /dev/null +++ b/user/pages_ori4/07.visit-us/_Waterloo/map.md @@ -0,0 +1,16 @@ +--- +title: Waterloo +media_order: 'tower building.jpg' +H_open: 'Wednesday — Saturday' +H_time: '11am — 6pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + diff --git a/user/pages_ori4/07.visit-us/_Waterloo/tower building.jpg b/user/pages_ori4/07.visit-us/_Waterloo/tower building.jpg new file mode 100644 index 0000000..eb49afe Binary files /dev/null and b/user/pages_ori4/07.visit-us/_Waterloo/tower building.jpg differ diff --git a/user/pages_ori4/07.visit-us/_marylebone/242-Marylebone-Road.jpg b/user/pages_ori4/07.visit-us/_marylebone/242-Marylebone-Road.jpg new file mode 100644 index 0000000..23be4aa Binary files /dev/null and b/user/pages_ori4/07.visit-us/_marylebone/242-Marylebone-Road.jpg differ diff --git a/user/pages_ori4/07.visit-us/_marylebone/map.md b/user/pages_ori4/07.visit-us/_marylebone/map.md new file mode 100644 index 0000000..311f1bf --- /dev/null +++ b/user/pages_ori4/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London NW1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public during programmed exhibitions and events. See [_What’s On_](https://vocurations.com/whats-on/exhibitions/current-upcoming) to find out more \ No newline at end of file diff --git a/user/pages_ori4/07.visit-us/modular.md b/user/pages_ori4/07.visit-us/modular.md new file mode 100644 index 0000000..5181e12 --- /dev/null +++ b/user/pages_ori4/07.visit-us/modular.md @@ -0,0 +1,17 @@ +--- +title: 'Visit us' +content: + items: '@self.modular' + order: + by: Title + dir: asc + limit: '5' + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/pages/08.recherche/simplesearch_results.md b/user/pages_ori4/08.recherche/simplesearch_results.md similarity index 100% rename from user/pages/08.recherche/simplesearch_results.md rename to user/pages_ori4/08.recherche/simplesearch_results.md diff --git a/user/pages_ori5/01.home/home.md b/user/pages_ori5/01.home/home.md new file mode 100644 index 0000000..428a233 --- /dev/null +++ b/user/pages_ori5/01.home/home.md @@ -0,0 +1,11 @@ +--- +title: Home +visible: false +content: + items: '@self.siblings' + order: + by: date + dir: asc +aura: + pagetype: website +--- diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/blog.md b/user/pages_ori5/02.whats-on/01.exhibitions/blog.md new file mode 100644 index 0000000..dcd1211 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/blog.md @@ -0,0 +1,18 @@ +--- +title: Exhibitions +redirect: whats-on/exhibitions/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: article +--- + diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg new file mode 100644 index 0000000..ea19360 Binary files /dev/null and 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a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg new file mode 100644 index 0000000..702204d Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg new file mode 100644 index 0000000..7b93049 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg new file mode 100644 index 0000000..a8efb46 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md new file mode 100644 index 0000000..e1dfda7 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md @@ -0,0 +1,66 @@ +--- +topH: false +date: '08-08-2018 18:04' +date_end: '24-08-2018 18:05' +lieux: '93 Baker Street' +artistes: ' Olivia Bax' +title: 'at large, ' +media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +An awareness of materials is crucial in pursuing any artistic endeavour. +The capacity of the artist to resonate with their medium while grasping its +true potential occurs through careful observation, during which a full +understanding of its chemical properties, durability, and texture proceeds. +For the painter or the etcher, the mental is translated into the physical +realm predominately with the aid of utensils. The sculptor however relies +less on this mediating process, for it is the tactile, his very own hand which +possesses the knowledge to manipulate and assemble substance. It comes +as no surprise that the greatest innovations in sculpture of the past century +resulted from an increasing immediacy towards the generative process +manifest through methods such as direct casting (Medardo Rosso) and +carving (Constantin Brâncuşi) or the collection of novel, unconventional +materials for further assembly (Iza Genzken). Olivia Bax's work is a +distinct example of this aesthetic manu propria, for Bax not only +physically leaves the imprint of her hand, her gestures on the surface of her +sculptures, but she also uses handles as a recurring motif (Hot Spot, +Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and +Roar) have a human scale, as if they were based on her own height. + +Bax's investigation of material rhythms can be likened to the act of +sketching, of which the varying tempo, the drawing and selective retracing +of preferred parts, aid in the development of her sculptural pieces. There is +an unprecedented fascination with the armature of her pieces, which she +does not completely conceal with the malleable paper pulp, opting rather +for the visibility of the different processes. The sculptures are activated not +only through the revealing of their anatomy and the material dialectic that +ensues, but also through their humanistic dimensions. Scale holds a +significant role within Bax's oeuvre, evoking both the domestic, and trying +to escape from it by experimenting with site-specific height. The work Footloose, having been previously installed twice, is now refashioned to +accommodate the low ceilings of this space while still slightly protruding +through the support grid. Bax's work is at large not only through its +diversity, resembling a smaller retrospective, but also through the sheer +dimension of the space (the largest space she has exhibited in thus far), +which allows for the sculptures to escape confinement. There is sufficient +expanse within the gallery for the works to exist as individual entities, +while simultaneously undergoing a mutual, collective activation. Palisade, +the blue fence-like structure suggests a tripartite segmentation of the +sculptural environment while similarly acting as a chromatic backdrop for +works such as the aforementioned Footloose, and a three-dimensional +framing for Slot & Groove. This seemingly divisive curatorial choice +however, conversely facilitates discourse between the sculptures of the +ensemble, acting not as a barrier, but rather as an interactional tool. + +Bax's work extends beyond the removal of a sculpture from its pedestal as +the sole source for immediacy. By imprinting her hands onto the surface of +the work and using her height as a unit of measurement, by exposing +diverse layers of materials causing thus an interaction within the anatomy +of the work itself, and subsequently one within its collective pairing, the +artist creates a cycle closed off by the viewer. Within her process of +making, Bax activates herself, the space, the works and viewers, whether +at a local level or at large. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/blog.md new file mode 100644 index 0000000..10bc042 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: 'Current + upcoming' +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg new file mode 100644 index 0000000..cea8aae Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..fd9fbbf Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg new file mode 100644 index 0000000..55e47d3 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg new file mode 100644 index 0000000..74a055b Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg new file mode 100644 index 0000000..1a3d260 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..424d869 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? 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and Why?, 2019.jpg,Cajsa von Zeipel, When? and Why?, 2019.jpg,Adriano Amaral, Untitled, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +On an epithelial level, the scar is simply a mark, a regenerated piece of tissue, a healed lesion +that conventionally follows the infliction of an incision or a burn, either intentional or not. Of +this trace however, we almost instantly find that it does not suffice to regard it as a mere +peculiarity of the dermis, as what is crucial to this fibrous section of tissue is the meta- +cutaneous, its metonymic relationship to a particular event or action. This is the primary trait +of any scar: that it signifies beyond the skin, beyond the biological palimpsest that it has +produced. We are, at first, tempted to associate it with the traumatic, with the remnants of +suffering that make of it a relic of pain, both physical and cognitive, an agonizing recollection +of consumed passions and jagged embraces, flaming within our psyche and manifest with the +illuminated perspex sculptures of Isaac Lythgoe. Yet, is it not a scar that also reminds one of +birth, of being removed from the womb for, which our mothers bear a caesarean section or +we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by +Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an +expulsion of postnatal morbidity? + +If we look past the mere a priori and posteriori of the scar we begin its exoneration, its +acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and +adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, +symbolically branding the epidermis, but performs the function of ritual by subjecting one to +the repeated injection of their beliefs. Such Maia Regis’ effaced protagonist, dog and pistol in +hand, imparts further potency to its all too visceral surroundings via the snake emblem +ascending their torso, the scar given agency. The kissing silicone sculptures of Casja von +Zeipel too recall this piercing and tinting of the skin through selective transparencies and the +emulation of a cracked reptilian dermis undergoing ecdysis (molting), further inscribing their +hyper-visiblity by means of their hybridity. Synthetic and organic, their skin, double-layered or +scaled, appears mechanically superior while still presenting the human characteristic of +retaining traces, or bearing scars. This dualism, the recalling of an organic anterior, further +prompt a focus on DNA, one expressed by Adriano Amaral in his employment of natural +materials such as tree bark and spirulina alongside shapes of contemporary industry. The +ramifications emerging from Amaral’s tubular structures delineate an ecological scarification +inflicted upon flora and fauna rather than the human flesh, proposing the solution of +prosthetics as a method of undoing any damage to the organic. A similar approach lies within +Jean-Marie Appriou’s sculptures of marine creatures. Displaying a hereditary connection to +their material makeup, for glass is made out of sand, such works however, conversely, +emphasize their static adherence to the gallery wall rendering the objet d’art no different to a +biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather +recognition through a confrontation with artifice. + +John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to +uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to +resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity +of material by accentuating surface lesions and vivid chromatic schemes. The notions of +transmission and trace exist not only within such marbles, for through the work of Muriel +Abadie an idea of recollection, of one's personal rather than cultural history surfaces with +the sketch. Abadie seeks to access a realm of the familiar, to awaken in all of us a forgotten +memory that can appear through the visual. Her urge is collective, remembrance as +protection against temporal perdition. Within our efforts to heal, perhaps the same can be +said for the cicatrice. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg new file mode 100644 index 0000000..2ff4ca4 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg new file mode 100644 index 0000000..2418645 Binary files 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Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Installation 3 'Light Cages', Dillwyn Smith.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md new file mode 100644 index 0000000..f43b5b3 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -0,0 +1,26 @@ +--- +topH: false +date: '24-10-2019 17:21' +date_end: '22-11-2019 17:21' +lieux: '12th floor' +artistes: ' Dillwyn Smith' +title: 'Light Cages, ' +media_order: 'Installation 1 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Turning Poison into Medicine V'', 2018.jpg,Dillwyn Smith, ''Full Transparency II'', 2019, and ''Light Cage'', 2018.jpg,Dillwyn Smith, ''Sensitised Ground'', 2018.jpg,Installation 2 ''Light Cages'', Dillwyn Smith.jpg,Installation 3 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Full Transparency'', 2018.jpg,Dillwyn Smith, ''Hermit Song'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018, and ''Praise'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '04-10-2019 20:04' +--- + +Dillwyn Smith has a most unusual technique, he gives us a labour of love, a quiet ease around the stitching of nylon fabrics which gently moves us on to deeper matters. These large new works contain a new light - there is precarious illumination which comes at us layered, striped, watered down, occasionally not of this earth, but subaqueous and reified. Dillwyn has made some new mystic moves and has been ‘a diver in deep seas, and keeps their fallen day about him; he has trafficked for strange webs with Eastern merchants’. + +How important it is that Dillwyn is not English, that he is half Welsh and Half Irish, that he is a genuine Celt? It is very important, it matters because this means that certain things are there in Dillwyn’s work now that the English have no access to. It is, above all else, around colour and light that this delicacy of perception comes home to roost, like a dove brooding upon the waters. It matters because, as Walter Pater insisted: ‘all art’ does indeed ‘aspire to the condition of music’ and Dillwyn’s new work has finally managed the magic metamorphosis into synaesthesia. + +For hours we have been thinking about how the new work is to be shown, to be displayed, to be allowed to perform its fulgent colloquies upon the eyes of those lucky enough to try and see into it and through it? What are these things he now creates? – paintings they are not. They are tricky boxes of colour, wobbly flags with no nation, rat traps for light rays, quilts without beds, aesthetic dirty laundry hung out to dry, lovely textiles shifting in sun and wind, The Colour of Pomegranates comes to mind. They are offcuts from a coat of many subdued colours, a soft coat of arms, the inspired motley this triumphant Harlequin artist has earned the right to parade. + +This work not only moves us, it moves into us, constantly performative it makes its own rhythms. These rhythms of time and of colour exist outside ‘tick tock time’, working time. The fruit of his loom is work that does not ‘clock in’ and ‘clock out’, time works within it and around it now, time and light, mysteriously married. Disciplined lyricism, the unstable stabilized, quicksilver trapped until a common greyness silvers everything, not easy things to pull off. This is work that demands contemplation, not in a grand way, but in a revivifying way, as quiet and necessary as a day-dream. Such work comes about rarely and through intense testing – some parts of the great Russian Icons have it, some of the maroon and burgundy rectangles of late Rothko, and those strange, restrained pages of Capitals from The Book of Kells, they definitely have it. Yes the Irish thing again, in Dillwyn’s new work we approach the poetics of interlacement, a fabricated fluidity, disciplined but organic, beyond the hard geometric trickery of Cubism. +Dillwyn’s fabrics are utilitarian too and embody an artistic commentary upon an entire Kingdom. He told me once that he was working with cloths which are deeply, symbolically, enmeshed and locked into the cultures and social politics of Oman. The fabrics are turned into the traditional Dishdasha worn by men. Many of the colours of these garments carry tribal significations, relating to the identities of ethnic groups. A certain yellow, for example, is exclusive to the people of the deep South in Salalah on the border with Yemen. Other colours relate to social standing and the stratifications of labour. That lovely maroon which so haunted and haunts my gaze is in fact the cloth worn by domestic workers, and so is not only beautiful but burdened with the labour of millions. The white cloths are reserved for administrators and government functionaries. Several of the grays and browns relate to the Oman elite. And so Dillwyn’s work creates a democracy of colour mixing, melding, interlacing the social and ethnic patterns of the tip of the Arabian Peninsula. As he makes those light damasks float Dillwyn creates a celebratory garb, which somehow, by hook or by crook, has made a whole society (embedded in inequality) float, light up, caper in gentle curvature, upon his wooden skeletons. + +Maybe what is most magical about what we now see is that many of the fabrics are nylons, imported to Oman from Japan. He takes flimsy gauzes impregnated with chemical aniline dies, he makes his textile mosaics out of them, and suddenly they can do, they do do, the strangest things before our eyes and to our eyes. Only the great creative magicians perform such Alchemy upon the senses. James Joyce in the Nausicaa chapter of Ulysses took the language of cliché, thrown in saccharine heaps into girl’s romantic magazines, and then transformed the cinders of a dull dead language into Gerty McDowell’s soaring love song. Dillwyn takes garish bolts and bales of nylon, hung about with a grim whiff of the sweat shop, and turns them into geometric kaleidoscopes which albeit briefly can make our ugly little world tumultuously bright. + +Words by Marcus Wood diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg new file mode 100644 index 0000000..4581516 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 I.jpg 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b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md new file mode 100644 index 0000000..14b6d53 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -0,0 +1,31 @@ +--- +topH: true +date: '27-11-2019 00:00' +date_end: '20-12-2019 00:00' +display_time: false +lieux: '12th floor' +artistes: 'Mania Akbari, Douglas White ' +title: '‘Mr. Majidi and the Electricity Box'' ' +media_order: 'Installation Mania Akbari and Douglas White I.jpg,Geometric Resistance, Mania Akbari and Douglas White, 2019.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 I.