Scrollreveal+cat+datenews

2019-01-07 11:43:39 +01:00
parent e4cac3d01e
commit 762a1ad170
3158 changed files with 140699 additions and 73915 deletions
@@ -1,28 +1,11 @@
 ---
-title: 'Projets N°1'
-media_order: 'Airbag_2.jpg,Airbag_2.jpg,nv_ivry_w.jpg'
+title: 'Laboratory Planet II'
+media_order: '2018_IMG_7638_WEB.jpg,2018_IMG_7669_WEB.jpg,2018_PL_HEK_01_WEB.jpg,2018_PL_IMG_7554_WEB.jpg,2018_PL_IMG_7560_WEB.jpg,2018_PL_IMG_7573_WEB.jpg,2018_PL_IMG_7577_WEB.jpg,2018_PL_IMG_7695_WEB.jpg,2018_PL_IMG_7704_WEB.jpg,2018_PL_IMG_7705_WEB.jpg,PL_2018_IMG_1232_WEB.jpg'
 taxonomy:
-    tag:
-        - clouds
-        - train
-        - 'urban space'
-        - commissions
+    category:
+        - installation
+        - gallery
 continue_link: true
 ---

-Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices.
-
-On appelle [Lipsum](htp://kevintessier.net) un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition.
-Caractère pratique et non-sens du contenu
-
-Les faux-textes sont également couramment employés à des fins de présentation et de comparaison de la maquette et des variantes typographiques. Ces textes sont pour la plupart sans valeur sémantique, leurs contenus en soit sont dénués de sens. La perception humaine étant apte à intégrer certaines formes et certains schémas de répétitions à la lecture, l'inintelligibilité de leur contenu reste la principale raison de leur utilisation répandue dans le domaine du graphisme. Si tant est que la répartition et la longueur des "mots" reste arbitraire, ceux-ci ne détournent alors en rien l'attention du lecteur de l'appréciation de l'effet visuel et de la lisibilité des polices de caractère (typographies), tout autant que de la disposition et du calibrage du texte sur la page (mise-en-page et surface de composition). C'est pourquoi les faux-textes consistent souvent en une suite plus ou moins arbitraire de mots ou de syllabes. Les schémas de répétitions ne peuvent donc plus troubler l'impression générale, et les typographies peuvent être comparées plus aisément. D'autre part, il est avantageux que le faux-texte reste relativement réaliste, afin que la maquette corresponde au produit final et que la future publication n'en soit pas altérée.
-Français ou Latin ? Inintelligibilité ou lisibilité ? Telles sont les questions
-
-Le plus courant et plus connu des Faux-texte reste "Lorem ipsum", dont les origines semblent remonter au 16ème siècle. Lorem ipsum est rédigé en un pseudo-Latin, relativement proche du Latin réel. Contenant toute une série de vrais mots latins, et imitant le rythme de la plupart des langues européennes ayant une base latine, il n'en reste pas moins incompréhensible. L'avantage de l'origine latine doublée du non-sens du contenu du Lorem ipsum, permet d'éviter au lecteur d'être distrait par le contenu du texte, et par là même de focaliser son attention sur la conception graphique.
-
-L'utilisation du latin présente tout de même un désavantage, qui est celui de l'absence ou de la présence répétées de certains caractères, pouvant parfois fausser la présentation définitive de l'impression. Par exemple, Le fait que seul les débuts de phrases contiennent une majuscule, font du Latin une langue ne pouvant fidèlement simuler un texte en allemand, dont la règle veut que chaque substantif commence par une majuscule. De ce fait, le Lorem ipsum ne reste que partiellement adapté en tant que substitut visuel pour des textes en allemand. Ceci étant un exemple parmi tant d'autres, Il est donc judicieux - dans le cas précis de l'utilisation de faux-textes dans un but de comparaison des singularités typographiques - de choisir des textes contenant les caractères spéciaux et lettres spécifiques aux langues employées.
-
-Il existe entre temps une foultitude de faux-textes lisibles, essentiellement utilisés quand leur fonction s'arrête à celle du simple texte de remplissage. Ces alternatives au "Lorem ipsum" classique sont souvent amusantes et racontent de petites histoires légères et comico-absurdes.
-Origine et signification du Lorem ipsum
-
-La plupart des sources attribuent l'origine du Lorem ipsum à un texte de Ciceron datant de de 45 av. J-C. Un professeur de Latin retraça récemment l'origine du Lorem ipsum, en appuyant ses recherches sur l'un des mots les plus obscurs du texte : "consectetur", pour finalement retrouver la concordance dans un des passages du traité de Ciceron "De finibus bonorum et malorum ("Des termes extrêmes des biens et des maux""), texte largement connu au Moyen-âge : "Neque porro quisquam est, qui dolorem ipsum, quia dolor sit, amet, consectetur, adipisci velit [...]", (soit : « Il n'existe personne qui aime la souffrance pour elle-même, ni qui la recherche ni qui la veuille pour ce qu'elle est... »). Un Lorem ipsum typique donnant à peu de choses près ceci : "Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labo
+Planete Laboratoire II was reworked...
@@ -0,0 +1,10 @@
+---
+title: 'When the Future was about Fracking'
+media_order: 'FD_2016_IMG_6722_WEB.jpg,FD_2016__IMG_6773_WEB.jpg,FD_2016_IMG_6732_WEB.jpg,FD_2016_IMG_6738_WEB.jpg,FD_2016_IMG_6741_WEB.jpg,FD_2016_IMG_6765_WEB.jpg,FD_2016_IMG_6771_WEB.jpg,FD_2016_IMG_6775_WEB.jpg,FD_2016_IMG_6780_WEB.jpg,FD_2016_IMG_6781_WEB.jpg'
+taxonomy:
+    category:
+        - installation
+        - gallery
+continue_link: true
+---
+
@@ -0,0 +1,11 @@
+---
+title: 'Gone with the Wind'
+media_order: '2016_GWW_MG_3365_WEB.jpg,2016_GWW_MG_3374_WEB.jpg,2016_GWW_MG_3397_WEB.jpg,2016_GWW_MG_3449_WEB.jpg,2016_GWW_MG_3456_WEB.jpg,2016_GWW_MG_3496_WEB.jpg,2016_GWW_MG_3501_WEB.jpg,2016_GWW_MG_3513_WEB.jpg,2016_GWW_MG_3515_WEB.jpg,2016_GWW_MG_3517_WEB.jpg,2016_GWW_Poster.jpg'
+taxonomy:
+    category:
+        - installation
+    tag:
+        - 'urban space'
+continue_link: true
+---
+
@@ -0,0 +1,14 @@
+---
+title: 'Laboratory Planet I '
+media_order: hehe_cat_MG_4475_globe_flatw.jpg
+taxonomy:
+    category:
+        - gallery
+        - installation
+    tag:
+        - clouds
+continue_link: true
+---
+
+LABORATORY PLANET
+video HD
@@ -0,0 +1,17 @@
+---
+title: 'Air Deluxe'
+media_order: domus-hehe-air-deluxe-07.jpg.foto.rmedium.png
+taxonomy:
+    tag:
+        - 'urban space'
+        - commissions
+continue_link: true
+---
+
+Air Deluxe
+Un été pas comme les autres dans une rue pas comme les autres 
+15 juin – 5 septembre 2017
+
+Après le projet Swings (2016) de l’artiste luxembourgeois Max Mertens, le Casino Luxembourg a invité 7 artistes internationaux à participer au concours lancé par l’Association Rue Philippe II en collaboration avec la Ville de Luxembourg. Pour l'édition 2017, un jury* a sélectionné l’installation temporaire AIR DELUXE de HeHe qui sera inaugurée le 15 juin « dans le ciel » de la rue Philippe II et de l’avenue de la Porte-Neuve.  
+
+* L’installation AIR DELUXE ressemble à un ciel de « nuages » formés et réalisés à partir de tubes d’aération. Ces « nuages » sont en quelque sorte la métaphore poétique de l’air pur et frais devenu « un produit de luxe » pour de nombreuses villes dans le monde. Le couple d’artistes anglo-allemand Helen Evans et Heiko Hansen (HeHe) évoquent dans leur travail les problèmes de la pollution de l’air, ainsi que la volonté illusoire et utopique de l’homme de dompter la nature et de maîtriser en même temps tous les problèmes climatiques. Ce travail renoue, par ailleurs, avec leur publication récente Man made clouds sur les nuages créés artifiellement par l’homme (smog, fumées, nuages radioactifs etc.).
@@ -0,0 +1,11 @@
+---
+title: 'rRadiant Tree'
+media_order: 'Radiant Tree small 02.jpg,Radiant Tree small 01.jpg,Radiant Tree Zagreb 1.jpg'
+taxonomy:
+    category:
+        - installation
+    tag:
+        - 'urban space'
+continue_link: true
+---
+
@@ -0,0 +1,12 @@
+---
+title: 'Fracking Futures'
+media_order: 'Fracking Futurs.jpg'
+taxonomy:
+    category:
+        - gallery
+        - installation
+    tag:
+        - clouds
+continue_link: true
+---
+
@@ -0,0 +1,12 @@
+---
+title: Undercurrent
+media_order: 'Under Current.jpg,Undercurrent.jpg'
+taxonomy:
+    category:
+        - installation
+    tag:
+        - 'urban space'
+        - commissions
+continue_link: true
+---
+
@@ -1,8 +1,14 @@
 ---
-title: projets
+title: Projets
 content:
-  items:
-    - '@self.children'
+    items:
+        - '@self.children'
+    limit: 0
+    order:
+        by: date
+        dir: desc
+    pagination: true
+    url_taxonomy_filters: true
 ---