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 II.jpg,Mr. Majidi series and House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin II, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White II.jpg,House of Sin III, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White III.jpg,Mr. Majidi series, Mania Akbari and Douglas White, 2019.jpg,Lubion, Mania Akbari and Douglas White, 2019 I.jpg,Lubion, Mania Akbari and Douglas White, 2019 II.jpg,Lubion box, Mania Akbari and Douglas White, 2019.jpg,Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +V.O Curations is pleased to present ‘Mr. Majidi and the Electricity Box’, a collaborative exhibition from Iranian filmmaker Mania Akbari and British sculptor Douglas White. The show features a series of new photographic and sculptural works, in which the artists interrogate the relationship between instances of censorship, surveillance, and the aesthetics of authoritarian power, inviting the audience to contemplate the complex and often invisible connections between the state, the body, and objecthood. + +‘Geometric Resistance’ is a contemporary example of how an ordinary urban object transforms into a political volume, a powerful symbol of resistance with a dense memory carrying sociological history. Assembled by the artists, ‘Geometric Resistance’ is the sculptural replica of the electricity box located on Enghelab Street, Tehran, that the activist Vida Movahed infamously stood upon to protest the obligatory wearing of the hijab in Iran in December 2017. Movahed’s action motivated other activists to do the same, and so the government decided to weld angled metal covers onto the boxes in response to prevent standing. Following this occurrence, an underground artist group responded by designing wooden platforms to cover these constructions and released the designs online, titling the resource ‘Geometric Resistance’. Initiated in the virtual world, these plywood constructions quickly began appearing in the real world. The protests atop common electrical boxes immediately elevated these simple forms into discreet symbols of revolt, entering the political realm. The resulting architectural designs became an inadvertent collaboration between authority and rebellion. Jane Bennett highlights that objects that go beyond their objecthood and become independent from human interaction are the genuine creators of history. The assembled electricity box becomes a trace, the presence of an absence. The peculiarity of its assemblage, in comparison to common electricity boxes, allude directly to the bodies standing upon them, giving them political significance. + +Through the lens of rusted architectural elements, one can notice the photographic series ‘House of Sin’, which also emerge through the interplay of authority and rebellion. The photographs comprise images taken from mobile phones seized by the Iranian police, and used as evidence at government trials to make a case for supposed morally corrupt behaviour. Doctored and blurred by authorities, they transition from private space to public, rendering intimate settings, everybodys’. Blurring the photographs generalises the agents they contain, and further the blurred bodies become a trace. They transform into symbols, used as examples and threats. Akbari and White re-present these affects as a way of leaning into their visual peculiarity, exaggerating the unsettling, idiosyncratic aesthetic of authoritarian power. They are displayed as transparencies on makeshift lightboxes held on rusted steel structures, alluding to their original provenance on mobile phones. The artists’ subversive and imaginative recycling and reuse signifies how they can also represent the site of potential rupture and protest. The works become indicative of artistic gestures that can counter these notions of political and personal subjection through expressions of resistance and activism. + +Standing in the middle of the exhibition space, the ‘Mr Majidi’ series of sculptures derives from the manipulation of a single found object, a discarded water butt, found near the artists’ current home in London. In this object the artists’ felt they recognised a figure that was familiar to them. Mr. Majidi relates to Akbari’s direct experience of the Iranian operative of the Revolutionary Guard, who is responsible for the surveillance and control of the nation’s filmmakers and, ultimately, responsible for her own exile. Operating under this mysterious name, this authoritative figure was invasively present in Akbari’s life and career, and took on perverse roles of a charming confidant, as well as an abusive commander. The staggered and serial presentation of the sculptures suggests the character’s multiplicity of facets. Free of his control, yet still affected by his memory, Akbari and White explore the ongoing psychological shadow cast over their lives by presenting the sculptures as animated marionettes, dismantled, inside out, standstill and upside down. The scene communicates violence with the playfulness of a cartoon, which the exhibition title further alludes to through reference to the ‘Mr. Men’ series of children books. + +Playing in loop, the artists’ latest film ‘Lubion’ (2019) rises through the form of a hallucinatory landscape, a vivid response to the psychological and corporeal effects caused by Akbari’s IVF hormone treatment. As the ‘Lubion’ drug is delivered by injection, reality mixes with a chimeric techno-natural vision of inner and outer worlds. As traces of the body inhabit the entire exhibition, this piece concurrently introduces the body directly in its most honest and visceral form. The psychological and physical manipulation of the body that each piece of the exhibition explores, is met with a consenting scientific manipulation that Akbari agonisingly puts herself through. The traces of this brutal experience remain in a box opposite the projection, where all the syringes of previous Lubion treatments, rest in peace. + +**Saturday 7th December** to coincide with the exhibition, Mania Akbari and Douglas White have curated the cultural event _Body and Borders_ featuring 10 screenings from contemporary artists whose works explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. A panel discussion, moderated by art critic Nick Hackworth will follow the screenings, featuring Mania Akbari, Johann Arens, Lucy Clout, Miranda Pennell, Margaret Salmon and Douglas White to discuss the Body and its entangled power structures. + +[Click here to buy tickets to 'Body and Borders' 7th December.](https://body-and-borders.eventbrite.co.uk) + +Supported by Outset Contemporary Art Fund. + + diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg new file mode 100644 index 0000000..7ac9225 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong 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Small, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg new file mode 100644 index 0000000..ba1b830 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Inhabited Props in a Box, 2018.jpeg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg new file mode 100644 index 0000000..95df2af Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/Wrong Side of the Table, 2019.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md new file mode 100644 index 0000000..f5f7e1a --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -0,0 +1,51 @@ +--- +date: '05-09-2019 16:27' +date_end: '11-10-2019 16:27' +lieux: '12th floor' +artistes: ' Nour El Saleh' +title: 'Exquisite Farces, ' +media_order: '(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg,Wrong Side of the Table, 2019.jpg,Detail of Wrong Side of the Table, 2019.jpg,A Grand Jester, 2019.jpeg,Dance Monkey, Dance!, 2019.jpg,Inhabited Props in a Box, 2018.jpeg,Detail of Inhabited Props in a Box, 2018.jpg,Four Times as Big, Twice as Small, 2018.jpg,Detail of Four Times as Big, Twice as Small, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Exquisite Farces is the culmination of Nour El Saleh’s residency at VO Curations, a +curatorial and cultural mediation outfit that are helping usher in a new way for artists to +inhabit and make use of the rapidly transforming architecture of an austere London. It +also marks her first foray into the wider world following on from three-years of study at +The Slade School of Fine Art, London. + +El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, +physicalised and placed impulsively to prompt new narrative possibilities. She has +worked towards the creation of a satirical language to communicate an uncanny rendition +of her own experiences. With her childhood spent in the United Arab Emirates, a host for +impermanent residents, El Saleh’s comfort was in a constant state of flux, and through the +work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with +anguish and actors, and through the use of theatrical and comical imagery, the artist +reconciles these two forces. + +_The Puppeteer of Karakas_ evokes the memory of a man playing with puppets in the street +where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four +eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like +world of destitution and depravity is reframed with a sense of homeliness; checkered floor +tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. +Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems +to play with the apparent roles, and who in fact conducts the scene. A mise en abyme +occurs, the _Puppeteer of Karakas_ becomes puppeteered, and equally, the motherly figure +of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further +prop in the theatre of El Saleh’s mind. _Wrong Side of the Table_ depicts a juxtaposition +between a naked bust-figure, sitting at the table provocatively, acting out for the sake of +being rewarded with attention, which is at odds with a heavily cloaked figure under the +table, an elderly child, hidden out of view, coaxing attention through her aloofness. +El Saleh’s characters all seem to resemble each other with similar features: prominent +noses, dimpled chins and brown hair, almost to the point of appearing cloned in certain +scenes. All interacting intensely within a domestic interior and little space to roam, +pronounce the collectivistic atmosphere present across the artist’s paintings. This is +echoed by the two hybrid characters that sit aside the central figure in Inhabited Props in +a Box, which although are bickering, at once recall squabbling siblings rather than +anything untoward; and in this lay the charm of El Saleh’s world. Despite the peculiarity of +her depictions, on further inspection there lies a familiarity and intimate feeling of the +‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium +and have spectators sit within the composition. In an Artaud-esque manner, actors are +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..5f956ac Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg new file mode 100644 index 0000000..cc4889d Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg new file mode 100644 index 0000000..de87264 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Daiga Grantina and Robert Brambora.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg new file mode 100644 index 0000000..fb2e22e Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg new file mode 100644 index 0000000..7db0824 Binary files /dev/null and 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2015.jpg new file mode 100644 index 0000000..470df53 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100644 index 0000000..d57aa78 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100644 index 0000000..97242eb Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md new file mode 100644 index 0000000..9d9a6bb --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -0,0 +1,13 @@ +--- +date: '23-05-2019 16:33' +date_end: '26-07-2019 16:33' +lieux: Phillips +title: 'Parfum d''épines,' +artistes: ' PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Oda Jaune, Fleurs, 2015.jpg,Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Daiga Grantina, Yolk Bott, 2017.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Phillips Auction House and V.O Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems _Les Fleurs du Mal_ through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg new file mode 100644 index 0000000..7dfb9e2 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md new file mode 100644 index 0000000..b9edcf1 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -0,0 +1,13 @@ +--- +date: '05-08-2018 16:37' +date_end: '18-08-2018 16:37' +lieux: '93 Baker Street ' +artistes: ' Sonya Derviz' +title: 'Pas de Corps, ' +media_order: 'Sonya Derviz, Dancers II, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg new file mode 100644 index 0000000..2fd2e24 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg new file mode 100644 index 0000000..0dcd74d Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg new file mode 100644 index 0000000..be64e5b Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg new file mode 100644 index 0000000..0245dde Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg new file mode 100644 index 0000000..303e850 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md new file mode 100644 index 0000000..57f9822 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md @@ -0,0 +1,69 @@ +--- +date: '03-10-2018 17:49' +date_end: '19-10-2018 17:49' +lieux: '93 Baker Street ' +artistes: ' Sara Berman' +title: 'Matter out of Place,' +media_order: 'Sara Berman, Lint Sweater #40, 2018.jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Installation 1 Sara Berman.jpg,Installation 2 Sara Berman.jpg,Sara Berman, Lint Sweater #38, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '07-12-2019 16:30' +--- + +"It is something rejected from which one does not part, from which one +does not protect oneself as from an object. (...) It is thus not lack of +cleanliness or health that causes abjection but what disturbs identity, +system, order." Julia Kristeva + +There is an unprecedented struggle for unity and mutuality in this epoch of +singularity and individualism. The biblical precedes these secular ideals in +the myth of Babel, with its human element inevitably failing into disparity, +not just of language but also of socio-cultural context for its collective +ambitions would become its primary sin. Surrounded by divergent, +fluctuating value systems, Sara Berman has selected the lowest common +denominator of mankind as the focal point of her work, as an uncanny, +debased catalyser in her line of artistic inquiry: 'waste'. A propensity for +textiles has perhaps indicated Berman in the direction of lint, of drying +machine filters, which despite her minimal intervention, do not draw one +immediately towards the abject nature of the piece, but rather ensue an +auratic dialogue guided by their anthropomorphic quality and vivid +stratigraphy. This 'matter out of place', waste in the form of the work of +art (the commodity par excellence) comes to embody the term derived from +Mary Douglas's seminal study on dirt, not just literally, but through the +very internal logic of the works. Not only are the fabric remnants +dislocated from their status as superfluous objects, framed and exhibited +within the gallery space, but in her attempt to generate discourse Berman +has created an art object resistant and adhering to any nomenclature, while +circumventing any positive or negative valences. The works find +themselves in a latent state; perhaps even one of paradox for an initial +reaction might contravene a subsequent one upon finding out the medium. +From breaking her own dyer at home, to her latter exploration of London +drycleaners, from the first attempts of gathering the lint in large bags to +then attaching it to furniture, Berman has redacted her process of making +to reduce the infliction of her will upon the work as much as possible. This +however has not created a ready-made, for the immediacy of deskilling is +replaced by a careful subtraction, while the unique makeup of the works +would have them tangential to artisanship. Berman selects the lints from +the filters (very few of which present this distinctive layering) and stiches +them to pieces of linen without seeking precision. There is an +inexhaustible web of socio-economic relations, which each wool fibre or +hair follicle has traversed and can further generate through their +repurposing in the lint figures. It is perhaps not coincidental that some of +these should have a convex, circular geometry, occurring in the inferior +parts evoking thus the maternal or the fertile. The human dimension of the +works would have it operate like an artefact, even more so now that the +pieces are exhibited framed for the first time, an equalizing procedure to +stress their organic, biological aspect. There is only an illusion of +uniformity as each work is entirely distinct in its 'genetic composition' +while any separation occurs as an auxiliary, as our own imposed +estrangement from it. Berman has removed the glass dividing the viewer +from the 'abject', facilitating either confrontation or familiarization, in +either circumstance permitting a direct exchange. The rug outside invites +one into the gallery space while simultaneously deconstructing its +boundary, playing into the idea of domesticity as a percept for belonging +and safety while including the nomadic. Berman's inquiry extends into the +exterior realm, the question remains, is it art, a handful of hair and lint +from the local drycleaners or simply matter... out of place? + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg new file mode 100644 index 0000000..01d84a7 Binary files /dev/null and b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg differ diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md new file mode 100644 index 0000000..b6e9c3c --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -0,0 +1,13 @@ +--- +date: '03-07-2018 16:39' +date_end: '13-07-2018 16:40' +lieux: '93 Baker Street ' +title: 'URBAN WAVES, ' +artistes: ' Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'Andrei Costache, Tarantula, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. diff --git a/user/pages_ori5/02.whats-on/01.exhibitions/past/archives.md b/user/pages_ori5/02.whats-on/01.exhibitions/past/archives.md new file mode 100644 index 0000000..f99a486 --- /dev/null +++ b/user/pages_ori5/02.whats-on/01.exhibitions/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +--- + diff --git a/user/pages_ori5/02.whats-on/02.events/blog.md b/user/pages_ori5/02.whats-on/02.events/blog.md new file mode 100644 index 0000000..0027e48 --- /dev/null +++ b/user/pages_ori5/02.whats-on/02.events/blog.md @@ -0,0 +1,18 @@ +--- +title: Events +redirect: /whats-on/events/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/02.whats-on/02.events/current-upcoming/blog.md b/user/pages_ori5/02.whats-on/02.events/current-upcoming/blog.md new file mode 100644 index 0000000..8f04092 --- /dev/null +++ b/user/pages_ori5/02.whats-on/02.events/current-upcoming/blog.md @@ -0,0 +1,15 @@ +--- +title: Upcoming +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg b/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg new file mode 100644 index 0000000..493ec00 Binary files /dev/null and b/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg differ diff --git a/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/events.md b/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/events.md new file mode 100644 index 0000000..a494179 --- /dev/null +++ b/user/pages_ori5/02.whats-on/02.events/current-upcoming/body-and-borders/events.md @@ -0,0 +1,22 @@ +--- +topH: false +date: '07-12-2019 18:53' +lieux: '12th floor' +artistes: 'screenings + Panel Talk 3:00-6:30pm' +title: '‘Body and Borders'':' +media_order: 'Carlos Motta, The Devil’s Work (2018).jpg' +buy: true +url: 'https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg' +taxonomy: + category: + - Panel +show_sidebar: false +aura: + pagetype: website +--- + +[Saturday 7 December from 15:00-18:30pm](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) to accompany the exhibition ‘Mr. Majidi and the Electricity Box’, Iranian filmmaker Mania Akbari and British sculptor Douglas White have curated a cultural programme, encompassing further screenings from 10 contemporary artists, who also explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. + +The screenings will be followed by a panel talk, moderated by art critic Nick Hackworth, featuring Mania Akbari, Douglas White, Miranda Pennell, Lucy Clout and Johann Arens, discussing the body and its entailed power structures. + +[Buy tickets here](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) \ No newline at end of file diff --git a/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg b/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg new file mode 100644 index 0000000..7f5f5b3 Binary files /dev/null and b/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg differ diff --git a/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/events.md b/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/events.md new file mode 100644 index 0000000..e8f31e3 --- /dev/null +++ b/user/pages_ori5/02.whats-on/02.events/current-upcoming/translucent/events.md @@ -0,0 +1,28 @@ +--- +date: '08-08-2019 15:16' +lieux: '12th floor' +title: Translucent +media_order: 'Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +We are delighted to announce our collaboration with Translucent for an artist-led immersive evening of performances at 12th Floor on 8 August, 6:30 - 10 pm. + +Translucent is a platform for trans, non-binary and gender non-conforming artists which has as starting point the experience of a non-normative gender identity. It expands to themes of love, desire, anxiety, social structures, planetary issues, boundaries (physical and mental), ways of living, survival, the now and the future, and so on. Works shown seek to communicate with audiences at an emotional, conceptual, political or spiritual level. + +Artist line up: +Monika Blaszczak & Gisou Golshani | Soliloquy Reimagined 08.08.2019 +Joseph Morgan Schofield | the pink sky reflects the bloody earth +Orlando Myxx | The fabric of a relationship +Niya B | I was once the snake woman + + +Video Art by: +Andreia Afonso +Leigh Hedd +Ishita +Orlando Myxx +Kate Shields +Niko Wearden \ No newline at end of file diff --git a/user/pages_ori5/02.whats-on/02.events/past/archives.md b/user/pages_ori5/02.whats-on/02.events/past/archives.md new file mode 100644 index 0000000..1c5227f --- /dev/null +++ b/user/pages_ori5/02.whats-on/02.events/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '0' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + diff --git a/user/pages_ori5/02.whats-on/blog.md b/user/pages_ori5/02.whats-on/blog.md new file mode 100644 index 0000000..26e09f5 --- /dev/null +++ b/user/pages_ori5/02.whats-on/blog.md @@ -0,0 +1,17 @@ +--- +title: 'What''s On' +redirect: / +show_sidebar: true +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/03.studio-programme/01.formulaire/form.md b/user/pages_ori5/03.studio-programme/01.formulaire/form.md new file mode 100644 index 0000000..43a3795 --- /dev/null +++ b/user/pages_ori5/03.studio-programme/01.formulaire/form.md @@ -0,0 +1,88 @@ +--- +title: Apply +visible: false +aura: + pagetype: website +form: + name: custom_form + fields: + first_name: + type: text + placeholder: 'First name' + validate: + required: true + last_name: + placeholder: 'Last name' + type: text + validate: + required: true + date_of_birth: + type: text + placeholder: 'Date of birth' + validate: + required: true + phone_number: + placeholder: 'Phone Number' + type: text + validate: + required: true + email: + placeholder: 'E-mail adress' + type: email + size: large + validate: + required: true + move_in_date: + placeholder: 'proposed move-in date' + type: text + validate: + required: true + website: + placeholder: 'Website / instagram' + type: text + validate: + required: true + portfolio: + label: 'upload portfolio' + placeholder: 'upload portfolio' + type: file + multiple: false + destination: user/data/files + accept: + - application/pdf + - application/x-pdf + - image/png + - text/plain + studio: + type: radio + placeholder: Studio + default: + individual: true + Shared: true + Either: true + options: + individual: individual + Shared: Shared + Either: Either + notes: + type: textarea + placeholder: notes... + buttons: + - + type: submit + value: Submit + process: + - + save: + fileprefix: 'Artist-Candidature-{{ form.value.first_name|hyphenize }}-{{ form.value.last_name|hyphenize }}-' + dateformat: Y-m-d_h-i-s + extension: txt + body: '{% include "forms/data.txt.twig" %}' + - + message: Sent + reset: true +--- + +We accept applications of artists from all practices. Our studios can be used individually or shared with others; applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in _notes_ who you wish to share with. Our studio prices start from £100pm and are offered inline with _Greater London Authority's affordability guide (2014, 2019)_. All prices are inclusive of utilities (inc. wifi). Facilities are accessible 24/7 with communal areas and shared kitchens available. + +Please allow us a week to get back to you, you will receive a response via email. Feel free to contact [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or to organise a site visit! diff --git a/user/pages_ori5/03.studio-programme/02.about/VO Curations - 12th Floor.jpg b/user/pages_ori5/03.studio-programme/02.about/VO Curations - 12th Floor.jpg new file mode 100644 index 0000000..336e0d0 Binary files /dev/null and b/user/pages_ori5/03.studio-programme/02.about/VO Curations - 12th Floor.jpg differ diff --git a/user/pages_ori5/03.studio-programme/02.about/default.md b/user/pages_ori5/03.studio-programme/02.about/default.md new file mode 100644 index 0000000..04bf779 --- /dev/null +++ b/user/pages_ori5/03.studio-programme/02.about/default.md @@ -0,0 +1,11 @@ +--- +title: About +media_order: 'VO Curations - 12th Floor.jpg' +visible: false +aura: + pagetype: website +--- + +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in Zone 1 Central London, with the view to ease access and visibility for each artist. ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to explore new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1, with more upcoming spaces from spring 2020! +_V.O Studios is a not-for-profit initiative launched October 2019._ + diff --git a/user/pages_ori5/03.studio-programme/blog.md b/user/pages_ori5/03.studio-programme/blog.md new file mode 100644 index 0000000..1edbfce --- /dev/null +++ b/user/pages_ori5/03.studio-programme/blog.md @@ -0,0 +1,17 @@ +--- +title: 'Studio Programme' +redirect: /studio-programme/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/04.residence/01.about/default.md b/user/pages_ori5/04.residence/01.about/default.md new file mode 100644 index 0000000..58b8bd6 --- /dev/null +++ b/user/pages_ori5/04.residence/01.about/default.md @@ -0,0 +1,8 @@ +--- +title: About +visible: false +aura: + pagetype: website +--- + +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time, where V.O supports and facilitates the artists' professional development at all levels of their careers, whether emerging or established. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident, which is not mandatory and depends on the artist’s schedule. The residency programme is made public through various types of events and ‘Open Studio’ Days. \ No newline at end of file diff --git a/user/pages_ori5/04.residence/02.current-upcoming/blog.md b/user/pages_ori5/04.residence/02.current-upcoming/blog.md new file mode 100644 index 0000000..db6cc25 --- /dev/null +++ b/user/pages_ori5/04.residence/02.current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: Current +visible: false +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg b/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg new file mode 100644 index 0000000..55db037 Binary files /dev/null and b/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg differ diff --git a/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/artistes.md b/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/artistes.md new file mode 100644 index 0000000..dd7fe6e --- /dev/null +++ b/user/pages_ori5/04.residence/02.current-upcoming/emma-prempeh/artistes.md @@ -0,0 +1,12 @@ +--- +residence: true +date: '12-12-2019 13:22' +date_end: '27-02-2020 13:22' +title: 'Emma Prempeh ' +media_order: 20190611_090033694_iOS.jpg +published: true +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG b/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG new file mode 100644 index 0000000..b1c12bc Binary files /dev/null and b/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG differ diff --git a/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/artistes.md b/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/artistes.md new file mode 100644 index 0000000..8e1bfb2 --- /dev/null +++ b/user/pages_ori5/04.residence/02.current-upcoming/sola-olulode/artistes.md @@ -0,0 +1,11 @@ +--- +date_start: '14-11-2019 10:46' +date_end: '14-02-2020 14:54' +title: 'Sola Olulode ' +media_order: 'Sola Olulode at V.O Curations.JPG' +date: '14-11-2019 14:54' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg b/user/pages_ori5/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg new file mode 100644 index 0000000..c4f8cab Binary files /dev/null and b/user/pages_ori5/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg differ diff --git a/user/pages_ori5/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages_ori5/04.residence/02.current-upcoming/victor-man/artistes.md new file mode 100644 index 0000000..cb8101a --- /dev/null +++ b/user/pages_ori5/04.residence/02.current-upcoming/victor-man/artistes.md @@ -0,0 +1,11 @@ +--- +date_start: '05-06-2019 11:05' +date_end: '05-09-2019 19:43' +title: 'Nour El Saleh' +media_order: 'Nour El Saleh, Detail ''Four Times as Big, Twice as Small'' 2018.jpeg' +date: '05-06-2019 19:43' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/04.residence/blog.md b/user/pages_ori5/04.residence/blog.md new file mode 100644 index 0000000..4b6339e --- /dev/null +++ b/user/pages_ori5/04.residence/blog.md @@ -0,0 +1,19 @@ +--- +title: 'In residence' +redirect: /residence/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Residencies form the core of VO Curations’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide our residents with a platform to incubate their ideas and showcase them to their international peers and the general public. +Residents are selected to take part in our programmes for up to three months at a time. They are non-prescriptive and process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. Made public through events and Open Studios, these opportunities encourage interaction and dialogue between international artists and audiences in London. \ No newline at end of file diff --git a/user/pages_ori5/04.residence/past/archives.md b/user/pages_ori5/04.residence/past/archives.md new file mode 100644 index 0000000..e3399b5 --- /dev/null +++ b/user/pages_ori5/04.residence/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages_ori5/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100644 index 0000000..9d1f4a8 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,10 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['La boutique Archive 18-20 inaugure sa première exposition', Wave FR](https://wave.fr/en/the-parisian-shop-archive-18-20-opens-its-first-exhibition-239668) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages_ori5/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100644 index 0000000..ab4be0e --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,9 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_event: '23-05-2019 19:30' +date: '23-05-2019 19:30' +aura: + pagetype: website +--- + +[‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary](https://outset.org.uk/supported-projects/phillips-x-vo-curations-presents-perfume-of-thorns/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages_ori5/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100644 index 0000000..435e7f8 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_event: '03-09-2019 19:35' +date: '03-09-2019 19:35' +aura: + pagetype: website +--- + +['A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast](https://hypebeast.com/2019/9/nour-el-saleh-exquisite-farces-vo-gallery-info) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages_ori5/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100644 index 0000000..c0606f5 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,9 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_event: '24-07-2019 19:31' +date: '24-07-2019 19:31' +aura: + pagetype: website +--- + +['Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper](https://daily.artnewspaper.fr/articles/baudelaire-vu-par-lart-contemporain-chez-phillips) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages_ori5/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100644 index 0000000..76b6dd1 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,9 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +date: '27-08-2019 19:34' +aura: + pagetype: website +--- + +['Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER](https://www.hungertv.com/editorial/dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages_ori5/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..17e6505 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +date: '04-09-2019 19:36' +aura: + pagetype: website +--- + +['Inside the Twisted World of Nour El Saleh', Mille World](https://www.milleworld.com/inside-the-world-of-artist-nour-saleh/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages_ori5/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100644 index 0000000..118becf --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast](https://hypebeast.com/fr/2019/4/exposition-paris-archives-18-20-alfie-kungu-frederic-plateus) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages_ori5/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100644 index 0000000..797ff5f --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +date: '05-11-2019 19:38' +aura: + pagetype: website +--- + +['Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International](https://wsimag.com/art/58618-light-cages) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages_ori5/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100644 index 0000000..2306827 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,9 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +date: '27-08-2019 19:32' +aura: + pagetype: website +--- + +['Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine](https://fadmagazine.com/2019/08/27/nour-el-salehs-exquisite-farces-to-kick-off-vo-curations-new-calendar/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages_ori5/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100644 index 0000000..f8cab22 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,9 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +date: '16-07-2019 19:30' +aura: + pagetype: website +--- + +['Parfum d'Épines Exposition Collective' , One Arty Minute](https://oneartyminute.com/agenda/parfum-depines.html) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages_ori5/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100644 index 0000000..b48f56f --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '16-08-2018 17:31' +aura: + pagetype: website +class: small +--- + +['Sam Cornish on Olivia Bax', Instantloveland](https://instantloveland.com/wp/2018/08/16/sam-cornish-on-olivia-bax/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages_ori5/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100644 index 0000000..fba2743 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +date: '01-10-2019 19:37' +aura: + pagetype: website +--- + +['The Surreal World of Nour El Saleh', Jdeed Magazine](http://jdeedmagazine.com/the-surreal-world-of-nour-el-saleh/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages_ori5/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100644 index 0000000..a174c30 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '20-10-2018 17:31' +aura: + pagetype: website +class: small +--- + +['VO Curations '93 Baker Street'', Outset Contemporary](https://outset.org.uk/supported-projects/vo-curations-93-baker-street/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages_ori5/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100644 index 0000000..5775f51 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,9 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +date: '20-05-2019 19:29' +aura: + pagetype: website +--- + +['VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine](https://fadmagazine.com/2019/05/20/vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/) \ No newline at end of file diff --git a/user/pages_ori5/05.news/01.press/modular.md b/user/pages_ori5/05.news/01.press/modular.md new file mode 100644 index 0000000..7075705 --- /dev/null +++ b/user/pages_ori5/05.news/01.press/modular.md @@ -0,0 +1,13 @@ +--- +title: press +content: + items: '@self.modular' + order: + by: date + dir: desc +body_classes: modular +visible: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg b/user/pages_ori5/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg new file mode 100644 index 0000000..f7527f6 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_242-marylebone/news.md b/user/pages_ori5/05.news/02.news/_242-marylebone/news.md new file mode 100644 index 0000000..97f0020 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_242-marylebone/news.md @@ -0,0 +1,9 @@ +--- +title: 'OPENING: 242 Marylebone ' +media_order: 242-Marylebone-Road_1-1024x769.jpg +date: '30-11-2019 13:54' +date_end: '31-12-2021 19:53' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg new file mode 100644 index 0000000..b69bc28 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.md b/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.md new file mode 100644 index 0000000..ee3b19d --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.md @@ -0,0 +1,10 @@ +--- +title: 'Adriano Amaral, Et Al., ''Euphoria'', Tick Tack, Antwerpen, Belgium' +media_order: 'Adriano Amaral, Untitled, 2018.jpg' +date: '09-11-2019 14:49' +date_end: '21-12-2019 14:50' +url_news: 'https://www.ticktack.be/exhibitions/euphoria-curated-by-domenico-de-chirico' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png b/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png new file mode 100644 index 0000000..6f6be8d Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png differ diff --git a/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.md b/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.md new file mode 100644 index 0000000..2958f6b --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.md @@ -0,0 +1,10 @@ +--- +title: 'Daiga Grantina, ''What Eats Around Itself'', New Museum, New York, USA' +media_order: 'Daiga Grantina, ''What Eats Around Itself'', New Museum.png' +date: '21-01-2020 14:41' +date_end: '05-09-2020 14:41' +url_news: 'https://www.newmuseum.org/exhibitions/view/daiga-grantina-what-eats-around-itself' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png b/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png new file mode 100644 index 0000000..bdcadea Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png differ diff --git a/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md b/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md new file mode 100644 index 0000000..ae14905 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.md @@ -0,0 +1,11 @@ +--- +title: 'Frédéric Platéus, Et Al., ''Mixed Pickles 6'' Ruttowski, Cologne, Germany' +media_order: 'Frédéric Platéus.png' +date: '15-12-2019 14:16' +date_end: '12-01-2020 14:16' +url_news: 'https://www.ruttkowski68.com/exhibition/mixed-pickles-6/' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg b/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg new file mode 100644 index 0000000..f873afa Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md b/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md new file mode 100644 index 0000000..7673cb7 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.md @@ -0,0 +1,10 @@ +--- +title: 'Isaac Lythgoe, ''Railway Spine'', Super Dakota, Brussels, Belgium' +media_order: 'Isaac Lythgoe ''Railway Spine''.jpg' +date: '09-01-2020 14:20' +date_end: '25-02-2020 14:21' +url_news: 'http://www.superdakota.com/exhibitions/isaac-lythgoe-railway-spine' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg new file mode 100644 index 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b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg new file mode 100644 index 0000000..f779c2e Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg differ diff --git a/user/pages_ori5/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md new file mode 100644 index 0000000..3c5609c --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.md @@ -0,0 +1,11 @@ +--- +title: 'Jean-Marie Appriou, ''Seabed'', Consortium Museum, Dijon, France' +date: '29-11-2019 19:44' +date_end: '12-04-2020 19:44' +url_news: 'https://www.leconsortium.fr/en/jean-marie-appriou' +published: true +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100644 index 0000000..008e08a Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md new file mode 100644 index 0000000..cb08de7 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.md @@ -0,0 +1,11 @@ +--- +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +url_news: 'https://www.publicartfund.org/view/exhibitions/6708_jean-marie_appriou_the_horses' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg new file mode 100644 index 0000000..22f0c94 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100644 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg new file mode 100644 index 0000000..cf24daf Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md new file mode 100644 index 0000000..b67c75a --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -0,0 +1,11 @@ +--- +title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' +date: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +url_news: 'https://www.templon.com/new/exhibition.php?la=en&show_id=657' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg b/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg new file mode 100644 index 0000000..f12b644 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md b/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md new file mode 100644 index 0000000..916a8e1 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md @@ -0,0 +1,10 @@ +--- +title: 'Olivia Bax, Ben Edmunds, Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger, Cologne, Germany' +media_order: 'Olivia Bax Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger.jpg' +date: '22-11-2019 14:36' +date_end: '16-02-2020 14:36' +url_news: 'http://www.choiandlager.com/pressrelease.php?exb_id=62' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg b/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg new file mode 100644 index 0000000..17e698b Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg differ diff --git a/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md b/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md new file mode 100644 index 0000000..fa45a55 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md @@ -0,0 +1,9 @@ +--- +title: 'Olivia Bax, ''Chute'', Ribot, Milan, Italy' +date: '20-11-2019 14:27' +date_end: '08-02-2020 14:27' +url_news: 'https://www.ribotgallery.com/copia-di-olivia-bax' +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/PW_Entsprechung V_2019_1wide.jpg b/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/PW_Entsprechung V_2019_1wide.jpg new file mode 100644 index 0000000..8237764 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/PW_Entsprechung V_2019_1wide.