 fvqfbfdqv efvf
@@ -0,0 +1,15 @@
+---
+title: '2050. A Brief History of the Future'
+image_align: left
+date_start: 24-05-2019
+date_end: '09-01-2019 00:00'
+---
+
+[The National Taiwan Museum of Fine Arts](http://english.ntmofa.gov.tw/English/ShowInfomation_1.aspx?SN=4981&n=10135), Taichung
+
+24 March — 3 June 2018
+
+2050 is a future point in time that has not yet arrived. Many projections of the future of humankind envision the changes and appearances of our lifeworld in the year 2050. These yet unarrived times and objects are not far from our present and combine the history we have once experienced with humankind’s goals and aspirations for an ideal future life, drawing a possible blueprint for the future. The exhibition “2050, A Brief History of the Future” aims to discuss the future world by looking at the development of human material civilization. The exhibition invites a total of more than fifty participating artists from Taiwan and abroad to adopt an angle of thinking about and probing the future from the point of view of contemporary works of art in exploring many of the social issues in today’s world. The works are rich and diverse, and filled with many thought-provoking and inspirational new creations.
+ 
+This is the first international exchange exhibition to be co-organized by the National Taiwan Museum of Fine Arts and the Royal Museums of Fine Arts of Belgium. 
+The exhibition is curated by Pierre-Yves Desaive.
@@ -0,0 +1,13 @@
+---
+title: 'AIR DELUXE '
+media_order: airdeluxe_nocrop.jpg
+image_align: left
+date_start: '23-05-2019 15:01'
+---
+
+[Casino Forum d'Art Contemporain](http://www.casino-luxembourg.lu/fr/Expositions/Air-Deluxe) / [Un été pas comme les autres](http://www.philippe2.lu/2017/) 
+commisioned for Rue Phillipe II RUE PHILLIPE II LUXEMBURG
+
+15.06.2017-05.09.2017
+
+the Casino Luxembourg invited seven international artists to take part in a competition launched by the Association Rue Philippe II in collaboration with Luxembourg City. For the 2017 edition, a jury* selected the temporary installation AIR DELUXE by HeHe which was unveiled on 15 June 2017 ‘in the skies' of rue Philippe II and avenue de la Porte-Neuve. 
@@ -0,0 +1,20 @@
+---
+title: 'PLANETE LABORATOIRE - HeHe'
+media_order: ardonome_VISUEL_BAC_w.jpg
+image_align: left
+date: '31-03-2018 18:00'
+publish_date: '03-06-2018 18:00'
+---
+
+[ARDENOME](https://www.ardenome.fr/expositionplanetelaboratoire#!)  - l'ancien Grenier à Sel
+2, rue du rempart Saint Lazare - Avignon
+
+31/03/2018 — 3/06/2018
+
+For the inauguration of the Ardenome, EDIS, in collaboration with the Bipolar agency, presents the first major exhibition in France of HeHe. In this exhibition, the artists unveil a significant selection of works created since 2007, completed by an installation
+in situ "Radiant Tree" and a new creation "Absynth" whose monumental version will be presented in March 2018 at La Villette as part of the Nemo International Biennial of Digital Arts.
+
+Revealing their singular practice that combines performance, design, scientific research and technological innovation, the exhibition offers a poetic approach to social space and rethinks ways to act and model our environment.
+
+Many thanks to
+Aeroplastics Contemporary, Fonds Municipal de la Ville de Paris, Bipolar et biensur Fonds de dotation EDIS.
@@ -0,0 +1,14 @@
+---
+title: 'Matter(s) Matter(s)'
+media_order: MSU_green_desert_w.jpg
+image_align: left
+date_start: '04-01-2019 15:01'
+date_end: '09-01-2019 00:00'
+---
+
+[The Broad Art Museum](https://broadmuseum.msu.edu/exhibitions/matters-matters) MSU, East Lansing
+
+27 OCT 2018 – 3 MAR 2019
+
+This exhibition brings together new and recent projects by participants in the BRIDGE Artist-in-Residence Program at Michigan State University— a three-year-long initiative connecting international, cutting-edge artists with faculty and students across the university’s many colleges. With their shared interests in materiality and topical issues—the dual “matters” invoked in the exhibition title—the artists and their collaborators address a wide range of phenomena through interdisciplinary approaches to research, experimentation, and knowledge production. The exhibition thus reveals an “epistemological turn” in the arts and sciences, focusing on how knowledge is produced and how the process of production inflects meaning and interpretation. This major presentation highlights the incredible resources the university has to offer, and how artists and scientists work together to imagine the future, today.
+Featured artists include Art Orienté Objet (Marion Laval-Jeantet & Benoît Mangin), Evelina Domnitch & Dmitry Gelfand, Tagny Duff, HeHe (Helen Evans & Heiko Hansen), Zbigniew Oksiuta, Kuai Shen, Stelarc, and Sissel Tolaas.
@@ -0,0 +1,15 @@
+---
+title: 'CLOUD CRASH -  4th Lovelock Art Commission '
+image_align: left
+date_start: 15-02-2019
+date_end: 18-05-2019
+---
+
+[Cape Farewell](http://www.capefarewell.com/latest/891-lovelock-4.html) & [Manchester Museum of Science and Industry -MOSI](http://msimanchester.org.uk/whats-on/exhibition/cloud-crash)
+
+20th October 2016 – 3 February 2017
+
+
+For Cape Farewell’s annual Lovelock Art Commission hosted by the Museum of Science and Industry, Manchester (MSI), HeHe have taken inspiration from James Lovelock's Gaia Theory and latest climate science funded by the Natural Environment Research Council (NERC). Three new pieces placed in-situ across the museum - Airbag, Burnout and Diamonds In The Sky - depict micro-climates, pollution and artificially engineered clouds in provocative new contexts, blurring the boundaries between the natural and the man-made.
+
+Man-made clouds are blowing through the Museum of Science and Industry’s industrial heritage site. The Cloud Crash exhibition features three new art installations illustrating micro-climates, a manufactured airspace and digitally reproduced clouds. These are set in motion in an imaginative assimilation of atmospheric research.
@@ -0,0 +1,12 @@
+---
+title: 'CORRIDOR I: ONKALO'
+image_align: left
+---
+
+[In Situ Space for Contemporary Art](http://insitu-berlin.com/) Berlin
+
+Kurfürstenstrasse 21-22, 10785 Berlin
+
+22 October 2016 - 21 January 2017
+
+with Armin Keplinger, HeHe, Egor Kraft, Klaus Lutz
@@ -0,0 +1,14 @@
+---
+title: 'ECO-VISIONARIES (Basel)'
+media_order: hek_hehe3.jpg
+image_align: left
+---
+
+[HeK Haus der elektronischen Künste](http://www.hek.ch/)
+
+30 august 2018 – 11 nov 2018
+
+The exhibition Eco-Visionaries is dedicated to the topic of ecological change and presents artistic responses to current challenges. It investigates new media, technologies and techno-scientific methods in the arts and their significance for the perception and awareness of the “ecological.”
+rtists: Baggenstos/Rudolf, Ursula Biemann, Maria Castellanos & Alberto Valverde, Diller Scofidio + Renfro, Chris Jordan, Terike Haapoja, HeHe, Joana Moll, Juanjo Palacios, Rasa Smite/Raitis Smits, Gilberto Sparza, Unknown Fields Division, Aline Veillat u.a.
+
+Curators: Sabine Himmelsbach, Karin Ohlenschläger, Yvonne Volkart
@@ -0,0 +1,16 @@
+---
+title: 'ECO-VISIONARIES (Lisbon)'
+media_order: eco_vis_catalog_w.jpg
+image_align: left
+date: '11-04-2018 18:00'
+date_start: 10-01-2019
+date_end: 09-01-2019
+---
+
+[Museum of Art Architecture & Technology - MAAT](https://www.maat.pt/en/about)
+
+11 April 2018 – 8 October 2018
+
+Curated by Pedro Gadanho with Mariana Pestana, ed altri.
+
+With works by Territorial Agency, Design Crew for Architecture, Malka Architecture, Daniel Arsham, Ana Vaz & Tristan Bera, BIG,Carolina Cayedo, Parsons & Charlesworth, Unknown Fields Division, Design Earth (Rania Ghosn & El Hadi Jazairy),Genomic Gastronomy, John Gerrard, Alexandra Daisy Ginsberg, Tue Greenfort, Nelly Ben Hayoun, HeHe, Kiluanji Kia Henda, Andrés Jaque, Wanuri Kahiu, Kristof Kintera, The Living, Basim Magdy, Pedro Neves Marques, MVRDV, Eva Papamaragariti, Ornaghi & Prestinari, Rimini Protokoll, Dunne & Raby, Diller Scofidio + Renfro, Wasted Rita, Miguel Soares, SKREI, Superflex, Philippe Rahm Superuse, Ursula Biemann + Paulo Tavares, Zak Ové, among others.
@@ -0,0 +1,11 @@
+---
+title: 'Festival Accès)s( #18'
+media_order: acess_festival_w.jpg
+image_align: left
+---
+
+[Paysage Fiction au Bel Ordinaire, Billière](https://acces-s.org/agenda/archives/festival/2018/1162-paysage-fiction/)
+
+11 oct – 8 dec 2018
+
+La nature devenant « technologique » et la technologie se dissimulant dans des approches « naturelles », la 18e édition du festival accès)s( sondera au travers d’un parcours d’exposition, de projections, de performances et de conférences, la manière dont les paysages technologiques deviennent matière à fiction, voire à vision prospective quant à la relation ambiguë que l’Homme entretient avec la nature.
@@ -0,0 +1,16 @@
+---
+title: 'Gone with the Wind'
+media_order: GWW_Poster_w.jpg
+image_align: left
+---
+
+[Public Works - Utrecht](http://www.publicworksutrecht.nl/en)
+
+HeHe site specific artwork for the railway station area @ Beatrixgebouw Jaarbeurs, Utrecht, NL
+
+10.10.16 – 06.01.17
+
+
+Standing upright in the city, a small tower crane has undergone a change.  The structure of the jib has mutated, into a variant form with an uncertain function. Contorted, it is a departure from the ordered geometry of an ordinary crane. It is as if some invisible force has begun a process of disintegration. The crane's jib, that should be carrying heavy weights, has in part been carried off by the wind.
+
+Gone with the Wind alludes to a vanitas for our consumer-driven culture. It suggests the transient nature of man made objects and in particular modern technology. It is a visual reminder that what we make and build is temporary. Despite the vast building developments underway in the centre of the city, it hints that modernism, utopia and civilisation are actually rather fragile. As if the 'advances' that we make are actually just on the surface and that the whole edifice of progress and order could so easily collapse.
@@ -0,0 +1,16 @@
+---
+title: 'How much of this is fiction'
+media_order: tremblay2.jpg
+image_align: left
+---
+
+[FACT - Fondation for Art & Technology](https://www.fact.co.uk/), Liverpool & [HeK - House of Electronic Arts](http://www.hek.ch/en/program/events-en/event/how-much-of-this-is-fiction-1.html), Basel
+
+2 March – 31 May 2017
+
+A group show exploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics.