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md b/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md new file mode 100644 index 0000000..8849b09 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/news.md @@ -0,0 +1,11 @@ +--- +title: 'Pedro Wirz, Et. Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +media_order: 'PW_Entsprechung V_2019_1wide.jpg' +date: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +url_news: 'https://www.aargauerkunsthaus.ch/en/exhibitions/2019/?cHash=f867964c062f766bfe5162ff98365282&showUid=524' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg new file mode 100644 index 0000000..9fb1e5d Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100644 index 0000000..7d9ef4b --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,11 @@ +--- +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi.jpg' +date: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +url_news: 'https://anatebgi.com/cpt_exhibitions/solo-exhibition/' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png new file mode 100644 index 0000000..be67299 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png differ diff --git a/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md new file mode 100644 index 0000000..b315aaa --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md @@ -0,0 +1,11 @@ +--- +title: 'Srijon Chowdhury, Foxy Production, New York, USA' +media_order: 'Srijon Chowdhury.png' +date: '06-03-2020 14:23' +date_end: '19-04-2020 14:23' +url_news: 'https://www.foxyproduction.com/exhibitions/1741/pr' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100644 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100644 index 0000000..ce33095 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,11 @@ +--- +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +url_news: 'https://www.schinkelpavillon.de/exhibition/claude-mirrors/' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png b/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png new file mode 100644 index 0000000..e254470 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png differ diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md new file mode 100644 index 0000000..b04107d --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -0,0 +1,11 @@ +--- +title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' +media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' +date: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +url_news: 'https://www.galleriazero.it/' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg b/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg new file mode 100644 index 0000000..431c609 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100644 index 0000000..8a286d7 --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,11 @@ +--- +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +media_order: T14776_9.jpg +date: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +url_news: 'http://manchesterartgallery.org/exhibitions-and-events/exhibition/louise-giovanelli/' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100644 index 0000000..878a7c4 Binary files /dev/null and b/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100644 index 0000000..7e1fb0b --- /dev/null +++ b/user/pages_ori5/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,11 @@ +--- +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +url_news: 'https://www.maxxi.art/en/events/della-materia-spirituale-dell-arte/' +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori5/05.news/02.news/modular.md b/user/pages_ori5/05.news/02.news/modular.md new file mode 100644 index 0000000..e5abeaa --- /dev/null +++ b/user/pages_ori5/05.news/02.news/modular.md @@ -0,0 +1,12 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: 'date' + dir: 'desc' +body_classes: modular +visible: false +aura: + pagetype: website +--- diff --git a/user/pages_ori5/05.news/blog.md b/user/pages_ori5/05.news/blog.md new file mode 100644 index 0000000..885ad26 --- /dev/null +++ b/user/pages_ori5/05.news/blog.md @@ -0,0 +1,18 @@ +--- +title: News +redirect: /news/news +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Salut, News diff --git a/user/pages_ori5/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages_ori5/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100644 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori5/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages_ori5/06.about/default.md b/user/pages_ori5/06.about/default.md new file mode 100644 index 0000000..5ca2c91 --- /dev/null +++ b/user/pages_ori5/06.about/default.md @@ -0,0 +1,19 @@ +--- +title: About +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions throughout the year. Upcoming this November, V.O Studios will unveil a new space, 242 Marylebone Road, becoming one of the largest studio facilities in Central London hosting up to 100 artists. \ No newline at end of file diff --git a/user/pages_ori5/07.visit-us/_Waterloo/map.md b/user/pages_ori5/07.visit-us/_Waterloo/map.md new file mode 100644 index 0000000..db419d2 --- /dev/null +++ b/user/pages_ori5/07.visit-us/_Waterloo/map.md @@ -0,0 +1,17 @@ +--- +title: Waterloo +media_order: 'tower building.jpg' +H_open: 'Wednesday — Saturday' +H_time: '11am — 6pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + +info@vocurations.com \ No newline at end of file diff --git a/user/pages_ori5/07.visit-us/_Waterloo/tower building.jpg b/user/pages_ori5/07.visit-us/_Waterloo/tower building.jpg new file mode 100644 index 0000000..eb49afe Binary files /dev/null and b/user/pages_ori5/07.visit-us/_Waterloo/tower building.jpg differ diff --git a/user/pages_ori5/07.visit-us/_marylebone/242-Marylebone-Road.jpg b/user/pages_ori5/07.visit-us/_marylebone/242-Marylebone-Road.jpg new file mode 100644 index 0000000..23be4aa Binary files /dev/null and b/user/pages_ori5/07.visit-us/_marylebone/242-Marylebone-Road.jpg differ diff --git a/user/pages_ori5/07.visit-us/_marylebone/map.md b/user/pages_ori5/07.visit-us/_marylebone/map.md new file mode 100644 index 0000000..1fb2f3a --- /dev/null +++ b/user/pages_ori5/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London NW1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public during programmed exhibitions and events. See [_What’s On_](https://vocurations.com/whats-on/exhibitions/current-upcoming) to find out more diff --git a/user/pages_ori5/07.visit-us/modular.md b/user/pages_ori5/07.visit-us/modular.md new file mode 100644 index 0000000..5181e12 --- /dev/null +++ b/user/pages_ori5/07.visit-us/modular.md @@ -0,0 +1,17 @@ +--- +title: 'Visit us' +content: + items: '@self.modular' + order: + by: Title + dir: asc + limit: '5' + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/pages_ori6/01.home/home.md b/user/pages_ori6/01.home/home.md new file mode 100755 index 0000000..428a233 --- /dev/null +++ b/user/pages_ori6/01.home/home.md @@ -0,0 +1,11 @@ +--- +title: Home +visible: false +content: + items: '@self.siblings' + order: + by: date + dir: asc +aura: + pagetype: website +--- diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/blog.md b/user/pages_ori6/02.whats-on/01.exhibitions/blog.md new file mode 100755 index 0000000..dcd1211 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/blog.md @@ -0,0 +1,18 @@ +--- +title: Exhibitions +redirect: whats-on/exhibitions/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: article +--- + diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg new file mode 100755 index 0000000..ea19360 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/Detail of Olivia Bax, Hot Spot, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/Olivia Bax, Hot Spot, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/Olivia Bax, Hot Spot, 2018.jpg new 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Bax, Footloose, 2017.jpg new file mode 100755 index 0000000..8f064b9 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Footloose, 2017.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg new file mode 100755 index 0000000..d913c5c Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Love Handles, 2017.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg new file mode 100755 index 0000000..702204d Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Pump, 2016.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg new file mode 100755 index 0000000..7b93049 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Rumble, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg new file mode 100755 index 0000000..a8efb46 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/Olivia Bax, Slot _ Groove, 2015.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md new file mode 100755 index 0000000..e1dfda7 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/at-large/events.md @@ -0,0 +1,66 @@ +--- +topH: false +date: '08-08-2018 18:04' +date_end: '24-08-2018 18:05' +lieux: '93 Baker Street' +artistes: ' Olivia Bax' +title: 'at large, ' +media_order: 'Olivia Bax, Boulder (with handle), 2015.jpg,Detail of Olivia Bax, Hot Spot, 2018.jpg,Olivia Bax, Love Handles, 2017.jpg,Olivia Bax, Pump, 2016.jpg,Olivia Bax, Slot _ Groove, 2015.jpg,Olivia Bax, Rumble, 2018.jpg,Installation Olivia Bax.jpg,Detail ''Footloose'', 2017.jpg,Olivia Bax, Footloose, 2017.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +An awareness of materials is crucial in pursuing any artistic endeavour. +The capacity of the artist to resonate with their medium while grasping its +true potential occurs through careful observation, during which a full +understanding of its chemical properties, durability, and texture proceeds. +For the painter or the etcher, the mental is translated into the physical +realm predominately with the aid of utensils. The sculptor however relies +less on this mediating process, for it is the tactile, his very own hand which +possesses the knowledge to manipulate and assemble substance. It comes +as no surprise that the greatest innovations in sculpture of the past century +resulted from an increasing immediacy towards the generative process +manifest through methods such as direct casting (Medardo Rosso) and +carving (Constantin Brâncuşi) or the collection of novel, unconventional +materials for further assembly (Iza Genzken). Olivia Bax's work is a +distinct example of this aesthetic manu propria, for Bax not only +physically leaves the imprint of her hand, her gestures on the surface of her +sculptures, but she also uses handles as a recurring motif (Hot Spot, +Boulder (with handle) and Pump). Her stand-alone pieces (Rumble and +Roar) have a human scale, as if they were based on her own height. + +Bax's investigation of material rhythms can be likened to the act of +sketching, of which the varying tempo, the drawing and selective retracing +of preferred parts, aid in the development of her sculptural pieces. There is +an unprecedented fascination with the armature of her pieces, which she +does not completely conceal with the malleable paper pulp, opting rather +for the visibility of the different processes. The sculptures are activated not +only through the revealing of their anatomy and the material dialectic that +ensues, but also through their humanistic dimensions. Scale holds a +significant role within Bax's oeuvre, evoking both the domestic, and trying +to escape from it by experimenting with site-specific height. The work Footloose, having been previously installed twice, is now refashioned to +accommodate the low ceilings of this space while still slightly protruding +through the support grid. Bax's work is at large not only through its +diversity, resembling a smaller retrospective, but also through the sheer +dimension of the space (the largest space she has exhibited in thus far), +which allows for the sculptures to escape confinement. There is sufficient +expanse within the gallery for the works to exist as individual entities, +while simultaneously undergoing a mutual, collective activation. Palisade, +the blue fence-like structure suggests a tripartite segmentation of the +sculptural environment while similarly acting as a chromatic backdrop for +works such as the aforementioned Footloose, and a three-dimensional +framing for Slot & Groove. This seemingly divisive curatorial choice +however, conversely facilitates discourse between the sculptures of the +ensemble, acting not as a barrier, but rather as an interactional tool. + +Bax's work extends beyond the removal of a sculpture from its pedestal as +the sole source for immediacy. By imprinting her hands onto the surface of +the work and using her height as a unit of measurement, by exposing +diverse layers of materials causing thus an interaction within the anatomy +of the work itself, and subsequently one within its collective pairing, the +artist creates a cycle closed off by the viewer. Within her process of +making, Bax activates herself, the space, the works and viewers, whether +at a local level or at large. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/blog.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/blog.md new file mode 100755 index 0000000..10bc042 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: 'Current + upcoming' +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg new file mode 100755 index 0000000..cea8aae Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018(2).jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg new file mode 100755 index 0000000..fd9fbbf Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg new file mode 100755 index 0000000..55e47d3 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Adriano Amaral, untitled, 2018, Maïa Regis, Ramon Reyna, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg new file mode 100755 index 0000000..74a055b Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Cajsa von Zeipel, When? and Why?, 2019.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg new file mode 100755 index 0000000..1a3d260 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Casja von Zeipel 'When?', 2019.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg new file mode 100755 index 0000000..424d869 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/cicatrices/Details of Cajsa von Zeipel, When? 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and Why?, 2019.jpg,Cajsa von Zeipel, When? and Why?, 2019.jpg,Adriano Amaral, Untitled, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +On an epithelial level, the scar is simply a mark, a regenerated piece of tissue, a healed lesion +that conventionally follows the infliction of an incision or a burn, either intentional or not. Of +this trace however, we almost instantly find that it does not suffice to regard it as a mere +peculiarity of the dermis, as what is crucial to this fibrous section of tissue is the meta- +cutaneous, its metonymic relationship to a particular event or action. This is the primary trait +of any scar: that it signifies beyond the skin, beyond the biological palimpsest that it has +produced. We are, at first, tempted to associate it with the traumatic, with the remnants of +suffering that make of it a relic of pain, both physical and cognitive, an agonizing recollection +of consumed passions and jagged embraces, flaming within our psyche and manifest with the +illuminated perspex sculptures of Isaac Lythgoe. Yet, is it not a scar that also reminds one of +birth, of being removed from the womb for, which our mothers bear a caesarean section or +we, a snipping away of the umbilical cord? Can the postpartum depression alluded to by +Srijon Chowdhury’s distracted mother-infant dyad not foreshadow a latter maternal joy, an +expulsion of postnatal morbidity? + +If we look past the mere a priori and posteriori of the scar we begin its exoneration, its +acknowledgement as a mode of ‘becoming’ with aesthetic, religious, socio-cultural, and +adaptive facets. The tattoo reaffirms this, for it not only physically exteriorises the intrinsic, +symbolically branding the epidermis, but performs the function of ritual by subjecting one to +the repeated injection of their beliefs. Such Maia Regis’ effaced protagonist, dog and pistol in +hand, imparts further potency to its all too visceral surroundings via the snake emblem +ascending their torso, the scar given agency. The kissing silicone sculptures of Casja von +Zeipel too recall this piercing and tinting of the skin through selective transparencies and the +emulation of a cracked reptilian dermis undergoing ecdysis (molting), further inscribing their +hyper-visiblity by means of their hybridity. Synthetic and organic, their skin, double-layered or +scaled, appears mechanically superior while still presenting the human characteristic of +retaining traces, or bearing scars. This dualism, the recalling of an organic anterior, further +prompt a focus on DNA, one expressed by Adriano Amaral in his employment of natural +materials such as tree bark and spirulina alongside shapes of contemporary industry. The +ramifications emerging from Amaral’s tubular structures delineate an ecological scarification +inflicted upon flora and fauna rather than the human flesh, proposing the solution of +prosthetics as a method of undoing any damage to the organic. A similar approach lies within +Jean-Marie Appriou’s sculptures of marine creatures. Displaying a hereditary connection to +their material makeup, for glass is made out of sand, such works however, conversely, +emphasize their static adherence to the gallery wall rendering the objet d’art no different to a +biological specimen. There is no question of hybridity as with Zeipel or Amaral, urging rather +recognition through a confrontation with artifice. + +John Miserendino’s variegated marbles too evidentiate their flesh-like striations in order to +uncover a particularity akin to DNA. Each marble is modeled after, yet not sculpted to +resemble a figure, breaking with a tradition of purity (white-ness) and the relative anonymity +of material by accentuating surface lesions and vivid chromatic schemes. The notions of +transmission and trace exist not only within such marbles, for through the work of Muriel +Abadie an idea of recollection, of one's personal rather than cultural history surfaces with +the sketch. Abadie seeks to access a realm of the familiar, to awaken in all of us a forgotten +memory that can appear through the visual. Her urge is collective, remembrance as +protection against temporal perdition. Within our efforts to heal, perhaps the same can be +said for the cicatrice. + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg new file mode 100755 index 0000000..2ff4ca4 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency II', 2019, and 'Light Cage', 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Dillwyn Smith, 'Full Transparency', 2018.jpg new file mode 100755 index 0000000..2418645 Binary files 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Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/Installation 3 'Light Cages', Dillwyn Smith.