+As well as acting as a timely reflection on the nature of truth in a time filled with fake news, misinformation, and tactical propaganda, the show also serves a historical purpose. Many of the high-speed media interventions showcased in the show are, to a degree, legacies of ‘Tactical Media’; a cultural and political movement that flourished in the late 90s. Tactical Media was the first to combine the power of art, the practices of PR and advertising worlds, and an experimental approach to digital media, to mount hit-and-run interventions in the media sphere aiming to create chaos as a means of generating political opportunity.
+
+With Morehshin Allahyari, Arabian Street Artists, Matthieu Cherubini, Paolo Cirio, Coco Fusco, Paul Garrin, Maia Gusberti, HeHe, Mediengruppe Bitnik, Robert M. Ochshorn, Julian Oliver & Danja Vasiliev, Ian Alan Paul, Superflux, The Yes Men, UBERMORGEN, Wachter & Jud.
+
+Curated by Annet Dekker & David Garcia
@@ -0,0 +1,16 @@
+---
+title: 'Il Terzo Giorno'
+media_order: il_terzo_giorno.jpeg
+image_align: left
+---
+
+[Palazzo del Governatore, Parma](http://www.ilterzogiorno.it/#quote-1)
+
+20 April — 1 July 2018
+
+The “The Third Day” exhibition offers the city a new and unexpected insight on the topic of sustainability. A scientific environmentalist denunciation is replaced by an evocative and poetic narration. It takes visitors through a cathartic journey that begins with the Third Day of Genesis, the birth of nature and plant species, Genesis 1.9, that goes through creation, destruction, overcoming, nihilism, as far as a return to nature with a palingenesian pattern that follows sensations.
+
+With works by Marina Abramović, Jane Alexander, Giovanni Anselmo, Nobuyoshi Araki, Roger Ballen, Olivo Barbieri, Gabriele Basilico, Alighiero Boetti, Jonas Burgert, Jake & Dinos Chapman, Mat Collishaw, Marc Couturier, Jimmie Durham, Jan Fabre, Hamish Fulton, Mario Giacomelli, Piero Gilardi, Leon Golub, HeHe, Anna Ippolito e Marzio Zorio, John Isaacs, Francesco Jodice, Bodys Isek Kingelez, Dorothea Lange, Richard Long, Andrea Marescalchi, Ryan Mendoza, Mario Merz, Eric Poitevin, Simone Racheli, Sebastião Salgado, Salvo, Serse, Tracey Snelling, Mircea Suciu, Gavin Turk, Nils-Udo, Koen Vanmechelen, Sandra Vasquéz De la Horra, Gilberto Zorio
+
+
+
@@ -0,0 +1,13 @@
+---
+title: 'J''AI MES CERTITUDES SUR MES DOUTES'
+media_order: caen_artoteque.jpg
+image_align: left
+---
+
+[Artothèque, Espaces d’art contemporain de Caen](http://www.artotheque-caen.net/?nomRubrique=expositions&nomPage=l%A4artotheque)
+
+22 octobre au 23 décembre 2016
+
+À l'occasion des trente ans de L'Artothèque, c’est une collection privée que celle-ci décide d'exposer pour cette fin d'année 2016. Sous le titre « J’ai des certitudes sur mes doutes », l’exposition réunit un ensemble de quelque 50 œuvres sélectionnées parmi celles passionnément collectées par leur propriétaire au cours des trente dernières années.
+
+Une sélection non-exhaustive d'œuvres de l'exposition est présentée dans ce dossier pédagogique. L'architecture, le corps, et l'environnement sont trois thèmes chers au collectionneur, trois axes de réflexions majeurs aux acquisitions de cet amateur d'art. Sont à découvrir des grands noms de l'art contemporain, comme Gilles Barbier, Nikki de Saint Phalles, ou encore Jacques Villéglé, mais également de jeunes artistes comme Samuel Rousseau, Séverine Hubard ou Florent Lamouroux.
@@ -0,0 +1,14 @@
+---
+title: 'LEAVE IT IN THE GROUND'
+media_order: romania_w.jpg
+image_align: left
+---
+
+[House of Arts](https://duul.cz/en/leave-it-in-the-ground/), Ústí nad Labem, Czech Republic
+
+26/10/2017 – 8/12/2017
+
+Group international exhibition focus on the topic of environmental, the relationship between the ecology and the economy and reflected by the art works.
+Artists: Marlene Hausegger, HeHe, Markus Jeschaunig, Zdena Kolečková, Folke Köbberling, Richard Loskot & Mjölk, Polonca Lovšin, Cecylia Malik & Polish Mothers on Tree Stumps, Resanita, Oliver Ressler, Michaela Thelenová, Martin Zet
+
+Curated by Margarethe Makovec and Anton Lederer from [< rotor > association for contemporary art.](http://rotor.mur.at/frameset_aktuell-eng.html)
@@ -0,0 +1,20 @@
+---
+title: 'MAN MADE CLOUDS - HeHe'
+media_order: Man-Made-Clouds-01_w.jpg
+image_align: left
+---
+
+[Editions Hyx, Orleans](http://editions-hyx.com) & [Pollinaria](http://www.pollinaria.org)
+
+September 2016
+
+The long awaited Man Made Clouds book is now available.
+
+An editorial project by the HeHe, Man Made Clouds Clouds is both a series of artistic interventions and a cultural analysis of atmospheric emissions.
+Contributing authors are HeHe, Jens Hauser, Noortje Marres, Gunnar Schmidt, Malcom Miles and Jean-Marc Chomaz.
+
+Natural clouds occupy a special place in our imaginations, their countless forms and meanings offer infinite possibilities for metaphor. HeHe's projects use clouds as a visual metaphor to aestheticise toxin coated atmospheric emissions. Smog, radioactive clouds, clouds produced by exhaust fumes, cigarettes or industrial emissions are visualised, highlighted, outlined, coloured or put under the spotlight, to alert us— not without humour—on our arrival in the Anthropocene age.
+
+Of the fifteen projects shown and discussed in the book, the most ambitious and emblematic is Nuage vert (Green Cloud) which earned the prestigious Golden Nica at the festival Ars Electronica in 2008. The book includes original documentation on the reception of Nuage Vert which sparked a political controversy when it was staged on a waste incinerator cloud in Saint Ouen (2009) and Ivry-sur-Seine (2010).
+
+Man Made Clouds is also a work of craft. Each book contains an ex-libris of smokeable paper, hand-made from 100% organic tobacco, specially cultivated in the soil of [Pollinaria](http://www.pollinaria.org), Abruzzo, Italy.
@@ -0,0 +1,16 @@
+---
+title: 'The Street. Where the World Is Made'
+media_order: MAXXI_LaStrada_w.jpg
+image_align: left
+date_start: 10-04-2019
+---
+
+[MAXXI, Rome](https://www.maxxi.art/en/events/la-strada-dove-si-crea-il-mondo/)
+
+December 7th 2018 - April 28th 2019
+
+Curated by Hou Hanru and curatorial team of MAXXI
+
+More than 140 artists and over 200 works to compose the multicultural, polyglot, colorful, scary, stimulating, deafening story of the streets of the whole world, the real great laboratory for discussion, creation, comparison, where the contemporary era is invented. Works of art, architectural projects, photographs, performances, site-specific interventions and videos welcome visitors to a sequence of galleries that form a street dozens of metres long.
+
+The exhibition is organised based on themes – public actions, daily life, politics, the community, innovation, the role of the institution – fundamental for understanding the new functions and identity of the modern-day street.
@@ -0,0 +1,6 @@
+---
+title: 'News 55'
+image_align: left
+---
+
+Faux texte
@@ -0,0 +1,13 @@
+---
+title: 'Parcours Art & Nature du Sundgau - STUWA'
+image_align: left
+---
+
+[PROJET COAL](http://www.projetcoal.org/coal/en/category/stuwa-art-et-nature-dans-le-sundgau/)
+CENTIPEDE VLO2 (Vehicule Léger Ontologique) installed in Werentzhouse, Sundgau, Alsace 
+ 
+4.06.2017-4/09/2017
+
+STUWA is the artistic tour of the villages of Sundgau, created in 2015 at the instigation of the tourist office of the Pays du Sundgau, in south Alsace. COAL has been the artistic director of this program since its inception.
+
+The Stuwa was the living space of the traditional Sundgauvian house. It is in this place of gathering and exchange that language, tales, history and cuisine, in short the culture of the territory, was forged and shared. The Le parcours Art et Nature de Sundgau, as it is called, proposes to facilitate the exchanges between the inhabitants and the visitors. The works of art of the course, thus become collective Stuwa, which reflect the cultural and geographical richness of the territory. Every year COAL invites seven artists to invest seven Sundgau villages. The projects are selected on a call for projects with the referents of the participating villages. Each piece is made with local skills and know-how.
@@ -0,0 +1,14 @@
+---
+title: 'paysage fiction'
+media_order: exhibit.jpeg
+image_align: left
+---
+
+[Tétris / EXHIBIT](https://letetris.fr/exhibit)
+in association with Un été au Havre, Le Havre
+
+23 juin — 2 septembre 2018
+
+L’ exposition Paysage-Fiction, imaginée par Charles Carcopino, offre la possibilité d’explorer notre rapport au paysage et de l’appréhender comme un témoin de notre époque connectée et de ses préoccupations. Au travers de formes plastiques, visuelles et interactives, les artistes invitent à la contemplation d’une nature devenue matière vivante, animée, sublimée, parfois sur-réelle et ré-inventée. Ils imaginent des paysages fictionnels comme autant d’histoires dont le spectateur devient l’auteur.
+
+Artistes invités :  Hehe, Justine Emard, David de Tscharner, Fabien Léaustic, Claire Isorni, Yeondoo Jung, Jacques Perconte, Laurent Pernot, Niklas Roy, Naïmé Perrette, Bertrand Lamarche, Momoko Seto, Gabriel Lester, Perry Hall, Claire Isorni, Mischa Daams, Quentin Euverte et Florimond Dupont, Atsunobu Kohima, Olivier Ratsi, Alice & David Bertizzolo, Jean Lain et Michel de Broin.
@@ -0,0 +1,10 @@
+---
+title: 'Quirky Ecologies'
+media_order: click2.png
+image_align: left
+---
+
+[Click Festival](https://www.clickfestival.dk/previous-click-2017/)
+for contemporary art, science and technology.
+Helsingor, Danemark
+20-21 May 2017. 
@@ -0,0 +1,12 @@
+---
+title: 'ECO-VISIONARIES (London)'
+image_align: left
+date: '24-11-2019 23:32'
+---
+
+[ROYAL ACADEMY OF ARTS](https://www.royalacademy.org.uk/exhibition/architecture-environment-eco-visionaries)
+
+24 november 2019 – 23 february 2020
+
+Eco-Visionaries is a survey of current practices of art and architecture that, beyond mainstream notions of sustainability, respond with original approaches to the environmental transformations that are disturbing our planet. Through photography, film, sculpture, installation, architectural models and digital media, the works in this exhibition interrogate how cutting edge art and architecture can help us respond to a rapidly changing world.
+The exhibition brings together international practitioners, including Superflex, Unknown Fields, Andrés Jaque / Office for Political Innovation, HeHe and Malka Architecture, among others. Together they provide critical reflections on mankind’s impact on the earth, and identify possibilities for innovation and action.
@@ -3,6 +3,6 @@ title: News
 content:
    items: '@self.modular'
    order:
+        by: header.date_start
        dir: desc
 ---
-
@@ -1,14 +1,12 @@
 ---
-title: 'A propros'
+title: About
 ---