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md new file mode 100755 index 0000000..f43b5b3 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/exhibitions-jean-marais/events.md @@ -0,0 +1,26 @@ +--- +topH: false +date: '24-10-2019 17:21' +date_end: '22-11-2019 17:21' +lieux: '12th floor' +artistes: ' Dillwyn Smith' +title: 'Light Cages, ' +media_order: 'Installation 1 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Turning Poison into Medicine V'', 2018.jpg,Dillwyn Smith, ''Full Transparency II'', 2019, and ''Light Cage'', 2018.jpg,Dillwyn Smith, ''Sensitised Ground'', 2018.jpg,Installation 2 ''Light Cages'', Dillwyn Smith.jpg,Installation 3 ''Light Cages'', Dillwyn Smith.jpg,Dillwyn Smith, ''Full Transparency'', 2018.jpg,Dillwyn Smith, ''Hermit Song'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018, and ''Praise'', 2018.jpg,Dillwyn Smith, ''Working Class Hero'', 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '04-10-2019 20:04' +--- + +Dillwyn Smith has a most unusual technique, he gives us a labour of love, a quiet ease around the stitching of nylon fabrics which gently moves us on to deeper matters. These large new works contain a new light - there is precarious illumination which comes at us layered, striped, watered down, occasionally not of this earth, but subaqueous and reified. Dillwyn has made some new mystic moves and has been ‘a diver in deep seas, and keeps their fallen day about him; he has trafficked for strange webs with Eastern merchants’. + +How important it is that Dillwyn is not English, that he is half Welsh and Half Irish, that he is a genuine Celt? It is very important, it matters because this means that certain things are there in Dillwyn’s work now that the English have no access to. It is, above all else, around colour and light that this delicacy of perception comes home to roost, like a dove brooding upon the waters. It matters because, as Walter Pater insisted: ‘all art’ does indeed ‘aspire to the condition of music’ and Dillwyn’s new work has finally managed the magic metamorphosis into synaesthesia. + +For hours we have been thinking about how the new work is to be shown, to be displayed, to be allowed to perform its fulgent colloquies upon the eyes of those lucky enough to try and see into it and through it? What are these things he now creates? – paintings they are not. They are tricky boxes of colour, wobbly flags with no nation, rat traps for light rays, quilts without beds, aesthetic dirty laundry hung out to dry, lovely textiles shifting in sun and wind, The Colour of Pomegranates comes to mind. They are offcuts from a coat of many subdued colours, a soft coat of arms, the inspired motley this triumphant Harlequin artist has earned the right to parade. + +This work not only moves us, it moves into us, constantly performative it makes its own rhythms. These rhythms of time and of colour exist outside ‘tick tock time’, working time. The fruit of his loom is work that does not ‘clock in’ and ‘clock out’, time works within it and around it now, time and light, mysteriously married. Disciplined lyricism, the unstable stabilized, quicksilver trapped until a common greyness silvers everything, not easy things to pull off. This is work that demands contemplation, not in a grand way, but in a revivifying way, as quiet and necessary as a day-dream. Such work comes about rarely and through intense testing – some parts of the great Russian Icons have it, some of the maroon and burgundy rectangles of late Rothko, and those strange, restrained pages of Capitals from The Book of Kells, they definitely have it. Yes the Irish thing again, in Dillwyn’s new work we approach the poetics of interlacement, a fabricated fluidity, disciplined but organic, beyond the hard geometric trickery of Cubism. +Dillwyn’s fabrics are utilitarian too and embody an artistic commentary upon an entire Kingdom. He told me once that he was working with cloths which are deeply, symbolically, enmeshed and locked into the cultures and social politics of Oman. The fabrics are turned into the traditional Dishdasha worn by men. Many of the colours of these garments carry tribal significations, relating to the identities of ethnic groups. A certain yellow, for example, is exclusive to the people of the deep South in Salalah on the border with Yemen. Other colours relate to social standing and the stratifications of labour. That lovely maroon which so haunted and haunts my gaze is in fact the cloth worn by domestic workers, and so is not only beautiful but burdened with the labour of millions. The white cloths are reserved for administrators and government functionaries. Several of the grays and browns relate to the Oman elite. And so Dillwyn’s work creates a democracy of colour mixing, melding, interlacing the social and ethnic patterns of the tip of the Arabian Peninsula. As he makes those light damasks float Dillwyn creates a celebratory garb, which somehow, by hook or by crook, has made a whole society (embedded in inequality) float, light up, caper in gentle curvature, upon his wooden skeletons. + +Maybe what is most magical about what we now see is that many of the fabrics are nylons, imported to Oman from Japan. He takes flimsy gauzes impregnated with chemical aniline dies, he makes his textile mosaics out of them, and suddenly they can do, they do do, the strangest things before our eyes and to our eyes. Only the great creative magicians perform such Alchemy upon the senses. James Joyce in the Nausicaa chapter of Ulysses took the language of cliché, thrown in saccharine heaps into girl’s romantic magazines, and then transformed the cinders of a dull dead language into Gerty McDowell’s soaring love song. Dillwyn takes garish bolts and bales of nylon, hung about with a grim whiff of the sweat shop, and turns them into geometric kaleidoscopes which albeit briefly can make our ugly little world tumultuously bright. + +Words by Marcus Wood diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg new file mode 100755 index 0000000..4581516 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 I.jpg 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b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md new file mode 100755 index 0000000..4dda0fa --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/mr-majidi-and-the-electricity-box/events.md @@ -0,0 +1,31 @@ +--- +topH: false +date: '27-11-2019 00:00' +date_end: '20-12-2019 00:00' +display_time: false +lieux: '12th floor' +artistes: 'Mania Akbari, Douglas White ' +title: '‘Mr. Majidi and the Electricity Box'' ' +media_order: 'Installation Mania Akbari and Douglas White I.jpg,Geometric Resistance, Mania Akbari and Douglas White, 2019.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 I.jpg,Detail Mr. Majidi series, Mania Akbari and Douglas White, 2019 II.jpg,Mr. Majidi series and House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin I, Mania Akbari and Douglas White, 2019.jpg,House of Sin II, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White II.jpg,House of Sin III, Mania Akbari and Douglas White, 2019.jpg,Installation Mania Akbari and Douglas White III.jpg,Mr. Majidi series, Mania Akbari and Douglas White, 2019.jpg,Lubion, Mania Akbari and Douglas White, 2019 I.jpg,Lubion, Mania Akbari and Douglas White, 2019 II.jpg,Lubion box, Mania Akbari and Douglas White, 2019.jpg,Detail Lubion box, Mania Akbari and Douglas White, 2019.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +V.O Curations is pleased to present ‘Mr. Majidi and the Electricity Box’, a collaborative exhibition from Iranian filmmaker Mania Akbari and British sculptor Douglas White. The show features a series of new photographic and sculptural works, in which the artists interrogate the relationship between instances of censorship, surveillance, and the aesthetics of authoritarian power, inviting the audience to contemplate the complex and often invisible connections between the state, the body, and objecthood. + +‘Geometric Resistance’ is a contemporary example of how an ordinary urban object transforms into a political volume, a powerful symbol of resistance with a dense memory carrying sociological history. Assembled by the artists, ‘Geometric Resistance’ is the sculptural replica of the electricity box located on Enghelab Street, Tehran, that the activist Vida Movahed infamously stood upon to protest the obligatory wearing of the hijab in Iran in December 2017. Movahed’s action motivated other activists to do the same, and so the government decided to weld angled metal covers onto the boxes in response to prevent standing. Following this occurrence, an underground artist group responded by designing wooden platforms to cover these constructions and released the designs online, titling the resource ‘Geometric Resistance’. Initiated in the virtual world, these plywood constructions quickly began appearing in the real world. The protests atop common electrical boxes immediately elevated these simple forms into discreet symbols of revolt, entering the political realm. The resulting architectural designs became an inadvertent collaboration between authority and rebellion. Jane Bennett highlights that objects that go beyond their objecthood and become independent from human interaction are the genuine creators of history. The assembled electricity box becomes a trace, the presence of an absence. The peculiarity of its assemblage, in comparison to common electricity boxes, allude directly to the bodies standing upon them, giving them political significance. + +Through the lens of rusted architectural elements, one can notice the photographic series ‘House of Sin’, which also emerge through the interplay of authority and rebellion. The photographs comprise images taken from mobile phones seized by the Iranian police, and used as evidence at government trials to make a case for supposed morally corrupt behaviour. Doctored and blurred by authorities, they transition from private space to public, rendering intimate settings, everybodys’. Blurring the photographs generalises the agents they contain, and further the blurred bodies become a trace. They transform into symbols, used as examples and threats. Akbari and White re-present these affects as a way of leaning into their visual peculiarity, exaggerating the unsettling, idiosyncratic aesthetic of authoritarian power. They are displayed as transparencies on makeshift lightboxes held on rusted steel structures, alluding to their original provenance on mobile phones. The artists’ subversive and imaginative recycling and reuse signifies how they can also represent the site of potential rupture and protest. The works become indicative of artistic gestures that can counter these notions of political and personal subjection through expressions of resistance and activism. + +Standing in the middle of the exhibition space, the ‘Mr Majidi’ series of sculptures derives from the manipulation of a single found object, a discarded water butt, found near the artists’ current home in London. In this object the artists’ felt they recognised a figure that was familiar to them. Mr. Majidi relates to Akbari’s direct experience of the Iranian operative of the Revolutionary Guard, who is responsible for the surveillance and control of the nation’s filmmakers and, ultimately, responsible for her own exile. Operating under this mysterious name, this authoritative figure was invasively present in Akbari’s life and career, and took on perverse roles of a charming confidant, as well as an abusive commander. The staggered and serial presentation of the sculptures suggests the character’s multiplicity of facets. Free of his control, yet still affected by his memory, Akbari and White explore the ongoing psychological shadow cast over their lives by presenting the sculptures as animated marionettes, dismantled, inside out, standstill and upside down. The scene communicates violence with the playfulness of a cartoon, which the exhibition title further alludes to through reference to the ‘Mr. Men’ series of children books. + +Playing in loop, the artists’ latest film ‘Lubion’ (2019) rises through the form of a hallucinatory landscape, a vivid response to the psychological and corporeal effects caused by Akbari’s IVF hormone treatment. As the ‘Lubion’ drug is delivered by injection, reality mixes with a chimeric techno-natural vision of inner and outer worlds. As traces of the body inhabit the entire exhibition, this piece concurrently introduces the body directly in its most honest and visceral form. The psychological and physical manipulation of the body that each piece of the exhibition explores, is met with a consenting scientific manipulation that Akbari agonisingly puts herself through. The traces of this brutal experience remain in a box opposite the projection, where all the syringes of previous Lubion treatments, rest in peace. + +**Saturday 7th December** to coincide with the exhibition, Mania Akbari and Douglas White have curated the cultural event _Body and Borders_ featuring 10 screenings from contemporary artists whose works explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. A panel discussion, moderated by art critic Nick Hackworth will follow the screenings, featuring Mania Akbari, Johann Arens, Lucy Clout, Miranda Pennell, Margaret Salmon and Douglas White to discuss the Body and its entangled power structures. + +[Click here to buy tickets to 'Body and Borders' 7th December.](https://body-and-borders.eventbrite.co.uk) + +Supported by Outset Contemporary Art Fund. + + diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg new file mode 100755 index 0000000..7ac9225 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/(Not so) Musical Chairs, 2018_ Wrong 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a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md new file mode 100755 index 0000000..f5f7e1a --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/nour-el-saleh-exquisite-farces/events.md @@ -0,0 +1,51 @@ +--- +date: '05-09-2019 16:27' +date_end: '11-10-2019 16:27' +lieux: '12th floor' +artistes: ' Nour El Saleh' +title: 'Exquisite Farces, ' +media_order: '(Not so) Musical Chairs, 2018_ Wrong Side of the Table, 2019_ The Puppeteer of Karakas, 2019.jpeg,Wrong Side of the Table, 2019.jpg,Detail of Wrong Side of the Table, 2019.jpg,A Grand Jester, 2019.jpeg,Dance Monkey, Dance!, 2019.jpg,Inhabited Props in a Box, 2018.jpeg,Detail of Inhabited Props in a Box, 2018.jpg,Four Times as Big, Twice as Small, 2018.jpg,Detail of Four Times as Big, Twice as Small, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Exquisite Farces is the culmination of Nour El Saleh’s residency at VO Curations, a +curatorial and cultural mediation outfit that are helping usher in a new way for artists to +inhabit and make use of the rapidly transforming architecture of an austere London. It +also marks her first foray into the wider world following on from three-years of study at +The Slade School of Fine Art, London. + +El Saleh’s approach dismisses preparatory drawings; lines and forms are imagined, +physicalised and placed impulsively to prompt new narrative possibilities. She has +worked towards the creation of a satirical language to communicate an uncanny rendition +of her own experiences. With her childhood spent in the United Arab Emirates, a host for +impermanent residents, El Saleh’s comfort was in a constant state of flux, and through the +work she grapples with a sense of belonging; deceivingly familiar spaces are tensed with +anguish and actors, and through the use of theatrical and comical imagery, the artist +reconciles these two forces. + +_The Puppeteer of Karakas_ evokes the memory of a man playing with puppets in the street +where El Saleh lives in Beirut. Here, the puppeteer is disguised and plays with four +eccentric real-life marionettes. Any hint that they might fall into a Mickey Sabbath-like +world of destitution and depravity is reframed with a sense of homeliness; checkered floor +tiles and floral wallpaper, which feature as a recurrent backdrop across El Saleh’s scenes. +Inserting small characters in the eyes and heads of certain protagonists, El Saleh seems +to play with the apparent roles, and who in fact conducts the scene. A mise en abyme +occurs, the _Puppeteer of Karakas_ becomes puppeteered, and equally, the motherly figure +of Wrong Side of The Table loses her intimidating aura, turning into a vessel, a further +prop in the theatre of El Saleh’s mind. _Wrong Side of the Table_ depicts a juxtaposition +between a naked bust-figure, sitting at the table provocatively, acting out for the sake of +being rewarded with attention, which is at odds with a heavily cloaked figure under the +table, an elderly child, hidden out of view, coaxing attention through her aloofness. +El Saleh’s characters all seem to resemble each other with similar features: prominent +noses, dimpled chins and brown hair, almost to the point of appearing cloned in certain +scenes. All interacting intensely within a domestic interior and little space to roam, +pronounce the collectivistic atmosphere present across the artist’s paintings. This is +echoed by the two hybrid characters that sit aside the central figure in Inhabited Props in +a Box, which although are bickering, at once recall squabbling siblings rather than +anything untoward; and in this lay the charm of El Saleh’s world. Despite the peculiarity of +her depictions, on further inspection there lies a familiarity and intimate feeling of the +‘known’. Representation dissolves, El Saleh seems to abolish the stage, the auditorium +and have spectators sit within the composition. In an Artaud-esque manner, actors are +seen to be passive and neutral, while masks, puppets and sock marionnettes rule the set. diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100755 index 0000000..5f956ac Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Daiga Grantina, Yolk Bott, 2017.jpg 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a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg new file mode 100755 index 0000000..fb2e22e Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou and Claude Bellegarde.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg new file mode 100755 index 0000000..7db0824 Binary files /dev/null and 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2015.jpg new file mode 100755 index 0000000..470df53 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Oda Jaune, Fleurs, 2015.