-### [Contact](#)
+##Our Research Mission##

-Prénom Nom
-N°Téléphone
-[email](https://kevintessier.net)
+HeHe is Europe’s smallest art-oriented research organization. Our research efforts are geared entirely to people’s undesired needs: health, security, communication, energy and the environment. As a result, the work undertaken by our researchers and developers has a signifying impact on people’s lives. We are creative. We shape technology. We design art. We abuse methods and techniques. We open up new vistas. In short, we forge the past and fake the future...[Orginal source](https://www.fraunhofer.de/en/about-fraunhofer/profile-structure.html)
+<br>

-**Présentation**
-Faux-texte: a pour fonction de faire office de texte de substitution ou d'outil permettant la comparaison et l'appréciation de différentes polices.
+##Our People##

-On appelle Lipsum un texte qui, en l'absence du texte définitif, sert de substitut aux futurs contenus lors de la production de maquettes pour les publications ou sites Web. Le terme Lipsum est issu de la contraction du plus connu de ce type de texte "Lorem ipsum". Ils sont également connus sous les noms de texte blanc, faux-texte, bolo bolo, pseudo texte, texte factice, vrai faux texte, faux contenu, texte de remplissage, de remplacement, ou d'attente. Outre son usage dans les milieux de l'imprimerie et du graphisme, certains chansonniers en font l'utilisation lors de la composition de mélodies, chantant ces textes en amont de l'écriture de leur textes. L'utilisation de faux-textes aurait déjà été une pratique courante depuis le 16ème siècle dans les milieux de l'imprimerie et de la composition.
+Further reading about [HeHe on the African continent](https://en.wikipedia.org/wiki/Hehe_people)
@@ -0,0 +1,7 @@
+---
+redirect: 'http://hehe.kevintessier.net'
+---
+
+---
+
+---
@@ -0,0 +1,17 @@
+---
+title: contact
+---
+
+##Contact##
+<br>
+HeHe:    H.Evans & H.Hansen 
+Email:    contact @ hehe.org
+
+Studio:  HeHe Association
+         	 5 Impasse Dagobert, Le Havre 76600
+
+Gallery: [Aeroplastics Contemporary](http://www.aeroplastics.net), Brussels, BE
+         	 contact @ aeroplastics.net
+        
+
+<br>
@@ -0,0 +1,56 @@
+---
+title: publications
+media_order: 'Man Made Clouds 01.jpg'
+---
+
+[ART MONTHLY](https://www.artmonthly.co.uk/magazine/site/issue/october-2013) 370: October 2013, HeHe PROFILE by Bob Dickinson
+[WMMNA](http://we-make-money-not-art.com/man-made-clouds-atomic-phantasmagoric-and-political/) 10/10/2016 Book review: Man Made Clouds: atomic, phantasmagoric and political by Regine Debatty
+[Practicable](https://mitpress.mit.edu/books/practicable): From Participation to Interaction in Contemporary Art. Edited by Samuel Bianchini and Erik Verhagen. MIT Press 2016. Contribution by HeHe, interviewed by Jean-Paul Fourmentraux
+<BR>
+___
+![](Man%20Made%20Clouds%2001.jpg)
+<BR>
+MAN MADE CLOUDS by HeHe
+[Editions Hyx, Orléans](http://editions-hyx.com)
+Contemporary Art - Collection OX
+
+Includes an Ex-Libris made of organic Burley tobacco [Made in Pollinaria](http://pollinaria.org/)
+Bilingual English-French
+Soft bound
+Format : 21 x 29,7
+496 pages CMKY
+235 illustrations
+ISBN 978-2-910385-77-4
+Price : 30 €
+Weight : 2 kg
+1000 copies
+
+Distribution in France : HYX
+International distribution : Idea Books
+
+Published with the support :
+Centre national des arts plastiques (France)
+Von Braun Foundation (Germany)
+Pollinaria (Italy)
+
+Authors : HeHe, Jens Hauser, Noortje Marres, Gunnar Schmidt, Malcom Miles and Jean-Marc Chomaz
+
+Essays:
+"Atmosph-Air? Atmos-Faire", Jens Hauser
+"Smoke signals", HeHe
+"Architecture of clouds" HeHe
+"Factory Clouds: the art of pollution", HeHe
+"Who is afraid of the green cloud? Environmental rendering of controversy ", Noortje Marres
+"Smoke screens: phantasmagoria and the origins of media art", Gunnar Schmidt
+"A green ellipse", Malcolm Miles
+"Latent Impacts : catastrophes in slow motion", Jean-Marc Chomaz
+
+Edited by the HeHe, Man Made Clouds Clouds is based on a series of artistic interventions and a cultural analysis by six authors of atmospheric emissions.
+
+Natural clouds occupy a special place in our imaginations, their countless forms and meanings offer infinite possibilities for metaphor. HeHe's projects use clouds as a visual metaphor to aestheticise toxin coated atmospheric emissions. Smog, radioactive clouds, clouds produced by exhaust fumes, cigarettes or industrial emissions are visualised, highlighted, outlined, coloured or put under the spotlight, to alert us— not without humour—on our arrival in the Anthropocene age.
+
+Of the fifteen projects shown and discussed in the book, the most ambitious and emblematic is Nuage vert (Green Cloud) which earned the prestigious Golden Nica at the festival Ars Electronica in 2008. The book includes original documentation on the reception of Nuage Vert which sparked a political controversy when it was staged on a waste incinerator cloud in Saint Ouen (2009) and Ivry-sur-Seine (2010).
+
+Man Made Clouds is also a work of craft. Each book contains an ex-libris of smokeable paper, hand-made from 100% organic tobacco, specially cultivated in the soil of Pollinaria, Abruzzo, Italy.
+    
+___
@@ -6,7 +6,7 @@ themes/grav/.sass-cache
 themes/grav/js/admin.js
 themes/grav/js/vendor.js
 themes/grav/js/*.map
-/.idea
+.idea

 tests/_output/*
 tests/_support/_generated/*
@@ -1,3 +1,66 @@
+# v1.8.15
+## 12/14/2018
+
+1. [](#improved)
+    * Fire `onAdminSave()` event during `AdminController::taskSaveAs()` [#1544](https://github.com/getgrav/grav-plugin-admin/issues/1544)
+1. [](#bugfix)
+    * Clean user post to ensure dynamically added form fields are not saved
+
+# v1.8.14
+## 11/12/2018
+
+1. [](#bugfix)
+    * Fixed Grav core update potentially spinning forever because of an error which happens after a successful upgrade
+    * Saving in expert mode can cause `undefined index: header` error [#1537](https://github.com/getgrav/grav-plugin-admin/issues/1537)
+
+# v1.8.13
+## 11/05/2018
+
+1. [](#new)
+    * Added new `|nested()` Twig filter to access array objects with dot notation syntax
+1. [](#bugfix)
+    * Fixed issue with complex lists structure and nested dot-notation [admin#2236](https://github.com/getgrav/grav/issues/2236)
+
+# v1.8.12
+## 10/24/2018
+
+1. [](#improved)
+    * Updated various lang strings
+    * Removed duplicate lang strings
+1. [](#bugfix)
+    * Fix XSS checking when empty content [#1533](https://github.com/getgrav/grav-plugin-admin/issues/1533)
+    * Fix DirectInstall not working [#1535](https://github.com/getgrav/grav-plugin-admin/issues/1535)
+
+# v1.8.11
+## 10/08/2018
+
+1. [](#improved)
+    * Change usage of basename where possible [#1480](https://github.com/getgrav/grav-plugin-admin/pull/1480)
+    * Improved filename validation (requires Grav 1.5.3)
+    * Updated various lang codes
+1. [](#bugfix)
+    * File Uploads: Do not trust mimetype sent by the browser
+    * Fixed file extension detection
+    * Fix for HTML entities in page slug [#1524](https://github.com/getgrav/grav-plugin-admin/issues/1524)
+    * Fix for port in backup download links [#1521](https://github.com/getgrav/grav-plugin-admin/issues/1521)
+
+# v1.8.10
+## 10/01/2018
+
+1. [](#new)
+    * IMPORTANT: Non `admin.super` users are now subject to XSS validation in Page content.  Configurable via Configuration / Security
+    * New XSS content warnings and integration into page save
+    * Added new event `onAdminPage()` which allows plugins to customize `Page` object in `$event['page']`
+1. [](#improved)
+    * Use `Url:post()` to get the `$_POST` variable (allows common security checks/filtering for the POST data)
+    * Requires Grav 1.5.2
+1. [](#bugfix)
+    * Fixed redirect to correct URL after failed login
+    * Fixed issue in `filepicker` where missing images would cause a loop to try to load them
+    * Twig 2 compatibility fixes for macros
+    * Updated `composer.json` to better match Grav 1.5
+    * Remove `package-lock.json` as it was referencing an insecure JS package
+
 # v1.8.9
 ## 08/23/2018

@@ -360,7 +360,10 @@ class AdminPlugin extends Plugin
        }

        // Make local copy of POST.
-        $post = !empty($_POST) ? $_POST : [];
+        $post = $this->grav['uri']->post();
+
+        // Initialize Page Types
+        Pages::types();

        // Handle tasks.
        $this->admin->task = $task = !empty($post['task']) ? $post['task'] : $this->uri->param('task');
@@ -384,7 +387,17 @@ class AdminPlugin extends Plugin
            $page = new Page;
            $page->expires(0);