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg new file mode 100755 index 0000000..d57aa78 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg new file mode 100755 index 0000000..97242eb Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md new file mode 100755 index 0000000..9d9a6bb --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/parfum-depines-phillips-x-vo-curations/events.md @@ -0,0 +1,13 @@ +--- +date: '23-05-2019 16:33' +date_end: '26-07-2019 16:33' +lieux: Phillips +title: 'Parfum d''épines,' +artistes: ' PHILLIPS X VO CURATIONS' +media_order: 'Installation Daiga Grantina and Robert Brambora.jpg,Installation Jean-Marie Appriou and Claude Bellegarde.jpg,Daiga Grantina, Li Li, 2018 and Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Installation Jean-Marie Appriou, Muriel Abadie and Claude Bellegarde.jpg,Installation Oda Jaune, Pedro Wirz and Sonya Derviz.jpg,Robert Brambora, Untitled, 2019, Untitled, 2019, and 9 to 5 (2), 2018.jpg,Oda Jaune, Fleurs, 2015.jpg,Victor Man, Flowers with Skeleton and Bear Wrestling, 2012.jpg,Daiga Grantina, Yolk Bott, 2017.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Phillips Auction House and V.O Curations are pleased to present a novel reading of Charles Baudelaire's collection of poems _Les Fleurs du Mal_ through the spectrum of contemporary art, exploring the seminal concept of the double postulation that has protruded beyond the literary universe of the French poet. The exhibition features the works of 9 contemporary artists that play upon the duality of the Baudelairian ethos and its fascination for antithetical pairings, the atemporal resonance of what the poet refers to as the "two inseparable abysses of the human soul". Parfum d'épines was supported by Parcours 2019 and Outset Contemporary Art Fund. diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg new file mode 100755 index 0000000..7dfb9e2 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/Sonya Derviz, Dancers II, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md new file mode 100755 index 0000000..b9edcf1 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/pas-de-corps-sonya-derviz/events.md @@ -0,0 +1,13 @@ +--- +date: '05-08-2018 16:37' +date_end: '18-08-2018 16:37' +lieux: '93 Baker Street ' +artistes: ' Sonya Derviz' +title: 'Pas de Corps, ' +media_order: 'Sonya Derviz, Dancers II, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +There exist no bodies, yet collective movement ensues. The canvas surface is flat, yet the power of suggestion engrosses Sonya Derviz's Dancers within the figurative, only to awake us from this mirage through the protrusion of a forceful abstract composition. She aims to simultaneously construct and efface the presence of the recognisable, to insert it within a stream of strokes dragging, rotating, and contorting colour and form within the predefined space of the canvas. The dynamism stirring each layer of wash, the alternation of dispersing blocks of colour with interwoven accents pierces the fabric of the figurative into abstraction. The exhibition was accompanied with a poem, composed by Joshua Leon. diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg new file mode 100755 index 0000000..2fd2e24 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 1 Sara Berman.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg new file mode 100755 index 0000000..0dcd74d Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Installation 2 Sara Berman.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg new file mode 100755 index 0000000..be64e5b Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #37, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg new file mode 100755 index 0000000..0245dde Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #38, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg new file mode 100755 index 0000000..303e850 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/Sara Berman, Lint Sweater #40, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md new file mode 100755 index 0000000..57f9822 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/sara-berman-matter-out-of-place/events.md @@ -0,0 +1,69 @@ +--- +date: '03-10-2018 17:49' +date_end: '19-10-2018 17:49' +lieux: '93 Baker Street ' +artistes: ' Sara Berman' +title: 'Matter out of Place,' +media_order: 'Sara Berman, Lint Sweater #40, 2018.jpg,Sara Berman, Lint Sweater #37, 2018.jpg,Installation 1 Sara Berman.jpg,Installation 2 Sara Berman.jpg,Sara Berman, Lint Sweater #38, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +date_one_day: '07-12-2019 16:30' +--- + +"It is something rejected from which one does not part, from which one +does not protect oneself as from an object. (...) It is thus not lack of +cleanliness or health that causes abjection but what disturbs identity, +system, order." Julia Kristeva + +There is an unprecedented struggle for unity and mutuality in this epoch of +singularity and individualism. The biblical precedes these secular ideals in +the myth of Babel, with its human element inevitably failing into disparity, +not just of language but also of socio-cultural context for its collective +ambitions would become its primary sin. Surrounded by divergent, +fluctuating value systems, Sara Berman has selected the lowest common +denominator of mankind as the focal point of her work, as an uncanny, +debased catalyser in her line of artistic inquiry: 'waste'. A propensity for +textiles has perhaps indicated Berman in the direction of lint, of drying +machine filters, which despite her minimal intervention, do not draw one +immediately towards the abject nature of the piece, but rather ensue an +auratic dialogue guided by their anthropomorphic quality and vivid +stratigraphy. This 'matter out of place', waste in the form of the work of +art (the commodity par excellence) comes to embody the term derived from +Mary Douglas's seminal study on dirt, not just literally, but through the +very internal logic of the works. Not only are the fabric remnants +dislocated from their status as superfluous objects, framed and exhibited +within the gallery space, but in her attempt to generate discourse Berman +has created an art object resistant and adhering to any nomenclature, while +circumventing any positive or negative valences. The works find +themselves in a latent state; perhaps even one of paradox for an initial +reaction might contravene a subsequent one upon finding out the medium. +From breaking her own dyer at home, to her latter exploration of London +drycleaners, from the first attempts of gathering the lint in large bags to +then attaching it to furniture, Berman has redacted her process of making +to reduce the infliction of her will upon the work as much as possible. This +however has not created a ready-made, for the immediacy of deskilling is +replaced by a careful subtraction, while the unique makeup of the works +would have them tangential to artisanship. Berman selects the lints from +the filters (very few of which present this distinctive layering) and stiches +them to pieces of linen without seeking precision. There is an +inexhaustible web of socio-economic relations, which each wool fibre or +hair follicle has traversed and can further generate through their +repurposing in the lint figures. It is perhaps not coincidental that some of +these should have a convex, circular geometry, occurring in the inferior +parts evoking thus the maternal or the fertile. The human dimension of the +works would have it operate like an artefact, even more so now that the +pieces are exhibited framed for the first time, an equalizing procedure to +stress their organic, biological aspect. There is only an illusion of +uniformity as each work is entirely distinct in its 'genetic composition' +while any separation occurs as an auxiliary, as our own imposed +estrangement from it. Berman has removed the glass dividing the viewer +from the 'abject', facilitating either confrontation or familiarization, in +either circumstance permitting a direct exchange. The rug outside invites +one into the gallery space while simultaneously deconstructing its +boundary, playing into the idea of domesticity as a percept for belonging +and safety while including the nomadic. Berman's inquiry extends into the +exterior realm, the question remains, is it art, a handful of hair and lint +from the local drycleaners or simply matter... out of place? + +Words by Smaranda Ciubotaru diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg new file mode 100755 index 0000000..01d84a7 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/Andrei Costache, Tarantula, 2018.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md new file mode 100755 index 0000000..b6e9c3c --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/urban-waves-andrei-costache-richie-culver-an-d-morgan-ward/events.md @@ -0,0 +1,13 @@ +--- +date: '03-07-2018 16:39' +date_end: '13-07-2018 16:40' +lieux: '93 Baker Street ' +title: 'URBAN WAVES, ' +artistes: ' Andrei Costache, Richie Culver an­d Morgan Ward' +media_order: 'Andrei Costache, Tarantula, 2018.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +The exhibition featured the work of sculptor Andrei Costache and painters Morgan Ward and Richie Culver. Andrei Costache's sculptures proliferate a sentient quality, mirroring a vast spectrum of experiences from one's first visit to London to the infantile joy of watching a new cartoon series. His MDF creations stress their ephemerality through the very nature of their material, far more mobile than traditional mediums such as metal or stone. Morgan Ward is concerned with extending the interaction of colour and form beyond two-dimensionality, both materially and by employing abstracted optical illusions. Richie Culver's works present narratives mirroring those of London housing estates or marginalised residential areas, narratives of domestic heroes or local underdogs. diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg new file mode 100644 index 0000000..527a939 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/Sola Olulode at V.O Curations.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md new file mode 100755 index 0000000..ebf40ed --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/where-the-ocean-meets-the-beach/events.md @@ -0,0 +1,14 @@ +--- +topH: true +date: '13-02-2020 10:31' +date_end: '28-03-2020 10:31' +lieux: '12th floor' +artistes: 'Sola Olulode' +title: '‘Where The Ocean Meets The Beach'' ' +media_order: 'Sola Olulode at V.O Curations.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +Sola Olulode's end of residency solo show ‘_Where The Ocean Meets the Beach_' will take place at our 12th floor gallery from 13th February until 28th March. Olulode has been working on a new series of paintings in which narratives of queer and Black identity culminate in the representation of romantic relationships an their complexities. Taken from artist Travis Alabanza's poem _The Sea_, the exhibition title refers to Alabanza’s feeling on gender fluidity as a boundless place similar to 'where the ocean meets the beach'. Analogously to Alabanza’s sentiment, Olulode renders the fluidity of emotions that chronicle the falling in love. \ No newline at end of file diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Josephine Baker and Alexandré Canonico.jpeg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Josephine Baker and Alexandré Canonico.jpeg new file mode 100644 index 0000000..0970d32 Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Josephine Baker and Alexandré Canonico.jpeg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Wreck or Ruin.jpg b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Wreck or Ruin.jpg new file mode 100755 index 0000000..5a07bfa Binary files /dev/null and b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/Wreck or Ruin.jpg differ diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/events.md b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/events.md new file mode 100755 index 0000000..fbd554b --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/current-upcoming/wreck-or-ruin/events.md @@ -0,0 +1,14 @@ +--- +topH: true +date: '09-01-2020 17:50' +date_end: '01-02-2020 17:50' +lieux: '12th floor' +artistes: 'Frances Gibson, Alexandre Canonico, André Figueiredo da Silva, Josephine Baker' +title: '''Wreck Or Ruin''' +media_order: 'Wreck or Ruin.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +We are thrilled to host ‘Wreck or Ruin’, a collaborative project of sculptural works that has organically developed between André Figueiredo da Silva, Alexandre Canonico, Josephine Baker and Frances Gibson at 12th floor, reflecting upon the impending demolition of Tower Building. \ No newline at end of file diff --git a/user/pages_ori6/02.whats-on/01.exhibitions/past/archives.md b/user/pages_ori6/02.whats-on/01.exhibitions/past/archives.md new file mode 100755 index 0000000..f99a486 --- /dev/null +++ b/user/pages_ori6/02.whats-on/01.exhibitions/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +--- + diff --git a/user/pages_ori6/02.whats-on/02.events/blog.md b/user/pages_ori6/02.whats-on/02.events/blog.md new file mode 100755 index 0000000..0027e48 --- /dev/null +++ b/user/pages_ori6/02.whats-on/02.events/blog.md @@ -0,0 +1,18 @@ +--- +title: Events +redirect: /whats-on/events/current-upcoming +visible: true +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/02.whats-on/02.events/current-upcoming/blog.md b/user/pages_ori6/02.whats-on/02.events/current-upcoming/blog.md new file mode 100755 index 0000000..8f04092 --- /dev/null +++ b/user/pages_ori6/02.whats-on/02.events/current-upcoming/blog.md @@ -0,0 +1,15 @@ +--- +title: Upcoming +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg b/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg new file mode 100755 index 0000000..493ec00 Binary files /dev/null and b/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/Carlos Motta, The Devil’s Work (2018).jpg differ diff --git a/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/events.md b/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/events.md new file mode 100755 index 0000000..a494179 --- /dev/null +++ b/user/pages_ori6/02.whats-on/02.events/current-upcoming/body-and-borders/events.md @@ -0,0 +1,22 @@ +--- +topH: false +date: '07-12-2019 18:53' +lieux: '12th floor' +artistes: 'screenings + Panel Talk 3:00-6:30pm' +title: '‘Body and Borders'':' +media_order: 'Carlos Motta, The Devil’s Work (2018).jpg' +buy: true +url: 'https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg' +taxonomy: + category: + - Panel +show_sidebar: false +aura: + pagetype: website +--- + +[Saturday 7 December from 15:00-18:30pm](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) to accompany the exhibition ‘Mr. Majidi and the Electricity Box’, Iranian filmmaker Mania Akbari and British sculptor Douglas White have curated a cultural programme, encompassing further screenings from 10 contemporary artists, who also explore the physical, political, emotional and sensual borders of the modern corporeal experience. Screenings will include the work of Johann Arens, Mania Akbari, Lucy Clout, A K Dolven, Barbara Hammer, Carlos Mott, Lynne Sachs, Margaret Salmon, Mark Street, Jessica Sarah Rinland, Miranda Pennel and Douglas White. + +The screenings will be followed by a panel talk, moderated by art critic Nick Hackworth, featuring Mania Akbari, Douglas White, Miranda Pennell, Lucy Clout and Johann Arens, discussing the body and its entailed power structures. + +[Buy tickets here](https://www.eventbrite.co.uk/e/body-and-borders-i-film-screenings-panel-discussion-i-akbari-and-white-tickets-80867162861?fbclid=IwAR1td6U8NxmWyUOiYzFIW9vsXA2K2CXV2IXdbvTXW8g2YIMTgGsPKjgsSXg) \ No newline at end of file diff --git a/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg b/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg new file mode 100755 index 0000000..7f5f5b3 Binary files /dev/null and b/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg differ diff --git a/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/events.md b/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/events.md new file mode 100755 index 0000000..e8f31e3 --- /dev/null +++ b/user/pages_ori6/02.whats-on/02.events/current-upcoming/translucent/events.md @@ -0,0 +1,28 @@ +--- +date: '08-08-2019 15:16' +lieux: '12th floor' +title: Translucent +media_order: 'Translucent at VO Curations. Photo by Zbigniew Tomasz Kotkiewicz.jpg' +show_sidebar: false +aura: + pagetype: website +--- + +We are delighted to announce our collaboration with Translucent for an artist-led immersive evening of performances at 12th Floor on 8 August, 6:30 - 10 pm. + +Translucent is a platform for trans, non-binary and gender non-conforming artists which has as starting point the experience of a non-normative gender identity. It expands to themes of love, desire, anxiety, social structures, planetary issues, boundaries (physical and mental), ways of living, survival, the now and the future, and so on. Works shown seek to communicate with audiences at an emotional, conceptual, political or spiritual level. + +Artist line up: +Monika Blaszczak & Gisou Golshani | Soliloquy Reimagined 08.08.2019 +Joseph Morgan Schofield | the pink sky reflects the bloody earth +Orlando Myxx | The fabric of a relationship +Niya B | I was once the snake woman + + +Video Art by: +Andreia Afonso +Leigh Hedd +Ishita +Orlando Myxx +Kate Shields +Niko Wearden \ No newline at end of file diff --git a/user/pages_ori6/02.whats-on/02.events/past/archives.md b/user/pages_ori6/02.whats-on/02.events/past/archives.md new file mode 100755 index 0000000..1c5227f --- /dev/null +++ b/user/pages_ori6/02.whats-on/02.events/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '0' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + diff --git a/user/pages_ori6/02.whats-on/blog.md b/user/pages_ori6/02.whats-on/blog.md new file mode 100755 index 0000000..26e09f5 --- /dev/null +++ b/user/pages_ori6/02.whats-on/blog.md @@ -0,0 +1,17 @@ +--- +title: 'What''s On' +redirect: / +show_sidebar: true +content: + items: + - '@self.children' + limit: 0 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/03.studio-programme/01.apply/form.en.md b/user/pages_ori6/03.studio-programme/01.apply/form.en.md new file mode 100644 index 0000000..87070da --- /dev/null +++ b/user/pages_ori6/03.studio-programme/01.apply/form.en.md @@ -0,0 +1,88 @@ +--- +title: Apply +visible: false +aura: + pagetype: website +form: + name: custom_form + fields: + first_name: + type: text + placeholder: 'First name' + validate: + required: true + last_name: + placeholder: 'Last name' + type: text + validate: + required: true + date_of_birth: + type: text + placeholder: 'Date of birth' + validate: + required: true + phone_number: + placeholder: 'Phone Number' + type: text + validate: + required: true + email: + placeholder: 'E-mail adress' + type: email + size: large + validate: + required: true + move_in_date: + placeholder: 'proposed move-in date' + type: text + validate: + required: true + website: + placeholder: 'Website / instagram' + type: text + validate: + required: true + portfolio: + label: 'upload portfolio' + placeholder: 'upload portfolio' + type: file + multiple: false + destination: user/data/files + accept: + - application/pdf + - application/x-pdf + - image/png + - text/plain + studio: + type: radio + placeholder: Studio + default: + individual: true + Shared: true + Either: true + options: + individual: individual + Shared: Shared + Either: Either + notes: + type: textarea + placeholder: notes... + buttons: + - + type: submit + value: Submit + process: + - + save: + fileprefix: '{{"now"|date("Y-m-d_h-i-s")}}-Artist-Candidature-{{ form.value.first_name|hyphenize }}-{{ form.value.last_name|hyphenize }}' + dateformat: 'Y' + extension: txt + body: '{% include "forms/data.txt.twig" %}' + - + message: Sent + reset: true +--- + +We accept applications of artists from all practices. Our studios can be used individually or shared with others; applications are for one person at a time, so even if you are applying as a group, please fill out individual applications and specify in _notes_ who you wish to share with. Our studio prices start from £100pm and are offered inline with _Greater London Authority's affordability guide (2014, 2019)_. All prices are inclusive of utilities (inc. wifi). Facilities are accessible 24/7 with communal areas and shared kitchens