-            // First look in the pages provided by the Admin plugin itself
+            if ($this->grav['user']->authorize('admin.login')) {
+                $event = new Event(['page' => $page]);
+                $event = $this->grav->fireEvent('onAdminPage', $event);
+                $page = $event['page'];
+
+                if ($page->slug()) {
+                    return $page;
+                }
+            }
+
+            // Look in the pages provided by the Admin plugin itself
            if (file_exists(__DIR__ . "/pages/admin/{$self->template}.md")) {
                $page->init(new \SplFileInfo(__DIR__ . "/pages/admin/{$self->template}.md"));
                $page->slug(basename($self->template));
@@ -1,5 +1,5 @@
 name: Admin Panel
-version: 1.8.9
+version: 1.8.15
 description: Adds an advanced administration panel to manage your site
 icon: empire
 author:
@@ -13,7 +13,7 @@ docs: https://github.com/getgrav/grav-plugin-admin/blob/develop/README.md
 license: MIT

 dependencies:
-    - { name: grav, version: '>=1.5.1' }
+    - { name: grav, version: '>=1.5.3' }
    - { name: form, version: '>=2.14.0' }
    - { name: login, version: '>=2.7.0' }
    - { name: email, version: '>=2.7.0' }
@@ -18,6 +18,9 @@ form:
          title: PLUGIN_ADMIN.CONTENT

          fields:
+            xss_check:
+              type: xss
+              
            frontmatter:
              classes: frontmatter
              type: editor
@@ -31,6 +31,7 @@ class AdminTwigExtension extends \Twig_Extension
            new \Twig_SimpleFilter('toYaml', [$this, 'toYamlFilter']),
            new \Twig_SimpleFilter('fromYaml', [$this, 'fromYamlFilter']),
            new \Twig_SimpleFilter('adminNicetime', [$this, 'adminNicetimeFilter']),
+            new \Twig_SimpleFilter('nested', [$this, 'nestedFilter']),
        ];
    }

@@ -42,6 +43,23 @@ class AdminTwigExtension extends \Twig_Extension
        ];
    }

+    public function nestedFilter($current, $name)
+    {
+        $path = explode('.', trim($name, '.'));
+
+        foreach ($path as $field) {
+            if (is_object($current) && isset($current->{$field})) {
+                $current = $current->{$field};
+            } elseif (is_array($current) && isset($current[$field])) {
+                $current = $current[$field];
+            } else {
+                return null;
+            }
+        }
+
+        return $current;
+    }
+
    public function cloneFunc($obj)
    {
        return clone $obj;
@@ -170,11 +170,11 @@ class Admin

        /** @var \DirectoryIterator $directory */
        foreach (new \DirectoryIterator($path) as $file) {
-            if ($file->isDir() || $file->isDot() || Utils::startsWith($file->getBasename(), '.')) {
+            if ($file->isDir() || $file->isDot() || Utils::startsWith($file->getFilename(), '.')) {
                continue;
            }

-            $lang = basename($file->getBasename(), '.yaml');
+            $lang = $file->getBasename('.yaml');

            $languages[$lang] = LanguageCodes::getNativeName($lang);

@@ -202,7 +202,7 @@ class Admin
            if ($file->isDir() || !preg_match('/^[^.].*.yaml$/', $file->getFilename())) {
                continue;
            }
-            $configurations[] = basename($file->getBasename(), '.yaml');
+            $configurations[] = $file->getBasename('.yaml');
        }

        return $configurations;
@@ -365,7 +365,7 @@ class Admin
        
        $userKey = isset($credentials['username']) ? (string)$credentials['username'] : '';
        $ipKey = Uri::ip();
-        $redirect = $this->base . $this->route;
+        $redirect = isset($post['redirect']) ? $post['redirect'] : $this->base . $this->route;

        // Check if the current IP has been used in failed login attempts.
        $attempts = count($rateLimiter->getAttempts($ipKey, 'ip'));
@@ -595,7 +595,8 @@ class Admin
        }

        if (!$post) {
-            $post = isset($_POST['data']) ? $_POST['data'] : [];
+            $post = $this->grav['uri']->post();
+            $post = isset($post['data']) ? $post['data'] : [];
        }

        // Check to see if a data type is plugin-provided, before looking into core ones
@@ -637,12 +638,12 @@ class Admin
            $data[$type] = $obj;
        } elseif (preg_match('|users/|', $type)) {
            $obj = User::load(preg_replace('|users/|', '', $type));
-            $obj->merge($post);
+            $obj->merge($this->cleanUserPost($post));

            $data[$type] = $obj;
        } elseif (preg_match('|user/|', $type)) {
            $obj = User::load(preg_replace('|user/|', '', $type));
-            $obj->merge($post);
+            $obj->merge($this->cleanUserPost($post));

            $data[$type] = $obj;
        } elseif (preg_match('|config/|', $type)) {
@@ -669,10 +670,10 @@ class Admin
            $obj->file = $file;
            $obj->page = $this->grav['pages']->get(dirname($obj->path));

-            $filename = pathinfo($obj->title)['filename'];
-            $filename = str_replace(['@3x', '@2x'], '', $filename);
-            if (isset(pathinfo($obj->title)['extension'])) {
-                $filename .= '.' . pathinfo($obj->title)['extension'];
+            $fileInfo = pathinfo($obj->title);
+            $filename = str_replace(['@3x', '@2x'], '', $fileInfo['filename']);
+            if (isset($fileInfo['extension'])) {
+                $filename .= '.' . $fileInfo['extension'];
            }

            if ($obj->page && isset($obj->page->media()[$filename])) {
@@ -687,6 +688,25 @@ class Admin
        return $data[$type];
    }

+    /**
+     * Clean user form post and remove extra stuff that may be passed along
+     *
+     * @param $post
+     * @return array
+     */
+    protected function cleanUserPost($post)
+    {
+        // Clean fields for all users
+        unset($post['hashed_password']);
+
+        // Clean field for users who shouldn't be able to modify these fields
+        if (!$this->authorize(['admin.user', 'admin.super'])) {
+            unset($post['access']);
+        }
+
+        return $post;
+    }
+
    protected function hasErrorMessage()
    {
        $msgs = $this->grav['messages']->all();
@@ -1418,6 +1438,9 @@ class Admin
            $path = "/{$path}";
        }

+        // Fix for entities in path causing looping...
+        $path = urldecode($path);
+
        $page = $path ? $pages->dispatch($path, true) : $pages->root();

        if (!$page) {
--- a/Show More
+++ b/Show More