available. + +Please allow us a week to get back to you, you will receive a response via email. Feel free to contact [studio@vocurations.com](mailto:studio@vocurations.com) for any further questions, or to organise a site visit! diff --git a/user/pages_ori6/03.studio-programme/02.about/VO Curations - 12th Floor.jpg b/user/pages_ori6/03.studio-programme/02.about/VO Curations - 12th Floor.jpg new file mode 100755 index 0000000..336e0d0 Binary files /dev/null and b/user/pages_ori6/03.studio-programme/02.about/VO Curations - 12th Floor.jpg differ diff --git a/user/pages_ori6/03.studio-programme/02.about/default.md b/user/pages_ori6/03.studio-programme/02.about/default.md new file mode 100755 index 0000000..04bf779 --- /dev/null +++ b/user/pages_ori6/03.studio-programme/02.about/default.md @@ -0,0 +1,11 @@ +--- +title: About +media_order: 'VO Curations - 12th Floor.jpg' +visible: false +aura: + pagetype: website +--- + +V.O Studios offers affordable workspaces to artists based in London. The group reflects the diversity of artists and practices in the city, and form an integral part of V.O’s community-at-large. All studios are located in Zone 1 Central London, with the view to ease access and visibility for each artist. ‘Open Days’ are scheduled throughout the year to offer artists ongoing opportunities to explore new dialogues with interested members of the local community, as well as the wider public. V.O ensures their artist community their ongoing support through advising on professional development, mentoring, presentation, and access to workshop and exhibition opportunities. V.O Studios are currently located in Waterloo, SE1 and 242 Marylebone Road, NW1, with more upcoming spaces from spring 2020! +_V.O Studios is a not-for-profit initiative launched October 2019._ + diff --git a/user/pages_ori6/03.studio-programme/blog.md b/user/pages_ori6/03.studio-programme/blog.md new file mode 100755 index 0000000..1edbfce --- /dev/null +++ b/user/pages_ori6/03.studio-programme/blog.md @@ -0,0 +1,17 @@ +--- +title: 'Studio Programme' +redirect: /studio-programme/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/04.residence/01.about/default.md b/user/pages_ori6/04.residence/01.about/default.md new file mode 100755 index 0000000..58b8bd6 --- /dev/null +++ b/user/pages_ori6/04.residence/01.about/default.md @@ -0,0 +1,8 @@ +--- +title: About +visible: false +aura: + pagetype: website +--- + +V.O Curations programmes up to sixteen residencies each year. Residencies are invited for up to three months at a time, where V.O supports and facilitates the artists' professional development at all levels of their careers, whether emerging or established. Residencies are non-prescriptive, process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. V.O offers an end-of-residency solo exhibition to the resident, which is not mandatory and depends on the artist’s schedule. The residency programme is made public through various types of events and ‘Open Studio’ Days. \ No newline at end of file diff --git a/user/pages_ori6/04.residence/02.current-upcoming/blog.md b/user/pages_ori6/04.residence/02.current-upcoming/blog.md new file mode 100755 index 0000000..db6cc25 --- /dev/null +++ b/user/pages_ori6/04.residence/02.current-upcoming/blog.md @@ -0,0 +1,16 @@ +--- +title: Current +visible: false +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- diff --git a/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg b/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg new file mode 100755 index 0000000..55db037 Binary files /dev/null and b/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/20190611_090033694_iOS.jpg differ diff --git a/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/artistes.md b/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/artistes.md new file mode 100755 index 0000000..5772025 --- /dev/null +++ b/user/pages_ori6/04.residence/02.current-upcoming/emma-prempeh/artistes.md @@ -0,0 +1,13 @@ +--- +residence: true +date: '12-12-2019 13:22' +date_end: '27-02-2020 13:22' +title: 'Emma Prempeh ' +media_order: 20190611_090033694_iOS.jpg +published: true +show_sidebar: false +aura: + pagetype: website +--- + +Recent graduate from Goldsmiths University, Emma Prempeh is currently an artist-in-residence at V.O Curations, completing a new series of work which will be exhibited with V.O Curations in Spring 2020. \ No newline at end of file diff --git a/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG b/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG new file mode 100755 index 0000000..b1c12bc Binary files /dev/null and b/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/Sola Olulode at V.O Curations.JPG differ diff --git a/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/artistes.md b/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/artistes.md new file mode 100755 index 0000000..f9ecedc --- /dev/null +++ b/user/pages_ori6/04.residence/02.current-upcoming/sola-olulode/artistes.md @@ -0,0 +1,12 @@ +--- +date: '14-11-2019 14:54' +date_end: '14-02-2020 14:54' +title: 'Sola Olulode ' +media_order: 'Sola Olulode at V.O Curations.JPG' +show_sidebar: false +aura: + pagetype: website +date_start: '14-11-2019 10:46' +--- + +British-Nigerian artist Sola Olulode is currently completing a three-month residency at V.O Curations working on a new series of paintings where narratives of queer and Black identity culminate in the representation of romantic relationships and their complexities. The artist's end of residency solo show 'Where the ocean meets the beach' will take place at V.O's 12th floor gallery from 13 February to 28 March. \ No newline at end of file diff --git a/user/pages_ori6/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg b/user/pages_ori6/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg new file mode 100755 index 0000000..c4f8cab Binary files /dev/null and b/user/pages_ori6/04.residence/02.current-upcoming/victor-man/Nour El Saleh, Detail 'Four Times as Big, Twice as Small' 2018.jpeg differ diff --git a/user/pages_ori6/04.residence/02.current-upcoming/victor-man/artistes.md b/user/pages_ori6/04.residence/02.current-upcoming/victor-man/artistes.md new file mode 100755 index 0000000..cb8101a --- /dev/null +++ b/user/pages_ori6/04.residence/02.current-upcoming/victor-man/artistes.md @@ -0,0 +1,11 @@ +--- +date_start: '05-06-2019 11:05' +date_end: '05-09-2019 19:43' +title: 'Nour El Saleh' +media_order: 'Nour El Saleh, Detail ''Four Times as Big, Twice as Small'' 2018.jpeg' +date: '05-06-2019 19:43' +show_sidebar: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/04.residence/blog.md b/user/pages_ori6/04.residence/blog.md new file mode 100755 index 0000000..4b6339e --- /dev/null +++ b/user/pages_ori6/04.residence/blog.md @@ -0,0 +1,19 @@ +--- +title: 'In residence' +redirect: /residence/about +show_sidebar: false +content: + items: + - '@self.children' + limit: 5 + order: + by: title + dir: asc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Residencies form the core of VO Curations’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide our residents with a platform to incubate their ideas and showcase them to their international peers and the general public. +Residents are selected to take part in our programmes for up to three months at a time. They are non-prescriptive and process-based and focus on enabling artists to research and develop new work on their own terms in a supportive environment. Made public through events and Open Studios, these opportunities encourage interaction and dialogue between international artists and audiences in London. \ No newline at end of file diff --git a/user/pages_ori6/04.residence/past/archives.md b/user/pages_ori6/04.residence/past/archives.md new file mode 100755 index 0000000..e3399b5 --- /dev/null +++ b/user/pages_ori6/04.residence/past/archives.md @@ -0,0 +1,17 @@ +--- +title: past +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md b/user/pages_ori6/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md new file mode 100755 index 0000000..9d1f4a8 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_'la-boutique-archive-18-20-inaugure-sa-premiere-exposition,-wave-fr/text.md @@ -0,0 +1,10 @@ +--- +title: 'La boutique Archive 18-20 inaugure sa première exposition' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['La boutique Archive 18-20 inaugure sa première exposition', Wave FR](https://wave.fr/en/the-parisian-shop-archive-18-20-opens-its-first-exhibition-239668) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md b/user/pages_ori6/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md new file mode 100755 index 0000000..ab4be0e --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_'phillips-x-vo-curations-presents-perfume-of-thorns'-outset-contemporary/text.md @@ -0,0 +1,9 @@ +--- +title: '‘Phillips x VO Curations Presents Perfume Of Thorns’' +date_event: '23-05-2019 19:30' +date: '23-05-2019 19:30' +aura: + pagetype: website +--- + +[‘Phillips x VO Curations Presents Perfume Of Thorns’, Outset Contemporary](https://outset.org.uk/supported-projects/phillips-x-vo-curations-presents-perfume-of-thorns/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md b/user/pages_ori6/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md new file mode 100755 index 0000000..435e7f8 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_a-look-inside-nour-el-salehs-surreal-exquisite-farces-exhibition-at-vo-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'A Look Inside Nour El Saleh''s Surreal "Exquisite Farces" Exhibition at VO Curations' +date_event: '03-09-2019 19:35' +date: '03-09-2019 19:35' +aura: + pagetype: website +--- + +['A Look Inside Nour El Saleh's Surreal "Exquisite Farces" Exhibition at VO Curations', Hypebeast](https://hypebeast.com/2019/9/nour-el-saleh-exquisite-farces-vo-gallery-info) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md b/user/pages_ori6/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md new file mode 100755 index 0000000..c0606f5 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_baudelaire-vu-par-l'art-contemporain-chez-phillips/text.md @@ -0,0 +1,9 @@ +--- +title: 'Baudelaire vu par l’art contemporain chez Phillips' +date_event: '24-07-2019 19:31' +date: '24-07-2019 19:31' +aura: + pagetype: website +--- + +['Baudelaire vu par l’art contemporain chez Phillips', The Art Newspaper](https://daily.artnewspaper.fr/articles/baudelaire-vu-par-lart-contemporain-chez-phillips) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md b/user/pages_ori6/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md new file mode 100755 index 0000000..76b6dd1 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel-hunger/text.md @@ -0,0 +1,9 @@ +--- +title: 'Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel'', HUNGER' +date_event: '27-08-2019 19:34' +date: '27-08-2019 19:34' +aura: + pagetype: website +--- + +['Dancing Monkeys And Finger Puppets, Nour El Saleh Wants You To Feel', HUNGER](https://www.hungertv.com/editorial/dancing-monkeys-and-finger-puppets-nour-el-saleh-wants-you-to-feel/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md b/user/pages_ori6/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md new file mode 100755 index 0000000..17e6505 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_inside-the-twisted-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'Inside the Twisted World of Nour El Saleh' +date_event: '04-09-2019 19:36' +date: '04-09-2019 19:36' +aura: + pagetype: website +--- + +['Inside the Twisted World of Nour El Saleh', Mille World](https://www.milleworld.com/inside-the-world-of-artist-nour-saleh/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md b/user/pages_ori6/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md new file mode 100755 index 0000000..118becf --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_le-concept-store-archives-18-20-expose-la-jeune-garde-britannique-de-lart-contemporain/text.md @@ -0,0 +1,10 @@ +--- +title: 'Le concept-store Archives 18-20 expose la jeune garde britannique de l''art contemporain' +date_event: '24-04-2019 17:31' +date: '24-04-2019 17:31' +aura: + pagetype: website +class: small +--- + +['Le concept-store Archives 18-20 expose la jeune garde britannique de l'art contemporain', Hypebeast](https://hypebeast.com/fr/2019/4/exposition-paris-archives-18-20-alfie-kungu-frederic-plateus) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md b/user/pages_ori6/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md new file mode 100755 index 0000000..797ff5f --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_light-cages-dillwyn-smith-at-v-o-curations/text.md @@ -0,0 +1,9 @@ +--- +title: 'Light Cages - Dillwyn Smith at V.O. Curations' +date_event: '05-11-2019 19:38' +date: '05-11-2019 19:38' +aura: + pagetype: website +--- + +['Light Cages - Dillwyn Smith at V.O. Curations', Wall Street International](https://wsimag.com/art/58618-light-cages) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md b/user/pages_ori6/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md new file mode 100755 index 0000000..2306827 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_nour-el-saleh's-exquisite-farces-to-kick-off-vo-curations'-new-calendar/text.md @@ -0,0 +1,9 @@ +--- +title: 'Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar' +date_event: '27-08-2019 19:32' +date: '27-08-2019 19:32' +aura: + pagetype: website +--- + +['Nour El Saleh’s “Exquisite Farces” to kick off VO Curations’ new calendar', FAD Magazine](https://fadmagazine.com/2019/08/27/nour-el-salehs-exquisite-farces-to-kick-off-vo-curations-new-calendar/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_parfum-depines-exposition-collective/text.md b/user/pages_ori6/05.news/01.press/_parfum-depines-exposition-collective/text.md new file mode 100755 index 0000000..f8cab22 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_parfum-depines-exposition-collective/text.md @@ -0,0 +1,9 @@ +--- +title: '''Parfum d''Épines Exposition Collective''' +date_event: '16-07-2019 19:30' +date: '16-07-2019 19:30' +aura: + pagetype: website +--- + +['Parfum d'Épines Exposition Collective' , One Arty Minute](https://oneartyminute.com/agenda/parfum-depines.html) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_sam-cornish-on-olivia-bax/text.md b/user/pages_ori6/05.news/01.press/_sam-cornish-on-olivia-bax/text.md new file mode 100755 index 0000000..b48f56f --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_sam-cornish-on-olivia-bax/text.md @@ -0,0 +1,10 @@ +--- +title: 'Sam Cornish on Olivia Bax' +date_event: '16-08-2018 17:31' +date: '16-08-2018 17:31' +aura: + pagetype: website +class: small +--- + +['Sam Cornish on Olivia Bax', Instantloveland](https://instantloveland.com/wp/2018/08/16/sam-cornish-on-olivia-bax/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md b/user/pages_ori6/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md new file mode 100755 index 0000000..fba2743 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_the-surreal-world-of-nour-el-saleh/text.md @@ -0,0 +1,9 @@ +--- +title: 'the Surreal World of Nour El Saleh' +date_event: '01-10-2019 19:37' +date: '01-10-2019 19:37' +aura: + pagetype: website +--- + +['The Surreal World of Nour El Saleh', Jdeed Magazine](http://jdeedmagazine.com/the-surreal-world-of-nour-el-saleh/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_vo-curations-93-baker-street/text.md b/user/pages_ori6/05.news/01.press/_vo-curations-93-baker-street/text.md new file mode 100755 index 0000000..a174c30 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_vo-curations-93-baker-street/text.md @@ -0,0 +1,10 @@ +--- +title: 'VO Curations ''93 Baker Street' +date_event: '20-10-2018 17:31' +date: '20-10-2018 17:31' +aura: + pagetype: website +class: small +--- + +['VO Curations '93 Baker Street'', Outset Contemporary](https://outset.org.uk/supported-projects/vo-curations-93-baker-street/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md b/user/pages_ori6/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md new file mode 100755 index 0000000..5775f51 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/_vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/text.md @@ -0,0 +1,9 @@ +--- +title: 'VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene' +date_event: '20-05-2019 19:29' +date: '20-05-2019 19:29' +aura: + pagetype: website +--- + +['VO Curations the new curatorial platform based between London and Paris taking over the emerging art scene', FAD Magazine](https://fadmagazine.com/2019/05/20/vo-curations-the-new-curatorial-platform-based-between-london-and-paris-taking-over-the-emerging-art-scene/) \ No newline at end of file diff --git a/user/pages_ori6/05.news/01.press/modular.md b/user/pages_ori6/05.news/01.press/modular.md new file mode 100755 index 0000000..7075705 --- /dev/null +++ b/user/pages_ori6/05.news/01.press/modular.md @@ -0,0 +1,13 @@ +--- +title: press +content: + items: '@self.modular' + order: + by: date + dir: desc +body_classes: modular +visible: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg b/user/pages_ori6/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg new file mode 100755 index 0000000..f7527f6 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_242-marylebone/242-Marylebone-Road_1-1024x769.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_242-marylebone/news.md b/user/pages_ori6/05.news/02.news/_242-marylebone/news.md new file mode 100755 index 0000000..97f0020 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_242-marylebone/news.md @@ -0,0 +1,9 @@ +--- +title: 'OPENING: 242 Marylebone ' +media_order: 242-Marylebone-Road_1-1024x769.jpg +date: '30-11-2019 13:54' +date_end: '31-12-2021 19:53' +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg b/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg new file mode 100755 index 0000000..b69bc28 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/Adriano Amaral, Untitled, 2018.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md b/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md new file mode 100644 index 0000000..c69b348 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_adriano-amaral-et-al-euphoria-tick-tack-antwerpen-belgium/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Adriano Amaral, Et Al., ''Euphoria'', Tick Tack, Antwerpen, Belgium' +media_order: 'Adriano Amaral, Untitled, 2018.jpg' +date: '09-11-2019 14:49' +date_end: '21-12-2019 14:50' +url_news: 'https://www.ticktack.be/exhibitions/euphoria-curated-by-domenico-de-chirico' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png b/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png new file mode 100755 index 0000000..6f6be8d Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/Daiga Grantina, 'What Eats Around Itself', New Museum.png differ diff --git a/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md b/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md new file mode 100644 index 0000000..1829175 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_daiga-grantina-what-eats-around-itself-new-museum-new-york-usa/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Daiga Grantina, ''What Eats Around Itself'', New Museum, New York, USA' +media_order: 'Daiga Grantina, ''What Eats Around Itself'', New Museum.png' +date: '21-01-2020 14:41' +date_end: '05-09-2020 14:41' +url_news: 'https://www.newmuseum.org/exhibitions/view/daiga-grantina-what-eats-around-itself' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png b/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png new file mode 100755 index 0000000..bdcadea Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/Frédéric Platéus.png differ diff --git a/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.en.md b/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.en.md new file mode 100644 index 0000000..44c4a14 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_frederic-plateus-et-al-mixed-pickles-6-ruttowski-cologne-germany/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Frédéric Platéus, Et Al., ''Mixed Pickles 6'' Ruttowski, Cologne, Germany' +media_order: 'Frédéric Platéus.png' +date: '15-12-2019 14:16' +date_end: '12-01-2020 14:16' +url_news: 'https://www.ruttkowski68.com/exhibition/mixed-pickles-6/' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg b/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg new file mode 100755 index 0000000..f873afa Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/Isaac Lythgoe 'Railway Spine'.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.en.md b/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.en.md new file mode 100644 index 0000000..1fd900a --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_isaac-lythgoe-railway-spine-super-dakota-brussels-belgium/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Isaac Lythgoe, ''Railway Spine'', Super Dakota, Brussels, Belgium' +media_order: 'Isaac Lythgoe ''Railway Spine''.jpg' +date: '09-01-2020 14:20' +date_end: '25-02-2020 14:21' +url_news: 'http://www.superdakota.com/exhibitions/isaac-lythgoe-railway-spine' +published: true +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg new file mode 100755 index 0000000..1d6a8f5 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/Jean-Marie Appriou, Biennale de Lyon, Lyon, France .jpg differ diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md new file mode 100644 index 0000000..ef8264f --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-biennale-de-lyon-lyon-france/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Jean-Marie Appriou, Biennale de Lyon, Lyon, France' +date: '18-09-2019 19:52' +date_end: '05-01-2020 19:52' +url_news: 'https://www.biennaledelyon.com/en/artistes/jean-marie-appriou-2/' +published: true +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg new file mode 100755 index 0000000..f779c2e Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/Jean-Marie Appriou, Consortium Museum, Dijon, France .jpeg differ diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.en.md b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.en.md new file mode 100644 index 0000000..3c5609c --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-consortium-museum-dijon-france/news.en.md @@ -0,0 +1,11 @@ +--- +title: 'Jean-Marie Appriou, ''Seabed'', Consortium Museum, Dijon, France' +date: '29-11-2019 19:44' +date_end: '12-04-2020 19:44' +url_news: 'https://www.leconsortium.fr/en/jean-marie-appriou' +published: true +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg new file mode 100755 index 0000000..008e08a Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg differ diff --git a/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.en.md b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.en.md new file mode 100644 index 0000000..32d5a26 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_jean-marie-appriou-the-horses-central-park-new-york-usa/news.en.md @@ -0,0 +1,12 @@ +--- +title: 'Jean-Marie Appriou, ''The Horses'', Central Park, New York, USA' +media_order: 'Jean-Marie Appriou _The Horses_, Central Park, New York, USA .jpg' +date: '11-09-2019 19:55' +date_end: '15-12-2020 19:55' +url_news: 'https://www.publicartfund.org/view/exhibitions/6708_jean-marie_appriou_the_horses' +published: true +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg new file mode 100755 index 0000000..22f0c94 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 01.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg new file mode 100755 index 0000000..8e44cfb Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 02.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg new file mode 100755 index 0000000..cf24daf Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/Oda Jaune, Galerie Templon, Paris, France 03.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md new file mode 100755 index 0000000..6a10e7f --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_oda-jaune-'beyond-gravity'-galerie-templon-paris-france/news.md @@ -0,0 +1,12 @@ +--- +title: 'Oda Jaune, ‘Beyond Gravity’, Galerie Templon, Paris, France' +media_order: 'Oda Jaune, Galerie Templon, Paris, France 01.jpg,Oda Jaune, Galerie Templon, Paris, France 02.jpg,Oda Jaune, Galerie Templon, Paris, France 03.jpg' +date: '26-10-2019 19:50' +date_end: '21-12-2019 19:50' +url_news: 'https://www.templon.com/new/exhibition.php?la=en&show_id=657' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg b/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg new file mode 100755 index 0000000..f12b644 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/Olivia Bax Et Al., 'Adieu to Old England, The Kids are Alright', Choi & Larger.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md b/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md new file mode 100755 index 0000000..2242c44 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_olivia-bax-ben-edmunds-et-al-adieu-to-old-england-the-kids-are-alright-choi-and-larger-cologne-germany/news.md @@ -0,0 +1,11 @@ +--- +title: 'Olivia Bax, Ben Edmunds, Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger, Cologne, Germany' +media_order: 'Olivia Bax Et Al., ''Adieu to Old England, The Kids are Alright'', Choi & Larger.jpg' +date: '22-11-2019 14:36' +date_end: '16-02-2020 14:36' +url_news: 'http://www.choiandlager.com/pressrelease.php?exb_id=62' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg b/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg new file mode 100755 index 0000000..17e698b Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/Olivia Bax 'Chute', Ribot .jpeg differ diff --git a/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md b/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md new file mode 100755 index 0000000..243531f --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_olivia-bax-chute-ribot-milan-italy/news.md @@ -0,0 +1,10 @@ +--- +title: 'Olivia Bax, ''Chute'', Ribot, Milan, Italy' +date: '20-11-2019 14:27' +date_end: '08-02-2020 14:27' +url_news: 'https://www.ribotgallery.com/copia-di-olivia-bax' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/PW_Entsprechung V_2019_1wide.jpg b/user/pages_ori6/05.news/02.news/_pedro-wirz-et-al-'mask'-aargauer-kunsthaus-aarau-switzerland/PW_Entsprechung V_2019_1wide.jpg new file 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Al., ‘Mask’, Aargauer Kunsthaus, Aarau, Switzerland' +media_order: 'PW_Entsprechung V_2019_1wide.jpg' +date: '01-09-2019 19:57' +date_end: '05-01-2020 19:57' +url_news: 'https://www.aargauerkunsthaus.ch/en/exhibitions/2019/?cHash=f867964c062f766bfe5162ff98365282&showUid=524' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg new file mode 100755 index 0000000..9fb1e5d Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/Srijon Chowdhury, 'A Divine Dance', Anat Ebgi.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md new file mode 100755 index 0000000..a907317 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-a-divine-dance-anat-ebgi-los-angeles-usa/news.md @@ -0,0 +1,12 @@ +--- +title: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi, Los Angeles, USA' +media_order: 'Srijon Chowdhury, ''A Divine Dance'', Anat Ebgi.jpg' +date: '02-11-2019 19:48' +date_end: '14-12-2019 19:48' +url_news: 'https://anatebgi.com/cpt_exhibitions/solo-exhibition/' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png new file mode 100755 index 0000000..be67299 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/Srijon Chowdhury.png differ diff --git a/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md new file mode 100755 index 0000000..b315aaa --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_srijon-chowdhury-foxy-production-new-york-usa/news.md @@ -0,0 +1,11 @@ +--- +title: 'Srijon Chowdhury, Foxy Production, New York, USA' +media_order: 'Srijon Chowdhury.png' +date: '06-03-2020 14:23' +date_end: '19-04-2020 14:23' +url_news: 'https://www.foxyproduction.com/exhibitions/1741/pr' +published: false +aura: + pagetype: website +--- + diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg b/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg new file mode 100755 index 0000000..27f62ee Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg differ diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md b/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md new file mode 100755 index 0000000..fdbb011 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_victor-man-et-al-claude-mirrors-schinkel-pavillon-berlin-germany/news.md @@ -0,0 +1,12 @@ +--- +title: 'Victor Man, Et Al., ''Claude Mirrors'', Schinkel Pavillon, Berlin, Germany ' +media_order: 'Victor Man, Et Al. _Claude Mirrors_, Schinkel Pavillon, Berlin, Germany .jpeg' +date: '11-09-2019 19:54' +date_end: '15-12-2019 19:54' +url_news: 'https://www.schinkelpavillon.de/exhibition/claude-mirrors/' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png b/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png new file mode 100755 index 0000000..e254470 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png differ diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md b/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md new file mode 100755 index 0000000..e4ffeb2 --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_victor-man-et-al-la-plage-galleria-zero-milan-italy/news.md @@ -0,0 +1,12 @@ +--- +title: 'Victor Man, Et. Al., ''La Plage'', Galleria Zero, Milan, Italy' +media_order: 'Victor Man, Et. Al., _La Plage_, Galleria Zero, Milan, Italy.png' +date: '07-11-2019 19:47' +date_end: '18-01-2020 19:47' +url_news: 'https://www.galleriazero.it/' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg b/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg new file mode 100755 index 0000000..431c609 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/T14776_9.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md b/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md new file mode 100755 index 0000000..dbf619a --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_victor-man-et-al-louise-giovanelli-manchester-art-gallery-manchester-uk/news.md @@ -0,0 +1,12 @@ +--- +title: 'Victor Man, Et. Al., ''Louise Giovanelli'', Manchester Art Gallery, Manchester, UK' +media_order: T14776_9.jpg +date: '06-06-2019 19:59' +date_end: '19-04-2020 19:59' +url_news: 'http://manchesterartgallery.org/exhibitions-and-events/exhibition/louise-giovanelli/' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg b/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg new file mode 100755 index 0000000..878a7c4 Binary files /dev/null and b/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/Victor Man, Et Al., On the Spiritual Matter of Art.jpg differ diff --git a/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md b/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md new file mode 100755 index 0000000..607d41e --- /dev/null +++ b/user/pages_ori6/05.news/02.news/_victor-man-et-al-on-the-spiritual-matter-of-art-museo-nazionale-delle-arti-del-xxi-secolo-roma-italy/news.md @@ -0,0 +1,12 @@ +--- +title: 'Victor Man, Et Al., On the Spiritual Matter of Art, Museo nazionale delle arti del XXI secolo, Roma, Italy' +media_order: 'Victor Man, Et Al., On the Spiritual Matter of Art.jpg' +date: '17-10-2019 19:51' +date_end: '08-03-2020 19:51' +url_news: 'https://www.maxxi.art/en/events/della-materia-spirituale-dell-arte/' +published: false +aura: + pagetype: website +show_sidebar: false +--- + diff --git a/user/pages_ori6/05.news/02.news/modular.md b/user/pages_ori6/05.news/02.news/modular.md new file mode 100755 index 0000000..e5abeaa --- /dev/null +++ b/user/pages_ori6/05.news/02.news/modular.md @@ -0,0 +1,12 @@ +--- +title: News +content: + items: '@self.modular' + order: + by: 'date' + dir: 'desc' +body_classes: modular +visible: false +aura: + pagetype: website +--- diff --git a/user/pages_ori6/05.news/blog.md b/user/pages_ori6/05.news/blog.md new file mode 100755 index 0000000..885ad26 --- /dev/null +++ b/user/pages_ori6/05.news/blog.md @@ -0,0 +1,18 @@ +--- +title: News +redirect: /news/news +show_sidebar: false +content: + items: + - '@self.children' + limit: 0 + order: + by: date + dir: desc + pagination: true + url_taxonomy_filters: true +aura: + pagetype: website +--- + +Salut, News diff --git a/user/pages_ori6/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg b/user/pages_ori6/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg new file mode 100755 index 0000000..152d19c Binary files /dev/null and b/user/pages_ori6/06.about/Install,_Daiga_Grantina,_Robert_Brambora.jpg differ diff --git a/user/pages_ori6/06.about/default.md b/user/pages_ori6/06.about/default.md new file mode 100755 index 0000000..5ca2c91 --- /dev/null +++ b/user/pages_ori6/06.about/default.md @@ -0,0 +1,19 @@ +--- +title: About +media_order: 'Install,_Daiga_Grantina,_Robert_Brambora.jpg' +aura: + pagetype: article +hero_classes: '' +hero_image: '' +show_sidebar: '0' +content: + items: '- ''@self.children''' + limit: '5' + order: + by: date + dir: desc + pagination: '1' + url_taxonomy_filters: '1' +--- + +Founded in 2018 by Zina Vieille and Nnamdi Obiekwe, V.O Curations supports emerging art through affordable studio programmes, artist residencies and exhibition spaces in Central London. The diverse set of talents from multiple backgrounds and experiences, aim to share personal identities through their work in a collective melting pot. V.O positions itself at the intersection of artist and institution, providing resourceful and supportive environments filled with various opportunities. 12th Floor in Waterloo serves as their lead London location, launched within the former studio of David Chipperfield, and welcomes young international artists to collaborate towards themed exhibitions throughout the year. Upcoming this November, V.O Studios will unveil a new space, 242 Marylebone Road, becoming one of the largest studio facilities in Central London hosting up to 100 artists. \ No newline at end of file diff --git a/user/pages_ori6/07.visit-us/_Waterloo/map.md b/user/pages_ori6/07.visit-us/_Waterloo/map.md new file mode 100755 index 0000000..3e515f0 --- /dev/null +++ b/user/pages_ori6/07.visit-us/_Waterloo/map.md @@ -0,0 +1,17 @@ +--- +title: Waterloo +media_order: 'tower building.jpg' +H_open: 'Wednesday — Saturday' +H_time: '11am — 5pm' +map: true +street: '12th Floor, The Tower Building, 11 York Rd,' +city: 'SE1 7NX London' +x: '51.5039677' +'y': '-0.1169142' +aura: + pagetype: website +class: small +image_align: left +--- + +info@vocurations.com \ No newline at end of file diff --git a/user/pages_ori6/07.visit-us/_Waterloo/tower building.jpg b/user/pages_ori6/07.visit-us/_Waterloo/tower building.jpg new file mode 100755 index 0000000..eb49afe Binary files /dev/null and b/user/pages_ori6/07.visit-us/_Waterloo/tower building.jpg differ diff --git a/user/pages_ori6/07.visit-us/_marylebone/242-Marylebone-Road.jpg b/user/pages_ori6/07.visit-us/_marylebone/242-Marylebone-Road.jpg new file mode 100755 index 0000000..23be4aa Binary files /dev/null and b/user/pages_ori6/07.visit-us/_marylebone/242-Marylebone-Road.jpg differ diff --git a/user/pages_ori6/07.visit-us/_marylebone/map.md b/user/pages_ori6/07.visit-us/_marylebone/map.md new file mode 100755 index 0000000..1fb2f3a --- /dev/null +++ b/user/pages_ori6/07.visit-us/_marylebone/map.md @@ -0,0 +1,16 @@ +--- +title: Marylebone +media_order: 242-Marylebone-Road.jpg +map: true +street: '242 Marylebone Rd,' +city: ' London NW1 6JQ' +x: '51.52117' +'y': '-0.16330' +aura: + pagetype: website +class: small +H_close: '09-11-2019 18:00' +image_align: left +--- + +Open to the public during programmed exhibitions and events. See [_What’s On_](https://vocurations.com/whats-on/exhibitions/current-upcoming) to find out more diff --git a/user/pages_ori6/07.visit-us/modular.md b/user/pages_ori6/07.visit-us/modular.md new file mode 100755 index 0000000..5181e12 --- /dev/null +++ b/user/pages_ori6/07.visit-us/modular.md @@ -0,0 +1,17 @@ +--- +title: 'Visit us' +content: + items: '@self.modular' + order: + by: Title + dir: asc + limit: '5' + pagination: '1' + url_taxonomy_filters: '1' +aura: + pagetype: website +hero_classes: '' +hero_image: '' +show_sidebar: '0' +--- + diff --git a/user/themes/vocurations/templates/home.html.twig b/user/themes/vocurations/templates/home.html.twig index 5bd1ea2..65a2e92 100644 --- a/user/themes/vocurations/templates/home.html.twig +++ b/user/themes/vocurations/templates/home.html.twig @@ -20,16 +20,14 @@ {% set first_event = { items: {'@page.children':'/whats-on/exhibitions/current-upcoming'} } %} {% set Efirst = page.collection(first_event) %} + {% set options = { items: {'@root.descendants':''}} %} - {% set options2 = { items: {'@page.modular':'/news/news/'}} %} - {% set options3 = { items: {'@page.children':'/residence/current-upcoming'}} %} + {% set options2 = { items: {'@page.children':'/residence/current-upcoming'}} %} {% set collection1 = page.collection(options) %} {% set collection2 = page.collection(options2) %} - {% set collection3 = page.collection(options3) %} - {% set mergeCollect12 = collection1.merge(collection2) %} - {% set mergeCollectTT = mergeCollect12.merge(collection3).order('date', 'desc') %} + {% set mergeCollect = collection1.merge(collection2).order('date', 'desc') %} {% for siblings in Efirst %} {% if siblings.header.topH == true %} @@ -39,8 +37,8 @@ {% set count = 0 %} - {% for siblings in mergeCollectTT %} - {% if siblings.template == 'events' and siblings.header.topH != true or siblings.template == 'artistes' or siblings.template == 'modular/news' %} + {% for siblings in mergeCollect %} + {% if siblings.template == 'events' and siblings.header.topH != true or siblings.template == 'artistes' %} {% if siblings.header.date|date('Ymd') >= "now"|date('Ymd') or siblings.header.date_end == true and siblings.header.date_end|date('Ymd') >= "now"|date("Ymd") %} {% set count = count + 1 %} diff --git a/user/themes/vocurations/templates/partials/LISEZ-MOI b/user/themes/vocurations/templates/partials/LISEZ-MOI new file mode 100644 index 0000000..3735c0b --- /dev/null +++ b/user/themes/vocurations/templates/partials/LISEZ-MOI @@ -0,0 +1,19 @@ +Bonjour, + +n'effacez pas les deux rpertoires www et cgi-bin : + - www est destin accueillir vos pages web (*.html *.php) + les pages seront visibles en utilisant l'adresse suivante: + http://www.votre-domaine.tld/ + - cgi-bin peut servir installer certains scripts cgi + http://www.votre-domaine.tld/cgi-bin + +pour les hbergergement du type 60gp (et donc pas les +mailplans) : +dans le rpertoire www/panel (http://www.votre-domaine.tld/panel) +se trouvent quelques scripts utiles (utilisez votre login et votre +password pour y acceder) : + - phpmyadmin : permet de grer votre base de donnes MySQL + http://www.votre-domaine.tld/panel/phpmyadmin + +Amicalement +L'quipe d'OVH diff --git a/user/themes/vocurations/templates/partials/base.html.twig b/user/themes/vocurations/templates/partials/base.html.twig index 4d914e1..b10647d 100644 --- a/user/themes/vocurations/templates/partials/base.html.twig +++ b/user/themes/vocurations/templates/partials/base.html.twig @@ -20,12 +20,11 @@ {% block stylesheets %} {% do assets.addCss('theme://css-compiled/theme'~compress) %} - {% do assets.addCss('theme://css/custom.css') %} {% do assets.addCss('theme://css/jquery.mCustomScrollbar.min.css') %} {% endblock %} {% block javascripts %} - + {% do assets.addJs('jquery', 101) %} {% do assets.addJs('theme://js/jquery.treemenu.js', {group:'bottom'}) %} diff --git a/user/themes/vocurations/templates/partials/blog-item.html.twig b/user/themes/vocurations/templates/partials/blog-item.html.twig index c12f9ce..5d19116 100644 --- a/user/themes/vocurations/templates/partials/blog-item.html.twig +++ b/user/themes/vocurations/templates/partials/blog-item.html.twig @@ -15,7 +15,7 @@ {% if images %}
{% for images in page.media.images %} - {% set captions = images.filename|humanize|regex_replace(['/.jpg/','/.png/','/.pdf/'], [' ',' ',' ']) %} + {% set captions = images.filename|humanize|regex_replace(['/.jpg/','/.jpeg/','/.png/','/.pdf/'], [' ',' ',' ',' ']) %}
{{images.derivatives(320,1920,300).sizes('(max-width:100vw) 100vw, 50vw').html(captions, 'images article')}} {% if page.template != "artistes" %} @@ -33,6 +33,7 @@
+
{{ page.content|raw }}